Podcasts about Old Town Road

America loves hip-hop/country mashups that top the charts for 19 weeks! One was a TikTok fluke that changed the culture, one a legitimate country song from an outsider who rode a Beyonce cosign into Nashville, but which is better, Lil Nas X's "Old Town Road" vs. Shaboozey's "A Bar Song (Tipsy)"? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On The Other Side of Midnight, Dominic talks with Matt Blaze about his hate of country music and love of hip-hop. To fully enjoy this - you have to listen live! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kendrick Lamar is #1 for the 12th week in a row - will he beat the Old Town Road record? Sarah's got an update on Weezer's wife. Dead & Co is coming to Golden Gate Park the first weekend of August. Microwave safe needs a major rebrand now that we know about microplastics. Plus, a Minecraft love story, and a game!

Tribute to a recently-departed comrade."nothing is over, that is the only certainty. the other certainty is that everything ends, even this" -Poem (Sept 26, 2023)Clip from Occupy Oakland: https://x.com/poetryc0mmunity/status/1917001969467838652Reading from The Totality for Kids at Bowery Poetry Club in 2006: https://www.youtube.com/watch?v=EgfMT58xkTgYoutube clip of Joshua talking about his book on the Modern Lovers' song Road Runner: https://www.youtube.com/watch?v=d6qc8EqN_XI&t=468sRiot. Strike. Riot pdf: https://fighttowin.noblogs.org/files/2020/06/riot-strike-riot-intro.pdfOn "Old Town Road": https://communemag.com/the-high-rise-and-the-hollow/Cleaning up fascist trash right up to the end: https://x.com/outsidadgitator/status/1916845565725520303 ideo/1Episode image from a painting by Dianna Settles: https://www.instagram.com/platonicyouth/Full Commie Camp episode: https://www.patreon.com/posts/ep-57-old-road-w-28280348Check out Jamie's awesome new podcast Party GirlsSongs: Modern Lovers - Road RunnerJoshua Clover's sing-a-long cover of Old Town Road by Lil Nas X

