Podcast appearances and mentions of Stanley Jordan

Today's episode features Dr. Stanley Jordan, as he discusses recent advances in desensitization therapies and exciting new approaches coming soon.

Before Stanley Jordan was a household name he was getting his career started with Madison, Wisconsin as his homebase. The young player made routine trips up to the Twin Cities and he credits the Twin Cities as the first major metro area where he built up a fanbase. Even though Jordan can now command a crowd in every corner of the planet he's quick to come back to the Twin Cities, specifically the Dakota. He's holding court there on Thursday and he took the time to chat with Sean McPherson about his love of the Twin Cities, his approach to playing solo and his celebrated and unorthodox guitar technique.

Before Stanley Jordan was a household name he was getting his career started with Madison, Wisconsin as his homebase. The young player made routine trips up to the Twin Cities and he credits the Twin Cities as the first major metro area where he built up a fanbase. Even though Jordan can now command a crowd in every corner of the planet he's quick to come back to the Twin Cities, specifically the Dakota. He's holding court there on Thursday and he took the time to chat with Sean McPherson about his love of the Twin Cities, his approach to playing solo and his celebrated and unorthodox guitar technique.

In this very special episode of Tales from the Green Room - recorded backstage at Terrapin Crossroads' Sunday Daydream Vol. 3 in San Rafael, CA on July 21, 2024, on what turned out to be the late Phil Lesh's final performance -  hosts Dennis Strazulo and Tami Larson sit down with legendary musician Stanley Jordan, Greg Loiacono (Greg Loiacano and Stingray, Mother Hips, and Jerry Saracini (Forgotten Space) all who shared the stage with Phil that day.  The conversation is steeped in rich history and bittersweet emotions as the musicians reflect on their personal journeys, the profound impact of Terrapin Crossroads and the teachings of Phil Lesh From Stanley Jordan's innovative "touch technique" to Greg Loiacono's stories of community and camaraderie with The Mother Hips, and Jerry Saracini's perspective on channeling energy through music, this episode celebrates the intersection of creativity, tradition, and transformation. The artists share deeply personal insights, explore the healing power of music, and pay homage to Phil Lesh's monumental contributions to the music world and their careers.Photo Gallery from Sunday Daydream Vol. 3 by Gabriel David BarkinTales of The Mekong Delta Bluesman by Son VoEpisode Highlights:Stanley Jordan: Shares his unique approach to guitar through his touch technique, blending influences from piano and jazz. Stanley delves into his role in Grateful Dead tributes and reveals exciting details about his upcoming album, Feather in the Wind. Deborah Barsotti, Educator and Music Therapist, joins the conversation to discuss her collaboration with Stanley supporting the mission of MusicOne empowering youth to grow and thrive and enabling mindfulness through music and performance.Greg Loiacono: Reflects on his journey with The Mother Hips, his discovery of the Grateful Dead songbook, and the serendipitous connections that led him to Terrapin Crossroads.Jerry Saracini: Discusses his passion for drumming, improvisation, and connecting with audiences. Jerry opens up about the distinct dynamics of playing Grateful Dead music and leading his band, Forgotten Space.Phil Lesh's Legacy: The trio honors Phil Lesh's vision for preserving the Grateful Dead's legacy and passing it on to new generations through family, community, and musical tradition.The Healing Power of Music: A deep dive into how music brings people together, builds communities, and creates a sense of belonging, with insights from Deborah Barsotti's work in music therapy and Stanley's reflections on cosmic energy.https://www.musicone.org/ - Deb Barsotti - Learn about this impactful organization fostering youth creativity through music educationQuotes from the Episode:"Today I made a special point of listening in particular to Phil and making sure the lines I was playing were compatible with Phil.”  - Stanley JordanI put American Beauty in my cassette player and when I heard Box of Rain for the first time “I started weeping, I started crying, and I had this very emotional experience.”" – Greg Loiacono“I feel like one of the lucky ones who lived in another city and yet somehow got wired into the rotation" of Terrapin Crossroads – "it felt like a home away from home.” - Jerry SaraciniListen Now:

Join me as I sit down with the legendary guitarist Stanley Jordan in this captivating episode. We reminisce about our first meeting and the unforgettable moment when Stanley played my favourite song, "Angel." Stanley shares his unique perspective on music as an applied philosophy, a way of understanding the world that transcends mere entertainment. We delve into the profound connection humans have with music, exploring its therapeutic potential and its role in significant life events. Stanley also discusses his innovative work in sonification, translating scientific data into musical sound, and his creation of a periodic table of music. We touch on his iconic contribution to the Macintosh chime and his deep appreciation for the Grateful Dead's musical legacy. Stanley's passion for integrating music with science and education shines through, offering a glimpse into his future projects and his vision for a more musically connected world.

Kris Myers was born on April 5, 1977. Receiving a drum kit at the age of 8, he took an early interest in jazz, rock and punk music. During high school Myers co-started his first musical outfit, a ska/punk band called the Skalawags. The group received a decent amount of success but denied an offer to tour Japan to instead pursue college degrees. Myers attended Elmhurst College from 1995 – 1999 where he was a music major and the drummer in the Elmhurst College Jazz Band. Under director Doug Beach, the Elmhurst College Jazz Band played gigs in the U.S. and Internationally at events such as the Umbria Jazz Festival, Jakarta Jazz Festival and the Montreaux Jazz Festival. In 2001 Myers enrolled in DePaul University where he earned his master's degree in jazz drumming and was a member of the Rob Parton Orchestra.  In addition to his involvement in school bands, Myers was playing in festivals with a variety of jazz artists such as Nicholas Payton, Diane Schuur, Randy Brecker, Dennis DiBlasio as well as local musicians Mark Colby and John McLean.  Myers also was a member of Chicago jazz fusion band Kick the Cat.  Myers began playing drums for progressive-rock band Umphrey's McGee in 2003 following the departure of original drummer Mike Mirro. With Myers at the helm, Umphrey's has released ten albums and maintains a rigorous touring schedule of over 100 live shows per year.  Umphrey's has performed at legendary festivals and venues such as Bonnaroo, Lollapalooza, Austin City Limits, Fuji Rock Festival, South by Southwest, Red Rocks, The Ryman Theatre, The Beacon Theatre and more. With Umphrey's, Myers has shared the stage with countless notable musicians such as Buddy Guy, Huey Lewis, Ivan Neville, Les Claypool, Stephen Perkins, Mike Keneally, Joshua Redman, Bela Fleck, Taj Mahal, Victor Wooten, Adrian Belew, Stanley Jordan, Gene Ween, Derek Trucks and Jason Bonham. In 2011 Myers was honored with the title of Best Jam Band Drummer by DRUM Magazine, beating jamband stalwarts such as Butch Trucks (The Allman Brothers) and Jon Fishman (Phish). In 2018, Myers was featured on the cover of Modern Drummer's July issue. Myers placed second in the Experimental Rock category of the publication's “Readers Poll Awards” behind St. Vincent drummer Matt Johnson. When he's not behind the drum kit, Myers enjoys playing golf, attending concerts, hiking and collecting art.    Some Things That Came Up:  -2:30 Kris's multi genre style  -3:00 Rabid fans  -4:45 The Umphrey's McGee audition turned into a 21 year gig and counting -6:30 Kris's previous band was Kick The Cat  -11:00 Maintaining a list of all the venues the band has played  -11:30 Red Rocks is fave venue as well as The Fox Theater in Oakland and The Ryman in Nashville -14:00 Vic Salazar !!! The ambassador of the drum community -16:40 The rider!  The love of milk chocolate!  -18:00 Stretching, fitness center, yoga -19:40 The documentary “Frame By Frame” -21:20 The Grateful Dead's Mickey Hart.. “most impressive” -23:40 The cover of Modern Drummer magazine in 2018!  -24:30 Dauz pads! Used by Rush and Nine Inch Nails  -26:45 Writing material together as a band  -27:40 Producer Greg Majors and Manny Sanchez -30:30 Different sets every night. Choosing from 14 studio albums. Responsible for all songs at all times  -35:40 collaboration with Huey Lewis. Met at The Jammy Awards in 2006. -43:00 Kris loves practicing impressions  -44:30 Stewart Copeland, Buddy Rich, Vinnie Colaiuta, Keith Carlock, Steve Gadd 49:50 The art of mashups, inspired by DJ culture  -50:15 Kris songs background vocals while playing insane music  -52:00 Rotator Cuff repair surgery. 6 month rehab, but ready after 4 months  -54:00 Local gigs and charity work  -54:50 Getting to do the “Boom Smack” -55:50 “David's Den” for mental health  -56:15 Wedding preparation  -57:20 “The Fave 5”   Follow: www.umphreys.com www.krismyersdrums.com  FB: @krismyers IG: @krismyersdrums YouTube: @krismyersdrums   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Send us a Text Message.Become a "Spinner" and support Full Spirals in an ongoing way,  for as little as $1/MONTH.Or  Support the show with a one time Donation to help cover production costs.Full Spirals theme song composer, and recording artist--HELEN AVAKIAN!An Award-winning songstress and International Fingerstyle Champion Helen Avakian has moved audiences for decades with her haunting voice and versatile guitar playing.Speaking with Helen and hearing her incredible stories—was so enriching that we spent a lot of time just sort of talking and meandering through her life–which by the way is punctuated with these FANTASTIC Full Spiral moments!Lauded a number one “Favorite Acoustic Act” four times by Rhythm and News magazine and winner of eight first prizes from the NewSongs Contest, she has performed on PBS radio and television, on stage with Peter Yarrow (of Peter, Paul, and Mary), and as an opener for luminaries ranging from Stanley Jordan, Mary Chapin Carpenter, Imuh-gen Heep to the New York Philharmonic. I left our time together SO inspired and reminded of the importance of supportive mentors and taking chances in this life! (Like when Helen met and jammed with founder and lead guitarist of Fanny, June Millington!)My  wish for you is for you to listen to Helen with the same childlike wonder with which Helen sees the world and seems to approach her whole life.   In JOY!PBS Documentary LINK:“Fanny: The Right to Rock”, PBShttps://www.pbs.org/show/fanny-right-rock/Support the Show.

