Podcasts about sansho

Part 1: Zach, Grace, and Michael talk about movies they saw this week, including: Hit Man, The Bikeriders, Leave Her to Heaven and Janet Planet.Part 2 (39:50): The group continues their Young Critics Watch Old Movies series with 1954's Sansho the Bailiff.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

Jackie and Greg step back in time to feudal Japan for Kenji Mizoguchi's SANSHO THE BAILIFF from 1954. Topics of discussion include the film's origins as a centuries-old folktale, Mizoguchi's masterful direction, the ethereal ghost story that hangs over the film, and whether it's more optimistic or pessimistic.#59 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#75 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

On this week's episode, Charlie and Antonio are knocked out by SANSHO THE BAILIFF, Kenji Mizoguchi's 1954 tragedy about family torn apart in a feudal Japan. With this film, Mizoguchi proves to be a stand-out director for the FilmBabble Boys. Don't let this one pass you by. Mercy, brutality, integrity, HUMANITY. It's all here. SANSHO THE BAILIFF can be streamed for free on the Criterion Channel or rented on Prime Video and Apple TV. Intro/outro music: "Mess Mend" by Horse LordsSANSHO THE BAILIFF (1954), written by Fuji Yahiro and Yoshikata Yoda, directed by Kenji Mizoguchi, cinematography by Kazuo Miyagawa, featuring Kinuyo Tanaka, Kyoko Kagawa, Yoshiaki Hanayagi, and Eitaro Shindo 

Genjo Marinello Osho gave this Teisho during the Feb. 11, 2024 Zazenkai at Chobo-Ji. This talk examines what real maturity looks like.

On this episode of What a Picture, Bryan and Hannah work together to chop down some tree branches while discussing Sansho the Bailiff, the 1954 movie directed by Kenji Mizoguchi that ranks #75 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Bryan's Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/bryanwhatapic.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Jeho instagram překypuje zeleninou a pestrými talíři. Pro foodie komunitu je zdrojem inspirace hlavně zeleninou a nevšedními postupy díky jeho profesní cestě spojené převážně se zahraničím. Kdo je Tomáš Zajíček? Pro české foodies hlavně známou osobou z doby kdy twitter a pan Cuketka fungovali jako hlavní zdroje informací o gastronomii. Je anglická kuchyně jenom stew a Shepherd's pie? Jak se daří anglickým farmářům? Dá se od nich něčemu přiučit? Jak vnímá českou gastronomii šéfkuchař co má 10 let odstup? Jaké to je vařit pro kampus nadnárodní firmy? A jak vnímají šéfkuchaři kávu, mění se přístup preference přepraženosti? Tomáš Zajíček je fascinující osobnost s ohromnou znalostí, kterého neformovaly české knedlíky, ale naopak pestrost mezinárodní kuchyně a surovin. Po zkušenostech v Osteria Da Clara, Sansho a s Hugo Hromasem se vydal za dalším profesním růstem do Londýna a ve Velké Británii strávil posledních 10 let. "Jednoduchost, sezónnost, obnovitelnost. To jsem já, to mě baví." Říká a my se nemohli dočkat na tohle povídání. Užijte:) instagram Tomáše Zajíčka: https://www.instagram.com/zajoch/ odebírejte prosím: ⁠⁠⁠https://www.instagram.com/candycanecoffee⁠⁠ ⁠⁠https://www.candycane.coffee/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://twitter.com/candycanecz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.facebook.com/candycanecofee⁠⁠⁠ ------  music:  Dotan Negrin & Prismatic Mantis - Pure Imagination (Future James Trap Remix) Listen on Spotify: ⁠⁠⁠https://spoti.fi/2Yl7BPO⁠⁠⁠  subscribe to Dotan: ⁠⁠⁠⁠⁠ ⁠⁠http://bit.ly/Sub2Dotan⁠⁠⁠  Follow Dotan Negrin ⁠⁠⁠⁠⁠ ⁠⁠http://www.pianoaround.com/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://soundcloud.com/dotan-negrin/⁠⁠⁠ ⁠⁠⁠https://facebook.com/dotannegrin⁠⁠⁠ ⁠⁠⁠https://www.youtube.com/user/pianoaround⁠⁠⁠ Follow Prismatic Mantis ⁠⁠⁠⁠⁠ ⁠⁠https://twitter.com/prismaticmantis⁠⁠⁠ ⁠⁠https://instagram.com/prismaticmantis/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://soundcloud.com/prismaticmantis⁠⁠⁠  Follow Future James:  ⁠⁠⁠https://twitter.com/ohhhitsjames⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://soundcloud.com/futurejames⁠⁠⁠  ⁠⁠⁠https://www.instagram.com/ohhhitsjames/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/canycanecoffeee/message

