Podcasts about Prata

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Det här är något alla som lär sig språk går igenom. Det är helt normalt! Det betyder också att du gör rätt — vi måste lära oss att förstå bra innan vi kan prata bra. Samtidigt är det frustrerande att förstå men inte kunna prata. I det här avsnittet går vi igenom vad du kan göra åt det. HELT NY UTMANING - Prata svenska varje dag i 4 veckor! 87€ 28 mini-lektioner — 15 minuters övning varje dag PRATA svenska varje dag Live-lektion varje vecka — öva konversation med riktiga människor Start: måndag 24 augusti Deadline: fredag 21 augusti (eller när de 40 platserna är slut) Läs mer här!

Neste episódio do Podcast, uma das mesas mais concorridas da Casa PublishNews com Marcelo Freixo e Jamil Chade na 24a Flip na mesa Democracia sob Vigília: Os livros como saída: onde falam sobre seus livros, o estado atual da democracia, os desafios enfrentados pelo Brasil e o mundo, e as estratégias para fortalecer as instituições democráticas em meio a uma guerra cultural global. Marcelo Freixo é professor, ex-deputado federal (2019-2023) e ex-deputado estadual e Jamil Chade é jornalista e colunista baseado em Genebra. Eles se entrevistam em temas como como segurança pública, comunicação, guerra cultural e o papel das periferias na cultura brasileira.A Casa PublishNews na Flip 2026 celebrou os 10 anos de programação paralela do canal na Festa em Paraty, com nova identidade visual, distribuição da Revista PublishNews #3, 24 painéis com 71 profissionais do mercado editorial, escritores e especialistas, e um público atento que preencheu todos os espaços da Casa entre a quarta-feira (22) e o sábado (25) Patrocínio Master de Câmara Brasileira do Livro (CBL), MVB América Latina e Transpo Express; Patrocínio Ouro de Bookwire Brasil, Carreira Literária, UmLivro e Via Lúdica; Patrocínio Prata de Alta Books, Intrínseca, Labrador Editora, Sextante e Skeelo; e Apoio de Abrelivros, Edições Sesc, Gráfica Viena, Great People Books, Nielsen BookData, Sindicato Nacional de Editores de Livros (SNEL), Suzano e Wave Studios. E a programação foi coordenada pela equipe do PublishNews, em conjunto com Fabio Uehara e Maria Carolina Borin.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro, Gráfica Viena e Nielsen BookData — referência mundial em dados que impulsionam estratégias.Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

Han låter säker.Alltså måste han vara kompetent.Eller?I det här avsnittet av “Vi måste prata om” tittar vi närmare på varför självförtroende så ofta förväxlas med kompetens – och vad det gör med vem vi lyssnar på, vem vi följer och vem som får leda.För den som låter mest tvärsäker är inte alltid den som vet mest.Fem minuter om ledarskap, normer och varför vi ibland bedömer människor utifrån hur de säger något, snarare än vad de faktiskt kan. Hosted on Acast. See acast.com/privacy for more information.

Este Debate 93 traz uma importante e imperdível reflexão sobre o cansaço provocado pelo chamado, além das últimas notícias sobre as investigações americanas no que envolve a Covid-19. Ouça e compartilhe!

Att prata med okända händer oss i olika sammanhang  som t.ex. i butiker, på matställen vid träning, på resa eller på andra ställen. Kontakten kan tas på eget initiativ eller att någon tar kontakt oavsett är det både spännande och givande med nya kontakter även om det bara är för stunden. Hur ofta pratar du med okända?   

O Culto de Santa Ceia acontecerá domingo do mês às 09h e 18h. Igreja Batista do Amor - Uberlândia/MG ----------------------------------------------------------------- //Contato: 99867-7775 (WhatsApp) 34 3087-4810 //LinkTree (principais informações consolidadas): https://linktr.ee/batistadoamor //Ficha de visitantes Você que nos visita, pedimos que preencha a ficha no link abaixo para que possamos entrar em contato contigo e te enviar um presente https://forms.gle/XgASw5gpKp4FPWCj9 //Ficha de decisão Você que aceitou o Senhor Jesus como Senhor e Salvador ou se reconciliou com Cristo, pedimos que preencha a ficha no link abaixo para que possamos entrar em contato contigo e te enviar um presente https://forms.gle/aXiMSJdps2V9qdHo6 //Contas para depósitos CAIXA ECONÔMICA FEDERAL (104): Agência 3152 op 003 Conta Corrente 886-9 BANCO BRASIL (001): AG 4165-3 Conta Corrente 26415-6 CNPJ 11.482.378.0001/95 (PIX) //Inscreva-se no canal: https://www.youtube.com/user/IgrejaBatistaAmor // Site https://batistadoamor.com

No episódio desta semana do podcast do PublishNews, dois jornalistas e escritores em uma Entrevista de mão dupla com Miriam Leitão e Uirá Machado sentam no sofá da Casa PublishNews na 24a Flip para conversar sobre seus livros mais recentes, suas trajetórias e assuntos do Brasil.Uirá Machado é de São Paulo. Formado em direito e em filosofia naUSP, é editor da CasaFolha, o streaming de conhecimento da Folha. Trabalha no jornal desde 2004, onde já foi repórter, editor e secretário-assistente de Redação."Entre Bispos e Reis – a trajetória de Mequinho, um gênio brasileiro do xadrez" é seu livro de estreia.Míriam Leitão é de Caratinga (MG). É jornalista de jornal, TV, rádio, e mídia digital. Em mais de cinquenta anos de profissão, recebeu diversos prêmios, entre eles o da Universidade Columbia de Nova York, da Abraji, ANJ, e Instituto Vladimir Herzog. Como escritora, publicou diversos livros, incluindo infantis, e ganhou o Jabuti de Livro do Ano de Não Ficção em 2012 e Jabuti de Livro reportagem por Saga brasileira. (Record) É integrante da Academia Brasileira de Letras desde 2025.Em uma das mesas mais disputadas de nossa casa, discutem suas trajetórias, processos de escrita e temas de destaque na história do Brasil, incluindo política, cultura e esportes. A Casa PublishNews na Flip 2026 celebrou os 10 anos de programação paralela do canal na Festa em Paraty, com nova identidade visual, distribuição da Revista PublishNews #3, 24 painéis com 71 profissionais do mercado editorial, escritores e especialistas, e um público atento que preencheu todos os espaços da Casa entre a quarta-feira (22) e o sábado (25) Patrocínio Master de Câmara Brasileira do Livro (CBL), MVB América Latina e Transpo Express; Patrocínio Ouro de Bookwire Brasil, Carreira Literária, UmLivro e Via Lúdica; Patrocínio Prata de Alta Books, Intrínseca, Labrador Editora, Sextante e Skeelo; e Apoio de Abrelivros, Edições Sesc, Gráfica Viena, Great People Books, Nielsen BookData, Sindicato Nacional de Editores de Livros (SNEL), Suzano e Wave Studios. E a programação foi coordenada pela equipe do PublishNews, em conjunto com Fabio Uehara e Maria Carolina Borin.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro, Gráfica Viena e Nielsen BookData — referência mundial em dados que impulsionam estratégias.Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

"Vad fin du är idag!"Det är en komplimang.Men varför är det just den kommentaren som så ofta får ta plats på jobbet?I det här avsnittet av “Vi måste prata om” tittar vi närmare på hur kommentarer om utseende kan påverka hur vi ser på varandra – och varför vissa oftare får feedback på hur de ser ut än på det de faktiskt gör.För det handlar inte om att komplimanger är fel.Det handlar om vad vi väljer att uppmärksamma.Fem minuter om arbetsliv, normer och varför det vi kommenterar säger något om det vi värdesätter. Hosted on Acast. See acast.com/privacy for more information.

Novo centro regional, em Brasília, integra dados globais, regionais e locais para enfrentar eventos extremos na Bacia do Prata, como chuvas intensas, inundações e tornados, garantindo previsões mais precisas e comunidades mais seguras

Psykiatern och Augustprisvinnaren Christian Rück berättar om ängsliga barn och om trauma varför pratar vi mer om det? Och vad är ett faktiskt trauma? Lyssna på alla avsnitt i Sveriges Radios app.

No episódio desta semana do podcast do PublishNews, vamos trazer um pouco da Casa PublishNews nesta 24a FLIP. com a mesa: LITERATURA EM VOZ ALTA: INTERPRETAÇÕES LITERÁRIAS EM ÁUDIO, os atores Gustavo Falcão e Maria Manoella conversaram com o músico e produtor Roberto Bürgel sobre a produção e narração de audiolivros com a mediação de Vivian Vergal, produtora de audiolivros na Companhia das Letras. eles discutem a arte da narração de audiolivros, suas diferenças em relação à contação de histórias tradicional e as experiências de narradores profissionais. Uma conversa que aprofunda o universo do áudio na literatura e sua importância cultural.A Casa PublishNews na Flip 2026 celebrou os 10 anos de programação paralela do canal na Festa em Paraty, com nova identidade visual, distribuição da Revista PublishNews #3, 24 painéis com 71 profissionais do mercado editorial, escritores e especialistas, e um público atento que preencheu todos os espaços da Casa entre a quarta-feira (22) e o sábado (25) Patrocínio Master de Câmara Brasileira do Livro (CBL), MVB América Latina e Transpo Express; Patrocínio Ouro de Bookwire Brasil, Carreira Literária, UmLivro e Via Lúdica; Patrocínio Prata de Alta Books, Intrínseca, Labrador Editora, Sextante e Skeelo; e Apoio de Abrelivros, Edições Sesc, Gráfica Viena, Great People Books, Nielsen BookData, Sindicato Nacional de Editores de Livros (SNEL), Suzano e Wave Studios. E a programação foi coordenada pela equipe do PublishNews, em conjunto com Fabio Uehara e Maria Carolina Borin.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro, Gráfica Viena e Nielsen BookData — referência mundial em dados que impulsionam estratégias.Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

Han är en krigare.Hon kämpar tappert.Det är bara ord.Eller?I det här avsnittet av “Vi måste prata om” tittar vi närmare på hur sportkommentering ofta beskriver män och kvinnor på olika sätt – och vad de orden signalerar om styrka, prestation och vem vi förväntas imponeras av.För språket beskriver inte bara verkligheten.Det formar också hur vi ser på den.Fem minuter om idrott, normer och varför några få ord kan göra större skillnad än vi tror. Hosted on Acast. See acast.com/privacy for more information.

Tarrasque na Bota apresenta: A Tumba do Cavaleiro - Parte 4, uma aventura do RPG Dragonbane. Versão Guerreiros do Bem ajudando a Casa Precavvida. O mundo já foi governado por forças muito maiores do que reis ou impérios. Dragões, símbolos da ordem absoluta, e Demônios, encarnações do caos e da loucura, moldaram eras inteiras de história. Seus conflitos deixaram ruínas, tumbas esquecidas e relíquias espalhadas por terras perigosas. Agora, essas relíquias permanecem abandonadas… esperando por aventureiros corajosos, imprudentes ou desesperados o bastante para procurá-las. Em Dragonbane, os jogadores interpretam esses aventureiros. Exploradores de ruínas antigas. Caçadores de tesouros. Sobreviventes em um mundo onde cada combate pode ser fatal e cada descoberta pode mudar o destino de uma jornada. Às vezes haverá risadas. Às vezes haverá caos. E provavelmente, aqui no Tarrasque na Bota, haverá muito desses dois! Então se prepare!  ATENÇÃO: Esse podcast é recomendado para maiores de 14 anos. Com a participação de: Rafael 47 - Mestre; Anderson Lira, como Makander; Vinicius Watzl, como Krisss; Jônatan Paiva, como Orlan Lua de Prata; Miguel Alves, como Bastonn Mandíbula de Sangue; Fernando Alves, como Arquimestre Aodhan. Edição de: Rafael 47. Uma produção RPG Next. NOVIDADE!!! Para tornar a sua experiência ainda mais fácil e prática, agora disponibilizamos nossos conteúdos exclusivos do Apoia.se também no Spotify! Assim, você pode acessar tudo em um só lugar, sem precisar alternar entre plataformas. Quer saber como ativar essa opção e ouvir nossos episódios exclusivos diretamente no Spotify? Acesse este artigo com o passo a passo: https://suporte.apoia.se/hc/pt-br/articles/30944727495579-Ou%C3%A7a-%C3%A1udios-exclusivos-da-APOIA-se-no-Spotify Obrigado por apoiar nosso trabalho! Seu suporte faz toda a diferença. Boletim Informativo RPG Next https://bit.ly/boletim-informativo-rpg-next  O RPG Next agora tem um grupo oficial no Telegram! Venha trocar ideias, compartilhar suas aventuras e se conectar com outros jogadores apaixonados por RPG. Entre agora e faça parte dessa comunidade épica: https://t.me/RpgNextOficial . Acesse nossos conteúdos antecipados e exclusivos pelo APP do Apoia-se Disponível para Android e iOS! Google Play: https://play.google.com/store/apps/details?id=com.apoiasemobile&pli=1 iOS: https://apps.apple.com/us/app/apoia-se/id1665747795 https://www.rpgnext.com.br/produto/dungeons-and-dragons-starter-set-heroes-of-the-borderlands/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-livro-do-jogador-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-dungeon-masters-guide-livro-do-mestre-5-5e-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-monster-manual-livro-dos-monstros-5-5e-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-dungeon-masters-screen-2024/ Quer jogar RPG sem precisar montar grupo ou preparar nada?   Agora você pode! Encontre todas as vagas on-line com Mestres de Aluguel no site do RPG Next e entre de cabeça em aventuras épicas conduzidas por narradores experientes! O serviço é pago e funciona por assinatura mensal, com cobrança exclusivamente via cartão de crédito. ‍♂️ O Mestre de Aluguel conduz toda a sessão — você só precisa escolher o sistema, montar seu personagem e se divertir! No site, você encontra um vídeo de apresentação e todas as informações sobre como participar, bem como link público para o grupo de WhatsApp de cada Mestre de RPG. Confira as mesas disponíveis agora em:https://www.rpgnext.com.br/categoria-produto/servico-de-mestre-de-aluguel/ Indicações Fabulosas APP das Cartas Críticas para D&D 5e APOIE NOSSA CAUSA! Nosso Plano de Assinaturas do APOIA.SE! Acesse e veja nossas recompensas para os apoiadores. JOGUE RPG CONOSCO !!! Procurando uma mesa ou um mestre para jogar PRG? Participe das nossas campanhas como recompensa do nível de apoio THE GAMERS. Entre em contato por email ou por WhatsApp para ver a disponibilidade de vagas para a mesa. Além disso, confira nossos serviços de mestres de aluguel. Mais informações no link: https://www.rpgnext.com.br/loja/ https://rpgnext.com.br/doadores/ COMPARTILHE! Se você gostou desse Podcast de RPG, então não se esqueça de compartilhar! Nosso site é https://rpgnext.com.br, Nossa Campanha do APOIA.SE: https://apoia.se/rpgnext Facebook RpgNextPage, Grupo do Facebook RPGNext Group, Instagram RPG Next Oficial, Bluesky rpgnext.bsky.social,  Canal do YouTube,  Vote no iTunes do Tarrasque na Bota e no iTunes do RPG Next Podcast com 5 estrelas para também ajudar na divulgação! DEIXE SEU FEEDBACK! Se quiser deixar seu feedback, nos envie um e-mail em contato@rpgnext.com.br ou faça um comentário nesse post logo abaixo. Seu comentário é muito importante para a melhoria dos próximos episódios. Beleza? Muito obrigado pelo suporte, pessoal! Links para MÚSICAS e SFX sob a licença Creative Commons Freesounds.org – https://www.freesound.org/ Tabletop Audio – http://tabletopaudio.com/ Kevin MacLeod em Incompetech – http://incompetech.com/music/royalty-free Free PD - https://freepd.com/ Alexander Nakarada - https://alexandernakarada.bandcamp.com/ Free Stock Music - https://www.free-stock-music.com  Chibola Productions - https://assetstore.unity.com/publishers/6561 Impatient by Sascha Ende Link: https://filmmusic.io/song/3006-impatient License: http://creativecommons.org/licenses/by/4.0/ End Titles Extended Version (Romeos Erbe) by Sascha Ende Link: https://filmmusic.io/song/3158-end-titles-extended-version-romeos-erbe- License: http://creativecommons.org/licenses/by/4.0/ Bama Country - Country de Kevin MacLeod link: Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100359 License: licenciada de acordo com a licença Atribuição 4.0 da Creative Commons. https://creativecommons.org/licenses/by/4.0/ Free Music Archive: Welcome to the Free Music Archive - Free Music Archive HoliznaCC0 - Western ShowDown Punk Rock Opera - Aftermath HoliznaCC0 - Dear Old Dad Contato Instagram / Facebook / Bluesky / TikTok / YouTube

Det här avsnittet har tidigare släppts på Podme. För att höra alla nya avsnitt direkt och utan reklam, signa upp dig på Podme.Hör av er till oss på instagram så kan vi svara på era frågor, hjälpa er med problem och dilemman: @johannanordstrm & @edvintornblom! ursäkta klipps och redigeras av Niklas Runsten @niklasrunsten

Systrarna är tillbaka från semestern med nya män, nya resplaner och ännu fler operationer på schemat. Johanna berättar om den 52-åriga “äldre mannen”, en helikopterdejt till Monaco som blev allt annat än romantisk och ett casino där ingen fick spela förutom hans extremt störiga kompis. Samtidigt har Matilda packat väskan för ännu en plastikoperation och systrarna avslöjar varför de försvunnit från Snapchat.Produceras av More Than Words Hosted on Acast. See acast.com/privacy for more information.

