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9 episodes with streets have no name
4 episodes with streets have no name
2 episodes with streets have no name
2 episodes with streets have no name
2 episodes with streets have no name
2 episodes with streets have no name
2 episodes with streets have no name
2 episodes with streets have no name
2 episodes with streets have no name
Tim Hughes of Jubilee Church Wirral reflects on spiritual experiences where God feels tangibly present, using a U2 concert moment as an opening illustration. He suggests that all humans long for experiences beyond the material, pointing to the existence of God, specifically the God of the Bible. For you, that might not be U2 playing Where the Streets Have No Name, but it’s likely to be something. Tim talks about how how God meets Moses and Elijah on Mount Sinai and Peter, James, and John on Mount Hermon, revealing his divine glory. All three stories highlight humanity's longing for God, the ways God chooses to reveal Himself, and the ultimate fulfilment of that longing in Jesus Christ. Tim encourages us to seek God's presence above all else, listen to Him, and trust His plans. The post Tim Hughes: When God walks in the room first appeared on Jubilee Church Wirral.
WHY SOTA? At sota we work every day to give you the best. drink. ever. every. time. Why? Because you deserve it. Whether it's time to celebrate (end of soccer season, big moment at work, hanging with friends), or time... The post Minne”SOTA” – Where The Streets Have No Name – Chad Taylor – 914 appeared first on The Cultural Hall Podcast.
Strong Songs Season Seven kicks off with two of the most famous songs ever recorded, from one of the biggest bands in the world. U2's "Where the Streets Have No Name" and "With or Without You" make up two-thirds of the three-song "suite" of hit singles that kicked off their 1987 album The Joshua Tree. As it turns out, the two songs have a lot to say to one another! They also have a lot to say about how U2 wrote music, and about the beautiful, messy human process of collaborative creativity.Written by: U2Produced by: Brian Eno and Daniel LanoisAlbum: The Joshua Tree, 1987Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:Classic Albums: The Joshua Tree, 1999, dir. Philip King, Nuala O'ConnorStrong Songs episodes "Rhythm + Harmony = Music," "The Four Electric Guitars," "'In Your Eyes' by Peter Gabriel," and "Wichita Lineman' by Jimmy Webb and Glen Campbell----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STORE (NEW STUFF JUST IN!)store.strongsongspodcast.comKIRK'S GEAR & INSTRUMENT LISTkirkhamilton.com/gearSOCIAL MEDIAIG: @Kirk_Hamilton | Bluesky: @kirkhamilton.comKIRK'S NEWSLETTERnewsletter.kirkhamilton.comJOIN THE STRONG SONGS DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------FEBRUARY 2025 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneySami SamhuriJeremy DawsonAccessViolationDave FloreyFEBRUARY 2025 HALF-NOTE PATRONSWiggy HashWhit SidenerJulie KellmanSimon HellmanBeaClaudia CartyDaniGlenn JacksonChristopher Selby SpinkPhilip KellyDaniel NervoKevin StaffordLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattleTransAndNonbinary ChoralEnsembleKevin MarceloSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiLee R.Callum WebbLynda MacNeilDick MorganBen SteinGrettir AsmundarsonSean MurphyRandal VegterKaya WoodallRobert Granatdave malloyAlan MaassNick Gallowayjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemoncbalmainAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldDave SharpeNaomi WatsonDavidAlexanderAdam GeorgandisChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo
Episode #311: Paul Salopek's Out of Eden Walk is an extraordinary journey that retraces the migration paths of early Homo sapiens while examining the intersections of history, culture, and modernity. A Pulitzer Prize-winning journalist, Salopek embarked on this transcontinental project in 2013 traveling by foot, starting from Africa's Rift Valley; it will end in Tierra del Fuego. As he walks, experiences humanity's age-old urge to move, he collects stories and makes connections with the landscapes and people he encounters, finding humanity's shared struggles and triumphs.In early 2020, Salopek waked into Myanmar, where he experienced the profound impacts of the COVID-19 pandemic and the military coup that followed. Stranded in a rural village, he documented the skillful ways that local farmers adapted to isolation and scarcity; he immersed himself in their routines. Later, quarantined in a hotel in Yangon during the coup's early days, he observed the city's descent into chaos. He prepared for uncertainty by storing water and food.Salopek witnessed the courageous resistance of Myanmar's youth, who improvised weapons in their fight against the heavily armed junta, wielding trash-can lids as shields and crafting makeshift bows and arrows. Despite their bravery, the brutal crackdown highlighted the tragic power imbalance between civilians and the regime. These experiences left Salopek reflecting on the systemic media neglect of crises like Myanmar's, which he compared to underreported conflicts in Africa. He argued that a lack of strategic resources and geopolitical significance often relegates such struggles to global obscurity.Amid this neglect, Salopek praised the resilience of Myanmar's people, who, despite immense challenges, continued to resist and document their plight. “Keep Myanmar in your heart,” he urged, emphasizing the importance of sustained attention and solidarity for those enduring these crises.
Depuis le 2 janvier 2025, et tous les dimanches à 18h, la Cité des sciences à Paris transporte les amateurs de musique dans une aventure unique. À travers « U2 Immersive Experience », les visiteurs découvrent le répertoire mythique du groupe irlandais sous un angle révolutionnaire. Cette expérience immersive de 43 minutes est un véritable régal pour les sens. Les spectateurs sont enveloppés par des projections numériques à 360° d'une qualité exceptionnelle, alliées à une acoustique hors pair. Sous un dôme intégral, les classiques de U2 prennent vie comme jamais auparavant. Parmi les titres phares à (re)découvrir : « Sunday Bloody Sunday », « Where the Streets Have No Name », « Beautiful Day », « Pride (In The Name of Love) », « With or Without You », et bien... • La suite sur https://www.radiomelodie.com/podcasts/12756-plongez-dans-lunivers-de-u2.html
¡Descubre la historia que se esconde detrás de este tema de 'U2'!
