Podcast appearances and mentions of Kelsey Waldon

Kelsey Waldon has established herself as an artist firmly in tune with herself as a writer yet not content with resting on her sterling reputation. With each record her pen has further flowered, culminating in this instance with an invigorating album that pays homage to country music's past while forging toward a confessional, self-reflective, vulnerable brand of tunes that stands out even among many of her esteemed peers. Given that she was introduced to a broader audience when she signed with the late, legendary John Prine's Oh Boy Records in 2019, one would be forgiven for thinking Kelsey is relatively new to the music scene. On the contrary, she has paid her dues and the years of honing her craft jump out on Every Ghost. Listen On: Spotify- https://open.spotify.com/episode/7BJDwJVCEANm1tO1KE5pEW?si=a4d2911b0bd94069 Apple Podcasts- https://podcasts.apple.com/us/podcast/the-marinade-with-jason-earle/id1281080492?i=1000710255695 YouTube- https://youtu.be/Nxw2jzB2i-8?si=ZKwJOir5SrMgm2IM    

Home Into a House – Hayden Baker Dive Bar Moses – Adam Chaffins Choo Choo Coming – Wyatt Ellis Listen To the Lonesome Wind (feat. Missy Raines & Allegheny) – Missy Raines Followin’ You – East Nash Grass Drinkin’s Good – Troubadour Blue Uncle Jake – Dale Ann Bradley Heartbreak Express – Seth Mulder & Midnight Run Cryin' Time – George Ducas Falling Down – Kelsey Waldon

On this week's show, we welcome back our good friend and Charlotte Magazine back page columnist Jen Tota-McGivney to talk about her new book, Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this week's show, we wish a very happy 80th birthday to Bob Seger, spend quality time with new records from The Waterboys, Murray Attaway & Craig Finn and spin fresh tracks from Bruce Springsteen, The Feelies & The Beths. All this & much, much less. Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Davey Allen is a versatile songwriter, musician, and artist. His work is deeply rooted in the vast American songbook. Allen has played music professionally for the past 20 years, the last six with Davey and The Midnights. The band formed on the west-side of Los Angeles, California in 2017. The group immediately set out to establish themselves as one of the hardest working Americana bands in Southern California. They've toured up and down the Western US coast, the deserts of the Southwest, the Rocky Mountains, the cornfields of the Midwest, and through the musical heartland of the US South. Since 2021 the band has called Indianapolis, Indiana home.Davey and The Midnights have shared the stage with acts such as Kelsey Waldon, Dale Watson, Jesse Daniel, Nikki Lane, TK and the Holy Know-Nothings, the Cordovas, Cristina Vane, Chris Pierce, Rob Leines, and Izaak Opatz. Their emotionally charged, high energy performances are not to be missed. Davey has also toured extensively as a solo artist and as keyboardist for rock hall of famer Eric Burdon. In addition, he has toured as a member of the San Francisco rock band The Stone Foxes. Davey is an advocate of many social causes and has previously donated a portion of his album sales to the Dolores Huerta Foundation and the Citizen Potawatomi Nation Cultural Center.

Holler Choir – Songs Before They Write Themselves Admiral Radio – Good Things Take Time Lovesick – Remember My Name India Ramey – Baptized by the Blaze Benjamin Tod – Shooting Star Chatham Rabbits – Be Real With Me Brit Taylor – Kentucky Bluegrassed Donna Ulisse – Mountain Lily Kaitlin Butts – Roadrunner! Kelsey Waldon – There’s Always a Song Casper McWade – Something for the Pain Missy Raines – Highlander (feat. Missy Raines & Allegheny) Jay Gavin – Road Ready Jordan Lee King – By and By Shawn Hess – Wild Onion Hannah Juanita – Tennessee Songbird Ben Jarrell...........

Caroline Spence has released 5 records independently and via Rounder Records, has written and/or recorded with Emmylou Harris, Lori McKenna, Matt Berninger (The National), and Sarah Jarosz, and toured with Mary Chapin Carpenter, John Moreland, Tyler Childers, and American Aquarium. We talk to Caroline about being in relationship with your creativity, awareness of, and moving beyond defining yourself externally or through your creative output, losing respect for the music industry, accepting that your wants and goals change over time, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Caroline SpenceEp 22 - Group Text (Erin Rae, Kelsey Waldon, Caroline and Michaela Anne)‘The Artist's Way'Nonesuch RecordsWilcoEp 60 - Lori McKennaEp 27 - Mary GauthierEddie's AtticEp 13 - Becca MancariClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

This episode was recorded on June 23rd, 2024 at the Culture Center Theater in Charleston, WV. The lineup includes Maggie Rose, The Brothers Comatose, Kelsey Waldon, Myron Elkins, and Fantastic Cat. https://bit.ly/3zGG3Js

Editor's note: Basic Folk is pleased to introduce our listeners to one of our favorite podcasts by sharing an episode in our feed! The ​Other ​22 ​hours, ​hosted ​by ​singer/songwriter Michaela ​Ann ​and ​producer ​Aaron Shafer-Haisse, talks to fellow musicians ​about ​the helpful ​tools ​and ​routines the use ​to ​stay ​creative, ​inspired, ​and ​sane ​while ​navigating ​a ​career ​built ​on ​their ​art. ​The ​thing ​I ​like ​about ​this ​podcast ​is ​that ​these ​conversations ​are ​between ​musicians. ​They're ​very ​real. The ​musicians ​share ​insights ​that ​go ​beyond normal ​bio ​questions. They ​talk ​about ​things ​that ​can ​actually ​translate ​into ​non ​musicians' ​lives. ​They ​dive ​in ​deep ​right ​from ​the ​start. ​I ​came ​across ​this ​podcast when ​they ​interviewed ​Leyla ​McCalla ​and ​was ​blown ​away ​by ​that ​conversation. ​Some ​other ​favorites ​have ​been ​William ​Prince, ​Gretchen ​Peters. ​Today ​we're ​going ​to ​share ​their ​conversation ​with ​Mary ​Chapin ​Carpenter. ​I ​hope ​you ​enjoy ​and ​subscribe ​and ​follow ​and ​support ​Aaron ​and ​Michaela ​on ​The ​Other ​22 ​hours.Episode SummaryMary Chapin Carpenter is an 18x Grammy nominated, 5x Grammy winning, 6x platinum-selling singer-songwriter with over 16 albums and decades of touring so far in her career. We talk with Mary Chapin about her songwriting process, including her need for solitude and her practice of "song walking," we talk about how she still faces rejection even with all of her accolades and commercial success, how common and easy it is to personalize mistreatment from people in power (and how to combat that), and much more on this very candid final episode of Season 1.Episode NotesMary Chapin Carpenter is an 18x Grammy nominated, 5x Grammy winning, 6x platinum-selling singer-songwriter with over 16 albums and decades of touring so far in her career. We talk with Mary Chapin about her songwriting process, including her need for solitude and her practice of "song walking," we talk about how she still faces rejection even with all of her accolades and commercial success, how common and easy it is to personalize mistreatment from people in power (and how to combat that), and much more on this very candid final episode of Season 1.Get more access, including exclusive content, advance knowledge of our guests and the ability to have them answer your questions, special workshops, and more by becoming a member of our Patreon, at this link.Links:Mary Chapin CarpenterCarl SandburgTaylor Swift Eras TourSteve PoltzEp 43 - Gretchen PetersEp 22 - Group Text (Erin Rae, Caroline Spence, Kelsey Waldon & Michaela Anne)Kelly ClarksonEp 16 - Rodney CrowellRose CousinsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss.Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.Advertising Inquiries: https://redcircle.com/brands

Green Eyes – Matt Hillyer Johnnie Lynn – The Creekers Wilder – The Wild Palominos Underdogs – Rye Davis Visions of Dallas – Charley Crockett Laundry on the Line – Jordan Lee King Goodnight and Good Morning – Sawyer Brown Was Fort Worth Worth It? – Corb Lund John D. McGurk’s (The Heartbeat of St. Louis) – JigJam Jackie – Jake Leg Dirty Old Town – Kelsey Waldon

