Podcasts about Amaterasu

No episódio de hoje, recebemos Angela Vieira, diretora criativa de Sunny Trails, um cozy RPG brasileiro em desenvolvimento que já vem chamando atenção pela sua atmosfera acolhedora e visual único. A história acompanha Amaterasu, que deixa o Japão e viaja até Florianópolis para uma festa com suas irmãs, mas ao chegar descobre que todos os convidados foram transformados em pedra. Conversamos sobre o processo criativo, as inspirações que misturam folclore brasileiro e divindades japonesas, os desafios de trazer vida a um mundo colorido e relaxante, e como o time está construindo um jogo pensado para encantar tanto fãs de RPG por turnos quanto novos jogadores. Quer embarcar nessa aventura? Então aperte start e vem com a gente!-Redes Sociais do Pessoal do Sunny:https://www.instagram.com/sunnytrails.game/Demais links: sunnytrails | Instagram, TikTok | Linktree-Capítulos:(00:00:00) - Vinheta introdução(00:00:38) - Resumo do episódio(00:02:13) - 1º Bloco(00:21:41) - 2º Bloco(00:52:28) - 3º Bloco(01:04:58) - Encerramento.Redes Sociais:

With the end of the Jinshin War, Oama, posthumously known as Temmu Tenno, came to the throne.  And though they would need a new Great Council of State, they continued to build up and bolster the Ritsuryo state.  They were imagining a new Yamato based on continental models of what a state should look like, but also influenced by tradition.  This episode we take a look at that reimagining in broad strokes, asking a few questions--what was Oama's relationship with his brother, and touching on the relationship of Nakatomi no Kamatari and his brother, Nakatomi no Kane.  We also take a look at some of the literary propaganda that also helped to codify this new imaginary--the Nihon Shoki and the Kojiki.  We also touch on other sourcesof information, like the Fudoki and Man'yoshu. For more information, check out our blog:  https://sengokudaimyo.com/podcast/episode-133   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 133: Reimagining Yamato As the bells of Houkouji tolled, Ohoama and his wife, Uno, surveyed the construction on going in the Asuka valley.  Hordes of workers had been called up, and now they were working furiously towards the deadline of the new year.  Where once stood the later Wokamoto palace of Takara Hime, aka Ohoama's mother, Saimei Tennou, now the land was being prepared for a palace on a much grander scale.  And just as the palace was being remade, Ohoama's thoughts went beyond the valley, to the entire archipelago.  His brother, Naka no Oe, had started something profound.  Now here he was, helming the Ship of State, and Ohoama had plans of his own, built upon his brother's ideas.  He would build a new state, ensuring that the reforms that started back in 645 would continue for generations. Greetings everyone and welcome back.  As we dive back in, let's recap where we are. The year is now 673, and the fighting from the previous year—the Jinshin war—is over.  Prince Ohoama and his Yoshino forces were victorious and he is now poised to ascend the throne in the recently built Palace of Kiyomihara, in Asuka.  He will be known to future generations by his posthumous name:  Temmu Tennou. Ohoama would go ahead and continue to centralize the government under the continental model.  That said, he also would pay a not insignificant amount of attention to local tradition as well.  His reign would lead to the establishment of the first permanent capital city: Fujiwara-kyo.  He is also credited with initiating the projects collecting various historical records, which culminated in the Kojiki and the Nihon Shoki, the very chronicles on which this podcast is based – and both of which seem to have been designed specifically to promote the authority of the throne, specifically Ohoama and his descendants. Those descendants—the Temmu dynasty—would rule for almost a century, including four of the eight official female sovereigns (those eight become ten if you count the unofficial Himiko and Okinaga Tarashi-hime, aka Jingu Tennou).  This dynasty would reign from the end of the Asuka period up through to the Nara period, and it would see the evolution of the Yamato state into the kingdom of Nihon—which is to say the kingdom of Japan. The politics of this period were also quite something.  It is during this coming period that we see the rise of the famous Fujiwara family, who would come to dominate the political landscape.  We also see the continued contact with the mainland, with numerous trade goods coming over, many of which would be included in the famous Shousouin storehouse of Toudaiji temple, in Nara. Buddhism would also thrive, with Kokubunji, or provincial temples, being set up in a network around the archipelago.  There was also the building of the famous Daibutsu, or Giant Buddha statue, of Toudaiji. Art would also flourish.  The Man'yoshu would be published at this time—a collection of around 4,500 Japanese poems, or waka.  Meanwhile, the court would also focus on continental styles as well.  From this point on, not only do we have more evidence of what was happening through the written record, but the writing itself changed.  Different Sinitic characters were borrowed solely for their sound to help spell out Japanese words.  These would eventually be simplified, and known as “kana”.  The earliest use of these characters is known as “Man'yo-gana” because so many are traced back to the Man'yoshu itself.  They would eventually be standardized and simplified, becoming the hiragana and katakana we know and use today. But in 673, all of this is still on the horizon. So this is a great time to pause for a bit in our journey through the chronicles and set the stage for this next, incredibly transformative period in the archipelago by going over these larger patterns in some depth, so that, as we start to go through this period we get a better idea of just what was happening, and perhaps why.  That's what we'll do this episode. To start with, let's go back to the relationship between Naka no Oe and Ohoama.  As far as we can tell, these brothers were fairly close to one another.  Not only was Ohoama married to one of Naka no Oe's daughters, Princess Uno, he had actually taken as consort at least four of Naka no Oe's other daughters—all of which were Ohoama's nieces.  In turn, one of Ohoama's own daughters, Princess Touchi, had been married off to Ohotomo, aka the ill-fated Koubun Tennou.  On top of that, Naka no Oe and Ohoama both had taken as consorts daughters of Soga no Akaye, and both Ohotomo and Ohoama had consorts from Nakatomi—or Fujiwara—no Kamatari.  This demonstrates just how interrelated everyone was at court, presumably as a means of strengthening the ties between them.  Of course, as we've seen time and again, those ties were more symbolic than anything else, and certainly did not prevent the occasional use of violence, nor did it protect the fathers of those women from political repercussions when they found themselves on the wrong side. On the other hand, beyond the initial mention of their births, we don't see the two brothers together until Naka no Oe came to the throne.  Why?  Well, to be fair, we don't see much of anyone but the sovereign in the Chronicles unless there is a specific thing they are called out for—like an embassy, presenting something to the throne, etc.  Even Naka no Oe often isn't mentioned directly, even when he was the Crown Prince and supposedly helping run the government.  So that could be it. There are two apparent counter arguments to the idea that Naka no Oe and his brother, Ohoama, were tight.  First is a mention in the Toushi Kaden, the Family History of the Fujiwara Family, about Ohoama thrusting a spear into a board, which rattled Naka no Oe enough that he was apparently wondering if he needed to have his own brother taken out.  Then there is Ohoama's resignation at the time of Naka no Oe's death, presumably because he was warned that a plot was afoot, and that if he accepted Naka no Oe's offer to take the reins of the state in his own two hands then something—we aren't told what—would unfold. I can't rule out the idea that neither of those accounts is quite accurate either, however.  It is possible that the Toushi Kaden account is embellished to heighten Fujiwara no Kamatari's own role as peacemaker between the brothers.  I also have to wonder if the warning to Ohoama around Naka no Oe's death wasn't so much about Naka no Oe, but about his ministers.  After all, they seem to have had no problem supporting the much younger—and likely more malleable—Prince Ohotomo.  So it seems to me entirely possible that there were other threats that Ohoama was concerned with. That brings me to one of those ministers:  Nakatomi no Kane.  We talked about him before and during the war.  He first showed up participating in ritual and speaking on kami matters.  He would later rise to be one of the Great Ministers of State, and was one of the six ministers who had pledged themselves to Prince Ohotomo.  At the end of the Jinshin War, he was put to death and his family was banished.  That said, in period leading up to all of that,  we spent a good amount of time with another Nakatomi: Nakatomi no Kamatari. He was the head of the Nakatomi clan and the Naidaijin, the Interior Minister, a special position placing him on par, or even above, the Ministers of the Left and Right, but which did not have a well defined portfolio noted in the literature.  Interestingly, this position also doesn't seem to have survived Kamatari, at least in the short run.  From the time of Naka no Oe, aka Tenji Tennou, to the time of Ohoama, aka Temmu Tennou, it seems that the office of Naidaijin fell out of favor, possibly due, in part, to Prince Ohotomo being raised to a different post, that of Dajou Daijin, placing him in charge of the Great Council of State. The Naidaijin role wouldn't be revived until 717 for Kamatari's grandson, Fujiwara no Fusasaki (interestingly,  only three years before the completion of the Nihon Shoki). Nakatomi no Kane was, as far as we can tell, the brother to Kamatari.  When Kamatari passed away, Kane seems to have taken on the role as head of the Nakatomi family and he was also made Minister of the Right.  This mirrors, in its way, the relationship between Naka no Oe and Ohoama, and the common system of inheritance that would often go brother to brother.  And yet, while Kamatari was a hero of the Taika era, Nakatomi no Kane was executed for his role in the Jinshin War.  So in the context of the rise of the Fujiwaras to greater prominence later on in Ohoama's reign, it is significant that Kamatari's line would be set apart from the rest of the Nakatomi to the extent of giving it the new Fujiwara name.  Although the Chronicles claim that the “Fujiwara” name was actually granted by Naka no Oe, there is a thought that this was granted posthumously, and may have even been retconned by later members of the family, possibly to distance themselves from Nakatomi no Kane and his role on the losing side of the Jinshin War, and tie themselves clearly to Kamatari and his founding role in Naka no Oe's and Ohoama's new vision, instead.  This all brings me to my next point: the creation of the national histories.  The projects that culminated in what we know today as the Kojiki and the Nihon Shoki are said to have been started under Ohoama's reign, though they wouldn't be finished until much later, well into the 8th century.  A lot of what went into them was work under Ohoama's wife Uno, who succeeded him as Jitou Tennou, as well as her successors.  Prince Toneri, one of Ohoama's sons, is said to have overseen the Nihon Shoki's compilation. Prince Toneri was son of Ohoama and princess Niitabe, one of Naka no Oe's daughters, and while he never sat the throne, himself, one of his sons would eventually do so.  As such, we can see a strong royal hand on the project, even though the actual composition was probably by several teams of Chroniclers—we touched on this briefly back in Episode 131. The Kojiki, on the other hand, is said to have been written by Oho no Yasumaro based on the oral history that had been maintained by Hieda no Are.  We don't know much about Hieda no Are—there are some that believe they may have been a woman, since a passage in a later work, the Seikyuuki, suggests that they were a member of the Sarume no Kimi family, descended from Ame no Uzume no Mikoto, who is said to have danced and helped lure Amaterasu out of the rock cave.  And so they were particularly known for their role as shrine maidens—a particularly female role.  That said, Are received the title of “toneri”, which is often assumed to be male, and there is nothing else that explicitly says they were not. Either way, Hieda no Are is said to have been commanded by the sovereign, Ohoama, to memorize the history of the nation, presumably to then perform it as needed, for the court.  Only later was Oho no Yasumaro asked to write it down in what became known as the Kojiki. Both of these chronicles were attempts to organize the history of the nation and to put together all the stories in a way that would establish a foundation for the new state that was evolving out of ancient Yamato.  A large part of that effort was going to be to justify those who were in power at the time—including both the royal family and the various noble houses at the time, including the powerful Fujiwara. Now, when we talk about how these histories were created to bolster the state, I want to be careful.  It may not have necessarily been the case that the chroniclers were actively and consciously promoting a fictional account.  From what we can tell, the chroniclers drew from a collection of stories, some written down in diaries and court records, works like the Baekje annals and continental histories, and some that were likely just memorized tales that were part of the general culture.   There were a couple of existing histories—we are told, for example, that there was a Teiki and a Kyuji floating around, both attributed to the legendary Shotoku Taishi, and both supposedly including the royal lineage at least to Toyomike-kashikiya-hime, aka Suikou Tennou.  However, the copies that were being passed around were apparently suspect, and we are told that there were inconsistencies.  Which probably means that the way they told the story did not conform to the way that Ohoama and the royal family wanted it told, though it could also refer to the fact that different accounts had slight variations on the stories, many of which had probably started as oral traditions that were only later written down.  It is also likely that there was only so much detail in those ancient texts, but we can't know for sure.  The Sendai Kuji Hongi purports to be the text of the original Kyuuji, or Kyuujiki, but that claim is dubious, at best, though it may have used an older, no longer extant history to crib its own notes from. So there were probably some writings, already, but there was also so much more.  There were stories from various familial records, stories told by various shrines about their kami and their histories, and stories passed down as local history that had never been captured, previously.  All of this was good material for the project of creating an official national history that aimed to tell the whole story. To get an idea of what the Chroniclers of that time might have been going through, imagine that you have some 2,000 random facts about the United States, or any country of your choice, in no particular order—stories of heroes, presidents, wars, etc.  On top of that, only a few of them ever give you any kind reference dates, and when they do, those dates are only in relationship to the presidents in office – the third year of the presidency of Roosevelt, for example - or maybe they reference another event.  In addition, some of the facts have been lost, or they come from history books with a slightly different format.  Or they come from diaries with different perspectives and takes on the same event.  And then, without the aid of the Internet or any other reference material, you are asked to put all of that together into a coherent narrative. In all likelihood you would be able to generally construct many of the broad strokes.  You would leverage what you know to be true and do your best to put things in place, but there is no guarantee that everything would be in the right order.  And in places where there wasn't any clear through line, you may have needed to come up with your best, most plausible explanation and write that down. Also, imagine you had, in the interests of completeness, thrown in some of the more, shall we say, apocryphal stories.  George Washington cutting down a cherry tree, for instance, or the story of Johnny Appleseed, or even the more fantastical stories of Davy Crockett.  Without other reference points, would you know where they went, or how true they actually were? Add to all of that the lack of a referential calendar.  The sexagesimal system helps for units of 60 years, but there was nothing comparable to a western calendar in use at the time.  Instead, everything was based on the number of years in a given reign.  So instead of thinking about it as “did this happen in 584 or 524?” it was more like “Did this happen in the years of the sovereign reigning from X palace or Y palace?” Now that said, there do appear to have been individuals whose job was to memorize the stories and the histories and recite them.  We have, for example, the Kataribe, the guild of storytellers.  It may have been out of this tradition that we get the eventual commission of the previously mentioned Hieda no Are, who was to memorize all of the historical events and recite them back, which I can only imagine would have been a kind of performance for the court, helping to reinforce the narrative.  But still, as Are was putting everything together, what were the assumptions and guidelines they were working under? After all, there were no doubt certain truths, whether factual or not, that were pushed by the court.  Things like the idea of an unbroken line of sovereigns going all the way back to the mythical founding, just like in continental stories.  Or, the idea that worship centered from the beginning around the sun goddess, Amaterasu. There is plenty of evidence that while the early Wa people practiced various forms of sun worship, with traces found in their language as well as stories, cultural traditions, etc., it was not necessarily Amaterasu who was the primary deity of worship.  Back in the Age of the Gods we talked about the creator deities, Izanagi and Izanami, and about the High god of Heaven, Takami Musubi, who seems to at one point been the most prominent central deity, but who had since been eclipsed, if you will, by the likes of Amaterasu. We also see evidence that there were other sun deities.  The language around Sarutahiko no Ohokami suggests that he may have once been worshipped as a sun deity as well.  And there is the early primacy of Mt. Miwa as a place of worship, and the spirit of Ohomononushi.  This is to say nothing of Ohokuninushi, and all of his stories, up in Izumo. Furthermore, it seems telling that Amaterasu is not even central to the rituals conducted in the palace itself, which likely went back to an even earlier period.  If Amaterasu were central, and the ancestral kami of the royal family since its inception, one would expect that Amaterasu would also be central to the rites carried out by her descendants in the royal palace.  And yet most of her worship appears to have continued to be set apart from the palace ritual, and conducted out of Ise shrine (albeit after a certain point ceremonially led by a designated female member of the royal line). Even Ise shrine itself isn't the primary shrine in the Ise area—the Ichi-no-miya, or most important shrine, of Ise is actually said to be Tsubaki shrine, worshipping Saruta Hiko no Ohokami and Ame no Uzume. So how did Amaterasu come to be so central in Ohoama's vision? There are stories that say that worship at Ise Shrine—and worship of Amaterasu—was specifically conducted by Ohoama's wife during the Jinshin campaign.  This is to say Ohoama's wife, primary consort, eventual queen and then queen regnant, Uno, later known as Jitou Tennou.  Remember, Uno had fled with Ohoama and had been on the trail with him at first, but had stayed behind in Ise.  Worship towards Ise seems to have later been counted as foundational to Ohoama and Uno's victory, and many suspect that they themselves may subsequently have encouraged greater worship of Amaterasu and placed her in the central position of sacral authority amongst the various kami. If so, that could explain why their histories focus so much on Amaterasu and her Heavenly descendant, from which the royal line claimed direct lineage.  It might also be around this time that the story of Iwarebiko, aka Jimmu Tennou, and the conquest of Yamato from Himuka may have been introduced: telling how Iwarebiko justifiably took away the land from the descendants of Nigi Hayahi, and then connecting Iwarebiko, in an extremely loose fashion, to Mimaki Iiribiko no Mikoto, aka Sujin Tennou. Another influence on all of this was likely the continental concept that time is a circle, and history repeats itself.  Chroniclers seeking to place events in a narrative context would have likely seen reflections of more recent events and used that to help order their compilation.  And of course, if there were events that seemed to run counter to the truth as known by the court, well, those could be smoothed over.  In this way, co-rulers were probably serialized, inconvenient interim rulers may have been excised altogether, and different dynasties, which may have only had tenuous connections, at best, were written down as direct lineal descendants.  It also seems telling that the Chroniclers may have reduced the role of what appears to be matrilineal succession to a more patriarchal and patrilineal determination of legitimacy.  Similarly, connections could be made for families to ancient ancestors through whom they were able to claim a certain proximity to the royal family.  Likewise, rules for legitimacy could be imposed—or perhaps just assumed—for previous reigns, doing their best to bring them into harmony with the social norms and the cultural imaginaries of the late 7th and early 8th centuries. So that's the general context the Chroniclers were working under. But at this point it's illuminating to take a look at the two histories and how they differ, to see what we can understand about where those differences came from. The work of Hieda no Are, eventually recorded and written down as the Kojiki, seems to have dealt with history that was far enough back that it was likely hard to argue with—it isn't like there was anyone alive who could counter with their own facts.  And the Kojiki reads as a fairly straightforward narrative, relatively speaking. The Nihon Shoki, on the other hand, is a different beast.  While the Kojiki may have captured the official narrative, the Nihon Shoki seems to have been designed to include more—including some of the competing accounts.  Thus you'll get a lot of things like “another source says…” with a different take on the same event.  This is much more prevalent in the Age of the Gods, but still pops up occasionally throughout the rest of the text.  Nonetheless, it is still very much focused on the royal line from Amaterasu down to Naka no Oe and Ohoama.  Even their posthumous names, Tenji and Temmu, specifically reference Ten, also pronounced Ama, at the start of their names, in what appears to be a bid to further connect them to the sun goddess of Heavenly Brightness--Amaterasu. Both of these works have their own character, and while the dates they were presented to the throne—713 for the Kojiki and 720 for the Nihon Shoki—suggest that they were published in succession, there are those that argue that the Kojiki is largely a reaction against the Nihon Shoki. In all likelihood the contents of the Nihon Shoki were known to many people before it was presented.  There were groups of Chroniclers involved, after all -- which meant teams of scribes pouring through sources, seeking out myths and legends, and generally trying to bring everything they could to the table.  And there is no indication that this was done in secret.  So it is quite possible that the writers of the Kojiki had seen some of the early drafts and cribbed from those notes. Some of the ways that the the history differ are in their portrayal of certain accounts.  For example, the Kojiki presents Iwarebiko and the pacification of Yamato and archipelago more generally in terms of that mythical sovereign conversing with the spirits.  And so he converses with, for instance, Ohomononushi, the deity of Mt. Miwa, a spirit whose name might be translated as the Great Lord of the Spirits, or “Mono”.  This idea places the sovereign as an intercessor between the mortal and the spirit world.  It hearkens back to earlier systems of sacral kingship, where power and authority came, at least in part, from supposed power of one's sacred sites and protective spirits. The Kojiki is also written in a much more vernacular style, using kanji and what we know of as man'yogana, the kanji used for their sound, rather than meaning, to provide a syllabary with which to write out Japanese words.  This may have been done for similar reasons to why it was also used in the Man'yoshu itself—because the Kojiki was meant to be recited aloud, not just read for meaning. The Nihon Shoki, in contrast, is clearly attempting to emulate the continental style.  It relies much more heavily on not just the characters but the grammar of Chinese, though not without its own idiosyncrasies.  The Nihon Shoki incorporated classical references that mirrored the references found in the histories of the Tang and earlier dynasties.  I suspect, for instance, that this is one of the main reasons that Naka no Oe and Ohoama are given the posthumous names of “Tenji” and “Temmu”.  Tenji means something like the Wisdom of Heaven while Temmu is more like the Martial Virtue of Heaven.  This immediately brings to mind, for me, the continental concepts of Wen and Wu—Culture and Warefare, or Bunbu in Japanese.  This even mirrors the founding Zhou kings, King Wen and King Wu.  Later, in the Han dynasty, you have Emperor Wu of Han, the grandson of Emperor Wen of Han, and Wu was considered to be one of the greatest emperors of the Han dynasty.  And so I can't help but think that there was a similar attempt at mythmaking going on here, connecting these two reigns with the reigns of famous emperors of the continent.  Of course, “Wu” was a popular name amongst the imperial dynasties from that period onward, with emperors of Jin, Chen, Liang, and others all being given the same name. This all accords with the way that the sovereign in the Nihon Shoki is less of a sacral king, interceding and speaking with the kami, and more along the continental model of an absolute ruler who ruled by divine right and heavenly mandate.  The lands outside of Yamato are subdued and, except for the occasional uprising, stay subdued—or at least that is what the narrative would seemingly have us believe. Now, I would argue that these distinctions are not absolute.  The Kojiki contains plenty of concepts of imperial trappings, and the Nihon Shoki contains plenty of examples of the sovereign playing a more traditional role.  But it is something to consider in the broad strokes of what they are saying, and I would argue that it also speaks to the duality of what was going on in this period.  Clearly the Ritsuryo State was built on the continental model, with an absolute ruler who ruled through a Heavenly mandate.  And yet at the same time, we see Ohoama patronizing the traditional spiritual sites and kami worship, like the emphasis on Amaterasu and Ise shrine.  Besides the Kojiki and the Nihon Shoki, we have one more set of official records that were compiled just as the major histories were beginning to be finished.  These were the Fudoki.  Fudoki were texts about the various provinces, and they include information on the various places, population, soil quality, as well as various local myths and legends attached to such things.  Rather than supporting the royal lineage, the Fudoki were more geared towards supporting the process begun under Karu and Naka no Oe with the Ritsuryo system whereby knowledge of the archipelago was being centralized such that the State could know about its territories.  Still, there are many times that the various Fudoki refer to different sovereigns, often to help situate a given event roughly within the historical narrative. The Fudoki were commissioned in 713.  At least 48 chronicles were said to have been compiled, but only a handful of them remain extant today.  Most are only partial texts, though even those can still contain significant information.  We also have purported text from certain fudoki that were reprinted in later histories.  The Shaku Nihongi seems to have been one such work, expressly commissioned to try and compile various older records that were likely aging and in danger of being lost altogether.  However, there is a concern regarding just how faithful those later transcriptions might have been, meaning that we cannot rely on them, entirely.  Still, they are an invaluable addition to our study of the history of this period. I mention all of this because much of this period seems dedicated to remaking the nation of Yamato into what we know as Japan.  This evolution didn't happen overnight, and it seems clear that it started gradually, but had now come to a head.  There is some consideration, though, that many of the things attributed to earlier reigns—the work done by Shotoku Taishi, for example, or even that of Naka no Oe—may have been embellished in this period.  After all, consider the difference between Ohoama trying to institute something entirely new versus pointing back to a previous sovereign and claiming that he wasn't innovating, he was just following tradition. But there are still unmistakable signs of innovation in the following reigns.  The creation of the first permanent capital city, for one.  There was also the blending of Buddhist and local kami-based traditions.  While Buddhism had been ascendant for a while, now, we see Ohoama seemingly paying equal homage to Amaterasu and the local kami.  Even while instituting new fangled continental ideas, he is also hearkening back to traditions that I can only imagine helped assuage some of the fears of any traditionalists who saw the rapid speed at which the archipelago was adopting at least the trappings of continental imperial culture. Speaking of culture, there was one other work that we should probably mention, and that is the famous Man'yoshu—the collection of 10,000 Leaves.  I mentioned this briefly earlier in the episode, but I do want to discuss it a bit, because as much as we may glean from the official histories, as well as the various fudoki texts, the Man'yoshu provides an invaluable view into the minds of the people of the time, and contains some incredibly useful tidbits of information that, when put together, help give us a better idea of what was happening during this period. The Man'yoshu is a collection of more than 4500 poems attributed to various historical figures, from sovereigns, such as Ohoama and Naka no Oe, to common soldiers.  It is remarkable in that the poems are largely in native Japanese and are not using the Sinitic poetry styles that were popular with scholars of the time. These poems are waka, Japanese verse, which typically follows a pattern of repeating verses of 5-7-5 syllables or morae, ending with two lines of 7-7.  The most simple of these are tanka—one top verse of 5-7-5, and one bottom verse of 7-7.  However, the poems in the collection can vary quite a bit. They are also remarkable in that they are written in what we know as Man'yogana.  That is to say they use Sinitic characters—kanji—but for their sound rather than their meaning in many cases.  This practice allowed for much more nuanced writing, such that the author could be more certain that the correct meaning could be taken away, since Japanese grammar differs greatly from various Chinese languages, and leverages particles and suffixes that are non-existent in Sinitic script.  Often times, when reading something like the Nihon Shoki, one has to infer the Japanese word order, particles, and suffixes from the text as a whole.  This is common with any kanbun—a very Japanese style of Chinese writing that often requires its own study to fully understand. Meanwhile, the Man'yogana allowed someone to more easily sound out the letters in the Man'yoshu.  This must have been important when morae or syllable count was important to the art form.  Furthermore, it gives us tremendous insight into how spoken Japanese may have sounded  back in the 8th century. And of course it is great that we have all of these poems, but almost more important is the other information contained in the collection.  Most poems not only are attributed to a particular author, but they often give a brief introduction to lay out the circumstance in which the poem was composed.  These poems are, in many ways, more straightforward than many later poetic styles, which relied much more heavily on so-called “pillow words”, poetic allusions, or callbacks to previous poems—not that they were completely devoid of such references, especially to other, often continental, works. Some poems are actually paired—a type of call and response.  A man would often be expected to send a poem to a lady with whom he had recently had assignations, and she would often respond.  Through such correspondence, preserved in the poetic record, we can see connections that might not be as clear in the various historical texts. Now, 4500 is a lot of poems and I'll be honest, I'm probably not going to be researching all of them for historical tidbits, but it is nonetheless important to understand.  One should also be careful—while the poems are often attributed to various artists and famous persons, this may sometimes be misleading.  The attribution may have been garbled or forgotten, and recreated. Most of the poems in the Man'yoshu are presented with at least some amount of framing around them.  They are grouped loosely by various themes.  We are then told, for each poem, the composer and the occasion for which it was created.  Sometimes this may be as simple as “when they were out hunting”, but that still gives us some context on which to go by as for why the author was writing the poem in the first place. The poems themselves vary in size.  There are short poems, or tanka, but also longer form chōka poems, with multiple verses.  Some may allude to previous poems, but many of the poems are just about the author's feelings.  Unlike haiku, they were not quite so proscribed in terms of “pillow words” or requisite seasonal descriptions. And yet these poems, just as much as the histories, were important in capturing some part of the cultural zeitgeist from that time.  We can see what was considered popular or important, and it was there for future generations down until today. Ultimately the Kojiki would largely be overshadowed by the more comprehensive and prestigious seeming history in the Nihon Shoki.  The Nihon Shoki would become the official history, inspiring future historical records, such as the Shoku Nihongi, the continuation of the records.  The Man'yoshu, likewise, would be emulated, with future compilations like the Kokinshu. These, in turn, would impact the cultural imaginary of the time.  They would shape people's ideas about the past, about art, and even about the nature of the kami themselves.  During this period it is hard to understate just how much they were setting in place a new system.  It is even difficult to tell how much of that system had actually been instituted by previous sovereigns, even though it's hard to tell how much that actually happened as opposed to simple claims by Ohoama and, later, Uno, to justify what they were doing.  Up to this point, the Ritsuryou State and the various reforms had been an experiment, but under Ohoama we truly see that the new government upgrades would be fully installed.  At the same time, we also see a shake up in the court.  Those who had been loyal to Ohoama during the Jinshin conflict of 672 received various rewards—increased rank and stipend, for one thing.  As famous individuals passed away, they were also granted posthumous rank, which might not seem like much, but it increased the family's prestige and that of the individual's descendants without actually handing out a higher level stipend that would be a drain on the coffers.  All of this also continued to build up the elites' reliance on not just the court, but on the throne itself for their status, wealth, and position.  Thus they had a vested interest in seeing that the project succeeded. And that is the world that we are about to dive into.  Thank you, I know we didn't get into too much of the immediate history, and some of this is spoilers—after all, this took time and in the moment it could have turned out quite differently.  What if Ohoama had gotten sick and died?  What if there had been a rebellion?  What if Silla or Tang had attacked?  While we know what happened from the safety of our vantage point, far in the future, it is important to remember that at the time the people in the court didn't know what would happen next, so please keep that in mind. Next episode, we'll start to get into the actual events of the reign, starting with Ohoama's ascension to the throne at the newly built Kiyomihara palace in Asuka. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

