Podcasts about Hime

This episode looks at the Kabane and Court Rank systems in light of the changes made during this reign, in 684 and 685.  We go a bit more in depth on the kabane, what they were, and how they were organized, prior to the reorganization that took place at the end of the 8th century into just 8 kabane, total.   For more, check out our blogpost:  https://sengokudaimyo.com/podcast/episode-136   Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 136: Kabane and Court Rank   Mononobe no Muraji no Ujimaro was in a foul mood.  Once more he had been passed over for promotion, and so he continued to toil away, tallying reports as they came in from the various provinces across the kingdom. Meanwhile, Hasama no Atahe no Woshibi was now his superior, with an exalted rank and the generous stipend that came with it.  Ujimaro fumed—he was Mononobe, and his family had once all but ruled Yamato.  Though they had been perhaps reduced in circumstances since then, they still proudly held to their place as a Muraji family—a distinction that demonstrated their superior pedigree.  Meanwhile, Woshibi was from the Hasama family.  Sure, his relative, Nemaro, had been one of those on the front lines in the recent conflict, but still, his family was only atahe.  Honestly, a Mononobe was supposed to take orders from someone of an Atahe family? But this was the new way of things.  The ancient traditions were no longer enough—you had to work hard and make sure way up through this new court rank system if you wanted to succeed.  Ujimaro grumbled, but there was little he could do in the moment.  Nonetheless, he couldn't help but think about how the natural order of the world was somehow turned upside down…     Greetings and welcome back, everyone. We are working our way through the reign of Ohoama, aka Temmu Tennou.  This reign spanned fourteen years, if you include the Jinshin year of 672, though it is broken into two narratives in the Nihon Shoki.  The first chapter covers the year of the disturbance, the Jinshin no Ran, when Ohoama fought with the Afumi court, who supported his nephew, Ohotomo, on the throne.  We've covered that turbulent period previously.  The second chapter covers the other 13 years of Ohoama's reign. Last episode we covered the first year of Ohoama sitting properly on the throne.  The year 673 included Ohoama's ascension; the confirmation, continuation, and evolution of the Ritsuryou system instituted during Naka no Oe's time; as well as various ceremonies around Ohoama's ascension to the throne, including the first verifiable “Daijosai”, the specialized harvest ceremony for the first harvest season of the reign. This episode we are going to try and tackle something that people have sent in questions about.  We've touched on it here and there, but I really want to get into the Kabane system—that ancient practice of family titles that were like a collective rank system.  It was during Ohoama's reign that the court made major reforms to the kabane system and restructured it pretty extensively.  At the same time, the kabane system was gradually being replaced by other systems of displaying one's status in society—such as the court rank system, which was also revised this reign.  Eventually, without the same purpose as before, kabane would fade away, with a few remaining as honorifics and titles, but at this point they were still important.  So we'll get into both of these status systems  and discuss a little bit about what that meant for the people of the late 7th century court. From the beginning of Ohoama's reign, the court had continued to implement the cap-rank system, most recently amended in 664, by Ohoama's brother, Naka no Ohoye.  With the new rank system of 685, the format changed considerably. To better understand this, let's talk about the rank systems in Yamato and how we have gotten to this point.  We'll want to start with the kabane, and to do that, I want to take us back to a much earlier time. As you may recall, in the oldest stories in the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi, most individuals only have a single name, or they are known by the name of a location and a title.  Iware Hiko, for example, with Hiko and Hime being general masculine and feminine terms for elites from a given area.  From this, it would appear as though there was no such thing as a “family” name in early Wa societies. As I've pointed out before, that does not mean that there were not families, of course, or that lineage and family relationships were not important; we do see familial relationships, and we see concepts of lateral inheritance—from brother to brother rather than necessarily from father to son.  The rules behind such inheritance seem to have been rather malleable, however. And that all makes some sense in a society where most people are dealing with the people of their village and surrounding communities—there is no need for anything more than a given name.  Otherwise one's place of origin or their profession could easily be used to identify any given individual.  Even the elites would be known by the territory they control. I mention all of this because some of the earliest terms we see as “kabane” appear to be titular in nature—that is to say they are derived from ancient titles.  Hiko, Hime, Wake, Mimi, and Ushi are all terms we see from the ancient past, commonly found in the names of sovereigns, among other things. It isn't until some time in about the 5th century that we start to see the family units arise.  These started as something like a corporate group or guild: Those who looked after horses were all labelled as Umakai, while those who worked jade and made magatama jewels were labelled as Tamatsukuribe.  These groups or “be” were familial in that they were structured much as a family, with a single family head.  That gave the ruler a single point of contact to presumably administer all of the work that particular corporate group was expected to perform.  Furthermore, the name passed to their children, who would presumably have been brought up in the family business.  For some of these families, rather than overseeing a business, craft, or similar thing, they were, instead, administrators of a given region or locality.  We might think of these as chiefly families, overseeing domains of varying sizes.  These families were known as “uji”.  This is often translated in English as “clan”, which is an overloaded term used to describe a group that all claim familial descent from a single putative ancestor—whether real or fictional.  Many of the earliest uji were created as “-be” groups:  Abe, Mononobe, Imbe, Kataribe, etc., but they eventually started dropping “-be” altogether: Inukahi, Umakahi, Soga, Nakatomi, Wani, and the like.  For these Uji, many were connected to various deities, or kami, from which they claimed descent.  These kami are thought to be some of the original ujigami, though that term later came to be applied to various kami that were seen as guardians of a particular locale, and later uji need not claim direct descent from a kami for it to be special.  For example, the main deity of Kasuga Taisha, the shrine built in Nara in the 8th century, said to house the ujigami of the Nakatomi and Fujiwara, primarily pays worship to Takemikazuchi no Mikoto and Futsunushi no Mikoto, deities brought from the east.  Takemikazuchi is considered an ujigami of the two uji, but the oyagami, the actual parent or ancestral kami from which they claim direct lineage, would be Ame no Koyane no Mikoto, who is also worshipped as the third deity at the shrine. The fact that these uji operate more like clans means that they were made up of numerous family units, who might be scattered across the archipelago.  At the head of each uji would have been a central family to provide the uji leadership and interface with the court.  Nonetheless, they were all considered the same uji, and a rise in the fortunes of the uji applied to all of its disparate members. To be clear, there were titles attached to individual names, Sukune, for example, which is one we've encountered several times in the narrative.  Professor Kan'ichi Asakawa, in his work “The Early Institutional Life of Japan”, provides an overview of some of these corporate titles, that came to be known as “kabane”.     In all likelihood, they all had a straightforward meaning at some point.  “Omi” means minister, for example, and continues to be used in that sense—as well as as a title—up through at least the 7th century.  Another common kabane that we see is “Muraji”, which appears to originally reference someone in charge of a village or similar polity.  Asakawa suggests that it comes from Mura no Ushi, with “Ushi” meaning something like “lord” and showing up elsewhere as well.  “Kimi” also appears to be demonstrating some kind of hegemony over a land. Beyond that, here are a few others that we have seen:  Atahe—or Atai—as well as Suguri, which appears to truly be a lower level village headmaster.  Then there is Agata-nushi, aka Agata No Ushi, the Lord of an Agata, or district.  Asakawa also notes Wake, Inaki, Sukune, Kishi, and Tamitsukasaas other kabane. The kabane are interesting in that they do appear to be precedental—that is to say that there does appear to be some kind of hierarchy in terms of the social position of each uji.  The kabane did not, however, confer any particular resources.  There was no stipend attached to a given kabane, though certain court positions were only open to members of uji with the appropriate kabane.  Perhaps most notable in this are the Omi and the Muraji, which were the only two family types that held the supreme court positions—what we would likely refer to as “Prime Minister”.  These included families such as the Ohotomo no Muraji, the Mononobe no Muraji, the Kose no Omi, and the Soga no Omi.  The heads of these families had a special title—the Ohomuraji or the Oho-omi, the Great Muraji and the Great Omi.  These positions were placed at the top of the court system, allowing them unrivaled access to the levers of power.  Typically there were two to three of these individuals at any given time, down to as few as one during the height of the Soga no Omi's power and influence. It is unclear if all uji at the Omi and Muraji level had a designated Oho-Omi or Oho-Muraji at their head, or if that was only for those who were in actual positions at the top of the court structure. It is also unclear if the precedence between the Omi and Muraji was always fixed.  Early on, we see Muraji houses that appear to be holding the majority of the powerful positions, and later we see the ascendancy of the Omi households.  By the 7th century, however, it appears that Omi came first, followed by Muraji, based on the order that individuals are frequently named in the Chronicles, among other things. As for the other titles, some of them we believe we know, and others are more of a mystery.  The origin of “wake” and “kimi” are rather obscure, though they both appear to have something to do with territorial rule and belong to uji that lay some kind of claim to a blood relationship with the royal house.  Some of them may have been rulers in their own lands, prior to Yamato hegemony. “Inaki” may be related to rice castle, or storehouse, and seems to have referred to one of the smallest local units.  That also means we rarely see it in the narrative, which tended to focus on those more closely tied to the court and the royal house.  Asakawa notes that the Atahe, or Atai, seems to be for uji who possessed some amount of private land and private soldiery, but we don't know much more.  Asakawa also points out that the Suguri, Tamitsukasa, and the Kishi kabane all seem to be related to groups with ties to the continent—perhaps descended from immigrant groups.  The Kuni no Miyatsuko and the Agata-nushi are the titles with the clearest seeming ties to territorial hegemony.  “Kuni” is the term for the ancient lands, such as Yamato, Kibi, Kenu, Koshi, etc. There seem to be around 140 such “kuni” described in the archipelago.  Agata, on the other hand, were much smaller districts.  While some of these district names have survived, it is hard, if not impossible, to know exactly how many of them there were. Then you have this term: “Miyatsuko”.  Breaking that apart, he translates it as child or servant—ko—of the exalted house—miya.  Taken together, these appear to reference the elite families in charge of overseeing territorial lands.We also see another term that uses “Miyatsuko”:  Tomo no Miyatsuko.  Unlike Kuni no Miyatsuko, Tomo no Miyatsuko is a term representing a group, rather than a kabane attached to an individual family.  When the sovereign addresses the court, for example, he typically addresses the Omi, the Muraji, the Tomo no Miyatsuko and the Kuni no Miyatsuko. Asakawa proposed that, technically, all of these could fall under the term “Miyatsuko” as servants of the sovereign's house.  Rather than focusing on specifics of all the myriad kabane, however, Asakawa treats them broadly as the Omi, Muraji, Tomo no Miyatsuko, and Kuni no Miyatsuko.  The Omi and the Muraji we already touched on.  They were the houses that could, among other things, supply the court with their Ohoomi and Ohomuraji—their prime ministers.  So it makes some sense.  The Tomo no Miyatsuko and the Kuni no Miyatsuko are a little more tricky  to pin down, but Asakawa suggests that, ased on what we can tell, the heads of the Omi, Muraji, and Tomo no Miyatsuko likely attended court on a regular basis and lived nearby, whereas the Kuni no Miyatsuko were those whose heads dwelt elsewhere, likely because they were the local elites in various other areas of the archipelago.  This is in the name—the term “tomo” might be thought of as being “with” someone, and at one point it is suggested  that the Tomo no Miyatsuko are related to those who traced kinship back to the kami who originally descended from the Plain of Heaven.  However, among the myriad kabane, not all of them were strictly local, and we find some kabane doing double duty for both local and geographically dispersed uji.  Thus he also suggested that Kuni no Miyatsuko, though it was a kabane in its own right, also represented the other forms of territorial elite titles—all those who did not regularly attend the court, but instead administered their own lands.   Richard Miller, in his work, “Ancient Japanese Nobility”, does provide a suggested hierarchy of the kabane.  I don't know if I completely agree, as I think that it was a lot more complicated across the entire archipelago, but nonetheless I'll add the information to the blogpost page if you want to see at least one suggestion of relative precedence between uji of different kabane. Now let's not forget that not everyone was a member of an uji.  For one thing, the royal family—both the sovereign's immediate family and Princes who claimed a more distant relationship—were exempt from the Uji-Kabane system.  Also, the commoners, those who actually toiled and worked the land, likewise would not have been included in a given Uji.  The Uji may have directed production, and even included certain artisans, but it still only included those who were tied, in some way, to the government. Now while the Uji-Kabane system may have started as titles with actual meanings—that is to say that the names and titles were essentially indicative of a group's role in society—it didn't take too long for it to become a little more abstract.  After all, generation after generation, people change.   