Podcasts about art tech

Szymon Banaś to przedsiębiorca z okolic Wrocławia, który zbudował od podstaw firmę Art-Tech, specjalizującą się w produkcji elementów aluminiowych, głównie rusztowań. Jego droga od garażowego start-upu do przedsiębiorstwa osiągającego ponad 100 milionów złotych przychodu rocznie jest inspirującą historią determinacji i ciężkiej pracy. Teraz zamierza wejść ze swoim biznesem na rynek amerykański.Realizacja nagrań w całej Polsce jest możliwa dzięki wsparciu partnerów.Partnerami są:✅ SeoHost.pl - hosting od 37 zł rocznie i supertanie domeny.❗KOD RABATOWY: BODP - 50% zniżki na aktywację nowych serwerów.https://seohost.pl ✅ Wykreowani.pl - specjaliści od skutecznego marketingu w internecie.https://wykreowani.pl/✅ Taxeo - Twoje biuro rachunkowe w Twoim mieście.https://taxeo.pl/✅ WydawnictwoMartel.pl - Książki, które inspirują małych i dużych czytelników.❗Kod rabatowy: MARTEL40 - 40% rabatu.https://wydawnictwomartel.pl/Mercedes S400d Long w którym nagrywamy mamy dzięki łączeniu sił z wypożyczalnią Cylindersi.Kontakt w sprawie współpracy (Kanał Biznes Od Początku):

Hi Technically Human listeners! Welcome back to another episode of the show. Today I'm sitting down with Alva Noë. We talk about his new book, The Entanglement, and the relationship between technology, philosophy, and art. In The Entanglement, Professor Noë explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature. Neither biology, cognitive science, nor AI can tell a complete story of us, and we can no more pin ourselves down than we can fix or settle on the meaning of an artwork. Even more, art and philosophy are the means to set ourselves free, at least to some degree, from convention, habit, technology, culture, and even biology. Dr. Alva Noë is a philosopher of mind whose research and teaching focus is perception and consciousness, and the philosophy of art. He is the author of Action in Perception (MIT, 2004); Out of Our Heads: Why You Are Not Your Brain and Other Lessons from the Biology of Consciousness (Farrar Straus and Giroux, 2009); Varieties of Presence (Harvard, 2012); Strange Tools: Art and Human Nature (Farrar Strauss and Giroux, 2015), Infinite Baseball: Notes from a Philosopher at the Ballpark (Oxford, 2019) and, most recently, Learning to Look: Dispatches from the Art World (Oxford 2021).  He holds a Bachelor of the Arts degree from Columbia University; a Bachelors of Philosophy. from University of Oxford;  and a Ph.D. from Harvard University. He teaches in the philosophy department of UC Berkeley.

In the first episode of the 2024-2025 season of Tech in the Arts, hear from Jessica Bowser Acrie, the director of the Arts Management and Public Management programs at Carnegie Mellon University's Heinz College. Having recently attended the Christie's Art + Tech Summit, Bowser Acrie shares her key takeaways for arts managers.

Scott Johnson shares his experience on the best art apps you can get for your tablet.Starring Scott JohnsonYou can find Scott's work at https://www.frogpants.com or follow him at https://x.com/scottjohnson.

Scott Johnson shares his experience on the best art apps you can get for your tablet. Starring Scott Johnson Support the show on Patreon by becoming a supporter!

Embark on a riveting odyssey with Steven Schkolne, a polymath whose professional course has been as diverse as it is deep. As he shares tales from his early days dabbling in BASIC and Logo, you'll find yourself immersed in the nostalgia of programming's past, drawing unexpected connections to the complex dance of modern development. Listen and be inspired by the transformative power of passion, whether it's in code, art, or the simple joy of gardening.Steven's journey is a reminder that the paths we tread often converge in unexpected places. From the mathematical allure of ray tracing to the epiphanies found in grad school, we uncover how a love for numbers and aesthetics can coexist harmoniously. Our conversation reveals the pivotal junctures where art meets technology - from GUI breakthroughs to creative digital art endeavors - charting Steven's evolution from an outsider to a pioneer in computer engineering and design.As we round off this insightful dialogue, Steven doesn't shy away from envisioning the future of coding, interfaces, and digital art markets. He discusses the cultural significance of NFTs, the importance of user-friendly design, and his hopes for a tech world that enhances, rather than replaces, the human element in engineering. Join us as we celebrate the symphony of skills and experiences that sculpt a life rich in passion and purpose.Support the show

Aravinth Panch (@aravinthpanch) is a social & tech entrepreneur empowering underserved communities in the Global South to tackle local socio-economic and environmental challenges while helping companies to realise their ideas from mind to market. He is currently the co-founder of DreamSpace Academy (@dreamspace.academy).He joins Ara on this week's episode of #TheTamilCreator to discuss how he went from stateless and suicidal to super successful, having a pet crocodile, founding several businesses and investing in various others, being forced to become a child soldier at the age of 14, trying to deport himself from India 6 times before successfully being able to leave, finding purpose in entrepreneurship, viewing DreamSpace Academy as similar to the Xavier Institute from X-Men, and so much more.Follow Aravinth:- LinkedIn (https://www.linkedin.com/in/aravinthpanch/) - Instagram (https://www.instagram.com/aravinthpanch/)Timestamps00:19 - Ara introduces this week's guest, Aravinth Panch (Ara)01:10 - What sparked his interest in entrepreneurship/driving social change?08:34 - The story his company, araCreate; engineering, media, and business11:16 - One of his companies (Hybrid 360 Art Tech) doing visual FX for Indian cinema13:33 - Trying to deport himself from India six times; not allowed to live or leave21:18 - Being a part of 20 companies in January 2023; managing his time24:01 - Refusing shares while consulting for 250 companies and declining CEO roles27:04 - The story of DreamSpace Academy38:03 - Success stories from DreamSpace53:45 - Building in Sri Lanka while living in Germany; how he sustains himself55:08 - Reflecting on finding his purpose59:22 - Advice he would give his 16-year-old self1:01:36 - The personal legacy he wants to be remembered for1:02:29 - Creator Confessions1:09:12 - The Wrap UpIntro MusicProduced And Mixed By:- The Tamil Creator- YanchanWritten By:- Aravinthan Ehamparam- Yanchan Rajmohan   Support the show

In this episode, we discuss MAB100 and Singularity X - our cutting edge technology and algorithm, pathing the way for art valuations and data in the print and multiples shere.

MUNG Legal is the First Dedicated Blockchain Law Firm in Hong Kong founded in 2018. Their niche legal advisory lies in the sector of Blockchain, Cloud, AI and Data Technology, Biotechnology & Life Sciences, Art Auction, Art Frauds, and Art Tech, which includes NFT. MUNG has proven itself to be a valuable partner with tech, biotech and art tech entrepreneurs where they could grow from strength to strength with quality and strategic legal advice. Monin Ung is an international lawyer who has practiced for over 20 years at magic circles and international firms. She is qualified in England and Wales as a Barrister, an advocate and solicitor in Singapore as well as a solicitor in Hong Kong. Having spent all her career at prestigious international firms, Monin has been well trained and seeded in diverse practice areas of corporate finance, initial public listings, private equity, cross-border mergers and acquisitions, trade disputes, patent litigation and intellectual property litigation. In 2018, she returned to Hong Kong to launch MUNG, a legal practice which thrives to make a difference, relevant to the future and impactful. Monin is also the Founder of Women in DAO, a space where she finds vibrancy and expressions. --- Send in a voice message: https://podcasters.spotify.com/pod/show/city-dao-podcast/message

This week, SoundStage! Audiophile Podcast host Jorden Guth is joined by James Hale, author of SoundStage! Xperience's popular “Art+Tech” column, to discuss his unique approach to hardware and music reviews, how the column came about, the value of today's audio gear as compared with that of decades past, and how technology influences the creation and enjoyment of art.  Sources: "How Good Can the Focal Utopia Headphones Make Remarkable Recordings Sound?" by James Hale: https://www.soundstagexperience.com/index.php/features-menu/art-tech/1104-how-good-can-the-focal-utopia-headphones-make-remarkable-recordings-sound "Battling Anxiety with Arcade Fire and the Rotel A12MKII Integrated Amplifier-DAC" by James Hale: https://www.soundstagexperience.com/index.php/features-menu/art-tech/1072-battling-anxiety-with-arcade-fire-and-the-rotel-a12mkii-integrated-amplifier-dac http://jameshale.ca/music.html https://downbeat.com/site/author/james-hale Chapters: 00:00:00 Announcement 00:00:20 How SoundStage! founder Doug Schneider inspired “Art+Tech” 00:22:56 Musical interlude: "My Bet" by RocknStock 00:24:05 It's about the music, silly! 00:39:39 …except for opera

Artist and technologist, Ari Melenciano, spent her youth obsessed with music, art, and gadgets. A year in Barcelona, a city that valued art as she did, left a meaningful impression on her. Back in the US, frustrated at the racial inadequacy of academia and technology, she founded Afrotectopia, a cultural institution building at the nexus of art, science, and technology through an Afrocentric lens.Images and more from Ari at cleverpodcast.com!Please say Hi on social! Twitter, Instagram and Facebook - @CleverPodcast, @amydevers,If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven. Hosted on Acast. See acast.com/privacy for more information.

Art makes people happier. It can not only lift moods, but it's been proven to carry loads of positive health benefits. Internationally recognized artist Catherine Mayer knows the powerful role arts can play in wellness, which has led her to found the L.A.U.G.H app and workshop series. An acronym for Let Art Unleash Great Happiness, the app applies sensory tools and visual arts to help users with relaxation, mindfulness and building self-esteem. Her workshops have been held in schools, nursing homes and the Fred Hutch Cancer Center - using art immersion for measurably positive health effects and improving the learning experience of chronically stressed children. Join our student hosts in learning how tech and art can combine to improve mental health, along with self-care practices that can lower stress, increase concentration and boost moods. Presented by C89.5 in partnership with Seattle Children's, Coping 101 is an ongoing series led by students in Nathan Hale High School's Radio class that destigmatizes mental health from a teen's perspective, made possible with support from Crisis Connections, Carter Subaru, Hansmire Builders and Audian.   No matter our age or background we all face challenges, and there are healthy ways to cope. Get started with more episodes, and find resources to help you improve your family connections, online at c895.org/coping101 More about Catherine Mayer: www.catherinemayer.com/pages/about-the-artist The L.A.U.G.H. app: www.thelaugh.app L.A.U.G.H. art experiences: www.thecatherinemayerfoundation.org/workshops More about the Catherine Mayer Foundation: www.thecatherinemayerfoundation.org/about-the-foundation

Some of the topics we cover:* NEARCON 2022 - wild experience. * Jordan's Origins - from Art + Tech nonprofit to NEAR Protocol* NFTs - origins and evolution. Digital gentrification?* Challenges and new approaches to DAOs:* Putting the human back in the equation - applying Design Thinking to DAOs* Onboarding and off boarding - quadratic quorum!?* NDC - origins and road ahead* Progressive payouts for Hackathons* Basement dwellers and the joys of on-chain espionage* ...and more!Resources and MentionsTENK - https://tenk.dev NEAR Misfits - https://twitter.com/NEARMisfitsDeep Skills - https://www.deepskills.io AstroDAO - https://astrodao.com[NDC] Illia @ ETHCC - Designing DAOs for Ecosystem Governance - https://www.youtube.com/watch?v=6h5Jy4EVFMs[NDC] Twitter Thread summarising Illia's ETHCC Talk - https://twitter.com/AlejandroVBeta1/status/1566712177037574144Stader Labs NEARX exploit - what happened - https://youtu.be/1PRNaZBzR4QPizza Maker - https://twitter.com/AlejandroVBeta1/status/1561123876465102848?s=20&t=YuEngYH_r9tjYtV-jt77aw

Episode #41: Art & technology have become so closely intertwined in recent years. The rise of immersive art is bringing innovative experiences to broad audiences! FULL TRANSCRIPT HERE BetweenTheSpaces.com Between the Spaces — featuring the work of multimedia artist Jaiye Farrell and photographer Cody Giles — invites the viewer to explore connectivity and art as it pertains to digital versus tactile mediums. Between the Spaces invites the viewer to explore connectivity and art as it pertains to digital versus tactile mediums. Mixing printed portraits with markings painted physically and digitally and then experienced through virtual reality, this project brings those two worlds together. It features 36 printed portraits, 18 of which will be physically embellished, and the other 18 will be virtually painted and viewed using the Artivive app. The artists welcome viewers to move through the gallery interacting with the different elements of the project, including a polaroid corner for participants to have their picture taken and that Polaroid becomes part of the installation, 3D printed painted orbs on display, an augmented reality orb, a video space for participants to create selfie videos, a collaborative canvas to be raffled off as well as canvas pieces of art. The virtually-painted portraits can be purchased and viewed again in their homes with the app, expanding the experience of the project beyond gallery walls. It is also the hope of the artists that the participants feel connected and included enough to be a part of the project. Jaiye Farrell Oklahoma-based artist Jaiye Farrell cultivated his style of painting from abstract patterns that transcend societal and cultural divides and remember the communal roots of humanity. From an infatuation with archeology emerged a creative and ambitious talent: to craft signature designs that inspire self-reflection. “The pattern I am cultivating is a rhythm of line and shape. I use like a substance that morphs so I can transform surfaces objects and spaces around me.” Cody Giles Driven by connection, community, and alliteration, Cody Giles is a photographer who always sets out to capture the personality of a subject. Not just another portrait, but rather one that conveys just who that person is without knowing them. He strives to do this in all types of photography, from live music to families, to fashion editorials. Capturing moments in thoughtful and artful ways is always the goal. Want to support this podcast? Subscribe, leave a review/rating, share with a friend & consider becoming a monthly supporter of Coffey & Code. Thanks for listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/coffeyandcode/support

In this week's first segment (02:48 to 15:52), hosts Brent Butterworth and Dennis Burger share their varied opinions on “MoFi-gate,” the biggest scandal in the analog audiophile world right now. It turns out that Mobile Fidelity Sound Lab—long lauded for their all-analog production process—actually creates their lacquer masters from 4X DSD files these days, not directly from the master tapes. Will this be the end of this revered audiophile company? Is the outrage justified? Brent and Dennis have thoughts. Next up (16:24 to 28:15), they dig back through the Stereophile archives to discuss a review of the Monitor Audio Studio 20 loudspeaker written by Robert Harley in 1991, complete with measurements by John Atkinson. Monitor Audio is a brand beloved by Brent and Dennis alike, so this throwback review gives them both the opportunity to reflect on just how much has changed in the world of loudspeaker design in the past 30 years.  Finally (28:50 to 39:20), they dig into James Hale's latest “Art+Tech” column on SoundStage! Experience, in which he explores the music of Charles Lloyd through a pair of different iFi Audio DACs, including the same Zen One Signature, which Dennis recently fell in love with and added to his reference stereo system. Somehow or another, though, this leads right back to a discussion about vinyl.  Sources: "Mobile Fidelity UPDATE New details on the current Controversy" by The 'In' Groove: https://youtu.be/mrahjsfJBc8 "Mobile Fidelity - Interview on Mastering With Shawn Britton, Krieg Wunderlich & Rob LoVerde" by The 'In' Groove: https://youtu.be/shg0780YgAE "Michael Fremer from Tracking Angle Focus on the MoFi Video" by 45 RPM Audiophile: https://youtu.be/Xl15-RC3wMU "Did Mobile Fidelity Lie?? The evidence examined (with a surprise at the end!)" by poetryonplastic: https://youtu.be/S6kFRQ9NTDw "Mobile Fidelity Sound Lab VINYL, oops!" by Steve Guttenberg Audiophiliac: https://youtu.be/B-_1lL3tfS0 “Kind of Blue: The Making of the Miles Davis Masterpiece” by Ashley Kahn https://www.dacapopress.com/titles/ashley-kahn/kind-of-blue/9780306815584/ "Monitor Audio Studio 20 loudspeaker review" by Robert Harley (First Published on Dec 1, 1991): https://www.stereophile.com/content/monitor-audio-studio-20-loudspeaker "The iFi Audio Zen One Signature and Go Bar Open the Door to Charles Lloyd's Chapel" by James Hale: https://www.soundstagexperience.com/index.php/features-menu/art-tech/1075-the-ifi-audio-zen-one-signature-and-go-bar-open-the-door-to-charles-lloyd-s-chapel "iFi Audio Zen One Signature Digital-to-Analog Converter review" by Dennis Burger: https://www.soundstageaccess.com/index.php/equipment-reviews/1197-ifi-audio-zen-one-signature-digital-to-analog-converter

Ed speaks with Jessica Santiago, CEO and curator at ArtRepublic Global about how the marriage of art and technology created the NFT markets we know today.

Just by reading the news, the metaverse seems like a storm of experiential, edgy, immersive technology poised at the juncture of art, entertainment, social media, and crypto currency. With that, we are told the metaverse has the potential to revolutionize the art world. Storage, location, display, transparency, authenticity and accessibility are the stumbling blocks to experiencing or owning fine art – Yet the metaverse theoretically provides a platform for creators, commentators, critics, galleries and collectors to transcend all of these issues. Is the metaverse really turning the art world upside down? How much of this remains a mirage, and how much of it is already a structured, working, money-making ecosystem? How critical is financial technology in powering this new art market?Our guest today is Anne Bracegirdle, vice president of Business Development at Metaversal, and based in Philadelphia, Pennsylvania, USA. Her expertise focuses on the intersection between the art world and technology.  As noted on Metaversal's website, Ms. Bracegirdle “has been preaching about non-fungible tokens (NFTs) in the art world since before it was cool.” Prior to joining Metaversal, she spent nearly a decade at Christie's, with her last role being associate vice president in charge of the Art+Tech initiative, before turning to art tech first by joining Superblue as its senior director for Special Projects, and then co-founding the Art & Antiquities Blockchain, a consortium of women from diverse professional backgrounds providing unparalleled expertise in cultural heritage issues.Brand & New is a production of the International Trademark AssociationHosted by Audrey Dauvet - Contribution of M. Halle & S. Lagedamond - Music by JD BeatsFOR MORE INFORMATION, VISIT INTA.ORGTo go further:About Anne Bracegirdle (link to https://www.linkedin.com/in/anne-bracegirdle-76b3937a/)Also of interest:. https://www.inta.org/podcast/the-impacts-of-blockchain-in-the-ip-world-the-gift-that-keeps-on-giving/. https://www.inta.org/perspectives/nfts-brands-and-the-metaverse/. https://newtonmedia.foleon.com/inta-daily-news/day-5-2022/a-leap-of-faith·      https://www.theartnewspaper.com/2022/01/28/what-is-the-metaverse-and-why-does-it-matter-to-the-art-world-experts-weigh-in-and-predict-its-future-impact·      https://news.artnet.com/art-world/forget-making-art-studio-artists-now-developing-latest-works-metaverse-2052959·      https://www.dataart.com/en/blog/the-promise-of-art-in-the-metaverse·      https://ocula.com/magazine/art-news/how-will-the-art-world-enter-the-metaverse/·      https://www.nytimes.com/2018/07/20/arts/blockchain-fintech-art-funds.html

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My guest today is Bernadine Brocker Wieder. Bernadine is the founder of Vastari & Vastari Labs. Vastari is focused on helping the traditional art world showcase art globally via museums, exhibitions and more. Vastari Labs is the web3 focused arm that acts as the bridge between the traditional art world and the metaverse. Bernadine has deep experience in the art world and has always been looking toward how to utilize technology to improve art since day 1. During our conversation we cover Bernadine's impressive background, the current state of the global art market, how NFTs are impacting the art world and even topics like how art is valued. For everyone that wants to learn about the intersection of art and technology, this is the episode for you. Please enjoy my conversation with Bernadine https://twitter.com/bjkbrocker https://twitter.com/Vastari_ https://twitter.com/vastari_labs

EPISODE 23 of 'All About Art': an Interview on Founding an Art & Tech Startup with Artscapy COO and co-founder Emilia De Stasio Within this episode, I interview COO and co-founder of Artscapy, Emilia De Stasio about founding a startup that is by art collectors for art collectors and uses the combination of art and technology at its core. Emilia is an entrepreneur, startup investor and advisor, as well as speaker and expert panelist at technology and startup events. Building on five years as a financial analyst and published researcher at the European Central Bank and Moody's Investors Service, she moved into the world of startups as an investment manager, investing in early-stage tech-driven startups across finance, advertising, VR, digital consumer products, and software solutions. Emilia is committed to giving back to the innovation ecosystem by mentoring founders at UCL, Startup Leadership Programme, and Eligent Accelerator (something she mentions later in the episode!). Emilia contributes a holistic business perspective as the COO of Artscapy, while having a very clear and tangible vision for how to democratize fine art collecting, by being an experienced collector herself. Stay tuned to hear me chat to Emilia about the company and its mission, what the gaps were within the arts in terms of collecting and technology that needed to be filled, and what is needed if you want to scale a company within the arts. We touch on the important questions you need to ask yourself when speaking to investors as a founder, as well as personal topics such as what it was like founding a company with her husband, Alessandro. You can find out more about Artscapy here: www.artscapy.com Follow them on Instagram: www.instagram.com/artscapy and you can read my article on my top 5 picks from their marketplace: New Year, New Art - Collecting Art on Artscapy https://artscapy.com/page/view-post?id=123 ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram @alexandrasteinacker Twitter @alex_steinacker and LinkedIn at Alexandra Steinacker-Clark COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com

We've experimented with the digital space even more than ever - what now? What lies ahead for these bedfellows? Hosted by Vithya Subramaniam, and featuring Adeeb Fazah, Cherilyn Woo and Han Xuemei. This radio chat took place on 18 December 2021, as part of Year in Review 2021: JENG JENG JENG organised by Centre 42, ArtsEquator and Channel NewsTheatre in collaboration with Artwave Studio.

By utilizing state-of-the-art technology, Wash U researchers hope to develop a better understanding of how rivers may react to future flooding events. Geomorphologist Claire Masteller joins us to discuss her work studying bedrock river erosion.

Clara Blume, Ph.D., is an Oakland-based artist, cultural diplomat, and researcher. As head of the Open Austria Art + Tech Lab, she curates artworks that explore the interplay of human and artificial creativity. As a professional musician and singer/songwriter, Blume was invited to tour Europe and the US. Apollo - The International Art Magazine most recently selected her among the 40 UNDER 40 most talented young people worldwide working in Art + Tech.Creativity Without Frontiers available at all relevant book retailersStay in touch with Unknown OriginsMusic by Iain MutchSupport the show (https://www.paypal.com/unknownorigins)

In this episode, Maria, Brian, Cesar and Will discuss:Art BaselAll the craziness of the Miami Art WeekEventsWhy Miami is perfect as an NFT HubJPEG Morgan& more!

01:06 - Anne Bracegirdle discusses navigating the waters between the legacy art world and the crypto art world. Anne spent a decade at Christie's where she spearheaded the auction house's Art+Tech initiative, before diving headfirst into arttech at Superblue and co-founding the Art & Antiquities Blockchain Consortium. She is a frequent speaker about the confluence of art and technology and now serves as the VP of Business Development for Metaversal.28:11 - The week's top art headlines.

In this episode, Yasmin Elayat shares how the combination of art and tech led her to embarking on an innovative journey. She talks about her passion for Virtual Reality (VR) and how it transformed her career. Being an Emmy award winner and clubbing two very diverse fields of art and tech into creating stellar projects, Yasmin shares her inspiring outlook on how creativity led her to becoming an entrepreneur. From the combined struggles and challenges she faces during her startups for fundraising, managing finances, and rejections, she's done it all and loves a good challenge to achieve the innovative aspirations she set out for herself and her team! Listen to her episode now!Yasmin Elayat is an Emmy-award winning immersive director whose work pushes the boundaries of immersive narrative and participatory experiences. Yasmin is Co-Founder at Scatter, where she heads content, production and marketing initiatives. Scatter is recognized for pioneering the emerging language of Volumetric Filmmaking through its original volumetric film productions. Yasmin's work has won multiple awards and exhibited at various festivals including Sundance, Tribeca, SIGGRAPH, Festival de Cannes, and the World Economic Forum.

Hvilke forbindelser og relationer har vi skabt i mødet mellem det digitale og det analoge? – og hvem gavner de? Og har det digitale altid en fysisk manifestation, konsekvens eller aftryk? Særligt (provokerende) kunst kan være med til at sætte tingene på spidsen og kickstarte en ekstremt vigtig dialog, om vores fælles fremtid og relationen mellem det fysiske og digitale. Se videoen på Arttech Tuesday. Gæster Cecilie Waagner Falkenstrøm. Kristoffer Ørum og Jacob Busch. Vært Christiane Vejlø.

Tiden som passivt publikum er ovre. Fremtidens high-tech kulturoplevelser kommer for at involvere dig, dine data og dine reaktioner for at skabe kunst du ikke troede var mulig. Vi kommer til at mødes i metaverset. Månedens Art tech tuesday, med Christiane Vejlø som vært, handler om krydsfeltet mellem den digitale og den taktile verden. Vi kommer til at se kunstnere trække på en bred vifte af digitale pensler fra algoritmer og sensorer, til data og intelligente skærme. Gæster Mikkel Keldorf, Jakob Tekla Jørgensen og Simon Lajboschitz,

Mennesket har gennem hele sin historie gjort sig tanker om fremtiden. Vi har ofret til guderne – og håbet på god høst og jagt. Vi har fortalt historier om dommedag og paradis. Nogle har set – og ser stadig – lyst og optimistisk på fremtiden. Andre skitserer den mørk og dystopisk. Hvordan bliver den? Som Star Wars, Black Mirror, 1984 eller The Matrix?Fantastiske og tankevækkende forestillinger former vores opfattelser af fremtiden og den teknologiske udvikling. Og hvad kommer der til at ske, når AI begynder at digte med – og snupper vores pen og mus? Kan vi forestille os den fremtid – og kommer fremtiden til at overgå fantasien? Gæster: Fremtidsforsker Liselotte Lyngsø, forfatter Amdi Silvestri, litteraturhistoriker Mads Rosendahl Thomsen. Christiane Vejlø er vært.

We're all infatuated with ‘innovation,' yet we often disparage those who are at the root of it, artists! In order to thrive we may all need to shift our biases and begin to think like an artist. It may be particularly needed if we don't consider ourselves to be at all artistic. How might making such a shift make you and I into better leaders? Not sure? Let's find out together.... Our guest is Nir Hindi and he says: "Creativity is a matter of Commitment, not Resources," Originally from Tel-Aviv, Israel, you may be surprised to know, Nir is an entrepreneur who, though rooted in the world of technology and business, has always had one foot in the creative world. Nir Hindi, is the founder of The Artian, a trans-disciplinary training company that fuses and mixes art in business and technology environments to pursue originality. He is part of Headspring's Training Professionals, a Financial Times IIE Corporate Learning Alliance. Nir is also a visiting professor at IE Business School and core faculty at the Master for Design and Innovation in IED. He is a mentor in leading start-ups programs including, Endeavour, Startup-bootcamp, Arts at MIT, and others. He is the founder of the Art & Tech event series and part of Cotec's 100 experts to promote innovation in Spain. Nir operates at the intersection of execution and imagination and is devoted to fostering Renaissance Thinking in business. He especially advocates the connection between artistic talent and business entrepreneurship, two areas that fuel each other and provide endless mutual learning opportunities. This Israeli, now based in Madrid, Spain, is the bestselling author in Japan of; Renaissance Thinking. Website: www.THEARTIAN.COM Social Media Facebook: https://www.facebook.com/theartian Twitter: https://twitter.com/theartian?lang=en LinkedIn: https://www.linkedin.com/in/nirhindi Instagram: https://www.instagram.com/nirhindi

We're all infatuated with ‘innovation,' yet we often disparage those who are at the root of it, artists! In order to thrive we may all need to shift our biases and begin to think like an artist. It may be particularly needed if we don't consider ourselves to be at all artistic. How might making such a shift make you and I into better leaders? Not sure? Let's find out together.... Our guest is Nir Hindi and he says: "Creativity is a matter of Commitment, not Resources," Originally from Tel-Aviv, Israel, you may be surprised to know, Nir is an entrepreneur who, though rooted in the world of technology and business, has always had one foot in the creative world. Nir Hindi, is the founder of The Artian, a trans-disciplinary training company that fuses and mixes art in business and technology environments to pursue originality. He is part of Headspring's Training Professionals, a Financial Times IIE Corporate Learning Alliance. Nir is also a visiting professor at IE Business School and core faculty at the Master for Design and Innovation in IED. He is a mentor in leading start-ups programs including, Endeavour, Startup-bootcamp, Arts at MIT, and others. He is the founder of the Art & Tech event series and part of Cotec's 100 experts to promote innovation in Spain. Nir operates at the intersection of execution and imagination and is devoted to fostering Renaissance Thinking in business. He especially advocates the connection between artistic talent and business entrepreneurship, two areas that fuel each other and provide endless mutual learning opportunities. This Israeli, now based in Madrid, Spain, is the bestselling author in Japan of; Renaissance Thinking. Website: www.THEARTIAN.COM Social Media Facebook: https://www.facebook.com/theartian Twitter: https://twitter.com/theartian?lang=en LinkedIn: https://www.linkedin.com/in/nirhindi Instagram: https://www.instagram.com/nirhindi

Samspillet og sammensmeltningen mellem menneske og maskine er i fokus. Hvornår bruger vi værktøjet og hvornår vi er værktøjet? Er maskiner og algoritmer os overlegne – eller kan vi mennesker noget særligt? Er der udsigt til store magtkampe eller tættere og tættere kreativ par-dans? Programmet er en del af Vejle Kommunens Art Tech Tuesday serie. Gæsterne er Andreas Refsgaard er kunstner og kreativ koder, digital strateg Peter Svarre og Thomas Bolander professor ved DTU Compute.

This week I had the pleasure of speaking with Erica of @luxearttech we discussed her background in fashion, Mentoring, Coaching her entrpreneural journey. This episode is sponsored by: @theadornednyc Redefining what "good" hair means to the everyday woman. Start your healthy hair care journey by obtaining their new natural hair care memberships. @imstyledbyb Helping busy, boss women get dressed and feel there sexiest, most confident selves - everywhere, everyday. Keep up with me on all social sites! @LeneseCalleea @LC_ApparelConsulting @CalleeaVateinInc @blackgirlzdesignerclub www.lenesecalleea.com Stay Black! Peace Out! #EducateNCreate

As artistic director of Oklahoma Contemporary, Jeremiah Matthew Davis serves in a key leadership role as the institution moves to its new, central location in downtown Oklahoma City. A native of Oklahoma, Davis leads the strategic plan for the growth of artistic programming and Studio School, piloting innovative programming that will remain the core of the institution's work in its new home. Since joining Oklahoma Contemporary in 2016, Jeremiah has overseen forward-looking curatorial programming, including Ed Ruscha: OKLA, Tatyana Fazlalizadeh: Oklahoma is Black and Jeffrey Gibson: Speak to Me, and performance, including the Art + Tech and Women in Performance series, while continuing and strengthening staple youth and adult education programs. Prior to joining Oklahoma Contemporary, Jeremiah focused on an immersive theatrical production, working with some of the most accomplished artists in the country, including Tony Award-winning designer Christine Jones, Sleep No More producer Randy Weiner, international composer Andile Khumalo, and emerging installation artist Cosmo Whyte. He has collaborated with leading theatrical institutions, ranging from the Woodshed Collective, New York Theatre Workshop, and St Ann's Warehouse, as a dramaturg, writer, consultant, producer, and technical director. His work in this sphere has been consistently grounded in education, including teaching roles at New York University, Barnard College, and Columbia University and his continuing tenure as a faculty member at the Todoroff Conservatory.   Jeremiah holds a graduate degree in dramaturgy from Columbia University, where he was Dean's Fellow. He studied theater and social science at Bennington College.

As artistic director of Oklahoma Contemporary, Jeremiah Matthew Davis serves in a key leadership role as the institution moves to its new, central location in downtown Oklahoma City. A native of Oklahoma, Davis leads the strategic plan for the growth of artistic programming and Studio School, piloting innovative programming that will remain the core of the institution's work in its new home. Since joining Oklahoma Contemporary in 2016, Jeremiah has overseen forward-looking curatorial programming, including Ed Ruscha: OKLA, Tatyana Fazlalizadeh: Oklahoma is Black and Jeffrey Gibson: Speak to Me, and performance, including the Art + Tech and Women in Performance series, while continuing and strengthening staple youth and adult education programs. Prior to joining Oklahoma Contemporary, Jeremiah focused on an immersive theatrical production, working with some of the most accomplished artists in the country, including Tony Award-winning designer Christine Jones, Sleep No More producer Randy Weiner, international composer Andile Khumalo, and emerging installation artist Cosmo Whyte. He has collaborated with leading theatrical institutions, ranging from the Woodshed Collective, New York Theatre Workshop, and St Ann's Warehouse, as a dramaturg, writer, consultant, producer, and technical director. His work in this sphere has been consistently grounded in education, including teaching roles at New York University, Barnard College, and Columbia University and his continuing tenure as a faculty member at the Todoroff Conservatory.   Jeremiah holds a graduate degree in dramaturgy from Columbia University, where he was Dean's Fellow. He studied theater and social science at Bennington College.    

On this special episode of Next with Novo, I share my conversation with Devang Thakkar from the Christie's Art + Tech Summit. In it, we discuss what's going on now and what's next for NFTs, crypto, & more. The NFT space is still in its infancy, making education, trust, and building community in the space vital parts of its future growth. Make no mistake, NFTs are the future of art & tech, and in this talk, we discuss just what that future might hold. Be sure to tune in to learn more. Make sure to subscribe to my YouTube and Apple Podcasts channels so you don't miss out on future episodes, and follow me: Twitter: https://twitter.com/novogratz YouTube: www.youtube.com/c/mikenovo/ Spotify: https://spoti.fi/3sdPneD Next with Novo is the go-to resource for what's new and what's next. In this series, Mike Novogratz, influential investor, Wall Street Veteran, and CEO at Galaxy Digital, invites viewers to learn with him from the brightest minds behind disruptive businesses, prolific social movements, and technologies powering permissionless innovation. This podcast was recorded on July 15, 2021. The Next with Novo podcast is for informational purposes only. Nothing in this podcast constitutes an offer to buy or sell, or a solicitation of an offer to buy or sell, any securities. The information in the podcast does not constitute investment, legal, or tax advice. The host is an affiliate of Galaxy Digital (host and Galaxy Digital together, the “Parties”), and the podcast represents the opinions of the host and/or guest and not necessarily that of Galaxy Digital. The Parties do not make any representation or warranty, express or implied, as to the accuracy or completeness of any of the information therein. Each of the Parties expressly disclaims any and all liability relating to or resulting from the use of this information. Certain information in the podcast may have been obtained from published and non-published sources and has not been independently verified. The Parties may buy, sell or hold investments in some of the companies, digital assets or protocols discussed in this podcast. Except where otherwise indicated, the information in this video is based on matters as they exist as of the date of preparation and will not be updated.

In this week’s episode we are joined by our homegirl Elyse who’s a super dope self taught artist, certified tech geek, and spiritual goddess. We’re going to get into the intersections of art and tech while also focusing on some cool witchy shit. Grab your drinks and let’s get right to it.  Follow our guest on Instagram  @rebelleresinart Follow is on Instagram  Hasmeen- @jayrwilson Valerie Ann - @_valerieanncreates_

Here's Gerald, Jason, and Marc's key takeaways from the Alexia and Karabo's interview about Capital Art and Artech.You can find the full episode here or on your favorite podcast player.

We can argue that without technology there's no art. We need to learn how to paint to become a painter and paper to become a writer (although most writers write on a computer nowadays, but this is another story). However, there's nothing further away from computer technology than art, you might think.Well, beyond the famous legaltech, edutech, fintech and the likes, we now find artech, and no, it's not (yet) another NFT discussion, although it might in the future. In this episode, we welcome Alexia Walker and Karabo Morule, co-founders of Capital Art, a venture to help private and corporate art collectors to manage and better grow the value of their art collections. With a clear focus on African art, Capital art is a different kind of startups.However, not only, you'll learn more about African art, you'll discover that a startup is a startup and our founders have made incredible discoveries on their journey, that do not fundamentally differ from any other companies. Enjoy this new episode of Entrepreneurs Talk Africa.

Hvad ville du kunne gøre med en virtuel kopi af dig selv? En ny verden med Virtual reality byder på utrolige muligheder og frihed til udfoldelse i det digitale univers. Menneskekroppens begrænsninger opløses og tyngdekraften ophæves. Og du ville måske endda kunne leve forevigt i din virtuelle krop? Men hvad nu hvis nogen stjæler din virtuelle identitet? Og hvem har ret til din digitale krop, hvis din fysiske krop ikke længere findes? Programmet er en del af serien Art Tech Tuesday.

Dan Edwards joins us on The Official Stuck On An Eyeland Podcast. Dan is a traditional portrait sculptor that uses his talent to reflect the times. You may have seen some of his work on artists such as Nipsey Hussle, Denzel Curry, and George Floyd. In this episode, Dan talks about the difference between when to profit off of art and when to create something for the people that's accessible to all. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/stuck-e-podcast/support

Et kunstværk lavet af kunstig intelligens bliver solgt til 2 mio. kr. Men er kunst lavet af en maskine lige så ægte som kunst lavet af et menneske? Er AI bare et nyt værktøj, en ny form for pensel? Eller er det kunstnerens konkurrent? Hvordan finder vi balancen mellem teknologi, kunst, fiktion og fakta? Og hvad skal vi passe på lige nu for ikke at spænde ben for både mennesket og kunsten i fremtiden? Programmet er en del af Art Tech Tuesday som du kan følge live fra Vejle Musik Teater første tirsdag i hver måned. Christiane Vejlø er vært og gæster i denne udgave er kunstner Cecilie Waagner Falkenstrøm, ekspert i kunstig intelligens Jacob Knobel og museums direktør fra Trapholt Karen Grøn. Husk at abonnere på Elektronista podcasten.

In this episode, I give my mic over to Ana Marsh and Matt Perry, two producers on the show, for an interview with John Maeda. Dr. John Maeda is an American technologist and product experience leader who is known around the world for building bridges between business, engineering, and design—and his dedication to working inclusively. He is the SVP Chief Customer Experience Officer at Everbridge, where he works on the future of Critical Event Management technologies for saving lives and keeping businesses and society running. He is an MIT-trained computer scientist, who blends his training as a computer scientist with an MBA. He is the author of five books including the new How To Speak Machine and the bestselling Laws of Simplicity. Among his MANY leadership positions, he serves on the board of Directors at Sonos and the Smithsonian Design Museum, he is the former President/CEO of Rhode Island School of Design (RISD), and he is a Partner at Kleiner Perkins venture capital in Silicon Valley. During his early career, Dr. Maeda was an MIT research professor in computational design,  represented in the permanent collection of the Museum of Modern Art. He is also a recipient of the White House’s National Design Award. He has appeared as a speaker all over the world, from Davos to Beijing to São Paulo to New York, and his TED talks have received millions of views.  To quote WIRED Magazine, “Maeda is to design what Warren Buffett is to finance.” Today’s hosts, Ana Marsh and Matt Perry, are producers on the Technically Human podcast. Ana Marsh is a fourth-year computer science student at Cal Poly. She is graduating in the Spring of 2021 and plans to start full-time at Microsoft in the Fall. She has a deep interest in ethical technology, cultivated through her coursework in computer science and the University’s new technically human course, part of the Cal Poly ethical technology initiative. Matt Perry is a fifth-year architecture student at Cal Poly from Las Vegas, NV. Now in the final year of his degree, he is doing research on ephemeral architecture and designing for the human experience, while exploring the future of architecture. He hopes to spend his time designing architecture with the human experience at the forefront of design. Ana and Matt talk about what it means to blend tech and art, how we can think about the future of humane design, and how we can make tech great again. Art by Desi Aleman Produced by Matt Perry

Hvad sker der når man lader kunstig intelligens bestemme over danserne i en forestilling? I denne Elektronista lydudgave af Art Tech Tuesday kan du høre den anmelderroste koreograf som fortæller hvordan han har har brugt kunstig intelligens i danseforestillingen Kentauer, vi møder også professor i robotteknologi Norbert Kruger der taler om hvor kort- eller langt der efterhånden er mellem menneske og maskine. Og så har vi filosof Jacob Busch som løfter os lidt op i helikopteren og ser på etikken. Christiane Vejlø er vært. Du kan læse mere om Art Tech Tuesday og tilmelde dig kommende arrangementer på Vejle Musik Teaters hjemmeside.

In this special second episode in our series on next-gen innovators, Charlie chats with Anya Berlova. Anya Berlova is a student at the Leeds School of Business at the University of Colorado Boulder and an entrepreneur of a social cause startup focusing on anti-bullying.

In this special second episode in our series on next-gen innovators, Charlie chats with Anya Berlova. Anya Berlova is a student at the Leeds School of Business at the University of Colorado Boulder and an entrepreneur who launched her social cause startup in her freshman year of college. Her startup focuses on combatting bullying in a creative and technology-driven way. To support the development of the technology and to further raise awareness for the mission, she launched a fashion label, Anya Berlova Designs. Anya started her brand because she had a mission: to combat bullying and encourage people to show their uniqueness and unique selves. She believes that one of the keys to a bullying-free society is for every person to build confidence around their individuality and not succumb to any fear surrounding the expression of who they are. She hopes to inspire YOU to #ShowYourUnique! Charlie and Anya discuss: her passion for innovation and what drove her to launch a social cause startup on anti-bullying; how the pandemic has changed school life and what the long-term impact will likely be to higher education; why she sees a silver "digital" lining in the pandemic; why communication and data privacy is of particular interest to her when thinking about the post-pandemic future   CONNECT WITH ANYA: Website: https://anyaberlova.com/ LinkedIn: https://www.linkedin.com/in/anya-berlova/ Instagram:  https://www.instagram.com/anyaberlovaofficial/ Facebook:  https://www.facebook.com/anyaberlovaofficial/ YouTube:  https://bit.ly/3a64JLK REACH OUT TO THE SHOW: Website: https://tech2025.com/fast-forward-podcast/ Twitter: @fastforward2025 Instagram: @fastforward2025 Facebook: https://bit.ly/fastforwardfacebook Email: fastforward@tech2025.com Charlie on Twitter:  @itscomplicatedCharlie on Instagram:  @charlieoliverbk Charlie on LinkedIn: linkedin.com/in/charlieoliverny

Der kommer næsten tårer i øjnene, når vi hører historien om det ensomme, lille juletræ som alle har overset. Men det er ikke et følsomt menneske, der står bag digtet. Det er iskold kunstig intelligens uden ét gram følelser. Kan teknologi skabe kunst? Hvad er kunst? Og hvad sker der, når vi ikke længere kan kende forskel på den kunst maskinerne skaber, og den vi selv skaber? Podcasten er en del af Art Tech Tuesday som streamer live fra Vejle Musikteater hver første tirsdag i måneden. Christiane Vejlø er vært og i dette program møder du ekspert i kunstig intelligens teknologi Thomas Nørmark og filosof fra Aarhus Universitet Jacob Busch.

#Bitcoin #Film #Movie #Evolution #Freedom #FreePrivateCities #Technology #JoshLopez #VisualDesign Josh Lopez- technologist, visionary, &entrepreneur- joins me in this episode to talk about: -Hyperbitcoinization & the absolute scarcity of Bitcoin -Technological Innovations on every level/ Seasteading / Oceanbuilders -Film Trailer& Visualization of Humanity´s Civilization rooted in Bitcoin -The Trust-Issue -Intellectual Property, Patents & Open Source Links of Josh: Website: villamars.com/ou812 twitter: @jloHiveMind LinkedIn: /josh-lopez-32675849/ Love, share, re-tweet, follow, subscribe to my channel, podcast-show, and write positive reviews on i-tunes or any other platform. Your help, cooperation, and support in any shape or form is highly apppreciated! Thank you for listening! Thank yourself in the years to come, when you will have accumulated Bitcoin with automatic recurring, easiest, and most affordable purchases on Swan Bitcoin- without thinking about it. You are part of the monetary, economical, scientific, and technological evolution with the hardest and scarcest money every created in human history. Bitcoin. Start your plan today and get $10 of free Bitcoin dropped into your account. https://www.swanbitcoin.com/TotalBitcoin/ Connect easily your Kraken-Account (lowest Tx-Fees) via self-generated API&Private Key and AutoDCA any amount of Bitcoin daily, weekly, or monthly. deltabadger.com/ref/TOTALBITCOIN If you wish to support my work with Fiat-Money or Satoshis. paypal.me/keyvandavani Patreon.com/TheTotalConnector tippin.me/keyvandavani PayNym-ID (Samourai Wallet): +summerhall1f2 I would appreciate a positive rating & review on anchor.fm/keyvandavani or any other platform, if you have enjoyed my show. Subscribe to my Podcast-Show on: Apple Podcast: https://apple.co/2IA2dhV Google Podcast: https://bit.ly/31rSymq Spotify: https://spoti.fi/2wOfq1k Breaker: https://bit.ly/2IzhiQO Overcast: https://bit.ly/2R4nnbJ Castbox: https://bit.ly/34DbM97 Pocket-Casts: https://bit.ly/2XElbKv Radio Public: https://bit.ly/2I86iuH twitter: @keyvandavani Website: keyvandavani.com/podcast TheTotalConnector.com YouTube: youtube.com/c/keyvandavani Bitcoin-sponsors are welcome! hello@thetotalconnector.com Thank you for listening and your support! Keyvan Davani --- Send in a voice message: https://anchor.fm/keyvandavani/message

Chapter written and read by the author from the Silver Linings book, available on Amazon. 20 uplifting stories from lockdown and from around the world. As you enjoy our book for free please consider donating to the charity we have nominated - the Cavell Nurses, via www.justgiving.com/silverliningsbook For some uplifting music chosen by us listen to our playlist on Spotify - www.spotify.com/silverliningsbook

What’s happening with my counterparts and former coworkers? My latest inquiry has lead me to a counterpart across the sea. What do you know. They have museums over there too. My next guest is a fascinating woman with a great story that I am eager to share with you. Sarah Titheridge changed course from a likely career in either art history or art conservation to the hands on job of Art Handler or Art Tech as they say across the water. In addition to that she has also set up a few resource websites for those working in the field, starting with Art Tech Space, known for connecting employers with art techs and hosting forums for users to connect and talk about the biz. I’m so happy she was able to talk to me and fill me in on all the details. Listen up people.ArtTechSpace https://www.arttechspace.com/ArtTechlympics https://www.arttechlympics.uk/BECTU art technician branch https://bectu.org.uk/get-involved/art-technicians-branch/International Mountmakers https://www.mountmakersforum.net/Art Technician Emergency Fund https://www.jumblebee.co.uk/arttechniciansemergencyfundBecome a patron of this podcast https://www.patreon.com/limitedperspective?alert=2

At the Peninsula hotel in Los Angeles, Art in America hosted a brunch for the highlighting the magazine's January Issue on Artificial Intelligence and Generative art. Artist, scholar, and collector Anne Spalter joined A.i.A. editor William S. Smith and tech entrepreneur Laura Lehmann for a conversation about the history and future of computer art. Spalter, author of the influential history The Computer in the Visual Arts (1999), described how her research into a field within art history that was neglected at the time led to her interest in collecting. She and her spouse, Michael Spalter, have built a significant collection that includes work created between the 1950s and 1980s by pioneering figures such as Vera Molnár, Georg Nees, and Koji Fujino. Though many of the compositions were produced by algorithms, the designs were fabricated with plotter printers on paper. The Spalters’ collection of computer art features many pieces in traditional mediums. Lehmann articulated an expanded view of collecting, noting that the meaning of collecting and curating is changing as those activities become widespread on social media. A new generation accustomed to managing collections of digital imagery on a daily basis could very well transform fundamental values in art and assumptions about its singularity.

Michael Green's Art: https://www.officialmichaelgreen.com/ Follow Michael Green: https://www.instagram.com/officialmichaelgreen/ Join us on discord to listen live and chat with @feltzine 24/7: https://discord.gg/yfUgfNC Follow us on IG: https://www.instagram.com/feltzine/ Follow us on Twitter: https://twitter.com/feltzine Like us on FB: https://www.facebook.com/FeltZine/ Peep our website here: https://news.feltzine.us/ Intro music by Now Salihu

Beetl Robotics wants to provide best-in-class robots using its expertise in cloud networking, computer vision and mechanical design. So naturally, they turned to poop scooping. According to Beetl, more than 35 million households in the US have dogs and backyards. The team designed a robot that uses computer vision and advanced sensor fusion to clean up after them. And if it works, we'll that's one hell of a market. The Beetl seems to work similar to a Roomba robotic vacuum cleaner. It deploys from a base and patrols a virtual map of the yard. Beetl finds the mess, deploys a clamshell jaw to clasp it, and then a trimmer to cut any grass that's coming along for the ride or otherwise stuck. It also uses cloud-based AI to adapt and learn from each scoop, because no two scoops are ever going to be the same. I don't know, I still say that if you can't clean up after it, you shouldn't have the dog, but maybe I’ve finally aged into common sense.

Austin Slominski talks to Jay Bruns, from the experimental art/tech space in Missoula, Wave & Circuit, about enabling and supporting creativity, finding and loving HTF gear and instruments and then passing them on, the importance of creating for the sake of creating. North Idaho is weird...Peavey is great...building stone monuments in the woods sounds like a fun idea...

Aaron Huey is a National Geographic photographer who has contributed dozens of cover and feature stories to the magazine. His photography details a wide range of stories from Sherpas on Everest, to life on the Pine Ridge Indian Reservation, and most recently, Aaron detailed the fight to preserve America's national monuments like Bears Ears. Aaron is also the founder of Amplifier, a design lab that builds art to amplify the voices of grassroots movements.. He was the design director for their art project “We The People” that flooded the streets of Donald Trump's Inauguration and the women's march of 2017, and has become one of the world's most iconic artistic movements. In this conversation, Aaron and I discuss how his background as an artist influences his photography, how he is breaking out of the conventional forms of photojournalism to tell more nuanced and powerful stories, and how he stepped across the journalism and activism divide, and helped create one of the most viral artistic movements in history.

Jonny provides yet more concise and informative reviews via the 30 second review format, before announcing a Champions League-style tournament to discover the best crisps. Ben asks Jonny to review some art produced by a rather unexpected source, with inevitable results, while Rob and Jonny have an insightful discussion about cyclists and bad drivers. There's also time for a roundup of tech news from F1, Audi, Samsung, science and the toilet industry.

Since 2012, a Milwaukee nonprofit has been helping students on the autism spectrum develop social and language skills, using a unique blend of art and technology. Listen how Islands of Brilliance co-founders Margaret and Mark Fairbanks launched the nonprofit and how they're changing lives.

Since 2012, a Milwaukee nonprofit has been helping students on the autism spectrum develop social and language skills, using a unique blend of art and technology. Listen how Islands of Brilliance co-founders Margaret and Mark Fairbanks launched the nonprofit and how they're changing lives.

As the Defense Department looks ahead to future technologies in its National Defense Strategy, the Army is doing its part. It's investing in modern tech designed to give soldiers more information, make them more lethal and less vulnerable. This week the National Defense Industrial Association is holding its Army Science and Technology Conference, which brings together innovators from both government and industry. Federal News Radio's Scott Maucione hit the exhibit floor to see what emerging technologies might be on the Army's radar, and shared his findings on Federal Drive with Tom Temin.

Tim & Brang hit the road and interview Vladimir Vukicevic, co-founder and CEO of the Meural Digital Canvas, a hardware product that creates dynamic spaces by displaying works of art. Topics range from the tactical to the philosophical: - What defines art - How economics drives art and how that's changing - How the blockchain is influencing the art world - The challenges of building a hardware startup To learn more about the Meural digital canvas, visit https://meural.com/

Elliot Safra describes Christie's Art + Tech Summit taking place on July 17th in London. The full-day conference will explore the many hoped for uses of block chain technology in the art market. Safra explains that the tech summit is meant to appeal to a broad range of constituents from attracting technology investors who might learn more about the art world to creating a showcase for technology companies launched to solve art market constraints to offering the art industry a place to come together and discuss the challenges and opportunities for selling art in the 21st Century. Art dealers, auction house staff, technology investors and entrepreneurs are all expected at this year's summit. For more information: http://www.christies.com/art-and-tech

We continue our discussion with speakers from CODAME's Art + Tech Festival, ARTOBOTS, held at The Midway in June. Part 2 features one-on-one, on-site conversations with robotics professor Amy LaViers, technologist and performer, Catie Cuan, and NPR correspondent, Laura Sydell.In this episode, collaborators Amy LaViers and Catie Cuan from the Robotics, Automation, Dance (RAD) Lab at the University of Illinois discuss their research on incorporating natural movement into robots, how dance plays a role in this study, and their performance piece, Time to Compile. We conclude the episode with an amazing conversation with NPR Digital Culture correspondent, Laura Sydell, who shares insight on how and why artists and criminals will shape the future of technology.Thank you CODAME for inviting us to cover this awesome event, and a special shoutout to Vanessa Chang, CODAME curator, for personally extending the invitation to us. You can listen to our interview with Vanessa Chang here.-About Amy LaViers-Assistant Professor, Mechanical Science and Engineering — University of Illinois at Urbana-ChampaignAmy develops high-level abstractions for expressive robotic systems and study human-machine interaction. She lead two interdisciplinary teams toward this end: her research group at the University of Illinois at Urbana-Champaign, the Robotics, Automation, and Dance (RAD) Lab, and her start up, AE Machines. Amy is also passionate about teaching engineers to write and roboticists to dance and about bringing artists into the design of technology. This work applies to manufacturing, national defense, personal robots, entertainment, engineering education, somatic practices, and art -- to name a few!Tweet her @alaviers Learn more about Amy here-About Catie Cuan-Catie Cuan is an artist and technologist based out of Brooklyn. As a performer she has worked with the Metropolitan Opera, the Lyric Opera of Chicago, Lisa Bielawa/KCET, Katherine Helen Fisher, Clare Cook, NY Fashion Week, and CATAPULT Entertainment, as well as Broadway choreographer Peggy Hickey. Her own choreography has been presented at venues and festivals such as the Actors Fund Arts Center, DanceNOW Raw, the Brooklyn Dance Festival, Zellerbach (Berkeley), NY Theater Barn, New York Musical Festival, and The Tank, where she won the inaugural XYZNYC Choreography Competition. Her passion for technology is evidenced by her previous work experience at Google/YouTube and Bain & Company before joining Color + Information, a digital creative agency, as Vice President. She is currently a digital consultant and avid VR researcher. She graduated with High Honors from UC Berkeley with a dual degree in Business Administration and Dance and was a visiting student at the University of Oxford, New College.Catie Cuan is also a 2018 TED Resident and ThoughtWorks Arts Resident.Learn more about Catie hereFollow Catie @itscatie-About Laura Sydell-Laura Sydell fell in love with the intimate storytelling qualities of radio, which combined her passion for theatre and writing with her addiction to news. Over her career she has covered politics, arts, media, religion, and entrepreneurship. Currently Sydell is the Digital Culture Correspondent for NPR's All Things Considered, Morning Edition, Weekend Edition, and NPR.org.Sydell's work focuses on the ways in which technology is transforming our culture and how we live. For example, she reported on robotic orchestras and independent musicians who find the Internet is a better friend than a record label as well as ways technology is changing human relationships.Tweet her @SydellLearn more about her interest in artists & criminals here-About CODAME-Sparked by the network of creative coders, designers, and artists that Bruno Fonzi and Jordan Gray knew from around the world, CODAME was founded to celebrate their passion for art and technology. The CODAME brand of immersive, engaging, and out of the ordinary experiences was coined at the inaugural CODAME ART+TECH Festival in 2010 on a foggy rooftop in downtown San Francisco. CODAME builds ART+TECH projects and nonprofit events to inspire through experience.Follow them @codameTweet them @codameLearn more here

State of the Art Podcast was invited to attend and speak with participants in CODAME's Art + Tech Festival, ARTOBOTS at The Midway earlier this month. Part 1 features one-on-one on-site conversations with artists Alexander Reben and Meredith Tromble on art and AI. We conclude the episode with a fascinating conversation with UC Berkeley artist and professor, Ken Goldberg, on the "uncanny valley."Thank you CODAME for inviting us to cover this awesome event, and a special shoutout to Vanessa Chang, CODAME curator, for personally extending the invitation to us. You can listen to our interview with Vanessa Chang here.-About Alexander Reben-Alexander Reben is an artist and roboticist who explores humanity through the lens of art and technology. His work probes the inherently human nature of the artificial. Using tools such as artificial philosophy, synthetic psychology, perceptual manipulation and technological magic, he brings to light our inseparable evolutionary entanglement to invention which has unarguably shaped our way of being. This is done to not only help understand who we are, but to consider who we will become in our continued codevelopment with our artificial creations.Projects referred to in this episode: Boxie, Headgasmatron, and Pulse MachineLearn more at http://areben.com/-About Meredith Tromble-Meredith Tromble is a multimedia artist, writer, performer, and teacher at the San Francisco Art Institute. Learn more about Meredith at http://meredithtromble.net/-About Ken Goldberg-Ken Goldberg is an artist, inventor, and UC Berkeley Professor focusing on robotics. He was appointed the William S. Floyd Jr Distinguished Chair in Engineering and serves as Chair of the Industrial Engineering and Operations Research Department. He has secondary appointments in EECS, Art Practice, the School of Information, and Radiation Oncology at the UCSF Medical School. Ken is Director of the CITRIS "People and Robots" Initiative and the UC Berkeley AUTOLAB where he and his students pursue research in machine learning for robotics and automation in warehouses, homes, and operating rooms. Ken developed the first provably complete algorithms for part feeding and part fixturing and the first robot on the Internet. Despite agonizingly slow progress, he persists in trying to make robots less clumsy. He has over 250 peer-reviewed publications and 8 U.S. Patents. He co-founded and served as Editor-in-Chief of the IEEE Transactions on Automation Science and Engineering. Ken's artwork has appeared in 70 exhibits including the Whitney Biennial and films he has co-written have been selected for Sundance and nominated for an Emmy Award. Ken was awarded the NSF PECASE (Presidential Faculty Fellowship) from President Bill Clinton in 1995, elected IEEE Fellow in 2005 and selected by the IEEE Robotics and Automation Society for the George Saridis Leadership Award in 2016. He lives in the Bay Area and is madly in love with his wife, filmmaker and Webby Awards founder Tiffany Shlain, and their two daughters. Tweet him @Ken_Goldberg-About CODAME-Sparked by the network of creative coders, designers, and artists that Bruno Fonzi and Jordan Gray knew from around the world, CODAME was founded to celebrate their passion for art and technology. The CODAME brand of immersive, engaging, and out of the ordinary experiences was coined at the inaugural CODAME ART+TECH Festival in 2010 on a foggy rooftop in downtown San Francisco. CODAME builds ART+TECH projects and nonprofit events to inspire through experience.Follow them @codameTweet them @codameLearn more here-About ARTOBOTS-June 4-7, 2018 @ The Midway, San FranciscoThe annual CODAME ART+TECH Festival is a four-day conference with workshops, talks and nightlife events with immersive, engaging, out of the ordinary experiences. The festival features gallery installations, screenings, and performances.This year’s ART+TECH Festival, codenamed #ARTOBOTS, examines the sphere of robotics, automation, and artificial intelligence. Through art, discussion, play and performance, CODAME probes these potentials.

In addition to being a curator at CODAME, a community of innovators shaping the future through playful launches of art and tech projects, Vanessa Chang lectures at California College of the Arts and holds a PhD in “Modern Thought and Literature” from Stanford University. In this episode, Vanessa shares her background and interest in art and tech, insights into the projects CODAME is involved in, addresses the importance of play in art, and questions the general perception of what "tech" is. She also shares some sneakpeaks into CODAME's upcoming art and tech festival ARTOBOTS, opening June 4, 2018 at The Midway, 900 Marin St, San Francisco.Follow Vanessa @allsfairinvanessy-About CODAME-Sparked by the network of creative coders, designers, and artists that Bruno Fonzi and Jordan Gray knew from around the world, CODAME was founded to celebrate their passion for art and technology. The CODAME brand of immersive, engaging, and out of the ordinary experiences was coined at the inaugural CODAME ART+TECH Festival in 2010 on a foggy rooftop in downtown San Francisco. CODAME builds ART+TECH projects and nonprofit events to inspire through experience.Follow them @codameTweet them @codameLearn more hereCODAME ART + TECH FESTIVAL: ARTOBOTS | June 4-7, 2018 @ The Midway, San FranciscoThe annual CODAME ART+TECH Festival is a four-day conference with workshops, talks and nightlife events with immersive, engaging, out of the ordinary experiences. The festival features gallery installations, screenings, and performances.This year’s ART+TECH Festival, codenamed #ARTOBOTS, examines the sphere of robotics, automation, and artificial intelligence. Through art, discussion, play and performance, CODAME probes these potentials.Cover Art by Graydon Speace

This was a live podcast with an audience   Lola Shoneyin is a Nigerian poet and author who launched her debut novel, The Secret Lives of Baba Segi's Wives, in the UK in May 2010   She is currently the director of Book Buzz Foundation, Nigeria- a non-governmental organisation whose main aims are promoting literacy through the creation of reading programmes for children and developing reading spaces.   The foundation also organises the Ake Arts and Book Festival,  an annual literary, cultural and arts event that takes place in Abeokuta, Nigeria   Lola  is also an award-winning writer and a cultural activist.   In this episode you'll learn:   How she developed a relationship with the late Bola Ige. In 1996, she got 10000 from Bola ige to publish her poem Lola wrote her first literary piece when she was six years old. How? How did Lola cope as a 6 year old boarding school student in England? The importance of making a connection between a book and the writer What is the advantage of engaging with and consuming literature at a very early age? “It is important to be in a space where you love what you are doing” What did Lola mean by this? The difference between approval and acceptance The biggest tragedy of the country. What is it? How does it affect creative young people? Ake festival has always held in Abeokuta. Why is it moving to Lagos? What is the vision for the festival? Lola is working on a reader app and an innovation hub for creatives. What should you expect? The importance of data in leading the future Lola says she is jealous of scientists. What does she mean? And more   Selected links from this episode   Sterling bank Amazon Kindle Roving heights Ake festival Select book from this episode  

It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted with possibilities and pitfalls. Liss C. Werner and her colleagues brought together a collection of thinkers and practitioners in the realms of architecture, design, and urban planning to wrestle with questions around ways we might utilize today’s digital design tools to enable more responsive, resilient, and ultimately, inclusive and democratic forms of urban design and governance without tipping the balance over to a technocratic project that might imprison us within its algorithmic logics. All of the contributors to this discussion share the hope that the insights of second-order cybernetics might provide valuable guidance as we attempt to find that particular “sweet-spot” of human/machine interaction. Their insights are gathered together in Cybernetics: State of the Art edited by our guest, Liss C. Werner, and available free online from the Technical University of Berlin. As editor, Werner has skillfully crafted a dialectic arc that allows the productive tensions between digital utopianism and skepticism enabling a provocative investigation of the revolution that is happening whether we like it or not, and might help us find the means to steer its emergence in ways that are most beneficial for all of us and our environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's no secret that we continue to live in the midst of digital revolution that continues to unfold in a rapidly accelerating fashion. Digital connectivity and the Internet of Things make possible not only Smart Homes, but Smart Cities. As with all technological revolutions, the road ahead is equally dotted... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

Today, we take you to Paris for a studio visit with French artist ORLAN. Surrounded by her books, sculptures, paintings and photographs, we talk about her evolving relationship with technology.  Sound Editor: Alyssa Moxley | Voice Over Translation: Emilia Garth | Special Audio Track: ORLAN