Podcasts about ultraworld

I was lucky enough to be a dnb raver in Washington DC and Baltimore during  the late 1990's and early 2000's. It was only years later that I came to realize how extra special that period was for DC dnb and its own roots and culture. This weeks guest played an integral part in building a lot of that. It's really humbling to share this one with ya'll. Please welcome, R4NS0M. Originally hailing from the storied Washington DC drum & bass scene, Boston's R4NS0M has been at the forefront of the American drum & bass movement since its early days. Over the course of his career, He's performed at legendary events like Buzz, Ultraworld, Resonate, Eklektic, Platinum, Respect, Elements, and Cadence, and crafted mixes for Toronto's iconic Prophecy FM and Winslow's Bad Snares Anonymous. As a producer, he's released music on such labels as Moving Shadow, Ohm Resistance, Soul Deep, Detached Audio, 1 More Thing, WiddFam, and 4 Corners Music, and worked with a number of artists, including Sinthetix, Corrupt Souls, UFO!, Ben Rolo, Fake, Dvalue and Metcalf. With decades of work under his belt, and a decidedly individual take on the drum-n-bass sound, R4NS0M continues to cement one of the more unique legacies in the history of the genre as a creator and pioneer.  Tracklist & links below.  Please enjoy❤️ Back next week -Thomas https://linktr.ee/r4ns0m 01. Bush Chemists - "Light Up  Your Spliff (Business As Usual Remix)" 02. Winslow - dub 03.  Sekty -  dub 04. J.Purcell - dub 05. Melinki & R4NS0M - dub 06. R4NS0M - "You Tell Me" [Drive AM Recordings] 07. BradyXK & R4NS0M - "Psycho City" [dub] 08.  Genic - "202" [Genic Patreon] 09. R4NS0M & iso•con - dub 10. DJ Hazard - "Meaning Of Life" [Hazardous Materials] 11. Crystal Clear - "Temper" [The Sauce Recordings] 12. Mask - "Splurt" [Dope Dragon] 13. Clearance - "On The 1" [Kynetic Sound] 14. R4NS0M - "State Facts" [Drive AM Recordings] 15. OCC - "No Tech" [OCC Recordings] 16. Crystal Clear & Nymfo - "Feel Something" [Love For Lower Frequencies] 17. HLZ - dub 18. Kiko - dub 19. R4NS0M - dub 20. Genic - "In Use" [Genic Patreon] 21. R4NS0M - dub 22. Myth - "Reality Check" [Four Corners Music] 23. R4NS0M - "Metropolitan Hill" [Drive AM Recordings] 24. DJ Lee - "Whisper" [Soul In Motion] 25. George Lunn - "Heir (Shibumi Remix)"

Straight Outta the Federation along with Ruth and Darrin of RAD Adventures Network discussed Blake's 7's Ultraworld, written by Trevor Hoyle and directed by Vere Lorrimer.  In this one the legendary Liberator Crew comes across a quite peculiar celestial body, Ultraworld, which is like a huge computer collecting data across galaxies.  The place is anything but friendly.  Join the conversation as we discuss the status of Blake's 7, Trevor Hoyle's writing contributions, alien life forms in science fiction and so much more.  Let us know your thoughts at prydonian.post@gmail.com www.patreon.com/wrightonnetwork X @sofederation Bluesky: huestone44.bsky.social Instagram @sogallifrey_44 Contact Ruth and Darrin at https://www.facebook.com/RaDAdventuresNetwork/    

Let's review the top albums released in April 1991, including: Massive Attack - Blue Lines, The Orb - The Orb's Adventures Beyond the Ultraworld, Temple of the Dog - Temple of the Dog, Lenny Kravitz - Mama Said, Boyz II Men - Cooleyhighharmony 

Ultraworld Series C, Episode 10 - First broadcast 10 March 1980 This week on Maximum Power, Simon, Brendan and Rob Valentine teleport down to a mysterious planet that they discover is just one giant computer. Simon wonders at the elegance of the operating system, Brendan has a hankering for a fancy cocktail, and Rob is just hoping no-one realises what a decent, compassionate man he is. Meanwhile, back aboard the Liberator, Mark is teaching dad jokes to his laptop. Join us as we discuss the unjustly maligned Ultraworld. Head-shaving optional, apparently.