This week, we discuss two classic Japanese films from the 1950s. The first is Tokyo Story (1953), a drama directed by Yasujirō Ozu, about an aging couple who travel to Tokyo to visit their adult children. Tokyo Story is widely regarded as Ozu's masterpiece and one of the greatest films in the history of cinema. It was voted the 3rd greatest film of all time in the 2012 edition of a poll of film directors by Sight and Sound magazine. The second is Sansho the Bailiff (1954), a period film directed by Kenji Mizoguchi. It follows two aristocratic children who are sold into slavery. Sansho the Bailiff bears many of Mizoguchi's hallmarks, such as portrayals of poverty and elaborately choreographed long takes. Today, the film is often ranked alongside Ugetsu (1953) as one of Mizoguchi's finest works.   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links - https://www.justwatch.com

Kenji Mizoguchi's SANSHO THE BAILIFF from 1954. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

Our guest is Elizabeth Andoh, who already joined us 11 times and shared her truly deep insight into traditional Japanese food culture. Elizabeth is a food writer and Japanese cooking instructor based in Tokyo, and she has lived in Japan for over 50 years. She runs the culinary arts program called A Taste of Culture, which offers a great opportunity for non-Japanese people to explore Japanese culture through its food. She is also the author of 6 cookbooks, including the award-winning “Washoku: Recipes from the Japanese Kitchen”, “Kibo: Recipes and Stories from Japan's Tohoku”, and “Kansha: Celebrating Japan's Vegan and Vegetarian Traditions”.Today's topic is Yakumi. You may have never heard of this word, but yakumi plays a very important role in Japanese food. Yakumi means herbs and spices but the idea goes far beyond your palate. They not only offer delicious flavors and tastes but also plenty of health benefits. There are various types of yakumi from uniquely Japanese plants like wasabi, sansho, Japanese myoga ginger and mitsuba leaves to more commonly available ginger, garlic and radishes. And yakumi is very easy to use in your own kitchen. In this episode, we will discuss what yakumi is, the diverse flavors of yakumi, the health benefits of yakumi, easy recipes for yakumi-rich dishes, good substitutes for Japanese yakumi if you live outside of Japan, and much, much more!!! Photo Courtesy of Robin Scanlon.Heritage Radio Network is a listener supported nonprofit podcast network. Support Japan Eats by becoming a member!Japan Eats is Powered by Simplecast.

25 years ago, the Coen Brothers followed up their Oscar-winning "Fargo" with a stoned shaggy dog riff on film noir. It bombed at the box office only to become a beloved cult film. Also like their best, everything matters. 'Sacred Cow' Review: "The Big Lebowski" (05:04) 'Brickspotting' Review (JL): "Rodeo" (47:39) Filmspotting Madness Rd. 3 (01:04:34) 'Marathon' Review: "Sansho the Bailiff" (01:27:24) (Times may not be precise with ads) Resources/Links: Sight & Sound Top 100 (Blindspots) Marathon https://www.filmspotting.net/marathons Filmspotting Madness https://filmspotting.net/madness “Showing Up” Chicago Screening https://www.chicagofilmfestival.com/event/showing-up/ Filmspotting Guide to the Archives https://letterboxd.com/wjmclaughlin/list/the-filmspotting-guide-to-the-archives/ Adam's Coen Bros. Ranked https://letterboxd.com/filmspotting/list/coen-bros-ranked/  Josh's Coen Bros. Ranked https://letterboxd.com/larsenonfilm/list/coen-brothers-ranked/ Filmspotting's Coen Bros. Reviews https://www.filmspotting.net/coens Adam on Blank Check (Millions) https://audioboom.com/posts/8261950-millions-with-adam-kempenaar But Have You Read the Book? https://www.runningpress.com/titles/kristen-lopez/but-have-you-read-the-book/9780762480982/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Where else you can find us: https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm https://letterboxd.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Best Thing We Watched we cover everything from Juni Ito on Netflix to a Little Demon on Hulu and Disney+ plus much more. Chapters: 00:00:00 Intro 00:03:30 Movie quote quiz 00:06:08 Ruben's question 00:16:55 Black Adam 00:22:01 Fauda S4 00:27:38 Sansho The Bailiff 00:35:24 The Legend of Vox Machina S2 00:44:18 Shotgun Wedding 00:53:57 Tangled 00:59:19 Little Demon 01:03:14 Junji Ito Maniac 01:07:47 Extraordinary 01:10:32 Exclusive movie review, entertainment news and what we ar looking forward to. --- Support this podcast: https://anchor.fm/best-thing-we-watched/support

