Podcast appearances and mentions of dana boul

Neuropsykologi Maria Ö fortæller om neuropsykologi, samt om forskellen fra så meget andet psykologi. Og hun fortæller om sit arbejde på Hvidovre Hospital med bl.a. at udrede hjerneskadede patienter. I podcasten nævner Maria bl.a. neuropsykologiske undersøgelser. Og om de neuropsykologiske test., som du læse om her på engelsk: neuropsychological tests. Du  kan også høre om Paul Broca; en pioner indenfor tidlig neuropsykologi. Ligesom han har lagt navn til Brocas område; de områder af hjernen der er knyttet til sproglig formuleringsevne. Maria nævner desuden: stimulus, samt komorbiditet der bl.a. handler om at undersøge, om der er tale om en eller flere sygdomme.Tjek også dette (danske!) link, hvis du vil vide endnu mere om neuropsykologi. Og hvis du virkelig vi give den gas, så tjek dette engelsksprogede link: om neuropsykologi og Paul Broca + neuropsykologiske tests og komorbiditet…Musik: Bach: Prelude til Cello Suite 1 og Suite No. 3 in C dur, Winter med Dana Boul, Battalion med Krackatoa og MIT Concert Choir: med Der Herbst Chorus Juhhe, Juhhe! Der Wein Ist Da af Joseph Haydn hentet fra freemusicarchive.org. Lydeffekter fra: BBC. Nalle Kirkvåg har interviewet, klippet, lyddesignet osv. på vegne af Polykrom Media

Sukkulenter er planter, som du helt sikkert kender – f.eks. Aloe vera. Ligesom næsten alle arter af kaktus, er sukkulenter. Der er altså ikke tale om én art – men om en slags evolutionært udviklet 'funktion'.  Nysgerrig? Så lyt med, når Louise Isager Ahl underholdende fortæller...Sukkulenter har udviklet sig uafhængigt af hinanden på forskellige dele af 'stamtræet'. Dvs. de er et eksempel på konvergent udvikling.  Men samlet gælder, at for at passe på vandet, har de forskellige  arter udviklet en evne til at lagre vand. Hvilket har givet dem øgede overlevelsesmuligheder i områder med begrænset (fersk)vand... Sukkulenter vokser nemlig naturligt i bl.a. ørkenagtig vegetation. Men der er også nogle få arter i Danmark – f.eks. de  små og urteagtige (blad)sukkulenter i stenurt familien. Ordet sukkulent stammer for øvrigt fra latin: suc(c)ulentus, der betyder "fuld af saft" – afledt af suc(c)us , som betyder "saft".  Tjek også dette link om Aloe,  hvis du vil vide meget mere som denne art... Podcastens fantastiske fuglelyde (og utallige andre!) kan du finde på: Xeno-canto. Her er der optagelser af fugle fra hele verden. Det gælder også Arabian Golden-winged Grosbeak, den Sydafrikanske Natravn  samt Mexicospadenæb , som er med i podcasten – og mange, mange flere...Musik: Apocalyptic Anthem (med Catalyst & Humanfobia),  Moving silence (med  Gotama) og Balloon Waltz Memory (med Dana Boulé).Også denne podcast er produceret af Nalle Kirkvåg  – på vegne af socialøkonomiske  Polykrom Media.

Ankhi Mukherjee talks about that looks at the subject of psychoanalysis as a product of social and cultural processes, and thereby reorients concepts of parental and familial bonds, trauma, coping mechanisms and so on. The conversation focuses on her recent book on the subject, Unseen City: The Psychic Lives of the Urban Poor, which studies community-based psychiatry and how it serves the working classes in three global cities. Ankhi Mukherjee is Professor of English and World Literatures at the University of Oxford and a Fellow in English at Wadham College. Her most recent book is Unseen City: The Psychic Lives of the Urban Poor, published by Cambridge University Press in December 2021. Her second monograph, What Is a Classic? Postcolonial Rewriting and Invention of the Canon (Stanford, 2014) won the British Academy prize in English Literature in 2015. Mukherjee's other publications include Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction (Routledge, 2007) and the collections of essays she has edited, namely A Concise Companion to Psychoanalysis, Literature, and Culture (with Laura Marcus, Wiley-Blackwell, 2015) and After Lacan (Cambridge UP, 2018). Mukherjee has published in competitive peer-reviewed journals, including PMLA, MLQ, Contemporary Literature, Parallax, and the Cambridge Journal of Postcolonial Literary Inquiry, and sits on the editorial boards of several international journals. At present, Mukherjee has two books under contract. She is writing A Very Short Introduction to Postcolonial Literature in the widely circulated VSI series (Oxford UP, 2023) and co-editing (with Ato Quayson) a collaborative volume titled Decolonizing the English Literary Curriculum (Cambridge UP, 2022). Image: © 2022 Saronik Bosu Music used in promotional material: ‘Avec Toi' by Dana Boulé. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why are Lagrange points so crucial to astronomy? What makes even simple gravity so difficult? How do you “put” something at a Lagrange point? I discuss these questions and more in today's Ask a Spaceman!   Support the show: http://www.patreon.com/pmsutter All episodes: http://www.AskASpaceman.com Follow on Twitter: http://www.twitter.com/PaulMattSutter Like on Facebook: http://www.facebook.com/PaulMattSutter Watch on YouTube: http://www.youtube.com/PaulMSutter Read a book: http://www.pmsutter/book Go on an adventure: http://www.AstroTours.co   Keep those questions about space, science, astronomy, astrophysics, physics, and cosmology coming to #AskASpaceman for COMPLETE KNOWLEDGE OF TIME AND SPACE! Big thanks to my top Patreon supporters this month: Justin G, Chris L, Barbara K, Duncan M, Corey D, Justin Z, Nate H, Andrew F, Naila, Aaron S, Scott M, Rob H, Lowell T, Justin, Louis M, Paul G, John W, Alexis, Erin J, Jennifer M, Gilbert M, Tom B, Joshua, Curt M, Bob H, David B, Frank T, Tim R, Tom Van S, Mark R, Alan B, Craig B, Richard K, Steve P, Dave L, Chuck C, Stephen M, Maureen R, Stace J, Neil P, lothian53, COTFM, Stephen S, Ken L, Debra S, Alberto M, Matt C, Ron S, Joe R, David P, Ulfert B, Robert B, Fr. Bruce W, Nicolai B, Sean M, Edward K, Darren W, Tracy F, Sarah K, Steven S, Ryan L, Ella F, Richard S, Sam R, Thomas K, James C, Jorg D, R Larche, Syamkumar M, John S, Fred S, Homer V, Mark D, Colin B, Bruce A, Steven M, Brent B, Bill E, Tim Z, Thomas W, Linda C, David W, Aissa F, Marc H, Avery P, Scott M, Katelyn, Thomas H, Farshad A, Matthias S, Kenneth D, Maureen R, Michael W, Scott W, David W, Neuterdude, Cha0sKami, Brett, Robert C, Matthew K, Robert B, Gary K, Stephen J, dhr18, Anna V, Johanna M, Matthew G, Paul & Giulia S, Dr. D, Ron D, Steven M, Louis M, Michael C, Alyssa K, and Lode D! Thanks to Cathy Rinella for editing. Music credits: • Free Music Archive - Paris Ballade by Dana Boulé is licensed under a 3.0 Attribution-NonCommercial License. • Free Music Archive - L'indovino by Roberto Billi is licensed under a 4.0 Creative Commons Attribution License. Hosted by Paul M. Sutter, astrophysicist and the one and only Agent to the Stars http://www.pmsutter.com   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