00:28 — Intro & banter03:28 — Is This Seat Taken? (impressions)25:15 — Pokémon: Gen 3 ROM hacks (incl. Lazarus)38:02 — Best Video Game Dogs — tier list39:20 — Alice (The Last of Us Part II)40:51 — Amaterasu (Ōkami)43:05 — Arcanine (Pokémon)46:07 — Blade Wolf (Metal Gear Rising)47:38 — Cerberus (Hades)49:42 — Chorizo (Far Cry 6)51:59 — D-Dog (MGSV)53:23 — The Dog (Fable II)56:44 — Dogmeat (Fallout 4)1:00:23 — Houndour (Pokémon)1:00:41 — Isabelle (Animal Crossing)1:05:30 — Pomeranian (Tokyo Jungle)1:10:16 — Torgal (Final Fantasy XVI)1:11:20 — Wolf Link (Twilight Princess)1:14:13 — Yamato (Shadow Dancer)1:15:12 — Yamper (Pokémon)1:19:36 — Wrap-up & schedule / plugsThis Week on The Casual Hour…Bobby's family has welcomed in a new puppy, which got us thinking about the best dogs in video games. Listen in as we build a tier list of our favorites, as well as chat about Is This Seat Taken? and some more Pokemon romhacks. All that on this edition of The Casual Hour!// T W I T C H  &  Y O U T U B E------------------------------------------------------------------------------------M W F @ 9 PM CSTtwitch.tv/thecasualhouryoutube.com/thecasualhour// S U B S C R I B E------------------------------------------------------------------------------------https://www.youtube.com/thecasualhourWe post Casually Considereds and VODs from previous streams weekly!// F O L L O W------------------------------------------------------------------------------------One link to rule them all: www.thecasualhour.com// T H E   C A S U A L   H O U R------------------------------------------------------------------------------------Bobby Pease - https://linktr.ee/bob_ombyChase Koeneke - http://Linktr.ee/chase_koeneke// M U S I C------------------------------------------------------------------------------------Love our theme music? It was created by Patric Brown. You can follow his antics on Twitter @insaneanalog or check out more of his music and download our theme at www.insaneanalog.com

Follow the radiant sun goddess Amaterasu as she retreats into darkness, causing the world to fall silent and cold. In this timeless tale rooted in ancient Japanese myth, a gentle spirit named Suki embarks on a quiet journey through shadow and sorrow to awaken light and hope once more.This is a story about finding strength in vulnerability, the courage to face our deepest pain, and the gentle unfolding of light after the longest night. Let this dreamy journey cradle you as it whispers of warmth returning, hearts mending, and the endless dance between darkness and dawn. 