Esta semana hemos querido reunir en el porche de RADIO CON BOTAS una docena de canciones de Americana que se han publicado hace pocos meses, escasas semanas o, incluso, no han visto la luz en el mercado. Pero todas tienen un nexo común: son versiones de temas atemporales desde las más diversas y eclácticas formas de la música popular. De esta forma, escuchamos a Ward Hayden cantando a Springsteen, Town Moauntain saboreando los sonidos de Dire Straits, Jaelee Roberts llevando al bluegrass a Stealers Wheel o Della Mae dejándose seducir por Blind Melon. Además, Bella White se entrega a Lucind Williams, The Cartlellows lo hace a Emmylou Harris y Kelsey Waldon lo hace a Hazel Dickens y Alice Gerrard con la ayuda de S.G. Goodman. Rising Apalachia se sumerge en uno de los grande clásicos de Dylan, mientras Margo Price junto a Mike Campbell o Steve Earle rinden homenaje a Tom Petty. La nueva gira de Hootie & The Blowfish nos permite resucitar a Buffalo Springfield y hasta Flatland Cavalry se han inclinado ante la categoría de Fleetwood Mac. Por favor, subscríbete y déjanos un comentario. Queremos saber de ti. PLAYLIST 01-WARD HAYDEN & THE OUTLIERS “Brilliant Disguise” (Springsteen) Faster Horses 02-TOWN MOUNTAIN “So Far Away” (Knopfler) New West 03-JAELEE ROBERTS “Stuck In The Middle With You” (Rafferty/Egan) Mountain Home 04-DELLA MAE “No Rain” (Smith) Della Mae 05-BELLA WHITE “Concrete And Barbed Wire” (Williams) Rounder 06-THE CASTELLOWS “Red Dirt Girl (Acoustic Sessions)” (Harris) Henry-Dixon Line/Warner Nashville 07-KELSEY WALDON feat S.G. GOODMAN “Hello Stranger” (Carter/Riddle) Oh Boy! 08-RISING APPALACHIA “I Shall Be Released” (Dylan) Rising Appalachia 09-MARGO PRICE feat MIKE CAMPBELL “Ways To Be Wicked” (Petty/Campbell) Legacy/Big Machine 10-STEVE EARLE “Yer So Bad” (Petty) Petty Legacy/Big Machine 11-HOOTIE & THE BLOWFISH “For What It's Worth” (Stills) UMG 12-FLATLAND CAVALRY “Landslide” (Nicks) Interscope

Episode 281: There are countless reasons to pay homage to the legacy of country music and almost as many different ways to do so. Both of my guests this week - the Canadian artist Bahamas and Nashville's Kelsey Waldon - are doing just that in their own ways with recent projects. At a time when country traditions are strong across the Americana landscape, Bootcut by Bahamas and There's Always A Song by Waldon demonstrate the power of devotion to a craft on one hand and celebration of heroes on the other.   

On this week's show, we...celebrate 25 years of Fountains of Wayne's Utopia Parkway spend quality time with new records from The Eyebrows, St. Vincent & Alejandro Escovedo spin cool covers from Orville Peck, Chris Stapleton & King PrincessAll this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Rachel Baiman deelde de studio met o.a. Kacey Musgraves, Molly Tuttle en Kelsey Waldon. Aan dat indrukwekkende rijtje voegt ze na vandaag Bright Lights toe. Met haar veelzijdige playlist bespreken we de lichte en zwaardere onderwerpen van het leven. Tracklist: Dottie West - A Lesson In Leavin' John Hartford - Sunshine Lady, You Really Know How To Slow A Man Down Samantha Crain - Bloomsday Karen Dalton - Green Rocky Road Anna Tivel - Blue World Kelsey Waldon (Feat. Adia Victoria & Kyshona Armstrong) - Mississippi Goddam Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/brightlightsandcountrymusic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Productie: Martin ter Braake / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.odepodcast.nl⁠⁠⁠⁠⁠ De Bright Lights playlist met alle gedraaide tracks luister je ⁠⁠⁠⁠⁠⁠⁠hier⁠⁠⁠⁠⁠⁠⁠ en door op ⁠⁠⁠⁠⁠⁠⁠deze link⁠⁠⁠⁠⁠⁠⁠ te klikken, vind je de playlist met nieuwe countryplaten die we samen met onze countrypodcastcollega's van Country Koorts vullen!

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and classic tracks.An Episode comprising  all Duets,including  Rodney Crowell, Kelsey Waldon, Allison Krauss, Glen Hansard and My Darling Clementine.

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and classic tracks.Episode includes Tyler Childers, Natalie Merchant, Chris Stapleton and Kelsey Waldon. Grateful Dead are featured.

Kelsey Waldon, an country singer-songwriter joins us on the show! Waldon, known for her deep Kentucky roots, has released several acclaimed albums and EPs.  She made history by signing with John Prine's Oh Boy Records in 2019, becoming the first artist in fifteen years to do so. Waldon has also shared stages with notable artists like Prine, Willie Nelson, and Tanya Tucker! To learn more about Kelsey, checkout her website. www.kelseywaldon.com https://www.coyoteradioshowandpodcast.com Follow us on Instagram, Facebook, and please subscribe to our Youtube channel. Please consider donating to this podcast! https://www.patreon.com/coyoteradioshowandpodcast  Sponsors: www.dukesindy.com  www.thebarddistillery.com  

Kelsey Waldon, an country singer-songwriter joins us on the show! Waldon, known for her deep Kentucky roots, has released several acclaimed albums and EPs.  She made history by signing with John Prine's Oh Boy Records in 2019, becoming the first artist in fifteen years to do so. Waldon has also shared stages with notable artists like Prine, Willie Nelson, and Tanya Tucker! To learn more about Kelsey, checkout her website. www.kelseywaldon.com https://www.coyoteradioshowandpodcast.com Follow us on Instagram, Facebook, and please subscribe to our Youtube channel. Please consider donating to this podcast! https://www.patreon.com/coyoteradioshowandpodcast  Sponsors: www.dukesindy.com  www.thebarddistillery.com  

Links:Samantha CrainJohanna SamuelsEp 22 - Caroline Spence, Erin Rae, Kelsey Waldon, Michaela AnneLucy RoseEp 7 - BJ Barham (American Aquarium)Ep 11 - LuciusJon BatisteLori McKennaRamseur RecordsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramSend us your feedback!The Other 22 Hours FeedbackAll music written, performed, and produced by Aaron Shafer-Haiss.

V nejnovějším dílu nabídneme čtyři sličné dámy, tři nefalšované psance a na závěr odhalíme identitu jednoho tajemného cizince. Vedle novinek dvou dobrých známých – Kelsey Waldon a Sierry Ferrell – se mrkneme, co připravili Margo Cilker, Josie Toney a Colby Acuff. A taky představíme dva nové hrdiny – JD Grahama a Waylona Hanela. A kde se k čertu vzal Theo Lawrence?

V nejnovějším dílu nabídneme čtyři sličné dámy, tři nefalšované psance a na závěr odhalíme identitu jednoho tajemného cizince. Vedle novinek dvou dobrých známých – Kelsey Waldon a Sierry Ferrell – se mrkneme, co připravili Margo Cilker, Josie Toney a Colby Acuff. A taky představíme dva nové hrdiny – JD Grahama a Waylona Hanela. A kde se k čertu vzal Theo Lawrence?

Links:Caroline SpenceErin RaeKelsey WaldonMichaela AnneMarchéDozenClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramSend us your feedback!The Other 22 Hours FeedbackAll music written, performed, and produced by Aaron Shafer-Haiss.

We welcome Johnny Buck, Executive Director for Music for Rooster Walk Music & Arts Festival, taking place May 25 -28 at Pop's Farm in Martinsville, Virginia. The festival is a unique musical and community experience showcasing some of the best in live music today with a focus on Bluegrass and Rock. The lineup includes our friends Kelsey Waldon, Cristina Vane, St. Paul & the Broken Bones and other top acts like Greensky Bluegrass and Neal Francis.  The festival was founded in honor of two childhood friends who passed away, and part of the money raised goes to local and regional charities in their honor.Don't miss this special one of a kind weekend. May 25 through May 28. Tickets and information at: www.roosterwalk.com

Matt and Drew talk about "Dirty Old Town" by Kelsey Waldon.To listen to the full show, visit ForgottenCountryRadioShow.com.

Americana, Roots, Country, Folk and Acoustic music. Featured Artists . New and classic tracks. Episode includes Chuck Brodsky, Joan Shelley, Anais Mitchell and Kelsey Waldon. 

Von Heimweh und Fernweh, vom Weg nach Hause und der Reise in die Ferne – davon handeln viele Country-Songs. Neben bekannten Klassikern, welche um diese Thematik kreisen, gibt's im «Country Special» auch vergessene Perlen wie etwa «Wichita Lineman» von Glen Campbell zu hören. John Denver, Glen Campbell oder The Chicks – sie alle singen von Fern- oder Heimweh. Wir widmen uns im «Country Special» den Geschichten hinter diesen und weiteren Sehnsuchtssongs. Ausserdem gibt es neue Songs zu entdecken – etwa von Kelsey Waldon, Wade Bowen oder Lainey Wilson.