Phish Tour Kicks Off: Anticipation and Reflections from the RoadLarry Mishkin is excited about the ongoing summer tour of the band Phish, particularly looking forward to their upcoming shows at Alpine Valley and St. Louis. He reflects on a Grateful Dead concert from July 22, 1984, at Ventura County Fairgrounds, sharing personal memories of attending shows in 1984, which was a significant year for him. He discusses the song "Loser" by Jerry Garcia, noting its Americana themes and its history with the Grateful Dead. He praises Garcia's performance at the 1984 show and the song's growling vocals and guitar work.Larry also talks about the song "Day Job," highlighting its unique history with the Grateful Dead as a song fans petitioned to be dropped from their setlists. He reflects on why the song wasn't popular among fans, comparing it to another song, "Liberty," which he personally didn't favor. Despite this, he appreciates the version performed at the Ventura show for its energy and Jerry's engagement.In the music world segment, the he provides updates on Phish's summer tour, sharing setlists from recent shows in Mansfield, Massachusetts. He expresses excitement about attending multiple shows and describes how his appreciation for Phish has grown, comparing it to his experience with the Grateful Dead. He anticipates hearing specific songs and is eager to connect with fellow fans.The show also features a segment on Stanley Jordan, a musician known for his unique guitar style. Jordan shares his journey to creating a project called Stanley Plays the Dead, a tribute to the Grateful Dead. He recounts meeting Phil Lesh and performing with him, which inspired his current project. Jordan's distinctive two-hand tapping technique on guitar is highlighted, along with his diverse musical collaborations over the years.    Grateful DeadJuly 22, 1084 (40 years ago)Ventura County FairgroundsVentura, CAThe Grateful Dead Live at Ventura County Fairgrounds on 1984-07-22 : Free Borrow & Streaming : Internet Archive _____________________________________________INCOMPLETE BUT IT HAS ALL THE MUSIC CLIPSCAN WE TAPE TOMORROW AT 10 A.M. MY TIME?Let me know. Thank you______________________________________Fake Intro for my nephew, Ben Mishkin's 11th birthday, I will just introduce it as “my podcast”, play the clip and wish him a happy birthday, then we cut back to our normal intro tune and I do a regular introduction.  What do you think? Bennie and the Jets - Elton John - Live in London 1974 HD (youtube.com)0:08 – 1:18 "Bennie and the Jets" (also titled "Benny & the Jets") is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John.[3] The song first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during his appearance at Live Aid.The track was a massive hit in the United States and Canada, released in 1974 as an A-side using the spelling "Bennie". In most territories the track was released as the B-side to "Candle in the Wind", using the spelling "Benny". Album artwork (back-cover track listing and center-panel design) consistently lists the song as "Bennie" while either "Bennie" or "Benny" appears on the vinyl album depending on territory. The track was released as an A-side in the UK in 1976, as "Benny and the Jets".It is ranked number 371 on Rolling Stone's list of The 500 Greatest Songs of All Time.Happy Birthday to my nephew Ben who turns 11 today while at summer camp in the Poconos.  Great time to be alive.  There with his big sister Lily and lots of good friends while his younger brother Nate has the run of the house!  Have a great day big guy. And now, back to our regularly scheduled show: Normal house intro music   Great show today from one of the Deadhead's favorite venues, Ventura County Fairgrounds.  Basically on the car racing track and demo derby.  View is of the beach and ocean.  Shows start in the afternoon, 2 or 3, so no real light show except mother nature and if you are lucky, a beautiful sunset just as the show ends or shortly thereafter.  Location of my first show ever and the only time I saw the boys there. This show is two summers later and finds the Boys cranking along in 1984, a big year for me in terms of shows that included a big chunk of Spring tour, Red Rocks, my first summer tour experience, first Alpine, and first New Years shows. Still found time to graduate from Michigan and start law school. INTRO:                                 Loser                                                Track #4                                                2:40 – 4:20 The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes.Appearing, as it does, on Garcia (Jan, 1972), the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.”The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.”(It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.)The version at this show is one of the best I've ever heard.  Garcia's voice is growling, his guitar playing spot on, energy bursting out of him.  1984 was a great year for the Dead and this show, and this tune, really epitomize all of it.  Almost always a first set tune, usually first part of the set, traded off with Candyman, Must Have Been The Roses, and other first set Jerry ballads.Played: 353 timesFirst:   February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:   June 28, 1995 at the Palace at Auburn Hills, MI (Detroit)  SHOW No. 1:                    Day Job                                                Track #8                                                1:00 – 2:39 Garcia/Hunter “new tune” Never released on any studio recording, appears on Dick's Picks #6, Hartford Civic Center Oct. 14, 1983 in case you've never heard it.  It's claim to fame, per Robert Hunter himself, is that “this song was dropped from the Grateful Dead repertoire at the request of the fans.  Seriously.” I heard it a few times.  Not my favorite, but good when Jerry was sharp and rocking like this version. Really one of the best. Played:  133First:  August 28, 1982 at Oregon Country Fair Site, Veneta, OR, USALast:  April 4, 1986 at Hartford Civic Center, Hartford, CT, USA  SHOW No. 2:                    I Just Want To Make Love To You                                                Track #11                                                1:27 – 3:10 "I Just Want to Make Love to You" is a blues song written by Willie Dixon. In 1954, it was recorded by Muddy Waters,[2] and released as a single with the title "Just Make Love to Me". The song reached number four on Billboard magazine's R&B Best Sellers chart.[3]Backing Waters on vocals are Little Walter on harmonica, Jimmy Rogers on guitar, Otis Spann on piano, Willie Dixon on bass, and Fred Below on drums.[1] Waters recorded the song again for the album Electric Mud (1968).The Rolling Stones covered the song on their 1964 debut album The Rolling Stones. In 1972, British blues rock group Foghat recorded a studio version for their self-titled debut album in 1972. The song was also released as a single and it became their first single to reach the charts, appearing at No. 83 on the Billboard Hot 100[9] and No. 31 in Australia.[10] An eight-minute version from a 1977 concert performance is included on Foghat Live. It was edited down to 3:56 release as a single, which reached number 33 on the Billboard Hot 100[9] and No. 28 on the RPM Top Singles chart in Canada.  I heard this on Foghat Live and thought it was a Foghat song.  Could not believe when I heard the Dead had played it! Dead played it 4 times:  Pig in ‘66                                                Brent in ‘84                                                Jerry in ‘95 Times:  4First:  November 29, 1966 at The Matrix, San Francisco, CA, USALast: February 21, 1995 at Delta Center, Salt Lake City, UT, USA  SHOW No. 3:                    Drums                                                Track #14                                                7;00 – end                                                 INTO                                                 Space                                                Track #15                                                0:00 - :36                                                 SHOW No. 4:                    Space                                                Track #15                                                10:59 – end                                                 INTO                                                 Morning Dew                                                Track #16                                                0:00 – 1:28   Birthdays:                 Benny                John Gross                OUTRO:                               Midnight Hour                                                Track #19                                                1:42 – 3:27 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Pe 26 mai, Teodora Brody, prima artistă care a dat voce Rapsodiilor compuse de George Enescu, revine la București cu un concert memorabil! "Unifying World", un eveniment muzical în care muzica clasică întâlneşte jazz-ul. Despre concertul de la Bucureşti, care dă startul unui turneu în Statele Unite, vorbim astăzi în RFI360 cu Teodora Brody.  În 2023, Teodora Brody lansa albumul  'Rhapsody', înregistrat cu London Symphony Orchestra, sub bagheta lui Robert Ziegler. 'Rhapsody' aducea împreună prelucrări vocale în premieră după teme celebre din muzica clasică. Un album ce pornește de la Rapsodia nr.1 a lui George Enescu. ” Teodora Brody a profitat de șansa de a face o mișcare evolutivă în viitorul muzicii. Imaginația și curajul ei sunt admirabile”, au scris americanii de la faimoasă revistă Fanfare, iar spaniolii de la Ritmo au subliniat: ”Cu Bartók și dansurile sale românești, românca este în elementul ei, devenind un punct de întâlnire între trei forțe copleșitoare ale naturii: Bartók, jazzul și Teodora Brody.” Născută în România, în prezent stabilită în Elveția, Teodora Brody s-a pregătit inițial în jazzul clasic și a devenit cunoscută la sfârșitul anilor 1990 și începutul anilor 2000, cântând alături de legendarul pianist de jazz Johnny Răducanu. Teodora a fost pionieră în fuziunea jazzului cu Doina – creație lirică specifică poporului român – și este larg recunoscută pentru introducerea publicului internațional în lumea unică a acestui gen muzical, profund emoționant și personal. Căutând teritorii muzicale de explorat, Teodora a interpretat alături de muzicieni precum Stanley Jordan, Theodosii Spassov, Lars Danielsson, Johnny Răducanu, Les Paul, Curtis Fuller, Eric Legnini, Phillippe Duchemin, Guido Manusardi, Benny Rietveld, Daniele di Bonaventura, Ion Baciu și Al Copley. Pe scena mondială, Teodora a apărut în mod regulat la prestigioase festivaluri europene de jazz, inclusiv Montreux, Lugano și Marciac, iar peste Atlantic a cântat la Biblioteca Congresului din SUA și la Galeria de Artă Corcoran, precum și la cluburi legendare cum ar fi Iridium New York și Blues Alley din Washington D.C.Cu proiecte unice precum „Unifying Worlds”, „From Classical to Jazz” și „Classical Emotion”, Teodora a explorat repertoriul clasic cu o abordare complet nouă, creând și interpratând versiuni vocale originale ale unora dintre capodoperele create de Bach, Beethoven, Enescu, Pachelbel, Vivaldi, Bartók, Pablo Casals.Duminică 26 mai, Teodora Brody prezintă concertul "Unifying World", la București, la Sala Luceafărul.

