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Play Episode Listen Later Oct 16, 2023 34:53

This episode, we look at the rise of the Sui Dynasty and the famous interactions between Yamato and the Sui Dynasty, recorded in the histories of each state. For more, check out the podcast webpage: https://sengokudaimyo.com/podcast/episode-96 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 96: From the Land Where the Sun Rises. Once again, we are still talking about the reign of Kashikiya Hime, from the late 6th to early 7th century. This time, though, we are going to take a quick diversion from Yamato and first look at what was going on over on the continent, in the area of the Yellow and Yangzi River Basins—the area of the so-called “middle country”. This is, after all, where a lot of the philosophy and other things that the archipelago was importing came from, so what was going on over there? Back in Episode 73, ee talked about the various northern and southern dynasties in the Yellow and Yangzi River Basins. To sum up, during that period, the eastern area of modern China was split between a variety of dynasties, many of them short-lived, and many of them—especially in the north—were dynasties from outside of the main Han ethnic group. Up through the early 580's, the dynasty in charge of the Yellow River region was the Northern Zhou, one of the many dynasties in the north descended from the nomadic Xianbei ethnic groups. Though their aristocracy was a mix of multiple ethnicities that had intermarried over the years, the Northern Zhou celebrated their Xianbei roots, often to the detriment of ethnic Han groups. They had inherited the territory of the Western Wei, including much of the central Yangzi region down to Sichuan. They then defeated the Northern Qi in 577 and claimed dominion over all of the Yellow River region in the north of modern China. Their only rival was the Chen dynasty, along the eastern reaches of the Yangzi river, but the Chen themselves were relatively weak, and it was only the power struggles within the Northern Zhou court that kept them from wiping out the Chen completely. In 581, the Northern Zhou suffered a coup d'etat. Yang Jian was a Northern Zhou general, and his family, the Yang clan, had Han origins but had intermarried with the Xianbei as well, creating a truly mixed lineage. Jian also held some sway at court, and was known as the Duke of Sui—his daughter was the Empress Dowager, and her stepson was the young Emperor Jing. In 581 Yang Jian usurped power from his step-grandson, the child emperor Jing, and placed himself on the throne, taking the name Emperor Wen of Sui, using his previous title as the name of the new dynasty. He killed off fifty-nine princes of the previous Northern Zhou, and began to consolidate his power. By 587, he had strengthened his position, and by 588 invasion of the Chen territories began under Prince Yang Guang. By 589, the Chen were defeated and any attempts at rebellion were put down, giving the Sui dynasty full control of northern and southern regions—from the Yellow and Yangzi Rivers down to the Sichuan basin. Although, as I noted, the Yang family had intermarried with the Xianbei families of the Northern Zhou, they still retained some connection with their Han roots, and Emperor Wen won over the Han Confucian scholars with reforms to the rank system and at least a nod towards getting rid of nepotism and corruption that had taken hold in the Northern Zhou and previous dynasties. He reinstituted Han dynasty titles and restored the nine rank system. He also reinstituted a system of impartial judges to seek out talent and moved towards the idea of an examination system—something that would really take hold in later centuries. Furthermore, while he set himself up in the northern capital of Daxingcheng, aka Chang'an, he helped rebuild the southern capital, naming it Dayang. He also supported Buddhism and Daoism. He became a patron of southern Buddhist monasteries, and recognized major temples as state-sponsored institutions—a far cry from the suppression attempts in the north in 574 and 578. Emperor Wen also worked on repairing canals along the Yellow River. These canals, which allowed easy transport of goods, regularly silted up without maintenance, and the dikes on either side could break, flooding the land on either side. They had been neglected during many of the short-lived reigns up to this point, with perhaps a few exceptions when things got really bad. However, Emperor Wen began work to fix these old canals and thus improve the flow of goods and services. Given all of this - his patronage of Buddhism and Daoism, as well as his attempt to resurrect the Han dynasty and the Confucian principles that underlay its government, as well as the public works that he instituted, Yang Jian, aka Emperor Wen of Sui, is remembered as the Cultured Emperor—despite that fact the had started out as a blood-soaked general who had secured his usurpation with a not inconsiderable amount of murder. Sima Guang, writing from the Song dynasty, centuries later, praised Emperor Wen for all he did to grow the Sui, uniting north and south, supporting the people, and helping the country to prosper as it rarely has before. And yet, Sima Guang also says that in his personal life he was mean and stingy and paranoid—afraid that everyone was out to get him. Given the life he'd lived, that would make some sense. Still, he seems to have been good for his people, in the long run. But this wasn't to last. In 604, Emperor Wen fell ill and died. Or at least that is the official story. Another says that he had grown angry over some event and was about to disinherit the crown prince, Yang Guang, who sent someone to kill his father. That is a very abbreviated version of the story, and, as I said, it is not without controversy. However he died, his son, Yang Guang, succeeded him to the throne and became known as Emperor Yang. Emperor Yang continued to expand the empire, and under his dynasty the Sui would attain their greatest extent yet. He rebuilt parts of the Great Wall, and expanded the borders south, into modern Vietnam, as well as up to the borders with Goguryeo. He also continued the work his father had begun on canals, eventually undertaking the creation of the Grand Canal, which would connect the Yellow and Yangzi Rivers. No longer would the two be separate, forced to send goods out to sea or over treacherous land routes to get from one river basin to another. Now they could sail ships straight from one river to the other—an impressive feat that you can still see today in parts of modern China. The project would forever change the landscape of China, both literally and figuratively. It connected the north and south, leading to greater political, economic, and cultural unity between the two regions. It would connect the culture and economic resources of the south with the military institutions of the north. Unfortunately, for all that this expansion may have been good for commerce, it came at a price. The wars in Champa, in Southern Vietnam, saw thousands of Sui soldiers die from malaria. And then, in the north, though they continuously pushed against Goguryeo, they were never quite able to overthrow them. Finally, there was the Grand Canal. Although it would truly be a wonder of the world, and become a part of the lifeblood of dynasties for centuries to come, it was built at a huge price both monetarily and in human lives. We can assume a large number of people died as conscript labor working on the canals or on refurbishing the Great Wall, but also we are told that the monetary price largely bankrupted the empire, and for which later historians castigated the Sui dynasty But that was still to happen. For our purposes, we should rewind a bit, to the very beginning of the 7th century. As we touched on last episode, Yamato was just adopting their own twelve rank system and a seventeen article constitution shortly after Emperor Wen passed away and Yang Guang took the throne. Now these 17 articles were almost all based on Confucian or Buddhist philosophy; clearly the Court was looking to the continent more and more for inspiration on how to govern, especially as it further expanded and solidified its grasp across the archipelago. Up to this point, much of that innovation had come through the Korean peninsula, by way of Silla, Goguryeo, and, most prominently, their ally Baekje. But no doubt they knew that much of what was influencing those kingdoms had, itself, come from even farther away. And so, this reign, the Chronicles record that Yamato once again sent envoys beyond their peninsular neighbors all the way to the Middle Country itself. This is significant as they were making direct contact with the mighty empire, the source of so many of the philosophical and scientific innovations that Yamato was trying to adopt. This wasn't the first time this had happened, of course—we know of the cases of state of Na contacting the Han court, and then Himiko of the Wa during the Wei period, as well as several missions immediately after Himiko's death. We also know of the five kings of Wa who reached out to the Liu Song court, though the Chronicles themselves are often silent on actual embassies, making it hard to tell exactly which reigns that occurred in, though it is generally agreed that one of those “Five Kings” was none other than Wakatakiru himself, Yuuryaku Tennou. There may have been other missions. There seems to be some discussion amongst the Liang dynasty records that may indicate greater contact with Japan, but again, we don't necessarily see that in the records themselves. Furthermore, with the fractured nature of the various dynasties since the Han period, and the various conflicts on the peninsula and in the archipelago, it would be understandable if there hadn't been much direct diplomatic contact since about the time of Wakatakiru. And so it is a pretty big thing that we not only have an envoy around the year 608, but that there appears to be agreement for it in the Sui history—though there is one glaring mistake: in the Nihon Shoki they clearly say that they sent envoys to the “Great Tang”, and not the Sui. However, this is fairly easily explained. By the 8th century, as the records were being compiled, the Tang dynasty was, indeed, in control of the Chinese court. In fact, the Tang dynasty was so admired by the Japanese of the day that even now the term “Karafu”, or “Chinese style”, uses the character for the Tang dynasty, rather than the Han. On the one hand it seems as though the scholars of the 8th century would surely have known of the Sui dynasty coming before the Tang, but it is also understandable that anyone would have just thought of the successive courts as a single continuity. Either way, I'll talk about the Sui dynasty, and it is in the Sui dynasty records that we find the corresponding description of this embassy. It starts on the 3rd day of the 7th month of 607. The Chronicles tell us that Wono no Omi no Imoko was sent to the Sui court, taking along Kuratsukuri no Fukuri as an interpreter. You may recall that the Kuratsukuri, or saddle-makers, claimed a descent from Shiba Tattou, himself from the continent. It would make sense to take someone on this diplomatic exhibition who could actually speak the language or, failing that, read and write it - a peculiar function of the Chinese language, since the various dialects, though often mutually unintelligible, still use the same characters. Imoko, by the way, may have also had important connections, but in this case it was to the Soga. We are told in the Nihon Shoki that Imoko was known in the Sui Court as “So Imko”, and the “So” character is the same as the first character in the name “Soga”. It is possible that Imoko was, indeed, a Soga family member, and the name Wono no Omi may have come later. Or it is possible that he was forgotten for some reason. On the Sui side, we are told that in the year 607 there was an envoy sent with tribute from King Tarashihoko, which may have been another name for Kashikiya Hime, or perhaps it was simply an error caused by the problems with attempting to record foreign names in Sinitic characters. The arrival of the embassy must have been something else, especially as they came upon the capital city. Wen's capital city, that of Daxingcheng, was a new city, built just southeast of the ancient city of Chang'an, which was in a sad state of decay, despite hosting so many rulers over the centuries, including the Northern Zhou themselves. Wen had laid out a new plan of a permanent, rectangular city, with the royal palace taking up the northern central district. Buddhist and Daoist temples were scattered throughout the city. The city itself was five to six miles a side, and so it would take time to truly build it out. However, first the walls were set up, and then the palace area, so that Wen effectively moved into an empty city when he arrived in 583. Many people were forcibly resettled, and members of the new royal family were encouraged to set up their own palaces, but it would take time to truly fill up—by the end of the Sui dynasty, and the beginning of the Tang, the city was still being built, and it wouldn't see its ultimate heyday as a vibrant urban capital until the Tang dynasty. And so when the Yamato delegation arrived in 608, they would have seen the impressive walls and the immense palace, but in all likelihood, much of the city was still being built, and there was likely construction on every block. Nonetheless, the sheer size would have to have made an impression on them—nothing like this existed in the archipelago in the slightest. On the other hand, the Sui had their own curiosities about Yamato. The history of the Sui, written only twenty to thirty years afterwards, starts out its account with a description of the Land of Wa. Some of it is taken directly from the Wei histories, recounting what was previously known about these islands across the eastern sea—we talked about that back in episodes 11 to 13. The Sui history summarizes these previous historical accounts, including mention of envoys that came over during the Qi and Liang dynasties—between 479 and 556—though little more is said. Then the Sui history mentions an envoy that is said to have arrived in the early part of the Sui—the Kaihuang era, between 581-600. We are told that this was for a “King” whose family name was Ame and his personal name was Tarashihiko, with the title of Ohokimi—at least, assuming we are transliterating correctly, as the characters used have slightly different pronunciations. That could easily be attributed to just mistranslations. Even the family and personal name are familiar, but not exactly attributed in the Chronicles—though we have seen the elements elsewhere in the royal family, and it may be that they were also titles, of a sort. Also, they mention a King, but that could also just be due to the fact that the Ohokimi was not a gendered title, and as such the Sui simply assumed a male ruler. There is no evidence of this in the Chronicles for this, however it is said that at that time they looked into the ways of the Wa and they were told that “The King of Wa deems heaven to be his elder brother and the sun, his younger. Before break of dawn he attends the Court, and, sitting cross-legged, listens to appeals. Just as soon as the sun rises, he ceases these duties, saying that he hands them over to his brother.” This is likely a misunderstanding, once again, but it rings with some truth. Even if we discard some of the legends about Amaterasu as later additions, there is plenty of linguistic and cultural evidence that the sun held a special place in Wa culture. There is also the article in the new constitution about starting early to work that might just be referenced here. We aren't sure when, exactly, the Sui collected this information—though given that it was written within living memory of many of the events, a lot of the information is considered to at least be plausible, if perhaps a bit misunderstood at times. The Sui history specifically mentions the twelve court ranks—in fact, it is possible that the Chronicles, compiled in the 8th century, were actually referencingthis earlier history about the ranks, though we know that ranks continued in one way or another. It also makes the comment that there were no regulated number of officials in each rank—that would certainly be the case later, and makes sense when the ranks also dictated how much of a salary that one could expect from the court. Then, outside of the court they mention the “kuni”—the kuni no miyatsuko—and then claimed that each kuni no miyatsuko oversaw about 10 inaki, officials in charge of the royal granaries, who each oversaw 80 families. It is doubtful that these numbers were that precise, but it gives an interesting concept of scale. The Sui history also tells us about other things that the Chronicles tend to leave out. We are told that the men wore both outer and inner garments, with small (likely meaning narrow) sleeves. Their footgear was like sandals, painted with lacquer, which sounds not unlike geta, which we do have evidence for going back into the Yayoi, at least, though this was only for the upper crust—most people just went barefoot, wearing a wide piece of cloth tied on without sewing. We do get a hint at the headgear that was instituted along with the court rank system, by the way, but only a glimpse. We are told that it was made of brocade and colored silk and decorated with gold and silver inlaid flowers, which does correspond to some of what we know from the Chronicles. As for the women of Yamato, we are told that they arrange their hair on the back of the head, and they wear outer garments and scarves with patterns. They have decorative combs of bamboo as well. They also wore tattoos, as did the men. Much of this, including the tattoos, accords with what we have evidence of in the Haniwa from the 6th century and later. For sleeping arrangements we are told that they weave grass into mattresses—possibly the origin of the later tatami that would originally just be woven mats but eventually turned into a type of permanent flooring. For covers we are told they used skins lined with colored leather—a curious blanket, and one wonders if this was for everyone or just the upper crust. We are given some discussion of their weapons and armor, including their use of lacquered leather and the fact that they made arrowheads out of bone. We also know they used metal, but bone was likely the more prevalent material, as losing a metal arrowhead was much more costly than losing a bone one. Interestingly we are told that, though there is a standing army, wars are infrequent—which may have been accurate in relation to what the Sui themselves had gone through and seen, since it seems like they were almost constantly fighting somewhere along their borders. But Yamato was far from peaceful, and it is telling that the court was accompanied by music and displays of military might. As for the justice system, we talked about this a little bit in previous episodes, based on various punishments we've seen in the archipelago, though the Sui history gives us a slightly more direct description. It claims that there were some high crimes punished by death. Others were punished with fines, often meant to make restitution to the aggrieved. If you couldn't pay you would be enslaved to pay for it instead. They also mention banishment and flogging. All of this is in line with some of what we've seen in the Chronicles, though it also seems like some of this may have also depended on other factors, including the accused's social status. After all, not everyone had rice land that they could just turn over to wipe out their misdeeds. Then there were the various judicial ordeals. We've mentioned this idea , with the idea that somehow the righteous would be protected from injury. These included things like pulling pebbles out of boiling water, or reaching into a pot to grab a snake and hoping he doesn't bite you. There are also various tortures designed to get one to confess. In discussing literacy, the Sui histories mention that the Wa have no written characters—and at this point, the writing would have been some form of Sinic characters, assuming one could read and write at all. Instead, the Sui anthropologists said that the Wa used notched sticks and knotted ropes as a means of conveying messages. How exactly that work, I'm not sure, but there are certainly cultures that we know used things like knotted rope for various math and conveying numbers, etc. In regards to religion, the Sui noticed that Buddhism had taken hold, but it had not gotten rid of other practices. Thus we know they practiced forms of divination and had faith in both male and female shamans. In their free time, people would enjoy themselves. On New Year's day, they would have archery tournaments, play games, and drink—the Sui said that it was very much like how they themselves celebrated. Coromorant fishing and abalone diving—well, diving for fish—are both noted already. Again, these are activities that continue into the modern day. At dinner we are told that the people do not eat off of dishes or plates, but instead use oak leaves. We've seen mention of this kind of practice, and that may have just been a particular ritual or ceremony that made its way back. Finally, there are the rituals for the dead. We are told people wear white—white is often considered the color of death in Japan, even today. They would have singing and dancing near the corpse, and a nobleman might lay in state—in a mogari shelter or temporary interment—for three years. Certainly, we've sometimes seen it take a while, especially if the kofun isn't ready to receive the body, yet. Commoners apparently would place the body in a boat which was pulled along from the shore or placed in a small palanquin—though what happens after that is somewhat of a mystery. The Sui envoys writing about this also apparently experienced an active period of Mt. Aso—or another mountain so-named—as they said it was belching forth fire from the rocks. As we've mentioned, the archipelago is particularly active, volcanically speaking, so I'm not surprised that an envoy might have had a chance to get to know a little more about that first hand. Having described the country thus, the Sui Chronicles go on to describe the embassy that came over in the year 607. According to the history as translated by Tsunoda Ryusaku and L. Carrington Goodrich, the envoy from Yamato explained the situation as such: “The King has heard that to the west of the ocean a Boddhisattva of the Sovereign reveres and promotes Buddhism. Accompanying the embassy are several tens of monks who have come to study Buddhism.” This is great as we see some of the things that the Japanese scholars left out—that there were Buddhists on this mission. For many, getting to the monasteries and temples of the Middle Kingdom was almost as good as making the trip all the way to India. Over all, the embassy appears to have been largely successful in their mission. The ambassador, Imoko, came back with an envoy from the Sui, Pei Shiqing, along with twelve other individuals. It is thought that this may have been the same embassy that then reported back to the court all of the various details that the later Sui history captured. According to the Sui dynasty history, the embassy first headed to Baekje, reaching the island of Chiku, and then, after seeing Tara in the south, they passed Tsushima and sailed out in to the deep ocean, eventually landing on the island of Iki. From there they made it to Tsukushi, and on to Suwo. They then passed through some ten countries until they came to the shore. Now, Naniwa no Kishi no Wonari had been sent to bring them to court and they had a new official residence erected for them in Naniwa—modern Ohosaka. When they arrived, on the 15th day of the 6th month of the year 608, Yamato sent out thirty heavily decorated boats to meet them—and no doubt to make an impression as well. They met them at Yeguchi, the mouth of the river and they were ensconced in the newly built official residence. Official entertainers were appointed for the ambassadors—Nakatomi no Miyatoko no Muraji no Torimaro, Ohohoshi no Kawachi no Atahe no Nukade, and Fume no Fumibito no Oohei. Meanwhile, Imoko continued on to the court proper to report on his mission. Unfortunately, for all of the goodness that came from the whole thing, the trip had not been completely flawless. The Sui court had entrusted Imoko with a letter to pass on to the Yamato court, but the return trip through Baekje proved… problematic, to say the least. We are told that men of Baekje stopped the party, searched them, and confiscated the letter. It is unclear whether these were Baekje officials or just some bandits, but the important thing was that Imoko had lost the message, which was a grave offense. The ministers suggested that, despite all of his success, Imoko should be banished for losing the letter. After all, it was the duty of an envoy to protect the messages between the courts at all costs. In the end, it was agreed that, yes, Imoko should be punished, but that it would be a bad look in front of their guests. After all, he had just represented them to the Sui Court, and so Kashikiya Hime pardoned Imoko of any wrongdoing. A couple months later, on the 3rd day of the 8th month, the preparations had been made and the envoys formally approached the palace. There were met on the Tsubaki no Ichi road by 75 well-dressed horses—the Sui history says two hundred—and there Nukada no Muraji no Hirafu welcomed them all with a speech. After finally reaching the location of the palace, it was nine more days before the Sui envoys were formally summoned to present themselves and state their reason for coming. Abe no Tori no Omi and Mononobe no Yosami no no Muraji no Idaku acted as “introducers” for the guests, announcing who they were to the court. Then Pei Shiqing had the various diplomatic gifts arranged in the courtyard, and then presented his credentials to the court. Then, bowing twice, he gave his own account of why he had been sent—he announced greetings from the Sui emperor, recognized the work of Imoko, and then provided an excuse that the emperor himself could not make it due to his poor health. That last bit I suspect was a polite fiction, or perhaps an erroneous addition by the Chroniclers. After all, it isn't like the Sui emperors were in the habit of just gallivanting off to an unknown foreign land—especially one across the sea. After delivering some polite niceties, Shiqing also provided a detailed list of all of the diplomatic gifts that they had brought. The dance that happened next is telling. In order to convey Pei Shiqing's letter to the sovereign, it wasn't like they could just hand it. There were levels of protocol and procedure that had to be observed, and so Abe no Omi took the letter up and handed it to Ohotomo no Kurafu no Muraji, who in turn placed it on a table in front of the Great gate where Kashikiya Hime could then get it. This setup is similar to the later court, where only certain individuals of rank were actually allowed up into the buildings of the palace, whereas others were restricted to the ground. After that formal introduction, there was a month or more of parties for the envoys, until finally they had to return to the Sui court. When they departed, they were sent with eight students and Imoko, who was bringing another letter back to the Sui Court. The students were all scheduled to study various disciplines and bring the knowledge back to the Yamato court. But that wasn't quite so special, or at least we aren't given much more on the specifics of what the students brought back.. What really stands out in the Sui histories is the contents of the formal letter that Imoko was carrying, as it had a phrase that will be familiar to many students of this period of history, and which really connects across the Japanese and Sui histories, despite other inconsistencies. It read: “The Son of Heaven in the land where the sun rises addresses a letter to the Son of Heaven in the land where the sun sets. We hope you are in good health.” Or at least, that is how the Sui histories record it. In the Nihon Shoki they say something similar, “The Emperor of the East respectfully addresses the Emperor of the West.” Here, rather than using “Child of Heaven”, the author made use of the term “Tennou” when referring to the Yamato sovereign, and then different characters were used for the Sui emperor. At the same time, that is one of the reasons that I give more credence to the Sui history. Of course, however you slice and dice this thing, there are some major airs being taken by the Yamato sovereign. Thus it is no wonder that, when the Sui emperor heard this, he was displeased, to say the least, and he told his minister that the letter was discourteous and should never again be brought to his attention. So that's a whole mood. The reason for this offense may be obvious, as the letter paints the sovereign of Japan as equal to the emperor of the Sui dynasty. That was indeed a bold claim. As we mentioned towards the top of the episode, the Sui were just about at their zenith. They had defeated their enemies, taken control of both the northern and southern regions, expanded to their south and north, and they were using their vast reserves on massive public works. They were a large, established and still growing empire. Comparatively Yamato had, what, 100,000 households? No writing system. They were eating off of oak leaves. And yet they were taking on airs and claiming that they were equal to the Sui. That had to garner more than a few eyerolls, and I really wonder at the temerity of the officer who presented it up the chain, especially as they would have seen what the Sui was really like—a reality that most of envoys to the Sui court would have seen firsthand. There is also the fact that they claim to be the land where the sun rises while the Sui are the land where the sun sets, which may have just been referencing east and west in a poetic fashion, but on another level it is almost as if they were talking about the rise of Yamato and the fall, or setting, of the Sui. I would note that we still don't see the term “Land of the Rising Sun”, or “Nihon”, used for the name of the country yet—one of the reasons I continue to refer to Yamato and not just “Japan”. However, all of this is in keeping with the traditions of the Wa people as we know them—the sun was given a special place in their worldview, as demonstrated linguistically, and not just through the legends curated in the 8th century. By the way, this exchange is mentioned in both the Sui History and the Nihon Shoki, but they place it in slightly different contexts. According to the Sui History, this was one of the first things that envoys said, whereas the version in the Nihon Shoki it was actually sent with the second mission. In either case, however, the content is relatively the same. Certainly, as Japan continued to take on more and more trappings of the continental courts, they would eventually even take on the term Tennou—also read in Japanese as Sumera no Mikoto—to refer to the sovereign. This is basically saying that the sovereign is, indeed, a Heavenly Son, and which they would come to translate as “emperor”, in English. There would be other terminology and trappings that would reinforce this concept, which placed the sovereign of Japan in a position that at least locally seemed to be much more prestigious. Imoko came back from this last diplomatic mission and was well beloved—some later sources even suggest that he may have been promoted for his diplomatic efforts. Oddly, however, we don't really hear more, if anything, about Imoko, and he fades back into the past. And so that covers much of the story of what Yamato was borrowing from the Sui and others during this period. Next episode—well, I'm honestly not sure what we'll be covering next, as there is just so much going on during Kashikiya-hime's reign. But stick around. Until next time, then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Cap Ranks and the 17 Article Constitution

