Podcasts about daryl hall john oates

**Kev White & The #White #House #Show Replay On www.traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years) From Peter Tosh, Freddie Jackson, Daryl Hall & John Oates, Duran Duran, Wham, Meat Loaf, Jason Donovan, Fox, Donna Summer, Showaddywaddy, T.Rex, The Police, Fleetwood Mac & More #originalpirates #danceclassics #70smusic #80smusic #party #boogie #disco Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Mary Chastain. Mary is a writer and editor at Legal Insurrection. She's also a sometimes contributor to The Hill, Washington Examiner, and Reason, and FEE. Mary is on X at @Mchastain81. Mary's Music Pick: Stone Temple Pilots:This is another in a series of episodes (think Daryl Hall & John Oates and The Monkees) in which your hosts believe there is a reputation to be restored or repaired. In this case, far too many people seem to look at Stone Temple Pilots with disdain, dismissing them as third-rate Pearl Jam imitators or a product of an audience that was willing to accept pretty much any/every grunge-type act. This, as you'll find out, was not the case.Or, perhaps the first thing that comes to mind is singer Scott Weiland's troubles with drug addiction and the law. While true, it doesn't in any way devalue his contributions to the band and his status as one of the best frontmen of the decade.What we have here is a band that shared influences with other artists like Nirvana, Pearl Jam, and Alice In Chains and released a debut album, Core, steeped in that sound. Even then, there were indications STP were not quite like their peers. Bassist Robert DeLeo was a major force in crafting the sound and writing the songs. Guitarist and brother Dean DeLeo pulled not from Pete Townsend and The Who, but from the more experimental later-era Led Zeppelin releases, with monster riffs and chords in line with Jimmy Page's best work. Eric Kretz was far more than just a time-keeper, adding fills, rolls, and rhythms that were essential to driving the composition.Purple, the follow-up to Core, has aged wonderfully and is an essential album that helps define the sound of the decade. By then, the band mostly had moved past the sludgy sound for which grunge was known and was beginning to color from a more varied palette. “Interstate Love Song” is one of the most iconic songs of the 1990s for a good reason. Tiny Music . . . Songs From the Vatican Gift Shop was met with muted reception if not downright confusion. What many missed at the time is rightfully regarded now as an immense step forward, as the band blended elements of glam and psychedelic rock, with hints of Bowie, T. Rex, and the Beach Boys in places.The remainder of the band's catalog provides strong reminders about the talent contained inside Stone Temple Pilots. Despite hiatuses and break-ups, that's what should be the legacy of the band. Political Beats now has the receipts to prove it.

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Behind The Songs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ en su sexta temporada, y hoy en el episodio número #5 tenemos el especial de Daryl Hall & John Oates Además, como en cada capítulo, escuchamos estas canciones: ⁠⁠* Maneater - Daryl Hall & John Oates * Out of Touch - Daryl Hall & John Oates * I Can't Go for That (No Can do) - Daryl Hall & John Oates * Say It Isn't So - Daryl Hall & John Oates * Kiss on My List - Daryl Hall & John Oates Con Jesús Martínez y Gerardo Ortega Síguenos en Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/codigolibre.radio/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/gerryortegaisme/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Escúchanos en ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.codigolibreradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #SomosLoQueDecimos

Season 2, Episode 7: In Discussion - Talking MTV with Mark Goodman   I WANT MY OBU-FM! Wait, that's not it... In this episode, we are joined by the legendary Mark Goodman, one of the original MTV VJs, who stops by to discuss the heyday of the 1980s cultural revolution that he was at the forefront of. Hear stories about Live Aid, John Lennon's assassination, and an unfortunate evening with Daryl Hall & John Oates, plus many more in this exclusive interview.   Check out Mark's Podcast: https://sounduppod.com/   Check out Block Street Records: https://www.instagram.com/blockstreetrecords/?hl=en   Sam's 3 of the Week Picks...   1.) The Downtown Lights - The Blue Nile, 1988   2.) You've Been in Love (That Little Bit Too Long) - Phil Collins, 1989   3.) Hey Girl - Michael McDonald, 1993   Luke's 3 of the Week Picks...   1.) Kings - Steely Dan, 1972   2.) Living For The City - Stevie Wonder, 1973   3.) Ain't Scared - The Tragic Thrills, 2017   Follow us on Instagram @obu.fm.pod for updates! https://www.instagram.com/obu.fm.pod/?hl=en   We do not own any music included within this episode of OBU-FM.   This episode is a Questone Entertainment Production in association with the Signal.