Minter Dialogue with Greg Koerner Greg Koerner, a friend and fellow Fiji from my days at Colgate, is a seasoned and practical lawyer in New York who handles a diverse variety of complex civil litigation and other legal matters for clients of all sizes and levels of sophistication. But more importantly, for this episode, he's spent a lifetime playing Grateful Dead music, including DSO and Unlimited Devotion. He's toured with music titans, Vince Welnick, the Dead's last keyboardist, Charles Neville, Henry Butler and The Band's Garth Hudson. And next with the legend, Stanley Jordan. He also started his own project, Gent Treadly and The Joint Chiefs. We discuss his career, what playing the Dead has taught him and brought to him, some fun stories as well as his favourite and most meaningful songs. If you've got comments or questions you'd like to see answered, send your email or audio file to nminterdial@gmail.com; or you can find the show notes and comment on minterdial.com. If you liked the podcast, please take a moment to go over to Apple Podcasts or your favourite podcast channel, to rate/review the show. Otherwise, you can find me @mdial on Twitter.

JD, Steve, Hunter and David rate listener suggestions on the Yachtski Scale, including tracks by Bobby Caldwell, Stanley Jordan, and the Alan Parsons Project.

We got to sit down with Stanley Jordan about his latest project Stanley Plays The Dead. Including how he got into the Dead, playing with Phil Lesh, choosing songs, the all star band he assembled for the project (KENWOOD DENNARD, GREG KOERNER, JESSE HIATT), and we got a little metaphysical More: Eyes Of The World: https://www.youtube.com/watch?v=lLl8EUqlHXE&t=0s  Tickets: https://www.instantseats.com/index.cfm?fuseaction=home.venue&venueid=3 @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran

Transcript included below…In the Timothy Dalton James Bond film The Living Daylights, Bond is traveling quickly through Europe with Kara, a cellist who plays a Stradivarius.  She absolutely cannot part with her instrument, even though it's slowing them both down as they elude their pursuers.In a moment of frustration, Bond asks, “Why didn't you learn the violin?”There are some big instruments out there, and the cello is one of them.  Another is the electronic keyboard.I've had conversations with people who play 88-key full-sized electronic keyboards.  One of their biggest complaints is how heavy their instruments are to transport.The two aforementioned instruments aren't even among the biggest instruments out there.  Some need to be brought in on wheels like marimbas, tympani or harps.  Others are so big that they need to be permanently located in a church or cathedral, like an organ.But the guitar?  Ah…what a delightfully portable instrument.  I've taken my guitar to many places, and some of them have turned out to be just a little bit unique.Today's episode is mostly intended to be informative and hopefully interesting, with some stories from my travels.  I'll share just a handful of places I've played my guitar that are out of the ordinary.  I've got 12 locations to share with you.  Here we go. I'll start with some watercraft.1.       The bow of a fishing boatMy father and I have enjoyed many deep-sea fishing trips up the coasts of Washington and British Columbia. One fishing trip was long enough that it made sense for me to bring my guitar for some diligent practice.  So, I'd sit or recline in the bow of the boat, working on my chord fingerings and scales.  I'm glad I brought it with me, because I made progress.2.       A Ferry BoatNear where I live, in the Puget Sound, we often take a ferry over to see relatives.  After returning from a guitar seminar with Pierre Bensusan in France, I wanted to show my relatives what I had learned, so I took my guitar on the ferry.While I was on the ferry, I decided to uncase my guitar and play a little.  It wasn't long before a roving mandolin player showed up where I was seated, and we jammed for a moment. 3.       A RaftWhen I was courting my wife, one day I made a picnic for the two of us, and drove us up to a mountain lake.  I had packed an inflatable Zodiac raft, and in addition to the food items, I had brought a guitar.  I enjoyed playing some songs for her out on the lake.  You don't typically see a guitar in a raft on a lake, but there it was.Ok, now that I've talked about watercraft, let's come back onto land.4.       A DockI've had the opportunity to spend time with friends at a lake, and to be able to enjoy music while “sittin' on the dock of the bay.”  Yeah, you know what I mean.  There's something restful about sitting and enjoying some guitar, along with the gentle lapping of the waves.  Playing the guitar anywhere near water, especially near a bonfire on a beach, can be very soothing.So now that we're back on land, here are a few instances of where my guitar was with me in transit with wheels spinning beneath me.5.       A Chevy VanOn a trip to Montana for some river fly fishing (also with my Dad), I brought my guitar.  Interstate 90 East was relatively straight most of the way, so I sat in the back seat of the van with my seatbelt on, working through rudiments and exercises on my guitar.  Again, I was redeeming the time.I ended up writing some really good music on that trip.  Having the guitar nearby was such a blessing during those long hours of travel.  And of course, I took time to connect with my father as well.6.       A BusOn a mission trip to Mexico, a youth group I was in volunteer leadership for decided not to fly, but instead to take a bus.  It took longer, but saved some money.  I went as a translator, and I had my guitar for the optional worship leading opportunities in the villages where we visited for Vacation Bible School.I also got to have the opportunity to play it for the base camp gatherings, sharing songs in front of probably two thousand people who had gathered for the evening sessions.  It was really cool.I remember traveling to Mexico, on the way south via Interstate 5.  That highway is also rather straight most of the way.  I sat towards the back of the bus with my guitar, learning some very technical fingerstyle guitar music by Alex DeGrassi. One song in particular was the song “Window” in the tuning of ECEGCD – with a lot of very fast sixteenth notes.  I took it slow and learned to play it.  It was a good use of the time…even thought I was a little self-conscious with the youth kids listening in.  I got over it, and I got better.7.       An Impromptu Tailgate ConcertWe had lunch with some friends some time ago, and I had written a blues song that I had to share with them.  It had some Stanley Jordan “touch style” techniques and a tongue-in-cheek theme.  I knew they'd love it.I had my guitar with me at the restaurant where we met up, and after we paid the check, I invited them out to the parking lot where our SUV was parked.  I opened the back hatch, sat down in the back, and played the song for them as they stood in the falling snow, delighted to experience an impromptu tailgate mini-concert. 8.       A Shuttle StopNot long ago, I was waiting for a shuttle in a parking lot, because I was going to fly out from Seattle/Tacoma Airport. The shuttle had a covered area where I sat with my suitcase and…my guitar case.  I uncased my guitar while I waited, and played some original songs and worship songs that I was planning to play on my upcoming California tour dates.Two fellow passengers arrived and sat and listened.  I started to think that I was intruding on their silence, but when I went to put my guitar away, they stopped me, expressing how much they were enjoying what I was sharing.  So, I kept playing.And as it would logically follow, another location would be…9.       The AirportAfter arriving at the airport and making my way through security out to the gate, I've often found myself with a good solid hour or more to kill.I can save my reading for the plane.  What I can't do on the plane is play my guitar.  So, I'll often uncase my guitar, sit down on the floor, and quietly play something.  I'm usually competing with a lot of intercom announcements and the hustle and bustle of travelers, so it's typically not a distraction to anyone.But if I'm thinking that my playing might be distracting, I'll just strum with the fleshy part of my thumb and lean over to hear the strings softly humming.  I can also make my pick articulations very soft.It's a great way to make use of the time, watching the planes land and take off…and occasionally, it leads to a conversation starter with a fellow musician, or someone who just enjoys music.10.   “Crisscross Applesauce” next to the BathtubWhen I was a young parent, my kids sometimes took baths when they were little, and they of course needed very close supervision, but also the opportunity to splash about before getting scrubbed down.So, I'd sometimes bring my guitar into the bathroom and sit an arm's length away from whoever was having a bath…and I would strum some chords while closely observing my kid in the bath. My strumming provided a bit of a soundtrack to bath time, and when I was needed, I just set my guitar down on the floor mat, and helped bathe my kid.  It was a good mix of work and play.11.   StairwellsSome hotels or school dorms have these concrete stairwells that have lots of echo in them.  But here's the thing; an echo chamber can serve as a beautiful impromptu acoustic space.Playing a soulful fingerstyle guitar piece in one of these stairwells (as long as it's not too cold) can actually be a really powerful experience, because it's like a concrete cathedral.  The music just doesn't sound the same as it would in a carpeted room.So, whether I've been at a hotel far from home or needing a study break at college, I've found opportunities to take my guitar into the stairwell and let it sing.Last but not least…12.   The Outdoor Bass SectionalI've saved this one for last, because it was highly unexpected, but super practical.There are lots of outdoor spaces where a guitar can find its place, especially if the weather is nice.  But in this instance, it was more out of necessity.I was pursuing a vocal performance degree in college, and part of my contribution to the music department was to sing in the concert choir.  If you've sung in choirs, you know that there are typically four basic vocal parts – soprano, alto, tenor and bass.I was the bass section leader.  And every Tuesday, we'd have sectionals, where, for the majority of the class time, the four sections would break up and go find another large room in the music department to practice, ideally with a piano for “plunking” notes.But this time, there was a large group of guest high schoolers on campus for an all-day workshop, so we didn't have a place to practice.But we still needed to have our sectional.  And we didn't have a piano or even a keyboard.But what did we have?  My guitar was fortuitously stored in my locker that day, so when I realized what the circumstances were, and what our need was, I grabbed it.I have this clear memory of me sitting out in the seating area outside the Performing Arts Center, leading the Bass Sectional by “plunking” notes on my guitar as they sang, overlooking Bellingham Bay.It was a unique experience and setting, and we got a lot done.But there's one detail about this that you may or may not have noticed.  Do you know what was especially unique about what I was doing?Think for just a moment about what you know about the guitar and where it resides in terms of music notation. The guitar is a treble clef instrument.Now, the notes in treble clef for the guitar are notated an octave higher than what they actually sound, so as to avoid too many ledger lines.But let's back up even further.  Playing notes on the guitar is a rather unique approach.For classical guitarists, it's their bread and butter.  But I was an acoustic folk guitarist.  And most people who play acoustic guitar appreciate the opportunity to have chord shapes and perhaps some tablature to light the way.The good news was that I had been investing a serious amount of time going through all 7 grades of Mel Bay's Modern Guitar Method, to the tune of about 400 pages.  And this particular method didn't use tablature.  At all.In choosing this method, I subjected myself to a learning style that allowed me to become musically literate much earlier on in my guitar development, and therefore, I was ready when the need arose for me to guide that sectional.The guitar was just loud enough to be played unplugged outside to cue notes and fragments for the basses.The paradigm had shifted from an indoor rehearsal space with a piano to an outdoor rehearsal space with a guitar, but we redeemed the time, and after that sectional, we had made significant progress.The added bonus was that I had taken the leap towards sight reading a treble clef instrument in bass clef.  Good times.Ok, just for fun, here are the 12 Unlikely Places to Play a Guitar, once more:1.       The bow of a fishing boat2.       A Ferry Boat3.       A Raft4.       A Dock5.       A Chevy Van6.       A Bus7.       An Impromptu Tailgate Concert8.       A Shuttle Stop9.       The Airport10.   “Crisscross Applesauce” next to the Bathtub11.   Stairwells and…12.   The Outdoor Bass SectionalThe Big PictureSo, why has the guitar surfaced in all of these unique places?I would say that there are two main reasons.  First, music practice is important, and perhaps a necessity, and therefore, the guitar was something that needed to be within reach to facilitate progress.Second, music is a nearly unstoppable force.  I believe music is a gift from the Lord, and therefore, it has inherent mystery woven into it.  Why do so many of us enjoy music so much?Because it touches our souls.So perhaps grabbing a guitar and playing it, regardless of the location in which we find ourselves, allows us to speak the language of music where it would otherwise be quiet.It's almost like striking up a conversation as we feel prompted.So, the appearance of the guitar could be practical…or it could be artistic.  Or it could be both.But the important thing is that the guitar did indeed appear.I've met folks who own guitars, but their guitars don't make much of an appearance very often…to their chagrin.  They feel this disappointment, knowing that at one time, they wanted to learn to play, but didn't set aside time or space.And at the same time, they feel this longing to discover the joy of music, because they've caught glimpses of it when listening to other people play.Where are you on your musical journey?  Do you have regrets about past seasons of not playing your guitar?  Do you feel like it might be too late to start?  Let me put that misconception to rest…it is never too late to learn to play something on the guitar.Do you feel like you're on your own, and don't have opportunities to learn and grow, aside from the big world-wide web and the vast sea of information that's out there?  To coin a phrase, you are not alone.But here's how I can help you, if you see the need for some help.  I founded an online experience in 2019 that's dedicated to helping beginning and intermediate Christian guitarists discover and cultivate their gifts for the glory of God in a community setting.I could go into greater detail, but that description could be enough to pique your interest.  If it does, I encourage you to check out GuitarSuccess4U.com. We've got members in this community who are making tremendous progress, not just practically, but musically and artistically, because they're leaning into a proven method alongside like-minded followers of Christ who are doing the same thing.What if you tried out what we offer?  There's a 30-day money back guarantee, so there's no risk.  I'd love to welcome you in and see how I can serve you.  The added unexpected blessing is that you might also offer insights that could encourage me and the other members.I'll leave this with you, but don't hesitate to reach out if you want to learn more.One other thought regarding today's episode:  have there been unlikely places where you've played (or watched someone else play) a guitar?  Please let me know in the comments.Thanks for listening, keep having serious fun as you play your guitar, and I'll see you next time.Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

