Podcasts about cryptical envelopment

We're shipping up to Boston to feature Set 2 of an iconic late 1969 gig from a venue with one of my favorite names ever:  The Boston Tea Party!  Game-pod only this week so conversation does not abound but the jams do, especially that dope Dark Star (with the windchimes).   Here's the set:   One - Intro [1:31] ; Good Lovin' [1:43] > Drums [1:16] > Good Lovin' [6:08];[1:27] ; Mama Tried [2:29];[0:30] ; New Speedway Boogie [8:33];[1:04] ; Casey Jones [3:57];[0:39] ; Black Peter [12:35];[0:34] ; Me And My Uncle [3:02];[1:02] ; Midnight Hour [10:01];[1:01] ; Cumberland Blues [6:00]%[1:01] ; Cryptical Envelopment [2:03] > Drums [4:54] > The Other One [13:11#] > Cryptical Envelopment > Cosmic Charlie [#7:35];[0:18] % Two -   Uncle John's Band [7:36] > Mason's Children [7:13] > China Cat Sunflower [2:47] > Jam [2:37] > I Know You Rider [4:11];[0:14] ; Dark Star [19:00#] > Alligator [#0:19] > Drums [2:#55] > The Eleven [11:05] > Jam [4:53] > And We Bid You Good Night Jam [1:17] > Alligator reprise [1:00] > Caution Jam [1:00] > Feedback [1:00] > And We Bid You Good Night [0:46];[0:48] % 

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

  This week's Deadpod features a historic performance - it occurred on the night the band was 'busted down in New Orleans' - January 30, 1970 at The Warehouse in New Orleans, Louisiana. Also historic as it was the last show that Tom Constantin played in the Dead.. but aside from that this is a fine show and I think you'll enjoy hearing this very good tape..  The tape is missing part of the opening Casey Jones, nevertheless good vibes here and on the following 'Me & My Uncle'.. 'Black Peter' is wonderful.. I also think the 'High Time in this set is absolutely perfect. 'Cumberland Blues' is hot.. hotter than you think that song should be ;) and is there a better song to pull out here than 'Easy Wind'?  The 'Cryptical Envelopment>Other One>Cryptical' is hard driving Dead!  They do a sweet transition into 'Cosmic Charlie' - sadly this one is cut as well... .   Grateful Dead The Warehouse New Orleans, LA 1/30/1970 - Friday One - 1:33:00      Casey Jones [#1:27][0:47] Me And My Uncle [3:09][0:29] Black Peter [9:51][0:15] Hard To Handle [5:26][0:05]%[0:07] China Cat Sunflower [3:13] > Jam [2:34] > I Know You Rider [4:19] > High Time [6:25][0:15] Cumberland Blues [6:21][0:04]%[0:03] Easy Wind [10:13][0:12]%[0:10] Mama Tried [2:36] > Good Lovin' [1:49] > Drums [0:40] > Good Lovin' [5:26][0:16] Cryptical Envelopment [2:17] > Drums [5:22] > The Other One [9:41] > Cryptical Envelopment [9:10] > Cosmic Charlie [0:34#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod012624.mp3  Thank you for your kind support!  The days are getting brighter!