This episode we continue with the Jinshin War.  This episode we follow Prince Oama on his dramatic escape to the east:  From Yoshino he dashed through the mountains, through Iga and over to Ise.  In so doing he secured both Suzuka and Fuwa--areas that would be important chokepoints throughout Japan's history.   For more information, check out our blogpost at: https://sengokudaimyo.com/podcast/episode-130 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 130: Jinshin no Ran, Part II:  Gathering Stormclouds.   The soldier on watch was doing his best to keep alert.  The night shift was never pleasant duty, and it was even less pleasant out here in the mountains.  There were plenty of sounds in the night—birds and animals out in the darkness—but rarely was there much actual action.  At least the sky was clear, with only the occasional cloud. Guarding a post station was hardly the worst duty in the world. There was a decent amount of traffic: after all, they were along one of the major routes between Ise and Yamato.  But at night, well, who wanted to try and navigate the mountain roads?  That was a great way to fall into a river and drown, or get lost in the woods, unable to find your way back to civilization. It must have been a shock when he saw a light in the distance.  There were almost always a few fires somewhere in the village, but most of them were out or covered at this time of night, with the exception of the odd torch.  But this was something more.  At first the guard thought it was just his eyes playing tricks on him.  And then he wondered if it was some kind of mountain spirit—he'd heard of ghost parades that could come and take people in the night.  He shivered, and instinctively checked his own torch to ensure that it was burning well and bright.  Indeed it was. It took him a little time for his eyes to adjust again to the darkness, but now, sure enough, he saw the torches coming—and not just one, many of them, and he could now hear the faint metallic clank of metal on metal.  He then heard a faint sound like a tight rope being suddenly plucked.  It only just started to dawn on him what was happening when the first arrows started to rain down on his position. They were under attack!   Welcome back.  This episode we are continuing with our coverage of the Jinshin no Ran—the Jinshin War of 672—and if you haven't already, I highly recommend you start with episode 129, where we talk about some of the background for what was happening.  That said, let's do a quick recap to bring us up to speed on where we are.  And then we'll dive into an account of an absolutely unbelievable journey, which is impressive for multiple reasons, but mostly for the speed at which it was able to take place. So as you may recall, Naka no Oe, aka Tenji Tennou, passed away at the end of 671 after months of illness.  After falling ill, the Chronicles tell us that he offered the state to his younger brother, the Crown Prince, Prince Ohoama, but Ohoama was warned that it was a trap, and as such, he turned down the offer.  Instead, he retired from his position to become a monk, and left for Yoshino, taking half of his household with him.  With Ohoama retired, Naka no Oe's son, the 23 year old Prince Ohotomo, took the throne. After Naka no Oe's death, Ohotomo effectively ruled Yamato from the Ohotsu palace in Afumi, running things along with the ministers of the left and right, Soga no Akaye and Nakatomi no Kane, and other high ministers.  Though the Nihon Shoki does not acknowledge it, Ohotomo is thought to have been a formal sovereign, in deed if not in name, at this point.  Much later, he would be given the posthumous name of “Koubun Tennou”. It would seem that Ohotomo and the Afumi court had misgivings about Prince Ohoama's promise to retire from the world and not challenge the throne.  The Nihon Shoki recounts that they began to make subtle preparations for a conflict, including levying men to build Naka no Oe's tomb, but issuing them weapons instead of tools.  They also set up checkpoints along the road from the court in Ohotsu down to Asuka—the main route to where Ohoama was residing in Yoshino.  And then, finally, someone told Ohoama that they were no longer allowing Prince Ohoama's people to cross the Uji bridge to bring him and his household supplies. Prince Ohoama was not going to sit idly by while the Afumi court gathered up enough forces to claim he was doing something treasonous and then march on him in Yoshino.  And so he sent one of his trusted vassals to the east to seek support.  Meanwhile, he himself was making ready to move.  There was just one more thing before setting out:  seeing if he could get posting bells.  This was sparked by the words of one of his advisors, who suggested that they should be careful.  They did not have many soldiers in Yoshino, and they had already sent out a general like Woyori to start raising troops in the East.  At the same time, if the Afumi Court was also maneuvering, it was likely that they would have sent words to the various post stations to bar the roads and prevent any movement. As such, Prince Ohoama decided to send several messengers to ask for Posting Bells, so that Ohoama and his men could make use of the official horses at the various post stations, allowing them to travel much more quickly and freely.  However, it was not clear if such orders had come and, if they had, where the local government officiallys might place their loyalty. Of particular importance was the case of Prince Takasaka, who was in charge of the Okamoto Palace, and thus the governance of the ancient capital. He would be the one to grant posting bells if they were to receive them.  If he provided the bells, then Ohoama and his party could assume they would have little to no trouble making their way East. And so Prince Ohoama sent his evnoys to the Okamoto palace.The messengers requested posting bells, but Prince Takasaka refused to issue them.  This sent a clear message to Prince Ohoama:  the Afumi court had no intention of letting him and his household have free access to the roads, and the local officials in Asuka were not going to provide any support.  In fact, Prince Takasaka now knew that Ohoama planned to travel, and if he wanted to, Takasaka could likely raise troops to try and stop Ohoama from leaving.  At the very least he would no doubt be sending a swift horse to Ohotsu to inform the Afumi court.  Ohoama and his followers would have to hurry if they wanted to do anything. And so, on the 24th of the 6th month, the same day that he got word back about the posting bells,  Prince Ohoama made the decision to move.  He and his entourage left quickly—he didn't even let anyone saddle a horse for him or prepare his carriage.  He just started to head out on foot on a journey to the East – and keep in mind that everything I'm going to describe in the next few minutes happened over the course of one night, truly an epic journey for Ohoama and all of those with him..  The Chronicles lists about 20 men and over ten women who originally set out with Ohoama from Yoshino, including his wife, the Royal Princess Uno no Sarara, daughter of Naka no Oe.  She wasn't walking, however—she followed a little behind in a palanquin, or litter, carried on poles.  I do wonder if those carrying the palanquin are among those mentioned, or were they servants or even enslaved persons who weren't considered worthy of note. The path they traveled wound its way through the mountains.  Streams and rivers had carved channels and valleys into these mountains.  People had settled these areas, and created paths through the wilderness.  Now, the valleys were fairly well populated, with roads connecting the communities that had grown up in the nooks and hollers. These facilitated trade through the mountain communities and between the eastern and western sides of the Kii peninsula, but even still, it was difficult terrain.  Unlike roads in the flat plains, the width of the roads in the mountains would have been constrained by steep mountainsides and the natural twists and turns of the valleys.  There may have been rope or wooden bridges that they had to cross, as streams constantly flow down the hill sides to the river below.  This route would make it much easier to avoid any official Afumi forces that might have been sent out, as those would likely be sticking to the main roads, but there were still government outposts along the way.  If these outposts proved loyal to the Afumi court, they could raise the alarm and send a messenger on horseback, who could likely flee much more quickly than Ohoama's men could follow.  And if Afumi learned that Ohoama was on the move, they could quickly mobilize their forces, secure key strategic points, and Ohoama's mad rush would be for naught.   The path Ohoama chose would lead from Yoshino, through the valleys, up through Iga, and then over to Suzuka, in Ise—modern Mie prefecture.  The journey was long and it wasn't going to be easy, but they needed to move quickly. Speaking of which, since Ohoama was traveling on foot, one of his men, Agata no Inukahi no Ohotomo, gave Prince Ohoama his own horse to ride.  Oh, and in case you are wondering: There are a lot of people named “Ohotomo” in the narrative, not just the Prince, Ohoama's nephew and rival for the throne.  Sorry, it was apparently a somewhat popular name AND it was also a clan, or uji, name as well.  I'll try to distinguish some of them in the podcast blog page. The party hadn't traveled far when Ohoama's own carriage—or possibly a palanquin, like his wife's—showed up for him, so I assume Ohotomo got his horse back, but they were still constrained to the speed of their slowest member, and I doubt that the mountain roads were all that wide and flat—most likely just the opposite. The group journeyed upstream along the Tsuburo river and eventually made it to Aki, in the area of Uda, due east of Sakurai and Mt. Miwa.  Here they were overtaken by two men, known as Ohotomo no Muraji no Makuda and Kibumi no Muraji no Ohotomo, both hurrying on from the Yoshino Palace. Makuda had been at the Afumi court, but word was starting to spread there that there was going to be some kind of move against Prince Ohoama, so he and his brother, Ohotomo no Fukei, had feigned illness and returned to their home in the Asuka region.  Once there, Makuda had made straightaway for Yoshino, only to find that Ohoama was already on the move.  Ohotomo no Fukei, on the other hand, chose to stay in the area of Asuka and see what he could do there.  He was looking to see what kind of forces he could raise in the ancient capital region.  We'll learn more about him, later. It was also in Aki, apparently, where they met Hashi no Muraji no Mate, who was from the Department of the official rice fields.  Even though he was a government official, he was a supporter of Ohoama and his cause, and so he supplied Ohoama and his people with food for their journey. Just north of the Aki fields they came upon Kammura—thought to be near modern Kaguraoka—where the Yoshino forces conscripted 20 hunters into service, almost doubling their numbers, and now they at least had some weapons with them.  Prince Mino, and presumably his men, also joined forces with Ohoama and his party—their ranks were starting to grow. In Uda, they were no doubt glad of any assistance, and at the government offices in the village of Uda itself, they were also warmly welcomed.  There they found 50 pack-horses that were laden down with rice meant for the hot baths at Ise.  The rice was discarded and Ohoama commandeered the pack animals so that his forces could ride, rather than walk.  Nonetheless, it was still a long way to go.  Indeed, night was approaching by the time they reached Ohono—likely the modern area of Muro-ohono and Ohonoji, along the Uda river.  They didn't want to stop, but it could be treacherous trying to navigate in the mountains in the dark.  What they needed was a light source.  And so we are told that they pulled down some of the fences of nearby houses and created makeshift torches to light their way.  Thus they were able to continue on until they reached the town of Nabari at approximately midnight. Nabari was not quite so friendly.  It was the home of a post-station, which had a duty to report things to the Afumi court.  Ohoama and his men arrived with their torches and in the middle of the night they attacked and set fire to the post station.  One can only imagine how surprised those manning the station must have been.  Presumably Ohoama's party took any horses and provisions, both for their own use and so that they couldn't be used against them.  To those members of the village that were woken up and who came out to see what was going on, Ohoama's entourage proclaimed that Prince Ohoama was heading east and that people should join them.  More specifically we are told that he said that the “Sumera no Mikoto” was on his way to the East Country. I want to pause here a moment, because there are some that say that this was the first use of the term “Sumera no Mikoto”, or, as we more commonly read the characters today, “Tennou”.  At the very least we believe that the term “Tennou” may have first used in this time period—though I do wonder about it being used in this particular instance.  I'll come back to this at the end, but for now, let's get back to the story.  So Ohoama announced to the people that he, the sovereign—for he had declared himself as such—was heading to the Eastern lands, and he invited anyone who wished to join him.  Nobody took him up on his offer, however.  It must have sounded crazy.  Ohoama had swept in at midnight, his forces carrying torches, and had attacked the post station, the symbol of the government in their midst.  I imagine that the people wanted little to nothing to do with any further conflict if they could help it. Continuing on in the darkness, Ohoama and his party came to a river—probably the Nabari River.  The Chronicle refers to it as “Yokokawa”, a term that shows up multiple times, and means something like “side river” and I suspect it was just the name for a river that ran alongside the fields or something similar.  As they were crossing, a dark cloud spread across the night sky for over 10 rods—about 100 feet.  Ohoama kindled a light and took a look at a geomantic rule to determine what it could mean.  This “rule” was possibly a type of stick or even a kind of compass-like device with a square bottom and round top, indicating the heavens and the earth.  He announced to everyone that the cloud was an omen that the country would be divided into two parts but, ultimately, their side would win out. One can only imagine how tired and worn out everyone was at this point, but apparently this urged them onward.  They reached Iga, where once again, they attacked and set fire to the posting station. Now getting through Iga must have had Ohoama's head on a swivel.  After all, Prince Ohotomo's mother was apparently from that region – he was the Iga Royal Prince, after all - so it would be understandable if people were loyal to him.  Fortunately, for Ohoama, he had his local supporters as well.  In fact, Joan Piggot points out in “The Emergence of Japanese Kingship” that Ohoama may have had a surprising amount of support from the various local elites.  Remember that the policies that Naka no Oe and the court had put into place had given power to court appointed officials at the expense of the traditional local elites.  So it may have been that those traditional local elites were more inclined to assist Ohoama against the Afumi Court, while those appointed officials, such as those who were managing the post stations, were more likely to swing the other way, since their positions and their stipends were directly reliant on the court's good graces.  This seems to have been the case in this instance, around Nakayama, in Iga, where we are told that they met with local district governors who had heard that Ohoama was on the move and who had raised several hundred men in support of his cause.  Now their ranks really had grown—compared with the relatively small group that had first set out from Yoshino the previous day, there were now hundreds of men on the march. Ohoama's forces finally arrived at the plain of Tara, or Tarano, by dawn, and with the sun coming over the mountains they briefly stopped for a moment to catch their breath and eat something.  They had just marched through the night—a distance of approximately 70 kilometers, or 43 and a half miles.  That included stops to attack and set fire to two post stations along the way, and much of the journey early on was done on foot.  During that march, their ranks had grown tremendously.  This is an incredible feat, especially with much of it being accomplished at night. Let's also quickly discuss those extra troops that had come to his banner.  Remember that prior to this, Prince Ohoama had sent messengers ahead to Mino and Owari to try and raise forces in those areas.  They had likely traveled these same roadways, and told  any allies they had to prepare.  So while the forces were raised quickly, there were no doubt some logistics that went into it. After a brief rest, the army was back on their feet, heading to Yamaguchi—modern Tsuge city.  Here Ohoama was greeted by his son, Prince Takechi, who had come from Afumi down through Kafuka—modern Kouka, aka Kouga.  He had brought several other men of his own, and presumably soldiers as well. The entire party crossed Mt. Miyama and into Suzuka, in Ise, where they were joined by the provincial governor, Miyake no Muraji no Iwatoko; Deputy Governor, Miwa no Kimi no Kobuto, and the magistrate of the famous hot baths, Tanaka no Omi no Tarumaro, among others.  That same morning, they set a troop of 500 soldiers to guard the pass.  After all, it would do them no good to have a government force suddenly appear behind them.  Also, you may recall that Ohoama's request to his allies in Mino was to take the Fuwa pass, in the north—the area more popularly known today as Sekigahara.  So now, with both the Suzuka and Fuwa passes under Ohoama's control, his forces controlled access to the Eastern countries.  The only other viable route, at least if you didn't want to get lost in the mountains, was to take the road to the north, through Koshi, and that was going to be a slog around or over the Japan Alps. So a garrison was left as a rear guard, but the troops who were not staying to guard the pass continued, turning northwards.  By sunset on the 25th day of the 6th month of 672, they had reached the foot of Kahawa Hill.  Here, Ohoama's consort, Princess Uno no Sarara, asked if they could take a break.  She was not exactly used to this kind of travel, and even riding on a palanquin, she was exhausted and fatigued.  As they looked to the sky, though, it was clear that dark clouds were gathering.  So they cut their rest short and pushed on, hoping to make it to the government offices at Mie—likely meaning modern day Yokkaichi city. Sure enough, as they continued to march, the heavens opened with a thunderstorm pouring down on them.  The entire army was soaked to the bone.  Cold and wet, when they did get to the government center or Mie district, they deliberately set fire to an entire building just so that the troops could try to warm themselves a bit.  Those who had set out from Yoshino had marched over 122km, or 75 miles, including over 700 meters of elevation up and 800 meters down.  Checking a map of the route, it suggests that a person walking it, today, without any breaks, would take around 28 hours to complete the trip, and indeed, Ohoama's took roughly one and a half days.  That includes time for their assaults on the various post stations, and a brief rest at the Tara fields.  Now, granted, they had procured horses for parts of that, and many of the soldiers had not necessarily been there since the beginning, but it is still an incredible feat, when you think about it.  I'm honestly surprised that it doesn't get more of a mention in various historical contexts.  Then again, we are still well before the age of the Samurai, which is the period most martial historians typically examine. So that night, as they were settling in at the Mie government center following their amazing dash across the mountains, word came from forces at Suzuka:  Prince Yamabe and Prince Ishikawa had apparently come to offer their allegiance to Ohoama.  However, as they weren't known to the men, they were held at the Suzuka barrier until someone could verify.  Ohoama sent Michi no Atahe no Masubito to go fetch them and bring them to him. The following morning, Ohoama worshipped towards Amaterasu on the banks of a river in the district of Asake.  Thinking about it, I'm not sure if they meant that he worshipped south, in the direction of Ise Shrine, or if he worshipped east, the direction of the rising sun.  The exact direction doesn't entirely matter, but I think we will come back to this, as it would have consequences later on. Later, Masubito returned from his errand, catching back up to the army, which was continuing on its way.  It turns out that it was not Princes Yamabe and Ishikawa that Masubito had found at Suzuka, but instead  Ohoama's own son, Ohotsu, who had come along to join his father.  I presume he had been traveling under a false name in case he ran into men loyal to the Afumi court.  He was followed by a number of others, including a list of names which I am not going to go over here because it wouldn't mean all that much.  Suffice it to say that the Chroniclers were doing their best to make sure that various families were remembered for what they did. Now just as Prince Ohotsu was joining the main force, Murakami no Woyori arrived with word that 3,000 Mino troops were mobilized and currently blocking the Fuwa Road.  You may recall that Woyori was the one that Ohoama had sent to Mino for just that purpose, scouting out the lay of the land. Ohoama sent Prince Takechi ahead to Fuwa to organize the forces there.  Then he sent two others to mobilize troops along the Tokaido region, and two others were sent into the mountains to levy soldiers from the Tousando region.  As a quick reminder: the Tokaido was the eastern sea highway, while the Tousando, the Eastern Mountain Road, went through the middle of eastern Honshu, through the more mountainous regions.  Together, these two routes would have pulled from the most populous regions of the east. As for Ohoama, he took up residence at the government center in Kuwana, where he spent some time resting for a bit. Now just as Ohoama was building up his forces, so, too, was the Afumi court.  As soon as word made it to the capital that Ohoama was on the move, chaos ensued.  Many people fled the capital, some heading to the East, perhaps to join Ohoama, while others went to hide in the mountains and marshes until all the chaos was over and the dust settled.  The young Prince Ohotomo asked the ministers what he should do, and they recommended that he immediately set out with cavalry to pursue Ohoama and catch him before he could assemble too many troops.  However, he decided not to heed their advice, instead opting to assemble an army of his own, to add to the soldiers that had already been levied.  He sent Ina no Iwasuki, Fumi no Kusuri, and Wosaka no Ohomaro to the East country, while Hodzumi no Momotari, his younger brother, Ihoye, and Mononobe no Hiuga headed to the Yamato capital—which is to say Asuka.  Ohotomo also sent Saheki no Wotoko to Tsukushi and Kusu no Iwate to Kibi, all with orders to levy troops.  He gave Wotoko and Iwate special instructions, since there was some concern that neither Tsukushi nor Kibi would be compliant, as they both had been supported by Ohoama and may feel ties to him.  So if the leaders of either of those areas were to resist, Wotoko and Iwate were authorized to execute them for treason. As Iwasuki, Kusuri, and Ohomaro headed east, they traveled around Lake Biwa and were headed to the Fuwa pass, not knowing that it was already controlled by Ohoama's forces.  Iwasuki, however, was cautious.  He realized that they might be ambushed, and so he held back from the main group.  Sure enough, he was right:  Kusuri and Ohomaro were ambushed and captured, at which point Iwasuki fled, barely escaping. The following day, Prince Takechi sent a note to his father asking him to move closer to Fuwa, so that they could better communicate with the front line.  Ohoama headed out, but left Princess Uno in Kuwana, which was well situated between Fuwa and Suzuka, and was likely far enough from the front lines to ensure that it wouldn't be disrupted by skirmishes at the passes.  As Ohoama then traveled through Wohari, the governor, Chihisakobe no Muraji no Sabichi, also joined him with a force of 20,000 men.  Ohoama had them divided up and set them on roads to various places as needed. Ohoama finally reached Nogami, just on the eastern edge of modern Sekigahara.  This is near where Tokugawa Ieyasu would eventually make his first camp as well, at his fateful battle here just under a thousand years later.  At Nogami, Ohoama would set up his headquarters, Nogami no Miya, or the Nogami Palace.  Meanwhile, Prince Takechi would handle the troops in the main part of the area near the pass, known as Wazami.  As Ohoama reached Nogami, Takechi came to conference with him.  He noted that there had already been an altercation—they had taken prisoners, who claimed that they were actually headed east to raise troops for Ohoama, but given that they didn't know who they were AND that Iwasuki had fled back towards Ohotsu-kyo suggested that this was not exactly the case. Following that incident, and a fair amount of speechifying, Ohoama eventually placed Prince Takechi formally in charge of the army, presenting him the gift of a saddle-horse.  Takechi went back to his camp at Wazami.  That night, a severe thunderstorm broke out.  Ohoama prayed that if the kami favored his case, they would make the storm abate, and immediately the thunder and lightning stopped. The next day, on the 28th, Ohoama traveled over to Wazami to review the troops and check on the military arrangements, before returning back to Nogami.  He likewise went out the following day, issuing commands through Prince Takechi, and then returned again to Nogami. At this point, soldiers were likely on their way from the Eastern provinces and elsewhere.  On the one hand, they wanted to wait and make sure that they had all the troops they needed.  But on the other hand, they didn't want to wait too long.  The Afumi court was likewise building up its forces, and the longer they waited, the greater the chance that they could dig in and entrench themselves.  Something would have to happen, soon. But that something will have to wait for the next episode.    Before we finish, though, I do want to come back to something:  the title “Tenno”, or “Sumera no Mikoto”.  Up to this point, evidence suggests that the term used for the sovereign of Yamato was not “Tennou” as we know it today, but instead was the term “Oho-kimi”.  “Oho-kimi”, or basically the “Big Kimi”—something like the primary lord—was the one lord of lords of Yamato.  But that was probably something based on local concepts of governance.  With the introduction of new ideas of governance, many based on the Han and Tang dynasty models, we see a shift in the terminology. There are poems that come from the era of Naka no Oe—Tenji Tennou—that use terms like “Huang” (皇) and “Di” (帝)—“Kou” and “Tei” in Japanese.  These are imperial terms from the continent.  At some point, however, we see that they use “Tian” (天) and “Huang” (皇).  “Tianhuang” becomes “Tennou” (天皇) when read in Japanese, and it critically utilizes the character “Tian” for Heaven.  Interestingly, this does not appear to be a term that was ever commonly used for rulers in the area of modern China.  I seem to recall that it was used here and there, but not with any frequency.  There is some thought that it may have been pulled from a term for the north star, or pole star, which sometimes used the term, I suspect referring to that star as the Heavenly Ruler—the star that the heavens themselves were focused on. For a variety of reasons, we see a particular emphasis on Heaven, and on Amaterasu, in the decades following 672, and it is thought that this is all connected.  And so it is generally from some time here, in the late 7th century, that we can probably start to refer to the sovereigns as “Tennou”. Although, it is unclear to me if the authors of the Nihon Shoki pronounced it like this or not, later glosses given for the characters in Japanese is “Sumera no Mikoto”, the kun'yomi, or Japanese reading.  The problem is that the Nihon Shoki projects this term back to the very beginning of the narrative, with “Jimmu Tennou” being the first.  However, we have some evidence that the earlier term was, as as I said before, “Ohokimi”.  For many years, there was an idea that the term “Sumera no Mikoto” first appeared in the era of Toyomike Kashikiya Hime, aka Suiko Tennou, probably because that is when Buddhism and continental studies really seem to kick off.  However, there really is no evidence of its use then, and it seems that more scholars today place its use in the late 7th or early 8th century. So there is the possibility that this title was first used by Ohoama, as some claim, when he declared that the “Sumera no Mikoto” or “Tennou” was heading to the Eastern countries.  Of course, that could also just be dramatic license by the Chroniclers, who were less concerned with what, exactly, he said and more concerned with the meaning of it all.  We've also known them to swap out older terms for those in use in the 8th century, updating the narrative. Regardless, I think that about this time we can start to refer to the sovereigns of Yamato—and eventually Japan, or Nihon, another somewhat controversial term—as “Tennou”, or “Sumera no Mikoto”, from about this period.  I'll probably still use the term “sovereign” in general, and I'll try to avoid the term “imperial” for anything prior to the 19th century, when it became a standard English translation.  After all, Empires were the rage—Chinese, Ottoman, British, Austrian, French, Spanish, you name it.  Everyone had an empire, and so Japan, following that model, must also have been an “empire”.  Even today, it is officially the “Imperial Household” and that is the official translation. However, I want to be cautious about using that translation too early, however.  The institution of “Tennou”, while modeled on the Tang dynasty, took on its own character.  As such, I think that it is best to avoid the term for now, because it really was its own thing, and I don't want to conflate too many foreign concepts of “emperor” with the idea of the Japanese ruler. As for the term “Sumera no Mikoto”—it does not appear to me that the etymology of this term is clearly known.  One explanation is that “Sumera” is related to the word “Suberu”, to rule.  “Sumera” is also defined as meaning something precious, though I'm not sure if that meaning existed before its use to refer to the sovereign.  “Mikoto” is simply an honorific referring to the sovereign, meaning “royal” or “imperial”.  I suspect that the term “Tennou” came over first, and later it became glossed as “Sumera no Mikoto”, which may have been an earlier term, but we don't have any clear evidence.  Variations do appear in the Man'yoshu, the collection of ancient poems, so the concept was clearly around by the 8th century. Anyway, I think that's enough.  We'll probably talk about it more when we get to the rise of the worship of Amaterasu.  Until then, let's continue with our series on the Jinshin War. Next episode we will kick off with some of the actual fighting and campaigns in Afumi, Iga, and in Yamato.  Until then, thank you once again for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