Bassist Reggie Washington was a key participant in the Modern Jazz revolution of the '80s and '90s. He became known touring, recording, and performing with Steve Coleman, Branford Marsalis, Roy Hargrove, Chico Hamilton, Oliver Lake, Cassandra Wilson, Don Byron, Jean-Paul Bourelly, Lester Bowie, and Ronald Shannon Jackson.In 2005, Reggie began successfully touring with his own bands. They were a mix of American & European musicians such as Ravi Coltrane, Gene Lake, Stéphane Galland, Jef Lee Johnson, Erwin Vann, Jacques Schwarz-Bart, E.J Strickland, Jozef Dumoulin, Skoota Warner, Matthew Garrison, Marcus Strickland, Jason Lindner, Poogie Bell, and Ronny Drayton.A versatile, 360-degree musician, Reggie plays Jazz, Funk, R&B, Blues, World, and Experimental music with a natural and contagious energy. His bass lines are both sophisticated and explicit. He is diligent in his work and enjoys mixing people of different cultures as a way to enhance music by learning from others and sharing ideas. Reggie leads the Black Lives Band who has released two stellar albums "Generation to Generation" and "People Of Earth". He also has recorded two albums of songs of his friend, the late great Jef Lee Johnson.Reggie has toured with Archie Shepp, Jacques Schwarz-Bart, The Headhunters, Alex Tassel, Dana Leong, Hervé Samb, Brian Jackson's New Midnight Band “Tribute to Gil Scott Heron”, Rokia Traoré, Randy Brecker, Stanley Jordan, and gospel diva Liz McComb.________"Musicians Reveal with Joe Kelley" Podcast BioRock and Roll Hall of Famer Prince featured the "Upper Room with Joe Kelley and Gi Dussault" on his official website www.npgmusicclub.com. This is the first radio show to have ever received that honor. "Musicians Reveal with Joe Kelley" has been on the radio airwaves since 1982. Joe Kelley and Gi Dussault co-host the show and are well-respected in the music business as creative air personalities and supporters of independent musicians . Our web site is located at www.musiciansreveal.com . The show features creative music in funk, R&B, jazz, blues, rock, hip-hop, latin, and gospel. In addition, Joe Kelley has interviewed renowned musicians such as Victor Wooten, Sheila E. , Foley, Robin Duhe, Jef Lee Johnson, Jellybean Johnson, Monte Moir, Rhonda Smith, Bernie Worrell, Cyndi Lauper, Michael Bland, Larry Graham, Chris Frantz and Tina Weymouth, Steve Smith, St. Paul Peterson, JD Blair, Tori Ruffin, Kat Dyson, Eric Person, actor Jeff Daniels, Junior Giscombe, John Scofield, EC Scott, John Blackwell, Mystic Bowie, and many others.

# stanley jordan the lady in my life # one of the greatest guitar

Mike Marlier has performed and recorded with countless artists and musicians, including Dave Grusin, Nelson Rangell, Benny Golson, Bobby Shew, Rob Mullins, the Neophonic Jazz Orchestra, Lee Ritenour, and Stanley Jordan. He is the staff drummer at the annual Conference on World Affairs at CU and Mile Hi Church in Lakewood. Marlier was the featured drummer at the Buddy Rich Memorial Concert presented by the Gift of Jazz in 2009 and presented a clinic and masterclass at a Gospel Chops seminar in Taipei, Taiwan, in 2014.  Eric Gunnison has worked extensively with trumpeter Ron Miles, with whom he has toured and recorded since 1997, including appearing as a clinician and pianist with Miles's quartet at the 1st Annual Thailand Jazz Conference and the Bangkok Jazz Festival in 2009. Gunnison has also been the pianist and a composer/arranger for the cooperative band Convergence, one of Denver's leading jazz ensembles, since 1991. In addition to releasing several recordings, Convergence hosts a monthly series of appearances with special guest jazz artists at Denver's premier jazz club Dazzle that, since February 2010, has featured Roberta Gambarini, Rene Marie, Randy Brecker, Jim McNeely, Chris Potter, Christian McBride, Wallace Roney, and Bobby Watson among others. The Eric Gunnison & Mike Marlier tribute to Chick Corea will take place on Wednesday, January 3. Showtime is 6:30 PM, with doors opening at 5:30 p.m. Tickets and more info: https://www.dazzledenver.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.

Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.

talking REM and music trivia also Graham Gouldman songs plus disliked albums and a Stanley Jordan clip --- Send in a voice message: https://podcasters.spotify.com/pod/show/perry--dedovitch/message

Phil Collins wrapped up his commitments as front man and percussionist for Genesis and collaborative work with Eric Clapton in 1984, then commenced work on his third album, No Jacket Required.  It was released in February 1985, and had hits on the charts in July.  The name of the album was inspired by an incident where he was not allowed into The Pump Room restaurant in Chicago because he did not have the proper dress code jacket.  His friend, vocalist Robert Plant, did have the correct attire and was let in.  After he relayed the story in appearances with late night hosts David Letterman and Johnny Carson, restaurant management sent Phil a complementary sport jacket and apology letter, inviting him to come back wearing “whatever he wanted.”Unlike previous albums Collins decided to make this third solo album more upbeat with several dance-oriented singles.  Collins was also able to recruit a number of musicians to the effort, including former Genesis bandmate Peter Gabriel and Police front man Sting.The result was a huge commercial success, reaching number 1 on the US albums chart for seven consecutive weeks and on the UK albums chart for five.  The four singles released all went into the top ten of the Billboard Hot 100 charts, with two topping the charts.  It was a critical success as well, bringing home three Grammy awards including “Album of the Year.”  Collins would move from a successful musician to a celebrity on the strength of this album, which would be his highest selling solo effort.Rob brings us this album for our podcastOnly You Know and I KnowRob starts us with a deeper cut co-written by Phil Collins and Darryl Stuermer.  Stuermer played bass for Genesis tours, and lead guitar for Collins' solo tours.  The lyrics contain a number of contradictions.  “When I ask you, what you see in me you say, 'Our love is blind.'”Don't Lose My NumberWhile this song was not released as a single in the UK, it went to number 4 on the US charts.  The lyrics were created in a stream-of-consciousness improvisation session, and Collins himself doesn't really know what they mean.  The video is a comedic look at the decision process on theming the video, with Collins in multiple parodies of other videos popular at the time.Inside OutThis track has a feel similar to some of the slower Genesis pieces.  The lyrics  describe a person who faces a crowd of people telling him what to say and what to do without regard to what is authentically himself.  Collins uses a combination of drum machine and drum kit on this song.We Said Hello GoodbyeThis song was not originally on the album, but was a B-side to the single release of "Take Me Home" and "Don't Lose My Number" as well as a bonus track on the CD.  The lyrics discuss leaving an old home and moving to a new one, but the emotions may reflect things left behind in life more broadly. ENTERTAINMENT TRACK:Main Theme from the motion picture “Back to the Future”Marty McFly made his journey back from 1985 to interact with his 1955 parents in a tricked out DeLorean  for this iconic picture released in 1985. STAFF PICKS:You Spin Me Round (Like a Record) by Dead or Alive  We're a bit concerned about Wayne as he abandons his punk and hard rock sensibilities to bring us this danceable hit.  Dead or Alive were a foursome from Liverpool, England.  Lead singer Pete Burns would later be on the TV reality show “Celebrity Big Brother.”The Confessor by Joe WalshBruce brings us the title song from Walsh's seventh studio album.  It is heavier and darker than many of Walsh's singles.  “If you look at your reflection at the bottom of the well, what you see is only on the surface.  When you try to see the meaning hidden underneath the measure of the depth can be deceiving.  The bottom has a rocky reputation.”  Raspberry Beret by Prince and the Revolution Lynch features a song about young romance and a summer fling.  Although this song was released after Prince's success with “Purple Rain,” Prince still played most of the instruments, making the song primarily a solo effort.  It is off off the album “Around the World In a Day,” and reached number 2 on the Billboard Hot 100.And She Was by Talking Heads Rob finishes the staff picks with a song penned by David Byrne from the Talking Heads, off the album “Little Creatures.”  It is an unusual song about a girl levitating over everything, and the guy who loves her and wishes she would come down to the ground.  It reached number 17 on the Billboard Hot 100. INSTRUMENTAL TRACK:Fundance by Stanley Jordan Finger tapping jazz guitarist Stanley Jordan would set a record when his album “Magic Touch” spent 51 weeks at the top of the Billboard jazz charts.

Kevin Eubanks, Stanley Jordan – Duets Mack Avenue | Marzo 22, 2015 1 Morning Sun 4:06 2 Summertime 5:11 3 Nature Boy 5:40 4 Someone Like You 5:12 5 A Child Is Born 6:13 6 Old School Jam 4:30 7 Vibes 4:15 8 Blue In Green 3:10 9 Lights 5:02 10 Goin' On Home 4:29 Kevin Eubanks - guitar, piano, bass Stanley Jordan - guitar, piano /////////////////////////////// CORTINA FINAL Time Line - East West Time Line Kevin Eubanks | Abril 7, 2017 //////////////////////////

Array Cast - October 13, 2023 Show Notes[01] 00:02:40 Minnowbrook conference https://aplwiki.com/wiki/APL_Implementer%27s_Workshop Combinators https://en.wikipedia.org/wiki/Combinatory_logic#Examples_of_combinators Tacit Programming https://mlochbaum.github.io/BQN/doc/tacit.html Function Composition https://aplwiki.com/wiki/Function_composition Tacit Episodes of the ArrayCast Tacit #4 The Dyadic Hook https://www.arraycast.com/episodes/episode17-tacit4-the-dyadic-hook Tacit #3 And Other Topics https://www.arraycast.com/episodes/episode15-tacit-3-and-other-topics Tacit #2 Why Tacit? https://www.arraycast.com/episodes/episode11-why-tacit Tacit #1 Tacit Programming https://www.arraycast.com/episodes/episode-09-tacit-programming[02] 00:03:35 Arrayground https://apps.apple.com/us/app/arrayground/id6453522556 Conor's Uiua videos Uiua - A New Array Language https://www.youtube.com/watch?v=iTC1EiX5bM0 BQN vs. Uiua https://www.youtube.com/watch?v=pq1k5USZZ9A BQN vs. Uiua #2 https://www.youtube.com/watch?v=SpZJxbOf_jM[03] 00:05:41 Stanley Jordan https://en.wikipedia.org/wiki/Stanley_Jordan April, an APL Compiler for Common Lisp https://www.youtube.com/watch?v=AUEIgfj9koc Andrew Sengul Episode of the ArrayCast https://www.arraycast.com/episodes/episode23-andrew-sengul Uiua Episode of the ArrayCast https://www.arraycast.com/episodes/episode63-uiua Game videos in BQN Snake2 in 8 Minutes https://youtu.be/tOZde7zrsLM?si=N2jTdTZBlPEleCr0 https://youtu.be/wTIlQ1Ib-zE Snake (longer version) https://youtu.be/wTIlQ1Ib-zE A Game implemented in APL Draculark in APL https://medium.com/@solarbreeze69/draculark-a-mudlarking-vampire-hunting-game-bbf40361bf1a[04] 00:09:06 Forks https://code.jsoftware.com/wiki/Vocabulary/fork Before and After in BQN https://mlochbaum.github.io/BQN/doc/hook.html Invisible Modifiers https://code.jsoftware.com/wiki/Vocabulary/fork#invisiblemodifiers Peter Mikkelsonhttps://pmikkelsen.comhttps://www.dyalog.com/blog/2022/11/welcome-peter-mikkelsen/[05] 00:14:52 Atop in J https://code.jsoftware.com/wiki/Vocabulary/at Compose (Over) in J https://code.jsoftware.com/wiki/Vocabulary/ampv Atop and Over BQN https://mlochbaum.github.io/BQN/doc/compose.html[06] 00:17:04 Henry Rich Episodes on the ArrayCast Fold in J https://www.arraycast.com/episodes/episode50-fold Henry Rich - Threads in J9.4 https://www.arraycast.com/episodes/episode48-henry-rich Henry Rich presents J903 https://www.arraycast.com/episodes/episode18-henry-rich-presents-j903 Henry Rich's Deep Dive into J https://www.arraycast.com/episodes/episode-06-henry-richs-deep-dive-into-j Invisible Modifiers Table https://code.jsoftware.com/wiki/Vocabulary/fork#invisiblemodifiers Seymour Papert https://en.wikipedia.org/wiki/Seymour_Papert[07] 00:20:10 NuVoc https://code.jsoftware.com/wiki/Vocabulary Forks https://code.jsoftware.com/wiki/Vocabulary/fork Modifier Trains https://code.jsoftware.com/wiki/Vocabulary/fork#invisiblemodifiers Modifier Train Exploration https://code.jsoftware.com/wiki/Vocabulary/ModifierTrains Modifier Train Exploration Discussion https://code.jsoftware.com/wiki/Talk:Vocabulary/ModifierTrains[08] 00:24:23 Atop APL Paw glyph https://aplwiki.com/wiki/Atop_(operator) https://aplwiki.com/wiki/Over Over APL Hoof glyph https://aplwiki.com/wiki/Over[09] 00:44:44 Arity of functions https://en.wikipedia.org/wiki/Arity Conjugate Monadic + https://code.jsoftware.com/wiki/Vocabulary/plus Plus Dyadic + https://code.jsoftware.com/wiki/Vocabulary/plus#dyadic[10] 00:54:55 Forks in the KAP Programming Language https://kapdemo.dhsdevelopments.com/kap-comparison.html#_fork Forks modelled in the dfns workspace http://dfns.dyalog.com/n_fork.htm[11] 01:00:35 Kadane's Algorithm https://en.wikipedia.org/wiki/Maximum_subarray_problem[12] 01:06:24 Pepe's Trains - Past, Present and ... https://www.jsoftware.com/pipermail/programming/2017-October/049263.html[13] 01:10:47 Dyadic Or BQN https://mlochbaum.github.io/BQN/doc/logic.html Monadic Sort BQN https://mlochbaum.github.io/BQN/doc/order.html[14] 01:15:23 Signum Monadic * https://code.jsoftware.com/wiki/Vocabulary/star Times Dyadic * https://code.jsoftware.com/wiki/Vocabulary/star#dyadic[15] 01:18:20 Jelly programming language https://github.com/DennisMitchell/jellylanguage https://aplwiki.com/wiki/Jelly[16] 01:25:14 Zilde Empty https://aplwiki.com/wiki/Zilde BQN's Nothing https://mlochbaum.github.io/BQN/help/nothing.html Monadic and Dyadic Meanings https://aplwiki.com/wiki/Mnemonics#Pairing_monadic_and_dyadic_meanings Overloading in BQN https://mlochbaum.github.io/BQN/commentary/overload.html q Programming Language https://code.kx.com/q/ Overloading in q https://code.kx.com/q/ref/overloads q Unary Forms https://code.kx.com/q/basics/exposed-infrastructure/#unary-forms[17] 01:30:56 Michael Higginson Episode of ArrayCast https://www.arraycast.com/episodes/episode46-michael-higginson Lynn Sutherland Nial Episode of ArrayCast https://www.arraycast.com/episodes/episode61-lynn-sutherland-and-nial NARS2000 Programming Language https://www.nars2000.org/ Hyperators in NARS2000 https://wiki.nars2000.org/index.php?title=Anonymous_Functions/Operators/Hyperators Hyperators in Dyalog https://dfns.dyalog.com/n_hyperators.htm[18] 01:41:46 Category Theory https://en.wikipedia.org/wiki/Category_theory[19] 01:45:25 Contact AT ArrayCast DOT Com