Individuals vied for power and position in the court and elsewhere, and one's uji may rise, and even fall, depending on how they were able to succeed in the political climate of the day.  This was augmented with the marriage politics which no doubt was conducted as much between the elite families as well as with the royal family.  And then there were the branch or cadet families.  For example, let's say that the head of a family has four children.  Each one of those children could theoretically succeed their father—if his own siblings don't do so.  With each generation, the familial ties get weaker, and smaller, sub-houses could form.  If the uji was geographically dispersed, then local branches could become more or less independent. All of this seems to have caused not a small bit of confusion, and thus we get an edict in the last months of 682: it instructed all of the uji to ensure that they had a senior member—an uji-no-kami or ko-no-kami, with “kami”, in this instance, meaning top or head, rather than deity.  This family head was to be reported to the government, presumably so that the government knew exactly who was in charge of each family.  If there were too many people in a given uji, then they were encouraged to split themselves up and submit their own heads, with government officials adjudicating the decision.  Finally, they are exhorted not to include any people that do not belong. A few things this seems to indicate.  First is that the government did not have a handle on all of the different families out there, which makes some sense.  It had been many generations since the uji had been initially set up, and the State had gone through a lot in that period.  It may also indicate that there were those making a false claim to a family name specifically for the added prestige.  How difficult would it be to claim to be a member of a prominent family that just happened to have been from a far-flung, out of the way branch?  We see this in the 10th century with the Oushu Fujiwara—a family in Tohoku, around the region of Hiraizumi, who claimed descent from the famous Fujiwara family.  Of course, the Fujiwara family by that point had grown so large, that it was next to impossible to check any such claim.  How much moreso in the age before written records were common? We've seen examples where different parts of a given Uji were recorded separately.  For example, the Aya were split early on into different groups, with the Yamato no Aya being perhaps the most often referenced, but we also have the Kawachi no Aya—the Aya from Kawachi.  And then we have the Inukahi, where we see the Ama no Inukahi and the Agata no Inukahi, referring to the Inukahi of the Sea and the Inukahi of the District, though sometimes just a reference to “Inukahi”. Of course, it also seems that these branch families maintained the kabane of the original. Over time, uji were promoted, but rarely were they demoted.  And so, over time, more and more uji are counted among the ranks of the Omi and the Muraji. At the same time, the court was changing.  With the Taika reforms and the development of the ritsuryo codes, the Uji-kabane system was no longer required for managing the realm.  Furthermore, the government was centralizing land and the produce thereof.  And so they instituted the cap-rank system, a more explicit system of rank within the court that was held by the individual, not by the entire uji.  In addition, cap-rank could be tied directly to a stipend, making the court officers more dependent on the central government, rather than on their own uji's resources. Early on, it is likely that higher cap rank was given to members of the more highly exalted uji, as those were the uji that also filled the upper echelons of government and therefore would have been best prepared to succeed in those roles.  However, as things continued, it was likely that it was going to get even more confused.  Or they would need to raise up all of the families to Omi and Muraji status, but as that happened, the meaning of the kabane themselves became less and less clear.  After all, if everyone is an “Omi” and “Muraji” than, really, nobody is. In 681, we are told that they began to put together a law code, and later a law code of 92 articles is said to have been established.  However, it seems it was still being updated, and wasn't until 689, after Ohoama's death, that all 22 volumes would be distributed to the various governors.  It became known as the Kiyomihara Codes.  In 684, Ohoama's reforms attacked the problem of the Kabane.  The record complains that the various titles had become confused.  That there were people out there taking kabane they were not entitled to, and just a general confusion because it no longer aligned quite so well with the evolving cultural norms of the new Yamato state.  Early attempts to deal with this appear to have been, in the years since they began codifying it all in 681, to raise up families and individuals to the rank of “Muraji”.  There are several records where lists of families are all given “Muraji”.  In the case of individuals being granted Muraji, it is unclear if that was going just to them or to their entire family, though there are some examples where it seems an individual was granted the title and then their uji was separately awarded the same. This seems like an initial attempt to straighten things out.  With the new bureaucratic system and the court ranks, no doubt there were people of worth from uji with less prestigious kabane who now outranked individuals from uji that were, at least on paper, more prestigious.  This can't really have solved the problem.  If anything, it just watered down the meaning of “muraji” even further, since now everyone and their brother seemed to have been granted that title. Ohoama's solution was to pare down the system to only eight kabane, total.  Some of these were existing kabane, and others were entirely new. At the bottom of this new system was the title of Inaki, which had been about the lowest territorial kabane of the existing system.  I suspect that this included all of those families that were still below the rank of Muraji, who had not been raised up in the preceding years.  However, from there it immediately jumped up to the Muraji and Omi, in that order.  And so the kabane that were previously at the top of the system were now towards the bottom.  That way, they could “promote” families into greater kabane, without needing to “demote” a bunch of existing families at the same time. Above the Omi were mostly new kabane, except for one.  The first was “Michinoshi”, a Master of the Way.  It is unclear what this was intended for, as we aren't told who was promoted to this kabane.  Based on the name, it is thought that this may have been for uji that had demonstrated a mastery of learning or perhaps some other pursuit, such as medicine, science, crafts, etc. Above the Michinoshi title was the kabane of Imiki, the fourth of eight.  This may mean something like “One who arrived”.  Some suggest that it may have originally been “imaki”.  Richard Miller, in his work “Ancient Japanese Nobility” suggests that this was effectively the equivalent of the old title of “Atahe”.  That said, most of those who received this kabane had previously been promoted to the old title of “Muraji”, though before that they were mostly Atahe, or else Obito, Kishi, or Miyatsuko. There is a thought that Imiki had something to do with “coming” and was meant for uji descended from immigrant families.  Miller notes that this is not immediately born out in the data from the Nihon Shoki, where we see about a 50:50 split between immigrant and native uji.  However, in the following chronicle, the Shoku Nihongi, we see about 100 of 150 of uji with the Imiki kabane  that were of immigrant origins, so 2/3rds.  That still isn't entirely conclusive, but does add some weight to the idea. Continuing to the 3rd kabane from the top we are at “Sukune”.  This was previously used as a kabane, but from what I can tell it was given to an individual and was not passed down to the entire uji.  Now it was something different.  Miller suggests that this kabane was for those uji who claimed descent from one of the kami, but not necessarily from the royal lineage. In contrast, Asomi, later read as “Ason”, the 2nd of the 8 kabane, literally reads as “court minister”.  It appears to be for those who claimed some connection to the royal family.  It is notable that Ohoama awarded this to some 52 families during his reign.  Compare that with making 11 Imiki and 13 Mabito, the next and highest ranking kabane.  Asomi would be the most common kabane among those at the top of the court bureaucracy.  Of all of them, this one seems to linger, perhaps because it is the kabane that was given to the Fujiwara family, who then carried that with them into later centuries. Finally, there is Mabito.  Mabito means something like “True Person” or perhaps “Upright Person”, and it seems to have gone exclusively to families with the old kabane of “kimi”.  An examination of the thirteen uji in this group indicates that they were those with close royal ties, who claimed a descent closely related to that of the royal family.  So those were the new kabane.  Although they were declared in 684 and handed out through the following year, we do see some individuals referenced with these kabane earlier in the narrative.  This is likely just due to the fact that it is how they were eventually known, and so they are given an anachronistic kabane, which was probably much easier for the compilers than trying to make sure that all of the names were exactly correct for each record. With the kabane thus dealt with, Ohoama then went on to make some major changes to the court rank system as well.  In many ways I would say that his ranks were quite novel—previous changes to the cap-rank system had largely been additions or slight modifications but had left many of the names intact with each change.  As such, the rank system decreed in 664 was really just an update to the previous cap-rank system of 649 and earlier.  And so even through 664 you still had things like “Greater brocade” as someone's rank.  Towards the end of his reign, though, along with other reforms to the government, Determining what exactly the rank system was at any given point can be a little confusing.  Depending on the record being used, names are sometimes referenced anachronistically: That is they are given with the ultimate title, kabane, or rank by which they were known. This could sometimes be after multiple phases of reform, and so the honors mentioned may not necessarily reflect that individual's ranks and position at the date of the entry.  Also the various rank systems are close enough, sharing many of the various rank names, such that it isn't immediately obvious if something different is being used. This is true of both kabane and court ranks.  Furthermore, as many individuals may only be mentioned once or twice, we may not always have a lot of data on how things may have changed.    The new system enacted in 685 was different in several ways that make it quite distinct.  In fact, we see in the record of this reign earlier mentions of individuals where their rank is given in terms of the new system even in records predating 685.  So what did that look like? The rank system of 685 still used various signifiers, which broke things up into categories, but these were broken up into 2-4 numerical grades:  Ichi-I, Ni-I, San-I, Shi-I, or first rank, second rank, third rank, and fourth rank.  This gets us closer to what was eventually an almost purely numerical system.  Each grade was then divided further into “Larger”: “Dai”; or “Broader”: “Kou” This is also where we see Princely ranks enumerated for the first time.  As we noted, previously, princely rank was something that we started to see at the beginning of this reign in the Nihon Shoki, with Prince of the third rank, etc. In 685, however, we get an actual proclamation. The Princely ranks are broken into two large categories—the bright, or Myou, ranks and the Pure, or Jou ranks.  There were two grades of Myou—Ichi-I and Ni-I, and four grades of Jou—Ichi-I, Ni-I, San-I, and Shi-I.  Each grade was further divided twice into large, dai, or broad, kou.  So you had Myou-dai-ichi-I, Myou-kou-ichi-I, Myou-dai-ni-I, Myou-kou, ni-i… et cetera.  That translates to something like Large First Bright rank, Broad First Bright rank, Large Second Bright rank, and Broad Second Bright rank.  This would continue with “Jou” replacing “Myou”, and provided a total of 12 princely ranks. As for how they were divvied out, we only see the granting of “Jou” ranks.  In fact, Kusakabe, the Crown Prince himself is given Broader Pure First Rank (Jou-kou-ichi-i).  His brother, Prince Ohotsu, was given Larger Pure Second Rank, their brother Takechi, who had helped lead the forces in the Jinshin war, was given Broader Pure Second Rank, one lower than his younger brother.  Both Kawashima and Osakabe were given Larger Pure Third Rank.  So if the highest “Pure” rank was going to the Crown Prince, then who were the Myou ranks going to?  Unfortunately, thou the system would last until the development of the Taihou code, in 703, we don't have any clear examples of the Myou ranks being handed out, so that may be a puzzle we don't unravel. Beyond the ranks for the various princes, there was another, similar set of ranks for the common court nobles.  This system had 6 categories, broken up, like the Princely ranks, into four grades, each further divided into Larger and Broader, as before.  In this case the categories were: Shou – Upright Jiki – Straight Gon – Diligent Mu – Earnest Tsui – Pursue Shin – Advancement This created 48 total rank divisions, which gave an unprecedented granularity for the court.  As for granting rank, we have a couple of examples of that, beyond just the posthumous grants.  In 686, Ohoama conferred Gon-I, the Dilligent rank, on six ministers who attended to him, personally.  There was also a request that provincial governors should select nine people of achievement who could likely be given the same. There is one strange account:  in 685, Awata no Asomi no Mabito—Mabito, in this case, being his given name—requested permission to transfer his rank to his father, but this was refused. And I think this gets to the heart of the cultural change that was underway, and which Ohoama and the court was actively encouraging.  Although the kabane titles were a collective rank, court rank, and the accompanying stipend, was for the individual.  This wasn't something that could accrue to the head of a family.  That would have been an important point at a time when the traditions of the uji system were still quite strong. So there we have it.  Hopefully there was something new for you to take away as we come to better understand Ohoama and his court. We still have plenty more to discuss—probably enough for a few more episodes as we cover some of the natural events and disasters, the ties between the court and religion, as well as what was going on with peninsular affairs, not to mention the myriad other little random tidbits.  We'll get to all of that as we can. Next episode we'll take a look at the material culture of the court.  Specifically we'll take a look at what we know about their dress and clothing, much of which was influenced by that sumptuary laws that were, themselves, tied in closely with this new rank system. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