In this exciting episode of The Weeb Crew Podcast, we're getting in the robot once again as we tackle the what might be the most unhinged Gundam yet! Join the crew along with MercuryFalcon and Cheems to figure out if Mobile Suit Gundam GQuuuuuuX is secretly genius, aggressively mid, or an accidental fever dream. Is Machu actually Amaterasu? Did Nyaan do anything wrong? Who even is Shuuji? You'll just have to tune in to find out!

  As we approach the Summer Solstice—the longest day and shortest night of the year—this episode explores how to tap into the profound wisdom of this sacred time for both your personal growth and client work. The solstice isn't just an astronomical event; it's a powerful invitation to step into your full radiance and help others do the same. This episode dives deep into what it truly means to shine without apology. We'll explore the symbolic meaning of the solstice as a time when the sun reaches its peak power, and how this mirrors our own journey toward full visibility and authentic self-expression. You'll discover why so many of us retreat into our metaphorical caves when life gets challenging, and more importantly, how to emerge again. In this episode, you'll learn: The deeper spiritual and emotional significance of the Summer Solstice and how to work with its energy The transformative Shinto myth of Amaterasu, the sun goddess who hid her light—and what it teaches us about reclaiming our radiance Practical ways to help clients reconnect with their inner light and overcome fears of being fully seen A powerful journaling process to identify where you're dimming your own brilliance Whether you're a coach looking to deepen your seasonal practice or someone ready to step more fully into your own light, this episode offers both ancient wisdom and practical tools for transformation. Get ready to explore what happens when we stop hiding our gifts and start shining as brightly as the summer sun itself.   Resources Mentioned in the Episode   Summer Solstice Ritual PDF   FOLLOW JOANNA   applieddepthinsitute.com   instagram.com/joanna.lindenbaum   The Coaching r(E)volution Facebook Group   RATE, REVIEW, SHARE & FOLLOW (I so appreciate it!)   If you love me and the podcast, please consider rating and reviewing my show! And also sharing it with others who would love it. It makes a difference and helps us reach more people who will find the podcast valuable. Be sure to give it 5 stars and post a comment and let us know what you loved most about the episode!   Join our newsletter community and get a copy of 55 Effective Breakthrough Coaching Questions  

En este fascinante episodio del podcast, nos sumergimos en uno de los mitos más enigmáticos del panteón japonés: el momento en que Amaterasu, la diosa del sol, se refugia en una cueva, dejando al mundo sumido en una oscuridad total. ¿Qué pudo provocar que la luminosa deidad abandonara el cielo? ¿Qué hizo su hermano Susanoo para desatar semejante caos? A través de un relato envolvente y lleno de simbolismo, el podcast reconstruye este antiguo mito con detalles que revelan no solo un conflicto divino, sino también profundas claves sobre la cultura y el orden cósmico en la tradición japonesa. Un episodio imprescindible para quienes buscan historias que trascienden el tiempo y el espacio.

Idag blir det en ny programpunkt i Japanpodden. Framöver kommer vi att väva in reseberättelser från olika platser. Först ut bland reseberättelserna är staden Ise i Mie län. Centralort för den japanska ursprungsreligionen shinto och därmed även djupt förbunden med den japanska kejsarfamiljen. Här hittar vi ett helt annat Japan. Långt ifrån storstädernas neon och puls. Här promenerar man längs grusade gångar i skuggan av majestätiska cypresser. Trots att det är en hel del besökare så råder nästan en andäktig tystnad. Samtalen förs på låg volym och besökarna tassar runt försiktigt mellan helgedomarna.Tradition och historia. Följ med på en vandring i det som man i Japans nationella historieskrivning hävdar är själva ursprunget till allt. Om solgudinnan Amaterasu och om hur Japan - den uppåtgående solens rike - en gång blev till. Dela gärna avsnittet med vänner och bekanta och passa även på att teckna dig för en prenumeration på Japanpodden. NYHETERMöte mellan Ishiba och Trump planeras innan G7-toppmötet i nästa veckaJapans premiärminister Shigeru Ishiba planerar att träffa USA:s president Donald Trump i Washington, D.C., inför årets G7-toppmöte som hålls den 15–17 juni i Kanada.Syftet med mötet är att diskutera bilaterala handelsfrågor, särskilt de amerikanska strafftullarna på japanska exportvaror som bilar, stål och aluminium.Båda ledarna har tidigare uttryckt en önskan om att stärka det bilaterala samarbetet inom handel och säkerhet, men Trump har hittills inte varit villig att dra tillbaka eller sänka tullarna på japanska bilar. Incident med Shinkansen stoppar tågtrafik i norra JapanTvå vagnar på Tōhoku Shinkansen kopplade isär under en färd nära Fukushima, vilket orsakade panik bland passagerare ombord.Ingen person kom till skada, men incidenten har lett till stora avbrott på tågtrafiken till Akita och Yamagata.Nu kommer tekniker att inspektera alla kopplingar i höghastighetstågen.Det är första gången som ett liknande tillbud drabbar Shinkansen som annars anses extremt säkert.Järnvägsbolaget JR East har bett om ursäkt och lovat gå till botten med incidenten. "My Number"-kortet kan användas som körkort från mars 2026Regeringen har beslutat att det nationella ID-kortet, "My Number", ska kunna användas som körkort från och med mars 2026.Därmed hoppas man kunna förenkla identifiering och digitalisering av offentliga tjänster.Användare kommer att kunna använda både ett fysiskt kort och en digital variant som app i mobilen. I och med detta hoppas regeringen kunna minska kostnaderna för utfärdande av separata körkort.Säkerheten i det nya systemet har ifrågasatts, men den ska garanteras genom stark kryptering och så kallad tvåfaktorsautentisering.De äldre körkorten kommer vara giltiga fram till slutet av 2029.Befolkningskrisen fördjupas – lägsta födelsetalet sedan 1800-taletUnder 2024 föddes endast 686 061 barn i Japan – den lägsta antalet sedan mätningarna började 1899. Födelsetalet sjönk till 1,15 per kvinna, vilket innebär att befolkningen kommer att fortsätta minska.Premiärminister Ishiba har kallat situationen för en "nationell kris i slow motion" och har utlovat omfattande reformer för att stötta barnfamiljer, inklusive gratis förskola och längre föräldraledighet.Men kritiker menar att strukturella problem som otrygga anställningar, bostadsbrist och könsroller också måste åtgärdas.Trenden påverkar även pensionssystemet och framtida arbetskraftstillgång.En särskild myndighet med ansvar för befolkningsfrågor kommer nu att inrättas.Sumostjärnan Onosato Japans 75:e yokozunaSumobrottaren Onosato har blivit utnämnd till Japans 75:e yokozuna, den högsta rangen.Detta efter att han i maj tog hem sin fjärde turneringsseger med den imponerande sviten 15 vunna och ingen förlorad. Onosato som bara är 24 år gammal, är känd för sin smidighet, teknik och styrka – en sällsynt kombination bland brottare på den högsta nivån. Han är därmed den första japan på sju år att nå yokozuna-status och en del bedömare talar om ett generationsskifte inom sumo, där unga japanska brottare nu utmanar tidigare dominansen av brottare med ursprung i Mongoliet.Mediet Ryo Tatsuki varnar för katastrof den 5 juliDen japanska mangatecknaren och sierskan Ryo Tatsuki håller fast vid profetian om att en stor katastrof kommer drabba Japan den 5 juli.Tatsuki har tidigare förutspått bland annat katastrofen i Fukushima 2011, och har uppnått något av kultstatus i Japan.Många japaner och även utlänningar har redan bokat om sina semestrar och handeln rapporterar ökad försäljning av nödproviant. Inom den etablerade vetenskapen är man dock skeptisk och anklagar Tatsuki för att sprida ogrundad rädsla bland allmänheten. Själv står hon fast vid spådomarna och varnar för ett skalv, en tsunami, eller “något annat” kommer att inträffa den 5 juli. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit japanpodden.substack.com

Kara and Tia are back to discuss the covers of issues #2-5 of The Wicked + The Divine!Issue 2:Jamie/Matt: Amaterasu head shotSDCC cover: Amaterasu head shot in ben-gay dots2nd printing: Amaterasu head shot in B&W with makeup in colorZdarsky variant: Trolling KG and Jamie?Jamie variant: Luci as David Bowie's mugshotIssue 3:Jamie/Matt: The Morrigan head shot (lol)Stephanie Hans variant: Amaterasu performanceJamie variant: Luci performanceIssue 4:Jamie/Matt: Baal head shotKevin Wada variant: The GothsIssue 5:Jamie/Matt: Tara head shotBecky Cloonan Variant: The Goths, fallingJamie variant: SakhmetMusic provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseProducer: Mike RapinProoflistener: Brian MurrayEditor: Zander Riggs Support us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastEmail: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

In this electrifying episode of Mythlok, host Nitten Nair dives headfirst into the whirlwind legend of Kusanagi-no-Tsurugi—Japan's mythical Grass-Cutting Sword that once took on an eight-headed dragon and lived to slice again.From its jaw-dropping origin inside the belly of the monstrous Yamata no Orochi, to saving a prince from a fiery death, this is no ordinary piece of sharpened steel. We'll uncover how this wind-wielding blade became a symbol of divine authority, explore its mysterious powers, and ask the all-important question: Is it a blessing, or a beautifully crafted curse?Expect gods, monsters, windy showdowns, drunken dragons, and just enough historical conspiracy to make Indiana Jones raise an eyebrow. So unsheathe your curiosity, hit play, and let the legend slice through the fog of time!

Today, we're painting a picture of Ōkami, the 2006 action-adventure game that transformed Japanese mythology into a living watercolor masterpiece. We begin by exploring how Hideki Kamiya, fresh off titles like Devil May Cry and Viewtiful Joe, sought to create something more peaceful and healing—an idea that evolved into a game about the sun goddess Amaterasu, reborn as a white wolf. Then, we'll trace the game's journey from technical struggles and uncertain direction to the moment of inspiration that led to its unique art style and the creation of the Celestial Brush mechanic. Finally, we'll reflect on Ōkami's legacy, from its initial commercial struggles to its critical acclaim, cult following, and long-awaited sequel now in development. So, grab your brush and join us as we restore color to the world on today's trip down Memory Card Lane! Find out more at https://a-trip-down-memory-card-lane.pinecast.co

"This recording is from the Ferrara International Buskers Festival 2023. This is one of the biggest events in global street music. The performance happening in this recording is a troupe of masked Japanese drummers using large plastic oil containers as their instruments. As the microphone turns we can hear how a large castle wall behind us is reflecting the sound. The drumming sounds like traditional taiko drumming to me which was often used to motivate troops, call out orders or announcements, and set a marching pace. Additionally, taiko drumming is a very old tradition that has origins in Japanese mythology.  "For this composition, I wanted to take this very old style of drumming and put it in a more modern Japanese music genre which is Japanese city pop. In the second half of this composition, I wanted it to transition into a more ambient piece that to me sounds like the church environment because of the airy synths and lots of revered vocal samples from the recording that reflect the voices bouncing off the church walls." Taiko drumming in Ferrara reimagined by Calla Richardson. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

**SMASH** **BREAKS GLASS** Well folks, here we are with another emergency pod, reviewing another one of Heather Henson's Handmade Puppet Dreams films. This time we opted to forgo spinning the wheel to just go ahead and watch a film suggested to us by a friend over on the discord! (shout out to L_Troemel!)  For the uninitiated, Handmade Puppet Dreams is a series of short films produced by Heather Henson and her puppet company Ibex Puppetry. Founded in 2004, Handmade puppet dreams has provided the means and exposure for smaller puppet artists to create some truly unique films straight out of their own imaginations. This week the boys will be watching a found object puppet piece based on a Japanese Shinto story called Amaterasu.  This one is really special, with beautiful found objects telling a classic mythological story of feuding gods. We hope you enjoy the unique short film from Handmade Puppet Dreams! Join the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro  https://www.taetro.com/Send us a text

[Series Finale] The Middle Decks crew of the U.S.S. Amaterasu have a perfectly normal planetary survey mission---Titan by Alex-Productions | https://onsound.eu/Music promoted by https://www.free-stock-music.comCreative Commons / Attribution 3.0 Unported License (CC BY 3.0)https://creativecommons.org/licenses/by/3.0/deed.en_US#StarTrek #StarTrekAdventures #TTRPG

The Middle Decks crew of the U.S.S. Amaterasu accidentally break the Prime Directive. Again. (Part Two) --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

The Middle Decks crew of the U.S.S. Amaterasu meet "Me" after doing questionable things to a turkey (Part One) --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

Happy New Year everyone!  Join me today as I share an inspirational message that captures the energy of the season as well as the Japanese Sun Goddess Amaterasu, Celtic Brigid's "motivational steam" and light as life.  And please remember to go to Spreaker.com and hit the FOLLOW button for the show which soon will be fully migrated from Blog Talk to Spreaker and most other podcast platforms.