No episódio desta semana do podcast do PublishNews, conversamos com Raquel Cozer, jornalista, editora de livros, pesquisadora e roteirista para o audiovisual. Ela foi colunista de literatura e mercado editorial, além de ter atuado como editora.Na conversa, Raquel compartilha como surgiu o Notas de Rodapé, seu programa no canal Amado Mundo, e conta como tem sido o processo de escrever a biografia de Lygia Fagundes Telles para a Companhia das Letras. Ela fala ainda sobre os bastidores da criação de conteúdo cultural e as lições aprendidas ao longo do caminho.E aproveitando, se você está indo para a FLIP, não se esqueça de passar na Casa PublishNews, um espaço para falar do negócio do livro, políticas públicas de leitura, produção e distribuição de livros digitais, literatura brasileira contemporânea, eventos literários e outros assuntos estarão distribuídos em 24 painéis, com 71 profissionais do mercado editorial, escritores e especialistas. Entre os dias 22 e 25 de julho (de quarta-feira a sábado), na Rua Tenente Francisco Antônio (Rua do Comércio), nº 300, com Patrocínio Master de Câmara Brasileira do Livro (CBL), MVB América Latina e Transpo Express; Patrocínio Ouro de Bookwire Brasil, Carreira Literária, UmLivro e Via Lúdica; Patrocínio Prata de Alta Books, Intrínseca, Labrador Editora, Sextante e Skeelo; e Apoio de Abrelivros, Edições Sesc, Gráfica Viena, Great People Books, Nielsen BookData, Sindicato Nacional de Editores de Livros (SNEL), Suzano e Wave Studios. E a programação coordenada pela equipe do PublishNews, em conjunto com Fabio Uehara e Maria Carolina Borin.Indicações:HQ: Caixa de quadrinhos - Reescrevendo ContosHQ - Pyongyang: Uma Viagem à Coreia do Norte - Guy Delisle Livro - Escreviventes -  Conceição Evaristo e Eliana Alves Cruz (Pallas Editora)Livro - Aí de nós, Copacabana - Alexandre Medeiros (Morula e Folha seca) Livro - Pessoa: uma biografia - Richard Zenith - Tradução: Pedro Maia Soares (Companhia das Letras)Audiolivro - Pessoa - Richard Zenith Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

"Han hjälper till hemma."Det låter positivt.Men hjälper till... med vems ansvar?I det här avsnittet av “Vi måste prata om” tittar vi närmare på varför uttrycket "hjälper till" fortfarande används om pappor – och vad det säger om våra föreställningar om föräldraskap och ansvar.För att hjälpa till innebär att någon annan egentligen har huvudansvaret.Fem minuter om språk, normer och varför ett till synes oskyldigt uttryck kan avslöja mycket om hur vi fortfarande ser på mammor och pappor. Hosted on Acast. See acast.com/privacy for more information.

Förinspelat sommarspecial med ett avsnitt ur våra samarbetspartners Hjärnkoll Stockholms Våga prata-podd där Pepe som länge levt med odiagnostiserad ADHD berättar om sitt liv. Som utbildad lärare, fritidsledare och behandlingsassistent har han mångårig erfarenhet av att arbeta med människor och vill gärna inspirera andra. Avsnittet är c:a 55 min långt men innan vi spelar upp det talar vår kollega Felix om mod. Ha en fortsatt fin sommar!

Sommar! I årets sommarkakor kommer det läsas historier från vårens livepoddar.Detta avsnitt finns också filmat på YouTube! https://youtube.com/@kafferepetpodHar du ett skvaller som fler borde få höra? Maila det till kafferepetpod@gmail.comMissa inte vår månatliga systerpodd Cigarrummet. Bli prenumerant på www.underproduktion.se/cigarrummet07:30 - Glädjekällan16:20 - En fars lärdomar23:10 - P.S. Prata med mamma26:55 - Steninges Tarzan35:40 - Anktjejen41:20 - Biobesöket Hosted on Acast. See acast.com/privacy for more information.

"Du har helt rätt i sak... men du hade kunnat säga det lite mjukare."Feedbacken handlar inte om resultatet.Den handlar om tonen.I det här avsnittet av “Vi måste prata om” tittar vi närmare på varför feedback ibland handlar mindre om vad som åstadkommits och mer om hur någon uttryckt sig.För när samma budskap bedöms olika beroende på vem som säger det påverkar det inte bara hur vi kommunicerar – utan också vem som vågar ta plats.Fem minuter om arbetsliv, normer och varför ton ibland får större uppmärksamhet än prestation. Hosted on Acast. See acast.com/privacy for more information.