SÉRGIO SACANI é geofísico, FELIPE HIME é astrônomo e AVI LOEB é. Eles vai bater um papo sobre extraterrestres e a possibilidade de não estarmos sozinhos no Universo. Já o Vilela é a prova que exista vida não-inteligente fora da Terra.

SÉRGIO SACANI é geofísico, FELIPE HIME é astrônomo e AVI LOEB é. Eles vai bater um papo sobre extraterrestres e a possibilidade de não estarmos sozinhos no Universo. Já o Vilela é a prova que exista vida não-inteligente fora da Terra.

Corbin Hime of Cass Lake Guide Service checks in to talk about the Cass Lake chain bite this summer, what's happening now and what he sees happening this fall (and winter).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A blind beggar named Bartimaeus who had the opportunity to ask Jesus for mercy and healing. Jesus teaches him faith, persistence in prayer, and recognizing the truth of Jesus being the Messiah. Sermon Notes Mark 10:46 Jesus, disciples and a large crowd leave Jerico and a blind man is sitting on the road Mark 10:47 That man cries out to Jesus Mark 10:48 Many tell him sternly to be quiet, but he keeps crying out Mark 10:49 & 50 Jesus stops and says bring the man to Him and he comes to Jesus Mark 10:51 Jesus asks the man what do you want Hime to do and the man responds he wants his sight restored Mark 10:58 Jesus says that the man's faith has made him well. He immediately receives his sight and follows Jesus

Get ready to meet Ezra Vervin, the voice behind incredible characters like Tae Nakanoshima in Kaiju No. 8, Hime in Tales of Wedding Rings, and Tsukiha in A Condition Called Love! From theater beginnings to anime stardom, Ezra's journey into voice acting is as inspiring as it is exciting.Join us as we chat with her about life in the booth, her love for City Pop, cozy cabin living, and how she keeps her plants thriving between recording sessions! Special Guest - Ezra Vervin https://ezravervin.com/Host: Jared Gonzalez.Cohost: Chaz Hawkins, Mauro Piquera.Master Chief Engineer: Jared Gonzalez.Editor: Jared Gonzalez.Graphics Editor: Jared Gonzalez.Digital Media Editor: Jared Gonzalez.Producer: Jared Gonzalez.

Beloved, as living stones and holy priest, we now offer living sacrifices from the heart--our lives, our praise, our love, our generosity, our prayers, and the souls we win to Christ. This is the worship God desires--offered through Jesus, pleasing in His sight. But if Christ is not yet your Cornerstone, He will be the Stone that crushes you. So come to Hime and live, before it is too late.

This week on Sparkleside Chats, Ayu talks with magical creator Rink about Sakura Hime: The Legend of Princess Sakura (2009-2012)⁠. You can find her on ⁠⁠Bluesky or ⁠⁠Tumblr.News (1:00)Upcoming shows: Cute High Earth Defense Club High Collar, New Panty & Stocking with Garterbelt, Kamitsubaki City Under Construction, The Secrets of the Silent Witch, and The Water MagicianSam Witch announced by Disney for 2026The Magical Girl Witch Trials comicalization premieres in July 2025KimiPre movie visuals have been revealedMagical Girl Lyrical Nanoha Volume 1 coming September 9thWhat I've Watched (6:18)Once Upon A Witch's DeathMaebashi WitchesK-Pop Demon HuntersMagical Girl Friendship SquadMai HimeNew Secret Jouju Season ThreeCorrector Yui Season OneMain topic: (13:30)Trigger warnings for mentions of misrepresentation of gender nonconformity, incest, torture of children, attempted murder, teen sexuality Series mentioned:Fullmoon wo SagashitePhantom Thief JeanneMagical Girl DandelionMagical Girl Tsubame PriOrcheSymphogearIdol DreamsFrozen IIYu Yu HakushoNecahualOriginal podcast music by Hazel, @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠afewbruises⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep up to date with the Magical Girl Media Google Calendar!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Submit your ideas to the podcast here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Ayu wishlist gifts from Throne!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Commission Ayu for art, drop off a donation, or sign up for bonus episodes on Ko-fi!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find the podcast online on the socials @⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠magicalgirlayu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or on Spotify for Creators at sparkleside, and don't forget to comment online with the hashtag #SparklesideChats! Contact us by email or DMs.