Why are Lagrange points so crucial to astronomy? What makes even simple gravity so difficult? How do you “put” something at a Lagrange point? I discuss these questions and more in today's Ask a Spaceman! Support the show: http://www.patreon.com/pmsutter All episodes: http://www.AskASpaceman.com Follow on Twitter: http://www.twitter.com/PaulMattSutter Like on Facebook: http://www.facebook.com/PaulMattSutter Watch on YouTube: http://www.youtube.com/PaulMSutter Read a book: http://www.pmsutter/book Keep those questions about space, science, astronomy, astrophysics, physics, and cosmology coming to #AskASpaceman for COMPLETE KNOWLEDGE OF TIME AND SPACE! Big thanks to my top Patreon supporters this month: Justin G, Chris L, Barbara K, Duncan M, Corey D, Justin Z, Nate H, Andrew F, Naila, Aaron S, Scott M, Rob H, Lowell T, Justin, Louis M, Paul G, John W, Alexis, Erin J, Jennifer M, Gilbert M, Tom B, Joshua, Curt M, Bob H, David B, Frank T, Tim R, Tom Van S, Mark R, Alan B, Craig B, Richard K, Steve P, Dave L, Chuck C, Stephen M, Maureen R, Stace J, Neil P, lothian53, COTFM, Stephen S, Ken L, Debra S, Alberto M, Matt C, Ron S, Joe R, David P, Ulfert B, Robert B, Fr. Bruce W, Nicolai B, Sean M, Edward K, Darren W, Tracy F, Sarah K, Steven S, Ryan L, Ella F, Richard S, Sam R, Thomas K, James C, Jorg D, R Larche, Syamkumar M, John S, Fred S, Homer V, Mark D, Colin B, Bruce A, Steven M, Brent B, Bill E, Tim Z, Thomas W, Linda C, David W, Aissa F, Marc H, Avery P, Scott M, Katelyn, Thomas H, Farshad A, Matthias S, Kenneth D, Maureen R, Michael W, Scott W, David W, Neuterdude, Cha0sKami, Brett, Robert C, Matthew K, Robert B, Gary K, Stephen J, dhr18, Anna V, Johanna M, Matthew G, Paul & Giulia S, Dr. D, Ron D, Steven M, Louis M, Michael C, Alyssa K, and Lode D! Thanks to Cathy Rinella for editing. Music credits: Free Music Archive - Paris Ballade by Dana Boulé is licensed under a 3.0 Attribution-NonCommercial License. Free Music Archive - L'indovino by Roberto Billi is licensed under a 4.0 Creative Commons Attribution License. Hosted by Paul M. Sutter, astrophysicist and the one and only Agent to the Stars (http://www.pmsutter.com).

B07-E03 | Bienvenue à Toussaint, where the wine and women are plentiful. Geralt and the party settle in for the long winter and enjoy everything Beauclair has to offer (maybe a little too much) as we recap Chapter Three of Lady Of The Lake. So make like Dandelion (ahem Viscount Julian), pour a glass of wine, and sit on the right hand of the duchess – after all, without wine, there is no life. [Wine talk and tangents begin at 01:13:02. Skip ahead to the analysis at 01:24:53]Subscribe on Apple Podcasts, Spotify, and Stitcher so you never miss an episode. And if you really like us, review us on Apple Podcasts! Toss a coin to this podcast by donating to us at buymeacoffee.com/midnightpod. Follow us on Instagram.Read along with us by picking up The Lady Of The Lake by Andrzej Sapkowski.Theme song for Midnight Book Club is Everyone is Happy Here by Meavy Boy. Additional music is Sad French Accordion by Dana Boulé. 

Paulina and Jess tell the story of Romani Resistance Day, May 16, 1944, and share the story of teenage Romani resistance fighter, Alfreda Markowska. We need your help to get Dr. Ethel Brooks reappointed to the United States Holocaust Council. Use this link here for a template letter to send to your representatives. Our resources for this episode: Pierre Chopinaud, "The Forgotten History of Romani Resistance," Open Societies FoundationJud Nirenberg, Johann Trollman and Romani Resistance to the NazisWe think you'll also love the recently released book, Re-thinking Roma Resistance throughout History: Recounting Stories of Strength and Bravery, edited by Anna Mirga-Kruszelnicka and Katya Dunajeva, which contains unique research from a diverse group of researchers who are engaged in re-telling history from the perspective of Roma. With a focus on Roma agency, chapters uncover various forms of resistance and survival strategies that Roma engaged in throughout history. Authors provide personal stories of collective and individual resistance, signs of defiance, as well as acts of love and humanity in the face of persecution — stories that have never been told before. You can download the book for free here.Romanistan is hosted by Jessica Reidy and Paulina VerminskiConceived of by Paulina VerminskiEdited by Carlo PatrãoProduced by Melissa MoriartyWith Music by Viktor PachasAnd Artwork by Elijah VardoAdditional music by Dana Boulé,  "At Dawn" and "Endless"

A biografia intensa de um dos artistas mais populares da história da música brasileira, um guia pela irresistível literatura russa, dois clássicos sobre a condição humana, afeto e resistência, o fim da celebrada trilogia de Rachel Cusk e uma surpreendente trama sobre a violência. No primeiro Marca Página do mês, Ana Paula Hisayama apresenta as boas histórias que a Todavia lança em abril. ||Saiba mais:||ROBERTO CARLOS: POR ISSO ESSA VOZ TAMANHA, de Jotabê Medeiros (https://todavialivros.com.br/livros/roberto-carlos-por-isso-essa-voz-tamanha)||COMO LER OS RUSSOS, de Irineu Franco Perpetuo (https://todavialivros.com.br/livros/como-ler-os-russos)||AS PIPAS, de Romain Gary (https://todavialivros.com.br/livros/as-pipas)||O JARDIM DOS FINZI-CONTINI, de Giorgio Bassani (https://todavialivros.com.br/livros/o-jardim-dos-finzi-contini)||MÉRITO, de Rachel Cusk (https://todavialivros.com.br/livros/merito)||ÁGUAS DO NORTE, de Ian Mcguire (https://todavialivros.com.br/livros/aguas-do-norte)// FICHA TÉCNICA:Apresentação e texto final: Ana Paula HisayamaProdução: Ricardo TertoRoteiro: Carime ElmorEdição: Ricardo TertoArte: Flora Próspero||Músicas utilizadas neste episódio sob licença Creative Commons:|| Night Surfing por Crowander, Tomorrow Comes (accordion) por Dana Boulé, Sad French Accordion por Dana Boulé, Remember Alexis Zorbas (ID 1340) por Lobo Loco, La tua Asse'n'za por Di Bos, Scriabin: Prelude Op. 11 No. 4 por Nico de Napoli.