On the March 16 edition of the Music History Today podcast, Liza gets married, Eazy-E makes an announcement, We say happy birthday to Nancy Wilson & goodbye to Tammi Terrell. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Episode 67 – Rex Kudo is one of the most influential producers in modern hip-hop. His big break came when he co-wrote/produced Post Malone's “White Iverson”, and from there, he's worked with Lil Uzi Vert, A$AP Rocky, Juice WRLD, J. Cole, DJ Khaled, Skrillex, M.I.A., Mac Miller, Roddy Ricch, Future, Young Thug, The Weeknd, Trippie Redd, and has even produced alongside Rick Rubin. Lately, I've been spending more time with Rex, and I get the feeling he's becoming the next Rick Rubin. He's got this energy, this perspective on music and life that's just different. He's inspiring, community-driven, and one of the most genuinely good people in the game. But last month, he unfortunately lost his house and studio, burned down in the Pacific Palisades fires. Instead of letting it destroy him, he's kept moving forward with pure optimism for the future and realizing how lucky he already is. That really hit me. In this episode, we talk about his journey, his process, the hits, the lessons from working with legends, making new legends, and how he's pushing through one of the toughest moments of his life. Rex is one of those guys you just root for, and I'm stoked to share his story with you. Hope you dig this convo with the great Rex Kudo. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:03:30) L.A. FIRES (0:05:11) LOSING STUDIO AND HOUSE TO THE FIRE (0:22:45) WHY DO YOU CREATE? (0:25:47) SIGNATURE PRODUCTION SOUNDS (0:26:47) "WHITE IVERSON", WALE, MAC MILLER (0:27:49) "WHITE IVERSON" AND POST MALONE (0:28:46) CHAIRLIE HANDSOME, FKI 1ST (0:29:33) THE "WHITE IVERSON" SESSION (0:32:23) EARLY POST MALONE MEMORIES (0:33:06) HOW "WHITE IVERSON" CHANGED REX KUDO'S LIFE (0:34:53) YUNG THUG, FUTURE, WEEZY (0:37:44) EARNING RESPECT, EGO (0:38:57) BUILDING A TEAM, LYOR COHEN, AUSTIN ROSEN, BILLY WALSH (0:39:41) SBE PARTIES, JERRY LORENZO (0:40:29) AUSTIN ROSEN (0:40:46) LYOR COHEN (0:41:43) REX'S MUSIC BACKGROUND (0:42:40) "GO FLEX", GUITAR IN HIP HOP (0:44:07) "OLD TOWN ROAD", YOUNG THUG (0:44:39) FOLK EMOTIONAL HIP HOP (0:45:04) SKILLEX, "WAY BACK", PINKPANTHERESS AND TRIPPIE REDD (0:46:09) COVID SESSIONS WITH SKRILLEX AT SHANGRI-LA, MIA, RICK RUBIN (0:54:02) RICK RUBIN (0:55:35) LESSONS FROM RICK RUBIN (0:56:55) CO PRODUCING WITH RICK RUBIN, M.I.A.'S ALBUM, “MATA” (0:59:44) HOW REX CREATES A SONG (1:03:24) JUICE WRLD (1:04:54) HOW REX MET JUICE WRLD (1:07:15) PROCESSING THE LOSS OF JUICE WRLD (1:10:45) RODDY RICCH (1:13:23) 2010'S AND 2020'S HIP HOP GENRE (1:14:27) LIL UZI VERT SESSIONS (1:17:17) A$AP ROCKY, MANNY MARROQUIN (1:19:23) TRACKING VOCALS WITH A$AP ROCKY (1:20:06) MOST PROFICIENT RAPPERS (1:21:36) CAREER JOURNEY, DISCUSSING THE NEXT 10 YEARS Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Rex https://www.instagram.com/rexkudo/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Welcome to Episode 174 of the What Are We Doing podcast! We're kicking off 2025 in true chaotic fashion, and this week's episode is packed with more absurdity than ever. From TikTok bans to basketball shorts at the Presidential inauguration, and the return of Donald Trump to the Oval Office, we're here to dissect it all. If you thought the first 72 hours of the new administration couldn't get any wilder, buckle up, because it's been a ride. Let's start with the TikTok ban. For 14 hours, the app was offline, and while most people slept through it, I used the opportunity for a “romantic” detox getaway with Mags. Was the ban just a publicity stunt? Probably. But hey, it's back, and Trump is already taking credit. Speaking of credit, can we talk about John Fetterman's wardrobe choices at the inauguration? I'm all for comfort, but showing up in basketball shorts and a hoodie to a formal event is pushing it. Can we collectively agree to make “Pants for Pennsylvania” a thing? Trump wasted no time signing executive orders that have everyone talking. From ending birthright citizenship to withdrawing from the Paris Agreement (again), he's on a roll. And let's not forget his decision to pardon all of the January 6th rioters. Yes, all of them. Oh, and he also pardoned Ross Ulbricht, the guy behind the Silk Road. Because why not? If that wasn't enough, Trump also made Elon Musk the head of Dogecoin at a federal level. How did he land this gig? By hosting a multimillion-dollar fundraiser at his mansion with a mirrored floor. Qualifications? Optional. The new administration is shaping up to be the Avengers of inexperience. Trump's picks for key positions range from an auctioneer running the IRS to a TV doctor leading health initiatives. It's like he spun a wheel of LinkedIn profiles and said, “Close enough.” And speaking of chaos, I managed to snag a ticket to the inaugural ball, thanks to Tim Dillon. It was an unforgettable night of cringe-worthy entertainment. Between Theo Von falling out of his chair and Billy Ray Cyrus attempting to sing Old Town Road a cappella, it was pure gold. Also, Trump launched a meme coin called TrumpCoin, which has already tanked. Shocking. On a more personal note, the recent snowstorms have been wreaking havoc on the East Coast. Even Florida got snow! My son's school tried to enforce a virtual snow day for kindergarten, but we weren't having it. He was outside enjoying the snow like a normal kid. Meanwhile, in Texas, a young cancer survivor made headlines for creating a hilariously morbid snowman involving swords and fake blood. What are we doing? Switching gears, let's talk about Trisha Paytas. If you told me a few years ago that Trisha would become the queen of 2025, I'd have laughed, but here we are. Between her sold-out “Trish Era” tour, a rumored Skims collab, and a one-night Broadway show, she's thriving. It's amazing to see her transformation from internet chaos to powerhouse success. Love really does change people, doesn't it? And for the drama lovers, stay tuned for next week when we dive into the Blake Lively vs. Justin Baldoni saga. Blake calling herself “Khaleesi” in texts? Big yikes. This has all the makings of an Amber Heard/Johnny Depp 2.0 situation. Once we sort through the 90-page court deposition, we'll break it all down. It's been a wild start to the year, and it's only getting crazier. From executive orders to snow day drama and celebrity chaos, there's no shortage of things to rant about. Let me know your thoughts in the comments below. What's your take on Fetterman's hoodie, Trump's executive orders, or Trisha Paytas' comeback? Let's discuss! Thank you for tuning in to another episode of the What Are We Doing podcast. Don't forget to like, comment, and subscribe for more weekly madness. If you don't have a Valentine this year, don't worry—I've got you. Until next week, peace out, and as always… what are we doing?

After a tepid embrace of Beyoncé's Cowboy Carter and a back-and-forth over Lil Nas X's “Old Town Road,” country music fans are all in on Shaboozey's “A Bar Song (Tipsy).” How has this hip-hop-inflected country hit perched atop the charts for a record-tying 19 weeks?  Guest: Chris Molanphy, chart analyst, pop critic, host of the Hit Parade podcast, and author of Slate's “Why Is This Song No. 1?” series and the book Old Town Road. Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a tepid embrace of Beyoncé's Cowboy Carter and a back-and-forth over Lil Nas X's “Old Town Road,” country music fans are all in on Shaboozey's “A Bar Song (Tipsy).” How has this hip-hop-inflected country hit perched atop the charts for a record-tying 19 weeks?  Guest: Chris Molanphy, chart analyst, pop critic, host of the Hit Parade podcast, and author of Slate's “Why Is This Song No. 1?” series and the book Old Town Road. Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a tepid embrace of Beyoncé's Cowboy Carter and a back-and-forth over Lil Nas X's “Old Town Road,” country music fans are all in on Shaboozey's “A Bar Song (Tipsy).” How has this hip-hop-inflected country hit perched atop the charts for a record-tying 19 weeks?  Guest: Chris Molanphy, chart analyst, pop critic, host of the Hit Parade podcast, and author of Slate's “Why Is This Song No. 1?” series and the book Old Town Road. Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a tepid embrace of Beyoncé's Cowboy Carter and a back-and-forth over Lil Nas X's “Old Town Road,” country music fans are all in on Shaboozey's “A Bar Song (Tipsy).” How has this hip-hop-inflected country hit perched atop the charts for a record-tying 19 weeks?  Guest: Chris Molanphy, chart analyst, pop critic, host of the Hit Parade podcast, and author of Slate's “Why Is This Song No. 1?” series and the book Old Town Road. Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

pWotD Episode 2767: Shaboozey Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 389,086 views on Thursday, 28 November 2024 our article of the day is Shaboozey.Collins Obinna Chibueze (born May 9, 1995), known professionally as Shaboozey, is an American rapper, musician, country singer, songwriter, and record producer. He gained initial attention for his 2018 song "Start a Riot" (with Duckwrth), which was included on the soundtrack to Spider-Man: Into the Spider-Verse. In 2024, he collaborated with Beyoncé on two tracks from her eighth studio album, Cowboy Carter. That same year, he released the country single "A Bar Song (Tipsy)", which spent nineteen weeks atop the Billboard Hot 100, tying Lil Nas X's "Old Town Road" as the longest running Hot 100 number-one song ever.This recording reflects the Wikipedia text as of 01:25 UTC on Friday, 29 November 2024.For the full current version of the article, see Shaboozey on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