Dos veteranos pianistas antillanos, Alain Jean-Marie (Guadalupe) y Mario Canonge (Martinica) juntos en el disco 'Con alma' grabado en concierto en el Olympia de París. A sus 85 años, Francis Hime, autor de algunos clásicos de la música brasileña, firma 'Não navego pra chegar' con canciones como 'Chuva', 'Não navego pra chegar' -con Mônica Salmaso-, 'Um rio' -con Dori Caymmi y Olivia Hime- o 'Shakespeareana -con las guitarras del Quarteto Maogani-. Único superviviente del trío original, el bajista Alex Malheiros mantiene viva la llama de Azymuth con un nuevo disco, 'Marca passo', y piezas como 'Belenzinho', 'Marca tempo' o 'Crianças Valente'. Malheiros participó hace más de veinte años en el disco de Marcos Valle 'Contrasts' que se reedita ahora en doble LP y CD y contiene canciones como 'Parabéns', 'Valeu' -con Joyce- y 'Água de coco'. Escuchar audio

Corbin Hime of Cass Lake Area Guide Service has been busy. The bite has been good on area lakes, he's been fishing the Masters Walleye Circuit, he's gearing up for the KC Walleye Classic and he's another guide who has donated a trip for the KC Walleye Classic Raffle.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A sus 85 años, Francis Hime, autor de algunos clásicos de la música brasileña, acaba de publicar 'Não navego pra chegar' con canciones como 'Chuva', 'Não navego pra chegar' -con la voz de Mônica Salmaso-, 'Um rio' -con Dori Caymmi y Olivia Hime-, 'Tempo breve' -con Zelia Duncan- o 'Imaginada' -con Ivan Lins-. De 'Kind of Miles', el homenaje del trompetista Paolo Fresu a Miles Davis, 'It never entered my mind', 'I thought about you', 'Diane' y 'Time after time'. Y un anticipo del próximo disco de Gabriel da Rosa 'Cacofonia': 'Seu João' y 'No fundo'. Despiden Edison Machado & Boa Nova con 'A chegada'.Escuchar audio

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Edu Lobo e Yvette, Paulinho Nogueira, Chico Buarque, Toquinho e Vinícius, Agostinho dos Santos, Tito Madi, Maysa, Nara Leâo, Wanda, Elza Laranjeira, Jane, Olívia Hime, Ana Lúcia y Alaíde Costa.Escuchar audio

This week at NSTA: The Bus Stop - Executive Director Curt Macysyn is joined by first-time guest, Cherie Hime, Executive Director of the Wisconsin School Bus Association (WSBA) to close the March celebration of Women History Month on the podcast. Cherie outlines her background in the association management and how that led her to taking reins at WSBA in 2014. She talks about her day-to-day work as an Executive Director, handling everything from marketing and membership to events and advocacy. Cherie and Curt talk about current legislative activity in Wisconsin and highlight WSBA's annual Legislative Day. And lastly, Cherie shares what being a woman in transportation means to her emphasizing the importance of networking and collaboration to help other women grow within the student transportation industry. Become a subscriber and listen to a new episode of NSTA: The Bus Stop every week - targeted advertising packages are available too!Support the show

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Olívia Hime, Tom Jobim, Casuarina, Paulinho da Viola, Edu Lobo, Jorge Mautner y Johnny Alf.Escuchar audio

Studios Gainax and feel. collaborate to present Shikabane Hime, an action horror anime about a boy who stumbles into a world of Buddhist monks and undead girls fighting cursed entities from beyond the grave. BJ and Duffo discuss zombie kindergarteners, factional disputes about whether women are people, and a villain collecting tortured souls with an evil driverless car. Our theme song is Endless 808 by I.K.

Hoje vamos falar sobre as mais diversas pseudociências que existem, com Pirula e Felipe Hime.

Neste episódio o Sérgio vai falar sobre galáxias, com a participação do Felipe Hime.

Ever felt the emotional rollercoaster of life's highs and lows, all crammed into one week? Scott Powers certainly has with his parents' recent hospitalization, and the incredible support he received. Meanwhile, Jim Banks brightens things up with the news of his newest furry family member, Ember, and the joyful chaos of his son Jimmy's back-to-school adventures. Join us as we welcome Sarah Hime, the dynamic Kitty Kat from "Pink is In," and navigate through heartfelt stories and lighthearted moments that resonate deeply with our listeners.Discover the inspiration behind Sarah Hime's poignant short film, "Alice is Fine," which tackles the pressing issue of gender bias in healthcare. Sarah opens up about her own medical struggles and the emotional journey of crafting this impactful eight-minute dramedy. Get an insider look at the collaborative magic that brought this story to life, from the creative guidance of Vivian Endicott Douglas to the whirlwind of assembling a talented team for production. This episode is a testament to resilience, teamwork, and the power of storytelling to effect change.https://gofund.me/568f01cbHey, what's up! Just wanted to let you know about this incredible short film called *Alice Is Fine* that dives into the real struggles women face with gender bias in healthcare. Your donation, no matter the size, will help bring this important story to life—click the link below to donate or share the link to spread the word. Thanks a ton!Thank you for giving us a go, and hope you stick with us as we have some really amazing guest on and hole you have a laugh or two but no more than three. Support the Show.Thank you for joining us on today's show, as always, we appreciate each and every one of you! Talk to you soon.X - @PodcastScottIG - Powers31911

Neste episódio o Sérgio vai falar sobre os 2 anos do James Webb, com a participação do Felipe Hime.

O oitavo episódio temático do Flow é sobre vulcanologia e aurora boreal.

FELIPE HIME é astrônomo, e ROBERTA DUARTE e DANIELE HONORATO são astrofísicas. Eles vão bater um papo sobre como o universo veio à se formar. O Vilela vai conferir se as informações batem com o que ele viu pessoalmente. ENCONTRO EXCLUSIVO DE ASTROFÍSICA - DANIELE HONORATO Cupom

Hoje vamos falar com Felipe Hime, youtuber e astrofísico em formação, e com Ben Hur Varriano e Belchior Varriano, cofundadores da 1ª IA Generativa Multimodal do Brasil.

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Maria Bethânia, Elba Ramalho, Flávio Venturini, Jane Duboc, Zezé Motta, Maria Alcina, Dominguinhos, Wanderléa, Célia, Miúcha, Leila Pinheiro & Francis Hime, Olívia Hime, Vinícius de Moraes, Marcelinho da Lua & Black Alien & Bi Ribeiro y Limusine Negra.Escuchar audio

"There's no manual or handbook on how to navigate this industry. You know, you're just kind of thrown into the shark tank."Adult entertainer Hime Marie joins host August Skye to discuss her journey from makeup artist to camming on Chaturbate and entering mainstream porn. Hime shares insights on the industry's health challenges, the impact of 2020, and the importance of balancing social interaction. She talks about her heritage, her engagement to male talent Kyle Mason, and her recent exploration into AI content creation. With topics ranging from collaboration pitfalls to her role as a feature dancer, this episode dives deep into the realities of the adult entertainment world. Follow Hime Marie as @corndog_princess on Instagram for more.Watch this episode on YouTube Listen on - Spotify, Amazon Music, Apple PodcastsFollow @Hustle_BunnyPod and host August SkyeHime Marie's Instagram: @corndog_princessPowered By The Plug Podcast NetworkThis Week's Bunny ListWebcamsErotic Delay Spray New Toys fo Summer ;) UrinaryTract Health SupplmentNew MakeupLube LifeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ezra Vervin is an American voice actress. She's best know for voicing Hime in Tales of Wedding Rings, Tsukiha in A Condition Called Love, and Tae Nakanoshima in Kaiju No.8. In this episode I talk to Ezra about her career, the dubbing process, Tales of Wedding Rings, Kaiju No.8, vocal placement, and anime in general. Ezra's website and social media: https://ezravervin.com/ https://twitter.com/EzraV https://www.instagram.com/ezravervin/

Hime Marie and Josie Marcellino join Ralph Sutton and Big Jay Oakerson and discuss Jose Marcellino's cosplay Instagram account, Ralph's finger slicing accident, Hime Marie's engagment to a male porn star and how they navigate their open relationship, how Hime Marie chose the name "Corndog Princess," the two straight male porn stars that Hime Marie made kiss on a porn shoot, a game of trying to determine whether a porn clip is real or AI, Hime Marie and Josie Marcellino's first concert, first drug and first sexual experience and so much more!(Air Date: April 24th, 2024)Support our sponsors!YoDelta.com - Use promo code: Gas to get 25% off!To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Hime MarieTwitter: https://twitter.com/HimeXMarieInstagram: https://instagram.com/Corndog_PrincessJosie MarcellinoTwitter: https://twitter.com/JosieMarcellinoInstagram: https://instagram.com/JosieMarcellinoRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/Big Jay OakersonTwitter: https://twitter.com/bigjayoakersonInstagram: https://www.instagram.com/bigjayoakerson/Website: https://bigjaycomedy.comThe SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Crunchyroll Game Vault opens doors to immersive gaming experiences, from the nostalgic charm of "Hime's Quest" to the action-packed world of "One Punch Man: World." Dive in and embark on unforgettable adventures with Crunchyroll's gaming offerings. In November 2023, Crunchyroll introduced the Game Vault exclusively for Mega and Ultimate Fan subscription members, a strategic move in response to the gaming ventures of competitors like Netflix. We delve into the vault's offerings, with a focus on the retro-style gem, "Hime's Quest," and the exhilarating "One Punch Man: World." Hime's Quest: Meet Hime, the beloved mascot of Crunchyroll, born from a 2012 contest to create personified characters for the service. Hime is a "Kitsune" or Japanese trickster fox spirit. She is also a high school senior managing Crunchyroll's website with a squad of spirits while also doubling as a ninja! "Hime's Quest," is an 8-bit action-adventure game, initially released for Game Boy Color and PC browsers. Synopsis: Set in 1999, players assume the role of Crunchyroll-Hime, tasked with saving the Anime Club from the havoc of Y2K. Can you uncover the culprit behind the chaos? One Punch Man World Synopsis: Journey into the world of "One Punch Man," where Earth's cities and the Hero Association face relentless monster attacks. Follow the story of Saitama, the laid-back yet overwhelmingly powerful hero capable of defeating any opponent with a single punch. Released on January 31st, 2024, "One Punch Man: World" promises a thrilling adventure as Saitama faces a new formidable foe. Will his unparalleled strength prevail? As always feel free to email us at ouranimeshow@gmail.com and check us out at https://beacons.ai/ouranimeshow

SÉRGIO SACANI é geofísico e FELIPE HIME é astrônomo. Eles vão bater um papo sobre o eclipse total que acabou de acontecer, vulcões, a aurora boreal e, se der tempo, algumas receitas de bolo. Já o Vilela presenciou o primeiro eclipse da história.