Play Episode Listen Later Oct 1, 2023 37:23

For more see: https://www.sengokudaimyo.com/podcast/episode-95 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 96: From the Land Where the Sun Rises. We are still talking about the reign of Kashikiya Hime, aka Suiko Tenno, from the late 6th to the early 7th century. We've been covering discussions of the continental influences on the archipelago, especially as they adopted more and more continental practices—both religion and government. This episode we are going to continue the discussion regarding Yamato's interactions, specifically a notably famous trip to the continent and Yamato's apparent assumption of equality between their ruler, the Ohokimi, and the Emperor of the Sui dynasty—the Son of Heaven. We'll also touch on the changes Japan was adopting in their own government as a result of greater adoption of continental philosophy. These are largely seen as a Sinification—a trend towards a more “Chinese” style system—but I want to emphasize that a lot of this was filtered through the lens of the states on the Korean peninsula: Baekje, Goguryeo, and Silla. This is one of the reasons I hesitate to just call it “Chinese”, as Yamato was really blending aspects of several cultural influences, as well as adding their own spice to the sauce. Hence, last episode we talked about Yamato's contact with the continent—specifically the Korean Peninsula—and the various diplomatic gifts, often put in terms of “tribute”, that came over. Besides a small menagerie of exotic animals and Buddhist statues, there were learned monks and various books conveying continental teachings. At the same time that Yamato was starting to experiment with a new, foreign religion—Buddhism—they began to experiment with other foreign concepts as well. They had members of the court studying specific disciplines, and presumably passing those on to others. I want to go more in depth into just what Yamato did and how they trans (Touch on the Rank System and the 17 Article Constitution once again) Now these 17 articles were almost all based on Confucian or Buddhist philosophy; clearly the Court was looking to the continent more and more for inspiration on how to govern, especially as it further expanded and solidified its grasp across the archipelago. Up to this point, much of that innovation had come through the Korean peninsula, by way of Silla, Goguryeo, and, most prominently, their ally Baekje. But no doubt they recognized that much of what was influencing those kingdoms had, itself, come from even farther away. And so, this reign, the Chronicles record that Yamato once again sent envoys beyond their peninsular neighbors all the way to the Middle Country itself. This is significant as they were making direct contact with the mighty empire, the source of so many of the philosophical and scientific innovations that Yamato was trying to adopt. This wasn't the first time this had happened, of course—we know of the cases of state of Na contacting the Han court, and then Himiko of the Wa during the Wei period, as well as several missions immediately after Himiko's death. We also know of the five kings of Wa who reached out to the Liu Song court, though the Chronicles themselves are often silent on actual embassies, making it hard to tell exactly which reigns that occurred in, though it is generally agreed that one of those “Five Kings” was none other than Wakatakiru himself, Yuuryaku Tennou. There may have been other missions. There seems to be some discussion amongst the Liang dynasty records that may indicate greater contact with Japan, but again, we don't necessarily see that in the records themselves. Furthermore, with the fractured nature of the various dynasties since the Han period, and the various conflicts on the peninsula and in the archipelago, it would be understandable if there hadn't been much direct diplomatic contact since about the time of Wakatakiru. And so it is a pretty big thing that we not only have an envoy around the year 608, but that there appears to be agreement for it in the Sui history—though there is one glaring mistake: in the Nihon Shoki they clearly say that they sent envoys to the “Great Tang”, and not the Sui. However, this is fairly easily explained. By the 8th century, as the records were being compiled, the Tang dynasty was, indeed, in control of the Chinese court. In fact, the Tang dynasty was so admired by the Japanese of the day that even now the term “Karafu”, or “Chinese style”, uses the character for the Tang dynasty, rather than the Han. On the one hand it seems as though the scholars of the 8th century would surely have known of the Sui dynasty coming before the Tang, but it is also understandable that anyone would have just thought of the successive courts as a single continuity. Either way, I'll talk about the Sui dynasty, and it is in the Sui dynasty records that we find the corresponding description of this embassy. It starts on the 3rd day of the 7th month of 607. The Chronicles tell us that Wono no Omi no Imoko was sent to the Sui court, taking along Kuratsukuri no Fukuri as an interpreter. As you may recall, the Kuratsukuri, or saddle-makers, claimed a descent from Shiba Tattou, himself from the continent. It would make sense to take someone who could actually speak the language or, failing that, read and write it. This was a peculiar function of the Chinese language, since the various dialects, though often mutually unintelligible, still use the same characters. Imoko, by the way, may have also had connections, but in this case it was to the Soga. We are told in the Nihon Shoki that Imoko was known in the Sui Court as “So Imko”, and the “So” character is the same as the first character in the name “Soga”. It is possible that Imoko was, indeed, a Soga family member, and the name Wono no Omi may have come later. Or it is possible that he was forgotten for some reason. In the Sui history, we are told that in the year 607 there was an envoy sent with tribute from King Tarashihoko, which may have been another name for Kashikiya Hime, or perhaps it was simply an error caused by the problems with attempting to record foreign names in Sinitic characters. According to the history as translated by Tsunoda Ryusaku and L. Carrington Goodrich, the envoy from Yamato explained the situation as such: “The King has heard that to the west of the ocean a Boddhisattva of the Sovereign reveres and promotes Buddhism. Accompanying the embassy are several tens of monks who have come to study Buddhism.” This is great as we see some of the things that the Japanese scholars left out—that there were Buddhists on this mission. For many, getting to the monasteries and temples of the Middle Kingdom was almost as good as making the trip all the way to India. Over all, the embassy appears to have been largely successful in their mission. The ambassador, Imoko, came back with an envoy from the Sui, Pei Shiqing, along with twelve other individuals. According to the Sui dynasty history, they first headed to Baekje, reaching the island of Chiku, and then, after seeing Tara in the south, they passed Tsushima and sailed out in to the deep ocean, eventually landing on the island of Iki. From there they made it to Tsukushi, and on to Suwo. They then passed through some ten countries until they came to the shore. Now, Naniwa no Kishi no Wonari had been sent to bring them to court and they had a new official residence erected for them in Naniwa—modern Ohosaka. When they arrived, on the 15th day of the 6th month of the year 608, Yamato sent out thirty heavily decorated boats to meet them—and no doubt to make an impression as well. They met them at Yeguchi, the mouth of the river and they were ensconced in the newly built official residence. Official entertainers were appointed for the ambassadors—Nakatomi no Miyatoko no Muraji no Torimaro, Ohohoshi no Kawachi no Atahe no Nukade, and Fume no Fumibito no Oohei. Meanwhile, Imoko continued on to the court proper to report on his mission. Unfortunately, for all of the goodness that came from the whole thing, the trip had not been completely flawless. The Sui court had entrusted Imoko with a letter to pass on to the Yamato court, but the return trip through Baekje proved… problematic, to say the least. We are told that men of Baekje stopped the party, searched them, and confiscated the letter. It is unclear whether these were Baekje officials or just some bandits, but the important thing was that Imoko had lost the message, which was a grave offense. The ministers suggested that, despite all of his success, Imoko should be banished for losing the letter. After all, it was the duty of an envoy to protect the messages between the courts at all costs. In the end, it was agreed that, yes, Imoko should be punished, but that it would be a bad look in front of their guests. After all, he had just represented them to the Sui Court, and so Kashikiya Hime pardoned Imoko of any wrongdoing. A couple months later, on the 3rd day of the 8th month, the preparations had been made and the envoys formally approached the palace. There were met on the Tsubaki no Ichi road by 75 well-dress horses—the Sui history says two hundred—and there Nukada no Muraji no Hirafu welcomed them all with a speech. After finally reaching the location of the palace, it was nine more days before they were formally summoned to present themselves and state their reason for coming. Abe no Tori no Omi and Mononobe no Yosami no no Muraji no Idaku acted as “introducers” for the guests, announcing who they were to the court. Then Pei Shiqing had the various diplomatic gifts arranged in the courtyard, and then presented his credentials to the court. Then, bowing twice, he gave his own account of why he had been sent—he announced greetings from the Sui emperor, recognized the work of Imoko, and then provided an excuse that the emperor himself could not make it due to his poor health. That last bit I suspect was a polite fiction, or perhaps an erroneous addition by the Chroniclers. After all, it isn't like the Sui emperors were in the habit of just flouncing off to an unknown foreign land—especially one across the sea. After delivering some polite niceties, Shiqing also provided a detailed list of all of the diplomatic gifts that they had brought. The dance that happened next is telling. In order to convey Pei Shiqing's letter to the sovereign, it wasn't like they could just hand it. There were levels of protocol and procedure that had to be observed, and so Abe no Omi took the letter up and handed it to Ohotomo no Kurafu no Muraji, who in turn placed it on a table in front of the Great gate where Kashikiya Hime could then get it. This setup is similar to the later court, where only certain individuals of rank were actually allowed up into the buildings of the palace, whereas others were restricted to the ground. After that formal introduction, there was a month or more of parties for the envoys, until finally they had to return to the Sui court. When they departed, they were sent with eight students and Imoko, who was bringing another letter to the Sui Court. The students were all scheduled to study various disciplines and bring the knowledge back to the Yamato court. But that wasn't quite so special, or at least we aren't given much more on the specifics of what the students brought back.. What really stands out in the Sui histories is the contents of the formal letter that Imoko was carrying, as it had a phrase that will be familiar to many students of this period of history, and which really connects across the Japanese and Sui histories, despite other inconsistencies. It read: “The Son of Heaven in the land where the sun rises addresses a letter to the Son of Heaven in the land where the sun sets. We hope you are in good health.” Or at least, that is how the Sui histories record it. In the Nihon Shoki they say something similar, “The Emperor of the East respectfully addresses the Emperor of the West.” Here, rather than using “Child of Heaven”, the author made use of the term “Tennou” when referring to the Yamato sovereign, and then different characters were used for the Sui emperor. At the same time, that is one of the reasons that I give more credence to the Sui history.. Of course, however you slice and dice this thing, there are some major airs being taken by the sovereign. Thus it is no wonder that, when the Sui emperor heard this, he was displeased, to say the least, and he told his minister that the letter was discourteous and should never again be brought to his attention. So that's a whole mood. The reason for this may be obvious, as the letter paints the sovereign of Japan as equal to the emperor of the Sui dynasty. That was indeed a bold claim. There is also the fact that they claim to be the land where the sun rises while the Sui are the land where the sun sets, which may have just been referencing east and west in a poetic fashion, but on another level it is almost as if they were talking about the rise of Yamato and the fall, or setting, of the Sui. I would note that we still don't see the term “Land of the Rising Sun”, or “Nihon”, used for the name of the country yet—one of the reasons I continue to refer to Yamato and not just “Japan”. However, all of this is in keeping with the traditions of the Wa people as we know them—the sun was given a special place in their worldview, as demonstrated linguistically, and not just through the legends curated in the 8th century. The Nihon Shoki mentions this letter, but not for this first Certainly, as Japan continued to take on more and more trappings of the continental courts, they would eventually even take on the term Tennou—also read in Japanese as Sumera no Mikoto—to refer to the sovereign. This is basically saying that the sovereign is, indeed, a Heavenly Son, and which they would come to translate as “emperor”, in English. There would be other terminology and trappings that would reinforce this concept, which placed the sovereign of Japan in a position that at least locally seemed to be much more prestigious. Imoko came back from this last diplomatic mission and was well beloved—some later sources even suggest that he may have been promoted for his diplomatic efforts. Oddly, however, we don't really hear more, if anything, about Imoko, and he fades back into the past. And so that covers much of the story of what Yamato was borrowing form the Sui and others during this period. Next episode—well, I'm honestly not sure what we'll be covering next, as there is just so much. But stick around. Until next time, then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Setting the Stage