Blade Runner (1982) and Blade Runner 2049 (2017). Hey Butter Leggings, what's that article that you wear when you're getting a haircut? Who invented the moustache? Where do bio-engineered human rights begin? You know, all of life's big questions. “Wallace” composed by Hans Zimmer and Benjamin Wallfisch. “Cornfield Chase,” “Why So Serious,” “Games,” and “Gom Jabbar” composed by Hans Zimmer. “Bright Eyes” was written by Mike Batt. Includes a clip of "bad guy" by Billie Eilish and Finneas O'Connell. Includes a clip of "Old Town Road" written by Montero Hill, Trent Reznor, Atticus Ross, and Kiowa Roukema.

For this Great Moment in Duet History, Tom and Ben are joined by their better halves, Jana and Maggie, to discuss the impact of one of the unlikeliest collaborations in recent memory. The episode quickly devolves into four millennials showing how little they know about Tiktok.

JLo and Ben have put there home on sale so they are done and moving to divorce. Band called Jelly Roll Wedding band has been dropped legal action towards singer Jelly Roll. Little Nas X talking about his song Old Town Road.Make sure to also keep up to date with ALL our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts

On the July 6 edition of Music History Today, John meets Paul, disco hits number one, and Manfred Mann gets a lead singer. Also, happy birthday to 50 Cent and Bill Haley. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠  On this date: In 1953, singer Dorothy Squires married actor Roger Moore.In 1957, John Lennon met Paul McCartney and one of the greatest musical partnerships was born. In 1963, Chubby Checker performed at a concert before the Mets baseball game in New York City. In 1964, the film A Hard Day's Night by the Beatles premiered in London. In 1965, Marty Balin started forming the group Jefferson Airplane. In 1966, Elvis Presley's movie Paradise Hawaiian Style opened. In 1966, Mike D'abo became the lead singer for Manfred Mann. In 1967, Pink Floyd performed on British TV's Top of the Pops music show for the first time. In 1969, Mick Jagger started filming the movie Ned Kelly. In 1971, Bjorn Ulvaeus & Agnetha Faitskog of ABBA were married. In 1972, David Bowie created controversy in England when he put his arms around guitarist Mick Ronson during his performance of his song Starman on the British TV show Top of the Pops. In 1974, the Hues Corporation became the first disco group to hit number one on the Billboard singles chart with Rock the Boat. In 1977, the event that inspired Pink Floyd's album The Wall happened when Roger Waters yelled at the crowd during Pink Floyd's concert in Montreal for setting off fireworks & being unruly. In 1978, Tammy Wynette married record producer George Richey. In 1984, the Jacksons started their Victory tour, which was the last time that Michael toured with his brothers. In 1988, Neil Young's video for his song This Note's For You, about music artists selling their songs to corporations for commercials, was banned by MTV because it mentioned corporate brands like Coke & Pepsi. The video ended up winning video of the year at that year's MTV Video Music Awards. In 1990, the animated movie Jetsons the Movie, co-starring the voice of singer Tiffany premiered. In 1991, BB King & James Brown performed in Zagreb, Croatia. In 1991, Mary Travers of Peter, Paul, & Mary married restaurant owner Ethan Robbins. In 1994, the movie Forest Gump opened. The movie spawned a hit soundtrack of songs from the 1950s - 1970s. In 1999, Richie Havens published the book They Can't Hide Us Anymore, which was his autobiography. In 2009, Ryan Ross & Jon Walker left the group Panic! at the Disco. In 2009, Alanis Morissette started her acting role on the TV show Weeds. In 2016, singer Ciara married football player Russell Wilson. In 2019, Lil Nas X's song Old Town Road with Billy Ray Cyrus broke the record set by 3 other songs for longest hip hop song at #1 when it started its 13th straight week at #1 on Billboard's hot 100 singles chart. The song would eventually break the record for longest #1 reign on that chart, regardless of genre, & still holds the record at 19 consecutive weeks. In classical music: In 1877, Pyotr Tchaikovsky married wife Antonina Miliukova. In 1975, Dmitri Shostakovich finished his Sonate for Alto Opus 147. In theater:  In 1946, the Broadway show St Louis Woman closed. In 1997, the Broadway musical Dream, the Johnny Mercer Musical closed. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