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 305 (Part 2 of 2): Flutist, multi-instrumentalist, singer, composer, arranger and producer David Pic Conley, best known as an original member of one of the 1980s' most successful R&B acts, Surface. From 1986-1990, the trio landed three albums in the R&B Top 20 and scored nine consecutive Top 10 R&B hits. Those songs were “Happy,” “Lately,” “I Missed,” “Closer Than Friends,” “Shower Me With Your Love,” “You Are My Everything,” “Can We Spend Some Time,” “All I Want” and “The First Time,” which went to No. 1 on the R&B as well as Pop and AC charts.  Were that not enough, he has also worked with stars like Mandrill, Sister Sledge, New Edition, Gwen Guthrie, Isaac Hayes, Rebbie Jackson, the Jets, Jermaine Jackson, Melba Moore, Stanley Jordan and Aretha Franklin. RECORDED JULY 2023 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 305 (Part 1 of 2): Flutist, multi-instrumentalist, singer, composer, arranger and producer David Pic Conley, best known as an original member of one of the 1980s' most successful R&B acts, Surface. From 1986-1990, the trio landed three albums in the R&B Top 20 and scored nine consecutive Top 10 R&B hits. Those songs were “Happy,” “Lately,” “I Missed,” “Closer Than Friends,” “Shower Me With Your Love,” “You Are My Everything,” “Can We Spend Some Time,” “All I Want” and “The First Time,” which went to No. 1 on the R&B as well as Pop and AC charts.  Were that not enough, he has also worked with stars like Mandrill, Sister Sledge, New Edition, Gwen Guthrie, Isaac Hayes, Rebbie Jackson, the Jets, Jermaine Jackson, Melba Moore, Stanley Jordan and Aretha Franklin. RECORDED JULY 2023 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Continuing our conversation with warrior, Tracy Marie. Tracy was born with a very rare, progressive life-long disease called Morquio Type A Syndrome. The syndrome causes cellular damage due to a missing enzyme. Even with all her health challenges and being misdiagnosed until 2017, Tracy forges ahead as a singer, songwriter, producer, and sound engineer who has recorded and produced numerous albums and travelled around the country performing with jazz legends like Stanley Jordan or the legendary drummer, Buddy Miles. Tracy knows firsthand the downfalls in implementing the criteria in the Americans with Disability Act and has taken tremendous strides to fight for herself and others with disabilities and rare conditions by advocating for ADA coordinators and by volunteering at her local government as co-chair of the ADA Transition Plan Task Force and at her local hospital as co-chair of the MetroHealth Patient Family Advisory Committee. As of 2021, Tracy has also been working with RAMPD, Recording Artists and Music Professionals with Disabilities, to make the music industry more accessible and to continue her advocacy work on a national level. In Part Two, tune in as Tracy dives into the challenges in getting her city ADA compliant and more about her important advocacy work. Tracy hopes to raise awareness on existing ADA compliancy issues and helps to share the steps we can all take to address them. To learn more about Tracy Marie, go to her website at https://tracymarie.com and go to https://archive.ada.gov/pcatoolkit/chap2toolkit.htm to find the ADA Best Practices Tool Kit for State and Local Governments. This step-by-step kit can help you begin the process of advocating for ADA compliancy in your area.   

Meet warrior, Tracy Marie. Tracy was born with a very rare, progressive life-long disease called Morquio Type A Syndrome. The syndrome causes cellular damage due to a missing enzyme. Even with all her health challenges and being misdiagnosed until 2017, Tracy forges ahead as a singer, songwriter, producer, and sound engineer who has recorded and produced numerous albums and travelled around the country performing with jazz legends like Stanley Jordan or the legendary drummer, Buddy Miles. Tracy knows firsthand the downfalls in implementing the criteria in the Americans with Disability Act and has taken tremendous strides to fight for herself and others with disabilities and rare conditions by advocating for ADA coordinators and by volunteering at her local government as co-chair of the ADA Transition Plan Task Force and at her local hospital as co-chair of the MetroHealth Patient Family Advisory Committee. As of 2021, Tracy has also been working with RAMPD, Recording Artists and Music Professionals with Disabilities, to make the music industry more accessible and to continue her advocacy work on a national level. In Part One, listen as Tracy shares her story and her opinion on the current ADA compliance issues.  To learn more about Tracy Marie, go to her website at https://tracymarie.com and go to https://archive.ada.gov/pcatoolkit/chap2toolkit.htm to find the ADA Best Practices Tool Kit for State and Local Governments. This step-by-step kit can help you begin the process of advocating for ADA compliancy in your area.   

Welcome to Live From Progzilla Towers Edition 487. In this Cover Versions special edition we heard music by Arjen Lucassen's Supersonic Revolution, Cary Grace, Paul Heaton & Jacqui Abbott, Anubis Gate, Conqueror, Clive Mitten, 3, Erik Norlander, Infected Mushroom, Jan Hammer, Fleesh, Blondie Vs The Doors, Katzenjammer, Kevin Gilbert, Associates, Mother Black Cap, Docker's Guild, Ki:Theory, Queensryche, Morse Portnoy George, Nektar, The Lover Speaks, Annie Lennox, PostModern Jukebox, Stanley Jordan, Steven Wilson, The D/A Method, Turisas, Vanilla Fudge & Yngwie Malmsteen.