Play Episode Listen Later Jul 16, 2023 39:14

This episode we set the stage for one of the most momentous conflicts of the 6th century. A lot of change is coming to the islands, and the outcome of the power struggles would determine just what shape that change would take. For more see our podcast webpage: https://sengokudaimyo.com/podcast/episode-90 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua, and this is episode 90: Setting the Stage So when last we left off, the sovereign Nunakura Futodamashiki, aka Bidatsu Tennou, had passed away, and there had been some early flirting with Buddhism, which largely ended up pitting members of the relatively new Soga family against the powerful forces of the ancient Mononobe, as well as their allies, the Nakatomi. It even got so bad that the heads of the two houses, Soga no Umako and Mononobe no Moriya, were openly mocking each other at the sovereign's funeral. And unfortunately, things weren't getting better any time soon. In fact, I should probably warn you that around this point in the narrative we are really going to get all Game of Thrones on the archipelago. Family against family, sibling against sibling, with deadly political intrigue. And as we get into it, we should talk about a few things up front to help put everything in context. So let's come back up to speed on the situation, shall we? In the late 6th century, the royal court was in its third dynasty. The sovereign, Nunakura Futodamashiki, aka Bidatsu Tennou, died from a plague that settled on the land. Across the straits, the once small kingdom of Silla was on the rise, having gobbled up the small polities around it, including Yamato's apparent ally, Nimna. Now the southern peninsula was largely divided between two kingdoms, Silla and Baekje. Both were in contact with the Yamato court. And then there is the far distant northern power of Goguryeo, pressing southward themselves. Yamato's involvement on the peninsula meant there was quite a bit of cross-strait intercourse—in more ways than one. There were Wa on the peninsula, but there were also groups of Baekje, Silla, and Goguryeo men and women who settled in the archipelago. They brought with them various innovations and ways of thinking. One of these things was the concept of corporate “Be” families. Now, don't get me wrong, there clearly were families in the archipelago and had been for some time, but at some point we see the literal creation of the official families, the Uji: Groups of people who shared a similar job, gathered together under a family head, who in turn was given a place in the Yamato court. The family then regulated the business of its members to the benefit of the court. These created families, usually marked with the suffix of “Be”, became an outgrowth of the court's power, and they were in turn ranked with a collectivist title, or “kabane”. The highest ranking uji were given the titles of “Muraji” and “Omi”, and the heads of those households were known as the “Ohomuraji” and the “Ohoomi”. One of the oldest of these families, on one side of this growing interal conflict, was known as the Mononobe. They claimed a likely fictional descent from Nigi Hayahi, a “Heavenly grandchild”, similar to the ancestor of the royal family, Ninigi no Mikoto - an illustrious backstory that no doubt helped justify their position. As for the rest, well, “Mononobe” literally translates to “the be of things” … and in this case, those things were weapons, reflecting a historical role of this important family as the enforcers and the heavyweights of the Yamato court. Of course, they weren't the only ones with access to troops and weapons, as we've seen various families raising troops to go fight on the continent, and one can only assume that most powerful individuals at least had those they could call upon in case things got physical. For all that administrative power was rooted in spiritual authority, physical power was also important, and we see this in the way that armor and swords were important elite grave goods, and not just for a single family. But few groups were so clearly tied to the exercise of martial power as were the Mononobe. And they wielded that power on the behalf of the sovereign and the State. Whether it was punishing rebels, or just executing the cruel whims of a violent and entitled ruler, the Mononobe were the ones, more often than not, knocking down your door in the middle of the night and dragging off those deemed enemies of the state. This position was such that you can see evidence of it in the earliest parts of the Chronicles. For example, the Mononobe are connected to their ancestral shrine of Isonokami, one of the oldest shrines mentioned. It was said to be the home of the sword that Susanoo no Mikoto, the wild brother of Amaterasu, used to slay the giant, 8-headed serpent, Yamata no Orochi, generally seen as a metaphor for Yamato conquering parts of Izumo. Then there were the piles of swords made and stored at the shrine, which make it sound less like a place of spiritual worship and more like an armory—though let's face it, for some people those are basically one and the same. Add to that all of the times that the Mononobe were called upon to unalive some opponent to the throne, and we get a pretty clear picture of how they had for so long held a place at the very top of the court structure. On the other side is the Soga family, currently personified with Soga no Umako at their head. While the Soga certainly traced their lineage back a respectable distance, including to Takechi no Sukune and others, at this point they are clearly relatively new, with their earliest mention coming in the reign of Wakatakiru, aka Yuryaku Tenno, in the late 5th century, about 100 years before, and they had no clear spiritual center of note, at least in the Chronicles. One source of their power and authority came through their connections with the continent, primarily with Baekje, and related families. The other part was through their marriages, especially the daughters of Soga no Iname. Up to this point, the descendants of Wohodo no Ohokimi, aka Keitai Tennō, had been ensuring that their queens were members of the previous dynasty. This gave them and their offspring connections back to those other lineages helping bolster their claims to an unbroken lineage and their right to rule over Yamato. While the sovereigns might marry daughters of other houses, those wouldn't typically be named as queens, although they might be expected to raise royal princes and maybe future queens. Often these were political marriages that enhanced the court's connections to various regions. A few particularly influential family names also appear, such as Katsuraki, Okinaga, and the Wani no Omi. Still, the success of those families pales next to what Soga no Iname enjoyed in a single reign. Soga no Iname had achieved what few others had. He was the head of his family, one of the few of the Omi, or ministerial, kabane; and he had the personal title of Sukune, one of the highest honorifics attainable by an individual. Both of those spoke to his power at court. And when he passed away, he was succeeded in his post by his son, Soga no Umako, who was also made Ohoomi and who also held the honorific of Sukune. Moreover, and perhaps more importantly, Soga no Iname married two of his daughters (Umako's sisters), Kitashi Hime and Wonane Gimi, to Ame Kunioshi, that is, Kimmei Tennou. Both of them had a number of sons who were also royal princes. And one of Kitashi Hime's daughters, Kashikiya Hime, then went on to marry Ame Kunioshi's son and successor (and her own half-brother), Nunakura Futodamashiki, aka Bidatsu Tennou – and when Nunakura's own wife passed on, he elevated Kashikiya Hime to the rank of queen. Long story short, the immediate children and grandchildren of Soga no Iname were in a great position. Soga no Umako was a powerful person at court, and brother and uncle not just to a number of the royal princes of Ame Kuniyoshi's line, but to Nunakura's queen as well, which gave him some powerful sway. We are also told that he had taken as his wife the younger sister of Mononobe no Moriya, likely as an attempt to bring the two families closer together. Spoiler alert: it didn't. All of those royal princes of Soga descent would not have been eligible for the throne under normal circumstances. But here's where things get a little dicey. Nunakura had been the son of Ame Kunioshi and Ishi Hime, who was, herself, the daugther of former sovereign Takewo Hiro Kunioshi. Of course Takewo's mother had come from the Owari no Muraji, a sister clan to the Mononobe, but the Nihon Shoki glosses over that by claiming Takewo was just holding the throne until his more legitimate brother was ready. Still, long story short, Nunakura was the direct descendant of at least two previous sovereigns, so one would imagine that he would be succeeded by his son, Hikobito no Ohine, son of Nunakura and his previous Queen, Hiro Hime. And yet, Hikobito was probably relatively young, and besides Nunakura there were numerous other sons of Ame Kunioshi – conveniently, for the Soga, through his Soga descended wives. One was Kashikiya Hime's brother, Tachibana no Toyohi, and there were also her half-brothers from her aunt, Wonane Gimi, including Princes Hasetsukabe Anahobe no Miko and Hatsusebe—or just Hasebe—no Miko. Remember that there is no such thing at this point as primogeniture—it doesn't matter if you are the oldest son of the previous sovereign, and the throne commonly passed to brothers before it went to sons and nephews. Finally, there is Kashikiya Hime herself, niece of Soga no Umako and newly elevated queen of Nunakura. While some women may have been content to simply raise the future generation of sovereigns, there is plenty to indicate that Kashikiya Hime was a highly political animal in her own right. On top of that, although her grandfather had passed away, her uncle, Soga no Umako, had taken his place at one of the top spots in court. She was around 34 years old when she became queen, and 42 when Nunakura passed away. She knew the ins and outs of the court, and she seems to have favored her uncle and her Soga family. And so, when Nunakura, aka Bidatsu Tennou, died of plague, the stage was set for a political challenge – to determine just who will be the next sovereign, and more than that, which family – and even which branch of which family – will take the reins in directing matters on the archipelago going forward. Now, before we get much further, I have to warn you, the sources we have are clearly biased when it comes to the events they were recording. I mention this because many of the stories in this highly dynamic period and I don't want to keep caveating everything all the time. So let me get a lot of it out of the way now, before we get into the really juicy bits. This also goes for some of the stuff in the last few episodes as well. While the Chronicles were built from records that survived into the 8th century it is clear that not every family is equally represented, and it is also clear that the Chroniclers, who knew the outcome, were massaging the narrative in certain ways. And so we get a narrative of how the Mononobe were enemies of Buddhism, attempting to stop it from spreading and trying to protect the indigenous worship of the kami. They were assisted in this by the Nakatomi, a family of court ritualists, who no doubt were also out to stop Buddhism's progress. As for the sovereigns, Ame Kunioshi, and Nunakura, while they weren't necessarily Buddhist, they are portrayed as essentially neutral, going back and forth between the advice of their ministers as they fought, internally. Most of this comes from the Nihon Shoki. The Sendai Kuji Hongi gives a much more abbreviated version of the actual history, and the Kojiki is pretty much focused just on the lineages at this point. By that point, a lot had happened, and neither the Soga nor the Mononobe were necessarily running things anymore. Michael Como, in his book, “Shotoku”, suggests that, in all probability, Ame Kunioshi and Nunakura were likewise hostile to this new religion, and I think I can see that. After all, they had to realize it was a threat to their own authority as the dedicated interpreters of the will of their ancestral kami. It may be that the positions put forth by the Mononobe and the Nakatomi were, indeed, their actual thoughts on the matter, but it isn't as if the Mononobe just went ahead and destroyed the Soga temples—twice!—on their own. They first made sure to get an order from the sovereign, an order that may not have taken much arm twisting to issue. Como and others also point out that there is a problem with another often overlooked aspect of the struggles as they are portrayed. The typical narrative pits the “foreign” religion of Buddhism against the “indigenous” religion of the way of the kami—what would eventually be known as Shinto, but at this point really didn't have any particular name. The usual way of telling this story is that native religionists were simply pushing back against a foreign incursion, and even though Buddhism would thrive in the Japanese archipelago, and even come to be another tool of the state, there was a certain conflict that always remained, due in large part to the ceremonial role that the sovereign was supposed to inhabit. The problem is that there is nothing that clearly indicates that the so-called indigenous religions were appreciably less foreign to the islands. Even the earliest stories that were recorded in the Nihon Shoki, which depicts Japan as a special place, formed by the kami themselves, there are clear connections to the continent. In some cases, like with Ame no Hiboko and Himegoso, we have deities coming over directly from the continent as princes and princesses of foreign lands. In others, like with some of the stories of Susano'o, we see the kami coming down from Heaven and first setting foot in the world on the Korean peninsula. Combined with a plethora of other clues, at the very least we can assume that the ways of the kami, including stories and rituals, were heavily influenced by continental thoughts and ideas, some of which may have arrived more than a century earlier. On the other hand, the use of horizontal tomb chambers is a pretty clear archaeological change that we can see happening. We first saw this tomb design back in the 5th century in Kyūshū, and in the 6th century it had spread across the archipelago, becoming the dominant form. But how does that connect to continental influence on indigenous spiritual and religious practice? I think we can generally agree that tombs, beyond the practical idea of not allowing corpses to just sit around above ground, rotting and breeding disease, were largely concerned with what we consider religious concepts about the afterlife. Sure, there is the political capital achieved by reminding everyone just who's in charge, but it is designed around the needs of the rituals surrounding the treatment of the deceased. Hence the grave goods, as well as the clay, stone, or even wood pillars and statues erected around them. So when the burials go from relatively simple pits, dug in the top of these massive burial mounds to more complex chambers of giant stone blocks, which show evidence of people using multiple times, then we can gather that something changed in the rituals surrounding death and the afterlife. Those changes are reflected in the stories about the kami, including stories about Izanagi and Izanami, about Susano'o, and even about Amaterasu in the Heavenly Rock Cave, which all have imagery associated with this new kind of burial practice. That suggests that these stories either originated in a time when the horizontal burial chambers were prevalent, or at least they were changed and updated as ritual life also changed. And most of these changes can be traced back to the continent. We can see evidence, there, of horizontal stone chambers, and then trace that influence as it makes its way to Kyūshū and then the rest of the archipelago. This isn't to say that there weren't elements that were conceived of on the archipelago itself. Certainly local traditions evolved to meet the needs of the people, but not without outside influence. Even today, modern Shintō includes concepts from Daoism, geomancy, and general Yin-Yang theory, among other things, while retaining its own character. The point is that the argument that the resistance to Buddhism was purely because of is foreign nature seems laughably false, and yet that has been the view reinforced within the cultural imaginary of the Japanese for centuries, and it would go on to define the separate roles of Shintō and Buddhism in relation to the State for most of that time. As we look at what takes place, however, just keep in mind that this was much more about sheer, naked, political power, regardless of how later generations tried to make it look. Also, it is unlikely that were any clear villains or heroes, either. Real people are complex, and motivations are rarely straight forward. And with that, let's get back to the funeral of Nunakura. The throne was empty, except for the presence of the Queen, Kashikiya Hime, who continued to reside in the palace presumably receiving guests and whatever the Yamato version of funeral potatoes was—probably some kind of dried fish. The succession at this point wasn't exactly clear. Nunakura had a son, Hikobito, who was no doubt the heir presumptive, but there is nothing explicitly stating as much. Ame Kunioshi had been quite prolific, and many of Nunakura's brothers or half brothers were still running around. In addition, though unstated in the Chronicles, Hikobito was not the son of Kashikiya Hime, and so it remains unclear just how motivated she was to help him ascend the throne. The first to act to resolve this uncertainty was a Prince that was neither a direct sibling of Nunakura nor of Kashikiya Hime. It was Hatsusekabe Anahobe no Miko. Like Kashikiya Hime, he was a grandchild of the illustrious Soga no Iname, except that he descended through Iname's younger daughter, Wonane Gimi. Anahobe seemed to have clear designs on the throne. He marched straight up to the Palace of interment, and demanded entry to see his half sister. This was the location, it would seem, where Nunakura's body was lying in state, prior to burial. However, given some of the accompanying statements, I suspect they may have been using Nunakura's own Palace for this purpose, and his queen, Kashikiya Hime, was likewise residing there, possibly out of loyalty and expectations, but also because where else was she to go on short notice? The steward in charge of the Palace at that time was a man by the name of Miwa no Kimi no Sakahe, also just known as Sakahe no Kimi. He was suspicious of Anahobe, and his intentions. After all, it wouldn't take much for Anahobe to force his way in, force himself on Nunakura's queen, claim they were married and therefore he deserved to rule. It wouldn't be the first time that a sovereign had married the queen, out at least a consort or daughter, of the former ruler to strengthen their own claim. Kashikiya was double prized as she was born the daughter of Ame Kunioshi and the Queen of Nunakura. Sakahe no Kimi want about to let that happen, however. We are told that he had faithfully served the royal family up to that point, and it didn't look like he was about to just lay down now, not even for a prince of the blood. This pissed off Anahobe to no end. He left, incensed, and started talking smack about Sakahe no Kimi to anyone who would listen. In particular, he complained to the two Great Ministers, which I can only assume to mean Soga no Umako and Mononobe no Moriya, the Ohomi and Ohomuraji of the court. He mentioned how, at the eulogy, Sakahe had said that the court of Nunakura would not be left desolate, and that he, Sakahe, would keep it pure as the surface of a mirror. Who was he to make such a bold claim to be the defender of Nunakura's virtue, especially when there were so many total princes and the court Ministers themselves? And on top of that, he had the temerity to deny Anahobe access to the Palace of interment seven times. For such insolence, he demanded the authority to put Sakahe no Kimi to death. They both agreed, and next thing you know, prince Anahobe grabbed a bunch of troops, along with Mononobe no Moriya, the King's Hand of the ancient Yamato Court, and put together a posse to go bring justice, in the form of a quick sword to the back of the neck, to Sakahe no Kimi. This was not exactly a quiet affair, however, and when the assembled forces of the aggrieved princes rolled up on the home of Sakahe no Kimi, in Ikenobe, in Iware, he had already split, hightailing it up Mt. Miwa. He then climbed down in the night and made straightaway for Kashikiya Hime's country house in Tsubaki-ichi. There he went to hide out and lay low, as Kashikiya Hime still had his back. However, it wasn't only the royal family that had some people with divided loyalties, and two of Sakahe's own relatives, Shiratsutsumi and Yokoyama, decided to turn him in, apparently trying to cozy up with Anahobe, whose star appeared to be on the rise. Knowing where Sakahe was hiding out, Anahobe and his brother, Hasebe, ordered Mononobe no Moriya to head out and treat Sakahe as though he were being played by none other than Sean Bean himself. Not only that, they were to kill his sons as well, ending his direct line. Moriya accepted this duty without hesitation, once again gathering a large force and setting out. I would point out at this point that Sakahe was clearly a close confidant of the previous sovereign, Nunakura, and he was seeking refuge at Queen Kashikiya Hime's summer cottage—we aren't told if she was there, or still at the palace of interment, but either way, Moriya's forces were moving against her property. As Soga no Umako heard about this, he quickly came to the conclusion that going after Sakahe, and invading the Queen's residence to do so, was one of those Really Bad Ideas. Sure, he may have initially agreed to Sakahe being punished, because there was an order to things, and no doubt Sakahe's actions threatened that order—though it is also possible that the two “Chief Ministers” mentioned in the text were others, as nobody is specifically named, so it is possible he was just learning about this for the first time, but doubtful. Still, he was now against it. Perhaps it was the clear involvement of Kashikiya Hime, or maybe it was the thought of killing the innocent kids. Or possibly Umako had come to realize the truth—that this was simply an excuse for Anahobe to take the throne for himself. Whatever the reason, Umako went to his nephew Anahobe and pleaded with him not to go out with Moriya. He suggested that, at the very least, it would be unseemly for him to go himself. Anahobe was determined, however, and so he headed out to meet Mononobe no Moriya and to see to Sakahe's end, personally. Here the Chronicles diverge, giving us two slightly different accounts. In one story, Umako tagged along, and eventually he was able to persuade Anahobe not to go himself, and Anahobe finally relented. However, shortly thereafter, Moriya returned with news that he had executed Sakahe no Kimi and the others. In the other account, it is Anahobe himself who ended Sakahe no Kimi and his line, demonstrating that he was not afraid to get his hands dirty. Either way, Soga no Umako realized that this was not the end of it, and that there would likely be more violence. He was clearly upset that Anahobe hadn't listened to him to call the whole thing off, and Kashikiya Hime, well, I think we can see why she may not have been happy. The Chronicles say they both conceived enmity against Prince Anahobe, even though he was their nephew and cousin, respectively. Now this was all happening shortly after Nunakura's death—Nunakura died in 585, and this is all taking place between then and late 586 – and clearly it's related to a question of succession. However, the Chronicles try to claim that there was, in fact, a sitting sovereign at that time. That honor went to none other than Kashikiya Hime's own full brother, Tachibana no Toyohi, aka Youmei Tennou. So given what we've discussed about Anahobe's antics in trying to marry Kashikiya, what's up with that, and where did Toyohi come from? Why Toyohi was selected, or even how he was selected, is a bit strange. We are told that he was the fourth child of Ame Kunioshi, and as I mentioned, he was the full brother of Kashikiya Hime, making him a son of Kitashi Hime and a grandson of Soga no Iname. We are also told that he believed in the Law of the Buddha and also Revered the Way of the Kami. Finally, we are told that his capital was set in Iware—specifically at the Ikenobe no Namitsuki no Miya. If that sounds familiar, it is because Ikenobe, in Iware, was also the location of our Sean Bean stand-in, Miwa no Kimi no Sakahe's, house as well—a strange coincidence in a tumultuous time. Toyohi wasn't long on the throne. During the feast of first fruits, the Niinamesai, which was performed on a riverbank in Iware, Toyohi took ill. The Niinamesai is typically observed on or about the 23rd day of the 11th month of the old lunisolar calendar, which could have been as late as December or even early January, meaning that it was likely cold, and possibly even cold and wet, especially along a riverbank. It brings to mind the story of US President William Henry Harrison, who gave his inaugural address on a cold and wet day, and ended up catching pneumonia weeks later, passing away shortly thereafter. In a similar vein, Toyohi's illness grew worse and worse, and so he requested that he be able to give worship to the Three Precious Things, which is to say Buddhism, likely hoping that worshipping the Buddha would cure him. Obviously, Soga no Umako was in favor of this, having tried to get his own temple started in the previous reign, but both Mononobe no Moriya and Nakatomi no Katsumi both opposed it, claiming he would be turning his back on the kami of the Japanese archipelago. It was déjà vu all over again. The tie breaker in this case came from what might seem an unusual source. It was Prince Anahobe himself who found a priest and brought him to his elder half-brother's side. The records simply state that it was Toyohi's “younger brother”, but a note in the Nihon Shoki explains that Prince Anahobe is assumed to be the one they mean. This is bolstered, somewhat, by the fact that Toyohi is said to have been married to *Princess* Hasetsukabe Anahobe no Himemiko. That's right, Toyohi had married Anahobe's sister, which may have also made them closer than even normal bonds of kinship would account for. Thus, whatever designs Anahobe had on the throne seem to have been overcome by his desire to help his half-brother, an apparently touching moment. Unfortunately, it didn't help. Toyohi grew worse and worse and eventually it was clear that he wasn't going to make it. Kuratsukuri Be no Tasuna, a son of Shiba Tattou, offered to become a monk on Toyohi's behalf and help make merit for him. Shiba Tattou had been the one to help Soga no Umako with his first attempt at setting up a temple, including having his daughter ordained as a nun, so this seems rather on brand for him. It is interesting that Tasuna is mentioned as a member of the Kuratsukuri Be, however—the guild of saddle makers. Once again, related to horses and thus back to Baekje and the continent. Tasuna offered to make a Buddha image that was about 16 feet high, and to build a temple. The Chronicles say that this temple, along with its attendant Boddhisatvas, was still around several centuries later at the temple of Sakata in Minabuchi, which would appear to place it in the region of Asuka, the Soga family stronghold. Toyohi's reign was extremely short—assuming, of course, that he reigned at all. As we've already discussed with Anahobe's Game of Thrones antics, it seems like things were generally still up in the air, though it is quite possible that since Toyohi was Kashikiya Hime's full brother, she deferred to him and helped him take the throne as everything else was going on. It is just as likely, though, that the Chroniclers needed someone to fill the space, and he fit the bill. There are a couple of things that suggest this interpretation. First off are his offspring, specifically two. One was Nukade Hime, who he made the Ise Princess, which is to say the Royal Princess, or Himemiko, who was assigned to the shrine of Amaterasu in Ise. There is some question about the actual importance of Ise at this point, but there wouldn't be by the 8th century, and so to the Chroniclers this would have been an important point to make, even though there is some scholarly thought that Ise really wasn't that big of a deal until around the time of the Temmu dynasty. The other child of Tachibana no Toyohi is very important – someone we've touched on briefly, and I'll probably go into a whole episode on in not too much longer: Prince Umayado. Aka the Prince of the Kamitsu Palace, or Kamitsumiya. He's better known as Shotoku Taishi, and he holds a special place in Japan's cultural identity about itself and Buddhism. For anyone who hasn't heard of Shotoku Taishi, I'll try to break it down quickly. As I said, we need to do at least one episode on him at some point. “Shotoku Taishi” is the single individual most credited with spreading Buddhism in Japan – the most mentioned, though he wasn't the first. The problem is that this means there are a lot of stories around him and his accomplishments, such that it is hard to pull out fact from fiction. Much like Yamato Takeru, Shotoku Taishi's legend had already grown by the time the Nihon Shoki was being written, to the point that different temples were almost fighting over who got to write the narratives about him and whose stories were taken as factual. Think about George Washington chopping down the cherry tree and you get the picture of the kinds of cultural imaginaries that get attached to Prince Shotoku. And so it is little wonder that this very important figure's father, Tachibana no Toyohi, gets credited with at least a few years on the throne, whether or not he ever actually sat as the ruler. It provides even that much more legitimacy to Prince Umayado's later accomplishments—or at least the accomplishments that were attributed to him. It also might explain why Toyohi's own story centers so much on his belief in Buddhism as well. There is a point made of talking about the fact that Toyohi believed in Buddhism, and he is the first sovereign we have to actively seek out the worship of Buddhism. Once again, it is hard to know if he was truly sovereign—I tend to feel like this whole period was one of the periods where the court couldn't initially get united behind a single person, and what we are seeing is more after-the-fact ascensions to boost the lineage. But the dispute over Buddhism is clearly the centerpiece here for something much greater. But we haven't gone full family-on-family war yet, which brings us back to Mononobe no Moriya. He was clearly not happy about the whole situation with the sovereign ignoring his advice and performing more Buddhist worship, and it didn't help that the powerful prince Anahobe had stepped in on the side of the pro-Buddhist faction. They had just been out murdering people together, and now Anahobe turned his back on him. Moriya likely felt tossed aside. I've seen some suggestion that the Mononobe house and the Soga house at this time were equals. Sure, the Nihon Shoki uses the “Omi” and “Muraji” kabane, with “Omi” having a distinctly more prominent feel, but it is possible that the two families were actually of equal rank. There's the fact that the text at one time references “The Two Oho-omi”, which is generally taken to just mean the two “Chief Ministers”, Umako and Moriya, but which could also be seen as acknowledging that Moriya stood on equal footing with Umako. There is also a note in the Sendai Kuji Hongi that suggests that Moriya was made both Ohomuraji—that is, head of the house—and also a high Minister, or Omi. It is unclear what this means, but probably similarly placed him on equal footing with Umako. Certainly in the discussions up to this point, the Mononobe often had the favor of the court over the wishes of the Soga, especially when it came to burning down their Buddhist establishments. Now, however, the Soga were clearly ascendant. The grandsons of Soga no Iname were Royal Princes, and that shifted the power dynamics. Even Anahobe was a Soga descendant. It is easy to see how Moriya was likely feeling isolated and even belittled by the court. Enter Iago… I mean Oshisakabe no Kekuso, who bent Moriya's ear and convinced him that all of the other ministers were now plotting against him. More than that, they were about to ambush him and take him out of the picture altogether. And was that so strange? Hadn't something similar just happened with Sakahe no Kimi when the powerful people of the court found him too troublesome? Moriya himself had helped carry that out and bring it about. This was not exactly a time where one was innocent until proven guilty, and if you wanted someone out of the picture, well, it was hard for them to tell their story from inside a massive burial mound. This was a dangerous time to be on the political outs. And so we are told that Mononobe no Moriya retired. He left the court and went to Ato, where he had his own country-house. This would have been in a Mononobe stronghold. It is often thought to have meant somewhere on the Kawachi plain, around Yao, on southeastern edge of the modern metropolis of Ohosaka, and outside of the Nara Basin. There he gathered a force of troops around him, presumably for his own protection. Allies, such as Nakatomi no Katsumi, came to his aid. As Umako had predicted, this whole thing was not going to end well. The two most powerful ministers at court had been feuding since the death of the previous sovereign. They had broken on policy, on religion, and even on threats to the throne. And now one of them had holed up in their own stronghold and was building an army. Meanwhile you still had a bunch of princes running around, all of them possibly eligible to ascend and take the throne of Yamato for themselves. The storm clouds of war had gathered, and people were taking sides. Whatever happened, its clear that it would have momentous consequences for everyone involved—at least, if they lived to see it through. Until next time, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

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Tsubaki & OTOTO and Grim Streaker

Snacky Tunes

Play Episode Listen Later Jul 9, 2023 66:31

This week we are hanging right off of Sunset, sitting down with Charles Namba and Courtney Kaplan of Tsubaki & OTOTO. We talk about their recent James Beard win, how they met during their time in the restaurant scene in New York, and what guests can expect to hear on a Tuesday night at the bar. Then we head into the archives for a frenetic, punk, jubilant performance from Brooklyn's Grim Streaker. They played live for us in the shipping containers in Brooklyn and it is the perfect soundtrack to keep this summer rolling right along!Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world's top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It's an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Heritage Radio Network is a listener supported nonprofit podcast network. Support Snacky Tunes by becoming a member!Snacky Tunes is Powered by Simplecast.

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¿La perturbadora verdad detrás de los Maid Cafes?

Podcartooneando Podcast

Play Episode Listen Later Jun 21, 2023 4:58

Una vez más Densha nos suelta un dato perturbador...Síguenos en ==> TWITCH (Livestreams todos los domingos a las 10pm) & DISCORD (Nuestra comunidad ♥)Escucha también nuestros programas CINENTRADA y PODCARTOONDonaciones via YAPE o PLIN a 961892597

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El servicio doméstico esta más duro que nunca =>Maid Kyouiku Botsuraku Kizoku Rurikawa Tsubaki

Podcartooneando Podcast

Play Episode Listen Later Jun 20, 2023 13:10

Síguenos en ==> TWITCH (Livestreams todos los domingos a las 10pm) & DISCORD (Nuestra comunidad ♥)Escucha también nuestros programas CINENTRADA y PODCARTOONDonaciones via YAPE o PLIN a 961892597

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Let's Give This Buddhism Thing Another Try