It's our annual look at the contenders for the song of the summer.There's no formula for writing a song of the summer, the same way that you can't guarantee a Christmas classic, but there are some ground rules that seem to apply for most of the songs in contention every year.As noted by Mark Savage's The secrets of a hit summer song piece, some key things a song has to be simple (like Whigfield's 'Saturday Night'), It should make you feel like you're on holiday ('Pon De Replay' / 'Club Tropicana'), novelty is good, whether that means meme-friendly, silly ('Macarena') or a novel mix of styles (like Old Town Road's mix of country and rap) but most importantly it should be released before the summer, ideally mid April - early May latest.We added a few more rules of our own - including mentions of food and drink are good, controversy can be helpful, titillation can work, melancholy, anticipation and the song's unquantifiable repeatable vibe that doesn't grate over months of listening via rooftops, out of cars, festivals, clubs and pubs. A catchy lyric is essential - are you ready to match our freak?But really the song of the summer is a nebulous accolade, and ultimately decided by too many factors to identity.This year's main contenders include Kabin Crew's 'The Spark', Sabrina Carpenter's 'Espresso', Tommy Richman's 'Million Dollar Baby', Chappell Roan's 'Good Luck Babe', Charli XCX's '360', Kendrick's 'Not Like Us' and songs from Tik-Tok memes, Billie Eilish, Jamie xx, Tinashe, Hozier, Shaboozey and more.We take them at their word and consider each for the ultimate summer medal - the song of the summer 2024. Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord communityShow notesSongs played on the Nialler9 Podcast Spotify Playlist Hosted on Acast. See acast.com/privacy for more information.

Ivan from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Thursday, April 18. It's Thursday – which means it's time for Throwback Thursday! Today's kids' song of the day is "Old Town Road" by the KIDZ BOP Kids! Transcript: https://assets.libsyn.com/show/267038/KIDZ_BOP_Daily_-_Thursday_April_18_2024.txt

Though Beyoncé has claimed that Cowboy Carter is a 'Beyoncé album', rather than 'a country album', it's a release that definitely dips into the genre. And country music has a complex relationship with Black musicians - a few years back, Lil Nas X faced a heavy backlash from Old Town Road, which was scrapped from Billboard's country chart, triggering criticism that the reason was in part racially motivated. Yet over the last few years, country has seen a massive boom in its widespread popularity, with many large-name artists delving into the sound. So what can we expect next, and why is it significant that Black artists are making music in the space? In this episode of The Briefing, Bension Siebert speaks with LiSTNR journalist Loren Howarth to find out.See omnystudio.com/listener for privacy information.

Episode 14: Eurovision Behind The Iron Curtain   25:00 Dr. Dean Vuletic (Historian, “Intervision: Popular Music and Politics in Eastern Europe”)   40:28 Chris Molanphy (Chart Expert, Host of Slate's Hit Parade, Author, "Old Town Road")    This week we're talking about the Intervision Song Contest - the Eurovision equivalent organized by communist governments during the cold war. Putin has been making noises about restarting the ISC, but as we talk about, he fundamentally misunderstands the original festival. Intervision was a liberalizing force, run by reformers working to open their countries to the rest of the world. We discuss what Intervision is and why it's so often misremembered.   Then we talk to a true Eurovision and Intervision expert, Dean Vuletic, a historian specializing in Eastern Europe, whose work has focused on the history of Intervision.   Finally, we sit down with Chris Molanphy, the host of Slate's Hit Parade, and author of Old Town Road. Chris is an expert on the American pop charts, and brings his knowledge of American music trends to analyzing songs in the ISC -- as we try to figure out how different the songs coming out of the Eastern Bloc were from their contemporaneous Western equivalents. It's a game we're calling Intervision Tops and Bottoms, Or How I Learned to Stop Worrying and Love the ISC.   Marta Kubicova, A Prayer for Marta: https://www.youtube.com/watch?v=8IzKWTcK1po   Helena Vondráčková, Painted Jug: https://www.youtube.com/watch?app=desktop&v=c-kcwGpItzQ&embeds_referring_euri=https%3A%2F%2Fwww.plotek.pl%2F&feature=emb_imp_woyt Intervision Tops and Bottoms, Or How I Learned to Stopped Worrying and Love The ISC Karel Gott, 1965,  Tam, Kam Chodí Vítr Spát (Where The Wind Goes To Sleep) - Czechoslovakia: https://www.youtube.com/watch?v=5CZLrd69eds Kati Kovac, 1977, Elegy - Hungary: https://www.youtube.com/watch?v=BephMNnWFFA Farah Maria, 1977 El Recuerdo De Aquel Largo Viaje - Cuba: https://www.youtube.com/watch?v=4UorQpuOB5I Czerwone Gitary, Nie Spoczniemy, 1977 - Poland: https://www.youtube.com/watch?v=0IWb1K75nAY Tahmina Niyazova, Zangi Telefon, 2008 - Tajikistan: https://www.youtube.com/watch?v=zVDv4XNWmHw        

In this episode, we unpack the rich tapestry of music's past and present, with a special focus on Bob Marley's recent “One Love," and on whether or not the biopic successfully honors his legacy. We also break down the recent country music controversy sparked by Beyoncé's unoriginally titled “TEXAS HOLD ‘EM” and what it means for the genre's future. It's an episode filled with insights on how music continues to inspire, challenge, and transcend expectations, so be sure to listen in!Episode Highlights:Was Bob Marley's "One Love" biopic successful in properly balancing historical accuracy with cinematic storytelling?As seen in Billy Joel's “Turn the Lights Back On” music video, what do the steady advancements of AI possibly hold for the future of character portrayal in biopics and music videos?When it comes to casting biopics like “Straight Outta Compton” and the upcoming Michael Jackson biopic, when is it best to keep figure portrayals “within the family”?What does Beyoncé's recent switch to country possibly signify for the future of genre crossovers in music?Is the situation with Beyoncé's “TEXAS HOLD ‘EM” similar to when Lil Nas X dropped "Old Town Road"?Are country, rock, and blues “black” genres?

