Podcasts about solarpunk magazine

Welcome to the first interview in my series of episodes on writing with disabilities and limitations.I sit down with a wonderful Writerly Love membership community member, Shantell Powell, a two-spirit author, artist, and self-described swamp hag who grew up on the land and off the grid. Her publication credits include Augur, Solarpunk Magazine, MetaStellar, The Deadlands, and honestly keep racking up—we talk about how she does this in the episode, and she has an excellent hack for writers with ADHD to track submissions that I think is brilliant and would be helpful to many writers, myself included.We get into her often very visceral writing; she reads a piece that I would describe that way, visceral, and speculates a little about why that flavour comes out in her work. For this series and focus, we talk about how she works with her various limitations and disabilities, which include neurodivergence and now long COVID-19, among other conditions and limitations. Listen in to hear from a singular writer whose writing practice shows that there is not one way to be a writer.Show notes: https://rachelthompson.co/91--Sign up for my Writerly Love Digest filled with support for your writing practice, prompts, and lit mag publications sent every week. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Brianna Castagnozzi, one of the editors-in-chief of Solarpunk Magazine, is here to give up the solarpunk artist's eye view on solarpunk art and AI; a very different take than the solarpunk hacker's view given to us by John Threat in season three episode seven. As much as I (Christina) was convinced by John's advice not to stick your head in the sand but to master the tools of your capitalist overlords, Bri has equally compelling points about not joining into an activity that exploits the work of artists without their consent and without compensating them.Join us!You can follow Bri and her art at @mosshawkarts on xitter and Tumblr and at @mosshawk_arts at YouTube and Instagram. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hey! It's time for another episode of Sonitotum with Matthew Wayne Selznick! This time, I sit down and talk about making stuff (mostly writing), finding success as we each define it, and staying healthy and sane in the process with horror and "weird" fiction author Anna Ziegelhof! In our wide-ranging and free-wheeling discussion, we touch on the shift from writing as an escape to writing as a vocation, crafting fiction from a thematic germ, employing dream logic in magic realism and weird fiction, asking questions of characters, method writing, "plantsing," storyworlds and story wikis, anxiety vs. productive creativity... and much, much more. The conversation with Anna Ziegelhof was recorded on June 5th, 2023. The rest of this episode was recorded on October 11, 2023. About Anna Ziegelhof Anna Ziegelhof writes horror and science fiction short stories. In either genre, she likes philosophical stories with themes like identity, memory, and belonging. There's usually a spark of hope and whimsy, even in her darker stories. She also writes long-form fiction and has some science fiction novels and novellas in the works. Her short stories can be found in many different online and print publications, like The Horror Library volume 8, Luna Station, Solarpunk Magazine, The Future Fire, Daily Science Fiction, the Flametree Press anthology Footsteps in the Dark, in several horror anthologies, and on the Tales to Terrify and Flash Fiction podcasts. Anna is also an academic with a subject background in Sociology and Jewish Studies. She is a self-declared language-nerd and has been a language instructor, editor, translator, and, most recently, a linguist in the tech industry, working on Voice AI. She is currently on the editorial board of a magazine for academics who write fiction – AcademFic. She is a member of SFWA (Science Fiction and Fantasy Writers Association) and HWA (Horror Writers Association). Originally from Germany, she has lived abroad since 2008, first in England and then since 2015 in the San Francisco Bay Area. When she isn't writing she enjoys reading, traveling, encountering strange places, being in nature, looking at art, as well as singing in a chamber choir. You can find her on Instagram as @anna with a z (all one word) and at www.annaziegelhof.com. Also In This Episode Stick around after the conversation with Anna Ziegelhof for big news about what's coming next for Sonitotum with Matthew Wayne Selznick, and my creative endeavors in general! Links and Topics Mentioned in This Episode My day job? I'm a creative services provider helping authors, podcasters and other creators. How can I help you? The Science Fiction and Fantasy Writers Association. The Horror Writers Association. The new wave science fiction movement of the mid-twentieth century. In the episode, I refer to it as "new fiction." Michael Moorcock's Eternal Champion, Elric, and Jerry Cornelius. A quick search reveals I'm far from the first person to draw a line from Jerry Cornelius to Austin Powers. The Avengers television series. The abandoned building "backrooms" internet meme. Vantablack, the blackest black that ever did black. I touch on difficulties I had approaching the point of view for Shadow of the Outsider, the follow-up to my novel Light of the Outsider. That flash fiction probably erroneously attributed to Hemingway that's almost a Zen koan. I swear I will try not to mention the damn David Simon quote for a few episodes. Pinky swear. Anna mentions a TED talk from JJ Abrams. I cannot promise this will be the last time Always Coming Home by Ursula K. Le Guin comes up on the podcast. But in my defense, I didn't mention it first! Hugh Howey's Silo storyworld. I talk about a writing exercise on writing bad guys. Are you a writer or author? Want to be a future guest on Sonitotum with Matthew Wayne Selznick? Learn more! Big thanks to my Multiversalists patron community, including Amelia Bowen, Ted Leonhardt, Chuck Anderson, J. C. Hutchins, Jim Lewinson, and Pearl Zare! I'm incredibly grateful for the support of my patrons. If Sonitotum with Matthew Wayne Selznick brings you joy, become a patron! The Multiversalists patron member community receives the uncut, unedited version of every episode. For this episode, patrons get almost fifteen minutes of additional content! Want in on that? Become a patron for at least $5.00 per month (start with a free seven-day trial / cancel any time) and get a bunch of other perks and special access, too. Every month the member community has at least twenty members, I will donate 10% of net patron revenue to 826 National in support of literacy and creative writing advocacy for children. Let's go! Love Sonitotum with Matthew Wayne Selznick and have the desire and means to make a one-time donation in support of the show? Donate via PayPal or leave a tip via Ko-Fi, with my grateful thanks.