The Middle Decks crew of the U.S.S. Amaterasu finally make it through Pandora's Gate only to encounter a problem as bad as "radioactive borg lava" (Part Two) --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

In this episode we continue our conversation with Isabella Dawis and Tidtaya Sinutoke about their new musical, Sunwatcher. https://sunwatchermusical.com/ In 1944, a young woman in Tokyo dares to stare at the sun. Though she lives in a city under attack from American bombs – and in a body limited to the role of housewife – Hisako is determined to become an astronomer.   Her struggle leads her to the mighty Japanese sun goddess Amaterasu, who is in the midst of her own epic battle and needs a mortal's help. But can Hisako rise to the challenge? Performed by an all-Asian women and nonbinary cast, with an innovative score featuring electronic live looping and taiko drumming: SUNWATCHER is a new musical about one woman's extraordinary dedication to the power of observation. This episode features the song “Butterfly” performed by Isabella Dawis, Gemma Nha, and Anna Hashizume. Connect with Sunwatcher: Website: https://sunwatchermusical.com/ Connect with Isabella Dawis: Website: www.isabelladawis.com Connect with Tidtaya Sinutoke: Instagram: @tidtayasinutoke Website: www.tidtayasinutoke.com Connect with New York Theatre Barn: Support us: newyorktheatrebarn.givingfuel.com/nytb-yea2024 Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

The Middle Decks crew of the U.S.S. Amaterasu finally make it through Pandora's Gate only to encounter a problem as bad as "radioactive borg lava" (Part One) --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

Goddesses line up to enjoy Dan's bed.Based on a post by DustinMidnight, in 9 parts. Listen to the Podcast at Steamy Stories.In front of him were three beautiful women, each of them gorgeous in their own way. Annabelle went to give each of the girls a hug.She started with the blonde, who was wearing a pink tank top and a baseball cap, Plus a pair of short shorts that barely covered her ass. The woman smiled and hugged back.“Annabelle! It's so great to see you!” cooed the blonde “It's been what, 50 years?” After Annabelle broke the hug, the blonde gave her a kiss on the cheek.“Come on, Aphrodite. It's only been a few years. How had Hephaestus been?”“Oh, the usual. Working nonstop and hanging out in his forge. Though Aries always manages to take care of my needs. Right, honey buns?” She giggled, looking back at the man. He grunted and nodded with a thumbs-up.Annabelle moved on to hug the dark-skinned, dark-haired woman in the center who was wearing traditional-looking Indian garb.“Kali, how's it going?” she asked. “Been destroying anything?”“Not for a while. No one has given me a reason to truly destroy. Though I suppose it's good for the world. You know, I've heard you were married.” The woman looked past Annabelle, towards Dan, who gave a wave. It was then he noticed the woman who went by the name Kali had six arms, no, maybe it was ten. All he could tell was that she was very handy. He thought she was quite beautiful, although then he noticed she was wearing a necklace of small skulls. He gulped at that.The woman sneered. “He doesn't seem like much. Too skinny. And Shiva is more handsome.” She shrugged shoulders and patted Annabelle's back with one of her lower arms.The third woman looked Japanese and wore a pink silk robe with red trim.Annabelle moved to hug her and said, “Amaterasu, you're looking good. How's raising the sun going?”The woman kept her eyes down. “It has been fine. Though it's been quite a trip here today. Can we please begin our meeting? The day is young, just as I am.” She bowed her head.“Sure, come in,” said Annabelle, waving them in from the hallway. “We have a lot to talk about. Oh, and let me formally introduce my husband. His name is Dan.” Annabelle smiled as she gestured toward him, showing him off like he was a brand-new pet. Dan wondered if any of the visitors were going to pat him on the head.“He seems nice,” said Aphrodite, “But why go all the way and get married instead of just having a fling? I remember the last time I was married to a mortal.” The beautiful woman shuddered as she looked off into the distance.Dan couldn't help but ask,“What happened?”“It was horrible! I had to cook, I had to clean, no one paid attention to me, I was treated like a wench. He wasn't even great in bed!”Dan might have felt bad for her if she hadn't been sounding like a Real Housewife of Beverly Hills. He assumed she was overexaggerating.“So what did you do?” he asked.“Oh, I started the Trojan War and had him killed as soon as he went out into battle. Just like that, I was free, and I could get back with my handsome lug of a boyfriend.” Although she was wearing wedge sandals with tall platforms, she still had to get up on tiptoes to give the man behind her a kiss. He didn't show much expression, just nodded and grunted again.“Well, that's… nice.” Dan felt his head drop. He wasn't sure how to react to that. This was really a situation of utter weirdness, but he figured he'd just go with the flow.“Aphrodite, please don't scare my husband. I don't want him to run away from me just ‘cause you put crazy thoughts in his head.” Annabelle leaned over and kissed his neck. Dan's cheeks turned to a deep red in utter surprise as he smiled at his wife/goddess.Aphrodite smirked. “Oh, fine, heh. Besides, I'm just teasing the cutie. Hey, we better get down to business. I have a manicure appointment in Thessaloniki around six, and I don't want to be late. Then me and Aries-baby are gonna go out to get a drink. He wants to get in a bar fight tonight. He has to let out his anger since wars aren't happening as much as they used to.”Aries nodded as a small smirk crossed his stoic face, as though he couldn't wait to bust heads.“Well, okay,” said Annabelle, raising one eyebrow. “Yes, let's get started. Dan, can I ask you to head to another room? Not that I don't want you here, but this is a discussion between gods. And I don't think you'd enjoy hearing us speak in Celestial.” Annabelle smiled and lightly kissed his forehead. Dan was briefly annoyed, but thinking it over for a second, he decided going elsewhere would be the best option.He nodded and said, “Sure I'll just hang out with Gizzy or something, if I can find her.” He rubbed the back of his head. He was curious about what the Celestial language was, but he had a feeling if he heard it, something bad might happen. He imagined being driven to the point of madness, like maybe no mortal was supposed to truly hear the voice of gods.But then it made him wonder… Did Annabelle actually look like this, or was it just that his mind perceived her as a beautiful woman who looked very much human?. He sighed.“Thanks, sweetheart. I'll call you when we're finished.” Annabelle leaned over and kissed his cheek, and he nodded, heading off down the hallway toward the bedroom.Vanessa stumbled into her room. Her body was hurting. She wasn't sure what was going on. She felt as though she was dying. She couldn't eat and had barely slept. She felt like she was being dragged through a pasture filled with cow shit, and hitting every stinking load those cattle made. She was regretting life. She hated that she had ever met Joe Liesmith. She wished she could just flat-out die.But she was sure that if she tried killing herself, Liesmith would just bring her back. He wasn't human, he was a being, more like a demon in human flesh. But he was strange. He forced her to save people's lives, preventing their deaths, keeping them among the living. She was doing all sorts of good. Yet at the same time, it felt as though she was actually doing harm, like she wasn't supposed to be doing this. Every instinct told her to run, to hide, to get away from that man. But she couldn't, no matter where she went. No matter where Vanessa hid, Liesmith would find her. It was like they were bonded.Vanessa got down on her knees next to her bed. She hadn't done this for a long time, not since her mother died. She cried and began praying to God.“Please, God, help me, I'm in danger, I'm afraid, I'm afraid that I'm being attacked by a demon… or an angel. I don't know, but I feel like he's killing me. Please protect me. I'm begging you. H-He's scaring me, but I don't know why. Send help. Protect me. Just get this monster out of my life. I beg you, I'm begging you! I'll follow you. I'll go to church for you. Fuck, I'll become a nun if I have to! But please save me from this demon, this Joe Liesmith!”“Oh, come on now, I'm not that much of a demon, now, am I, darling?” Joe Liesmith purred. He was suddenly lying on the bed, an apple in one hand and a knife in the other. He slowly began peeling the skin off the fruit.Vanessa recoiled and weakly sank closer to the floor. “What are you?” she asked.“Hmm, I'm me. I'm Joe Liesmith. But if you must know what I am, well, it's clear you're not the sharpest tool in the shed. But how about this. I'll tell you, I'm not some insignificant demon, I'm not a monster, But I am a god.” He stood up on the bed as his body glowed. Vanessa felt herself stumbling backward, scooting a couple feet across the floor, coughing hard as she looked up to him, her body trembling in utter fear.“You're not a god. Gods are supposed to be good, not hurt people. Protectors.” She trembled even more. She wanted to run away, try and get away from this beast. But Liesmith smirked as he looked down at her. Oh, how he loved looking down at mortals; how small, how insignificant they are, only ready to be used when he wanted to use them.“But I am what I am,” he said. “The fact is, you're in my world. I'm just letting you live here.” He chuckled as he leaned down and reached to Cares her chin with his fingers.Vanessa backed away again. “What is it you want?”“Oh, nothing much, just to get your former boyfriend to leave his wife, my ex-wife. He took something that belongs to me, and as I've said once, and I'll say again, I don't like to share.”He growled as though something was pulsing in his head. It was almost as if anything that went wrong would drive this creature, this god off the rails, and nothing would sate him until he felt everything was restored.“Then why are you hurting me? Why am I in pain?” Her breathing was getting heavy as she felt her legs trembling underneath her.Liesmith chuckled more as he leaned down.“Because life is pain, it's chaos, it's unruly madness. My alignment is for creating and building, but at the same time, letting that creation destroy and run around like a pure monster.” He gave a sinister smile, his crooked smirk growing wider.“So I have something I need you to do, nothing too crazy. Just go to a bar. Drink till you throw up for all I care, but be there. Maybe seduce your old boyfriend. Dan Fremont, seriously, who names their kid that? It sounds like a name for a parody anchorman. Whatever. Just be there, and try to do what you can to get him to leave Annabelle.” He chuckled as he reached to cares her cheeks with the backs of his hands.“If you do this, I'll reward you. You can live forever and retain eternal youth. I can do that, let you live forever.” He reached down, kissing her forehead. Vanessa looked up at him and felt nothing but fear. Fear that If she didn't do this, he'd keep her alive anyway, live and suffering till the end of days, if that would ever arrive.“O-okay.” She reached to take the god's hand. She felt as if she was shaking the hand of the very devil himself. It made her sick to her stomach that she was even doing something like this, but what choice did she have?“Kick him in the balls! Kick him!” Gizzy the gremlin screamed as she raised her fist in the air, watching the television in one of the new rooms Annabelle had created in the apartment, this one done up like a man cave, complete with a bar and a pinball machine.“Gizzy, this is boxing. They don't do that. You're thinking of MMA fighting,” Dan explained as he sipped a beer. Aries was in the room, too, quietly sitting and nodding as he drank his own beer.The war god finally spoke up. “I miss the old fighting the Greeks did. No rules, no holding back. A fight till you were either knocked out or dead. Sometimes both. I remember watching Drákos báles fight the champion. The man lost an eye but won the battle. I mean, you should have seen it! The man's eye was hanging out of his skull!” Aries raised his beer in excitement. The two opponents on TV were beating the hell out of each other in the ring, with such power behind each of them. Dan and the others didn't know who was fighting, or where the fight was taking place. It had just appeared with the TV turned on.Mercifully, a bell rang and the boxers stopped and returned to their corners. While he had a chance, Dan asked, “So, since you are having an affair with Aphrodite. any advice I should have about being married to a goddess of lust?”“You need advice from me on being married to a goddess?” Aries grunted and took a swig of his beer. “Okay, one piece of advice I can give you is very important, ever stick it in the wrong hole. Did that once by accident with Pumpkin in there, and next thing, I knew she clawed my eyes out. I had to ask Hephaestus to replace them. The motherfucker started laughing his ass off. I ended up blind for a week while that fucker built new eyes for me. Though I will admit, they look cool as fuck.” As if Aries knew what Dan was about to ask, he pulled his sunglasses down, revealing two balls of flame that glowed like a pair of red suns, appearing to stare down deep into Dan's soul.“Well, that's something I never expected to deal with,” Dan muttered, taking another drink.Aries nodded and agreed,“Yep, though, hey, shit like being able to get new eyes is one of the few benefits of being a god But, fuck, it can suck at times. You mortals think it's so easy being a god. Going, ‘Oh, how I wish to be a god, how much fun It would be to have all that power doing so much, nothing could stop me.' Trust me, being a god is the most annoying thing out there. Gotta follow all the rules. And when we help out mortals, you get all pissy when one of your fellow humans fucks up our plans. I mean, yeesh. Then you run after the next new god who comes along. Take Jesus, for example. The guy walks on water and makes water into wine, and next thing I know, my temples and everyone else's get toppled by his nutty followers. I swear, if the wine the guy makes wasn't the best I've ever had, I'd kick his ass.”“Wait, so Jesus was real? Sorry, I was an atheist before all this.” Dan responded.Aries nodded and said, “Oh, yeah, he's basically a demigod, and he's still around. The guy's not as impressive as you think. I used to raise armies of the dead to fight my enemies. Aphrodite could make thousands fall under her spell. But a man from the Middle East just makes water into wine, walks on water, and heals the sick a few times, and suddenly he's super-hot. It's insane! I mean, I wasn't Mr. Popular, but come on!”Dan looked over towards Gizzy, who didn't seem to be paying any attention to the conversation. She was just watching the boxing match, throwing the old one-two with her little arms. Dan chuckled in spite of himself at the sight of the small female figure imitating the fighters. Aries continued, “Well, anyway, I'm still able to get some worshippers. Just some clever work needs to be done. But I'm more relaxed than some of the newer gods. Those guys can be assholes.”“How so?” Dan asked. He had his eyes on the fight, but his ears on the war god.“Well, basically, a bunch of them are like teenagers. Take this one guy I know. He's basically a god of the Internet. Super douchebag. Feels like he needs to be in control. Super control issues with wanting to bring on madness. It's like the worst aspects of Loki and Zeus rolled into one.”“Really? Any examples?”“Well, I can't get into too much detail, but the guy had a thing for a goddess, and she rejected him at first, before he went ahead and pulled a Zeus and tricked her into marrying him. Though unlike Zeus, this guy isn't even top shit. Just a side god. So they ended up separated, and the fucker has been bitter ever since. Hell, he was humiliated and laughed at.”“Damn. Well, guess the guy deserves it.”“Oh, yeah, but fuck, can the newer gods be a pain in the ass, especially the ones that don't need prayers. Honestly, you're lucky with Annabelle. She's the type that has a level head on her shoulders. Even Aphrodite wasn't as calm. She's really mellowed out over the years. But trust me, on a good Saturday night, the girl can be wild. I can put money on that.” He chuckled.“Yeah, yeah. Though it's been an interesting time. I mean, if anyone told me a month ago, I'd be married to a goddess today, I'd have called them crazy, or something like that.”Aries lowered his sunglasses. “Yeah, I guess so. Though, hey, it's a crazy world out there, even for us gods.”“Yep,” Dan agreed. “Hey, are you ready for another beer?” He realized his bottle was nearly finished.“Sure, sounds good. I can use a few before going off on my date with Aphrodite.” Dan got up to cross the room to the bar, and realized Gizzy was building something. He could see she had an assortment of scrap metal on the floor in front of her.“Gizzy, what are you doing?” he asked.Gizzy looked up as she tightened a screw.“Dilzooka…” was her response. Dan raised an eyebrow and said, “Okay, I have to ask. What's a dilzooka?” Aries crossed his arms and leaned forward, a scowl on his face. Gizzy rolled her eyes, rummaged briefly through the scrap metal and came up with a suction-cup-backed dildo in one hand, a long metal tube in the other. She put the dildo in one end of the tube and quickly counted down: “1; 2; 3; Fire!”A loud blast came from the dilzooka. Dan jumped for cover. The long rubber object bounced all over the place until it finally stopped. Dan raised his head to try to assess the damage. There didn't seem to be any major holes in the wall or ceiling. Gizzy looked triumphant, as if it had been a successful test of her device. Aries, though, was standing in the middle of the room with the dildo's suction cup attached right in the center of his forehead.Dan fought off the urge to laugh. The war god looked almost like a dick-headed unicorn, or maybe the word should be dildicorn. Aries just groaned as he reached up and ripped the dildo off. Gizzy was now giggling up a storm.“I'm going to see if they're done talking,” Aries muttered, stomping out of the room.Eventually, Aries came back to give Dan the all-clear. He went back to the living room to see the women sitting on the couches and smiling. Kali looked a bit bedraggled, her colorful garb torn in a few places. Dan couldn't help but ask,“Okay, what happened?”The Hindu goddess crossed her arms and looked away, clearly annoyed.Annabelle answered, “Oh, nothing much. She and Bast got into a disagreement. One thing led to another, and… well, Kali owes us a new dining room.”“I do not! It was the Egyptian pussy who was running in there while I was trying to destroy her!” Kali screamed in anger, her face turning darker, as if she was about to lose her temper.“Kali, you were throwing the fireballs. You don't want to be hit with karma, now, do you? Should I tell Shiva exactly what happened?” Annabelle lowered her glasses as she glared at the other goddess. Kali growled in annoyance, then just sighed and shook her head.“Fine, I'll have Shiva transfer the rubies and have them converted into American dollars to have your dining room repaired.”The gods soon began leaving. On their way out, Aphrodite couldn't help but ask Aries,“Sweetie pie, why is there a red circle on your head?”Aries responded with only a quiet grunt and groan. The goddess of love nodded as they began walking out the door. From the hallway, she turned around and smiled at Annabelle and Dan.“It was nice to meet you, Dan,” she said. “From what Annabelle says, you're pretty nice for a mortal. I'm sure she won't start a war and get you killed.” She giggled, and Dan wasn't sure whether or not she was joking.The front door shut, and Annabelle said, “I think Aphrodite likes you, Dan. Maybe I should keep a special eye on you.” She giggled and rested her head on his shoulder.“Heh, no need to worry. Aries can keep her. One goddess is enough for me.” Dan chuckled, but then a hand grabbed his shoulder.“Don't you mean two goddesses, boy? This kitty needs attention also.” He turned to see Bast, in her mostly-human form. She wore clothes that were in tatters, and she looked as though she had a black eye. Dan gulped.