Our Halloween 2022 subject is "The Haunted Mizoguchi," for which we looked at two films made by Kenji Mizoguchi toward the end of his life: the supernatural fantasy Ugetsu (1953) and a film we agree is a candidate for best movie ever made, Sansho the Bailiff (1954). We use Mizoguchi's explicit treatment of ghostly themes in Ugetsu as a springboard for discussing the haunting qualities of Sansho the Bailiff and the relationship between nature, the transcendent, and the miraculous in the film. We also consider the question of whether the film argues for political action or resignation as the best way of dealing with the systemic injustice from which we can't seem to escape and the threat of hopelessness.    Time Codes: 0h 1m 00s:        UGETSU (1953) [dir. Kenji Mizoguchi] 0h 34m 32s:      SANSHO THE BAILIFF (1954) [dir. Kenji Mizoguchi] 1h 20m 29s:      Listener Mail with Daves and Elise – on Capra, Comics & Noir City      +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In this episode we talk about one of the best films ever made, Sansho the Bailiff. Let us know what you guys think. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast or Twitter @SilverVideo --- Send in a voice message: https://anchor.fm/silverscreenvideo/message Support this podcast: https://anchor.fm/silverscreenvideo/support

Join Nick, Tom, Pat and KJ as they explore movies through trivia. In this episode of the Talking Pictures Trivia podcast, they discuss Sansho the Bailiff (1954), directed by Kenji Mizoguchi. https://talkingpicturestrivia.com/

La segunda película que elegimos del legendario director japonés nos lleva a la época medieval, en la que había mucho sufrimiento humano, pero todo era muy bello de ver. En noticias, recaudaciones y elecciones. Menú 02:37 - Toma Tres se presenta 03:39 - Toma Tres comenta 50:26 - Toma Tres mal-reseña 01:05:20 - Toma Tres informa 01:14:20 - Víctor recomienda: La batalla olvidada Audio Toot Toot Tutsie, de The Jazz Singer (1927): https://www.youtube.com/watch?v=nFcFXGyyCio ; News jingle, de Lobo Loco: https://freemusicarchive.org/music/Lobo_Loco/Jingles_for_films__podcasts/News_Jingle_1_ID_410 ; Jingle 2, de Monplaisir: https://freemusicarchive.org/music/Monplaisir/Surtout_ne_pas_se_perdre_vol2_2011-2018/Monplaisir_-_Surtout_ne_pas_se_perdre_vol2_2011-2018_-_10_Jingle_2 ; Música tradicional japonesa: https://www.youtube.com/watch?v=Eddo9EfH4RU ; Sartén caliente: https://www.youtube.com/watch?v=U9NPep10dPo ; fuego: https://www.youtube.com/watch?v=mWuTr7_DM2A ; The Everlasting Itch for Things Remote, de Gillicuddy

