Podcasts about algonquin park

Claire Cameron has been obsessed with bears since hearing about a bear attack while she was working in Ontario's Algonquin Park as a teenager. But when she was diagnosed with cancer, Cameron revisited the details of that attack and the wilderness environment that's shaped much of her life. In a conversation from March, she told Galloway about her new memoir How to Survive a Bear Attack, and what facing death taught her about how to live.

Discover the fascinating world of the White-throated Sparrow: birds with two colour morphs, a unique mating system, and songs that spread like the latest Taylor Swift release. Professors Ken Otter and Scott Ramsay reveal the surprising complexity behind these seemingly ordinary birds.When you order from birdsandbeans.ca/warblers Birds and Beans donates to this podcast, plus you support bird-friendly coffee farms which provide essential habitat, simply by drinking a cup of coffee. Scott Ramsay is a Biology professor at Wilfrid Laurier University in Waterloo, ON, where he has been studying White-throated Sparrows since 2001. Since joining the faculty at Laurier, his research has included studies of the White-throated Sparrow populations in Algonquin Park, and Prince George BC in collaboration with Ken Otter.Ken Otter is a professor at the University of Northern British Columbia. Ken and his team were behind much of the song research for White-throated Sparrows. His primary interest is in how forest birds respond to anthropogenic disturbance.Andrea Gress (she/her) secretly thinks Piping Plovers are better than all the other birds...studied Renewable Resource Management at the University of Saskatchewan. She pivoted towards birds, after an internship in South Africa. Upon returning, she worked with Piping Plovers in Saskatchewan, and then as the Ontario Piping Plover Coordinator. Years of sharing her love of plovers with beach goers has turned into a full time communications role with Birds Canada. Support the show

Strange wildlife encounters close to home can remind us of our complex relationship with the natural world. Jerry Ouellette opens this episode with a startling story about a raccoon that boldly entered his house by following his dog through the back door, leading to concerns about potential disease transmission and a late-night veterinary visit.This unexpected encounter perfectly sets up our fascinating conversation with Dr. David Galbraith, Director of Science at the Royal Botanical Gardens (RBG) in Hamilton, Ontario. Dr. Galbraith brings decades of expertise in wildlife biology to his role, having spent years researching turtle populations in Algonquin Park before joining RBG over 30 years ago. His insights on turtle longevity reveal the remarkable fact that some snapping turtles could easily be a century old—creatures that might have "said hi to Champlain as he paddled by."The Royal Botanical Gardens itself emerges as a remarkable conservation success story spanning nearly a century. Founded through the vision of Thomas Baker McQuiston in the 1920s and granted royal designation by King George V in 1930, RBG now encompasses over 2,100 acres of diverse habitats. Dr. Galbraith details their innovative approaches to managing invasive species like carp and phragmites, including a pioneering "fish filter" system and creative use of old Christmas trees to create wetland berms. Their prairie restoration efforts, complete with controlled burns, demonstrate how careful management can bring back lost habitats and endangered species.Beyond its scientific importance, RBG offers visitors a remarkable range of experiences throughout the seasons—from lilac gardens and woodland trails to winter exhibits and natural skating on Coots Paradise Marsh. At just an hour's drive from Toronto, this natural treasure provides both recreational opportunities and vital ecosystem services to the densely populated Golden Horseshoe region.Ready to explore this natural wonder yourself? Visit rbg.ca to learn about upcoming events, seasonal blooms, and conservation projects that you can witness firsthand. Whether you're a passionate naturalist, a casual garden enthusiast, or simply seeking a peaceful retreat from urban life, the Royal Botanical Gardens offers a perfect blend of beauty, science, and natural inspiration.

Send us a textEver wondered what makes wildlife photography truly ethical? Jesse Villemaire takes us deep into the heart of this question, revealing how respecting wildlife comes before capturing the perfect shot. As co-founder of Follow Me North with his wife Susan, Jesse shares captivating stories from Algonquin Park's wilderness and South African safaris while unveiling the philosophy that guides their intimate photography workshops."The wildlife comes first, the photo comes next," Jesse emphasizes, explaining how maintaining proper distance and understanding animal behavior creates not just better photographs, but more meaningful encounters. Through heartfelt examples—including a devastating story about a habituated wolf—he illustrates why "baiting" wildlife causes harm that far outweighs any photographic benefit.Jesse's personal journey from tattoo studio owner in Cambridge to wildlife photographer in Muskoka reveals how nature became his essential reset button. The story of meeting his wife through Instagram's Algonquin Park hashtag (culminating in their wedding on an island in Lake of Two Rivers) demonstrates how shared passion for wilderness can forge life's most meaningful connections. Their volunteer work with Aspen Valley Wildlife Sanctuary further showcases their commitment to conservation beyond the lens.From their viral "Santa in a Red Canoe" series to their humorous "Sorry Algonquin" Instagram project pairing stunning images with one-star park reviews, Jesse's creative approach invites others into nature's beauty with both reverence and playfulness. His South African photo tours—where participants might find themselves surrounded by 21 lions—offer transformative experiences that "change you" on a fundamental level.Ready to experience wildlife photography through a more mindful lens? Listen now and discover how connecting with nature might just help you connect more deeply with yourself and others along the way.https://www.instagram.com/followmenorthhttps://www.facebook.com/followmenorthSupport the showCONNECT WITH US AT SUPER GOOD CAMPING:Support the podcast & buy super cool SWAG: https://store.skgroupinc.com/super_good_camping/shop/homeEMAIL: hi@supergoodcamping.comWEBSITE: www.supergoodcamping.comYOUTUBE: https://www.youtube.com/channel/UCqFDJbFJyJ5Y-NHhFseENsQINSTAGRAM: https://www.instagram.com/super_good_camping/TWITTER: https://twitter.com/SuperGoodCampinFACEBOOK GROUP: https://www.facebook.com/groups/SuperGoodCamping/TIKTOK: https://www.tiktok.com/@supergoodcamping Support the show

Novelist Claire Cameron investigates the shocking true story of a couple killed by a black bear in Ontario's Algonquin Provincial Park in her debut memoir "How to Survive a Bear Attack." Why did this tragedy resonate with her? And what answers did she hope to find in her quest? Claire Cameron joins Nam Kiwanuka to discuss her latest book. See omnystudio.com/listener for privacy information.

Guest: Claire Cameron, author of How to Survive a Bear Attack: A Memoir

Claire Cameron has been obsessed with bears since hearing about a bear attack while she was working in Ontario's Algonquin Park as a teenager. But when she was diagnosed with cancer, Cameron revisited the details of that attack and the wilderness environment that's shaped much of her life. She tells Galloway about her new memoir How to Survive a Bear Attack, and what facing death taught her about how to live.

Episode 70: Our Algonquin Park Experiences Part 3 In this episode I share my experiences at Algonquin Park Children's Camps (Camp Tamakwa on South Tea Lake and Camp Wapomeo on Canoe Lake) and Rory shares his experiences working as a summer naturalist and his later work helping establish the Archives and undertaking various archeological projects in and around the Park.  We both then share some ot the details as to why we had to leave and our lives now.