He may not be the tallest musician going, but John Oates casts a immensely large shadow in music. One part of the most successful duo in music history—Daryl Hall & John Oates—he co-wrote a number of the band's legendary catalogue including "Sara Smile," "She's Gone,” "Out of Touch,” "You Make My Dreams,” "I Can't Go for That," "Maneater” and more. In 2014, he was inducted into the Songwriters Hall of Fame, and in 2014, into the Rock and Roll Hall of Fame. But at 76, Oates is taking stock in his life, reflecting on the love he shares with his wife and their son, with his father who is 100, and those who are truly important to him.   “I wanted to make sure that things were clean and tight as I move forward in my life,” Oates said on the most recent episode of The Load Out Music Podcast. Without question, he's moving on—leaving his immensely successful business and artistic partnership with Hall behind, working to sell his stake in the duo's catalogue, touring with a new band and performing songs that have deeper meaning in his life. Oates is simply going forward and disconnecting from things that have held him up. He lays it all on the table in a great conversation on the Load Out. Enjoy! 

The Abyss (1989). Nope! Glen Campbell.   Includes: a parody of “Kiss on my List” by Daryl Hall & John Oates a parody of “Private Eyes” by Daryl Hall & John Oates a parody of “You Make My Dreams” by Daryl Hall & John Oates a cover of “Yellow Submarine” by The Beatles

Sarah's off on a turnaround, but James and Connor are on to another album! This week we're spinning Daryl Hall & John Oates' 1973 sophomore album Abandoned Luncheonette! It's a perfect example of their blossoming signature sound, with a blend of tracks that might just end up being magical. We'll talk about the shootout origins of one of rock's most recognizable duos, the legal woes they just can't seem to stay away from, egregious luncheonette litter, and more. Join us as we get to the bottom of what "&" means, prepare for doomsday, and get our hands covered in gravy! Had we known this album better then, we might have been alright when the morning came!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro2:35 About Daryl Hall & John Oates5:41 About Abandoned Luncheonette13:33 Fact Or Spin14:23 They Sued A Granola Company17:59 Oates Is Left-Handed But Plays Righty20:41 John Oates Is A Doomsday Prepper23:58 Daryl Hall Owns An Ancient Egyptian Artifact29:51 Album Art34:36 When The Morning Comes36:07 Had I Known You Better Then38:17 Las Vegas Turnaround (The Stewardess Song)40:30 She's Gone43:14 I'm Just A Kid (Don't Make Me Feel Like A Man)48:53 Lady Rain52:13 Every Time I Look At You54:21 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Part 2 of our Soulside series, this one focusing on their incredible third LP, which not only served as a sonic transition into the equally great Girls Against Boys but also unknowingly proved to be the inspiration for the HHPP outro music.      RIP Bob Nalbandian   Recommended Listening:    EP67: Hall & Oates “The Very Best of Daryl Hall & John Oates” https://huntsmanhill.com/2018/06/25/ep67-hall-oates-the-very-best-of-daryl-hall-john-oates/   Contact us at:  huntsmanhillpodcast@gmail.com Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Our Music manhuntsman:  https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:  https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ Mid City Three:  https://open.spotify.com/artist/2LW7wWSHd9bi3n3Q5N8i35?si=aVFU0HdnRzqI1UOTAfc-ig   huntsmanhill.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill  

Season 1, Episode 4: In Review - An Innocent Man by Billy Joel (with commentary from Mark Rivera)   In this episode, join us as we travel to 1983 to discuss the Billy Joel classic, An Innocent Man. Joining us is Joel's longtime saxophone player, Mark Rivera, who offers his first-hand knowledge of recording this week's album alongside the Piano Man. Rivera also discusses his work with various Beatles, Foreigner, Peter Gabriel, Daryl Hall & John Oates, and more. Grab your Wayfarers, tune up your pianos, and ask your Dad to break out the old Christie Brinkley poster... this is an episode and exclusive interview that you don't want to miss! Go snag a copy of Mark Rivera's new book, Sideman: In Pursuit of the Next Gig   (Originally released on March 20, 2023)   Sam's 3 of the Week Picks... 1.) Throwaway - Mick Jagger, 1987 2.) Save a Prayer - Duran Duran, 1982 3.) Rock and Roll - Led Zeppelin, 1971   Luke's 3 of the Week Picks... 1.) If I Ever Get Around To Living - John Mayer, 2012 2.) Have a Cigar - Pink Floyd, 1975 3.) Learning How to Love - Colony House, 2014   Follow us on Instagram @obu.fm.pod for updates! https://www.instagram.com/obu.fm.pod/?hl=en   We do not own any music included within this episode of OBU-FM. This episode is a Questone Entertainment Production in association with the Signal.