Irish photographer William Fagan's camera collection includes about 45 cameras made by world-class manufacturer Leica — and now he's gathering clues about the mysterious travel photos found on film in one of them, dating back to the early 1950s. Article by William on the "Swiss Roll" photos: www.macfilos.com/2020/12/22/swiss-roll-the-facts-of-the-70-year-old-photo-mystery-as-we-now-know-them/ Opening theme: "Keepers" by Still Flyin' Closing theme: "Slow Draw/Feeling In My Heart" by Eric Frisch Additional music by Clariloops and Dana Boulé www.forkeepspodcast.com

Sandwiched between our two equine-centric episodes, we travel back in time to revisit - and update - one of our all-time favorite episodes, “Man, I Feel Like A Woman.” The original episode was reported by Molly Livingstone, and produced by Benny Becker with help from Raoul Wootliff and Rachel Fisher. Shoshi Shmuluvitz scored the episode with music from Blue Dot Sessions, Dana Boulé and Ben Sound. Mishy Harman, Yochai Maital and Julie Subrin edited the piece. The update was produced by Skyler Inman and Yoshi Fields. The end song is a rendition of Eshet Chayil (“Woman of Valor”) produced by Mami as part of their Shabbat Songs Project. It was arranged by Ben Zion Shenker and Israel Kasif.Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

De Startspelers zijn er weer met een nieuwe aflevering! We drinken thee als Alice in Wonderland in het spel Tea for 2 en we bouwen aan ons imperium in It's a Wonderful World. Daarna nemen we een kijkje achter de schermen bij de Nederlandse Spellenprijs. Rowdy zit in de jury en we nemen jullie mee achter de schermen bij deze jaarlijkse prijs. Hoe bepaalt de jury eigenlijk welke spellen worden genomineerd?  Schuif aan bij ons aan tafel en luister mee!   3:00 Welke bord- en kaartspellen hebben we gespeeld? It's a Wonderful World (Geronimo Games) en Tea for 2 (Space Cowboys). 22:40 De Nederlandse Spellenprijs: de weg naar de nominaties.   Reageren? Of een vraag? Stuur een mail naar destartspelers@gmail.com Deze podcast wordt gemaakt door Rowdy van Lieshout en Sélène Brinkhof. De Startspelers is een As a Board Gamer podcast. Kijk voor meer recensies en andere content over bordspellen op http://www.asaboardgamer.com/.   Like As a Board Gamer op Facebook (https://www.facebook.com/AsaBoardGamer/) . Volg As a Board Gamer op Instagram (https://www.instagram.com/asaboardgamer/). De muziek is van The Joy Drops, Lobo Loco, Dee Yan-Key, Dana Boul. 

Een nieuwe aflevering van De Startspelers! In deze aflevering bespreken we weer twee toffe spellen, Marco Polo II – Op bevel van de Khan van 999 Games en Herrlof van Jolly Dutch. En we hebben een nieuwe rubriek: De Spellenkast van... In deze rubriek gaan we in gesprek met een luisteraar. We nemen een kijkje in zijn of haar spellenkast en praten over de spellen die op een bepaalde manier indruk hebben gemaakt. Spellen waar herinneringen aan kleven. Fijne, vervelende,mooie, grappige herinneringen, maar net wat ter sprake komt. 7:15 Welke bord- en kaartspellen hebben we gespeeld? Marco Polo II - Op Bevel van de Khan (999 Games) en Herrlof (Jolly Dutch). 29:50 De Spellenkast van Carlijn   Reageren? Of een vraag? Stuur een mail naar destartspelers@gmail.com Deze podcast wordt gemaakt door Rowdy van Lieshout en Sélène Brinkhof. De Startspelers is een As a Board Gamer podcast. Kijk voor meer recensies en andere content over bordspellen op http://www.asaboardgamer.com/.   Like As a Board Gamer op Facebook (https://www.facebook.com/AsaBoardGamer/) . Volg As a Board Gamer op Instagram (https://www.instagram.com/asaboardgamer/). De muziek is van The Joy Drops, Lobo Loco, Dee Yan-Key, Dana Boul. 

In the 1760s, a new kind of establishment started popping up in Paris, catering to the French and fancy. These places had tables, menus, and servers. They even called themselves “restaurants,” and you might have too, were it not for one key difference: these restaurants were places you went not to eat. Well, not to chew anyway. Because they weren’t in the business of feeding their genteel clientele, but of soothing their frayed nerves —with premium medicinal soups. Soups which were also called “restaurants”! In this episode: How restaurants evolved from a soup to a chic Parisian soup spa to the diverse, loved—and sorely missed—solid food eateries of today. Guests:  Rebecca Spang is a professor of history at Indiana University. Stephani Robson is senior lecturer at the Cornell School of Hotel Administration. Footnotes & Further Reading:  For more on early bouillon-sipping establishments and the rise of restaurants, take a peek at Rebecca Spang’s book, The Invention of the Restaurant: Paris and Modern Gastronomic Culture.  Still can’t get enough restaurant history? Check out Dining Out: A Global History of Restaurants. If you, like Stephani Robson, are passionate about optimal chair spacing, check out one of her studies on the subject.  To see some of Stephani’s work in action, listen to this collaborative episode from Planet Money and The Sporkful, on “The Great Data-Driven Restaurant Makeover.” Credits:  Science Diction is hosted and produced by Johanna Mayer. Elah Feder is our editor and producer. We had story editing from Nathan Tobey. Daniel Peterschmidt contributed sound design and wrote all our music, except the accordion piece which was by Dana Boulé and the final piece by Jazz at the Mladost Club. We had research help from Cosmo Bjorkenheim. Chris Wood mastered the episode, and we had fact checking by Michelle Harris. Special thanks to Gregg Rapp for talking to us about menu engineering. Nadja Oertelt is our Chief Content Officer.