Dr. Adam goes into depth about The Browns' arrival in Vegas. Including Kody's birthday party, modesty culture, and more as the family finds (longer term) rental homes and a new life. That and he sings a bit of "Old Town Road." For some reason. Want more Sister Wives Professor content? Check out SW Deep Dives on specific topics, Office Hours affirmational podcasts, analyses of Plathville, RHW, and more on Patreon here: ⁠⁠⁠patreon.com/thesisterwivesprofessor⁠⁠⁠ Like and/or follow TSWP on Facebook here! ⁠⁠⁠https://www.facebook.com/profile.php?id=61554877171173⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thesisterwivesprofessor/support

Former President Donald Trump scored a record-setting win in the Iowa caucuses on Monday with his rivals languishing far behind, a victory that affirmed his grip on the 2024 Republican presidential nomination. In what was the lowest-turnout caucus in a quarter-century, participants endured life-threatening cold and dangerous driving conditions to meet in hundreds of schools, churches and community centers across the state. But those who ventured out delivered a roughly 30-point win for Trump that smashed the record for a contested Iowa Republican caucus with a margin of victory exceeding Bob Dole's nearly 13-percentage-point victory in 1988. A deep freeze has gripped Chicago, with temperatures plunging to an Arctic minus 32 degrees Fahrenheit over the weekend. As a result, Tesla owners are becoming deeply frustrated with their vehicles not being able to charge or hold a charge, even after a trip to a Supercharger. Rapper Montero Lamar Hill, also known as Lil Nas X, apologized Monday amid backlash to recent material he released that prompted accusations of "mocking Christianity." "I know I messed up really bad this time," Hill, who became famous for his 2018 hit single "Old Town Road," said in an Instagram video. "I can act unbothered all I want, but it's definitely taken a mental toll on me. I'm not some evil demon guy trying to destroy everybody's values and stuff like that. That's not me." #trump #lilnasx #teslafrozen That's NOT Christian is a podcast by four urban believers who discuss current events and push the envelope on traditional religious subjects with a touch of humor. Prime Exclusive: Get 1 Year of GrubHub+ For Free (Regularly $120) https://amzn.to/3yKsCow Join this channel to get access to perks: https://www.youtube.com/channel/UCK28NsuYn0pHdti2qMNp10w/join Digit app- Check out Digit. It's a service that automatically saves your money, so you don't have to think about it. https://digit.co/r/fRa9c?al ►Merch Store: https://thatsnotchristian.com​​​ ►Donate: https://www.paypal.com/paypalme/thats... ►Listen to That's NOT Christian Spotify: https://open.spotify.com/show/3tGrB3G... Apple: https://podcasts.apple.com/us/podcast... ► Telegram: https://t.me/thatsnotchristian​​​ ► Music by Ryan Little SPOTIFY: https://spoti.fi/2MmjRru​​​ ►Follow the Squad ANT: https://www.instagram.com/aptop25/​​​ JAY: https://www.instagram.com/jayacosta/​​​ JIMMY: https://www.instagram.com/jaeisla/​​​ SWITCH: https://www.instagram.com/switch_in_h... ►Podcast Equipment Canon M50: https://amzn.to/2NP7s3G​​​ Logitech C920: https://amzn.to/36odZJ9​ Samson​​ Q2U: https://amzn.to/3tcv2aW​​​ Ring Light: https://amzn.to/3tbxApJ​ Light​​ Stand: https://amzn.to/2NKbg69​​​ Smart Lights: https://amzn.to/3aeU5kW​ Gaming​​ Chair: https://amzn.to/36nnFn0​​​ DISCLAIMER: This video and description may contain affiliate links which allow us to receive a small commission when you click on a product links. This helps support the podcast and allows us to continue to make videos like this. Thank you for the support! --- Send in a voice message: https://podcasters.spotify.com/pod/show/thatsnotchristian/message Support this podcast: https://podcasters.spotify.com/pod/show/thatsnotchristian/support

Chris Molanphy is here to discuss his new book, what is certainly the most authoritative work of non fiction about the Lil Nas X song "Old Town Road," which is also the name of the book. Plus, Hunter Biden does the old town road of attempting to sidestep a congressional inquest. Also on the show: while congress will vote on an impeachment inquiry, they won't vote on aid for Ukraine. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist Subscribe: https://subscribe.mikepesca.com/ Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

At the holidays, the best kind of "Wrapped" is physical media (records, CDs, and even music books) nicely wrapped and placed under the tree. From time to time we do episodes about music books that celebrate the art of record making, and on this one we speak with author Ben Greenman who worked with the legendary Sly Stone, to give us the memoir Thank You (Faletinme Be Mice Elf Agin) out now from AUWA Books, with a foreword by the publisher, Questlove himself. We also spoke with Slate's Chris Molanphy about his extensive study of the historically significant Lil Nas X hit, "Old Town Road," in his book Old Town Road, out now from Duke University Press. And Bay Area journalist Joel Selvin speaks on behalf of his late co-author, Arhoolie Records founder and mainstay Chris Strachwitz, about their new book Down Home Music, featuring Strachwitz's photographs from travels in the American rural south to curate the music that inspired a generation.  And RSD's Carrie Colliton explains the new RSD MRKT initiative and even recommends a few books of her own. For more information go to RSDMRK.com, and RecordStoreDay.com Also sponsored by Dogfish Head Craft Brewery, and Tito's Handmade Vodka. The RSD Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Thank you for listening and please tell your friends about our show. 

