Podcasts about madrigals

Send us a textTonight, we float upon a starfield of hawthorn blossom under a waxing moon. Why not join us as we continue with the final part of Mum's account of the ‘totally worthwhile risk that was never regretted.'    Journal entry:9th May, Friday“A westering sunLays long shadows acrossThe towpath and canal.Two geese in a fieldwatch me from across the water.A pheasant's raspThe scent of may.”Episode Information:In this episode I read the first part of John Clare's (1793-1864) ‘In suns and showers luxuriant May came forth' published posthumously in Madrigals and Chronicles (1924).For photographs accompanying the reading from Mum's account, please go to this episode's page on noswpod.With special thanks to our lock-wheelersfor supporting this podcast.Mind ShamblesClare HollingsworthGabriela Maria Rodriguez-VeinotteKevin B.Fleur and David McloughlinLois RaphaelTania YorgeyAndrea HansenChris HindsDavid DiromChris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Kate Kemp discusses with Ivan six things which should be better known. Kate Kemp is an Australian writer living in the UK. She trained as an occupational therapist and then as a systemic psychotherapist, and has worked with families and individuals in mental health services in both Australia and the UK. In 2021, she won the Stylist Prize for Feminist Fiction and the Yeovil Literary Prize. The Grapevine is her first novel and is available at https://www.hachette.co.uk/titles/kate-kemp/the-grapevine/9781399618977/. It's okay to change your mind https://medium.com/darius-foroux/its-okay-to-change-your-mind-c4a0166b0a6d We don't need sameness for belonging, we need acceptance https://medium.com/@ilana_73874/belonging-without-blending-in-a-story-of-self-acceptance-b5c9e90f661b Caring for someone who is dying is one of the most intimate things you can do https://www.cancervic.org.au/get-support/facing-end-of-life/caring-for-someone-nearing-the-end-of-life Primadonna Festival https://primadonnafestival.com/ The paintings of Vilhelm Hammershøi https://www.theguardian.com/artanddesign/gallery/2008/jun/25/art.denmark Monteverdi's Madrigals https://www.grahamsmusic.net/post/monteverdi-s-madrigals This podcast is powered by ZenCast.fm

Send us a textIt's a bitingly cold, sleety night. There's a warning of snow in the forecast for later. It's a perfect night to sit together around a warm stove snug inside the Erica's cabin, while the wild world rages outside. The kettle is singing, the biscuit barrel is full. The night belongs to us.    Journal entry:7th February, Friday.“Yesterday's spectacular Blood-orange dawn Has given way to a dawn Without colour or feeling.We pick our way between Rutted potholes of slippery mud To the Magpie's scalding laugh.A wicked wind cuts In from the north-east And reminds me that I am, After all, an embodied being.”Episode Information:In this episode I read ‘Where does Comfort's Bosom Glow?' by John Clare from his Madrigals and Chronicles: Being newly found poems and ‘The Darkling Thrush' by Thomas Hardy (1900). I also quote from William Blake's (1796/7) The Four Zoas (Night the Second). With special thanks to our lock-wheelersfor supporting this podcast.Kevin B. Fleur and David Mcloughlin Lois Raphael Sami Walbury Tania Yorgey Andrea Hansen Chris Hinds David Dirom Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

Se asocia su nombre a timbres heterodoxos, a técnicas instrumentales y vocales extendidas, a formas de notación particulares y a su monumental “Black Angels”. Para él la música es “un sistema de proporciones al servicio del impulso espiritual”._____Has escuchadoBlack Angels. I. Departure (1970). Kronos Quartet. Nonesuch (1990)Madrigals. Book I (1965). Anne-Marie Mühle, mezzosoprano; Musica Varia. BIS (1985)Mecánica celeste (Makrokosmos IV). Danzas cósmicas para piano amplificado a cuatro manos. GrauSchumacher Piano Duo. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 22 de febrero de 2020. Archivo de Conciertos de la Fundación Juan MarchVox Balaenae (Voice of the Whale). Vocalise (… For the Beginning of Time): For Electric Flute, Electric Cello and Amplified Piano (1971). Hans Peter Frehner, flauta; Ensemble für Neue Musik Zürich; Jürg Henneberger, director. hat[now]ART (2006)_____Selección bibliográficaADAMENKO, Victoria, “George Crumb's Channels of Mythification”. American Music, vol. 23, n.º 3 (2005), pp. 324-354*BASS, Richard, “Sets, Scales, and Symmetries: The Pitch-Structural Basis of George Crumb's Makrokosmos I and II”. Music Theory Spectrum, vol. 13, n.º 1 (1991), pp. 1-20*BELLMAN, Jonathan D., “Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology”. The Musical Quarterly, vol. 94, n.º 3 (2011), pp. 417-438*BRUNS, Steven M., “In stile Mahleriano: Quotation and Allusion in the Music of George Crumb”. American Music Research Center Journal, vol. 3 (1993), pp. 9-39BRUNS, Steven y Ofer Ben-Amots, George Crumb: The Alchemy of Sound. The Colorado College Music Press, 2005CARBON, John, “Astrological Symbolic Order in George Crumb's Makrokosmos”. Sonus, vol. 10 (1990), pp. 65-80CHATMAN, Stephen, “George Crumb's Madrigals Book III: a linear analysis”. In Theory Only, vol. 1 (1976-1977), pp. 55-79COHEN, David, George Crumb: A Bio-Bibliography. Greenwood Publishing Group, 2002DOBAY, Thomas R. de, “The Evolution of Harmonic Style in the Lorca Works of Crumb”. Journal of Music Theory, vol. 28, n.º 1 (1984), pp. 89-111*FRANK, Andrew, “George Crumb: Songs, Drones, and Refrains of Death”. Notes, vol. 33 (1976-1977), pp. 694-696LABUSSIÈRE, Annie, “Ancient Voices of Children”. Traducido por Carles Guinovart. Quodlibet: revista de especialización musical, n.º 12 (1998), pp. 3-36*LAJOINIE, Vincent, “Makrokosmos de George Crumb: 24 pièces en quête d'auteur”. Revue Contrechamps: Musiques nord-américaines, n.º 6 (1986), pp. 88-101: [Web]LEWIS, Robert Hall, “George Crumb. Night Music I”. Perspectives in New Music, n.° 3-2 (1964-1965), pp. 143-151*PARDO, Carmen, “Voices in Nature: Vox Balaenae by George Crumb”. International Review of the Aesthetics and Sociology of Music, vol. 54, n.º 1 (2023), pp. 147-170*REBULLIDA, Víctor, “Ancient Voices of Children” de George Crumb”. Nassarre: Revista Aragonesa de Musicología, vol. 16, n.º 1 (2000), pp. 127-168*SHUFFETT, Robert V., "Interviews with George Crumb". Composer Magazine, vol. 10-11 (1980), pp. 29-42SHUPE, Abigail, War and death in the music of George Crumb: a crisis of collective memory. Routledge, 2022 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

The EPCHS Madrigals visit our studios for a quick Christmas treat. Our next full episode releases on New Year's Eve to celebrate the year that was 2024. Until then, enjoy some song in our special video release! Brought to you by The First National Bank of Evergreen Park!  Find the account that is right for you today! Get the latest news and information concerning everything going on in and around Evergreen Park and stay connected to your neighbors! Evergreen Park residents join Chris Lanuti at his 9-foot homemade basement bar each week. Listen, interact & get all of your free subscription options at theEPpodcast.com​!