Toni and I have some confinement trivia fun from our respective cocoons: me in Paris and Toni in Boryeong, South Korea. We met way back in 2008 at the 4P's pub quiz in Washington, DC. Play along with questions about French overseas territories, Korean family names, and more. For some bonus confinement fun, drink every time we say "sportsball".Song credits:Tomorrow Comes (accordion) by Dana Boulé is licensed under a Attribution-Non Commercial License: https://freemusicarchive.org/music/Dana_Boule/Songs_For_Paris/06_Tomorrow_Comes_accordion Never mind 1L23 by Setuniman is licensed under a Attribution-Non Commercial License: https://freesound.org/people/Setuniman/sounds/261830/

In this first episode, I invited Marco from Montpellier to quiz with me. We cover Tour de France, Nickelodeon, geography, Harry Potter, and more. Listen to find out how horrific my 80s TV knowledge is!Can't get enough quizzing? Sign up for:the PQM newsletter http://eepurl.com/cek_0b  Meetup group https://www.meetup.com/Pub-Quiz-in-Paris/ PQM's Facebook page https://www.facebook.com/ParisQuizMistress/ Song credits:Tomorrow Comes (accordion) by Dana Boulé is licensed under a Attribution-Non Commercial License: https://freemusicarchive.org/music/Dana_Boule/Songs_For_Paris/06_Tomorrow_Comes_accordion Never mind 1L23 by Setuniman is licensed under a Attribution-Non Commercial License: https://freesound.org/people/Setuniman/sounds/261830/

A musical adaptation of the fairy tale, Cinderella. There's a big school party and Cinderella doesn't feel like going. Her step-sisters and everyone at her school are obsessed with how they look and what everyone thinks of them and she wants know part of it. Her friend Symphony Rhodes is the perfect person to turn to. What will Cinderella do? Book, Music, & Lyrics by Dana BouléStarring Melanie Burg, Kelly Reader, & Kristen VaphidesMusical Direction by Megan BagalaProduced by Rebecca Cunningham & Megan BagalaOriginal Theme Music by Eli Denby Wood & Amy Gijsbers van WijkArtwork by Ana StretcuFor the Grownups!Listen to Petit Punk Rock: http://www.petitpunkrock.com/podcast Patreon: https://patreon.com/girltalesOne Time Donation: https://fundraising.fracturedatlas.org/girl-talesFacebook: https://www.facebook.com/girltalespodast/Instagram: https://www.instagram.com/girltales/

A musical adaptation of the fairy tale, Cinderella. There’s a big school party and Cinderella doesn’t feel like going. Her step-sisters and everyone at her school are obsessed with how they look and what everyone …

This way or that WEH? Episode 1 explores the history and ethics of facial recognition technology. Stephanie Johnson, Roderick Bailey, Taline Garibian, Nina Hallowell Theme tune ‘Funky’ by Dave Depper Neosounds.org. Paris Ballade by Dana Boulé @freemusicarchive.org

Cet épisode est le dernier d'une série consacrée à La Goulue, la mère du French Cancan. Un bon moyen de fêter les 130 ans du Moulin Rouge en 2019. Alors ? Comment l'artiste française la plus scandaleuse a-t-elle terminée dans la misère ? Réponse dans ce dernier podcast riche en révélation. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « Slate Tracker » by Blue Dot Sessions is licensed under a Attribution-NonCommercial License. « Relent » by Kevin MacLeod is licensed under a Creative Commons Attribution License. « Danse Morialta » by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License « Clichy Waltz » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « The Curious Kitten » by Aaron Kenny is licensed under a Creative Commons Attribution License. « Darn that Weasel » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « New day » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « Manny in Sound » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « The Summit » by Blue Dot Sessions is licensed under a Attribution-NonCommercial License. « Day one » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « soli » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Rainy Night (accordion) » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « Cylinder Four » by Chris Zabriskie is licensed under a a Creative Commons Attribution License. Permissions beyond the scope of this license may be available at http://chriszabriskie.com/licensing. « Inertia » (album The Score) by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. Based on a work at www.dexterbritain.com « Poirot and Tarutz » walk in Paris by Evgeny Grinko is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. « [1595] Richard II: Nothing can we call our own but death » by how the night came is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. « [1595] Love's Labour's Lost: You that way; we this way » by how the night came is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. « aspirato » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Feather on the Crest » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Cicle Ariel » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Lost in Light » by Dexter Britain is licensed under a Attribution-NonCommercial-ShareAlike License. Based on a work at www.dexterbritain.com

Cet épisode est l’avant-dernier d'une série consacrée à La Goulue, la mère du French Cancan. Découvrez quelle a été la reconversion étonnante de cette danseuse célèbre ? Réponse dans cet épisode. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « Cloudburst » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Erik Satie: Gymnopedie No 1 » by Kevin MacLeod is licensed under a Creative Commons Attribution License. « Clean Soul » by Kevin MacLeod is licensed under a Creative Commons Attribution 3.0 International License. Based on a work at http://incompetech.com/ « Paris Ballade » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « Time » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « Summit » by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. Based on a work at www.dexterbritain.com « Cylinder Four » by Chris Zabriskie is licensed under a a Creative Commons Attribution License. Permissions beyond the scope of this license may be available at http://chriszabriskie.com/licensing. « Feather on the Crest » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « The Summit » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Sad French Accordion » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « Greyleaf Willow » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Farewell » by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 International License. Based on a work at www.dexterbritain.com « soli » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Not the end » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. Fern and Andy by Blue Dot Sessions is licensed under a Creative Common Attribution-NonCommercial License. « The Curious Kitten » by Aaron Kenny is licensed under a Creative Commons Attribution License. « Darn that Weasel » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Cicle Ariel » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Desert Caravan » by Aaron Kenny is licensed under a Creative Commons License. « Dream Sequence » by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 International License. Based on a work at www.dexterbritain.com

Des histoires vraies... fictionnées ! Cet épisode est le cinquième d'une série consacrée à La Goulue, la mère du French Cancan. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « [1595] Richard II: Nothing can we call our own but death » by how the night came is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. « Inertia » (album The Score) by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. Based on a work at www.dexterbritain.com « Cicle Ariel » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Cylinder Four » by Chris Zabriskie is licensed under a a Creative Commons Attribution License. Permissions beyond the scope of this license may be available at http://chriszabriskie.com/licensing. « Greyleaf Willow » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Sad French Accordion » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « Until the day » (album The Score) by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 International License. Based on a work at www.dexterbritain.com « Heartbreaking » par Kevin MacLeod est distribué sous la licence Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Source : http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100208 « Forgotten » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. Based on a work at http://freemusicarchive.org/music/Alan_Spiljak « Stilt » by Blue Dot Sessions is licensed under a Creative Common Attribution-NonCommercial License. Fern and Andy by Blue Dot Sessions is licensed under a Creative Common Attribution-NonCommercial License. « Poirot and Tarutz » walk in Paris by Evgeny Grinko is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. « Feather on the Crest » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « The Summit » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Daemones » by Kai Engel is licensed under a Creative Commons Attribution License.

Des histoires vraies... fictionnées ! Cet épisode est le quatrième d'une série consacrée à La Goulue, la mère du French Cancan. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « The Summit » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Greyleaf Willow » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Late Mornings » by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. Based on a work at www.dexterbritain.com « The Time To Run (Finale) » by Dexter Britain is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 International License. Based on a work at www.dexterbritain.com « The Curious Kitten » by Aaron Kenny is licensed under a Creative Commons Attribution License. « Rainy Night (accordion) » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « CanCan » by Th.e n.d is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. « Darn that Weasel » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Wahre » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License.

York County Library’s Kristy Anderson reads Madeline, the classic children’s book by Ludwig Bemelmans. Music used in this episode is by Dana Boulé. Her work was used under the Creative Commons law CC-BY-NC 4.0. Have a children’s book to recommend? Email your feedback to YCLPodcast@YCLibrary.org.  