FTB podcast #521 features 2 new albums, Kenny Roby's self-titled album and Kelsey Waldon's No Regular Dog. Also new music from Joan Shelley, Ace of Cups, Hackensaw Boys, Peter Mulvey with SistaStrings and more. Full playlist: http://ftbpodcasts.com/?p=8850

On this week's show, we...  spend quality time with the latest records from Dawes, Pedro The Lion & Jack White  spin fresh tracks from Plains, The 1975 & Titus Andronicus add a third bullet point for the sake of adding a bullet point All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Gastgeber Torsten Groß diskutiert mit Maik Brüggemeyer, Thomas Wochnik und Max Dax über diese vier Alben: The Invisible Light: Spells von T Bone Burnett, Jay Bellerose and Keefus Ciancia Announce // Cheat Codes von Danger Mouse & Black Thought // No Regular Dog von Kelsey Waldon // Reset von Panda Bear & Sonic Boom

Kelsey Waldon finds the beginnings of spring and fall to especially conducive to songwriting. A good yellow legal pad helps as well. Her latest album is called No Regular Dog on Oh Boy Records.

Amy Wright catches up with Jody Whelan, the oldest son of the late and legendary singer-songwriter John Prine. Jody also runs the label that Prine co-founded, Oh Boy Records, the ins-and-outs of which he discusses in detail with Amy this hour.In fact, a lot today's talk revolves around John – how he grew up, his career, what lead him to start Oh Boy, the growth of artist owned & indie labels, as well as the various artists that have been signed to Oh Boy, including Kelsey Waldon, Tre Burt, and Arlo McKinley.Part of Pantheon Podcasts   

Since moving to Nashville in 2013, Adam Meisterhans has been in an in-demand producer and guitarist/multi-instrumentalist who has worked with artists including Tyler Childers, Jill Andrews, Joshua Hedley, Lillie Mae, Patrick Sweany, Pujol, William Matheny, J.P. Harris, Lauren Morrow, and Kelsey Waldon. In addition to his work as a session player and sideman, he's a founding member of the band Rozwell Kid. Thrilled to welcome Adam to the show to discuss a plethora of interesting topics. Among them: the joy he brings to every one of his gigs, playing iconic venues like Red Rocks Amphitheater in Colorado, we discuss who is the greatest guitar player of all time, and we rank the best episode of Arrested Development. For more information on Adam Meisterhans, visit: www.adammeisterhans.com

Originally from Syracuse, New York, Nate Felty is an experienced live/session drummer and educator who enjoys performing a wide range of musical styles. Nate has been living and working in Nashville, Tennessee since 2012 and earned his Masters in Commercial Music at Belmont University in 2014. Nate is the drummer for Nashville-based, nationally touring country/roots artist, Kelsey Waldon. With Waldon, he has shared the stage on tour with Grammy Award-winning artists such as Ricky Skaggs & Kentucky Thunder, Marty Stuart and His Fabulous Superlatives, and John Prine. Since his arrival in Nashville, Nate has performed and recorded with notable touring bands from Nashville. Among these are The Amanda Broadway Band, Abby Anderson, Devon Gilfillian, Dan Smalley, Marquee Mayfield, and a 9-piece funk/fusion group Dynamo. While with Dynamo, the group earned Nashville Industry Music Awards (NIMA's) in 2015 for "Best Funk/Fusion Band" and "Album of the Year" for their 2015 release, Find Your Way. When not on tour, Nate is an adjunct professor of drum set at Sewanee University of the South. Nate continues to make his imprint on Nashville's local music community, performing with notable musicians such Roy Agee (Prince), Jeff Coffin (Dave Matthews Band), Micah Hulscher (Margo Price), Jay White (Amos Lee, Cory Henry), Mike Hicks (Rascal Flatts), David Rodgers (Keb Mo), De Marco Johnson (Marc Broussard) and Paul Horton (Alabama Shakes). In this episode, Nate talks about:    Being yourself on the session or gig while paying reverence to the genre/style    His early influence and exposure to jazz    Following his “North Star” and seeking out new music and experiences     Playing in the house band for “The Pitch Meeting”    Understanding musical references when creating parts    His award winning band Dynamo    Teaching and learning    Recovering after snapping a tendon in his left hand

Help produce Basic Folk by contributing at basicfolk.com/donateWhen Tré Burt was signed to John Prine's Oh Boy Records in 2019, he was one of only two artists—including label-mate Kelsey Waldon, to join the label in the past 15 years. The Sacramento-born singer/songwriter had released his debut album independently, catching the attention of Prine's son Jody Whelan, who sent Tré a message on social media. Sadly, the message, which landed in one of those secret inboxes no one knows about, remained unread for a long time. When Tré finally found it and responded, it began a relationship with the label and allowed him into John Prine's orbit. He only met the man once after John came backstage at one of his shows. The kindness and opportunity Prine imparted on Tré cannot be understated by the young musician. We talked about John's impact and how he helped shape and reinforce Tré's writing.thanks to a school project. Formerly a fast picking guitarist (much like the busy and flowing style of The Tallest Man on Earth), his playing slowed down when his writing got more intense as that helped in getting people's attention. We also discuss the range in his comfortability when it comes to speaking about the Black experience in folk music. This stemmed from his appearance on Adia Victoria's excellent podcast Call and Response, which is a must listen. It's an important moment where two Black people who create music in a white space talk about what that entails in finite detail.Tré is easy to talk to and we cover a lot: from his grandfather's impact to an operator at T-Mobile recognizing his name from his music. One thing we didn't mention, but I mentioned her in the Lightning Round is his pet bearded dragon, Yara. I thought he had a pic of her online, but I couldn't find it. I swear she exists. Okay enjoy Tré! Advertising Inquiries: https://redcircle.com/brands

My guest today is Randy LeRoy a musician, engineer, A&R, and mastering engineer in Nashville TN and Takoma Park Maryland. A graduate of the recording program at Middle Tennessee State University (also my alma mater) he got his first gig cutting publishing demos on Nashville's “Music Row” in CBS Song's basement studio, editing radio spots on ¼” tape for a company called Starliners and hanging out in small studios around town.  Eventually, he was offered a job with CBS Records as an A&R coordinator and spent time in high-end facilities like Emerald, Stargem, The Dog House, Masterfonics, Sound Shop, Treasure Isle, Studio 19, and even legendary studios like The Record Plant in LA while working for CBS. Randy worked with a variety of the label's many noteworthy artists such as Ray Benson, George Jones, Ricky Van Shelton, Tammy Wynette, Vern Gosdin, and Exile. In 1988 Glenn Meadows at Masterfonics offered him a job as his mastering assistant where Randy learned how to cut reference lacquers, assemble and quality checking masters, and help out engineers during mixing, while mastering small projects on his own.  At Masterfonics he would work alongside notable country music producers like Jimmy Bowen, Tony Brown, James Stroud, Jerry Crutchfield, and Barry Beckett. And in 1991 Randy left Masterfonics to start his own mastering studio, Final Stage Mastering located in Sound Stage Studios on Music Row in Nashville where he worked on more Grammy nominated and winning projects throughout the 1990s and 2000s such as Relient K's Two Lefts Don't Make A Right… but Three Do, Allison Brown's Fair Weather, Nappy Root's Humdinger, and Jamey Johnson's That Lonesome Song, to name a few.  In June of 2010, Randy left Nashville to become the Senior Mastering Engineer at Tonal Park in Takoma Park, MD where he has mastered some of the biggest names in country, bluegrass, folk, Americana, and gospel such as Jim Lauderdale, Bryan Sutton, Jamey Johnson, Dale Ann Bradley, Colin Hay, Kelsey Waldon,  Frank Solivan & Dirty Kitchen, Gold City, and John Cowan.  including the 2020 Grammy Winning, Michael Cleveland's “Tall Fiddler” and two other Grammy nominated albums in the Best Bluegrass Album category. Thanks so much to Justin Francis for making our introduction! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/6JbAJgIR1mNn5jbgVsTZXK?si=6b4c33eed528406f If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/330

Davey Allen is a versatile songwriter, musician, and artist whose work is deeply rooted in the vast American songbook. Though his family migrated north from rural Tennessee in the 1950's Allen's music retains a southern quality and grit. Davey has toured extensively as a solo artist and as keyboardist for others. Davey is an advocate of many social causes and has previously donated a portion of his album sales to the Dolores Huerta Foundation, which works on behalf of San Joachin Valley individuals and families at the receiving end of harmful and discriminatory practices. -- Both his talent and hard work have opened lots of doors for him as an artist. Davey Allen has shared the stage and performed with players from Bob Weir and Patti Smith to Nathaniel Ratliff and Kelsey Waldon. For the past five years or so, Davey has recorded and toured with Rock n Roll Hall of Famer, Eric Burdon and the Animals. While Davey Allen has spent a good deal of his adult life both in California and on the road, he now lives and also records in the Indianapolis area.

The great Kelsey Waldon met with Jamie after her set at Master Musicians Festival for a quick chat. Her sobriety, getting back on stage, personal evolution from 2020 and more. Enjoy.