O Festival de Avignon arrancou a 4 de Julho, e junta, durante três semanas, milhares de pessoas, para esta 80ª edição. Este é o epicentro da história contemporânea do teatro, dirigido pelo encenador, dramaturgo e actor português Tiago Rodrigues. Este ano, há 47 espectáculos, dois de encenadoras lusófonas e a língua convidada é o coreano. Há uma maioria inédita de criadoras mulheres e a linha de força é um enorme ponto de interrogação estampado um pouco por todo o lado nas ruelas da cidade francesa. O teatro anda à solta, sem rédeas, pela cidade de Avignon. Bem-vindos ao “país do teatro, à república independente das artes performativas”, nas palavras e na companhia de Tiago Rodrigues, um dos fazedores desta “fábrica de memórias inesquecíveis para o público”. Uma dessas “memórias” é a primeira maratona teatral em português, de dez horas, com a apresentação, a 12 e 13 de Julho, da Trilogia Cadela Força de Carolina Bianchi. Outra é o espectáculo de cinco horas do francês Julien Gosselin, “Maldoror”, que Tiago Rodrigues acredita que “vai marcar as próximas décadas do teatro francês, europeu e mundial”. E outra, ainda, é a peça “Um julgamento - Depois do inimigo do povo” que descreve como “uma interpretação magistral de uma história do repertório agora reescrita, repensada por Christiane Jatahy e Wagner Moura e com um elenco magistral à volta de Wagner Moura que tem uma prestação absolutamente sublime”. Nesta 80ª edição, “os questionamentos” são a bandeira de um festival que sempre foi sintoma e espelho dos tempos que correm. Este é também “um espaço de liberdade onde os artistas e o público se podem exprimir com toda a liberdade”, reitera o artista, destacando que “em França, como noutros países da Europa e do mundo, a liberdade de expressão e de criação estão a ser ameaçadas”. Mais ainda, em França – diz – “já não se trata apenas de uma ameaça, mas de ataques repetidos em vários territórios”. E, assim, a menos de um ano das próximas eleições presidenciais em França, onde a extrema-direita cresce, Tiago Rodrigues, enquanto director desta instituição e não apenas como cidadão e autor de “Catarina e a Beleza de Matar Fascistas”, toma já posição e pede às pessoas para não deixarem a extrema-direita chegar ao Palácio do Eliseu. Tiago Rodrigues, português, emigrante, inscreve-se numa longa linhagem histórica de emigração portuguesa para França, mas esta é também uma história familiar e é a história que inspira o seu próximo espectáculo, revelou à RFI em primeira mão. O pai, Rogério Rodrigues, exilou-se em França durante o Estado Novo, o filho é agora o director do maior festival francês de artes cénicas e serve com a sua arte o que chama de “dívida de gratidão” que tem com a sociedade francesa por ter acolhido o pai quando este precisava. RFI: Queria começar com uma expressão que o Tiago Rodrigues gosta muito de usar, que é “o país do teatro”. O festival está na 80ª edição. Até que ponto Avignon continua a ser a capital mundial do teatro? Tiago Rodrigues, Director do Festival de Avignon: “Eu acho que cada vez mais, com o passar do tempo, aquilo que era uma utopia imaginada por Jean Vilar, o encenador que em 1947 funda este festival logo a seguir à Segunda Guerra Mundial, numa sociedade muito dividida e pensa que talvez um festival durante as férias das pessoas - e é preciso relembrar que as férias pagas eram uma novidade na época - durante as férias pagas das pessoas, podia ser um festival que permitisse ao público viver experiências que eles não teriam oportunidade, nem tempo para viver durante o ano, portanto, grandes aventuras teatrais em lugares monumentais que obrigariam a viajar. E é assim que nasce esta ideia, esta utopia de um país do teatro. Um lugar onde viajamos como quem viaja para fazer turismo, como quem viaja para se repousar. E aqui viajamos, sim, pelo turismo, pelo repouso, mas sobretudo pela descoberta dos espectáculos, pela descoberta de uma grande quantidade de estéticas e de visões de um mundo muito diferentes entre si. O tempo fez com que, ao fim de 80 edições, possamos dizer que este é o país do teatro, a república independente das artes performativas. O público vem precisamente com essa sede de ver espectáculos que talvez não tivesse tempo de ver durante o ano. Por exemplo, 'Maldoror', o espectáculo de Julian Gosselin, um grande encenador que dirige o teatro do Odéon, um dos teatros nacionais franceses, e que faz um espectáculo de cinco horas, poderíamos dizer que cinco horas é ambicioso, mas é um espectáculo magistral. O que nós vemos é que ao fim das cinco horas, por volta das duas e meia, três da manhã, todo o público está lá, aplaudiu de pé e viveu essa aventura colectiva que é singular, que só se vive em Avignon, estar num palácio sob as estrelas e ver uma obra de arte que, no meu entender, este ‘Maldoror' vai marcar as próximas décadas do teatro francês, europeu e mundial.” É português, é o primeiro director estrangeiro a dirigir o festival. Esta é a sua quarta edição como director. Conhece os talentos e as dificuldades das artes performativas portuguesas, brasileiras, de dança contemporânea moçambicana e cabo-verdiana, por exemplo, mas este ano só há duas peças lusófonas no cartaz… “Eu permito-me corrigir o “só”, “só há”. O Festival de Avignon é um festival de nomes de expressão mundial e, portanto, é um festival que tem que estar atento a tudo o que se passa no mundo. Saber que, por exemplo, este ano há duas artistas brasileiras e saber que estas duas artistas brasileiras lusófonas, Christiane Jatahy e Carolina Bianchi, que são duas das grandes artistas desta edição, são duas artistas que vêm de um só país lusófono, numa possibilidade de mais ou menos - é discutível a quantidade de países que existe no mundo, mas digamos que são duas centenas, porque depois há questões de legitimidade de algumas fronteiras, etc - mas digamos que em 200 países haver dois espectáculos, ambos vindos do Brasil ou de criadores brasileiros, criadoras neste caso, é, de qualquer das formas, um foco muito importante, uma atenção muito importante. Há muitos países que não estão representados no festival. Este ano, há uma representação de 14 países e, portanto, digamos que a maioria dos países do mundo não estão presentes no ano. A criação lusófona tem duas presenças e, portanto, acho que estamos numa quantidade, numa proporção muito benéfica para a criação lusófona.” Mas o que eu queria mesmo saber - e já percebeu onde quero chegar - é quando é que Avignon vai convidar a língua portuguesa? “Bom, o que eu posso dizer é que recentemente fui reconduzido para um segundo mandato, portanto, serei director do Festival até 2030. E estou muito feliz, muito vaidoso mesmo dessa possibilidade, mas também é um grande privilégio e uma grande responsabilidade também. E sem dúvidas que a língua portuguesa, eu digo desde o início, tem todo o mérito, toda a riqueza, toda a diversidade contemporânea e, sobretudo, toda a grande qualidade das criadoras e dos criadores, sejam portugueses, brasileiros, moçambicanos, angolanos, cabo-verdianos para estar presente no festival. Eu recordo que a lusofonia tem estado muito presente nos últimos anos no festival. No ano passado, a abertura do festival fez-se com uma artista cabo-verdiana, Marlene Monteiro Freitas, foi a primeira vez que Cabo Verde esteve na Cour d'Honneur du Palais des Papes e abriu este festival, ainda por cima no ano em que se celebrava os 50 anos da independência desse país-irmão do meu país-natal, Portugal. E, portanto, temos feito um trabalho de abertura, de aproximação do público de Avignon à criação lusófona ou em língua portuguesa. Sem dúvida que até 2030 a língua portuguesa será certamente uma das línguas convidadas no festival.” A Carolina Bianchi vem ao Festival de Avignon pela segunda vez para apresentar não só o terceiro capítulo da sua Trilogia Cadela Força aqui iniciada, como a trilogia completa, o que perfaz dez horas seguidas de maratona teatral. Isto também é histórico. Já houve maratonas teatrais em Avignon, mas em língua portuguesa, se calhar não… “Em língua portuguesa nunca houve uma aventura destas e estamos muito felizes de poder acompanhar a Carolina e toda a sua equipa da Companhia Cara de Cavalo nisto, que é uma aventura inédita. É o tipo de aventuras que só se pode viver em Avignon, dez horas de teatro. Antes que Carolina Bianchi fosse conhecida do público francês ou europeu, apresentámo-la pela primeira vez em 2023 e logo na altura sabíamos que estávamos comprometidos com continuar a acompanhar a sua trilogia. Entretanto, Carolina Bianchi ganhou o Leão de Prata da Bienal de Veneza, tornou-se numa artista absolutamente reconhecida a nível não apenas europeu, mas mundial. Queríamos estar no lugar do término desta trilogia, a acompanhar a aventura até ao fim e, sobretudo, permitir ao público de descobrir pela primeira vez a trilogia completa inédita. É uma grande aventura para a companhia, que exige enormemente. Também exige do público e das equipas técnicas e de acolhimento. Estamos muito felizes aqui em Avignon de poder propor ao público estas aventuras, porque, como nós costumamos dizer, nós queremos ser uma fábrica de memórias inesquecíveis. E é isso que queremos propor: uma memória inesquecível ao público.” A encenadora brasileira Christiane Jatahy também traz uma peça com um forte teor político. Qual é este alerta também em língua portuguesa que esta peça traz para os dias de hoje? “Christiane Jatahy, acompanhada de Wagner Moura, grande actor que foi este ano nomeado para os Óscares, que ganhou o Globo de Ouro, que ganhou o prémio de interpretação masculina em Cannes no ano passado e, portanto, de alguma forma, é um dos grandes protagonistas deste festival, juntaram-se para - ele actor, ela encenadora, mas ambos como autores do texto deste espectáculo - nos apresentarem um espectáculo que não é uma adaptação de ‘Um Inimigo do Povo' de Henrik Ibsen, mas que se inspira dessa história do dramaturgo norueguês para inventar um processo em tribunal onde se pergunta se alguém que denunciou a contaminação das águas de uma cidade é um herói que tentou ajudar as pessoas, salvar a saúde das pessoas, ou se é um inimigo do povo, alguém que destruiu a economia dessa cidade que dependia das termas, de um spa e dos turistas que vinham. Há um julgamento dessa pessoa e é um julgamento muito também sobre o risco dos julgamentos populares em opinião pública na época das redes sociais, na época em que toda a gente pode exprimir uma opinião, caluniar, difamar e destruir uma reputação publicamente muito facilmente. É uma questão de debate sobre a legitimidade de um gesto político de denúncia, sobre o diálogo entre saúde pública e a economia, essa tensão, também sobre a ecologia muito presente no espectáculo e é, sobretudo, uma interpretação magistral de uma história do repertório agora reescrita e repensada por Christiane Jatahy e Wagner Moura, com um elenco magistral à volta de Wagner Moura, que tem uma prestação absolutamente sublime. Uma peça que nos chega agora de Lisboa, esteve mesmo agora em Portugal em digressão e que é o resultado de uma encomenda que o Festival de Avignon fez com o Holland Festival de Amsterdão e com o Festival de Edimburgo, que são os três festivais europeus fundados no mesmo verão de 1947. Juntos queremos colaborar, continuar a colaborar também para o ano, quando fizermos 80 anos os três festivais e, para este início de colaboração, lançámos o desafio a Christiane Jatahy e a Wagner Moura de criar esta peça e estamos muito felizes. É uma das peças pilar da programação do festival este ano. E muito feliz também que seja a segunda peça falada em português.” Desde a sua primeira edição como director artístico do festival, apresentou “Na Medida do Impossível” e “By Heart” em 2023, “Hécuba, não Hécuba”, em 2024, “A Distância”, em 2025. Antes de ser director, já tinha apresentado “António e Cleópatra”, “Sopro” e “O Cerejal”. Este ano não apresenta peça sua. Posso perguntar porquê? “Porque acho que é importante que o meu trabalho artístico esteja sempre ao serviço do festival e nunca o contrário. E isso exige equilíbrio. Exige, no meu entender - e é a escolha responsável que eu tento fazer - que o meu trabalho não esteja necessariamente sistematicamente presente enquanto artista na programação do festival para deixar espaço a outros, para permitir precisamente que o festival não trabalhe a meu favor, mas o contrário, que quando eu apresento um trabalho, uma peça, um espectáculo no Festival de Avignon, seja para contribuir à programação e também contribuir, de certa maneira, à economia do festival. As digressões dos meus espectáculos produzem receitas que favorecem o festival e que nos permitem convidar outros artistas do festival. E, portanto, eu acredito que o director do Festival de Avignon ou a directora, se forem artistas, devem fazer o seu trabalho no festival, mas devem fazer com a medida que permite que seja o seu trabalho a estar ao serviço do festival e nunca o contrário, como disse. O Tiago Rodrigues é imigrante em França. Não vai poder votar nas presidenciais francesas do próximo ano porque é preciso nacionalidade francesa para isso. Como é que o autor de “Catarina e a Beleza de Matar Fascistas” olha para estas eleições, nomeadamente depois de Marine Le Pen ter confirmado que se vai candidatar? “Não é apenas o autor de ‘Catarina e a Beleza de Matar Fascistas' ou o cidadão Tiago Rodrigues, mas é também o director do Festival de Avignon que toma posição e a posição é muito clara. O Festival de Avignon já pôde fazê-lo no passado, nas legislativas de 2024, que aconteceram ao mesmo tempo que o festival. O Festival de Avignon fez apelo a uma barragem à extrema-direita e, portanto, à União Nacional de Marine Le Pen, e fez um apelo ao voto no campo democrático. Eu não considero, o Festival de Avignon institucionalmente não considera, que a extrema-direita pertence ao campo democrático. A nossa posição é muito clara. Fazemos um apelo à participação nas eleições e é uma barragem clara, sem ambiguidades, à extrema-direita. Será também o caso para as presidenciais, como foi, aliás, para as municipais de Avignon, onde a extrema-direita perdeu uma derrota forte depois também de o festival ter tomado posição e ter anunciado que não trabalharia com a extrema-direita se esta tomasse o poder na cidade de Avignon. Felizmente não foi o caso e não será o caso, eu creio, também nas presidenciais. Sinto muita confiança na lucidez democrática das francesas e dos franceses.” Avignon é, historicamente, a cidade-teatro aberta à contestação, o festival sempre foi politicamente atravessado pelo seu tempo, como acaba de dizer, assim como em Maio de 68, os debates pós-coloniais, as crises migratórias. Este ano, qual é a causa a atravessar esta edição? “Cada Festival de Avignon é, por um lado, um sintoma de implicação com a actualidade, com os grandes fenómenos da actualidade e, portanto, a cada festival vemos novas questões, novas causas, novos debates a surgirem. E é também por isso que este ano quisemos celebrar esta 80ª edição, pondo as questões e os questionamentos no centro do discurso. Este é um festival que desde 1947, por 80 ocasiões, colocou questões ao mundo, as questões dos artistas, acompanhando os artistas a criar espectáculos que traduzem os seus questionamentos e permitindo ao público de se apropriar destas questões para ter os seus debates. O Festival é muito conhecido pelos seus debates, apaixonantes e apaixonados, por vezes bem intensos, e nós gostamos que seja assim. Gostamos que seja assim, aqui no Café das Ideias, onde estamos e onde acontecem todas as manhãs grandes debates, mas também nas ruas, nas praças, espontaneamente. Discutindo espectáculos, nós discutimos o mundo e questionamos o mundo. Este ano, como todos os anos, julgo que a questões que atravessam a actualidade, seja questões ligadas, por exemplo, às eleições presidenciais, questões ligadas à crise climática, às vagas de calor e à aceleração de medidas que os governos têm que tomar para combater a crise climática, defender a biodiversidade, mas também a vida e o bem-estar das pessoas e questões que são intemporais. Este ano temos, por exemplo, dois Hamlet, portanto, a questão de ‘ser ou não ser', que já existe há 400 anos, aqui está de novo. É esta mistura de questão política e questão íntima, de questão pública e questão individual, que anima a cada ano o festival que quer continuar a ser um festival de liberdade de expressão, de implicação com o mundo, mas com uma grande pluralidade de pontos de vista. Não é um festival de pensamento único que está aqui para convencer as pessoas seja do que for. É um espaço de liberdade onde os artistas e o público se podem exprimir com toda a liberdade, e deve dizer-se isto várias vezes, numa França onde, infelizmente vemos, como noutros países da Europa e do mundo, a liberdade de expressão e de criação a ser ameaçada. A França não é imune a isso. Já não se trata apenas de uma ameaça, mas de ataques repetidos em vários territórios de França. Aqui em Avignon, a primeira coisa que podemos fazer para responder a essa ameaça é praticar toda a liberdade de criação, toda a liberdade de expressão.” É essa a sua assinatura mais pessoal nesta edição? Reafirmar a liberdade de criação junto dos artistas, dar-lhes um espaço seguro aqui no festival? “Eu não acredito em assinaturas pessoais. Isto é o trabalho de mais de 700 pessoas que organizam este festival. O pensamento do festival não emana apenas de mim, é de dezenas de pessoas, de centenas de discussões, ele emana dos artistas e emana do público. E eu convido sempre quem me coloca essa questão de ‘Qual é a marca que tu, enquanto director, queres imprimir? Qual é o teu cunho pessoal?' O meu cunho pessoal é: Perguntem às pessoas na rua o que sentem em relação a este festival, como estão a vivê-lo. É permitir colocar-me ao serviço desta história, desta aventura colectiva que atravessa gerações. São os filhos que transmitiram aos netos, que transmitem aos vindouros este amor do teatro e este amor de poder juntar-se sem ser à volta de uma mesma ideia, juntar-se à volta do debate, à volta do facto de podermos estar juntos, felizes, a desfrutar das artes do teatro em desacordo. Este desacordo é o princípio do diálogo e o diálogo é o fundamento da democracia.” Falou da questão da filiação, da transmissão intergeracional. Está em França há quatro anos. Emigrou como o seu pai e como tantos milhares de portugueses o fizeram no século XX, durante a ditadura portuguesa. O seu pai foi acolhido pela França e o Tiago é convidado pela França para dirigir o maior festival de teatro francês, quando justamente há esta ameaça de a extrema-direita chegar ao poder. Isto é uma história que poderia dar uma peça de teatro. Qual é o poder simbólico desta história no contexto político actual? “Devo dizer que, enquanto director do Festival de Avignon, português, saber que estou ao serviço desta aventura, dos valores democráticos, republicanos, progressistas deste festival que é um festival também ecologista, feminista, anti-racista porque defende esses valores da democracia, da liberdade, da igualdade, da fraternidade, saber-me ao serviço destes valores, através deste festival, é para mim, de alguma forma, tentar também pagar a dívida de gratidão que tenho em relação à sociedade francesa que acolheu o meu pai quando o meu pai precisava de ser acolhido.” Obrigada por continuar a transmitir esta história e obrigada por também transmitir a história da emigração. “Vou dizê-lo para a RFI, é a primeira vez que falo disto publicamente: acho que será o tema do meu próximo espectáculo.”

Första sommarjobbet. Första lönen. Första Swish-förfrågan, eller typ 300e..? Sommaren är full av tillfällen då våra barn börjar ta sina första steg mot ett eget ekonomiskt ansvar. Men hur mycket ska vi egentligen lägga oss i? Ska de få spendera hela lönen på en moppe? Ska sparande vara ett krav? Och när är det faktiskt dags att säga nej? I det här sommarspecialavsnittet pratar Moa Tyborn och Magnus Hedberg om hur vi hjälper våra barn att bygga sunda ekonomiska vanor, utan att ta över deras beslut. Vi pratar om varför egna misstag ofta är den bästa läraren, hur vi kan skapa förståelse för pengars värde i ett samhälle där allt bara är ett klick eller en Swish bort, och varför vi som föräldrar ibland behöver stå emot både tjat och dåligt samvete. Dessutom pratar vi om den växande “Swishföräldern”, varför det faktiskt finns ett värde i att längta efter saker, och hur små samtal runt köksbordet kan ge våra barn ekonomiska vanor som håller resten av livet. Ett varmt och tänkvärt avsnitt för alla föräldrar som vill ge sina barn något betydligt mer värdefullt än en extra Swish, nämligen ett ekonomiskt självförtroende. Gillar du podden blir vi superglada för en ⭐⭐⭐⭐⭐ eller en kommentar

Trauman kan färdas genom generationer. Föreläsaren, samtalsledaren och integrationsinspiratören Charbel Gabro menar att det ofta handlar om flyktingsorg, en outtalad känsla av besvikelse över att livet inte blev som man hade tänkt sig. Charbel driver även Samtalsringen, som samlar unga män från utanförskapsområden och sätter dem i nya rum för att öppna upp sina sårbarheter tillsammans. Hans många möten och samtal visar att vi alla är ganska lika innerst inne - vi vill bli sedda, hörda, få bekräftelse och kärlek. Är samtalet i sig nyckeln till framtidens Sverige? I den kommande boken Flyktingsorg presenteras några av svaren. I avsnitt 671 får vi en försmak. Programledare: Christian von EssenLäs mer på hejaframtiden.se och prenumerera på nyhetsbrevet.

Har du känt dig frustrerad ibland när du inte kan översätta engelska ord direkt till svenska? Samma sak händer såklart åt andra hållet. Här går jag igenom 10 svenska ord som inte finns på engelska. --- Vill du läsa transkriberingen samtidigt som du lyssnar? Bli poddsupporter för 9€/m - klicka här Få mina bästa tips för att lära sig svenska varje vecka, joina nyhetsbrevet (skrivet på lätt svenska) - klicka här Om du redan förstår svenska ganska bra och vill lära dig PRATA svenska med självförtroende, då är Swedish Season för dig. Nästa omgång startar i september. Joina nyhetsbrevet och håll dig uppdaterad

Stadsfestivaler ingen känner till, Brannes tvilling och är statsministern surig? Lyssna på alla avsnitt i Sveriges Radios app. Hela veckans Morgonpasset i P3 hör du i Sveriges Radios app.Branne har ingen VM feber och VM känns forcerat. Taylor Swifts bröllop på Madison Square Garden. Längesen det var slagsmål i Riksdagen. P3 Nyheters Agnes Cohn om begravningen av Irans högsta ledare och om att Fifa häver Baloguns avstängning efter ett samtal med Donald Trump. Proffersorn i Kyrkhistoria, Joel Halldorf om att Påven dissar USAs 250-års friande. Brannes by i Serbien tävlar i flöjt. Vi vill veta allt om små stadsfestivaler som ingen känner till. Prata inte med dig själv. Chris Rock blev Kid Rock. Magge som kändiskonsult. Vad f*n är grynkorv och buapudding? Är Statsministern sur? Brannes tvilling Emil Persson. Margret Wokedottir. Ibbekutz om att klippa herrlandslaget. Tidpunkter i avsnittet:11:16 Nyhetsfördjupning: Irans högsta ledare begravs14:29 Påvens diss mot USA 38:04 Nyhetsfördjupning: Fifa häver Baloguns avstänging efter samtal med Trump1:02:45 Herrlandslagets frisör: IbbekutzKapitellänkarna ovan leder till avsnittet utan musik i Sveriges Radios app.Programledare: Margret Atladottir och Branne Pavlovic.

