Podcasts about greek theatre

This months podcast takes us back to the amazing Greek Theatre in Berkeley, CA for a fine Summer 1988 show.   For our halftime show we give you a flashback to moe. in 1999.  We sure hope you guys and gals are doing well and enjoying the ride! GRATEFUL DEAD  July 15, 1988  Greek Theatre  Berkeley, CA SOURCE:  FM / Analog Master HALFTIME:  moe.  2/26/99  West Hollywood, CA

If you've ever walked around Pier 39 in San Francisco or made a late-night exit from a concert at the Greek Theatre in Berkeley, you're probably familiar with the bacon wrapped hot dog. But who are the vendors behind these savory snacks? And what's with the bacon and onions? Bay Curious listener Olivia Godfrey wanted to find out more. Additional Resources: How Bacon-Wrapped Hot Dogs Became One of the Bay Area's Most Popular Street Foods Read the transcript for this episode Sign up for our newsletter Enter our Sierra Nevada Brewing Company monthly trivia contest Got a question you want answered? Ask! Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Azul Dahlstrom-Eckman. Bay Curious is made by Katrina Schwartz, Gabriela Glueck and Christopher Beale. Additional support from Olivia Allen-Price, Jen Chien, Katie Sprenger, Maha Sanad, Alana Walker, Holly Kernan and everyone on Team KQED.

Neil Diamond is one of the best-selling singer-songwriters of all time.  In August 1972 he performed a series of 10 sold-out shows at the Greek Theatre in Los Angeles.  Recordings from this concert would be released as a live double-album entitled Hot August Night later that year in December.  Neil Diamond was born in Brooklyn, New York, the child of a Jewish family.  At the age of 16 he was inspired by seeing folk singer Pete Seeger perform at a camp for Jewish children in upstate New York, and received his first guitar shortly thereafter.  This would set the direction of Diamond's career, starting with both taking guitar lessons and writing songs.  After some time barely scraping by as a songwriter, Diamond began to find some success by the mid-60's, most prominently with several songs for The Monkees, including the big hit, "I'm A Believer."  Diamond moved to Los Angeles in 1969, where he recorded some of his bigger solo hits, including the iconic "Sweet Caroline."Many consider "Hot August Night" to be Neil Diamond's best work, capturing the artist at his prime and at the top of his game.  It went to number 5 on the Billboard 200 album chart, and was number 12 for the 1973 year-end chart.  It was number 1 in Australia for 29 weeks in 1973 and 1974, and remains one of the highest selling albums in that country. Neil Diamond retired from touring in 2018 toward the end of his "50 Year Anniversary World Tour" after being diagnosed with Parkinson's disease.  However, Diamond did not retire from music, and continued writing and developing new projects.Wayne brings us this soft rock singer-songwriter live album for this week's podcast. Kentucky WomanThis song is a bonus track on the CD, and many will recognize this song from the remake performed by Deep Purple.  It was written in 1967 and went to number 22 on the charts after its release.  It appeared on the compilation album, "Neil Diamond's Greatest Hits" released in 1968 on Bang records after Diamond left that label.Cherry CherryThe inspiration for this song was an early relationship with a significantly older woman.  This was Diamond's first hit, reaching number 6 on the Billboard Hot 100.  The most familiar studio version of this song was released in mid 1966 on Bang records, and was the final track on Diamond's debut studio album, "The Feel of Neil Diamond."Song Sung BlueThis song was originally released on Diamond's eighth studio album, "Moods."  It was his second number 1 song in the United States, and his last solo #1 song in America to date.  The musical inspiration for the song is Mozart's Piano Concerto #21, second movement.  The lyrics reflect on the power of music to heal when a sad mood is poured into a song. Cracklin' RosieOriginally released in 1970, this song topped the charts and sold over 1 million copies.  The studio version appeared on "Tap Root Manuscript," Diamond's sixth studio album, and was recorded with instrumentation provided by session musicians from the Wrecking Crew. While the lyrics suggest that Rosie is a prostitute, there are tales that it actually refers to a cheap sparkling wine from Canada called "Crackling Rosè."  ENTERTAINMENT TRACK:Theme from the animated series "Josie and the Pussycats"The animated series "Josie and the Pussycats" and "Josie and the Pussycats in Outer Space" concluded its run this month. STAFF PICKS:Ventura Highway by AmericaRob leads off the staff picks with a song inspired by a drive that vocalist and writer Dewey Bunnell took in 1963 on the Pacific Coast.  While his father was changing a flat tire, he and his brother stood on the side of the road near a road sign for Ventura, watching shapes in the clouds, inspiring the lyrics "alligator lizards in the air."Superstition by Stevie WonderLynch brings us the lead single from Wonder's fifteenth studio album "Talking Book."  It's lyrics mention many popular superstitions and their negative consequences.  Stevie Wonder collaborated with Jeff Beck on the demo for this song, and Beck would include his version of "Superstition" on his "Beck, Bogert & Appice" album.Rockin' Pneumonia and the Boogie Woogie Flu by Johnny RiversBruce features the song originally recorded in 1957 by Huey "Piano" Smith.  The original version went to number 52 on the pop charts, but the version we all know went to number 6 on the Billboard Hot 100.  Rivers was a member of the Wrecking Crew, and several musicians from that session group played on this single. It Never Rains in Southern California by Albert HammondWayne's closes out the staff picks with a storytelling song about a performer off to make it big.  He fails in his efforts, but wants to hide the failure from those he left behind.  Members of the Wrecking Crew also provide instrumentation on this song that went to number 5 on the Billboard Hot 100. NOVELTY TRACK:Crazy Horses by The OsmondsThis surprisingly heavy performance from the Osmonds takes us out for this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Hey Dude, I took my dad to see Willie Nelson's Outlaw Music Festival at The Hollywood Bowl and it somehow magically restored my faith in my own home town. QUOTE: "I would call it a borderline spiritual experience..." LULLABY: "California Sober" by Billy Strings MUSICIANS/CAST: Willie Nelson, P-22 (mountain lion), Ricky Gervais, Sierra Hull, Billy Strings, Bob Dylan, Cate Blanchett, Deadheads, Jimi Hendrix LOCATIONS: The Hollywood Bowl, Ventura Blvd, Universal City, Burbank, Griffith Park, LA Zoo, Greek Theatre, Griffith Observatory, Los Angeles, LA County, Hollywood HIlls, California, Hollywood, Cahuenga Pass  PROPS: pandemic, Saturday Stairs, Hollywood Sign, Hollywood Cross, American Flag, California Flag, pot, weed, vaping, contact high, threading  MUSIC: "Whatever", The Beatles, "California Sober", "All Along the Watchtower", John Wesley Harding SOUNDS: plane, gravel, footsteps,  Laguna Sawdust Cowbell Chimes  wind PHOTO: "Hollywood Bowl Outlaw" shot with my iPhone XS RECORDED: May 18, 2025 in "The Cafe"  under the flight path of the Bob Hope Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 19:28  FILE SIZE: 10MB HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

This might be the gayest episode we've ever done.Support the show at https://ko-fi.com/matthortonWe're on Bluesky @cantletitgo.gay!Join The Worst Garbage Discord!Find AC at acfacci.comFind Matt at MattHorton.LIVEArt by Scout (https://ko-fi.com/humblegoat)Music by Ethan Geller (00:00) - AC is canceled (01:04) - We're so back (02:07) - We're monthly now! (04:36) - Bridge Over Troubled Water (05:02) - Original song (06:46) - Clay Aiken (11:54) - Yebba (13:19) - My Mind (17:32) - Yebba's Bridge Over Troubled Water (19:41) - Henry Platt (20:36) - Henry platt my mind (21:47) - Jacob Collier (24:06) - Don't you worry bout a thing (27:02) - Jacob harmonizes with Yebba (28:49) - The song (38:44) - PYT (42:48) - Tori in the song (46:41) - Recording video (51:24) - TikTok challenge (54:16) - Doing it live (54:35) - Greek theatre (01:00:24) - AC's beef Simon & Garfunkel's Original song - https://www.youtube.com/watch?v=4G-YQA_bsOUThe Clay Aiken American Idol version - https://www.youtube.com/watch?v=QC9SKjdoTXgYEBBA's "My Mind" via Sofar - https://www.youtube.com/watch?v=RXwE1G7_U9MThe 2018 video - https://www.instagram.com/p/BkoNbjtFfC3/Henry Platt doing the riff - https://www.tiktok.com/@henryjplatt/video/6966319783671287046Jacob Collier's "Don't You Worry 'Bout a Thing" - https://www.youtube.com/watch?v=pvKUttYs5owJacob harmonizing Yebba - https://www.youtube.com/watch?v=y9RUgsD8dRYTHE SONG - https://www.youtube.com/watch?v=AheurAZ-4kQThe video of Tori and Jacob recording "Bridge" - https://www.youtube.com/watch?v=qwbk7b4s6K4Why Yebba isn't credited - https://www.reddit.com/r/JacobCollier/comments/1ayi8yl/why_doesnt_yebba_get_credit_for_bridge_over/The Tiktok compilation - https://www.youtube.com/watch?v=pD3imUGcC0AJacob's Logic session breakdown - https://www.youtube.com/watch?v=I8DWlis-MEY&t=1295sThe live performance at the Greek Theatre - https://www.youtube.com/watch?v=yxsfV3vGweQThe Tori-only version - https://www.youtube.com/watch?v=QDZbLA1iM7oJacob and Tori accept the Grammy - https://www.youtube.com/watch?v=FhHh0az6FBsAretha Franklin's version - https://youtu.be/pWwaMcj5gqQ?si=JMgqzNEvpm2TxpeYResources on PalestinePalestine Solidarity ToolkitDonate to Palestinian organizations providing relief and services in Gaza and the West Bank:Middle East Children's AllianceMedical Aid for PalestineAl-Awda Health and Community AssociationHebron International Resource NetworkBDS MovementOur History of Popular Resistance: Palestine Reading ListJewish Voice for Peace - First Steps for Palestinian FreedomJewish Voice for Peace - Take ActionOperation Olive BranchFind out more at http://cantletitgo.gay ★ Support this podcast ★

86 those blues, June 86 that is. This week, our host Knob is heading to Berkeley, California. It's June 22nd, 1986 and the Grateful Dead are playing at the Greek Theatre. Along the way, discussions abound about the best year for Row Jimmy, what separates New Minglewood Blues, and the podcast becomes a true crime podcast about Terrapin Crossroads. Jack Straw It Must Have Been The Roses Cassidy Row Jimmy Minglewood Blues > Big Railroad Blues Mama Tried > Big River Stagger Lee Hell In A Bucket > Might As Well Fire On The Mountain > Samson & Delilah Ship of Fools > Women Are Smarter > Drums > Space > Truckin' > Goin' Down The Road Feelin' Bad > Stella Blue > Turn On Your Love Light U.S. Blues Box Of Rain

Tomorrow, Friday, I'd like to say “more of the same”…BUT, when you run “100% Random Access Play Selection!” no days are ever “the same”! We finish with this week's featured artists, @Spring '68, @Greek Theatre, and @The Be Positives. As hour three turns to leave tomorrow, a quick listen in with next week's spotlight artists, @Spygenius from the CD “ Spygenius Blows Their Covers”,  @The Grip Weeds from the album “DiG”, and @Susah Surftone, from the collection “Beatles Roots”! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!February 13, 2025, Thursday, book three…@Modafferi - Raw Foundation [The Production]@Kite Collectors – Poetry@Calneva - Waking Up [Spaceboy]@Tim Anthony - Mystery [Retro Fit]@The Be Positives - Please Please Please [Everything About]@Brent Seavers - Roller Coaster Ride [Exhibit B]@Bittersweet Machines - The Way Back Home [Girl with the Bee-Stung Lips]@Keith – 98.6@Spring ‘68 - Too Many Bloody Eyes [Sightseeing Thru Music]@Ronnie D'Addario - Wait In The Wings [Falling For Love] (@You Are The Cosmos)@Starbelly - Widow Sunday [Lemon Fresh]@You're Among Friends - Friends Like Me [In Due Time]@Maritime – For Science Fiction [In English]@The Kokomo Kings - I Thought I Was a Patient Man [Fighting Fire With Gasoline] (@Rhythm Bomb Records)@The Greek Theatre - The Bellboy [Simpler Times] (koolkatmusik.com)@The Reverberations - Kaleidoscope [Half Remembered Dreams] (@Beluga Music)@Fotomaker - Two Can Make It Work@The Singles - Turn The Other Way [Look How Fast A Heart Can Break]@Gail George – Thank You [The Barrio Sessions With Early Times]

John J. Miller is joined by James Brandon of Hillsdale College to discuss 'Ajax' by Sophocles.