This episode features a conversation with Isabella Dawis and Tidtaya Sinutoke about their new musical, Sunwatcher. (https://sunwatchermusical.com) In 1944, a young woman in Tokyo dares to stare at the sun. Though she lives in a city under attack from American bombs – and in a body limited to the role of housewife – Hisako is determined to become an astronomer. Her struggle leads her to the mighty Japanese sun goddess Amaterasu, who is in the midst of her own epic battle and needs a mortal's help. But can Hisako rise to the challenge? Performed by an all-Asian women and nonbinary cast, with an innovative score featuring electronic live looping and taiko drumming: SUNWATCHER is a new musical about one woman's extraordinary dedication to the power of observation. This episode features demo recordings of “Travel Song” performed by Gemma Nha and “Fight Song”performed by Anna Hashizume. Connect with Sunwatcher Website: https://sunwatchermusical.com Connect with Isabella Dawis: Website: www.isabelladawis.com Connect with Tidtaya Sinutoke: Instagram: @tidtayasinutoke Website: www.tidtayasinutoke.com Connect with New York Theatre Barn: Support us: newyorktheatrebarn.givingfuel.com/nytb-yea2024 Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

The Middle Decks crew of the U.S.S. Amaterasu engage in a conspiracy about a conspiracy of a conspiracy before deploying biological weapons. Yeah, we don't know what happened either... --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

The Middle Decks crew of the U.S.S. Amaterasu discover the true terror of being 2.54cm off as they investigate a strange synesthesia phenomenon occurring near Pandora's Gate (Part Two) --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

The Middle Decks crew of the U.S.S. Amaterasu do their best to fix AIGIS after the attack by the mysterious aliens near Pandora's Gate --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

Step into a world where ancient legends come to life on your gaming console! In this episode, we explore the top mythology-inspired video games that let you wield the powers of gods, heroes, and monsters. From Kratos' rage-fueled battles in God of War to the cunning tactics of Greek gods in Hades, we dive deep into the mythical origins behind each game. Join us as we break down how these games reimagine the stories of Greek, Norse, Japanese, and Egyptian gods, along with many others. Get ready for an epic journey through the best video games where myth meets gameplay—and discover how these legends continue to captivate players in the digital age. Plus, don't miss our thought-provoking questions at the end—if you could be any mythological figure, who would you choose? Tune in, and let the mythic adventure begin!Don't forget to like, subscribe, and hit the notification bell for more legendary content!

In this episode, we explore the incredible stories of seven powerful goddesses from world mythology, each representing unique strengths and qualities. From Athena, the Greek goddess of wisdom and war, to Oya, the Yoruba goddess of storms and winds, we dive deep into their myths, their roles in shaping their respective cultures, and the awe-inspiring powers they wield. Discover how Amaterasu illuminates the heavens, how Freya commands both love and battle, and why Pele fiercely rules the volcanic islands. Join us as we uncover the legacy of these formidable women and reflect on their significance throughout history. Don't miss this journey across mythologies, celebrating the might and wisdom of the divine feminine.Tune in, hit the subscribe button, and let these tales inspire your inner strength!

Ise Jingu is the preeminent shrine in Japan, providing sanctuary for Amaterasu, the sun goddess. In Jainism we find the Cosmic Mother, and in both South Arabia and Germany the ultimate deity was also female. In Catholicism it is Mary. In other examples we find a triune, dualistic, or all-encompassing force, again, sometimes male and sometimes female. These terms matter little, however, since what the story conveys is the key to understanding. Names and identities are just languages. Amaterasu dies for three days and is resurrected; she reflects in a mirror like the Hebrew God; her sanctuary is protected by a white veil not unlike the red veil of Isis; in myth the veil separates the earthly and spiritual planes, and the mirror is placed on a tree around which the other gods celebrate the sun goddess resurrecting and gifting life to the world - essentially a Christmas or Yule party. Her worship dates back 2,000 years to at least the time of Jesus, and before.-FREE ARCHIVE & RSS: https://www.spreaker.com/show/the-secret-teachings Twitter: https://twitter.com/TST___Radio Facebook: https://www.facebook.com/thesecretteachings WEBSITE (BOOKS, RESUBSCRIBE for early show access): http://thesecretteachings.info Paypal: rdgable@yahoo.com CashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.com

The Middle Decks crew of the U.S.S. Amaterasu discover the true terror of being 2.54cm off as they investigate a strange synthesia phenomenon occurring near Pandora's Gate (Part One) --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

[Series Premiere] The Middle Decks crew of the U.S.S. Amaterasu run into a problem when they start bouncing between the stars without any indication as to why... --- Titan by Alex-Productions | https://onsound.eu/ Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 3.0 Unported License (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/deed.en_US #StarTrek #StarTrekAdventures #TTRPG

fWotD Episode 2657: Flag of Japan Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Tuesday, 13 August 2024 is Flag of Japan.The national flag of Japan is a rectangular white banner bearing a crimson-red circle at its center. This flag is officially called the Nisshōki (日章旗, 'flag of the sun'), but is more commonly known in Japan as the Hinomaru (日の丸, 'Ball of the sun'). It embodies the country's sobriquet: the Land of the Rising Sun.The Nisshoki flag is designated as the national flag in the Act on National Flag and Anthem, which was promulgated and became effective on 13 August 1999. Although no earlier legislation had specified a national flag, the sun-disc flag had already become the de facto national flag of Japan. Two proclamations issued in 1870 by the Daijō-kan, the governmental body of the early Meiji period, each had a provision for a design of the national flag. A sun-disc flag was adopted as the national flag for merchant ships under Proclamation No. 57 of Meiji 3 (issued on 27 February 1870), and as the national flag used by the Navy under Proclamation No. 651 of Meiji 3 (issued on 27 October 1870). Use of the Hinomaru was severely restricted during the early years of the Allied occupation of Japan after World War II; these restrictions were later relaxed.The sun plays an important role in Japanese mythology and religion, as the Emperor is said to be the direct descendant of the Shinto sun goddess Amaterasu, and the legitimacy of the ruling house rested on this divine appointment. The name of the country as well as the design of the flag reflect this central importance of the sun. The ancient history Shoku Nihongi says that Emperor Monmu used a flag representing the sun in his court in 701, the first recorded use of a sun-motif flag in Japan. The oldest existing flag is preserved in Unpō-ji temple, Kōshū, Yamanashi, which is older than the 16th century, and an ancient legend says that the flag was given to the temple by Emperor Go-Reizei in the 11th century. During the Meiji Restoration, the sun disc and the Rising Sun Ensign of the Imperial Japanese Navy and Army became major symbols in the emerging Japanese Empire. Propaganda posters, textbooks, and films depicted the flag as a source of pride and patriotism. In Japanese homes, citizens were required to display the flag during national holidays, celebrations and other occasions as decreed by the government. Different tokens of devotion to Japan and its Emperor featuring the Hinomaru motif became popular among the public during the Second Sino-Japanese War and other conflicts. These tokens ranged from slogans written on the flag to clothing items and dishes that resembled the flag.Public perception of the national flag varies. Historically, both Western and Japanese sources claimed the flag was a powerful and enduring symbol to the Japanese. Since the end of World War II (the Pacific War), the use of the flag and the national anthem Kimigayo has been a contentious issue for Japan's public schools, and disputes about their use have led to protests and lawsuits. Several military banners of Japan are based on the Hinomaru, including the sunrayed naval ensign. The Hinomaru also serves as a template for other Japanese flags in public and private use.This recording reflects the Wikipedia text as of 00:30 UTC on Tuesday, 13 August 2024.For the full current version of the article, see Flag of Japan on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Geraint.

Let's celebrate the North American summer with a dive (see what I did there?) into the history of women's bathing suits. It's as fascinating, and sometimes as absurd, as you'd imagine.  I have a book coming out in August! FYREBIRDS, the sequel and conclusion to NIGHTBIRDS, is hitting shelves on August 27th, and I would love it if you'd pick up a copy. To find out all about it, go to my author website. If you're looking for a recap of NIGHTBIRDS before FYREBIRDS comes out, or are keen to read along with me for the very first time, go and listen to my four-part readalong over on my other podcast, Pub Dates. Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS. You can also pre-order the sequel,  FYREBIRDS Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and a bonus about Japanese goddess Amaterasu. Buy some merch and art available at the Exploress shop

In this four-part series, we're time traveling back to Tokugawa Japan (1603-1868) to find out what life was like there for the ladies. If you've been binging Shogun lately, then this one's for you! For show notes, including a list of sources and some cool images, go to The Exploress website (If you're dying for a full transcript, you'll find it over on my Patreon.)  In June, I'm doing a NIGHTBIRDS readalong on my other podcast, Pub Dates. Whether you're looking for a recap before FYREBIRDS comes out or are keen to read along with me for the very first time, it's going to be a lot of fun!  Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS. You can also pre-order the sequel,  FYREBIRDS, out Aug. 27. Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and a bonus about Japanese goddess Amaterasu. Buy some merch and art available at the Exploress shop

In this four-part series, we're time traveling back to Tokugawa Japan (1603-1868) to find out what life was like there for the ladies. If you've been binging Shogun lately, then this one's for you! For show notes, including a list of sources and some cool images, go to The Exploress website (If you're dying for a full transcript, you'll find it over on my Patreon.)  In June, I'm doing a NIGHTBIRDS readalong on my other podcast, Pub Dates. Whether you're looking for a recap before FYREBIRDS comes out or are keen to read along with me for the very first time, it's going to be a lot of fun! And listeners have a chance to win a prize. Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS, which is already out in hardback, and coming out in paperback on June 4, 2024. You can also pre-order the sequel,  FYREBIRDS, out Aug. 27. Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and an upcoming bonus about Japanese goddess Amaterasu. Buy some merch and art available at the Exploress shop

In this four-part series, we're time traveling back to Tokugawa Japan (1603-1868) to find out what life was like there for the ladies. If you've been binging Shogun lately, then this one's for you! For show notes, including a list of sources and some cool images, go to The Exploress website (If you're dying for a full transcript, you'll find it over on my Patreon.)  In June, I'm doing a NIGHTBIRDS readalong on my other podcast, Pub Dates. Whether you're looking for a recap before FYREBIRDS comes out or are keen to read along with me for the very first time, it's going to be a lot of fun! And listeners have a chance to win a prize. Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS, which is already out in hardback, and coming out in paperback on June 4, 2024. You can also pre-order the sequel,  FYREBIRDS, out Aug. 27. Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and an upcoming bonus about Japanese goddess Amaterasu. Buy some merch and art available at the Exploress shop

In this four-part series, we're time traveling back to Tokugawa Japan (1603-1868) to find out what life was like there for the ladies. If you've been binging Shogun lately, then this one's for you! For show notes, including a list of sources and some cool images, go to The Exploress website (If you're dying for a full transcript, you'll find it over on my Patreon.)  Don't forget: In June, I'm doing a NIGHTBIRDS recap and readalong over on my other podcast, Pub Dates. Listeners have a chance to win a prize! Ways to support The Exploress: Buy Kate's novel, NIGHTBIRDS, which is coming out in paperback on June 4, 2024. You can also pre-order its sequel, FYREBIRDS, out Aug. 27! Become a patron and enjoy exclusive bonus episodes, including one about Tomoe Gozen, an infamous Japanese warrior, and an upcoming bonus about Japanese goddess Amaterasu. Check out the merch and art available at the Exploress shop  