This week on Sparkleside Chats, Ayu talks with magical translator Sasha about the second half of Hime-chan's Ribbon (1992). You can find her on ⁠Twitter⁠ or BlueSky. News (1:00) New comics: Magilumiere #11, “You're Banished!” The Banished One Was Not Me But the Silent Magical Girl #1, Magical Girl Regina Lena #1, Magical Girl 201 #1, Magical Maiden Mimi available for preorder now! New games: The Witch Trials of the Magical Girls, Witchroid Vania, Rainbow Cotton New musicals: Winx Forever, Dancing Star PreCure (2?) AiPri gets a simulcast… in Spanish only! What I'm watching: (6:45) Magical Girl Aiko Wonderful PreCure Princess Gwenevere and the Jewel Riders Main Topic (10:30) Warning for kidnapping, mention of death, fatphobia, and racism against people of the SWANA region. Series mentioned: Lyrical Nanoha Precure Healer Girl Acro Trip Magilumiere Co Ltd Magical Girl Tsubame Minky Momo Sailor Moon Sally the Witch Himitsu no Akkochan Digimon Mama's a Fourth Grader Music featured:  The Energy of Your Smile (Opening) First Summer (Ending 2) Original podcast music by Hazel, @⁠⁠⁠⁠⁠⁠⁠⁠afewbruises⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Want to share your idea for a topic or guest? Submit your idea here!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Extra special hugs to anyone who buys something off the magical wishlist!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Commission Ayu for art, drop off a donation, or sign up for bonus episodes on Ko-fi!⁠⁠⁠⁠⁠⁠⁠⁠ Feel free to leave a message on Anchor about your favorite magical girl series and it might just appear on a later episode. Find the podcast online on Twitter or Instagram @⁠⁠⁠⁠⁠⁠⁠⁠magicalgirlayu⁠⁠⁠⁠⁠⁠⁠⁠ or on Anchor at sparkleside, and don't forget to comment online with the hashtag #SparklesideChats! Contact us by email or DMs. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sparkleside/message

Neste episódio Sérgio recebe Felipe Hime para falar sobre aurora boreal, vulcões e a viagem para a Itália.

Special Guest: S&T Guest Host Jim Hime Beer Tasting: Back Pew Brewing "Sweet Salvation" Brown Ale (Porter, TX) Beer Tasting: Westbound And Down Brewery "Juice Caboose" Hazy IPA (Lafayette, CO) Beer Tasting: Cycle Brewing "Rare Dos" Whiskey Barrel-Aged Imperial Stout (St. Petersburg, FL) Spirit Tasting: Doc Swinson's Single Barrel Straight Rye Whiskey (Ferndale, WA)