Welcome to a special episode of the Runners of the Corn Podcast!  I'm shaking things up by sitting down with my 7 and 12-year-old nieces. Ever wondered what kids think about ultrarunners and the wild things we do, like tackling 100 milers? Join us as they spill the beans and share their hilarious take on their Auntie's running adventures. It's a lighthearted and unique perspective on the world of ultrarunning from the next generation – don't miss it!Be sure to follow us at facebook.com/RunnersOfTheCorn or instagram.com/runnersofthecorn

Blakes 7 1980 Ultraworld

101 Dimensions curated by Anthony Rowsick, March 2022:1. The Orb – Earth Orbit One: Little Fluffy Clouds; Earth Orbit Two: Earth (Gaia); and Earth Orbit Three: Supernova at the End of the Universe (26:12) (from the album The Orb's Adventures Beyond the Ultraworld, 1991)2. John Carpenter – Distant Dream; White Pulse; Persia Rising; Angel's Asylum; and Hofner Dawn (19:24) (from the album Lost Themes II, 2016)3. Anne Dudley – What Dreams May Come; Variations on a Groove; and Crazy Lullaby (24:44) (from the album Seriously Chilled, 2003)4. The Alan Parsons Project – P-K4; P-QB4; Kt-KB3; Kt-QB3; and P-Q4 (19:39) (from the album The Sicilian Defence, 2014)5. Cliff Martinez – Hi Energy Proton Accelerator; Wear Your Seat Belt; Wormhole, and We Don't Have to Think Like That Anymore (21:33) (from the album Solaris OST, 2003)

Fremd wirken die Figuren der Theatermacherin Susanne Kennedy. Sie bewegen sich ruckartig, wie ferngesteuert, ihre Stimmen kommen vom Band, als würden ihnen die Worte von einer unbekannten Macht eingeflüstert. Ihre Schöpferin erzählt mit diesen Wesen an der Grenze von Mensch und Avatar alte Geschichten ganz neu. Die Genesis, Tschechow oder Hildegard von Bingen fügen sich bei Kennedy mit Anleihen bei Videospielen, Filmen und Bildender Kunst zu Stücken, die auf eine Veränderung des menschlichen Bewusstseins spekulieren. Mit nachtkritik.de-Redakteur Michael Wolf spricht sie über moderne Autorschaft, über das Verhältnis von Technologie und Körperlichkeit und über Spiritualität im Theater. Susanne Kennedy, geboren 1977 in Friedrichshafen als Tochter eines schottischen Vaters und einer deutschen Mutter, ist Regisseurin. Kennedy studierte Regie an der Hogeschool voor de Kunsten in Amsterdam. Ihre Arbeiten wurden mehrmals zu den Niederländischen Theatertreffen eingeladen. Im Niederländischen Theater Gent war sie 2011 zu Gast mit einer Inszenierung von Fassbinders "Die bitteren Tränen der Petra von Kant". An den Münchner Kammerspielen inszenierte sie 2011 "They shoot horses, don't they? und 2013 Marieluise Fleißers Erstlingsstück "Fegefeuer in Ingolstadt", für das sie von der Fachzeitschrift Theater heute zur "Nachwuchsregisseurin des Jahres" gewählt wurde. Für diese Inszenierung, die zum Berliner Theatertreffen 2014 eingeladen wurde, erhielt sie den 3sat-Preis. Mit ihrer Fassbinder-Inszenierung "Warum läuft Herr R. Amok?" wurde sie 2015 erneut zum Theatertreffen eingeladen. 2017 war sie unter den Preisträger*innen des Europe Prize New Theatrical Realities. In der Spielzeit 2017/18 zeigte sie mit "Women in Trouble" ihre erste Uraufführung an der Volksbühne Berlin. 2019 folgte "Coming Society" und 2020 "Ultraworld", beide gemeinsam konzipiert und realisiert mit dem Künstler Markus Selg. Im Jahr 2020 zeigte sie die zusammen mit Selg die Arbeit "Oracle" 2020 an den Münchner Kammerspielen, sowie 2021 auf Kampnagel die interaktive Virtual Reality-Arbeit "I AM (VR)".  "Neue Dramatik in 12 Positionen" – Eine Gesprächsreihe von nachtkritik.de in Kooperation mit dem Literaturforum im Brecht-Haus, gefördert vom Deutschen Literaturfonds. Foto Susanne Kennedy © Franziska Sinn