"Marijuana Dispensaries and Predictive Football: A Quirky Comparison"Larry is excited about Michigan's win over Alabama and in tribute to their upcoming January 8th  college football championship game against Washington he features a Grateful Dead concert from January 8th, 1978. He detail the song "Jack Straw" and its history, especially focusing on the singer distribution due to Jerry Garcia's laryngitis during the San Diego show.The conversation veers into the significance of the songs "Lazy Lightning" and "Supplication" within the Grateful Dead's repertoire, reminiscing about experiencing these songs live. It briefly touches on personal events, birthdays, and music preferences.The host humorously correlates the predicted football game winner to the number of Grateful Dead performances and marijuana dispensaries in Michigan and Washington. They discuss cannabis-related legislation and the market dynamics in these states, concluding with light-hearted references to personal travels and cannabis availability across regions.Produced by PodConx Grateful DeadJanuary 8, 1978Golden Hall Community ConcourseSan Diego, CAGrateful Dead Live at Golden Hall, Community Concourse on 1978-01-08 : Free Borrow & Streaming : Internet Archive Jerry has laryngitis so he did not singDonna filled in for him  INTRO:                  Jack Straw                                Track #2                                0:07 – 1:38                 Not on any studio album.  Featured on Europe ‘72                First time played:  October 19, 1971, Minneapolis  (Keith Godchaux's first show)                Last played:  July 8, 1995, Soldier Field, Chicago                Total times played =  476 (No. 11 on list of all time songs played)  SHOW No. 1:      Lazy Lightning>Supplication                                Track #8:  3:00 – end and then straight intoTrack #9:  0:00 – 1:15                 DAVID DODD:    The pair of songs was recorded on the Kingfish album, with Bob Weir as a member of the band. Barlow notes that he wrote the song in Mill Valley in October 1975. The two tracks opened the album, which was released in March 1976.             The Grateful Dead first played the pair in concert on June 3, 1976, at the Paramount Theater in Portland, Oregon. That show also included the first performances of “Might As Well,” “Samson and Delilah,” and “The Wheel.” “Lazy Lightning” was always followed in concert by “Supplication,” and the final performance of the two songs took place on Halloween, 1984, at the Berkeley Community Theater.                                “Supplication” was played by itself, according to DeadBase X, on one occasion subsequently, although it was also played as an instrumental jam more frequently over the years. The final “Supplication” was played 597 shows after the last “Lazy Lightning>Supplication,” on May 22, 1993 at the Shoreline Amphitheatre in Mountain View, California. Interestingly, “Supplication” was played one other time separately from “Lazy Lightning,” on September 24, 1976, when it was sandwiched in the middle of a “Playing in the Band.”             a very strong case could be made that “Supplication” is no more a separate song from “Lazy Lightning” than “Sunshine Daydream” is from “Sugar Magnolia.” It's a coda, carrying forward the same themes—only the form of the verse has changed. Lazy Lightning – 111 total times playedSupplication – 123 total times played                  SHOW No. 2:      Estimated Prophet                                Track #14                                2:35 – 4:15                 Weir/BarlowReleased on Terrapin Station released on July 27, 1977 (first studio album released by the band after it returned to live touring after its 1975 hiatus.                               DAVID DODD:  “Estimated Prophet” was first performed by the Grateful Dead on February 26, 1977, at the Swing Auditorium in San Bernardino, California. The Dead also premiered “Terrapin Station” at that show. They played it 390 times in the years that followed, with the longest time between performances being 15 shows—mostly it stayed at the every third or fourth show rank. Its final performance was on June 28, 1995, at The Palace in Auburn Hills, Michigan. It appeared on Terrapin Station, released July 27, 1977.                Blair Jackson quotes Weir, discussing the song, in his biography of the band: “According to Weir, he and Barlow wrote the song from the perspective of a crazy, messianic zealot, a type which one invariably encounters in Deadhead crowds now and again. As Weir explains: ‘The basis of it is this guy I see at nearly every backstage door. There's always some guy who's taken a lot of dope and he's really bug-eyed, and he's having some kind of vision. He's got a rave he's got to deliver.' “                 This is one of those songs, and there are quite a number of them in the Dead's repertoire, in which a not-entirely-sympathetic character is brought to life, and, in the course of being brought to life, is made more sympathetic. I've always thought this was a big strong suit of theire songs, whether in “Wharf Rat” or in “Jack Straw”; whether in “Candyman” or “Friend of the Devil.” Not only is it a recurring trope in the lyrics, but I think it is key to understanding the whole body of the songs, and perhaps literature generally.    SHOW No. 3:      The Other One                                Track # 16                                13:30 – 15:07                 The imagery conjured up by Bob Weir, in his portion of the suite, “That's It for the Other One,” on Anthem of the Sun, is clearly and intentionally a psychedelic ode to the Pranksters and all that entailed. Whether the singer was “escapin' through the lily fields,” or “tripping through the lily fields,” or “skipping through the lily fields” (all versions of the line sung by Weir at various points, according to several extremely careful listeners), the fact is that it was akin to Alice's rabbit hole, because of where it led.     “The bus came by and I got on...that's when it all began.”That line captures so much, in so many different ways, in so few words, that it is a model of what poetry can do—over time, and in a wide variety of circumstances, the line takes on a wide spectrum of association and meaning.                The Dead, of course, were quite literally on THE bus, along with Cowboy Neal (see earlier blog entry on “Cassidy”) and Ken Kesey and Ken Babbs and Mountain Girl and many others whose names are legend among our tribe. What must that have been like? Surely, worthy of a song or two. And Weir came up with a couple of winners, between “The Other One” and “Cassidy.”                 There is something wonderfully cartoonish about the scenes described in the lyrics. A “Spanish lady” hands the singer a rose, which then starts swirling around and explodes—kind of like Yosemite Sam left holding a lit firecracker, leaving a smoking crater of his mind. The police arrest him for having a smile on his face despite the bad weather—clearly, this kid is doing something illegal. Weir's interview with David Gans (along with Phil Lesh) cited in The Complete Annotated Grateful Dead Lyrics refers to a particular incident:Gans: Now, I remember a version from a little bit earlier, maybe late in '67, you had a different set of lyrics; the first verse is “the heat come ‘round and busted me”...and then there was a second verse that was about “the heat in the jail weren't very smart,” or somethin' like that...Weir: Yeah, that was after my little...Lesh: Water balloon episode?Weir: I got him good. I was on the third floor of our place in the Haight-Ashbury. And there was this cop who was illegally searching a car belonging to a friend of ours, down on the street—the cops used to harass us every chance they got. They didn't care for the hippies back then. And so I had a water balloon, and what was I gonna do with this water balloon? Come on.Lesh: Just happened to have a water balloon, in his hand... Ladies and gentlemen...Weir: And so I got him right square on the head, and...Lesh: A prettier shot you never saw.Weir: ...and he couldn't tell where it was comin' from, but then I had to go and go downstairs and walk across the street and just grin at him...and sorta rub it in a little bit.Gans: Smilin' on a cloudy day. I understand now.Weir: And at that point, he decided to hell with due process of law, this kid's goin' to jail.                So, as to the debut. If we take Weir and Lesh at their word, that the first performance of the song as it now stands coincided with the night Neal Cassady died, in the early morning hours of February 4, 1968. And sure enough, there is a performance of “The Other One” on February 3, 1968, whose verses correspond to the verses as we all know them, for the first time, at the Crystal Ballroom in Portland, Oregon. The song was a fixture in the repertoire from then on, performed at least 586 times that we know of. The only year in which it was not listed as being performed was 1975, the hiatus year.             Part of the suite of songs, That's It For The Other One from Anthem of the Sun.  Made up of four sections:  "Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get" (the part everyone knows as “the other one”), and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product.            appears that way on Anthem of the Sun, bracketed by Garcia's “Cryptical Envelopment.” But it stands alone most of the time in performance—“Cryptical” was dropped completely from 1973 through 1984, reappeared for five performances in 1985 (the 20th anniversary period—it was broken out following a lapse of 791 shows at the June 16, 1985 Greek Theater show (I WAS THERE!!) in Berkeley), then disappeared again for the remainder of the band's careerI. "Cryptical Envelopment" (Garcia)[edit]"Cryptical Envelopment" is one of the few Grateful Dead songs with lyrics written by Garcia. It was performed from 1967 to 1971 (when it was then dropped), and brought back for a few performances in 1985. Post-Grateful Dead bands such as Dead & Company have returned to performing the song, sometimes as a standalone track separate from the rest of the suite.II. "Quadlibet for Tenderfeet" (Garcia, Kreutzmann, Lesh, McKernan, Weir)[edit]"Quadlibet for Tenderfeet" is a short jam section linking "Cryptical Envelopment" and "The Faster We Go, the Rounder We Get". Transitions between studio and live performances are very audible during this section.III. "The Faster We Go, the Rounder We Get" (Kreutzmann, Weir)[edit]One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day" refers to a time Weir was arrested for throwing a water balloon at a cop.[2] This section ends with a reprise of "Cryptical Envelopment".IV. "We Leave the Castle" (Constanten)[edit]The only Grateful Dead composition written by Tom Constanten, "We Leave the Castle" is an avant-garde piece featuring prepared piano and other studio trickery.[While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One").            The Other one– performed 549 times            First played:  Oct. 31, 1967 at Winterland, S.F.            Last played:  July 8, 1995, Soldier Field, Chicago             That's It For The Other One – performed 79 times            First played:  October 22, 1967 at Winterland, S.F.            Last played:             Cryptical Envelopment – performed 73 times            First played:     Oct. 21, 1967 at Winterland, S.F.            Last played:     Sept. 3, 1985 – Starlight Theater, K.C.              SHOW No. 4:      Truckin'                                Track # 17                                4:22 – 6:03                 The lyrics were written under pressure, in the studio, during the recording of American Beauty (Nov. 1970) (released as a single backed by Ripple in Jan. 1971), with Hunter running back and forth with hastily-written verses that somehow, despite the fact that were purpose-written on the spot, seem to have some pretty good staying power. There are rumors that he originally wrote “Garlands of neon and flashing marquees out on Main Street” as an intentionally hard-to-sing line, just to enjoy watching Weir try to wrap his mouth around them, eventually relenting and substituting “arrows of neon,” just to make it possible to sing.The music credit is shared by Jerry Garcia, Bob Weir, and Phil Lesh. Hunter gets the credit for the lyrics. And Hunter took the bare bones outline of some of the band's adventures and misadventures and fleshed them out with memorable features, highlighting their trips around the country with specific references to places and occurrences. In the process, he came up with a chorus consisting of a couple of phrases that are now, eternally, in the cultural psyche: “Sometimes the light's all shining on me / Other times I can barely see. Lately it occurs to me / What a long strange trip it's been.”At some point, Hunter was accused of using a cliché in that final phrase of the chorus. When something you make up becomes such a commonly-used turn of phrase that your own invention of it is accused of being cliché, that's some measure of wordsmithing success, I would say.                Truckin'” was first performed on August 18, 1970, at the Fillmore West. The show opened with an acoustic set, and “Truckin'” was the first song. Other firsts that night included “Ripple,” “Brokedown Palace,” and “Operator.” The song was performed 532 times, placing it at number 8 in the list of most-played songs, with the final performance on July 6, 1995, at Riverport Amphitheatre in Maryland Heights, Missouri.  OUTRO:                Johnny B. Goode                                Track #19                                1:10 – 2:51                 Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart.[1] The song remains a staple of early and later rock music."Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom",[2] it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd on Rolling Stones's 2021 version[3] and 7th on the 2004 version of the "500 Greatest Songs of All Time"[2][4] and included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as a record of humanity.Written by Berry in 1955, the song is about a semi-literate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights".[5] Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play.[6] As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.[5]The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band,[7] but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums.[5][8] The session was produced by Leonard and Phil Chess.[8] The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.[9]The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl HoganA cover version is featured in the film Back to the Future (1985), when the lead character Marty McFly, played by actor Michael J. Fox, performs it at a high school dance.Played 283 times, almost always as an encore or show closer (back in the days where there were no encores)First played on Sept. 7, 1969 at Family Dog on the Great Highway, S.F.Last played on April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum in Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week the Deadpod travels to the East Coast for a show that took place around 2 months after last week's show. This is the early show from the Fillmore East in NYC on January 2, 1970. This is quite a nice tape, don't let the few seconds at the beginning fool you.  The 'Mason's Children' opener is a good representation of this somewhat odd song. 'Black Peter' is quite extended, much more than usual for this song. 'Hard to Handle' is explosive as usual. The boys really hit their stride here with the 'Cryptical Envelopment>Drums>Other One'. I quite enjoy the 'Cosmic Charlie' that follows but that's a tune I thought they never played often enough :)  I hope you enjoy it..   Grateful Dead Fillmore East New York, NY 1/2/1970 - Friday Early - 59:51:00     Intro (1) [1:05] > Mason's Children [6:09][1:34] Casey Jones [4:17][0:12] Black Peter [10:41][1:18] Mama Tried [2:32] > Hard To Handle [4:43][0:15] Cumberland Blues [5:33][0:16] Cryptical Envelopment [1:57] > Drums [3:53] > The Other One [10:34] > Cryptical Envelopment [2:04] > Cosmic Charlie [6:46#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod111723.mp3 Thanks for your kind support, we couldn't bring you the Deadpod without your help.  