In this episode, I interview talk with Collin Filder from Oh Boy Records to talk about what it might have been like for John Prine to start the label way back in the 80s before indie labels were the norm. Plus we talk about their plans post John's passing in 2020.  ►► Download our Free Record Label Toolkit → http://OtherRecordLabels.com/Toolkit Find more resources for independent record labels and DIY artists at http://OtherRecordLabels.com

Miles Miller is best known for being Sturgill Simpson's drummer. Miles is also a talented singer and dabbles in songwriting as well as you'll hear on the show today. He has also worked on projects with artists such as Tyler Childers, Kelsey Waldon, and Town Mountain.  STURGILL KENTUCKY FLOOD RELIEF SHIRTS https://shop.sturgillsimpson.com/dept/apparel?cp=107457_107459  MUSIC FEATURED Miles Miller  - Where Daniel Stood (original) - I'm No Stranger to the Rain (Keith Whitley cover) - Lord, I Hope This Day is Good (Don Williams cover)  NEW merch! https://www.thehippiesandcowboys.com/  https://workmansrelief.refersion.com/c/d42e52 - SAVE 15% using the promo code HACCBD at checkout!  https://twitter.com/HippiesCowboys  https://www.instagram.com/hippiescowboyspod/  Join our online community on Patreon! Gain access to exclusive content, early guest announcements, discount codes, giveaways, and bonus podcasts! Join for as little as $1 https://www.patreon.com/hippiesandcowboys ALL MUSIC IN THIS PODCAST HAS BEEN USED WITH PERMISSION FROM THE ARTIST AND LABEL.

Kelsey Waldon is a singer/songwriter living in Nashville TN. A native of Kentucky, her singing and writing style are reminiscent of the long musical history of that state. Over the last few years she has been releasing recordings on the late John Prine’s record label called “Oh Boy” Records. I had a chance to talk with her about her most recent release that features a number of covers by artists like Nina Simone, John Prine, Neil Young, and Bob Dylan. I hope you enjoy our conversation.

Shemekia Copeland returns to eTown for her second visit, in this (first time aired!) new eTown episode. As an award-winning vocalist (daughter of famous jazzer Johnny Copeland), Shemekia started recording in 1998 at the age of 18 and is recognized as one of the most talented artists in today's blues and roots scene. Also joining us is Kelsey Waldon, a gifted and seasoned American country singer and songwriter. And Catherine Coleman Flowers, a recent MacArthur Fellow, is the author of a new book called "Waste: One Woman's Fight Against America's Dirty Secret." She'll speak with Nick about her efforts to bring attention to failing water and waste sanitation infrastructure in rural areas, perpetuating health problems and economic injustice

The Music Featured On This Weeks Episode Is From The Following Albums: Sara Softich – Heart In The Moonlight (2020) Dori Freeman – Every Single Star (2019) Kelsey Waldon – They’ll Never Keep Us Down (2020) Music.apple.com/us/artist/sara-softich/171598879 Dorifreeman.com Kelseywaldon.com W.B. Walker’s Old Soul Radio Show Youtube Page Paypal.me/wbwalker85 Patreon.com/oldsoulradioshow (Subscribe to show on Apple device) […]

Tim luhm, californiano anuncia disco de homenaje a Merle Haggard y Kelsey Waldon recuerda a Hazel Dickens en una de las 7 canciones protesta de su más reciente disco. “Nunca nos mantendrán hundidos” es una canción de “el poder para el pueblo” con una frase que recuerda que “nuestro bienestar nunca ha estado en la mente del hombre rico”. Un poco de tex-mex con Garret T. Capps y Nick Garza para tener presente este aspecto esencial de la música del sur de Texas, con las influencias mexicanas de su herencia. Logan Ledger canta sobre “sobre una corriente mística que corre por los rincones más oscuros de mi imaginación”, mientras La Banda de Heathens contribuye al disco de homenaje a John Hartford con un cántico a las noches de campamento. Jeremiah Johnson canta rockandroll para el alma y Suzanne Santo, junto con Gary Clark Jr, entrega un tórrido blues rock. Mientras, los Gran Pavo Real no están muy satisfechos, al contrario que la banda indie Sunday Someday que recuperan el clásico de George Harrison Gime Me Love. Y se cumplen 75 años del inmortal Stand By Me, así que una gran cantidad de artistas lo cantan con el objetivo de recaudar dinero para la fundación Help Musicians, que proporciona ayuda financiera a los músicos. Acabamos con otra de las canciones de Bruce Springsteen que le sirvió a Warren Zevon para hacer su versión sin conocer la original, allá por los 80.- Dallas Moore, Honky Tonk Holidaze- Tim Bluhm, Am I Standing In Your Way?- Kelsey Waldon, They'll Never Keep Us Down- Garrett T. Capps, In The Shadows (Again)- Garrett T. Capps, Goodbye San Antonio, Hello Amsterdam- Nick Garza's Get Along, Take Me Down to San Antonio (The Tex-Mex in Me) (feat. Garrett T. Capps & Max Baca) - Logan Ledger, River Of Fools- The Band Of Heathens, Up On The Hill Where They Do The Boogie- Jeremiah Johnson, Rock And Roll For The Soul- Suzanne Santo (con Gary Clark Jr), Fall For That- Great Peacock, Dissatisfaction - Sunday Someday, Give Me Love (Give Me Peace On Earth) - Various Artists, Stand By Me- Bruce Springsteen, Janey Needs A Shooter- Chad Cooke Band, Bringing Country Back

We're kicking off the month of December being joined by singer-songwriter Kelsey Waldon. The Kentucky songwriter released They'll Never Keep Us Down, a seven-song collection of covers just two weeks ago. With songs such as Kris Kristofferson's "The Law is for Protection of the People," Bob Dylan's "With God on Our Side," and the Hazel Dickens title track, Waldon offers songs that are just as emotionally charged as they are statements about humanity, equality, and freedom. She shines brightest on the likes of the anti-war and pro-veteran storyteller "Sam Stone," written by mentor and friend, the late John Prine, and delivers one of the year's most poignant moments. Another stellar standout is the Nina Simone standard "Mississippi Goddam" where she's joined by fellow country artists Adia Victoria and Kyshona Armstrong. During this interview, we talk about They'll Never Keep Us Down, the last year--both on a macro and micro level--Waldon's Kentucky home and roots, songwriting and storytelling, country music dialogues and conversations, and much more.This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is presented by Hot Damn Coffee. Use the coupon code "SLANG" (all caps) for 20% off in their merch store. Visit here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here.Check out the New New Slang Patreon here. Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here.Support the show (https://www.patreon.com/thomasdmooney)

Kelsey Waldon joins Coffee, Country & Cody on November 20, 2020 recorded via Zoom! Kelsey called in to chat about her new album, and share memories of her friendship with John Prine. 