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Nach einer kurzen Pause kehren Lars und Fabian heute mit spannenden Einblicken zurück! Im Fokus stehen die Future Leadership-Deep Dives – ein neues Webinar-Format von Intrinsify, das Wissen und Austausch auf eine neue Ebene hebt.Dazu hat Fabian einige Fragen an Lars:Warum gibt es eigentlich die Future Leadership-Deep Dives? Was steckt hinter dem neuen Webinar-Format?Was sind die Ziele der Deep Dives und wie ist das intrinsify- Team die Konzeption,Themenwahl und Gestaltung angegangen?Zwiebelschäler der Woche: Lars Tipp für die Aufwertung und Optimierung eigener Webinare oder Online-Workshops: Das Tool „Stream Alive“ (https://www.streamalive.com/) für bessere Interaktion.Ein Highlight der Episode: Lars und Fabian teilen ihre Erfahrungen zu Denkmusterbrüchen durch Provokation– warum es hilfreich ist und wie man sie geschickt einsetzten kann.Amues Gueule: Musik-Tipp der WocheLars stellt Jacob Collier vor, ein musikalisches Genie, das nicht nur Quincy Jones beeindruckt hat. Ein Muss für Musikfans!Hier eine kleine Kostprobe: Jacob Collier, John Legend & Tori Kelly - Bridge Over Troubled Water (Live at The Greek Theatre) https://www.youtube.com/watch?v=yxsfV3vGweQ

Phish Run Like An Antelope 11:03 2010-08-05 Greek Theatre, Berkeley, CA Phish The Horse 1:33 94-12-29 Providence RI Phish Silent in the Morning 5:18 94-12-29 Providence, RI Phish Maze 15:21 98-08-11 Burgettstown, PA Phish Simple 21:43 23/08/25 Saratoga Springs, NY Phish Tweezer 1 6:19 98-07-15 Portland Phish California Love 1:52 98-07-15 Portland Phish Tweezer 2 […]

On YUH 189 features a couple concerts that the crew attended last month. For Lisa's birthday, Phil took her on a date to see the last surving member of her teen crush, The Monkes! Mickey Dolenz entertained the Ludlow Garage crowd with standards by the original boy band, with other hits from the 60's sprinkled in. As for Aaron and this week's special guest, his lovely wife Luka, the fam ventured to the famous Greek Theatre in Los Angeles to see PJ Harvey. Join us for some quick reviews of these shows, plus some sprititual discussions that will certainly enlighten you. #TheMonkees #pjharvey #thegreek #ludlowgarage #mickeydolenz #thebeatles #stevenstills #rockandroll #daveyjones #mikenesmeth #petertork $nickcave YUH Theme by David T and Mojo 3 https://www.amazon.com/Insanity-Sobriety-Blues-David-Mojo3/dp/B091N8BJNB Yeah Uh Huh Social Stuff: Yeah Uh Huh on TikTok https://www.tiktok.com/@yeahuhhuhpod Yeah Uh Huh on Facebook https://facebook.com/YeahUhHuhPod Yeah Uh Huh on Twitter https://twitter.com/YeahUhHuhPod Yeah Uh Huh on Spotify https://open.spotify.com/show/7pS9l716ljEQLeMMxwihoS?si=27bd15fb26ed46aa Yeah Uh Huh on Apple Podcasts https://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611 Yeah Uh Huh Website: https://yeah-uh-huh.wixsite.com/yeahuhhuhpod

Welcome back to Episode 12, the SEASON ONE FINALE of You Had To Be There!! This week's guest is one of my favorite people I've had the opportunity to work with. Daniela Romero is a seasoned marketing expert with over 7 years of hands-on experience. She is the marketing manager at the legendary Greek Theatre in Los Angeles and manages events & partnerships with Amplify Her Voice. Daniela is particularly dedicated to advocating female empowerment and sustainability within the music and entertainment industries.I have some exciting things in store for season two, so be sure to stay tuned and follow us on Instagram at @uhadtobetherepod to stay updated on the latest announcements and more.Daniela's Playlist: https://open.spotify.com/playlist/7tBFspHC5vjMnaSj1b7Ol9?si=de0f3c6691674b9fFollow Daniela on IG: https://www.instagram.com/_freyree/Follow us on IG: https://www.instagram.com/uhadtobetherepod

A legend among legends, a performer among performers, or you might just know him as...His Neilness!Hilary and Cody travel the Neilverse, going through the concert and album that made him the pop god that he is known as. "Hot August Night" was recorded at the amazing Greek Theatre in Los Angeles, and everything you want from Neil Diamond is on display. A brilliant songwriter with a grounded sense of self-awareness, Neil Diamond's biggest charm is his willingness to go for it - vocals, spectacle, banter, songs about pretzels, etc."Hot August Night" is the quintessential Neil Diamond record for many reasons; it's loaded with hits, and bursts at the seams with personality...Also his immaculate hair!Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

[DO NOT RESUSCITATE] Make a mockery of myself; wear smock to work I don't talk too much no more I just gossip somedays, Dark on mondays; The forgotten apostle With just enough rope To jump off and hope It all stops, soon The motocross and the terror stalkers Just across from the starbucks at the Rock –it got awkward But God Loves me Might start a talk show Some chef, with a pop tart A pop up club, a long night Some broke shards of glass, the yards of all the scars on stars and stripe Feels like a long night– Got coffee and tacos A long talk with your blonde wife To bypass the psycos Right, though? Bro, it's so over; I won a whole asshole and a four leaf clover In a game of poker Now, brush your shoulders off Brush your hair, Pet the dog, And kick the cat over and over Till he turns back to a robot “You're so gross.” –don't i know it. The whole world is over –you jump first, I'll follow Lets keep talking About the letters I penned To the false Gods, Painted them scarlett, of course Scattered em from here to Scarboro Fair, I was right there, then out of nowhere a new nightmare with nice hair Here we go again Lines out the door; We got lines out the door Out of Order The world is at war The whole world has run Out of water The four is the for Theres no five But the V for vendetta Theres lines out the door The whole world Is a mom And a daughter My jokes get better, The buildings look bigger I pretend this seltzer is alcohol Cause i want it To make me forget I've got all my– Huh There's a line out the door. What if– Me, And all of your friends And all of my Wait, I don't have any friends I'm getting a cat. I was just thinking about Mila Kunis. Oh yes, why's that? SETH MCFARLENE YEEEEE. YEEEEEEE. YEEEEEEEEEEEEEEEEEEE. WHAT, GODDAMMIT GIGGITY! OKAY, ASSHOLE Eyes on eyes, and tears on tears All the years ive cried On ears on ears Why am I even here? It's been too long, since i've been touched I don't love love but i dislike lust I don't trust anyone I don't have a number I crawled up my arm, Danced with the blood drawn BLŪ wakes up famous. [The world swirls into a plume of dark blue sky; BLŪ awakens suddenly from the blackness of a deep sleep in the middle of a road, a group of people, friends, swirling around her.] YO. What? BLŪ. What's up. PARTY FOUL, BROH. … Billie Ellish? Billie Pirate Ellish. Uh. That's why the rum– Is gone. What. Guess i'm Jack Sparrow, now. Hey wait–are you even legal? Uh. I'm a mad fucking genius; are you legal? I don't know. Besides, this was your idea. What–what? Exactly. Get up. Wtf is going on in this scene. Idk i might a have to play the song again Fuck that. I'm about to slit myfucking wrists. HAVOC. Where are we going? You still got that NDA in your wallet? I–yeah. Then we're gucci. “Waking up Famous” I don't know exactly what happened. [Looking in the mirror, confused.] This is a nice leather jacket. I wonder if i'm still Vegan. Damn. I look mad rich. BLŪ hurry UP! [toilet flushes with foot] Alright, I'm coming. [Blu checks her pockets to find a wallet, the contents including numerous cards–metal ones, with copious amounts of cash, and pre-filled NDAs which have been folder neatly and stuffed into the corner pocket of the trifold wallet] Billabong. Classy. I'm never gonna finish that other project, am I? Whatever. Leave Fallon alone. I did. –it came back. Cut lil blonde Hot as Finneas O' Connell Possible homosexual, but god love him Cause I'm hungry Lookin for lunch Somebody as scrunches Pull up and crunches Cause my monster is Lookin to Humpty Dumpty Fuck, I forgot Rosie O'Donnal! I cant get no Satisfaction— The Rolling Stones What's wrong, Saint Jimmy? Lucius? What is it. Percius would like to see you. Oh. The Prince Lucius hasn't left his chamber in days—however, as his brother Percius has just returned from war, he quickly emerges from his resting place, an alter of sorts. Damn, I'm getting a headache. I almost never have headaches. It was true, and of course, as I started to write about this prince and his so said brother, Lucius and Perseus, I was reminded once more of Athens, where I had just been however briefly, in a short astral trip of sorts, wandering about in the dreamworld, looking for something or someone in place of my pillow to hold. Did you want to walk to Trader Joe's? I mean, kind of, but no. My muscles were sore and I had just spent some two hours in the gym, not on purpose but quite by accident, though only having run just under two miles, though at least uphill, and spending the rest of the time lifting—I had been bound to mostly beans and rice, and so however was bloated and gassy, quite slow and not as strong, my regular protein just out of reach… Dang. I have so much to fucking do today. I hadn't realized that somehow it was Saturday, although just a couple days before had been a Wednesday that felt like Sunday, and now again time was all out of sorts; it was a “holiday” weekend, and I was without a doubt, drowning in my own having-to-do's, and as such, weekends and days off were entirely not a thing, besides in ways that those bustled around me—and I was sure that some days had been lost, as I was planning to visit the food bank on Friday, but had somehow skipped over the end of the week entirely—somehow, that is, and I was sure sometimes that in skipping days, meditating and fasting about, however intermittently, that time itself shuffled in all the ways I had, between cross dimensions and parallels such as I—I had been hovering somewhere between the 6th and. 10th dimensions, for the most part, and none with having to understand the undoubted shifts in my own perception of time that were bound to happen, as I sprawled across the astral plains looking and searching for a sign that the tragic poverty, restlessness, and lack of peace wound end. Bound to your alter, my dear brother? Aye. So perhaps here there was another unfounded Kingdom within the realm of Ascencia—Lucius, a prince, and Percius—seemingly slated the King, and yet I had unreached such a conclusion as to assimilate an entirely factioned world, as of yet. What did you write last night? Uh…I don't know. Well, let's see Something had shaken me from my almost-sleep, laying sprawled across my bed, in the middle of the mattress, rather than to either side, which was rare; I typically preferred the left side of the mattress, anyway, but as I waited to launder my bedding, after a sweaty and sweltering almost summer day of lounging, smothered in shea butter and lackadaisically scrawling about what recordings had been buried in my phone, between the collection of books I had practically all found in the streets of New York and the rising temperatures of the tepid summer weather, my room was starting to smell funny—and without being able to burn sage anymore, for fear of being thrown back into the streets like a dog, I with every hope in the world figured that washing my thick bedding, comforter included, would restore the crisp and rigid, almost factory clean that I found satisfactory. Songs buzzed in and out of my head as if I hadn't enough already much to do—and still, I added into my growing pile of notes and mounds of work, even more songs—this time, The Rolling Stones. I can't get no Satisfaction… …but I try— —and I try— —and I try— And I try! I can't—get no—! God, I wish I could write something like that. The rock Gods had at the very least been accompanying me, and in a certain sense, so had the Gods of The Rock; I had been forced up out of my dormant state by a voice which urged me away from my near sleep—I had been up since six AM and it was something past midnight, and still the voice said— “Get up and write!” And though I had words tinkering around in my head like little coins in some sort of metal box, none of them quite made so much sense that I had to get up and write—however, still the voice, though not angry, but firm, insisted. The voice, for once, sounded female— a welcome change, and though I had become quite fond of males in general, in the solemnly celibate sense, it was a difference and yet none at all— a voice of wisdom had projected itself at me, and as I dragged myself about, reaching for a notebook and flipping through the pages, finding that the notebook was practically full… ‘great, more shit to do' I held the words that had tinkered around in my mind like little whispers until I found a page to make them full formed, and the words which fell into my hand as scriptured by the pen—my favorite writing utensil, nearly out of its cherishable gel ink, danced upon the page nearly on its own, channeling the words written as such: Once prosperous to throw The stone asunder Glisten whispers of water Tears of al tears |ter| Of the altar, For follow for fello, A felon of Antigone Grace, with shield A tattered tail, So flew with feathered Phoenix ? Feared, Foreshadowed not, Agreed upon however, Was the velvet woven path of us, So honored in her fortress . Yeah, something about Rockefeller Plaza. Well there were all these hooded figures in like weird, brown velvet robes— That's true, I saw that. Yeah, I was there, You WHAT? Look what I got. Fuck me, man. You know, there's a lot more to this story. I was hoping so, but however also, hoping not. Man, Jimmy Fallon's wife is super hot. Gee! Yeah man, she's so cute. W0W. I like her, They're Gods. I think they're Gods. yuh. What else did I write? There was something else? What the fuck is wrong with that guy? Somethin. Yeah. The pages of the notebook were all full, something of a book of shadows and protection spells I had used in an attempt to ward off my ex husband—how of course, that they were done with, I should very well have been jotting them into with all the notes, into the documents—later to burn them, unable to afford the parchment book I wanted. For what a withered way would call an honor for fortunes duty, Glorified wherein in as shadows, Cast upon reflections in redacted incantations and enchantments, foreword come, theone who waits Believing darkness be his fate Whatever, man. Fuck Jimmy Fallon. If you really feel that way! I feel a lot of ways. Well, don't. I'm so, so hungry… So, so lonely… So, so fuckin broke. Man—I learned all this dumb ass magic just to protect myself from this guy, and all this still happens! I think it's just Satan. [Satan Appears] Man— she is JACKED. Try this one. Follow me, boy! Uh— okay. I'm staying single forever. Don't look at me. That's my girl. Don't look at me. What the fuck. Stop looking at her: Don't look at me! Men are hopeless. Fuck dude, like, the worst thing imaginable is that this Jimmy Fallon dude actually hates me so much for this— What? Uh oh. And is so fucking powerful. He is. A very, very powerful— Well, what is it!? We don't— know. *gasps* He's a— SHHHHHH. [Redacted] Well, that's not doing much, is it? Seriously, just kill yourself again. Might have to! Fuck, why do all these robot demons SMELL like him? Satan? Yep. Satan ?! I'm— Seriously, save him. Seriously, God really loves Jimmy Fallon— (He's one of my favorites.) Favorite what's?! Just—favorites. Damn. This is getting to be like Greek Theatre. Great. Now everybody's gonna fucking die. It could be a comedy. Holy shit, yeah— This has mad good production value. I love it! Strange shit I just did give my OWSLA tat a kiss Smile for the camera, Pageantry of mattresses, A master of the MagicIan's chance at Chancellors dance, Look at Harrison trance Can I run a mile for President? A toy chest, A boy, just Obama I'm so much older Been through such trauma What the Willy wonka I should apply for Harvard New York over Boston So Columbia or Juliard I wish Son of a bitch, this is tragic I'm too old for scholarship Diploma's in another name I just got protective orders on I should start over But the world war is another Trump drama My Amazon cart is full of karma What you want from God? A trophy husband, Let's call him Oscar -undefeated. All this is weird I think imm married to the music Think of growing a beard Opening a beer And getting out of here All of my fears is Mommy dearest mommy dearest All of my hell is A body Imm a seed in a forest Been buried Bipolar, Supposedly, So tell me, Faery; How could I love you The way I I do If my mood Were restablized My blu life Gave me blue eyes Clean tub of water I don't belong here It's too late for me too Swapping Vogue for the People My people who hate me But I been so played, The hatred betrays me I walk both ways Down a one way street {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. [handle with care. ] lol this is so fucking obnoxious. i know. thats how you know i'm a DJ. hahaha shutup. HAHAHAHA [The Festival Project.™]