Filling in the rest of Takara's reign with the stories of the various envoys at court, the Baekje princes living in Yamato, and the story of a 7th century millenial cult. For more, check out https://sengokudaimyo.com/podcast/episode-107   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 107: Winds Across the Straits Villagers gathered near the center of their community.  In contrast to the clean, walled up compounds of the local elites, with their raised floor buildings, the buildings here were much simpler, often sitting directly on the ground, or dug down into the earth in the pit dwelling style that had been used for centuries.  Mostly what anyone would notice were the thatched roofs, which had been used for centuries to keep out the rain and snow.   A tall watchtower was currently unmanned as everyone had gathered around, curious at the news coming from the east. A wandering mystic had come to town, and she was spreading words of hope across the country of Yamashiro.  Over the past few years there had been droughts, famine, earthquakes, and more.  People had tried everything in conjunction with the advice of their local hafuri, or priests. They had petitioned the local kami of the rivers and lakes, they had tried imported practices like sacrificing horses, and at a nearby village they had changed the location of the marketplace to see if that would work. Even when the rains had come, the damage had been done.  Food was scarce, and many of those who had survived were hardly in the best of situations.  Life in the village, working the land, was quite different from the life of the elites.  The wealthy had servants and slaves to tend to their needs, and they had access to stores of grain and other food in times of trouble.  They also had charge of the mononofu—the warriors who worked for them and were often an implicit—if not explicit—threat of violence for anyone who didn't pay their expected taxes.  This is perhaps what made the mystic's message so alluring.  She told them about the teachings of a man from the River Fuji, in the East, named Ohofu Be no Ohoshi:  he claimed to have discovered a new kami, the god of Tokoyo, the Everlasting world.  It was said that those who worshipped this god, who appeared in the land in the form of a caterpillar that thrived on orange tree leaves, would earn great things in this new world, when it came.  The poor would become rich and the old would become young again, when the promises of Tokoyo came to fruition. But it wasn't as easy as just saying some words.  True devotees would need to prove themselves, casting out the valuables of their house and setting out any food on the side of the road.  They would then yell out: “The new riches have come!” Then they were to worship these insects that were the kami's incarnation.  They would put them in a pure place and worship them with song and dance.  Many had already started doing this, the mystic said.  Indeed, the people of Yamashiro had heard rumors of some of these new practices, but only now were learning about why they had arisen.  It was a lot to ask, to give up their valuables and the little food they had — but then again, in this dew drop world, what was there to lose, for those already working themselves to the bone?  Was this any more incredible than asking the hafuri to pray to the kami, or even relying on that new religion in Yamato, where they prayed to giant bronze and gold statues to bring about prosperity and happiness.  Besides, if so many others had joined up already, perhaps there was something to these fantastic stories. And thus, village by village, a new religion began to take hold of the countryside, eventually making its way to the capital of Yamato, itself.     Greetings, listeners!  While the thing we covered last episode -- the Isshi Incident of 645, which is to say the assassination of Soga no Iruka in front of Her Majesty Takara, aka Kougyoku Tenno -- certainly dominates the narrative in the popular imagination for this particular point in Japanese history, there was a lot more going on over these last few years, both over on the continent in the archipelago.  And so this episode we are going to cover some of that:  From the missions from Baekje, Goguryeo, and Silla, which were likely driven by conflict on the peninsula, to the Baekje Princes who resided in the Yamato court as political hostages as well as esteemed guests.  And to finish it off we'll talk about the popular 7th century millennial cult that sprang up in Yamashiro around the worship of the God of Tokoyo, the Everlasting World.  All in the reign of the Empress known to history as Kougyoku Tennou…. At least for now. Michael Como, in his book on Shoutoku Taishi, makes particular note of some of the overarching themes across the straits and how that affected what was happening—or at least what gets remembered—in Yamato.  As we discussed back in episode 98, Como makes the point that the early, opposing Buddhist factions that placed Shotoku Taishi on a pedestal were largely connected with one or more continental factions.  While the Soga were heavily connected with Baekje, other family groups, like the Hata, were more closely tied with Silla, at least according to later accounts. And on top of that, the area around Koshi and Tsunaga had ties with Goguryeo.  As the Tang dynasty and Goguryeo were in contention on their own borders, no doubt both of them and their allies were looking to nearby nations for either support or at least neutrality.  One can also see how peninsular enmities might also make their way across the strait to the archipelago with families of various ethnic backgrounds no doubt carrying on some of the continental prejudices with them even into a new land. A lot of the accounts for this reign that aren't dealing with the weather and natural disasters—topics of particular concern from the 642 to 643—are dealing with the continent. It started out in 642, with Baekje envoys arriving in the first month of that year, apparently to deliver their condolences on the death of the sovereign.  They were accompanied by Yamato's envoy to Baekje, Azumi no Yamashiro no Muraji no Hirafu, who left them at Tsukushi to rush back to Yamato via post-horse, while the Baekje envoys took their time via the normal, ship-borne route. And right off the bat we have a few things of note.  The first is this idea of post-horses.  The various circuits around the archipelago had reportedly been set up some time back, even before horses were a thing.   While a single horse would have been rather fast overland, the mention of post-horse system implies a method of travel more akin to the short-lived pony express in the American west, where various post stations were set up across the major highways so that officials could quickly traverse them, riding horseback from one station to the next, where a fresh horse would be waiting for them.  This way the horses themselves could be properly fed and rested, since no single horse could cover all of the ground in a straight up gallop, just as no person could.  Instead, this is something like a relay race, where the envoy Hirafu became the baton passed from horse to horse.  The Pony Express used stations set up at intervals of approximately 5 to 20 miles, so that the horses could be changed out frequently.  Of course, changing horses would also take some time—I've found some sources citing average speeds of only about 10 miles per hour for the Pony Express, but that beats by far the four miles per hour for a fast walker, not to mention the ability to keep going for much longer than just 8 hours a day.  Of course, he would have had to take a boat for at least some of the journey, likely crossing from Kyuushuu over to Honshuu near Shimonoseki or something similar, at which point he could have caught another horse from there.  The resonates with something that goes back to pre-Qin Dynasty times, when kingdoms on the continent would set up not just courier stations with horses, but systems of canal boats, and inns for people to stay overnight on long journeys.  Still, it must have been a grueling experience. That such a means of conveyance could take Hirafu from Kyushu to Yamato, though, implies that Yamato's reach was fairly solid all the way out to the Dazai near modern Fukuoka, at least.  It is unclear how these post stations were set up in regards to the local Miyake, or royal granaries, another government project we've talked about, but either way it demonstrates a certain degree of control over the region. And so Hirafu was able to make it back to the court in time for the ceremonies associated with the mourning of Tamura, aka Jomei Tennou, and the ascension of Her Majesty, Takara no Ohokimi.  He likewise was able to inform the court of Baekje's condolence envoys' imminent arrival and give the court a head's up on the situation in Baekje, where he said that the country was “greatly disturbed”.  When the Baekje envoys themselves arrived, Azumi no Hirafu, Kusakabe no Iwakane, and Yamato no Aya no Agata were sent to ask them about their news. From what we know in the Samguk Sagi, King Wicha of Baekje had just come to the throne.  The previous king, King Mu, died in the third month of 641, so it hadn't even been a year since his death.  Furthermore, we are told that his wife, the mother of King Wicha, had also passed away.  The Baekje envoys asked for the return of prince Saeseong, possibly the younger brother of Prince P'ung, saying he had behaved badly and they wanted to convey him back to the King, but Takara refused.  Presumably, based on context, this was one of the hostages that Yamato held from Baekje, but why they wouldn't turn them over to the Baekje envoys isn't explained.  I suspect it had something to do with the politics of King Wicha coming to the throne, which seems like it may have not been accepted by everyone, as evidenced by his tour of the realm, mentioned in the Samguk Sagi, which was likely a political move to demonstrate his authority over the realm. This colors a lot of what we are going to talk about, so let's try to get some of it straight off the bat.  Unfortunately, as we talked about in Episode 105, some of the Baekje related dates are questionable, and that means that there is a lot here that I'm going to give you where we may have to back track a bit and see if we can put it in the right order.  I'm going to try to give you the information in largely chronological order according to the Nihon Shoki, but then I'll also try and place it where we think it might actually go, so apologies if this feels disjointed. Also, let me take a moment to talk a little bit more about the Baekje royal family, which will become rather important to our narrative.  For one, there is King Wicha, son of King Mu.  Mu passed away in 640 and Wicha came to the throne.  Wicha already had several children of his own, one of whom, Prince Pung, or Prince Pungjang, will feature heavily in both the Japanese and Korean sources, though as we mentioned in episode 105, the dates around Prince Pung's arrival, which the Nihon Shoki has about 630, doesn't match up with what we know.  We are fairly confident that Prince Pung returned to Baekje in 661, which accords with the Nihon Shoki, Samguk Sagi, and Tang records.  However, Best makes a good case that he didn't actually come over to the archipelago until much later—probably 643. He wasn't the only royal prince of Baekje in Yamato, however.  We are told of two others:  Saeseong and Gyoki.  Saeseong is mentioned as being a bit of a troublemaker, and requested to come home, but Yamato refuses to let him go.  Gyoki is said to have caused trouble and been banished with some 40 others out to sea.  I have a suspicion that much of this is misplaced in the Chronicle.  Saesong may have been there first or perhaps came over with Prince Pung—I've seen him mentioned as the younger brother to Prince Pung, but I also wonder if he wasn't the younger brother to King Wicha.  Gyoki, meanwhile, despite what we initially hear about him, is invited to Yamato shortly after that entry and treated like a real celebrity.  It is unclear to me if he is a younger brother to Wicha or an elder brother to Prince Pungjang, but either way, he seems to have been a royal prince that wasn't quite in line for the throne. I suspect that in reality the mission that is listed as coming in 641 was actually much later—possibly in the 650s.  That would explain some of it, including the gossip that the Senior Counselor, Chijeok, died in the 11th month of the previous year, Aston writes off most of this as an unreliable narrative by servants.  Jonathan Best, in his translation of the Samguk Sagi, is a bit more generous and suggests that, much as with Prince Pung-jang, whom the Nihon Shoki records arriving in the 630s but who couldn't reasonably have arrived until the 640s, there was probably a dating issue.  The scribes were using records with the branch and stem system of dates, and so it could easily have been off by a factor of ten or twelve years, at least.  We know, for instance, that there is a record of Senior Counselor Chijeok in the Nihon Shoki in the 7th month of 642, though it says he died in 641.  Furthermore, we have his name on a fragmentary inscription, likely dating to 654, noting him as a patron of a Buddhist monastery.  So it would seem that word of his death was exaggerated or parts of this are coming from later accounts, and the scribes simply made a mistake.  Hence my suggestion that this entire entry might be misplaced.  If so, it would make more sense for Yamato to be asking about the fates of people that they knew, and hence hearing the fates of Chijeok and Gyoki, who had both visited Yamato and would have been known to the court.   Regardless, it likely was the case, as recorded in the Nihon Shoki, that the envoys' ship was anchored in Naniwa harbor and the envoys were put up at the official government residence there, in modern Ohosaka.  This may indicate that the mission mentioning Chijeok and Gyoki got conflated with other entries about the actual envoys of condolence and congratulations. Then, 19 days later, on the 22nd day of the 2nd month, another group of envoys showed up.  This time it was Goguryeo.  As mentioned, Goguryeo had a few things going on, but they still knew how to make an entrance.  For example, the Chronicles mention that high ministers were sent to the district office in Naniwa to inspect the gold and silver that Goguryeo had sent with their envoys, along with other things from their country.  This may have been them trying to get Yamato on their side. That said, Goguryeo had been going through a lot themselves, we are told.  First off, based on the Samguk Sagi accounts, Goguryeo had sent envoys to the Tang in 640.  In 641, the Tang court returned the favor, and in so doing their envoy, the Director of the Bureau of Operations in their Ministry of War, Chen Dade, used it as a chance to spy out the border region.  At every walled town he would offer the local officials gifts of silk, and ask to be allowed to see the scenic spots.  They let him roam freely, so by the time he went back he had an intimate account and understanding of Goguryeo's defenses along the Tang-Goguryeo border.  Goguryeo seems to have been completely unaware of this touristic espionage, but then again, they may have been distracted dealing with their own internal problems. And so the Nihon Shoki reports that the envoys delivered news of this to the court: How the younger prince of Goguryeo died in the 6th month of 641.  Then, in the 9th month, the Prime Minister murdered the king, along with some 180 people.  He then put the son of the younger prince on the throne as king. In the Samguk Sagi, these events appear to happen a year later.  Yon Gaesomun killed King Keonmu in the 10th month of 642 and put Prince Chang, aka Pojang, on the throne.  The Samguk Sagi says he was the younger brother of King Keonmu, the son of King Taeyang—who was the younger brother of King Yeongnyu, so that may be where the Nihon Shoki gets that he was the “son of the younger prince”.  Still, the gist is correct, even if it seems to be off by a year or so.  From here, Goguryeo would be at war with the Tang dynasty for much of the next thirty years, all under the reign of King Pojang.  They were able to fend the Tang off for a while, but the Tang would eventually ally with Silla, and though Baekje seems to have supported Goguryeo in general, Baekje itself was also caught between the Tang and Silla.  They no doubt hoped for Yamato's aid, but while the archipelago may have had warriors, they were still a good ways from the continent, and would likely need to avoid confrontation with Silla, who now controlled all the way to the Nakdong river basin.  Not that they wouldn't try.  Insert dramatic sound effects alluding to a later episode. All that prognosticating aside, at this point, at least from the envoys' point of view, all of the future was unwritten.  Both Goguryeo and Baekje guests were entertained at the Naniwa district office, and envoys were named to Goguryeo, Baekje, Silla, and to the no longer extant Nimna—the latter seems to have been, at this point, a not-so-polite fiction between Silla and Yamato that Nimna was still at least semi-independent. It was at this time that Gyoki was also brought to Yamato and lodged in the house of Azumi no Hirafu, the previous envoy to Baekje.  Gyoki likely knew Hirafu from his time at the Baekje court.  This was probably the actual arrival of Gyoki, I suspect. A week or so later, the Silla envoys of congratulations and condolence arrived: congratulations on Takara's ascension and then a group of envoys expressing condolence for her husband's death.  They left after less than two weeks—apparently they simply delivered their message and left, unless there was some other reason having to do with the Baekje and Goguryeo envoys being there at the same time.  No mention is made in the Nihon Shoki of exactly why they turned around so quickly. Meanwhile, Gyoki was living it up.  He's referenced as the Chief Envoy from Baekje at this point—probably the highest ranking individual from the court present.  On the 8th day of the fourth month he attended an audience with Her Majesty, Takara, and then two days later he was partying with Soga no Emishi out at his mansion in Unebi.  Soga no Emishi had good conversations and presented a good horse and twenty bars of iron, but curiously the hostage crown prince, Sesaeng, was not invited to any of this. Given that we know what the Chroniclers think of Soga no Emishi, I'm wondering if there isn't a little bit of that same feeling towards Gyoki.  After all, we were previously told he and some 40 others were exiled, so perhaps this is just leading up to that? Gyoki and his companions were later invited to witness an “archery hunt” in front of the Yosami Miyake in Kawachi.  This is glossed as “Uma-yumi” or “Horse-Bow”, leading one to wonder if this was similar to yabusame, the traditional horsed archery, performed at various shrines each year.  Or perhaps it was one of the other archery games from horseback, many of them much less savory, often using a live animal as the target, usually staked or confined to an area, and the archers circle around and shoot at them. By the 5th month of 642 – a little over three months after Baekje had first arrived with envoys of condolences, we are told that a shipp of Baekje envoys anchored together along with the ship of the Kishi family.  This is likely Naniwa no Kishi, as Naniwa no Kishi no Kuhina had been assigned as envoy to Baekje.  The envoys delivered their goods and Kuhina reported on their mission. Once again, the dates look to be slightly off.  Had Kuhina really traveled to Baekje and back in just three months?  It is possible, but not typically how things were done at the time.  Ships often had to take their time, navigating the Seto Inland Sea and then checking in at modern Fukuoka before following the island chains out to Tsushima.  At that point they could sail around Tsushima, or cross at a narrow part of the island, known today as Kofunakoshi.  We know that this was used from at least the 9th century as a place where ships coming to and from the islands would stop, often transmitting their goods to a local ship on the other side, with a crew that presumably better knew the waters and was under the command of the appropriate government.  In addition, as the ships reached various checkpoints they would stop for a while, and often another ship would be sent ahead to prepare the way for an official delegation.  Since they didn't have phones, something like this would have been required to inform the next post to be ready to receive the visitors. More likely, this would have been Kuhina finally ready to depart to take on his mission with Baekje. Shortly after this, we are told that one of Gyoki's companions died, and then his own child died—we aren't told if it was from disease or something else.  It did provide an opportunity to see some of the cultural differences between Baekje and Yamato at the time, as Gyoki and his wife refused to attend the ceremonies for their late son.  The Chroniclers explained that, in Baekje and Silla, when someone dies, the parents, siblings, and spouse were not supposed to look on them again. For what it's worth, I could find no relationship between this and any contemporary Korean practice.  This may have been something in Baekje and Silla that eventually went away.  Then again, it is possible there was something else going on, and it was misinterpreted by the Wa.  Given that the Chroniclers are dismissive of the practice, it is entirely possible that this was just slanderous rumor, too.  The Chroniclers make a point of saying that the people of Baekje and Silla who practice these kinds of death rites are without feeling, and thus no better than animals.  So, yeah, clearly the Chroniclers were presenting just the facts, right? Gyoki's child was buried in Ishikawa in Kawachi, and Gyoki moved his family to a house in Ohowi, in Kudara—which is to say the area of Kawachi named for Baekje. Two months after he lost his son, on the 22nd day of the 7th month, Senior Counsellor Chicheok and colleagues were entertained at the Yamato court.  This is that same Senior Counsellor previously thought to be dead.  Again, Aston simply treats it as gossip, while I tend to wonder if the records aren't out of order—unless Chijeok was some kind of Baekje Benjamin Button.  Entertainment at the Yamato court apparently included havingvarious people wrestle for their entertainment. Even Prince Gyoki himself entered the contest.  When the banquet was finished they went to pay their respect's at Gyoki's compound, likely stopping by and having a bit of a nightcap. Two weeks later the Baekje envoys tried to leave, but the storms kicked up.  One of the ships was wrecked on the shore.  Fortunately, it seems like those on the boat survived and they were placed on another boat a couple weeks later.  A day after that, the Goguryeo envoys left for their own country. The Baekje envoys finally made it back, we are told, 11 days later, on the 26th day of the 8th month.  Not bad given the journey they had to undertake, and actually a bit hard to believe.  In contrast, the Silla envoys, who left in the 3rd month, apparently only made it as far as the island of Iki, between Kyushu and Tsushima, by the 10th month of 642.  Perhaps they were just going at a more leisurely pace, but it does make it hard to trust that all the records were rearranged in precisely the correct order. As for this period, outside of the Silla envoys, the entire episode, starting on the 2nd day of the 2nd month of 642, finally concluded—mostly—over six months later.  It occupies most of that part of Chronicle, with the exception of the accounts of the weather, drought, and famine. After all of these people had returned to the peninsula, the Nihon Shoki focuses on a few local things from the archipelago.  Soga no Emishi was ordered to raise a levy in Afumi and Koshi to build a temple, the court levied various provinces to make ships—we aren't told why but previously this was often something done in preparation for war—and then Takara ordered Soga no Emishi to build a new palace with levies on various provinces and workmen from Toutoumi and Aki.  That was all in the 9th month, at the end of which, we are told that several thousand Emishi from the Koshi region, where Soga no Emishi had been ordered to levy workers for a temple earlier in the month, submitted to Yamato and were entertained at court. Soga no Emishi himself entertained them at his house and asked them about their welfare. This is all a bit confusing, but let's try to understand some of what might be going on.  First, you may recall in the previous reign there was a mention with General Katana who went to the east to subdue an uprising of Emishi there, so it is possible that this is a continuation of that.  At the same time, these Emishi, we are told, are from the land of Koshi. It is likely that this is evidence of Yamato's increased presence in the northern region of the island of Honshi, which stretched along the northern edge of the Chubu, or middle Honshu, region, including the Noto peninsula and eastward to Tohoku, or the Northeast region.  This had been an important area for various resources, including the source of jade magatama, since at least the early days of the Yayoi period, judging from artifacts discovered at various sites.  It is also a region connected to the current dynasty, in that Wohodo no Ohokimi, aka Keitai Tennou, generally seen as the progenitor of the current line of sovereigns, is said to have come from that region. Furthermore, this region is closely connected to various overseas trade routes.  While the most common route we hear about, at least at this point in the chronicles, is the Seto Inland Sea route, there was also a route along the Japan Sea side of Honshu, which included the areas of Izumo and the port of Tsunuga—modern day Tsuruga—which includes the Kehi shrine, purportedly for a kami who came over from the peninsula.  At least one Goguryeo mission explicitly used this route—whether intentionally or otherwise—to get to Yamato, crossing over to Afumi, aka Lake Biwa, and then taking the rivers south to Naniwa. Michael Como suggests that there is enough evidence to suggest a fairly heavy Goguryeo influence in the region.  He also suggests that the Soga had a good deal of interactions and influences themselves with Goguryeo, pointing out that Shotoku Taishi's teacher had supposedly been a monk from Goguryeo, and that the plan for Asukadera, the Soga temple, with three golden halls around a central pagoda, is extremely similar to temple plans found in Goguryeo and not in Silla and Baekje. I do feel it is worth pointing out that it is very possible that this was not Asukadera's original layout, and it is hard to say how much of the stories surrounding Shotoku Taishi we can trust. Still, Koshi was an area that had a long history of trade with the continent, and the ease of the waterways from Yamato to the Japan Sea would have made it at least strategically useful to the growing state. There is another aspect here, but it is a bit more tenuous.  There are some that suggest that Soga no Emishi's own name, or at least the name as it is handed down to us today, comes from his dealings with the Emishi people.  Here we see him intimately involved in Koshi, in the Emishi coming to submit, and him then hosting them in his own house.  So even if his name is coincidental, there does appear to be some connection there. And we are still in the first year of Takara's reign.  It was in this twelfth month that Okinaga no Yamana no Kimi finally pronounced a eulogy for the entire royal line.  As you may recall, Takara's husband, Tamura, aka Jomei Tennou, had been a member of the Okinaga royal line, so this was likely part of the ceremonies around his death and burial. There is more here about the placement of palaces, which we touched on a lot in the last episode.  There is also a lot about storms, weather, and peach blossoms blooming. Then on the thirteenth day of the third month of 643, the second year of Takara's reign, there was a terrible fire in Naniwa.  The official guest quarters for Baekje burned down, and the houses of the common people also caught fire. This is also around the time that Best suggests that Prince Pungjang, son of King Wicha of Baekje, may have actually arrived, as we discussed earlier.  That actually could be tied to events a month later, when the Dazai in Tsukushi—the government outpost on Kyushu—sent a mounted messenger to Her Majesty, Takara, to let her know that Gyoki's younger brother, the son of the King of Baekje, had arrived.  The Baekje ships, which had arrived in the area of modern Fukuoka around the 21st day of the 4th month finally arrived in Naniwa two months later.  Presumably the Baekje envoys' official guest quarters had been repaired or rebuilt at this point, and several high ministers went to inspect the tribute.  They couldn't help but notice that the tribute this time was less—fewer items and of lower quality that previously.  The Envoys promised that they would make up the shortfall. Around all of this, the drama between the Soga, Prince Naka no Oe, and others was playing out, with Iruka attacking and eventually killing Yamashiro no Oe, all of which was discussed in the last episode.  Meanwhile we get a small line about Prince Pung keeping four hives of bees on Mt. Miwa, but apparently they didn't grow large enough to multiply, so that doesn't seem to have taken off. We'll return to Prince Pungjang later.  For now, we have seen much of the disturbances that were caused and eventually led up to the Isshi Incident in 645, and 644 is full of many long entries about everything that happened, but I don't want to worry about that—we covered most of that last episode.  What I do want to concern ourselves with is the story I started the episode with – the curious tale of a man named Ohofube no Ohoshi, who started up his own millennial cult. Now there has been quite a bit of speculation around this episode, especially given that all we really have is a single entry, dated to the 7th month of 644, and here I'll quote Aston's translation:  “A man of the neighbourhood of the River Fuji in the East Country named Ohofu Be no Oho urged his fellow-villagers to worship an insect, saying: "This is the God of the Everlasting World. Those who worship this God will have long life and riches." At length the wizards and witches, pretending an inspiration of the Gods, said:--"Those who worship the God of the Everlasting World will, if poor, become rich, and, if old, will become young again." So they more and more persuaded the people to cast out the valuables of their houses, and to set out by the roadside sake, vegetables, and the six domestic animals. They also made them cry out: "The new riches have come!" Both in the country and in the metropolis people took the insect of the Everlasting World and, placing it in a pure place, with song and dance invoked happiness. They threw away their treasures, but to no purpose whatever. The loss and waste was extreme. Hereupon Kahakatsu, Kadono no Hada no Miyakko, was wroth that the people should be so much deluded, and slew Ohofu Be no Oho. The wizards and witches were intimidated, and ceased to persuade people to this worship. The men of that time made a song, saying: Udzumasa Has executed The God of the Everlasting World Who we were told Was the very God of Gods. This insect is usually bred on orange trees, and sometimes on the Hosoki. It is over four inches in length, and about as thick as a thumb. It is of a grass-green colour with black spots, and in appearance entirely resembles the silkworm.” This is remarkable in several ways.  For one, we get a glimpse of how a popular cult might get started.  Since it is at this same time the cult of Shotoku Taishi is taking hold in some temples, it is interesting to draw parallels between the two.  Como points this out in his book on Shotoku Taishi, and notes several other things.  For one is the discussion of this “ever-lasting world”, or Tokoyo.  We've heard of Tokoyo before – the  term is found in the Chronicles in the section around the Age of the Gods.  Sukuna Bikona himself leaps off to Tokoyo from a blade of grass in one story, much like an insect himself. Tokoyo is a bit mysterious.  It isn't the land of the dead, where Izanami goes to live when she dies in childbirth.  Neither is it the Great Plain of Heaven, Takama no hara, where Amaterasu dwells.  We have the gods of the Heavens and gods of the Earth, but no gods of Tokoyo.  Indeed, Tokoyo is mentioned, but not well described.  By all accounts it would appear to be a place that spirits go after death to an unchanging world, rather than coming back to this one. This fits in with various other continental ideas starting to come over at the time, especially as part of the Mahayana Buddhist tradition, which included a search for effective ways to reach enlightenment.  There had been feelings for some time that humans were already in the latter days of the law, or Mappo: the concept that the further we get from the time of the Buddha, the more morality would decline and the harder it would be for people to break the chains of materialism and desire that hold them to this plane of existence.  As such, some sects and teachers taught simpler and more expedient methods, in an effort to save all of the sentient beings.  Things like an abbreviated mantra that would help you get into a paradise where you could eventually attain enlightenment certainly had its adherents, especially amongst those who might not have the time or inclination to join the monastery themselves.  The idea of a Pure Land, or Joudo, took off early, This Pure Land, is most commonly connected with Amida Butsu, the Amithaba Buddha.  Sutras referencing Amida and the Pure Land were translated by Kumarajiva as early as the 5th century, and may have been part of the larger corpus of scrolls brought over to the archipelago.  According to the sutra, they say that if you honestly chant Amida Butsu's name just once—often through the phrase “Namu Amida Butsu”—then rather than being reborn again into the world on your death, you would instead be reincarnated in a Pure Land, where you could focus entirely on your own enlightenment for however long it would take, removing yourself from the pain and suffering of this world.  This practice was taught by the Sanron school as well as by the Hossou school in the 7th and 8th centuries, along with other practices.  It would continue to be taught, especially developing in the Tendai sect. Of course chanting “Namu Amida Butsu” was something you could do while working the fields, or doing any other number of profane, yet necessary tasks.  So you can see why this was an attractive idea to many people, even if they didn't have the ability to start a temple or study the scriptures or become monks or nuns themselves, at least in this life. Pure Land belief and practices continued to grow and develop in various Buddhists sects, but really took off as an independent practice in Japan in the Kamakura Period, appealing to warriors and commoners alike with its seemingly simple mantra. Shotoku Taishi himself is closely connected to the Pure Land concept, as Como points out.  He and his teacher, Eija, are both said to have attained the Pure Land upon their deaths.  The famous embroidery, commissioned after Shotoku Taishi's death, known as the Tenjukoku Mandala, presumably also describes a country of Heavenly Long Life.  “Tenjukoku” does not have an immediate connection to any particular continental sect or philosophy, but it does seem to be at least a cognate for some of these other ideas such as the Joudo Pure Land OR the Tokoyo of Ohofube no Ohoshi. Whether Ohoshi was, in fact, influenced by other continental ideas is unclear.  We're not even sure if his was the first use of the concept of “Tokoyo” or if that was an idea already planted in the public consciousness by that time—though if so, I would think it would be a bit more widespread.  One could understand, however, how people who had been through famines, floods, earthquakes, disease, and more might find the idea of an eternal ever-after where they could be rich and young again quite inviting.  Enough people found it so that they apparently were willing to give up everything they owned and place it out on the streets.  Even if this wasn't just a scheme to go and scoop up all the goods and skip town, one can see how this may have been viewed as disruptive and unhealthy for the community, at least by those comfortably seated in power, whose workforce was being pulled away from their labors to this new belief system. The ones who were spreading this good news, while called wizards and witches by Aston, use characters that one could just as easily ascribe to Shinto priests and sacred Miko.  Since Shinto wasn't fully formed as we know it today, I think it might be better to say various ritualists and diviners.  Whether they were true believers or simply “pretending” to be inspired, as the Nihon Shoki says, who can say for certain.  What makes one vision more objectively “true” than another, beyond your own belief and faith? And it should be remembered that bringing in new spiritual ideas wasn't, well, new.  That's how Buddhism got started, and likely was one of the ways that Yamato itself expanded its own influence.  How many other quote-unquote “cults” like this existed, and how many were absorbed into the establishment and how many were cast aside? In this case, it would seem that Ohoshi's main problem was likely that he was attracting the wrong sorts of people, which is to say he was appealing to commoners.  In the Warring States period, we would see a not dissimilar dynamic with the independent Joudo Shinshu, a sect of Pure Land Buddhism, supporting commoners in what became known as the ikkou ikki.  They formed communities that helped each other, but at the same time bucked the yoke of the local daimyo and others.  This would bring about violent retribution from warlords like Oda Nobunaga, who wasn't having any of it. Similarly, as the Tokoyo sect spread into Yamashiro and down into the capital region, Kadono no Hata no Miyatsuko no Kawakatsu decided to take matters into his own hands.  Ostensibly, he was upset that people would be so deluded, and under that pretext, he had Ohoshi killed and his followers intimidated.  Cutting the head off the snake, as it were, caused the body to wither, and apparently the Tokoyo cult was not so everlasting after all. And here's where we bring things back around.  You may recall Hata no Kawakatsu, or at least his family.  The progenitor of the Hata family was called Uzumasa, and even today their name is affixed to an area of Kyoto, which was built in the old Hata territory.  Hence the poem about Uzumasa executing the God of the Everlasting World. That area, from Lake Biwa down to Naniwa, is on that corridor from Yamato to Koshi.  The Hata themselves are connected with the continent—especially with Silla.   The Hata temple of Kouryuuji even has a Silla image said to have been obtained by Shotoku Taishi and given to them.  Along with Shitennoji, it is one of several Silla-influenced temples that helped promote the cult of Shotoku Taishi.  It is, of course, possible that we are reading way too much into this.  Some of these things could just be coincidence, but then again, why was it written down and why did the Chroniclers feel that it was important to spend ink on the process?  That's the real question here.   And what more was going on that never got written down, or at least not clearly?  It is likely that we will never truly know the answer to all of these questions.  Unless some ancient documents are found from the period that miraculously survived, with significantly different stories, it would be hard to say much more, but that doesn't mean we can't wonder. But that's all we'll do for now.  At this point, I think we've covered these years from 642 to 645 as best we could, and it is probably time to move on.  I'm not going to prognosticate on next episode just yet, other than to say that we will eventually need to talk about the Taika Reforms—the Great Change.  But that may take a little more time to research so that we can do it properly, but we'll see. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Esports podcast specializing in feeding and Overwatch. Support Plat Chat and become a member today! https://www.youtube.com/channel/UC38VAZEq3chAIPf4i2AIq7Q/join Featuring Matt "Mr.X" Morello, Joshua "Sideshow" Wilkinson, Jonathan "Reinforce" Larsson, Brennon "Bren" Hook and Connor "Avast" Prince, Scott "Custa" Kennedy, and Jack "Jaws" Wright, Kevin "AVRL" Walker, and more!

