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This episode we cover the first silver mine in Japan, as well as the way that this sovereign is approaching offerings to the kami and handling family matters. For more check out: https://sengokudaimyo.com/podcast/episode-138 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 138: Offerings and Covenants A gentle summer breeze blew through the cherry-tree-covered hills of Yoshino valley. The royal residence, a kind of summer home for the royal family, normally somewhat quiet, was suddenly abuzz with activity. The regular groundskeepers and those who tended the site throughout the year mingled with servants sent from the capital to make it ready for a royal visit. Rooms were aired out and swept. Metal fixtures were polished. The kitchen was stocked and ready to go. It had been some years since the prince—now sovereign—had resided in the valley as an attempt to proclaim he had retired from the world. Now he was sitting at the top of the state government, but as such, he was more often than not living in the grand palace in Asuka, which he had renovated at the start of his reign. This, the Yoshino palace, was left as more of a vacation home—though "home" hardly did it justice given its majesty compared to the meager dwellings that otherwise surrounded it. And now there was a massive royal procession on their way. Sure, it was the sovereign and his queen, and only a handful of princes, but they would each need their own quarters and likely have their own household staff that would no doubt need to be fed and housed. In such a way a "simple" outing for the royal family was so often anything but for those who had to make it happen. And yet, such labor was much preferred to toiling in the fields, especially as the heat of the day started to rise, and the height of summer loomed large in the all-too-immediate future. Alright, so we are in the midst of the reign of Ohoama, aka Temmu Tennou, the brother of Naka no Ohoe, who came to power through the use of military force—purportedly used in self-defense—and the sovereign who would have a profound effect on solidifying the Ritsuryo state, as well as the Chronicles and the history of the archipelago as we know it. We've talked about Ohoama's ascension to the throne, and even his first year. We mentioned how, during his reign, he rewarded those who helped him, tweaked the rank system, and we talked a bit about what we know of the clothing and the material culture of the period. This episode, we continue looking at what occurred during Ohoama's reign. Specifically we'll be covering some of the ways in which Ohoama and his court were shaping the government and the structures of power to serve him and his family. This includes everything from ritual, such as making offerings to various kami, to the way that he seems to have centralized power to himself and his family, which would have lasting impacts through the Asuka and Nara periods. First, though, a tiny little digression about silver. We start in the 3rd lunar month of the second year since Ohoama ascended the throne, or the year 674 by the western calendar. We are told that Woshiumi no Miyatsuko no Ohokuni, the governor of Tsushima, the island that formed the main border between the archipelago and the mainland, reported that silver had been produced there for the first time, and sent in some as tribute. This is the first recorded instance of silver being produced in Japan. At this time, silver mining was mostly limited to finding a vein of silver on the surface and digging it out as far as one could possibly go into the rock and stone. Still, silver would eventually become an important resource for the archipelago. Tsushima would continue to produce silver through modern times. Granted, production was limited until new refining techniques were introduced from Joseon Korea in the 16th century. This was just as Ming dynasty deposits were declining, and as such, silver would become a major export from the archipelago to the mainland. Indeed, by the 17th century, it is said that Japan accounted for one quarter to one third of the entire world's silver production. For now, however, the discovery of native silver was certainly a good start, but the Yamato court wasn't switching to a silver coin currency just yet—rice and cloth were still the major currencies for tax and trade purposes. Still this find seems not insignificant, and clearly the chroniclers thought so as well -- as did the court. They granted Ohokuni, the governor of Tsushima, the rank of Lower Shoukin. The silver produced by the mine was offered to the various kami of heaven and earth, and presents were made to the high ministers and others of the rank of Shoukin and above. Now back to the Chronicles, and to the meat of what I'll be talking about this episode. On the 3rd day of the 8th lunar month of 674, we are told that the Royal Prince Wosakabe was sent to Isonokami shrine to polish up the divine treasures, at which point the sovereign made a rather spectacular decree: he declared that all of the precious things originally deposited in the sacred treasuries by the various houses should be returned to their descendants. This appears to be a reference to the long-standing practice by Yamato of demanding that those they had gained some level of hegemony over turn over their sacred objects for Yamato's keeping. We talked about this back in episodes 19 and 29, for example, when we talked about how Mimaki Iribiko, aka Sujin Tenno, and Ikume Iribiko, aka Suinin Tenno, had both requested treasures from Izumo and elsewhere, to be stored in the treasure house of Isonokami. We aren't told what all of these treasures were, but we can deduce that these were sacred treasures of the different houses and localities, much as the mirror, jewel, and sword were sacred treasures of Yamato. These were items that early on distinguished the elite class in the archipelago, and had come to be gathered in the divine store houses. You may recall how, early on, we saw mentions in the Chroncles that ships sent out to meet with others from different lands would place such treasures on a makeshift tree on the deck as a way of depicting who they were—who they represented. It would seem that these sacred objects came to represent the divine ancestors of the elites, and so eventually were associated with the idea of power and authority. As Yamato spread its influence, possibly as much through the spiritual authority of Mt. Miwa as through its economic and military capability, it seems to have demanded that the various lands that came under its sway place their sacred treasures in Yamato's storehouse—a powerful image of Yamato's authority. In a sense, this was a kind of hostage situation: recognize our authority, or your most sacred treasures, representing your ancestors, will be at risk . One wonders if this isn't part of the reason that we find buried caches of bronze ritual items, including weapons, bells, and other such things, perhaps as a means of keeping them safe from those who would steal them away. However, in the new era of the Ritsuryo system, those objects, while still considered divine and sacred, did not hold the same value as they once had. Perhaps I'm reading too much into it, but this really seems to me to be particularly illustrative of the idea that the cultural imaginary of state power and authority had shifted. Yamato's power and authority was no longer based on its role as a spiritual powerhouse as much as it was centered on the continental framework of a heavenly mandate and a system of laws and punishments. And so, the sovereign could return the sacred items back to their descendants, because to do so did not cost him anything, and at the same time would no doubt earn him goodwill. He could appear magnanimous and, in so doing, solidify his position as the supreme hegemon of this new state. In many ways this acknowledged the importance of the divine