Peel back the wrapper of some English chocolate and put on your favorite Tori Amos album – we're headed to Los Angeles to chat with Natalie Caplan, Vice President of Entertainment for ArenaNetwork, Venue Coalition & Theater Network. Natalie tells us about her job and how they empower and assist independent venues – providing important resources and driving content to them. With more than 140 venues across North America, hear how ArenaNetwork, Venue Coalition, and Theater Network leverage their staff experience and collective knowledge among venues to provide curated support and industry advocacy for a wide mix of venues in different market sizes. From England to Arizona to New York to touring to Los Angeles, Natalie takes us along as we walk through her career journey. With an interesting path that includes publicity at Atlantic Records, being Assistant Tour Manager for Tori Amos, and the Director of Artist Relations and Events at The Greek Theatre for Nederlander Concerts, she has seen numerous sides of the industry which provided valuable perspective as she pursued new roles. We discuss trends and challenges facing venues and tours in 2024 and tips for navigating what the new “normal” is for the industry. Enjoy this educational and interesting discussion packed full of great perspective and fun stories.Natalie Caplan: Facebook | Instagram | LinkedIn | EmailVenue Coalition: Facebook | Instagram ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Continuing with the life of Euripides we look closer at 5th Century Athens and how the events happening around Euripides likely influenced his writing and the stories he wanted to tell. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Brill's Companion to Euripides "Life of Euripides", William Blake Tyrell; Euripides' Ion, translated by Robert Potter; Isabelle Torrance's Euripides. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Live at the Greek Theatre! Bells Hells battle the creeping terror of an unleashed demon, but their own darkest thoughts may prove to be the real enemy... We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join  Get unparalleled access to Critical Role with Beacon. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord.   Check out our new podcast The Re-Slayer's Take! After six misfit mercenaries are rejected from the elite monster hunting group, The Slayer's Take, they band together as The Re-Slayer's Take, battling supernatural creatures across the rugged continent of Issylra. Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. But don't worry: broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on Spotify, Apple Podcasts & Google Podcasts following a week after the initial air date. Twitch Subscribers and YouTube Members also gain access to our official custom emote set and subscriber badges. "It's Thursday Night (Critical Role Theme Song)" by Peter Habib and Sam RiegelOriginal Music by Omar Fadel, Hexany Audio, Ghiya Rushidat, Karam Salem, Neal Acree, and Colm R. McGuinness"Welcome to Marquet" Art Theme by Colm McGuinnessAdditional Music by Universal Production Music, Epidemic Sounds, and 5 AlarmCharacter Art by Hannah FriederichsAnimated Introduction by Kamille Areopagita, Kevin Areopagita, Mark Adams and Peggy Shi Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

Bells Hells encounter Aeorian terrors as they explore the ruined city and seek out the wrinkle in Ludinus' plans... Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Tickets are on sale now: https://www.ticketmaster.com/event/090060A6C2C9330F   We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join  Get unparalleled access to Critical Role with Beacon. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord.   Check out our new podcast The Re-Slayer's Take! After six misfit mercenaries are rejected from the elite monster hunting group, The Slayer's Take, they band together as The Re-Slayer's Take, battling supernatural creatures across the rugged continent of Issylra. Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. But don't worry: broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on Spotify, Apple Podcasts & Google Podcasts following a week after the initial air date. Twitch Subscribers and YouTube Members also gain access to our official custom emote set and subscriber badges. "It's Thursday Night (Critical Role Theme Song)" by Peter Habib and Sam RiegelOriginal Music by Omar Fadel, Hexany Audio, Ghiya Rushidat, Karam Salem, Neal Acree, and Colm R. McGuinness"Welcome to Marquet" Art Theme by Colm McGuinnessAdditional Music by Universal Production Music, Epidemic Sounds, and 5 AlarmCharacter Art by Hannah FriederichsAnimated Introduction by Kamille Areopagita, Kevin Areopagita, Mark Adams and Peggy Shi Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

Today I dive into Bill Burr and I riding Ducati's through the Rockies, The Shining film and the Stanley Hotel and Performing Stand Up Comedy at The Greek Theatre in Berkeley Calif. Thank you for tuning in each week. This episode is brought to you by XBET use the code Promo for credits Join my Patreon at https://www.patreon.com/DeanDelray  Tour Dates  https://www.deandelray.com/tourdates 

Robbie Daymond, Laura Bailey, Marisha Ray, and Matthew Mercer discuss the return of Dorian Storm, the current state of the group, and the continuous moon nonsense still afoot! They'll, of course, also pull questions from the Tower of Inquiry and play a very panic inducing game called WE'RE DOOMED! Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Tickets are on sale now: https://www.ticketmaster.com/event/090060A6C2C9330F   We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join  Get unparalleled access to Critical Role with Beacon. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord.   4-Sided Dive airs one Tuesday a month on http://twitch.tv/criticalrole and http://youtube.com/criticalrole Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. But don't worry: broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on Spotify, Apple Podcasts & Google Podcasts following a week after the initial air date. Twitch Subscribers and YouTube Members also gain access to our official custom emote set and subscriber badges. "Let's Roll (4-Sided Dive Theme)" by Peter Habib and Sam RiegelOriginal Music by Omar Fadel and Hexany AudioAdditional Music by Universal Production Music, Epidemic Sounds, and 5 Alarm

When a vile phenomenon emerges on set, the cameras roll on the Circle of the Silver Screen - Assignment #29 -1128 "Stagecraft" The world of Candela Obscura comes to life for a special one-shot assignment prepared and performed in front of a live audience at the United Theater on Broadway in Los Angeles. A session zero with VIP ticketholders preceded this special one-shot, where our game master and players worked with the live audience to complete character creation, develop relationships, and forge their circle. The session zero with VIP ticketholders is available now, exclusively on Beacon. We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join Get unparalleled access to Critical Role with Beacon. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Tickets are on sale now: https://www.ticketmaster.com/event/090060A6C2C9330F Grab your copy of the Candela Obscura Core Rulebook at our Darrington Press Guild stores, a friendly local game store, or any of our Critical Role online shops! United States: https://shop.critrole.com/collections/candela-obscura United Kingdom: https://shop.critrole.co.uk/collections/candela-obscura Australia: https://shop.critrole.com.au/collections/candela-obscura Canada: https://canada.critrole.com/collections/candela-obscura EU: https://shop.critrole.eu/collections/candela-obscura Darrington Press Guild stores: https://darringtonpress.com/darrington-press-guild Candela Obscura is an ongoing monthly horror drama that follows an esoteric order of investigators as they use centuries of knowledge to fight back against a mysterious source of corruption and bleed. Leveraging gaming as a story mechanic, the series features the Candela Obscura tabletop roleplaying game from Darrington Press, which is built on the Illuminated Worlds system. Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. The YouTube VOD will be available the following Monday after the episode's initial broadcast and the podcast version will be available one week following the initial broadcast on your favorite podcast streaming service. Spenser Starke as Game Master Marisha Ray as Jacqueline "Jackie" Renoux Khary Payton as Chey Tanii Mcheza Laura Bailey as Evelyn White Matthew Mercer as Lester Shaw Originally Created by Taliesin Jaffe and Chris Lockey Game Design and Writing by Spenser Starke and Rowan Hall Produced by Maxwell James, Ashley Middlebrook, and Steve Failows Lightkeeper portrayed by Taliesin Jaffe Music by Colm McGuinness Due to the improv nature of Candela Obscura and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode. Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

With fan and newcomer to the show, Paige Elder. Livestreams on YouTube, instagram.com/tedeschitruckspodcast, tedeschitruckspodcast.com, adamchoit.com, tedeschitrucksband.com

In Hour 3, Willard and Dibs welcome comedian Bill Burr to the show to roast them ahead of his June 8th show at The Greek Theatre in Berkeley, wonder if the Giants need to adjust their ballpark, and more.