In the third Solarpunk column, Justine Norton-Kertson, editor of Solarpunk Magazine, explores anarchism and prefigurative politics. Then discusses how those have shaped Solarpunk and could shape our future.

"Sometimes the protest comes in the form of literature." Oliver speaks with Abriana Tuller from Solarpunk Magazine about this social issue driven, solution-focused scifi subgenre, the magazine named after it, and more. https://solarpunkmagazine.com   www.soimwritinganovel.com PATREON: www.patreon.com/soimwritinganovel BUY OLIVER'S BOOKS: https://www.oliverbrackenbury.com/store SO I'M WRITING A NOVEL... TWITTER: https://twitter.com/so_writing OLIVER'S TWITTER: https://twitter.com/obrackenbury Oliver's Link Tree (For everything else): https://linktr.ee/obrackenbury

  Could the power of story-telling help create a better reality?  Afterglow is a stunning collection of original short stories in which writers from many different backgrounds envision a radically different climate future. Published in collaboration with Grist, a nonprofit media organization dedicated to telling stories of climate solutions, these stirring tales expand our ability to imagine a better world. Afterglow draws inspiration from a range of cutting-edge literary movements including Afrofuturism, hope-punk, and solar-punk—genres that uplift equitable climate solutions and continued service to one's community, even in the face of despair. The Indigenous, Latinx, Asian, disabled, feminist, and queer voices in this collection imagine intersectional worlds in which no community is left behind. Whether through abundance or adaptation, reform, or a new understanding of survival, these stories offer flickers of hope, even joy, as they provide a springboard for exploring how fiction can help create a better reality. Panelists Sheree Renée Thomas is a New York Times bestselling, two-time World Fantasy Award-winning author and editor. A 2023 Octavia E. Butler Award honoree and a 2022 Hugo Award Finalist, she is the author of Nine Bar Blues: Stories from an Ancient Future, a Locus, Ignyte, and World Fantasy Finalist, Marvel's Black Panther: Panther's Rage novel, and she collaborated with Janelle Monáe on “Timebox Altar(ed)” in The Memory Librarian and Other Stories of Dirty Computer. She co-edited Africa Risen: A New Era of Speculative Fiction, a NAACP Image Award Nominee, and is the Editor of The Magazine of Fantasy & Science Fiction. Sheree lives in her hometown, Memphis, Tennessee, near a mighty river and a pyramid. Justine Norton-Kertson is a genderfluid author of stories and poems as well as a screenwriter, game maker, musician, and community organizer. They're the founder and Editor-in-Chief of Android Press and Solarpunk Magazine. They've been published in magazines such as Utopia Science Fiction and Jupiter Review. Their anthologist debut, Bioluminescent: A Lunarpunk Anthology, was published in January 2023 from Android Press. And their debut nonfiction book, Solarpunk Witchcraft, is forthcoming from Microcosm Publishing in 2024. They live in rural Oregon with their partner, puppies, cats, goats, bunnies, and beehives. Find them at http://justinenortonkertson.com Andrew Simon is a writer and editor living in Seattle. Simon has been an editorial leader at award-winning media organizations including Grist, Fast Company, ESPN, and Complex Media. He's launched a journalism fellowship, the annual Grist 50 list, and a podcast, among other projects. He currently works on thought leadership and business solutions. He is co-author of the book ‘Racing While Black: How an African-American Stock Car Team Made Its Mark on NASCAR.' Tory Stephens creates opportunities that transform organizations and shift culture. He is a resource generator and community builder for social justice issues, people, and movements. He currently works at Grist Magazine as their climate fiction creative manager and uses storytelling to champion climate justice, and imagine green, clean, and just futures. In another life, he owned a kick-butt streetwear company, and he would have gotten away with eating the last cookie too if it weren't for his three meddling kids. Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future. Its goal is to use the power of storytelling to illuminate the way toward a better world, inspire millions of people to walk that path with us, and show that the time for action is now. Afterglow Third Place Books

The situation in Lebanon today is bleak. Carved out of the remains of the Ottoman Empire and subjected to years of colonialism-lite administration by France, its economy and infrastructure have been devastated by a long civil war, overlapping occupations by Syria and Israel, and corruption on a massive scale. Since 2019, Lebanon has been in the midst of a severe financial crisis, with widespread unemployment and hyperinflation. Now 80% of the population is poor and Lebanon is on the brink of becoming a failed state.And yet, JD Harlock, Poetry Editor at Solarpunk Magazine, who lives in Beirut, believes in solarpunk. Join us for this episode to find out how that can be and what day to day life is like in Beirut right now.You can find JD on Twitter and Instagram at @JD_Harlock.