Des histoires vraies... fictionnées ! Cet épisode est le troisième d'une série consacrée à La Goulue, la mère du French Cancan. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « Whispering Through » by Asura is licensed under a Creative Commons Attribution License. « Feather on the Crest » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « [1595] Richard II: Nothing can we call our own but death » by how the night came is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike License. « String Impromptu Number 1 » by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License « Swinging in the 7th » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « Greyleaf Willow » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Rainbow (PON VI) » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Angle of Light » by David Hilowitz is licensed under a under a Creative Commons Attribution-NonCommercial License. « Clichy Waltz » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « When We Found The Horizon » by Late Night Feeler is licensed under a Creative Commons. « Downhill Racer » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Epic Cinematic » by Scott Holmes is licensed under a Creative Commons Attribution-NonCommercial License. « The Summit » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License.

Des histoires vraies... fictionnées ! Cet épisode est le deuxième d'une série consacrée à La Goulue, la mère du French Cancan. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « Whispering Through » by Asura is licensed under a Creative Commons Attribution License. « Cupcake Marshall » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « Danse Morialta » by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License. « Poirot and Tarutz » walk in Paris by Evgeny Grinko is licensed under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. « String Impromptu Number 1 » by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License « The Curious Kitten » by Aaron Kenny is licensed under a Creative Commons Attribution License. « Rainy Night (accordion) » by Dana Boulé is licensed under a Attribution-NonCommercial License. « Day one » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « Cicle Ariel » by Blue Dot Sessions is licensed under a Attribution-NonCommercial License. « [1595] Love's Labour's Lost: You that way; we this way » by how the night came is licensed under a Attribution-NonCommercial-ShareAlike License. « visum » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « soli » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Clouds » by Alan Špiljak is licensed under a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 License. Based on a work at http://freemusicarchive.org/music/Alan_Spiljak

Des histoires vraies... fictionnées ! Cet épisode est le premier d'une série consacrée à La Goulue, la mère du French Cancan. Paris, 1928. Devant l’établissement qu’elle rendit célèbre, La Goulue mendie. La scandaleuse ancienne vedette du Moulin Rouge rumine une série de mauvais choix l’ayant poussée dans le caniveau. Autrefois les foules se pressaient pour l’admirer, les artistes pour la peindre, les princes pour la goûter… Mais au fil de contestables décisions, l'imparfaite et amusante mère du french cancan perdit tout. Tout. Livre disponible sur www.lareinedeparis.fr ----------------------------------------- CRÉDITS MUSICAUX : « Whispering Through » by Asura is licensed under a Creative Commons Attribution License. « Clouds » by Alan Špiljak is licensed under a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 License. Based on a work at http://freemusicarchive.org/music/Alan_Spiljak « [1606] King Lear We two alone will sing like birds i’ th’ cage » by How the night came is licensed under a Creative Commons Attribution NonCommercial-ShareAlike License. « Parisian » by Kevin MacLeod is licensed under a Creative Commons Attribution License. « Time » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « Day one » by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. « Greyleaf » Willow by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. « aspirato » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « visum » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Rainbow (PON VI) » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « August (Summer Nights) » by Kai Engel is licensed under a Creative Commons Attribution-NonCommercial License. « Paris Ballade » by Dana Boulé is licensed under a Creative Commons Attribution-NonCommercial License. « Simple Vale » by Blue Dot Sessions is licensed under a Creative Commons Attribution-NonCommercial License. "Forgotten" by Alan Špiljak is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. Based on a work at http://freemusicarchive.org/music/Alan_Spiljak "Wounded" by Kevin MacLeod (incompetech.com) is licensed under Creative Commons: By Attribution 3.0 License

The “Fab Fours French Frolic – Part Un – The Hitch To The South Of France” takes us back to the Summer of 1983 when four fine, handsome strutting bucks from the North East of England (Teesside to be precise!) decided to hitch-hike down to the South of France. This 1hr and 20 minutes or so episode is “Part Un – the Hitch Through France”. I’m not going to spoil it for you now by telling you all about it. Put the kettle on. Get your comfy chair all set up. Get the brew and few biccies – and sit down and relax whilst I whisk you away on a “very unusual adventure”! Music care of the Free Music Archive website (whilst it still exists!) complete tracks used were: South Of France by The Swing Ninjas - http://freemusicarchive.org/music/The_Swing_Ninjas/Tears_Of_The_Tuba_The_Difficult_Second_Album/The_Swing_Ninjas_-_South_Of_France_1593 French Water by Smokey Hormel - http://freemusicarchive.org/music/Smokey_Hormel/Live_at_WFMU_on_Jeffrey_Cobbs_Show_on_432008/French_Water Creeque Allies by Everybody Was In The French Resistance...Now! - http://freemusicarchive.org/music/Everybody_Was_In_The_French_ResistanceNow/Live_At_WFMU_on_Evan_Funk_Davies_Show_on_05182010/Everybody_Was_In_The_French_Resistance_Now_01_Creeque_Allies Allo-Allo by Les Sans Culottes - http://freemusicarchive.org/music/Les_Sans_Culottes/Live_on_WFMUs_The_Evan_Funk_Davies_Show_Feb_11_2015/Allo-Allo Sampled track from - Sad French Accordion by Dana Boulé - http://freemusicarchive.org/music/Dana_Boule/Songs_For_Paris/05_Sad_French_Accordion

Graham’s out fending off vaguely Lovecraftian horrors, but the rest of the crew is back to cover a surprisingly fun little one-off Batman episode! Bruce Wayne gets thrown into a pyramid scheme/cult by his close friend Little Dutch Rich Fred, which turns out to be led by the world’s most charismatic con man, NOSTROMOS! If only Batman could save him! Spoiler: Bruce Wayne is Batman. While they debate whether or not Nostromos is the true hero of this episode, Mitch auditions for the night shift on your local jazz station, Cameron literally runs away from the podcast and a whole lot of comics news gets covered. Your Komix Korner recommendation this week is Hawkman by Robert Vendetti and Bryan Hitch. As always, feel free to shoot us an email at allalongthewatchtowerpodcast@gmail.com or on Twitter at @watchtowerdcau. Komic Korner music, "Paris Ballad", provided by Dana Boulé via the Creative Commons License. Check out her work here:  Our Technical Difficulties Music, "Organ Grinder Swing" by chēēZ π via the Creative Commons License. Check out their work here: freemusicarchive.org/music/chZ_/ Our gorgeous album art was graciously made by Gustav Carlson, check out Gus' fantastic webcomic Tourist Unknown at touristunknown.com

Gazeteci, sosyalhiperaktivist ve Nazım Özgün'ün annesi M.İrem Afşin hayatındaki üç dönüm noktasını anlatıyor. Oğlu Nazım'a üç buçuk dört yaşlarında otizm teşhisi konması, Avusturya Lisesi'nde okurken disiplin cezası almasına sebep olan Erdal Öz'lü dönem ödevi ve oğlu Nazım'la Gezi Parkı'ndaki günleri ve (geceleri). İrem'in hayata bakışını hepten değiştiren bu üç olaydan öğrendiklerini dinliyoruz. Müzik:Dana_Boul_-_03_-_Rainy_Night_accordion,Çapulcular Korosu- Duyuyor musun Sesi

Louise Penny was well into her forties when she published Still Life, the first in what has become the wildly popular Armand Gamache mystery series. The novels are set in Québec, where Gamache is Chief Inspector of the provincial police force. They are meticulously plotted, part police procedurals, part exploration of human nature - and the precarious balance between good and evil. Louise Penny is now out with the thirteenth in the series, Glass Houses. Episode Music by Dana Boulé.