Bells Hells work to fortify their bonds and friendship in the face of darkness before engaging in a whirlwind of travel stops on the way to Aeor...We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join  Get unparalleled access to Critical Role with Beacon. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord.  Check out our new podcast The Re-Slayer's Take! After six misfit mercenaries are rejected from the elite monster hunting group, The Slayer's Take, they band together as The Re-Slayer's Take, battling supernatural creatures across the rugged continent of Issylra.Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Tickets are on sale now: https://www.ticketmaster.com/event/090060A6C2C9330F  Witness the Fairelands come to life May 25th for an immersive Candela Obscura LIVE SHOW at The United Theater on Broadway in Los Angeles! Tickets are on sale now: https://www.axs.com/events/548570/candela-obscura-live-tickets    Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. But don't worry: broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on your prefferred podcast platform a week following he initial air date. Twitch Subscribers and YouTube Members also gain access to our official custom emote set and subscriber badges.""It's Thursday Night (Critical Role Theme Song)"" by Peter Habib and Sam RiegelOriginal Music by Omar Fadel, Hexany Audio, Ghiya Rushidat, Karam Salem, Neal Acree, and Colm R. McGuinness""Welcome to Marquet"" Art Theme by Colm McGuinnessAdditional Music by Universal Production Music, Epidemic Sounds, and 5 AlarmCharacter Art by Hannah FriederichsAnimated Introduction by Kamille Areopagita, Kevin Areopagita, Mark Adams and Peggy ShiDue to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