Buzzcocks first three proper studio albums, released from 1977-'81, are all very good but nothing released by the band (or really any other band) before or since can touch their 1979 singles compilation.  Whether or not you're a fan of Punk, Pop Punk, Power Pop or the fucking Beatles, Singles Going Steady is undeniable.  It's a lesson in world class song writing with a driving pulse and hooks for days.  None of your favorite bands exist without it.      RIP Pete Shelley  RIP Bob Nalbandian   Recommended Listening:   EP67:  The Very Best of Daryl Hall & John Oates https://huntsmanhill.com/2018/06/25/ep67-hall-oates-the-very-best-of-daryl-hall-john-oates/   EP142:  Compilations  https://huntsmanhill.com/2020/12/06/ep142-compilations/   EP145:  Band Compilations https://huntsmanhill.com/2021/01/11/ep145-band-compilations/   Jawbox “Airwaves Dream” https://open.spotify.com/track/6txJ4dXM6JSsFePWN1txCd?si=42a38f9297e443d5   Playlist “Friend Zone:  Bradman Chapley"  https://open.spotify.com/playlist/1AkTwWJaPealDOicwlwfKt?si=108791b5657844f6   Contact us at:  huntsmanhillpodcast@gmail.com Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   HHPP Amazon Affiliates Store https://huntsmanhill.com/2022/06/09/hhpp-store/   Our Music manhuntsman:  https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRwAcademy O.C:  https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:  https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ   huntsmanhill.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill

**Kev White's White House Show Replay On traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years), From Prince, Daryl Hall & John Oates, Thompson Twins, Roxette, Culture Club, Odyssey, Tavares, The O'Jays, Gilbert O'Sullivan, Smokie, The Glitter Band, Gary Numan, The Doobie Brothers & More Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org #traxfm #boogie #danceclassics #classics #retro #remixes Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

In recognition of Art Laboe, includes Richie Valens, Earth Wind & Fire, Queen Latifah, War, Luther Vandross, Cannibal & The HeadHunters, Stephen Sanchez, Malo, Linda Ronstadt, El Chicano, Daryl Hall & John Oates, Average White Band, Tierra and Tower of Power.

Today we have a Rock n Roll Hall of Fame legend Mr John Oates on the show. John stops by today to talk about his new single Pushin' A Rock, his years in the Music Biz, Songwriting and Recording and His love of Porsche 911 cars. Daryl Hall & John Oates are the most successful duo in the history of music selling over 80 million Records to date. The list of hits is mind boggling, She's Gone, Sara Smile, Maneater, Private Eyes, Kiss Is On My List, Out Of Touch and so many more. It was an honor to sit down with John today. Hope you enjoy this episode. Don't forget to subscribe and review the podcast on iTunes and YouTube. Keep Rocking  DDR  This episode is brought to you by Skill Share. Use my link for a fantastic offer. https://www.skillshare.com/deandelray     

**Kev White's White House Show Replay On traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years), From Melba Moore, Gene Chandler, Stevie Wonder's "Do I Do" (Andy More & Andy T Remix), Al Green, Alexander O'Neal, Bob Dylan, Echo & The Bunnyman, Susan Cadogan, Heatwave, Showwaddywaddy, Lionel Richie, Earth Wind & Fire, Imagination's "Burning Up (Koko Edit), Cliff Richard, Daryl Hall & John Oates, The Intruders & More Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org #traxfm #boogie #danceclassics #classics #retro #remixes Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