Werden in Zukunft Filme unserer Zeit besprochen, wird ein Name mit Sicherheit oft auftauchen: Wes Anderson. Denn bei allen Divergenzen, die wir bei seinen Filmen haben, ist eines nicht von der Hand zu weisen: Dieser Mann schafft Kunst. Kein anderes Oevre ist so stilsicher und unverkennbar wie das des schrulligen Regisseurs. Doch kann “The French Dispatch” auch über die Optik hinaus glänzen? Wir werden sehen. Außerdem streifen wir in Zuge von unbekannten Klassikern durch die unbekannten Gefilde der Filmgeschichte und besuchen das feudale Japan mit “Sansho Dayu”, rätseln uns durch den Horror-Klassiker “Diabolique” und bekommen feuchte Hände bei “Fail Safe”. _______________________________________ SPOILERWARNUNG: (01:40:28) bis zum Ende: The French Dispatch [2021] _______________________________________ Hauptfilm: (09:08) The French Dispatch [2021] Unbekannte Klassiker: (41:56): Sansho Dayu [1954] (56:48): Diabolique [1955] (01:10:35): Fail Safe [1964] (01:26:02): SPOILERPART Fail Safe [1964] (01:34:11): Ausblick auf die nächste Folge (01:40:28): Spoilerpart zu: The French Dispatch [2021] _______________________________________ Hier kannst du uns überall finden: iTunes/Apple Podcasts: https://apple.co/2TgWvY3 Spotify: https://spoti.fi/34jfB68 YouTube: https://www.youtube.com/c/JahierFilmePodcast RSS-Feed: https://jahierfilme.podcaster.de/ Instagram: @jahierfilme Twitter: @jahierfilme Linktree: https://linktr.ee/jahierfilme _______________________________________ Alle unsere Filme im Überblick: https://letterboxd.com/jahierfilme/lists/ _______________________________________ Ahoi und viel Spaß - Hoffi, Deedz und Jan

This week, Eric Hoffman leads Jason on a discussion of two classic Japanese films directed by the brilliant Kenji Mizoguchi. Sansho the Balliff is a tragic story of a wealthy family separated and the slavery they endure, while Ugetsu tells a very human war story set in the sixteenth century. Eric and Jason chat about the filmmaking style of Mizoguchi and team, their political stance in the post-War period, and the resonances that helped make these essential watches. It's a fascinating hor and fifteen minutes' listen and we hope you enjoy. If you did enjoy this show, please subscribe and leave feedback on iTunes. --- Send in a voice message: https://anchor.fm/jason-sacks/message

Episode 38, the May Loot, may very well be the Foreign Loot since half of the films were, well, foreign. From Bergman and Tati to Ozu and Mizoguchi, from France and Romania to China and Japan, I really went around this month. But aside from that, I also hit close to home with some slashers, westerns, and dramas. Check it out!00:00:00 - 00:02:21 -- Intro00:02:21 - 00:23:02 -- The Main May Loot00:02:21 - 00:04:46 -- Le Jour se Lève00:04:46 - 00:08:00 -- Tokyo Story00:08:00 - 00:11:06 -- Sansho the Bailiff00:11:06 - 00:13:51 -- Duck Soup00:13:51 - 00:16:21 -- It Follows00:16:21 - 00:19:25 -- Cries and Whispers00:19:25 - 00:23:02 -- Brazil00:23:02 - 00:32:54 -- The Minor Loot00:32:54 - 00:33:44 -- The Next Loot00:33:44 - 00:34:35 -- Useless Movie Trivia00:34:35 - 00:36:25 -- Closing & OutroMusic: Tino Mendes & Yellow Paper - The HeistGhost clip (c) Paramount Pictures

This week, Finn & Uther watch Sansho Dayu (1954), Kenji Mizoguchi's beautiful and troubling folktale of mercy and greed, and Slumdog Millionaire (2008), Danny Boyle's worst film so, of course, it won him his Oscar.Topics covered: Uther's fan edit of The Little Mermaid 2 to insert Vincent Cassel. Jérémie Renier. Manifestos. All the films Michael Bay has made about the human organ trade. How lucky we are to live at the same time in history as The RZA. All second-stringers they filled out I, Claudius with. German directors' names. What the most international movies are. Sword hazards. The best Blade film. Finn's Yu-Gi-Oh! tattoo. Shrek Discourse discourse. Films with almost no stakes. Uther's exhaustive thoughts on Studio Ghibli's future under Goro Miyazaki. See acast.com/privacy for privacy and opt-out information.