Hoy queremos volver a señalar que el tema instrumental que abre y cierre cada uno de nuestros programas fue un regalo exclusivo de un gran amigo como Tony Luz, pionero del rock ‘n’ roll en España. Él fue autor e intérprete único de la sintonía de TOMA UNO. Y Tony Luz murió hace exactamente tres años, por lo que queremos compartir con vosotros lo mucho que le echamos de menos desde entonces. El 29 de noviembre de 1975, hace exactamente 45 años, Neil Young grabó "Like a Hurricane" en el Broken Arrow Ranch in Woodside, California, aunque no saldría a la luz hasta dos años más tarde, cuando se editó en single y formó parte del álbum American Stars 'n Bars. El noveno de los 10 discos que componen el segundo volumen de sus Neil Young Archives recién publicado, se abre con aquella canción que el canadiense compuso en la parte trasera de un DeSoto Suburban, el coche de finales de los años 40 que pertenecía a su vecino Taylor Phelps en La Honda, un pequeño pueblo del condado de San Mateo, en California. Por entonces se estaba recuperando de una operación en las cuerdas vocales que le impedían cantar y toda su energía la expresaba a través de la guitarra. Cubriendo tan solo cuatro años de su carrera, de 1972 a 1976, en el segundo volumen de su entrega de archivos personales, Neil Young se fija en la que todos consideramos su etapa más prolífica, e incluye 12 canciones nunca lanzadas en ningún formato, mientras que 50 son versiones inéditas de canciones conocidas. Entre los temas no publicados hasta ahora encontramos esta grabación junto a su paisana Joni Mitchell, que el 26 de agosto de 1973, llegó al Studio Instrument Rentals de Los Ángeles, donde Neil Young estaba sacando adelante Tonight’s the Night junto a los guitarristas Ben Keith y Nils Lofgren, el batería Ralph Molina y el bajista Billy Talbot. Es decir los Santa Monica Flyers. En aquel estudio surgió una versión desconocida hasta ahora de “Raised on Robbery”, la conversación de una prostituta que intenta ligar con un hombre solitario en un hotel, sin éxito. Al año siguiente sería el single de anticipo del álbum Court and Spark de la también artista canadiense. Kindred Spirits es uno de los discos de versiones más interesantes que hemos escuchado en mucho tiempo. Larkin Poe, sus protagonistas, han utilizado la variedad de estilos elegidos para moverse por una variedad de amplios espacios sonoros que abarca desde Robert Johnson a Post Malone, pasando por Lenny Kravitz, Allman Brothers, Elvis Presley, Elton John, los Moody Blues, Derek And The Dominos y Neil Young. En este último caso, las hermanas Lovell han elegido “Rockin’ In The Free World”, una canción que partió de una frase de Frank Sampedro cuando pensaban hacer un concierto en la Unión Soviética en 1989 y que formó parte en su álbum Freedom, con dos versiones, una eléctrica y otra acústica al estilo de “Hey Hey My My” en Rust Never Sleep. Hablaba de George Bush padre, del Ayatollah Khomeini y de Jesse Jackson. Cuando Trump se presentó a las elecciones en 2016 utilizó la canción contra la voluntad del canadiense. Kelsey Waldon fue el único fichaje en vida de John Prine de su sello Oh Boy!, por deseo expreso de su dueño, el fallecido músico de Illinois a causa del COVID-19. Nativa de Monkey’s Eyebrow, en Kentucky, tiene una extraordinaria capacidad para componer canciones muy personales que abarcan las más distintas facetas de la condición humana desde su visión como sureña de un país como el suyo. Es por eso que los derechos humanos se han convertido en uno de los focos de su último EP, They’ll Never Keep Us Down, donde canta sobre la injusticia racial o las condiciones laborales de los mineros del carbón de su tierra natal. Para ello se ha acogido a siete canciones de músicos tan dispares como Nina Simone, Hazel Dickens, Bob Dylan, Neil Young o Kristofferson. Su versión de "I Wish I Knew How It would Feel to Be Free", un tema que se convirtió en himno en pro de los derechos civiles en Estados Unidos durante los años 60 y que Nina Simone hizo muy popular en el 67, ha contado con Devon Gilfillian en el apoyo vocal. El pasado jueves 12, Lucinda Williams hizo público el segundo de los seis conciertos temáticos que ha grabado con el título de Lu's Jukebox en apoyo de promotores y salas de conciertos y que irá distribuyendo hasta finales de año. Esta vez se trataba de Southern Soul From Memphis To Muscle Shoals And More, con una selección de 10 versiones e canciones de rhythm and blues y una de cierre que suponía recordar su álbum Car Wheels on a Gravel Road gracias a “Still I Long for Your Kiss”. Lucinda recordó a Brook Benton, Ann Pebbles, Etta James, Al Green, Otis Redding, Bobby Gentry o Joe South entre otros y, por supuesto, no olvidó a Barbara Lynn, cuyo “You’ll Lose a Good Thing” de 1962 también cantó Aretha Franklin e incluso fue versionada por Freddy Fender en el 1976, llevándola al No.1 de las listas de country. La canción que anticipó el último álbum de Lucinda Williams, Good Souls Better Angels, fue "Man Without A Soul", tres años después de que revisara aquel Sweet Old World de 1992. En ese registro se dedicó a abordar los problemas que les son más cercanos y, por supuesto, no ha podido obviar las cuestiones políticas, un terreno en el que, además, entró en profundidad. Hablamos de un disco con evidentes tintes de blues, elementos de rock y un poderoso protagonismo de la guitarra de Stuart Mathis. Ahora esa canción ha obtenido una nominación al premio Grammy a la mejor canción de raíz Americana, compartido con su marido, Tom Overby, que compuso el tema con ella. Desde Carolina del Sur, el guitarrista Marcus King se ha convertido en una de las grandes realidades de la música Americana con acento sureño. Ahora al lado del productor Dan Auerbach, ha conseguido precisamente la nominación al mejor álbum de Americana con El Dorado, el primero de sus álbumes como solista tras su etapa como cabeza visible de la Marcus King Band. Un disco que incluye piezas tan rotundas como “The Well”, compuesta por él, Auerbach y Ronnie Bowman, que sirvió en su momento como primera escucha del trabajo con un impactante trabajo a la guitarra. Acaba de cumplir 28 años y Billy Strings, que recibió el apodo de su tía, se ha convertido en un instrumentista con una envidiable habilidad para interpretar las distintas formas en que se manifiesta el bluegrass. Este joven músico de Lansing, en el estado de Michigan, es la gran realidad de un género muy revitalizado en este siglo XXI. Home, su último álbum, aspira a llevarse un Grammy como mejor álbum de bluegrass, un regalo sonoro impregnado de miradas al pasado que recuerdan a las jam bands, y también a los grandes del jazz o del bluegrass. Son los sonidos puros que, como en “Hollow Heart”, memorizan de dónde viene y le activan a encontrar nuevos horizontes. Si la Country Music Association se olvidó mencionar a John Prine en su última gala de entrega de premios, la Academia de la Música no lo ha hecho y ha nominado al Grammy al artista como mejor interpretación de Americana del año por “I Remember Everything”, la última canción grabada por el mítico artista que nos arrebató el Covid-19 el pasado mes de abril. Competirá también con Lucinda Williams y su marido para lograr ser la mejor canción de raíz Americana. "I Remember Everything" está compuesta por Prine y su buen amigo Pat McLaughlin, contando recuerdos del pasado que dejan una marca indeleble.  En enero de 2018, la USC Annenberg Inclusion Initiative publicó un estudio sobre la industria musical, señalando que la mujer necesitaba un mínimo de seis años para situarse al mismo nivel del hombre. She Is The Music, es una organización que busca cerrar esa brecha, apoyando a las mujeres en todos los aspectos de la industria de la música, aumentando sus oportunidades y su visibilidad, procurando que la próxima generación de mujeres consiga roles de liderazgo en esa industria. The Highwomen han tomado la iniciativa junto a She Is The Music para organizar campus de composición femeninos y ayudar a financiar programas de tutoría. “Crowded Table”, una canción que Natalie Hemby y Brandi Carlile han compuesto con Lori McKenna y que se ha convertido en todo un himno desde que las escucharon estrenarlo en el Newport Folk Festival del año pasado. Ahora, sus tres compositoras aspiran a llevarse el Grammy como mejor canción country. A lo largo de su carrera, Linda Ronstadt ha cantado temas de todos los estilos musicales imaginables, desde country a ópera y comedia musical, pasando por folk, rhythm'n'blues, rock'n'roll, pop o música latina. En todos los casos, su voz ha brillado tanto que se ha convertido en una de las vocalistas femeninas de mayor prestigio. Su segundo álbum en solitario, Silk Purse, cumplió esta primavera medio siglo desde su publicación, siendo recordado por canciones como “Long Long Time”, una balada exquisita que llegó a ser nominada a los premios Grammy y en el que hablaba de haber hecho todo lo posible por retener a su pareja. Ahora, 50 años después, la legendaria artista de Arizona ve como su documental Linda Ronstadt: The Sound of My Voice está nominada para llevarse el fonógrafo dorado como mejor película musical.   Escuchar audio

Kelsey Waldon is a country music artist from Monkey's Eyebrow, Kentucky. She has released 3 full length albums, the latest being, White Noise/ White Lines in October of 2019. Earlier in the year 2019, Kelsey became the first artist in 15 years to be signed to the great John Prine's record label, Oh Boy Records.  https://www.kelseywaldon.com/ https://www.ohboy.com/ MUSIC FEATURED IN THIS EPISODE Kelsey Waldon - Anyhow  - Kentucky, 1988 - Black Patch  Thanks for listening everyone! Please leave us a review and a 5 star rating on Apple Podcasts and give us a follow on Twitter, Instagram, and Facebook and join the conversation!  PayPal us: hippiesandcowboyspod@gmail.com ALL MUSIC IN THIS PODCAST HAS BEEN USED WITH PERMISSION FROM THE ARTIST 