treasures to the people and to the kami while also no doubt reinforcing Confucian stereotypes of the benevolent ruler. More importantly, this shows how Ohoama was restructuring the rituals of the state. After all, he had the Jingikan, an entire governmental department dedicated to administering the various shrines and sacred rituals; so even if the sacred treasures were returned, they were still technically under the control of the state apparatus. We've already talked about the Daijosai, the Feast of First Fruits for a new reign, a central ritual to which Ohoama had added further pomp and circumstance. But as no less a scholar than Herman Ooms has written about, Ohoama also initiated the practice of ordering regular centralized offerings to not just one particular kami, but to several or even a number of kami, or shrines, at any given time. We see this in the following year, on the 23rd day of the first lunar month of 675, in an almost off-hand remark. Later, in the 10th month of 676 offerings were made to all of the "Ahimbe" kami of Heaven and Earth—that is all of kami that were part of the festival of first fruits held on the first day of the rabbit on the 11th lunar month. Offerings were also made to all of the Heavenly and Earthly kami on the second day of the year in 681. Of course, these offerings would not just be enriching the shrines of these various kami, but it would also reflect on the various uji connected to each of those shrines, as well. Another example of the court's involvement in these ritual innovations appears to be the worship of the deities at Tatsuta and Hirose. The first example of that is also in 675, in the 4th month of that year. Prince Mino and Saheki no Muraji no Hirotari were sent to the Wind-gods at Tateno, in Tatsuta. Aston notes that there is a litany to the Wind-gods mentioned in the Engishiki, a 10th century collection of information on various rituals of the time, so this practice seems to have taken hold, at least enough to persist over 3 centuries later. Also in the 4th month of 675, Hashibito no Muraji no Ohobuta and Sone no Muraji no Karainu were sent to worship the Oho-imi deity at Kahawa, in Hirose. The Oho-imi appears to be a "big abstinence" deity, whom Aston identifies with Waka'ukahime, responsible for food. Worship is again paid twice in the year 676, once in 677, then twice again in 679, continuing twice a year, almost exclusively in the 4th and 7th lunar months, through the end of the reign. Why were these particular deities chosen for special worship by the court? Ooms notes that these shrines were built downstream along the Yamato river, which, along with its tributaries, was responsible for the irrigation of the crops in the Nara basin. This mirrors, in some ways, the responsibility of rulers in the Yellow River and Yangzi river regions to help ensure the flow of the rivers while preventing devastating flooding – a very continental idea of the responsibilities of the sovereign, though expressed here with a particularly Japanese style. Indeed, Aston associates the deity at Hirose, with the deity of food. Likewise, the Wind-deities at Tatsuta were also related to helping to grow crops. After all, Tatsuta would have been situated near the break in the mountains that surrounds the Nara basin, where the Yamato River flows out towards the Kawachi plain. As anyone who lives near a mountain gap is no doubt familiar, those areas are notorious for channeling weather phenomena, including storms, which can bring rain, but could also bring terrible winds. So it does seem a natural point to pray for good weather for your harvest or otherwise, given the geography that made up the sovereign's world. We also have, in this reign, considerably more discussion of Ise than we've seen, previously. In 673 we have the Royal Princess Ohoku no Himemiko entering the Saigu, the Abstinence, or Purification, Palace, where she was to be purified before going to Ise, which she did in the 10th lunar month of 674. Ohoku is said to have been the first official Saiou, the unmarried royal princess sent to oversee shrine operations, of Ise Shrine. This is a practice we see at multiple shrines, although it's most prominent at Ise. The term for the position in general is Saiou, although at Ise the royal princess would also be known as the Saiguu, after the purification palace. Although Ohoku is said to have been the first Saiguu at Ise, this is muddied somewhat by some earlier mentions in the Chronicles. There are those who are said to have been sent as Shrine Princesses to Ise back in the time of Mimaki Iribiko and Ikume Iribiko, but the process was largely discontinued—or at least rarely mentioned—until this period. There are certainly several named individuals who are said to have served the Deity of Ise previously, starting with the presumably mythical Yamato Hime, who is credited with founding the shrine. There are also various royal princesses are noted as either having served or as having been made ineligible due to their indiscretions. However, those earlier mentions rarely go into the detail we see here —starting with the abstinence hall, where the would-be Shrine Princess must purify herself prior to approaching the shrine, a process that took some time. Certainly we first really see this put into action with Ohoku, and from that time the position of Saiguu or Saiou at Ise does appear to have been regularly filled. That Ohoku was actually the first "Saiguu" shrine princess appears to be confirmed by the "Fusou Ryakki", which states that the first Saiou was appointed when then Prince Ohoama, in the midst of the Jinshin war, made a prayer to Ise and offered the royal princess Ohoku no Himemiko in exchange for victory. In fact, a lot of the focus on Ise seems to stem from its apparent involvement, at the behest of either Ohoama or his consort, Uno no Sarara Hime, in the conflict. The following year we are told that the Royal Princesses Towochi and Abe proceeded to Ise Shrine as well, though presumably just for a brief visit. Towochi, you may recall, was Ohoama's daughter who had been married to Ohotomo, aka Koubun Tennou, whom Ohoama had defeated to take the throne. Abe was a daughter of Naka no Oe, half-sister to Ohoama's queen, Uno, and would eventually go on to marry the Crown Prince, Kusakabe. That gives you some idea of the position of those were going to the shrine. Princess Towochi herself would fall ill a few years later in 678. In fact, it was just as the sovereign himself was preparing to go pay a visit to the abstinence palace, perhaps so that he could also head out to Ise. The court had a divination to figure out when he would leave, officers had cleared the roads, and the public functionaries were in a line of procession when word came that Princess Towochi, suddenly took ill and died within the palace. This stopped everything in its tracks, and in that year there was no sacrifice made to the kami of heaven and earth. I suspect that this was in part due to mourning and in part due to the pollution more generally associated with death. Two weeks later, she was buried at Akaho, and Ohoama raised a lament for her. Later, in 686, we are told that the Royal Princess Taki, the Princess Yamashiro no Hime, and the Lady Ishikawa were all sent to Ise Shrine, though Princess Taki returned in less than a fortnight. Why all this focus on Ise? Remember that the Chronicles were begun in this era, and so the "truth" they would tell would be the truth that Ohoama and his immediate successors orchestrated. The focus on Amaterasu, her shrine at Ise, and the role of the sovereign as Heavenly Descendant was thus part of the overarching narrative that the Chroniclers tried to promote. Still, hints that the focus on Ise shrine may have been something largely created in this era, however, are scattered throughout the existing literature, despite the Chroniclers' best efforts. For one thing, it is fairly clear that early on, the