Sansho the Bailiff might be our toughest watch on the list so far, but this film from the great Japanese director Kenji Mizoguchi offers the opportunity to discuss cinema as an empathy machine. We also discuss the original Godzilla, one of Arthur's favorite films, the beginning of the Japanese kaiju genre, and we talk about how certain films from our childhoods can define who we are.Where to watch Sansho the BailiffWhere to watch Godzilla (1954)Kurosawa's eulogy for MizoguchiWhere to watch Rebel Without a Cause (1955)

Part 1: Zach, Jessica, Jessy and Andrew discuss movies they saw this week, including: Shop: A Pop Opera, Beyond the Valley of the Dolls, Bob & Carol & Ted & Alice, and Sansho the BailiffPart 2 (38:41): The group continues their series on actress Tilda Swinton with 2009's I Am Love.See movies discussed in this episode here.Also follow us on:FacebookTwitterLetterboxdSpotifyStitcher RadioRadio Public

Yokozuna Tochinoumi, would just passed, who was he? And, are you confused about Special Prizes? Why did 3 guys get the same prize? Why did no one get a prize? This is the episode for you! Plus, we manage to throw in Burgess Meredith, beauty pageants, silicone, yoga, Barb and so much more.

THE BALLYHOO GOES ABROAD! Zach welcomes Filmmaker and Film Historian Henry Jarvis (Chewing The Scenery, Reel Nerds Podcast) to toContinue readingEp. 7: Wonders of World Cinema : ’Sansho The Bailiff’

Episode 21 - Heritage | Guardianship | Legacy Welcome to the Still Magic podcast, your one-click audio stop for all things gin. Be it gin making, gin producing, gin distilling, gin manufacturing, gin commercialising, gin tasting, gin drinking, gin steeping, and everything else in between. Here is a random question for the Still Magic podcast. What is the perfect number between 1 and 10? If you said the number 6, you would be correct It’s a number that appears in areas as diverse as sport, nature and cult TV For example, A standard guitar has six stringsAn over in most forms of outdoor cricket comprises a set of 6 legal deliveriesThe minimum number of games required to win a set in tennis is 6A musical octave has 6 whole tonesPlayers change ends during a tennis tie-breaker after they complete 6 pointsThere are 6 players per team on the rink in an ice hockey matchA touchdown in the National Football League is worth 6 pointsThere are 6 colours in the RGB colour wheel (3 primary, 3 secondary)A goal in the Australian Football League is worth 6 pointsDice have 6 faces, with 6 as the highest valueThe honeycomb structure used by bees has cross-section with 6 sidesInsects have 6 legs And in the cult TV program, The Prisoner, the main character – played by Patrick McGoohan – was stripped of his name, and merely referred to as… Number 6 And today the perfect number 6 makes a truly spectacular appearance. We need to visit the Land of the Rising Sun. Here, where we’ll find ourselves in Osaka, at the headquarters of a company comprising the merger of two iconic whiskey makers; Jim Beam and Suntory Suntory has a long gin history releasing Hermes in 1936; their first gin product The kaizen tradition of continuous improvement has punctuated their efforts during the intervening years. The Suntory team developed a simple concept; to create a Japanese craft gin that would be welcome to consumers worldwide. The unique product point captures the essence of the Four Seasons; spring, summer, autumn and winter. The word shun is a simple concept that refers to Peak Seasonality Shun commands high value, driving the need for selecting and harvesting botanicals that are at their best for the peak season. Sakura begin to bloom in late January, with the cherry blossom front moving north through each of the islands until April. This ornamental cherry is the spirit of Japan. The delicate blossoms represent renewal and the brilliant nature of life. The foundation botanicals are as follows; illustrating a classic example of the 3Bs described in my book Still Magic A Gin Distillers Guide for Beginners; the base is familiar yet nuanced juniper,coriander seed,angelica root & angelica seed,cardamom,cinnamon,bitter orange peellemon peel The Suntory team chose six botanicals, each of which is harvested in each of the four seasons; this is the shin concept writ large Sakura flowers,Sakura leaf,Sencha tea,Gyokuro tea,Sansho pepper, and Yuzu, the quintessentially Japanese citrus fruit To quote Koji Hirashama, the Global Strategy Brand Manager, for Suntory Spirits “The fact that it's well balanced, I think that's a great gift from nature… “ With a strong base in play and a remarkable collection of botanicals, Roku demonstrates a wonderful union of east and west; a truly great gin Today, is the perfect day for the Number 6.  Be bold. Enjoy yourself. Let’s create a new gin narrative. Still Magic paperback, digital and audio copies available from your favourite online stores https://www.amazon.com/Still-Magic-distillers-guide-beginners-ebook/dp/B07QZ4VFRV/ref=sr_1_1?dchild=1&keywords=still+magic&qid=1596545333&sr=8-1 Host: Marcel Thompson @stillmagicway Guest contributors: @nisholay, @antipodeanharpie Editor: @alexiepigot, alexiepigot.com bookings@alexiepigot.com