When it crash-landed on the charts in 2019, Lil Nas X's “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music. “Old Town Road” wasn't just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin' Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.” In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can't nobody tell Lil Nas X nothin'. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it crash-landed on the charts in 2019, Lil Nas X's “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music. “Old Town Road” wasn't just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin' Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.” In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can't nobody tell Lil Nas X nothin'. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it crash-landed on the charts in 2019, Lil Nas X's “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music. “Old Town Road” wasn't just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin' Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.” In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can't nobody tell Lil Nas X nothin'. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special mini-episode of Hit Parade, recorded live on at Housing Works bookstore in New York City, host Chris Molanphy is joined by Dan Charnas—author of the New York Times bestseller Dilla Time, The Life and Afterlife of J Dilla, and the acclaimed The Big Payback: The History of the Business of Hip-Hop. They discuss Chris's new book Old Town Road—how he came to write it, what made the song exceptional, and how decades of chart and genre history led to Lil Nas X's breakthrough. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special mini-episode of Hit Parade, recorded live on at Housing Works bookstore in New York City, host Chris Molanphy is joined by Dan Charnas—author of the New York Times bestseller Dilla Time, The Life and Afterlife of J Dilla, and the acclaimed The Big Payback: The History of the Business of Hip-Hop. They discuss Chris's new book Old Town Road—how he came to write it, what made the song exceptional, and how decades of chart and genre history led to Lil Nas X's breakthrough. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special mini-episode of Hit Parade, recorded live on at Housing Works bookstore in New York City, host Chris Molanphy is joined by Dan Charnas—author of the New York Times bestseller Dilla Time, The Life and Afterlife of J Dilla, and the acclaimed The Big Payback: The History of the Business of Hip-Hop. They discuss Chris's new book Old Town Road—how he came to write it, what made the song exceptional, and how decades of chart and genre history led to Lil Nas X's breakthrough. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's ImmaLetYouFinish... Episode 164! Court & Amy break down the Grammy nominations, blab about Babs, and welcome author/critic/chart master Chris Molanphy to discuss his killer book "Old Town Road". ImmaLetYouFinish... is a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's ImmaLetYouFinish... Episode 164! Court & Amy break down the Grammy nominations, blab about Babs, and welcome author/critic/chart master Chris Molanphy to discuss his killer book "Old Town Road". ImmaLetYouFinish... is a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Country music's had a massive year. Seriously, not since 1958 have we seen so many country tunes topping the Hot 100 in a single year – and it's not been without its share of controversy. Leading this country music revival? Morgan Wallen, for starters. He bounced back from being shunned for dropping a racial slur with his number one single “Last Night.” Then there's Jason Aldean with “Try That in a Small Town,” a song and music video that which unsubtly lynching references. Next up, newcomer Oliver Anthony Music dropped “Richmond North of Richmond,” weaving in QAnon references and welfare shaming into a track largely about government distrust. On a lighter but still contentious note, Luke Combs covered the mega 90s hit “Fast Car,” turning Tracy Chapman into the first black woman with a number one country hit. And let's not forget Zach Bryan and Kacey Musgraves' beautiful duet “I Remember Everything” about a past romance, which also climbed to the top. Many of these songs have just been nominated for Grammys, including “Last Night,” “Fast Car,” and “I Remember Everything.” When all this started happening, we were scratching our heads. Country songs topping the Hot 100? Sure, but not this many in quick succession. Something felt different. And we think we've finally figured it out after diving into Chris Molanphy's new book: Old Town Road. Chris, a music and charts critic, author of Slate's Why Is This Song No. 1 column, and host of the excellent music podcast Hit Parade, explores country music's chart history in his latest book “Old Town Road,” part of Duke's Single Series. He zeroes in on Lil Nas X's 2018 “Old Town Road” and its 2019 Billy Ray Cyrus-amped remix as a case study. So, to get the lowdown on 2023's country chart toppers, we've got to rewind to 2018 and re-examine “Old Town Road” with Chris Molanphy's insights. SONGS DISCUSSED Lil Nas X - Old Town Road Lil Nas X, Billy Ray Cyrus - Old Town Road remix Morgan Waller - Last Night Jason Aldean - Try That In A Small Town Oliver Anthony Music - Rich Men North of Richmond Luke Combs - Fast Car Zach Bryan, Kacey Musgraves - I Remember Everything  Lil Nas X - Sonic Shit Nine Inch Nails - 34 Ghosts IV Billy Ray Cyrus - Achy Breaky Heart Luke Bryan - Light It Up Morgan Wallen - Thinking' Bout Me Jason Aldean - Burnin' It Down  DeFord Bailey - Fox Chase Carter Family - Can The Circle Be Unbroken  Bill Monroe - Mule Skinner Blues  Hank Williams - Wealth Won't Save Your Soul  Ray Charles - You Are My Sunshine Pine Ridge Boys - You Are My Sunshine Patsy Cline - Crazy  Lionel Richie - Stuck On You  Blano Brown - The Git Up  Learn more about your ad choices. Visit podcastchoices.com/adchoices