Der var engang en ung mand, der en tidlig morgen på vej til arbejde blev hamret ned af en bilist.Hvis Nalles historie var et eventyr, var det jo nok sådan, dét ville starte. Men det her er ikke et eventyr; de ender jo altid godt. For Nalle har trafikulykken betydet, at han på 27. år har daglige og kraftige smerter. Noget, han desværre ikke er ene om.Alene i Danmark lever 825.000 med daglige kroniske eller hyppigt tilbagevendende smerter. Og om nogen, ved film-, tv- og stuntmanden Lasse Spang Olsen en del om smerter. Han har nemlig, sådan ca. 30 år som stuntmand, brækket nærmest samtlige knogler, fået revet et øre af og smadret sit bækken. Velfærdsekstremisten Nalle Kirkvåg snakker i TALK #21 om dengang, Lasse i sin søgning efter Gud blev korsfæstet på Filippinerne. Og om hvad Nalle kan gøre for måske endelig at slippe af hans smerter.Nalle Kirkvåg, har som vanligt produceret. Han er en EKSTREMIST, der tror på noget så vanvittigt, som at vi skal have mere velfærd. Velfærdsland TALK er produceret i samarbejde med PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik eller ros mv., er du meget velkommen til at kontakte Nalle på Facebook!TALK #21 er optaget på Galleri Ib Spang Olsen. Musikken er med Dana Boulés Wawes og Bensounds’ Better Days, mens effektlyde er fra soundbible.com. Hvis du vil vide mere om kroniske smerter kan du med fordel tjekke: FAKS: Foreningen af Kroniske Smertepatienter & pårørende. Og du kan læse mere her på Aarhus Universitets hjemmeside om forbøn; i en artikel fra 2013 skrevet af Ella Paldam, ekstern lektor på Institut for Kultur og Samfund - Afdeling for Religionsvidenskab.

Der var engang en ung mand, der en tidlig morgen på vej til arbejde blev hamret ned af en bilist.Hvis Nalles historie var et eventyr, var det jo nok sådan, dét ville starte. Men det her er ikke et eventyr; de ender jo altid godt. For Nalle har trafikulykken betydet, at han på 27. år har daglige og kraftige smerter. Noget, han desværre ikke er ene om.Alene i Danmark lever 825.000 med daglige kroniske eller hyppigt tilbagevendende smerter. Og om nogen, ved film-, tv- og stuntmanden Lasse Spang Olsen en del om smerter. Han har nemlig, sådan ca. 30 år som stuntmand, brækket nærmest samtlige knogler, fået revet et øre af og smadret sit bækken. Velfærdsekstremisten Nalle Kirkvåg snakker i TALK #21 om dengang, Lasse i sin søgning efter Gud blev korsfæstet på Filippinerne. Og om hvad Nalle kan gøre for måske endelig at slippe af hans smerter.Nalle Kirkvåg, har som vanligt produceret. Han er en EKSTREMIST, der tror på noget så vanvittigt, som at vi skal have mere velfærd. Velfærdsland TALK er produceret i samarbejde med PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik eller ros mv., er du meget velkommen til at kontakte Nalle på Facebook!TALK #21 er optaget på Galleri Ib Spang Olsen. Musikken er med Dana Boulés Wawes og Bensounds’ Better Days, mens effektlyde er fra soundbible.com. Hvis du vil vide mere om kroniske smerter kan du med fordel tjekke: FAKS: Foreningen af Kroniske Smertepatienter & pårørende. Og du kan læse mere her på Aarhus Universitets hjemmeside om forbøn; i en artikel fra 2013 skrevet af Ella Paldam, ekstern lektor på Institut for Kultur og Samfund - Afdeling for Religionsvidenskab.

Der var engang en ung mand, der en tidlig morgen på vej på arbejde blev hamret ned af en bilist. Hvis Nalles historie var et eventyr, var det jo nok sådan, det ville starte. Men det her er ikke et eventyr; for de ender jo altid godt. For Nalle har trafikulykken nemlig betydet, at han på 27. år har voldsomme daglige smerter. Noget, han desværre ikke er ene om.Alene i Danmark lever 825.000 med daglige kroniske eller hyppigt tilbagevendende smerter. For dem, er det stadige spørgsmål, hvordan lever man med sine smerter? For skal man ikke ende med at blive sindssyg, er det pinedød nødvendigt at finde en måde at cope med dem; netop fordi de ofte aldrig går væk. Om nogen, ved film-, tv- og stuntmanden Lasse Spang Olsen en del om smerter. Efter sådan ca. 30 år som stuntmand har Lasse brækket nærmest samtlige knogler, fået revet sit øre af og smadret sit bækken. Det, har hævnet sig bl.a. som kroniske smerter.Velfærdsekstremisten Nalle Kirkvåg snakker i med Velfærdsland TALK #19 At leve med smerter derfor med Lasse om, hvordan han mon coper med sine smerter. Og Nalle får faktisk et meget effektivt trick, som alle med lidt øvelse kan bruge; f.eks. inden du skal til tandlægen. Nalle Kirkvåg, har som vanligt produceret. Han er en EKSTREMIST, der tror på noget så vanvittigt, som at vi skal have mere velfærd. Velfærdsland TALK er produceret i samarbejde med PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik eller ros mv., er du meget velkommen til at kontakte Nalle på Facebook!TALK #19 At leve med smerter er optaget på Galleri Ib Spang Olsen. Musikken er med Dana Boulés Wawes og Bensounds’ Better Days. Citaterne med Lasse Spang Olsen er fra DR2 temaudsendelse om Alternativ helbredelse fra 2014.Og hvis du vil vide mere om kroniske smerter kan du med fordel tjekke: FAKS, er er Foreningen af Kroniske Smertepatienter & pårørende.