As I mentioned on the previous show about the Lynx trailing trip, I was planning on heading up to Algonquin Park to trail Moose, Algonquin Wolves, Martens, Snowshoe Hare, Flying Squirrels, and whomever else's trails we may come across. Well, I went and it was great. So good that I wanted to offer a bit of a report back from the trip and tell some stories of what we saw. This is the 24th year of this trip, and I am so grateful to get to not only be there, but to be helping lead the week. Kid me would be stoked… hell, adult me is still stoked!Big thanks to Alexis for being a great colleague and mentor, and to everyone who came. It was a blast.To learn more :Algonquins of Ontario overview of land claimMore information on the trip from EarthTracks.ca

From Brian Ginsler, Ginsler Wealth CEO: In my last quarterly letter I discussed the benefits of “doing nothing” (sometimes) as it relates to investing, but suggested that in my next quarterly letter I would discuss the benefits of “doing something”. So here we go... I returned to Algonquin Park in the Fall—my regular annual trip with my buddies. At 2am on our last night, I woke up in the tent and nature was calling. When this happens, the goal is typically to jump out of the tent, do what has to be done, and jump right back in quickly. But while I was outside the tent, I noticed that the pitch darkness of bedtime had turned into a bright moonlit night; the temperature was mild; and I did not hear any bears rustling in the woods (phew). Instead of jumping back into the tent quickly…nature actually was calling…so I decided to do something. Listen to this episode to find out what Brian did... For the original transcript of this letter, and to see weblinks and other media, please visit https://ginslerwealth.com/ginsler-wealth-fourth-quarter-2024-client-letter/

Episode 67: Childrens' Camp Founders  In this episode I share profiles of many of the founders of the key childrens' camps in Algonquin Park including Fanny Case from Camp Northway and Wendigo on Cache Lake, Franklin Gray, William Bennett and Herman Norton from Camp Pathfinder on Source Lake, Taylor and Ethel Statten from Camp Ahmek and Camp Wapomeo on Canoe Lake, Mary Jean Hamilton from Camp Tanamakoon on Lake Tanamakoon, Lillian Kates  from Camp Arrohon on TeePee Lake and Lou Handler and Omer Stringer from Camp Tamakwa on South Tea Lake. Key References include: Summer Camp, Great Camps of Algonquin Park by Liz Lundell, Beverley Bailey, John Taylor and Robbie Sprules; Taylor Statten A Biography by C. A. M. Edwards, Talks to Counselors by Hedley S. Dimock and Taylor Statten, The Nurture of Nature: Childhood, Antimodernism and Ontario Summer Camps 1920-1955 by Sharon Wall and A History of the Taylor Statten Camps 1985 Masters Thesis by Donald Alexander Burry The-South-Tea-Echo-Issue-21-Summer-2023-Version-for-Tamakwa-website Camp Wabuno Brochure provided by Elizabeth Otto  The musical interlude is called Time Stands Still from Dan Gibson's Solitudes Lakeside Retreat CD. It is brought to you with the approval of Digital Funding LLC. Solitudes music can be found wherever you get your music streaming.

In this episode of Spooky Coop, Paul and Michelle guide listeners through three remarkable stories of human-to-animal shapeshifting, each coming from separate tribal backgrounds:1. Animals in the desert - An experience told to us by a Hopi Elder where, as a boy, he watched as his father, uncle and their friend perform a ceremony that transforms them. Plus, his father explains to him the reasons for pursuing  such an incredible feat of what can only be described as pure magic.2. The Miraculous Bear - From the Great Plains, this chilling account tells of a man changing into a massive bear in front of a group of tribal members during a special ceremony in the 1930's.3. Careful where you camp - A haunting experience by an Ojibwa man and his friends during a camping trip in Algonquin Park in Ontario, Canada. While out traveling through the broad wilderness of the park, Steve and his friends encounter a group of other-worldly bipedal creatures and are attacked during the night at their campsite.As Paul and Michelle unpack these incredible accounts, they discuss the shared themes of sacrifice, spirituality, and the thin boundary between the physical and the supernatural. Could these stories hold clues to a forgotten connection between humans and the animal world? Or are they cautionary tales, warning us of the consequences of tampering with forces beyond our understanding?Whether you're a skeptic or a believer, these stories will make you question just how much we truly know about the mysteries of the human spirit. So, grab a seat around the campfire and prepare to be both enchanted and unsettled.Come into the Coop and join the flock:• Follow us on social media for updates and spooky extras.• Have your own shapeshifting story? Share it with us at sendittospookycoop@gmail.com.• Don't forget to rate, review, and subscribe to keep the spooky vibes alive!Stay curious, stay spooky, and remember—some things are more than meets the eye! Episode Credits:Written, edited and produced by Paul & MichelleArtwork created by MIchelle & PaulMusic written and produced by I.C.D.LINKS: Listen to us here: SpookyCoop , find us @ spookycoop.com and follow us on: FaceBook | BlueSky | X (formerly Twitter) | Threads | Instagram | TikTok

Episode 66: Part II - How Logging in Algonquin Park has Evolved over a Century (1922-Present) This follow-on episode shares how logging dramatically changed in 1974 when the Algonquin Park Master Plan came into being and created the Algonquin Forest Authority. They were now responsible for all tree marking, harvesting, delivery to sawmill operators in the area, and later all of the silviculture efforts.  Key References: Donald Lloyd's Algonquin Harvest: The History of the McRae Lumber Company 2006 Roderick MacKay's Algonquin Park: A Place Like No Other 2018 Bob Lyons Whitney: Island in the Shield 1986 Algonquin Park Forest Authority's Annual Reports (2021-22 and 2022-23) Algonquin Park Forest Authority Website (www.algonquinforestry.on.ca) Maintaining the Balance in Algonquin Park: Algonquin Forest Authority and the Use of Portable Bridges – Forestry Success Stories 2015 The musical interlude for this episode is called Standing Tall and comes from Dan Gibson's Solitudes Breaking Through the Mist CD. It is brought to you with the approval of Digital Funding LLC. Solitudes music can be found wherever you get your music streaming.

Tom Thomson is a giant in Canadian art​. Now hundreds of his paintings created from trips to Georgian Bay and Algonquin Park will be on ​d​isplay at the Beaverbrook Art Gallery​. ​Jeanne Armstrong spoke to Ray Cronin and Sarah Milroy about how this exhibition came together.

Episode 65: Modern Day Lumbering 1919-Present For those of us who have been long-time summer residents of Algonquin Park, the issue of logging in the park has been a difficult one. Difficult because, though most people don't realize it, logging has always been an integral part of the Algonquin Park governing mandate. Though known today as a recreational paradise and wildlife refuge, those of us who have lived in and around the park are very much aware that allowing logging was one of the key compromises that was needed in order for the Park's creation in 1893. Though hard for us to visualize today, the idea of setting aside such a large expanse of land, so close to the industrial heartland of Ontario was truly a game-changing event, with many conflicting voices. Another parallel objective has always been economic support for the local communities of Eastern Ontario. In this episode, my goal is to focus narrowly on what has changed since the days of John Egan and J. R. Booth's logging efforts in the Park. I am going to try to look at the topic from four perspectives, namely: the cutting of the trees; the process of getting them to the sawmills; the actual sawing of the wood into lumber; and its marketing; and to the degree possible how this has all impacted the surrounding people and communities in general and the Whitney area in specific. Part 1 focuses on the 20th C, up until 1974, when the Algonquin Park Master Plan was issued. Key References: Donald Lloyd's Algonquin Harvest: The History of the McRae Lumber Company 2006 Roderick MacKay's Algonquin Park: A Place Like No Other 2018 George Warecki's Douglas Pimlott and the Preservationists in Algonquin Park 1958-1974  2021 Bob Lyons Whitney: Island in the Shield 1986 Algonquin Park Forest Authority's Annual Reports (2021-22 and 2022-23) Algonquin Park Forest Authority Website (www.algonquinforestry.on.ca) Maintaining the Balance in Algonquin Park: Algonquin Forest Authority and the Use of Portable Bridges – Forestry Success Stories 2015 The musical interlude for this episode is called Hardwood Haven and comes from Dan Gibson's Solitudes Breaking Through the Mist CD. It has been brought to your attention with the approval of Digital Funding LLC. Solitudes music can be found wherever you get your music streaming.