#Lebanon #EconomicCrisis #SolarpunkConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP, Mastodon @solarpunkpresents@climatejustice.rocks, or at our blog https://solarpunkpresents.com/Connect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shopSupport the show on Patreon or make a one-time donation via PayPal. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In the finale of Solarpunk Presents' first-ever season, Ariel and Christina sit down to chat together about the Winter Solstice - Christina brings the scientific knowledge, Ariel brings a few book recommendations, and we discuss traditions of celebrating the return of the sun (as we've experienced them in the northern hemisphere). What are your favourite solstice traditions? Do you have recommendations of good solarpunk solstice stories to cozy up with? You can tweet at us @SolarpunkP or toot at us over on Mastodon @solarpunkpresents@climatejustice.rocks and let us know. Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

As the changing climate increasingly disrupts our ways of life, we have three choices: do nothing, attempt to stop or even reverse climate change, and/or figure out how to withstand it. Option one is a terrible idea and the ship has (mostly) sailed on option two. But option three is how we learn to live—and maybe even thrive—in our changing world. Part of this is figuring out how to convey the information that climate researchers have gathered to the people—like farmers, water managers, and urban planners—who need to make decisions now—about things like what crops to plant, where to get water for everyone and how to allocate it, and where to plant trees—for both the near and slightly distant future. In this episode, we're talking to Professor Lisa Dilling, of the University of Colorado, Boulder, about building networks of people through which information about regional climate predictions can flow to people and information about the needs, predicaments, and questions of people can flow to climate researchers.You can follow Lisa Dilling on Twitter at @LisaD144, and the Western Water Assessment program at University of Colorado here: @WWAnews or visit their website at https://wwa.colorado.edu/ Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Historian Benjamin Hunnicutt has called the push for more free time the “forgotten American dream"; but somewhere along the way the pursuit of that happiness was replaced by the idea that work and wealth are ends in themselves. This week, we're imagining the utopian and dystopian futures of work. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Alisha Bhagat, Muhammad Floyd, Rob Cameron, Brad Parks, James Earl King, Carlos Luis Delgado, Christopher Lazariuk, and the Kaleidocast podcast.• LINKSAssemblymember Kenny Burgos was born and lives in the Bronx, New York. Assemblymember Burgos graduated from the Bronx High School of Science and received his Bachelor's Degree in Economics from the University at Albany. He has worked as a Deputy Chief of Staff and Budget Director on the New York City Council.Alex Soojung-Kim Pang is the global programs and research manager for 4 Day Week Global, a nonprofit devoted to advancing the 4-day week. He also offers keynotes about deliberate rest through his own company, Strategy and Rest. Alex's work has been written about in the New York Times, the New Yorker, the Financial Times, the Guardian, and other venues. Alex is the author of four books, including SHORTER: WORK BETTER, SMARTER, AND LESS– HERE'S HOW (US | UK); REST: WHY YOU GET MORE DONE WHEN YOU WORK LESS (US | UK); and THE DISTRACTION ADDICTION (US).Together, these books have been translated into more than a dozen languages. His op-eds and articles have appeared in The Wall Street Journal, The Guardian, the South China Morning Post, and many other venues.Ashley Nelson is the Communications Director at the International Coalition of Sites of Conscience, a global network of over 300 historic sites, museums, and memory initiatives in more than 65 countries dedicated to remembering past struggles and addressing their contemporary legacies. In addition, Ashley has written on culture, politics and women for a variety of publications, including The New York Times, The Guardian, The Washington Post, and The Nation.Alisha Bhagat is a futurist focusing on the creative use of futures tools to impact long term positive change, particularly around social justice and equality. She utilizes systems thinking, mapping,and speculative futures to engage with stakeholders on strategic visions and the actions needed to achieve them. She has worked with public sector partners on topics such as the future of feminism, neo-nationalism, and the impact of COVID-19.Carlos Luis Delgado lives with his roommates and a large cat in Brooklyn, New York. He writes speculative fiction early in the morning before the cat wakes up to yowl for breakfast and edits other people's fiction at night after it's eaten dinner. In 2016 he won the People's Telly Award for Outstanding Comedic TV Writing. He holds a BA in English Literature from Rutgers University and wonders when he can let it go. Follow @Delgadowrites.Christopher Lazariuk is a writer, producer, creator, and sound designer seeking representation for his debut cli-fi thriller novel: THE PYRITE VICTORY. Christopher is a member of the Brooklyn speculative Fiction Writers group, and a contributor to the Kaleidocast Podcast.Rob Cameron is a teacher, linguist, and writer. He has poetry in Star*Line Poetry Magazine and The Magazine of Fantasy & Science Fiction. His essays and short fiction have appeared in Foreign Policy Magazine, Tor.com, the New Modality, Solarpunk Magazine, and Clockwork Phoenix Five. His debut middle grade novel Daydreamer is forthcoming from Labyrinth Road, Summer '24. Rob is also lead organizer for the Brooklyn Speculative Fiction Writers, a guest host and curator for the New York Review of Science Fiction Reading Series, and executive producer of Kaleidocast. Follow @cprwords.The Kaleidocast podcast is an audio literary magazine with a mission to showcase new voices in speculative fiction alongside stories from today's top writers. The show was created to improve the writing of active Brooklyn Speculative Fiction Writers members by motivating them towards a tangible goal: Write at a professional level. The show is in its 4th season, and has recently partnered with the Octavia Project to mentor girls and non-binary youth: https://www.kaleidocast.nyc/post/octaviaprojectmentorship. Please support the Kaleidocast's Patreon: https://www.patreon.com/kaleidocastnyc.Muhammad Floyd is an accomplished self-starter with a wide skillset focused on start-to-finish photo/video production from setup to post. Muhammad is adept at photography, camerawork, lighting, and sound, with deep technical knowledge of Canon, Sony, Panasonic, and Blackmagic hardware. He is an end-to-end specialist well-versed in motion graphics, color grading, and other post-production techniques dedicated to delivering under budget and ahead of schedule, while always adhering to the client's vision.• MUSIC and CLIPSThis episode featured clips from the BBC series “Tomorrow's World”, ABC News, Business Insider, and “From the Archives (1966): Issues and Answers with Richard Nixon”. This episode featured music from freesound, setuniman, danjfilms, and podcastac. It also featured Harry Partch's “Delusion of Fury”, used by permission of Innova Recordings and the Harry Partch Foundation.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA

In today's episode, Ariel chats with Heather MacKenzie, Executive Director of Solar Alberta, about transitioning to renewable energy deep in the heart of oil and gas country - in a just and sustainable way. Join us to learn about the history of the Solar Alberta organization, from its grassroots beginnings in neighbourhood solar projects, to dealing with (government-funded!) trolls online, all the way up to being the leading non-profit solar organization in Alberta and providing worker upskilling in a unique market.You can go to https://solaralberta.ca to learn more, or connect with and follow them on Instagram, Facebook, Twitter, and LinkedIn.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You don't have to be a solarpunk—or a lunarpunk—to dream of bioluminescence, from twinkling phytoplankton to glowing lamps, phosphorescent fungi, and jellyfish lit up like space ships. To honor those dreams, we talked to Dr. Steve Haddock, Senior Scientist at the Monterey Bay Aquarium Research Institute (MBARI) and leading expert on the things that glow, flash, and train headlights through the dark waters of the deep sea. Join us for this conversation about how bioluminescence works, what critters are capable of it and what they use it for, and whether or not our visions of bioluminescent street lamps stand a chance of coming true.You can also follow Steve Haddock on Twitter @beroe and learn more about bioluminescence at https://biolum.eemb.ucsb.edu/.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

"The Walking Mirror of the Soul" by Renan Bernardo - published in Apex Magazine, issue 134, November 2022. Read it here: https://www.apex-magazine.com/ Renan Bernardo is a science fiction and fantasy writer from Rio de Janeiro, Brazil. His fiction appeared in Apex Magazine, Podcastle, Escape Pod, Daily Science Fiction, Translunar Travelers Lounge, Solarpunk Magazine, On Spec Magazine, and others. He was one of the authors selected for the 2021 Imagine 2200 climate fiction contest with his story When It's Time to Harvest. In Brazil, he was a finalist for two important SFF awards and published multiple stories. His fiction has also appeared in multiple languages, including German, Italian, Japanese, and Portuguese. Brazilian, born and raised in Rio de Janeiro, Diogo Ramos is an English teacher, writer, and the Editor-in-Chief of Revista A Taverna (Twitter @atavernarevista), an online Fantasy and Science Fiction magazine that publishes short stories written by Brazilian authors in Portuguese. He's been teaching for almost fifteen years and, once in a while, he dares to translate stories from English to Portuguese. Find him online at: diogolsramos.com This Apex Magazine podcast was produced by Alli Nesbit.  Theme music by Alex White.  Music in this episode is by Alli Nesbit. Apex Magazine podcast, copyright Apex Publications. Apex Magazine is a bimonthly short fiction zine focused on dark science fiction, fantasy, and horror. Find us at http://www.apex-magazine.com.