Der var engang en ung mand, der en tidlig morgen på vej på arbejde blev hamret ned af en bilist. Hvis Nalles historie var et eventyr, var det jo nok sådan, det ville starte. Men det her er ikke et eventyr; for de ender jo altid godt. For Nalle har trafikulykken nemlig betydet, at han på 27. år har voldsomme daglige smerter. Noget, han desværre ikke er ene om.Alene i Danmark lever 825.000 med daglige kroniske eller hyppigt tilbagevendende smerter. For dem, er det stadige spørgsmål, hvordan lever man med sine smerter? For skal man ikke ende med at blive sindssyg, er det pinedød nødvendigt at finde en måde at cope med dem; netop fordi de ofte aldrig går væk. Om nogen, ved film-, tv- og stuntmanden Lasse Spang Olsen en del om smerter. Efter sådan ca. 30 år som stuntmand har Lasse brækket nærmest samtlige knogler, fået revet sit øre af og smadret sit bækken. Det, har hævnet sig bl.a. som kroniske smerter.Velfærdsekstremisten Nalle Kirkvåg snakker i med Velfærdsland TALK #19 At leve med smerter derfor med Lasse om, hvordan han mon coper med sine smerter. Og Nalle får faktisk et meget effektivt trick, som alle med lidt øvelse kan bruge; f.eks. inden du skal til tandlægen. Nalle Kirkvåg, har som vanligt produceret. Han er en EKSTREMIST, der tror på noget så vanvittigt, som at vi skal have mere velfærd. Velfærdsland TALK er produceret i samarbejde med PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik eller ros mv., er du meget velkommen til at kontakte Nalle på Facebook!TALK #19 At leve med smerter er optaget på Galleri Ib Spang Olsen. Musikken er med Dana Boulés Wawes og Bensounds’ Better Days. Citaterne med Lasse Spang Olsen er fra DR2 temaudsendelse om Alternativ helbredelse fra 2014.Og hvis du vil vide mere om kroniske smerter kan du med fordel tjekke: FAKS, er er Foreningen af Kroniske Smertepatienter & pårørende.

De kommer strømmende fra hele verden til Danmark for at opleve vores unikke velfærdsland. Alligevel er det en folkesport at betale mindre i SKAT. Men hvorfor nu det, når SKAT betaler for netop velfærden?I Velfærdsland TALK #18 kære SKAT snakker Sara Jespersen, fra Oxfam IBIS og Nalle Kirkvåg om verdens allermest usexede emne. For måske Sara og Nalle kan reframe, dvs. omformulere SKATs image til noget positivt; eller bare et bedre ry?Nalle Kirkvåg, har som vanligt produceret. Han er jo en EKSTREMIST, der tror på noget så vanvittigt, at vi skal have mere velfærd. Velfærdsland TALK er produceret i samarbejde med PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik eller ros mv., er du meget velkommen til at kontakte Nalle på Facebook!Vil du lytte til Dana Boulés smukke Balloon Waltz Memory, kan den høres på free Music Archive. I TALK # 18 citeres Schøtministeriet, den selvbrunede reality-kendis: Gustav & Huset på Christianshavn: Farvel SKAT der kan ses her Tuben.Citatet med statsminister Lykke Rasmussen er fra P1s Efterforskerne Minister har aktier i skattely firma. Jakob Fenger, medstifter af kunstergruppen Superflex er fra Velfærdsland TALK #9 Om kunst der ændrer verden, mens Johanne Schmidt-Nielsen er fra Velfærdsland TALK #12 Johanne Schmidt-Nielsen & opkast på tastaturet. Og citatet med Bonos er fra BBC’s World Business Report.I podcasten snakker Sara & Nalle også om, at ”Nestlé ikke betaler skat” i Danmark. Det, kan du læse mere om her i Politiken.

Egentlig er det lidt mærkeligt; mens hele verden kommer til Danmark for at opleve vores unikke velfærdsland, er det en folkesport at betale mindre i SKAT. Men hvorfor nu det, når SKAT jo finansierer den verdensberømte velfærd, som et massivt flertal bakker op om?Den også for tiden nok så udskældte SKAT er noget, mange danskere bare elsker at hade og som noget, alle har en holdning til.I TALK #17 dumme SKAT? undersøger Nalle Kirkvåg derfor i en samtale med Sara Jespersen fra ngo’en Oxfam IBIS verdens nok mest usexede emne: SKAT. Og måske Sara og Nalle kan reframe, dvs. omformulere SKATs ringe image til noget positivt? For er SKAT egentlig så dumt, som det tit gøres til? Det, er det helt centrale spørgsmål i denne første af i alt to Velfærdsland TALK podcast om det der SKAT.Nalle Kirkvåg, der som vanligt har produceret Velfærdsland TALK, ser sig selv som en EKSTREMIST. Han tror nemlig på noget så vanvittigt, som at vi skal have mere velfærd.Velfærdsland TALK er produceret i samarbejde med foreningen PolykromFonden. Har du idéer mm. til fremtidige samtalegæster, kritik eller ros, er du meget velkommen til at kontakte Nalle her på Facebook!Vil du lytte til Dana Boulés smukke Balloon Waltz Memory, kan den høres her på free Music Archive.I podcasten citeres for øvrigt fra bl.a. fra Schøtministeriet, den selvbrunede reality-kendis: Gustav, fra Orientering på P1. Rasmus Bjerg giver gode råd til Cæsar i Ernst fra 'Anstalten' og hele afsnittet med Huset på Christianshavn: Farvel SKAT kan ses lige her Tuben.Samtalen med Paul Metelmann kan du høre i Velfærdsland TALK #16 Hitler, hønseavl og mønsterbrud, mens David Trads debatindlæg i Jyllands Posten kan læses her: ”Jeg ved godt, hvorfor vi er verdens lykkeligste…”. Og Velfærdsland TALK # 18 dumme SKAT kan høres fra og med søndag d. 5. marts 2017 her på Netudgaven.dk.

Er fremtidens velfærd grundlæggende truet? Det, frygter Paul Metelmann, der selv har taget rejsen fra ufaglært til veluddannet. Som søn af et par hønseavlere i økonomisk krise var dét kun muligt takket være velfærdslandet Danmark.Rejsen starter med fædrelandskærlighed og nazi-soldatens pligt, men ender med en akademisk uddannelse. I dag underviser og vejleder Paul på flere universiteter, bl.a. RUC og Københavns Universitet. Han en altså en ægte mønsterbryder og velfærdsforløser.Nalle Kirkvåg, der som vanligt har produceret Velfærdsland TALK, ser sig selv som en EKSTREMIST. Han tror nemlig på noget så vanvittigt, det vi skal have mere velfærd. Og på, at vi tager hensyn til dem, der ikke selv kan; eller som ikke passer ind i en verden, hvor man bare skal præstere mere og mere.Velfærdsland TALK er produceret i samarbejde med foreningen PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik og ros, er du meget velkommen til at smide Nalle en besked her på Facebook!Vil du lytte til Dana Boulés smukke Balloon Waltz Memory, kan den høres på free Music Archive. Klippet med Michael Schøts kommentarer til besparelserne på SU'en kan høres her på Youtube.De forskellige Velfærdsland TALK podcast, der nævnes i TALK #16, er: Velfærdsland TALK #12 Johanne Schmidt-Nielsen & opkast på tastaturet, Velfærdsland TALK #9 Om kunst der ændrer verden & Velfærdsland TALK #7 Når rødt og blåt er ens…