Passerelles : a French podcast for intermediate learners

Play Episode Listen Later Jun 16, 2023 35:37

We are back looking at Buddhism in the archipelago, this time in the reign of Nunakura Futodamashiki, aka Bidatsu. For references and more, check out our blog page at: https://sengokudaimyo.com/podcast/episode-88 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua, and this is Episode 88: Let's Give This Buddhism Thing Another Try. This episode we are going to return to the story of Buddhism in the archipelago—specifically what was going on into the next reign. And what a fortuitous episode to do it on as well. For those who aren't aware, “8” is an auspicious number in Buddhism, so I figure for episode 88, this makes for a decent topic. Now back in Episode 86, we saw the death of Ame Kunioshi, aka Kimmei Tennou, in 576 CE, just as a delegation of envoys arrived from Goguryeo. As we noted at the time, Nunakura Futodamashiki no Mikoto, aka Bidatsu Tennou, succeeded him to the throne. You may recall that Nunakura was the second son of Ame Kunioshi and his Queen, Ishihime. His older brother, Yata no Tamakatsu no Ohoye appears to have been the Crown Prince, but then he passed away, and so Nunakura was raised up in his stead. In many ways, Nunakura represents the Old Guard at this time. The Chronicles make it clear that he is a classical heir, descended through multiple royal lineages. His father, Ame Kunioshi, was of course the latest in the lineage descending from Wohodo no Ohokimi, aka Keitai Tennou, while his mother, Ishihime, was the daughter of Takewo Hiro Kunioshi Tate, aka Senka Tennou, Ame Kunioshi's brother by another mother—quite literally. In fact, one wonders if the reason for Magari no Ohine and Takewo, aka Ankan and Senka Tennou, even being mentioned as sovereigns in the Chronicles may have been because of the way that they therefore legitimized Nunakura's own reign, as some scholars have suggested that they really may not have ruled at all, and that really it was all Ame Kunioshi during that entire period that their reigns covered. After all, most of the sovereigns up to this point have been descended through multiple royal lineages, and even Magari no Ohine and Takewo's reigns were depicted as though they were simply regents, holding the seat for their younger and more legitimate brother. Nunakura held fast to the old traditions in another way, too: We are pointedly told in the Nihon Shoki that, though he was of good character, he was not a Buddhist. This is perhaps a curious statement to make—after all, none of the previous sovereigns have really been Buddhist, either—but then this is the first sovereign to take the throne since the archipelago had been exposed to Buddhist teachings, at least according to the narrative. From our perspective today, that doesn't seem all that strange. Buddhism had just come to the archipelago and, honestly, it hadn't made that much of a splash from what we can tell. Back in Episode 85, Soga no Iname had set up a temple and started worshipping an image that had come from the continent, but that initial attempt was sabotaged by others, including Mononobe no Okoshi. The old families were, of course, rather invested in the system of rituals around their local kami and the socio-political power they derived from being in charge of those same rituals. Soga no Iname had passed away towards the end of the previous reign, and his son, Umako, took up the mantle as head of the Soga family, and his father's position as Oho-omi. Meanwhile, Mononobe no Okoshi had also passed away, and it seems that at the head of the Mononobe family as a man by the name of Yuge no Moriya, who was confirmed in his position as Ohomuraji by the new sovereign—or at least that is what the Nihon Shoki tells us, and it may be because of his prominence in the story to come. The Sendai Kuji Hongi claims that it was Moriya's brother, Ohoichi no Mikari, who was made Ohomuraji, but there is little else. Regardless of whether it was Moriya or Mikari, the power dynamics between the Soga and Mononobe families were still in a similar to the previous reign, just in new hands. Now, for all that the Chronicles stress how much Nunakura was not a Buddhist, neither was he particularly nativist. He enjoyed the Classics that were being imported from the mainland, and presumably was able to read in the continental fashion. He was also interested in ensuring good relations with the Korean peninsula—with both Yamato's traditional ally of Baekje, but also with the growing kingdom of Silla. Still, Buddhism was off the table for him. For the most part his reign started similar to any other. After coming to the throne, in 572, he confirmed his wife as Queen, with his mother being hailed as the Queen Mother. He also set up his own palace site at Ohowi in Kudara, in the land of Kawachi. Interestingly this appears to place him outside of the Nara basin—certainly outside of the lands of the Soga. However, the area that he settled in, Kudara, is interesting because that is the same reading given to the characters for “Baekje”. In fact the kanji, or Sinitic characters, that they use are the same as “Baekje”, and if you didn't know otherwise you would likely read them as something like “Byakuzai”. However, just as many characters for the Han and Tang dynasties are read as “Kara”, likely referencing the fact that things came to the archipelago through the Kara states, the name for Baekje was rendered as “Kudara”. And to be honest, I've never seen a good reason why the characters came to be read this way, or even whether or not that was the reading when the Chronicles were compiled. Certainly it was the authoritative reading later on, and there are plenty of placenames that use that reading as “Kudara”. Still, I'm not absolutely certain when that reading became common, but that is how these kanji are often pronounced, today, for whatever reason. Now just because Nunakura wasn't a Buddhist didn't mean that Buddhism wasn't still making inroads into the islands. And while the Soga family would stand at the forefront of Buddhist proselytization, our first actor is actually a little different, and largely forgotten, from what I can tell. His name was Ohowake no Miko, or the royal prince Ohowake. This name doesn't do a lot to help us identify him. He's a royal prince, meaning he had a direct claim to the royal lineage, born to one of the sovereigns or their progeny. “Oho” means “Big”, or “Elder”, and “Wake”, well, that's a bit more complicated. Based on the way it is used in older names it would appear to be a title or honorific of some kind. Traditional Japanese etymology claims that it comes from the fact that “Wake” comes from “Wakeru”, to break, cut off, or separate. So basically they come from a line that has been “cut off” from the royal lineage, but they still have royal blood. This seems a little suspect to me, personally. I do wonder if it could be related to the term “Waka”, which also shows up a lot in names, but that is a stretch. Instead, I think it may be an old title, or kabane, for a person of not insignificant rank. Still, it isn't clear what is meant, and even then, this is a pretty generic name that doesn't tell us much about who this guy actually was. One theory is that this is another name for someone mentioned elsewhere in the Chronicles, perhaps even one on the later sovereigns. People at the time that the Chronicles were written knew who it referred to, but it is much harder to piece together, today. Another suggestion is that this “Ohowake” was someone who was otherwise written out of the history for some reason—all except for here. Of course, why they were written out one could only fathom a guess. Finally, there is the thought that the name could be misspelled. Back in the time of hand copying, over thousands of copies it would be easy to slip up once or twice in the thousands of characters they had written, already. Later scribes then faithfully copied the mistake, and suddenly a new name is born. Even then, though, I'm not sure we could make a good guess as to who this really was. What we do know is that in 577, this royal prince known only as “Ohowake” in the Chronicles went to Baekje, presumably as an ambassador for Yamato, and returned with religious books and six individuals, including monks, a nun, an architect, and a Buddhist image maker. It is significant, that what this royal prince brought back was more than just books this time. Now, there were artisans being imported who could actually make Buddhist statues and temples here in the islands. They would have known how those temples were built, the significance of the layout, how the wooden beams were carved, and even how the distinctive rooftiles were made. And this wasn't just different craft techniques - there were rules for how a temple was supposed to be constructed, the different buildings, even the relics to be buried underneath a building to help make it sacred. Likewise the images also followed particular rules. Whether it was the image of the Buddha, or of one of the many accompanying deities, it wasn't enough to be a stone carver or a woodworker—Buddhist imagery was its own thing. All of this was very different from other artforms and architecture in the archipelago at the time. It is also telling that Ohowake brought back monks and a nun. Specifically they had brought monks who specialized in various practices, including meditation and mantra recitation. You may recall that earlier the people of the archipelago had received images and texts, and it seems that Soga no Iname was trying to piece together what to do based on the texts—likely interpreting all of it through the eyes of the local religious practices of the time. An ordained monk and an ordained nun, however, would have known the proper rituals and how they were to be conducted. But almost more importantly, you needed Buddhist monks and nuns to make other Buddhist monks and nuns —although technically you typically need more than that, you should have a Sangha, a Buddhist community. While traditions vary, it would seem that you need at least four monks to make a Sangha, and some traditions require at least ten —and I presume the same or more for women. Whether or not they could authoritatively conduct all of the rites, the monk and the nun could, one assumes, teach how they were supposed to be done. These newcomers appear to have been ensconced at a place called Ohowake-ji, or Ohowake temple, in Naniwa. Some suggest that this may be in error and that “Ohowake” was a typo for “Ohogori”, an official residence for envoys traveling to and from Japan. If this latter is true, then much like Soga no Iname had turned his house into a temple, these Buddhist teachers may have been staying at the Ohogoori-ji, and there was a scribal error of “Wake” for “Goori”. This theory also notes that the word “Ji”, or “Tera” in the kun'yomi reading, originally meant an official government building, but gradually shifted to referring to Buddhist temples as Buddhism made its way across the desert, through Yellow River and Yangzi river valleys. By the time it made it to the Korean peninsula and across the strait to the Japanese archipelago, Buddhist temples were all using the suffix “-Ji”. The problem with this theory is that we don't really see the character “ji” or “tera” used in the government building sense in other instances from this time, and so it seems a bit of a stretch to suggest that is what is going on here. Personally, I envision that they did stand up a temple, though the actual location and design—let alone the artifacts within—have been lost to time. Ohowake's import of Buddhist expertise wasn't it for Buddhism during Nunakura's reign, however, as things continued to trickle in. In 579, for example, Silla envoys brought a Buddhist image, indicating that they, too, had taken an interest in this foreign religion, and they were using it as part of their diplomacy. This may have been a further reason to pressure Yamato to at least look into the religion and join the larger world of Buddhist countries, but it doesn't seem to have swayed the sovereign—at least not in any obvious way. Five years after the gift from Silla, in 584, Soga no Iname's son and heir, Soga no Umako, decided to give this interesting new religion another go. The atmosphere by this point was a little different: still not entirely hospitable, but there had clearly been more and more interest in Buddhism since its first arrival fifty years before. In addition to the growing acceptance of this foreign religion, however, there were some key political aspects as well that may point to why Soga no Umako decided to act. You see, Nunakura, at the start of his reign, had been married to a woman named Hirohime, who was the daughter of Okinaga no Mate no Miko. The Okinaga family doesn't get quite as much press as others, but seems to have been relatively powerful; and let's not forget that there was a sovereign, Okinaga Tarashi Hime, aka Jinguu Tennou. They had not only supplied Hirohime as a daughter to the current sovereign, but their name is found in the lists of people who had produced wives of the sovereign going back for several generations. Hirohime was the queen, and no doubt one of her progeny was expected to eventually come to the throne and rule as sovereign. However, in 576, just five years into Nunakura's reign, Hirohime passed away. This tragic event nonetheless left a bit of a political void in the form of the Queen, whose offspring would no doubt possess some serious political chops, whether or not they actually ruled. Fortunately for the Soga, they had an answer: Toyomike Kashikiya Hime, the daughter of Amekunioshi and Kitashi Hime, which made her half-sister to Nunakura, but more than that, it made her the niece of none other than Soga no Umako, since her mother was also a child of Soga no Iname. And without spoiling too much, put a pin in her name—we will definitely be coming back to her in later episodes. It is unclear whether Kashikiya Hime was already one of Nunakura's consorts or if she was instead promoted directly to queen, based on the way the Chronicle talks about it, but Queen she did become. We are told that she was taken up at the “urging of the court”, and probably by certain prominent figures therein, and so the Soga's plan to marry their daughters into the royal lineage and thus use blood ties to more closely bind themselves to the central authority appears to have been working. This also meant that as Umako tried once again to get Buddhism off the ground, he now had a supposedly friendly figure in the royal bedchamber, who could help whisper in the sovereign's ear. So he had, presumably, a little more clout than his father had when he had tried to set up a temple. To start things off, Soga no Umako had heard about two Buddha images in the archipelago, and he went about acquiring them. The first was a stone image of Miroku, aka Maitreya, the future Buddha who was said to come in another four to nine thousand years to remind people of the Dharma once again. This had been brought from Baekje by an immigrant known to us as Kafuka no Omi. The other was an image of the Buddha, presumably Gautama, the historical Buddha, in the possession of one Saheki no Muraji. With these images in his possession, Soga no Umako went looking for someone with previous knowledge of Buddhist practices to assist. To do this he enlisted the help of Kurabe no Sukuri no Shiba Tattou, along with others. Tattou is traditionally thought to have come from the continent, possibly as early as 522 CE, about 63 years earlier. The Fuso Ryakki, compiled in the eleventh century, claims he came from the “Great Tang”, even though that dynasty had yet to have been established, and that he had immigrated to the country of Yamato, where he built a grass hut and installed an image of the Buddha. While this is likely a bit of exaggeration on the part of the ancient chroniclers, to make Tattou seem like the perfect Buddhist resource, it is likely that Tattou did come from the continent or was a descendant in the first or second generation, and that he had some knowledge about the religion. This made him perfect for Soga no Umako, who needed someone who knew what to look for in others who might be able to assist him in once again setting up a temple of his own. Sure enough, Tattou found someone: a former monk from Goguryeo, named Ebin in Japan, now living in Harima, who had gone back to being a layperson. This is not as unusual as it may seem, as there are many reasons that someone might leave the monkhood, and even later return back to it. Whether or not he was currently an ordained and practicing monk, Ebin would have known the rites and how to proceed. Here I would note that it seems a bit odd that Umako would have searched high and low throughout the immigrant community if the temple of Ohowake was still there in Naniwa. Why didn't they just ask someone from that temple to come and get things kickstarted for them? Unfortunately, we don't know, though it is possible that the temple of Ohowake had already failed for some reason. And so the former monk, Ebin, was brought on board Umako's little project, and there are some sources that suggest there was a nun as well, known as Houmei, but I didn't notice her name in the Nihon Shoki. Ebin—and possibly Houmei—were first told to instruct none other than Tattou's own daughter, Shima, or possibly Shimane, to become a Buddhist nun. This may have been at least in part because Tattou's family clearly already had some familiarity with Buddhism, and there may have also been some linguistic advantages depending on the languages they knew and spoke—especially as much of what had come over was probably written in Sinic characters. Shima was given the Buddhist name of Zenshin, or more appropriately Zenshin-ni. This was another common practice, at least in East Asia, where new initiates would take a Buddhist—or more appropriately a Dharma—name when they were ordained. We'll see this a lot, and you have no doubt encountered such names elsewhere. They are typically made up of two kanji, or Sinitic characters, and pronounced with the On'yomi reading. The name is often given by a teacher and emphasizes some Buddhist virtue or teaching that is considered particularly apt. In this case “Zenshin” would appear to mean something like “Auspicious Belief”. Two other women were taken on as students—or possibly as servants, or just junior nuns—along with Zenshin. They were Toyome, daughter of Ayabito no Hoshi, who became Zenzou, which would seem to indicate “Meditative Storehouse”; and Ishime, daughter of Nishigori no Tsubo, who became Ezen, or something like “Blessed Fortune”. With three nuns, Soga no Umako built a Buddhist Temple onto the east side of his home where he enshrined the stone image of Miroku, or Maitreya, the future Buddha, and he had the three newly minted nuns worship there while Shiba Tattou and Hida no Atahe provided them support and sustenance. Although they were ordained and worshipping a Buddhist image, it is interesting that Umako chose women to become nuns, rather than monks. There is some thought that, for all of the Buddhist instruction, Umako was still following a popular indigenous model of worship, where the three women were essentially acting in place of female shamans, a tradition that would appear to have been common on the archipelago all the way back to Queen Himiko, and hinted at in various places within the Chronicles, including the very stories of the kami themselves. One also questions just how much the women knew regarding Buddhist practice, despite having a teacher who was formerly a monk. There are some suggestions that the women themselves were rather young, with one note claiming that Zenshin was only twelve years old when she was ordained—hardly an age where one expects her to be leading, let alone teaching, about a foreign religion from another country. Furthermore, the terms used surrounding the nuns' “worship” also leads one to wonder. The word used is “sai” or “matsuri”, which is sometimes translated as “maigre faire”, or abstinence, but here likely refers to some kind of meal or feast. This was possibly a Buddhist vegetarian feast, though the idea of a feast as worship seems to dovetail nicely once again into the local practices surrounding kami worship as well. From this first meal, Tattou supposedly found a “relic”, by which would seem to be meant a relic of the Buddha. Now what a relic of the Buddha was doing in the Japanese islands, so far away from the Indian subcontinent, might seem to be a pertinent question, but that is where you would be wrong. You see, according to some traditions, the body of the Buddha had transformed through miraculous processes into hard crystal or glass stones, which themselves had made their way across the world. This was fortunate for Buddhists, who therefore didn't need to send away for fresh relics from India every time they needed to found a new temple, they just had to find appropriate relics where they were. To test the relics—we aren't given much more of a description of what they were—Soga no Umako took a giant iron maul and brought that hammer down on the relic Tattou had found. However, rather than the relic shattering, the iron maul broke, instead, along with the block of iron they had put underneath of it. After testing its strength, the relic was placed in water, where it would float or sink depending on what was desired. These supposedly proved that the relic was holy, and so it was used to inaugurate a new pagoda. The pagoda was built on top of the Hill of Ohono, or large field, and we are told that they had the nuns conduct another ritual feast prior to placing the relic in the top of the pagoda, recalling the purpose of the pagoda as the replacement for the stupa, the repository for relics of the Buddha at a temple complex. In the background of all of this, Yamato was apparently experiencing their own epidemic. We are told that pestilence was in the land, and Soga no Umako himself became ill. Trying to ascertain the cause of his own illness, Umako enlisted a diviner, who told him that the pestilence was a curse sent by the Buddha worshipped by Soga no Umako's father, Soga no Iname. Once again we see the Buddha being treated more like a kami. After all, why would the one who came to save all sentient beings curse someone? And yet they did seem to believe that this curse was due to the way that the previous temple that Iname had set up had been torn down and the image tossed, unceremoniously, into the Yodo river. And since the cause of the pestilence had been determined by a diviner, apparently that was enough to get Nunakura on board. Whether or not he personally worshipped the Buddha, he allowed Umako to worship the image so that he could appease his father's gods and hopefully recover. Shortly thereafter—less than a week later, if the dates are to be believed—we start to really get a sense of déjà vu, as Mononobe no Yugehi no Moriya, son of Mononobe no Okoshi and the current Ohomuraji of the Mononobe family, remonstrated Nunakura over this whole Buddhism thing. Just as Okoshi had done decades previously, Moriya claimed that the whole reason that there was an epidemic in the first place was because they had once again welcomed Buddhism into the land, and that they needed to put a stop to it. Nunakura was swayed by his arguments, and he took back what he had said and issued an edict that demanded that the worship of Buddhism cease. Here we see, once again, the destruction of the Buddhist temple, but this time around we are given much greater detail. For one thing, Moirya seems to have taken rather a lot of pride in this. He went to the temple with his men, sat down in a chair, and from there he oversaw the destruction of the pagoda, the temple, and even the stone image. Whatever couldn't be destroyed was taken to the Naniwa canal and thrown into the waters. As he did all of this, the Chroniclers record that there was wind and rain, but no clouds, not quite unlike the idea of a fox's wedding—an interesting phenomenon where you can have the sun, usually in the morning or late afternoon, shining at the same time that rainclouds overhead are opening up the heavens are pouring down. Moriya simply donned a raincoat, and then he upbraided Soga no Umako and all of his followers, trying to shame them. He then had Sukune call forward the various nuns, who were stripped of their “three garments”, a term for the traditional Buddhist robes, although in East Asia this was eventually replaced with the single kesa over several lower garments, to help fend off the cold. Here it is unclear if just a kesa is meant, or if they were dressed in an attempt at clothing from the Indian continent. The nuns were then imprisoned and flogged at the roadside station of Tsubaki no Ichi, otherwise known as the Tsubaki Market. Despite thus cleansing the land of Buddhist influence for the second time, the pestilence didn't stop, and people continued to grow ill and die. In fact, there was an embassy planned to talk about the Nimna situation once again, but both the sovereign, Nunakura, as well as Mononobe no Moriya himself, became ill and were afflicted with sores. Once again, the land was plagued and people were dying. According to the Chroniclers, who were, of course, writing after the fact in a well-established Buddhist state, the people started to privately complain that clearly Buddhism hadn't been the problem. In fact, perhaps Soga no Umako's diviner had been correct all along and the plague was actually because they *hadn't* accepted Buddhism, rather than a punishment for neglecting the local kami. A few months later, Soga no Umako sent another message to the sovereign. He was still ill, and hadn't recovered, even with Moriya “purging” the influences of Buddhism. Umako claimed that the only things that would cure him were the Three Precious Things, which is to say the Sanzou, or the Three Treasures of Buddhism: The Buddha, Dharma, and Sangha. Based on the severity of the disease, Nunakura authorized him to worship privately, and the nuns were allowed to assist him. He rebuilt the temple and he provided for the nuns, himself. Eventually, Umako recovered, but unfortunately, the sovereign did not. Nunakura Futodamashiki, aka Bidatsu Tennou, died in 585, laid low by the plague that had swept through the land. At the funeral, the politics were on full display. Soga no Umako had no love lost for Mononobe no Moriya, nor vice versa. As Umako was delivering a speech, Moriya made a comment that with his extremely long sword at his side, Umako looked like a fat little sparrow that had been pierced through by a hunting shaft. Meanwhile, Umako noted that Moriya was shaking as he gave his speech—whether from emotion, nerves, or something else we don't know—and so Umako suggested hanging bells on him, so that they would jingle as he shook. From this rap battle on out, the feud between the Mononobe and the Soga would only grow. There is another account of all of this, buried amongst everything else, that claims that Mononobe no Moriya, Ohomiwa no Sakahe no Kimi, and Nakatomi no Iware no Muraji all conspired together to destroy the Buddhist religion. They wanted to burn the temple and pagoda that Soga no Umako had built, but Umako opposed the project and would not allow it, or so we are told. Here it is unclear if we are talking about the previous temple or the rebuilt one, but the names here are interesting. Of course we know that the Soga and the Mononobe were going at it, and the inclusion of Nakatomi no Iware simply picks up the previous alliance between the Mononobe and Nakatomi, both of whom had been active during the assault on Soga Iname's temple. Lastly, though, there is Ohomiwa no Sakahe no Kimi, which is interesting. This figure would appear to be from the Ohomiwa family and region, likely drawing some amount of respect from their connection with Mt. Miwa itself, and the ancient worship that went on there. So, in this version there really is a triple threat of “the old guard” banding together to resist this newfangled foreign faith. Incidentally, this same figure, Ohomiwa no Sakahe no Kimi, also appears just after the death of Nunakura, when Prince Anahobe figured he could just waltz in and take the throne on the assumption that he was owed it by birth. He was a half-brother to Nunakura, son of Ame Kunioshi and his mother, Wonanegimi, who was another daughter of Soga no Iname. Anahobe was therefore nephew to Umako, and perhaps that is one of the reasons he thought he could just waltz in and take his seat at the head of government. But Prince Anahobe was foiled by none other than Ohomiwa no Sakahe, who posted a guard around the palace and made sure that nobody defiled it until a new sovereign had been identified by the court. Anahobe voiced his complaint that Ohomiwa was protecting the court of a “dead king”, and that they should instead come to the court of a “living king”—presumably he meant his own. But that will take us past this point, and there are still some other details of Nunakura or Bidatsu's reign I want to touch on, such as his dealings on the continent, but here we can see how Buddhism and the feud between the Soga and the Mononobe was in full swing, and that will definitely play a large part in future episodes. In addition, we'll see how this time, Umako wouldn't take things lying down. He was going to get this Buddhism thing to stick one way or the other, and we'll see what happens when he finally founds the first permanent temple in Japan; a temple that, while perhaps not as grand as it once was, continues to operate into the modern day. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Lettres : pourquoi (s')écrire fait du bien ?

Play Episode Listen Later May 13, 2023 21:52

Rejoignez la communauté d'auditeur.ices de Passerelles pour accéder aux transcriptions et à des ressources supplémentaires (⁠⁠⁠www.patreon.com/passerelles⁠⁠⁠) ---- Vous pouvez également ⁠⁠⁠vous abonner à la newsletter⁠⁠⁠ pour cultiver votre curiosité, échanger avec moi et recevoir un petit guide gratuit qui vous accompagnera dans votre pratique de l'écoute ---- Pour plus d'infos sur mon programme audio inspiré par Le Petit Prince, je vous invite à cliquer sur le lien suivant : ⁠⁠https://passerelles.podia.com/qui-es-tu-re-decouvre-le-petit-prince/⁠⁠ Venez (re)découvrir ce classique avec moi ! ---- Bienvenue dans Passerelles, un podcast pensé pour éveiller la curiosité des apprenantes et des apprenants de français. Dans chaque épisode, je partage avec vous une question inspirée par les podcasts que j'écoute, par mes lectures. Et tout simplement par des choses qui m'ont marquée, qui m'ont étonnée récemment. J'ai eu envie de créer ce podcast pour transmettre des idées et encourager la conversation sur des sujets variés. Vous pouvez participer en vous abonnant à Passerelles, sur votre application de podcasts préférée. Je suis aussi sur Instagram : ⁠⁠⁠@frenchdiaries⁠⁠⁠ Merci pour votre écoute et à très vite ! ---- La question du jour : Pourquoi écrire nous fait du bien ? La phrase à retenir : Écrire régulièrement, ça peut être une vingtaine de minutes ici et là pendant votre semaine, ça favorise l'apprentissage. Parce que la prise de note vous rend actif. Elle permet une représentation mentale du contenu. [Elle] aide à synthétiser et à mémoriser les choses. Résumé de l'épisode : Dans l'épisode de cette semaine, on parle d'écriture, de lettres et d'un roman japonais. Le sujet du jour est inspiré par une des mes lectures : "La papeterie Tsubaki" de l'écrivaine japonaise Ito Ogawa. Cette histoire commence en été, dans la ville de Kamakura. Au fil des saisons, on suit la vie quotidienne d'Hatoko, une jeune femme de 25 ans qui revient dans sa ville natale après la mort de sa grand-mère. Cette dernière tenait une papeterie qu'elle a léguée à sa petite-fille. Comme sa grand-mère, elle est écrivain public. À Kamakura, Hatoko croise toute une galerie de personnages. Et parmi eux, certains viennent lui demander de l'aide. Elle écrit toutes sortes de lettres, à la main, pour ses clients. Des lettres de condoléances aux lettres d'amour, chaque type de correspondance doit respecter des règles bien précises… Aujourd'hui, la question qu'on se pose, c'est la suivante : pourquoi écrire nous fait du bien (02:30) ? D'abord, je vous parle de ce roman pour lequel j'ai eu un vrai coup de cœur (03:15). Ce qui m'a plu dans cette lecture, c'est notamment la douceur qui se dégage de ce roman (07:44). Ensuite, on se demande ce que l'écriture nous apporte (11:15). Et pour finir, on s'intéresse à l'impact de la multiplication des outils de communication sur nos échanges à l'écrit et sur nos conversations (17:21). Bonne écoute ! Pour aller plus loin : L'épisode "Pourquoi écrire fait du bien ?", du podcast "Grand bien vous fasse !" sur l'appli de Radio France Le roman d'Ito Ogawa, "La papeterie Tsubaki", 2018, publié aux Éditions Philippe Picquier ---- Crédit musique : Betty Dear + Taoudella by ⁠⁠⁠⁠Blue Dot Sessions

dans aujourd comme bonne bienvenue parce ensuite venez rejoignez lettres crire le petit prince kamakura tsubaki passerelles

MIDORI (SHŌJO TSUBAKI): BANNED in Almost Every Country & It's Pretty Clear Why tbh

Balls In Your Ear - Football Podcast

Play Episode Listen Later Apr 5, 2023 41:45

Bad Anime is supported by MANSCAPED! Use code BAD20 for 20% off! This infamous 1992 anime film is filled with controversial scenes, moments and overall shock. We heard so much about it from our viewers that we decided to give it a try, and boy did we ever. Spanning 48 minutes in the version we watched, it has to be one of the most unsettling pieces of media we've ever seen- so let's break it down all together now. WARNING: Some themes in this pod may not be suitable for everyone. If you're easily disturbed, proceed with some caution. Support Bad Anime and Get 20% OFF @manscaped + Free Shipping with promo code BAD20 at MANSCAPED.com! #ad #manscapedpod Leave a comment/review or message us at badanimepod@gmail.com or DM us on insta @badanimepod to have your lovely words read out on the show!