This week's Deadpod contains part two of the band's performance at the Fillmore in San Francisco on November 7, 1969.  Hyper-energetic, this one contains loads of frantic jamming and amazing soaring guitar work by Garcia and Lesh. After a fairly short China>Rider, they go into a deep exploration with 'Dark Star' which goes into an unusual 'Uncle John's Jam', then back out with Lesh leading the charge into 'The Other One'. The highlight, for me, is the wonderful closing number, Pigpen in all his glory on a great 'Lovelight' rap.   Grateful Dead Fillmore Auditorium San Francisco, CA 11/7/1969 - Friday Part Two China Cat Sunflower [2:56] > Jam [2:30] > I Know You Rider [3:21] > Dark Star [18:33] > Uncle John's Jam [1:45#] > Dark Star [#5:47] > Cryptical Envelopment [1:46] > Drums [4:56] > The Other One [9:54] > Turn On Your Love Light [17:22#]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod111023.mp3  Thanks for your kind support!    and.. Leave It On! :) 

The second in our WP from the Vault series! Alex and Dave give a quick intro and then it's a re-release from April 26, 2022:Dead Heads Alex and Dave discuss the Grateful Dead's rockin', rollin', envelopin' show from June 24, 1985 at Riverbend Music Center in Cincinnati, Ohio. Topics include: phenomenal set-openers, a Cryptical Envelopment revival, mid-80s Dead setlists, the rise of amphitheaters in America, and the worst review in Grateful Dead history? Get on the bus and buckle up for a bumpy but worthwhile ride through an absolutely killer show! If you're enjoying the show, send us a note on Twitter, @workingmanspod, or Instagram, @workingmans_pod! Links: The show: https://archive.org/details/gd85-06-24.sbd.miller.25315.sbeok.shnf Grateful Seconds: http://www.gratefulseconds.com/

Put some shredded cheese on your chili, we're heading to Cincinnati. This week, our hosts Game, FiG, and Knob are heading to River Bend Music Center for the Grateful Dead's June 24th, 1985 show. Discussions abound about Knob's adventure with Billy and the Kids, the Book of Iko Ikos, and whether or not 1985 is an underrated year. Alabama Getaway > Greatest Story Ever Told They Love Each Other New Minglewood Blues Tennessee Jed My Brother Esau Loser Let It Grow Iko Iko > Samson & Delilah > He's Gone > Smokestack Lightning > Cryptical Envelopment > Drums > Comes A Time > The Other One > Cryptical Envelopment > Wharf Rat > Around & Around > Good Lovin' U.S. Blues 

1. Don't Ease Me In 2. I Know You Rider 3. Uncle John's Band 4. St. Stephen 5. Cryptical Envelopment 6. Drums [Excerpt]7. Viola Lee Blues 8. Cosmic CharlieBonus Track:9. Casey Jones