While we're all stuck at home, there's a world of films waiting to be seen. This week, we discuss ten films that every lefty must watch. Joining Eric is CounterPunch's resident film critic Louis Proyect, and PhD student and author Shalon van Tine. Films discussed include: Sansho the Bailiff (Mizoguchi, 1954) Strike (Eisenstein, 1925) Battleship Potemkin (Eisenstein, 1925) Salt of the Earth (Biberman, 1954) Crimson Gold (Panahi/Kiarostami, 2003) La Chinoise (Godard, 1967) Ceddo (Sembene, 1977) El Norte (Nava, 1983) Seventh Seal (Bergman, 1957) Sorry to Bother You (Riley, 2018) Music: The Kinks - Celluloid Heroes

While we're all stuck at home, there's a world of films waiting to be seen. This week, we discuss ten films that every lefty must watch. Joining Eric is CounterPunch's resident film critic Louis Proyect, and PhD student and author Shalon van Tine. Films discussed include: Sansho the Bailiff (Mizoguchi, 1954) Strike (Eisenstein, 1925) Battleship Potemkin (Eisenstein, 1925) Salt of the Earth (Biberman, 1954) Crimson Gold (Panahi/Kiarostami, 2003) La Chinoise (Godard, 1967) Ceddo (Sembene, 1977) El Norte (Nava, 1983) Seventh Seal (Bergman, 1957) Sorry to Bother You (Riley, 2018) Music: The Kinks - Celluloid Heroes More The post Louis Proyect & Shalon van Tine – Episode 151 appeared first on CounterPunch.org.

Daiei Studios released Sansho the Bailiff on March 31, 1954. Kenji Mizoguchi directed the film starring Kinuyo Tanaka, Yoshiaki Hanayagi, and Kyôko Kagawa. The post Sansho the Bailiff (1954) appeared first on Movie House Memories.

This week Donovan Hill joins us once more, discussing boat law, America's indifference to international law, the hilarious/frightening nostalgia within the book Hagekure (and WW2 era views of same), pretty much every adaptation of the 47 Ronin we can think of, and, oh yeah, Kenji Mizoguchi's 1954 film Sansho the Bailiff. It's a jam-packed episode (read: long), as episodes with Donovan tend to be.

Slavery, in any form, is bad even when we are doing it and we think we are the good guys. Looking at you, US prison system.

Okay, all Czech chefs who worked, not staged, in multiple three-Michelin star restaurants in a big city abroad, hands up! Okay, there must be only one. Bára Šimůnková has worked in Eleven Madison Park, Le Bernardin and Per Se, three 3-Michelin stars in New York City. Again, was not there on a stage (except Eleven Madison Park) - she actually worked there as a line chef. And now she’s coming back and is hopefully due to open a restaurant in Prague in the spring. Oh yeah, and she’s not even 30.Anyway, we have heard of Bára when she came back and worked at our favorite bakery in Prague, Praktika, and it was nearly mythical: „have you heard of this Bára? She worked at Per Se and Le Bernardin and she’s amazing.“ And as will be revealed in the podcast, she was praised by Paul Day when he hired her for Sansho as her first job out of school. Given all that, it’s a wonder that Bára has been moving below the radar and has not been filling the title pages of major Czech cooking and food magazines.Maybe it’s because she’s laser-focused and does not waste a lot of time. She knows what she wants and does not take sh*t from anybody. When she felt being passed over for promotion because she was a girl from the East, she went straight to the managers to talk it over. When she arrived in NYC, she basically sent emails to what she thought were the best five restaurants in town, and got a response from three right away.And now she’s back and due to open a restaurant in Prague. What are the differences between chef life in NYC and Prague? How does she feel about the Prague food scene, having come back from the best restaurants of NY? How demanding is work in a three-Michelin restaurant? What will her Prague restaurant be all about? Listen to find out. Enjoy the podcast with Bára!

Now, we’ll admit straight away that we have been huge fans of the little fast food place in the Vinohrady district ever since they opened just a few months ago. Sure, this is fast food, but it ain’t no McDonald’s. The food is super tasty, the produce is sourced from really nice sources (including the farmers market across the street) and the cooking is super smart. KRO Kitchen has been the first place that could go head to head with the cool fast places in bigger cities to the West of the country and overseas, and we mean it: deceptively simple, yet made with techniques that could easily find place in the kitchen of a much fancier establishment. And behind it all is the calm force that is Vojta Václavík. When you think about it, he’s achieved quite a bit given his fairly young age: he worked in such Prague icons as Dahab and Sansho, only to move to Oslo, Norway and work in the Michelin-starred Fauna (now sadly defunct) and then staging in Koka and 28+ in Gothenburg, Sweden. When he came back he took on the uneasy challenge to head the cuisine of the fancy Hergetova Cihelna restaurant. And before all that, he made a small detour and finished university, writing a thesis paper about Eating Habits in the Czech Republic. Not bad for a sweet 17. (Okay, he’s older than that, but you get what I mean.)Now, saying that Vojta is passionate about his craft would be a cliché that you could say just about any good chef. But Vojta’s passion is different: he’s not a fanboy of some famous chefs - he does have a vision for Czechs to eat better, and he is focused on making sure we all get there. And whether he thinks of it or not in those terms, he cares about sustainability and waste that his business generates.We recorded the interview in KRO Kitchen during the morning prep, so please excuse the noises in the background, especially in the beginning of the interview, as some technicians were repairing an air duct or something. I could talk with Vojta forever - about his dining experience in Noma, about the cool new projects in Prague, his new kitchen that he is about to open… chatting about all this with the backdrop of the knives hitting the chopping board and breathing in the smells is truly magical. And eating some of the stuff they were preparing after the interview was over was pretty magical too.Here’s some of the things we talked about with Vojta:- Why did he open KRO Kitchen? Where did the inspiration come from?- Does the final KRO Kitchen differ from the planned restaurant?- Where does he source his produce? Is he happy about the produce he’s working with?- Why do this have a beverage program?- What are the main challenges of opening a restaurant?- How do delivery services and the whole idea of „cooking as a service“ affect his business?- Can chefs today open a restaurant without a front end, just for the delivery services?- Is designing dishes for delivery services differ from designing dishes for a restaurant?- Will he ever open a restaurant?- How much magic happens behind a simple quarter of a rotisserie chicken?- Is it easy to hire for the long run?- Where is Czech cuisine headed?- Has Czech food scene changed much in his career?- How does he feel about food vouchers?- What is his main guilty pleasure?

This week we discuss Jon's pick, James Cameron's *The Abyss*. We also discuss upcoming trailers for *The Kitchen*, *Rambo: Last Blood*, and *The Goldfinch*. Some of the films we talk about include *Godzilla (2014)*, *Replicas*, *The Crow*, *To Sleep With Anger*, *Wildlife*, *Sansho, the Bailiff*, *Cleo from 5 to 7*, *Le Bonheur*, and others. Be sure to check out our blog, and we always welcome feedback! filmyakpodcast@gmail.com

This week we discuss Jon's pick, James Cameron's The Abyss. We also discuss upcoming trailers for The Kitchen, Rambo: Last Blood, and The Goldfinch. Some of the films we talk about include Godzilla (2014), Replicas, The Crow, To Sleep With Anger, Wildlife, Sansho, the Bailiff, Cleo from 5 to 7, Le Bonheur, and others. Be sure to check out our blog, and we always welcome feedback! filmyakpodcast@gmail.com

Nic reports back about his assignment to watch Sansho the Bailiff after losing the last trivia battle. Jordan and Nic continue their series on the Japanese Masters with a spoiler-free review of Akira Kurosawa's Dreams. And a new trivia battle follows at the end with a guest appearance from a nihilistic Arnold Schwarzenegger!Feedback? Email us at filmshakepodcast@gmail.comSupport the show (https://www.patreon.com/filmshake)

Kenji Mizoguchi https://www.imdb.com/name/nm0003226/ Sansho the Bailiff https://www.imdb.com/title/tt0047445/ Women of Night https://www.imdb.com/title/tt0040980/ Street of Shame https://www.imdb.com/title/tt0048933/ Ugetsu https://www.imdb.com/title/tt0046478/ --------------------------------------- @Anharoh

Cacaoken is based in Fukuoka, Japan, and primarily uses cacao from Vietnam. Welcome to Chocolate Habit, a weekly chocolate review podcast for chocoholics around the world! Find more tasty bites on Instagram, at @damecacao.

In 11th century Japan, two noble children are kidnapped and sold into slavery. Sansho the Bailiff is a dark, slice-of-life tale of these two children hoping to reconnect with their [ … ] The post W015: Sansho the Bailiff (1954) appeared first on .

The Director's Club puts our heads together with Peter Richards from the Chicago Film Discussion Group to have an epic discussion about the movies of Terrence Malick.  With three different perspectives, there's a comprehensive and fair look at his movies, here in part 1 dealing with "Badlands" through "A New World".  Whether you adore Malick's films, hate them, or just want to learn more, you'll find something interesting about them through our exploration of his work! 13:37 "Badlands" (Outlaw Road Trip, Kit for President, A Worthy Juxtaposition?, Morality or Boredom?, Irony and Humor from Malick, Fort Innocence, Gleaning for Transcendance, The Things They Carried) 47:27 "Days of Heaven" (Feeling of Historical Memory, Main Theme by Ennio Morricone, Bad Leg of the Romantic Triangle, pure cinema, Welcome Back Casting, the Magic Hour, a Fair Fable?, Narration From Out of Time) 1:17:29 Terrence Malick's Lost and Early Work ("Lanton Mills", "Q", "The Desert Rose", "Sansho the Bailiff") 1:22:07 "The Thin Red Line" (Narration for Adults?, Faith Helps and Hurts, Native Fawning?, Guadacanal To The Stars, Din of War Ecstacy, "Silence" by Hans Zimmer, Chaplin Confusion, Burned Brody, The Three Phases of Malick) 2:06:16 "A New World" (Colin Farrell Conflict, Fair Looks at Naturals and Colonists, Kilcher's Brilliant Depiction of Growth across Age and Culture, Whose New World Is It Anyway?, What's In A Name, "Vorspiel" from Richard Wagner)

Buckle up, things are about to get slow. Lady P welcome Monique “Momo” Morgan in her Flixwise debut, and Flixwise co-producer Martin Kessler, to talk about the second Kenji Mizoguchi entry on the Sight and Sound list, Sansho The Bailiff. They navigate its murky waters in discussing its themes, symbols, and moral quandaries, the role of women in the film, and Mizoguchi’s filmmaking technique.  For our second topic we take a long look at long takes. Our panelists discuss different types of long takes and their varying effects. Plus, they figure out exactly how long a take needs to be to achieve ‘long take’ status, and then try to list their top five favourites (Birdman doesn’t make an appearance, we promise). 

On today's show, we're rounding out the Sight and Sound Top 50 with Kenji Mizoguchi's ghost story, Ugetsu Monogatari ('53). Notable for both its stunning long takes and its condemnation of the oppressive patriarchal values of Feudal Japan, Ugetsu has become the quintessential Mizoguchi text. Flixwise co-producer, Martin Kessler, and Eclipse Viewer host, David Blakeslee, join Lady P to discuss why they think Ugetsu's haunting tale of the destructive power of masculine pride managed to surpass both Sansho the Bailiff and Life of Oharu to become the highest ranking Mizoguchi film on the Sight and Sound list. For the second topic, the gang talks cinema's greatest ghost stories. The panelist surmise that part of Ugetsu's enduring popularity is its supernatural element. That said, not all movie specters are as haunting as Machiko Kyo's Lady Wakasa. The panel talks about what kinds of ghosts make for effective cinematic renderings (and they try to figure out why movie ghosts have a thing for pottery). Then each panelists takes a turn talking about their personal favorite spirits from the great beyond.

#101 Sansho Dayu / Sansho the Bailiff (1954), de Kenji Mizoguchi by Civilcinema

Steve and John discuss the new DVD and Blu-ray releases: NAKED CITY, SANSHO THE BAILIFF, PINK: ON FIRE, THE WASP WOMAN, SKYFALL and more! Remember: if you leave us an iTunes review, you will have done perhaps the most wonderful thing these film critics can ask for! Online, we're at http://www.postmovie.net, and on Facebook at http://www.facebook.com/postmovie Follow Steve on Twitter at Twitter.com/stevehead Questions? Send us an email at contact@post-movie.net

This teisho on case 68 of the Hekiganroku was given at the Seattle Zen Temple, ChoBoJi, on Aug. 10th, 2008. Includes information Zen Masters Kyozan, Sansho and Dogen.