focus in the Chronicles is on Mt. Miwa and the deity Ohomononushi, rather than Amaterasu. We also see the fingerprints of deities like Takami no Musubi, who in one story is the one who is actually responsible for sending the Heavenly Grandchild down to earth in the first place. It also seems telling that Amaterasu is not mentioned in earlier court rituals. Worship of Amaterasu by the royal family takes place at Ise shrine. Meanwhile, there are various rituals preserved within the traditions of the palace that include many other, seemingly older deities. I have also noted in the past how Ise shrine isn't even the primary shrine of Ise no Kuni. In fact, that is claimed by Tsubaki shrine, the shrine to Saruta Hiko no Ohokami, with a separate shrine to Ame no Uzume, who are both said to have met the heavenly grandchild on his descent. None of this is to say that Ise Jingu was brand new at the time of the Chronicles' writing —there does seem to have been a shrine on that spot for some time, though even the Chronicles suggest that it might have been moved from a shrine originally housed in the Nara basin. It is also possible, and even likely, that the rise of Ise and Amaterasu coincided with other trends at the time. Even if the Sun Goddess had not always been centered in Yamato ritual, she was not a new deity, and it may have been the case that her prominence, and that of her shrine in Ise had been growing in prominence before this time, and so the court was now adopting that popularity for themselves. Of course, Ohoama and Uno don't exactly spell out what they were attempting to achieve, beyond the unification of the archipelago, more broadly. How, exactly, their focus on Ise Shrine was meant to play into that I don't know that I could fully state, but it certainly seems to have allowed the sovereign to create a new cultic focus for kami worship with a story that touched on regions from Kyushu all the way to the eastern shore of the Kii peninsula. Given the decentralized nature of kami worship, I don't believe it was possible to completely rewrite all of the stories—hence the numerous and conflicting accounts given in the Chronicles. However, that is also what would have made it easier to hide newly fabricated—or perhaps simply exaggerated—stories in the mix. And of course, it wasn't necessarily that the Chroniclers were creating things out of whole cloth, but they were able to choose those things that people would remember and what would be lost and forgotten over time. They had to make the decision, for instance, which story they told was the "main" storyline, and which were listed as coming from "other books", implying a degree of separation from the truth. Through all of this, it certainly seems that propping up the royal family and its lineage was a central focus—even if that lineage was largely something that had recently been created. As a reminder, we see a lot heavier reliance at this point on royal princes as opposed to other elite families, and an actual or implied reliance, in particular, on the royal family, as that is where Ohoama was consolidating most of the power and authority. Kitayama Shigeo coined the term "Koushin Seiji" to refer to this idea of a consolidated royal—or imperial—family managing the affairs of state. Literally it is something like "Imperial Family Government". In Shigeo's concept this was specifically an autocratic authority executed by the sovereign, and those of his immediate family. Of course, writing in the post-war era, it is more than a little likely that Shigeo and others were looking at the concept of Tennou in the 20th century compared with many other world monarchs. In that vein, the Asuka and Nara periods do seem to have been one of the rare times—perhaps even the last time—that the sovereigns had such a direct hand in the government and the making and establishment of law and tradition. That said, not everyone ascribes entirely to the idea that Ohoama was a completely autocratic despot—after all, it was clear that there were still plenty of powerful families in the archipelago, and the Ritsuryo state itself was also being strengthened. Still, it does seem that Ohoama had brought his queen, Uno no Sarara, and his descendants into government. And they would not only assist him, but continue his work for the next generations, such that even though the histories would not be finished until well after Ohoama's death, they would still show his influence on events. The dedication of the royal family to work as one is perhaps most clearly demonstrated in the events of the 5th lunar month of 679. It was then that the sovereign, and his family, proceeded to the Yoshino Palace. Now Ohoama had plenty of offspring—among them 10 sons. And as long as he was around, there would be a certain amount of civility, but he knew all too well how things could break down after a sovereign's death. And so he brought them together and he made them enter into a pact, which we know as the Yoshino Covenant, or Yoshino no Meiyaku. Besides Ohoama himself, there were several others in attendance, presumably those who might stand to one day inherit the realm. These included his partner and queen, Uno no Sarara Hime, as well as her son, Prince Kusakabe, who would be named Crown Prince, only a couple of years later. It also included the Royal princes Ohotsu, Takechi, Kawashima, Osakabe, and Shiki. All of these individuals were made to swear an oath to support each other, even though they were all from different mothers, and they agreed. But so what? Why does it matter? It is all well and good that Ohoama brought them together for a bit of kumbaya in his old digs away from the capital, but was there anything really to this covenant. This covenant is significant in several ways. First off, it is clear that Ohoama was pulling in his family and trying to ensure they were onboard with what he was doing and what was planned. Furthermore, it set out a clear line of succession, something that had not really been done up to this point. We have ideas on what would have made a candidate eligible, but other than naming a particular crown prince there hasn't exactly been any clear process or rules of precedence for who would assume the throne. Here, though, we have a list that appears to be in order of precedence, since it otherwise may not seem to make sense, at least from a modern perspective. A key clue in the Chronicles is often the order of the names. The most important or highest ranking person is usually given first, and then names are typically given in descending order of precedence. There are clues that this is the case, but it becomes even more stark when we actually see reference to an individual's court rank or the size of their fief. Since this period brings about court rank even for royal princes, we have some of that, at least in later records. As such, there is the idea that this order was actually providing for a line of succession. As I mentioned, up to this point, the contest for the throne was a toss up with each monarch's death. Claims from competing princes were often considered equally valid until one proved their claim through a political or military victory. Ohoama appears to have been trying to add greater structure to this. Specifically, we see that Uno no Sarara's son, Kusakabe, is given pride of place. In fact, throughout the Chronicle it is typical that we see the Chroniclers designate a queen—a Kougou—that is considered the primary wife. This queen is almost always found to be the descendant of previous royalty, granting their child a doubly royal lineage, through both the maternal and paternal lines. There has been plenty of reason to doubt that this was actually the case, and it often seems like the Chroniclers stretched things more than a bit to make it all work out. However, now we are almost more concerned with the very *truth* that the Chroniclers were attempting to burn into the social consciousness rather than