On this episode, Ariel sits down with Justine Norton-Kertson, editor of the forthcoming BIOLUMINESCENT: A LUNARPUNK ANTHOLOGY. They discuss what lunarpunk is in contrast to solarpunk, what inspired Justine to put together an anthology of lunarpunk fiction, and a sneak peek at some of the participating authors and the content that fans can expect to encounter!Sign up for the BIOLUMINESCENT Kickstarter here, and follow Android Press on Twitter @press_android.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Solarpunk is all about vibrant, beautiful, livable cities filled with plants, public transportation, and solar panels—in other words, nothing like the congested, polluted, inhospitable messes we live in today. How do we start making the great transformation? Simply by starting. Join us for a conversation with Dr Jayde Lin Roberts about having a voice in the development (or redevelopment) of your neighborhood or city.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We're joined by our friend Justine Norton-Kertson of Solarpunk Magazine, to discuss the radical -- almost utopian -- hope that seems to define Solarpunk. This is a rich conversation covering Solarpunk Magazine itself, the role of science fiction and aesthetics in political movements, solarpunk's intersection with other political philosophies, and much more! "Justine Norton-Kertson (they/he/she) is an author of stories, games, poems, and music, as well as a publisher and community organizer. Their work has been featured in over a dozen magazines including Utopian Science Fiction Magazine, Rulerless, and Jupiter Review. Justine is editing a forthcoming solarpunk anthology for AK Press and their lunarpunk anthology, Bioluminescent, is forthcoming in January 2023. Her nonfiction book, Solarpunk Witchcraft: A Radical Spiritual Praxis, is forthcoming from Microcosm Publishing in 2024. She can be found on Twitter @jankwrites." --https://solarpunkmagazine.com/editorial-team/ twitter.com/jankwrites twitter.com/solarpunklitmag https://www.kickstarter.com/projects/androidpress/bioluminescent-a-lunarpunk-anthology https://solarpunkmagazine.com/ -- Connect with Non Serviam Media on Twitter, Instagram, Facebook, and Mastadon! Listen to the Non Serviam Podcast on your favorite podcast platform: iTunes, Spotify, Stitcher, Soundcloud, and more! If you'd like to see more anarchist and anti-authoritarian interviews, please consider supporting this project financially by becoming a Patreon www.patreon.com/nonserviammedia -- 00:00:00 Introduction 00:01:32 Justine's Sci-Fi Influences 00:05:16 Justine's Background 00:08:22 Solarpunk Magazine 00:13:34 Dystopia 00:15:12 Radical Hope 00:18:58 Cyberpunk vs. Solarpunk 00:22:16 The Underbelly of Utopia 00:28:57 The Role of Aesthetic 00:36:34 Nuclear Power in Solarpunk 00:40:51 Ecofascism and Solarpunk 00:47:13 Is Solarpunk Anti-Statist? 00:51:23 Solarpunk Markets 00:56:20 Cappuccino 00:59:32 Replicators and Wealth 01:02:09 Making the Future 01:05:32 People Over Technology 01:08:25 Imperfection 01:11:31 Dismissive Demands 01:15:24 Fictitious Futures 01:18:44 Balancing Agenda and Narrative 01:22:22 Cornerstone Texts 01:24:45 Current Projects 01:28:10 Lunarpunk Horizons 01:29:36 Outro

In this episode of Solarpunk Presents, nonfiction co-editor Ariel Kroon sits down for a virtual chat with Gabrielle Gelderman, an Edmonton, Alberta-based climate grief chaplain and climate justice organizer. They talk about what climate grief chaplaincy even is, the necessity of holding communal safe spaces for grieving especially for organizers, the necessity of feeling grief in order to feel more positive emotions, and climate despair as a corollary of solarpunk hope.Links:Gabrielle's Instagram: @theclimatechaplainGabrielle's LinkTree: https://linktr.ee/gabthechaplainClimate Justice Edmonton (CA)Faith Matters Network (US)Sunrise Youth Organization (US)*Note: During the interview, Ariel mentions episode 4.30 of Secret Feminist Agenda; the name of the theorist she cites is Eugenia Zuroski.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, Christina De La Rocha talks to Dr Hélène Jacot Des Combes, Disaster Risk Management and Climate Change Adaptation Advisor to the National Disaster Management Office of the Republic of the Marshall Islands. They discuss sea level rise, infrastructure that can adapt to climate change, and land reclamation and protection. Dr Des Combes speaks passionately about reparations (for decades of colonialism, the US's testing of atomic weapons on the atolls of the Marshall Islands, forced relocation of the Marshallese people, climate injustice, and much more) and advocates for the Marshallese peoples' right to their own lands.You can read more about the Marshall Islands' unique position at the forefront of sea level rise at PacificaRisa.org. For further reading, check out the Republic of the Marshall Islands' Climate Change website here, you can read up on the Government of the Marshall Islands' Adaptation Communication (Dec 2020) here, and the World Bank's page on the Marshall Islands has some informative visuals.