So many times I sense the Lord leading me down a road. Down a path. And I resist. “Not there, Lord…” The crazy thing is that He has promised to always walk with me. And He's walked with me down some doozies. Why don't I trust Him to lead me down the perfect road? Just right. Exactly the way. Exactly what is needed…what I need. Lord, help us go where You lead. Help us go there with You. Get an ad-free feed of the podcast with a monthly contribution of any amount! It's Monday of Ordinary Time, Proper 16 in the Church Calendar. August 26, 2024. Our general order and lectionary come from the Book of Common Prayer Daily Office. Today on Morning Prayer (00:00) Introduction (00:36) Where the Streets Have No Name (U2) (01:46) Prayer of Confession (03:44) Where the Streets Have No Name (continued) (04:14) Psalm 1 (05:47) Psalm 2 (06:36) Psalm 3 (07:59) Glory to the Father (09:32) John 6:52-59 (10:00) Apostles' Creed (11:36) Lord's Prayer (12:24) Collect of the Day (12:57) Free Prayer (13:38) Praying for our families (15:30) Benediction (16:54) Playlist of songs from Morning Prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for your support. You can go here to find out more. Join our Facebook group here! Photo by Kaique Rocha. --- Support this podcast: https://podcasters.spotify.com/pod/show/prayerandworship/support
A free car isn't always what it seems, but for Evan M, the choices are quite compelling! The guys help him try to decide which one fits his lifestyle the best. Then, Eli M. has ‘caviar taste on a canned tuna budget,' and needs help deciding what's next. Social media questions ask if a 16-yr-old is ready for solo drives in a Camaro, will the new Toyota MR2 ever come to fruition, and what car make/model would the guys choose to be resurrected but remain true to its roots? Please rate + review us on iTunes, and subscribe to our two YouTube channels. Write us with your Car Debates, Car Conclusions, and Topic Tuesdays at everydaydrivertv@gmail.com or everydaydriver.com. Don't forget to share the podcast with your car enthusiast friends! Learn more about your ad choices. Visit megaphone.fm/adchoices
It's the sixth Friday in Easter in the Church Calendar. May 10, 2024. Our general order and lectionary come from the Book of Common Prayer Daily Office. Welcome (00:00) Where the Streets Have No Name (U2) (00:25) Prayer of Confession (02:20) Where the Streets Have No Name (continued) (02:54) Psalm 85 (04:52) Psalm 86 (06:27) Glory to the Father (08:59) Matthew 7:22-27 (09:28) Apostles' Creed (10:56) Lord's Prayer (11:41) Collect of the Day (12:08) Time of free prayer (12:58) Prayer for those wrestling (14:39) Benediction (16:00) Playlist of songs from Morning Prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for your support. You can go here to find out more. Join our Facebook group here! Photo by Abdur Razzak. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message
Could you use some encouragement and hope right about now? U2's songs have maintained their relevancy decade after decade because they speak to our longings and needs. Whether its the words or just the melody, there is something timeless about them. This Sunday, their 1987 classic “Where the Streets Have No Name” is the song we'll be looking at more closely to address the universal desire to make a earth a bit more like heaven.
Dans cet épisode de "La partition", plongez dans les coulisses d'un des coups de communication les plus mémorables de l'histoire musicale : le tournage sauvage du clip de "Where the streets have no name" par le groupe mythique U2 en 1987 à Los Angeles. Revivez ce moment où le rock rencontre la planification minutieuse pour captiver le public américain et marquer l'histoire du groupe irlandais.Découvrez comment le choix du lieu, entre la 7ème rue et Main Street, a été stratégique et préparé avec soin par U2, renforçant même le toit chancelant du bâtiment pour accueillir le concert sauvage. Plongez au cœur de l'action alors que la police, prévenue mais non autorisée, tente d'interrompre le show, ajoutant une touche rebelle et rock'n'roll à la performance.Écoutez les détails croustillants sur la manière dont U2 a orchestré cet événement, attirant un millier de personnes, interprétant leur titre emblématique à quatre reprises, jusqu'à l'intervention finale de la police qui devient finalement une conclusion magistrale pour le clip. Un moment culte qui a marqué l'Amérique et l'histoire de la musique pour toujours.Plongez dans les anecdotes et les secrets de ce moment captivant de l'histoire de la musique, où le talent, la créativité et l'audace se sont combinés pour créer une vidéo légendaire. Un épisode à ne pas manquer pour tout amateur de musique et de rock'n'roll qui souhaite découvrir les coulisses d'un des événements les plus marquants de la carrière de U2.
Songs from The Moonlight Grahams Learn more at https://themoonlightgrahams.com/
Where The Streets Have No Name - The Moonlight Grahams by Eric Michael Roberts
Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. Since Super Bowl LVIII is almost upon us, all of the songs this week are by artists that performed as part of a Super Bowl Halftime Show. On today's episode, Andy Atherton is watching, “Where The Streets Have No Name” by U2 from 1987 which was performed as part of the Super Bowl XXXVI Halftime Show. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=GzZWSrr5wFI
Que placer haber tenido de invitado nuevamente a Juancho, el hermano de Iñaki, acompañándonos en este episodio donde Iñaki trae a U2 al podcast. Con la canción Where the Streets Have No Name! Que canción! Que letra! y Que tertulia. Etiquetas, pasiones, nociones, y risas. Espero que te guste!Agrégate nuestro playlist a tu Spotify 'A Pie De Letra' para que nos acompañes cada semana con una nueva canción.
