Podcasts about aulos

Aron Knickerbocker, President and CEO of Aulos Bioscience,  is on a mission to extend the lives of cancer patients through safer and more effective immunotherapy using AI and machine learning to accelerate drug discovery and optimization. The company's lead drug candidate is an antibody that was designed using AI to harness the power of interleukin-2 to activate the immune system against tumors.  The advantages of AU-007 over previous IL-2 therapies include the ability to selectively activate tumor-fighting immune cells while avoiding toxicity due to vascular leakage. Current trials are underway in advanced melanoma and non-small cell lung cancer, which are showing the potential for durable responses and immune memory. Aron explains, "So Aulos has really been founded to carry out a mission to extend the lives of patients with innovative, safe, and ultimately effective cancer immunotherapy. And you mentioned IL-2, which is the naturally occurring protein that we're seeking to harness and redirect in productive ways to help the patients. And this has really been kind of a driver for me over the years, wanting to improve on cancer patient care. This is a company with an important mission and a great team, and our program is really interesting. It's harnessing IL-2 in such a way that it sends it to the cells that are capable of attacking the tumor and killing the tumor cells, and keeps it away from the cells that suppress the immune response. It's really kind of using a double-edged sword in a productive way to help patients with cancer." "So this is the first antibody to go into human clinical trials. It was designed in part by leveraging an AI platform, as you noted. And that platform was created by our collaborators at Biologic Design. They're the company that created this molecule. And what biologic design does is essentially using an AI system that has machine learning algorithms that drive it. It mimics what the immune system does normally. So when we get sick and we need to make antibodies to something, our immune system says, Do I already have something that will kind of bind to the target or the virus or whatever it's trying to hit? And then it will optimize that. It will go through a process of rapid change. And what the AI system and the machine learning algorithms that have been trained on millions of antibodies in the targets to which they bind do is recognize patterns much like an AI chatbot might recognize language patterns." #AulosBio #Antibodies #MedAi #AI #IL2 #Onocology #Cancer #NSCLC #AdvancedCutaneousMelanoma #DrugDiscovery #BiologicDesign #Tregs aulosbio.com Download the transcript here

Aron Knickerbocker, President and CEO of Aulos Bioscience,  is on a mission to extend the lives of cancer patients through safer and more effective immunotherapy using AI and machine learning to accelerate drug discovery and optimization. The company's lead drug candidate is an antibody that was designed using AI to harness the power of interleukin-2 to activate the immune system against tumors.  The advantages of AU-007 over previous IL-2 therapies include the ability to selectively activate tumor-fighting immune cells while avoiding toxicity due to vascular leakage. Current trials are underway in advanced melanoma and non-small cell lung cancer, which are showing the potential for durable responses and immune memory. Aron explains, "So Aulos has really been founded to carry out a mission to extend the lives of patients with innovative, safe, and ultimately effective cancer immunotherapy. And you mentioned IL-2, which is the naturally occurring protein that we're seeking to harness and redirect in productive ways to help the patients. And this has really been kind of a driver for me over the years, wanting to improve on cancer patient care. This is a company with an important mission and a great team, and our program is really interesting. It's harnessing IL-2 in such a way that it sends it to the cells that are capable of attacking the tumor and killing the tumor cells, and keeps it away from the cells that suppress the immune response. It's really kind of using a double-edged sword in a productive way to help patients with cancer." "So this is the first antibody to go into human clinical trials. It was designed in part by leveraging an AI platform, as you noted. And that platform was created by our collaborators at Biologic Design. They're the company that created this molecule. And what biologic design does is essentially using an AI system that has machine learning algorithms that drive it. It mimics what the immune system does normally. So when we get sick and we need to make antibodies to something, our immune system says, Do I already have something that will kind of bind to the target or the virus or whatever it's trying to hit? And then it will optimize that. It will go through a process of rapid change. And what the AI system and the machine learning algorithms that have been trained on millions of antibodies in the targets to which they bind do is recognize patterns much like an AI chatbot might recognize language patterns." #AulosBio #Antibodies #MedAi #AI #IL2 #Onocology #Cancer #NSCLC #AdvancedCutaneousMelanoma #DrugDiscovery #BiologicDesign #Tregs aulosbio.com Listen to the podcast here