This episode we continue to try to pull apart the figure known as Shotoku Taishi, aka Prince Umayado, aka Prince Kamitsumiya, aka Toyotomimi no Mikoto.  We'll take a look a little more at what we know and talk about just what we might or might not know about the actual figure behind the legend that has been built up. For more, check out the podcast website at https://sengokudaimyo.com/podcast/episode-99 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 99: The Prince of the Upper Palace. This is the second episode focused on the famous Prince known as Prince Shōtoku Taishi.  Last episode we went over the various stories that are told about this Prince in the various histories as well as some of the temple records.  Of course, it is generally agreed that most, if perhaps not all, of the information on Prince Shōtoku Taishi, which is to say, the Crown Prince of Great Virtue, is at best exaggerated, and at worst is completely made up at a later time by people deliberately trying to appropriate his story.  Unfortunately, it is extremely difficult to tell what is pure fiction and what might be some semblance of reality, but we'll give it a try as best we can. I will say that there is a *lot* that has been written about Shōtoku Taishi and his alter egos, Prince Umayado, aka Prince Kamitsumiya, aka Toyotomimi no Mikoto.  A lot more than I have time to truly delve into.  Besides various sources in Japanese, one of, if not the, most extensive look at sources mentioning the Prince is probably by Dr. Hermann Bohner in the 1930s and 1940s—however, his work, which I am told is over a thousand pages in length, is also entirely in German.  I'm not sure anything quite that extensive has been written in English.  Furthermore, other works out there, like Michael Como's own work, “Shōtoku: Ethnicity, Ritual, and Violence in the Japanese Buddhist Tradition”, often speak more to what the stories of Shōtoku Taishi say about developments in Japanese culture over time, focusing on the Cult of Shōtoku and what it said about Japan in general rather than focusing on the individual.  I am not going to have time to read all of the sources and condense them down for you, but I'm not sure that is exactly necessary.  Just be aware that there is a lot of ink that has been spilled over Shōtoku Taishi in one way or another. As for theories on the actual prince, they vary widely.  Some say that there was, indeed, a powerful figure at court known as Prince Umayado or, alternatively, as the Prince of the Upper Chamber, and he may have even been the Crown Prince, in line to inherit the throne had he not tragically passed away before the death of the current sovereign, Kashikiya Hime, aka Suiko Tennō.  Others suggest that the portrait we have is actually a composite—the work of many different individuals, all wrapped up in the guise of a single, powerful individual who instituted sweeping changes across the archipelago and single-handedly gave birth to the Japanese state.  Of course, there are also those who accept the story as true—or at least as true as the rest of that period of history. For my part, I believe I'm closer to the ideas proposed in 1999 by Ōyama Seichirō, in his book ‘Shōtoku Taishi no Tanjō', who suggested that there likely was an actual Prince Umayado, but that his story was exaggerated by the compilers of the Nihon Shoki and by later groups promoting the Shōtoku cult. By the way, when I mention the Shōtoku “cult” I want to be clear what I mean—cult in this instance is more like a cult of personality.  It encompasses the various ideas that people held about the Prince, true or otherwise.  However, it should be noted that until more recently it is unlikely that anyone would have claimed to have been a part of any kind of “cult” or group with specific, Shōtoku Taishi related beliefs.  Rather, the Prince's story was, to many of them, simply a fact, even as they consciously or unconsciously embellished the story.  In fact, we often blame the compilers of the Nihon Shoki for adding to the Prince's story, but it is just as likely that they were simply going off of other sources that also recorded these same things. Given all of that, who was the real Prince Umayado? We are told that Umayado's name comes because his pregnant mother gave birth to him as she was wandering around during her pregnancy and suddenly delivered him in front of the office of the horse stables—the Umayado.  He is also known as Prince Kamitsumiya, or the Prince of the Upper Palace.  This was because, we are told, before he was made Crown Prince and given the Crown Prince's quarters as his own, his father had installed him in the “Upper Hall” of the South Palace, in his own complex.  The name Toyotomimi no Mikoto is less obvious, but more similar to the types of names we had seen in previous generations of sovereigns, and likely a kind of titular name, combining various accolades and titles together. That last one gets to a tricky bit about Prince Umayado:  Was he actually of Royal birth, and was he the son of a previous sovereign? As noted last episode, we are told that Umayado's father was Tachibana no Toyohi, himself the son of Ame Kunioshi Hiraki Niwa no Ohokimi, aka Kinmei Tennō, and Kitashi Hime, daughter of Soga no Iname.  We've already noted how the Soga family really wormed their way into the royal line.  Theoretically, sovereigns were supposed to come from a queen that was, herself, of royal blood.  The previous exception to this was Iwa no Hime, daughter of Katsuraki no Sotsuhiko and wife to Ohosazaki no Ohokmi, aka Nintoku Tennō.  However, that seems to have stopped being an issue since about the time of Ame Kunioshi's father Wohodo no Ohokimi, aka Keitai Tennō.  After all, the first two of his sons to succeed him to the throne were the sons of Menoko, herself a daughter of Owari no Muraji no Kusaka—not exactly a name boasting of royal lineage.  To be fair, the Nihon Shoki only claimed that they were holding the throne for their more properly titled brother, Amekunioshi, so take that as you will. Amekunioshi, married three of his own nieces—daughters of his brother, which may have been an attempt to smooth out some of the kinks in the royal line.  He also married at least two—possibly three—daughters of Soga no Iname, and they produced several sovereigns.  One of these, of course, is Tachibana no Toyohi, aka Youmei Tennō, but there was also Hatsusebe no Wakasazaki, aka Sushun Tennō.  Finally there was Kashikiya Hime, aka Suiko Tennō, though one could argue that she held her place as much because she had been the consort—or even queen—to her step-brother, Nunakura Futodamashiki, aka Bidatsu Tennō. It should also be noted, though, that both Hatsusebe no Wakasazaki and Kashikiya Hime came to the throne during a period of political violence.  There was the Soga and Mononobe conflict, a genuine fight for the throne which spilled out into the general public.  This all reads as the results of Soga no Iname—and then, later, Soga no Umako—maneuvering to put the Soga family in power to rule the country.  That they succeeded in getting two Soga relatives on the throne—even if Umako then assassinated Hatsusebe when he proved too difficult to control—would seem to indicate that the Soga gambit had been effective, and they had overcome the traditions that previously had been designed to limit who had direct access to the power of the throne.  Of course, there are questions of just how old and how accurate that tradition was—for all we know, the previous “queens” had simply had their lineages updated to ensure that they were of proper royal birth—but I still think it is telling. But how does this relate to Umayado? Well, as I mentioned, his father was Tachibana no Toyohi.  Just like Kashikiya Hime and Hatsusebe, he was also a son of Ame Kunioshi no Ohokimi and one of his Soga wives.  In fact, it wouldn't be surprising had Toyohi taken the throne, given who else did.  However, I wonder if that ever actually happened.  The Nihon Shoki only places him on the throne briefly—about two years—and during that time, there was still a lot of conflict going on.  The idea that there had been a consensus and that Tachibana no Toyohi was chosen as the next Ohokimi already seems a bit questionable.  Then there is also his supposed misasagi, or tomb.  We are told that he was buried at Shinaga, and this tomb has been identified and is still known today, presumably.  Given the records from then until now, while it is possible that the tomb was mistaken at some point over the intervening centuries, I would propose that its identification is probably fairly reliable, especially as it is also said to be the tomb of Prince Umayado, as well.  However, there is a problem, and that is that the tomb is not a round keyhole shaped tomb as would be expected of a royal tomb up to that time.  Instead, it is a square shaped tomb. Why is this notable?  Because the "imperial” tombs up through Amekunioshi, aka Kinmei Tennō, and his son, Nunakura no Ohokimi, aka Bidatsu Tennō, are all round, keyhole shaped tombs; the zenpō-kōen, or flat font and round-backed kofun.  Even through different dynasties, the shape and size of the kofun seem to hold true.  However, that stops with Tachibana no Toyohi.  His tomb is square shaped, which is much more similar to individuals other than the royal family.  However, complicating matters somewhat, it isn't just his tomb where we see this change.  Suddenly we see a bunch of square tombs that are designated as royal tombs.  These include the tombs of Tachibana no Toyohi, aka Yōmei Tennō; Hasebe no Wakasazaki, aka Sushun Tennō; and Kashikiya Hime, aka Suiko Tennō.  All of their identified tombs seem to be square tombs, similar to the tomb identified with Soga no Umako, Ishi-butai kofun.  So why the sudden switch? It is not directly stated, but this may have been a part of all of the other changes in court and ritual that were happening.  In succeeding generations we see eight-sided kofun, and even round kofun—and all for verified sovereigns.  So it is entirely possible that it is at Youmei where the tradition of keyhole-shaped royal kofun ended. But I am still rather skeptical about all of this.  I wonder if the shape of Tachibana no Toyohi's kofun indicates it was just the kofun for a powerful member of the Soga lineage, just like Umako's kofun.  However, I must admit, it doesn't directly contradict the sources that say he was Tennō, since the following sovereigns are also recorded as having square-shaped tombs.  Then again, there is a bit of a question on just about all of them as far as how much they reigned and what power they held, vice what power was in the hands of Soga no Umako.  As for the succeeding generations, well, there are other shapes as well.  For instance, there is an octagonal kofun, and an eight sided kofun would actually match up well with a growing belief in Buddhism, where eight is an extremely auspicious number—enough that people in some Asian countries will actually pay more for license plates or phone numbers with multiple 8s in the number, along with other auspicious digits. And there's another factor that might explain why they moved to a less complex kofun shape: I've mentioned in past episodes that the temple building craze of the early 600s really killed off kofun construction.  We see resources that would have gone to venerating important figures, and building their tombs, the likely center of their ritual veneration, instead go to the building of temples.  In many ways, temples became the better and more lasting memorial for any wealthy individual, especially since temples themselves could grow and change with the times, where as a giant mound of earth, cool as it is, was a bit hard to modify, let alone relocate.  I also suspect that the change in various rituals also meant that the previous shape of the kofun, that round keyhole shape, may not have been as important in later periods.  If we assume that shape had something to do with the focus of conducting regular rituals at the site, for which purpose certain families were actually employed in hereditary positions, then moving away from that shape would suggest, to me, that there was a change in the rituals as well.  However, that change was coming much earlier than the temples, should we choose to believe the chronology given to us in the Nihon Shoki.  So it while it explains, in broad strokes, the move away from kofun practice, it doesn't satisfactorily explain everything that we are seeing at this period. And that brings me back to my hesitation to say that Tachibana no Toyohi was ever a sovereign of Yamato.  And the main thing about Tachibana no Toyohi's ascension that gets to me is it all feels rather contrived, and there really isn't much said about him.  I can only think that this was done in order to make sure that Prince Umayado had the necessary pedigree for everything else that people were going to be saying about him.  As awesome as he was, he wasn't going to be nearly so incredible if he didn't have a lineage which put him in line to inherit the throne.  BUT, I could very easily be wrong, especially if some of our sources aren't exactly in order.  We've certainly seen other places where it appears that individuals were either raised up as sovereigns or possibly co-sovereigns, individuals who reigned at the same time, may have had their reigns massaged to conform with the desired narrative.. Which brings up another question:  Was Umayado ever actually named as the Crown Prince?  Was he truly in line to succeed Kashikiya Hime? I'm not sure that is as black and white.  As I've noted before, why would Kashikiya Hime have chosen him over other potential candidates?  Even if his father wasn't sovereign, he was still a royal prince of Soga lineage, but Kashikiya Hime also had her own children, at least according to the Chronicles.  Where were they? I'm not sure, but I am inclined to believe that Prince Umayado may have, indeed, been either the Crown Prince or in a position so close that it didn't warrant a distinction.  That said, it might be interesting to look through some of the early records, such as the Gankōji Garan Engi, and see just how he is referred to, there. There are plenty of the stories about Prince Umayado that I believe we can take as true, even if only in part.  I have no reason not to believe that he was an avid supporter of continental learning, including Buddhism and other teachings.  That was all new and exciting, and with the direction that the Yamato state was tacking at the time it would have been useful and provided the Prince some clout and notoriety.  It is also quite possible that he penned one or more commentaries on various sutras, though how good or insightful it would have been I have no idea, and whether it was his own words or if he perhaps patronized a temple to help write them for him, I couldn't say.  I don't know that there is anything definitive, one way or the other.  I might even go so far as to suggest that he played a role in helping to lay out the seventeen article constitution and championed a version of the continental rank system, but I doubt he just made it up himself out of whole-cloth.  There were no doubt more than a few scribes by this point who had read various works from the continent and were able to help pull the various concepts of good government together.  I doubt he was the one putting pen to paper for all of it, but who knows. Perhaps, though, the most likely case for his existence comes in the form of the temple, Hōryūji, said to have been built on the site of his former estate, and the woven mandala said to have been commissioned by one of his own consorts.  These are compelling to me because they both physically exist, even if in a diminished state.  For Hōryūji we can look at the archaeological evidence, as well as any extant buildings or images.  For the Tenjukoku Shūchō Mandala, though, we only have some of the original fragments, along with some fragments of a later copy, but we also have copies of the inscription that was on the mandala.  It is possible that the transcription we have is somehow not correct, but that would be odd since the object was on display for people to see and remained intact through at least the Kamakura period, one assumes, since that's when they made a copy of it.  Let's examine both of these a little more in depth. Hōryūji temple is said to have been built by Prince Umayado, on his estate, but it was supposedly built for his father, Tachibana no Toyohi.  In fact, Hōryūji was apparently supposed to be *his* temple.  Tachibana no Toyohi, suffering from illness, is said to have vowed to build a temple, but he died before he could complete it.  Prince Umayado's eventual work to build Hōryūji is said to have been an act of filial piety as much as it was one of Buddhist piety, as it was dedicated, originally to Yakushi Nyōrai, a Buddha associated with healing illness, and it was built for his father, the Great King, Tachibana no Toyohi. We see several times the idea of building a temple on a noble family's personal compound.  Soga no Iname is the first to convert his house, or some portion, and Soga no Umako eventually succeeds with Hōkōji, aka Asukadera.  It makes sense that Hōryūji was also built on land donated by an elite member of Society, and everything points to it being Prince Umayado.  In fact, it would be rather odd to build it on land that wasn't already built up in some way.  Even Shitennōji was built, we are told, on a compound that formerly belonged to the Mononobe—a rather large middle finger, or perhaps an inverted V, extended by the Soga to those whom history labelled as the anti-Buddhist faction of the early court.  Nearby Chūgūji, literally the “Middle Palace Temple” was, we are told, built on the site of Prince Umayado's mother's home.  I'm not sure if we can verify that entirely, but the fact that it is known as the “Middle Palace Temple” suggests some connection to an elite's compound and “palace”—the Naka tsu Miya to Umayado's Kami tsu Miya, perhaps.  The two were close and became only closer with time, though they did retain their own characteristics. And so Hōryūji was quite likely built on the site of someone's palace, and if it wasn't the Prince we know as Umayado, then who was it?  At the very least we have some person that may be at least a part of the legion that makes up the legend of Shōtoku Taishi. As for the Tenjukoku Shūchō Mandala, for that we have the inscription from the mandala itself.  We are told that Tachibana no Iratsume asked Kashikiya Hime to commission it for her departed husband, Prince Toyotomimi.  As far as I can tell, this inscription, found in the Jōgū-Shōtoku Ho'o Teisetsu, a biography of Shōtoku Taishi, is considered an accurate transcription of the four hundred or so characters that were on the original curtain. If that is the case, then we have an inscription from shortly after his death attesting to the existence of a Prince Toyotomimi, and it even gives part of his lineage, including mention of Tachibana no Toyohi, whom we are told was, indeed, a sovereign, though we don't know when or for how long.  So that would seem to support the assertions in the Nihon Shoki about Tachibana no Toyohi's status. The biography, at least as it comes down to us, was likely compiled sometime in the 10th or 11th century, which makes a lot of its information suspect, but I generally think we can trust the transcription from the mandala.  Afterall, we have pretty good evidence for the artifact still existing when it was compiled.  The fact that the artifact seems pretty clearly made in the Asuka period—so in the 7th century, not soon after Toyotomimi's death—further adds to the reliability.  That isn't to say they didn't pick and choose what they were going to report in the biography itself, but, for me, there is little reason to doubt this inscription is what was on the actual mandala. On the other hand, we still don't have a lot of information about Tachibana no Toyohi.  He came to the throne, other things largely happened around him, and then he died of illness.  So perhaps Tachibana was a short-lived sovereign after all.  I'm honestly still on the fence about it, but the more I read, the more I come around to the idea, though that still doesn't explain how his son ended up being remembered so well. All in all, I suspect that most of Shōtoku Taishi's story is rooted in truths and facts about this era.  He may, indeed, have been the Crown Prince, or at least a very influential one.   He likely was on top of the craze in Buddhist and Continental learning.  He may have even played some role in helping to govern the country.  Still, how did he come to outshine the others who had almost equal claims on all of this change?  For one thing, there was Kashikiya Hime.  She was smart, capable, and the one actually seated on the throne.  Unfortunately, I suspect that she had two major impediments to taking on the mantle that Shōtoku Taishi donned.  For one thing, she was a woman. Unfortunately, along with continental ideas would come an increase in continental misogyny , though it would take some time to reach the same level, and there would still be female sovereigns ruling alongside male sovereigns for some time.  However, she also was the sovereign, and that likely meant that her reputation, such as it was, was caught up in the push and pull of court politics.  Even within the royal family there were different factions and different people aiming for the throne, and so she may not have had universal support for sainthood.  This may not have been as much of a problem had she, herself, like Prince Umayado, passed away early and young, but she lived and reigned a good long while. And then, besides her, there is the other major mover and shaker of the period, Soga no Umako.  Of just about anyone other than the sovereign, Soga no Umako seems to have been the best positioned to provide the kind of guidance, patronage, and more that was likely making into reality many of the things for which Shōtoku Taishi received credit, including his own temple of Hokoji.  Soga no Umako had an almost bigger problem than Kashikiya Hime, however.  He had led the forces against the Mononobe and their allies, and many of those allies would eventually lick their wounds and come back to power.  Even the Mononobe were still around, if not guiding the government.  Furthermore, listeners who have been reading ahead in the story will likewise already know that it was the Fujiwara family that eventually would control the court for centuries.  In fact, for many students of Japanese history, the Soga are not portrayed as paragons of virtue who helped introduce Buddhism to Japan, but rather as a greedy family that didn't know their place and who went beyond the bounds of what we considered acceptable behavior.  As such, I doubt Soga no Umako was in much of a position to be venerated by large swaths of the population. In the end, it was probably the fact that he died early that allowed Prince Toyotomimi, aka Prince Umayado, to become the venerated figure he is, today.  To quote eminent Gotham lawyer, Harvey Dent:  “You either die a hero or live long enough to see yourself become the villain.”  Sure enough, Prince Umayado died at a point where likely the public could still imagine all of the good that he could have done.  Meanwhile both Kashikiya Hime and Umako had been through some stuff, and they had done what they needed to gain and maintain power.  It may have been a recipe for their success, but it didn't necessarily make them universally beloved.  I suspect that, in the end, the lack of information about Prince Umayado, along with some key bits of likely true information, allowed people to build him up into what they needed him to be—a culture hero that could embody the ideals that Yamato was adopting and adapting from the continent.  He had the prestige—a royal prince and, perhaps even a Crown Prince.  And he was involved with this new culture that was being imported and updated. Of course, this is largely speculation.  In the end, it is hard to know what are the true facts around this legendary figure.  I think the best we can really say is that there likely was an ur-Shōtoku, an original Prince, who may or may not have been known as either Prince Umayado, Prince Kamitsumiya, or even Prince Toyotomimi—and one or more of those names may even have belonged to different people.  And so we are largely left with a question and with the legend, but in that legend, there is a plethora of information, if not about the actual human being, then about the changes that were happening in the Yamato court and in society as a whole.  Regardless of all of the exact details, the 7th century would be extremely critical in the history of Yamato, setting the path for the future.  One which we will be diving into, episode by episode, as we continue our trek through the histories. But for now, I think I'll leave you here.  For those listening to this when it comes out, I wish you the best in this holiday-filled season, from about November to February, whatever you may be celebrating.  And if you feel like giving, I hope you'll forgive me if I reiterate that I do this out of love of the history, and so we pay for all of the expenses ourselves, so any donations that people like to throw our way are always appreciated.  However, first and foremost, please take care of yourselves and those around you. And so, until next time, then, thank you for listening and for all of your support.  Again, if you do like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need this season to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan. 

 In this episode, Matt Slayer and Hime Marie dive into a fascinating discussion about Hime's adventures in Japan, a country she absolutely adores.  Together, they compare and contrast the differences between Japanese and American adult film sets. Hime highlights the considerate nature of Japanese sets, where amenities are provided, and a genuine concern for talent's well-being is present. She also notes the politeness and shyness of male talents in Japan, a contrast to the Western adult industry. Beyond their shared experiences in the adult industry, Matt and Hime enthusiastically delve into the topic of exploring different cultures. Hime expresses her longing to visit Japan and the Middle East, particularly Egypt, while Matt shares his aspirations of traveling to Israel. Both agree on the transformative power of experiences over material possessions. As the conversation takes a delicious turn, Matt and Hime share their culinary escapades around the globe. From sampling diverse cuisines in Japan, Europe, and Amsterdam to savoring tasty treats at Oktoberfest in Germany, their shared love for new flavors shines through. The episode also delves into personal stories and reflections on religion, family dynamics, and the challenges of the adult industry. Hime's openness about her journey in the field, her desire to break boundaries, and the importance of communication. Matt's thoughtful insights on professionalism and the power of individual autonomy further enrich the conversation.     Cover your shame in our wares. New Merch! anwd.net/merch The Patreon is full of exclusive content and directly supports the show. patreon.com/mattslayer   Subscribe to the youtube youtube.com/andnowwedrink  

Episode 126 of Key Frames, a podcast about anime. How are you really supposed to decide which to watch first, though, in a duology where there is no canonical order? I feel like it's a personality test that never gives me the result, unless the result is my enjoyment. I guess that makes a kind of sense? Anyway, tune in to hear Ben, Andy, Duncan, and Jeff take the quiz that is To Every You I've Loved Before and To Me, the One Who Loved You, plus some other shows that they've been watching lately. There are no few surprises, let me tell you. The post 126 - Hime Cut and a Sundress first appeared on Key Frames.

Hoje o papo vai ser com Felipe Hime, youtuber e astrofísico em formação.

Felipe Hime é astrônomo, astrofísico, dono do canal Café e Ciência e aparentemente vai viajar para o ártico __________ ANFITRIÃO: Monark - Twitter @monarkvoltou - Instagram @monarkoficial DIREÇÃO: Coca - Instagram @cocadoscortes - Twitter @cocadoscortes -Youtube @cocadoscortes Canal de Cortes: https://rumble.com/c/CortesdoMonarkTalks https://www.youtube.com/c/MonarkTalksCortesOficial Grupo no Telegram: https://t.me/monarktalks Discord: https://discord.gg/8NKCaAuHf9

This week on Sparkleside Chats, Ayu talks with magical drag performer and cosplayer Jimmy Sherfy about the first half of Himechan no Ribon (1992). You can find him on Facebook and Instagram.  Warning for drugging, kidnapping, death and general misogyny and queerphobia. News: (1:37) Otona Precure '23 Power of Hope: New key visuals featuring Nozomi, Rin, and Saki and Mai from Splash Star! SHY announced for October 2023 release "NEW Panty and Stocking" announced at AX Gushing Over Magical Girls confirmed for 2024 release VN Starbright Agency announced What I've watched: (6:10) Soaring Sky PreCure Yes PreCure 5 Main Topic (8:00) Series mentioned:  Ultra Maniac Sailor Moon Sailor StarS Sailor Moon Cosmos Floral Magician Mary Bell Miraculous Ladybug Mahoutsukai Chappy Majokko Meguchan Nurse Angel Ririka SOS Mrs. Doubtfire Akazukin Chacha Minky Momo Marmalade Boy Shugo Chara Peter Pan Boys Over Flowers Miracle Girls Madoka Magica PreCure Ashita no Nadja Ojamajo Doremi GS Mikami Cutie Honey Yu Yu Hakusho Wedding Peach Creamy Mami Saint Tail Music featured:  "Smile Energy" by SMAP "Swing Me Along" by SMAP Original podcast music by Hazel, @afewbruises Want to share your idea for a topic or guest? Submit your idea here! Extra special hugs to anyone who buys something off the magical wishlist! Join our Discord! Commission Ayu for art, drop off a donation, or sign up for bonus episodes on Ko-fi! Feel free to leave a message on Anchor about your favorite magical girl series and it might just appear on a later episode. Find the podcast online on Twitter or Instagram @magicalgirlayu or on Anchor at sparkleside, and don't forget to comment online with the hashtag #SparklesideChats! Contact us by email or DMs. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sparkleside/message

The Third Man/The Lives of Harry Hime - Faith, Lime & Charity From-1952 Anton Karas-zither Stars-Orson Welles Many people tell me that I'm a hopeless case, but they're wrong. I'm full of hope and for that matter full of faith and charity. Faith in the great universal sucker, hope that he's coming my way and charity, well there's one cause that's always right in front of me every time I shave…

Timestamps 1:52    Discussion Question 8:41    Succinct Summaries 15:52    Happiness Charge 10 21:24    Soaring Sky 18 1:18:53    Calls to Adventure Discussion Question After a long time away, we simply talk about what we've been watching lately Happiness Charge Megumi and Hime ponder Cure Honey's banger of a song, and Hoshiwa has her cutest outfit yet! We also find out that Cure Honey.... is Yuko?!? We never would have guessed! Soaring Sky Though we spent a lot of time talking about the specifics of Cure Butterfly's debut episode, we also consider all the episodes since we last recorded. How do we feel about Elle? Have our thoughts on Tsubasa changed? What do we think of Battemonda?

On this week's episode, we have another cast member joining us from the hit show Pink is in Sarah Hime who plays Kitty Kat.  We enjoyed having her on the show and look forward to seeing her on season 3 of Pink Is In, which you can now see season 1 and 2 on Prime Video in the States and the U.K so be sure to check it out.Also we open up with the results from this past Backbreaker show and of course Scott has more of what Karen calls Useless Knowledge

On today's episode, the crew sits down to chat about the 2017 anime film Napping Princess / Hirune Hime: Shiranai Watashi no Monogatari. Join them as they discuss the film, the favorite moments, if it made sense, the 2020 Tokyo Olympics, Kingdom Hearts, and more. Our next anime series recap will be From the New World on 4/5.    Do you have suggestions for the show? Do have specific voice actor or creator that you would like us to interview? We would love to hear from you! Feel free to shoot us an email HERE. Be sure to head over to our website AnimationStationPodcast.com to check out the Anime Book Club, What's Up Fandom, & Animation Station Podcast episodes.  If you enjoy the show, please rate and review!   Follow the Anime Book Club on: Instagram @Anime_Book_Club Twitter @AnimeBookClubPC   Follow Whats Up Fandom on: Instagram @WhatsUpFandom Twitter @WhatsUpFandomPC YouTube What's Up, Fandom Podcast   Follow Graham @GrrrAHamT Follow Josh @JoshLCain Follow Astra Nyx @AstraNyx Follow Luke @tatted_triceratops   Tags: podcast, podcasts, movies, tv, comics, popculture, fandom, anime, gkids, napping princess, ghost in the shell, anime film, Tokyo, Olympics 

Timestamps 2:34    News/Announcements 4:35    Discussion Question 16:23    Succinct Summaries 19:22    Splash Star 23:16    Happiness Charge 32:12    Soaring Sky 50:49    Calls to Adventure 1:15:40    Closing Thoughts/Crack Theories Discussion QuestionWhat Unique or relatively rare powers would our listeners give their own PreCure or like to see in upcoming seasons? Splash Star 5 Splash Star asks the question: Who does Saki like better, her dweeby best friend or the hot older brother of her other best friend? The answer may surprise you Happiness Charge 6 Hime is being a selfish brat, causing her and Ribbon to fight! But then Yuu Yuu comes in and teaches Hime the joy of cooking and then they best the bad guy with relaxing hula dancing and everyone makes up in the end. Soaring Sky 5Sora is having a rough time, fearing for Mashir's safety and unwilling to open up to her girlfriend about her concerns. But then Kabaton summons an evil train, Ellee-chan gets a magic flying baby boat, and the pair unleash their new combo attack: ALIEN ABDUCTION and save the day.

Legends from the Pacific: Book 1 is available on Amazon. Get your copy today. https://amzn.to/3CIYo6m (Amazon Affiliate link) Discover Japan's goddess of volcanos and her connection with mortals. Featured Song: "Bora Bora Sunset" by Taimane, courtesy of HI*Sessions Join our email list https://legendsfromthepacific.ck.page/32ca50bd23 *We respect your privacy. We will not share your email. You can unsubscribe at any time. Visit our store: https://legendsfromthepacific.com/store Theme Song: "Mystery" by Tavana, courtesy of HI*Sessions Sound Effects: Sound Effects Factory Music Coordinator: Matt Duffy AKA DJ TripleBypass Link to this episode on our website: https://legendsfromthepacific.com/120-konohanasakuya-hime Please give us a rating, write a review, subscribe, follow us, and share us with your friends and family. ***** Join our email list and claim your exclusive unaired episode today: "Hawaii's Faceless Ghost - Mujina" (Unaired Episode) https://legendsfromthepacific.ck.page/32ca50bd23 *We respect your privacy. We will not share your email. You can unsubscribe at any time. Listen to Kamu's unaired paranormal experiences by becoming a Patreon supporter today: https://www.patreon.com/legendsfromthepacific Send your unusual Pacific experience to be shared on a future episode. https://legendsfromthepacific.com/feedback  Visit our Fan Art Section: https://legendsfromthepacific.com/fan-artwork Instagram: legendsfromthepacific Twitter: LegendsPacific Follow Legends from the Pacific wherever you listen to audio. → Follow via Apple Podcasts: https://podcasts.apple.com/us/podcast/legends-from-the-pacific/id1501091122 → Follow via Google Podcasts: https://podcasts.google.com/search/legends%20from%20the%20pacific → Follow via Spotify: https://open.spotify.com/show/5qhdkYUl8R7hSw6OZYJLye → Here's our RSS feed: https://legendsfromthepacific.libsyn.com/rss www.LegendsFromThePacific.com

How many demons can disco on the head of an angry flea? We're going to isolate a flea and trap it in a summoning circle and find out. Oh shit. It turns out Himalayan sea salt only makes the demons angry. Now they're busy revising HOA rules and running for PTA boards. Well, at least we've got manga to talk about. So let's do a sequel with Tim and YashaHime. You remember Inuyasha right? Well twenty years later, and authored by someone else under Takahashi's permission, there's a girl. She's some sort of protagonist who whines about her eyes being different and fighting ghosts. Then a portal opens up and … Continue reading "Manga Pulse 485: Slayer Hime"

How many demons can disco on the head of an angry flea? We're going to isolate a flea and trap it in a summoning circle and find out. Oh shit. It turns out Himalayan sea salt only makes the demons angry. Now they're busy revising HOA rules and running for PTA boards. Well, at least we've got manga to talk about. So let's do a sequel with Tim and YashaHime. You remember Inuyasha right? Well twenty years later, and authored by someone else under Takahashi's permission, there's a girl. She's some sort of protagonist who whines about her eyes being different and fighting ghosts. Then a portal opens up and … Continue reading "Manga Pulse 485: Slayer Hime"

“Two nipples and one mouth. Kai se vell!”— Graelin expression for when unable to pick between two options“Fae for play, Fae for delay.”— Common expression in the realm***The Legend of COCKPUNCH™ is the tale of a fantastical realm, a universe of the bizarre from the mind of bestselling author Tim Ferriss. Stories are the gateway drug in this Emergent Long Fiction (ELF) project. Characters, maps, artwork, and more will be released over time at cockpunch.com and tim.blog/cockpunch. For other oddities from the world of Varlata, follow @cockpunch and @tferriss on Twitter.

Episode #254 of the Max Level Podcast. On today's show, Bryan & Kyle from rpgera.com are here to gush over God of War: Ragnarok and the pre-patch for World of Warcraft: Dragonflight! From there, The Game Awards 2022 nominees were officially announced by Geoff Keighley this past week, so the guys make their predictions on who they think will walk away the winner of each category! Plus, The Witch of Fern Island on Kickstarter for Kickstart My Heart! Email the show at ldgpodcast@leveldowngames.com with questions, feedback, suggestions, or whatever else you want! Thanks to the following Executive Producers: Jexak & Xancu. Timestamps for this episode are as follows: 00:00:34 - Introductions 00:02:28 - God of War: Ragnarok 00:19:28 - World of Warcraft: Dragonflight Pre-Patch 00:33:30 - The Sean Waltman Lightning Round (News Roundup) 00:42:16 - New Release Roulette (Week of 11/21/22) 00:47:21 - The Game Awards 2022 Winner Predictions 01:12:59 - Kickstart My Heart (The Witch of Fern Island) 01:20:53 - Final Words SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming MUSIC CREDIT Music produced by Occams Laser and used with permission Kickstart My Heart: "Kickstart My Heart -Eurobeat Remix-" by Turbo Ad Read: "Song of Elune" from World of Warcraft, copyright by Blizzard MISC INFORMATION This episode's Sean Waltman Lightning Round consists of the following being discussed: ArcheAge II, The Dark Pictures Anthology: Directive 8020 & Hime's Quest --- Send in a voice message: https://anchor.fm/maxlevel/message

Patreon backer Ted brings you a special episode all about a classic Japanese tale of magic and revenge!   Here's that video of the kagura performance I mentioned.   Get your US copies of the Pamphlet here and the Magonium Mine Murders here. In the UK? Get your physical copies of the Pamphlet of Pantheons, the Magonium Mine Murders, or both direct from me. Looking for digital copies? Find them on Itch or on Drivethru.   If you're enjoying the show, why not consider supporting it on Patreon? You'll get access to lots of new bonus content, including my other podcast, Patron Deities!   Thanks to Ray Otus for our thumbnail image. The intro music is a clip from "Solve the Damn Mystery" by Jesse Spillane, used under a Creative Commons Attribution License.