Tarrasque na Bota apresenta: A Tumba do Cavaleiro - Parte 3, uma aventura do RPG Dragonbane. Versão Guerreiros do Bem ajudando a Casa Precavvida. O mundo já foi governado por forças muito maiores do que reis ou impérios. Dragões, símbolos da ordem absoluta, e Demônios, encarnações do caos e da loucura, moldaram eras inteiras de história. Seus conflitos deixaram ruínas, tumbas esquecidas e relíquias espalhadas por terras perigosas. Agora, essas relíquias permanecem abandonadas… esperando por aventureiros corajosos, imprudentes ou desesperados o bastante para procurá-las. Em Dragonbane, os jogadores interpretam esses aventureiros. Exploradores de ruínas antigas. Caçadores de tesouros. Sobreviventes em um mundo onde cada combate pode ser fatal e cada descoberta pode mudar o destino de uma jornada. Às vezes haverá risadas. Às vezes haverá caos. E provavelmente, aqui no Tarrasque na Bota, haverá muito desses dois! Então se prepare!  ATENÇÃO: Esse podcast é recomendado para maiores de 14 anos. Com a participação de: Rafael 47 - Mestre; Anderson Lira, como Makander; Vinicius Watzl, como Krisss; Jônatan Paiva, como Orlan Lua de Prata; Miguel Alves, como Bastonn Mandíbula de Sangue; Fernando Alves, como Arquimestre Aodhan. Edição de: Rafael 47. Uma produção RPG Next. NOVIDADE!!! Para tornar a sua experiência ainda mais fácil e prática, agora disponibilizamos nossos conteúdos exclusivos do Apoia.se também no Spotify! Assim, você pode acessar tudo em um só lugar, sem precisar alternar entre plataformas. Quer saber como ativar essa opção e ouvir nossos episódios exclusivos diretamente no Spotify? Acesse este artigo com o passo a passo: https://suporte.apoia.se/hc/pt-br/articles/30944727495579-Ou%C3%A7a-%C3%A1udios-exclusivos-da-APOIA-se-no-Spotify Obrigado por apoiar nosso trabalho! Seu suporte faz toda a diferença. Boletim Informativo RPG Next https://bit.ly/boletim-informativo-rpg-next  O RPG Next agora tem um grupo oficial no Telegram! Venha trocar ideias, compartilhar suas aventuras e se conectar com outros jogadores apaixonados por RPG. Entre agora e faça parte dessa comunidade épica: https://t.me/RpgNextOficial . Acesse nossos conteúdos antecipados e exclusivos pelo APP do Apoia-se Disponível para Android e iOS! Google Play: https://play.google.com/store/apps/details?id=com.apoiasemobile&pli=1 iOS: https://apps.apple.com/us/app/apoia-se/id1665747795 https://www.rpgnext.com.br/produto/dungeons-and-dragons-starter-set-heroes-of-the-borderlands/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-livro-do-jogador-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-dungeon-masters-guide-livro-do-mestre-5-5e-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-monster-manual-livro-dos-monstros-5-5e-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-dungeon-masters-screen-2024/ Quer jogar RPG sem precisar montar grupo ou preparar nada?   Agora você pode! Encontre todas as vagas on-line com Mestres de Aluguel no site do RPG Next e entre de cabeça em aventuras épicas conduzidas por narradores experientes! O serviço é pago e funciona por assinatura mensal, com cobrança exclusivamente via cartão de crédito. ‍♂️ O Mestre de Aluguel conduz toda a sessão — você só precisa escolher o sistema, montar seu personagem e se divertir! No site, você encontra um vídeo de apresentação e todas as informações sobre como participar, bem como link público para o grupo de WhatsApp de cada Mestre de RPG. Confira as mesas disponíveis agora em:https://www.rpgnext.com.br/categoria-produto/servico-de-mestre-de-aluguel/ Indicações Fabulosas APP das Cartas Críticas para D&D 5e APOIE NOSSA CAUSA! Nosso Plano de Assinaturas do APOIA.SE! Acesse e veja nossas recompensas para os apoiadores. JOGUE RPG CONOSCO !!! Procurando uma mesa ou um mestre para jogar PRG? Participe das nossas campanhas como recompensa do nível de apoio THE GAMERS. Entre em contato por email ou por WhatsApp para ver a disponibilidade de vagas para a mesa. Além disso, confira nossos serviços de mestres de aluguel. Mais informações no link: https://www.rpgnext.com.br/loja/ https://rpgnext.com.br/doadores/ COMPARTILHE! Se você gostou desse Podcast de RPG, então não se esqueça de compartilhar! Nosso site é https://rpgnext.com.br, Nossa Campanha do APOIA.SE: https://apoia.se/rpgnext Facebook RpgNextPage, Grupo do Facebook RPGNext Group, Instagram RPG Next Oficial, Bluesky rpgnext.bsky.social,  Canal do YouTube,  Vote no iTunes do Tarrasque na Bota e no iTunes do RPG Next Podcast com 5 estrelas para também ajudar na divulgação! DEIXE SEU FEEDBACK! Se quiser deixar seu feedback, nos envie um e-mail em contato@rpgnext.com.br ou faça um comentário nesse post logo abaixo. Seu comentário é muito importante para a melhoria dos próximos episódios. Beleza? Muito obrigado pelo suporte, pessoal! Links para MÚSICAS e SFX sob a licença Creative Commons Freesounds.org – https://www.freesound.org/ Tabletop Audio – http://tabletopaudio.com/ Kevin MacLeod em Incompetech – http://incompetech.com/music/royalty-free Free PD - https://freepd.com/ Alexander Nakarada - https://alexandernakarada.bandcamp.com/ Free Stock Music - https://www.free-stock-music.com  Chibola Productions - https://assetstore.unity.com/publishers/6561 Impatient by Sascha Ende Link: https://filmmusic.io/song/3006-impatient License: http://creativecommons.org/licenses/by/4.0/ End Titles Extended Version (Romeos Erbe) by Sascha Ende Link: https://filmmusic.io/song/3158-end-titles-extended-version-romeos-erbe- License: http://creativecommons.org/licenses/by/4.0/ Bama Country - Country de Kevin MacLeod link: Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100359 License: licenciada de acordo com a licença Atribuição 4.0 da Creative Commons. https://creativecommons.org/licenses/by/4.0/ Free Music Archive: Welcome to the Free Music Archive - Free Music Archive HoliznaCC0 - Western ShowDown Punk Rock Opera - Aftermath HoliznaCC0 - Dear Old Dad Contato Instagram / Facebook / Bluesky / TikTok / YouTube

Julinho da Adelaide não foi jogador de futebol, mas deu um belo drible na censura. Dando continuidade à celebração dos duzentos episódios do 451 MHz, resgatamos a histórica entrevista feita, em 1974, pelo escritor Mario Prata com o sambista Julinho da Adelaide, pseudônimo inventado por Chico Buarque, para burlar a censura na ditadura militar e lançar clássicos como Jorge Maravilha e Acorda, Amor. Prata relembrou os bastidores da entrevista no programa que foi ao ar em 12 de junho. Agora, este episódio traz o áudio completo da conversa, que revela Chico Buarque, que completa 82 anos neste 19 de junho, incorporando o personagem e como sua criatividade enganou os censores.    Apoio: Lei Rouanet Assine a Quatro Cinco Um por R$ 12/mês: https://bit.ly/Assine451  Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451  

A nossa viagem pelas Histórias da Copa do Mundo continua! No segundo episódio desta série especial, o Anderson Couto nos transporta para a efervescência da primeiríssima final de Copa do Mundo, em 1930, na cidade de Montevidéu. Imagine o cenário: Uruguai e Argentina, os gigantes do Rio da Prata, prontos para o duelo no recém-construído Estádio Centenário. A rivalidade era tão intensa que torcedores cruzavam o rio de balsa carregando revólveres, e o árbitro belga John Langenus exigiu um seguro de vida e um navio pronto para sua fuga! Mas a verdadeira crise não veio das arquibancadas, e sim de um detalhe inusitado: a bola do jogo! Não perca este episódio eletrizante que revela como um simples objeto pode se tornar o centro de uma das maiores rivalidades do futebol e influenciar o destino de uma Copa do Mundo! Artes do episódio: C. A. Financiamento Coletivo Se você é apaixonado por história e quer nos ajudar a continuar produzindo conteúdo de qualidade, apoie o Fronteiras no Tempo: Pix recorrente – chave: fronteirasnotempo@gmail.com Apoia-se – https://apoia.se/fronteirasnotempo Redes Sociais: Facebook, Youtube, Instagram Contato: fronteirasnotempo@gmail.com Como citar esse episódio Fronteiras no Tempo: Giro Histórico – Especial Histórias da Copa do Mundo #2 – A Bola da Discórdia na Final de 1930. Locução Anderson Couto. [S.l.] Portal Deviante, 19/06/2026 Podcast. Disponível em: https://www.deviante.com.br/?p=67249&preview=true Expediente Produção Geral, Artes e Edição: C. A. Host: Anderson Couto Madrinhas e Padrinhos Apoios a partir de 12 de junho de 2024 Alexsandro de Souza Junior, Aline Silva Lima, André Santos, André Trapani, Andréa Gomes da Silva, Andressa Marcelino Cardoso, Augusto Carvalho, Carolina Pereira Lyon, Charles Calisto Souza, Edimilson Borges, Elisnei Menezes de Oliveira, Erick Marlon Fernandes da Silva, Flávio Henrique Dias Saldanha, Gislaine Colman, Iara Grisi, João Ariedi, Klaus Henrique de Oliveira, Manuel Macias, Marlon Fernandes da Silva, Pedro Júnior Coelho da Silva Nunes, Rafael Henrique Silva, Raul Sousa Silva Junior, Renata de Souza Silva, Ricardo Orosco, Rodrigo Mello Campos, Rubens Lima e Willian SpenglerSee omnystudio.com/listener for privacy information.

A nossa viagem pelas Histórias da Copa do Mundo continua! No segundo episódio desta série especial, o Anderson Couto nos transporta para a efervescência da primeiríssima final de Copa do Mundo, em 1930, na cidade de Montevidéu. Imagine o cenário: Uruguai e Argentina, os gigantes do Rio da Prata, prontos para o duelo no recém-construído Estádio Centenário. A rivalidade era tão intensa que torcedores cruzavam o rio de balsa carregando revólveres, e o árbitro belga John Langenus exigiu um seguro de vida e um navio pronto para sua fuga! Mas a verdadeira crise não veio das arquibancadas, e sim de um detalhe inusitado: a bola do jogo! Não perca este episódio eletrizante que revela como um simples objeto pode se tornar o centro de uma das maiores rivalidades do futebol e influenciar o destino de uma Copa do Mundo! Artes do episódio: C. A. Financiamento Coletivo Se você é apaixonado por história e quer nos ajudar a continuar produzindo conteúdo de qualidade, apoie o Fronteiras no Tempo: Pix recorrente – chave: fronteirasnotempo@gmail.com Apoia-se – https://apoia.se/fronteirasnotempo Redes Sociais: Facebook, Youtube, Instagram Contato: fronteirasnotempo@gmail.com Como citar esse episódio Fronteiras no Tempo: Giro Histórico – Especial Histórias da Copa do Mundo #2 – A Bola da Discórdia na Final de 1930. Locução Anderson Couto. [S.l.] Portal Deviante, 19/06/2026 Podcast. Disponível em: https://www.deviante.com.br/?p=67249&preview=true Expediente Produção Geral, Artes e Edição: C. A. Host: Anderson Couto Madrinhas e Padrinhos Apoios a partir de 12 de junho de 2024 Alexsandro de Souza Junior, Aline Silva Lima, André Santos, André Trapani, Andréa Gomes da Silva, Andressa Marcelino Cardoso, Augusto Carvalho, Carolina Pereira Lyon, Charles Calisto Souza, Edimilson Borges, Elisnei Menezes de Oliveira, Erick Marlon Fernandes da Silva, Flávio Henrique Dias Saldanha, Gislaine Colman, Iara Grisi, João Ariedi, Klaus Henrique de Oliveira, Manuel Macias, Marlon Fernandes da Silva, Pedro Júnior Coelho da Silva Nunes, Rafael Henrique Silva, Raul Sousa Silva Junior, Renata de Souza Silva, Ricardo Orosco, Rodrigo Mello Campos, Rubens Lima e Willian SpenglerSee omnystudio.com/listener for privacy information.

Para celebrar 200 edições do 451 MHz, este episódio especial recebe o escritor Mario Prata, que completou oito décadas de vida e de muita história para contar. Ele relembra grandes momentos da carreira, com destaque para um marco do nosso jornalismo cultural: a entrevista que fez em 1974 com Julinho da Adelaide, compositor inventado por Chico Buarque para driblar a censura na ditadura militar. O episódio traz trechos inéditos do áudio da entrevista. Prata ainda fala sobre novelas que escreveu para a TV, peças e livros de sucesso, caso de Diário de Um Magro (Planeta), e revela bastidores da amizade com Chico e da criação de canções célebres, como João e Maria.     Apoio: Lei Rouanet  Assine a Quatro Cinco Um por R$ 12/mês: https://bit.ly/Assine451  Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451

Neste Debate 93 você vai acompanhar uma reflexão sobre vida de aparência, além de importantes notícias dos últimos dias. Não perde!

Ytterligare ett avsnitt från Beijer i Bromma. I det här avsnittet träffat vi Tess och Ambaramma som jobbar med sten. Sten är som ni vet ett lite knepigt material att jobba med och dyrt. Så det bådar ju gott… Vi får höra om stökiga felbeställningar, otroligt knäppa kunder och en obegriplig historia om en dansk diskho. Roligt och mycket frustrerande avsnitt!

Europa tvistar om fredssamtal med Putin. Dags att kliva fram menar vissa, en rysk fälla varnar andra. Vad krävs för samtal och vem kan pressa Kreml? Lyssna på alla avsnitt i Sveriges Radios app. Ryssland intensifierar sina attacker mot civila mål i Ukraina. Samtidigt beskriver USA:s utrikesminister Marco Rubio de amerikanska samtalen med Ryssland som resultatlösa. Signalerna har lett till diskussion i EU-kretsen om huruvida Europa bör kliva in eller inte. Men åsikterna går isär om vägen framåt och EU:s utrikeschef Kaja Kallas varnar för att debatten om samtal är en ”rysk fälla”.Jakten på en PutinviskareNär fredssamtal ändå diskuteras bubblar en annan fråga upp i Europa: vem kan faktiskt pressa Putin? Namn som nämns är bland andra Alexander Stubb, Sauli Niinistö, Angela Merkel, Mario Draghi och Jean-Claude Juncker. Vladimir Putin har å sin sida pekat på Gerhard Schröder, vilket väcker reaktioner i Europa. I veckan går även Armenien till val, som beskrivs som ett vägval mellan öst och väst. Hör om ryska påverkanskampanjer och hur valet kan avgöra Armeniens fortsatta närmande till EU.Medverkande: Andreas Liljeheden, Brysselkorrespondent. Fredrik Wadström, Rysslandskorrespondent. Fredrik Löjdquist, säkerhetspolitisk expert och chef vid Centrum för Östeuropastudier, Utrikespolitiska Institutet. Programledare: Catarina Spåre GustafssonProducent: Therese Rosenvinge

VEM: Marie SerneholtYRKE: Artist/programledareAVSNITT: 736OM: Historien bakom A-teens återförening. Att slå igenom som 15-åring utan att riktigt flyga iväg. 300 resdagar om året. Solokarriären som aldrig kändes helt rätt. Hålet i cv:t. Att vilja vara relevant även under småbarnsåren. Varför hon trivs bättre i ett band än ensam i strålkastarljuset. Gymnasieåren hon missade. Den ofrivilliga rollen som frontperson. Nya Roxette-doftande singeln. Och en hel del om föräldrarnas flyg som kom lastat med godis.SAMTALSLEDARE: Kristoffer TriumfKLIPPNING: Emelie JannerfjärdPRODUCENT: Mattias ÅsénNY FORM: Martin Löfqvist (Untitled services)VINJETTKOMPOSITION: K Triumf.VINJETTPRODUKTION: K Triumf, P Svensson och Albin Myers.VINJETTANPASSNING: Paul Wettermark.KONTAKT: varvet@triumf.se och Instagram. Hosted on Acast. See acast.com/privacy for more information.

Vi går igenom den horribla matchen mot Häcken och Kalles Karlsson framtidSebbe Johnny och BillySupport till showen http://supporter.acast.com/bajenpodden. Hosted on Acast. See acast.com/privacy for more information.

Att prata om tid är svårt. Vilka ord ska man använda? Om, för, i, på, etc. Efter du har lyssnat på det här avsnittet kommer du att förstå ett par av dessa uttryck mycket bättre! Och som en extra gåva till dig: Gratis PDF och quizz med övningar på framtid och dåtid här Mer gratis resurser: Klicka här för 20 gratis avsnitt och en gratis kurs i uttal!

Tarrasque na Bota apresenta: A Tumba do Cavaleiro - Parte 2, uma aventura do RPG Dragonbane. Versão Guerreiros do Bem ajudando a Casa Precavvida. O mundo já foi governado por forças muito maiores do que reis ou impérios. Dragões, símbolos da ordem absoluta, e Demônios, encarnações do caos e da loucura, moldaram eras inteiras de história. Seus conflitos deixaram ruínas, tumbas esquecidas e relíquias espalhadas por terras perigosas. Agora, essas relíquias permanecem abandonadas… esperando por aventureiros corajosos, imprudentes ou desesperados o bastante para procurá-las. Em Dragonbane, os jogadores interpretam esses aventureiros. Exploradores de ruínas antigas. Caçadores de tesouros. Sobreviventes em um mundo onde cada combate pode ser fatal e cada descoberta pode mudar o destino de uma jornada. Às vezes haverá risadas. Às vezes haverá caos. E provavelmente, aqui no Tarrasque na Bota, haverá muito desses dois! Então se prepare!  ATENÇÃO: Esse podcast é recomendado para maiores de 14 anos. Com a participação de: Rafael 47 - Mestre; Anderson Lira, como Makander; Vinicius Watzl, como Krisss; Jônatan Paiva, como Orlan Lua de Prata; Miguel Alves, como Bastonn Mandíbula de Sangue; Fernando Alves, como Arquimestre Aodhan. Edição de: Rafael 47. Uma produção RPG Next. NOVIDADE!!! Para tornar a sua experiência ainda mais fácil e prática, agora disponibilizamos nossos conteúdos exclusivos do Apoia.se também no Spotify! Assim, você pode acessar tudo em um só lugar, sem precisar alternar entre plataformas. Quer saber como ativar essa opção e ouvir nossos episódios exclusivos diretamente no Spotify? Acesse este artigo com o passo a passo: https://suporte.apoia.se/hc/pt-br/articles/30944727495579-Ou%C3%A7a-%C3%A1udios-exclusivos-da-APOIA-se-no-Spotify Obrigado por apoiar nosso trabalho! Seu suporte faz toda a diferença. Boletim Informativo RPG Next https://bit.ly/boletim-informativo-rpg-next  O RPG Next agora tem um grupo oficial no Telegram! Venha trocar ideias, compartilhar suas aventuras e se conectar com outros jogadores apaixonados por RPG. Entre agora e faça parte dessa comunidade épica: https://t.me/RpgNextOficial . Acesse nossos conteúdos antecipados e exclusivos pelo APP do Apoia-se Disponível para Android e iOS! Google Play: https://play.google.com/store/apps/details?id=com.apoiasemobile&pli=1 iOS: https://apps.apple.com/us/app/apoia-se/id1665747795 https://www.rpgnext.com.br/produto/dungeons-and-dragons-starter-set-heroes-of-the-borderlands/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-livro-do-jogador-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-dungeon-master-guide-2024/ https://www.rpgnext.com.br/produto/dungeons-and-dragons-monster-manual-2024/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-dungeon-masters-screen-2024/ Quer jogar RPG sem precisar montar grupo ou preparar nada?   Agora você pode! Encontre todas as vagas on-line com Mestres de Aluguel no site do RPG Next e entre de cabeça em aventuras épicas conduzidas por narradores experientes! O serviço é pago e funciona por assinatura mensal, com cobrança exclusivamente via cartão de crédito. ‍♂️ O Mestre de Aluguel conduz toda a sessão — você só precisa escolher o sistema, montar seu personagem e se divertir! No site, você encontra um vídeo de apresentação e todas as informações sobre como participar, bem como link público para o grupo de WhatsApp de cada Mestre de RPG. Confira as mesas disponíveis agora em:https://www.rpgnext.com.br/categoria-produto/servico-de-mestre-de-aluguel/ Indicações Fabulosas APP das Cartas Críticas para D&D 5e APOIE NOSSA CAUSA! Nosso Plano de Assinaturas do APOIA.SE! Acesse e veja nossas recompensas para os apoiadores. JOGUE RPG CONOSCO !!! Procurando uma mesa ou um mestre para jogar PRG? Participe das nossas campanhas como recompensa do nível de apoio THE GAMERS. Entre em contato por email ou por WhatsApp para ver a disponibilidade de vagas para a mesa. Além disso, confira nossos serviços de mestres de aluguel. Mais informações no link: https://www.rpgnext.com.br/loja/ https://rpgnext.com.br/doadores/ COMPARTILHE! Se você gostou desse Podcast de RPG, então não se esqueça de compartilhar! Nosso site é https://rpgnext.com.br, Nossa Campanha do APOIA.SE: https://apoia.se/rpgnext Facebook RpgNextPage, Grupo do Facebook RPGNext Group, Instagram RPG Next Oficial, Bluesky rpgnext.bsky.social,  Canal do YouTube,  Vote no iTunes do Tarrasque na Bota e no iTunes do RPG Next Podcast com 5 estrelas para também ajudar na divulgação! DEIXE SEU FEEDBACK! Se quiser deixar seu feedback, nos envie um e-mail em contato@rpgnext.com.br ou faça um comentário nesse post logo abaixo. Seu comentário é muito importante para a melhoria dos próximos episódios. Beleza? Muito obrigado pelo suporte, pessoal! Links para MÚSICAS e SFX sob a licença Creative Commons Freesounds.org – https://www.freesound.org/ Tabletop Audio – http://tabletopaudio.com/ Kevin MacLeod em Incompetech – http://incompetech.com/music/royalty-free Free PD - https://freepd.com/ Alexander Nakarada - https://alexandernakarada.bandcamp.com/ Free Stock Music - https://www.free-stock-music.com  Chibola Productions - https://assetstore.unity.com/publishers/6561 Impatient by Sascha Ende Link: https://filmmusic.io/song/3006-impatient License: http://creativecommons.org/licenses/by/4.0/ End Titles Extended Version (Romeos Erbe) by Sascha Ende Link: https://filmmusic.io/song/3158-end-titles-extended-version-romeos-erbe- License: http://creativecommons.org/licenses/by/4.0/ Bama Country - Country de Kevin MacLeod link: Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100359 License: licenciada de acordo com a licença Atribuição 4.0 da Creative Commons. https://creativecommons.org/licenses/by/4.0/ Free Music Archive: Welcome to the Free Music Archive - Free Music Archive HoliznaCC0 - Western ShowDown Punk Rock Opera - Aftermath HoliznaCC0 - Dear Old Dad Contato Instagram / Facebook / Bluesky / TikTok / YouTube

Caroline har läst Kött av David Szalay och har en del att säga om Freud, sex och att boken inte är en bok om män.Dessutom! Allt om Livs nya konstnärsliv.Prenumerera på: https://underproduktion.se/envargsokersinpod

Tarrasque na Bota apresenta: A Tumba do Cavaleiro - Parte 1, uma aventura do RPG Dragonbane. Versão Guerreiros do Bem ajudando a Casa Precavvida. O mundo já foi governado por forças muito maiores do que reis ou impérios. Dragões, símbolos da ordem absoluta, e Demônios, encarnações do caos e da loucura, moldaram eras inteiras de história. Seus conflitos deixaram ruínas, tumbas esquecidas e relíquias espalhadas por terras perigosas. Agora, essas relíquias permanecem abandonadas… esperando por aventureiros corajosos, imprudentes ou desesperados o bastante para procurá-las. Em Dragonbane, os jogadores interpretam esses aventureiros. Exploradores de ruínas antigas. Caçadores de tesouros. Sobreviventes em um mundo onde cada combate pode ser fatal e cada descoberta pode mudar o destino de uma jornada. Às vezes haverá risadas. Às vezes haverá caos. E provavelmente, aqui no Tarrasque na Bota, haverá muito desses dois! Então se prepare!  ATENÇÃO: Esse podcast é recomendado para maiores de 14 anos. Com a participação de: Rafael 47 - Mestre; Anderson Lira, como Makander; Vinicius Watzl, como Krisss; Jônatan Paiva, como Orlan Lua de Prata; Miguel Alves, como Bastonn Mandíbula de Sangue; Fernando Alves, como Arquimestre Aodhan. Edição de: Rafael 47. Uma produção RPG Next. NOVIDADE!!! Para tornar a sua experiência ainda mais fácil e prática, agora disponibilizamos nossos conteúdos exclusivos do Apoia.se também no Spotify! Assim, você pode acessar tudo em um só lugar, sem precisar alternar entre plataformas. Quer saber como ativar essa opção e ouvir nossos episódios exclusivos diretamente no Spotify? Acesse este artigo com o passo a passo: https://suporte.apoia.se/hc/pt-br/articles/30944727495579-Ou%C3%A7a-%C3%A1udios-exclusivos-da-APOIA-se-no-Spotify Obrigado por apoiar nosso trabalho! Seu suporte faz toda a diferença. Boletim Informativo RPG Next https://bit.ly/boletim-informativo-rpg-next  O RPG Next agora tem um grupo oficial no Telegram! Venha trocar ideias, compartilhar suas aventuras e se conectar com outros jogadores apaixonados por RPG. Entre agora e faça parte dessa comunidade épica: https://t.me/RpgNextOficial . Acesse nossos conteúdos antecipados e exclusivos pelo APP do Apoia-se Disponível para Android e iOS! Google Play: https://play.google.com/store/apps/details?id=com.apoiasemobile&pli=1 iOS: https://apps.apple.com/us/app/apoia-se/id1665747795 https://www.rpgnext.com.br/produto/dungeons-and-dragons-starter-set-heroes-of-the-borderlands/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-livro-do-jogador-portugues/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-dungeon-master-guide-2024/ https://www.rpgnext.com.br/produto/dungeons-and-dragons-monster-manual-2024/ https://www.rpgnext.com.br/produto/dungeons-dragons-rpg-dungeon-masters-screen-2024/ Quer jogar RPG sem precisar montar grupo ou preparar nada?   Agora você pode! Encontre todas as vagas on-line com Mestres de Aluguel no site do RPG Next e entre de cabeça em aventuras épicas conduzidas por narradores experientes! O serviço é pago e funciona por assinatura mensal, com cobrança exclusivamente via cartão de crédito. ‍♂️ O Mestre de Aluguel conduz toda a sessão — você só precisa escolher o sistema, montar seu personagem e se divertir! No site, você encontra um vídeo de apresentação e todas as informações sobre como participar, bem como link público para o grupo de WhatsApp de cada Mestre de RPG. Confira as mesas disponíveis agora em:https://www.rpgnext.com.br/categoria-produto/servico-de-mestre-de-aluguel/ Indicações Fabulosas APP das Cartas Críticas para D&D 5e APOIE NOSSA CAUSA! Nosso Plano de Assinaturas do APOIA.SE! Acesse e veja nossas recompensas para os apoiadores. JOGUE RPG CONOSCO !!! Procurando uma mesa ou um mestre para jogar PRG? Participe das nossas campanhas como recompensa do nível de apoio THE GAMERS. Entre em contato por email ou por WhatsApp para ver a disponibilidade de vagas para a mesa. Além disso, confira nossos serviços de mestres de aluguel. Mais informações no link: https://www.rpgnext.com.br/loja/ https://rpgnext.com.br/doadores/ COMPARTILHE! Se você gostou desse Podcast de RPG, então não se esqueça de compartilhar! Nosso site é https://rpgnext.com.br, Nossa Campanha do APOIA.SE: https://apoia.se/rpgnext Facebook RpgNextPage, Grupo do Facebook RPGNext Group, Instagram RPG Next Oficial, Bluesky rpgnext.bsky.social,  Canal do YouTube,  Vote no iTunes do Tarrasque na Bota e no iTunes do RPG Next Podcast com 5 estrelas para também ajudar na divulgação! DEIXE SEU FEEDBACK! Se quiser deixar seu feedback, nos envie um e-mail em contato@rpgnext.com.br ou faça um comentário nesse post logo abaixo. Seu comentário é muito importante para a melhoria dos próximos episódios. Beleza? Muito obrigado pelo suporte, pessoal! Links para MÚSICAS e SFX sob a licença Creative Commons Freesounds.org – https://www.freesound.org/ Tabletop Audio – http://tabletopaudio.com/ Kevin MacLeod em Incompetech – http://incompetech.com/music/royalty-free Free PD - https://freepd.com/ Alexander Nakarada - https://alexandernakarada.bandcamp.com/ Free Stock Music - https://www.free-stock-music.com  Chibola Productions - https://assetstore.unity.com/publishers/6561 Impatient by Sascha Ende Link: https://filmmusic.io/song/3006-impatient License: http://creativecommons.org/licenses/by/4.0/ End Titles Extended Version (Romeos Erbe) by Sascha Ende Link: https://filmmusic.io/song/3158-end-titles-extended-version-romeos-erbe- License: http://creativecommons.org/licenses/by/4.0/ Bama Country - Country de Kevin MacLeod link: Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100359 License: licenciada de acordo com a licença Atribuição 4.0 da Creative Commons. https://creativecommons.org/licenses/by/4.0/ Free Music Archive: Welcome to the Free Music Archive - Free Music Archive HoliznaCC0 - Western ShowDown Punk Rock Opera - Aftermath HoliznaCC0 - Dear Old Dad Contato Instagram / Facebook / Bluesky / TikTok / YouTube

Ekots dagliga, längre sändningar med nyheter och fördjupning. Lyssna på alla avsnitt i Sveriges Radios app.

Dundersuccén för romanen Tranorna flyger söderut borde bädda för Lisa Ridzéns bästa tid i livet, men en olycka har satt allt skrivande på paus. Lyssna på alla avsnitt i Sveriges Radios app. Lisa Ridzéns debutroman ”Tranorna flyger söderut” har översatts till 43 språk och sålts i över tvåhundrasjuttiofemtusen exemplar i Sverige.Dundersuccén borde bädda för Lisa Ridzéns bästa tid i livet, men olyckan var framme. En olycka som satt stopp för all ork och arbete med hennes nästa roman.P1 Kulturs Joakim Silverdal åkte hem till författaren i hennes jämtländska by Heglede för att få höra om livet som ställts på ända.

Putins uttalande om ett möjligt slut på kriget gav rubriker men frågan är om han menar allvar. Lyssna på alla avsnitt i Sveriges Radios app. För ovanlighetens skull har Vladimir Putin nämnt Ukrainas president Volodymyr Zelenskyj vid namn och öppnat för ett möte, men bara om ett slutgiltigt fredsavtal finns på plats. I veckans avsnitt pratar vi om hur Putins olika uttalanden den senaste tiden ska tolkas och om ett krigsslut faktiskt kommit närmare. I Kreml sägs i alla fall ett dokument finnas om hur en fred ska säljas in som en seger till ryssarna, trots att de ursprungliga målen inte har uppnåtts.Veckans gäster är Jakob Hedenskog, analytiker på Centrum för Östeuropastudier vid Utrikespolitiska institutet, Sveriges radios Rysslandskorrespondent Fredrik Wadström och direkt från Kiev, Sveriges radios Ukrainakorrespondent Lubna El-Shanti.Programledare: Johanna Melén.Producent: Åsa Welander.

Paulinho Degaspari, Dri Degaspari, TAM, Carol e a convidada Luiza Zagonel finalmente voltam a Nárnia para viver as aventuras do quarto livro (seguindo a ordem de publicação) da série fantástica de C. S. Lewis.

It's all Harry Styles’ fault that the 'taxi cab theory' is everywhere you look. His engagement has everyone debating whether finding 'the one' is a matter of fate, or as Sex And The City’s Miranda Hobbes told us, all about timing? We do not agree. The Devil Wears Prada 2 is officially massive. So, is it good? Why did it almost make Amelia Lester cry and why do some Americans just not 'get' our Aussie love interest Patrick Brammall? REMEMBER: We drop segments just for subscribers on Tuesdays and Thursdays, hosted by Mia Freedman, with Emily Vernem and Holly Wainwright. Become a subscriber, HERE. Why is there a Sperm Olympics? How is Australia performing in it? And… again, why the hell is there one? Clare Stephens explains spermmaxxing. Are you super-stylish, or are you just thin? Lena Dunham is heading back to the Met Gala this week, and a new essay from her about the reaction to her past appearances reveal who’s considered cool enough to go. VOTE FOR US PLS & THX: We’ve been nominated for Best Society & Culture Podcast and Best Producer (go Ruth!) at the The Australian Audio Awards. Vote for us RIGHT HERESUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Listen: Is WFH Bad For Women? Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: 'My commitment-phobic ex is married with kids. This viral theory explains everything.' The 10 defining moments that made Sex and the City perfect television. 'The 5 types of Met Gala guests I look forward to seeing every year.' A brutally honest review of The Devil Wears Prada 2, a movie that breaks everything. 'I spent a day with Meryl Streep and Anne Hathaway. One moment changed my view on The Devil Wears Prada 2.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.- - - - - AUTO GENERATED TRANSCRIPT:Speaker 1: Hello, and welcome to Mama Mia. Out loud, It's what women are actually talking about on Monday, May the fourth. I'm Hollywayen right, I'm Clays Stephen, I'm Amelia Lester, and here's what's on our agenda for today. The taxiicab relationship theory gets an update thanks to my close personal friend Harry Styles. Speaker 2: Plus dispatches from the Worst Dressed list ahead of the met Gala tomorrow, and a lister shares what it was like to be mocked over her fashion choices for a decade. Speaker 3: And the Devil West product is absolutely everywhere right now, so we unpack why, and we also talk about the fact that Meryl Streep, who must be the most celebrated actress of all time, apparently didn't discover her worth until she was fifty six. Speaker 1: In case she missed it, though out loud as speaking of knowing your worth, we are pulling on our big girl pants and asking you for a favor. Speaker 3: You have to know, if you're listening to this, that Holly is so uncomfortable right now to just go with us. Speaker 1: To still like asking for this. I don't like asking, okay, But there's this thing called the Australian Audio Awards. It's like like the Oscars or the Emmys of the logos, except it's not but for people who speak into microphones like us, right, and we're up for some awards this year and we need your help to win them. So if you love love, love out loud, and we know that lots of out louders do, and you listen all the time, and you think you know what those those women need. They need some public accolades, Yeah, some affirmation. Speaker 2: Think you think you know what I'd like to see. I'd like to see them dress up in some frocks, you get on a stage and make a speech. Speaker 1: Yeah, but particularly you class evens, I would like to see you do that. The very pregnantness you will be when this event occurs, very high heel, great, and you're in your flop here you keep telling us, so maybe you'll be really indiscreet and just get up there and say something rude. Yeah, anyway, we digress. Tell the out louders how they can help. Speaker 2: Okay, So basically these Audio Awards, you go there's a link that will put in the show notes and you can vote for There's two things and sorry, you can vote anyway that you got. Speaker 1: We're not voting, you know, we've got suggestions. Speaker 2: In our interests. We like you to vote for best Podcast Producer Ruth to Vine, Mummy are Out Loud, and Best Society and Culture Podcast Mummy. Speaker 4: Because we are society high society, and we are very we're so cultured. Speaker 2: And we do. The thing is we pretend to be cool, but we really like awards. Speaker 4: And I think that's what people think of when they think of you and me. They're just like, we're. Speaker 1: Too cool for school. Speaker 2: And meanwhile we're like, we rely on achievement for something. But it would be funny. I think. So the podcast Awards the end of this month, right the twenty eight. I believe I would like to win this award. While Jesse's on Matt lead, I think. Speaker 1: You want to just wade right into that weird Steven's Sister dynamic. Just get into the weird Twin stuff. Come in and help. I think there's a people's choice too, So anyway, like just vote for us, vote for wherever you get to vote for us, and we would love it. We can't bribe you with anything except our affection. Yeah, yeah, anyway, shall we get on with the friends over to you, Amelia Lester, I'm up. Speaker 3: Well, it's been hard to escape the Devil Wears prior to of, like, really has it has been everywhere? Speaker 4: I kind of felt like bullied into going to see it. Speaker 1: I feel like Merril's chasing us down with that red pitchfork. She's like, literally, go theater on and look. Speaker 4: It's done really well. Speaker 3: It's done better than anyone expected at the box office over the weekend. I'm going to tell you what the critics said. They basically liked it, and then I want to know what you thought, Holly Claire. I know you haven't seen it yet. Yeah, the critics praised it. They said it was glamorous, they said it was wishy, They said it was the fun we need right now. They called it a millennial nostalgia bath. I love a millennial nostalgia brath. Look, some did question the whole premise of updating a movie that came out twenty years ago. Someone wrote it's less a follow up than a tribute at the satire apparently didn't bite so hard. Speaker 4: Holy. What I want to know. Speaker 3: Is did this movie live up to the marketing height machine for you? Speaker 1: I don't want to be a debbie down of it. No, I went to see it with my sixteen year old daughter, and that was really interesting because the absolute enormous generation gap there in terms of so this is a magazine. Once upon a time, magazine editors were considered very important and influential. She's like, this was a job everybody wanted. That was a lot of groundwork being laid there with my daughter. And look, I'm not allergic to a nostalgia bath. I like that. I mean I back in the day, I was first in line for the Sex and the City movie like I was. Speaker 4: And the vibes were similar. Speaker 1: And even though as we know, that run of movies ended up disappointing us bitterly, in that first movie, I remember the excitement of seeing those women on screen again and being in the movie theater and seeing them walk down the street and like the audience was kind of like, yeah, there's a girl, and we're back in that world. And I think the Devil Wears Prada nostalgia is similar in that these were great characters who've entered, you know, our culture in lots of different ways. Miranda Priestley and Andy Sex and Emily Blunt's character Emily is just heaven. So I understand that wanting to jump back into that, but they've had to give it quite a cynical update to reflect where media culture is now, and so it ends up to me feeling like quite a negative, like it's not and to be honest, the Sex and the City movie was a bit like this too. I remember they were grappling at the time of the financial crisis and so they were like, this cushion costs two hundred and fifty dollars, and lots of the critics were like, who are these women and why are they spending that money? And this feels a bit like that, and that we're supposed to all be lolling and laughing along while they're telling us our media has been hollowed out, billionaires run everything. Speaker 4: I don't know. Speaker 1: Am I being a bit too cynical? No? Speaker 4: I think you're right. Speaker 3: When I went to see it, I went to see it with two friends and they both turned to me at the end and said, are you all right? Because I kind of feel on the verge of tears and didn't Nicki Gammel, Yes. Speaker 1: I saw a review from Nicki Gammel in The Australian where she said, she cried, And she didn't cry because the plot line was really touching it. She cried because of what it was saying. Yea journalism, which is obviously not everybody's industry and they don't care. But if it is yours, you have this kind of affection for it, and this does not dress that up. Speaker 5: No. Speaker 3: And what's interesting is Lauren Weisberger, who wrote who wrote the book, The Devil was Prida a piece for Vogue dot Com on the occasion of this movie coming out about what her life has been like after that book came out. Now, that book was not seen particularly favorably when it came out. People criticize the bad writing. It was kind of seen as a little bit mean, a little bit throwaway, and then that first movie kind of gave the book a bit more of a sheene than it had on first publication. Now, Lauren Weisberger has done great for herself. She apparently announces in this article that she now lives on a boat in a remote part of the Bahamas, which is good for me. Absolutely sounds difficult to get your mail there, but other than that sounds delightful. But her article reminded me that her book was first and foremost about a bad boss. Yes, that's what people loved about it because everyone, practically everyone has been in a work situation where they felt oppressed underappreciated, and everyone could relate to that kind of idea that when you're young, you want to make your mark on the world, but older people kind of are trying to push you down, or that's what it feels like. So everyone knows what it feels like to be young and underappreciated, but the new movie is so far removed from that idea of bad bosses and bad workplaces as it feels alien to. Speaker 1: It's also funny because the bad Boss, Miranda Priestley, obviously became a cultural hero, so much so that Anna Wintour, who she's famously based on, kind of kept her distance very much from the first movie, but now is entirely in on it. She's appearing in all the promo. There's a lot of partnerships between Vogue and this movie, so she's accepted that. But there are a couple of nods in the movie to how times have changed in that now Miranda Priestley isn't allowed to just throw her coat at people anymore, and she has someone who sits next to on the meetings and says things like you can't say that all the time, as if there has been like a woke update, if you like. And that feels a bit funny, But you're right, it was everybody related to this idea that these people are monsters like glamour. Speaker 6: Like. Speaker 1: The idea was that, you know, the Miranda Priestley was kind of a glamorous monster who you got to see a little bit of the humanity of. But by this movie, we're all supposed to be rooting for her, unquestionably. Speaker 2: Because I think even if that was the kind of premise of the book, in the first movie, you're very much you're looking at Miranda Priestley, but you're also it's obvious that she's an icon and that it's Andy's character arc to kind of fight against that, not that there's something inherently wrong with Miranda. So so I'm interested to see in the second in the second one, whether, yeah, what the stakes are then if there's none of that tension. But as much as you say it was depressing, am I like because I'm going to go see it. I like a film that isn't good. Speaker 1: I don't know what you mean, but for me it felt and look, I'm not no spoilers here. And you do get lots of fashion montages, you get lots of a fashion show montages. You get you know, they're walking in a different coat every two minutes, there's music, there's celebrities everywhere like this. It delivers all that, okay, but it just for me, it felt kind of a bit empty. And basically the steaks are which billionaire is going to get to own this business? Which was kind of the stakes the first time around two is like will Miranda get to keep a job? And it kind of feels like I don't know if I care about that. But Patrick Brammel, isn't it Remember last Wednesday we were all giddy on the show because he was here and we bumped into him in the offices. He wasn't here to see us, sadly, he was here to be interviewed by the amazing Kate Langbrook for No Filter, and that episode's out today. Speaker 2: I have purely been absorbed being vibes so far online and I think you guys are pretty spot on with the vibe of people. People I've seen they're like, yeah, yep, fun But Patrick Brammel. I'm obsessed. I'm obsessed with him and Harriet Dyer, who's his wife. They co wrote, co starred in Colin from Accounts, and now he's. Speaker 4: Maybe one of the funniest TV shows ever. Speaker 2: Yeah, and now he's in a bloody Hollywood movie with Anne Hathaway. Is he hot? Is he car like? What's the what's the go? Is there? Is there? Speaker 4: Bare? So I want to. Speaker 3: Say the outset that I love Patrick Bramore and I think he's so good in this movie. And to me he was a highlight. He was he was just so he gets to play an Australian. So you might remember in the first movie, Andy Sack's love interest is also played by an Australian, Simon Baker, my personal friend has discussed on the show, but he has to put on an American accent, whereas in this one, in recognition of the fact that there are a lot of Australians in New York these days, he gets to play an Australian. So I loved it, But then I started to hear the rumors that his part has really been cut down. People observed that it felt a little underdeveloped, and I. Speaker 4: Was surprised to read that. Speaker 3: A lot of the reviews felt there was zero chemistry between him and Anne Hathaway. Oh. Speaker 1: I didn't feel that necessarily, But what I did fit I knew that his part had been cut. And the reason I knew this is because when we first found out about Patrick Brammle, there lots of pap of him and Anne Hathwayne. She's wearing this particularly incredible sort of bluey purple sequin slithery dress that's just like oh, and she was like spinning around a lamp post and it looked like she was tipsy, and he was holding her back and this kind of stuff. That whole sequence is not in the film, so it obviously has been cut back a lot. Speaker 3: Boy, I love your forensic knowledge of this so bad. Speaker 1: I did spy on that. But I think one of the reasons why he plays such a small part because basically he's the love interesting Again, no spoilers about whether or not that works out, But this movie is about girl bosses. Even though girl bosses are out of fashion now, this movie is ultimately about that. It's about Andy's ambition, It's about Miranda's ambition. They sort of talk a lot about how much they love work, and they're the partners are all a bit beta and a bit like not relevant. Speaker 3: Including by the way, Meryl Streeps, who was played by Kenneth Branner. Yes, and the reviews also commented that that didn't work for them either. So maybe just the writing around these boyfriends and husbands felt hollow because that's not where the interests lay. Speaker 1: But isn't it funny because we used to critique girlfriend roles, you know in movies. We'd be like, oh, the so and so actress, she just has to play the girlfriend. Not no character development, right, no particular complex characteristics or backstory. They're just the girlfriend. And I feel like this and so maybe this is progress. This is one of those movies where there are just the boyfriend roles. Speaker 4: So it's just like true sort of. Speaker 1: Middle aged guy. Well, I don't know whether Patrick Brewmle will qualify as middle age whatever, like nice enough age appropriate guy of name recognition is in this person's life, but we don't really care about them. Speaker 2: There is one person who is pretty convinced that there was chemistry between Anne Hathaway and Patrick Brammel, and it is Patrick Brammle's wife, Harriet Dyer. She I lulled so hard at this. She has uploaded this Instagram video where the caption is trust No One, and she is filming her TV as her daughter stands in front of it, and Patrick's on a red carpet and he is asked by the interviewer about Anne Hathaway, and he says, playing someone who falls in love with Anne Hathaway. Tough gig, tough gig, and he looks straight at the camera, and then the interviewer says, the world's most beautiful person according to People Magazine and everybody in here, and he says, and me too. Andy rewinds it and plays that again and then switches a camera to her and she's like what, And she's got her glasses on and just sitting at home, and then she interspersed it with all this footage of like when you propose to her their wedding. Speaker 4: Apparently they got engaged five days after he proposed. Speaker 2: Yeah, yea, yeah, they got married five days up. Speaker 3: Yeah. Speaker 2: It was like, so they've had this beautiful love story in him reading Newborn books and being miscored and hath the way talking about how gorgeous and joyful he is, and it's just so good But a great part that Amelia directed me to is that so ninety nine percent of the comments from Australians absolutely get it. That they're like, yeah, this is funny because like whose husband ends. Speaker 4: Up in Hollywood? Speaker 2: Blod faster. But there are a few Americans who are like, oh no, this is this isn't right. Speaker 5: Yeah. Speaker 3: No, there's a distinct portion of the comments that are like I don't understand what's happening here, or like check on your husband, or like just completely missing the point. And I have reason to believe, in part from the spelling of said comments that they may be from Americans. There's a suspicious lack of us in words like coloring. And that got me thinking as to why Patrick Bramle, who I thought worked so well in the movie, had evidently been cut down. And I wonder if it's just because he is allowed to play such a quintessentially Australian part in it. He is very laconic, he's very understated, he's got that very kind of irony seeped Australian wit about him, and maybe it just didn't play very well in a movie that's actually not very irony drench. Speaker 1: That's true. I just have to mention one more thing, because I think Mia would throw something at my head if I didn't. Twenty years have passed between these movies. Twenty years has not passed on these ladies' faces. Yeah, it's just be very clear about that. Speaker 2: I could have told you that without saying any Yeah. Speaker 1: That doesn't matter because in lots of ways, I think particularly Emily Brunt Blunt's character she plays, she's obviously still Emily, you know, the former assistant, but she's got a villain arc in this and she is meant to be again, this isn't a spoiler, the hot new girlfriend of a billionaire character. So they're like commenting. The script is commenting on the fact that the tech bros run the world now, and there's kind of a Bezosi character who's had a glow up in her hot new girlfriend, and she would have done all that stuff to her face. Question so perfectly character, you know, in character, and appropriate for the industry, for the vibe and all those things. But it is astounding to think it was twenty years ago. Because Anne Hathaway, Meryl Streep, who is just one of them. Speaker 2: She seventy, She is incincredible. Speaker 1: To look at her Jita performance and this is great. You're just like, Wow, my twenty years and your twenty is not the same. Maybe I live in doggy well, Meryl. Speaker 3: I did want to also say that Meryl had a great moment in her interviews for this She was being interviewed on the American Today Show by Jenna Bush Hager, who was incidentally George W. Bush's daughter, and Jenna was talking to her about the fact that she initially turned down the. Speaker 4: Role on the Devil Wes product Let's Have a Listen called me up and they made an offer and I said, no, I'm not going to do it. Why because I. Speaker 1: Wanted to see. I knew it was going to be a hit, and I wanted to see if I doubled my ask. Wow, And they went. Speaker 4: Right away and said sure, And I thought, I'm fifty six year It took me this long to understand that. Speaker 1: I could do that, that you can ask for what you want. Yes, and I wanted it. But you know, if they didn't want to do that, I was okay, because I'm old. I'm ready to fifty six. Speaker 4: I was ready to retire. Speaker 1: But you know, I love that story. I also love that story because, as she says at the end, there she was fifty six, and she thought, well, I'm winding down, you know, like good years. Her career has been unbelievably amazing in the last twenty years. Speaker 3: I know. Speaker 2: And it's also quite inspiring to think you can have that lightning rod moment at fifty six, because I beat myself up thinking, oh goodness, maybe it's too late for me. I should have had it backbone before. Now I've got some time. Speaker 4: We've got time time to develop it. Speaker 1: Merril's shown us all that after the break. What Harry Styles can teach us about love? I don't think so what Harry Styles can teach us about taxicabs, which I also have to explain to my daughter what they are as well. God help me. But while we're on a roll of things from another time, A TV show that ended in two thousand and four has provided some of the most enduring relationship theories of several eras. I think there was He's just not that into you, which can also be She's not just not that into you. It's fine, And the other is everywhere in the news this week because of my close personal friend Harry Styles. I think we touched on it last week that Harry and Harry is engaged to Zoe Kravitz. Now, he hasn't said that because he never says anything about his personal life, but sources close to have confirmed. Speaker 4: Oh good, old sources. Speaker 1: The woman is wearing a golf ball sized diamond on her finger. It's on. It's definitely on. And this has started a lot of headlines like this one. Harry Styles and Zoe Kravitz are reportedly engaged after less than a year, and fans think this wild theory explains why, and they mean the theory I'm about to explain to you. Harry Styles proposing after eight months is further proof that taxi cab theory is real and none of us are safe. Okay, are you across what taxi cab theory is? Speaker 2: Yes, I'm across it from Sex and the City. As you say, I believe it was a bit of Miranda Wisdom. Speaker 1: Oh no, it was Miranda brand I'm about to play it to you. Yeah, Season three, episode eight. This iconic statement the wait. Speaker 2: Hedge, it's fate. Speaker 4: It's not fate. Speaker 5: His light is on, that's all what lights. Men are like cabs. When they're available, their life goes on. They wake up one day and they decide they're ready to settle down, have babies, whatever, and they turn their light on the next woman they pick up them. Speaker 2: That's the one, Mary. Speaker 5: It's not fake. It's dumb luck. Speaker 1: It's not fake, it's dumb luck, so says Miranda Hobbs. Now, obviously none of us, not even me with my close relationship to missus Steals, knows whether or not there's any truth to this in terms of their relationship. But the reason that it's being applied to him is because it has one of the classic characteristics of taxi cab theory, which is that he has had quite a lot of high profile relationships. And when I say high profile again, he's never mentioned any of them ever, but there are photographic evidence. Speaker 4: Is that right? Speaker 1: He doesn't talk. Speaker 2: About his was his most recent one before. Speaker 1: So he was with Taylor Russell, who's a British actress, for quite a long time. He obviously famously dated Taylor Swift. Yeah, he was with Olivia Wilde for quite a long time. He's dated Kendall Jenna, He's dated Caroline Flack, He's dated a lot of people. Speaker 3: Can I just interrupt Holly and ask do you think he's going to come to the tailor swift wedding now that he's engaged to no should wedding guests. Speaker 1: I we really hope so that wedding is going to be the best. The reason why they're applying this theory to him is they're saying that a trademark of a taxi cab the taxi cab theory, And I don't think this is just a men thing. I think this is men and women. Is that you know, you date lots of people and you try them all on and whatever, and the theory is that one of them is right for you. But taxi cab theory says it's not that one of them is right for you, it's that the timing is right for you. And they're saying that's why Zoe and another trademark of it is quick. So you've been dating, dating, dating, dating quite long relationships a year here, two years here, three years there, whatever, But then eight months he has been dating Zoe that we know of, he puts a ring on it. Taxi cab theory thoughts. Speaker 2: From the outside, he's looking ready to settle down, and so we all then assume that he's gone, Okay, who am I? Who am I next to right now? Who do I happen to be at dinner with? Speaker 1: Oh? Speaker 2: I happen to be with Zoe kra which is Bloody Convey, which. Speaker 1: Is a very good dinner because, as I discussed, absolutely amazing. Speaker 2: She's incredible. But the way at least this article was constructed was very much that it was about him and his readiness. And the thing I worry about is that do we start thinking if we use this theory, do we start thinking that someone is only with somebody because of timing, that it's interchangeable, it could have been anyone. It's not real, it's not a real life. Speaker 1: I don't think that's the correct way to view taxi cab theory. I think it's not about you'll do, it's that the timing is right. And the reason they're not applying it to Zoe Kravitz is because she's been married before and she's been engaged before, so it doesn't apply to her in the same way, do you know what I mean? So my theory on this, and the reason why I think it's true not for everybody, like everything isn't for everybody, is that we like to have a romantic narrative that there's one right person for us, and whether we meet them when we're nineteen or fifty nine, we will just know that's the right person for us. That's it. And what taxicab theory says is that's not true. There could be lots of right people for you, but in order for you to to get together and settle down in verted commas, you have to it has to be the right timing. So other examples for this might be Taylor and Travis. Right if they'd have met at twenty two, because at the same age, would we not have any of these beautiful songs that we have for Taylor, Or if they'd have met when they're twenty two, would the timing not have been right for them both to commit in the way that they are now ready to commit. So in my mind, taxicab theory doesn't mean you're settling or it's the wrong person. It just means timing is everything. So the people I dated before I met my guy, if you're a serial monogamist, and many of us are, we like to go, well, none of those people were right, This one's right. But the truth of it is is probably like that one probably would have been fine, but if we weren't ready, I don't. Speaker 2: Know it's by romantic sensibility. Speaker 3: I think I sort of agree with both of you a little bit, and agree with both of you a little bit because I think what the taxicab theory misses is it makes it very one sided, now, whether that side is a man or a woman. I take your point, Holly that even though sex and city talks about men are like cabs, we could equally apply to women. But a relationship is about a dynamic between two people. And what I think this theory overstates is that it's just about one person picking another person. And I don't think that's how relationships work. I don't think a relationship works or like ends in marriage. And I'm using air quotes here for anyone listening, just because one person decided, Yes, this is the person I'm going to make it work. It's about two people meeting and deciding together. And that's what's different about when you get in a cab. It's not about a mutual decision. Speaker 4: It's about one person deciding. Speaker 1: I agree. But the way that I've always thought of taxi cab theories, you both have to have your lights on, do you know what I mean, like, you have to both have your lights on for the timing to work. If one of you has the light on and the other one doesn't, it's not going to work. You both have to have your lights on. Speaker 3: I feel like that was what was really You know, we've been talking on this show about what happens over twenty years, and I think that that line from Sex and the City, they weren't talking about both people having their lights on. I think back then we had an idea of relationships which was that men in heteronormative heterosexual relationships men picked women. Yes, I think, and you're trying to update it, which is good. Speaker 6: Yeah. Speaker 1: Although I think I always that was always my understanding of that quote, because I think in later in the show, Carrie's talking about my lights not on, his lights not on, Like I always sort of understand it to mean it's all about timing. And I genuinely do believe that a great deal of whether or not a relationship will work or not is about time. Speaker 2: I think you only have to watch one to eight seasons I've Married at First Sight to see that it is not oh that much about time, because you've got two people who's lights could not be more on who are matched by very clever, non manipulative psychologist and they go in and you can have your light on as bright as it can possibly be, and it still doesn't vibe. Speaker 1: I don't buy that because I don't think their lights are on for that at all. Speaker 2: Oh holy just because they're getting Instagram followers. I am not looking for real love. But the other thing is, I don't know. I think you hear so many stories of people who may be met at a time that wasn't on paper a particularly good time. Speaker 4: Oh that's a good point to people. Speaker 2: To meet, and it's still and it still happens. Speaker 3: Yeah. Speaker 1: But I think, like any theory, it doesn't apply to everybody. One person's going to meet. Some people are going to football in love of their childhood sweetheart stay with them forever, right. But in the dating world, in the world where you are trying people on, if you are serial and anogamizing, I think that's where this comes in, because sometimes your lights on even when it shouldn't be. Like if you heard of the getaway car theory of like you find a relationship to get you out of the relationship you're in, so you could be married and one person's light is on and the other one doesn't know. Like I think the point of it is that for a lot of people, the one true love theory isn't necessarily it. It's more like, is this the right moment? Clooney and a mile? Very good, very good advertising for that. Speaker 2: No, hard because I'm also like A miles A mile. Speaker 3: Zoey, like, I don't know for a proving any extraordinarily Well, no, but I don't like that theory right because I bet that. Speaker 1: I mean, of course a mile is extraordinary, and of course so is extraordinary. But that theory buys into the idea that everybody who didn't get picked there was something wrong with that and we're waiting for like. So my point about A mile and George is he was married when he was young, but through all his big rise he was single, and he was known as the most eligible bachelor in Hollywood. And I think that he made a bet with Nicole Kidman comes to mind, I will never get married again? Speaker 3: Is that during that period, as people may remember, I had a long phone conversation with him. She went for about an hour in a work context, and I guess he's light his life just wasn't. Speaker 2: Why. Speaker 1: But the thing is is that of course these women are amazing, because of course they are. But if you believe that it just takes the right woman, then that's like a model of exceptionalism that I'm not that into. Was more likely getting to a point in his life where it's like, I don't want. Speaker 3: To be a six I don't want the pot belly pig as my life, and. Speaker 1: Then he meets an extraordinary woman, and he would have met other extraordinary women in Amma would have met a million extraordinary men who wanted to tie her down like she's a catch and a half in a million ways, intellect, beauty, human rights, like savior. She's incredible, but her light probably was not. Speaker 3: I feel like you just out sexist argument to know. I thought the taxi like theory was sexist, which turns out I was carrying. Speaker 2: Around the sexes I think. I think that there are I think the taxi light theory does make us feel better about ourselves, but that doesn't necessarily mean that it's true, because because I think it's really convenient to be like, oh, that man like George Clooney. The reason he didn't end up with all those women was because of timing, not because he wasn't compatible, it wasn't right whatever, Whereas I think I lean towards Amal and George were always destined? Speaker 4: Is that do I? Speaker 1: Did we just say the word destined? Speaker 2: I think romantic you. Speaker 4: Are because you met the love of your life quite young. Speaker 2: Yes, I think maybe I'm trying to justify my own choices, which is. Speaker 1: And maybe I'm trying to just always because I don't. I don't buy the theory necessarily that everybody before was wrong and it was the right fit. Speaker 4: Oh, you haven't met my ex boyfriend, fair cool. Speaker 1: I'd love to know what we think about the taxi light theory, and also if there's an update, because I've heard a couple like some people say it's musical chairs, who are you with when the music stops? Some people say it's coughing season. EMM has said that, like there's times of years, seasons in your life where you're just like, Okay, let's do it. Speaker 2: I need someone. Speaker 1: But I was wondering because my daughter wouldn't even know about taxis and lights on. Speaker 4: No, no, we need to fit into this. Speaker 2: But yeah, yeah, it's like the ubers available and empty. Speaker 6: The. Speaker 1: Waiting time on this No, I can't ten minutes too long. Tell us out louder. Speaker 2: We're really in an era of maxing, which we've touched on on this podcast. Not me personally. I'm not maxing anything. Speaker 1: I'm just everything is maxim but everything. Speaker 4: Other people very optimi everything. Speaker 2: Yes, so looks maxing, sleep maxing, fun maxing, which sounds gross. But here's one I hadn't heard of until this weekend. Sperm maxing. I like it because it's not something I can personally participate in. I feel excused from sperm maxing. Speaker 1: What how does? Speaker 6: What? Speaker 4: How do you? Speaker 1: Maxis swem? I'm not I don't need to know. I'm just curious. Speaker 2: Headline in Sydney Morning heralds red iced testicles and abandoned underwear. This is the world of sperm maxing. And it begins by telling us about a lovely man named Mick and his partner Holly, and oh there you go, Holly, I'm in. So they were discussing their plans to have a family, and Holly was and Holly was saying she had fears about her fertility, and Mick said, you leave that to me, love, And so what he did was he stopped wearing underwear because most underwear is made of polyester, and that's apparently and a crime disruptor. Come on, and lowers testosterone. Speaker 1: I believe many babies have been born to polyester wearing people. Speaker 2: And then he would ice spark at least once a week, not that shrunk, No, no, no, Heat's the bad thing. Because then another guy called Tom was explaining that he goes in the sauna, but don't worry because he takes an ice pack with him. Speaker 1: And puts it on this necessary that would be a very confusing sensory experience. Speaker 2: Because apparently excessive heat is damaging to sperm. So apparently there is some evidence about heat and sperm. But the rest of this is complete. You won't believe it, but it's complete bullshit. But Brian Johnson, who's that tech entrepreneur who's obsessed with longevity, claims to have the one who has his sons. Speaker 1: Yes, the one who has his son's blood injected into He's done so many and measure time erections. He doesn't need food after eleven am. Speaker 4: Like that guy. Speaker 1: He's living a long but very boring life. Speaker 2: Yeah, well, he claims to have sperm quality to rival a twenty year old. He's got no basis that claim, but that's what he says, which brings me to the Sperm Racing World Cup. Are we aware of the Sperm Racing World Cup? Speaker 1: Totally? Speaker 2: I discovered this and it is the funnest thing I've discovered as of late. It's founded by tech entrepreneurs. Speaker 1: They have too much money, too much money that they should come to my We did frog racing, peak racing, like good. Speaker 2: Sperm race should be doing some sperm racing. It's a race that's going to be held in San Francisco next month. Speaker 4: I think what they're saying is that their cab light is on. Speaker 2: Yeah, I'll show you with my literal sperm. And it's one hundred and twenty eight men, each representing a different country, and they submit semen samples which then compete in a microscopic race for a one hundred thousand dollars prize. Now here's the ad for it, because I know you guys are interested. Speaker 6: The Sperm Racing World Cup one hundred and twenty eight countries, one hundred thousand dollars grand rights, the highest stakes competition elequancy. We are searching for the healthiest man alive. This race will immortalized a nation to your country is watching, the world is ready. Speaker 3: I don't want to know what images are currently playing. Speaker 2: It's sperm racing. Speaker 1: This brings a whole new meaning to the term wanking. Frustrating one hundred thousand dollars price. Speaker 2: Yeah, but I as much as trust the tech bros To make a literal tournament out of sperm racing, which I have to say I'd love to attend. I mean, how do you make it exciting? I don't know. This is interesting in the sense that fertility has traditionally been in something that women have seen as their soul responsibility and burdens. And it's nice that men are starting to recognize that. You won't believe it, but fifty percent of fertility is down to the man. Speaker 4: This feels like Elon Musky to me. It feels musky. Speaker 3: Yeah, and I imagine, yeah, and. Speaker 4: You got the That was the joke I needed. Speaker 2: And obviously the problem is that not every fertility issue is has a cause or like it's it's not your fault. Speaker 3: I'm sorry you're trying to what's problematic about the spermilm? Speaker 4: So I think we get a crash and it's. Speaker 2: Literally not a race. Do you reckon? Speaker 3: You can do a little bit of a race. Are you familiar with the facts of life? It is literally a race. Speaker 2: But do you reckon? You can tell when a man has very fast spur? Speaker 4: Oh my god. Oh interesting. Speaker 1: But do you think he's putting it on his dating profile like one this it would definitely be on that. Speaker 3: It's going to immortalize his nation. Yeah, for Australia, I need an update on this. Speaker 2: When it happens, we'll have to keep everybody updated on the tournament and Australia's participation. We need to find who's representing Australia. Oh my god, sorry, I've got another contact. Speaker 4: So clear, like you asked, you posed a question to the group. Can you tell first sperm? Speaker 2: Yeah, something tells me like you kind of know who would have fast sperm. But I don't think it's necessarily a good thing. Speaker 4: No, it's not always. Speaker 2: No, I think it's it's aggressive and it's like congrats Elon musk. But like you're releasing a lot of sperm and you're not like hanging out with that sperm very much? Speaker 1: Are you may not taking the sperm to soccer again. Speaker 2: No, you're not taking a sperm to sport on the weekend, and I think that's very sad. Oh my god, after the break, we get you across everything you need to know about the Met Gala before tomorrow. Tomorrow on the evening of the first Monday of May, which is always confusing. But America exists in a different time to us. Speaker 1: There are one day behind us. Speaker 2: They're one day behind us, and I always have to google time in New York. As is tradition, four hundred and fifty very glamorous guests are going to start arriving at the Met Gala. The dress code for this year is Fashion is Art and the theme is Costume Art and I don't understand the difference between dress code and a theme. Speaker 1: And also always yeah, the Met Gala is about a costume institute in an eye museum. Speaker 2: Yeah, okay, I'm glad I'm not the only one who was feeling like because I was like, I think it's just me not understanding fashion. But no, it's weird. So guests are invited to explore their relationship to fashion as an embodied art form. That might mean that there are references to literal art, literal paintings, literal kind of art, moments like whether it's the Renaissance or whatever. But it's the Met Gala, so I think everybody just goes bat it crazy and we don't really understand the tide of the theme. Most of her time, Anna Wintur is still the chair despite having handed the rains reluctantly. Speaker 1: Streep is still the chair. Speaker 4: Yes she is. Speaker 2: And she's enlisted Beyonce, Nicole Kidman and Venus Williams to serve as their evening's. Speaker 1: Co chair, so they have to go. Speaker 2: Yes they do. Holly, there's a little bit of gossip about Anna Wintour and whether we can expect to see Harry and Meghan at the met Gala. Speaker 1: You see, the thing is about the Met Gala, and we'll get to this in a minute too, but whether this is is particularly fraught with who will accept an int because of the involvement of one aforementioned Jeff Bezos and his wife Lauren Sanchez Bezos, because they are bankrolling it. So in the past, big companies bankrolled it. I think Apple's bankrolled it before, TikTok's bankrolled it before. Now it's Lauren and Jeff, and some people are like, I don't think we want to be part of that, So we're not going. Speaker 3: And there have been protests. People have been putting bottles of urine or a liquid that appears to be urine, scattering them around the Metropolitan Museum of Art in the lead up to the gala to protest the fact that the alleged fact that Amazon warehouse workers are not provided with toilet breaks. Speaker 1: Wow, that's a protest. And for the last few years they have been to kind of eat the rich vibe boiling away about the met gala for good reason, but this year it's overt, right, So I reckon that Harry and Meghan might use that as the excuse for why they weren't invited. You I didn't want to go any who wants to go and hang out with Jeff and Lauren. Those people are bad, evil, naughty. But actually it's that Anna wouldn't invite them, And why would Anna not invite them? So the word on the street is that Anna because it used to be Anna. Winter's relationship with celebrities evolved a lot over the years, and if you watch The Devil We was Proud of Too, you'll know that was a matter of survival. There was a time when she was like Kim Kardashian, I don't think so she's not vogue, and then she literally is exceptionally vogue these days. But she apparently doesn't like Harry and Meghan because she's a royalist, a staunch royalist. She's a dame after all. This might be overregged a bit, but she's a royalist, so she doesn't approve of what happened there and the way that Harry treated the late queen allegedly, and also that Meghan chose to do her first ever Vogue cover with Edward Ennafel in Britain and Anna was not happy about that and sees her as a bit. Speaker 2: So I wonder if eventually they'll be considered. Speaker 1: I think Anna's backtracked on enough things and in fact, you know, but as I say, I think that Harry and Megs, if they're not there, which I don't think they will be, well, could definitely use a social justice excuse. But there are a lot of very famous people who are going to be there, of course, including as you've said, the afore mentioned Nicole. Lena Dunham's going, which I find amazing because I've just read a memoir and she talks about the Metgala and not glowing terms, but she was on one of the committees as well. I think we've got Sabrina Carpenter, We've got Zoe Kravitz, so we might get Harry. We've got a lot of very famous people who are going. But this year, more than ever, it's kind of political. Speaker 3: There's a bit of a tipping point being reached about it. Amy O'Dell, who writes a fashion subject called The back Row, wrote last week a piece that I've seen a lot being quoted and circulated which basically argues that the met Gala is in danger of becoming uncool. Speaker 4: And the whole point of the met. Speaker 3: Gala was that it was cool, right, It was like the ultimate and fashion. And the problem is that by allowing the Bezoses to bankroll the whole thing and a winter, risks turning the whole thing into this very craven exercise that no one will want to be a part of. So it's interesting. I'm going to be watching the Red Cup very carefully this year to see if it does feel like the star wattage has been slightly dimmed. Speaker 2: Yeah, and if the people who make it cool because Ndaya is not going Zendaya makes things cool. Speaker 4: She does. Speaker 2: So what I found interesting in all the kind of stuff I've seen about the Met Gala coming up, there was a great piece on Lena Dunham's substack called and her subtacks called good Thing Going, and she wrote a piece called Dispatches from the Worst Dressed List, and I clicked straight away because having been a huge fan of girls, having been a huge fan of her, I remember years and years and years of seeing her constantly mocked for her fashion choices, and I remember wanting to scream at my computer and be like, it's not the fashion, you're talking about her body, And I was so frustrated. And she has now kind of processed that. And as you say, Holly, she's going to be at the Metgala, which is a bit of a surprise. But she writes at the beginning that she's in the process of getting ready for the Met Gala, which she loves to watch but tends to wobble through. And she talks about some of the things that were written about her and how it destroyed her relationship to fashion, and she had loved it when she was little, she had found it really really fun, but it got confusing. She writes when dressing became a bit more of a public affair. Basically, she quotes a bit that Joan Rivers said about her, where she said, it's okay stay fat, but don't say it's okay that other girls can look like this. Try to look better, and Lena Dunham Wrights, I was trying. We just have a different definition of what better meant. And do you guys remember those years? Oh yeah, her just being made fun of. Speaker 1: But also because as I said, I've just read the book, or nearly at the end, it's very clear that she's got like she went through years where she was conventionally skinny, and if you correlate this in the book, that coincides with time when she was really struggling with her health and her addiction issues and with mental health and all those things. Since she'd be super skinny and people would celebrate her for that. She made the cover of Vogue famously once in one of those eras, and then there were other times where she was encouraged. There's a part at the beginning about girls where she was told put more weight on the fact that your body looks the way it does is the thing that makes this show Edgy get bigger. So like her body has obviously been objectified to send different messages at different times about all kinds of things. But it's also clear in her book that she does love clothes and style and fashion and that her mind did does and so it was part of her world. But that's not the case for everybody. Right, If you go to the Met Gala, especially these days, you're generally paid to be there by a brand. They will dress you, they will style you, they will do your duels, they will do your put you up at the hotel, and you'll do all these things and it will cost them millions. But I was reading about how it's seen as the best possible advertise, which is be interesting. If the coolness factor wears off, as you're talking about Amelia, that is the best marketing spender brand can have. Because apparently the media impact of the Metgala is bigger than the Super Bowl in terms of how Father's pictures travel, how much coverage it gets, the fact it's televised, it will be on every news side, it will be on every social media feed forever. That not only the brands who are actively involved, like Vogue and whichever are actually sponsoring it will be the ones who cover it, so it is seen as money well spent, and the event itself costs about six million to put on. Speaker 3: Yeah, I mean, it's obviously at a level that few of us can relate to the met Gala, But that Lena Dunham piece gave me a lot of feelings. Speaker 4: I loved it. Speaker 3: I read it as a companion piece to the love Story discourse. This whole idea of Carolyn Bessett Kennedy, who was lauded for her fashion sense. Speaker 4: People ask the question, is this fashion or is she just thin? Speaker 3: And this was kind of the flip side to that argument, which is can I not be fashionable if I am not thin? And I loved the fact that she asked that question. This really hit home to me because I have never felt like someone who knows how to dress. I am surrounded by very stylish people, and I grew up with like friends. And I interrupt, Please don't I think of myself as I feel like I've struggled with what to wear my whole life. And I do enjoy clothes. But it's interesting that when I was at my skinniest and probably at a pretty unhealthy relationship with my body. I was lauded much more for my clothes and for my supposed style than at other points in my life. And I love that Lena's teasing out that connection. And just recently I saw some comments online that said that I don't dress very well, and it hurt my feelings because I was like, I try, and I do try with my clothes, and I meant to not try. I mean, as as Miranda Priestley reminds us in The Devil wes Prata, we all have to get dressed in the morning, so you may as well put some thought into it. But I do wonder how much of what we perceive of as stylish is actually connected to bodies. Speaker 1: Oh so much of it is. And I mean this last night literally, I was packing for the week because I always come up to Sydney on a Monday morning. I usually stay for a couple of nights, so I've got to think on Sunday when I'm in my most harried, like what am I wearing? Obviously we're on camera, but and I was in my huffing around in my bedroom, going I hate all my clothes. I hate all my clothes, and my kids could hear me, and obviously because I am aware, you know, feminist mother, I do not huff around my bedroom going I hate my body, nothing fits me. But the code is I hate all my clothes. I've got nothing to wear, and my son it's like, what do you mean, why have you even got those clothes if you hate them? You know, But there is no question that these things are so connected, and that fashion world, particularly the high fashion world, they say we like to imagine that they've made a lot of progress on that in the ten years. But I don't think in Anna Wintour's world that progress. Speaker 4: I'm just not talking about it as much. I think that's what it is. Speaker 2: I remember it still sticks with me. Speaker 3: Now. Speaker 2: Remember when Kim Kardashian went on a red carpet wearing a It was kind of like a high neck dress. There's a lot of fabric, and she was very, very pregnant. Speaker 1: I was working gossip mags and I'm not proud of this at all, but everybody says she looked like a couch. I think we printed that. I think we took the piss out of that overtly, and she was trying very hard to be high. Speaker 2: Fashion exactly and I think about that all the time. As a pregnant person. I'm like, I the idea of being mocked and being so embarrassed because you're like, I didn't choose for my body to grow, Like, like it just grows in the direction and grows when you're pregnant, and it can grow in weird direction. And to be totally honest, this this move now, and I'm sure people have the total opposite perspective to me, But the move now of people having really cool maternity, you know, people make it look really really cool and sexy, having a bump like the Sienna Millers of the world with their like little top that will open and it looks really sexy. I'm like, God, you can't even be pregnant and be able to give up for just a few months. Speaker 1: No, we're not allowed hot at all times. Okay, I just need to ask, right, Because as we said, this mat Gala has got this political weight to it. I feel like for the last few years it has, and there's been a sort of oh but it's fun and we all need the distraction. Are we going to be looking at that red carpet tomorrow? Because I know I will, Yeah, I will. I will I will. Speaker 3: Yeah, I will too, And I think that why I will be looking is because fashion is fun. It should be fun, it should be something that we enjoy looking at. And I love how Lena ties up her piece because it's not a hopeless piece. Speaker 4: She ultimately concludes. Speaker 3: By saying, what I realize now is I was making choices that maybe made people feel uncomfortable, whether it was because I was wearing clothes that that type of body should not have been wearing, for instance, or she was wearing clothes that weren't regarded as as exactly mattering me. She talks about how she spoke to a very well known fashion critic about this sort of debate recently, and the fashion critics said to her, you just have a point of view that's called taste. And I love the idea that just because you're wearing something that might not be universally regarded as flattering or fashionable, you can still have a point of view about it. And I guess that's ideally what these kind of red carpet events are meant to showcase is a unique point of view. Speaker 4: So yeah, I'll be watching. Speaker 1: We will rope in our absolute fashion expert May who used to love the met Gala. As she said, people take more risks there than they do when they're you know, at the Oscars or whatever, because it is the whole point of it is to be quite bad shit. So we will be doing a met Gala wrap up for subscribers tomorrow afternoon, and I'm sure that Maya will have many thoughts. That's all we've got time for this Monday. I hope everybody's week starts well. We will be back in your ears tomorrow for subscribers, and the three of us will be here on Wednesday. Thank you to our team. We'll see you then, Bye bye. Speaker 2: Mummy acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Är det befängt att tala om Sverige som ett muslimskt land? Blir man automatiskt skåning om man flyttar till Skåne? Ska statens sätt att tänka om identitet vara det enda? Andreas Ericson diskuterar identitet och politik med Lena Andersson och Andreas Johansson Heinö från Timbro förlag.

Vi har äntligen nått Love is Blind-finalen! I det här avsnittet snackar vi Lars-Erik och Ronja som äntligen gjorde slut, Angelicas fram-och-tillbaka på möhippan, Ibbes kalla fötter, Anielas sång, säsongens enda giftermål samt självklart allt om Angelicas plötsliga och kalla dumpning av Aron. Enjoy! Hosted on Acast. See acast.com/privacy for more information.