Tunes: Dan Nolan: Un Canadien Errant, the wandering Canadian, A La Claire Fontaine, by the clear Spring Jon Schurlock: Playing Highland Laddie from William Dixon Ryan G Kirk: Mary Scott (From Oswald) Jeremy Kingsbury: She Rose and Let Me In Dave Rowlands: 'La Bernardina' by Josquin des Pres Jeremy Kingsbury: The Carle He Came O'Er the Craft, Jim Harding's Waltz (from Dave Rowlands, and Waltzish from Nicholas Konradsen) Charlie Rutan: Tu Scendi Dalle Stelle Benjamin Elzerman: Jacks Gone-a-Shearing From William Vickers/Matt Seattle Jeremy Kingsbury: Taladh, Bundle and Go, You Silly Fool, Mr. Mackay's Jig, The Piper's Maggot, Woo'ed and Married an' a (From Donald Macdonald and Eliza Ross) James Moyar: Battle of Waterloo Jim Sanders: Napoleon Crossing the Rhine +X+X+X+ Thanks Everyone so much for your tune submissions and for listening to the show, If you want to pick up a Wetootwaag Shirt head over to https://www.bagpipeswag.com/ I've included the written texts I got from folks in the off chance I mispronounced things so badly you won't be able to connect the threads: +X+X+ From Dan Nolan: I'm playing “my first HG was made by luthier Gordiy Starukh of Lviv Ukraine which I bought in 2019. It's a 3 stringer in DG and in a style that dates to the 18th cent. The songs are Un Canadien Errant, the wandering Canadian, which was written in 1842 as a lament for rebels exiled from Canada after the failed Lower Canada Rebellion, 1837-8. The 2nd is A La Claire Fontaine, by the clear Spring, which dates back to 1604 and was originally a song of lost love but also become a resistance song after the British takeover following the F&I War. I wanted to learn some French Canadian song for French reenactors at vous and the Battle of PDC Wi. since a unit portraying the one that fought in that siege would come from Canada to participate in the event as it neared the 250th anniversary of the battle. From Ryan Kirk: Mary Scott Hey Jeremy here's a quick run at Oswald's variations on Mary Scott, a tune I learned from your podcast! I [am playing] an Aulos plastic [flute], copy of a 18th century Grenser. Very nice Instrument for the price. Thought about a wood one but humidity control in our old house is not great. From Dave Rowlands: This is 'La Bernardina' by Josquin des Pres (1450-1521). Not known as a composer for bagpipes, but the leading composer of his time. I have chosen this because a) it is a new find for me, b) because if pipers had access to this music and good instruments they would have played it, and c) because we should not be hidebound to 'tradition', just because it does not come from a bagpiping tradition, does not mean we cant play it, and i cite Amazing Grace as just one case. This is played by Three Swayne D pipes, and one Swayne G pipe. I hope you like it and include it. Best wishes, Dave R From Charlie Rutan: Tu Scendi Dalle Stelle is the traditional Italian Christmas carol played by zampognari. Originally called 'Quanno Nascente Ninno', it was written down in 1754 by St Alphonsus Ligouri, with text in the Neapolitan language: and became so popular that it was later translated into Italian and became 'TU SCENDI DALLE STELLE', undergoing several small changes in its melody during that process. The melody probably existed in various forms for several centuries prior to its 1754 transcription, and is still a basis for many improvised PASTORELLES by zampognari today. I'm playing both Ciaramella ( the Italian folk oboe) and Sei Palmi Zampogna on this track. 'Sei palmi' refers to the length of the instrument's longest chanter, measured by the outsretched palm of the pipe maker's hand, much like the 'cubit' of the ancient world. Zampongne have existed in this form since at least the early 1300's; where we have evidence of the instrument being played in frescoes dated to that time. The zampogna is endemic to southern Italy, exists in about 20 different iterations in several sizes, and is a thriving bagpipe tradition to this day. Hit https://www.bagpipesfao.com/ for more zampogna fun. FIN +X+X+ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Ce soir, on voit que même si un dieu vous est extrêmement reconnaissant, vous ne devriez jamais lui demander quoi que ce soit ; mais aussi de ne jamais donner de retour constructif à une personne à l'égo fragile, peu importe à quel point elle vous le demande elle-même. La créature du soir a probablement peu de chance de venir un jour se poser chez l'un de nous, et c'est bien malheureux !.Contes des Soirs Perdus est un podcast de Lloyd Blake.La pochette est l'œuvre de Natacha Scandella.Les musiques sont des compositions des frères Fiechter..  Soutenez l'émission sur Tipeee !https://fr.tipeee.com/contes-des-soirs-perdus.Suivez-nous sur Instagram et Facebook pour encore plus d'histoires sur les créatures du folklore.Instagram : @soirsperdus_podcast Facebook : https://www.facebook.com/Contes-des-Soirs-Perdus-112409817109584Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Immunotherapies continue to redefine treatment for many types of cancer and one of the first immunotherapies approved and used clinically as a therapeutic is Interleukin-2, or IL-2. Aulos Bioscience is an immuno-oncology company that has developed AU-007, a potential best-in-class IL-2, that improves on many of the other IL-2 products in development. In this episode, we discuss the promise of AU-007 with President and CEO, Aron Knickerbocker. Link to Interleukin-2 review article can be found here: https://www.nature.com/articles/s41587-022-01390-3