From Brian Ginsler, Ginsler Wealth CEO: "This past August, equity markets around the world experienced significant declines. Coincidentally, I chose the August long weekend to visit my favourite place on earth, Algonquin Park, where there is no cell reception. Or so I thought. In the very early hours of Monday (August 4) morning, a faint, single bar of service must have magically appeared, and a single Wall Street Journal news alert notification slipped through... "Japan's Nikkei Stock Average closed down 12.4%, it's biggest single-day percentage fall since 1987" "Oh shoot," I said to my wife, and decided that we better drive out of the resort to get stronger cellular reception to see what was going on. It wasn't pretty." Listen to this episode to find out what Brian did next... For the original transcript of this letter and to see weblinks and other media, please visit https://ginslerwealth.com/ginsler-wealth-third-quarter-2024-client-letter-do-nothing-edition/

While teaching up at the Lodge at Pine Cove this past weekend we came across lots of tracks and sign. Tons of Sawfly (wasplike insects) cocoons, some leaf miners, galls a plenty, Eastern Chipmunk (Tamias striatus) holes and feeding sign, Red Fox (Vulpes vulpes) and Moose (Alces alces) scat and lots more. But there was one bit of sign that was really annoying me… something I wasn't sure about. There were mussel shells laying about all along the rivers edge. Along the beach, the rocky cove, and all across the depths of the French River. They had all been opened, most split at the hinge, some cracked, many fragile and crumbling apart when put a bit of pressure on them. Someone had been feeding on these mussels for quite a few years it seemed, and I wanted to, maybe even needed to, figure this mussel mystery out. What kind of mussel whose remains I was finding? Who are the animals who live in this place that consume them? Who was leaving these middens about? Did they leave any other clues behind? Why couldn't I find anything? I really get into puzzles sometimes and this one made for a great distraction from the anxious excitement of teaching in a new place. This episode was recorded just after sunrise, along a wet winding trail in the mist of a gentle rain. It was awesome. Corrections : While I said something along the lines of Clams and Mussels are the same, I think this is incorrect. There seems to be differences based on structure of their shells and how they attach or burrow into substrates. To learn more :Bird Tracks and Sign by Mark Elbroch and Eleanor Marks. Stackpole Books, 2001.The Best of the Raven vol. 1 by Dan Strickland and Russ Rutter. The Friends of Algonquin Park, 1993.Animal Tracks of the Midwest by Jonathan Poppele. Adventure Publications, second ed, 2022.Peterson Field Guides: Mammals by William H. Burt and Richard P. Grossenheider.

Ready to embark on an angling adventure like no other? In this episode of Untamed Pursuits, Ridr regales us with tales from his epic journey through the Bolivian jungle, battling relentless insects and treacherous travel to hook the elusive Golden Dorado. As he shares the gritty and exhilarating details, Jamie's contrasting experience teaching young anglers in Ottawa provides a refreshing perspective on the world of fishing, showcasing the joys and challenges of nurturing the next generation of anglers.Then, we transport you to the breathtaking landscapes near the Andes Mountains, where pristine rivers and indigenous territories offer a rare glimpse into the habitat of the Golden Dorado. Learn about the unique fishing conditions during the Amazon's dry season and the electrifying experience of sight casting in crystal-clear waters. Plus, Ridr dives into the thrill of hunting pacu in the South American jungle, while recounting encounters with jaguars, pumas, and the infamous bullet ant, adding an extra layer of excitement to the adventure.For urban fishing enthusiasts, Jamie and Ridr offer valuable tips on fishing hotspots in cities like Montreal, Toronto, and New York City. From the shores of Algonquin Park to the bustling waters of Long Island, discover the diverse species and techniques that make city fishing so rewarding. They also highlight accessible half-day trips from major cities like Denver and Salt Lake City, emphasizing the importance of curiosity and continuous learning in becoming a successful angler. Whether you're casting in the jungle or the urban jungle, this episode is packed with inspiration and practical advice for every fishing enthusiast.

This week we discuss a brassiere boost, 2.22 and we find out if those tiddies are AI. Stories are as follows hunnays: - Part 2 of Goatman - Hannah gives us an Are You Afraid of the Dark inspired story about an abandoned campsite - A backpacking in Oregon story from Big S - (is it bigfoot?) - Hannah tells us another campfire story set in Algonquin Park, Canada - Big Suze tells a proper creepy glitch in time story and of course... - c.o.w. Creep of the Week is from Megan (and Simone) in Brisbane! TY HUNNAY - watch out for the red moon... We end with more telepathy - will Big Suze recieve the shape? xoxo JOIN US FOR OUR HALLOWEEN SHOW - 31ST OCT 2024 AT BUSH HALL, LONDON! TIX BELOW: https://linktr.ee/ghosthunspod JOIN OUR PATREON! EXTRA bonus episodes AND a monthly ghost hunt for just £4.50! Or £6 for AD-FREE EPS and weekly AGONY HUNS! We'll solve your problems huns! Sign up here: www.patreon.com/GhostHuns

Episode 62: Ontario Lumber Kings - John Egan Up until recently, I'd always thought that anyone who cared about Algonquin Park human history was already familiar with J. R. Booth and so never put any energy into building an episode around his life experiences. However, last summer I stumbled upon a 2018 biography by Michael McBane on John Egan.. In so doing, I discovered a whole new aspect of lumbering in the Ottawa Valley that I knew nothing about. The end result is this multi-part series about two of the most well-known of the Ottawa Valley Lumber Kings, namely John Egan and J. R. Booth. In my view both are tightly connected in history because as you all know J.R, Booth made his fortune by buying at auction Egan's timber limits in 1867. In this episode I'll focus on the life of John Egan. I think though I have no proof that, though of different generations, Booth may have seen Egan as a role model in the lumber industry The musical interlude for this episode is called Below a Towering Pine and comes from Dan Gibson's Solitudes Breaking Through the Mist CD. It is brought to you with the approval of Digital Funding LLC. Solitudes music can be found wherever you get your music streaming. Key References: Michael McBane's John Egan: Pine & Politics in the Ottawa Valley, published in 2018 H. T. Douglas'1969 talk to the Gatineau Valley Historical Society called An Irishman in Canada: John Egan R. Morgan's 1926 article in the Ottawa Journal History of the Early Ottawa Stephen Banks' A Polite Exchange of Bullets: The Duel and the English Gentlemen 1750-1850, published in 2010 Debates of the Legislative Assembly of the Province of Canada 1849 John McGregor‘s British America published in 1832 Roderick MacKay's Sprits of the Little Bonnechere 2nd Edition, published in 2016 David Lee's Lumber Kings and Shantymen, published in 2006 Dictionary for Canadian Biography, - John Egan search term Ottawa Branch of the Ontario Ancestors, 2020 discussion Robert Grace's The Irish in Quebec: An Introduction to the Historiography, published in 1993