Dead Heads Alex and Dave discuss the Grateful Dead's rockin', rollin', envelopin' show from June 24, 1985 at Riverbend Music Center in Cincinnati, Ohio. Topics include: phenomenal set-openers, a Cryptical Envelopment revival, mid-80s Dead setlists, the rise of amphitheaters in America, and the worst review in Grateful Dead history? Get on the bus and buckle up for a bumpy but worthwhile ride through an absolutely killer show!If you're enjoying the show, send us a note on Twitter, @workingmanspod, or Instagram, @workingmans_pod!Links:The show: https://archive.org/details/gd85-06-24.sbd.miller.25315.sbeok.shnfGrateful Seconds: http://www.gratefulseconds.com/

Hey Now! This week we will explore the first set from a great show that took place during a historic run at the Capitol Theater in Port Chester NY back on February 20, 1971. This was during the famous 'ESP' experiments, and it was also the second show without Mickey Hart who had left the band after the first show of this run.  This show contains a number of 'new' tunes (at the time) and you'll see that some have yet to be fully developed (Playin' in the Band for example).  However the band is tight, Pigpen is on and it is really a fine set. I especially love the ending of this set with the Cryptical>Drums>Other One>Wharf Rat     Grateful Dead Capitol Theater Port Chester, NY 2/20/71 - Saturday     One     Casey Jones [4:18] ; Me And My Uncle [3:10] ; Hard To Handle [7:38] ; Bertha [5:30] ; Playing In The Band [4:40] ; Bird Song [6:53] ; Big Boss Man [4:43] ; Cryptical Envelopment [1:53] > Drums [3:51] > The Other One [10:53] > Wharf Rat [6:58] ; Sugar Magnolia [5:15]  You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod021122.mp3  Thanks for listening and love and best wishes to all!   

 This week the Deadpod presents the second set from the band's performance back on September 23, 1972 at Waterbury CT. Another quite long, very interesting set awaits as the band starts out rockin' with a trifecta of Promised Land>Bertha>Greatest Story to get the place going. After a nice 'Brown-Eyed Women' they break out Chuck Berry's 'Around and Around' for the first time in 105 shows (4/18/71). They follow that breakout with the first rendition of 'It's All Over Now, Baby Blue' in 156 shows (11/8/70). Perhaps the highlight of this follows with the last 'Crytpical Envelopment' performed until June of 1985. A massive 'Other One' flows out of drums and leads into the post-drum segment which would have made a quite respectable second set of its' own. Just listen to the incredible energy on that 'Sugar Magnolia'!     Grateful Dead Palace Theatre Waterbury, CT 9/23/72 - Saturday Two The Promised Land [2:52] > Bertha [5:43] > Greatest Story Ever Told [4:55] ; Brown Eyed Women [4:53] (2) ; Around And Around [4:28] ; It's All Over Now, Baby Blue [7:28] ; Cryptical Envelopment [1:59] > Drums [3:25] > The Other One [22:44] > Wharf Rat [9:38] ; Beat It On Down The Line [3:17] ; Ramble On Rose [6:27] ; Sugar Magnolia [8:05] > Goin' Down The Road Feeling Bad [8:00] > Not Fade Away [5:#34] > One More Saturday Night [4:42]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod092520.mp3  Enjoy and thanks for your kind support. 

One of my favorite periods of Dead music to explore is this January 1969 run at the Avalon Ballroom in San Francisco CA, and this week I decided to feature this set form January 26th. Is it complete? probably not.. is it pristine? certainly not the opening Cryptical which has a spot not far from the beginning that will test your patience.. be patient it is worth it, most of this tape sounds *great*, both in sound quality and the quality of the music. This set contains a rare version of 'Clementine'.. check out the lyrics.. it's quite a rarity. The 'Death Don't Have No Mercy' is as powerful as ever.. and the rest of the set, from 'Dark Star' on is pure powerful psychedelic Grateful Dead. These versions of 'The Eleven' and 'Turn on Your Lovelight' were used for the 'Live/Dead' release.          Grateful Dead Avalon Ballroom San Francisco, CA 1/26/69 - Sunday     One - 36:31     Cryptical Envelopment [1:53] > Drums [0:15] > The Other One [7:39] > Cryptical Envelopment [6:21] > Clementine [10:45] > Death Don't Have No Mercy [9:34] Two - 41:07     Dark Star [9:45] > St Stephen [7:01] > The Eleven [10:24] > Turn On Your Love Light [14:32]    You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod012420.mp3   ...and leave it on...    thanks for your support of

We close out 2018 with the second part of the band's performance back on on April 3rd, 1970 at the Field House at the University of Cincinnati. A great representation of the band's raucous and spirited style this set features some great jamming on some real classics like 'Cryptical Envelpment' into 'The Other One', 'Cosmic Charlie' and a wonderful 'Turn on Your Lovelight'. It's easy to see why Pigpen was considered the real frontman during this period when you listen to that Lovelight.    I hope you enjoy this small slice of classic Dead as we turn the page on another year.  May the next one bring you and yours much joy and good health, and all of us peace and brotherhood.      Grateful Dead Field House - University of Cincinnati Cincinnati, OH 4/3/70 - Friday   part 2 Good Lovin' [#0:22] > Drums [2:16] > Good Lovin' [4:37];[0:02] % Cryptical Envelopment [2:01] > Drums [3:05] > The Other One [7:44] > Cryptical Envelopment [5:26] > Cosmic Charlie [6:29] % Not Fade Away [5:30] > Turn On Your Love Light [17:#16] Encore And We Bid You Good Night     You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod122118.mp3     Thanks for listening my friends. 