We love to hear from our listeners. Send us a message. Data drives decision-making at Aulos Bioscience. It's also driven the career trajectory of its CEO. On this week's episode of the Business of Biotech podcast, we get an introspective walk through Aron Kinickerbocker's strategically-orchestrated career path, from his early days in the labs at Bristol-Myers Squibb and Genentech to his leadership of Aulos Bioscience, a company that boasts the first AI-generated antibody in human clinical trials. We explore Aulos' innovative IL-2 antibody and the role AI played in its highly-targeted and toxicity-reducing design, and we do it in pragmatic fashion — Aron's not about the AI hype, he's about the AI data — and in its Phase 1/2 clinical trial, the data is looking pretty good. Register for Bioprocess Online's Bio Expo Live, being held July 30th through August 1st . This inaugural expo is a fantastic opportunity for biopharma companies and contract manufacturers to evaluate the latest and greatest from the comfort of your desktop or mobile device. Conveniently, we've broken down the lineup into Upstream Solutions July 30th, Downstream Solutions July 31st, and Quality, Analytical, and Data Solutions August 1st. It's absolutely free to register for this series of short, digestible, and interactive sessions -- just hit the links above to register for Bio Expo Live today!

In this episode, we sit down with Aron Knickerbocker, President and CEO of Aulos Bioscience. Aron shares his extensive experience in the Life Sciences industry, highlighting his pivotal roles at RayzeBio, Five Prime Therapeutics, and Genentech. He discusses Aulos' innovative approaches to cancer treatment, particularly in radiopharmaceuticals and targeted therapies. Aron also reflects on the key leadership advice that has shaped his career and shares his insights on the future of oncology. Tune in to learn about the groundbreaking work at Aulos and Aron's vision for advancing cancer treatment.     Personal Motivation: Aron's dedication to cancer treatment is deeply personal, influenced by his mother's death from cancer. Innovative Approaches: Aulos Biosciences uses immune system engagement instead of traditional radiotherapy, showing promise in early trials. Diverse Experience: Aron's career spans research, business development, and leadership roles, providing a comprehensive understanding of the biotech industry. Leadership Values: Effective decision-making, scientific rigor, and a strong team are central to Aron's leadership style. Future Vision: Aron envisions AU-007 making a significant impact on cancer treatment, with aspirations of achieving groundbreaking results in clinical trials. https://www.lifesciencesuccess.com/pauledwards/

Abraham Cupeiro nos trae dos réplicas de instrumentos que ha construido basándose en un ejemplar del museo del Louvre (el aulos) y en uno de los ejemplares encontrado en las cenizas de Pompeya (el cornu). Como siempre aprendizaje y mucha música en sus Arqueofonías. Escuchar audio

„Chtěla bych taky takovou knihu, jako jste udělal panu Boštíkovi,“ řekla Zdeňkovi Křenkovi začátkem 90. let Adriena Šimotová. Také tito dva špičkoví umělci stáli na počátku třicetileté dráhy nakladatelství Aulos, v němž pan Křenek vydává designově, obsahově i výtvarně krásné knihy neboli bibliofilie. Jaká byla jeho cesta do Prahy z Krnova z rodiny, v níž tatínek pykal za odvahu? Jak značku Aulos ovlivnil typograf Zdeněk Ziegler? Ve Vizitce se ptal Ondřej Cihlář.Všechny díly podcastu Vizitka můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

„Chtěla bych taky takovou knihu, jako jste udělal panu Boštíkovi,“ řekla Zdeňkovi Křenkovi začátkem 90. let Adriena Šimotová. Také tito dva špičkoví umělci stáli na počátku třicetileté dráhy nakladatelství Aulos, v němž pan Křenek vydává designově, obsahově i výtvarně krásné knihy neboli bibliofilie. Jaká byla jeho cesta do Prahy z Krnova z rodiny, v níž tatínek pykal za odvahu? Jak značku Aulos ovlivnil typograf Zdeněk Ziegler? Ve Vizitce se ptal Ondřej Cihlář.

Tout d'abord un facteur de flûtes passionné par les Aulos, des instruments antiques. Puis retrouvailles avec Christophe et Birgit, des Fribourgeois partis au Portugal pour y vivre leur rêve de cultivateurs en autosuffisance alimentaire. Matthieu présentera l'émission depuis l'alpage de Champsot.

During this interview we talk with musician Jack Summers about him recently making U.S. history for being the first professional Aulos player in the United States. Jack gives insights on the history of the Aulos and the pros as well as the cons of playing the ancient instrument.