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MIDORI (SHŌJO TSUBAKI): BANNED in Almost Every Country & It's Pretty Clear Why tbh

Bad Anime

Play Episode Listen Later Feb 1, 2023 41:45

dm clear banned spanning midori warning some tsubaki bad anime

Jared and AL Watch Inuyasha #65 - Episode #64: Giant Ogre of the Forbidden Tower

Play Episode Listen Later Dec 28, 2022 11:06

Jared and Anne Ladyem (anneladyem.com) see Tsubaki transform into a big ogre and Inuyasha and the gang have to put her down once and for all.

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Jared and AL Watch Inuyasha #64 - Episode #63: The Red and White Priestesses

inuyasha priestesses tsubaki kagome

Play Episode Listen Later Dec 21, 2022 11:37

Jared and Anne Ladyem (anneladyem.com) see the gang run into some priestesses who believe what Tsubaki tells them and fight chibi versions of Inuyasha and Kagome.

Jared and AL Watch Inuyasha #63 - Episode #62: Tsubaki's Unrelenting Evil Spell

evil spell unrelenting inuyasha tsubaki kagome

Play Episode Listen Later Dec 14, 2022 12:26

Jared and Anne Ladyem (anneladyem.com) see Kagome get sent to a very bizarre dream world and then Tsubaki gets bodied yet again.

Jared and AL Watch Inuyasha #62 - Episode #61: Kikyo and the Dark Priestess

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Play Episode Listen Later Dec 7, 2022 11:43

Jared and Anne Ladyem (anneladyem.com) see Kikyo body Tsubaki on multiple occasions and Inuyasha faces a conundrum.

76: Miksi pahikset kiinnostavat?

La croqueuse de livres podcast

Play Episode Listen Later Dec 1, 2022 172:47

Keskustelemme pahishahmoista – miksi ne ovat aina kiehtoneet ihmisiä, ja miksi monien suosikkihahmot ovat nimenomaan pahiksia? Ajankohtaisina aiheina puhumme sitä, miten Kadokawa osti Anime News Networkin, Japanin mangapalkintolistauksista vuodelle 2022 sekä taidesivusto Pixivin kiristyvistä sisältösäännöistä. Lukujonossa on kaksi yksipokkarista BL:ää Futekiyasta, Wanna Try Dating Inoue? ja The Black Beast's Descent into Love, minkä lisäksi luimme Shuzo Oshimin sarjan Blood on the Tracks pokkarit 5 ja 6. --- Kommentoi | Twitter | Instagram --- 06:09 – PAHISHAHMOT: ESITTELY 07:56 – PAHISHAHMOT: PAHIS VAI ANTAGONISTI? - Antagonisti - Protagonisti - How Story Works -podcastin jakso Protagonist, Antagonist - How Story Works on saatavilla myös kirjana - Peach Girl ja sen spinf-off Ura Peach Girl, joka kertookin päätarinan antagonistista - puhuimme sarjasta jaksossa 10 - Death Noten päähenkilö Light Yagami on pahisprotagonisti - puhuimme sarjasta jaksossa 60 - Crunchyroll Awards 2022, jossa Titaanien sodan päähenkilö Eren oli ehdolla sekä edeltävän animevuoden parhaaksi protagonistiksi että parhaaksi antagonistiksi - Puella Magi Madoka Magica - Everyone's Getting Married, josta puhuimme jaksossa 27 - Legend of the Galactic Heroes - Spy x Family, josta puhuimme jaksossa 53 23:25 – PAHISHAHMOT: PAHUUDEN KONSEPTI - Petterin Idän Lumo -blogikirjoitus Pahuutta ei ole olemassa - Avatar the Last Airbenderin prinssi Zuko - Marvel Cinematic Universen mielenkiintoisia pahiksia: - Loki - Thanos - Vulture - Star Warsin Kylo Ren (ja sama ilman paitaa) 32:27 – PAHISHAHMOT: PAHISHAHMOISTA TYKKÄÄMINEN - Buffy the Vampire Slayerin Spike 39:59 – PAHISHAHMOT: ERILAISET TUNTEET JA IDEOLOGIAT - Jakso 46, jossa puhuimme esineellistämisestä - My Hero Academian Twice - Devils' Line, josta puhuimme jaksossa 39 - Usein pahikset käyvät järjestelmää vastaan, mutta joskus vallanpitojärjestelmä on se, mistä paha kumpuaa, esim: - One Piece - Fullmetal Alchemist - Akudama Drive - Beastars - TVTropes: Fridge Logic - Chrono Crusade - Pandora Hearts - Sarjoja, joissa luonnonolosuhteet tai muu epähahmollinen taho on loppupahis, josta selviytymikseksi sankareiden ja vastustajien täytyy ehkä liittoutua: - Tsuritama - Japan Sinks - Kill la Kill 54:51 – PAHISHAHMOT: ROOLIN MAHDOLLISUUDET - Yona of the Dawn - Kuroshitsuji, josta puhuimme jaksossa 50 01:00:31 – PAHISHAHMOT: MUUTOKSET ROOLEISSA - One Piecen vastustajia, jotka esitetään antagonistiroolistaan huolimatta hyvinä tyyppeinä: - Bon Clay - Smoker - Monkey D. Garp - Tokyo Babylon - Jakso 20, jossa puhuimme The Case Study of Vanitas -sarjan opettajahahmosta, jota on ennusteltu pahikseksi koko sarjan ajan - Face-Heel Turn ja Heel-Face Turn 01:05:50 – PAHISHAHMOT: KARISMA - Revolutionary Girl Utenan Akio - Saiyukin Ukoku, josta puhuimme jaksossa 62 - Lucifer and the Biscuit Hammerin maagi Animus, josta puhuimme jaksossa 70 01:11:32 – PAHISHAHMOT: PEILAAMINEN - My Hero Academian Midoriyaa ja Shigarakia peilataan toisiinsa esim uusimman animekauden endingissä (YouTube) - Aarreplaneetan John Silver 01:14:23 – PAHISHAHMOT: JAPANILAINEN PAHISHAHMOJEN KUVAUS 01:17:52 – PAHISHAHMOT: YHTEENVETO 01:19:54 – KADOKAWA OSTI ANIME NEWS NETWORKIN - Kadokawan ja ANN:n lehdistötiedote - ANN:n toimitusjohtaja Christopher MacDonaldin kirjoitus journalistisen itsenäisyyden jatkumisesta - MacDonaldin haastattelu, jossa toistellaan pitkälti samoja asioita - ANN:n perustaja Justin Sevakisin twiittiketju - Trash Taste -podcast, jota Kadokawa rahoittaa influensserifirma GeeX+:n kautta - Yatta-Tachi 01:32:13 – PIXIVIN SISÄLTÖRAJOITUKSET - ANN:n uutinen Pixivin sisältösääntöjen muuttumisesta - Pixivin tiedote asiasta - Jakso 14, jossa puhuimme ajankohtaisosiossa Futekiyan maksupalveluongelmista 01:41:21 – JAPANIN MANGAPALKINNOT 2022 - Jakso 27, jossa puhuimme vuoden 2021 Japanin mangapalkinnoista - Jakso 56, jossa puhuimme vuoden 2020 Japanin mangapalkinnoista - Kono manga ga sugoi! 2022 -listaukset - Next Manga Awards 2022 - Da Vinci -lehden vuoden kirjat Top 50 - Shogakukan Manga Awards 2022: ehdokkaat ja voittajat - Kodansha Manga Awards 2022: ehdokkaat ja voittajat - Manga Taisho Awards 2022: ehdokkaat ja voittajat - Osamu Tezuka -kulttuuripalkinto 2022: ehdokkaat ja voittajat - Japan Media Arts Festival 2022 manga-kategorian voittajat - Sarjanostot: - Look Back, josta puhuimme jakson 53 lukujonossa - Chainsaw Man - Jakso 75, jossa puhuimme Eisner- ja Harvey- sarjakuvagaalojen mangapalkinnoista - Chi - Chikyuu no undou ni tsuite (Ground - On the Movement of the Earth) - Kaiju No. 8 - Jakso 35, jossa puhuimme sarjasta lukujonossa - Jakso 68, jossa puhuimme sarjan taustataiteen tuotannosta ajankohtaisosiossa - Dandadan, josta puhuimme jakson 62 kuulijakommenttiosiossa - Frieren: Beyond Journey's End - Oshi no Ko, josta puhuimme jakson 67 lukujonossa - Trillion Game - Käsikirjoittaja Riichirou Inagaki, piirtäjä Ryouichi Ikegami - Jakso 72, jossa puhuimme kuolemanpelisarjoista - Sarjan kolmannen pokkarin kansikuva (kuva) - Peleliu: Guernica of Paradise - My Lesbian Experience with Loneliness, josta puhuimme jaksossa 28 - Shigeru Mizukin toista maailmansotaa kuvaava Onwards Towards Our Noble Deaths - The Darwin Incident - Sarjan kannet - Tsugumi Project - Jakso 66, jossa puhuimme sarjasta ajankohtaisosion Ranskan mangamarkkinaa koskevassa keskustelussa - Umi ga hashiru Endroll - My Broken Mariko - She Loves to Cook, and She Loves to Eat - Ôoku: The Inner Chambers, josta puhuimme jaksossa 7 - ANN: Fumi Yoshinaga's Ōoku: The Inner Chambers Manga Wins 42nd Nihon SF Taishō Awards' Grand Prize - In the Clear Moonlit Dusk - Mangaka Mika Yamamorin edelliset teokset Daytime Shooting Star ja Tsubaki-cho Lonely Planet - Nina the Starry Bride - Onna no sono no Hoshi - Kageki Shojo!! - Do Not Say Mystery - A Sign of Affection, josta puhuimme jaksossa 74 - Heartstopper, josta puhuimme jakson 52 lukujonossa - Skull-Face Bookseller Honda-san - Medalist - Witch Watch - Kenta Shinoharan aiempi sarja Astra - avaruuden haaksirikkoiset, josta puhuimme jaksossa 55 - Akane-banashi - My Wife Has no Emotion - Though I'm an Inept Villainess - I'm in Love with the Villainess - Tamon-kun ima docchi?! - Yuki Shiwasun aiempi sarja Takane & Hana, josta puhuimme jaksossa 16 ja jaksossa 69 - Dai Dark - Q Hayashidan aiempi sarja Dorohedoro, josta puhuimme jakson 54 lukujonossa - Futari Escape - Behind the Supermarket, Smoking with You 02:19:53 – KUULIJAKOMMENTTI: MANGA PLUS - Erufailonin Twitter-kommentti - Jakso 75, jossa puhuimme Manga Plus -kustannustoimittajan haastattelusta 02:21:56 – KUULIJAKOMMENTTI: THE APOTHECARY DIARIES - The Apothecary Diaries 02:23:36 – KUULIJAKOMMENTTEJA: AKANE-BANASHI - Akane-banashi, josta puhuimme lukujonossa jaksossa 73 - Gintama - Fullmetal Alchemist - Joshiraku-animen ED (YouTube) 02:25:32 – LUKUJONOSSA: WANNA TRY DATING INOUE? - Wanna Try Dating Inoue Futekiyassa (ensimmäinen luku luettavissa ilmaiseksi) - Karneval - Taas kerran japanilaisessa teoksessa käyetään fantasiaelementtejä kuvaamaan oikean maailman vähemmistöjen ongelmia (kuva) - Interviews with Monster Girls - A Centaur's Life - Tämän sarjan maailmassa sukupuolella ei ole niin kauheasti väliä, ja muut asiat ovat olennaisempia (kuva) 02:34:46 – LUKUJONOSSA: THE BLACK BEAST'S DESCENT INTO LOVE - Tämä ja edellinen sarja verrattuna toisiinsa (kuva) - The Black Beast's Descent into Love Futekiyassa (ensimmäinen luku luettavissa ilmaiseksi) 02:42:48 – LUKUJONOSSA: BLOOD ON THE TRACKS (OSAT 5-6) - Blood on the Tracks - Jakso 74, jossa puhuimme sarjasta viimeksi - Kaikki on vielä ahdistavampaa kuin aiemmin (kuva) - Herrajumala nyt loppuu se gaslightaus (kuva) 02:51:33 – LOPETUS

Episode 8 - Etre écrivain public dans "la Papeterie Tsubaki" d'Ogawa Ito

Play Episode Listen Later Nov 28, 2022 7:00

Aujourd'hui, le livre qu'on croque c'est La Papeterie Tsubaki -dont je vous lis les premières pages- de Ogawa Ito, l'autrice du Restaurant de l'amour retrouvé. En ce moment, je lis plusieurs romans japonais et j'aime bien l'atmosphère assez spéciale qui s'en dégage.Popo, l'héroïne du roman, reprend la Papeterie Tsubaki après la mort de sa grand-mère (l'Aînée). En plus de vendre des papiers et des stylos, elle prend la casquette d'écrivain pubilc.Un roman plein de tendresse et très joliment écrit, qui permet de découvrir de manière pittoresque une petite ville au Japon et ses habitant-es. Idéal pour se poser pendant la période automnale, en buvant un thé chaud ou en écrivant une lettre !***Livre chroniqué : La Papeterie Tsubaki de Ogawa Ito, Editions Philoppes Picquier, 2018***Musique du générique – Credits:Not The King - Ice Tea - Royalty Free Vlog Music — Music By Not The KingMusique de lecture : PeriTune - Hanagoyomi***Vous avez aimé ? Vous avez envie de partager ce que vous pensez de ce roman ? Vous n'êtes pas du tout d'accord avec moi ? Pour me contacter, n'hésitez pas à m'envoyer un mail à lacroqueusedelivres@gresille.orgVos retours me sont précieux et n'hésitez pas à me donner vos recommandations de lecture par la même occasion !A très vite,Eléonore

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Episode 5 - Chroniques des lectures du mois passé #1

La croqueuse de livres podcast

Play Episode Listen Later Nov 10, 2022 4:43

Chroniques des lectures du mois passé #1*Dans cet épisode, je chronique les lectures (que j'ai aimé) du mois d'octobre 2022 :- La BD de Capes et de mots de Flore Vesco et Kerascoet, éditions, Dargaud, 2022- La BD Symphonie Carcérale de Romain Dutter, Bouqué (dessinateur), éditions Steinkis, 2018- Le roman Young Adult Les Noces de la Renarde, éditions Pocket, 2021ainsi que 2 livres que je chroniquerai + en détail dans de prochaines chroniques :- Les Facétieuses de Clémentine Beauvais aux Editions Sarbacane, 2022- La papeterie Tsubaki de Ogawa Ito aux Editions Philippe Picquier, 2018Merci à Marion du podcast La Page Sensible( https://www.marionjoceran.fr)de m'avoir conseillé La papeterie Tsubaki ! Je vous recommande ses chroniques qui sont toujours très agréables à écouter et qui peuvent vous permettre de voir d'un oeil différent certains classiques dont vous ne vous souveniez plus ! J'espère que cette chronique un peu différente vous a plu et je vous retrouve très vite pour un nouveau livre à croquer !N'hésitez pas à me faire vos retours à lacroqueusedelivres@gresille.org entre temps, je vous lis avec plaisir !L'émission revient lundi matin, comme d'habitude !Eléonore

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POTJ Ep#32 - Star Wars Visions: Akakiri

Path of the Jedi: Star Wars meets Personal Development

Play Episode Listen Later May 12, 2022 23:00

Do we have free will or is everything that happens in our lives pre-determined? This BIG topic and nothing less is what we cover in this episode as we examine the ninth and final episode of Star Wars Visions. In Akakiri, our hero Tsubaki seems all but doomed to a very dark fate. Can he change that trajectory? Or is he destined to fulfill the visions set before him?Get your copy of "Are You Up For The Challenge" here -https://www.pathofthejedi.com/are-you-up-for-the-challengeThen join our weekly book discussions at our Path of Growth Community - http://facebook.com/pathofgrowthRead Mia Johnson's explanation of Star Wars Visions: AKAKIRI here - https://dorksideoftheforce.com/2021/10/05/star-wars-visions-episode-9-akakiri-ending-explained/

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S2 Episode 17 - Kamakura

Tabibito - voyageurs du Japon

Play Episode Listen Later May 6, 2022 28:38

S2 Episode 17 – Kamakura Pour ce dix-septième épisode, nous vous emmenons passer une journée à l'extérieur de Tokyo dans la petite ville balnéaire de Kamakura. Il y a tellement à faire et à voir dans cette ancienne capitale impériale que nous avons choisi de nous concentrer sur ses quartiers Ouest. Nous vous proposons donc un circuit clé en main qui part de la gare centrale pour rejoindre les temples majeurs de la ville, avant de s'enfoncer dans la nature dense des collines avoisinantes à la recherche de sanctuaires cachés. Kamakura est célèbre pour deux temples : le Hasedera et ses 3 statues de jizo mignons enveloppés de mousse, et le Kotoku-in qui héberge la célèbre grande statue de bronze d'un grand bouddha. Plutôt que de les visiter à la chaîne, on vous propose de prendre le temps en vous présentant 3 adresses gourmandes qui se situent sur le chemin. Parce visiter le ventre plein, c'est quand même plus sympa ! Les amoureux de café seront ravis car Laureline et son oeil aiguisé de barista nous aura trouvé un nouveau coffee shop haut en couleur ! Et pour éliminer ces calories, rien de tel que d'entamer une petite randonnée dans la forêt tout juste attenante aux temples. Après une petite heure de marche, nous découvrirons un sanctuaire inattendu dédié à la déesse Inari dans une clairière digne d'un univers tout droit sorti d'un film des studios Ghibli. Et c'est donc sur cette note poétique que le circuit nous ramènera à la gare de Kamakura. Bonne écoute et bon voyage ! ************************************ Chapitrage : 00:47 : intro 01:38 : rejoindre Kamakura en train 02:22 : déguster le warabi mochi 05:26 : la ligne de train Enoden très typique 06:49 : coffee shop sur le pouce 07:52 : les richesses du temple Hasedera 13:01 : pause goûter au café Kannon 14:42 : l'incontournable grand bouddha de Kamakura (daibutsu) au temple Kotoku-in 16:24 : randonnée dans les collines avec des collégiens Japonais 19:28 : découverte du sanctuaire caché Sasuke inari jinja 23:28 : le coup de coeur de Laureline 25:42 : le coup de coeur d'Olivier 27:20 : le mot de la fin ************************************ Quelques ressources complémentaires à cet épisode : L'article d'Olivier sur Kamakura Site de l'office de tourisme de Kamakura (très pratique pour se renseigner sur les pass et les nombreux circuits de randonnée de la région) Notre carte pour retrouver facilement tous les lieux évoqués dans cet épisode ************************************* Le coup de coeur de Lauréline : Groupe de rock "Sid", dans le style visual kei Le coup de coeur d'Olivier : Livre "La papeterie Tsubaki", de Ito Ogawa. ************************************* Nous remercions Yannick de La Feuille - production sonore & sound design qui a créé notre générique et nos jingles, et pour son aide précieuse au cours des premiers enregistrements. Suivez-nous en images sur le compte Instagram du podcast : @podcast.tabibito

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Episode 4: Xiao, Ayaka Trailer, Vibro-Crystal Research

The Resonance: A Genshin Impact Podcast

Play Episode Listen Later Apr 25, 2022 40:28

In this weeks episode I discuss the updates to the Battle Chronical Tool in HoYoLAB, cover the Tsubaki in Thawing Snow trailer, and talk about the in game Vibro-Crystal Research event and the new web-event! We are also hosting a giveaway of a Blessing of the Welkin Moon to celebrate over 150+ plays! Details on the giveaway on Twitter at @HOYOcast! 00:00 - Intro 02:00 - Known Bugs & Issues 03:30 - Xiao's Birthday 04:35 - Battle Chronical Tool Update 09:20 - Tusbaki in Thawing Snow Trailer 13:30 - Ayaka EP 15:11 - Break 15:50 - v2.6 Survey 17:35 - Vibro-Crystal Research Details 27:00 - Web-Event 33:05 - Welkin Moon Giveaway 37:00 - Outro If you would like to comment on this episode, have questions, feedback, or recommendations feel free to contact the show at HOYOcast@gmail.com If you enjoyed the show, follow the show on Twitter, @HOYOcast to get updates on when the new episodes are published and more! Music Used: Sangonomiya Kokomi Demo Trailer Theme Extended | Epic Version - Cover/Remix by brittle bear https://youtu.be/G2hG-5aF8Ck Shenhe Demo Trailer Theme Extended | Epic Version | "Crane in the Wild" Trailer Soundtrack - Cover/Remix by brittle bear https://youtu.be/20HPqjj6jL4 All Genshin 2.4 Character Music Compilation | 1 Hour OST Mix | Epic Version - Cover/Remix by brittle bear https://youtu.be/9WnTEWWcs64 https://www.twitter.com/brittlebearm https://www.instagram.com/brittlebearmusic/ Original music by Yu-peng Chen and HoYo Mix

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Kunoichi Tsubaki no Mune no Uchi y Ultraman

ToonsAnimes

Play Episode Listen Later Apr 19, 2022 8:41

Un nuevo anime divertido pero también muy coqueto y la segunda temporada de Ultraman.

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Episodio 98. Tsubaki-chou Lonely Planet

Querido Manga

Play Episode Listen Later Mar 24, 2022 13:39

Un manga donde los personajes principales de cierta manera no tienen un hogar o familia, escucha sobre la tierna historia que es “Tsubaki-chou Lonely Planet”.