When it crash-landed on the charts in 2019, Lil Nas X's “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music. “Old Town Road” wasn't just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin' Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.” In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can't nobody tell Lil Nas X nothin'. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it crash-landed on the charts in 2019, Lil Nas X's “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music. “Old Town Road” wasn't just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin' Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.” In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can't nobody tell Lil Nas X nothin'. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it crash-landed on the charts in 2019, Lil Nas X's “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music. “Old Town Road” wasn't just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin' Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.” In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can't nobody tell Lil Nas X nothin'. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel is joined first by Isaac Butler, co-host of Slate's Working podcast and author of The Method: How the Twentieth Century Learned to Act, to debate the merits of David Fincher's The Killer and whether the director's latest “thriller” (which stars Michael Fassbender) is a masterful example of craft or simply a logic-free time-suck. Then, Dana, Julia, and Stephen explore the world of Letterboxd, the self-proclaimed “Goodreads of movies” that may be the only positive social media platform left. Finally, the trio is joined by Extreme Friend of the Pod Chris Molanphy to discuss his wonderful new book, Old Town Road, which considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. In the exclusive Slate Plus segment, the panel asks: what's the deal with long movies? Are today's films getting longer or is it just a figment of our imagination?  Email us at culturefest@slate.com.  Endorsements: Dana: A hometown endorsement of Slate's excellent coverage of the Sam Bankman-Fried trial, specifically a piece by Nitish Pahwa entitled “The Days the Chips Fell,” which chronicles what Pahwa witnessed in the courtroom the day Bankman-Fried was found guilty. Julia: The Last Waltz, Martin Scorsese's iconic 1978 concert documentary that captures the Band's legendary farewell performance in San Francisco. It depicts a very specific image of the male rockstar era, highlighting both the vanity and vulnerability of its stars. Dana also wrote about The Last Waltz for Slate in 2012!  Stephen: Taken by the retro-feel of The Holdovers' trailer, Stephen endorses the song featured in it, “Silver Joy” by Damien Jurado.  Outro music: “Go Slow” by Daniel Fridell Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel is joined first by Isaac Butler, co-host of Slate's Working podcast and author of The Method: How the Twentieth Century Learned to Act, to debate the merits of David Fincher's The Killer and whether the director's latest “thriller” (which stars Michael Fassbender) is a masterful example of craft or simply a logic-free time-suck. Then, Dana, Julia, and Stephen explore the world of Letterboxd, the self-proclaimed “Goodreads of movies” that may be the only positive social media platform left. Finally, the trio is joined by Extreme Friend of the Pod Chris Molanphy to discuss his wonderful new book, Old Town Road, which considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. In the exclusive Slate Plus segment, the panel asks: what's the deal with long movies? Are today's films getting longer or is it just a figment of our imagination?  Email us at culturefest@slate.com.  Endorsements: Dana: A hometown endorsement of Slate's excellent coverage of the Sam Bankman-Fried trial, specifically a piece by Nitish Pahwa entitled “The Days the Chips Fell,” which chronicles what Pahwa witnessed in the courtroom the day Bankman-Fried was found guilty. Julia: The Last Waltz, Martin Scorsese's iconic 1978 concert documentary that captures the Band's legendary farewell performance in San Francisco. It depicts a very specific image of the male rockstar era, highlighting both the vanity and vulnerability of its stars. Dana also wrote about The Last Waltz for Slate in 2012!  Stephen: Taken by the retro-feel of The Holdovers' trailer, Stephen endorses the song featured in it, “Silver Joy” by Damien Jurado.  Outro music: “Go Slow” by Daniel Fridell Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, the Goods from the Woods Boys are hangin' out at Disgraceland with the hilarious comedian and road warrior, Stef Bright! Stef is currently on the maiden comedy voyage of her micro-camper van and she tells all about van life and the colorful characters she's met on the road so far.  We also test out something called "BUM Energy" and share some more stories from the "Bartenders of Reddit". We take a tour of Stef's (and Walmart's) hometown of Bentonville, Arkansas. Plus, Lil Nas X's "Old Town Road" is our "SAM OF THE DAY".  Follow Stef on Instagram @Stef.Bright, on Twitter @StefIsBright, and find her upcoming tour dates on her website:  https://www.stefbright.com  Help save the Cryptozoology and Paranormal Museum in Littleton, NC by donating to their GoFundMe here:  https://www.gofundme.com/f/help-save-the-cryptozoology-paranormal-museum Rivers is @RiversLangley  Carter is @Carter_Glascock  Sam is @SlamHarter on Twitter and @SamHarter666 on Instagram  Subscribe on Patreon for HOURS of bonus content and growing ALL THE TIME!  http://patreon.com/TheGoodsPod  Pick up a Goods from the Woods t-shirt at:  http://prowrestlingtees.com/TheGoodsPod

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, we are all about collaborations, so all of the songs featured are a mix of two musical genres. On today's episode, Andy Atherton is watching “Old Town Road” by Lil Nas X feat. Billy Ray Cyrus from 2018. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=r7qovpFAGrQ

Matt and Samer talk about a mix tape with songs where the main artist was overshadowed by the big name they got to feature on the track.1. No Diggity (feat. Dr Dre & Queen Pen) by Blackstreet2. Tormenta (feat. Bad Bunny) by Gorrilaz3. Chinatown (feat. Bruce Springsteen) by Bleachers4. Good Love (feat. Billy F Gibbons) by The Black Keys5. No Favors (feat. Eminem) by Big Sean6. And So It Went (feat. Tom Morello) by The Pretty Reckless7. The Alcott (feat. Taylor Swift) by The National8. Despacito (feat. Justin Bieber) by Luis Fonsi & Daddy Yankee9. Old Town Road (feat. Billy Ray Cyrus) by Lil Nas X10. Think Fast by Dominic Fike & Weezer11. Monsters You Made (feat. Chris Martin) by Burna Boy12. Tiny Cities (feat. Beck) by Flume Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