In this week's episode, professor and goddess researcher Colette Numajiri joins Meg to share her knowledge of the Japanese Goddess Amaterasu. Amaterasu Omikami ('the Great Divinity Illuminating Heaven') is the most high deity of the Shintō religion. Regarded as the Queen of Heaven, she is embodied as the sun and is depicted as such in Japan's flag. This idea of the sun as a goddess, rather than a god, is rare and may survive from the most archaic of world mythologies. Listen in as Colette and Meg share portions of Her story and reflect on modern iterations and applications as they travel back in time and space to the mythical and religious origins of the land of the rising sun. Colette is on Instagram as @coco_niji  Find her blog with articles on the goddesses and models from The Goddess Project: Made in Her Image at www.FreeSophia.com  For more from Colette visit https://niji.world/ Love, Jess and Meg --- Support this podcast: https://podcasters.spotify.com/pod/show/inherimage/support

Season 3 continues with the Goddess of the Sun, Amaterasu

So folks, it's been a while! On today's episode Crofty and Charles journey to the land of the rising sun, to examine the head of the Japanese pantheon and mythical ancestress of it's Imperial family, Amaterasu. Together they examine her earliest appearances in Japanese myth, along with wider theories as to her origin and evolving significance in Japan's culture. https://www.patreon.com/theHistocrat https://www.twitter.com/The_Histocrat Mythillogical logo by Ettore Mazza. You can find more of Ettore's excellent artwork below: https://www.instagram.com/ettore.mazza/ https://ettoremazza.tumblr.com/ Suonatore di Liuto Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Tonight, for our monthly Snoozecast+ Deluxe bonus episode, we'll read an original story about a mysterious cosmic ray that has baffled scientists around the globe. Where did it come from? What exactly was it? In our story, the phenomenon turns out to carry good fortune to the people of earth. Although the story begins and ends in science fiction, most of the science discussed including cosmic rays, interstellar distances and special relativity are not among other things. Cosmic Rays are high energy particles, usually protons, that originate from various sources within the Milky Way as well as from extragalactic sources . An international team of scientists use specialized equipment to detect, and study these rays which provide insight into the most energetic processes occurring in the universe. These processes include supernova explosions, active galactic nuclei and other astrophysical phenomena. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Enjoy this seasonal presentation as we are in the darkness of the year awaiting the return of the light.  I'll present on the stories of the Sun Goddesses who teach us about Light as Life.  I'll delve into Amaterasu and Uzume, Demeter and Baubo, Brigid and why this is the perfect time of year for making resolutions, including some tips to help stick to our promises made to ourselves for a better tomorrow.

Scientists Report Second Highest-Energy Cosmic Ray Ever DetectedAround 30 years ago, scientists in Utah were monitoring the skies for cosmic rays when they detected a surprising particle. It struck the atmosphere with much more energy than they had previously seen—enough energy to cause the researchers to dub it the “Oh My God Particle.”Over the years, a collaboration of researchers in Utah and Japan has detected other powerful rays—about 30 a year—but none that rival the OMG. In 2021, however, a second particle was detected. It was only slightly less powerful than OMG, but still many times more powerful than can be created on Earth. That 2021 particle was named “Amaterasu,” after a sun goddess from the Japanese Shinto religion. The researchers described their observations in a recent issue of the journal Science.The researchers believe the particle must have come from relatively nearby, cosmically speaking, as otherwise it would likely have collided with something in space and lost its energy. However, when they tried to trace the particle back to its origin in space, they were unsuccessful. Both the OMG particle and the new Amaterasu particle seem to have come from empty regions of space, with no violent events or massive structures to create them.Dr. John Matthews, a research professor in physics and astronomy and manager of the Cosmic Ray Physics Program at the University of Utah, joins Ira to talk about cosmic rays, how they're detected, and the challenges of finding the origin of particles like Amaterasu.These Penguins Are The Masters Of MicrosleepingDo you know that feeling when you're just so tired that your head starts to droop? Your eyes feel heavy? And you drift off for just a moment … before snapping back to alertness, wondering what just happened.Sleep comes in a variety of snoozes and sizes. We humans are not going to get a full night's rest by nodding off here and there, but that's pretty much what some chinstrap penguins do: They doze off more than 10,000 times a day, for just a few seconds at a time. And when you do the math, it can add up to 11 hours of sleep each day, according to a recent study in the journal Science.Ira talks with study author Dr. Paul-Antoine Libourel, a sleep biologist at the Neurosciences Research Center of Lyon in France, about how the penguins do this and the advantages of microsleeps.Transcripts for each segment will be available the week after the show airs on sciencefriday.com. To stay updated on all things science, sign up for Science Friday's newsletters.

durée : 00:04:50 - Avec sciences - par : Alexandra Delbot - Les rayons cosmiques sont des particules accélérées, généralement en provenance de notre galaxie. Un rayon particulièrement énergétique nommé Amaterasu vient d'être détecté mais il ne semble venir de nulle part.

Finally, the unbiased look at child soldiery that the lamestream media doesn't want you to see. Only for Funhaus+ and RT First members! Follow us on Twitter! https://twitter.com/jameswillems https://twitter.com/_JacobFullerton https://twitter.com/handsomemaster2 https://twitter.com/mc_lotta Tshirts n stuff: https://store.roosterteeth.com/collections/funhaus Welcome to Funhaus, the internet's ONLY comedy, gaming, and variety channel since 2015! Learn more about your ad choices. Visit megaphone.fm/adchoices

¿Por cuanto tiempo te le desapareciste a tu pareja? Si eres como el feo que no ve nada de malo perderte tres días con amiguitas, escucha estos oyentes con las historias descaradas más sorprendentes.¡Escucha toda la diversión y el entretenimiento del Podcast de El Bueno, La Mala y El Feo.Disponible en la App de Uforia, nuestro canal de YouTube: Uforia Podcasts, Apple Podcasts, Spotify o donde prefieras escucharnos. 

El papel de los astrónomos aficionados ha sido y es fundamental para el desarrollo de esta ciencia. Con instrumentos menos avanzados que los que hay en los grandes observatorios, pero con mucha pasión y paciencia, han logrado grandes descubrimientos y cada vez es mayor la colaboración con los profesionales. En la noche del 11 al 12 de diciembre, el asteroide (319) Leona va a ocultar la estrella Betelgeuse, una de las estrellas más brillantes del firmamento, y se ha puesto en marcha un proyecto de ciencia ciudadana para que astrónomos aficionados puedan ayudar a los profesionales en la observación de este eclipse tan particular. Hemos hablado con Sergio Alonso, profesor titular del Departamento de Lenguajes y Sistemas Informáticos de la Universidad de Granada y miembro de la Sociedad Astronómica Granadina, y con Juan Luis Rizos García, investigador del Departamento de Sistema Solar del Instituto de Astrofísica de Andalucía. Enrique Sacristán nos ha informado de la mayor explosión de rayos gamma registrada hasta la fecha. Su origen se sitúa a casi 2.000 millones de años luz, y dejó su huella en la ionosfera terrestre. Hemos informado de la detección del segundo rayo cósmico con más energía observado hasta ahora, 244 Exaelectronvoltio (Eev), procedente de una fuente desconocida. Ha sido bautizado con el nombre de Amaterasu en honor a la deidad japonesa del Sol. El rayo cósmico más potente fue registrado en 1991 con el nombre de “Oh-My-God”, con una energía de 320 EeV. Con Fernando de Castro hemos hablado del importante papel de la Neurociencia de Ramón y Cajal y de su discípulo Lorente de Nó en el nacimiento de la cibernética. Fernando Blasco nos ha recordado como es la famosa cinta de Moebius pero sobre todo, la relación que tiene que haber entre sus lados para poder confeccionarla. Un reciente estudio asegura que esa relación tiene que ser por lo menos raíz de 3. Con Jesús Zamora hemos analizado las cuestiones filosóficas suscitadas en los últimos ocho años, coincidiendo con su cargo como decano en la facultad de Filosofía de la UNED, y como la pandemia ha provocado un aumento del 60 por ciento de las matriculaciones. Escuchar audio

Amaterasu is the sun goddess, the queen of the kami, and the center of Shinto and Japanese spiritual life. As an embodiment of the sun, she is also an embodiment of Japan itself. She holds an important role in the country's history, as the imperial family traces their lineage back to her.  For Further Reading: Amaterasu Shinto: The Kami Way Amaterasu: Return of the Sun See omnystudio.com/listener for privacy information.