Hello and welcome back to Chit & Chat; encouraging one another podcast. Today my guest is Michael Powers, and Michael was born in New York City in 1960, but grew up in the San Francisco Bay area. His musical career began as therapy, when at the age of 15 he took up strumming the guitar to strengthen his wrist after a skateboard accident. Following his graduation from Berkeley High School when he was 15½, he moved to Seattle and frequented local jam sessions, keeping his fingers on the guitar strings and his mind on making his music reach a wider audience.  His style was also influenced by a diverse group of musicians which includes Jimi Hendrix, Carlos Santana, Charlie Parker, George Benson, Stanley Jordan, Miles Davis, and Kevin Eubanks. He has met so many incredible musicians in the industry that have help him create his very unique style, also please Check out Michaelpowersmusic.com, for more info about his and his schedule as well. I am so excited to speak with him today and get his story and who has encouraged him throughout his career, and he has meet so many incredible people along his journey it's insane, he could write a book of all the people he has met. Not only am I a sharing 2 of his songs, "Return of Summer" but also "Miles From Home" , I am also playing music by: The Chris Jones Band called- American Radio, you can follow Chris at www.chrisjonesband.com Demi Michelle- Follow my Compass; Demi's website is www.demischwartz.com and Jason Biddle called I see the Cross; his website is Jasonbiddlemusic.com As always I am so appreciative of my amazing sponsors. So please check out these amazing local businesses that are in the Kitsap County area. You can find each of these businesses on Facebook and when you check out my website at www.chitnchatpodcast.com, you have the ability to click on each link for their business. From Silverdale Washington, Taquiza & Taquiza Street they have some really good authentic Mexican food, and are locally owned and operated, amazing staff and friendly service and my favorite is the Grilled Jalapenos!! Also Thank you to Double D's BBQ & Smokery, they are a food truck out of Kington, Washington. With some of the best tasting BBQ in the area, they locally owned by Navy Veterans. Finger licking BBQ everytime. Lone Star Donuts with 3 locations in Port Orchard, Silverdale and now in Poulsbo Washington. Great tasting, made fresh every day Donuts!! With nearly 50 kinds they are so so delicious. I also want to thank Alex Pablo and what Alex does is: His company specializes in assisting small to medium-sized local family restaurant establishments in enhancing their brand identity and cultivating a strong business image, thereby attracting a greater customer base and boosting sales. They provide some really great services aimed at effectively showcasing their enticing offerings, and implementing efficient online ordering software to drive increased online sales. Their objective is to empower these businesses to flourish and achieve sustained success in their respective markets. You can find him at www.aldentedigitals.com I had so much fun, with this podcast episode, time got away from me but it was a very fun episode to put together. If you can't listen to the whole thing now come back and pick up where you left off. Also subscribe and follow this podcast as I continue to share encouraging, uplifting conversations with people from all over the world as well as fun, energetic music. --- Send in a voice message: https://podcasters.spotify.com/pod/show/jody-shuffield/message

Project: I'm Speaking, featuring HELEN AVAKIANAn Award-winning songstress and International Fingerstyle Champion Helen Avakian has moved audiences for decades with her haunting voice and versatile guitar playing.Speaking with Helen and hearing her incredible stories—was so enriching that we spent a lot of time just sort of talking and meandering through her life–which by the way is punctuated with these FANTASTIC Full Spiral moments!Lauded a number one “Favorite Acoustic Act” four times by Rhythm and News magazine and winner of eight first prizes from the NewSongs Contest, she has performed on PBS radio and television, on stage with Peter Yarrow (of Peter, Paul, and Mary), and as an opener for luminaries ranging from Stanley Jordan, Mary Chapin Carpenter, Imuh-gen Heep to the New York Philharmonic. I left our time together SO inspired and reminded of the importance of supportive mentors and taking chances in this life! (Like when Helen met and jammed with founder and lead guitarist of Fanny, June Millington!)My  wish for you is for you to listen to Helen with the same childlike wonder with which Helen sees the world and seems to approach her whole life.   In JOY!Become a "Spinner" and support Full Spirals in an ongoing way,  for as little as $1/MONTH.Or you can  Support the show with a one time Donation to help cover production costs.PBS Documentary LINK:“Fanny: The Right to Rock”, PBShttps://www.pbs.org/show/fanny-right-rock/Support the show

Ronnie Laws is an award-winning tenor saxophonist and composer whose career has, since the early 1970s, straddled the worlds of jazz and R&B. Since 1975 he has placed seven albums in the Top 200 -- including his 1975 Blue Note debut Pressure Sensitive -- as well as tracks and albums in no less than six other categories. He has worked as an in-demand session man and live musician with a who's-who of jazz and R&B greats including Ramsey Lewis, Gregory Porter, B.B. King, George Duke, Quincy Jones, Stanley Jordan, and dozens more. Laws, the younger brother of flutist Hubert Laws, is the product of a musical family. Two of his sisters, Debra and Eloise, are also professional singers. Born in Houston, Texas, Laws began teaching himself to play the alto saxophone at the age of 11. While his first love was baseball, a serious eye injury ended those dreams early and he focused on music, which he studied in high school, at Stephen F. Austin State, and later at Texas Southern University, where he switched to tenor, earned a degree, and developed a progressive mastery and technique. In 1970 he moved to Los Angeles in pursuit of a musical career. He woodshedded with the Jazz Crusaders (Hubert had played with them in the '50s) and especially Hugh Masakela. His early gigs in the city were with pianist Walter Bishop, Jr., Doug Carn, and on his brother's CTI recordings. In 1972, he joined Earth, Wind & Fire for 18 months and was, in effect, its first saxophonist, playing both tenor and soprano; he played on the album Last Days and Time. In Los Angeles, he made the acquaintance of Donald Byrd. The two became friends and Byrd got Laws signed to Blue Note. His 1975 debut, Pressure Sensitive, got serious radio play despite landing at 73, and yielded the enduring jazz-funk classic "Always There." It has been covered and/or sampled by well over 100 artists. Laws was on his way. With his other '70s work -- 1976's Fever, Friends and Strangers, and Flame -- which boasted his first cross continental 12" hit "All for You," Laws established himself as a workhorse studio musician, playing on recordings by Ramsey Lewis, his sister Eloise, Arthur Adams, Gene McDaniels, and Wayne Henderson, to name a few. In the '80s, Laws was an international festival and club draw. Three singles from his first three albums all went gold, as did their respective long-players. Despite the fact that he is often characterized strictly as a "smooth jazz" artist, Laws might be the first instrumentalist to score hits in the emerging "quiet storm" subgenre of R&B. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover Where the Money's Hiding in the Music Business in 2023: https://MusicReboot.com  On this Ross James Interview: Starting at the bottom, opportunities always seemed to find Ross - and he seemed to find them, as well. Playing with Warren Haynes, Nicki Bluhm, Phil Lesh, John Scofield… getting involved with youth music programs, losing his mom at a young age and what he learned from this, being present with the people you love, moving from Detroit to California, and why he's “Gotta Serve Somebody.” Really sincere convo: Support this show: https://www.everyonelovesguitar.com/support Ross James has been a staple in the Phil Lesh / Terrapin camp since 2012. He's shared the stage with players like Warren Haynes, Phil, Bob Weir, John Scofield, Dave Schools, Stanley Jordan, John Mayer & others Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Cool Guitar & Music T-Shirts, ELG Merch!: https://www.GuitarMerch.com   

I'll be playing your favorite Contemporary-Smooth Jazz from the 70's,80's,90's and today.With selections from George Benson,Bob James,Grover Washington,Jr.,Stanley Jordan and Angela Bofill.Plus selections from:Isaac Hayes,MFSB,Sade and more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/samuel-wilsonjr/message

Please join me as we get transparent with The Vocal Scientist -Owen Valentine Owen is a trailblazer in the music industry. He's one of the first violinists to record with Talib Kweli and Common. He's the last violinist to play with the eclectic futuristic band, Sun Ra. He's been the vocal coach for Mary J. Blige, Lil Kim, Jill Scott and a host of other artists. Owen has been touring major venues around the world since the late 80's, his extensive performance background includes work with Sun Ra, Gil Scott Heron, Stanley Jordan, Jason Samuels Smith and Kamasi Washington. Make sure you like and share on your page! Transparency Talks Podcast airs on multiple syndicated stations overseas in London, Japan, Italy, Canada, S Africa, Nigeria, as well as on major digital platforms including IHeart Radio, Pandora, Spotify, Apple, Stitcher and more! BUSINESSES: Do you have a service or product you would like to promote? For ad placements contact info@orobinsonprmediagroup.com for our low rates! CALLING ALL INDIE ARTISTS: Do you have a song you would like to premiere? Genre: Hip Hop, R&B, and Pop contact info@orobinsonprmediagroup.com for our low rates! Pls note- all songs are NOT accepted. We have a right to turn away any song that we feel does not fit our audience, or that is not properly mixed or mastered. Become a Supporter! if you like the show and would like to make a donation, you can do so via the info below cashapp @ $buttabrocka Thanks so much for your support! Subscribe to my NEW Transparency Talks Podcast Youtube Channel https://www.youtube.com/channel/UCiGORkaeH5W52-A25VRdIrg Follow me on IG/FB/Twitter @ Buttabrocka and under Transparency Talks Podcast www.buttabrocka.com ** I do not own the rights to this music #transparencytalkspodcast #podcast #livestream #inspirational #motivational #applepodcast #artistinterviews #filmmakersinterviews #youtube #smallbusiness #soulcitythebeat #italy #uk #iheartradio #entrepreneur #londonsenergyradio #guestspeaker #stitcher #transparencytalks #transparency #spotify #pandora #blaze1radio #liverecordings #onairwithbuttabrocka #buttabrocka --- Support this podcast: https://anchor.fm/transparencytalkspodcast/support

Dean Martin Huston, Melody Gardot, Nathalie Cole & Andrea Boteccelli, Stanley Jordan & Kevin Eubanks....