U2's album "The Joshua Tree" is one of the biggest and most influential of all time, and it's the subject of this, our first episode of 2024. We mostly focus in on the song "Where The Streets Have No Name," but discuss other songs too, as well as the making of the video and the band's later involvement with author and filmmaker Bill Carter during the civil war in Sarajevo in the early Nineties. We're sure you'll agree that they're an incredible band with an incredible story, even the comparatively miniscule part that we're choosing to illuminate here. RELATED LINKS: U2, "Where the Streets Have No Name" official video, on YouTube U2, "The Joshua Tree", on Spotify U2 at The Sphere, on YouTube U2, "The Unforgettable Fire", on Spotify U2 with Luciano Pavarotti, "Miss Sarajevo" official video, on YouTube "Miss Sarajevo" documentary, at BillCarter.cc Fools Rush In book, at Amazon
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2:: Voix AI Jun
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2:: Voix AI Jun
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2:: Voix AI Jun
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2:: Voix AI Jun
People will try to describe the experience you have at the Sphere but let's start with saying it unlike anything you've experienced before. It doesn't matter if you see the film or a live act, this will be different. Which is exactly what Madison Square Garden Company was going for with the Sphere. You'll find a lot of comparisons to IMAX, Disney's Soaring Attraction, 360 theaters but that's only because how else do you describe something never done before. The Sphere is one of those rare attractions that lives up to the hype, not only breaking the technological ceiling set before it but creating a new form of entertainment. Let's discuss some of the ways its unlike anything you've seen before. First, the Sphere is located behind the Venetian convention center. It's the largest spherical building ever constructed at 366 feet tall and 516 feet wide. The exterior also features 580,000 square feet of LED displays, making it the largest LED display in history. It cost approx. $2.3 billion to build and took 4 years to bring to life. Construction started in 2018 with a planned opening in 2021 but had to put the project on hold in 2020 due to supply complications brought on by the COVID pandemic. When progress resumed, materials and technology costs had increased causing the originally projected $1.2 billion dollar price tag to almost double by the time it was completed. The Sphere is the most expensive music and entertainment venue in history. It seats 18,600 and with standing room accommodations that can handle up to 20,000. 10,000 of those seats have haptic technology incorporated into the seats. They work in conjunction with 4d features like scent and wind. At 160,000 square feet, the 16k resolution wraparound LED screen is the largest and highest-resolution LED screen in the world. The sound system comprises of 1,600 speakers installed behind the LED panels. The experience starts the moment you enter the venue. The atrium is large enough to fit the statue of liberty or the Saturn V rocket. Inside, you'll find five humanoid robots throughout the venue introducing you to the Sphere as well as interacting with patrons. While the technology is impressive, personally, I would best describe them as borderline creepy. That said, they are powered by AI and have the ability to react to those that interact with them. The Sphere isn't designed to host things like professional sporting events typically presented in the round. However, it would fit well with events like boxing, MMA, WWE, esports or even award ceremonies in addition to concerts and films. Today, we are going to discuss both the film and the concert experience. The Film Darren Aronofsky, probably best known for the films like Requiem for a Dream, Black Swan and The Whale, is the director of the first film ever captured in 18k. It's called “Postcards from earth” and tells the story of a dystopian earth that humans have had to evacuate due to all the damage done to it. It follows 2 humans waking up from cryo-sleep after their journey to another planet that can sustain life. Darren uses this narrative to showcase what sort of film experience only the Sphere can offer. It can probably be best described as a love letter to the planet featuring some of the most breathtaking scenes ever captured on film. The film is 50 minutes long and ticket prices start at $89, increasing based on the better the seat location. The Show So a few of things to get out of the way: First, I know this is a divisive band. People seem to love them or hate them. I happen to be in the “love them” camp, and I don't really care if you're in the “hate them” camp. Music opinions are entirely subjective and no one is going to change anyone's mind. With that in mind, I'd like to ask those that aren't interested to simply move on instead of voicing your distaste. It's not that you can't have an opinion, it's just that I don't like K-pop, but I don't mention that I don't like K-pop everytime the subject comes up. What I'm saying is don't yuck someone else's yum, okay? Also, if you think U2 is the worst ever for putting a free album on your iPhone several years ago, but you continue to buy all things Apple, your opinion has no weight here. Second, I recognize that this isn't 360 Vegas Album reviews, and I'll try to keep that in mind as I discuss this show, but the Achtung Baby album is the center of this show, and it's the genesis of my love for this band, so forgive me if I spend too much time discussing the virtues and nuance of the album. And finally, I'm not going to have too much to say about the experience at the venue. Our seats were general admission, so we were standing room on the floor. They brought us in a separate entrance from everyone else who had seats, and we never saw the lobby or any of the concession areas. I wish I could comment more on the rest of the facility, but my experience doesn't allow that. Allright, so back to point 1. “Achtung Baby” made me a U2 fan. I came out at a time when I was looking for my own music and not just listening to the music my parents listened to. I always thought it was a brave album: U2 had won two Grammys for The Joshua Tree and came back four years later with Achtung Baby as if to say, “Glad you liked that, now here's something completely different.” It's an album about conflict and resolution; a result of recording in Berlin after the reunification, and during the time guitarist The Edge was going through a rocky divorce. I also think it's a very “Vegas” album. It's dark, it's sexy, and it's full of temptation references. There's an arc through the album, and you can argue that it tells the story of a night out that goes a little too far, and the reconciliation that comes with the sunrise. So all of that is to say that when I found out my favorite band would be performing my favorite album in my favorite city, I packed up my favorite person and made for the promised land. Again, our tickets were General Admission, which is standing room only on the venue floor. We've done this once before; more than ten years ago. I waited in line all day to get us “close” to the stage, and always felt as though it was a one-time thing. When we bought General Admission tickets for this event, I made it clear to my wife that I was not going to spend a day in Vegas waiting in line. Thankfully, the event attempts to address this, somewhat successfully. If you have General Admission tickets, you can arrive at the Sphere between 8 am and 1 pm the day of the event to get a numbered wristband. Then you return to the venue around 5 pm, and they let you in based on the number on your wristband. It's not a perfect system, though. We drove to the Sphere to pick up our wristbands, and they didn't allow parking on the property for wristband pickup. So we had to park on a crowded side street and walk around a bunch of F1 fencing and bleachers to get to the part of the venue that was distributing wristbands. I understand charging for parking when there's an event, but not even letting someone park to run in and get