SummaryIn this episode, Ron Hayes, Jason Loftus and Mark Raycroft's primary goal was to answer Listener questions, but they quickly get lost catching up on past trips and discussing the ethical questions around image manipulation and the newly developing confounding factor of AI-generated images on social media. They also delve into the challenges and opportunities presented by new technology in the field of photography. The recent trip conversation covers Mark's spring canoe adventure into Algonquin Park's interior and Jason and Ron's trip to Yellowstone, where they discuss the significance of shared nature experiences with family. But the piéce de résistance in this episode is the Listener questions which dive deep into the questions around photographers' facial hair and aging, photography ruts, GoPro use and more. They also get a little more serious and discuss positive social media interactions and the importance of sharing positive encounters in wildlife photography.TakeawaysMark's experiences on his canoe camping adventure in Algonquin ParkVisiting Yellowstone and sharing nature experiences with family can be a meaningful and memorable experience.The significance of introducing family members, especially children, to wildlife and nature experiences.The importance of ethical considerations in the photography industry and the impact of AI on photographers and their work.The impact of AI on stock images and the ethical implications of using AI-generated images. The use of AI in presentations is evolving and becoming more sophisticated.What's up with wildlife photographers and goatees?Photography ruts can be overcome by changing up the approach, taking a break, and trying something different.GoPros have a wide range of applications in wildlife photography, including underwater footage and camera trapping.Sharing positive wildlife encounters on social media can inspire others and promote respectful behavior in nature.Sound Bites"The use of AI in photography raises ethical questions about the authenticity of images and the ownership of AI-generated content.""Photographers must consider the implications of using AI tools and the ethical considerations of image manipulation in their work.""The conversation highlights the need for ongoing discussions and open-mindedness when it comes to the use of new technology in photography.""Like a book just slammed shut.""Are we going to have continue to have publishers and people that want to use images that will hold up the ethical side of things and want to continue to use real images that aren't AI altered? Because to me, that's the real scary part.""The most recent trip I've been on that we haven't chatted about was a quick little weekend run to Yellowstone.""Mark's probably been one of the biggest advocates of those tools on the podcast for quite some time now."Chapters00:00 Introduction and Mark's Rejuvenating Canoe Trip in Algonquin Park09:24 Exploring the Impact of AI on Social Media Photography34:41 The Impact of AI on Photography and Ethical Considerations42:36 Memorable Yellowstone Trip and Family Nature Experiences00:59:30 Listener Question: Is it imperative that guests have a goatee?01:06:00 Listener Question: If the 3 of you were in a footrace with a bear, who would get eaten first?01:02:21 Listener Question: What is something that each of you do when you find yourself in a photography rut?01:04:16 Listener Question: What is something that each of you do when you find yourself in a photography rut?01:08:52 Listener Question: I bought a GoPro. What sort of wildlife applications do they have?01:16:46 Promoting Positive Wildlife Encounters on Social Media

Send us your feedback about the episode!Brianna is a mortgage agent and educator living in Muskoka, Ontario.  She is the owner of Brianna Goslin Mortgages and host of Let's Talk About Money.  After spending 10 years as a teacher, Brianna began building her business in 2022 amidst the worst real estate market in recent history.  She learned the power of connection and community in a powerful way to develop her brand's outreach online and in person.  When she's not working on or in her business, catch Brianna and her family hiking, boating and exploring in Muskoka and Algonquin Park.Follow: @briannagoslinmortgages https://www.instagram.com/briannagoslinmortgages/LINKS: SIIP BrothPROMO CODE: BEAUTYBRANDPODCAST10Buzzsprout PodcastsStart for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Subscribe for New Episodes Every Tuesday!Be sure to check us out on all our socials:Follow on Instagram: @beautybrandpodcasthttps://www.instagram.com/beautybrandpodcast/Subscribe on Youtube: @beautybehindthebrandpodcasthttps://www.youtube.com/channel/UCEl-qd38M4OgL8IghZ8ga9gWebsite:https://www.miskoka.com/beauty-behind-the-brandFollow our host on Instagram: @nicmanionhttps://www.instagram.com/nicmanion/

28-year-old Louisville native and NBA player D'Angelo Russell unveiled a new basketball court in Algonquin Park. He donated $100,000 to improve the courts at the park. This is where he developed his love of basketball and his skills. STORY: https://www.wdjx.com/nba-player-louisville-native-dangelo-russell-unveils-new-basketball-court-at-algonquin-park/

In this episode, Sachin interviews Dr. Penney Stringer on her journey from working as a family practice physician to achieving her purpose of bringing healing to groups of people through a mindful functional medicine practice. Listen for insight on following your heart in the flow of abundance as you help clients heal.   Key Takeaways: [1:01] Sachin introduces Dr. Penney Stringer, a trailblazer and mother of two children. Sachin welcomes Penney to Perfect Practice. [2:22] Dr. Penney Stringer started as a medical doctor and moved into functional medicine. After her residency, she worked in a community healthcare center outside Seattle, Washington, working with people on the margins. The clinic also had an acupuncturist and naturopaths.   [2:54] Dr. Stringer was a family medicine doctor. She referred everyone to the people she knew could help them: a nutritionist, a naturopath, an acupuncturist, and a counselor. There was also a dispensary. At the same time, she did hospital work associated with the clinic.   [3:36] All she had to do was write prescriptions. One day, she felt sick writing a prescription for a medicine she knew was harmful. A young patient with ankylosing spondylitis and bad back pain had been to a naturopath and had been given antibiotics and fish oil for a gut infection.   [4:08] The patient came back to Dr. Stringer and was all better. He didn't need the prescription for pain medication. After being treated for his gut infection, his autoimmune disease got better. Dr. Stringer questioned how that happened.   [4:26] About that time, she was invited by a naturopathic student to a Jeffrey Bland lecture in 2000, in Seattle. Jeffrey Bland is the “grandfather” of functional medicine. She started going to the free lectures Jeffrey Bland was giving.   [4:57] The first lecture was all about the microbiome and the biochemical pathways. It was what Dr. Stringer had thought she would learn in medical school. She went to her first training not too long after that. She says the rest is history.   [5:28] Dr. Stringer moved to a new town in the early 2000s. A doctor was practicing functional medicine there with a patient waitlist of five years. A nearby hospital funded the functional medicine wellness clinic and Dr. Stringer's salary at the clinic.   [6:43] Right out of her Institute for Functional Medicine AFMCP course in Boston, Dr. Stringer had a mentor, all the testing, all the supplements, all the patients lined up to see her, and a salary that she didn't have to worry about. She felt like it was what she was supposed to do.   [8:21] Dr. Stringer says it was a blessed situation in every way. It was all insurance-based so patients could get the best care with two dedicated physicians. The doctors were free to do what they believed in. It was not regular Western medicine. It was functional medicine from the start.   [8:47] The town is a nuclear toxic cleanup site. A lot of the jobs are in the cleanup. She helps with people's detox and hormone renewal analysis. Her first patient was full of heavy metals, just as she had learned in class. She feels like things are put in our path to see if we're awake.   [10:45] Dr. Stringer thinks that the key is paying attention. If you want to learn about something, request it from whoever is listening and see how long it takes to show up at your doorstep.   [11:52] Dr. Stringer talks about her sense of presence. She says her dad was a keen observer of nature. He was a biologist and environmental scientist with a doctorate in parasitology from Johns Hopkins. He viewed the world with a beginner's mind and asked profound questions. [12:25] Dr. Stringer tells how her father researched the chrysalis of the monarch butterfly, and presented papers on it around the world, all because he wanted to know what happened in the chrysalis. He asked the question and got a grant to find out. He's now in a documentary.   [13:35] One of Dr. Stringer's earliest memories with her dad is going in the woods. He would stoop down and turn over a rock and show his children the universe under the rock. He instilled in Penney some of that sense of presence.    [14:01] Dr Stringer spent her junior college year in Spain, studying Spanish literature and she saw daily siestas. When she came back, she learned transcendental meditation. After meditating, when she went outside, she could see every shade of green she had never seen.   [15:05] Dr. Stringer teams up with a master cranial sacral therapist to do a double hands-on with patients. They sit in silence with a patient for an hour.   [15:50] That has given Dr. Stringer so much insight and awareness about the process of healing and being present with another human being and holding the space for transformation, being there with their joy, pain, or release. It's not always comfortable.   [16:18] Dr. Stringer has to do cranial sacral herself to release what she observes in others. There's a lot of pain and suffering. Some of us are very in tune with that pain and suffering. It's important to do your own work to release what you observe so it doesn't get stuck in your body.   [17:28] If you are not dissipating the energy that's building up, you feel burned out or don't care as much. You feel tired. Dr. Stringer notices that her nervous system gets shaky. You could get headaches, upset stomach, or not sleep well, or more, from holding onto other people's energy.   [20:13] Dr. Stringer worked at the functional medicine office for about five years and then they went their separate ways. She had children. She went back and worked at the community health center so she didn't have to run a business when her babies were little.   [20:30] Then Dr. Stringer started her own practice. For 18-and-a-half years, she had done functional medicine in the insurance system. With Sachin's mentorship, she took the leap and jumped out of the insurance system, partially spurred by how the recent pandemic was handled.   [22:00] Sachin has been Dr. Stringer's only business growth mentor. She has done everything by her heart. She doesn't do or choose anything based on finances. Dr. Stringer thinks that when you have the right intention, things work out for you and abundance flows.   [22:46] Dr. Stringer says that Sachin has been a very helpful mentor for her, for thinking heart-centered but business savvy. Beyond finances, for Dr. Stringer, the bigger part of abundance is being in nature every day as part of her ability to do her work.   [23:32] Dr. Stringer had another important mentor in medical school at Georgetown, Dr. Jim Gordon, who runs the Center for Mind Body Medicine. He's a Harvard-trained psychiatrist and an acupuncturist. Dr. Gordon informed me so much about the way Dr. Stringer thinks about healing.   [24:09] Dr. Stringer's purpose is healing in community. The reason she joined the mentorship was to solidify doing groups and making the community the hallmark of her dynamic and system. Dr. Gordon's training in mind-body medicine is the basis of all of Dr. Stringer's groups.   [24:45] Dr. Stringer says Sachin is a great mentor. She feels that learning business and healing are not that different and that they can all be together.    [25:12] Dr. Stringer recommends learning to facilitate mind-body skills groups as an eloquent and beautiful model for being a facilitator but also a participant in the group. It's mindfulness-based training.   [25:35] Dr. Stringer had another pivotal shift when she went to ECO Conference. It helped her reframe the way she thinks about barriers to healing and how to address toxins and stealth bugs.   [26:17] Dr. Stringer speaks of a book that was pivotal to her, The Nature Fix, by Florence Williams which documents a positive biochemical effect in the brain that PTSD sufferers receive from being in nature for three days. Sachin relates it to the wellness modality of forest bathing.   [29:02] Nature is a powerful teacher and powerful medicine for our sanity. Sachin suggests prescribing forest bathing to your patients and clients. It could be a missing link for a lot of people's healing journeys.   [29:23] Dr. Stringer notes a recent NYTimes article on the recommendations of nature for health benefits. They recommend spending 20 minutes in nature, three days a week, plus five hours a month of longer hiking, plus going off-grid for three days a year.   [30:19] Sachin is going on a three-day snowshoeing hike with his brother and a guide in Algonquin Park where the lake freezes over. They'll have a sauna tent and bathe in a hole in the ice in the water. He's super stoked about it.   [30:55] Being in nature is such an important thing we should all be doing. He hopes what you learn from this conversation is to spend some more time in nature.   [31:41] Dr. Stringer brings up the benefits of fasting. She is on the second day of a three-day ProLon mimicking fast and she feels an amazing shift. It's amazing to get into a fasting state. It's phenomenal. Sachin notes that It's an easy modality to integrate into your practice.   [33:44] Dr. Stringer recommends bodywork; worrying with the subtle energy of the body, as another modality. She sticks to the elemental, basic things.   [39:43] Dr. Stringer thinks medical physicians and professionals pairing up with health coaches is a no-brainer.   [40:12] If you are interested in setting up a group-based program, Dr. Stringer says to follow what interests you and lights you up in terms of the kinds of patients you want to work with, and the setting. She believes that word of mouth is always the best way to grow a practice.   [40:35] If you want to do groups, start doing them. Don't wait for the perfect system; no one really has the perfect system. Just start doing groups of five, six, or 10 people. It's an efficient way to teach and to be compensated. Sometimes you have to start with individual people.   [41:23] Dr. Stringer doesn't have a referral system. That will be the next phase of what she does to reach more people. So far, it's 90% word of mouth.   [41:36] Offerings of teachings and master classes are a good way for people to know that you know what you're talking about, that you care, and that your heart's in it. Dr. Stringer has done master classes for the past three years and it has been great.   [41:58] Now she is doing more in-person things, which are the most fulfilling for her. Getting in front of people and being generous with your offerings to share your knowledge will come back to benefit you. Generosity is reciprocal.   [43:04] Dr. Penney Stringer says this is her year for saying, “yes” to everything. For the next four weekends, she is traveling to visit friends and family and to a breathwork conference with James Nestor.   [44:34] Dr. Penney Stringer learned of the James Nestor breathwork conference from Sachin, who says going to that event was one of the highlights of his life.   [44:45] Dr. Penney Stringer is also planning to go with a functional medicine friend to a nature-based three-day retreat for women in menopause.   [45:09] Sachin thanks Dr. Stringer for spending time with him and his audience today and sharing her wisdom. There are great takeaways of things we can do in nature, with self-care, keeping things simple in our practice, and following our hearts, with the highest integrity.   [46:02] To learn more about Dr. Stringer's practice, go to PenneyStringerMD.com.   [46:32] Penny's last words: “Follow your heart and trust that you are in the abundance flow.”   Mentioned in this episode Perfect Practice Live Dr. Penney Stringer Jeffrey Bland The Nature Fix: Why Nature Makes us Happier, Healthier, and More Creative, by Florence Williams ProLon   More about your host Sachin Patel How to speak with Sachin Go one step further and Become The Living Proof Perfect Practice Live sachin@becomeproof.com To set up a practice clarity call and opportunity audit   Books by Sachin Patel: Perfect Practice: How to Build a Successful Functional Medical Business, Attract Your Ideal Patients, Serve Your Community, and Get Paid What You're Worth The Motivation Molecule: The Biological Secrets To Eliminate Procrastination, Skyrocket Productivity, and Get Sh!t Done   Tweetables:   “I feel like things are put in our path to see if we're awake and see if we're paying attention and I think that can happen with your patients and with your process as a healer and as a business owner.” — Dr. Penney Stringer   “If you want to learn about something, request it from whoever is listening and see how long it takes to show up at your doorstep.” — Dr. Penney Stringer    “I did all this training so I can teach people how to eat and breathe, and touch nature? How is that possible? … That's what gets people better!” — Dr. Penney Stringer   “I would say if you want to do groups, start doing them. Don't wait for the perfect system; no one has the perfect system. Just start doing groups of five, six, or 10 people.” — Dr. Penney Stringer    “Generosity is reciprocal.” — Dr. Penney Stringer    Dr. Penney StringerIFM  

In this episode, Jesse and Andrew answer fishing-related questions submitted by podcast listeners. They discuss modifications to Jesse's flat back canoe, their favourite topwater baits, the benefits of guided fishing trips, and their preferred wake-up times for fishing. They also cover some tips for fishing in Algonquin Park, and their experiences being bitten by fish with teeth. Support the showWe appreciate your support in making this one of Ontario's fasting growing fishing podcasts! This show is ad free for your listening pleasure, but if you feel inclined to help us cover some of the cost incurred in producing this weekly show and be entered for all the monthly giveaways (some exclusions apply) please click the support show link

I just got home from Algonquin Park. I got the privilege to spend the past week tracking Wolves, Moose, Martens, Grouse, Flying Squirrels, and so many other creatures throughout the length of the park. We woke up at 6am every morning and were out by 7, scouting for new trails. When were were through with our day we came back to hit the books and share stories of all that we'd seen. It was magical, inspiring and motivating. Restful as much as exhausting. One animal I spent some time learning about over the week was the Pine Siskin (Spinus pinus), a small brown finch like bird edged in yellow who flew down on to the new snow, skipped, hopped and flew off again. The Pine Siskin was my focal species for the week. Sadly on our last day, two dead Pine Siskins were found on highway 60, hit by vehicles as they were on the road, consuming the de-icing salts. I got to hold the birds and take a closer look at their small amazing bodies in the sunlight pouring through the window at the wildlife research station. I measured their feet, admired their plumage, and wondered at how they could survive so long out there in the cold and snow. What were they eating to warm their fragile little bodies through the Winter nights? If they hadn't died on the road, where would they go to in the Spring? I decided on the way home I would do a little research and make the next show all about them. Here's to the Siskins and all they've taught and inspired in me. Sources used in this episode:Birds of Ontario by Andy Bezener. Lone Pine Publishing, 2000.Peterson Field Guide to North American Bird Nests by Casey McFarland, Matthew Monjello, and David Moskowitz. Houghton Mifflin Harcout, 2021.The Birder's Handbook by Paul Ehrlich, David S. Dobkin and Darryl Wheye. Simon & Shuster, 1988.

Episode 411 ~ January 4, 2024 Podcast Info / Topics Sean spent New Years up at Mew Lake in Algonquin Park and he brought his canoe just in case All the shows we love to attend are coming up soon, so it is time to plan your visits If you are into folktales, have you […]

Episode 411 ~ January 4, 2024 Podcast Info / Topics Sean spent New Years up at Mew Lake in Algonquin Park and he brought his canoe just in case All the shows we love to attend are coming up soon, so it is time to plan your visits If you are into folktales, have you […]

(Dec 13, 2023) Hiking 350 miles from the Adirondacks to Algonquin Park in the footsteps of a famous moose; after Monday's earthquake near Canton, one geologist encourages listeners to report what they felt (or didn't) to the US Geological Survey; Tupper Lake artist Brenda Baker collects clothes from local farmers for a 2024 art installation

(Dec 13, 2023) Last summer, a Canadian environmentalist hiked 350 miles from the Adirondacks to Algonquin Park in the footsteps of a famous moose who did the same. The story behind Alice the Moose, and why she matters for wildlife protection. Also: SUNY's chancellor is one of the highest paid education officials in the country.

In celebration of publishing our 100th podcast episode, we chose this conversation with Chris Kelly from Driftwood Paddle. He and his brother own and operate a backwoods trip guiding company in the north west section of Algonquin Park.Chris is the absolute embodiment of all the "good" of nature and being in it.Come listen to this amazing human being!https://www.instagram.com/driftwoodpaddlehttps://www.driftwoodpaddle.com/https://www.facebook.com/driftwoodpaddlealgonquin/https://www.tripadvisor.ca/Attraction_Review-g10714802-d18186527-Reviews-Driftwood_Paddle_Algonquin-Kawawaymog_Lake_Northeastern_Ontario_Ontario.htmlSupport the showCONNECT WITH US AT SUPER GOOD CAMPING:EMAIL: hi@supergoodcamping.comWEBSITE: www.supergoodcamping.comYOUTUBE: https://www.youtube.com/channel/UCqFDJbFJyJ5Y-NHhFseENsQINSTAGRAM: https://www.instagram.com/super_good_camping/TWITTER: https://twitter.com/SuperGoodCampinFACEBOOK GROUP: https://www.facebook.com/groups/SuperGoodCamping/ Support the show

Join us for a thought-provoking conversation with Laura Gilmour, the owner of Wild Muskoka Botanicals.Laura's journey, from the fields of her grandparents' farm to the landscape of Muskoka, has been a lifelong exploration of nature's bounty. Guided by an Italian mentor and her innate curiosity, Laura's love for wild plants blossomed into a fascination with their culinary and medicinal potential.With a foundation in Environmental Technology and years of hands-on experience in sustainable agriculture, herbalism, and permaculture design, Laura brings a wealth of knowledge to the table. Her internships on permaculture farms taught her not only about gardening but also about wild food harvesting, herbal medicine preparation, mushroom cultivation, and animal husbandry.Wild Muskoka Botanicals embodies a commitment to eco-conscious principles. Their artisanal wild foods and cocktail mixers are crafted from locally foraged ingredients, and the process is rooted in sustainability and ecological integrity. Based at the Wild Spirit Permaculture Homestead, on the western edge of Algonquin Park, this venture is all about rekindling our connection with the natural world and reimagining health and wellness through the integration of wild plants and traditional herbal remedies into our modern lives.Laura Gilmour shares her deep botanical knowledge, insights, and the inspiring journey that led her to create Wild Muskoka Botanicals. Wild Muskoka Botanicals Socials:Website: https://wildmuskoka.com/Instagram: https://www.instagram.com/wildmuskoka/YouTube: https://www.youtube.com/channel/UCqURkgSLKR5FhrEsNJMpGww?view_as=subscriberSupport the showMy Self Reliance YouTube Channel- https://youtube.com/@MySelfReliance?si=d4js0zGc5ogYvDtOShawn James Youtube Channel - https://www.youtube.com/channel/UC5L_M7BF5iait4FzEbwKCAgMerchandise - https://teespring.com/stores/my-self-reliance

Episode 393 ~ August 31, 2023 Podcast Info / Topics Derek an the family took a canoe trip into the northern part of Algonquin Park. Fun may, or may not, have been had by all. We love finding out our listeners heard something on an episode and went and checked it out for themselves. It […]

Episode 393 ~ August 31, 2023 Podcast Info / Topics Derek an the family took a canoe trip into the northern part of Algonquin Park. Fun may, or may not, have been had by all. We love finding out our listeners heard something on an episode and went and checked it out for themselves. It […]

Segment 2, August 12th, 2023 The Carolina Outdoors is going international with a call to Ontario.  Randy Mitson has enjoyed working, playing & being close to Algonquin Park.  This natural lake setting north of Toronto has some of the most fantastic scenery and canoe paddling opportunities. Whether it is a day trip or a multi-day trip. this is one of the best sightseeing places in the world. Mitson provides a peek into this wonderful nature world and offers advice on how we can enjoy it and what we can expect. Bill Bartee from Charlotte's Patagonia dealer, Jesse Brown's, leads the discussion.  Jesse Brown's has operated as sponsor of the Carolina Outdoors and has been a local, Charlotte outfitter for travel and outdoor things for the past 53 years.

Segment 1, August 12th, 2023 Bill Bartee & TJ Boggs bring you the Carolina Outdoors.  Powered by local Charlotte outfitter, Jesse Brown's, this week program covers local & international with Carrigan Farms in Mooresville, NC & Algonquin Park in Ontario, Canada.  

Segment 4, August 12th, 2023 Special thanks to our guests, Randy Mitson & Doug Carrigan, from Algonquin Park, Canada & Carrigan Farms, respectively, for joining us. Plus, note September events upcoming at the outdoor store in Charlotte, Jesse Brown's.  Storyteller Night at Jesse Brown's on September 21st at 6 p.m. & Wine, Women, & Waders on September 28th, at 6 p.m. The host of the Carolina Outdoors wore Blundstone boots from & a pair of Gold School Chinos from the Blundstone dealer in Charlotte, Jesse Brown's.

Episode 390 ~ August 10, 2023 Podcast Info / Topics Athena went on her first backcountry canoe trip in Algonquin Park and it went quite well A Roman ship and 3 canoes have be discovered in Serbia Putting paddling restrictions on a loch have had a positive impact on a local bird species The UK […]

Episode 390 ~ August 10, 2023 Podcast Info / Topics Athena went on her first backcountry canoe trip in Algonquin Park and it went quite well A Roman ship and 3 canoes have be discovered in Serbia Putting paddling restrictions on a loch have had a positive impact on a local bird species The UK […]

8/5/23 - Nate Smith is a paddler and outdoorsman from Muskoka, Canada who loves canoes and the places they take us. Follow him on Instagram and youtube @natemuskoka. We talk paddling, Fishell and Kettlewell Canoe Paddles, why the wilderness calls to us, Muskoka Canada, Algonquin Park, a boat is freedom, Jim Baird, Ted Baird, @AlexisOutdoors, finding portage routes from old hand drawn maps, @PineMartin Youtuber, Peace of mind from living near water, Snow in Yosemite National Park, Lake Trout, Brook Trout, the challenge and ever learning process of fishing, finding the right camping gear for you, mummy sleeping bags suck, canoeing vs backpacking, Boundary Waters Canoe Area and more. Subscribe now for more stories of adventureGuided Canoe Trips & more @ www.buffaloroamer.comFollow Will @Buffalo_RoamerBrought to you by:Fishell Paddles - Makers of Fine, Handcrafted Wooden Canoe PaddlesTry a Fishell paddle and FEEL the difference. Each paddle is handmade by Greg Fishell at his shop in Flagstaff, Arizona. Will uses a Ray Special model, and outfits all of his trips with Fishell Paddles as well. Use code WILL at checkout for a free paddle hanger w/ purchase of new paddle!SREgear.comFamily Owned & Operated Outdoor Gear Shop in Black River Falls, Wisconsin. Great gear, great prices, unbeatable customer service. Use code WILL at checkout for 10% off your first order. Interested in advertising or partnering with Buffalo Roamer Outdoors? Contact Will here: buffaloroamer.com/contactThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4764707/advertisement

Picture it, the turn of the millennium, and the dawn of the online music revolution. jD just shelled out his last few dollars on The Tragically Hip's seventh studio record, Music at Work, unaware that it would mark the end of an era for him - his final first-day purchase. From there we take a deep dive into the album's reception, its relevance today, and the debate if it was a step out of The Hip's comfort zone.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today! https://bit.ly/GHTTHTicketsTranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weir

Episode 384 ~ June 29, 2023 Podcast Info / Topics Sean and Derek went on a 9 day canoe trip in Algonquin Park and had quite the adventure. Long portages, great scenery, fishing and wildlife.

Episode 384 ~ June 29, 2023 Podcast Info / Topics Sean and Derek went on a 9 day canoe trip in Algonquin Park and had quite the adventure. Long portages, great scenery, fishing and wildlife.

Over 20 years ago Tanya and her husband, Hank, quit their jobs and left their home to move to Ontario's wilderness with their beloved huskies to start a business, family and lifestyle. They now welcome over 3000 guests from around the world every winter to experience dogsledding on their 2000 acres of wilderness bordering Algonquin Park. Hank & their huskies have competed in 6 – 1000 mile races in Alaska & the Yukon and they have written 2 books from these races - the latest an international best seller. Tanya shares stories and lessons around leadership, teamwork, overcoming adversity and building a business to international audiences. They and their huskies have been featured in countless commercials, movies, TV shows and major media from CNN, New York Times, Rick Mercer Report, Canada AM, Toronto Star to name a few. They share their lives with their 4 children, 3 cats and large husky family.To find out more about Tanya and Winterdance please use the following links:Website: http://www.tanyamccready.comWinterdance: https://www.winterdance.com/Instagram: https://www.instagram.com/winterdancedogsledtours/FB: https://www.facebook.com/page/137784467394/search/?q=angeloTanya has also given Free access to her book Iditarod Dreamer Here is the link to download your copywww.leaddogsecrets.com/iditarod-dreamer-freeHello, I'm Vanessa, the host of Women In Confidence. Welcome and thanks for listening. I designed this podcast to appeal to working women who want to understand what confidence is, what you can do to build (or rebuild) your confidence and then maintain it. I interview amazing women who have genuine stories to tell about their journey through life and how they manage the ups and downs of life. My vision is for my listeners to try something that has worked for my guests and if it changes their lives then I feel that the podcast has been a positive contribution to the world.If you enjoyed this episode or any of the Women In Confidence episodes, please like, rate, review and share widely so that more fabulous women can find us. Also check out my Instagram and TikTok pages for more content and confidence boosting inspiration. You can also tip the Women In Confidence podcast using the following link https://womeninconfidence.captivate.fm/support. Anyone who tips, gets a shout out on the show.I hope 2023 has going well for you - wow time is flying so quickly. My ambition for Women In Confidence, this year, is to reach some record download numbers per episode and to find a sponsor. Let me know what you are hoping to achieve in 2023.Vanessa xxp.s. If you really want to appear on podcasts because you have a product or service to sell, you have a message you want to the world to hear, you might have a book being published or a course going live. Whatever you want to achieve my business Boom Podcast Agency can help you get on the right podcasts for your audience. Get in touch today.

Episode 377 ~ May 11, 2023 Podcast Info / Topics Paddling Adventures Radio now has it’s own Official Canoe Dog Algonquin Park is getting some funding to improve infrastructure Old growth trees have been found in Algonquin Park ranging from 250 – 427 years old Some National Parks in the United States are starting timed […]

Episode 377 ~ May 11, 2023 Podcast Info / Topics Paddling Adventures Radio now has it’s own Official Canoe Dog Algonquin Park is getting some funding to improve infrastructure Old growth trees have been found in Algonquin Park ranging from 250 – 427 years old Some National Parks in the United States are starting timed […]

In mokuhanga, nature plays a large part in the process. Using wood, water, natural paper, and even natural pigments can bring you closer to the natural world, closer to the root of all things. From that natural process, many mokuhanga artists will use nature as a subject in their work. By portraying the mountains, forests, rivers and lakes, these subjects manifest the world from a different perspective on paper.  On this episode of the Unfinished Print, I speak with Michigan-based mokuhanga printmaker Mary Brodbeck. Her work delves deeply into the natural world and colours of Michigan. Mary speaks on her mokuhanga process, colours, and technique, learning by watching, her early experiences with Japan, and the nature of the creative process. We also discuss the exhibition In Kalamazoo, Michigan, Cross Currents: East/West, with her teacher Yoshisuke Funasaka.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Mary Brodbeck  - website, Instagram, Facebook Becoming Made Documentary - is a documentary produced by Mary Brodbeck. It is a document about mokuhanga, its practitioners, and those associated with the art form. You can find the documentary here.  Cross Currents East/West - is an exhibition held in Kalamazoo, Michigan. It is an exhibition showcasing the works of Japanese mokuhanga and serigrapher Yoshisuke Funasaka and his student Mary Brodbeck. Both artists are exhibiting various works. The exhibit runs from May 12-July 28th, 2023. You can find more information regarding the exhibition here.  Western Michigan University - is a public research university based in Kalamazoo, Michigan, USA. and was established in 1903. You can find more information here. Yoshisuke Funasaka - is an award-winning mokuhanga and serigrapher based in Tōkyō, Japan. You can find a fine biography about Funasaka here at asianartscollectoion.com. Black Night Ginza (1991) 24 4/5" x 17 3/4" Ox-Bow School of Art - was founded in 1910 and is associated with the School of the Art Insitute of Chicago (SAIC). It is a nonprofit artist's residency located in Saugatuck, Michigan. You can find information here.  sumi - is a rich black stick or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. Sumi is made from the soot of burnt lamp oil. Sumi is used predominantly in key blocks in traditional mokuhanga and to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.  Daniel Smith Pigments - is a company which makes various types of paints, pigments, and mediums. It was started by Dan Smith in 1976. More info can be found, here.  shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Fuji-san From Yamazaka (1931) by Hiroshi Yoshida shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.   vellum - is a plant-based, translucent and opaque paper constructed with cellulose. Used as tracing paper and has multiple uses. You can find more information about vellum and its uses here.   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. You can find my interview with The Unfinished Print can be found here.  Richard Steiner - is a mokuhanga printmaker, author and teacher based in Kyōto, Japan. He is originally from Michigan and moved to Japan over fifty years ago. Richard prints many different subjects and themes. You can find his interview with The Unfinished Print here.  floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block, blotting and immaculate borders are positives of this registration method. It is an "L" shape.  Mark Nepo - is a poet and philosopher who lives and works in Kalamazoo, Michigan. He has written many books on spirituality and manifesting a wonderful positive life. You can find more information on his website here.  Michigan, USA -  originally inhabited by various indigenous cultures and tribes such as early Hopewell Culture, Ojibwe, and Iroquois. European settlers settled in the early 17th century. Michigan, located in the Midwestern region of the United States, has a rich and varied history.  The French ceded Michigan to the British in 1763 following the French and Indian War, and it became part of the United States after the American Revolution. Michigan became a state in 1837, and its early years were marked by rapid industrialization and growth. The state became a hub for lumber production, mining, and manufacturing, particularly in the automotive industry. In the early 20th century, entrepreneurs such as Henry Ford and Ransom Olds revolutionized the automotive industry, and Detroit became known as the "Motor City." The state also played a prominent role in the Civil Rights Movement, with figures such as Rosa Parks and the Rev. Martin Luther King Jr. making essential contributions. In recent decades, Michigan has faced economic challenges, particularly in the wake of the automotive industry's decline. However, the state remains a necessary research, manufacturing, and innovation center. It is home to major universities and research institutions such as the University of Michigan and Michigan State University. You can find more information about Michigan at Michigan.org.    Lawren Harris (1885-1970) - was a member of the Canadian group of painters, The Group Of Seven. He lived in the United States (New Hampshire and New Mexico), ultimately returning to Canada in 1940. He painted the Canadian landscape predominantly in Ontario in Algonquin Park and Algoma.      Greenland Mountains (ca. 1930) oil on canvas 107.4 x 128.4 cm   The Group of Seven - was a group of landscape painters from Canada. The artists were Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson 1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917) and Emily Carr (1871–1945) were not "official" members, they are considered to be a part of the group because of their relationships with members. More info can be found here. A fine article on the CBC by Cree writer Matteo Cimellaro discusses The Group of Seven's role in Canadian nationalism and the exclusion of First Nation's voices in their work. You can find this article here.      Tom Thomson - Round Lake, Mud Bay (1915) oil on wood 21.5 x 26.8   Algoma - is a geographical district in the Northeastern Canadian province of Ontario. Algoma runs on the Lakes Superior and Huron. It has famously been represented in art by The Group of Seven. You can find more information about Algoma here.    © Popular Wheat Productions opening and closing musical credit - Get On The Good Foot - Pt. 1 & 2 by James Brown. From the record Get On The Good Foot (1972) Polydor.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Your two favorite cryptid monsters are back with these terrifying new sightings. Follow and review Tales from the Break Room on Spotify and Apple Podcasts! https://pod.link/1621075170 Join EERIECAST PLUS to unlock ad-free episodes and support this show! (Will still contain some host-read sponsorships) https://www.eeriecast.com/plus SCARY STORIES TIMESTAMPS 0:00 INTRO 0:48 Deer Don't Hunt Horses from BoulderEquestrian9914 7:30 Encounter with a Creature in Algonquin Park from Anonymous 14:01 Something Wore My Grandma's Skin from Maple 17:15 There's Something Like a Skinwalker in Finland from Capitan_Stark 23:13 Skinwalker at Scout Hall from NGfoxy666 28:09 The Hunt for Entities from Daniel_7se 34:10 My Dad Saw a Skinwalker from Silver Bullet54 37:42 Those Are Not My Friends from EdoCustom 47:21 Hunted from Country rebel  CREDITS: Background Music for Stories by CO.AG https://www.youtube.com/@co.agmusic1823 LINKS:  Join my DISCORD: https://discord.gg/5Wj9RqTR3w Follow us on Spotify! https://open.spotify.com/show/3mNZyXkaJPLwUwcjkz6Pv2 Follow and Review us on iTunes! https://podcasts.apple.com/us/podcast/darkness-prevails-podcast-true-horror-stories/id1152248491   Submit Your Story Here: https://www.darkstories.org/ Get Darkness Prevails Podcast Merchandise! https://teespring.com/stores/darknessprevails Subscribe on YouTube for More Stories! https://www.youtube.com/channel/UCh_VbMnoL4nuxX_3HYanJbA?sub_confirmation=1 Learn more about your ad choices. Visit podcastchoices.com/adchoices

On July 8, 1918, artist and avid outdoorsman Tom Thomson took his boat onto Canoe Lake in Algonquin Park, Ontario, to go fishing. His body was found floating in the lake three days later. Other community members saw his boat overturned but waited days to report it. Was his death a tragic accident, or did something more sinister happen? Learn more about your ad choices. Visit podcastchoices.com/adchoices