Welcome to the Vonyc Sessions Podcast.. 60mins of the very best new electronic music from around the world, hand-picked and hosted by Grammy award-winning producer and DJ Paul Van Dyk. For more info about the globally syndicated show visit www.paulvandyk.com Exolight & Suncatcher - Sunset Drive [Euphonic]Heard Right - Whisper [AVA Deep]ASCO, Nicola Fasano - You're Not Alone [Hexagon]Argy - Only Now [Purrfekt]Alan Cerra - Kaligora [Joof]Facade, John Dopping - Altona [Joof]Liquidized Elements - Omuramba [Liquidized Elements]Alex Sonata & TheRio - Higher [Anjuna]Audax - Between Us [Spinnin']Emery & Poppit - Friendly FiresHeard Right - Escape [AVA Deep]Narel - Relinquish [Joof]Ferry Corsten pres. Gouryella - Orenda [Flashover]Peetu S - The Mission [Outburtst]Andre Visior, USP - Hold Me [Sub Max Records]Richard Lowe - Daylight [Heavensgate]Master Beat Projekt - Unbreakable [Trance Form]Activa - DisharmonicYoshi & Razner - A New Beginning [ZYX]Omniks - Sorcery [Heavensgate]Johnny E & Craig Mortimer - Till The End [Trance Form]Onova - PlatitudeThe Orb - A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld

Gespräch Susanne Kennedy mit Ella Schilling und Nikolaus Müller-SchöllGeboren 1977 in Friedrichshafen, studiert Susanne Kennedy Regie an der Hogeschool voor de Kunsten in Amsterdam. 2011 lädt Johan Simons sie ein, mit dem Ensemble der Münchner Kammerspiele zu arbeiten. Für ihre Inszenierung Fegefeuer in Ingolstadt wird Susanne Kennedy von der Fachzeitschrift Theater heute zur Nachwuchsregisseurin des Jahres gewählt und mit dem 3sat-Preis ausgezeichnet. Die Inszenierungen Fegefeuer in Ingolstadt und Warum läuft Herr R. Amok? werden 2014 und 2015 zum Theatertreffen nach Berlin eingeladen. In Zusammenarbeit mit der Ruhrtriennale entstehen 2015 der Musiktheater-Parcours Orfeo und 2016 in Zusammenarbeit mit dem Bildenden Künstler Markus Selg das multimediale Stück MEDEA.MATRIX mit Birgit Minichmayr in der Hauptrolle. An den Münchner Kammerspielen Berlin inszeniert sie 2017 Die Selbstmord-Schwestern - The Virgin Suicides nach Motiven des Romans von Jeffrey Eugenides, das 2018 auch an der Volksbühne Berlin zu sehen ist.2017 wird Susanne Kennedy mit dem „Europe Prize Theatrical Realities" ausgezeichnet. 2019 folgt Coming Society, eine installative Performance, gemeinsam konzipiert und realisiert mit Markus Selg, in der das Publikum zum Akteur eines Evolutionsspiels rund um die Frage nach der zukünftigen Form von Gemeinschaft wird. Zuletzt gewinnt Lena Newtons Bühnenbild in Kennedys Bearbeitung von Anton Tschechows Drei Schwestern (2019) an den Münchner Kammerspielen, in der Kritiker*innen-Umfrage der Zeitschrift Theater heute den Titel „Bühnenbild des Jahres“.In ihrer neuen gemeinsamen Arbeit, die im Januar 2020 ihre Uraufführung an der Volksbühne hatte, entwerfen Susanne Kennedy und Markus Selg ein Modell zur Entstehung. ULTRAWORLD untersucht das Bewusstsein als virtuelle Konstruktion der Welt und simuliert die Transformation des Menschen in ihr.Vielfältige Veränderungen und Strukturdebatten prägen gegenwärtig den Diskurs über das Theater. Da ist es nur folgerichtig, auch die Aufgabe der Regie im Hinblick auf Produktionsprozesse und Ästhetiken zu untersuchen. Wir laden im kommenden Sommersemester zwölf Regieführende ein, die ihre künstlerische Position darstellen und mit uns in ein Gespräch über ihre eigene Arbeit treten. Bei den vielfältigen Künstler:innen tauchen zugleich unterschiedliche Aspekte dieses Berufes auf: Wie lässt sich im Kollektiv Regie führen? Wie kann man, teilweise über Jahrzehnte hinweg und in verschiedenen institutionellen Kontexten und Teams, konsequent an einer eigenen Ästhetik arbeiten? Wie sieht der Gang durch das Stadttheater aus? Wie gelingt der Berufseinstieg? Wie lässt sich Regie umsetzen, ohne hierarchische Strukturen zu reproduzieren? Wie kann man Regie praktizieren und zugleich ein Haus leiten?