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Sakamichi Nights Ep 45: Tsubaki

Sakamichi Nights

Play Episode Listen Later Feb 16, 2022 37:35

Sakamichi Brewing is located in Tachikawa, Tokyo. Each episode Daniel and Matthew (and sometimes guests) pick a beer or two from the menu and talk about it a bit. This week we drank and celebrated some Tsubaki - a fruited saison from Black Tide Brewing. We also discussed American football, what makes a beer a beer, and who would be on our dream cornholing team - at which point all semblance of professionalism collapsed. Find us on Twitter at @sakamichi_beer Find us on Instagram at @sakamichibrewing Find us on Facebook at @SakamichiBrewing Music by Zen_Man from Pixabay

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049_リスナーさんと話そう「想いをカタチにする方法」について

FLOW〜産まない産めない女性の幸せな人生計画

Play Episode Listen Later Jan 24, 2022 43:37

Show note:1．2021年達成できたMayumiの「やらないことリスト」 ①服を買わない ②メイク用品は買わない ③ベッドルームに携帯を持ち込まない ④印刷しない、紙の本を買わない2．リスナーKeikoさんFLOWとの出逢い3．海外移住によるアイデンティティロス4．Mayumiへの質問・TSUBAKIをなぜ立ち上げたの？・TSUBAKIとFLOWふたつのコミュニティに通じるものは？・自分の才能、得意なことをどうやって見つけているの？・自己投資について・行動に移せないブロックとコンフォートゾーンについて・ビジネスサービスを無料提供から有料へ移行するときについて5．Keikoさんのその後6．テレビ番組取材を受けたTSUBAKI会の今だから言える裏話7．あなたの想い＝Whyは明確ですか？＜リスナーゲスト情報＞名前：Keikoさん 40代前半、ドイツ在住、ヨガ歴14年二人の男児のママでホリスティックな生き方を探求中。インスタ：@sparklingmoringaポッドキャスト番組：Sparkling Moringa

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JANGAN PERNAH TONTON SHOJO TSUBAKI!!

AKASHISEDAI

Play Episode Listen Later Jan 10, 2022 22:02

Anime paling absurd dan berbahaya yang ga sengaja pernah gue tonton. Abis nonton gue stres

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Episode 13 - The Kureha Tsubaki Raising Project

Imagine Me & Utena

Play Episode Listen Later Jan 7, 2022 86:29

It's a largely uncomplicated melodramatic love story between girls.

project raising tsubaki

Los DECEPCIONANTES EXÁMENES CHUNIN DE BORUTO | SARADA, la CAPITANA DEL EQUIPO 7!

Hablando un poco de Boruto y Naruto!

Play Episode Listen Later Dec 6, 2021 15:10

Muy buenas a todos,Hoy os traigo la review y análisis de los últimos episodios del anime de Boruto, donde hemos tenido la segunda edición de los exámenes Chunin.De estos exámenes comentaré las peleas mas destacadas: Hōki Taketori vs Inojin, Iwabe vs Wasabi, Denki vs Tsubaki y Chocho vs Sarada. Comentaré también el rol de de Sarada como capitana del equipo 7 y el reemplazo de Konohamaru del equipo 7.Espero que os guste!Podcasts de One Piece: https://www.spreaker.com/show/hablando-de-one-piecePodcasts de Boruto/Naruto: https://www.spreaker.com/show/hablando-un-poco-de-boruto-y-narutoPodcasts boruto recomendados:Naruto vs Ishhiki: https://www.spreaker.com/episode/46502339Isshiki Otsutsuki, todo lo que sabemos de él: https://www.spreaker.com/episode/45507563Sasuke pierde el Rinnegan, Borushiki vs Sasuke y Kawaki: https://www.spreaker.com/episode/46804012La muerte de Kurama: https://www.spreaker.com/episode/46871092Podcasts de one piece recomendadísimos:Hablando de Yamato, la hija de KAIDO: https://www.spreaker.com/episode/45507687Kaido morirá y Big mom será derrotada en Wano: https://www.spreaker.com/episode/45802866instagram: https://www.instagram.com/onlyredyz_/------------------------------boruto examenes chunin, boruto episodios anime español, examenes chunin segunda parte, boruto equipo 7, boruto konohamaru fuera del equipo 7, boruto sarada capitana del equipo 7 , boruto vs mitsuki , sarada vs chocho examenes chuninsarada chidori a chocho, chocho modo mariposa vs sarada y su chidori, Iwabe vs Wasabi, Denki vs Tsubaki, Hōki Taketori vs Inojin, boruto anime

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Katoon 61: Giant Killing

Katoon

Play Episode Listen Later Sep 16, 2021 124:06

Coloque sua chuteira, prepare seu meião e se aqueça, pois falaremos sobre futebol em mais um podcast do Katoon!

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Lan Belinky, co-creator and Global General Manager of boscia skincare

Skincare Anarchy

Play Episode Listen Later Jul 22, 2021 32:42

With deep rooted beauty beginnings, Lan Belinky was destined to lead a global skincare brand. Born and raised until her young teens in Japan, the infamous center of skin care innovation, Lan was fascinated by the infinite beauty trends and tactics she was continually exposed to. Mesmerized by her Grandmother's meticulous 6-step beauty ritual and her Aunt's unique product application practices; the allure of the beauty world naturally beckoned. In the Spring of 1996, Lan's family moved to the United States so her Father and boscia Founder, Gen Inomata, could realize his dream of bringing Japanese influenced skincare stateside. Lan spoke solely Japanese at the time and worked diligently to learn English as a second language and acclimate into the American culture that was so brand new to her – but always, always held close her Japanese roots. Fast-forward a few years later, Gen's dream was realized and boscia was born. Lan attended The University of the Incarnate Word and graduated with a degree in Business Marketing, while spending every available moment helping to cultivate boscia. After graduating, Lan joined boscia full-time and helped lead many of the brand's major milestones including the first foray into prestige retail. Lan passionately believed in the power of boscia's fusion of botanical (BŌ) science (SHA), and that powerful skincare results could in fact be obtained from good-for-you ingredients. Lan attributes much of her contributions to boscia's growth directly to her biculturality. boscia's first collections (Tsubaki, Sake and Charcoal) were all inspired by her Japanese heritage as was BB Cream, which was the first of its kind to hit the US prestige retail market and garnered staggering success. In the Summer of 2010, Lan unearthed the Luminizing Black Charcoal Mask which catapulted to skincare fame and created the instantly gratifying peel-off mask craze. The Luminizing Black Charcoal Mask continues to reign as a boscia fan-favorite. --- Send in a voice message: https://anchor.fm/skincareanarchy/message

Episode 55 - Mysterious Girlfriend X

I Married a Weeb - Anime Podcast

Play Episode Listen Later Jun 14, 2021 41:07

Every girl is a mystery when you're a 16-year-old boy, but Mikoto Urabe is in another league. She carries scissors hidden in her panties. She sleeps on her desk every day. She seems to have no friends whatsoever. But none of that can compare to what happens when Tsubaki Akira decides on a whim to taste a drop of her drool. From that moment onward, things between Urabe and Tsubaki are never the same, and the mysterious girl slowly becomes Tsubaki's mysterious girlfriend. Intro song by the talented "Boyfriend Genes" https://boyfriendgenes.bandcamp.com/track/dont-call

girlfriends mysterious tsubaki

91缶目: 正解は木曽三川公園

AM.SanGoCan

Play Episode Listen Later Jun 13, 2021

編集後記１！２！３！エアコンほしいよぉ～、taiaです。今週は文房具の話をしました。ぼくら'90前半生まれ世代はボールペンといえばジェットストリームかサラサかフリクションかアクロボール、シャープペンシルはクルトガかドクターグリップかグラフギアかスマッシュあたりだったと思うんですが、今の中高生はどうなんですかねぇ…？もしくは、これって地域差とかもあるのかな？放送では言い忘れていましたが、個人的に最近は百均でも買えるようになったZEBRAの「ブレン」を愛用しています。おすすめです。あなたの愛用している文房具は？番組ではあなたからのメールを待ってます。この番組では、気になるニュースやふつおたをメールで大募集！質問は番組内で紹介させていただきます。 Twitterも積極運用中！公式アカウントで収録から漏れた話や日常ぼやきなどを投稿中。ぜひフォローをお願いします！また、Twitterのハッシュタグ #350can の感想ツイートも追ってますので、投稿よろしくお願いします。それではまた次回！ (文責： taiga) SHOW NOTE taigaパート【超性能ティッシュ】キレイの概念が変わる！キムワイプの世界～有隣堂しか知らない世界001～ - YouTube 【脱ハンコに物申す！】シヤチハタの世界～有隣堂しか知らない世界022～ - YouTube 【7260円vs199円】ガラスペン対決～有隣堂しか知らない世界045～ - YouTube きまじめ姫と文房具王子 (1) (藤原嗚呼子) - Amazon 林刃物 ALLEX 事務用はさみ - Amazon きっと今すぐ欲しくなる！『ガラスペン』の魅力と楽しさに迫る - 逸品の小部屋 OKB48選抜総選挙 haseパート軽食喫茶『山小屋』二宮/喫茶店 - 食べログガーデンウェディングって？気になる費用相場や人気ランキングも！ - ぐるなびウエディング国営木曽三川公園 KISO SANSEN PARK 森山直太朗運命の人歌詞 - J-Lyric.net EDパート卒業（1967） : 作品情報 - 映画.com 今回のビール昨晩収録しながら飲んだやつ 91缶目。

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Takos Kon Otakus • Your Lie • Ep. 5 "Como Es Arriba Es Abajo"

Takos Kon Otakus

Play Episode Listen Later May 6, 2021 39:54

Juevesiturururu!!! Episodios 13, 14 y 15 donde Kousei logra dejar ir a la sombra mala de su madre y asi le vemos mas feliz, pero mientras uno esta arriba tenemos a Tsubaki toda bajoneada porque Kousei se le va.

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OMP 23: Midori (1992) with Kelly Gredner

One Missed Pod

Play Episode Listen Later May 3, 2021 64:36

Suehiro Maruo is the master of guro, a Japanese artform which combines the beautiful with the grotesque. Midori (1992) is the adaptation of Maruo's 1984 cult-manga masterpiece retelling of Shōjo Tsubaki. Kelly Gredner, one half of the Spinsters of Horror, joins host Zack Long in discussing this ultra-violent, messed up anime.You can reach your host Zack at ZackLong@Scriptophobic.ca. You can find Kelly Gredner on Twitter at @KGredner.

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Your Lie in April (Shigatsu wa Kimi no Uso) (Episode 30)

Nandemo

Play Episode Listen Later Apr 20, 2021 83:10

Your Lie in April (Shigatsu wa Kimi no Uso) by Naoshi Arakawa is the topic for our podcast today! Your Lie in April is a romance/ music series where there is a lot of emotion being shown and a lot of emotion being raised. It is a show that will make you want to play an instrument, it will make you want to live your life freely, make you want to do your best, and give you hope in love. Of course, there are a lot of tropes that we usually see in romcom series. These cliches aren't going anywhere. They are pretty acceptable, as they add to the story well. The story itself is great and well developed, except for the end, where it becomes a little bad/ creepy. The show is about a man named Arima Kousei who has been forced to play the piano from when he was a wee kid, and he was beaten until he got the notes just right. Eventually, he stops being able to hear his own music, as he feels like he is in a deep ocean, and nothing reaches him. He stumbles upon a friend of a friend, called Kaori Miyazono, and they both strike up a friendship. She's a free-spirit violinist and he's a score following perfectionist. Unfortunately, Kaori likes Arima's best friend, Watari, and Arima's other best friend, Tsubaki, is in love with Arima. It's an all-around love triangle! Recentangle? You get the point! Who will end up with whom? What kind of relationship will the two musicians develop? Find out, in this episode of Weeb101! As usual, spoilers ahead! Enjoy! Like, Subscribe and Share. Let us know what you think in the comments. Check out our other channels - Last Take - https://www.youtube.com/channel/UC42Kr3FAvaDVA45Z0ekMBtg Podcast Highlights - https://www.youtube.com/channel/UCw9e-K-w91FgFSYHo9poLJw Listen to the audio version - Anchor - https://anchor.fm/weeb101 Apple Podcasts - https://podcasts.apple.com/in/podcast/weeb-101/id1533775571 Spotify - https://open.spotify.com/show/5IowiKxUz7F0iuk7OJ7GDn Google Podcasts - https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8zMTk4ZjljOC9wb2RjYXN0L3Jzcw== Watch us live - Twitch - https://www.twitch.tv/weeb101pod Follow us on Twitter, Facebook and Instagram to keep up with both Weeb 101 news and some cool anime releases. Let us know what you think too! We love conversations! Twitter - https://twitter.com/weeb101pod Facebook - https://www.facebook.com/weeb101podcast Instagram - https://www.instagram.com/weeb101pod/ We are also on TikTok - https://www.tiktok.com/@weeb101podcast Support us on Patreon - Patreon - https://www.patreon.com/weeb101pod Intro and Outro Music - Dancing On My Own - Outgoing Hikikomori https://www.youtube.com/watch?v=axD-6qdmLus Crew - Hosts - Bru and Sid Producer - Audi https://twitter.com/marim0ss1 Camera Operator - Mickey https://twitter.com/Miggydota #yourlieinapril #anime #podcast #manga

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Takos Kon Otakus • Your Lie • Ep. 2 "Team Tsubaki o Team Kaori"

Takos Kon Otakus

Play Episode Listen Later Apr 15, 2021 38:57

OTAKOS! Segundo juevesito de Your Lie in April!! El dia de hoy hablamos de los episodios 4, 5 y 6 donde Tsubaki se da cuenta que la cago y le entrego Kousei en bandeja de plata a Kaori!

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Takos Kon Otakus • Your Lie • Ep. 1 "La Novena de Beethoven"

Takos Kon Otakus

Play Episode Listen Later Apr 8, 2021 37:41

Otakos! PRIMER JUEVES DE YOUR LIE IN APRIL!! Empezamos este bello viaje hablando de los 3 primeros episodios donde conocemos a nuestros personajes Kousei, Kaoria, Tsubaki y Watari! Rolo nos cuenta la historia detrás de la novena de Beethoven para violin.

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No.154 | スニーカーのイノベーション

FASHIONSNAP.COM ポッドキャスト

Play Episode Listen Later Feb 6, 2021 47:10

番組概要: ■「ミスター・ジェントルマン」のオオスミタケシ氏、47歳で逝去■ゾゾタウンがラグジュアリーゾーン開設、クロエやドリスなどが出店■資生堂がパーソナルケア事業を1600億円で売却、TSUBAKIやウーノ展開■ナイキが手を使わずに着脱できる新作スニーカー発表、体重をかけるだけで足にフィット■六本木ヒルズ、けやき坂通り沿いのブティックの撤退相次ぐ【今週のワイン】ヴォドピーヴェッツヴィトフスカ SOLO MM14＜イタリア・白＞【オフトピ】アマゾン創業者ジェフ・ベゾスがCEOを退任【買ったものリスト】ヨッシー：VaporWaffle Sacai スニーカー【リスナーメール】tomboyさんよりカフェ併設のセレクトショップをオープンしたいとのご相談。ヨッシーさんより古参リスナーだというヨッシーさん。ボルダリングのウェアについての質問です。

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MANGAS DE ROMANCE QUE NO TE PUEDES PERDER... Tsubaki chou lonely planet &Dame na watashi ni koishite kudasai// podcast Kumegu chan

¡Hola Kumegu! | Anime & Manga

Play Episode Listen Later Jan 22, 2021 50:49

En este episodio hablaremos de dos mangas de romance y comedia que no te puedes perder y esos son Tsubaki chou lonely planet y Dame na watashi ni koishite kudasai los cuales no son tan conocidos pero sin embargo una vez que los lees pasan si o si a tu lista de romances favoritos por lo increíble de su trama ya que nos enseña que también en el 2D puede haber una construcción no toxica de una relación, hablaremos a profundidad de ambos y les contare porque si o si deben leerlos, así que no me queda más que dejarles una ALERTA DE SPOILERS, no olviden seguirme y compartir este episodio en sus redes sociales ya saben que pueden escribirme en el twitter @KumeguChan --- Send in a voice message: https://anchor.fm/kumegu/message

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Melbourne City FC Attacker Naoki Tsubaki - メルボルン・シティFC　椿直起選手

SBS Japanese - SBSの日本語放送

Play Episode Listen Later Jan 5, 2021 9:56

20 year old Naoki Tsubaki is one of the five Japanese players in this season's Soccer A-League. He is on loan from Yokohama F. Marions for the 2020/21 A- League season. - U17サッカーワールドカップなど、各年代の日本代表歴を持つ、2000年生まれの若きストライカーがAリーグのメルボルン・シティFCに期限付きで移籍しました。初戦を終えたばかりの椿直起選手に話を伺いました。

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017_対談：春井ユカさんのストーリー

FLOW〜産まない産めない女性の幸せな人生計画

Play Episode Listen Later Dec 17, 2020 59:04

Show Note1. 出会いはシンガポールのTSUBAKI会2. マレーシア·ペナン島へ移住 3. 自然の流れに任せた子宝4. 20代の女優時代～30代の飲食店経営者時代5. 海外で働く～日本人女性管理職としての挑戦6. 40代で計画した50代からの将来ビジョン7. トラウマを和らげるために語る6ヶ月前の交通事故8. 子なし夫婦に与えられた試練と深い絆9. 予期せぬ人生に向き合うマインドとは10. モチベーショナルコーチとしての今後注意：上記7.ではユカさんが事故のトラウマが残る中、事故直後のことを語って頂いています。リスナーの方で、大きな事故を体験された方、そしてそれがまだトラウマとなっている方にはトリガー（引き金）になる可能性もありますので、部分的にスキップして頂いても結構です。（タイムコード *29:40 - 33:30）〈グロサリー〉★ シンガポール「TSUBAKIの会」https://tsubakiladies.wixsite.com/tsubaki★マレーシア・ペナン島とは？マレーシアのマレー半島西方にある島。植民地時代の名残がある建物や独特の文化がユネスコ世界遺産として登録されており、シンガポールからも週末旅行として人気の観光スポット。★大女優杉村春子さんhttps://ja.wikipedia.org/wiki/杉村春子ゲスト：春井ユカさんプロフィールYuka Harui/ 春井ユカさん兵庫県出身。現在マレーシア在住。20代を女優としてTV、舞台、CM等で活躍された後、30代は都内で外国人駐在員向けの飲食店の経営者としてキャリア転向。30代半ば飲食業から不動産業界へと転身。2011年よりシンガポールへ移住。大手不動産ファンドのヴァイスプレジデントとしてアセットマネジメントに従事し、50代前半まで女性管理職としてシンガポールにて活躍。現在は豊富な経験を活かし、不動産コンサルタントと日英でモチベーショナルコーチとして活躍中。2020年コロナ渦中、自宅付近で交通事故に遭い、両足に重傷を負う。一度は失いかけた両足も、ご自身の強いマインドとセルフコーチングを通して、現在回復中。自身のブログでも事故当時からの回復経過や体験を通して感じたことなどをシェアされています。ホームページ：https://www.haruiplus.comhttps://ameblo.jp/myfruitsalad/Instagramhttps://www.instagram.com/haruiplus/ FLOW - Fulfilling Lives of Women〜産まない産めない女性の幸せな人生計画www.flow-japan.comFLOWは周りや社会からの期待や固定観念から解放され、それぞれの状況に置かれた女性たちが自分らしい選択をし、人生を楽しく生きる、そんな女性の多様性やストーリーを応援するプラットフォームです。様々な理由で子供のいない既婚女性、アラフォー独身女性、または不妊治療で悩む親友や姉妹をお持ちの方など、FLOWでは貴女の声をお待ちしています。

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OMP 23: Midori (1992) with Kelly Gredner

One Missed Pod

Play Episode Listen Later Dec 16, 2020 64:36

Suehiro Maruo's the master of guro, a Japanese artform which combines the beautiful with the grotesque. Midori (1992) is the adaptation of Maruo's 1984 cult-manga masterpiece retelling of Shōjo Tsubaki. Kelly Gredner, one half of the Spinsters of Horror, joins host Zack Long in discussing this ultra-violent, messed up anime.

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Chapter 4: The Spy Ring Inside Club Tsubaki

Occupy Pilipinas

Play Episode Listen Later Dec 4, 2020 20:45

In Japanese-occupied Manila, a small club becomes the city's hottest night spot. But what the Japanese don't know is that it's also the HQ of a spy ring that may help turn the tide of World War II.

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Episode 17: Tsubaki: Youthful Skin through Gua Sha

Color of Success

Play Episode Listen Later Dec 2, 2020 26:25

Have you heard of the ancient technique, Gua Sha, scraping a flat stone over the skin to help increase circulation and decrease the appearance of wrinkles? Tsubaki founder, Mel Ta, details her journey to finding natural skin care products to maintain a youthful look, leading to the creation of modernized Gua Sha stones. Additionally, skincare and mental health have an impact on each other. An interior designer by trade, Mel addresses self-doubt and perfectionism in creating the company.

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Episode 85: Is The Mandalorian Chapter 13 the best of the series?

Talkin' Movies with Sam and Raj

Play Episode Listen Later Nov 30, 2020 45:52

On this episode of Talkin' Movies, Sam and Raj discuss a new horror film from Ex Machina and Devs filmmaker Alex Garland and Vanity Fair's exclusive first-look at Tom Holland in Cherry. The guys also discuss the kickoff of the holiday season with Hulu's Happiest Season and review Chapter 13 of The Mandalorian. NEWS: Alex Garland working on “low-budget” horror film (Empire) First look at Tom Holland, Russo Brothers Oscar vehicle, Cherry (VF) Also in the news: Jessica Chastain’s The 355 pushed to January 14, 2022 (Variety) Godzilla vs. Kong could follow Wonder Woman 1984, head to HBO Max (THR) David Prowse dies at 85 REVIEWS: Sam: The Camille Girl/Midori/Shōjo Tsubaki, Kung Fu Hustle Happiest Season The Mandalorian, Chapter 13 Below are some resources where you can learn more about what you can do, plus a list of related movies that you should check out. Resources: https://blacklivesmatter.com/ https://blacklivesmatters.carrd.co/ Movies: When They See Us 13th Just Mercy Selma Fruitvale Station Get Out If Beale Street Could Talk Do the Right Thing Blackkklansmen Malcom X The Hate U Give I Am Not Your Negro Watchmen Mudbound Fences 12 Years a Slave Blindspotting Subscribe to this podcast and leave us a review as well! Follow us on social media: Sam Osorio Twitter: @Sam0so Instagram: @samosorio Letterboxd: @samoso Raj Sawhney Twitter and Instagram: @rajsaw236 Letterboxd: @rajsaw2 Music from https://www.bensound.com

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Episode 39 - What? Temtalk is evolving! Ft. Tsubaki Chan

TemTalk

Play Episode Listen Later Nov 17, 2020 93:01

The Temtalk crew discuss the future of Temtalk and the recent Temtem patches joined by the spectacular Tsubaki Chan. Send us questions/feedback! temtalkshow@gmail.com Checkout all the host's great content and social media: https://il.ink/temtalk Catch TemTalk live Mondays @8:30PM CST on twitch.tv/temtalkshow Music by Vodovoz Music Productions https://www.youtube.com/watch?v=lk-POX6lXRI

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014_Coffee Break - 友人と初ロケ収録！

FLOW〜産まない産めない女性の幸せな人生計画

Play Episode Listen Later Oct 31, 2020 41:35

Show Note1. シンガポールに1年缶詰め状態2. チャンギ国際空港JEWELに行ってみた3. 初ロケ収録、友人が初ゲストで登場4. 友人が語るMayumiとFLOWの活動5. ポッドキャスト番組 NextPlanet (ネクプラ)6. Risaの3人目不妊治療で学んだこと7. 欲しいものは欲しいねん< グロサリー >JEWELチャンギ国際空港 https://www.visitsingapore.com/ja_jp/travel-guide-tips/travelling-to-singapore/changi-airport-singapore/jewel-changi-airport/TSUBAKI https://tsubakiladies.wixsite.com/tsubakiNext Planet https://www.nextplanet.info畠山りさhttps://www.instagram.com/risahatayama/?hl=jaFLOW - Fulfilling Lives of Women〜産まない産めない女性の幸せな人生計画www.flow-japan.comFLOWは周りや社会からの期待や固定観念から解放され、それぞれの状況に置かれた女性たちが自分らしい選択をし、人生を楽しく生きる、そんな女性の多様性やストーリーを応援するプラットフォームです。様々な理由で子供のいない既婚女性、アラフォー独身女性、または不妊治療で悩む親友や姉妹をお持ちの方など、FLOWでは貴女の声をお待ちしています。

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Episode 4: Shojo Tsubaki (Midori)

Ghouls Only Cast

Play Episode Listen Later Oct 28, 2020 46:19

Meg happily dives head-first into a bleak sea of colorful offal with the anime adaptation of Suehiro Maruo's Shojo Tsubaki!