‘…is that a threat?' ‘Hm…' If it was, it was at least a good one— I was scared, at first, upon seeing what I had thought to be perhaps a package robbery—but was actually just a slit through the package—a clean slice, more specifically, through the bubble wrapped [Redacted] package, however, its contents still inside; The package had been left underneath another—which didn't belong to me, and though I had been cornered by security more than once at the [Redacted] market, for putting my nutritional needs above that of my morality—or rather, thought my morlity to exclude guilt from the nessecities, especially as I often pondered upon the elite had kept the lower classes in a devolved state by controlling the price of wellness, so much so that it had become impractical for the common being. I had never even thought to swipe someone else's mail—a personal foul, and at least in turn in that matter to all respect with karma, had never had any packages stolen, either—not that I had lived indoors long enough to have warranted that I was safe from what sometimes seemed like the non-human animals, especially of New York City, who crawled about the lower realms littering and taking up precious time, space, and energy—the almost less-than-common man, but still, actually and unfortunately—common, especially in New York. The Sage sticks and palo santo I had ordered were still intact, entirely— to my surprise, and I wondered what else my package might have included, without remembering such. I had become enfuriated with [Redacted], after realizing that there had been hidden charges and unrecognizable fees, on my credit card, of all the places—the Capital One credit card, with sky high interest rates and robotic customer service drones—who I mostly would hate talking to— and it seemed as though the [Redacted] algorithm had become just as predatory as the rest of them—as uncivilized as the trash-dropping, coughing subhumans that plagued the post-pandemic world, if there was such a thing. The overcrowded mess and overall pollution of the city at whole at best made it still acceptable to wear masks in public, to which I took full advantage of doing, as needed—which was as often as possible, actually, if not to hide the curiosities, and of course, the objections to whatever it would be on the train that sparked distaste—worst yet, I might even smile, and reveal my gap-tooth, only acceptable on Hurley models and Madonna, of course—either of whom I wished I was. It was 3:16 AM, and a long lost song found its way into my head as I fettered the words into the document, multitasking a “modest” breakfast as I mulled over the day, most of which I had spent attempting peace and solitude, neither of which actually even seemed attainable in my 3rd floor “office”, being so careful not to consider anything home or a comfort, for the fear that whatever Death curse someone had thought to m destroy me with once would extend into all the years and all the realms of my presence— it was true, as I explained to my aunt, that the people around me had within the last few years turned into demonic and vampiric advocates of what seemed to be the devil itself, were I even holy enough to be considered sacred in such a way that the devil may be chasing me—and I was, in some ways, but not in others—my ability to aggrandize my judgements and flex my morality where needed, but less when wanted as it stood true that I never actually enjoyed immorality—I hated living in a world where one would be made to steal, and made to lie, in order to survive. But that, for 30 years is where I had lived; in, for the most part, an evil world, ruled by man, as he denied and tortured all things that would be thought to be God—in his thirst for whatever it was that had waged a world of war. It seemed as though someone were sending a message, and it had been years since I had felt safe or comfortable anywhere, anyway—so I thought it best not to care, knowing that all in all, that the intentional hurt and harm done to me by any man, or any entity otherwise, would prove to l invoke the karmic justice law unto itself; that whatever pain I experienced would be amplified by its giver, and reflected back—that anyone who intended to hurt or kill me—would only hurt or kill themselves in doing so. At the very least, I was inspired to continue writing the script which I had drifted from entirely—its contents and its driver too mad to be palpable, however—as sometimes this kind of magic did occur in flashes at random, with vivid visions as if I were watching—or even living inside of the scene itself, spoke volumes that it should—or would, whether I wanted it or not, be written eventually. ‘Man, fuck Jimmy Fallon.' I knew nothing of the man at all besides his name and occupation, and that something had plastered him permanently into my mind with some kind of irreparable cement I could not seem to break lose or free from—and it was going to stay that way. The entirety of the festival project and all I had been prompted to have written had become a massive headache. I have a massive headache. UGH. Perhaps it was more multidimensionally attributed to the fact that I had been fawning over affordable razorblazes—I had been almost salivating at the thought of bleeding from my wrists—a constant pressure from the lack of things I wanted and needed piling up at my doorstep, my overdue bills, and the harrowing and what seemed like *manacle. Hm. A maniacle attack on my sanity, not actually practitioned by my abuser, but probably more likely the government, masquerading as such to plot and plan around various secret expirimentation, which would of course within the century become common knowledge, but as for such time we're simply conspiracies, perhaps to hide the shameful loss which was the war being fought with technology—which the dumbing down and brainwashing of millions had left us at an extreme risk, and those were were not at risk, with extreme bias against that which they had no ability or interest to understand. Unremarkably so, I was still astonished that something did indeed seem to have happened—something that was not in my head at all, but rather, very much outside of it—and it was beginning to occur to me that perhaps others had gained an interest in what indeed seemed to be attacking me, for years, by then, with fear, humiliation, and detriment—to which I could only ever think to fight with white magic; there was a controlled chaos to what seemed like my being at a wits end, which I was, but also wasn't—for the most part, at least in public, I could take even the most outrageous offenses poignantly and tactfully, however sometimes realizing that—in Keisha having left her sunglasses behind, she had also left with them a little bit of Harlem— “Move.” The mindless drone controlled robots often stepped directly into my path, as if being driven by some force which was meant to annoy or some other way terrorize me—however, I had grown accustomed to new York's overall rudeness, and had become almost socially inept..speaking of Just—socially unacceptable. What is this?! Gross. What is this?! Papaya juice. Is this a fucking—?! No it's a v8 My G-Wagon! Nice. Got it painted. What color even is that? It's like— mauve. MOVE. FUCKING-A. Jesus Christ. One time, The white devil appeared as a fucked up Edie Falco// And I was so fed up-to-here With The Bullshit, That I didn't even care what happened if I — MOVE OUT OF MY WAY: OR WHAT?! Damn, Mrs. Soprano, you look rough. Are you sure that's not just JACKIE. WHAT. That's the way Uh huh Uh huh I like it Uh huh Uh huh Schools out— Party with my friends! school's out! I'm a genie in a bottle, You gotta rub me the right way! I been too strong, for too long And I can't be without you baby! Is that all of them? Probably not: So mix, then, Probably not. Well Why not?! Because My Serato's been acting horrible. Tommy looked what I would learn to be like a be exact replica of 1988 Tom Cruise. Which reminds me… The 1987 Tom Cruise* is murdered by Supacree's jealous stalker, in a fit of rage, which spirals all known aliases and timelines into a terrible and chaotic nightmare, as Wait, what. I'm just being honest, I don't know how to write this. Here, let me help. YO. wtf. Should have had a V8! SPLASH, BITCH. WHERE's MY SHIIT, JIMMY? It's gone, I broke it. You what. It's missing; I broke it. What do you mean. AHAHA. Oh, I see what you mean, now. Yeah, that guy is different. [The amethyst shatters.] NOH. Woaaaaaaaaaaaaaaa_l GOLD. IT IS GOLDEN. THE ORB. What. The orb. It has chosen you. Uh. Oka. Who the fuck are these creatures—?! “Creetures” I love them. They are darling They are cute. Man, fuck with your bullshit—. —Stay in fucking— Where ever that's at! This is “Queens” Well, it's disgusting. GET LOST. Get lost HOW. Everything's on a grid system! FUCK. I lost it, Damn. Dang. Well, wanna play again? Nah, that's it. What?! Come on. No, seriously. I'm done. Wait, what are you doing? *pulls out rifle* WOAH. WOAH. You should go now. What is that, It's a gun, obviously. What the fuck, man! A rifle, actually, more specifically— What—why—what are you gonna do with that thing? I'm gonna shoot myself: ano— YES. In the head— Don't do that; And you, if you don't get out— Wait! Right now. *aims* Okay! Ah shit, this is getting serious: It s seriously like dick-deep in pussy in here right now. Nay: Maybe we should GO. Hello. M— Maybe we should stay: What! I like her. Get off my property. This is-/ This is MINE. I own this: This one's Mine! Oh, this is what they mean by “ecstatic dance” Actually, my feet are just coldX… Wait, hold on. Before you go off on a tangent about— mm— What is that I don't know what that is. U don't know what it is Look, I wanted that to be Dillon's baby so bad— (So did he) HAHAHAHA. I will end u Oh, baby, there's only one way you could ever do that. Everyone Thrrr she is. She's back! Aaaaaannnyyyeaaaayy— Please explain to us what's happening in this movie. Which movie The Tom Cryise one, Cause there can only be one Tom Cruise one Because Tom cruise is Tom Cruise. Wait. What. TOM HANKS YOU FORGOT MY NAME BRIEfLY YES, but also— That's WHY, this happened. TOM CRUISE I TOLD YOU I TOLD YOU I TOLD YOU-/ You STUPID BITC— Look — I gotta — Oh wait, that still works. What?! You fucked that guy too?! NO. I just. This is a lot of space. Well yeah, we're like—astronauts. How did you get this all in your loft? MAJOR TOM. ALRIGHT. I GOT IT. AHAHAHSJSJHAAHAHAHAHAHAHAHAHAHAHA NO MORE ECID. YAYAYAY. Whrrereeeeeeeeeeeeeee Wherereere in my miiiiiiiiind. Fuck I gotta buy that album….again I know I bought it once. dang. Youre cute, I know, huh. Buy me this Ok. [Beyoncé is not yet back with the coffee.] Deja Vu, Beyoncé Uh oh, uh oh— Uh oh! OHNONO ^ Matumbo AIIIIIIIIGGGGGGGHHHHHHH. Crazy in love— also Beyonce? Destiny's ChildrenS HAHAHA OK. FUCK YOU, DILLON FRANCIS. DEADMAU5 IS A WAY BETTER CONTROLLER *HEAPING GASP* YOU—TAKE THAT BACK. I WOULDNT. I will END YOU. YOU CANNOT. Where the fuck is that lady from? Oh, there she is! Pity! Oh dear! She's NEGROID: Shh, tisk-tisk. [ANNE HATHAWAY dabbed tf out.] Come on Annie! Get up! [she is not getting up] THINK OF THE KIDSz *nope* UGH. WASTED. That sucks! We gotta get her back in that princess movie before everything dies and we all collapse! Which princess movie is it?! Idk! Fuck this bitch! She's like all the princesses! KEKE Palmart* Sure! KEKE PALMER will be playing the PRINCESS from princess and the frog Put the princess—IN—the frog! NO. PUT THE PRINCESS IN THE— AGHHHH. PUT DILLON FRANCIS, BACK IN THE OVEN. NO Ugh. He's so heavy! He's not gonna fit. He WILL fit: NO: SAY UNCLE. ASHEJEBEB SAY IT. AAAAANNNNNNNNNNKKKKKKHHHH [a giant Ankh falls from the sky] Yo. That cannot be a good sign. I think it's not. SUBTRONICS *rips bong* Hey! You made it! Way, way late: Nice! Yes. Why are you naked? I don't know. SOLEÏL. Fuck, man. Wizardrddd! What is this game?! I dunno, but I just keep playing it. This shit says. This does say. This shit says ballsacks. I don't get kids these days “Ballsacks” Is that like, a good thing? Depends who's saying NEY-WHINNY-NEY-WHINNY-NEEEE Horse: ok, I win: JOHNNY DEPP literally cannot speak. Because he is not intoxicated. At all. lol someone help him, seriously. Ok, keep going. All the DISNEY CHANNEL KIDS are WILD ‘N OUT Which is ironic because— NICK CANNON Yep, Oh look, it's me again… NICK CANNON Look, the Nickelodeon Cult— What; I mean— The Illuminati just called, They want their stuff back. What STUFF. SAY IT. NEVER THAT. SAY MY NAMEs PASSWORD FALLON, YOU FUCKING HACK. oh, I'm a ‘hack' now that's— “Haha” Who's laughing?! You should be crying right about now. I'm an actor. Very funny. Tears of a clown. Shut up: I am crying, on the inside. -_- Sit down, dipshit: Ooh, now I'm dip— *cocks pistol* Shit, I thought you couldn't— Oh no, this part of the series gets pretty— You're in deep fucking shit; [JIMMY FALLON sits calmly at his desk, he scoops some “sugar” into his coffee and stirs, seemingly emotionless.] CUT TO DANCE BREAK. I wanna hold 'em like they do in Texas, please CUT TO: Texas border patrol holding cell. DIPLO (In a stupid ass cowboy hat) m *jail door slams* AH, COME ON. Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it) I thought it was… “A little gambling is fun when you're with me” (I love it.) Maybe it WAS. What year was that anyway? Idk. What year was any year before [Lyrics Genius] Flashback: The 2000's Rewind it again. What did she just say? Idk. What did he say? Damn. Fuck, I missed it. Love game intuition, play the cards with spades to start THE ACE OF SPAAAAAAADES. Okay. Fine. He wants to be Satan? He's Satan. Yo, that's— SATAN. [Skrillex is Satan] Yeah, but he's so fucking cute. Supacree, what are you doing? BRB, I'm gonna go fuck this lil ass [censored] Damn. Ok. S/he does not fuck around, that guy. Yeah, that guy. And after he's been hooked, I'll play the one that's on his heart I guess we'll just have to… wait till they play it on the radio again… / Wait till the next rave. fuck. MIXTAPES. GETCHUR MIXTAPES. La da da Dee da da duh duhhh La da da Dee da daaaah da duuuuuum La da da da de da La da da da Dee da Da da Dee da da da da dum Okay, Google, let's see what you got. I got—Reddit.. r/NameThatSong 5 yr. ago Surprentis Join Can't figure out this song. Looking for help hey you guys remember that song from back in the day that went "la da dee da da da daaaa, la da dee da da da daaaaa, ah la da dee daaa da la daa dee daaa daa daa dee daa da daaa da daaaaa" i feel like it was on night at the roxbury maybe im wrong.. uh, ok— wtf is “night at the Roxbury” …Google? GOOGLE Here: you'll like this. Oh shit, ‘98 … FINALLY. JESUS CHRIST. Holy shit, you were on SNL in 1998?! Yes. How the fuck old are you? Jesus Christ! JESUS CHRIST …not as old as me. [but everyone's still mad as fuck at Jesus for eating all of the pizza] wtf, man: Just— inhaled it. *gnarf* Actually, you know what: Just stay—celibate: Oh check it out. THIS lady only shows up if I— *squints* if you what: Nothing. Nothing. ANNNNNNNE. GET. UP. She's not gonna go. She's dead bro. I'm not dead! YES! oh! She's up! YES *barfs*! [instantly back asleep] —m— That's it We're fucked. Disney's gonna kill us. The Illuminati's gonna kill us! Disney is the Illuminati. Yeah, but like—for kids. THIS IS NOT FOR KIDS. THIS IS NOT FOR KIDS. KIDS AVERT YOUR EYES, CHILDREN! All sixteen pairs of them! wtf who has that many kids Eight fucking kids, bro. ^_- ok, I like her. Yeesss. Ya. Imm drunk. K. gargle! Nah! GARGLE, RIGHT NOW OR I'll wash your mouth with soap! [pulls gun] THATS NOT SOAP. MY GUN'S NAME IS “SOAP” Shit, why are there so many guns in this shit?! Because Skrillex is like, Cartel, or whatever. And like—the Bloods. ☠️ And the Crips, probably, also— Like I said, He is Satan. GET OVER HERE AND- SHOW ME WHAT YOU GOTTTT: I got nothin. What: I got// Zero scenes You got no scene, broh? No scenes. None? Zip. None? Zero. Woah. Hold up. will— uh— “powers” Ferrel—like an animal that won't shut up, or something? Will bite you—may be rabid— Feral? You mean? Sure; whatever.d Just, stop talking, How the fuck do you do the same movie— like— infinitely. Recap: every will ferret* Sure! EVERY WILL FERRELL MOVIE IS ULTIMATELY... They're all the same movie! GET UP, After waking up in a hungover/still intoxicated rage, Anne Hathaway causes a showdown worthy of historical proportions, which concludes with her legendary “yeet” of a mysterious object of extra planetary origin—this initiates round two of the party which never should have happened, and almost never ended. In another parallel cross dimension: Irl JIMMY FALLON and Ū are imaginary friends; rather, Ū is a figment of JIMMY FALLON's imagination and vice-versa—this scene pays homage to Wilfred; they share stories with one another as they pass the bong/blunt in a solid back-to-back rotation, making the tragic stories they are telling almost hilarious, but only because they are so generously stoned. —_— So wait, he like— *passes blunt* —Here, take this— —Yeah— *passes bong* —Just switch me— Yee. So he like—“yeeted” your baby? He Yeeted my baby. *blowing out, coughing* That's not supposed to happen. No, it is not. Here, switch me. *switch* *rips* *shaking head in stoniness* [beat] So like— *rips bong* —you're like, Ū, so— You're like… I'm like, everybody. Right? Yeah. Yeah! I'm Ū, dawg. That is a cool name. Is—a cool name *hits blunt* Here, switch me— *rips bong* Is—not—a cool power to have. I bet not, though. You would imagine I wouldn't, that's in—coughs—sane. It is insane: cover your mouth: Sorry. No you're not, So how are you not like— Like what? I'm Ū, there what// So how are you not like— Seth McFarle—uhh Seth McFarlen lol *e What Uh, I am. SETH MCFARLENE No you're not, I'm right here. *suddenly not stoned* What the FUCK man: Woah, Seth McFarlene. HOW DID YOU GET INTO MY OFFICE. I walked in. That's boss status. What the fuck! I locked it! You did not. I walked in—like right behind you guys You probably forgot… You—I forgot— He forgot to lock The Rock lol stop Walk it out, Now walk it out // Walk it like I talk it Talk it like I RUN BITCH RUN FLORIST, RUN!!! Lmfao. Ok. CUT BACK TO: You probably forgot, dude. Alright, Seth McFarlene. Just—*hits blunt* stop talking . Load another bowl Giggity! *passes blunt* You want this? No, I'm straight. Are you, though? What?! Yeah, I'm— I mean, l'm good on the— You know what? Fuck it, gimmie that. Yee. Sauce. [there is a knock at the door] Welp, I gotta go. [Jimmy Fallon is suddenly alone in his office, with a blunt in one hand and a bong in the other. The lights automatically shut off; the coffee maker brings brewing automatically—-three more knocks at the door.] *sighs* [explitive] CUT TO: That fucking rager Is it day?! Is it night?! We don't know! It's been months, probably Weeks, at best— But all we actually know about this time and place is that— The HATTER is here. For fucks SAKE. GIVE ME ANOTHER BEER, SOMEBODY. ANYBODY. lol Johnny Del*. Sure JOHNNY DEPP is drinking Duh *beer?! Uh huh That's all we have, man. *light beers I'MMM BUZZZZZED LIGHTYEAR BUUUUUUUZZXXXED LIGHTYEARR no, Tim Allen, not yet. Fuck, on that note Now I know why THERES A SNAKE IN MY BOOT yeah there is! Ok, ew Ok, gross Stop ew Stop Ew. Cut lil blonde Hot as Finneas O' Connell Possible homosexual, but god love him Cause I'm hungry Lookin for lunch Somebody as scrunches Pull up and crunches Cause my monster is Lookin to Humpty Dumpty Fuck, I forgot Rosie O'Donnal! I cant get no Satiafaftion— The Rolling Stones What's wrong, Saint Jimmy? Luscius? What is it. Precious would like to see you. Oh. The prince Lucius hasn't left his chamber in days—however, as his brother Percius has just returned from war, he quickly emerges from his resting place, an alter of sorts. Damn, I'm getting a headache. I almost never have headaches. It was true, and of course, as I started to write about this prince and his so said brother, Lucius and Perseus, I was reminded once more of Athens, where I had just been however briefly, in a short astral trip of sorts, wandering about in the dreamworld, looking for something or someone in place of my pillow to hold. Did you want to walk to Trader Joe's? I mean, kind of, but no. My muscles were sore and I had just spent some two hours in the gym, not on purpose but quite by accident, though only having run just under two miles, though at least uphill, and spending the rest of the time lifting—I had been bound to mostly beans and rice, and so however was bloated and gassy, quite slow and not as strong, my regular protein just out of reach… Dang. I have so much to fucking so today. I hadn't realized that somehow it was Saturday, although just a couple days before had been a Wednesday that felt like Sunday, and now again time was all out of sorts; it was a “holiday” weekend, and I was without a doubt, drowning in my own having-to-do's, and as such, weekends and days off were entirely not a thing, besides in ways that those bustled around me—and I was sure that some days had been lost, as I was planning to visit the food bank on Friday, but had somehow skipped over the end of the week entirely—somehow, that is, and I was sure sometimes that in skipping days, meditating and fasting about, however intermittently, that time itself shuffled in all the ways I had, between cross dimensions and parallels such as I—I had been hovering somewhere between the 6th and. 10th dimensions, for the most part, and none with having to understand the undoubted shifts in my own perception of time that were bound to happen, as I sprawled across the astral plains looking and searching for a sign that the tragic poverty, restlessness, and lack of peace wound end. Bound to your alter, my dear brother? Aye. So perhaps here there was another unfounded kingdom within the realm of Ascencia—Lucius, a prince, and Percius—seemingly slated the King, and yet I had unreached such a conclusion as to assimilate an entirely factionrd world, as of yet. What did you write last night? Uh…I don't know. Well, let's see Something had shaken me from my almost-sleep, laying sprawled across my bed, in the middle of the mattress, rather than to either side, which was rare; I typically preferred the left side of the mattress, anyway, but as I waited to launder my bedding, after a sweaty and sweltering almost summer day of lounging, smothered in shea butter and lasidasicly scrawling about what recordings had been buried in my phone, between the collection of books I had practically all found in the streets of New York and the rising temperatures of the tepid summer weather, my room was starting to smell funny—and without being able to burn sage anymore, for fear of being thrown back into the streets like a dog, I with every hope in the world figured that washing my thick bedding, comforter included, would restore the crisp and rigid, almost factory clean that I found satisfactory. Songs buzzed in and out of my head as if I hadn't enough already much to do—and still, I added into my growing pile of notes and mounds of work, even more songs—this time, The Rolling Stones. I can't get no Satisfaction… …but I try— —and I try— —and I try— And I try! I can't—get no—! God, I wish I could write something like that. The rock Gods had at the very least been accompanying me, and in a certain sense, so had the Gods at The Rock; I had been forced up out of my dormant state by a voice which urged me away from my near sleep—I had been up since six AM and it was something past midnight, and still the voice said— “Get up and write!” And though I had words tinkering around in my head like little coins in some sort of metal box, none of them quite made so much since that I had to get up and write—however, still the voice, though not angry, but firm, insisted. The voice, for once, sounded female— a welcome change, and though I had become quite fond of males in general, in the solemnly celibate sense, it was a difference and yet none at all— a voice of wisdom had projected itself at me, and as I dragged myself about, reaching for a notebook and flipping through the pages, finding that the notebook was practically full… ‘great, more shit to do' I held the words that had tinkered around in my mind like little whispers until I found a page to make them full formed, and the words which fell into my hand as scriptured by the pen—my favorite writing utensil, nearly out of its cherishable gel ink, danced upon the page nearly on its own, channeling the words written as such: Once prosperous to throw The stone asunder Glisten whispers of water Tears of al tears |ter| Of the altar, For follow for fello, A felon of Antigone Grace, with shield A tattered tail, So flew with feathered Phoenix ? Feared, Foreshadowed not, Agreed upon however, Was the velvet woven path of us, So honored in her fortress . Yeah, something about Rockefeller plaza. Well there were all these hooded figures in like weird, brown velvet robes— That's true, I saw that. Yeah, I was there, You WHAT, Look what I got. Fuck me, man. You know, there's a lot more to this story. I was hoping so, but however also, hoping not. Man, Jimmy fallon's wife is super hot. Gee! Yeah man, she's so cute. W0W. I like her, They're Gods. I think they're Gods. yuh. What else did I write? There was something else? What the fuck is wrong with that guy? Somethin. Yeah. The pages of the notebook were all full, something of a book of shadows and protection spells I had used in an attempt to ward off my ex husband—how of course, that they were done with, I should very well have been jotting them into with all the notes, into the documents—later to burn them, unable to afford the parchment book I wanted. For what a withered wa t would call and honor m for fortunes duty, Glorified wherein in am shadows, Cast upon reflections in redacted incantations and enchantments, foreword come, theone who waits Believing darkness be his fate Whatever, man. Fuck Jimmy Fallon. If you really feel that way! I feel a lot of ways. Well, don't. I'm so, so hungry… So, so lonely… So, so fuckin broke. Man—I learned all this dumb ass magic just to protect myself from this guy, and all this still happens! I think it's just Satan. [Satan Appears] Man— she is JACKED. Try this one. Flllow me, boy! Uh— okay. I'm staying single forever. Don't look at me. That's my girl. Don't look at me. What the fuck. Stop looking at her: Don't look at me! Men are hopeless. Fuck dude, like, the worst thing imaginable is that this Jimmy Fallon dude actually hates me so much for this— What? Uh oh. And is so fucking powerful. He is. A very, very powerful. Well, what is it! We don't— know. *gasps* He's a— SHHHHHH. [Redacted] Well, that's not doing much, is it? Seriously, just kill yourself again. Might have to! Fuck, why do all these robot demons SMELL like him? Satan? Yep. Satan ?! I'm— Seriously, save him. Seriously, God really loves Jimmy Fallon— (He's one of my favorites.) Favorite what's?! Just—favorites. Damn. This is getting to be like Greek Theatre. Great. Now everybody's gonna fucking die. It could be a comedy. Holy shit, yeah— This has mad good production value. I love it! Strange shit I just did give my OWSLA tat a kiss Smile for the camera, Pageantry of mattresses, A master of the MagicIan's chance at Chancellors dance, Look at Harrison trance Can I run a mile for President? A toy chest, A boy, just Obama I'm so much older Been through such trauma What the Willy wonka I should apply for Harvard New York over Boston So Columbia or Juliard I wish Son of a bitch, this is tragic I'm too old for scholarship Diploma's in another name I just got protective orders on I should start over But the world war is another Trump drama My Amazon cart is full of karma What you want from God? A trophy husband, Let's call him Oscar -undefeated. All this is weird I think imm married to the music Think of growing a beard Opening a beer And getting out of here All of my fears is Mommy dearest mommy dearest All of my hell is A body Imm a seed in a forest Been buried Bipolar, Supposedly, So tell me, Faery; How could I love you The way I I do If my mood We're atabilized My blu life Gave me blue eyes Clean tub of water I don't belong here It's too late for me too Swapping Vogue for the People My people who hate me But I been so played, The hatred betrays me I walk both ways Down a one way street {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

Bells Hells take time to focus inwards on their grief and their healing, but inner demons threaten the harmony of their bond... We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join  Get unparalleled access to Critical Role with a Beacon membership. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord.   Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Learn more at https://critrole.com/event/bells-hells/   Witness the Fairelands come to life May 25th for an immersive Candela Obscura LIVE SHOW at The United Theater on Broadway in Los Angeles! Tickets are on sale now: https://www.axs.com/events/548570/can...       Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. But don't worry: broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on Spotify, Apple Podcasts & Google Podcasts following a week after the initial air date. Twitch Subscribers and YouTube Members also gain access to our official custom emote set and subscriber badges. "It's Thursday Night (Critical Role Theme Song)" by Peter Habib and Sam RiegelOriginal Music by Omar Fadel, Hexany Audio, Ghiya Rushidat, Karam Salem, Neal Acree, and Colm R. McGuinness"Welcome to Marquet" Art Theme by Colm McGuinnessAdditional Music by Universal Production Music, Epidemic Sounds, and 5 AlarmCharacter Art by Hannah FriederichsAnimated Introduction by Kamille Areopagita, Kevin Areopagita, Mark Adams and Peggy Shi Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources 

Bells Hells begin their hunt for Ludinus' whereabouts and how to slow his plot, but not before an old foe arrives to test one of their own to the brink... We're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join  Get unparalleled access to Critical Role with a Beacon membership. Enjoy the shows you love completely ad-free, plus new exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord.   Watch Critical Role LIVE at The Greek Theatre in Los Angeles on June 15th as Bells Hells gather their courage and their allies to stop Ludinus Da'leth and his planned destruction of the gods. Learn more at https://critrole.com/event/bells-hells/   Witness the Fairelands come to life May 25th for an immersive Candela Obscura LIVE SHOW at The United Theater on Broadway in Los Angeles! Tickets are on sale now: https://www.axs.com/events/548570/candela-obscura-live-tickets       Twitch Subscribers and YouTube Members gain instant access to VODs of our shows like Critical Role, 4-Sided Dive, Candela Obscura, and Exandria Unlimited. But don't worry: broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on Spotify, Apple Podcasts & Google Podcasts following a week after the initial air date. Twitch Subscribers and YouTube Members also gain access to our official custom emote set and subscriber badges. "It's Thursday Night (Critical Role Theme Song)" by Peter Habib and Sam RiegelOriginal Music by Omar Fadel, Hexany Audio, Ghiya Rushidat, Karam Salem, Neal Acree, and Colm R. McGuinness"Welcome to Marquet" Art Theme by Colm McGuinnessAdditional Music by Universal Production Music, Epidemic Sounds, and 5 AlarmCharacter Art by Hannah FriederichsAnimated Introduction by Kamille Areopagita, Kevin Areopagita, Mark Adams and Peggy Shi Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

Good morning! On today's show, we catch up with listeners and their crazy neighbors after Ellen shares about a predicament she's in with a neighbor. Ryan shares today's Happiness Hack and we got details on how you can win tickets to "An Evening with John Legend" at the Greek Theatre. Press play now on the Ellen K Morning Show On Demand!

Was tragedy or comedy the crowd favourite of the ancient Greek stage? Were audiences raucous and rowdy, or quiet and civilised? And how much do modern theatrical productions draw on their ancient antecedents? Speaking to Emily Briffett, classicist Sarah Nooter answers your top questions about the theatrical antics of ancient Greece – from advice on stage management to scatological humour. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Situated in the geographic center of L.A., Griffith Park is not just the largest urban park in the U.S., but the home of dozens of FREE and FUN activities with history to match. Take a day - actually take a week! - to explore Griffith Park and you'll see why this is the best FREE Thing to do in L.A. *The Story of Griffith J. Griffith (7:16) *The Curse of Petranilla Feliz (10:31) *Griffith Observatory (15:20) *The L.A. Zoo (18:50) *The Abandoned Zoo (24:00) *Travel Town (27:30) *The Greek Theatre (31:18)

TVC 642.6: Emmy nominated writer Shelley Herman talks to Ed about meeting singer Harry Chapin backstage at The Tonight Show, one night after seeing him perform live at the Greek Theatre in Los Angeles; the time when she was a “life line” to Adam West when he appeared in a “celebrity week” version of Who Wants to Be a Millionaire; and some of the crazy antics that happened behind the scenes of NBC's coverage of the Tournament of Roses Parade. Shelley's memoir, My Peacock Tale : Secrets Of An NBC Page, is available from Bear Manor Media. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

Yeah, that's right, it's Emo Night. Amanda and Ann unpack the VPR squad's on-screen drama as they continue to grapple with the fallout of Scandoval and it's effect on their friend group.Then, Ann's former co-worker and beloved friend Jeffrey Rizzi shares some of his favorite stories from working the VIP section at the Greek Theatre in Los Angeles, featuring some of our most lovable stars: Regina Spektor, Dylan Mulvaney, Jack Black, and more. "It's a Long Way to the Top (If You Wanna Rock n' Roll)" and that's what this podcast is all about. **CONTENT WARNING: This episode's VPR recap includes a discussion about suicide, self-harm, and addiction. If you'd prefer not to listen to this portion, skip from 00:22:00 to 00:27:47 If you or someone you know is struggling emotionally or feeling hopeless, it's important to talk to someone about it now. Contact one of the resources below for a free, confidential conversation with a trained counselor anytime.Crisis Lifeline: 988Crisis Text line: Text “Connect” to 741-741The Trevor Project: 1-866-488-7386   We dare you to subscribe and double dog dare you to turn on automatic downloads. Do it, bitch. If you're feeling WILD leave us a review but, in the words of Robby Hoffman and Rachel Kaly, "It should be good. 5 stars only!!!"Follow us on instagram @wesignedannda @mikiannmaddox @liffordthebigreddog so you can slither in our DMs with constructive feedback, but please, for the love of god, don't cyberbully us. We're fragile :-/If you're picking up what we're putting down and want even more, support us on Patreon. You have no idea how many times, while recording, we've said "Wait, this is too batshit.....we'll put it on Patreon" Our cover art was made by America's sweetheart, Maddy Weinberg, and our theme song features parts of "Kawaii Til I Die" by Starjunk 95

Hosts Julie Slater and Jason Friday chat with MOA - bass player for Olivia Rodrigo's band, she's also a singer/ songwriter in other bands and writes music for visual media…“I came to LA with two suitcases and one dream from a small town in the Swedish south…it was the scariest but best thing I've ever done” - Moa...On the pod, find out how Moa and Jason first met each other…how it felt playing at the Grammys TWICE…Moa's old band Thrill Warriors (in Sweden) and Dead Heroine (not to be confused with The Dead Heroines) and the band Moa in LA…opening for Jason's band Rival Tides…Moa was 21 when she moved to the states from a small town in Sweden…she went to the Musician's Institute in LA…the different venues she has played from the House of Blues to the Greek Theatre in LA…and Madison Square Garden - for the second time coming up on her birthday…her days in a Kiss cover band…Moa's days at Guitar Center and how that lead her to the world of sync - writing music for tv/film/commercials - and how that gives her a steady paycheck…her time playing with the band Bay Ledges and how that lead to her playing bass for Olivia Rodrigo…how Moa met her husband and how he is going to go on the next Olivia tour with Moa as a guitar tech…how teaching helped her leave her day job to work on music more…the big moments in her career when her family comes to shows - like soon in Germany…and much more. IT'S 5 O'CLOCK SOMEWHERE...five quick questions to get to know MOA even more: Other than touring with Oliva Rodrigo, find out what artist or band (living or dead) Moa would dream to tour with...being from Sweden, what she thinks of IKEA Swedish meatballs...her favorite food spot in LA...her choice in vacation: museums in Europe, Hawaii beach spot...horse back riding in Montana, or a cozy lodge in the Swiss Alps...and what she hopes her songwriting brings to others.... Follow @cuzihavetopodcast on Instagram for all the latest news. Email us: cuzihavetopodcast@gmail.com.  Find other episodes or leave us a voice message for the show on the anchor website. Thanks for tuning in! Keep on living those dreams, friends, CUZ YOU HAVE TO!! - jULIE AND jASON --- Send in a voice message: https://podcasters.spotify.com/pod/show/cuzihaveto/message

Liv speaks with returning guest CW Marshall about ancient Greek Theatre! Toph goes through the culture of it all, the festivals, the winners and losers, how and why a play gets made, and who pulls the strings... Plus, Euripides is the best, as always. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

GUEST OVERVIEW: Known for his intimate tenor, signature guitar style and moody melodies, Los Angeles-based solo artist Shane Alexander has shaped a distinctive career for himself with his evocative indie folk and soaring acoustic rock. Having extensively toured the US, Europe and Canada since 2005 (both as a headliner and supporting acts like Bon Iver, Lucinda Williams, Seal, Jewel, John Hiatt, Suzanne Vega, Styx and Yes), the fiercely independent artist has developed a loyal international fanbase and performed on many fabled stages, including Red Rocks, The Ryman Auditorium and The Greek Theatre in LA. His music has appeared in dozens of television shows and films and earned tens of millions of streams globally. The song "Everything as One" from Alexander's 2019 album A Life Like Ours was recently featured in a national commercial for Chevrolet's 'Drive Safe' campaign. In addition to working on his own releases, he can usually be found producing acts from both sides of the pond at Buddhaland – his recording studio in Westlake Village, CA. His (yet untitled) 8th solo album is currently being mixed by Grammy-winner Brian Yaskulka. https://www.shanealexandermusic.com/

AirTalk is off this week, so we'll be supplying our podcast listeners with reruns of our Southern California history segments. Today's episode is on Griffith Park. If you'd like to suggest a topic for a future SoCal history segment, email it to atcomments@laist.com.  Griffith Park dwarfs other city parks. Its 4,300 acres make it about five times bigger than New York's Central Park. And, unlike Central Park's man-made rolling hills, Griffith Park is a true urban wilderness, comprised of a chunk of the Santa Monica Mountains. The park, originally Tongva-Gabrielino land, was gifted to the city by Welsh philanthropist Griffith J. Griffith in 1896, who also provided funds for the Griffith Observatory and the Greek Theatre. Griffith is a divisive figure: in 1903, he assaulted his wife with a gun and subsequently served time in prison. According to Casey Schreiner in his book Discovering Griffith Park, in its lifetime, “the park has been home to an airfield, multiple zoos, a landfill, a Civilian Conservation Corps work camp, a pre-internment camp and prisoner-of-war camp during World War II, housing for veterans, and more.” Joining us to discuss the history of the park and how Angelenos use it today are Mike Eberts, author of Griffith Park: A Centennial Historyand Casey Schreiner, founder of the site Modern Hiker and author of Discovering Griffith Park: A Local's Guide.

On today's show, Singer/songwriter and guitarist Shane Alexander reminisces with Joseph about some "back in the day" memories and shares a couple of songs (I WILL DIE ALONE and I'LL BE HERE) GUEST OVERVIEW: Known for his intimate tenor, signature guitar style and moody melodies, Los Angeles-based solo artist Shane Alexander has shaped a distinctive career for himself with his evocative indie folk and soaring acoustic rock. Having extensively toured the US, Europe and Canada since 2005 (both as a headliner and supporting acts like Bon Iver, Lucinda Williams, Seal, Jewel, John Hiatt, Suzanne Vega, Styx and Yes), the fiercely independent artist has developed a loyal international fanbase and performed on many fabled stages, including Red Rocks, The Ryman Auditorium and The Greek Theatre in LA. His music has appeared in dozens of television shows and films and earned tens of millions of streams globally. The song "Everything as One" from Alexander's 2019 album A Life Like Ours was recently featured in a national commercial for Chevrolet's 'Drive Safe' campaign. In addition to working on his own releases, he can usually be found producing acts from both sides of the pond at Buddhaland – his recording studio in Westlake Village, CA. His (yet untitled) 8th solo album is currently being mixed by Grammy-winner Brian Yaskulka. https://www.shanealexandermusic.com/    

Join Deadheads Alex and Dave - except this time, just Dave - talkin' all things 10/20/1968 from the Greek Theatre at University of California Berkeley. Enjoy an absolute ripping Primal Dead show 55 years later! Follow us @workingmanspod, @workingmans_pod on Instagram, or email us at workingmanspod@gmail.com

Scott and Scott go track-by-track through Born to Run—Springsteen's third studio album and the first featuring Little Steven and Max Weinberg as official members of the Edible Street Band. They also discuss the bands at the recent Lost 80s Live! show at the Greek Theatre, talk in depth about their bad headshot experiences, and ask important music questions like, "What if the Sharp Dressed Man met the Uptown Girl?"

We've climbed over the 100-episode hurdle and return with news about the following and so much more: *Tornadoes *Candace Bates and students from Hoban High School receive National Hartzog Award for outstanding volunteer service *Free citizens police academy *Gear Up program *New Crumbl Cookie in Cuyahoga Falls *New Sunday hours at Cuyahoga Falls Library *Electronics recycling day and fall cleanup *Proposals for new murals on side of Green parking deck and utility boxes. Thank you for listening. We are always in the market for article submissions and suggestions for podcast interviews. If you are interested in volunteering with on The Falls Free Press or the Fallscast, or are a musician wishing to showcase your music on the podcast, drop us a line at fallsfreepress@gmail.com. If you enjoyed the show, be sure to rate and review us on Apple Podcasts to let others know to listen. Fallscast theme composed and performed by Alex Hall. Interim music: “Cuyahoga" performed R.E.M. live at the Greek Theatre, Los Angeles (April 9, 1999).

The grandfather of Rock & Roll Productions that was the master of ceremonies for Woodstock, oversaw the Newport Folk Festival and has a resume full of iconic artists joins the show. What he designed as a youngster that McCormick purchased and how the first Wednesday of each month in 1954 became his escape and introduced him to numerous plays on Broadway. Bob Dylan wrote songs in his apartment!Hear about Village Gate, Newport Folk Festival, Newport Jazz at same time toured with many named artists..Oh and then there is Sam Shepard! The Rolling stones in 1966 along with the music festivals at Monterey, Philadelphia, & Miami that saw the likes of Jimi Hendrix, The Who, Janis Joplin, Judy Garland, Pink Floyd, Fleetwood Mac, and many others!In 1969, there was WOODSTOCK! He was the lightning designer who became the emcee. Hear stories about this iconic festival that includes his famous, “Don't take the brown acid” speech. Crosby, Stills, Nash and Joni Mitchel at Greek Theatre, Eric Clapton's Derek & the Dominos premiere, and The Rolling Stones free concert with the Hells Angels. His relationship with Paul Anka in Vegas, and dealing with Yoko Ono for a John Lennon concert, handling the lighting for Elvis in Hawaii in 1973. He received a Tony Award Nomination for lightning design of the Rocky Horror Picture Show! Zaire Festival with James Brown during the “Rumble in the Jungle.” How his license plates caused Bette Midler to drive into his car! Then there was the Beach Boys Stadium Tour and let's not forget the 1984 Olympics! And this is just a snippet of his career! Chip Monck Links:Website: https://www.chipmonck.com/Wikipedia: https://en.wikipedia.org/wiki/Chip_MonckChip Monck Stage Announcements @ Woodstock: https://www.youtube.com/watch?v=yBysxN5ry-8 Before the Lights Link:Become a BTL Member: https://www.beforethelightspod.com/supportBefore the Lights Website: https://www.beforethelightspod.com/Get Tommy a Glass of Vino: https://www.buymeacoffee.com/beforethelightsPlease Rate & Review the show!Support the showFollow the show on Instagram: https://www.instagram.com/beforethelightspodcast/Follow the show on Face Book: https://www.facebook.com/beforethelightspodcast/Follow the show on Tik Tok: https://www.tiktok.com/@beforethelightspodcast?lang=enFollow Tommy on Face Book: https://www.facebook.com/tcanale3Rate & Review: https://podcasts.apple.com/us/podcast/before-the-lights/id1501245041Email the host: beforethelightspod@gmail.com

The twins are back, podcasting from their respective studios - and as usual going down rabbit holes. Lots about the recording gear they are using, misheard lyrics and vocal tics - Chris' solo concertgoing back in the day, Roger's recent trip to see The Wallflowers - current reading and viewing and much more, including a gem from the musical archive. SHOW NOTES: 0:00 - Castaway by Chris Yale 4:28 - Greetings / Paraquat Kelley / Castaway Studios Australia / Zoom Livetrak L-8  5:54 - Using the L-8 as a mixer for live sound / Schlepping / Using the L-8 as an audio interface / Zoom Video Communications (not the same Zoom) = Zoom Zoom? 8:25 - Filling in lyrics with our own sounds / Possible spectrum component / Deciphering misheard lyrics - Elton John / Duran Duran / Michael Stipe 10:30 - R.E.M. at the Palladium, Los Angeles / R.E.M. at Beverly Theatre, Los Angeles / Chris' "lone wolf" concertgoing / R.E.M. "Fables of the Reconstruction" Tour / Marcy Playground (not the band) / Minutemen  13:42 - Family in town / Roger was the Putt-Putt biggest loser 14:41 - The Wallflowers in Charleston / Charleston Music Hall / Jakob Dylan / Bob Dylan and Willie Nelson in Myrtle Beach / Tom Petty and Bob Dylan Alone and Together, Irvine, California / Tom Petty at Greek Theatre, Los Angeles 16:57 - Wallflower songs / Three Marlenas, The Only Difference, One Headlight, 6th Avenue Heartache, Everybody Out of the Water 17:37 - Leon Russell at Charleston Music Hall 18:00 - Chris comes "out of retirement" / Upcoming show at LuLu's North Myrtle Beach / Game face / Doing the work / "Do the Work" by Steven Pressfield / "Idea men" 19:19 - John Hiatt biography / Brian Tracy, "6 Essentials to Start & Succeed in Your Own Business" / We are the product 20:10 - Matthew McConaughey, "Green Lights" / Interview with Ed Mylett 21:18 - "The Marvelous Mrs. Maisel" final season / Rachel Brosnahan / Tony Shalhoub / Ensemble 22:04 - Bitches with glitches 22:18 - Chris and electric guitar / SRA Reading Lab 23:13 - Roger's trip to Guitar Center / Digital pianos / Alesis Prestige Artist / Nord / PRS guitars / Tobacco Sunburst Gibson Les Paul / Acoustic guitar room 26:01 - Parting shots / Thumber bummer / Scott Mann / Scott Mann's Blues Hangover / Scott Mann's Headshop / Scott Mann on Yale Brothers Podcast    

Aloha friends and welcome to EPISODE 118 of the Conrad Podcast, where I interviewed Aranea Mystica aka @Saerix (Twitter) where we had a philosophical conversation about Art, Technology and the Personal Alchemical Journey.Follow her Twitter - @SaerixHer photography - @photronika (IG)During this episode we dig into: Tim's Vermeer, Hidden Technology in Art, Aritificial Intelligence, Job Replacement, Subjectivity vs Objectivity, Public vs Private Tech, Perception Programs, Twitter Spaces, The Looking Glass, Just Being, Currency of Doubt, Masks, Theatre Acting, The Office, Maxims, Greek Theatre, Propaganda, Labels, Box of Identity, Wall-E, Artificial Scarcity, Bitcoin, XRP, Spiritual Sovereignty, The Bhagavad Gita, Buddhism, Esoteric Journey, Silicon Valley, Light and Shadow, Neutral Path, Chain of Command, The Great Work, Personal Alchemy, Empire's Rising and Falling, Reserve Currency and so much MORE.Personal Links @conradg315 (Twitter)I AM Conrad (Youtube)@conradg315 (Instagram)@powerofnow888 (Instagram)Interactive EpisodeLucid Sacred DreamsEMAIL: ConradPodcast@gmail.comAlso, here are links to some recent interviews where I was the guest on other podcasts:Pineal Podcast InterviewYoutube Interview with Homewrecker PodcastIntro/Outro music is a lifetime licensed product for the Conrad Podcast from soundstripe.com and is called “Prepare Yourself” by Moments.

Hosts Julie Slater and Jason Friday are back! It's been five weeks since they were on the pod solo (without guests). Which means they give you an update on their lives and their experiences with the past handful of guests...singer/songwriter William Fitzsimmons...podcast queen Gillian Pensavalle....Dean Sharp the House Whisperer...and going back to Ben Bridwell from Band of Horses...how listener Laurie Logan DOES listen to new music...the greatest venues in LA: the Greek Theatre and the Hollywood bowl...seeing Band of Horses live and Death Cab for cutie...how Julie's radio job is going at 88.5 the SoCal Sound (www.thesocalsound.org) and Julie's one year anniversary next week of doing Middays...how Julie is loving her gig - the music she plays and all the cool interviews....Jason and Julie are on the air every Friday on the SoCal Sound for FRIDAY ON A FRIDAY just after 1p PT....Julie is feeling super positive for 2023...how the podcast is getting more and more guests interested in being on...future guest Erika Christiansen...the shows J&J have been watching: Stranger Things, The Last of Us, Shrinking, the latest Chris Rock special on Netflix, the French series Call My Agent...Ted Lasso is coming back...going away each weekend: Carlsbad, Winchester, Marina Del Rey...HUGE NEWS: Julie and Jason may be playing a rock show together in June (stay tuned for details)....Jolene and music supervision, recording cover songs for film and tv...family wedding coming up - Jason is officiating....new music from the band the Active Set (Jason plays guitar)...Rival Tides gigs...people making up "being sick" in the post-pandemic world - a liar's dream...the best whiskey in the world - Seagrass...picking up our dog Rayla's ashes finally and getting a tattoo to remember her...the anniversary of Julie's Mom dying 7 years ago and what was going on in their lives back then...Julie losing a huge job, thyroid surgery...how everything leads you to where you are...going from commercial radio to public radio....the past 6 months (Jason's Mom dying and their dog Rayla dying)...looking at the lighter side of life...traveling...positive things happening...how important it is to ACT when you FEEL something...how you can sometimes talk yourself out of things...how if you don't do it, someone else will...BELIEVING IN YOUR GUT...don't listen to the naysayers...how Julie is an ack-tor!...former guest Jaime Andrews' film Division the movie is available for pre-order...Julie's voiceover is in it and the CUZ I HAVE TO theme!!...Jason's brother Sean Friday (from Dead Sarah) has songs in it, too, from his side project Bitchcamp... Follow @cuzihavetopodcast on Instagram for all the latest news. We'd love to hear from you - email us at cuzihavetopodcast@gmail.com. Find other episodes or leave us a voice message for the show on the anchor website. Thanks for tuning in! Keep on living those dreams, friends, CUZ YOU HAVE TO!! - jULIE AND jASON --- Send in a voice message: https://anchor.fm/cuzihaveto/message

For tickets to Bert's Cinco De Mayo show with Mark Normand and Metalachi at the Greek Theatre, go to https://bertbertbert.com/bertyboytour. Get yours today! Welcome back to another episode of 2 Bears 1 Cave with Bert Kreischer and Tom Segura! The bears start off the show talking about being bullies and being bullied in school. Who do you think was a bigger bully, Tom or Bert? Then they review shows and specials they've recently seen, like Dave Chappelle's Home Team: Earthquake's “Legendary”, Anthony Jeselnik's “Fire in the Maternity Ward”, Ali Wong's “Don Wong”, and Bert's favorite: “A Made Homecoming”. Bert talks about his unfortunate introductions to Oliver Stone, Joe Rogan, Tom Cruise, and bro have you seen the hot chicks on @mugshawtys' Instagram?! See you next week on 2 Bears 1 Cave! https://tomsegura.com/tourhttps://www.bertbertbert.com/bertyboytourhttps://store.ymhstudios.com/

In this hilarious and heartwarming in-person double date with Abby and Glennon—and their dear friends and brilliant artists Brandi and Catherine Carlile—we learn: 1. Why Brandi was completely dismayed the first time she met Catherine; 2. Who made the first move—and why it made Catherine sweat; 3. All about the Carlile family compound—where they are raising their girls surrounded by family, band members, and exes; 4. How they communicate and deal with jealousy; and 5. Why Brandi believes this conversation—two queer couples sitting on a couch publicly discussing marriage, family, and domesticity—is revolutionary. About Brandi: Brandi Carlile is a six-time GRAMMY Award-winning singer, songwriter, performer, producer, #1 New York Times Bestselling author and activist, who is known as one of music's most respected voices. Her new album, In These Silent Days, recently debuted at #1 on Billboard's Americana/Folk Albums chart, Top Rock Albums chart and Tastemaker Albums chart and continues to receive overwhelming acclaim. The New York Times praises, “Larger than life and achingly human…she empathizes, apologizes and lays out accusations. She's righteous and she's self-doubting. She proffers fond lullabies and she unleashes full-throated screams," while NPR Music declares, “absolutely breathtaking, across the whole album Brandi Carlile pulls out all the stops. It's just extraordinary…she's just claiming rock god status." Carlile recently received five nominations at the 64th Annual Grammy Awards including Record of the Year, Song of the Year and Best Pop Vocal Performance for the album's lead single, "Right On Time." Following a breakthrough debut on "Saturday Night Live," Carlile and her band will embark on a series of landmark concerts next year including stops at Washington's Gorge Amphitheatre, Los Angeles' The Greek Theatre and New York's Madison Square Garden among many others. In addition to her 6 GRAMMY Awards, Carlile has been recognized with Billboard's Women In Music “Trailblazer Award,” CMT's Next Women of Country “Impact Award" and received multiple recognitions from the Americana Music Association Honors & Awards including Artist of the Year for the past two years. TW: @brandicarlile IG: @brandicarlile About Catherine:  Catherine Carlile has devoted her life to the intersection of music and activism with over 20 years of experience. Since 2012, she has served as the Executive Director of the Looking Out Foundation, which has raised over $3 million for a variety of grassroots causes including close work with Children In Conflict/War Child. She also serves as creative director for Phantom 309 Productions. Prior to her current work, Catherine worked with Sir Paul McCartney in coordinating his charitable interests and endeavors. Originally from London, Catherine now lives outside of Seattle, WA with her wife, Brandi Carlile, and their two daughters, Evangeline and Elijah. Learn more about your ad choices. Visit podcastchoices.com/adchoices

1. The two disagreements between Brandi and Glennon that started, and cemented, their friendship. 2. Brandi's lifelong quest to continuously “calibrate” herself so that her outsides are in tune with her insides. 3. The trait Brandi loves most about Catherine—and the sticky note on Glennon's desk with the same message.  About Brandi: Brandi Carlile is a six-time GRAMMY Award-winning singer, songwriter, performer, producer, #1 New York Times Bestselling author and activist, who is known as one of music's most respected voices. Her new album, In These Silent Days, recently debuted at #1 on Billboard's Americana/Folk Albums chart, Top Rock Albums chart and Tastemaker Albums chart and continues to receive overwhelming acclaim. The New York Times praises, “Larger than life and achingly human…she empathizes, apologizes and lays out accusations. She's righteous and she's self-doubting. She proffers fond lullabies and she unleashes full-throated screams," while NPR Music declares, “absolutely breathtaking, across the whole album Brandi Carlile pulls out all the stops. It's just extraordinary…she's just claiming rock god status." Carlile recently received five nominations at the 64th Annual Grammy Awards including Record of the Year, Song of the Year and Best Pop Vocal Performance for the album's lead single, "Right On Time." Following a breakthrough debut on "Saturday Night Live," Carlile and her band will embark on a series of landmark concerts including stops at Washington's Gorge Amphitheatre, Los Angeles' The Greek Theatre and New York's Madison Square Garden among many others. In addition to her 6 GRAMMY Awards, Carlile has been recognized with Billboard's Women In Music “Trailblazer Award,” CMT's Next Women of Country “Impact Award" and received multiple recognitions from the Americana Music Association Honors & Awards including Artist of the Year for the past two years. TW: @brandicarlile IG: @brandicarlile Learn more about your ad choices. Visit podcastchoices.com/adchoices