a wristband for 2 minutes is bonkers. We stayed at the Wynn the night of the show, so we walked to the event in the evening. Getting there is easy, and there are signs through the Venetian directing you there. I thought we were going to end up taking the new pedestrian bridge that crosses over Koval from Venetian to the Sphere, but here again, they directed GA ticketholders out of the Venetian convention center building along Sands Avenue, where we had to cross Koval via the crosswalk. Then we had to walk along the north side of the building and enter via the “East VIP entrance.” Here is another complaint about the venue. They have got to streamline their entrance procedures. I think about a venue like T-Mobile Arena, which has similar capacity to the Sphere. It takes less than 5 minutes to scan your ticket, pass through security, and be inside that place. Sphere needs more doors, and more Security people at the door to make that process a little smoother. Once inside, we were directed down very dark, moody hallways toward the GA area. We stopped to use the restroom along the way, and I found the restrooms to be suitably massive. Excellent capacity for restrooms only intended for the GA crowd. There was also a bar/lounge, but we didn't really check it out. Upon entering the GA floor, we ran into a wall of people. I had seen in videos from previous shows that it seemed as though the stage left side had fewer people than stage right, and they literally dumped us out on the stage right side. We pushed our way over to the stage left side, and so despite getting there long after we should have with our wristbands we ended up about 10 people back from the stage. Not bad. We sat on the floor because it was still about an hour and a half before the band was to take the stage. I was pleasantly surprised to see a whole herd of cocktail waitresses walking the GA floor and taking drink orders. I have never seen that on a General Admission floor before. Around 7:30 or so, a DJ started playing. He was DJing from this modified car that slowly moved around the GA floor. When I heard the band chose a DJ for the opening act, I was really hoping that it wouldn't be “oonce-oonce club music,” and it turns out that I had nothing to worry about. This guy knew his audience, and was playing rock and pop hits from the 80's and 90's. The crowd was really getting into it and singing along with songs like “Livin on a Prayer.” It was a great fit. At about 8:40, the lights went down and the crowd got loud. Slowly, the band took the stage. Bono started singing a sort of short acapella song that I have not heard before, then the drums kicked in and the band launched into Zoo Station, the opening track of Achtung Baby. I don't want to spoil what happens, but I'll say that the way the band uses the screen here to kick off the show is really cool. If you think you might want to see the show, I'd recommend staying spoiler-free about the intro. It's really fun. The band played 7-8 tracks from Achtung Baby. They did not play them in exact album order, but in this first section, they played songs from the first 2/3rds of the album. Then they shifted gears a little and played a few other songs, mostly acoustic. This was the day after the Hamas attack on Israel, so this was mentioned, followed by I Still Haven't Found What I'm Looking For, Pride (In the Name of Love), and MLK. Then Bono announced it was “time to wake the Baby up,” and the band went on to finish Achtung Baby. This was probably my favorite part of the show for a couple reasons: 1) It's later in the show, so fewer people had posted photos and videos of this portion, so there were more surprises and 2) it's really the emotional emotional climax of the album, so I've always felt those songs hit pretty hard. After finishing the 2nd Achtung Baby section, the band said goodnight, but of course returned for their encore. The encore was kind of a greatest rocking hits section, where they did songs like Elevation, Vertigo, Where the Streets Have No Name, Beautiful Day, and of course, their new Vegas anthem Atomic City. I won't spoil Atomic City either, but it had some of my favorite visuals of the show. Let's talk about some of the visuals. We were concerned that where we were sitting, we would be so close to the screen that we couldn't appreciate the whole thing. There were times that we found ourselves looking around and above to take everything in, but I don't think we missed out on anything by being so close. There was another concern about getting dizzy. Some people get Vertigo (ha!) in Imax theaters, and the Sphere is like Imax on steroids. We only felt a little dizzy at one point, and that was during “Even Better Than The Real Thing.” So during this song, it has maybe the most impressive and complicated graphics of the entire show. They are structured like a moving monument to Elvis and Vegas, and they slowly and steadily move downward. I was looking up at these graphics and following them down with my eyes. When my eyes got to the fixed point of the stage, it felt like the stage was tilting up from the back and we were about to all fall over. They don't really use any flying or moving visuals that might convey motion from the viewer's point of view, so there weren't any other times I felt dizzy or motion-sick. At the end of the day, I think if you don't like the band - if they just rub you wrong no matter what they do - you're probably going to stay away, and that's fine. If you like a few of their songs and want to see a rock concert unlike anything else you've seen, it's worth checking out. And if you call yourself a fan, then you really shouldn't miss out on this experience. I think a band or artist could be intimidated by this venue and this space, it would be easy to be afraid of being upstaged by the visuals and the scale of everything, but I think U2 is the perfect group to launch this facility. 25 years ago they were touring with (what was at the time) the biggest video screen in the world, so these are guys who know how to utilize large scale visuals in their shows and embrace the technology.
Are you excited for a musical journey that will make your pulse race and your heart soar? We, Di Gio and Mordicchio, promise to take you on a dramatic odyssey through the vibrant soul of the 80s - that golden era of music that still thrills us to our core. Strap yourself in as we explore the emotive rhythms, heartfelt harmonies and passionate energy of 'Where the Streets Have No Name' - a timeless anthem by the unforgettable 'You Too'. This episode is our tribute to every music lover out there, a celebration of the power and magic of melody that continues to inspire and invigorate us.Let's hark back to the spellbinding allure and fiery passion of the 80s, a time when music was not just heard, but felt deeply and profoundly. We're going all in, music enthusiasts, delving into the pulsating heart of a monumental time in music history. Enjoy the ride as we transport you back to the era that defined a generation through its captivating and emotive music. Don't miss out on this musical revelation that celebrates the legacy of a legendary band and their iconic song that continues to resonate with listeners across the globe. We have an electrifying night of heartfelt melodies and spirited rhythms waiting for you. [END OF SHOW NOTES]Support the showLa missione di FuffaWebFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti. Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.fuffa web online, free podcast : graffio@fuffaweb.com - mordicchio@fuffaweb.com FuffaWeb Italia, il podcast di qualita anti fuffa .news - arte - musica - crescita personale - moda - gaming - cucinaQUESTE LE RUBRICHE CHE SINTEIZZANO GLI ARGOMENTI DA NOI TRATTATI PER TIPOLOGIA D'EPISODIOFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti.Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.Un ringraziamento speciale a tutti Voi Se il nostro podcast ti piace, vota qui: I love FuffaWeb Italia Vota il nostro podcast, il tuo punto di vista conta per noi, e per gli altri, clicca il link qui sotto ed esprikmi il tuo paraere, ci contiamo, grazie:#PodcastGratis #AscoltaOra #NuovoEpisodio #PodcastDellSe...