Tunes: Dan Nolan: Un Canadien Errant, the wandering Canadian, A La Claire Fontaine, by the clear Spring Jon Schurlock: Playing Highland Laddie from William Dixon Ryan G Kirk: Mary Scott (From Oswald) Jeremy Kingsbury: She Rose and Let Me In Dave Rowlands: 'La Bernardina' by Josquin des Pres Jeremy Kingsbury: The Carle He Came O'Er the Craft, Jim Harding's Waltz (from Dave Rowlands, and Waltzish from Nicholas Konradsen) Charlie Rutan: Tu Scendi Dalle Stelle Benjamin Elzerman: Jacks Gone-a-Shearing From William Vickers/Matt Seattle Jeremy Kingsbury: Taladh, Bundle and Go, You Silly Fool, Mr. Mackay's Jig, The Piper's Maggot, Woo'ed and Married an' a (From Donald Macdonald and Eliza Ross) James Moyar: Battle of Waterloo Jim Sanders: Napoleon Crossing the Rhine +X+X+X+ Thanks Everyone so much for your tune submissions and for listening to the show, If you want to pick up a Wetootwaag Shirt on Sale This Week (June 3- June10) head over to https://www.bagpipeswag.com/wetootwaag-logo?fbclid=IwAR1NVkNoUohKOH27zUFGooOmvvnygCNhBaJWD3XR9t6j8yuL7MmiIAmRE I've included the written texts I got from folks in the off chance I mispronounced things so badly you won't be able to connect the threads: +X+X+ From Dan Nolan: I'm playing “my first HG was made by luthier Gordiy Starukh of Lviv Ukraine which I bought in 2019. It's a 3 stringer in DG and in a style that dates to the 18th cent. The songs are Un Canadien Errant, the wandering Canadian, which was written in 1842 as a lament for rebels exiled from Canada after the failed Lower Canada Rebellion, 1837-8. The 2nd is A La Claire Fontaine, by the clear Spring, which dates back to 1604 and was originally a song of lost love but also become a resistance song after the British takeover following the F&I War. I wanted to learn some French Canadian song for French reenactors at vous and the Battle of PDC Wi. since a unit portraying the one that fought in that siege would come from Canada to participate in the event as it neared the 250th anniversary of the battle. From Ryan Kirk: Mary Scott Hey Jeremy here's a quick run at Oswald's variations on Mary Scott, a tune I learned from your podcast! I [am playing] an Aulos plastic [flute], copy of a 18th century Grenser. Very nice Instrument for the price. Thought about a wood one but humidity control in our old house is not great. From Dave Rowlands: This is 'La Bernardina' by Josquin des Pres (1450-1521). Not known as a composer for bagpipes, but the leading composer of his time. I have chosen this because a) it is a new find for me, b) because if pipers had access to this music and good instruments they would have played it, and c) because we should not be hidebound to 'tradition', just because it does not come from a bagpiping tradition, does not mean we cant play it, and i cite Amazing Grace as just one case. This is played by Three Swayne D pipes, and one Swayne G pipe. I hope you like it and include it. Best wishes, Dave R From Charlie Rutan: Tu Scendi Dalle Stelle is the traditional Italian Christmas carol played by zampognari. Originally called 'Quanno Nascente Ninno', it was written down in 1754 by St Alphonsus Ligouri, with text in the Neapolitan language: and became so popular that it was later translated into Italian and became 'TU SCENDI DALLE STELLE', undergoing several small changes in its melody during that process. The melody probably existed in various forms for several centuries prior to its 1754 transcription, and is still a basis for many improvised PASTORELLES by zampognari today. I'm playing both Ciaramella ( the Italian folk oboe) and Sei Palmi Zampogna on this track. 'Sei palmi' refers to the length of the instrument's longest chanter, measured by the outsretched palm of the pipe maker's hand, much like the 'cubit' of the ancient world. Zampongne have existed in this form since at least the early 1300's; where we have evidence of the instrument being played in frescoes dated to that time. The zampogna is endemic to southern Italy, exists in about 20 different iterations in several sizes, and is a thriving bagpipe tradition to this day. Hit https://www.bagpipesfao.com/ for more zampogna fun. FIN +X+X+ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Griechische Mythen über Musik und Liebe. Der Aulos von Max Brumberg: www.youtube.com/watch?v=_tdWdsozcTI www.chaoskinderpodcast.wordpress.com chaoskinderkontakt@gmail.com Instagram: @chaos.kinder Spenden könnt ihr hier: PAYPAL Mit: Apollon, den 9 Musen, Pan, Syrinx, Hermes, Athene, Gorgonen, Medusa, Aphrodite, Olympier, Aphrodite, Hera, Dionysos oder Bacchus, dem Satyr Marsias, Atamas, Silenen, Kentauren, Mänaden oder Bacchantinnen, Daphne, Hyakinthos, Thamyris, einem Diskus, Zephyr, Demeter, Orpheus, Oiagros, Kalliope, den Argonauten, der Dryade Eurydike, Hymenaios, Aristaios, Kadmos, Autonoe, Ina, Semele, Proteus, Styx, Charon, Cerberus, Hades, Persephone, Sisyphos, Ixion, und der Unterwelt. beschriebene Instrumente: die Lyra, die Panflöte und der Aulos, bzw. die Doppelflöte.