Record Store Day Drop 1

Las instalaciones que albergan los históricos Capricorn Sound Studios, en Macon, Georgia, tienen que ver con el sello discográfico, el propio estudio de grabación, un museo, y un espacio de oficinas de la Mercer University. Nadie duda de que es el lugar más apropiado para reencontrar con tus raíces, si estas tienen que ver con el southern rock, como es el caso de BlackBerry Smoke cuyo último proyecto en forma de EP se titula Live From Capricorn Sound Studios. En la selección de sus seis canciones, dos de ellas pertenecen a Idlewild South, el segundo álbum de la Allman Brothers Band, con medio siglo de historia. Son "Midnight Rider" y "Revival", dos temas míticos. En este segundo caso, Charlie Starr y Paul Jackson se han repartido las intervenciones de guitarra de Duane Allman y Dickie Betts, el compositor del tema, y las Black Bettys aportan su poderío vocal en una canción atemporal llena de felicidad. Los tejanos Whiskey Myers se crecieron lo suficiente tras el éxito de su anterior trabajo, Mud, que para su último álbum, con su nombre en el título, decidieron tomar las riendas y prescindir de la producción del casi intocable Dave Cobb. Incluso se repartieron las tareas de composición y contaron también con la ayuda de buenos amigos. Se fueron al Sonic Ranch, cerca de El Paso, en Texas, y se pusieron a trabajar sobre una lista de más de 30 canciones. "Bury My Bones" es una canción que, compuesta por John Jeffers con Tennessee Jet, está inspirada por cómo se sentía a su vuelta de su gira europea del pasado año que pasó por primera vez por España. Ya que hablamos de Tennessee Jet, aquí está la primera muestra sonora de su nuevo álbum, The Country, que aparecerá a primeros de septiembre. Se trata de "Stray Dogs", una pieza narrativa para un artista tejano que está redefiniendo sus ideas sobre la country music desde la perspectiva de la Costa Oeste. Para ello se mudó a California y ahora ha contado con el arrope de la banda de Dwight Yoakam, con el añadido evidente del twang factor a sus propuestas y dejando un tanto de lado sus primitivas influencias de la Outlaw music de Waylon y Willie, e incluso el Bakersfield sound de Merle Haggard. "Stray Dogs" es un tema de tintes autobiográficos que TJ acabó de componer en el propio estudio de grabación y que muestra la tensión y la crudeza de tener que culminar algo inacabado por necesidad. Este tercer álbum del tejano parece haberse convertido en un punto de no retorno con respecto al pasado. Seguimos insistiendo en que el ambiente de Nashville está cambiando y que no todo está perdido. Daniel Donato nació allí hace 25 años y ha aprovechado tan bien el tiempo que se ha convertido en un exquisito instrumentista de su Telecaster que hace un par de años fue nominado por la Americana Music Association en esa categoría. Todavía recuerda que estando en secundaria tocaba en las calles de Lower Broadway ocho horas diarias cada fin de semana y se colaba en el Robert’s Western World para ver a la Don Kelley Band, que le fichó como guitarrista hasta que Paul Cauthen se lo llevó de gira. Con un estilo marinado en todos los clásicos de la country music como Merle Haggard, su favorito, también destila influencias de Grateful Dead en su álbum de debut, como queda perfectamente reflejado en "Luck of the Draw", con trazas de la vieja escuela y algún toque psicodélico. A Young Man's Country, que tiene prevista su salida para el 7 de agosto, fue grabado en el Sound Emporium de Music City con el guitarrista Robben Ford como productor. El incontenible Daniel Romano nos está dejando casi exhaustos en este 2020 con la publicación de hasta seis álbumes… por el momento. Como en el caso de Content to Point the Way, la cuarta de esas entregas, supone una apuesta poderosa por el mejor country rock con evidentes guiños a la herencia atemporal de un mito de la categoría de Gram Parsons, que parece haberle bendecido desde los paisajes de Joshua Tree. El canadiense nativo de Welland, en la provincia de Ontario, grabó este registro con The Outfit, su banda de acompañamiento, como un regreso de tintes sentimentales y decididos al country, consiguiendo una atmósfera llena de melancolía que permite canciones enternecedoras como “Little Shirley Melrose”, gracias a la intervención vocal de Julianna Riolino. Tras el éxito del álbum Desert Dove durante el pasado 2019 que puso en órbita a Michaela Anne, la artista del barrio neoyorquino de Brooklyn, aunque con residencia en Nashville, reclama la esperanza y el optimismo como dos piezas clave para seguir adelante y más aún en momentos como el actual en “Good Times”, su más rotunda novedad con el mensaje de que los "buenos tiempos" están a la vuelta de la esquina. De nuevo su buen amigo Sam Outlaw está a su lado, profundizando en ese camino de abarcar fórmulas más amplias que en registros anteriores, aunque no olvida su debilidad por Linda Ronstadt y Emmylou Harris, dos de sus heroínas. En estos momentos de nostalgia seguro que hemos recurrido en varias ocasiones a recuperar algunas grabaciones que tenían un tanto olvidadas. Los artistas de Americana también lo han venido haciendo y encontramos algunos resultados excepcionales. Es el caso de Erin Enderlin, que durante años ha firmado canciones que todo podemos recordar en las voces de Randy Travis, Alan Jackson, Reba McEntire o Lee Ann Womack y que ahora ha preferido evocar una canción de 1987 como "Fishin 'In The Dark", que la Nitty Gritty Dirt Band incluyó en su álbum Hold On y que supuso su última visita a la cima de las listas. Para esta nueva versión, Erin Enderlin ha contado con la guitarra de uno de sus miembros fundadores, Jeff Hanna. Tras lanzar dos álbumes y un EP, Enderlin publicó el pasado año Faulkner County, que hace referencia a su tierra natal de Arkansas. La pasada semana recordábamos que Kelsey Waldon está nominada a los premios de la Americana Music Association en la categoría de Artista Emergente del Año. Ella cantó sobre sus orígenes en "Kentucky, 1988", uno de los momentos más personales de su álbum White Noise/White Lines y ahora ha querido regresar a su pueblo de Monkey’s Eyebrow para recordar sus primeros pasos, sus problemas familiares y las dificultades para resolverlas, desnudas y elocuentes. Ese trabajo, publicado en año pasado, supuso que tras 15 años sin hacerlo el sello Oh Boy firmara a un nuevo artista. Todo fue gracias al ahora desaparecido John Prine, que confió en la fortaleza de esta cantante y compositora de tintes rurales que ya había editado dos álbumes de forma independiente en 2014 y 2016. La última canción grabada por John Prine, "I Remember Everything", se ha convertido en directamente en No. 1 de la lista de ventas de canciones digitales de Billboard en el apartado de rock, suponiendo la más alta repercusión popular como intérprete del legendario músico, fallecido en Abril a consecuencia de la Covid-19. El tema, producido por Dave Cobb, fue grabado en la sala de estar de Prine el año pasado y no se había dado a conocer hasta que concluyó el homenaje virtual Picture Show: A Tribute Celebrating John Prine, en el que intervinieron Kacey Musgraves, Vince Gill, Bonnie Raitt, Margo Price, Sturgill Simpson, Jason Isbell y Amanda Shires, entre otros. Gracias a su emisión se ha recaudado recaudado casi medio millón de dólares para NAMI, Alive, Make the Road New York y MusiCares. Ayer se editó Monovision, el nuevo trabajo de Ray LaMontagne, lo que significa un distanciamiento con respecto a sus últimas grabaciones y una vuelta a las formas de los contadores de historias de los 70 recobrando los elementos comunes sobre la disidencia. Hay un cierto encuentro de consuelo y tranquilidad en las cosas simples y en las personas cercanas. Su tema de apertura, "Roll Me Mama Roll Me", es la primera invitación del músico de New Hampshire a recrearnos en una calidez relajante envuelta en pura artesanía sonora que nos permite volver a las raíces. La escucha en la radio de "Treetop Flyer" del álbum Stills Alone de Stephen Stills fue lo que impulsó a Ray LaMontagne a convertirse en cantautor. Lo descubrió un ejecutivo de RCA mientras teloneaba a John Gorka y Jonathan Edwards y sus maquetas, grabadas de nuevo, vieron la luz con el título de Trouble en 2004. Ahí empezó todo. Ayer se editaba el nuevo álbum de Will Hoge Tiny Little Movies, tras una batería de protestas viscerales que dieron forma a American Dream. El artista de Nashville no ha perdido su sentido crítico, ni endulza temas complicados como en el caso de una ruptura desordenada, que es el motivo de "Even the River Runs Out of This Town". Mantiene su crudeza, el tono reflexivo de su voz y nos hace comprender cuando las batallas están perdidas, siempre con algún acento que nos recuerde a Bob Seger, John Mellencamp o Tom Petty, y en ocasiones nos traiga a la memoria a Neil Young y sus Crazy Horse ya que Will Hoge grabó Tiny Little Movies con su banda de acompañamiento en las giras. En septiembre de 2008, Old Crow Medicine Show grababan su tercer álbum de estudio, Tennessee Pusher, con la producción de Don Was. En aquel momento, una canción como “Motel In Memphis” pudo pasar inadvertida ante la importancia que los críticos dieron a temas como "Methamphetamine", pero Ketch Secor ha querido ahora concederle la notoriedad que merece volviendo grabarla y añadiendo un vídeo que hace referencia al Lorraine Motel en el que fue asesinado en 1968 Martin Luther King. Ketch Secor ha vuelto a contar con la formación más habitual del presente de Old Crow Medicine Show, que incluye a Molly Tuttle en la guitarra acústica, Cory Younts a la mandolina, Robert Price con el banjo y Morgan Jahnig como bajista y Jerry Pentecost en la batería. Con ellos nos citamos para mañana en la sintonía de Radio 3. Escuchar audio