Here is the playlist for the 11/06 episode of Crosswinds. Enjoy!Stan Kenton Orchestra- Intermission Riff (theme)Big Phat Band- The Jazz PoliceJihye Lee Orchestra- Why is ThatChristian McBride Big Band- Gettin' to ItBob Mintzer Big Band- Freedom SongDarcy James Argie's Secret Society- Brooklyn Babylon- The NeighborhoodTed Nash Big Band- The Four FreedomsMcCoy Tyner Big Band- Blues for BasieJazz Crusaders- Freedom SoundTraffic- Freedom RiderKinga Glyk- FreedomOscar Peterson Trio- Hymn to FreedomEddie Harris- Freedom Jazz DanceStevie Wonder- Can't Put it in the Hands of FateMarvin Gaye- What's Going On?Ladysmith Black Mombazo with Phoebe Snow- People Get ReadyMarvin Gaye- Mercy, Mercy Me (the Ecology)Bela Fleck and the Flecktones- The MessageBuckshot LeFonque- I Know Why the Caged Bird SingsMiles Davis,, Stanley Jordan, Herbie Hancock, Ron Carter and Tony Williams- The Struggle ContinuesThe Comet is Coming- CodeGoGo Penguin- Koramouse on the keys- PraxisDOMi & JD Beck- Not TightSantana- Soweto (Africa Libre)Santana- Peace on Earth/ Mother Earth./ Third Stone from the SunBilly Cobham- Crosswinds (closing theme)

On this Barry Richman Interview: Tons of stories about playing with John Lee Hooker (his first gig), Buddy Miles, Eric Johnson, Greg Allman, Clapton, Derek Trucks flipping baseball cards at age 12, Roy Buchanan, Warren Haynes… not selling his ‘57 strat to Jerry Garcia, his cool vintage guitar and amp collection, playing Duane Allman's ‘59 Burst for 6 months… his dad, who was a top NYC session sax player, western wear and all kinds of cool stuff: Cool Guitar, Music & ELG T-Shirts!: http://www.GuitarMerch.com In a career that's spanned 50+ years, Barry has played, toured or recorded with John Lee Hooker, Allman Brothers, Eric Johnson, Gov't Mule, Eric Clapton, Les Paul, Lynyrd Skynyrd, Derek Trucks, Jimmy Herring, Steve Morse, Roy Buchanan, Sonny Landreth, Lee Ritenour, Stanley Jordan, Vivian Campbell, Rick Emmett & others Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support

This is an exclusive interview with guitarist Stanley Jordan talking about his Honokaa People's Theatre show and upcoming music projects. --- Send in a voice message: https://anchor.fm/bigislandmusicmagazine/message

Guitar virtuoso Stanley Jordan returns to Hawaiʻi for a three island tour and an appearance on HPR with Dave Lawrence. In this post, learn about the local dates, hear more music he recorded at HPR's Atherton Studio and hear some really special stories! Stanley shares experiences with Kenny Rogers, Beatles producer George Martin, and Janet and Tito Jackson!

Guitar virtuoso Stanley Jordan returns to Hawaii for a three island tour and an appearance on HPR with Dave Lawrence. In this post, learn about the local dates, hear his absolutely frightening COVID story, some music he recorded at HPR's Atherton Studio and more great storytelling from this gentle giant of the guitar world.

La influencia de la guitarra explota en los 60 y 70, continuando hasta el momento actual. En todos los géneros de la música popular. Pilares de ese desarrollo son Wes Montgomery, B.B. King y Jimmy Hendrix. El jazz de fusión toma elementos de todos. Les rendimos homenaje a los tres para luego recordar a McLaughlin, Frank Zappa, Lee Ritenoir, Stanley Jordan, Charlie Hunter, Pat Metheny, Terje Rypdall, John Scofield y Mike Stern.

Stanley Jordan is a guitar virtuoso who has been pushing the boundaries with his playing for over four decades.

Stanley Jordan is a guitar virtuoso who has been pushing the boundaries with his playing for over four decades.

Celebrando los 80 años de Paul les traemos esta cabalgata de covers de alguno de sus mejores temas, de la mano de : Carmen McRae, Arturo Sandoval, Brad Mehldau, George Benson, Diana Krall, Chick Corea, Gary Burton, Stanley Jordan, Jaco Pastorius, Pat Metheny y otros.

This is an interview with legendary guitarist Stanley Jordan. It was done at the Hilo Palace Theater on June 3, 2022, before his tribute to Jimi Hendrix concert. --- Send in a voice message: https://anchor.fm/bigislandmusicmagazine/message

Tonight on Jazz After Dark: From the 1940s, we'll hear Earl "Fatha" Hines and Johnny Hodges, The Nat King Cole Trio, Ike Quebec Quintet, Peggy Lee, and Charlie Parker and His Quintet. From the 1960s we'll hear Louis Armstrong and Duke Ellington, Charlie Byrd and Stan Getz, Pete Fountain, Oscar Peterson, Paul Desmond, Herbie Mann and Joao Gilberto with Antonio Carlos Jobim, Eddie Jefferson, and Ella Fitzgerald and the Jimmy Jones Trio with Duke Ellington and his Orchestra, and then we'll take it out with Stanley Jordan.

On today's episode, Scott interviews his friend, Ed Alstrom, a multi-talented musician, who holds a B.M. degree in Organ Performance from Westminster Choir College, where he studied classical music during the day, while playing jazz, pop and rock gigs at night. A highly sought after organist in the tri-state area, he can play seamlessly in all styles of music, in addition to singing, and playing keyboards. He has performed with artists that include Bette Midler, Chuck Berry, Leonard Bernstein, Blood, Sweat and Tears, various NY Broadway Pit Orchestras, and was a member of the pit band for the Uncle Floyd Show, a NJ/NY tv show that featured sketch comedy and live music. Ed was also a Product/Marketing Manager at Casio Inc., composing/arranging demo songs for their keyboards, while demonstrating products live on stage with legendary musicians Stanley Jordan, Herbie Hancock and Donald Fagen. In the field of religious music, he divides his time between being a church director/organist and Temple accompanist/choir director in NJ. In 2004, Ed fulfilled his childhood dream when he became the weekend organist at Yankee Stadium, and is still entertaining baseball fans in that role with his organ music. This organist, singer, and keyboardist, certainly GOT CHOPS! Follow Ed on Website: www.edalstrom.com Instagram: @edalstrom YouTube: https://www.youtube.com/channel/UC46viM3LlL9LlKn4N2DdNkQ Facebook: https://www.facebook.com/ealstrom Follow Got Chops on Instagram: @gotchopspodcast Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: @scottgrimaldimusic Twitter: @GrimaldiMusic Facebook: Scott Grimaldi - "The Color Of Midnight" Website: www.grimaldimusic.com --- Send in a voice message: https://anchor.fm/gotchops/message

We welcome Omar Lopez to Suede Memories as the first musician to share their inspirational story of where pursuing one's dreams can get you. Born and raised in Calipatria, California, Omar shares the unique memories of his experiences growing up in the Imperial Valley; from hanging out at the Salvation Mountain to exploring the incomparable Slab City. In a town as small as Calipatria, Omar recalls his first introduction to music and what lead him to pick up an instrument for the first time. Although he had no idea his talent would take him to play all over the world, Omar discusses the impact a high school teacher had on him, which resulted in him attending San Diego State University to continue his education. Omar's dedication and love for music has allowed him to connect with people from all over the globe and shares some of his most memorable experiences connecting with other cultures which has contributed to his remarkable out look on life. Aside from his experiences touring and playing with a variety of bands and musicians, Omar shares how he began playing bass for the Original Wailers and how seven years later, they continue to impact the world through their music. Omar has notably played alongside Poncho Sanchez, Stanley Jordan, Jose Luis "Changuito" Quintana, Chunky Sanchez, and San Diego's favorite, the B-Side Players; he also created the Suede Memories jingle in collaboration with Manny and Elsie Cisneros. Omar Lopez has accomplished great heights in his young career and continues to thrive not only professionally, but in all other aspects of life which is why Omar Lopez is and will be one of the world's most notable musicians of our time.

Chris Wabich is a well-known, original voice on drumset, steel drum, and percussion. The variety of artists he works with reflects his versatility as both musician and producer. He is heard with Ludacris, Sting, Leonard Cohen, Stanley Jordan, Brian Johnson (AC/DC) Sheila E., Mark Murphy, the Zappa Family,

Chris Wabich is a well-known, original voice on drumset, steel drum, and percussion. The variety of artists he works with reflects his versatility as both musician and producer. He is heard with Ludacris, Sting, Leonard Cohen, Stanley Jordan, Brian Johnson (AC/DC) Sheila E., Mark Murphy, the Zappa Family,

My guest today is Emily Hughes, filmmaker and also the daughter of the late guitar giant, Lenny Breau.  In this interview Emily discusses her fathers legacy and her new film entitled "The Genius of Lenny Breau Remembered" as well as the first documentary she did back in 1999- "The Genius of Lenny Breau."  I highly recommend watching both of these excellent documentaries to get a really unique insight to the life, music and struggles of Lenny Breau, one of the greatest innovators in jazz guitar IMO (post Wes Montgomery and pre Stanley Jordan.) I was also interested to hear that his murder case- (he was found dead in a rooftop swimming pool in 1984 at his apartment in Los Angeles) has recently been re -opened by the LAPD. Hopefully we get some answers into what happened and justice is finally served.  In the interview I mention a lesson that New Orleans guitar great Phil DeGruy took back in the early-mid 1980's that someone posted to Soundcloud and Phil sent me a link to. You can find that here.  Please check out Lennybreau.com for more info on the movie and everything else going on in the world of Lenny Breau. Recorded via Skype New Orleans/Calgary July 2018Support this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy