Podcasts about eu copyright directive

Giulio Coraggio and Valentina Mazza from the global law firm DLA Piper address the recent decision (Case 1:20-cv-00613, ECF 770) on the use of copyrighted texts for artificial intelligence (AI) training, where the Delaware District Court held that a fair use defense was unsuccessful on a summary judgment motion for copyright infringement. They compare the outcome of the decision to what would have happened in the EU under the text and data mining exception provided by the EU Copyright Directive, also providing an outlook to what to expect following the AI Act. Send us a text

In this final bonus Walled Culture podcast episode - recorded mid-2022 and kept under wraps as a special 1st anniversary episode, we welcome Fred von Lohmann, former Electronic Frontier Foundation (EFF) and Google copyright counsel. Our conversation starts with recalling how he got intrigued by copyright, crediting John Perry Barlow, and explaining how he was at the right juncture to become a tech enthusiast. Fred talks about his role at EFF during what was a unique time from a copyright perspective, characterised by pivotal court cases in the 2000s. He looks back at the impact and effects of the rights holders' battle against peer-to-peer (P2P) technology. Their fierce resistance against anything related to P2P, in his view, crippled the potential transition towards a decentralised Internet back then. He did see one silver lining from the aftermath: the P2P revolution opened music fans' eyes to what could be, pressuring the music industry to start meeting consumers' demand. Fred highlights the Digital Millennium Copyright Act's (DMCA) (invisible) role in shaping our daily lives. On the one hand, the DMCA gave a legal justification to rights holders' control over technology beyond the copyright realm by providing legal protections for Digital Rights Management (DRM). This has impacted various types of content, be it (now old-school) DVDs, eBooks or games. On the other, the DMCA boosted the Internet's success through the safe harbour regime, offering a shelter from the ‘open sea' with hurricanes of lawsuits. The latter troubled rights holders, leading Fred to discuss the emergence of (imperfect) copyright filters. In this context, he touches upon Google's Content ID, rights holder abuses, and the EU Copyright Directive's questionable filtering obligations. He puts forward a crucial, yet unanswered, question in this debate: “how do you build filters that are fair to users and also don't constrict creativity too much?” Finally, Fred briefly shares his insights on how copyright intersects with competition and innovation, especially in the context of software interfaces. In his closing remarks, he echoes some of Cory Doctorow's wisdom, as he emphasises the need to think about copyright's impact on fans and innovators.

Glyn Moody has been writing about copyright, digital rights, and the Internet for 30 years. He is the editor of the Walled Culture project and author of Walled Culture - the Book (freely available as ebook). He previously wrote ‘Rebel Code: Linux and the Open Source Revolution'. He explains how the Walled Culture project is a reflection on digital copyright going wrong, and how copyright and the Internet have shown to be fundamentally incompatible. Glyn highlights how there's no escaping copyright in an online world. He shares some copyright absurdities, with big content fighting the visually impaired and initiatives like Project Gutenberg and Google Books. He talks about how Big Content put on shackles on libraries thanks to Digital Rights Management (DRM), and reflects on the injustice of the Big Publishers' suing the Internet Archive. Glyn points out how Big Academic Publishers hijacked the shift towards open access to benefit their bottom line, while pointing out that diamond open access shows that we can move away from the academic publishing business. He recalls how Big Record Labels went on a rampage, suing grandmothers and children, neglecting the opportunity to give consumers what they wanted. Glyn describes Big Content's push for copyright enforcement, from the French three strikes mechanism to the SOPA and ACTA battles, while emphasising how copyright laws got skewed towards Big Content. He talks about the failures surrounding the EU Copyright Directive and the looming dangers of upload filters. He further highlights how copyright no longer promotes culture but harms it, and how it's about protecting Big Content, not creators. Glyn concludes by reflecting on a possible way forward: building on creators' true fans.

Catherine Stihler OBE was appointed CEO of Creative Commons, in August 2020, a non-profit organisation that helps overcome legal obstacles to advance better sharing of knowledge and creativity to address the world's pressing challenges. She has been an international champion for openness as a legislator and practitioner for over 20 years. She was a member of the European Parliament for Scotland representing the Labour Party. At the European Parliament, she became one of Scotland's longest-serving and most respected legislators. Prior to joining Creative Commons, she served as the CEO of the Open Knowledge Foundation. Catherine reflects on this trajectory that led her to Creative Commons and the lessons learned from the EU Copyright Directive adoption. She talks about the growing importance of Creative Commons licences and the importance of various ongoing legislative developments (e.g. AI, disinformation). She highlights the value of Creative Commons for creativity and knowledge sharing. Finally, throughout the episode she emphasises the need for the community, from libraries to civil society organisations, that are seeking a progressive copyright reform to unite and stand together in order to ensure their voice is heard by policymakers.

Dr Andres Guadamuz is a Reader in Intellectual Property Law at the University of Sussex and the Editor in Chief of the Journal of World Intellectual Property. His main research areas are on artificial intelligence (AI) and copyright, open licensing, cryptocurrencies, and smart contracts. Andres has published two books, the most recent one of which is "Networks, Complexity and Internet Regulation", and he regularly blogs at Technollama.co.uk. He has acted as an international consultant for the World Intellectual Property Organization (WIPO), and has done activist work with Creative Commons. Andres notably talks about the EU Copyright Directive, addressing how the more controversial elements were pushed through and, on a positive note, how it enables text and data mining. He reflects on the interplay between copyright and new hypes like Web3, the Metaverse and NFTs. Andres further shares some thoughts on how copyright and digital policy is being shaped in general and on the copyright implications of Brexit.

Katherine Maher, advocate for free and open societies, is the former CEO and Executive Director of the Wikimedia Foundation. Her background is in the field of information and communications technology, and she works at non-profits in the international sector, focusing on the use of technology enabling human rights and international developments. She reflects on the ‘monkey selfie' and its role to help educate people on the public domain, as well as on the complexity to push issues such as freedom of panorama. Katherine looks at how the EU copyright Directive played out, her early encounter with remix culture, and the difficulty of unlocking contemporary art and the 20th century black hole. She closes off by emphasising the need to make the legalistic copyright debate less daunting for citizens to grasp. Key Takeaways: 00:00 Intro 01:42 Katherine talks about Wikimedia's stance on the ‘monkey selfie' controversy from a copyright perspective and questions if there wasn't more behind the photographer's initial story 04:08 Katherine explains how Wikimedia approach the case from a US perspective, being a US based entity that hosts its content under US jurisdiction 07:08 Katherine reflects on how the ‘monkey selfie' became an avenue to educate people on the public domain and to move away from the dominant perspective of copyright and IP rights 11:30 Katherine explains the issue of freedom of panorama, with the Eiffel Tower's light show and the Brussels Atomium as examples, and observes that the EU copyright Directive didn't turn out as hoped  16:58 Katherine talks about remix culture and shares a particular moment when she felt she hit the copyright wall and realised that something needed to change 21:52 Katherine notes that the opportunities to shape the copyright framework are rare, such as the EU copyright Directive debate, and have a long lasting impact. She is however hopeful to see the free knowledge movement thrive in the decade ahead 26:46 Katherine explains how creators can put their work in the public domain through the use of Creative Commons licences 28:30 Katherine emphasises the important values of sharing and crediting that shape the Creative Commons model 30:51 Katherine highlights how copyright can feel daunting for people due to the overly legalistic nature of the discourse that surrounds it Shows Mentioned: https://wikimediafoundation.org/news/2017/12/22/monkey-selfie/ https://www.copyright.gov/title17/ https://wikimediafoundation.org/news/2019/02/11/a-bunch-of-media-just-entered-the-public-domain-heres-why-that-matters/ https://whc.unesco.org/ http://www.nasa.gov/ https://commons.wikimedia.org/wiki/Commons:Freedom_of_panorama https://en.wikipedia.org/wiki/The_Grey_Album http://www.livrustkammaren.se/ Guests Social Media Links: Website: https://wikimediafoundation.org/ LinkedIn: https://www.linkedin.com/in/krmaher/ Facebook: https://www.facebook.com/katherine.maher3 Twitter: https://twitter.com/krmaher Picture of Katherine Maher by VGrigas (WMF) – Own work, CC BY-SA 3.0, Link

Discussions, profiles, interviews and chat from the AFEM - the trade body for the electronic music scene around the world. On this month's episode of the AFEM Industry Insider we've put together an expert panel to talk about Article 17 of the EU Copyright Directive - a change of law which will affect a large sector of the electronic music industry from artists and labels to content creators and copyright owners. We'll also be hearing about Moving The Needle - a new educational support network for students and young professional women in the music industry.Contributors and social handles:@AFEMORG@MTNnow_@ChrisUnLimited@sophie_goossens@GregorPryor @andidurrant @silviavoiceboxhttps://www.mtnnow.com/ https://associationforelectronicmusic.org/https://www.thisisdistorted.com/

Under Article 15 of the EU’s Copyright Directive, “information society service providers” must compensate “publishers of press publications” for the use of news articles, photos, and video.  Translation: social media companies and search engines will need to pay up when users access news through their platforms. Yet, exactly how this transformation of the online news businesses is to take place remains to be seen. Will short excerpts and links count? Can search engines and platforms get around this provision by imposing their own terms? How can publishers begin to take advantage of Article 15? In this episode of Connected With Latham, London partner Deborah Kirk speaks with Paris partner Adrien Giraud and London associate Elva Cullen about the future of Article 15 and what press publishers and online service providers can do to navigate the changing landscape of online news.   This podcast is provided as a service of Latham & Watkins LLP. Listening to this podcast does not create an attorney client relationship between you and Latham & Watkins LLP, and you should not send confidential information to Latham & Watkins LLP. While we make every effort to assure that the content of this podcast is accurate, comprehensive, and current, we do not warrant or guarantee any of those things and you may not rely on this podcast as a substitute for legal research and/or consulting a qualified attorney. Listening to this podcast is not a substitute for engaging a lawyer to advise on your individual needs. Should you require legal advice on the issues covered in this podcast, please consult a qualified attorney. Under New York’s Code of Professional Responsibility, portions of this communication contain attorney advertising. Prior results do not guarantee a similar outcome. Results depend upon a variety of factors unique to each representation. Please direct all inquiries regarding the conduct of Latham and Watkins attorneys under New York’s Disciplinary Rules to Latham & Watkins LLP, 885 Third Avenue, New York, NY 10022-4834, Phone: 1.212.906.1200

The EU Copyright Directive, now implemented in Europe, did not “break the internet” as some feared, but has been controversial. With the longstop implementation date for EU Member States falling after Brexit, the UK need not and will not implement the directive. What does this mean for the future of copyright law in the UK, and what does the divergence of EU and UK law mean for companies navigating the regulatory landscape? In this episode of Connected With Latham, Deborah Kirk, London partner and Global Vice Chair of the Technology Industry Group and London associate Elva Cullen discuss the Copyright Directive and the effect Brexit will have on copyright policy in the UK.   This podcast is provided as a service of Latham & Watkins LLP. Listening to this podcast does not create an attorney client relationship between you and Latham & Watkins LLP, and you should not send confidential information to Latham & Watkins LLP. While we make every effort to assure that the content of this podcast is accurate, comprehensive, and current, we do not warrant or guarantee any of those things and you may not rely on this podcast as a substitute for legal research and/or consulting a qualified attorney. Listening to this podcast is not a substitute for engaging a lawyer to advise on your individual needs. Should you require legal advice on the issues covered in this podcast, please consult a qualified attorney. Under New York’s Code of Professional Responsibility, portions of this communication contain attorney advertising. Prior results do not guarantee a similar outcome. Results depend upon a variety of factors unique to each representation. Please direct all inquiries regarding the conduct of Latham and Watkins attorneys under New York’s Disciplinary Rules to Latham & Watkins LLP, 885 Third Avenue, New York, NY 10022-4834, Phone: 1.212.906.1200

Ali Condon, from PRS for Music, explains why copyright is so important for creators, such as songwriters, composers and artists. We talk about originality in music creation, what copyright infringement is and how musicology plays a role in deciding if two songs are substantially similar. Ali shares her experience working with PRS members and engaging in copyright policy, such as the with the EU Copyright Directive.

In this new episode, Ane Kallmyr Lerheim and I will tell you all you need to know about the EU Copyright Directive, whether you are caught by it and how to prepare for its implementation.

Publishers must maintain clean, reliable metadata for their content, including about authors, institution, license types, and citations.

FBI Activities in Intellectual Property – Interview with FBI’s Intellectual Property Rights Unit – EU Copyright – BREXIT – Episode 110 – IP Fridays Credits also go out to Nicholas Rivera as a contributing writer.   He wrote the segment on the EU Copyright Directive and the UK .

Article 13—a controversial piece of copyright legislation that is now called Article 17 but is more colloquially known as "the meme ban"—is no more, in the UK at least. Last week, the country's minister for universities and science, Chris Skidmore, confirmed that the UK will not implement the EU Copyright Directive after leaving the EU. Wired UK This story originally appeared on WIRED UK. The directive limits how copyrighted content is shared on online platforms.

Practioners from Europe will bring us the latest developments on global takedown cases working their way through the European courts (e.g., CNIL v. Google; Glawischnig v. Facebook); and controversial provisions of the EU Copyright Directive that threaten to impose a so-called “link tax” on platforms that aggregate news content and to require platforms to take […]

You've heard of content curation, but maybe you're still not 100% sure why it's something you need to make part of your content marketing strategy. After all, you're focusing on other people's content, right? Maybe you've been attempting to curate, but haven't seen results? On this episode, UpContent CEO Scott Rogerson shares tips on doing content curation the right way. Learn how a strategic approach to curation takes you a step beyond "sharing other people's content" to build your brand's position as a thought leader and to create a learning organization. Scott covers: Typical fears and concerns when it comes to content curation How curation can position the brand and sales reps as subject matter experts The definition of good curation and how it's different from content aggregation Typical mistakes marketers still make with content curation How to use content curation to support evergreen and pillar page strategies The importance of consistency when curating (frequency, posting) and how technology can help minimize time and effort The role of curation in other areas: social media, employee advocacy, original content ideation, internal information sharing and education Enlisting the help of subject matter experts across the organization to curate the right content for marketers to leverage Ways to distribute curated content How sales teams are beginning to embrace content curation for social selling, personal brand building, and sharing knowledge with the marketing team Using content curation tools to build learning organizations (internally) Leveraging technology to get more out of content curation Legal concerns (like the EU Copyright Directive) and the future of content curation Have more questions for Scott? Connect with him on Twitter or LinkedIn.  Want to see how we use UpContent on our website? Check out our Jackson Marketing's What We're Reading page.  --- The B2B Mix Show with Alanna Jackson and Stacy Jackson is brought to you by Jackson Marketing. Need help with your B2B online presence? Let's talk!

Cory Doctorow discusses the oligarchic or monopoly power amassed by Big Tech (e.g. Facebook, Google, Amazon), their business model of surveillance capitalism, the need for anti-trust reform, the futility of using alternative systems, the EU Copyright Directive, and the Chinafication of the internet. He also discusses his fascinating science fiction work. *Support/Donate to Geopolitics & […]

Cory Doctorow discusses the oligarchic or monopoly power amassed by Big Tech (e.g. Facebook, Google, Amazon), their business model of surveillance capitalism, the need for anti-trust reform, the futility of using alternative systems, the EU Copyright Directive, and the Chinafication of the internet. He also discusses his fascinating science fiction work. *Support/Donate to Geopolitics & […]

Unfortunately, as you know by now, the EU Parliament approved the current (disastrous) version of the EU Copyright Directive, which is now on track to become the law of the land. It's not good, but things aren't quite over yet. For this week's episode, we've got returning guest MEP Julia Reda — who has been a key force opposing the terrible articles in the Directive — to talk about what happens now.

Ep 103 EU parlament usvojio po***nu EU Copyright Directive. EFF ima detaljno objašnjenje. SoundSource 4 Eero prodat za 97M, za manje nego što je u njega uloženo. It’s show time Najave NY Times i Wall Street Journala i Daring Fireballa. Zanimljiva 24-a reklama ;) Apple March 2019 event: video kompletnog događaja Apple News+ Apple Arcade. Prve igre i kreatori Apple Card Apple TV+: Oprah i drugari MacStories ima detaljne postove o predstavljenim servisima i novitetima. Tu su i zanimljive stvari, tipa kompletna lista svih časopisa od kojih čak 116 (od 240+) koriste Apple News+ format. Tech Crunch ima detaljan tekst o Apple Card. Sitnice Ars Technica: Critical flaw lets hackers control lifesaving devices implanted inside patients Izašao watchOS 5.2 gde su sada podržani i Hong Kong i EU države. Apple Watch ECG app, kada se jednom pojavi, onda ostaje. Očigledno je neophodno da se bude u podržanoj državi i da se eventualno koristi mobilni operater iz iste i nakon toga može da se menja i region i operater i jezik, nije bitno više. Alek kupio Series 4 Watch, poslušajte utiske u odnosu na Series 2. Joe Cieplinski: I now have a cardiologist Objavljen je iOS 12.2 AirPower i zvanično otkazan od strane Applea. Reakcije Grubera i MKBHD-a. iFixit sa nešto više (špekulativnih) detalja Lepo Dečko is Sietla prodajom aplikacija zaradio dovoljno para da otplati kredit za kuću svojim roditeljima. Zahvalnice Snimljeno 07.04.2019. Uvodna muzika by Vladimir Tošić, stari sajt je ovde. Logotip by Aleksandra Ilić Artwork epizode Dete noći/Child of the Night 2012. ulje na platnu/oil on canvas 35 x 35 cm dostupno/available by Saša Montiljo, njegov kutak na Devianartu.

Hey, it’s Stiles from Brand Content Studios and here’s your Content Marketing Quickie for the week of April 1, 2019   -A new study of B2B buyers shows they want random, one-off content pushed out to them by vendors, and they want that content to be all text and focus only on the sales proposition vendors want to say. They say if they get this, they’re likely to buy immediately based just on what they’re told. Okay so now we’ve got the obligatory April Fools story out of the way. And it would be funny except for that’s actually how a lot of companies are still approaching content. They’re living the dream but make no mistake, they are dreaming.   -I know what you want from the Content Marketing Quickie, I’m not stupid. You want to hear all about European law! Well straighten up your beret and pull up a hot plate of bangers and mash because here it comes. This actually made a lot of news and does potentially affect you because, it kind of changes how you’re allowed to put content on the internet. That’s right I’m talking about the EU Copyright Directive. Governments love directives. At issue, how do you balance the ability to share and spread content, and most of us want that more than anything, for our content to get shared and spread so more people will see it, how do you balance that with the content creator’s right to totally control everywhere their content is seen and get paid for every instance they want to get paid for it? I think this should have been called the EU Have My Cake and Eat it Too Directive. Make no mistake, not unlike my choice to not color my hair, this issue is extremely controversial. Over 5M signatures and rising on a change.org petition opposing it. For the good that does. Some experts like the head of Mozilla’s EU public policy, Reagan McDonald, say the EU sets standards and you can count on those policies finding their way to the US. Why? Because the discussions around the responsibilities of internet platforms have pretty much run parallel. So here are the hot parts of the Directive. Article 11 says web platforms and news aggregators will have pay publishers if they use even small parts of their content in search results. So think Google, Flipboard, Feedly, all those guys. It’s being called a “link tax.” Do YOU want search engines and aggregators to be incentivized NOT to show your content? Yeah I didn’t think so. Then there’s Article 17, which says for-profit platforms have to make sure copyright-infringing content isn’t on their sites. So expect a lot of scanning and tracking tools to be on content and be used to vet content before it goes anywhere. If you’re a smaller startup platform that can’t afford all that, well, I guess you just don’t get to compete. Now if you want to figure out how all this jibes with fair use law in the US for editorial or satirical use…be my guest.   -You know it appears this video marketing thing just might work? But everyone likes proof and they like stats to show the bosses so they can be convinced the sky is blue, so here are some video marketing numbers we got from Oberlo for 2019. 85% of all internet users in the US watched online video monthly on any device. It’s like a habit or something. 54% of consumers want to see more video content from a brand or business they support. And let’s just underline that part… “that they support.” I will watch your home movies if you’re a really good friend, but I’m much less likely to do so if I don’t even want you in my house. 87% of marketing professionals use video as a marketing tool, so now you know if you’re the lone holdout. Videos are a consumer’s favorite kind of content to see from a brand on social media. But if you want to keep giving them things they don’t like, you are free to do that. 88% of video marketers are happy with the ROI of their video marketing efforts. It gets them 66% more qualified leads per year. A typical person will spend 88% more time on your website if there’s video on it, and if they get a choice of reading text or watching a video, they pick the video 72% of the time to learn about a product or service. When it comes to search engines, there’s Google, but then coming in second is YouTube, on which over 1B hours a day of video gets played. Because once you start watching those ASMR videos, you just can’t stop, you’ll break the cozy. And lastly, 10% will remember a call to action after reading it in text. 95% will remember it if it’s in a video. I don’t know how many will remember a call to action if it’s in a podcast. So stick your finger in your belly button then let me know if you did it. https://www.socialmediatoday.com/news/10-video-marketing-statistics-for-2019-infographic/550274/   -Pretty cool how you can target very specific audiences with Facebook ads right? But what about the untargeted? How do they feel? Did you hurt their feelings or worse, are you ostracizing them and cheating them and trying to cut them out of life, liberty and the pursuit of happiness? I guess it’s no surprise in these times of ours that that’s become an issue. Does your ability to target the audience you want discriminate against everybody else? Are you evil or aren’t you? Tell me! Here’s what happened. The US Department of Housing and Urban Development has charged Facebook with discrimination. That’s because Facebook doesn’t have enough problems. The filing says the way they do ad sales violated the Fair Housing Act of 1968 because some users are excluded from targeted audiences because of gender, ethnicity, religion, nation of origin, geographic location, familial status and/or physical disability. ProPublica started looking at this in 2016 with a story in which their reporters were able to use Facebook’s targeting to buy an ad for housing that excluded all users “with an ‘affinity’ for African-American, Asian-American or Hispanic people.” So you can target but, no you can’t. https://www.adweek.com/digital/u-s-government-charges-facebook-with-discrimination-based-on-ad-targeting-practices/   -We talked a bit last week about the best B2B content to build trust. Now we get some more info about what consumers do and don’t trust. Mantis Research found 58% say whether or not they read an email depends on the trust they have in that publisher. They have to trust that you send them something worthwhile, and they have to trust you’ll let them easily unsubscribe if you just can’t seem to make any good content. But the study showed trust is low…and falling. Same old story, brands have a love affair with their own content and think they’re crushin’ it, but their audiences mostly see it as clutter. https://www.mediapost.com/publications/article/333805/who-do-you-trust-email-newsletters-beat-social-me.html   That’s the Content Marketing Quickie for this week. Be that person that turns your followers on to something half decent, share the link to this podcast and then you can discuss whether or not I’m annoying. And we’ll see what happens next week.

This week, the crew look at Brexit coverage, opinions on the media from the #PeoplesVote march. We examine the actual numbers on that march with MMU crowd science expert Prof Keith Still. We debate columnists vs journalists, the EU Copyright Directive, and whether the toxic Brexit genie will ever crawl back inside its bottle. For links to the work of Keith Still and his students on crowd numbers, click on FullFact.org's report https://fullfact.org/europe/peoples-vote-march-count/ And for coverage of the demo and much more, do visit our news site, Northern Quota https://thenorthernquota.org/news/put-it-people-brexit-march-biggest-british-history Thanks for listening Contact us @RightsBang

Un épisode avec des news on ne peut plus fraîches puisqu’Antonio, Audrey et Vincent y parlent de Quarkus, mais aussi d’Elastic, de web et de sécu, mais aussi quelques réflexions sur le métier de développeur. Enregistré le 8 mars 2019 Téléchargement de l’épisode LesCastCodeurs-Episode–206.mp3 News Langages JDK12 First Release Candidate Java is Still Free 2.0.0 Quarkus Quarkus is here! Introducing Quarkus: a next-generation Kubernetes native Java framework Frameworks Spring Boot 2.1.3 available now Middleware Lancement de la Suite Elastic 6.6.0 Apache Kafka leaves the zoo Infrastructure Secret Design Docs: Multi-Tenant Orchestrator Web A plan for version 8.0 and Ivy Funding ESLint’s Future Announcing the Ionic React Beta Authentication in SPA (ReactJS and VueJS) the right way Méthodologies Arnaud Lemaire - Entre industrialisation et artisanat, le métier de développeur Journée de travail, ou journée au travail ? Sécurité Top ten most popular docker images each contain at least 30 vulnerabilities CVE–2019–3778: Spring Security OAuth 2.3.5, 2.2.4, 2.1.4, 2.0.17 Released Kubernetes Security Announcement - v1.11.8, 1.12.6, 1.13.4 released to address medium severity CVE–2019–1002100 Runc and CVE–2019–5736 Loi, société et organisation Ligue du LOL, contenus haineux en ligne, anonymat et pseudonymat Ligue du LOL : 3 questions sur l’anonymat et le pseudonymat sur Internet La Ligue des Ordures vient de sortir et ce n’est pas le nouveau Marvel Plan d’action contre les contenus haineux en ligne Directive droit d’auteur : les articles 11 et 13 ont été finalisés et c’est peut-être le moment de paniquer The text of Article 13 and the EU Copyright Directive has just been finalised Facebook ordered to stop combining WhatsApp and Instagram data without consent in Germany Outils de l’épisode Welcome to the universe of HyperText Clance Impostor Phenomenon Test Rubrique débutant Every Linux networking tool I know Conférences Breizh Camp du 20 au 22 mars 2019 Greach (Madrid) du 28 au 30 Mars 2019 Devoxx France du 17 au 19 avril 2019 - sold out VoxxedCERN le 1er mai 2019 Riviera Dev du 15 au 17 mai 2019 NCrafts les 16 et 17 mai 2019 Mix-it les 23 et 24 mai 2019 BestOfWeb les 6 et 7 juin 2019 DevFest Lille le 14 juin 2019 - Le CfP est ouvert. Voxxed Days Luxembourg les 20 et 21 juin 2019 Sunny Tech les 27 & 28 juin 2019 à Montpellier Nous contacter Soutenez Les Cast Codeurs sur Patreon https://www.patreon.com/LesCastCodeurs Faire un crowdcast ou une crowdquestion Contactez-nous via twitter https://twitter.com/lescastcodeurs sur le groupe Google https://groups.google.com/group/lescastcodeurs ou sur le site web https://lescastcodeurs.com/  

Did you know that a little over a week ago the European Union decided to move forward with their latest proposed updates to the EU Copyright Directive, which includes requirements for websites to affirmatively scan for copyrighted content – it’s been just about universally lambasted as internet-destroyingly awful – but all signs indicate that the […]

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How dumb and how unapologetic will these internet laws become. With short-sighted law after short-sighted law being introduced by people, who don't understand the technology that they are attempting to govern. Big companies are so terrified of things that users post, they want to tell, "copyright" at anything that resembles a copyrighted work, regardless of the context that it was posted. Read the full story here: https://boingboing.net/2018/09/12/vichy-nerds-2.html || Let's continue our discussion! Follow me on Twitter and Instagram at @dexter_johnson and visit http://DexJohnsPC.com to stay on top of my latest posts. Share this podcast with a friend!

Firefox 61, EU Copyright Directive Voted Down, Gravit bought by Corel and Voice and the Traditional Web on this weeks Bit v. Byte! Links & Resources Mobile Detect - https://github.com/serbanghita/Mobile-Detect Frappe DataTable - https://frappe.io/datatable --- Support this podcast: https://anchor.fm/bit-v-byte/support

(Greg’s is loose! He won’t shut up, send help!) We, ahem… Greg talks a lot about copyright, copyleft, the EU Copyright Directive, and more. Martyn, on the other hand, has been writing, and shares insights about his process. The (widely opposed) EU Copyright Directive: https://en.wikipedia.org/wiki/DirectiveonCopyrightintheDigitalSingle_Market News on it’s denial by the EU Parliament: http://www.wired.co.uk/article/article-13-eu-copyright-directive-memes —- Background music: Dreaming Of Another Life 2147 by The Koala Vert Company; licensed under Creative Commons: By Attribution 3.0 Martyn's books: https://www.amazon.co.uk/Angels-Blood-Chronicles-Order-Book-ebook/dp/B073DKG8FC/ Martyn's Twitter: https://twitter.com/maliceunchained Greg's website: https://dinchamion.com Greg's Twitter: https://twitter.com/dinchamion This podcast is powered by Pinecast.

Reform of EU copyright law has been a hot topic for years and the European Parliament has long stressed the need to modernise regulation and adapt it to the digital era. While the European Commission is expected to present a proposal to amend EU copyright law in late 2015, Parliament will address the issue during its July plenary session, voting on a report from the Legal affairs Committee, which evaluates the current regulatory framework and recommends changes. As copyright reform is a sensitive subject in the EU, the plenary will have plenty to discuss, including inter alia the principle of territoriality of copyrights and the scope of exceptions and limitations to copyright protection.Source : © European Union - EP