En TOMA UNO estamos a la espera del fin del mundo que, por lo visto es hoy. Si así fuera, queremos despedirnos a lo grande y empezamos por una celebración: ¡Feliz Día Europeo de la Música! Los American Honors & Awards se llevarán a cabo en el Auditorio Ryman en Nashville el próximo 16 de septiembre, aunque la Americana Music Association no ha querido especificar el formato debido a la evolución de la situación con respecto a Covid-19 . Lo que si sabemos son los nominados para esta edición, a los que damos un repaso en el comienzo del programa, empezando por el Álbum del año, al que aspiran: And It’s Still Alright, Nathaniel Rateliff Country Squire, Tyler Childers The Highwomen, The Highwomen Jaime, Brittany Howard While I’m Livin’, Tanya Tucker En cuanto al Artista del año, los nominados han sido: Brandi Carlile Brittany Howard John Prine Tanya Tucker Yola La tercera categoría ha sido Dúo o grupo del año, para que se lo disputan: Black Pumas Drive-By Truckers The Highwomen Buddy & Julie Miller Our Native Daughters La tercera categoría ha sido para la Canción del año: “And It’s Still Alright” Nathaniel Rateliff. Compuesta por Nathaniel Rateliff. “Bring My Flowers Now” Tanya Tucker. Compuesta por Brandi Carlile, Phil Hanseroth, Tim Hanseroth y Tanya Tucker. “Crowded Table” The Highwomen. Compuesta por Brandi Carlile, Natalie Hemby y Lori McKenna. “My Love Will Not Change” Aubrie Sellers featuring Steve Earle. Compuesta por Billy Burnette y Shawn Camp. “Stay High” Brittany Howard. Compuesta por Brittany Howard. “Thoughts and Prayers” Drive-By Truckers. Compuesta por Patterson Hood. Nuestro recorrido por los nominados de la Americana Music Association ha terminado con el Artista emergente del año: Black Pumas Katie Pruitt Aubrie Sellers Billy Strings Kelsey Waldon La herencia de Neal Casal es irrefutable. Trístemente desaparecido el pasado año, su legado en solitario y con Chris Robinson Brotherhood, los Cardinals de Ryan Adams y Circles Around the Sun, nos dejan un legado creativo espectacular. La Neal Casal Music Foundation (NCMF) está trabajando en la edición para el próximo año 2021 de un doble álbum y triple vinilo llamado Highway Butterfly: The Songs Of Neal Casal en el que participan una treintena de músicos como Jaime Wyatt, Marcus King, Shooter Jennings, Warren Haynes, Phil Lesh, Lucinda Williams, Steve Earle, Zephaniah OHora, Aaron Lee Tasjan o Billy Strings. Precisamente este último junto a Circles Around The Sun ha grabado “All The Luck In The World”, que en 2001 formó parte del álbum Rain, Wind And Speed del ya mítico artista de Nueva Jersey. El vocalista Eric Burton y el guitarrista Adrian Quesada formaron Black Pumas hace tres años y en el pasado 2019 publicaron su disco de debut con el nombre del dúo como título, siendo nominados al Grammy como Mejor Nuevo Artista. Quesada había formado parte del Grupo Fantasma, una banda de toques latinos, con la que ya ganó un gramófono dorado hace 10 años. Se encontraron en Austin, Texas, y decidieron aunar fuerzas como Black Pumas y moverse en el terreno de la Americana. La semana pasada, a punto de cumplirse el primer aniversario de aquel álbum, el dúo lanzó su versión de “Fast Car”, un clásico de Tracy Chapman que en 1988 nos hizo reflexionar sobre nuestra lucha diaria por que valga la pena vivir. Mary Chapin Carpenter ha sido desde siempre una de nuestras contadoras de historias favoritas y nos encanta poder escuchar un adelanto de su nuevo trabajo, The Dirt And The Stars. Producido de nuevo por Ethan Johns, ha sido grabado una vez más completamente en vivo en los Estudios Real World de Peter Gabriel en Bath, al suroeste de Inglaterra, un lugar perfecto para reflexionar sobre momentos personales e íntimos, algo que Mary Chapin hizo en su casa de Virginia antes de la cuarentena. “Between The Dirt And The Stars”, que es la pieza sobre la que gira el proyecto, recubierta de nostalgia por los días de la adolescencia, un tiempo en el que la vida se podía resumir con “Wild Horses” sonando en la radio. Para su nuevo álbum, Neon Cross, Jaime Wyatt ha podido contar a su lado con Shooter Jennings, que ha dotado de la brillantez imprescindible a un trabajo que suponía casi una confesión pública de la complicada biografía de esta mujer nacida en el estado de Washington. Uno de los momentos más emocionantes del disco ha sido este dúo junto a Jessi Colter, madre de Shooter y viuda de Waylon Jennings, en un himno de tintes feministas como "Just A Woman", reivindicando el valor real de las mujeres a las que se les privado de la voz y del reconocimiento. Estamos ante un registro con enfoque de gran angular, de letras profundas y muy personales expresadas con una voz sin cortapisas. Tessy Lou Williams ha encontrado la mejor respuesta a un esfuerzo muy valioso por recuperar las esencias de la country music, regresando a los modos tradicionales y olvidando todo lo que entretiene en su búsqueda. Rodeada de algunos de los nombres fundamentales de esa perpetua introspección en el estilo, como Larry Cordle, Brennen Leigh, Lesley Satcher, Jerry Salley, Jon Randall e incluso la joven Ashley Campbell, estamos ante uno de los discos más recomendables de este año. Para cerrar un trabajo perfectamente armonizado, Tessy ha escogido “Pathway Of Teardrops”, un tema legendario que han grabado desde Webb Pierce –su compositor junto a Wayne Walker- a los Osborne Brothers, pasando por K.T. Oslin, Rhonda Vincent o Alison Krauss, y que la joven artista de Montana conoció a través de New Monday, el supergrupo que forman Val Storey, Larry Cordle y Carl Jackson. Supone una apuesta formal por la vuelta más respetuosa a las raíces. Para despedir a la Americana en esta semana y emplazarlos para la próxima, hemos preferido a Margo Price con “Drifter”, un tema inédito de las sesiones de grabación de su nuevo álbum, That’s How Rumors Get Started. Ayer comenzó el verano y hoy es el Día Europeo de la Música. Esperemos que el calendario maya nos haga un guiño y nos permita volver los próximos sábado y domingo a la sintonía habitual de Radio 3. Escuchar audio

Singer, Songwriter, and Kentucky Native Kelsey Waldon talks about her tour, success, and growing up in Kentucky. Kelseywaldon.com YouTube: youtube.com/c/kentuckyhistorychannel Contact: Facebook or Twitter @kyhistorypod Email: thelandbetweenthemeadows@gmail.com Patreon: patreon.com/kyhistorypod Audible: audibletrial.com/kyhistorypod --- Send in a voice message: https://anchor.fm/kyhistorypod/message

We dig into the country music genre and try our best to define what qualifies as country music for us as hosts. Along the way, we do some cussin', discussin', pop country bashin', and give you our "top" 5 worst offenders out there right now. For your regularly scheduled dose of real country music, we have tunes from Kelsey Waldon and John Moreland for you. Hope y'all enjoy this one!  Music featured in this episode:  Kelsey Waldon:  - White Noise / White Lines  - Kentucky, 1988  John Moreland:  - You Don't Care for Me Enough to Cry  - Harder Dreams  Thanks for listening! PLEASE make sure you leave us a review, subscribe, and share with your friends! We are growing every week and couldn't do it without all of you out there listening.  This episode has been brought to you by RedHoof Apparel. Check out our fine sponsor at https://redhoofapparel.com/ and make sure you get to our twitter account @cowboyshippies and follow the instructions in our pinned tweet to enter to win a free hat of your choosing from RedHoof Apparel! 

Kelsey Waldon races into The Marinade! Kelsey released one of our favorite records of 2019 in White Noise/White Lines. We caught up with Kelsey at the Bob Carr Theatre in Orlando, FL, ahead of her set in support of John Prine. Kelsey and Jason talk about the importance of place, how isolation can facilitate creativity, and the...colorful language anonymous commenters sometimes use on the internet.  You can find all things Kelsey Waldon at kelseywaldon.com.

Live performances from Shovels & Rope, Cris Jacobs, Kelsey Waldon, Wayne Graham, and Tyler Grant & Robin Kessinger. Recorded in Charleston, WV Sunday Oct. 06, 2019. Support provided by Adventures on the Gorge. https://adventuresonthegorge.com/

The latest installment of 'The JamBase Podcast' features Kelsey Waldon talking "Musical Mentors" and Ben Morrison sitting for a "Quit My Day Job" segment after "The Rundown" of recent news stories.

Bro-country macho Brantley Gilbert je podle alba Fire & Brimstone teď prej rodinnej typ, písničkářka Kelsey Waldon na své novince White Noise / White Lines nezapírá, že je chudé děvče z farmy a Whiskey Myers se svým pátým albem bourají žebříčky country i southern rocku najednou.

Bro-country macho Brantley Gilbert je podle alba Fire & Brimstone teď prej rodinnej typ, písničkářka Kelsey Waldon na své novince White Noise / White Lines nezapírá, že je chudé děvče z farmy a Whiskey Myers se svým pátým albem bourají žebříčky country i southern rocku najednou.

The Music Featured On This Weeks Episode Is From The Following Albums: Zach Bryan – DeAnn (2019) Kelsey Waldon – White Noise / White Lines (2019) Chris Knight – Almost Daylight (2019) Music.apple.com/us/album/deann/1477742798 Kelseywaldon.com Chrisknight.net Patreon.com/oldsoulradioshow (Subscribe to show on Apple device) Itunes.apple.com/us/podcast/w.b.-walkers-old-soul-radio/id632683666?mt=2 (Subscribe to show on Android device) Stitcher.com/podcast/wb-walkers-old-soul-radio-show Glen-simpson.com All music is used […]

Due to Technical problems at the moment we only have the first 20 minutes of the show up on podcast - We are hoping to have the remaining show up very soon - so for now enjoy the first 20 minutes This week's show our special guest was Peter Donegan - Son of the famous Lonnie Donegan, the Godfather of Skiffle, Peter plays predominantly Nashville-influenced Country, Blues, Folk, Jazz and Americana either solo or with his band. An accomplished multi-instrumentalist who favours piano and guitar, Peter has been performing professionaly since the age of 17 both with his father’s band and touring on his own. He has played all over the world in some of the biggest venues but is just as comfortable in front of a smaller crowd. Music this week to included: Kelsey Waldon, Dan Olsen, Broken Strings, Rising Fever, Wild Row, Hegarty, Simon and Garfunkel,

In her new song "1988," Kelsey Waldon tells the story of the year she was born in Western Kentucky and what happened after that. What music fans know is that she brought her songs to Nashville and found community among the top emerging figure in East Nashville, including Margo Price and Erin Rae. She's just released her third album and it's special because White Noise/White Lines is a debut for John Prine's Oh Boy Records, part of a renewal of that decades old indie label. He's her songwriting hero, and their relationship is at the core of this conversation. Also in the hour, Raleigh NC writer Tommy Goldsmith talks about his new book, the definitive account of Earl Scruggs and his famous bluegrass instrumental "Foggy Mountain Breakdown." 

  It’s Rachel’s first live episode all by herself! Thanks to everyone who joined us on the Discord chat! (Want to hop on next time? Get more info at the Patreon -- link below!) Rosa also makes a guest disappearance! We get a little mellow this week. And honestly, couldn’t we all use that? Kelsey Waldon -- “Sunday’s Children” (White Noise/White Lines) Alexa Rose -- “Like a Child” (Medicine For Living) Scatterlings -- “Nashville Road” (Being Human) Daniel Martin Moore -- “Real Love Song” (Never Look Away) Susan Gibson -- “Antiques” (The Hard Stuff) Ultramizers -- “Blue” (Single) Monica Rizzio -- “Sunshine is Free” (Sunshine is Free) Keith Secola -- “NDN Kars” (Circle) Jamie McDell -- “Botox” (The Botox EP) Four in the Morning -- “Lucky Kids” (Half Asleep) Send me music via SubmitHub! Send me money via Ko-fi or Patreon. Find Rachel and her comic via https://linktr.ee/rachel.cholst

On today’s edition of the Free Form Rock Podcast we review “There’s The Rub” by Wishbone Ash. Before that, we debut a new, sure to be classic Lee Gerstmann tune, ”Continuation.” We conclude our episode by playing you out with our picks of the week which include, “Something Happened On The Way To Heaven” by Phil Collins and “False King” by Kelsey Waldon. Do us  a favor and share this podcast,  subscribe & leave a 5 star review on ITunes and follow us on Podbean. Until next week, take a chance and follow your dreams to somewhere ROCKIN! Links for Artist: http://wishboneash.com/ https://www.amazon.com/Theres-Rub-WISHBONE-ASH/dp/B00AG0D3ZI/ref=sr_1_1?crid=2B2TC9ZEJ2GIN&keywords=wishbone+ash+theres+the+rub&qid=1563837323&s=gateway&sprefix=wishbone+ash+ther%2Caps%2C186&sr=8-1

Host Jason Wickens sits down with rising star and traditional country revivalists Kelsey Waldon. They discuss her earl influences, the value of sticking to your values. And how she draws inspiration from her deep Kentucky roots.

KELSEY WALDON hails from Monkey's Eyebrow, Kentucky. Her 2014 debut �The Goldmine� announced the Kentucky singer-songwriter as a disciple of Tammy and Loretta, with yearning vocals and hints of barroom twang. The Washington Post calls her "country's coolest young voice�. She has been featured in Rolling Stone's Ten Artists to Watch, Relix, Billboard and iTunes 25 Artists To Make You Like Country Music list. Don Henley recently cited her as one of the new young artists that keeps him encouraged about the future of music. She just released the follow up to her critically acclaimed debut album �I�ve Got a Way� which is already receiving high praise from critics and fans. K PHILLIPS was born in West Texas. He started playing guitar and writing songs at age 5 and began playing organ and piano in bar bands at age 14. When K was 18 both his close friend and girlfriend died in separate drowning accidents. Reeling from these losses, he made the decision to pursue his own music. On his forth-coming sophomore LP �Dirty Wonder�, K has truly found his voice � a combination of Tom Waits' lyrical wit and Keith Richards� slinky country-rock hooks joined with K�s unique, compelling vocal delivery. He and his band recently finished a ten-week tour supporting Counting Crows and Rob Thomas. WoodSongs Kid: Maisy Reliford hails from Borden, Indiana. This 13-year-old plays fiddles and sings and has released a couple of singles with a record label in Nashville.

Kelsey Waldon is a charming and heart-rending at the same time. With a twinkle in her eye she can pierce you with melancholy or shiv a rival with icy cool worthy of Loretta Lynn. The latter was more the feeling of opening song “False King” with a hook I love: “You can’t place a crown on the head of a clown and hope he turns out to be a king.” Kind of reminded me of current events. There were curtains of gorgeous steel guitar from Brett Resnick, notably the solo on set closer “All By Myself.” Also sweet was Walson’s slow rocking take on Bill Monroe’s “Travelin’ Down This Lonesome Road.” She knows lonesome and she showed it.

Boo Ray plays three tracks from Sea Of Lights and talks about growing up in the North Carolina Mountains, his hardscrabble career path, and recording on Bob Dylan’s tape deck. Lots of great music going into rotation this week. I’ve got the new Seth Walker album, the new Tim Easton album and the new Chatham County Line album. Plus I’ve got a track from the Kiefer Sutherland album. Yes, that Kiefer Sutherland! Plus more new music from Michael Rank, Eli Paperboy Reed, Kelsey Waldon, Dale Watson, and Bill Kirchen. "Boo Ray makes it to the City Of Angels (Ep315)" originated from Americana Music Show.

Show #269   BILLY JOE SHAVER - Hard To Ba An Outlaw (Long in the Tooth) STAN MARTIN - Running Away (Whiskey Morning) IRENE KELLEY - You Don't Run Across My Mind  (Pennsylvania Coal) THE BEN MILLER BAND - The Outsider (Any Way, Shape Or Form) (mic break) KELSEY WALDON - The Goldmine  (The Goldmine) THE CARMONAS - Into the Sun  (The Carmonas) PETER MULVEY - Lies You Forgot You Told  (Silver Ladder) BILLY JOE SHAVER - The Git Go  (Long in the Tooth) (mic break) FIRE IN THE PINES - Hillside Stones  (Heart of the Machine) THE BLUSHIN’ ROULETTES - Let It Roll  (Old Mill Sessions) FLATT LONESOME - Never Let Me Go  (Too) (mic break) DAVID G SMITH - One House  (One House) THE HARMED BROTHERS - When You See Me (Better Days) MELANIE DEVANEY - Carry My Guitar  (Single Subject Notebook) (mic break) BILLY JOE SHAVER - Music City USA  (Long in the Tooth0 (Aug. 29th, 2014) Bill Frater Freight Train Boogie

Bill Cody with Kelsey Waldon recorded June 24th, 2014 at WSM radio in Nashville.  Kelsey stopped by our Opryland studios to debut trax from her new album "The Goldmine".  For more please check out: http://kelseywaldon.com/

Bill Cody with Kelsey Waldon recorded November 8, 2012 at WSM radio in Nashville.  Kelsey had recently released a new cd "Fixin' it Up" and was playing Mad Donna's in East Nashville.   Check her out at: http://www.facebook.com/kelseywaldonmusic