Griechische Mythen über Musik und Liebe. Der Aulos von Max Brumberg: www.youtube.com/watch?v=_tdWdsozcTI www.chaoskinderpodcast.wordpress.com chaoskinderkontakt@gmail.com Instagram: @chaos.kinder Spenden könnt ihr hier: PAYPAL Mit: Apollon, den 9 Musen, Pan, Syrinx, Hermes, Athene, Gorgonen, Medusa, Aphrodite, Olympier, Aphrodite, Hera, Dionysos oder Bacchus, dem Satyr Marsias, Atamas, Silenen, Kentauren, Mänaden oder Bacchantinnen, Daphne, Hyakinthos, Thamyris, einem Diskus, Zephyr, Demeter, Orpheus, Oiagros, Kalliope, den Argonauten, der Dryade Eurydike, Hymenaios, Aristaios, Kadmos, Autonoe, Ina, Semele, Proteus, Styx, Charon, Cerberus, Hades, Persephone, Sisyphos, Ixion, und der Unterwelt. beschriebene Instrumente: die Lyra, die Panflöte und der Aulos, bzw. die Doppelflöte.

“Parameter nummer één is altijd schoonheid: het verhaal brengen op een muzikale manier, zeer puur, zeer goed. Dan voelen mensen dat. Kindjes zijn de beste parameters om te weten of iets goed is. Onderschat volwassenen ook niet: men voelt wel of iets bijzonder is. Ga op zoek naar schoonheid, en verlies daarin je DNA niet. Blijf jezelf geloven om een bepaalde weg uit te stippelen. Laat je door niemand iets wijsmaken. Als je goed bent, ga je ervoor. Durf springen en ervoor gaan. ” Marjan Hellraeth richtte in 2011 het managementbureau AULOS op vanuit haar passie voor mooie muziek en haar liefde voor de artiesten. 11 jaar later runt ze het ondertussen toonaangevende bureau met een tomeloze energie en een zeer groot hart. Haar ervaringen en deskundigheid hoor je in deze aflevering van Podcast Freelancer. Luister ook op SoundCloud: https://soundcloud.com/podcastfreelancer​ Of op Spotify, Apple Podcast, Google Podcast, ... ———————————————————————————————————— Hosts: Frauke Elsen & Florestan Bataillie Audio&video: Stephan Vermeersch Met dank aan het Concergebouw Brugge, MAAK Knokke-Heist en Paypro Services. ———————————————————————————————————— Interessante links Aulos Music Management https://www.aulos.be/ Paypro Services: www.payproservices.be = Advies & oplossingen voor uw tewerkstellingen, contracten & loonadministratie. De beloftes van Paypro Services: - Wij vertrekken steeds van uw belang en uw te bereiken doel en de wil om diegenen die werken in de sector te helpen - Wij focussen niet op het opleuken van de eigen winsten maar focussen op maximale return voor de kunstwerkers en creatives in de sector - Daarom hanteren wij voordeligere coëfficiënten zodat u meer overhoudt - Handige tools zowel voor kunstenaars als opdrachtgevers

O Podcast e as dezenas de instrumentos do Carlos Simas estão disponíveis no seu agregador de podcast favorito, no Spotify, Deezer, no Youtube e na Livros Vikings. CARLOS SIMAS www.facebook.com/carlossimasmusico www.instagram.com/carlossimasmusico simascelta@gmail.com --------- CORTES DO VIKING CAST https://www.youtube.com/playlist?list=PLV6_Aw1UkCoTkaF3oSGJok0XVPTpD1v_a --------- Siga-nos no Instagram e no Facebook! Instagram https://www.instagram.com/livrosvikings Facebook https://www.facebook.com/livrosvikings --------- HOST: Paulo Marsal - Facebook @livrosvikings - Instagram @livrosvikings DIREÇÃO/PRODUÇÃO: Livros Vikings - www.livrosvikings.com.br - www.livrosvikings.com.br/viking-cast - www.livrosvikings.com.br/blog-viking - www.livrosvikings.com.br/livraria - www.livrosvikings.com.br/livros - www.youtube.com.br/livrosvikings Índice: 00:00:00 Capa 00:00:13 Apresentação 00:01:07 Vinheta 00:01:42 Apito de Pássaro 00:03:35 Horn 00:04:43 Horn Israelita - Som de Lobo 00:07:22 Kuhorn 00:09:35 Berrante Indiano 00:10:38 Trutuca Chilena 00:11:14 Shofar 00:12:49 Jaw Harp 00:17:39 Aulos (αυλός) 00:21:26 Daduk (Դուդուկ) 00:23:31 Horn Pipe vietnamita 00:25:50 Sopilka (Cопiлка) 00:27:10 Flauta Pastoril 00:27:50 Flaua Pastoril com Tambor 00:30:50 Lira Anglosaxônica 00:31:57 Voluspá 00:37:20 Kravik Lyre 00:44:35 Intervalo de terça, uma invensão viking 00:47:10 Diabolus in Musica 00:52:20 Saltério Báltico 00:55:40 A Harpa chegou à Irlanda pelos vikings 00:58:39 Harpa Gótica Medieval 01:04:00 Cantare Finlandês 01:08:13 Os CD's de Carlos Simas - YggBrasil: Clan Mac Norse 01:16:08 Mountain Dulcimer 01:19:52 Saltário de Arco 01:24:10 A Livros Vikings 01:26:00 Encerramento #viking #vikings #eraviking #medieval #podcast #vikingpodcast #vikingcast #entretenimento #música #instrumentosmusicais #harpa #horn #saltério #lira #sopilka #dadik #aulos #shofar #carlossimas #livrosvikings ---- ASSISTA NO YOUTUBE https://youtu.be/FdFMrFFewg8

Substantiv

Its back to heavy episodes again! We have an absolutely cracking episode this week where we take a look at ancient music from Biblical times from both the Hebrews and those in the ancient world around them. We are joined by our good friend Mitchell Bradley who, as a pianist, has a great insight with music and the comparisons we can make with old music to music we have today.  We look at why music is important and timeless, and why it is so prominent in the Bible. This episode is jam packed with snippets and clips of sounds from ancient instruments and songs, so have a listen and enjoy! Follow along as we listen to the clips in the order that is posted in the sources below! We also ask you to keep an eye out for Mitch and Pete's new podcast, "Building On The Rock", a podcast which goes through the old Biblical stories we all know to find out who God is and what the stories really mean. Sources Listed below or the sources and the songs which we used during the making of this podcast - All credit goes to the original owners and we do not lay claim to any ownership of these songs or videos. The podcast has used these with Copyright fair use in mind, making sure that we are using them as pieces that we are commenting on, and using them for education purposes. Introduction Clip 1) The Lyre of Megiddo, performed by Peter Pringle. https://www.youtube.com/watch?v=27opcKxcg1c Introduction Clip 2) Gregorian chant - Deum Verum, performed by Composer: Etienne de Liege Service: Matins of the Feast of the Holy Trinity. Performers: Psallentes https://www.youtube.com/watch?v=kK5AohCMX0U main section Clips 1 & 2) The shofar (horn) - the oldest biblical wind instrument, performed by Yamma Ensemble - יאמה - يمةhttps://www.youtube.com/watch?v=Rnkb7M3dKTg Clip 3) Aulos, ancient Greek pipes, performed by Callum Armstrong https://www.youtube.com/watch?v=6JFa8BZt2B0&t=4s Clip 4) Ancient sumerian (2100bc) epic of gilgamesh, performed by Peter Pringlehttps://www.youtube.com/watch?v=QUcTsFe1PVs Clip 5) Psalm 23 on harp interpretation - Performed by peregrinnatti https://www.youtube.com/watch?v=ZK0foD9zyGU Clip 6) Salve Regina (12th century), performed by This chant is performed by CIRMA/ Ensemble Organum lead by Mr. Marcel Pérès Website: https://organumcirma.com/https://www.youtube.com/watch?v=_uj8h4SCsnE Rediscovering ancient Greek music: -  https://www.youtube.com/watch?v=4hOK7bU0S1Y A discussion on music in the Bible - https://youtu.be/4TfTAL9Yl_4 A study on ancient biblical music  -  https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1365&context=honors A list of musical instruments in the Bible - https://blog.obitel-minsk.com/2019/02/the-list-of-musical-instruments-mentioned-in-the-bible.html Stay safe everyone! If you would like to contact us then please do here; Hasitcrossedyourmind@gmail.com Or on our social media; Social media https://www.instagram.com/hasitcrossedyourmind https://www.instagram.com/jerome747 https://www.instagram.com/lukeholehouse Acknowledgements Special thanks to Laura Sewall for providing our art, if you want to get in contact with her; Her website is laurasewall.com Her instagram it's @laurasewall96 And her email for enquiries is laura.sewall@live.co.uk   See omnystudio.com/listener for privacy information.

Musiziert haben Menschen schon immer - auch vor rund 40.000 Jahren, das belegen Funde von Instrumenten. Doch wie klingen Knochenflöte, Aulos und Schwirrholz eigentlich? Cornelia Wegerhoff hat hingehört. Von Cornelia Wegerhoff.

Welcome to episode 189 of The Future Beats Show Stay connected ➤ Facebook.com/DjComplexion | Twitter.com/Complexion | instagram.com/Complexion Onra - TFBS Intro 2 Promnite - Exist Daju - H.E.R. - Could've Been Feat. Bryson Tiller (Daju Remix) Baynk - Settle (Feat. Sinead Harnett) Yugi Boi - Drip (Ft.Chromonicci) Abby Diamond - Irrelevant Pyrmdplaza - Drowning Singularis - Rise (Feat. K, Le Maestro) N3Ko - Wavy.Wav Afrosamuraiist - Come Back Tera Kòrá - Bam Bam 90Sk1D - Gudlove Pink Skies - Portland 90Sk1D - Worship 崇拝 Rupe - Iris Amonos - Montrose B-Side - Pen Anubis Aso - First Date ‡Shi - ‡Slow Dancing In The Dark Tentendo - Waves (Feat. Blasko, Jordan Dennis & Rahel) Galimatias - Alina Baraz & Galimatias - Show Me (Instrumental) Sleepy Fish X Philanthrope X Mommy - Morning Rises Best Friend - Can't Be Alone Idealism - Illusions Psalm Trees - Babyyy Still Haze - Valley White & Still Haze - Ultraviolet Cviro & Gxnxvs - Twisted Coryayo - Sunday School @Burncartel TFBS Guest Mix @Hoodedyouth :: Hooded Youth :: Future Bossa @Littlesimz :: Little Simz :: Devour [Prod. Jakwob] @Below_The_Surface :: Below The Surface :: Stripes - Gostoso No Chao @Cardosu :: Cardosu :: Sabiá W/ Jlz @Ninja-Tune :: Ninja Tune :: Sarathy Korwar - 'Bismillah' (Photay Remix) @Howielee :: Howie Lee :: 只要你一摸我就大叫 @Thundersix :: Thunder6 :: Toto @Scientificbeats :: Scientific :: Farfalla @Hoodedyouth / @Daehanseo :: Bebel Gilberto - Tanto Tempo (Hooded Youth X Daehan (대한) Flip) @Edbangerrecords :: Ed Banger Records :: Vladimir Cauchemar "Aulos" @Kaempmusic :: Kæmp :: Travis Flip @Hoodedyouth :: Hooded Youth :: Id @Frentebolivarista :: Frente Bolivarista :: Psilosamples- Chocolate @Twoxtwo :: 2 X 2 :: Colorful @Night-Swim-Radio :: Night Swim Radio :: Inkap - Slow Reef @Futureclassic :: Future Classic :: Thrupence - Don't You Mind  Shaqdi - Obvious Clara La San - Want U (Gregarious X Jon Antonio Edit) Barnes Blvd. - I Have Love For Everyone Besides Myself

Bluesette-JAZZANIVERSARIO.-Dizzy Reece-“Comin' On!”.-JAZZACTUALIDAD.-MARCOS PIN - “BROKEN ARTIST” PROG.Nº 488.- STANDARD SEMANAL.- “Bluesette” 1.-TOOTS THIELEMANS. 2.-MEL TORME Y BUDDY RICH. 3.-HANK JONES. 4.-ANTONIO SERRANO. JAZZ RECUERDO ANIVERSARIO.- Dizzy Reece-“Comin' On!”(ENCENDIENDO) Título: Comin' On! Músico: Dizzy Reece Acompañantes: Stanley Turrentine Fecha de Grabación: 1960 Lugar de Grabación: New Jersey Sello Discográfico: Blue Note Nº de temas: 9 Formato: CD Instrumento: Trompeta Estilo: Hardbop Nº de Serie: 72435220121 Año de Edición: 1999 Duración: 57:29 Calificación: 4* Comentario: El trompetista Dizzy Reece, jamaicano pero afincado en Inglaterra entre los años 1954 y 1959, es un musico adherido al movimiento hardbop y que grabó discos excelentes, entre ellos este magnifico, "Comin' On". Grabado para Blue Note, supuso el debut discográfico del saxofonista, Stanley Turrentine y a la batería está Art Blakey. Reece nació el 5 de enero de 1931 en Kingston, Jamaica , el hijo de un pianista de cine mudo . Asistió a la escuela de los muchachos Alfa (famosa en Jamaica por sus alumnos musicales), el cambio de barítono de trompeta cuando tenía 14 años de edad. Un músico a tiempo completo a partir de los 16 años, se trasladó a Londres en 1948 y pasó la década de 1950 que trabajan en Europa, gran parte de ese tiempo en París. Tocó con Don Byas , Kenny Clarke , Frank Foster y Thad Jones , entre otros. Grabando con músicos británicos finos, dirigió varias sesiones en Londres en 1955-57. Pasando a través de Londres, donde se llevó a cabo su primera sesión de Blue Note, Donald Byrd y Art Taylor se unieron a por su fuerte primer álbum Blue Note. Ganando elogios de la talla de Miles Davis y Sonny Rollins , el trompetista emigró a la ciudad de Nueva York en 1959 y grabado con varios de los compañeros de banda de Davis, pero se encontró Nueva York en la década de 1960 una lucha. Reece grabó una serie de discos aclamados por la crítica en el Blue Note de etiquetas, que fueron reeditados en mosaico en 2004 y dio a los aficionados esperan de un regreso. Sigue activo como músico y escritor, Reece ha registrado en los últimos años con Hank Mobley , Wynton Kelly , Paul Chambers , Ronnie Scott , Phil Seaman, Victor Feldman , Tubby Hayes , París Reunión de la banda, Clifford Jordan Big Band 's, el saxofonista Dexter Gordon , su compañero trompetista Ted Curson , pianista Duke Jordan , desde hace mucho tiempo Sun Ra alumnos saxofonista John Gilmore , y los baterías Philly Joe Jones y Art Taylor . Reece escribió la música para el 1958 Estudios Ealing película donde ir . Track listing All compositions by Dizzy Reece except as indicated 1. "Ye Olde Blues" - 6:40Van Gelder Studio Englewood Cliffs, New Jersey on April 3 1960 2. "The Case of the Frightened Lover" - 5:42 3. "Tenderly" (Walter Gross, Jack Lawrence) - 9:02 4. "Achmet" - 8:28 5. 6. "Sands" - 6:40 Van Gelder StudioEnglewood Cliffs, New Jersey July 17 1960. 7. "Comin' On" - 6:44 8. 9. • Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey on April 3 (tracks 1-5) and July 17 (tracks 6-9), 1960 Personnel • Dizzy Reece - trumpet, conga • Stanley Turrentine - tenor saxophone • Musa Kaleem - tenor saxophone, flute (tracks 6-9) • Duke Jordan (tracks 6-9), Bobby Timmons (tracks 1-5) - piano • Jymie Merritt (tracks 1-5), Sam Jones (tracks 6-9) - bass • Art Blakey (tracks 1-5), Al Harewood (tracks 6-9) - drums JAZZ ACTUALIDAD.- Esta semana tendremos a MARCOS PIN con su álbum “BROKEN ARTIST” Nacido en Lugo en 1974 comienza a tocar la guitarra a la temprana edad de 8 años en la escuela local lucense Aulos. Tras completar sus estudios en esta es alumno del guitarrista Alberto Penoucos con el que estudia durante seis años. Compagina este periodo con la escuela santiaguesa Estudio Escola de Música donde estudia composición y arreglos con el pianista Abe Rábade. En el año 2000 recibe la beca de La Fundación Autor para realizar estudios de composición en el extranjero. Lo hace en el conservatorio de Amsterdam con profesores como Jurre Hanstra, André Douw o Henk Sprenger. Una vez afincado en los Paises Bajos y tras serle otorgada la beca holandesa “Study Financiering” es aceptado como estudiante de guitarra jazz en el “Royal Conservatorium”, La Haya, donde obtiene su licenciatura en el año 2006 bajo la supervisión de los guitarristas Wim Bronnenberg, Eef Albers y Martijn Van Iterson. Marcos Pin ha tocado o grabado con músicos como: Eva Folch, John Ruocco, Rachel Goud, Thanos Athanasopoulos, Polo Ortí, Steve Reich Project, Imaxinasons Big Band, Nani García, Carmen Rey, Nine Ces, Albert Cirera, Xacobe Martínez, Juan Galiardo, Lar Legido, Manolo Gutierrez, Roberto Somoza, Josef Nitch, Max Gómez, The Royal Conservatorium Big Band, Rolf Delfos, Pablo Castaño, Gjazz y un largo etcétera. Actualmente Marcos Pin trabaja como profesor de guitarra en Estudio Escola de Música.

Filippo Gambetta, Pria Goaea, La lumaca equilibrsitaRenato Borghetti, Fandango, Pedro no sapatoDaniele Di Bonaventura, Suite per Bandoneon e Orchestra, Piccolo Requiem - CommunioRocco De Rosa, Trammari, Ir DumZimbaria, Taranta Nights 2, Se BallaMattanza, Il meglio dei Mattanza, Violina7SoisOrkestra, A Night in Sicily, Aulos,Andrea Parodi, Abacada, PandelaLuigi Tenco, I miti musica, Mi sono innamorato di teFabrizio De Andre', Le nuvole, La nova gelosiaBeppe Gambetta & Carlo Aonzo, Serenata, Ma se ghe pensu/L'imigrantePaolo Alfonsi & Massimo Ferra, Passi difficili, Heitor

Transcript -- Why actors in ancient Greece wore masks and were highly skilled.

Why actors in ancient Greece wore masks and were highly skilled.

Transcript -- Why actors in ancient Greece wore masks and were highly skilled.

Why actors in ancient Greece wore masks and were highly skilled.