Released in 1987, "The Joshua Tree" is a landmark album that not only solidified U2's place in the pantheon of rock legends but also left an indelible mark on the music world as a whole. This album is the product of a band at the peak of their creative powers, pushing boundaries and transcending genres. U2, fronted by the enigmatic Bono, and featuring The Edge, Adam Clayton, and Larry Mullen Jr., crafted an album that seamlessly blends rock, folk, and Americana influences. The result is a sonic journey through the heart of America's vast landscapes and the human spirit's yearning for connection. "The Joshua Tree" is an album that evokes emotions as vast and varied as the desert landscapes that inspired it. From the anthemic "Where the Streets Have No Name" to the introspective "With or Without You" and the haunting "I Still Haven't Found What I'm Looking For," the album is a tapestry of longing, hope, and introspection. At the time of its release, "The Joshua Tree" was a revelation. It debuted at No. 1 on the Billboard 200 chart, catapulting U2 into superstardom. The album's singles became anthems of a generation, resonating with listeners worldwide. It garnered critical acclaim and a slew of awards, including Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group. But "The Joshua Tree" isn't just an album; it's a journey. It's a testament to the power of music to transcend boundaries, both geographical and emotional. It's an exploration of the human condition and a search for meaning in a vast and complex world. As we gently lay the needle on this vinyl masterpiece, we invite you to join us on a voyage through the hauntingly beautiful landscapes of "The Joshua Tree." We'll explore U2's artistic evolution, the album's impact on rock music, and the enduring resonance of its themes in today's world. So, dear listeners, let's lose ourselves in the sonic majesty of "The Joshua Tree" on this episode of Dem Vinyl Boyz.
The week of August 7, 2023 will be a summer vacation for Morning Prayer. No podcast episodes will be posted. Meet you back here August 14, 2023. Keep up with the latest in the Facebook group here. These are the songs we sang this past week on the Morning Prayer and Worship podcast. The podcast is a compilation of all five songs. Find a playlist of the individual tracks here. “Worthy is the Lamb” by Darlene Zschech “Desert Song” by Brooke Ligertwood “Yahweh” by U2 “Where the Streets Have No Name” by U2 “I Believe” by Amanda Cook, Jason Ingram, Jonathan David Helser, Melissa Helser, and Steffany Gretzinger If you have a prayer request please submit it here. Sign up here for the email list. Image: Cuba and the Bahamas by NASA.
The week of August 7, 2023 will be a summer vacation for Morning Prayer. No podcast episodes will be posted. Meet you back here August 14, 2023. Keep up with the latest in the Facebook group here. These are the songs we sang this past week on the Morning Prayer and Worship podcast. The podcast is a compilation of all five songs. Find a playlist of the individual tracks here. “Worthy is the Lamb” by Darlene Zschech “Desert Song” by Brooke Ligertwood “Yahweh” by U2 “Where the Streets Have No Name” by U2 “I Believe” by Amanda Cook, Jason Ingram, Jonathan David Helser, Melissa Helser, and Steffany Gretzinger If you have a prayer request please submit it here. Sign up here for the email list. Image: Cuba and the Bahamas by NASA. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message
It's Thursday of Ordinary Time, Proper 12 in the Church Calendar. August 3, 2023. This week we are following the Daily Office lectionary with an episode Monday through Friday. Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Where the Streets Have No Name” by U2 and we'll include a prayer of confession. We'll read Psalm 71 followed by the Gloria Patri. Our Scripture lesson is Acts 16:25-40 . We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for giving to support this ministry. You can go here to find out more. Join our Facebook group here! Art: Robert Delaunay, 1913, Premier Disque, Proper 12 - O God, the protector of all who trust in you, without whom nothing is strong, nothing is holy: Increase and multiply upon us your mercy; that, with you as our ruler and guide, we may so pass through things temporal, that we lose not the things eternal; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message
It's Thursday of Ordinary Time, Proper 12 in the Church Calendar. August 3, 2023. This week we are following the Daily Office lectionary with an episode Monday through Friday. Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “Where the Streets Have No Name” by U2 and we'll include a prayer of confession. We'll read Psalm 71 followed by the Gloria Patri. Our Scripture lesson is Acts 16:25-40 . We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization. Thank you for giving to support this ministry. You can go here to find out more. Join our Facebook group here! Art: Robert Delaunay, 1913, Premier Disque, Proper 12 - O God, the protector of all who trust in you, without whom nothing is strong, nothing is holy: Increase and multiply upon us your mercy; that, with you as our ruler and guide, we may so pass through things temporal, that we lose not the things eternal; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.
Embrace the charm of an album that has defined generations as we recount the magic of U2's 'The Joshua Tree.' We promise you'll be transported back to the 80s as we share our personal anecdotes about the album and rank our top three non-hit songs. We couldn't agree more on the profound impact the album had on U2's career and continue to marvel at the accolades it keeps garnering, decades after its release.Strap in for an intriguing analysis of 'Where the Streets Have No Name'; a song that demanded 40% of the album's production process. We unravel the intricate arrangement that crafted this masterpiece, the tribal rhythm that pulsates through it, and how a rooftop video shoot transformed into a memorable spectacle. We'll explore the portrayal of America in the album - the beauty, the flaws, and everything in between - and how it continues to stand as a timeless classic in our hearts.We also journey into the creative minds of U2, tracing the influences that moulded 'The Joshua Tree.' From Bono's vocals, inspired by Joe Cocker, to Edge's attempt at covering Neil Young's ‘Heart of Gold', we unravel the band's creative process. We'll also discuss the socio-political themes reverberating through the album, giving context to the struggles faced by the everyday worker. Join us as we celebrate each song's power and their unifying impact. So, lend your ears, indulge your nostalgia, and re-live the magic of U2's 'The Joshua Tree' - an album that's more than just music; it's a chronicle of an era, a testament to creative genius, and a beacon of unity.Support the show
Join Brian and Patrick on the Hard Compound, an American take on Formula 1. In this episode, Baku hits the snooze button. Sergio Perez rules the streets. And F1 goes plaid. With Charles Leclerc doing better on iTunes than he is in that Ferrari. And the ageless Fernando Alonso dating the ever-now Taylor Swift (allegedly). Plus, what the perpetual complainers got right about the new F1 sprint format. Why Toto is never going to give up his private jet. The dream of a Grand Prix in Antarctica. And how we just know Lando Norris has awful taste in music. Oh, and our crazy prediction that Lewis Hamilton and Fernando Alonso once again end up on the same team. (Note: we did swear in this episode.)As always, thank you for listening to everybody's most beloved father and son F1 podcast!
Happy St. Patrick's Day, dear listeners! Fire and Water Records is proud to spend the day discussing the history and discography of Ireland's chief export: the rock 'n roll band U2. Join Ryan Daly and superfan Omar Uddin as they chronicle the band's atypically ambitious start in Dublin to falling in love with the myth of America from a tour bus, back across the ocean to the industrial cobblestone streets of Eastern Europe, only to return and conquer pop-rock and the world in the 21st century, all whilst crafting some of the most sonically charged, nakedly earnest, and aggressively catchy rock songs in music history. Also, Ryan reveals too much of his wasted teenage years, and it's totally cringe. Track list "All I Want is You" from RATTLE AND HUM "I Will Follow" from BOY "Sunday Bloody Sunday" from WAR "The Sweetest Thing" from BEST OF 1980-1990 "Hold Me, Thrill Me, Kiss Me, Kill Me" from BATMAN FOREVER: OFFICIAL MOVIE SOUNDTRACK "Zoo Station" from ACHTUNG BABY "New Year's Day" from WAR "Pride (In the Name of Love)" from THE UNFORGETTABLE FIRE "Bad" from WIDE AWAKE IN AMERICA "In God's Country" from THE JOSHUA TREE "With or Without You" from THE JOSHUA TREE "Where the Streets Have No Name" from THE JOSHUA TREE "Running to Stand Still" from THE JOSHUA TREE "Angel of Harlem" from RATTLE AND HUM "Bullet the Blue Sky (live)" from RATTLE AND HUM "The Fly" from ACHTUNG BABY "Mysterious Ways" from ACHTUNG BABY "Tryin' to Throw Your Arms Around the World" from ACHTUNG BABY "One" from ACHTUNG BABY "One (live)" performed by Mary J. Blige "Stay (Faraway, So Close)" from ZOOROPA "The First Time" from ZOOROPA "Lemon" from ZOOROPA "Zooropa" from ZOOROPA "The Playboy Mansion" from POP "Please (single edit)" from POP "Elevation" from ALL THAT YOU CAN'T LEAVE BEHIND "Beautiful Day" from ALL THAT YOU CAN'T LEAVE BEHIND "Every Breaking Wave" from SONGS OF INNOCENCE "Get Out of Your Own Way" from SONGS OF EXPERIENCE "So Cruel" from ACHTUNG BABY "Window in the Skies" from U218 SINGLES "Ultraviolet (Light My Way)" from ACHTUNG BABY "With or Without You (live)" from RATTLE AND HUM (movie) Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. Like the FIRE AND WATER RECORDS Facebook page at: This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER – https://twitter.com/FWPodcasts Like our FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to FIRE AND WATER RECORDS on iTunes: https://podcasts.apple.com/us/podcast/fire-and-water-records/id1458818655 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Support FIRE AND WATER RECORDS and the FIRE AND WATER PODCAST NETWORK on Patreon: https://www.patreon.com/fwpodcasts Thanks for listening!
Welcome to the Enjoy Church podcast. It's our heart, to love, equip and encourage you in Christ and to help you become all that God has purposed and called you to be. To learn more, visit www.enjoy.church.
Disability in college settings is often an unexplored street. How does a student with ADHD or autism or vision impairment navigate the college admissions process? If you are a student with a learning difference, there are some key things you need to consider when choosing a college. This includes not only examining the learning resources at the college, but also preparing yourself to become your own advocate as you move into adulthood. Tune in as Elizabeth talks with accessibility expert Laurie Necasek about all of this and more. Laurie Necasek manages digital accessibility projects, assists creators with accessible solutions and is the founder of AllAboutAccessibility.Connect with Laurie!WebsiteEmailLinkedIn3 things to consider for students with learning differences: When investigating colleges, check out their resources. Ask about their accessibility office. What resources do they have in place and where are these resources located? Is there more than one location for easy accessibility?Be mindful of online learning and exactly what the course entails. Some classes are partially on-line, some are fully online. Be aware that you will have to be more disciplined when it comes to setting up time to learn, to do the assignments, to check in with the professor. Prepare to become your own advocate. Know your strengths and weaknesses and how best to communicate them to your professors. Begin practicing this now, especially if you are more introverted. The Admissions Club Podcast is your one-stop shop for all things college admissions, complete with a nostalgic 80s playlist and Gen X vibes. It's hard to believe that we've traded in scrunchies and Bruce Springsteen posters for walking our kids through the college admissions process! But, I'm here to share my 25 years of higher education experience, with 10 years of direct college admissions experience, with you and your student so you don't have to walk it alone.Connect with Elizabeth!WebsiteFacebookYouTubeLinkedIn
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2
Dan talks with Guy Adami about why tech stocks and the Nasdaq are underperforming versus the broader market (1:30), Apple's plans to shift production out of China to countries like India and Vietnam (7:00), Tesla reportedly preparing to cut production in China (13:00), what's driving the big executive departures from Salesforce (18:00), Meta's intensifying regulatory and digital ad woes (23:30), JP Morgan CEO Jamie Dimon slamming crypto as “pet rocks,” (26:00) and Guy attending the Kennedy Center Honors where the band U2 was among the honorees (33:00). —- Check out the articles discussed in the episode: Apple Makes Plans to Move Production Out of China Tesla Falls on Plan to Cut Output of EVs at Shanghai Factory Meta's Targeted Ad Model Faces Restrictions in Europe Ad growth expected to slow further in 2023 JPMorgan CEO Jamie Dimon Calls Crypto Tokens ‘Pet Rocks' ---- View our show notes and transcript here ---- Email us at contact@riskreversal.com with any feedback, suggestions, or questions for us to answer on the pod and follow us @OkayComputerPod. We're on social: Follow Dan Nathan @RiskReversal on Twitter Follow @GuyAdami on Twitter Follow us on Instagram @RiskReversalMedia Subscribe to our YouTube page
Dan talks with Guy Adami about why tech stocks and the Nasdaq are underperforming versus the broader market (1:30), Apple's plans to shift production out of China to countries like India and Vietnam (7:00), Tesla reportedly preparing to cut production in China (13:00), what's driving the big executive departures from Salesforce (18:00), Meta's intensifying regulatory and digital ad woes (23:30), JP Morgan CEO Jamie Dimon slamming crypto as “pet rocks,” (26:00) and Guy attending the Kennedy Center Honors where the band U2 was among the honorees (33:00). —- Check out the articles discussed in the episode: Apple Makes Plans to Move Production Out of China Tesla Falls on Plan to Cut Output of EVs at Shanghai Factory Meta's Targeted Ad Model Faces Restrictions in Europe Ad growth expected to slow further in 2023 JPMorgan CEO Jamie Dimon Calls Crypto Tokens ‘Pet Rocks' ---- View our show notes and transcript here ---- Email us at contact@riskreversal.com with any feedback, suggestions, or questions for us to answer on the pod and follow us @OkayComputerPod. We're on social: Follow Dan Nathan @RiskReversal on Twitter Follow @GuyAdami on Twitter Follow us on Instagram @RiskReversalMedia Subscribe to our YouTube page
Specs finishes his sabotage and repairs his hummer to meet back up with the team after he scavenges fuel from the docks.
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2
Musique Mécanique par le Théâtre Électrique ::"Where the Streets Have No Name" by U2
As unexplained creatures begin to bleed into our world, events threaten a mother's love for her only son. Elana Gomel was born in a country that no longer exists and has lived in many others that may, or may not, be on the road to extinction. She currently resides in California. She is an academic with a long list of books and articles, specializing in science fiction, Victorian literature, and serial killers. She is also a fiction writer who has published more than a hundred short stories, several novellas, and four novels. Her story “Where the Streets Have No Name” was the winner of the 2020 Gravity Award, and her story “Mine Seven” is included in The Best Horror of the Year 13 edited by Ellen Datlow. She is a member of HWA. She can be found at https://www.citiesoflightanddarkness.com/ and on Facebook https://www.facebook.com/elana.gomel Twitter https://twitter.com/ElanaGomel Instagram https://www.instagram.com/elanagomel/ This story is a spinoff of her second published novel "The Cryptids", which is available on KU. https://www.amazon.com/Cryptids-Elana-Gomel/dp/1947522205 ---- Story Submission ---- Got a short story you'd like to submit? Submission guidelines can be found at http://www.TallTaleTV.com ---- About Tall Tale TV ---- My name is Chris Herron, and I narrate audiobooks. In 2015, poor control of my diabetes left me legally blind for the better part of a year. The doctors predicted an 80% chance I would never see again, but I changed the way I was living and through sheer willpower beat the odds. During this time I couldn't read or write. Two things that I had been turning to for comfort since I was a small child. With the sheer amount of stress I was under, this was devastating. My wife took me by the arm, lead me into the local library, and read out titles of audiobooks to me. I chose the audiobook versions of books I had loved such as the Disc World series, Name of the Wind, Harry Potter, and more. They brought my favorite stories to life in ways I never thought possible and helped me through the darkest time of my life. Once my vision recovered, I maintained a love for audiobooks. I decided I would turn my focus from being a writer to becoming a narrator. I devised Tall Tale TV as a way to help out all the amazing authors in the writing communities I had come to love before my ordeal. I created Tall Tale TV to help aspiring authors by providing them with a promotional audiobook video. A way to showcase their skills with the written word. They say the strongest form of advertisement is word of mouth, so I provide a video to a platform of readers to help get people talking. Help them spread the word. Click the share button and let the world know about this author. ---- legal ---- All images used in this video are either original or Royalty and Attribution free. Most stock images used are provided by http://www.pixabay.com or https://www.canstockphoto.com/. Image attribution will be declared only when required by the copyright owner. All stories on Tall Tale TV have been submitted in accordance with the terms of service provided on http://www.talltaletv.com or obtained with permission by the author. Common Affiliates are: Amazon, Smashwords
2022 marks 35 years since U2 released “The Joshua Tree” - one of the best selling and critically acclaimed albums of all time. Containing some of the band's biggest hits - including “With or Without You”, “I Still Haven't Found What I'm Looking For”, and “Where the Streets Have No Name” - it's an album that Rolling Stone notes increased the band's stature “from heroes to superstars” … but how has Bono and the Irish rock outfit's fifth album aged after 35 years and massive airplay? Find out what Matt and Zach think in Epic Footnote Productions' “2 Minutes to Review,” a podcast that's part album review and part competition. In each episode, both hosts are given two minutes each to review a newly released album or a classic record they're revisiting. Whoever gives the longest review in under two minutes wins. Available to stream on any platform you can imagine found here: https://linktr.ee/epicfootnote! Sponsored by: - Lucky 13 Beard Co.: head over to https://lucky13beardco.com/ and listen to this episode for a special code that will give you 10% OFF your order of quality, made-to-order beard care products! And also try our VERY OWN beard oil inspired by the legendary Lemmy Kilmister: https://lucky13beardco.com/products/1oz-beard-oil-lemmy - Rootless Coffee Co.: head over to https://rootlesscoffee.com/ and listen to this episode for a special code that will give you 15% OFF your order of coffee blends that break free from boring. And also try our VERY OWN bag of coffee: https://rootlesscoffee.com/collections/partners/products/epic-footnote-productions #U2 #TheJoshuaTree #AlbumReview #AlbumRevisited #Rock #AltRock #ClassicRock #Bono #TheEdge #AdamClayton #LarryMullenJr #WithOrWithoutYou #IStillHaventFoundWhatImLookingFor #WhereTheStreetsHaveNoName #BulletTheBlueSky #RunningToStandStill #RedMillMiningTown #InGodsCountry #TripThroughYourWires #OneTreeHill #Exit #MothersOfTheDisappeared #80sMusic #80sRock #BestOfThe80s
#58-56Intro/Outro: Love Song by Miranda Lambert58. Elvis Presley by Elvis Presley (Heartbreak Hotel & One-Sided Love Affair & I Love You Because & Trying to Get To You & My Baby Left Me)57. O Brother, Where Art Thou? Soundtrack (Down to the River to Pray & I Am a Man of Constant Sorrow & I'll Fly Away)56. The Joshua Tree by U2 (With or Without You & Where the Streets Have No Name & I Still Haven't Found What I'm Looking For & Bullet the Blue Sky)Vote on Today's Album ArtHave you voted on Week 12 Round 1 winners yet? If so, no further action needed. If not:Vote on Week 12 Round 2 Album Art (Episodes 356-360)
Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I've climbed, and joined the tumbling mirth Of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov'ring there, I've chased the shouting wind along, and flung My eager craft through footless halls of air . . . Up, up the long, delirious burning blue I've topped the wind-swept heights with easy grace Where never lark, or ever eagle flew — And, while with silent, lifting mind I've trod The high untrespassed sanctity of space, Put out my hand, and touched the face of God. – John Gillespie McGee Jr. Companion Page: High Flight Patreon: https://www.patreon.com/tolivewithhonor To Live With Honor Trailer: Credits: Kristin Kuns Kaleb Bruza Buffer music: Council – “Rust to Gold” Soundtrack: Audioslave – “Show Me How to Live” U2 – “Where the Streets Have No Name”
In this episode, we are honored to speak with academic, sci-fi, and dark fantasy writer, Elana Gomel.Elana Gomel has taught and researched English literature and cultural studies at Tel-Aviv University, Princeton, Stanford, Venice International University, and the University of Hong Kong. She is currently dividing her time between California and Tel-Aviv. Elana is the author of five academic books and numerous peer-reviewed articles on posthumanism, science fiction, Victorian literature, and serial killers. Her fantasy, horror, and science fiction stories have appeared in numerous publications, including Apex Magazine, New Horizons, and The Fantasist. Elana's stories have been featured in several award-winning anthologies, including Zion's Fiction, Apex Book of World Science Fiction, and People of the Book.Elana's first novel A Tale of Three Cities was published in 2013, followed by her novella Dreaming in the Dark in 2017. In 2018 she published her first collection of short stories Un/home and her dark fantasy novel The Hungry Ones. In 2019 she published her sci-fi hybrid horror novel The Cryptids. Most recently, she signed a contract with Vernacular Books for her novel Nightwood. When she is not busy writing or teaching, Elana is on a plane headed somewhere far away and exotic in search of new monsters. We talk to Elana about her soon-to-be-released tribute to California, Nightwood from Vernacular Books. Elana shares her thoughts on the intersection, or not, of her academic work and her creative works. She writes and publishes frequently and we wanted to know how she manages her time .Elana explains her world-driven writing. We were thrilled to hear that the monsters are her favorites and the surprising place that the inspiration for them comes. Elana won the 2020 Gravity Award for “Where the Streets Have No Name”, we asked her about the winning story and about the award. She shares a bit about her process for writing a piece and how long it takes her. In addition to Nightwood, Elana's novella Little Sister is coming out on October 15 from Crystal Lake Publishing. Elana shares her childhood memories of the USSR, KBG visits, the strong women in her family, and the forgotten history that inspired the story. We chatted about her piece The Niddah as her response to the pandemic and what we can learn from it.Find out more about Elana and her work here:https://www.citiesoflightanddarkness.comand here:https://www.amazon.com/Elana-GomelFind some of her works here:The Niddah from Apex Magazinehttps://apex-magazine.com/the-niddah/Tanri from Of Metal and Magichttps://ofmetalandmagicpublishing.wordpress.com/tanri/Pareidolia from Frost Zone Zinehttps://frostzonezi**When you purchase through links on our site, we may earn an affiliate commission.*Disclaimer: Reference to any specific product or entity does not constitute an endorsement or recommendation by the Podcasters. The views expressed by guests are their own and their appearance on the podcast does not imply an endorsement of them or any entity they represent. Views and opinions expressed by guests do not necessarily reflect the views and opinions of the podcasters.
Chris and Lena discuss haunted roads, bad eating habits, give some mixed reviews and as always NEWS!
This is the fifth week of Easter. New life is here! As always, our Scripture readings and general order come from the Book of Common Prayer (1979) Daily Office. We'll sing "Where the Streets Have No Name" by U2 throughout today's time of prayer. We'll read Psalm 22:24-30 followed by the Gloria Patri. Our Lesson is John 15:1-8. We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. Photograph by me :). If you have a prayer request please submit it at https://benwardmusic.com/prayerrequest. If you'd like to be on the email list visit https://benwardmusic.com/email. Visit https://patreon.com/morningprayer to give and support Morning Prayer!
This is the fifth week of Easter. New life is here! As always, our Scripture readings and general order come from the Book of Common Prayer (1979) Daily Office. We'll sing "Where the Streets Have No Name" by U2 throughout today's time of prayer. We'll read Psalm 22:24-30 followed by the Gloria Patri. Our Lesson is John 15:1-8. We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day. We'll then have a time of prompted prayer. Photograph by me :). If you have a prayer request please submit it at https://benwardmusic.com/prayerrequest. If you'd like to be on the email list visit https://benwardmusic.com/email. Visit https://patreon.com/morningprayer to give and support Morning Prayer! --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message
ערב אחד דה אדג' השמיע לחברי הלהקה דמו ביתי שיצר, האפקטים באותה הקלטה ובמיוחד - הדיליי , יהפכו לסאונד החדשני והייחודי של U2 מסוף שנות ה-80 ועד היום.
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