Engang i mellem er det bare skønt endelig at høre en positiv historie. Og sådan en er lige præcis podcasten med 24-årige Anna Øhlenschlæger!Som barn og ung kom hun i psykiatrisk behandling for OCD. Her mødte hun en psykiatri, der både rummede, anerkendte og samt gav hende livet tilbage. Hendes møde med psykiatrien og velfærdslandet Danmark er simpelthen en ægte solstrålehistorie…I dag læser Anna geologi på Københavns Universitet. Dermed adskiller hendes historie sig fra de mange, der netop ikke får den behandling, de har brug for. For det kniber med ressourcerne i psykiatrien, som du også kan høre i podcasten. Anna nævner bl.a. Opråb fra psykiatrien: Vi gør børnene mere syge – ikke raske. Dét er en advarsel fra hele 50 læger og psykologer om, at ”krav om effektiviseringer forringer hjælpen til psykisk syge børn”.Nalle Kirkvåg, der som vanligt har produceret Velfærdsland TALK, ser sig selv som en EKSTREMIST. Han tror nemlig på noget så vanvittigt, som at det er en god idé med mere velfærd. Og på, at vi skal tage hensyn til dem, der ikke selv kan; eller som ikke passer ind i en verden, hvor man bare skal præstere mere og mere.Velfærdsland TALK er produceret i samarbejde med foreningen PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik og ros, er du meget velkommen til at smide Nalle en besked her på Facebook!Annas kronik i Information kan læses her. Vil du lige lytte til Dana Boulés smukke Balloon Waltz Memory, kan den høres her i free Music Archive. Samtalen med Johanne Schmidt-Nielsen er fra Velfærdsland TALK #12 Johanne Schmidt-Nielsen & opkast på tastaturet. Interviewet med Lisbeth Zornig Anders fra Liberal Alliances Landsmøde kan ses her på YouTube; mens interviewet med Asta Olivia Nordenhof kan ses her på TV2 Lorry. Og du kan her se en hel kavalkade med Morten Hedegaard; nu tidligere afdelingsleder på Rigshospitalets Fødeafdeling.

At livet langt fra altid er nemt; dét ved de fleste nok. Men når man har det ekstremt skidt, kræver det altså ekstra tid, plads og ro på for at få det bedre.Velfærdsland TALK handler denne gang om 24-årige Anna Øhlenschlæger, der fra slutningen af barndommen og langt ind teenageårene gik til psykiater pga. tvangslidelsen OCD. Men til forskel fra mange andres møde med psykiatrien, fik Anna Øhlenschlæger netop den nødvendig tid til at blive rask.Hjælp til Anna fra velfærdslandet Danmark er også derfor en ægte solstrålehistorie! Hvilket hun har skrevet en kronik om her i Dagbladet Information.At det kniber med ressourcerne i psykiatrien fremgår desværre tydeligt af Opråb fra psykiatrien: Vi gør børnene mere syge – ikke raske! I indlægget advarer hele 50 læger og psykologer de politiske magthavere om, at ”krav om effektiviseringer forringer hjælpen til psykisk syge børn”.Nalle Kirkvåg, der som vanligt har produceret Velfærdsland TALK, ser sig selv som en ekstremist. Han tror nemlig på noget så vanvittigt, at det er en god idé med mere velfærd. Og på, at vi skal tage hensyn til dem, der ikke selv kan; eller som ikke passer ind i en verden, hvor man bare skal præstere mere og mere.Velfærdsland TALK er produceret i samarbejde med foreningen PolykromFonden. Har du idéer til fremtidige samtalegæster, kritik eller ros, er du meget velkommen til at sende Nalle en mail eller smide en besked her på Facebook!Vil du for øvrigt lige lytte til Dana Boulés smukke Balloon Waltz Memory, kan den høres her i free Music Archive. Og vil du pludselig på fossiljagt, ja så skal du bare her kontakte: Kalklandet i Faxe. Mens hele interviewet med Asta Olivia Nordenhof, der også lader sin stemme høre i podcasten, kan ses her på TV2 Lorry.

Da trykkefriheden blev indført i Danmark i 1770, tændte det en gnist hos de indebrændte borgere. Der opstod et væld af borgerlige klubber, nyhedsmedier og debatkultur. Forfatteren P.A. Heiberg var en af dem, som udnyttede den nye frihed til at udfordre samfundet og det enevældige styre, og det udviklede sig hurtigt til et omstændeligt drama. Historien er produceret af Julie Thing for Frederiksbergmuseerne og Frederiksberg Stadsarkiv. Medvirkende: Peter Henningsen Musik: Julia Kent, Dana Boulé

In which Keep Singing's new (semi-alternating) format is launched: Serial chapter fic rather than only one-shots. We have for your listening pleasure chapter one of Burn by thevampirecat and Safe Up Here With You by dynamicsymmetry, with This is Where it Starts by rednecksaints to cap things off with a nice angsty cherry. Best kind of cherry, if you ask me. And even if you didn't. Music courtesy of Ryan Litt, Kai Engel, Cousin Silas, Janneh, Black Hill, Dana Boulé, and Stellardrone

We talk about the Euro matches since we've arrived in France and what we've done, including attending the Germany-Poland match and having to deal line-cutting scandal. “Tomorrow Comes (accordion)” by Dana Boulé, CC Attribution-NonCommercial License / modified to use as theme song freemusicarchive.org/music/Dana_Boule/

Is it possible to find a stranger given only their name and photograph? In 2005, that question sparked a search that's still going to this day. _________________________________________ CREDITS: This episode was independently produced by me, Asher Isbrucker. With music by Yusuke Tsutsume, Chris Zabriskie, Kai Engel, and Dana Boulé. Special thanks to Laura Hall & Adrian Hon for lending their time and voices to this episode. Thanks to Steven James for recording a bit that didn't make the final cut. Thanks to Charlie Mitchell, Matthew Willis, and my mom for editorial advice.

This month: Jenna Yokoyama interviews Canaan Schlesinger about seeming racially ambiguous. Then, Alan Montecillo looks into the aftermath of NYPD Officer Peter Liang's conviction. Finally, we look into Japanese internment during WWII: why it happened, how it happened, and the civil rights heroes who fought against it — including Oregon's very own Minoru Yasui. Music this month by Dave Depper, Blue Dot Sessions, Dana Boul, Podington Bear, Sergey Cheremisinov, David Szesztay, and CHOPS.

Yiscah Smith lives in Nahlaot, in Jerusalem. But her journey to this Orthodox-meets-hipster neighborhood took her through what seems like four lifetimes. She was born in Long Island, as Jeff Smith, to a Conservative Jewish family. Jeff married a woman, they became more religious, and moved to Israel. Jeff became Yaacov, a Chabad Rabbi, and also the father of six children. A few years later, Yaacov’s identity began to unravel, presenting a terrible dilemma: What do you do when you realize that in order to be true to yourself, you have to shatter everything around you, including the lives of those you love most? This is Yiscah’s story, as told to reporter Molly Livingstone. Produced by Benny Becker with help from Raoul Wootliff and Rachel Fischer, and music help from Shoshi Shmuluvitz. Music for this episode comes from Blue Dot Sessions, Dana Boulé, and Ben Sound. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

Summary: "Oh", and what might have come after. Text version can be found here: http://archiveofourown.org/works/2652278 Music courtesy of Dana Boulé, Mystified, and Black Hill & Cousin Silas