In Old Town Road (Duke University Press, 2023), Chris Molanphy considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it's a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Old Town Road (Duke University Press, 2023), Chris Molanphy considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed. “Old Town Road” was more than a massive hit, with the most weeks at No. 1 in Billboard Hot 100 history. It is also a prism through which to track the evolution of popular music consumption and the ways race influences how the music industry categorizes songs and artists. By both lionizing and satirizing genre tropes—it's a country song built from an alternative rock sample, a hip-hop song in which nobody raps, a comical song that transcends novelty, and a queer anthem—Lil Nas X troubles the very idea of genre. Ultimately, Molanphy shows how “Old Town Road” channeled decades of Americana to point the way toward our cultural future.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In early August, Christopher Anthony Lunsford, who goes by Oliver Anthony, quietly released a song called "Rich Men North of Richmond." A week later, the folk song had rocketed to the top of the Billboard charts — a historic feat for someone with no chart history to speak of. But the ascent wasn't without controversy. The song, to some, sounded like a right-wing anthem. And it was heralded as such online by right wing pundits, and included as a part of the first question of the opening Republican presidential primary debate. But Oliver Anthony's politics, and the song's appeal, have turned out to be a little more complicated. This week, OTM correspondent Micah Loewinger sits down with Chris Molanphy, Slate's pop-chart columnist, and author of the forthcoming book "Old Town Road," to talk about how such an unlikely song rose to the top. Micah speaks to Molanphy about how the Billboard charts have gotten weirder, and more anarchic, and what "Rich Men North of Richmond" has in common with "Ballad of the Green Berets," a song released almost 60 years prior.

In early August, Christopher Anthony Lunsford, who goes by Oliver Anthony, quietly released a song called "Rich Men North of Richmond." A week later, the folk song had rocketed to the top of the Billboard charts — a historic feat for someone with no chart history to speak of. But the ascent wasn't without controversy. The song, to some, sounded like a right-wing anthem. And it was heralded as such online by right wing pundits, and included as a part of the first question of the opening Republican presidential primary debate. But Oliver Anthony's politics, and the song's appeal, have turned out to be a little more complicated. This week, OTM correspondent Micah Loewinger sits down with Chris Molanphy, Slate's pop-chart columnist, and author of the forthcoming book "Old Town Road," to talk about how such an unlikely song rose to the top. Micah speaks to Molanphy about how the Billboard charts have gotten weirder, and more anarchic, and what "Rich Men North of Richmond" has in common with "Ballad of the Green Berets," a song released almost 60 years prior.

On this episode of Quantum Week: movie “Good Boys”, and song “Old Town Road” by Lil Nas X.

Ebro in the Morning sits down with filmmaker Calmatic for a great conversation on some of his recent projects including the new version of 'White Men Can't Jump' which stars Sinqua Walls and Jack Harlow, filming House Party, music videos directed and more! 'White Men Can't Jump' is streaming now on Hulu!  TRY ZOCDOC: https://www.zocdoc.com/?utm_medium=audiopodcast&utm_campaign=ebro  USE PROMO CODE "EBRO" Find New HOT 97 Podcasts - like 4 Minutes Of Fire: https://www.hot97.com/podcasts See omnystudio.com/listener for privacy information.

Calmatic talks about his rise, career, highlights, House Party, creative process, working with Kendrick, Lil Nas, and more! ----- 00:00 Intro 0:00 Calmatic on seeing T-Rell around town and thinking he looks grimy and mean 2:30 T-Rell says he used to practice his dance routine before going to parties 3:30 Calmatic on using outlets like "At The End Of The Day" as inspiration for writing scripts 4:25 Directing the "House Party" movie, AD having a part in the movie, and a song in the soundtrack 7:30 T-Rell and AD compliment Calmatic's work ethic and choosing a different path as a filmmaker 8:30 Calmatic learning directing and producing from after-school programs 10:02 Calmatic speaks on getting robbed and using renter's insurance to get new filming equipment 18:40 Kendrick Lamar hitting him up to do music videos for free at first and improving his creative output throughout the years and being consistent 23:15 Calmatic on dealing with criticism and people hating on him for remaking a movie 24:50 T-Rell claiming that Calmatic stole his idea for the House Party movie 25:30 T-Rell and DoKnow having a part in the "White Men Can't Jump" remake 28:50 Calmatic on when he decided to become a film director as opposed to strictly music videos 29:20 Calmatic on directing "Old Town Road" and winning a grammy 31:03 Calmatic on working with Lil Nas X, Nipsey Hussle, and Big Sean 36:05 Calmatic on taking inspiration from the hood and LA into his writing 37:50 T-Rell asks Calmatic what kind of movies he would love to work on, like a movie about the LA riots 42:03 AD talks about DOPE and Snowfall being cool, Los Angeles-based, movies 47:02 T-Rell asks about the politics in the movie industry 48:30 Calmatic learning to talk in a business sense to get what he wanted 54:03 Calmatic and AD talk about using their past as an influence in creating new content 55:35 AD asks how it was working with LeBron James in the movie and with his production company 1:00:48 T-Rell asks Calmatic what was his worst experience with someone on set 1:02:19 Calmatic working and being inspired by Anderson .Paak's creativity 1:03:30 Discussing Tyga and Chris Brown becoming video directors 1:15:00 Calmatic on when he will be done making remakes and working on original movies ----- NO JUMPER PATREON http://www.patreon.com/nojumper CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5te... FOLLOW US ON SNAPCHAT FOR THE LATEST NEWS & UPDATES https://www.snapchat.com/discover/No_... CHECK OUT OUR ONLINE STORE!!! http://www.nojumper.com/ SUBSCRIBE for new interviews (and more) weekly: http://bit.ly/nastymondayz  Follow us on SPOTIFY: https://open.spotify.com/show/4ENxb4B... iTunes: https://itunes.apple.com/us/podcast/n... Follow us on Social Media: https://www.snapchat.com/discover/No_... http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/NOJUMPEROFFI... http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: https://www.tiktok.com/@adam22 http://www.twitter.com/adam22 http://www.instagram.com/adam22 adam22hoe on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices