Podcasts about Wilfrid Laurier

This show has been flagged as Clean by the host. Civilization VI, released in 2016, was a further evolution of the franchise that added interesting new features. We introduce it in this episode. Civilization VI Released in 2016, Civ VI is probably still the most played version of the game. Although there has been a general gap of 5-6 years between versions, the effects of the Covid-19 pandemic slowed down many things. Since early 2025 we have had Civilization VII come out, but in my opinion it is still being tweaked and refined. In the meantime, Civilization VI is the game I play now when I play Civ. I've played all of them from the first, and put in many hours here. Since I now play Civ on Steam mostly, I have statistics! I played Civ V for a total of 769 hours, and so far I have played Civ VI for 689 hours, but since this is what I play for now I will probably exceed my Civ V hours pretty soon. BTW, I probably have well over 1000 hours on Civ II, which I think I have played the most, and certainly more than 3000 hours total over all all versions. I'm going to cover this without worrying too much about whether it is the base game or an expansion. Fact is, Firaxis have started moving to something more akin to a subscription model when they introduced the New Frontier Pass, which works very well when you are on Steam. The idea was that you bought this pass, and very few months got new content, and on Steam it would automatically be downloaded to your account. That is not to say that there weren't actual expansions, but since the last thing they released was this “pass”, i'm kind of wondering what they will do with Civ VII. In any case, let's take a look at this. Gameplay Again, you start with a tribe in 4000BC which founds your first city, and you immediately begin building units, exploring, researching, and developing your city. this is a time-tested mechanic that never changes. but there are some interesting changes that make this game fascinating. First, in the earlier versions of Civ you thought of yourself as playing a particular civ, which came with a particular leader. In different versions of Civ the name of the leader might change, like for France you might have Napoleon on some versions, or Joan of Arc in another, but in each case one civ gets one leader, so you tended to think of yourself as playing the nation. Rome might be Caesar in one version, Augustus in another, or Trajan in yet another. (Fun fact: Sid Meier says he always plays as Rome because it just feels right to him). In Civ VI this linkage is broken. One leader, Eleanor of Aquitaine, can be played as the Queen of England, or she can be played as the Queen of France. And each version has different abilities and strengths. If you want a fairly easy Culture victory, play her as Queen of France, and watch as other players' cities rebel and join your Empire because they admire you so much. Teddy Roosevelt also has two different manifestations, Rough Rider Teddy, and Big Stick Teddy, when you have all the expansions. China has two possible leaders, with different strengths: Qin Shi Huang, and Kublai Khan. And Kublai Khan can be either Chinese or Mongolian, with different strengths. So in Civ VI you don't think of what Civ you want to play, you think of which leader you want to play. Every leader comes with a Civilization Ability, a Unique Unit, and a Unique Infrastructure. These matter a lot. For example, take John Curtin, the leader of the Australian civilization. His Civilization Ability is called Land Down Under, and it gives him +3 Housing in coastalcities. Building a Pasture triggers a Culture Bomb, claiming surrounding tiles. Campus, Commercial Hub, Holy Site, and Theater Squaredistricts gain +1 to their yields in tiles with Charming Appeal, and +3 in tiles with Breathtaking Appeal. Then his Unique Unit is the Digger, a melee military unit that replaces the Infantry unit. And his Unique Infrastructure is tile improvement called the Outback Station. This gives you increased food, production, and housing, some of which varies according to what is on surrounding tiles. The point is that each leader gives you very specific advantages that you should play to. In Civ VI it is even more important to tailor your strategy to the particular leader. Leaders like Frederic Barbarossa or Simon Bolivar are very good for Domination, while Peter the Great and Saladin are very good for Religious victories. If you take a random leader be ready to adapt your play style and strategy to fit, or alternatively decide what kind of victory you want to achieve and pick a leader who is good at it. Or if you want a real challenge, pick a leader who is not suited to the victory condition you are aiming at. But keep in mind that the game may take you in places you didn't expect. One game I picked Wilfrid Laurier of Canada, who is ideal for Diplomatic and Cultural victories, and I thought I would be going for a Cultural victory. But Wilfrid's strengths come from his advantages on Tundra land tiles, and I somehow managed to spawn in the middle of the map with no Tundra tiles at all in my empire. I had work hard to manage a Science victory in that case. Districts This is a major change in Civ. In earlier versions you built buildings inside of cities, and you tended to build the same buildings in most or all cities. You were only limited by your ability to generate Production to get them done. Civ VI is different. You have to place Districts on specific tiles, and and you can then develop the district with added buildings. If you want to develop your industry, you can place an Industrial Zone, and then add a Workshop, then a Factory, then a Power plant, and so on, each one increasing your Production. For Science you place down a Campus District, then a Library, then a University, then a Research Lab. And the game mechanic means you cannot built everything in every city. You can place one district at the start, then one more when your city reaches a population of 4, then a third one when you reach 7, and so on with each added population of three allowing one more district. The point is to force you to make choices. Districts get adjacency bonuses which increase their output. The Campus (generates Science) and the Holy Site (generates Faith) both benefit from adjacent Mountains, and the effect is additive. So if you find a tile with three mountains around it, you will want to place one of these districts there. Districts also get adjacency bonuses from other districts, so the planning the layout of your cities is really important to maximize these bonuses. And they can get bonuses even with adjacent Districts that belong to a different city! Another key district is the Encampment, which let you build better, more veteran military units. Since building units requires Production, you should build build an Encampment in a city which has a lot of Production, and that probably means one with an Industrial Zone. A Harbor District would go in a city with coastal tiles, of course. All of this requires planning. Expert players will usually start out by exploring to see what the map looks like around them, what terrain features they have to work with, what resources are available, and so on. Then, around turn ten they will plan out their next cities, and figure out where they want to place districts and so on. There is a built-in “map pin” system for this, and it can be improved by installing the right mod. While you don't have to do this, it does help you to be successful. Maps and Terrain Terrain features matter a lot in this game. We already mentioned adjacency bonuses of Mountains for Holy Sites and Campuses, but there is much more. The map is divided into Continents, and it is quite normal for a contiguous land mass to contain two or more continents if it is large enough. Think of how Europe and Asia are really just one large land mass to see what I mean. This matters because certain units may defend differently depending on which continent they are on, or some civilizations may be affected from having cities on a different continent. Terrain features like Rivers are extremely important for the placement of cities because they provide fresh water. You can sometimes get around that by building an Aqueduct to bring water from a Lake or a Mountain, but that means using up one of your city tiles, and spending production to build it. If you can place your city on a river you can avoid that problem and get off to a fast start. But the downside is that rivers can flood, and that can wreck your improvements. A big idea for terrain is Appeal. Each tile has an Appeal level ranging from Disgusting to Breathtaking, and it is determined by a combination of the tile's features themselves and by adjacencies. The modifiers are added together to determine the Appeal level of the tile, and there is a lens you use to view your Appeal levels on all tiles, which are color coded. This matters particularly if you are trying for a Culture victory. Culture victories are own by generating Tourism, and while some that can come from things like Museums and Wonders, you will really want to maximize your Tourism to win this game, and two good ways to do that are building National Parks and Seaside Resorts. You can only do that if the appeal is at least Charming (or even better, Breathtaking). If you find you cannot build them in what seems like a good spot, chances are Appeal is the problem. So check that out. You can, for instance, remove marshes (which give negative appeal), and plant forests (which add appeal), and that might be all it takes to get these going. The underlying issue in managing your cities is that you only have so many tiles, and a tile that might be great for a farm might also be great for a District. You need food to grow, and you need to grow to put down Districts, so you are always making choices about this, and that is what makes this a great strategy game. Other Resources Civilization 6 Tutorial: In Game Settings Links https://www.pcgamesn.com/civilization-vii/narrative-lead-job-posting https://civilization.fandom.com/wiki/Qin_Shi_Huang_(Civ6) https://civilization.fandom.com/wiki/Kublai_Khan_(Chinese)_(Civ6) https://civilization.fandom.com/wiki/Housing_(Civ6) https://civilization.fandom.com/wiki/Coastal_(Civ6) https://civilization.fandom.com/wiki/Pasture_(Civ6) https://civilization.fandom.com/wiki/Tile_(Civ6) https://civilization.fandom.com/wiki/Campus_(Civ6) https://civilization.fandom.com/wiki/Commercial_Hub_(Civ6) https://civilization.fandom.com/wiki/Holy_Site_(Civ6) https://civilization.fandom.com/wiki/Theater_Square_(Civ6) https://civilization.fandom.com/wiki/District_(Civ6) https://civilization.fandom.com/wiki/Appeal_(Civ6) https://civilization.fandom.com/wiki/Continent_(Civ6) https://www.youtube.com/watch?v=lkas_uiq_fk https://www.palain.com/gaming/civilization-vi/ Provide feedback on this episode.

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode, we are talking about one of the most important biomes, boreal forests! And to lead us in this conversation, we are speaking with forest ecologist, Dr. Jennifer Baltzer to introduce us to this amazing terrestrial biome! Jennifer is a professor of biology at Wilfrid Laurier University in Waterloo, Canada.  She is also the Canada Research Chair in Forests and Global Change at Wilfrid Laurier, which is a research program focusing on the impacts of climate change resulting in wildfire intensification and permafrost thaw on boreal forest ecosystems. This was a fascinating conversation, and Jennifer covers some of the most interesting aspects of boreal forests and all the challenges they are coming up against in the face of rapidly changing climates.  This ecosystem is so diverse and is one of the biggest carbon storehouses on the planet. Go to a Boreal Forest or Hemi-Boreal if you can!  They are magical. And you'll be entering into one of the most important terrestrial biomes that exists on the planet. And when you walk on parts of this magical forest floor, you'll bounce. And you may even see Hansel & Gretel. Lots of Love. Episode Time Stamps: Introduction: 00:17Interview: 7:05Show Notes:https://www.wlu.ca/academics/faculties/faculty-of-science/faculty-profiles/jennifer-baltzer/index.html

Some of our favourite guests of the year return to talk about books that helped meaningfully explain 2025. We talk about the evergreen appeal of Plato as well as Jewish identity with former Yale fascism scholar Jason Stanley. The déjà vu of trade wars and Canadian nationalism are tackled by journalist and author Stephen Maher. His pick is a book that details the last election of Sir John A. Macdonald and first election of Wilfrid Laurier.Then the career works of Herman Melville as a blueprint for modern America with historian Rick Perlstein.This is part one, in a series that will continue on tomorrow's show! The books:The Republic Book 8 by Plato Being Jewish After Gaza: A Reckoning by Peter BeinartThe History of Canada Series: The Destiny of Canada by Christopher PenningtonThe Lightning-Rod Man by Herman Melville

September 1911.  An unlikely partnership of conservative imperialists and French Canadian nationalists bring an end to Wilfrid Laurier's fifteen-year rule in Ottawa.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

1911. Desperate for a distraction from the Navy Question, Wilfrid Laurier is presented with a golden opportunity to fulfill a decades-long ambition by developments in Washington.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

Les syndicats en guerre. Louis Plamondon surpasse Wilfrid Laurier comme recordman du député ayant siégé le plus longtemps consécutivement à Ottawa La rencontre politique avec Emmanuelle Latraverse. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radio Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

1910.  When Britain calls on Canada to help fund its naval arms race with Germany, Wilfrid Laurier faces his greatest political test since the Boer War.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

What happens when early success turns into your biggest obstacle?In this powerful conversation, Chris Thomson sits down with Colby Wilson, a Wilfrid Laurier business student and three-year Student Works Management Program veteran who's now preparing to become a mini coach. After a strong rookie season and a complacent second year that nearly derailed his progress, Colby shares the turning point that reignited his drive, and how he built a $275K business through leadership, ownership, and humility.He dives deep into lessons learned from failure, the mindset shift that rebuilt his confidence, and the joy of helping others believe in themselves.Listen now because if you've ever felt “not ready” to lead, Colby's story proves that greatness starts the moment you dive in headfirst. Don't wait for perfect. Just start.Timestamped Highlights[00:03:39] – Ambitious but naive: Colby's life before Student Works[00:05:30] – “An accelerated capsule of growth”: lessons from year one[00:09:30] – The trap of complacency and how two lazy months cost him big[00:12:08] – Facing failure, humility, and the moment everything changed[00:17:15] – How clear planning and weekly execution rebuilt his business[00:18:42] – The secret to enrolling a motivated team that owns the goal[00:23:33] – What top performers like James, Landon, and Caleb all do differently[00:27:13] – Why Colby is stepping up to coach the next generation of leadersAbout the GuestColby Wilson is a fourth-year business student at Wilfrid Laurier University and a three-time operator with the Student Works Management Program. After scaling his business from $100K to $275K, Colby is stepping into a new challenge as a mini coach, mentoring future entrepreneurs while running his own high-performing team. Known for his humility, grit, and growth mindset, Colby's story reflects the transformation that happens when ambition meets accountability.

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

1908. Disillusioned with Wilfrid Laurier's Liberal party, a group of French Canadians commemorate the 300th anniversary of the founding of Quebec by mapping out a new kind of Canadian nationalism.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

A war in South Africa threatens to divide Canada, presenting Wilfrid Laurier with his greatest test yet as Prime Minister.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

Today on The Social, golfer Rory McIlroy says he used hypnosis, brain training and more to get past his failure at the 2011 Masters. Then, get ready to “gym, tan and laundry”! Casting for the Canadian spinoff of 'Jersey Shore' will take place this summer! And, Chappell Roan is catching some heat over her thoughts on motherhood. Plus, beware! Canadian geese have been terrorizing Wilfrid Laurier students.

Liberal leader Wilfrid Laurier ends a generation of Conservative rule through a canny combination of optimism and opportunism. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

After John A. Macdonald's death, four Tory prime ministers — each remarkable but all little known — rose to power and fell in just five years. From 1891 to 1896, between John A. Macdonald's and Wilfrid Laurier's tenures, four lesser-known men took on the mantle of leadership. Tory prime ministers John Abbott, John Thompson, Mackenzie Bowell, and Charles Tupper headed the government of Canada in rapid succession. Each came to the job with qualifications and limitations, and each left after unexpectedly short terms. Yet these reluctant prime ministers are an important part of our political legacy. Their roles were much more than caretakers between the administrations of two great leaders. Personal tragedy, terrible health issues, backstabbing, and political manipulation all led to their eventual downfalls. The Lost Prime Ministers: Macdonald's Successors Abbott, Thompson, Bowell, and Tupper (Dundurn, 2022) is the dramatic saga of these overlooked Canadian leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After John A. Macdonald's death, four Tory prime ministers — each remarkable but all little known — rose to power and fell in just five years. From 1891 to 1896, between John A. Macdonald's and Wilfrid Laurier's tenures, four lesser-known men took on the mantle of leadership. Tory prime ministers John Abbott, John Thompson, Mackenzie Bowell, and Charles Tupper headed the government of Canada in rapid succession. Each came to the job with qualifications and limitations, and each left after unexpectedly short terms. Yet these reluctant prime ministers are an important part of our political legacy. Their roles were much more than caretakers between the administrations of two great leaders. Personal tragedy, terrible health issues, backstabbing, and political manipulation all led to their eventual downfalls. The Lost Prime Ministers: Macdonald's Successors Abbott, Thompson, Bowell, and Tupper (Dundurn, 2022) is the dramatic saga of these overlooked Canadian leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Do you love your job?Want to explore other options?Do you own a business that you'd like to sell?Want to buy someone else's successful business? Enter Greg Martin, Greg is part of the founding team at Origin Merchant Partners, a boutique investment bank focused on mergers & acquisitions and working with entrepreneurs of all kinds every day. He previously founded and operated a restaurant, catering and food e-commerce business which he has since exited. In addition, he is the host of the Lifetime at Work Podcast, all about exploring the careers of different people with the pains, struggles and the fulfilment they can bring. Watch the video: https://youtu.be/7HHRLlQJyIc Catch Greg's podcast: https://www.lifetimeatwork.com/ About Greg Martin Based in Toronto, Canada - by day a Managing Director at the prestigious Investment Bank, Origin Merchant Partners. As a firm, they are a team of some of the brightest professionals in Canada, providing advice to CEOs, boards and business owners of public and private companies across North America as the most critical times, including: Sale of the business Pursuing buy-side acquisitions Raising capital (debt, equity and anything in between) Considering alternative strategies to grow, prosper or maximize value for the business As part of his role, he works every day with many young professionals as a leader, mentor and through training in the art of finance, M&A and loving your job through constant challenge and development. He got his start in M&A after graduating from university at Wilfrid Laurier in Waterloo. After working for several years at Genuity and Canaccord Genuity, Greg joined Origin Merchant Partners to help build it into the largest M&A boutique in Canada, now with professionals across Toronto, Montreal, Chicago, Denver and Atlanta. Greg also has personal experience as a start-up entrepreneur, co-founding an e-commerce and food business called Farm'r.

How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll's The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book's footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller! Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll's The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book's footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller! Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll's The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book's footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller! Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll's The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book's footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller! Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A factor of small but growing importance at the end of Salisbury's premierships, and during Balfour's that followed, was offered by the Labour Representation Committee. It had been formed by trades unions working with left-wing parties of the working class, most notably Keir Hardie's Independent Labour Party. With no MPs before the election of 1900, it had grown to four by 1903 which, in an environment in which third parties have trouble establishing themselves, was a substantial development. Meanwhile, the ruling Unionists were beginning to divide against each other. The question that finally split them was Tariff reform, the same issue that had split them back in 1846 when Robert Peel repealed the corn laws to usher in a long period of free trade without tariffs, but in the opposite direction: the tariff reformers at the start of the twentieth century, led by Joseph Chamberlain, wanted to reintroduce tariffs. The aim was both to create barriers protecting British industry and agriculture (even if that meant increasing the price of food, painful above all for the poor), and to allow for imperial preference, the system which would draw the colonies closer to the mother country by exempting their economies from certain tariffs. Three factions emerged within the Unionist coalition, right up to cabinet level. One, led by the Chancellor of the Exchequer, remained wedded to free trade. A second, the Prime Minister's, was sympathetic but wanted to proceed slowly. The third, Chamberlain's, was for rapid introduction of tariffs and imperial preference. Split parties don't win elections, and now the Unionists were hopelessly split. With an election looming. Illustration: Some of the white, male attendees at the 1902 Colonial Conference. Joseph Chamberlain is in the middle of the front row, with Wilfrid Laurier,Prime Minister of Canada to his right (our left). Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License.

En ce mois de novembre, on commémore toujours les soldats canadiens qui se sont battus au front, durant la Grande Guerre de 1914-1918, dans les tranchées européennes. Ce dont on se souvient moins, c'est que beaucoup de Canadiens n'avaient pas envie d'y aller. En 1917, quand le premier ministre du Canada décide d'imposer la conscription il y a une forte opposition. Et surtout au Québec. Pourquoi?  Avec Baptiste Zapirain et Charles Trahan Une production QUB Radio Novembre 2023Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

As attacks continue on Palestinian people in Gaza, Islamophobia and anti-Palestinian racism is on the rise. This hatred of Muslim people is fomented by a concerted propaganda campaign and by the repetition of false news stories and misinformation. To help us understand what is happening, and the impact on Muslim people here in Canada and elsewhere, we're joined by Dr. Jasmin Zine, professor in sociology and religion and culture at Wilfrid Laurier university.

In which we discuss Canada's seventh prime minister and first French-Canadian PM! We look at some caricatures that were made of the man and some of the major decisions that came up during his career! ---Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); the recommended reading page (https://historiacanadiana.wordpress.com/books/) ---Contact: historiacanadiana@gmail.com; Facebook (https://www.facebook.com/CanLitHistory). --- Caricatures: Manitoba Schools Question: One and Two Transcontinental Railway Creating new provinces Reciprocity   Sources & Further Reading: Bélanger, Réal. “Laurier, Wilfrid.” The Oxford Companion to Canadian History, Oxford University Press, 2004. Bliss, Michael. Right Honourable Men: The Descent of Canadian Politics from Macdonald to Mulroney, Toronto: HarperCollins, 1994. Bowering, George. Egotists and Autocrats: The Prime Minister of Canada. Penguin, 2000. Laurier, Wilfrid. “Speech on Political Liberalism,” June 26, 1877.

Meet Brett Nodwell, a finance expert turned real estate trailblazer. From financial planning to mortgages, his passion for real estate led him to open his own mortgage and real estate brokerages. With over 400 investors and six innovative projects underway, Brett's entrepreneurial spirit continues to redefine the industry.In today's episode we discuss:How municipalities don't practice what they preach, hindering affordable and attainable housing goals.What are the challenges with conservation authorities impacting development projects.Time is of the essence as costs increase daily, affecting investment returns.Builders struggle to construct homes within affordable price ranges, hindering construction.Inflationary pressures lead to rising material and labor costs in the industry.Why Canada needs to address skilled immigration issue urgently for a sustainable labor supply.About Brett NodwellBrett Nodwell has been involved in the sales, financing, and development of real estate for the better part of 20 years. Graduate with an Economics degree from Wilfrid Laurier, he initially went into the investment planning world. Now, as a passionate real estate investor himself, he focuses on a holistic approach to real estate. Taking pride in offering more to his clients by vertically integrating, mortgage financing, real estate sales, investing, land development, and building – into one package for astute investors.With an equal emphasis on giving back to his community, Brett has spent time on the Board of Directors with the St. Joseph's Health Care Foundation, Guelph Greens, and the Board of Directors and Executive Board with the Guelph and District Association of Realtors. His real estate experience and expertise also helped him be a key partner in the Habitat Cityview Village build.Connect with Brett NodwellEmail: brettnodwell@gto.netWebsite: https://brett-nodwell.c21.ca/Instagram: https://www.instagram.com/brettnodwell/Facebook: https://www.facebook.com/KingwellRealtyLinkedin: https://www.linkedin.com/in/brett-nodwell/Connect with Danielle Chiasson:Website: https://letsgetrealestatepodcast.com/LinkedIn: https://www.linkedin.com/in/daniellechiasson/Facebook: https://www.facebook.com/DaniChiassonInstagram: https://www.instagram.com/letsgetrealTikTok: https://www.tiktok.com/@danichiassonBook a Call: https://calendly.com/strategicsuccess/lets-get-real-estate-20-min-chat

In today's episode, we delve into the world of mathematics education and the challenges kids often face when it comes to math. My guest, Rhonda, is an expert in the field with a strong passion for helping children and adolescents overcome their math struggles.Her extensive background in mathematics and education along with her dedication to empowering young minds with valuable math skills is truly inspiring.During today's conversation, Rhonda shares valuable strategies, tips, and insights on how to transform math anxiety into math success. Together, we explore practical approaches, share personal stories and discuss the importance of fostering a positive mindset through it all.Join us in this enlightening episode as we uncover the tools and confidence needed to help our children conquer those dreaded math challenges.Together let's empower the next generation with the skills they need for a brighter future.Meet Rhonda HewerRhonda has always had a strong aptitude for mathematics. After earning her Honours Bachelor of Science with a major in mathematics and a Masters of Education, Rhonda spent 10 years as a grade 4 – 8 math teacher and another 7 years as a Learning and Development Educational Consultant in mathematics. She is passionate about helping children and adolescents develop a greater understanding of math and acquire skills that can help them in the future.As Rhonda helped her 3 children through math using various visual models and tools, other parents started to take notice. She began to share her strategies with parent friends who were struggling with their children and realized there was a need for support for students and caregivers who support them daily. This is what lead to the idea of Dropkick Math!But Rhonda doesn't just stop at helping the children! Rhonda is currently a full-time instructor for Wilfrid Laurier's Bachelor of Education Program in mathematics. Here, she realized the difference in adult learning and connected the frustration many caregivers felt when trying to help their children with math lessons. This is why Dropkick Math programs are designed to help children and parents learn mathematics together.When Rhonda isn't helping students and caregivers with mathematics, you may find her floating down the river in a kayak, hiking through trails, or camping with her family.Connect with Rhonda:Website: https://dropkickmath.com/about-us/MEET JENNIFER KOLARIJennifer Kolari is the host of the “Connected Parenting” weekly podcast and the co-host of “The Mental Health Comedy” podcast. Kolari is a frequent guest on Nationwide morning shows and podcasts in th US and Canada. Her advice can also be found in many Canadian and US magazines such as; Today's Parent, Parents Magazine and Canadian Family.Kolari's powerful parenting model is based on the neurobiology of love, teaching parents how to use compassion and empathy as powerful medicine to transform challenging behavior and build children's emotional resilience and emotional shock absorbers.Jennifer's wisdom, quick wit and down to earth style help parents navigate modern-day parenting problems, offering real-life examples as well as practical and effective tools and strategies.Her highly entertaining, inspiring workshops are shared with warmth and humour, making her a crowd-pleasing speaker with schools, medical professionals, corporations and agencies throughout North America, Europe and Asia.One of the nation's leading parenting experts, Jennifer Kolari, is a highly sought- after international speaker and the founder of Connected Parenting. A child and family therapist with a busy practice based in San Diego and Toronto, Kolari is also the author of Connected Parenting: How to Raise A Great Kid(Penguin Group USA and Penguin Canada, 2009) and You're Ruining My Life! (But Not Really) Surviving the Teenage Years with Connected Parenting (Penguin Canada, 2011).Thanks for Listening!Thanks so much for listening to our podcast! If you enjoyed this episode and think that others would love to listen, please share it using the social media buttons on this page.Do you have some feedback or questions about this episode, or want to be a guest on the show? Leave a comment in the section below or visit the website to contact me!Follow The PodcastIf you would like to get automatic updates of new podcast episodes, you can follow us on Apple Podcasts, Stitcher, Spotify, Amazon, or whatever your favorite podcast app is!Leave Us an Apple Podcasts ReviewRatings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave a review on Apple Podcasts.Don't forget to visit our Connected Parenting Youtube Channel! Check it out! Like us and Subscribe!

It's been 10 years since Justin Trudeau became leader of the Liberal Party of Canada.That not only makes him one of today's longest-serving party leaders in the country, it also puts him on a short list of historic Liberal leaders: only Lester Pearson, Jean Chrétien, Pierre Trudeau, Mackenzie King and Wilfrid Laurier have held the job longer than Justin Trudeau has.He says he will lead the Liberals into the next election, but a decade is already more than enough time to leave a mark. To discuss Trudeau's legacy to date, I'm joined this week by the CBC's Aaron Wherry, who wrote a book on the first years of Trudeau's time in office, and Susan Delacourt of the Toronto Star.As always, in addition to listening to the episode in your inbox, at TheWrit.ca or on podcast apps like Apple Podcasts, you can also watch this episode on YouTube. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thewrit.ca/subscribe

  In this episode, we speak to Bisi about the international student guide to Wilfrid Laurier University, Canada. We discuss: Why international students should join Wilfrid Laurier university What the international student community is like on campus Support available for international students on campus Most common nationalities at WLU What covid precautions have been put […] The post The international student guide to Wilfrid Laurier University appeared first on IELTS Podcast.

This episode was recorded on 03/09/2022Canadian Bill 67, which purports to be nothing but an "anti-racist" bill, is in fact the most pernicious and dangerous piece of legislation that any Canadian government has attempted to put forward. Dr. Peterson is joined by Barbara Kay, Bruce Pardy and Dr. David M. Haskell. This bill makes C-16 look like child's play.Barbara Kay is a columnist for the Post Millennial, the Epoch Times, and Western Standard Online.Bruce Pardy is executive director of Rights Probe and professor of law at Queen's University.Dr. David M. Haskell's teaching and research focuses on religion in Canada, media in Canada, and religion and media in Canada. He is currently a professor at Wilfrid Laurier. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode was recorded on 03/09/2022 Canadian Bill 67, which purports to be nothing but an "anti-racist" bill, is in fact the most pernicious and dangerous piece of legislation that any Canadian government has attempted to put forward. Dr. Peterson is joined by Barbara Kay, Bruce Pardy and Dr. David M. Haskell. This bill makes C-16 look like child's play. Barbara Kay is a columnist for the Post Millennial, the Epoch Times, and Western Standard Online. Bruce Pardy is executive director of Rights Probe and professor of law at Queen's University. Dr. David M. Haskell's teaching and research focuses on religion in Canada, media in Canada, and religion and media in Canada. He is currently a professor at Wilfrid Laurier. Learn more about your ad choices. Visit megaphone.fm/adchoices