the historical facts, because that gives us direct insight into how the court of the day viewed succession and legitimacy.And that does lead to another possible thought: since the Chroniclers knew how things turned out it is possible that they were the ones ensuring that the order was as we have it. So we cannot definitively say that this exactly mirrors's Ohoama's idea, but it certainly seems in line with his history and intentions and helps set the stage for us, at least, regarding what would later transpire in regards to succession.. Getting back to the covenant, as I noted, the first person listed, after Ohoama and Uno no Sarara Hime, is Prince Kusakabe. He would be about 17 or 18 years old at this time, which is probably why he wasn't formally named Crown Prince until a couple of years later. He isn't the eldest son, however. Rather he was the second son. Ohoama's eldest son, Prince Takechi, was actually third in line. Takechihad been with his father helping to lead the troops during the Jinshin War. While he was some 8 years senior to Kusakabe, he was nonetheless a son of Amago no Musume, one of Ohoama's consorts from a powerful clan, but not a royal princess like Uno no Sarara, Kusakabe's mother. Between Kusakabe and Takechi, in the second place spot for succession, was actually Prince Ohotsu, whom we also mentioned during the Jinshin War. Ohotsu was likely 16-17 years old around this time. While he was the third eldest child, he, like Kusakabe, was the son of a Royal Princess, Princess Ota, daughter of Naka no Oe, giving him greater bonafides than Takechi, apparently. So, in the top three slots, we have: Ohoama's eldest son by a royal mother, Ohoama's second eldest son by a royal mother, and finally Ohoama's eldest son by a non-royal mother. Fourth in line, and the 4th eldest, presumably, though I don't know that we have an actual age for him, is Prince Wosakabe. He likely wasn't too young, however, as he had been given the task, previously, to polish the divine treasures in Isonokami's storehouse. It would appear that six of Ohoama's other sons didn't even get a mention. That includes Princes Naga and Yuge, born to another daughter of Naka no Ohoe, Ohoye no Himemiko. Then there is Prince Toneri, son of Royal Princess Nittabe, not to be confused with Royal Prince Nittabe, Ohoama's son by way of a daughter of Fujiwara no Kamatari. Finally there was Royal Prince Hodzumi, a maternal grandson of Soga no Akaye, and Prince Shiki, a full brother to Prince Wosakabe. Prince Toneri is particularly conspicuous in his absence. We know that he held the 5th rank, and two positions in government—that of Nagon, or Councillor, as well as the Minister of the Household, our Kunaikyou. This may be because he was not doing so well. We aren't told the story until the following year, on the 2nd day of the 7th lunar month of 680, when we are told that Prince Toneri took ill and was on the point of death. His half-brother, Prince Takechi, went to check on him, and a day later Toneri passed away. The way these are written it would be easy to believe that it all happened in a pretty short timeframe, but it is also just as likely that illness lingered, especially without modern medicine. So it is possible that Prince Toneri was too sick at the time of the original covenant, though there could be some other reason we weren't told. This doesn't necessarily hold for all of the others, though. For instance, we have the Princes Naga and Yuge mentioned in 693, well over a decade later, being granted the 2nd Broader Pure Rank at the same time that Prince Takechi is granted the 1st Broader Pure Rank. So we can at least see that they were ranked below Takechi. Similarly we see Prince Hodzumi likewise attained 2nd Broader Pure Rank at some point, and was still around to have his own fief and to receive houses to it in the following reign. Hozumi even ranked above some of the others were in Yoshino, and yet was not present. It is possible that the princes not mentioned, assuming they had not met with an untimely end that was not mentioned in the record somewhere, could have been too young or too junior at the time of the meeting. After all, when we look at the known ages of those who were there, we see that Prince Takechi may have been 25 years old, but Prince Kusakabe and Prince Otsu were just under 20, and it is unclear if others were older or younger than they were. There are two other princes who were part of the covenant who were not, perhaps surprisingly, sons of Ohoama. Rather they were his nephews, sons of Ohoama's brother, Naka no Ohoe. They were the princes Kawashima and Shiki. Kawashima is mentioned several times throughout the record. Kawashima's mother was from a high ranking noble family, but given that Kawashima was married to his cousin, one of Ohoama's daughters, that may have brought him closer to the family. He was about 22 years old at the time, too. We see him often teaming up with Prince Osakabe on various projects, including the project to compile together the history of the royal household. In fact, Prince Kawashima always precedes Prince Osakabe when they are mentioned together. That said, we have evidence of Kawashima only being awarded up to 3rd Greater Pure rank, below even that of some who were not present, such as Prince Hodzumi. His importance and impact, however, is noted through his numerous appearances in the record. In contrast, Prince Shiki has almost no mentions in the record. It doesn't help that there are two Princes Shiki, one born to Naka no Ohoye and one born to Ohoama. Their names are spelled differently, however, and although the first character of "Shiki" used in the Yoshino record matches neither name, the second character suggests that this was the son of Naka no Ohoye and not the Shiki that was brother to Prince Osakabe—though given that one followed the other in the record, there may have been some confusion on this point. And with all of that we have our apparent line of succession, as well as an idea of who the movers and shakers might be within the royal family. From Ohoama and Uno no Sarara, we have Princes Kusakabe, Ohotsu, Takechi, Kawashima, Osakabe, and Shiki. Six princes, four directly descended from the current sovereign, Ohoama, and two from the Naka no Ohoe lineage. Obviously, promoting the idea of a strictly patrilineal succession of father to son would have caused some problems for Ohoama's own legitimacy, not that anyone was going to gainsay him while he was on the throne. However, with Kusakabe they seem to have established that in a de facto format, at least. Furthermore it provided a blueprint for succession might fall to the other lines should the main line not work out. This put Prince Ohotsu as next in line, should anything happen to Kusakabe, followed by Takechi. That Kawashima may have had a shot over Osakabe and then Shiki is interesting as it suggests that it wasn't strictly about who descended from whom. We'll have to wait for Ohoama's death before we can fully appreciate how well this worked, of course. Throughout history, agreements and covenants amongst powerful interests are often only as permanent as long as all of the interests remain aligned with one another, whether through mutual benefit or threat of consequences. Once the power shifts, as it always does, those promises and treaties are almost always up for renegotiation, unless they are supported by some higher authority, whatever that might be. Following the royal family's off-site, they returned to the palace in Asuka. There they had a formal ceremony in the Great Hall, the Ohodono, where the six princes all demonstrated their allegiance and paid respects to Ohoama. Given the timing of this event, one can likely assume that it was a kind of public acknowledgement of the covenant and the agreement that they would all be working together as a united front on the project of the government. And with that, I think we can bring it to a close for now. There is plenty more about this reign to discuss before we move on, but we'll get there. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
Ce mois-ci, comme on avait un peu la flemme et qu'on était en panne d'inspiration, on a opté pour une solution de facilité : nous vous proposons une deuxième édition du Quiz de La Grosse Bouffe. Au programme, des questions de culture culinaire et liquide (culture liquide ?), pour les petits et les grands.Dans cet épisode, nous parlons de statistiques internationales, de crocus, de l'OAV Mnemosyne no Musume-tachi, du CAP cuisine fictif de Bertrand, de dentifrice, de crétins des Alpes, de Hervé Pochon, d'appellations viticoles fictives, des communautés gersoises, singapouriennes et lettones qui nous écoutent (big up), du fait qu'on ne vient clairement pas du Bronx, de dentifrice, d'Hervé This, de crêpes au sang, de Marion (salut Marion !) et de Béziers.Nous lançons un appel à participation ! Votre participation ! Envoyez-nous vos questions en lien avec la nourriture ou la boisson (en utilisant l'adresse email ci-dessous ou le Discord de Podcut), et dans un épisode qui aura lieu un jour, on y répondra ! Nous faisons partie du label Podcut ! N'hésitez pas à découvrir leur grille pleine de podcasts intéressants animés par de belles personnes (en dehors et en dedans), sur des sujets qui vont de la bière à Depeche Mode en passant par la préhistoire. Et si vous nous aimez vraiment, vous participerez à leur Patreon. Et n'hésitez pas à rejoindre le Discord de Podcut ! ET NOUS PARLER !!!La Grosse Bouffe est un podcast dédié au manger et au boire. Les nouveaux épisodes sortent tous les 21 du mois. Retrouvez La Grosse Bouffe sur Ausha, Apple Podcast et toutes les autres plateformes de téléchargement de podcasts. Vous pouvez également nous écrire à lagrossebouffepodcast@gmail.com en particulier si vous voulez nous envoyer vos questions sous forme de fichier son !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Do you hear that sound? Can you feel it? The cool ocean breeze in your hair, the salt on your tongue. It's the smooth crash of KVGM "The Last Wave", with your host, Hammock. A biweekly VGM podcast bringing you the jammiest video game music from all your favorite composers and consoles. Sit back, relax, and get ready to catch...the Last Wave. This week, we're all over the place with our picks, including the classic Amiga, the Super Nintendo, the bouncy Game Boy Advance, and of course...some personal computer action for the horny dads at home. Plus some composer favorites like Takeshi Abo and Soshi Hosoi doing what they do best - jamming out. Playlist Sleepy Eyes - Chihiro Aoki (Yakuza 5, Sony PlayStation 3) Seifuku - Soshi Hosoi (Demiourgos no Musume, PC) Quiz Results - Unknown (Akko ni Omakase! Brain Shock, Nintendo DS) Main Menu - Jon Hare, Richard Joseph, and Jason Page (Sensible World of Soccer, Amiga) School Life - Yasuhisa Watanabe and GainGauge (Prince of Stride, Sony PlayStation Vita) Nakano City - Takeshi Abo (ANONYMOUS; CODE, Nintendo Switch) In a Tumult - Donmaru (Chikan Senyou Sharyou 2, PC) Waiting, Wondering - Doors Music Entertainment (Natural 2 -Duo-, Game Boy Advance) You Are Destined... - Peek a Soul + ( Ore no Cupid ga PONKOTSU sugite KOWA~i, PC) Ending - Yasuhiro Kawakami and Hiroshi Kimura (The Irem Skins Game, Super Nintendo) Special Request Another Day - Jim Andron (Tetris CD-i, Phillips CD-i)
This week on Anime Pulse we got Ocean's TCG, an undead adventurer, and powerful reunions in anime. Up first Joseph is washing his clothes at a laundromat, and Andrew would like to know what you think are the best reunions in anime are. Then in the industry news a very expensive theft of trading cards occurred in Osaka. And lastly in the reviews Joseph is a sought after undead adventurer who is appealing to the Team Edward side, and Andrew hops on a horse girl only to be kicked off because they are not true horses.
¿Qué opinan las mujeres rusas reales sobre los hombres japoneses? En general, las mujeres rusas tienen una opinión mixta sobre los hombres japoneses. Por un lado, encuentran atractivos a los hombres japoneses por su apariencia física, su cultura y su estilo de vida. Por otro lado, también encuentran algunas desventajas en los hombres japoneses, como su timidez, su tradicionalismo y su falta de comunicación. Síguenos en ==> TWITCH (Livestreams todos los domingos a las 10pm) & DISCORD (Nuestra comunidad ♥)Escucha también nuestros programas CINENTRADA y PODCARTOONDonaciones via YAPE o PLIN a 961892597
Join us as we uncover the captivating journey of the Bairden twins, Mark and Chris, along with their lifelong friend Phil Schanbaum. Together, they embody the true essence of hospitality and share their experiences as remarkable entrepreneurs.From their early days organizing high school parties and attending bartending school, to their ventures in managing nightclubs, restaurants, and hotels, their passion for the industry shines through. Through triumphs and setbacks, they fearlessly embraced the challenges of ownership, learning from failures to achieve success.In this episode, we delve into their diverse portfolio of establishments, including Truth and Alibi, Punk Society, Tipsy Alchemist in Dallas and Austin, Felix Culpa, Barcadia, Dahlia, PM Lounge, Musume, Akai and soon to come new concept Jolie out of state and 2 more we cannot talk about yet as well as High Fives, The Whippersnapper, Sfuzzi, Tiny Victories, Double D's, Ferris Wheelers. These adult playgrounds are meticulously crafted with outstanding bar and food programs, all wrapped in exceptional service. As big corporations flock to Dallas, Mark, Chris, and Phil emphasize the importance of supporting local originals and cherishing the personal touch they bring.The discussion takes an introspective turn as they recount the struggles faced by the service industry during the COVID-19 pandemic. Despite the unexpected setbacks, their resilience shines as they navigate the challenges of maintaining customer satisfaction, dealing with temperamental chefs, and valuing invaluable customer feedback.Don't miss this insightful conversation filled with inspiring anecdotes and lessons learned from these passionate individuals. Tune in as we welcome the Bairden twins and Phil Schanbaum to our show, bringing you a fascinating glimpse into the world of hospitality entrepreneurship.
IGOR BEAR in the mix: 01. Doja Cat - Woman (Franchise Remix) 02. Kanye West - Touch The Sky (Cupidon Flip) 03. Rotimi & Wale - In My Bed (Instrumental) 04. Wes Nelson - Nice To Meet Ya 05. Curtis Mayfield - Move On Up (Hyalyte Remix) 06. Cream Soda - Golden Boi 07. MUSUME - Солнце 08. The Limba - Секрет 09. P.PAT - Ближе 10. Thomas Mraz & KKOME - Фейерверк 11. Highself & AMCHI - Тонем 12. LDMA & Grey Killer - Play Day 13. Парнишка - Аудиокассеты 14. Biicla - No Place BALDIN in the mix: 01. DVRST, monrxe - Darling 02. HXVRMXN, OXWAVE - OVERTAKE 03. DJ Snake - Disco Maghreb 04. Dog Blood - BREAK LAW 05. Owl Vision - TERR0R 06. Joey Valence, Brae - Hooligang 07. Swedish House Mafia - Mafia 08. Unaverage Gang - Devil's Rejects 09. Satxri - Shamisen Hunter 10. KLAVA BRAVO - SALAM 11. Xolidayboy - LET'S PLAY 12. Flume & Quiet Bison - ESCAPE (ft. Kučka) 13. Хаски, Meroshi - Никогда-нибудь (Summer Mix) 14. Brock Berrigan - Owl Farm
This week on Anime Pulse we got repairs to Joseph's ride, Ufotable's CEO confessing to Tax Fraud, and racing girly horses. Up first Joseph's wallet is taking a beating from all these emergency expenses to keep him income flowing, and Andrew is looking into the best non-romantic duos in anime. Then in the industry news a man is reincarnated as a sword in another world, and some Feminists got angry they weren't hired to be the actor in a traffic PSA. Lastly the reviews have Joseph going back to demon school to decide on best girl, and Andrew puts on his horse jocky outfit, grabs a riding crop, and climbs onto an anthropomorphic horse girl.
This week on Anime Pulse we got repairs to Joseph's ride, Ufotable's CEO confessing to Tax Fraud, and racing girly horses. Up first Joseph's wallet is taking a beating from all these emergency expenses to keep him income flowing, and Andrew is looking into the best non-romantic duos in anime. Then in the industry news a man is reincarnated as a sword in another world, and some Feminists got angry they weren't hired to be the actor in a traffic PSA. Lastly the reviews have Joseph going back to demon school to decide on best girl, and Andrew puts on his horse jocky outfit, grabs a riding crop, and climbs onto an anthropomorphic horse girl.
Cuentos infantiles japoneses para niños o aprender el japonés
Cuentos infantiles japoneses para niños o aprender el japonés
Cuentos infantiles japoneses para niños o aprender el japonés
In this episode, we start walking through the mega green tea sampler starting with the very popular Cha Musume!
En este programa de Mal Vivir seguimos hablando de varias series de temporada que estamos viendo y damos nuestras impresiones, entre las que se encuentran:- Deca-dence: o cómo todo era una vil mentira- Re:zero: o cómo Subaru solo piensa con la pija- Kanojo, Okarishimasu: o cómo Kazuya (y el autor) solo piensa con la pija.- Peter Grill: o cómo un hombre de verdad reaccionaría ante un harem.- God of Highschool: o cómo la magia arruina todo.- The Misfit of Demon King: o cómo ser dios sin ser TAN aburrido.- Monster Girl Doctor: o cómo Kirito trabaja en la profesión que muchos quisiéramos.- Gibiate: o cómo una idea aburrida termina siendo aburrida.También hablamos del Calentario Hentai de esta temporada, no hay muchas sorpresas pero hay una que otra joya que deberías probar.Nos acompaña Luen de Repopé.Repopé: https://pe.ivoox.com/es/podcast-repope_sq_f1490473_1.htmlNos puedes encontrar en vivo casi todos los sábados en https://japan-next.blogspot.com/ , aproximadamente a las 19:00 horas (Perú), por lo general empezamos media hora tarde. También en nuestra página de Facebook.Contáctanos en Twitter: @MalVivirRadio @GinoPaulHuaman @LuxFierroFacebook: https://www.facebook.com/malvivirradioPatreon: https://www.patreon.com/malvivir
In this episode, we talk about one of our most popular teas, the Gyokuro Cha Musume
6EAR in the mix: 01. Cesqeaux - Amsterdam 02. DaBaby and Nicky Minaj - iPhone 03. kizaru - Аниме Мир 04. Jay Psar, Cheery-O and 4KORNERS - Comin In Hot (Grizzly and Cris Miranda Remix) 05. Pardison Fontaine and Cardi B vs. Shawna - Backin' It Up (Kerry Glass Intro) 06. MARCO-9 and ROCKET and LILDRUGHILL - Поколение 07. YABOII - La Alergia 08. NCT 127 - Kick It (Valentino Khan Remix) 09. Eminem and Juicy WRLD - Godzilla 10. Yanix and GONE.Fludd - Hard To Buff 11. Ganja White Night and Dirt Monkey - No Escape (Doctor P Remix) 12. 6IX9INE - GOOBA 13. Missy Elliot - Get Ur Freak On (Baauer Remix) 14. MUSUME and WHY, BERRY - Звонки BALDOS on air: Boulevard Depo - Friendly Fire - рубрика «Трек недели» ROBERT BRIDGE in the mix: 01. WHIPPED CREAM - So Thick (ft. Baby Goth) 02. Apashe - Work (ft. Vo Williams) 03. Miyagi and Andy Panda ft. TumaniYO - Brooklyn 04. Terror Reid ft. POUYA - Outlawz 05. T-Fest ft. Barz, Makrae - Manager 06. NCT 127 - Kick It (Valentino Khan Remix) 07. Doctor P - Going Gorillas 08. SQWOZ BAB - ОИ? 09. 13 - Atomic 10. Roma Kazakevich, Ben Snow - Директор (Pobeda Edit) 11. Morgenshtern, Reaper - Новыи? Мерин (Twenty Four Edit) 12. Tropkillaz and Buku - STOP! 13. Biicla - Mind BALDOS on air: Limp Bizkit - Break Stuff - рубрика «Oldscool»
In this episode, we talk about our most popular Gyokuro!
It's the week before Christmas, but that doesn't mean Anime Pulse won't stop giving the reviews. First up though IRL news has Joseph excited to hand out the gifts he bought, and Andrew wants to know who your top waifus and husbandos are. Afterwards industry news brings us topics like sleeping around with Monster Girls, the good and the bad of tourism, and yes, even more KickVic news. And lastly the reviews have Joseph adopting a demon loli, and Andrew travels to Mount Fuji with a bunch of moe girls.
gundamn yes No 01:59:12 178 full GundamnMAHQ@gmail.com (Shinjuku Station & MAHQ)Mobile,Suit,Gundam,Gundamn,MAHQ,Anime,Manga,Robots,Mecha,Aznable,Char,Char,s,Sunrise,00,Turn,A,Seed,Destiny,Stargaz
Blocos do episódioThe Librarians: 3:20.Jogos de tabuleiro na casa do amigo: 5:35.I-Land: 11:57.Your Queen is a Reptile: 17:41.Aniversários de produtos da Nintendo e do Sonic do 21 de novembro: 20:29.Frozen 2 nos EUA: 22:35.Briga de adolescentes em sessão de Frozen 2 na Inglaterra: 32:24.Polêmica de Musume no Tomodachi: 35:07.Palmeiras Não Tem Mundial em Shenmue 3 (corte por conta de problema em áudio): 39:46.Youtubers no BBB 2021: 41:40.Música de encerramento, Inner Babylon, da banda Sons of Kemet: 46:23.
The Cha Musume is our most popular Gyokuro, but it is not the highest quality Gyokuro we sell. To see the difference between the two Gyokuro I wanted to do a side by side comparison of these two amazing teas.
In this episode, we will be doing a tasting of one of my all time favorite green teas! The Gyokuro Cha Musume is the most popular tea on our site and it has a very nice umami sweetness to it. It is difficult to grow high quality organic Gyokuro, but our farmer Mr. Sakamoto has found a way to produce some amazing quality teas without the use of conventional pesticides.
The power crew talk about Momoiro Clover Z, Michishige Sayumi, BILLIE IDLE, Nogizaka46, BABYMETAL, and You’ll Melt More!. The PV Power Hour will be taking a break until further notice. Thank you for your continued support! Recorded October 20th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s …
Chase and Yoshi discuss random topics and anime. *A warning to those who are sensitive to light spoilers for anime. At about 30 minutes into the show, we discuss anime from Summer/Fall. Recorded October 12th, 2018. Intro/Outro “Attitude Adjustment” Song By Chase Lim [download] Chase Lim’s Twitter- @starlancerpg Yoshi Hagiwara’s Twitter – @yoshirekt New School …
The power crew talk about LADYBABY, Tsuribit, BiS, Morning Musume ‘18, ANGERME, Love Cocchi, Someday Somewhere, and Shingeki. Recorded October 13th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday …
The power crew talk about DEVIL NO ID, Shingeki, Choux Cream Rockets, Morning Musume ‘18, and ANGERME. Recorded October 6th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night …
The power crew talk about NECRONOMIDOL, Task have fun, NMB48, Wa-suta, RHYMEBERRY, BABYRAIDS JAPAN, Maneki Kecak, DEADLIFT LOLITA, and Last Idol. Recorded September 29th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join …
The power crew talk about Momoiro Clover Z, PEDRO, Maison book girl, LADYBABY, ZOC, Tamura Meimi, and Terashima Yufu. Recorded September 21st, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every …
The power crew talk about PassCode, Maneki Kecak, Kikkawa You/Paipai Dekami, Hello Pro All Stars, Purely Monster, and the mistress. Recorded September 15th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us …
The power crew talk about NEO JAPONISM, amiinA, CENT CHiHiRO CHiTTiii, AiNA THE END, =LOVE, Hello Pro All Stars, Sakura Ebis, PassCode, and Nijiiro no Hikou Shoujo. Recorded September 8th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New …
The power crew talk about EMPiRE, RINGOMUSUME, X21, NGT48, GANG PARADE, Tamura Meimi, and Yoshida Rinne. Recorded September 1st, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night on …
The power crew talk about Broken By The Scream, Hello Pro All Stars, Yukueshirezu Tsurezure, AKB48, Higashi Ikebukuro52, Tamura Meimi, and Pimm’s. Recorded August 25th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan …
In a reality where the government reveals the hidden existence of mythological demi-humans and writes law to help them integrate into human society, tensions are high and relationships between humans and monsters are difficult to figure out. For the protagonist of Monster Musume, living with 5 or 6 monster girls is part of his normal, everyday life. On this Monday's episode, we discuss whether Monster Musume holds up to its interesting premise as a memorable piece of anime history, or if it's destined to become only myth.Thanks to Sithu Aye for letting us use his music for the intro/outro of our show! You can find Senpai EP and Senpai EP II: The Noticing on his Bandcamp and major streaming services like Spotify.https://sithuayemusic.bandcamp.com/https://www.facebook.com/SithuAyeMusichttps://twitter.com/Sithu_Aye
The power crew talk about Up Up Girls (2), tipToe., Iketeru Hearts, EMPiRE, Keyakizaka46, and Q’ulle. Recorded August 18th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night on …
Chase and Yoshi talk about their experiences with summer conventions, anime and Fortnite. Recorded July 30th, 2018. Intro/Outro “Attitude Adjustment” Song By Chase Lim [download] Chase Lim’s Twitter- @starlancerpg Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan New School Kaidan Discord Server
The power crew talk about Akishibu Project, Up Up Girls (2), Monogatari, CY8ER, and Momoiro Clover Z. Recorded August 11th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night …
The power crew talk about CY8ER, Beboga!, Kobushi Factory, Sunmyu, Sakidori Hasshinkyoku, and KOTO. Recorded August 4th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night on Twitch or …
The power crew talk about Fullfull Pocket, KissBee, Shingeki, ONE PIXCEL, and Nogizaka46. Recorded July 21st, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night on Twitch or on …
The power crew talk about Zenbu Kimi no Seida, Kobushi Factory, Team Syachihoko, HOLY SHiTS, AOP, and Little Glee Monster. Recorded July 28th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us …
Andrew gives a few of his final thoughts about the Spring 2018 season. He also tries to compare Darling in the FranXX to a theme park ride. Before all that, he talks about a few conventions he's going to and worked at. There's also some random news talk about the potentially happening Evangelion movie and Code Geass. You can follow the hosts on Twitter/Instagram: Andrew: @frigimonfanatic Time Stamps: [0h00m00s] Intro + News + Catchup [0h19m28s] Main Topic - Spring 2018 Anime [1h15m43s] Outro and Info You can find more info on the show at Website: http://roaajcast.com/ E-mail: roaajcast@gmail.com Twitter: @roaajcast Facebook: http://www.facebook.com/goattcast We are also on iTunes/GooglePlay/Spotify/TuneIn/Stitcher, just type Recovery of An Anime Junkie Podcast or Geeking Out At The Tower Podcast in the search bar
The power crew talk about Last Idol, SHACHI, Sakura Ebis, Zenryoku Shoujo R, Tokimeki Sendenbu, and predia. Recorded July 14th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night …
The power crew talk about Tsubaki Factory, Super Girls, Niji no Conquistador, ROCK A JAPONICA, and 2o Love to Sweet Bullet. Recorded July 7th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join …
The power crew talk about PINK CRES., BiSH, Pimm’s, Tsubaki Factory, sora tob sakana, and Yumemiru Adolescence. Recorded June 30th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night …
The power crew talk about Yanakoto Sotto Mute, Shiritsu Ebisu Chuugaku, PINK CRES., Team Syachihoko, You’ll Melt More, BILLIE IDLE, and SKE48. Recorded June 23rd, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan …
The power crew talk about tipToe., Yumemiru Adolescence, BRATS, Up Up Girls (Kari), Fairies, and Dance For Philosophy. Recorded June 16th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday …
Tonight, we kick off our spring season by discussing (ironically) the last SimulDub in Funimation's line up. The Surprise Sleeper Hit of the Season, Hinamatsuri. In a special Guys Night Episode (Ironically, Hinamatsuri means "Girls Day" In Japan), Jamal leads the Charge with Lac, Roots, and Andrew to the Gentleman's Club as they discuss the Sitcom aspects of the dub, and the show in general. Hinamatsuri: You'll Break Like A Vase! Like what we do? Support us on Patreon! https://www.patreon.com/dubtalkpodcast Or consider buying us a Ko-fi! https://ko-fi.com/dubtalk DUB TALK SOCIAL MEDIA Twitter: @DubTalkPodcast Instagram: @dubtalkpodcast Twitch: dubtalkpodcast Tumblr: dubtalkpodcast Host: @Jamstar529 Panelists: @LacTheWatcher @rootsofjustice @Mangaman9000 Episode Editor: @Jamstar529 Music: "Distance" by Rie Murakawa "Sake to Ikura to 893 to Musume" by Yoshiki Nakajima
In this episode, Andrew decides to talk to himself and all of you about soccer anime, but this time it's more about his favorite one called Whistle! by Daisuke Higuchi. Before that, he talks about a cosplayer's salary, the My Hero Academia movie, an isekai anime being canceled and a whole bunch of tokusatsu news. He also gives a quick recap of shows that he is still watching from the spring 2018 season. Time Stamps: [0h00m00s] Intro + News + Catchup [0h27m18s] Main Topic - Whistle! [1h20m31s] Outro and Info You can follow the hosts on Twitter: Andrew: @frigimonfanatic You can find more info on the show at Website: http://roaajcast.libsyn.com/ E-mail: roaajcast@gmail.com Twitter: @roaajcast Facebook: http://www.facebook.com/goattcast We are also on iTunes/GooglePlay/Spotify/TuneIn, just type Recovery of An Anime Junkie or Geeking Out At The Tower Podcast in the search bar. You can also catch Andrew talking about anime and other nerdy/geeky stuff on Geeking Out At The Tower Podcast. Just search that in all the podcast catchers.
The power crew talk about Fairies, Morning Musume ‘18, BiS1st, BiS2nd, Suzuki Airi, and LADYBABY. Recorded June 9th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night on Twitch …
The power crew talk about Sakura Ebis, Fairies, Morning Musume ‘18, Task have Fun, BiSH, Shiritsu Ebisu Chuugaku, and Keyakizaka46. Recorded June 2nd, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us …
The power crew talk about Tokyo Girls’ Style, Tokyo Performance Doll, Avandoned, amiinA, Wa-suta, RECOJO, GANG PARADE, and Maison book girl. Recorded May 26th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join …
The power crew talk about =LOVE, PassCode, Momoiro Clover Z, You’ll Melt More!, YUZUKINGDOM, and CHERRSEE. Recorded May 19th, 2018. Ending theme song: “Dave Drops The Bass” by Chase Lim AKA 13thBeat [download] Charlie Cowdin’s Twitter – @drako60 Yoshi Hagiwara’s Twitter – @yoshirekt New School Kaidan Twitter – @newschoolkaidan Join us every Saturday night on …
In this episode, our old friend Zac Saxton (CatchFiveBats) walks us through his 10 years of Japanese idol fandom that took him from following major idols like Takahashi Ai to being a fan leader in the local idol scene in Nagoya, Japan. These experiences led to Japanese speaking fluency, connections and friendships throughout Japan, and an intimacy with a lifestyle that few outsiders experience on his level. What does he have to say after 10 years? "You probably couldn't pay me to support another group on the same level." Find out why in this week's Tokyo Splosion. Music by Clint Breeze https://clintbreeze.bandcamp.com/
On this episode Seamus revisits Ōoku: The Inner Chambers but hates the early modern English translations, dakazu is sad that Musume no Iede(I’m a Runaway Girl) has ended, he talks about photoshopping Gundam models to create Moblie Suit Gundam Thunderbolt Gaiden, darfox comes for the cat but stays for the lesbian confessions of Watashi no Kawaii Koneko-chan(My Cute Little Kitten), and dakazu is fed up with the filler episodes of ATOM: THE BEGINNING! Then, with a heavy heart, we review the Netflix 3D anime adaptation of BLAME!. Listen as we complain about nearly everything, struggle to find positives things, and discuss what we would have wanted from this movie.
On this episode dakazu loves the dramatic reenactments of the Steve Jobs/Bill Gates feud in Steves, darfox checks out the Blood Blockade Battlefront(Kekkai Sensen) OVA, and Seamus finally gets into the March Comes in like a Lion anime! Then we start another triple dip! We discuss the theme of music in manga with Blue Giant, praise the character focused chapters in Musume no Iede(I’m a Runaway Girl), and argue where the line between creativity and titillation are with Joshi Kouhei!!!
This week Seamus is back from his Chicago vacation, dakazu gushes over the current series by Wandering Son manga artist called Musume no Iede(I’m a Runaway Girl) for interweaving various character relationships, and we continue our thoughts of the March Comes in like a Lion and Yuri!!! on Ice anime! Then we jump into another Manga in Motion pick with Redline! We try to dissect this chaotic mess of a movie and breakdown all the references to other anime it crams into it’s 102 minute running time!!!
The Selective Hearing staff gather 2 weeks before Anime Matsuri to discuss Morning Musume ’16’s appearance, what we’re looking forward to and the Hello! Disco event.
The Topic: Tanaka Reina announces her graduation from Morning MusumeYour initial reaction? Do you care?Admit it, you got trolled by the title of Morning Musume's spring concert and thought Sayumi was getting the boot.Does Tanaka's departure signal the death knell for the remaining remnants of past Musume?Was this graduation long overdue?Will the 11th generation miracle girl Sakura Oda take all of Reina's lines?Or will this be the rise of Sayashi Riho as lead vocal bitch?How long do you think Sayu will last before she gets retired?Is Nakano Sun Plaza the right place for Tanaka to graduate? Should she be sent out to pasture in a bigger venue? Or is Momusu's general popularity so low that it's the best that H!P and UFP cut their losses at a smaller venue?When does “The Chosen One” a.k.a. “The Second Coming of Jesus” Miyamoto Karin get inserted into Momusu?What do you think about Tanaka's band?Where the hell is the drummer?Does anyone know who the bass player and lead guitar are?What kind of music do you think they will play?What would you name the band?Ending: Tanaka Reina – Kira Kira Fuyu no Shiny G
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