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34: Silver Spoon

Play Episode Listen Later Sep 16, 2020 160:45

Kommentoi | Twitter | Instagram–––- Maaretin husbandomeemi07:30 – Kuulijakommentteja: Jaksojen aiheiden valitseminen14:20 – Kuulijakommentteja: Sarjat jotka haluaisimme englanniksi- Nana to Kaoru- Dame na watashi ni koishite kudasai- Tsubaki-cho Lonely Planet- 1999 Shanghai- Heartbroken Chocolatier- Nounai Poison Berry- Saiyuki Gaiden- Akimi Yoshidalta jotain muutakin kuin Banana Fish- Hotel Metsäpeura e yokoso35:42 – Kohu lokalisointifirma Amimarun palkkiotasosta ja työehdoista- Manga-alan valitusta Amimarusta- Amimarun lausunto- Futekiyan ja Manga Planetin lausunto- ANN: Translation, Typesetting Company Amimaru Issues Statement Regarding Low Pay Rates- Se mitä Amimaru oli aikoinaan- Desucon Frostbite 2012: Mangan lukeminen ja fanittaminen netissä: osa 1, osa 2, osa 3 (YouTube)- Otakunvirka-podcastin jakso 15, jossa Petteri puhui Amimarusta vuonna 201350:42 – NHK Worldin uutinen mangan tekemisestä pandemian aikana- NHK World: Newsline in Depth (YouTube)- Golgo 13- Ken Akamatsu- Jakso 24, jossa puhuimme siitä miten Jun Mochizuki oli jättänyt The Case Study of Vanitasin tauolle pandemian vuoksi59:40 – Ensimmäinen Haruhi Suzumiya -ranobe yhdeksään vuoteen- Haruhin värit -meemi (kuva)- ANN: The Melancholy of Haruhi Suzumiya Franchise Get 1st New Novel in 9 Years- Yen Press julkaisee kirjan englanniksi samana päivänä01:06:38 – Silver Spoon: Yleisesti- Silver Spoon- Fullmetal Alchemist- Moyashimon- Petterin artikkeli Silver Spoonista Anime-lehdessä 7/2011 (pdf)- Petterin artikkeli Hiromu Arakawasta Anime-lehdessä 4/2017 (pdf)01:10:34 – Silver Spoon: Rakenne ja ilmestymisaikataulu01:14:55 – Silver Spoon: Teemat01:31:45 – Silver Spoon: Maataloudesta- Noble Farmer, Arakawan esseemanga alkutuotannon autuudesta01:43:30 – Silver Spoon: Seksismistä01:50:50 – Silver Spoon: Koulujärjestelmästä01:54:02 – Silver Spoon: Taide ja huumori- Hevosten piirtämisen vaikeudesta02:01:37 – Silver Spoon: Spoileriosio (pokkarista 8 alkaen)- Petterin artikkeli Silver Spoonista Anime-lehdessä 1/2016 (kuva)- Rakkaudentunnustus hevosenlantakasan edessä01:15:23 – Silver Spoon: Yhteenveto02:17:51 – Lukujonossa: Time Paradox Ghostwriter- Time Paradox Ghostwriter Manga Plussassa- Alkuasetelma (kuva)- Teppei osaa miettiä mangaa hyvinkin tarkasti, vaikka hänen omat teoksensa ovatkin tylsiä (kuva)- Kun lukijat eivät tykänneet, Aino antoi Teppeille eksplisiittisen luvan tehdä oma versionsa White Knightista (kuva)- Teppei tekee parhaansa, kun pitää jatkaa sarjaa itse ilman mallia jota kopioida (kuva)- Dramaattisia kuvia ja poseerauksia oli kuitenkin (kuva)- Shonen Jumpin globaalin yleisön tiedostamista (kuva)02:39:12 – Lopetus

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34: Silver Spoon

What’s That Like For You?

Play Episode Listen Later Sep 16, 2020 160:45

Hiromu Arakawan Silver Spoon on pohjoiseen maatalouslukioon sijoittuva kasvutarina, joka kertoo tulevaisuuden miettimisestä ja itsensä löytämisestä. Puhumme myös mangan lokalisointipalvelu Amimarun huonoista työehdoista syntyneestä kohusta, NHK:n uutisesta siitä miten pandemia on vaikuttanut mangan tekemiseen sekä siitä, miten Haruhi Suzumiya -ranobesarja jatkuu lähes kymmenen vuoden jälkeen. Lukujonossa luemme läpi mangantekoa ja aikamatkustusscifiä yhdistäneen Jump-manga Time Paradox Ghostwriterin, jonka taru loppui lyhyesti ja nolosti. ––– Kommentoi | Twitter | Instagram ––– - Maaretin husbandomeemi 07:30 – KUULIJAKOMMENTTEJA: JAKSOJEN AIHEIDEN VALITSEMINEN 14:20 – KUULIJAKOMMENTTEJA: SARJAT JOTKA HALUAISIMME ENGLANNIKSI - Nana to Kaoru - Dame na watashi ni koishite kudasai - Tsubaki-cho Lonely Planet - 1999 Shanghai - Heartbroken Chocolatier - Nounai Poison Berry - Saiyuki Gaiden - Akimi Yoshidalta jotain muutakin kuin Banana Fish - Hotel Metsäpeura e yokoso 35:42 – KOHU LOKALISOINTIFIRMA AMIMARUN PALKKIOTASOSTA JA TYÖEHDOISTA - Manga-alan valitusta Amimarusta - Amimarun lausunto - Futekiyan ja Manga Planetin lausunto - ANN: Translation, Typesetting Company Amimaru Issues Statement Regarding Low Pay Rates - Se mitä Amimaru oli aikoinaan - Desucon Frostbite 2012: Mangan lukeminen ja fanittaminen netissä: osa 1, osa 2, osa 3 (YouTube) - Otakunvirka-podcastin jakso 15, jossa Petteri puhui Amimarusta vuonna 2013 50:42 – NHK WORLDIN UUTINEN MANGAN TEKEMISESTÄ PANDEMIAN AIKANA - NHK World: Newsline in Depth (YouTube) - Golgo 13 - Ken Akamatsu - Jakso 24, jossa puhuimme siitä miten Jun Mochizuki oli jättänyt The Case Study of Vanitasin tauolle pandemian vuoksi 59:40 – ENSIMMÄINEN HARUHI SUZUMIYA -RANOBE YHDEKSÄÄN VUOTEEN - Haruhin värit -meemi (kuva) - ANN: The Melancholy of Haruhi Suzumiya Franchise Get 1st New Novel in 9 Years - Yen Press julkaisee kirjan englanniksi samana päivänä 01:06:38 – SILVER SPOON: YLEISESTI - Silver Spoon - Fullmetal Alchemist - Moyashimon - Petterin artikkeli Silver Spoonista Anime-lehdessä 7/2011 (pdf) - Petterin artikkeli Hiromu Arakawasta Anime-lehdessä 4/2017 (pdf) 01:10:34 – SILVER SPOON: RAKENNE JA ILMESTYMISAIKATAULU 01:14:55 – SILVER SPOON: TEEMAT 01:31:45 – SILVER SPOON: MAATALOUDESTA - Noble Farmer, Arakawan esseemanga alkutuotannon autuudesta 01:43:30 – SILVER SPOON: SEKSISMISTÄ 01:50:50 – SILVER SPOON: KOULUJÄRJESTELMÄSTÄ 01:54:02 – SILVER SPOON: TAIDE JA HUUMORI - Hevosten piirtämisen vaikeudesta 02:01:37 – SILVER SPOON: SPOILERIOSIO (POKKARISTA 8 ALKAEN) - Petterin artikkeli Silver Spoonista Anime-lehdessä 1/2016 (kuva) - Rakkaudentunnustus hevosenlantakasan edessä 01:15:23 – SILVER SPOON: YHTEENVETO 02:17:51 – LUKUJONOSSA: TIME PARADOX GHOSTWRITER - Time Paradox Ghostwriter Manga Plussassa - Alkuasetelma (kuva) - Teppei osaa miettiä mangaa hyvinkin tarkasti, vaikka hänen omat teoksensa ovatkin tylsiä (kuva) - Kun lukijat eivät tykänneet, Aino antoi Teppeille eksplisiittisen luvan tehdä oma versionsa White Knightista (kuva) - Teppei tekee parhaansa, kun pitää jatkaa sarjaa itse ilman mallia jota kopioida (kuva) - Dramaattisia kuvia ja poseerauksia oli kuitenkin (kuva) - Shonen Jumpin globaalin yleisön tiedostamista (kuva) 02:39:12 – LOPETUS

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7. Lan Belinky

Play Episode Listen Later Sep 1, 2020 26:20

With deep rooted beauty beginnings, Lan Belinky was destined to lead a global skincare brand. Born and raised until her young teens in Japan, the infamous center of skin care innovation, Lan was fascinated by the infinite beauty trends and tactics she was continually exposed to. Mesmerized by her Grandmother's meticulous 6-step beauty ritual and her Aunt's unique product application practices; the allure of the beauty world naturally beckoned. In the Spring of 1996, Lan's family moved to the United States so her Father and boscia Founder, Gen Inomata, could realize his dream of bringing Japanese influenced skincare stateside. Lan spoke solely Japanese at the time and worked diligently to learn English as a second language and acclimate into the American culture that was so brand new to her – but always, always held close her Japanese roots. Fast-forward a few years later, Gen's dream was realized and boscia was born. Lan attended The University of the Incarnate Word and graduated with a degree in Business Marketing, while spending every available moment helping to cultivate boscia. After graduating, Lan joined boscia full-time and helped lead many of the brand's major milestones including the first foray into prestige retail. Lan passionately believed in the power of boscia's fusion of botanical (BŌ) science (SHA), and that powerful skincare results could in fact be obtained from good-for-you ingredients. Lan attributes much of her contributions to boscia's growth directly to her biculturality. boscia's first collections (Tsubaki, Sake and Charcoal) were all inspired by her Japanese heritage as was BB Cream, which was the first of its kind to hit the US prestige retail market and garnered staggering success. In the Summer of 2010, Lan unearthed the Luminizing Black Charcoal Mask which catapulted to skincare fame and created the instantly gratifying peel-off mask craze. The Luminizing Black Charcoal Mask continues to reign as a boscia fan-favorite. It was in 2018 when Lan led the boscia team into their first major retailer expansion; expanding the boscia distribution by 300% and landing into 13 major retailers. When Lan is not at the helm of the boscia brigade, she enjoys spending time out and about in sunny Southern California with her husband, daughter (3) and twin boys (1). She's frequently spotted hitting the pavement with her twins (and official running buddies) in tow. You can learn more about Lan and boscia by following her on Instagram: @lanbelinky / @boscia. Listen to more music from TALLL by heading to Spotify or Instagram: @talllmusic To learn more about today's episode or to check out what's coming up on WTLFY follow along on Instagram: @whatsthatlikeforyou / @saharmartinezmft

Multistep changes in amyloid structure that are induced by cross-seeding on a rugged energy landscape

PaperPlayer biorxiv biochemistry

Play Episode Listen Later Jul 19, 2020

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.07.19.211284v1?rss=1 Authors: Yuzu, K., Yamamoto, N., Noji, M., So, M., Goto, Y., Iwasaki, T., Tsubaki, M., Chatani, E. Abstract: Amyloid fibrils are aberrant protein aggregates associated with various amyloidoses and neurodegenerative diseases. It is recently indicated that structural diversity of amyloid fibrils often results in different pathological phenotypes including cytotoxicity and infectivity. The diverse structures are predicted to propagate by seed-dependent growth, which is one of the characteristic properties of amyloid fibrils. However, much remains unknown regarding how exactly the amyloid structures are inherited to subsequent generations by seeding reaction. Here, we investigated the behaviors of self- and cross-seeding of amyloid fibrils of human and bovine insulin in terms of thioflavin T fluorescence, morphology, secondary structure, and iodine staining. Insulin amyloid fibrils exhibited different structures depending on species, and each of which replicated in self-seeding. In contrast, gradual structural changes were observed in cross-seeding, and a new-type amyloid structure with distinct morphology and cytotoxicity was formed when human insulin was seeded with bovine insulin fibrils. Remarkably, iodine staining tracked changes in amyloid structure sensitively, and singular value decomposition (SVD) analysis of the UV-Vis absorption spectra of the fibril-bound iodine has revealed the presence of one or more intermediate metastable states during the structural changes. From these findings, we propose a propagation scheme with multistep structural changes in cross-seeding between two heterologous proteins, which is accounted for as a consequence of the rugged energy landscape of amyloid formation. Copy rights belong to original authors. Visit the link for more info

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Episode 6: On the Way Home

Our Lie in April

Play Episode Listen Later Jun 24, 2020 20:00

Tsubaki is struggling to figure out where she fits in now in her relationship with Kousei. Tzvi and Ryan discuss how this show’s complexity is evolving into more than simple teenage romance. How does Kousei want to play the piece but, perhaps more important, who does he want to play it for? Join the discussion: reddit.com/r/DeliberateSound or on twitter.com/DeliberateSound or instagram.com/DeliberateSound

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Episode 5: Gray Skies

Our Lie in April

Play Episode Listen Later Jun 17, 2020 19:25

What’s up with Tsubaki? What’s going on with Kousei, for that matter - and why are each struggling with an existential crisis? That and more in this week’s episode! Join the discussion: reddit.com/r/DeliberateSound or on twitter.com/DeliberateSound or instagram.com/DeliberateSound

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Episode 2: Friend A

Our Lie in April

Play Episode Listen Later May 27, 2020 25:30

We get our first glimpse at each of the main characters; Tzvi and Ryan try to parse each of them in anticipation of what the series will reveal moving forward. Kousei’s trauma, Tsubaki’s self-perpetuating care, Watari’s girl troubles, and Kaori’s unusual disposition all set up this story to have many complex angles - the least of which is how the show can effectively get us, the viewers, into the heads of these teenagers. Join the discussion: reddit.com/r/DeliberateSound or on twitter.com/DeliberateSound or instagram.com/DeliberateSound

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21: Our Dreams at Dusk

Blake and Spencer Get Jumped - An Anime Podcast

Play Episode Listen Later Mar 4, 2020 113:52

- Tampereen teatterin Notre Damen kellonsoittaja (YouTube)- Helsingin kaupunginteatterin Pieni Merenneito (YouTube)- Lontoon Lyceum Theatren Leijonakuningas (YouTube)- Leijonakuninkaan poistettu kohtaus, joka oli mukana musikaalissa (YouTube)- Kuroko, nukenliikuttajat joihin yleisön on tarkoitus suhtautua näkymättöminä08:04 – Kuuntelijakommentteja- Japanilaiset nuorisojengiläiset fiktiossa- Crows- Worst- Shonan Junai Gumi eli GTO: The Early Years- Great Teacher Onizuka- Shonan Seven- Angel Densetsu- Clover- Kongo Bancho, 7 kuolemansynnin tekijän edellinen sarjaNykyään lähinnä parodian kautta:- Cromartie High School- Beelzebub- Nyankees- Jotaro Kujo JoJo’s Bizarre Adventuresista- The Delinquent Housewife- Arisa Uotani Fruits Basketista- Koisuru harinezumi, josta Maaret puhui jaksossa 8Tai yleisesti alamaailmaa:- Shinjuku Swan- Ushijima the Loan Shark- Ichi the Killer- Nobuyuki Fukumoto- GTO: Paradise Lost17:04 – Netflixin yhteistyöprojektit- Tiedote: Netflix Expands Commitment to Anime by Welcoming Six Japanese Creators to Develop New Originals- CLAMP- Shin Kibayashi- Yasuo Ootagaki- Mari Yamazaki- Tow Ubukata- Otsuichi- Netflixin 30 sekunnin videon julkistusvideo25:29 – Vizin lisenssit- Chainsaw Man- Patriootti Moriarty- Mermaid Saga -uusintapainos- Revolutionary Girl Utena: After the Revolution- Fly Me to the Moon eli Tonikaku Kawaii33:07 – Seven Seasin lisenssit- Akiko Morishiman Hajimete, kanojo to ja Ruri-iro no yume- Sarazanmain romaaniversio- Penguindrumin romaaniversio julkaistaan myös tänä keväänä- Kuten myös Sarazanmai: Reo & Mabu -manga- We Swore to Meet in the Next Life and That's When Things Got Weird!- Jakso 18, jossa puhuimme viime vuosikymmenen mangatrendeistä- Jakso 16, jossa puhuimme Takane & Hanasta- Cutie and the Beast eli Pujo to yajuu- What the Font?! A Manga Guide to Western Typeface47:08 – Our Dreams at Dusk: Yleisesti- Our Dreams at Dusk- Seven Seasin sivu sarjalle- Yuuki Kamatani (Seven Seas haluaa kirjoittaa “Yuhki“)- Hibana-lehden lopettaminen, Our Dreams at Dusk kannessa- Nabari no ou- Drop-in Center (kuva)- …ja sen vakiokävijät (kuva)53:39 – Our Dreams at Dusk: Tyyli ja miljöö- Jakso 4, jossa puhuimme My Brother’s Husbandista- Melkein joka sivulla on joku sanoo ajattelemattomasti jotain, josta tulee paha mieli (kuva)- "Sääliksi käy noiden vanhempia" (kuva)- Onomichi (Google Maps)- Onomichi ja viereinen saari mangassa (kuva)- Shimanami kaidoo -moottoritie- Rakennusten kunnostamista vapaaehtoistyönä (kuva)56:59 – Our Dreams at Dusk: Tasuku, Tsubaki ja Misora- Tasukun paniikinomainen kieltäminen, kun joku puhuu homoista (kuva)- Tsubakin kasuaali homofobia nousee pintaan aina välillä (kuva)- …Ja välillä taas oireilee vähän selvemmin ahdistuksen muodossa (kuva)- Misora saa Tasukun miettimään asioita omaa nenäänsä pidemmältä (kuva)01:04:21 – Our Dreams at Dusk: Sarjan teemat- Misora ensimmäistä kertaa ulkona tyttönä (kuva)- Tasuku satuttaa Misoraa ajattelemattomuudellaan (kuva)01:06:07 – Our Dreams at Dusk: Utsumi, Haruko ja Tchaiko- Utsumin vanha koulukaveri, joka on erinomaisen hyväksyvä mutta väärällä tavalla (kuva)- Koulukaverin nihkeä ja alentuva ajattelumaailma (kuva)- Japanilainen okama-stereotyyppi- Haruko, joka ottaa Tasukun siipiensä suojaan koska näkee hänessä itsensä (kuva)- Harukon tyttöystävä Saki, joka elää edelleen kaapissa (kuva)- Tchaiko, jonka elämänkumppani on saattohoidossa (kuva)- Vaikeaa on, kun ei ole virallisesti osa perhettä (kuva)01:17:36 – Our Dreams at Dusk: Maailma ei ole mustavalkoinen- Pieniä kohtauksia, jotka luovat uskoa ihmiskuntaan (kuva)- Toisaalta maailman ongelmat eivät ratkea kerralla (kuva)01:20:40 – Our Dreams at Dusk: Someone-san ja maaginen realismi- Someone (kuva)- Someone käy kävelyllä hyppäämällä ikkunasta ulos (kuva)- Maagista realismia: Tasukusta tuntuu että rakennus sortuu niskaan (kuva)- Maagista realismia: Talviunelmia-baletti saa aikaan lumisateen sisällä (kuva)- Maagista realismia: se kuva joka on sarjan kaikissa arvosteluissa (kuva)- Misora ja miljoonakalat (kuva)- Tsubakia ja Utsumia oli välillä turhan vaikea erottaa toisistaan (kuva)01:29:18 – Our Dreams at Dusk: Yhteenveto- Pokémon-pelien pyörätiet- A Letter to Momo01:32:18 – Lukujonossa: Rengoku no toshi- Rengoku no toshi- Truman Show- SSSS.Gridman- Seven Seasin Ghost Ship voisi lisensoida tämän, ehkä01:41:26 – Lukujonossa: Nivawa ja minä- Nivawa ja minä- The Girl from the Other Side- The Wize Wize Beasts of the Wizarding Wizdoms- Buchou wa onee- Children Raise You- Barakamon- Tekijän omasta mielestä Nivawa on selvästi tosi söpö (kuva)- Miss Kobayashi’s Dragon Maid01:52:38 – Lopetus

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Chatty AF 108 - Our Dreams at Dusk: Shimanami Tasogare Retrospective

Chatty AF

Play Episode Listen Later Feb 2, 2020 56:42

Vrai, Dee, and Chiaki look back on the standout LGBT manga Shimanami Tasogare! 0:00:00 Intros 0:01:09 Subject and genre evolution 0:06:24 Utsumi, transmasculinity, and well-meaning jerks 0:10:13 Misora, transfemininity, questioning, and sexism 0:18:24 Tsubaki vs closeted gay tropes 0:22:24 Language differences 0:27:42 Ace representation 0:36:57 The city 0:43:59 Intolerance and microaggression 0:49:32 Conclusions 0:50:46 Adaptation 0:55:38 Outro Vrai: twitter.com/WriterVrai Dee: twitter.com/joseinextdoor Chiaki: twitter.com/chiaki747 AniFem Patreon: www.patreon.com/animefeminist AniFem Twitter: twitter.com/AnimeFeminist AniFem Facebook: www.facebook.com/animefem/ Recorded Sunday 12th January 2020 Music: Open Those Bright Eyes by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

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026: Mr. Arashi's Amazing Freakshow | Shoujo Tsubaki

We Appreciate Manga™

Play Episode Listen Later Oct 11, 2019 66:14

Too horrific that Steven couldn’t even finish reading it! We talk about Maruo’s work that would eventually become adapted into a controversial anime. Listen until the end for a chance to win a copy of next week's manga... 026: Mr. Arashi's Amazing Freakshow | Shoujo Tsubaki (1984) By Suehiro Maruo Translation by Yoko Umezawa and Laura Lindgren (Blast Books 1992) Some context: Maruo is known for his ‘Ero-Guro’ (erotic grotesque nonsense). The genre is nothing new, it’s heavily inspired by shungo prints, a prime example being Hokusai’s ‘Dream of the fisherman’s wife’. In turn the UK artist Aubrey Beardsley who illustrated Oscar wilde’s Salome during the Victorian era. H.R. Giger is a massive influence on ‘ero-guro’, his iconic Alien being an interplay between sex and violence as a film series. Topics: · James’ interpretation of events and ending: 1. Magician loves Midori by creating respite from the horror through his illusions. He gives her the opportunity to leave to Tokyo by faking his death. But because Midori makes the choice not to leave without him, this causes the magician to punish her in hopes of scaring her off. She isn’t physically able to kill them so she finds herself alone in the world. To escape one horror, she has to endure the horror of another, the horror of loneliness. 2. Magician, like the rest of the freaks despises Midori for her beauty and innocence and chooses to torment her. 3. Magician is but a figment of Midori’s imagination. Midori is actually a contortionist whose act is to fit inside a glass jar. When an insect crawls inside her ear it begins to munch on her brain causing her to hallucinate and make her fantasies more real to her. Where ever Masamitsu is real or not is besides the point. · Is the author, Suehiro Maruo, being obscene and deplorable by creating this manga? And are people who enjoy this story contemptable? · Steven’s objection at Maruo’s take on child abuse and the threat of paedophilia in stories. · “Comfort Women”; Maruo’s imagery is evocative of the great depression and post - world war japan and the very real horrors of that era. The main character, Midori, could be viewed as a “comfort woman”, the name given to victims of World War II sex trafficking. For more on the subject just follow the link [Here]. · Film adaptation by Hiroshi Harada was released in 1992 · A 2016 live-action film adaptation was notably tame compared to the source material but otherwise contained beautiful production design. To tie-in with the release of the 2016 film, café ‘Holy’ in Shibuya made a menu in order to promote it. Culture Reference: Oculolinctus, also known as Gankyū namé purei “eyeball licking play” an ero-guro trope that Suehiro made popular. A widespread myth came about when reports of Japanese students were adopting this as a craze. Instagram – weappreciatemanga.co.uk Twitter - @RealJamesFitton Website – Weappreciatemanga.com Email – Weappreciatemanga@gmail.com

Ep. 75- Sake To Me w/ Courtney Kaplan

Yelling About Pâté

Play Episode Listen Later Jun 26, 2019 67:05

the boys shift into summer mode which means joel will wear shorts to show off his thigh tattoos and karl will once again foolishly contemplate buying white jeans, and discuss the flurry of openings in LA's finest neighborhood, echo park. then, the fellas are joined by courtney kaplan, the owner-operator/sommelier of Tsubaki and now OTOTO, two of the city's finest japanese eateries/sake purveyors, to delve into the world of sake, seafood pancakes, drinking out of teacups on the sidewalk, and why booze and food is the critical underpinning of all great cultures.

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078 - Attack of the Zampire [Soul Eater 9 - 11]

Play Episode Listen Later Mar 11, 2019 66:24

Meet Excalibur, the legendary sword and greatest weapon of all! Tsubaki and BlackStar challenge Masamune, a sword that possesses people. And for Tsubaki, it's personal!Our Links!Website: https://getjumped.blogspot.com/Instagram: https://www.instagram.com/bandsgetjumped/Twitter: https://twitter.com/BandSGetJumpedFacebook: https://www.facebook.com/BlakeandSpencerGetJumped/Support the show: https://www.patreon.com/BlakeAndSpencerGetJumpedSupport the show (https://www.patreon.com/BlakeAndSpencerGetJumped)

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070 - BLACK STAR!!! [Soul Eater 1 - 3]

Blake and Spencer Get Jumped - An Anime Podcast

Play Episode Play 30 sec Highlight Listen Later Dec 17, 2018 54:47

Welcome to Soul Eater, where people can turn into weapons and devour souls! Meet Maka and her giant Scythe, Soul, as they fight Jack the Ripper and the witch, Blair. Marvel at Black Star and his ninja weapon, Tsubaki. Find perfection with Death's son, Death the Kid, and his pair of weapons, Liz and Patty!Our Links!Website: https://getjumped.blogspot.com/Instagram: https://www.instagram.com/bandsgetjumped/Twitter: https://twitter.com/BandSGetJumpedFacebook: https://www.facebook.com/BlakeandSpencerGetJumped/Support the show: https://www.patreon.com/BlakeAndSpencerGetJumpedSupport the show (https://www.patreon.com/BlakeAndSpencerGetJumped)

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Soul Eater S:1 Episodes 9 - 13 Review

Soul Eater Reviews & After Show - AfterBuzz TV

Play Episode Listen Later Nov 28, 2018 45:34

Season 1 has come to and end and we finally get some back stories and character depth! Well, enough so that a couple on the panel are starting to really like Black Star because let’s be honest, he is a bit much. Tsubaki and her brother fight was brutal but amazing! Will Maka and Soul be able to work things out? We finally are having a main villain in Medusa and we meet some more witches. Also, we have the panel unboxes the Loot Crate Anime November box - “Search”! Use the code “ABTVanime” at www.lootanime.com/ABTVanime for 10% off your crate! Also, we unboxed the “Transform” crate from Loot Crate Anime! Use the code “ABTVanime” for 10% off your crate at: www.lootcrate.com/ABTVanime Welcome to AfterBuzz Anime Reviews where we dive into the world of anime and bring you the latest anime and manga news! The Soul Eater After Show: The series revolves around three teams, each consisting of a weapon meister and weapon that can transform into a humanoid.. Join us on our SOUL EATER AFTERBUZZ TV AFTER SHOW as we recap it all! Tune in here for reviews, recaps and in-depth discussions of the latest episodes, as well as the insider scoop from cast and crew members on the show. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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209 - Seamus on Seinen 1 - Happiness

Manga Machinations

Play Episode Listen Later Sep 23, 2018 77:58

Darfox is out this week so we’ve picked a wide array of seinen titles for Seamus to check out! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Timestamps: 00:00:00 - Intro Song: “Gokudoll Music” by Gokudolls Male Squad from Back Street Girls, Opening, Introductions 00:02:27 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Seamus and dakazu talk about *SPOILERS* for Land of the Lustrous 00:12:47 - dakazu has been really enjoying Japanese dubs of American cartoons such as BoJack Horseman, Steven Universe and Rick and Morty 00:19:42 - News: The newest Weekly Shonen Champion was dedicated to the late Hirotaka Sato and his popular sumo manga series Bachi Bachi/Samejima, Saigo no Juugonichi 00:23:18 - Seven Seas Entertainment has licensed Akiko Higashimura’s autobiography manga Blank Canvas: My So-Called Artist’s Journey 00:25:59 - Next Episode Preview and Rundown: Manga in Motion, reviewing the live-action version of Bleach on Netflix 00:27:43 - Main Segment Seamus on Seinen: Transition Song: “Binary Star” by SawanoHiroyuki[nZk]:Uru from Legend of the Galactic Heroes: Die Neue These, Seamus reviews a few seinen titles that dakazu mostly skims through, Including: 00:32:20 - Happiness by Shuzo Oshimi 00:36:05 - Back Street Girls by Jasmine Gyuh 00:40:10 - Legend of the Galactic Heroes by Ryu Fujisaki & Yoshiki Tanaka 00:44:41 - Jagaaaaaan by Kensuke Nishida & Muneyuki Kaneshiro 00:48:30 - Kaguya-sama: Love is War by Aka Akatsuka 00:51:41 - Tokusatsu Gagaga by Niwa Tanaba 00:55:51 - Yamikin Ushijima-kun by Shohei Manabe 01:00:10 - Ateya no Tsubaki by Kanji Kawashita 01:03:40 - Ousamatachi no Viking by Sadayasu 01:07:28 - Bokura Wa Mahou Shounen by Teppei Fukushima 01:15:57 - Next Week’s Topic: live-action Bleach, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster

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Inuyasha 061 Kikyo and the Dark Priestess

We View Yasha and Other Tales

Play Episode Listen Later Aug 27, 2018 23:02

We find out why this Tsubaki gal is just so mean to Kikyo! Kinda! Wow, no tangents = a briskly-paced episode that gets in under 25 minutes. "It's a grave!" Shippoformance: 51% https://www.reddit.com/user/ninjacosplay (Opening and Closing Theme: "'Torikago" by XX:Me' 8-bit remix by Lumena-tan) (Logo Design by @GeeMoree)

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Tutto Qui - martedì 27 marzo - Il benessere aziendale a Pinerolo e il malessere dei migranti alla frontiera francese

Tutto Qui

Play Episode Listen Later Mar 28, 2018 77:32

I temi di oggi sono stati!

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036 - Shades of the Past: Underneath The House Of Memories

Pokemon World Tour: United

Play Episode Listen Later Mar 21, 2018

After some unexpected guests show up, Tsubaki leads Rose, Cobalt, and Victor down stairs into the Hall Of Remembrance. It doesn't take long for the gang to find out why Lavender Town has had a bad reputation for all these years. Join Jake, Josh, Alan, and a special guest for some spooky god times!Patreon: patreon.com/heyjakeandjoshEmail: PWTpodcast@gmail.comTwitter: @PWTpodcastShop: teepublic.com/user/heyjakeandjosh

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PWT United 036 - Shades of the Past: Underneath The House Of Memories

Pokemon World Tour

Play Episode Listen Later Mar 21, 2018

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Comic Picks #228: Best of 2016

Comic Picks By The Glick

Play Episode Listen Later Jan 12, 2017 37:48

Hickman! Kirkman! Mignola! Matsui! Gillen (x2)! Tsubaki! All of these creators and more can be found on my list.

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083 - Monster part 1

Manga Machinations

Play Episode Listen Later Apr 24, 2016 84:51

On this episode Seamus catches up on March comes in like a lion(3-angatsu no Lion), darfox gets into translating slander in Prison School, and dakazu reads a horror version of Mushishi in Tsubaki and salary negotiations of professional baseball in Gurazeni: Money Pitch! Then we begin our newest retrospective of Monster, the work that made Naoki Urasawa what he is today! Listen as we discuss the story, characters and have dramatic read-throughs of the select scenes in what we’re calling Monster-piece Theater!!!(covers chapters 1-16)

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NLP ぬるぽ放送局第546回もじゃお結婚おめでとう！エピック！ #nurupo

Play Episode Listen Later Feb 26, 2016 98:01

番組時間：98分1秒出演者：たくや、しゃちょう ---- 2016/2/25 ニコ生/YouTubeLIVEで公開録音したものを配信いたします。ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。＜オープニング＞・干し首・縮むの？・ビール飲もう・頭蓋骨を抜いちゃう・ラフスケッチ人形？・みんなも学校で干し首の話を自慢しちゃおう＜Ａパート＞・信長さんのチラッ・台湾行ってきましたよ・吉野家の１軒でも欲しい・飛行機代安いのにビールが飲める・２週間２５万円でプラチナメンバーに・沖縄は行ったことありますか？・大好きなフライトインフォメーション・おいしくない機内食・駅の近くには予備校ができるのかな・だいたい日本語でいける・シャワーもトイレもスケスケ・無料の果物・飯が安い・ビールはこっちだ！・台湾のゲーセン視察・作詞したの俺（小声）・読めそうで読めない・台湾のマックの時給は… ・もじゃお結婚おめでとう！・高くてまずそう・てかー・どこから突っ込んでいいのか・ユンケル飲んだ甲斐がありました・ムッキムキですよ・オリンパス逆光・ゴローちゃんの行ったお店へ・動かないエスカレーター・付いてってばかり・怪しいゲーム屋さん・初めて見たジャイロ・時刻が延々スクロール・右下に時計が… ・４秒おきに流れてくるプログラムについて・台湾お土産に鹿島さんをプラス・色使いがいい袋ラーメン・食べた感想をくれないはかせ・臭屁・すべてのスタイル・東方美人茶・プレゼントの欲しい方はキーワードありますので番組をお聞きください・滞在時間３６時間・みなさんも台湾にお越しください＜Ｂパート＞・ぬるぽ放送局リプレイ最終回です・セガさん、ちんこ入れないかなー・ニコ生に帰ってきました・４カ月で１１年を振り返る・tejasさん　お疲れ様でした・まだ4週目の途中・またアメリカ行きたいなー・アナスタシア航空・ダンケ♡ダンケ♡ ・次回か次々回くらいに男性ゲストが来ます・ゴ・シンタイさん・はかせと急行とその仲間たちの話・スターウォーズどこいったんだよ！・杉原杏璃コレクション・GoogleからBANされる・結婚生活も急行・はーグラブル、グラブル・イオパのお便りは来てません・いっぱい優勝者がいたらしい・引き続きお便りお待ちしてます＜エンディング＞・ちくわ姫・チクプリ・お金を出すと有料で音楽をDLできる・コーナーが増えてるのでチェックしてください・LINEスタンプ案場集中です・エピック・阿佐ヶ谷に９０！？・新潟東方祭にしゃちょうが行きます・RADIO ARIMAX500回記念をあぶおた祭りとコンパチでやります・クリエイター向けなので・もうすぐ５５０回・BOOTH IOSYS SHOP支店チェックしてください https://iosys.booth.pm/ ・APPOLO チェックしてください https://booth.pm/apollo/ ・各種お便りお待ちしております・02/27土【twinkle sister☆live4】四谷Live inn Magic miko ・02/27土【CandySlum】大阪市 Club STOMP RoughSketch ・02/27土,28日【極・東方神居祭4】プレミアホテル-TSUBAKI　96 ・02/29月【ニコ生くま牧】・03/05 ラフ助【SOUND VOLTEX FLOOR ANTHEM & beatnation summit】豊洲PIT ・03/12土臨モス【THE sound ERA】DUCE ・03/13日【東方名華祭10】ポートメッセなごや第2展示館　しゃちょう・03/19土　はかせ【プロ野球ファンの集い2016 開幕戦期待の新人新監督　求む！みんなの球団自慢！】阿佐ヶ谷ロフトA ・03/20 惡熊会＠阿佐ヶ谷ロフト　昼夜・03/26土【思えば遠くへ】祝！RADIO MOCUP 200回突破記念イベント【きたもんだ】・03/27【YATSUZAKI HARDCORE #46 新生活仕事辞めろスペシャル】Plastic Theater ・03/29【はかせの部屋 vs さとしの部屋村田智史】阿佐ヶ谷ロフトA頂上決戦・04/03日【新潟東方祭17】新潟市朱鷺メッセ新潟県新潟市朱鷺メッセ・04/03日はかせ司会【宗教法人マラヤデビューイベント解脱 vol.1】阿佐ヶ谷ロフトA ・04/10日【東方LIVE or DIE!!】札幌ことにパトス・04/17 ラフ助【ヤツコア vs XXX】Plastic Theater ・04/23 RARIO ARIMAX＆あぶおた祭(仮)＠阿佐ヶ谷ロフト　昼・04/24日 M3-2016春・04/25月【Notebook Records塾第4日目】阿佐ヶ谷ロフトA ・05/04祝 mikoさんのアレ・05/05祝【ハイパー電波フェスティバル】渋谷 club asia https://denfes.iosysos.com/ ・05/08日博麗神社例大祭・05/15日【I/O/P vol.21】Plastic Theater

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NLP ぬるぽ放送局第545回７割女児３割プリパラおじさん #nurupo

Play Episode Listen Later Feb 18, 2016 39:22

番組時間：39分22秒出演者：たくや、しゃちょう ---- 2016/2/18 ニコ生/YouTubeLIVEで公開録音したものを配信いたします。ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。＜オープニング＞・１０回クーイズ！・関空・伊丹空港・ぬるぽ詰め合わせ８が出ます・カッとなって鹿島さんを集めるしゃちょう・明日は台湾です・これで終わってもいい＜Ａパート＞・鹿島トロシクス・ふつおたです・音マの話・幼女出現・女児も気になる・プリキュアだ・７割女児３割プリパラおじさん・ドーム内は寒い・ひまりちゃん天使・持ってる酒の瓶が毎回変わるラフさん・ひまりちゃんのチョコレート・９割無人のぬっきーブース・夢かな？・すべり台をすべるじーもみさん・みこいちの話・DJ miko爆誕・めちゃくちゃだね・！？（フィッ!?）・はかせのBarの話・前川店長の息子さん彼女がいる・はかせ「それはどうしようもないね」・シャブばばあ・はかせ呼んでなかった・ぬるぽ放送局リプレイです・おちんぎんぎんぎんお・アスペクト比ダイエット・やかんの中にコンニャク・奈良さんのお経ありがたい・去年のMVPは南乃ことさん・田村ゆかりさんのラジオ終わっちゃうね・４０という節目・色々あるね・ほとんど鹿島さん＜Ｂパート＞・ルマンドー・ランキングも夢もやらずこのままエンディングへ・いったんＣＭでーす＜エンディング＞・おわり・今日は短いねー・まだ３０分だよ・IOSYSって何？・BOOTH IOSYS SHOP支店チェックしてください https://iosys.booth.pm/ ・APPOLO チェックしてください https://booth.pm/apollo/ ・我々は台湾です・プリパラ？ガルパン？・あぶおた祭＋何か・はかせは司会が本業になったのかな？・三国志大戦楽しみだな・はかせはもう・おわるよ・各種お便りお待ちしております・02/19〜21【APOLLO アポロネット音楽マーケットイベント】ァ037 ・02/20土【COMIC HORIZON】たくや・しゃちょう＠台湾　※21はいません・02/21日【イオパ20】札幌＠Plastic Theater ・02/21日【はかせとオケタニ教授の、おしえて先生！】阿佐ヶ谷ロフトA ・02/23火【はかせの部屋はかせと急行その仲間たち〜2016トレンド大予想】・02/27土【twinkle sister☆live4】四谷Live inn Magic miko ・02/27土【CandySlum】大阪市 Club STOMP RoughSketch ・02/27土,28日【極・東方神居祭4】プレミアホテル-TSUBAKI　96 ・02/29月【ニコ生くま牧】・03/05 ラフ助【SOUND VOLTEX FLOOR ANTHEM & beatnation summit】豊洲PIT ・03/13日【東方名華祭10】ポートメッセなごや第2展示館　しゃちょう・03/19土　はかせ【プロ野球ファンの集い2016 開幕戦期待の新人新監督　求む！みんなの球団自慢！】阿佐ヶ谷ロフトA ・03/20 惡熊会＠阿佐ヶ谷ロフト　昼夜・03/26土【思えば遠くへ】祝！RADIO MOCUP 200回突破記念イベント【きたもんだ】・03/27【YATSUZAKI HARDCORE #46 新生活仕事辞めろスペシャル】Plastic Theater ・03/29【はかせの部屋 vs さとしの部屋村田智史】阿佐ヶ谷ロフトA頂上決戦・04/3日はかせ司会【宗教法人マラヤデビューイベント解脱 vol.1】阿佐ヶ谷ロフトA ・04/10日【東方LIVE or DIE!!】札幌ことにパトス・04/23 あぶおた祭(仮)＠阿佐ヶ谷ロフト　昼・04/24日 M3-2016春・04/25月【Notebook Records塾第4日目】阿佐ヶ谷ロフトA ・05/04祝 mikoさんのアレ・05/05祝【ハイパー電波フェスティバル】渋谷 club asia ・05/08日博麗神社例大祭

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NLP ぬるぽ放送局第544回駆逐艦はウンポーコには入りません！ #nurupo

Play Episode Listen Later Feb 12, 2016 101:24

番組時間：101分24秒出演者：たくや、しゃちょう ---- 2016/2/11 ニコ生/YouTubeLIVEで公開録音したものを配信いたします。ラジオ記事はリスナーのEEチャンピオンさんが書いてくれているので楽してます。＜オープニング＞・豆のコーナーです・カカオ豆・チョコレートとココアの違い・さあ働かう！・あけましておめでとうございます・年金もらってるわ…もらえてるの？・美味しいから大丈夫だよ・節分にカカオ豆を投げる・恵方巻きを切って食べたい・バーグ鍋・1900億円のハンバーガー・岩田さんですか？・雑なＬＩＮＥのスクショ＜Ａパート＞・岩田さんホントに見てた・←バッグ・クロージャー　青森→ ・ふつおたです・運気の上がる方法・不幸なお便り・美味しいもの食べて寝ましょう・はかせのトークライブに行く・最近、はかせ生放送やってるよね・はかせはあとべ・政剣マニフェスティア・歴代総理に胸タッチできるのは政剣マニフェスティアだけ・ぬるぽ放送局リプレイ・ばっかもーん、俺がルパンだ・イングレスが話題に・あいこりんが結婚して1年たってる・何が帰ってくるのかな～・兀突骨・昔、パソコンって高かったんだよ・ノートは軽い方がいいよね・あぶおたはどのようなものがいいのか・あぶない無職・イオシスクイズコーナー・連想クイズ・めっちゃ乗ってる快速エアポート・母「馬とは仲良しだったよ」・400ｍ伸ばすのに30億円・新幹線に乗りたい・姫路城＝白鷺城・勉強の興味をもてる教え方・三笠よかった・駆逐艦はハイエースには入りません！＜Ｂパート＞・先日助けていただいたしいたけです・ランキングのコーナーです・多く引いたモバマスＳＲランキング・ケイトコイン・SSRみりあちゃん出ました・解剖学用語・メデューサの頭・翻訳はむずかしい・に、に、にゃあー・響きが好きな音楽記号・ポコメノマキアート・ウンポーコ・もう、2曲新曲できてる・そんな音楽イベントが5月に… ・05/05祝【ハイパー電波フェスティバル】渋谷 club asia ・イオフェスのすごいやつです・高いカプセルホテル・ぼいどで検索・東方LIVE or DIE!! ・ユウノウミにしゃちょうは出ません・忙しくなりそうですね（白目）・夢のコーナーです・清原さん、こんばんは・ドングリに怒られる・あのJKがエレベーターに乗らなかったのは残念でした・４５階・ここは牢屋だ・魔法のピッキング・ご都合主義です・その日学校を遅刻しました・３８アバカム・Ｍ１の準決勝で目が覚めました・2層構想の夢だ・クモってなんでキモいの？・キンタマのカバン・くさったしいたけ・Ｍ―５０グランプリ＜エンディング＞・第３位が「カレーライス」にお便りお待ちしてます・はかせのあのコーナー・息の長い豆のコーナー・クイズも送ってください・去年お腹痛くなったアックマ様・暖かくして行こう・この油断・東方ラブライブ・あぶおたガンガンください・地方創生チクワクティクスに映像付きました　いか＆belldot ・みんな、ビーストをやろう・今日は祝日です（収録日）・各種お便りお待ちしております・02/13土,14日【#音マ】雪まつり札幌＠つどーむ会場TVh ・02/13土【mikoさんがいっしょ！】大阪市住吉区雷神 quimさんといっしょ番外編・02/13土【ニコ生今夜は生でYMG】・02/15【バレンタインデーの翌日ははかせのBAR お悩み相談室】阿佐ヶ谷ロフトA BARホール・02/20土【COMIC HORIZON】たくや・しゃちょう＠台湾　※21はいません・02/21日【イオパ20】札幌＠Plastic Theater ・02/23火【はかせの部屋はかせと急行その仲間たち〜2016トレンド大予想】・02/27土【twinkle sister☆live4】四谷Live inn Magic miko ・02/27土【CandySlum】大阪市 Club STOMP RoughSketch ・02/27土,28日【極・東方神居祭4】プレミアホテル-TSUBAKI　96 ・02/29月【ニコ生くま牧】・03/05 ラフ助【SOUND VOLTEX FLOOR ANTHEM & beatnation summit】豊洲PIT ・03/13日【東方名華祭10】ポートメッセなごや第2展示館　しゃちょう・03/20 惡熊会＠阿佐ヶ谷ロフト　昼夜・03/27【YATSUZAKI HARDCORE #46 新生活仕事辞めろスペシャル】Plastic Theater ・04/10日【東方LIVE or DIE!!】札幌ことにパトス・04/23 あぶおた祭(仮)＠阿佐ヶ谷ロフト　昼・04/24日 M3-2016春・05/04祝 mikoさんのアレ・05/05祝【ハイパー電波フェスティバル】渋谷 club asia ・05/08日博麗神社例大祭

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NLP ぬるぽ放送局第543回元石坂浩二邸でリアルロリレミリアがカラテオドリ #nurupo