If you Have a real desire for variety in your musical endeavours, look no further because this show has got what you need. A lot of styles are stepping up to the plate and we are finely represented. We have tunes from the 80’s, spectral ditties, 60’s mellotron magic, a spotlight on the Immediate record label, Three of a Kind, and a strong female impact. Everything is as it should be as the planets align on this episode of Euphoric Musicality Radio. For playlist visit: www.euphoricmusicalityradio.ca/episodes For playlist visit: www.euphoricmusicalityradio.ca/episodes Like us on Facebook: https://www.facebook.com/euphoricmusicalityradio Follow us on Twitter: https://twitter.com/euphmusicradioFollow us on Instagram: https://instagram.com/euphoricmusicalityradio E-mail: euphoricmusicalityradio@gmail.comWebsite: www.euphoricmusicalityradio.ca Credits:EMR Host: CurtisEMR Producer Lesley

Here's hoping that this set of fine early Dead music will help warm  your bones in the middle of this cold cold January... We continue with the band's performance from January 16th, 1970 at Springer's Inn in Portland Oregon. While we start out with a Cumberland Blues that is a bit shortened, this tape more than make sup for it with early versions of classic songs that are delightful to me as I listen to their early development.  'Easy Wind' is a classic, as is the wonderful 'Dire Wolf'...   Because the set is a bit short, I've included a cut from a recently released set from one of my favorite bands, Joe Russo's Almost Dead.. this cover of Cream Puff War just seems to fit in perfectly here and I hope you enjoy it.. the rest of this wonderful set is available on archive.org..     Grateful Dead Springer's Inn Portland, OR 1/16/70 - Friday   part 2 Cumberland Blues [#4:13#] % Me And My Uncle [#2:52] > Dire Wolf [4:10];[1:00] ; Uncle John's Band [6:51];[0:45] ; Easy Wind [8:00];[2:15] ; Cryptical Envelopment [1:48] > Drums [0:49] > Space [0:59] > Drums [3:54] > The Other One [8:32] > Cryptical Envelopment [1:16] > Cosmic Charlie [6:#19];[0:12]   Joe Russo's Almost Dead Brooklyn Bowl, 12/29/2016 Cream Puff War     You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod011918.mp3     thanks so much for your support!! 

This week's Deadpod features a one-set wonder (as it is only the 2nd set that we have a soundboard tape of) of a superb show from December 1st, 1971 from the Boston Music Hall in Boston MA. This is a beautiful recording of the young Dead and I'm quite certain you'll enjoy both the stand alone songs and the insane jamming of 'The Other One'. The ending 'Not Fade Away'>Going  Down the Road Feelin' Bad'>'Not Fade Away' is wonderful as well.         Grateful Dead Boston Music Hall Boston, MA 12/1/71 - Wednesday   Two   Ramble On Rose ; Me And Bobby McGee ; Big Boss Man [4:44] ; Cryptical Envelopment [1:47] > Drums [2:33] > The Other One (1) [14:08] > Me And My Uncle [2:01] > The Other One (2) [8:51] ; Not Fade Away [3:57] > Goin' Down The Road Feeling Bad [5:53] > Not Fade Away [2:40]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod121517.mp3   My heartfelt thanks to the kind friends whose contributions allow me to produce the Deadpod.

This week we hear the conclusion of this great, fresh sounding show from April 14th, 1971 at Bucknell University. This set starts with a great and somewhat longish for the period, Bird Song, and just keeps getting better.. with a unique Sugar Magnolia, a psychedelic Crypical, and the Pig on 'Hard To Handle'. The closing jam on 'Not Fade Away'-> 'Goin' Down the Road'->'Not Fade Away' is great and they come back for a nice 'Uncle John's Band' encore. Hope you enjoy this dose of early, Good 'Ol Grateful Dead!   Grateful Dead Davis Gym - Bucknell University Lewisburg, PA 4/14/71 - Wednesday   Two   Bird Song ; Sugar Magnolia ; Cryptical Envelopment > Drums > The Other One > Wharf Rat ; Hard To Handle ; Not Fade Away > Goin' Down The Road Feeling Bad > Not Fade Away > Johnny B. Goode Encore Uncle John's Band   http://traffic.libsyn.com/deadshow/deadpod111717.mp3   My thanks for your support of the Deadpod!   check out our page on Facebook! requests are always welcomed.

Wow, Memorial Day weekend already! Hope you have some fun plans to welcome in summer! Hopefully you'll find this wild show from 1969 to be the perfect complement to some your times this weekend..  This comes to us from May 31st, 1969 at McArthur Court at the University of Oregon. Always a crazy show as you know the Pranksters will be out in force - and are they ever - especially on the first few songs as you will hear. (if you don't care to listen to Ken Babbs insane rap, just fast forward about 10 minutes after the Cold Rain and Snow :) The band settles down afterwards and puts on a typically manic 1969 performance - Garcia is if anything, overly excited at times - but this is quintessential early Dead and I hope you enjoy it! Pigpen is excellent on an alltime 'Lovelight' , Garcia gives a very extended version of  'He Was A Friend of Mine' and the 'Dark Star' that follows is to me, the highlight of the set, played in the familiar 'Live Dead' style. Sadly 'Cosmic Charlie' is cut on the tape, but there is plenty here for any fan of early dead - over two and a half hours of Live Dead for your Memorial Day Weekend .. ;)    Grateful Dead McArthur Court - University of Oregon Eugene, OR 5/31/69 - Saturday   One - 1:35:43   Hard To Handle [3:57];[0:55] ; Cold Rain And Snow [4:13];[6:15] ; Yellow Dog Story [1:40];[2:45] ; Green Green Grass Of Home [4:05];[1:04] ; Me And My Uncle [3:02];[0:46] ; Cryptical Envelopment [1:56] > Drums [0:54] > The Other One [10:46] > Cryptical Envelopment [3:#11] > Sittin On Top Of The World [3:28];[0:58] ; It Hurts Me Too [5:34];[0:59] ; Turn On Your Love Light [29:04]   Two - 43:56   He Was A Friend Of Mine [14:27];[0:16] % Dark Star [23:58] > Doin' That Rag [4:37#] > Cosmic Charlie [#0:30] Encore - 12:42 It's All Over Now, Baby Blue [8:51];[0:10] ; And We Bid You Good Night [3:11] Comments Total time [2:32:21].  Ken Babbs & sundry other pranksters marshall the chaos between the first few songs.  Jerry plays pedal steel guitar on Green Grass. At 1:52 into the Cryptical reprise there is a cut ; probably several minutes are missing here.  It's anybody's guess how much of the second set may be missing.   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod052617.mp3     Thank you for your support of the Deadpod!    Be safe and have a great weekend.   

Hello friends! This week we're doing something different: we're playing Dead. Jonathan took the lead on this experiment, and we hope you'll like it. If you do, we may do it more in the future. Let us know what you think. The Grateful Dead has of course been a huge influence on all of us, and we wanted to share some of our thoughts and the Dead's music with our listeners. The music in this episode is a mix made by Jonathan, made up of many different snippets of versions of The Other One. Hope you enjoy. Please subscribe and review us on iTunes and follow us on Twitter. Also like us on Facebook. And check out CashorTrade for face value tickets to shows across the country. If you are on Stitcher, give us a review. -- Introduction, Cryptical Envelopment > Drums > The Other One (verse1) > Space > Spanish Jam > Mind Left Body Jam > The Other One (v2) > Cryptical Reprise Total Running Time- 69:34 Details: Introduction 00:00 > 00:03 1968-02-14 Carousel Ballroom- San Francisco, CA The Cryptical Envelopment > 00:03 > 00:52 1969-02-14 Electric Factory, Philadelphia, PA 00:52 > 02:13 1970-05-01 Alfred State College (S.U.N.Y.)- Alfred, New York 02:13 > 02:18 1969-02-14 Drums > 02:18 > 03:55 1970-05-01 03:55 > 04:30 1971-12-06 Felt Forum, Madison Square Garden- NY, NY The Other One > 04:30 > 04:41 [Intro*] 1969-02-14 1974-02-23 Winterland Arena- San Francisco, CA 1971-11-07 Harding Theatre- San Francisco, CA 1985-03-28 Nassau Veterans Memorial Coliseum- Uniondale, NY 1979-10-27 Cape Cod Coliseum- South Yarmouth, MA 1985-06-30 Merriweather Post Pavilion- Columbia, MD 1974-02-23** 1972-05-16 Radio Luxembourg - Luxembourg, W. Germany 04:41 > 06:14 1971-11-07 06:14 > 07:13 1972-05-16 07:13 > 09:43 1968-10-12 Avalon Ballroom- San Francisco, CA 09:43 > 10:07 1985-06-30 10:07 > 10:34 1968-02-14 10:34 > 14:31 1972-05-16 14:31 > 19:25 1974-02-23 Space > 19:25 > 25:11 1989-08-19 Greek Theater, Berkeley, CA Spanish Jam > Mind Jeft Body Jam > 25:11 > 27:22 1992-06-22 Star Lake Amphitheater- Burgettstown, PA 27:22 > 32:05 1974-10-17 Winterland Arena- San Francisco, CA The Other One > 32:05 > 34:55 1974-02-23 34:55 > 38:19 1972-05-16 38:19 > 42:46 1972-08-22 Berkeley Community Theater- Berkeley, CA 42:46 > 47:30 1971-11-07 47:30 > 53:50 1973-03-31 War Memorial Auditorium- Buffalo, NY 53:50 > 55:58 1985-06-30 55:58 > 57:01 1968-02-14 Cryptical Reprise 57:01 > 58:29 1968-10-12 58:29 > 63:24 1970-05-01 63:24 > 68:24 1968-10-12 68:24 > 69:20 1970-05-01 69:20 > 69:34 1971-11-07 -All timings are approximate For the Other One Intro (aka the thumping bass crescendo followed by a catrostrophic (at its best!) bomb which intros most, but not all versions of The Other One) I overlayed several versions of this moment in order to give this some major oomph... One of two exceptions being the 1985-06-30 (MPP, Columbia, MD) clip which is actually from the Space which preceeded The Other One. The clip contains an simulated bomb and explosion generated via midi. See below for the other exception. * This is the entire 1974-02-23 The Other One (approx 29minutes) 'folded' much in the style of John Oswald who created the "GreyFolded" album. Essentially, I took the entire 29 minute track, cut it in half, reversed the second half and overlayed it onto the first. Then I repeated the process until the track was reduced to the 1 second version currently in this mix. Venue information is not repeated so as to keep things relatively tidy. All sources are lossless and from archive.org/audio and are in compliance with the ta(continued) See acast.com/privacy for privacy and opt-out information.

Episode 008 - April 2015 Set 1Alabama Getaway->Promised LandWalkin' BluesDupree's Diamond BluesWest L.A. FadeawayMe & My Uncle->Big RiverJust A Little LightJust Like Tom Thumb's BluesWhen I Paint My MasterpieceMr. CharlieDoin' That Rag->Cryptical EnvelopmentFeel Like A StrangerPassengerSaint Of CircumstanceHey Jude->Dear Mr. Fantasy->Hey JudeBuilt To LastCosmic Charlie

This week with the start of a new year, I decided to take a look back to a truly fecund period for the band - early 1969. We have an exceptional sounding recording of a show that took place back on January 17th, 1969 in Santa Barbara, California. This recording shows how the band is ready to take off during this seminal year that saw the release of  both Aoxomoxoa and Live Dead. The tape starts with a typically rousing 'Lovelight' (some have claimed to be able to tell that Pigpen was even more lit than  usual here :) and then goes into a wonderful Dark Star. Saint Stephen and the Eleven follow, and you'll especially enjoy the jamming in the latter. The 'Death Don't Have No Mercy' that follows is for me one of the highlights of this performance.. slow and spooky.. just perfect. The band that rages into a 'That's It For the Other One', followed by their 3rd performance of a sloppy 'Cosmic Charlie' .. all in all a great 90 minutes of primal Dead..    Grateful Dead  Civic Auditorium Santa Barbara, CA   1/17/69 - Friday  One - 1:25:28     Turn On Your Love Light [16:#32];[0:41] ; Dark Star [13:20] > Saint Stephen [3:#29] > The Eleven [12:30] > Death Don't Have No Mercy [10:23];[0:44] ; Cryptical Envelopment [1:30] > Drums [0:11] > The Other One [11:29] > Cryptical Envelopment [5:31] > Cosmic Charlie [7:20]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod010816.mp3   Thank you to the kind folks who have supported the Deadpod and partner with me in keeping this alive! thank YOU!

This week the Deadpod takes you way back to the spring of 1970 when the Dead made their very first trip across the ocean to England.. this show took place on May 24th, 1970 I decided to publish the entire show as it was not broken into sets, and while the sound leaves alot to be desired it is quite listenable for the most part, and as a historical document of the day I am hoping that you'll get into it as I did. The band once described the crowd at this show as the coldest they ever encountered, and its clear that they work very hard at getting them juiced up as their energy in this set is pretty full tilt. The Casey Jones starts out with very degraded sound but it gets better as Bear dials it in.. the China->Rider is quite good and contains a unique transitional jam. Hard To Handle is classic Pigpen, and you'll hear that he is in fine form throughout this set. The Cryptical->Other One->Cryptical->Attics is a treat, as it is a very early version of Attics.. The Dark Star is excellent, and displays the qualities of the early primal Dark Stars. The Lovelight is over the top, and while sadly again suffering from some sonic degradation, it is still great to hear Pigpen in such fine form.      Grateful Dead Ted Askeys Lower Pig Farm, Leycett Newcastle-Under-Lyme, England Date5/24/70 - Sunday   One[2:14:44] ;    Casey Jones [4:39] ;  China Cat Sunflower [3:17] >  Jam [2:05] >  I Know You Rider [4:14] ; Hard To Handle [7:52] ;  Me And My Uncle [3:15] ; Cryptical Envelopment [2:03] >  Drums [2:48] >  The Other One [8:39] >  Cryptical Envelopment [7:24] >  Attics Of My Life [5:36] Drums [0:26] >  Good Lovin' [1:57] >  Drums [1:27] >  Good Lovin' [6:17] ; Cold Rain And Snow [5:55] ; Dark Star [21:21] >  Saint Stephen [6:06] >  Not Fade Away [6:08] >  Turn On Your Lovelight [12:40] >  Darkness Jam [0:34] >  Turn On Your Lovelight [20:00] ; [1:45]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod052915.mp3   My sincere thanks to those of you able to contribute to the Deadpod!   

Ask and you shall receive.. at least sometimes.. :) this week's Deadpod was the result of a request just posted on the Facebook page for 8/23/68.. this is a great performance and a pretty damm good tape.. it took place at the Shrine Auditorium in Los Angeles CA the night before 'Two From The Vault' was recorded.. this features the Dead during one of their most creative periods. I just love the energy on this tape.. the opening Other One on this tape just crackles with it.. The Dark Star is full of Pigpen's funky organ in that characteristic early opening.. The Eleven is one of my favorite versions ever.. and there's really no words to describe the Alligator->Caution.. this is the highlight of an incredible show.. dig it.   Grateful Dead Shrine Exhibition Hall, Los Angeles CA  8/23/68  Cryptical Envelopment [1:50] ->Drums [0:14] ->The Other One [4:08] ->Cryptical Envelopment [6:33];[0:06]%[0:03] ;Dark Star [15:26] ->Saint Stephen [4:39] ->The Eleven [10:53#]Death Don't Have No Mercy [#8:02] ;Alligator [3:40] ->Drums [6:54] ->Caution (Do Not Stop On Tracks) [20:28] >Feedback [3:09] you can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod042315.mp3   A very special thank you to the Sisters and Brothers who support the Deadpod..   Be well everyone!  

I felt it was high time for some vintage Dead.. here's a show from one of my favorite places that showcases the boys sick run of shows that occurred back in February of '69. This night they were opening for the Iron Butterfly - the story goes that once IB heard their set they refused to come out for awhile, so the band came back with the smokin' Cryptical ->Other One->Cryptical sandwich.... In any case I think you'll be infected by the energy in this set, and who can resist a great Lovelight? Personally I always relish a good Eleven as well..  Hope you enjoy this and that you are well and warm this long winter....  Grateful Dead Kiel Auditorium St. Louis, MO 2/6/69 - Thursday One - Morning Dew Dark Star  > Saint Stephen  > The Eleven  > Turn On Your Love Light > Drums  > Turn On Your Love Light ; Cryptical Envelopment  > Drums  > The Other One  > Cryptical Envelopment > Feedback  > And We Bid You Good Night  You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod020714.mp3 You can support the Deadpod by clicking the 'Donate' button at the right hand side of the page..  my thanks............ 

A classic second set from the great year of 1971 on this week's Deadpod. This one features a massive Other One, an early look at Keith who was playing with the boys without Pigpen on this night and a very well played Goin' Down the Road Feelin Bad->NFA->GDTRFB sandwich.. definitely a favorite!  Phil is all over this massive Other One as well, and I think this is a good choice to warm those bone on a cold Winter's eve...  Grateful Dead Allen Theatre Cleveland, OH 10/29/71 - Friday Two - [66:24]  [66:24] ; Cryptical Envelopment [1:51] > Drums [0:23] > The Other One [20:16] > Me And My Uncle [2:54] > The Other One [2:58] > Cryptical Envelopment [1:39] > Deal [4:19] ; Sugar Magnolia [5:55] ; Ramble On Rose [5:50] ; Not Fade Away [4:40] > Goin' Down The Road Feeling Bad [6:32] > Not Fade Away [2:42] ; One More Saturday Night [4:02] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod011714.mp3 Thanks so very much for your support of the Deadpod!  I very much appreciate it! 

This week's Deadpod takes us back to some early "primal" Dead, back to the Winterland Arena in the fall of 1967. While we don't have all of this show, I think you'll enjoy how tight and well played these songs are. The band is clearly listening to each other and hitting on all cylinders. Pay attention to the lyrics used here on "The Other One". This show's a blast.. afterwards, I've included a cut from the Europe 72 vol 2 CD, the fabulous "Sing Me Back Home" from the last show of the tour.. I'm supposed to be getting some more copies of this from Rhino and plan to offer up another contest for them, I just want to have them in hand before I start to promise anything.. hope you enjoy it!!! Grateful DeadOctober 22, 1967Winterland Arena, San Franscisco, CA 1. Morning Dew2. New Potato Caboose3. It Hurts Me, Too4. Cold, Rain, & Snow5. Lovelight//6. Beat it on Down the Line7. Cryptical Envelopment >8. The Other One >9. Cryptical Envelopment From Europe 72, Vol 2: "Sing Me Back Home" You can listen to this week's Deadpod http://traffic.libsyn.com/deadshow/deadpod100711.mp3">here:http://traffic.libsyn.com/deadshow/deadpod100711.mp3">http://traffic.libsyn.com/deadshow/deadpod100711.mp3 Thanks for listening and for your SUPPORT!You can send a donation via the Donate button to the right of the page to keep the Deadpod rolling...

High time for some classic '68 Dead.. this week's show contains a wonderful classic Dark Star from 1968.. its from 'Betty Nelson's Organic Raspberry Farm' in Sultan WA., and took place on September 2nd, 1968. While the tape does have its share of rough spots it really is a quite spectacular record of the band as it is nearing maturity.. the incredible Pigpen vocals on 'Alligator' are another highlight.. Sit back and let this one carry you.. Grateful DeadBetty Nelson's Organic Raspberry FarmSultan, WA 9/2/68 - MondayOne  Dark Star [14:11] > Saint Stephen [4:16] > The Eleven [12:10] > Death Don't Have No Mercy [0:21#] % Cryptical Envelopment (1) [#1:21] > Drums [0:13] > The Other One [3:40] > Cryptical Envelopment [5:19] ; Alligator [3:23] > Drums [3:34] > Jam [2:26] > Alligator [4:26] > Caution (Do Not Stop On Tracks) [7:#56] > Feedback [3:19] You can listen to this week's Deadpod http://traffic.libsyn.com/deadshow/deadpod081911.mp3">here:http://traffic.libsyn.com/deadshow/deadpod081911.mp3">http://traffic.libsyn.com/deadshow/deadpod081911.mp3 Thanks for listening and for your SUPPORT!You can send a donation via the Donate button to the right of the page! thanks! Check out the home of Keeley Electronics http://www.rkfx.com">here!  

And this week... one of the paradigmatic Dark Stars.... a truly historic piece of primal Dead - the performance captured here marks a truly momentous moment in GD history.. there's no sense in trying to capture it in words, let your mind experience it... Grateful DeadFillmore East New York, NY 2/13/70b - FridayDark Star [29:21] > Cryptical Envelopment [1:56] > Drums [7:36] > The Other One [13:48] > Cryptical Envelopment [6:38] > Turn On Your Lovelight [30:12]Encore [0:56] ; And We Bid You Good Night [2:19#]You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod031309.mp3I want to thank each of you for listening and making the task of bringing you the Deadpod each week one of the joys of my life.. thanks for your support!!

This week we have the pleasure of listening to the 2nd, electric set of this wonderful show from July 14th, 1970 at the Euphoria Ballroom in San Rafael CA. Despite a few flaws (amazingly few I think for a show that happened over 38 years ago :) I think you'll enjoy this fine set. I always treasure a good 'Easy Wind' and the Cryptical->Other One->Cryptical is wild, young Dead at its best..then we get a Cosmic Charlie! Grateful DeadEuphoria Ballroom San Rafael, CADate 7/14/70 - Tuesday Casey Jones [4:28] ; [0:08] % [0:14] El Paso [5:38] ; [0:28] ; China Cat Sunflower [3:30] > Jam [2:29] > I Know You Rider [4:22] ; [0:09] % Easy Wind [#2:40] ; [0:09] % [0:04] Me And My Uncle [3:26] ; [0:04] ; Cryptical Envelopment [2:01] > Drums [7:04] > The Other One [10:12] > Cryptical Envelopment [5:18] > Cosmic Charlie [7:58] ; [0:13] % [0:04] ; Drums [0:52] > Good Lovin' [1:54] > Drums [0:08] > Good Lovin'[3:#23] > Uncle John's Band [7:20] ; [0:04]On a personal note, this marks the last Deadpod to come to you from my home for the last 28 years, Columbia Missouri. I am relocating to Lansing Michigan this week, and so there may be a week or two sabbatical as I try to get oriented to my new surroundings. This means saying good-bye to my good friends at KOPN, 89.5 FM. While I have some hopes of continuing our relationship, I want everyone there to know how much I love them and thank them for all their support over the years! I do hope to continue broadcasting the Deadpod from Michigan, thanks to the kind support of my wonderful listeners.. thanks so much!

I've had a request for this show for almost a year and for one reason or another never got around to playing it.. but some recent requests for Pigpen and a stroke of good fortune caused me not to overlook it any longer.. This piece of primal Dead has some wonderful versions of some classic early songs; I particularly like the Pigpen numbers and 'Sittin On Top of the World'.. 'Doin' That Rag' is always a favorite of mine as well. Grateful Dead Purdue University Lafayette, IN 4/18/69 - Friday One [1:35:39 +] [0:18] ; Hard To Handle [4:58] ; [1:30] ; Morning Dew [10 ;30] ; [1:35] ; Cryptical Envelopment [1:55] > Drums [0:21] > The Other One [9:41] > Cryptical Envelopment [6:43] > Sittin' On Top Of The World [2:58] > King Bee [8:00] ; [0:10] % [0:22] ; Doin' That Rag [7:#39] ; [0:17] ; Turn On Your Love Light [27:02] ; [0:28] ; Cosmic Charlie [6:29] ; [0:30] ; Beat It On Down The Line [2:31] ; [0:14] %Comments There is a brief cut at about 7:20 of Doin' That Rag.As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod041108.mp3I hope you enjoy it, and thanks for listening!!

This week I'd had a request for some '68 Dead, and just happened to have just gotten this remastered beauty. This is quite an amazing recording for a 40 year old show, even more amazing is how accomplished the band sounds when I think of how young they were. I think the power of this music, especially in the second set, is really amazing.. Grateful Dead Carousel Ballroom San Francisco, CADate 2/14/68 - Wednesday One Morning Dew [#6:24] % Good Morning Little Schoolgirl [#12:26] % Dark Star [#4:10] > China Cat Sunflower [4:06] > The Eleven [5:09] > Turn On Your Lovelight [9:01] ; (1) [0:05]Two (2) Cryptical Envelopment [1:42] > The Other One [3:06] > Cryptical Envelopment [3:58] > New Potato Caboose [8:37] > Born Cross-Eyed [2:46] > Spanish Jam [11:59]; [3:14]; Alligator [3:17] > Drums [2:27] > (3) Alligator [7:#56] > Caution (Do Not Stop On Tracks) [10:40] > Feedback [5:24]Encore (4) In The Midnight Hour [9:#51]As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod022208.mp3Thanks so much for your support during our pledge drive!! Hope you enjoy the show!

 This week's Deadpod features a wonderful show from May of 1970.. While recordings from this great year of performances are much too rare we have the good fortune of listening to both the first acoustic set and part of the third, electric set. I just love listening to this primal, energetic, engaging Dead.. I hope you do as well..Grateful Dead - 5/1/70 - FridayAlfred State College - Alfred, NYOne: The Race Is On [2:38] ; Wake Up Little Susie [2:41] % New Speedway Boogie [8:00] ; [2:19] ; Cold Jordan [2:35] ; [0:23] ; Uncle John's Band [6:02] ; [0:08]Three [1:00:05 +] Drums [0:14] > Not Fade Away [8:16] ; [1:15] ; Hard To Handle [6:37] ; [1:21] ; Cryptical Envelopment [2:05] > Drums [2:06] > The Other One [0:16# + #9:28] > Cryptical Envelopment [7:47] ; [0:20] ; High Time [6:53] ; [0:17] % Turn On Your Lovelight [16:53]As always you can listen to the Deadpod here:http://www.libsyn.com/media/deadshow/deadpod060107.mp3Thanks so much for your support!!