In the 8th episode of Darmstadt On Air Alexander Schubert, multimedia composer and tutor of the Darmstadt Summer Course, spoke to the German theater director Susanne Kennedy via Zoom. They both share an interest in digital tools and the artistic potential of virtuality in a performative setting. As the starting point for their discussion, each of them describes one of their recent works: Susanne’s piece “Ultraworld” investigates the human consciousness as a virtual construction and inner simulation of the world. It was premiered at the Berlin Volksbühne in January 2020. Alexander discusses his project “Genesis” where he created a seven-day installation as a real life computer game in which the audience created a virtual world via online interventions. It was shown in April 2020.

Changing things up this week. Wes talks to the Godfather of Minnesota soccer, Bruce McGuire about 3 songs that changed his life. Patti Smith, Gloria https://www.youtube.com/watch?v=bPO0bTaWcFQ LL Cool J, Rock the Bells (Original)https://www.youtube.com/watch?v=VGabHGJAHfc The Orb, A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld https://www.youtube.com/watch?v=0nL1-jnCkfw

We're all locked down in our house, McBain is licking Jake's elbows, and everyone could use some calming music to meditate and chill out to. Jake brings back the Tone Rake for some tone bowl-esque music, and recommends further music for you to cool off during your social distancing.Music recommendations are “Adventures Beyond the Ultraworld” by The Orb, and “Geogaddi” by Boards of Canada.Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Jake gets excited about a new season of baseball, but if you're bored by baseball, then he has another sport you may dislike more. Another indecipherable dream is recounted from the dream journal, and some minor distortions make their way into this week's music.Music recommendations are Jesus Christ Superstar by Andrew Lloyd Webber, and The Orb's Adventures Beyond the Ultraworld by The Orb.Jesus Christ Superstarhttps://itunes.apple.com/us/album/jesus-christ-superstar-original-broadway-cast/908942https://open.spotify.com/album/4nntZWXeeFVGgdcbAPcKg1The Orbhttps://itunes.apple.com/us/artist/the-orb/77255https://open.spotify.com/artist/5HAtRoEPUvGSA7ziTGB1cFWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Jake gets excited about a new season of baseball, but if you're bored by baseball, then he has another sport you may dislike more. Another indecipherable dream is recounted from the dream journal, and some minor distortions make their way into this week’s music.Music recommendations are “Jesus Christ Superstar” by Andrew Lloyd Webber, and “The Orb's Adventures Beyond the Ultraworld” by The Orb.Jesus Christ Superstarhttps://itunes.apple.com/us/album/jesus-christ-superstar-original-broadway-cast/908942https://open.spotify.com/album/4nntZWXeeFVGgdcbAPcKg1The Orbhttps://itunes.apple.com/us/artist/the-orb/77255https://open.spotify.com/artist/5HAtRoEPUvGSA7ziTGB1cFWake & Jake:https://artfinixstudios.com/artfinix-podcasts/https://artfinixstudios.com/education/https://www.facebook.com/ArtfinixPOD/https://www.instagram.com/artfinixpodcasts/https://www.instagram.com/wakeandjakepod/https://www.instagram.com/kennyg.g.allin/Music Composed by Jake FisherLogo by Baitul Javid

It all started when Arturo tried to be a good sameritan, but thats when things got strange..... Join Ron & Olav as they talk with Arturo Adame about his adventures in the ULTRAWORLD!

Well it’s like, sort of gold looking right? This week we dive into a massive… brain? Well that’s just completely disgusting honestly. I mean good god, have you actually seen a brain? It’s horrifying. Legitimately horrifying. It’s Ultraworld, written by Trevor Hoyle and aired on March 10, 1980. Blake’s 7 © The BBC Any other referencesContinue reading →

Whilst Servelan is busy (air quote) entertaining the troops, Tarrant and Dayna have been hired by the Blue Man Group to make an instructional sex tape for a giant, carnivorous brain that's dressed as a glimmer globe covered in Toblerones. Wanting nothing at all to do with this, Vila lounges about practicing stand-up comedy. But when his efforts send a sleepy Avon and Cally quite literally out of their minds, he decides to jack it all in and join the Federation. So he travels to a far away planet that can't be found where his first job is to pick all the dead mice out of the computer. At least he doesn't have to clean out the fish tank…

The crew of the Liberator encounters the giant space brain/computer, Ultraworld. Will anyone find any intelligent life anywhere in this episode? Ben and Eugene discuss.

Ian and Dave are back to watch two more episodes of Blake's 7. In "Moloch," the Liberator follows Servalan to a mysterious hidden planet where a legion of Federation troops have acquired a new technology and have designs on taking over the Federation. In "Death-Watch," Tarrant's brother acts as a champion in a well-mannered war between empires, which Servalan looks to disrupt for her own purposes. Plus, a Doctor assesses the medical accuracy of "Ultraworld," how has Karma punished Colonel Sanders, and does one feedbacker's powers of prediction mean he should be burnt as a witch?

Ian and Dave are back to watch two more episodes of Blake's 7. In "Moloch," the Liberator follows Servalan to a mysterious hidden planet where a legion of Federation troops have acquired a new technology and have designs on taking over the Federation. In "Death-Watch," Tarrant's brother acts as a champion in a well-mannered war between empires, which Servalan looks to disrupt for her own purposes. Plus, a Doctor assesses the medical accuracy of "Ultraworld," how has Karma punished Colonel Sanders, and does one feedbacker's powers of prediction mean he should be burnt as a witch?

Ian and Dave are back to watch two more episodes of Blake's 7. In "Moloch," the Liberator follows Servalan to a mysterious hidden planet where a legion of Federation troops have acquired a new technology and have designs on taking over the Federation. In "Death-Watch," Tarrant's brother acts as a champion in a well-mannered war between empires, which Servalan looks to disrupt for her own purposes. Plus, a Doctor assesses the medical accuracy of "Ultraworld," how has Karma punished Colonel Sanders, and does one feedbacker's powers of prediction mean he should be burnt as a witch?

Ian and Dave are back to watch two more episodes of Blake's 7. In "Moloch," the Liberator follows Servalan to a mysterious hidden planet where a legion of Federation troops have acquired a new technology and have designs on taking over the Federation. In "Death-Watch," Tarrant's brother acts as a champion in a well-mannered war between empires, which Servalan looks to disrupt for her own purposes. Plus, a Doctor assesses the medical accuracy of "Ultraworld," how has Karma punished Colonel Sanders, and does one feedbacker's powers of prediction mean he should be burnt as a witch?