Madrigals were a popular form of choral singing in the 14th and 15th centuries, and live on today because they are fun to sing and listen to, with each vocal part often singing different (but complementary) melodies and lyrics all at the same time. Today, madrigals are often performed at dinners and other events that … Continue reading

Avui escoltarem: "Lamento d'Arianna" (versi

Avui escoltarem: "L'Orfeo, favola in musica" (selecci

Avui escoltarem: selecci

Avui escoltarem: "Cantiunculae Sacrae" (Can

Chapter 176 - Ye Ten Commandmentf. It's the morning of the 15th November 2024 and Richard has returned to the Stocean, but there's someone missing. And there's loads of blinking stones. Madrigals and commandments proliferate and there's a break down in the recording but you don't miss much. Plus should we judge people by their crimes or their stone clearing. Plus the millions of emails Richard has had about the podcast stopping.

In the 41st episode of the ECM podcast we're joined by Florian Weber, who's new recording "Imaginary Cycle" sees the pianist in the company of a major brass section plus a flute. Florian talks about the various inspirations that went into the cycle, including madrigals and Jan Garbarek and the Hilliard Ensemble's "Officum" album. He talks about his conpirators in music, the process of developing this major musical project in collaboration with producer Manfred Eicher and about how in music, asking a question can be a lot more interesting than finding the answer.

Carlo Gesualdo's madrigals are unique and captivating. But he was seen by many as a monster in his own time due to a double murder and associations with witchcraft.  Research: Burton-Hill, Clemency. “Gesualdo: Glorious music and grisly murder.” BBC. Oct. 21, 2014. https://www.bbc.com/culture/article/20130905-a-16th-century-musical-badass Caccese, Andrea. “Carlo Gesualdo: the ‘Madman' of the Italian Renaissance.” CMUSE. Sept. 20, 2014. https://www.cmuse.org/carlo-gesualdo-the-madman-of-the-italian-reinassance/ “Carlo Gesuald.” Philadelphia Chamber Music Society. DeVoto, Mark. "chromaticism". Encyclopedia Britannica, 30 Mar. 2023, https://www.britannica.com/art/chromaticism Gray, Cecil and Philip Heseltine. “Carlo Gesualdo, Prince of Venosa, Musician and Murderer.” Greenwood Press. Westport, Connecticut. 1971. Accessed online: https://archive.org/details/carlogesualdopri0000gray/page/n7/mode/1up Haar, James. “Classicism and Mannerism in 16th-Century Music.” International Review of Music Aesthetics and Sociology, vol. 1, no. 1, 1970, pp. 55–68. JSTOR, https://doi.org/10.2307/836396 LEVENBERG J. Was Carlo Gesualdo's Honour Killing Liturgical? Journal of the Royal Musical Association. Published online 2024:1-32. doi:10.1017/rma.2023.4 Ober, William B., M.D. “CARLO GESUALDO, PRINCE OF VENOSA: MURDER, MADRIGALS, AND MASOCHISM.” Bulletin of the New York Academy of Medicine. 1973 Jul;49(7):634-645. PMID: 4575970; PMCID: PMC1807043. Ross, Alex. “Prince of Darkness.' New Yorker. December 11, 2011. https://www.newyorker.com/magazine/2011/12/19/prince-of-darkness Stevens, Denis. “Carlo Gesualdo.” The Musical Times, vol. 131, no. 1770, 1990, pp. 410–11. JSTOR, https://doi.org/10.2307/966618 Turci-Escobar, John. “Softening the Edges: Cadential Attenuation in Gesualdo's Six Books of Madrigals.” Theory and Practice, vol. 32, 2007, pp. 101–35. JSTOR, http://www.jstor.org/stable/41054417 Watkins, Glenn. “The Gesualdo Hex.” W.W. Norton. 2010. See omnystudio.com/listener for privacy information.

Text me to ask a question, leave a comment or just say hello! Hey doc! In this episode, I'm breaking down how the Madrigal sisters from Disney's Encanto perfectly represent the Physician mom experience. I dive into:How Louisa embodies the pressure we feel to carry it allIsabella's struggle with perfectionism and appearancesMirabel's journey to be seen and appreciatedWhat we can learn from each sister's storyKey takeaways:You have worth beyond your ability to serve othersThere's beauty in imperfection and being authentically youYour hard work deserves to be seen and appreciatedIt's okay to let go of unrealistic expectationsDoc, you're not alone in these struggles. Let's embrace our inner Madrigals and redefine what it means to be a successful Physician mom! Remember to subscribe to "Stethoscopes and Strollers" on your favorite podcast platform so you never miss an episode of encouragement and empowerment. Apple Podcast | Spotify | YouTube Connect with me. Website | Instagram | Facebook Join my Email list to get tips on navigating motherhood in the medical field. If you feel you need direct support or someone to talk through the unique challenges of being a physician mom, schedule a free coaching session. Free Coaching Session with Dr. Toya

Ka-Chow! It's a bonus 90 min episode EARLY where we go OFF about the D23 Horizons Parks Panel! Whether it's Lightning McQueen filling in the Rivers of America or Mike Wazowski yeeted the Muppets out of their courtyard, from Avengers to Villains, from Indy to the Madrigals, from various overseas Marvel projects to overpriced lounges, we got all the discussion! --- Support this podcast: https://podcasters.spotify.com/pod/show/ryan-oreilly0/support

This is a first go at recording a video of a new poem. The text can be read or shared here: Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Thank you for reading Sounds Good! . This post is public so feel free to share it. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe

Join us for Ian's second wonder of Prog It all comes together for Genesis in their 1973 masterpiece, Selling England by the Pound. Madrigals? Sadrigals? Radrigals? We got the whole spectrum  IG: @progfrogpod helloprogfrog@gmail.com 

We're in the magical land of Encanto! There's a big house that keeps giving that one family fantastical powers and we, humble citizens of Encantoland don't know how to feel about it! On one hand our lives have become so much easier that we can now spend all our time at Jackson's Loveable Puppet Shop but on the other hand why can that boy turn into anyone and why does that family need to hear our secrets? Now that we think about it, we're becoming increasingly suspicious of that magic house. Zammit has a pet theory on the intended purpose of the Madrigals, Duscher excitedly tells the boys about a great time in history and Jackson offers the small town a simple creature comfort they all want. Maybe the best move is to eat that candle and or touch that magic doorknob to get knife hands or become a chicken.Links to everything in our linktr.ee including our terrible merch, social media garbage and where to become a subscriber to Bad Brain Boys+ Become a member at https://plus.acast.com/s/plumbingthedeathstar. Hosted on Acast. See acast.com/privacy for more information.

Today in this massive collection of theories and breakdowns on Encanto, I'm excited to share with you all of my thoughts about the story thus far! This is a complete explanation on how Mirabel saved the Madrigals!

During the reign of Elizabeth I, which was 1558-1603 and spans most of Shakespeare's lifetime, England was experiencing the English Renaissance, a time when all forms of art were seeing a shift in popularity, but music, in particular moved from being something you would hear only in a church to being popular at more secular events. In fact, not only did Elizabeth I herself enjoy playing music, but as an art form, music was widely applied in early modern plays, like those of William Shakespeare, for both comedies and tragedies as a way to heighten the drama, almost exactly like what you think of as a movie soundtrack today. While instrumental music like that of the viringal or the lute were popular, one particular form of vocal performance known as the madrigal rose to prominence in early modern England as an adaptation of earlier Italian poetry set to music, which English composers transformed into a uniquely English genre. The madrigal became a popular way to celebrate major events, including Christmas celebrations, for Shakespeare's lifetime. Here today to share with us the history of the madrigal is our guest, historian, and Early music specialist, Tasmin Lewis.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Rinaldo Alessandrini interpretatsioon Monteverdi madrigalidest toob esile nende muusikalise ja inimliku sisu.

The sons of Andrea , "The Amati Brothers" took violas, violins and cellos to new heights with their incredible skill and innovation. Meet Antonio and Girolamo before things get complicated in this first episode. This is the story of the Amati brothers, Antonio, and Girolamo. Join me as we explore the remarkable craftsmanship, profound influence, and indelible mark left by these legendary violin makers.  Discover the distinctive characteristics of their creations, renowned for their elegance, exquisite sound, and unparalleled craftsmanship.  Delve into the secrets of the Amati brothers' workshop, uncovering their innovative techniques, meticulous attention to detail, and the artistry that made their instruments treasures coveted by musicians and collectors worldwide. In this episode I speak to Cellist James Beck and Violin maker and Expert Carlo Chiesa.    Transcript of Episode  Welcome back to Cremona, a city where you can find almost anything your everyday Renaissance citizen could desire.  Located on a bend of the impressively long Po River, bursting with artisans and commerce, we find ourselves in the mid-1500s, and more precisely in the home of Girolamo Amati and Antonio Amati, otherwise known as the Amati brothers or the brothers Amati. In these episodes, I'll be talking about Andrea Amati's two sons, Antonio Amati and Girolamo Amati. Sometimes Girolamo Amati is also referred to as Hieronymus, the Latin version of his name.  Because I'm doing these podcasts chronologically, we heard about the early childhood of the brothers, in the Andrea Amati episodes. As we heard in the previous episode, Antonio Amati, the elder brother, by quite some years, perhaps even 14 years older than Girolamo Amati, inherited his father's workshop with his little bro when their father died.  They grew up in Cremona during the mid-1500s, in a time that was relatively more peaceful than their father's childhood and would have attended the local school. The local school was attended mainly by children of merchants and nobles. They would learn, in addition to the traditional subjects of geometry, arithmetic, and even astrology, subjects such as geography, architecture, algebra, and mechanics, both theoretical and applied. This created quite a well-educated middle class that the brothers would have been part of. Like their father, they would go on to be quite successful in their business, adapting their products to the demands of the time. The brothers were growing up in post Reformation Cremona, and the instrumental music was bounding forward. Renaissance composers were fitting words and music together in an increasingly dramatic fashion. Humanists were studying the ancient Greek treaties on music and the relationships between music and poetry and how it could.  This was displayed in Madrigals and later in opera and all the while the Amati workshop along with other instrument makers of course were toiling away making instruments so that all this could happen. Now the eldest brother Antonio Amati never appears to marry or have a family but the younger brother Girolamo Amati apparently a ladies man, does and as you would have heard in the previous episodes, when he was 23, he married Lucrencia Cronetti, a local girl, and she comes to live in the Amati house, handing over her dowry to her new husband (Girolamo Amati) and father in law (Andrea Amati). A few years later, Girolamo Amati's father saved up enough money to buy the family home so that when he passes away in 1576. Girolamo Amati is in his mid-twenties and his older brother (Antonio Amati) is probably around his late thirties. They inherited a wealthy business, a house, and a workshop.  So here we find the Amati brothers living and working together in the house and workshop in San Faustino (Cremona). Antonio Amati, the head of the household and Girolamo Amati with his young bride. Business is looking good, and life looks promising. Antonio and Girolamo may have been some of the only violin makers in Cremona, but they were by far not lone artisans in the city. They were surrounded by merchants and tradespeople busy in industry. There were belt makers, embroiderers, blacksmiths, carpenters, boat builders, masons, terracotta artisans, weavers, textile merchants, and printers, just to name a few of the 400 trades listed in the city at this period. Business was going well for our violin makers. There was a boom in the city. Many noble houses were being built amongst which the grand residences of merchants stood out, sanctioning their social ascent.  Charitable houses, monasteries and convents were popping up like mushrooms around town.  Ever since the Counter Reformation, the local impetus to help the poor and unfortunate had flourished. Wondering what the Counter Reformation is? Then go back and listen to episode two of the Andrea Amati series. Where we talk about what the Reformation was, what the Counter Reformation was, and what its effects were on artisans in Cremona.  But nowhere said organized religion like the Cathedral. And entering the vast, echoey structure was something to behold, with its mysterious, awe-inspiring grandeur, the towering heights of the ceilings inspiring a sense of reverence and humility. The vaulted arches and frescoed domes drawing the eye upwards, the kaleidoscope of colors entering the windows, and the glittering of precious metals illuminated by flickering candles, ornate furnishings, intricate artworks, sculptures, and base reliefs with depictions of saints, biblical stories, and the scenes from the life of Christ covering the walls, all created an otherworldly feeling and a sense of the divine.  And what would the Cathedral be without music? The glittering of gold, the fragrant smell of incense, and the heavenly sounds of music were an all-in-one package for the regular church attender in the Amati Brothers Day. The Chapel House School of the Cathedral produced many talented composers, yet the church would only sponsor and permit sacred music. And even then, this music had to be in full compliance with the Council of Trent. This meant following a whole bunch of rules in composition. Wing clipping of aspiring young composers led to many of them moving away to other courts and cities who were looking for fresh, raw talent. This may or may not have been the case for a musician and composer called Claudio Monteverdi. But what we do know is that he left Cremona to join the employ of the Mantuan court at the age of 23.  I spoke to cellist James Beck about Monteverdi, who was a Cremonese composer who left the city to work at the Gonzaga court during the Amati brother's lifetime. And so Monteverdi, for example, to take him as an example, he was employed in the court, in the Manchurian court, and he was just one of many musicians and  composers. And also I'm wondering about just, the everyday life, would they also,  were musicians expected to, to wear certain.  Clothes, like they were just told, look, this is what you're wearing. James Beck Livery is the term for the, the uniform of the house. And we know about that kind of stuff from, you know, Downton Abbey and all that kind of stuff so musicians were very much part of the servant class, a very intellectual servant class and a very trusted servant class, but Monteverdi arrived at that Gonzaga court in Mantua as a string instrument player of some kind. We don't really know if it was a gamba, you know, between the legs or brachio held like a violin. He was at the court for about, I think, 10 or 15 years as a string player before he became The Maestro de Capelle and of course that was a very trusted employee because he accompanied his employer, the Duke, on various war campaigns or social outings to other countries, as a musician and maybe as some kind of trusted part of the entourage. So, Monteverdi was picking up lots of ideas about things that could go on in music because he was witnessing different practices, he was in Flanders. He was in Hungary. He was in other parts of Italy seeing how they did music over there on the other side of the fence and I think that is what can never be underestimated, that communication was haphazard and accidental in previous times and there was no such thing as uniformity. So, to go to another country and to go to another court and to see musicians who had different training or had come into different spheres of influence to yourself would have been hugely, hugely exciting and influential and we think that Monteverdi picked up some of the ideas of what might be opera from these kind of trips. Linda Lespets It makes me think of when I was a student and I would do work experience in different workshops and they would, I had been taught in French school, it was a very specific way of doing things and I'd go to another workshop and I'd just be like, wow, it's like, what are you, what are you doing? How could this possibly work? And it does. And you're like, oh, and now I feel like I, the way I work, it's a mixture of all these different techniques. What works best for me. And it must've been magnified so much, to such a greater level for in that period for music and competition. Because of the, because of the social isolation and the geographic isolation of previous times. James Beck And I mean, just if we just talk about pitch, whole idea of what is An A was different in each town, and it might have sounded better on some instruments than not so good on others, and those instruments would have been, you know, crafted to sound good at those different pitches. And now we all play the same pitch, and we want every instrument to be the same. What were some of the, if you could generalize, what were some of the differences for you? In the different Lutherie schools. Linda Lespets  So, in the French method, you basically hold everything in your hands or it's like wedged between you and the workbench and you don't use really, uh, vices. And I have quite small hands and  I did one work experience and the guy was like, just put it in a vice. And I was like,  Ohhh, and I was getting a lot of RSI  and sore wrists and it kind of just, it was sort of practical as well. James Beck Wow. And is that for crafting? Individual elements or is that for working on complete instruments?  Linda Lespets Like in general, like you just, you can make a violin without using a vice and they, they won't use sandpaper or it's all done with, scrapers. So it's good. I know all the different techniques and I can, when there is a blackout or an electricity failure, we can just keep on going. Like, we can keep rolling, it doesn't stop us.  There was a thing with Monteverdi that, that you seem to know about how madrigals. James Beck I know about madrigals. I hope I do. Linda Lespets  In Mantua and the, this kind of trapezoidal room. James Beck  There's a very special room in the ducal court.  Ducal castle or Ducal palace in Mantua, and they call it the wedding room and it's a room that was, had existed for some time. I mean, it's a huge, huge palace, I think it's the sixth largest palace in Europe. So, it's 34, 000 square meters, 500 rooms.  And this is not, I mean, Mantua was not a big state.  You never know when you need 500 rooms.  It wasn't a big state, but it was a very aspirational state. And they really wanted to kind of prove themselves amongst these, the cultural elite of Northern Italy, because there were extraordinary things going on in Florence and Venice. So, you know, they were really, the Gonzaga's were really trying to hold their own. So, they had one of these 500 rooms slightly remodelled. So it was of cube proportions.  Right. So, you walk into a cube. You walk into a cube and then, they commissioned, a very, uh, distinguished painter to cover, everything within that room in very realistic, uh, lifelike portraits of, of the Gonzaga's going about their life. And this was the highest status room in the palace, and it was used for various purposes to impress. So, it could be used for ceremonies, or it could be used for, as a bedchamber for the Duke if he wanted to receive a guest of high status, and show that guest that he slept in this incredible room. Linda Lespets Slightly creepy.  All these people looking at you. James Beck  I know, and they're really, there's a lot of eyeballing in those portraits.  So it's like, you're outnumbered. Like when you go in there, like you're surrounded by people. You're surrounded by the Gonzaga's. We're here. That was not a very, uh, fertile or, healthy line. So, they were dying out fast, but there were lots of them painted on the walls. Linda Lespets Wasn't there one with mirrors? James Beck There was a hidden room, that they discovered in, I think 1998. ., which had mirrors. Linda Lespets  and I was wondering what the,  maybe it was polished metal, the mirrors. James Beck I'm not sure where they would, where they would sing madrigals. Well, they think it was specifically for, for performances of Monteverde, but I don't know. . Why a hidden room is needed. Yes. And how, how do you hide a room for 500, or, sorry, for 200 years, maybe it was walled up. Linda Lespets Well, I mean, if you're in a palace with 500 rooms, you might miss one, you know, if it's walled up. James Beck  And also there was a big, there were quite a lot of, traumatic experiences in the Mantuan court. Not long after Monteverde left there, there was a siege and a war and then a lot of plague. So you can see how knowledge could dissipate and everyone could die that knew about it , exactly absolutely.  When the Gonzagas were running out of heirs, their neighbours and, and particularly the Hapsburgs, were like, Hmm, we might take that little gem of a dutchie. So they, they laid siege to it for two summers. War was a summer sport at those days. 'cause you know, no one wanted to do it in winter 'cause it was just too much. And Mantua is at that stage was completely surrounded by water. It was very cleverly conceived and beautifully conceived too because the water reflects the beautiful buildings. And so they, the Mantuan's stockpiled food and drew up the bridges. And, and for two years they were, no one came in or out of the city whilst the Habsburgs laid siege. And actually the Habsburgs didn't really get through those defences, but at the, in the second summer, in the second siege, a cannonball did get through and then the whole, the cannonball made some rats got through and those dirty soldiers who'd been on campaign for two summers were riddled with plague and the plague got into the town and that was actually undoing of the Gonzaga dynasty. Linda Lespets A rat brought them down. James Beck A rat brought them down. And so, the plague weakened the city. The city fell. And then that plague was taken by those refugees from Antwerp down into Venice. And Venice was absolutely devastated by plague for something like 10 years. And the city's population plummeted to its lowest in 150 years. Linda Lespets Wow. . And it's true that war was like a summer sport. And I'm wondering if nowadays, we, you know... That's, we play sport instead. Well, I hope, I think that's why we do play organized sport. I think that's, you know, it's... Take the World Cup or something.  Well although that's, not... To get that aggression, to get all that aggression out of our system in a nicely controlled manner. James Beck It is like countries like against each other. Totally is. Linda Lespets The Cremona City Municipality had at its disposal a group of wind players, mostly made up of brass instruments, trombones, bombards, bagpipes, and sometimes a cornet. This ensemble was particularly suited for outdoor performances.  Or at least I hope it was. I don't know if you've ever heard a bombard being played inside. I have.  Anyway, the viola da braccia players and viola or violin players were also employed by the town hall and given a uniform made of red and white cloth.  This was the instrumental group in the church, and it doubled up for civic occasions as well.  I speak to Carlo Chiesa, violin maker and expert in Milan. Carlo Chiesa And the other way by which Cremonese makers got their success is musicians, because in the 16th century, there are a few important Cremonese musicians moving from Cremona and going to northern cities to play for the emperor, for the king, or to Venice. I think the most important supplier of instruments at some point out of Cremona was the Monteverdi Circle.   Linda Lespets This orchestra employed by the city of Cremona played both for the council and in the church on all public holidays and in processions.  One of their members, a cornet player called Ariodante Radiani,  who was paid the considerable sum of 100 lira. When the maestro di cappella was paid 124 lira, ended up having to be let go. It turned out he was a little bit laissez faire with his responsibilities as a musician, and a lawsuit was brought against him for neglecting his duties as a musician. To add to this, he was also found guilty of murder.  So, in the end, their homicidal cornet player was replaced.  Linda Lespets  You know, you've got the scientists and human thought and philosophy and looking back to Greek and Roman antiquity. So, I feel like that's, that's like the idea in art, in literature. And what do you, how do you see that happening?  in music. James Beck We as musicians had really practical roles to fulfill as well and sometimes that was expressing the will of the church through music and of course you know that's kind of self-explanatory and then we've got this really practical role to entertain and how we go about doing that with the materials we have. So the renaissance as an idealistic expression, I think, you know, as a practical musician, we were always doing others bidding out unless we were church musicians, we were there to entertain and to, excite and to distract and act as an instrument of sometimes of state policy or, or, you know, kind of  showing off the power or opulence of a state.  Maybe it was through, opera. Where are you?  You're getting like human emotion. Yes, absolutely, absolutely. But also, the subject of all those early operas is usually, ancient material from ancient Greece or Rome, so, you know, clearly Renaissance in its ideals of looking back. Othello.  Of course. Poppea, Ulysses. I mean, the operas were definitely, drawing into ancient literature and myth, which was bypassing Christianity in many ways.  Linda Lespets  It's strange because it was an era where it didn't really contradict the other. People were cool with it. Like they were very devoted churchgoers and at the same time they were very into all this Greek and Roman mythology. It was interesting. And then all this humanist thinking and invention I mean, Monteverde was a priest as well, right? James Beck  Towards the end of his life. Linda Lespets Instruments are starting to play a bigger role in the music, in the church in Cremona. In 1573, the Maestro de Capella, the Chapel Master at the cathedral, wrote a piece of music for five voices, consorted with all sorts of musical instruments.  The words and text are completely clear in accordance with the Council of Trent, he points out. The Amati brothers' father, Andrea Amati, would have witnessed this musical tradition in his lifetime as he attended church, where the music sung would have gone from something that had been unrecognizable in, or in any case very difficult to understand, to music that had identifiable text that could possibly be understood and sung with. They were not hymns like the Lutherans were singing in a congregational style, but there was a marked change in the music being played in the churches. And these were the effects of the counter reformation trickling into everyday life of the people.  The workshop continued to be a success. Both the brothers Amati were able to earn a living and to provide a generous dowry for their sister, who had just recently married a man from Casal Maggiore. In town, the cathedral looked like it was finally going to have the interior finished. This had been going on ever since their father was a little boy. And now it looked like all the frescoes and paintings were to be completed. And most amazing of all was an enormous astronomical clock that was being mounted on the terrazzo, the giant bell tower next to the cathedral. Sadly, Girolamo Amati's pregnant wife would never see the clock that would amaze the citizens of Cremona, as shortly after giving birth to their daughter, Elizabeth, Lucrenzia ( Girolamo Amati's wife) died. The fragility of life and uncertainty that Girolamo Amati had to deal with is quite removed from our lives today, and a man in his situation would certainly be looking to marry again, if for nothing else than to have a mother for his young daughter. And as he was contemplating remarrying, finding a new wife and mother for his child, over in Paris, one of the biggest celebrity weddings of the decade was taking place. And the music for the closing spectacle was being played in part on the instruments his father (Andrea Amati) and brother (Antonio Amati) had made for the Valois royal family all those years ago.

Hey all! The Moms are discussing Encanto! This colorful and musical masterpiece is an instant classic. The Disney Moms compare the pressure of holding the Madrigal family together with modern motherhood. Synopsis: The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift -- every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger. Release date: November 24, 2021 (USA) Directors: Byron Howard, Jared Bush -------------------- *Check Out All Our Podcasts!* Geek Freaks Podcast: https://linktr.ee/GeekFreaks Pushing Buttons: https://linktr.ee/PushingButtonsPodcast TrekFreaks: https://linktr.ee/TrekFreaks Headlines: https://tinyurl.com/2p8bvu6d Geek Freaks Interviews: https://linktr.ee/GeekFreaksInterviews Outlast Podcast: https://linktr.ee/OutlastPodcast Round Three: https://linktr.ee/RoundThree Disney Moms Gone Wrong: https://linktr.ee/disneymomsgonewrong Sloop: https://www.patreon.com/GeekFreakspodcast -------------------- *Hang Out With Us!* Discord: https://discord.gg/6Jrvyb2 Twitter: twitter.com/geekfreakspod Facebook: facebook.com/groups/227307812330853/ Instagram: instagram.com/geekfreakspodcast E-mail: thegeekfreakspodcast@gmail.com Twitch: twitch.tv/geekfreakspodcast Site: thegeekfreakspodcast.com --------------------- *Support Us!* Patreon: https://patreon.com/GeekFreakspodcast Store: redbubble.com/people/GeekFreaks

In the final hour, Mike Mulligan and Zach Zaidman discussed Cubs second baseman Nick Madrigal's future with the organization. Does he have a role with the club after the Cubs signed Dansby Swanson to be their everyday shortstop and as Nico Hoerner transitions to be the everyday second baseman?

Max Musto is an Evergreen Park resident and extraordinary chef who claims he can make south side favorites without meat...and you won't be able to tell the difference. We learn what happens when culinary training meets science with this local chef. The EPCHS Madrigals also return to the studio to visit and perform a few holiday favorites. Plus, local news and events in "30 Minutes of Good!" Brought to you by The First National Bank of Evergreen Park!  Find the account that is right for you AND get your FREE EP Podcast Car Magnet there today! Get the latest news and information concerning everything going on in and around Evergreen Park and stay connected to your neighbors! New On-Demand Podcasts release on Mondays, with weekend specials on some Fridays. Every week Evergreen Park residents join their neighbor Chris Lanuti at a 9-foot homemade basement bar. Listen, interact & get all of your free subscription options at theEPpodcast.com​!

We're out this week for Thanksgiving, and taking this opportunity to give you this, our first revisitation of one of our first episodes!  Celebrating the release of "Paisley Madrigals" to the streaming services, we are proud to once again, present to you, our "Adios Jesse... Hello BUNK!" episode from July 17, 2021.  This was the fourth episode we ever did, B.A.  (Before Anu), wherein Dee talks about the loss of his friend Jesse Rodriguez, Jesse's contributions to a side project Michael and Dee were a part of in the early 90's called BUNK, which also included mutual friend Larry Rainwater."Paisley Madrigals" on Spotify:https://open.spotify.com/album/6GUfRcX09fwxN0s7GTy5q6?si=CHfpWBQGSBmxNxPdHvpM7w"Paisley Madrigals" on Apple Music:https://music.apple.com/us/album/paisley-madrigals/1655442602"Paisley Madrigals" on Bandcamp:https://deemadden.bandcamp.com/album/paisley-madrigalsBUNK on SoundCloud:https://soundcloud.com/deemadden/sets/bunkMusic, Mindfulness & Madness on the Internets:https://www.musicmindfulnessmadness.com/Lotus Mastering:http://lotusmastering.com/Hello Crowhttps://hellocrow.bandcamp.com/album/crooked-path-ep"Cure For Loneliness" Anu Kirk's new album from his side project Rêvenir , on Bandcamp:https://revenirmusic.bandcamp.com/album/cure-for-loneliness

Ep 51! Come ward off the post-Spooktober Novbummers with us, as we dive into THE INNOCENTS (2021) & discuss haunted AirBnBs, student bands, waking stress dreams, the Madrigals meet the Addamses, chonky apartment complexes, irrational kid moves, Deaddy's irrational rating system, realistic parenting, powerful outcasts and SO much more!

I want to discover who the most powerful Madrigal truly is in Encanto. When we look at all of the magical gifts bestowed to the Madrigals, which power comes out on top? In a family battle to the death or during an attack from an army of invaders, who rises to be the champion of the family?

durée : 00:19:33 - Disques de légende du lundi 19 septembre 2022 - Musique venue d'un autre temps, Pérotin dit « le Grand »

Welcome to the review podcast for Encanto! Join the girls as the journey to the beautiful world of Encanto and learn all about the amazing Madrigals.

Go to http://betterhelp.com/super to get 10% off your first month of BetterHelp. Go to http://stamps.com and use promo code SUPERCARLIN to get a free 4-week trial plus free postage and a digital scale.  Today Ben discusses everyone's favorite family, the Madrigals, and tries to answer an important question: whose gift is the most powerful?!? #supercarlinbrothers #encanto #disney  Edited by :: Riley Murtagh

They don't talk about Bruno... But they'll SING about him! Join Kelly and Kate as they geek out about their favorite Madrigals and musical numbers in Disney's hit animated film Encanto.Listen and learn more about Fanimated.E-mail: fanimatedpodcast@gmail.comFacebook: Fanimated Podcastinstagram: @fanimatedpodcastTwitter: @FanimatedPYouTube: Fanimated MediaQueens On A RollThis podcast was created to educate & inspire people about the ably different...Listen on: Apple Podcasts Spotify Unscene Culture ClassicsAre there some films from your culture or community that would garner a gasp if people...Listen on: Apple Podcasts Spotify Fright ChasersA mix of spooky, conspiracy, bigfoot, aliens and 80's horror!Listen on: Apple Podcasts Spotify Crime Bae PodcastA true crime podcast hosted by 3 best baes.Listen on: Apple Podcasts SpotifySupport the show

Grant Sanderson is a madrigalist and aoudad trainer, and he joins Lexman to talk about his work. They discuss the history of madrigals, the importance of aoudad training, and the challenges of making beautiful music with an unusual instrument.

In this episode, Davina reviews two newly released albums hot off the press:  Handel's 'La Resurrezione' by The English Concert and 'John Wilbye – Draw on Sweet Night ' by I Fagiolini and Robert Hollingworth. The English Concert and Harry Bicket's acclaimed concert cycle of Handel operas and oratorios continues with its second release on Linn, following Handel's Rodelinda last year. La Resurrezione, composed by Handel in his mid-twenties, and first performed on Easter Sunday in 1708, marked the climax of Handel's time in Rome. The work details the events between and during Good Friday and Easter Sunday. This new album features some of today's finest voices including Lucy Crowe, Iestyn Davies, Sophie Bevan, Ashley Riches and Hugo Hymas. Davina is joined in The Classical Corner by Iestyn and Lucy to talk about their favourite arias, Handel's operatic writing and the process of recording the album.   To welcome the spring, I Fagiolini has put aside its beloved Monteverdi to uncover its own national heritage: the best of John Wilbye's classic Golden Age madrigals. The album marks the first specific recording of Wilbye's Madrigals released since the 1980s.  The album covers a central part of English choral culture that has been strangely out of fashion for so long, sung by a group that has matured into the repertoire. The plangent dissonance of ‘Draw on, sweet night' and ‘Weep, weep, mine eyes' evoke English melancholy, while ‘Sweet honeysucking bees' and ‘Adieu, sweet Amaryllis' are such sheer pleasure to sing that many listeners will scrabble to unearth old scores. Davina chats to Robert about how this new album came about, the choice of repertoire and the sheer delight of listening to and singing English madrigals. With special thanks to Linn Records and Coro for the use of these beautiful recordings. All the recordings discussed in this episode of The Classical Corner can be found in the Spotify playlist here: https://open.spotify.com/playlist/7wbunpPpFKH36KIys8OF2D?si=996cd75080bb4997

Harmony in music is when more than one note or chord is layered on top of one another. It creates an often pleasing and sometimes interesting sound. Join host Liz Lyon and producer Melanie Renate as we explore the concept of harmony. Episode 91 playlist Thomas Tallis: If Ye Love Me — A great example of harmony is a madrigal, which is a vocal piece of music that includes a number of voices ranging from two to eight, but usually three to six voices. Madrigals present a great opportunity to play with harmony.LISTEN  — Thomas Tallis: If Ye Love Me Thomas Tallis: If Ye Love Me by Johann Sebastian Bach: Bach's Minuet in G Major — When learning music, this piece of music is often one of the first pieces to be included in lessons. It can happily be a solo, but once you add an accompaniment, such as a piano or even a full orchestra, then you've created harmony.LISTEN  — Johann Sebastian Bach: Bach's Minuet in G Major Johann Sebastian Bach: Bach's Minuet in G by Robert de Visee: La Muzette — This music is performed by four string instruments working together to create a piece that shows harmony in a variety of ways. Can you hear when the harmony is pleasing to the ear (consonant) or when the harmony is a little uncomfortable (dissonant)?LISTEN  — Robert de Visee: La Muzette  Bedrich Smetana: String Quartet No. 1 - From My Life by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

We don't talk about Bruno! Or maybe we do...? Come hear all about the amazing Madrigals in this musical episode about Encanto and arepa con queso! Also in this episode: rainbow rivers, Columbus, and arepa necklaces. For recipes and photos follow us: Twitter https://twitter.com/TheBittenPod Instagram https://www.instagram.com/thebittenwordpodcast/ Support Us: Buy Me A Coffee https://www.buymeacoffee.com/thebittenpod Music from Uppbeat (free for Creators!): https://uppbeat.io/t/jonny-boyle/tres-french License code: MZJOCWA6ZZPGDCLH https://uppbeat.io/t/jonny-boyle/swing-cuisine License code: FODK2OVFMRCNPBTC --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/christine-parker8/support

This week Squarin and Kaz talk about 2021's Encanto! Are families really held together via the perfect balance of our individual gifts? Why exactly DON'T we talk about Bruno? And most importantly, can this podcast survive its most heated debate about cereal and McDonalds so far? Only one way to find out!The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift -- every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger.

Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios and distributed by Walt Disney Studios Motion Pictures. The 60th film produced by the studio, Encanto was directed by Jared Bush and Byron Howard, co-directed by Charise Castro Smith who co-wrote the screenplay with Bush, and produced by Yvett Merino and Clark Spencer, with original songs written by Lin-Manuel Miranda. Featuring the voices of Stephanie Beatriz, María Cecilia Botero, John Leguizamo, Mauro Castillo, Jessica Darrow, Angie Cepeda, Carolina Gaitán, Diane Guerrero, and Wilmer Valderrama, Encanto follows a multigenerational Colombian family, the Madrigals, helmed by a matriarch whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a "miracle" that helps them serve the people in their rural community called "the Encanto". When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, to save her family and their magical house. https://en.wikipedia.org/wiki/Encanto_(film)

On this episode Jovan and Special Guest, Lorena Peralta, are discussing the movie Encanto, directed by Byron Howard and Jared Bush. And, starring Stephenie Beatriz, John Leguizamo, Wilmer Valderrama, and many other phenomenal actors. A quick synopsis, “The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift -- every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger.”

The Podcast for Nerdy Christians, where faith meets fandom. In this episode we're talking about Encanto, specifically the family system of the Madrigals. We're also continuing our book club, reading Becky Chambers's award-winning sci-fi novel The Long Way to a Small, Angry Planet. Head to facebook.com/nerdychristians to to talk to us, and please leave a rating or review on your podcast platform. Check out Adam's fantasy novels on his website adamthomas.net. Join hosts and Episcopal priests Carrie Combs and Adam Thomas for this podcast for progressive Christians who love Hogwarts, Hobbits, Jedi, and Jesus. Bowen Family Systems Theory: https://www.thebowencenter.org/introduction-eight-concepts

The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift -- every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger. Release Year: 2021Genre: AnimationStarring: Stephanie Beatriz, María Cecilia Botero, and John Leguizamo.TrailerSummary: A Colombian teenage girl has to face the frustration of being the only member of her family without magical powers. Join Our Community Sign Up for Email Updates | Patreon | Facebook | Twitter | Reddit Visit our online shop! https://shop.screenriot.net

I Fell Head Over Heels For Encanto(Tribute to Sweet but Psycho by Ava Max)‘'You're just as special as anyone else in this family.'' (from Encanto) *Original written by Andreas Haukeland, Amanda Ava Koci, William Ernest Lobban-Bean, Madison Emiko Love, & Henry Russell Walter**Awesome cover by Adam Christopher :D***Thank you to Miles, Oliver, & Dr. Paul for introducing me to this stunningly beautiful, deeply meaningful, and ultimately priceless movie!!! Lyrics:I fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~Whether you can hear a pin drop or talk to animals Predict the future like Bruno Use your gifts wisely And be ki ki ki ki, ki kind~Regardless of if magic worksThis movie's brilliant What gives it quirksIs more than great character development Passion and creativity in perfect whackPlus awesome musicLeaves the viewer dazedIn glorious wonderment So, soCatchyCan't help but sing along ~To every single song ~Yeah, I'm dancing So, so Funny, out loud, I continually laughGives me chills in each experienceI fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~Whether you can hear a pin drop or talk to animals Predict the future like Bruno Use your gifts wisely And be ki ki ki ki, ki kind Impressing your Abuela can be challenging We're not all gifted Seemingly perfect or sparklyBut to save the dayLove wins over hateI fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~Observe Luisa's strengthPlus healing home cookingCamilo's changing forms and shapes Plus Dolores' impeccable hearing Antonio, with animals, keep talking backIsabela's flowers sprout forth with beautyPepa's a personified weather vainBruno protects with his predictionsSo, soCatchyCan't help but sing along ~To every single song ~Yeah, I'm dancing It's so, soFunny, out loud, I continually laughGives me chills in each experienceI fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~Whether you can hear a pin drop or talk to animals Predict the future like Bruno Use your gifts wisely And be ki ki ki ki, ki kindImpressing your Abuela can be challenging We're not all gifted Seemingly perfect or sparklyBut to save the dayLove wins over hateI fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~Yes, Mirabel is sweetCaring and refined She wants to honor the family for whichHer Abuelo's life was sacrificed Bruno can seeHer image, in shards of glass, so greenWatch for that yellow butterfly Turn the doorknobOpen up your dreams I fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~Whether you can hear a pin drop or talk to animals Even predict the future like Bruno Use your gifts wisely And be ki ki ki ki, ki kindImpressing your Abuela can be challenging We're not all gifted Seemingly perfect or sparklyBut to save the dayLove wins over hateI fell head over heels for EncantoSo magical, it glowsMirabel's watching The strength of the flame in the candlelight~EndTribute by Melissa Smith:- Melzy of Wonderland on Youtube- Mel's Music on Spreaker, Spotify, Apple Podcasts, JioSaavn, Castbox, Deezer, Podcast Addict, Google Podcasts, iHeartRadio, Podchaser, Facebook &- Melissa_Martinek_Smith on Instagram (AKA: MelsMusic)

We loved this movie! Disney Encanto tells the tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. But then, something happens... Take care, Theo and Matt. If you like our show, we'd love a great rating on your podcast player. If you'd like to, you can also follow us on Instagram. https://www.instagram.com/theo.and.matt/?hl=en --- Send in a voice message: https://anchor.fm/theoandmatt/message

 Welcome to Screen Tea Podcast! This week, Lisha and Jules do what all y'all have been doing: they talk about Bruno ♥ Prepare to either continue listening to the soundtrack on repeat or start listening to the soundtrack on repeat after your hosts cover Disney's 2021 mega-hit, Encanto! To nobody's shock, this episode is chock-full of Lisha hopped up on caffeine, psychoanalyzing all of the Madrigals and heart-eyeing over Lin-Manuel Miranda, while Jules hates on slow songs, examines diversity and manages to include a mini review of The Adam Project? Somehow? Oh, and both of your hosts REALLY HATE ON ABUELA, butcher the Spanish language (we really suck and we're really sorry), and discuss who has the best/worst powers in the Madrigal casita! This was a really fun one and a really great movie folks, so we hope you come sing along with us this week ♫♪♫Sources for this episode include imdb.com, wikipedia.org, rottentomatoes.com, and metacritic.com. Also, Lisha lied and hasn't Tweeted Bryan Fuller yet; BUT SHE WILL ONE DAY. SOON.Find us on Instagram @ScreenTeaPodcast, Facebook at www.facebook.com/screenteapodcast, hit us up on Twitter @screenteapod, shoot us an e-mail at thescreenteapodcast@gmail.com, and check out our website at www.screenteapodcast.com!Happy listening!Please go check out https://www.watershedvoice.com/, an independent nonprofit news organization based in Three Rivers, Michigan. Watershed Voice, on top of being a new and much needed strong journalistic presence, has also decided to feature Screen Tea Podcast on their digital news site! Support them with a subscription, by sharing their page on social media, and with good old fashioned word of mouth.(Excellent podcast logo commissioned from the talented Mel. Find Mel on Instagram @javadoodler, website www.javadoodleart.com, or on Facebook at www.facebook.com/Javadoodle.Art. Our incredible intro music was composed by Detroit musician Sasha Kashperko!  

In this week's episode the crew gets together to discuss #Enconto, a #DisneyPlus original film. The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift -- every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger. Let us know what you think in the #comments below.  Subscribe to “TruVue Podcast” wherever you listen to podcasts and follow along on social media. We bring the barbershop to the box office.      https://www.truvuepodcast.com  Instagram @TruVuePodcast  Facebook: @TruVue Podcast.              Twitter @TruVue_

Today we are reviewing the new Disney film Encanto through the lens of how it discusses refugee issues. If you've seen the movie, you know that the family Madrigal received their magic gifts after Abuela, the family matriarch, was displaced with her husband. We're talking about Abuela and Pedro as refugees, intergenerational trauma, the Madrigals as blessings not burdens, and our thoughts on the movie as well. The film is available to stream on Disney Plus. What did you think of the portrayal of refugees in Encanto? We want to hear from YOU! Studies Mentioned in Today's Episode: Journal of Immigrant and Minority Health: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5362358/ Indian Country Today: https://indiancountrytoday.com/archive/trauma-may-be-woven-into-dna-of-native-americans The Forum Poll: https://poll.forumresearch.com/m/post/2441/not-seen-to-have-positive-effect-on-economy/ Liked this episode? Let us know! Subscribe and leave us a review below! Connect With Us If you or someone you know would like to share their personal refugee story, send us an email at seekingrefugepodcast@gmail.com or connect with us on any of these social media platforms: https://twitter.com/refugepodcast https://instagram.com/seekingrefugepodcast https://fb.me/seekingrefugepodcast Our Team: Anusha Ghosh (Host/Researcher) Jackie Burnett (Co-Host/Producer) Aidan Thomason (Co-Host/Producer) Rohit Swain (Co-host) Esha Hegde (Editor) Claire Mattes Diana Clark Victoria Halsey Patrick Anderson Emily Jensen Saanvi Somani Music: Opening Track: Ketsa - Where We Are (http://bit.ly/2nKJWaW) Closing Track: Above and Below - Never Forget (http://bit.ly/2nNfw7Q)

Main Review: Encanto (2021) The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift -- every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger. Scores - Jack - 7, Peter - 7.5,  Trevor - 8, Edd - 7.5, Sarah - 7 Overview- 7.5 Brought to you by The Tuscan Shed Media Network and Newman Visual Productions Check us out on iTunes or on Twitter and Facebook Music by Bensound

We talk about Hotel Transylvania: Transformania for a bit, and then we pick our top 3 animated films of 2021 for more than a bit! (Opinions expressed by Kyle and Luke are their own and have no relevance to the opinions of any large animation studios we happen to work for.) Please leave us feedback and otherwise interact with us at http://www.facebook.com/kyleandluke!

James, Jerah, and Jonathan are joined by comedian Alise Morales to review the story of how Mirabel, a seemingly ungifted child growing up in the mountains of Colombia, ends up saving her family, The Madrigals, and their precious magic from imminent danger. The film was directed by and stars Stephanie Beatriz, Jessica Darrow, Diane Guerrero, and Wilmer Valderrama. Produced by Melisa D. Monts Edited by Diane Kang Executive produced by Brett Boham, Joe Cilio, and Alex Ramsey Listen to Black Men Can't Jump [In Hollywood] Ad-Free on Forever Dog Plus: https://foreverdogpodcasts.com/plus FOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]: https://twitter.com/blackmenpodcast https://www.instagram.com/blackmenpodcast BUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH: https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywood SUPPORT BLACK MEN CAN'T JUMP [IN HOLLYWOOD] ON PATREON: https://www.patreon.com/BMCJ BLACK MEN CAN'T JUMP [IN HOLLYWOOD] IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/black-men-cant-jump-in-hollywood Learn more about your ad choices. Visit megaphone.fm/adchoices

The two titans of comics go head to two in Superman vs. Spider-man kicks off our new year of crossovers! Plus, we review Encanto and Matrix: Resurrections! strong>Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS ENCANTO Directors: Jared Bush, Byron Howard, Charise Castro Smith Writers: Charise Castro Smith, Jared Bush, Byron Howard Stars: Stephanie Beatriz, Maria Cecilia Botero, John Leguizamo Studio: Walt Disney Animation Studios Release Date: November 24, 2021 Encanto tells the tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. The magic of the Encanto has blessed every child in the family with a unique gift from super strength to the power to heal-every child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family's last hope. https://www.imdb.com/title/tt2953050/?ref_=fn_al_tt_1 MATRIX: RESURRECTIONS Director: Lana Wachowski Writers: Lana Wachaowski, David Mitchell, Aleksander Hemon Stars: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jonathan Groff, Jessica Henwick, Neil Patrick Harris Studio: Warner Bros. Release Date: December 22, 2021 Return to a world of two realities: one, everyday life; the other, what lies behind it. To find out if his reality is a construct, to truly know himself, Mr. Anderson will have to choose to follow the white rabbit once more. https://www.imdb.com/title/tt10838180/?ref_=fn_al_tt_1 DISCUSSION SUPERMAN VS. THE AMAZING SPIDER-MAN Writer: Gerry Conway Artists: Ross Andru, Neil Adams, John Romita Sr., Dick Giordano, Terry Austin, Bob Wiacek Publisher: DC Comics / Marvel Comics Release Date: March 1976 Superman and Spider-Man must stop a world domination / destruction plot hatched in tandem by their respective arch-nemeses, Lex Luthor and Doctor Octopus. The issue is non-canonical, as it assumes that the heroes and their respective cities of residence, Metropolis and New York City, exist in the same universe, with no explanation given as to why they had never before met or been mentioned in each other's individual stories. CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!