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode of Solarpunk Presents, Ariel sits down with John Okhiulu from the Decolonizing Wealth Project to talk about the role of philanthropy in addressing racial capitalism and reparations, and how the DWP is working to change the narrative around charitable giving and wealth-transfer. Also, John tells us about how he personally found himself in the world of philanthropy, as well as his vision of a solarpunk future.To learn more, visit decolonizingwealth.com, read about its founder Edgar Villanueva on his site, or follow the organization for updates on their Twitter @decolonizwealth.Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this soft-launch of Solarpunk Presents, the companion podcast to Solarpunk Futures, hosts and Solarpunk Magazine nonfiction editors Ariel Kroon and Christina De La Rocha tackle the question of “Must Solarpunk Should”? This is a dilemma that unconsciously or consciously comes through in a lot of the nonfiction submissions that we receive in our slush pile, and we have Thoughts about it. So many thoughts! Possibly controversial one! But one of the best things about solarpunk is the space that it gives us to explore and think through new paradigms, new systems thinking, new ideas – some of which maybe we don't necessarily love, but that are part of our world regardless of whether we like it or not. We're learning and growing with every new day as solarpunks - come join us!PS: The audio is a bit bumpy in parts; please excuse the technical hiccups. We're still learning!Connect with Solarpunk Magazine at solarpunkmagazine.com and on Twitter @solarpunklitmagConnect with Solarpunk Presents Podcast on Twitter @SolarpunkP or Mastodon @solarpunkpresents@climatejustice.rocksConnect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon @arielkroon@wandering.shopConnect with Christina at her blog, on Twitter @xtinadlr, and on Mastodon @xtinadlr@wandering.shop Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this soft-launch of Solarpunk Presents, the companion podcast to Solarpunk Futures, hosts and Solarpunk Magazine nonfiction editors Ariel Kroon and Christina De La Rocha tackle the question of “Must Solarpunk Should”? This is a dilemma that unconsciously or consciously comes through in a lot of the nonfiction submissions that we receive in our slush pile, and we have Thoughts about it. So many thoughts! Possibly controversial one! But one of the best things about solarpunk is the space that it gives us to explore and think through new paradigms, new systems thinking, new ideas – some of which maybe we don't necessarily love, but that are part of our world regardless of whether we like it or not. We're learning and growing with every new day as solarpunks - come join us!PS: The audio is bumpy in parts. Please excuse the technical hiccups. At the time, Christina had the world's worst internet connection, which made recording bi-continental discussions prone to glitches.Connect with Solarpunk Presents Podcast on Twitter, Mastodon, or at solarpunkpresents.com.Support the show on Patreon or make a one-time donation via PayPal. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In the early 1980s, the University of Alberta funded a series of experimental literary radio programs, which were broadcast across the province on the CKUA community radio network. At the time, CKUA station had just been resurrected through a deal with ACCESS and was eager for educational programming. Enter host and producer Jars Balan – then a masters student in the English department with limited radio experience. For five years, Balan produced three radio series, Voiceprint, Celebrations, and Paper Tygers, which explored the intersection of language, literature, and culture, and he interviewed some of the biggest names in the Canadian literary scene, including Margaret Atwood, Maria Campbell, Robert Kroetsch, Robertson Davies, and many others.This episode is framed as a “celebration” of those heady days of college radio in the early 80s. In it, clips from Jars's radio programs, recovered from the University of Alberta Archives, supplement interviews with Balan and audio engineer Terri Wynnyk. Special tribute will be given to the recently departed Western Canadian poets Doug Barbour and Phyllis Webb through the inclusion of their in-studio performances recorded for Balan's own Celebrations series. By looking back on the pioneering days of campus radio, this episode sheds light on the current moment in scholarly podcasting and how the genre is being resurrected and reimagined by a new generation of “academics on air.”Special thanks to Arianne Smith-Piquette from CKUA and Marissa Fraser from UAlberta's Archives and Special Collections, and to SpokenWeb Alberta researcher Zachary Morrison, who worked behind the scenes on this episode.SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada. Episode Producers:Ariel Kroon is a recent graduate of U of A. Her PhD thesis studied narratives of crisis in Canadian post-apocalyptic science fiction from 1948-1989, and what contemporary Canadians can learn from them. She is interested in the ways that the attitudes of the past shape our future-oriented imaginaries and actions in the present. She has published in SFRA Review and The Goose, and is currently a non-fiction editor at Solarpunk Magazine. Research interests of hers include post-humanist feminist theory and philosophy, ecocriticism, and solarpunk. Connect with her on YouTube, at Academia.edu, or her personal blog.Nick Beauchesne (U of Alberta) completed his doctoral studies at the University of Alberta in 2020. He currently works remotely as a sessional instructor at the U of A, and in-person at Thompson Rivers University in Kamloops, BC. His speciality is in twentieth century occult literary networks and modernist magazines, and he is also a vocalist and synthist performing under the pseudonym of Nix Nihil. As a SpokenWeb RA, he is currently preparing to present at the upcoming Symposium on Campus Radio at U of A in the 1980s and its contribution to debates around sexist language.Chelsea Miya is a Postdoctoral Fellow with the SpokenWeb research team at the University of Alberta. Her research and teaching interests include critical code studies, nineteenth-century American literature, and the digital humanities. She has held research positions with the Kule Research Institute (Kias), the Canadian Writing Research Collaboratory (CWRC), and the Orlando Project. She co-edited the anthology Right Research: Modelling Sustainable Research Practices in the Anthropocene (Open Book Publishers 2021), and her article “Student-Driven Digital Learning: A Call to Action” appears in People, Practice, Power: Digital Humanities outside the Center (MIT Press 2021). Sound FX/MusicBBC Sound Effects. “Communications - Greenwich Time Signal, post January 1st 1972.” BBC Sound Effects, https://sound-effects.bbcrewind.co.uk/search?q=07042099.BBC Sound Effects. “Doors: House - House Door: Interior, Larder, Open and Close.” BBC Sound Effects, https://sound-effects.bbcrewind.co.uk/search?q=07027090.BBC Sound Effects. “Footsteps Down Metal Stairs - Footsteps Down Metal Stairs, Man, Slow, Departing.” BBC Sound Effects, https://sound-effects.bbcrewind.co.uk/search?q=07037171.BBC Sound Effects. “Industry: Printing: Presses - Electric Printing Press operating.” BBC Sound Effects, https://sound-effects.bbcrewind.co.uk/search?q=07041078.Bertrof. “Audio Cassette Tape Open Close Play Stop.” Freesound, https://freesound.org/s/351567/.Constructabeat. “Stop Start Tape. Player.” Freesound, https://freesound.org/people/constructabeat/sounds/258392/.Coral Island Studios. "28 Cardboard Box Open" Freesound, https://freesound.org/people/Coral_Island_Studios/sounds/459436/.Gis_sweden. “Electronic Minute No 97 - Multiple Atonal Melodies.” Freesound, https://freesound.org/people/gis_sweden/sounds/429808/.GJOS. “PaperShuffling.” Freesound, https://freesound.org/people/GJOS/sounds/128847/.IESP. “Cage Rattling.” Freesound, https://freesound.org/people/IESP/sounds/339999/.InspectorJ. “Ambience, Children Playing, Distant, A.” Freesound, https://freesound.org/people/InspectorJ/sounds/398160/.Johntrap. “Tubes ooTi en Vrak.” Freesound, https://freesound.org/people/johntrap/sounds/528291/.Kern PKL. “Limoncello.” Blue Dot Sessions, https://app.sessions.blue/browse/track/104864.Kyles. “University Campus Downtown Distant Traffic and Nearby Students Hanging Out Spanish +Some People and Groups Walk by Steps Cusco, Peru, South America.” Freesound, https://freesound.org/people/kyles/sounds/413951/.Lillehammer. “Arbinac.” Blue Dot Sessions, https://app.sessions.blue/album/9f32a891-6782-4a63-8796-cafa323b711e.Michaelvelo. “Packing Tape Pull.” Freesound, https://freesound.org/people/Michaelvelo/sounds/366836/.Nix Nihil. “Vocal Windstorm.” Psyoptic Enterprises, 2016.Oymaldonado. “70's southern rock mix loop for movie.” Freesound, https://freesound.org/people/oymaldonado/sounds/507242/.Psyoptic. “Forest of Discovery.” Thought Music. Psyoptic Enterprises, 2006.Sagetyrtle. “Cassette.” Freesound, https://freesound.org/people/sagetyrtle/sounds/40164/.Suso_Ramallo. “Binaural Catholic Gregorian Chant Mass Liturgy.” Freesound, https://freesound.org/people/Suso_Ramallo/sounds/320530/.tonywhitmore. “Opening Cardboard Box.” Freesound, https://freesound.org/s/110948/.Ziegfeld Follies of 1921. “Second hand Rose” [restored version]. George Blood, LP. Internet Archive. https://archive.org/details/78_second-hand-rose_fanny-brice-grant-clarke-james-f-hanley_gbia0055858a/Second+Hand+Rose+-+Fanny+Brice+-+Grant+Clarke-restored.flac Archival AudioCarlin, George. "Seven Words You Can Never Say on Television.” Indecent Exposure. Little David Records, 1978.“Dorothy Livesay.” Celebrations. Dept. of Radio and Television and CKUA, 8 Feb. 1984.“Douglas Barbour.” Celebrations. Dept. of Radio and Television and CKUA, 10 Oct. 1983.“Margaret Atwood.” Celebrations. Dept. of Radio and Television and CKUA, 12 Oct. 1983.“Marian Engel.” Celebrations. Dept. of Radio and Television and CKUA, 18 Jan. 1984.“Linguistic Taboos and Censorship in Literature.” Voiceprint. Dept. of Radio and Television and CKUA, 8 April 1983.“Phyllis Webb.” Celebrations. Dept. of Radio and Television and CKUA, 16 Nov. 1983.“Poetry: The Sullen Craft or Art.” Paper Tygers. Dept. of Radio and Television and CKUA, 1 Jan. 1982.“Robert Kroetsch.” Celebrations. Dept. of Radio and Television and CKUA, 23 Nov. 1983.“Rudy Wiebe.” Celebrations. Dept. of Radio and Television and CKUA, 21 March 1984.“Stephen Scobie.” Celebrations. Dept. of Radio and Television and CKUA, 26 Oct. 1983.“Women's Language and Literature: A Voice and a Room of One's Own.” Voiceprint. Dept. of Radio and Television and CKUA, 4 March 1981.“Speech and Its Characteristics.” Voiceprint. Dept. of Radio and Television and CKUA, 18 March 1981. Works CitedThe Canadian Communications Foundation, https://broadcasting-history.com/in-depth/brief-history-educational-broadcasting-canada.Bashwell, Peace. “Weird and Wonderful Scenes from the Bardfest.” The Gateway, November 10, 1981, pg. 13. Peel's Prairie Provinces, http://peel.library.ualberta.ca/newspapers/GAT/1981/11/10/13/.The Canadian Communications Foundation (CCF). “CKUA-AM.” History of Canadian Broadcasting, https://broadcasting-history.com/listing_and_histories/radio/ckua-am.Fauteux, Brian. “The Canadian Campus Radio Sector Takes Shape.” Music in Range: The Culture of Canadian Campus Radio. Wilfrid Laurier University Press, 2015, pp. 37-64.Kostash, Myrna. “Book View.” The Edmonton Journal, 17 Jan. 1981.Kirkman, Jean. “CKUA: Fifty years of growth for the university's own station.” University of Alberta Alumni Association: History Trails, March 1978, https://sites.ualberta.ca/ALUMNI/history/affiliate/78winCKUA.htm.Remington, Bob. “Banning of Radio Show Called Cowardly.” The Edmonton Journal, 26 May 1983. Further ReadingArmstrong, Robert. “History of Canadian Broadcasting Policy, 1968–1991.” Broadcasting Policy in Canada, Second Edition. University of Toronto Press, 2016, pp. 41-56.The Canadian Communications Foundation (CCF). “A Brief History of Educational Broadcasting in Canada.” History of Canadian Broadcasting, https://broadcasting-history.com/in-depth/brief-history-educational-broadcasting-canada.Deshaye, Joel. The Metaphor of Celebrity : Canadian Poetry and the Public, 1955-1980. University of Toronto Press; 2013.Gil, Alex. “The User, the Learner and the Machines We Make” [blog post]. Minimal Computing, 21 May 2015, https://go-dh.github.io/mincomp/thoughts/2015/05/21/user-vs-learner/.MacLennan, Anne F. “Canadian Community/Campus Radio: Struggling and Coping on the Cusp of Change.” Radio's Second Century: Perspectives on the Past, Present and Future, edited by John Allen Hendricks, Rutgers University Press, 2020, pp. 193-206.Rubin, Nick. “‘College Radio': The Development of a Trope in US Student Broadcasting.” Interactions: Studies in Communication & Culture, vol. 6, no. 1, Mar. 2015, pp. 47–64.Walters, Marylu. CKUA: Radio Worth Fighting For. University of Alberta Press, 2002.

How to "speak" climate change, plus the Solarpunk Art Contest and the top three 2021 Winners. By the way, Solarpunk Magazine to launch January 2022!

“Demand utopia!” That's the tagline for a new digital magazine based in Eugene, Oregon. Solarpunk Magazine will focus on optimistic ideas about the future. What if humans came together to solve the climate crisis? What if people from marginalized groups all felt safe in society? The solarpunk genre imagines creative answers to these questions. Solarpunk Magazine will feature fiction, poetry, essays and interviews that fit into this relatively new genre. The editorial team raised $27,306 on Kickstarter and is currently reviewing submissions for its first issue, due out in January. We hear from co-editors-in-chief Justine Norton-Kertson and Briana Castagnozzi about their plans for the magazine and what solarpunk means to them.

On our second episode, we talk more about Solarpunk Magazine and our goals for the next few months. We also read and discuss a work of solarpunk flash faction called, "A Distant Honk" written by Holly Schofield. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hello everyone! Hope you've been looking forward to this month's full release episode! This time, Solarpunk! In this episode I have an excellent interview and conversation with Justine Norton-Kertson, Editor-in-chief of Solarpunk Magazine.  We had a wonderful chat on imagining the future, solarpunk literature, hope, and how writing a different, better future, is just as good and important, along with being a welcome breath of fresh air. Enjoy!   If you can, please support us on Patreon, where you can find our Reading Corners and Writer's Desks! https://www.patreon.com/leftpage Intro Music: Gymnopédie Nº1, Erik Satie, 1888 Outro Music: Downtime, Vistas, Miracle of Sound, 2014 -> Check out his Bandcamp! https://miracleofsound.bandcamp.com/

This week, Justine and Hal join us to discuss the brand new Solarpunk magazine! In this wide-ranging conversation, the three of us define “solarpunk” as both a literary/aesthetic genre, but also as a way-of-life. We pick apart the anti-authoritarian impulse implicit in the name “solarpunk,” but also problematize the limitations of aesthetic revolt. Our dialogue touches on the tensions between (post-)humanism and biocentrism, abolishing anthropocentrism, anti-capitalism in solarpunk, queer and liberatory story-telling, and so much more!  Production Note: I mention at the top of the episode that this is Ep. 146, but it's actually Ep. 147.  Visit Solarpunk magazine's website and sign-up to be notified of their Kickstarter, which launches October 1, 2021! You can also follow Solarpunk magazine on Twitter, Facebook, and Instagram, if that's your jam.  Support Coffee with Comrades on Patreon, follow us on Twitter and Instagram, and visit our website. Coffee with Comrades is a proud member of the Channel Zero Network. Coffee with Comrades is an affiliate of the Firestorm Books & Café. Check out our reading recommendations! Our logo was designed by Sydney Landis. Support her work, buy some art.