John Oates is best known as half of the rock and soul duo Daryl Hall & John Oates. He's also an absolute gear head. He got his racing license after training with Formula Fords at Brands hatch, attended a U.S. racing school with John Andretti, competed in IMSA, nearly died in a Fiero race car, has a 1960 Porsche 356 built by Rod Emory, and a growing collection of British cars. https://www.roadandtrack.com/car-culture/a36557397/john-oates-gearhead/ https://johnoates.com/Recorded April 7, 2022 Check out Road & Track's Rally U here! https://experiences.roadandtrack.com/pay Go to blackvue.com/TST to learn more about the BlackVue DR750X-2CH LTE Plus dash cam and BlackVue SIM card. Use the promo code TIRE to get 10% off of any BlackVue dash cam. Free shipping for orders over $200. Evercoat Body Shop takes the guesswork out of body work. Available at Advance Auto Part stores. LMNT is so sure you will love their product and come back for more they are offering you a free LMNT Sample Pack. That's 8 single serving packets FREE - Just cover the cost of shipping ($5 for US customers). Get yours at DrinkLMNT.com/TIRE Want your question answered? To listen to the episode the day it's recorded? Want to watch the live stream, get ad-free podcasts, or exclusive podcasts? Join our Patreon: https://www.patreon.com/thesmokingtirepodcast  Tweet at us! https://www.Twitter.com/thesmokingtire https://www.Twitter.com/zackklapman Instagram: https://www.Instagram.com/thesmokingtire https://www.Instagram.com/therealzackklapman Click here for the most honest car reviews out there: https://www.youtube.com/thesmokingtire Want shorter podcasts? Subscribe to our new CLIPS channel! https://www.youtube.com/channel/UCD4WGV-W5zD1MK4yHbNGwmw

Daryl Hall & John Oates have been around for the long haul. From fun facts about the band to John Oates killing it on TikTok to our memories connected to being in upstate NY at Daryl's House Club, get ready to hear about all things H&O. Episode sponsored by BetterHelp. Proud member of Pantheon Podcasts.

Daryl Hall & John Oates have been around for the long haul. From fun facts about the band to John Oates killing it on TikTok to our memories connected to being in upstate NY at Daryl's House Club, get ready to hear about all things H&O. Episode sponsored by BetterHelp. Proud member of Pantheon Podcasts.

Today's classic pop mix features music by Swing Out Sister, Lisa Stansfield, Sting, and Cathy Dennis. Also on the show today is an Artist Block of Daryl Hall &John Oates featuring their new single and classic favorites. Plus guest Erik Shunn and J join Danny in the studio.

Nothing but Love with Bruno Mars, Lady A, Paloma Faith & John Legend, Queen Latifah, Michael Jackson, Kenny Loggins, Adele, Daryl Hall & John Oates, Stevie Wonder, Boz Scaggs, Average White Band, and Ruben Blades with Wynton Marsalis.

Today is a mix of everything from Coil, Clock DVA to Daryl Hall & John Oates. See Chapters for complete setlist.

'Out of Touch' de Hall & Oates es una canción que, por supuesto, a muchas personas les gusta el sonido, pero descifrar la letra que contiene puede ser un poco desafiante. Sin embargo, aquí va un intento de interpretar las complejidades de la narrativa en la que se basa esta pista. El destinatario sería un interés romántico de la cantante. Y parece que su romance se ha basado en gran medida en la intimidad. Sin embargo, su relación ha llegado ahora al punto en que dicha actividad ya no puede sostenerla. O dicho de otra manera, se han enfrentado a desafíos que ahora amenazan con la perpetuación de su unión. Sin embargo, esto puede no deberse a ningún problema entre ellos en particular, sino más bien a su necesidad individual de desarrollo personal e interno. Esta idea parece estar apuntalada en el segundo verso. Y de nuevo, las metáforas utilizadas en todo momento son bastante exquisitas. Sin embargo, la idea general que parece presentarse es que a través del examen de conciencia respectivo de la pareja, se han distanciado. Pero esto no significa que el cantante crea que debería abandonar la búsqueda. De hecho, afirma explícitamente que 'el alma realmente le importa'. Sin embargo, establecido, dicha aspiración aparentemente ha llevado a que su pareja ahora esté 'fuera de contacto'. En otras palabras, su búsqueda personal para comprender el significado de la vida la ha llevado por un camino en el que no solo está más confundida que antes, sino que también, como se mencionó anteriormente, no pasa tanto tiempo con la cantante. Y este último aspecto realmente parece ser lo que lo está enojando. De hecho, él se enfrenta a sus propios problemas mentales similares cuando ella 'no está cerca'. Conclusión Entonces esa es una teoría detrás del significado de esta canción. Tanto el cantante como su interés romántico buscan un significado más profundo a la vida y tal vez incluso a su relación. Al hacerlo, su pareja en particular se ha enajenado. Así que ahora, además de los problemas que lo obligaron a buscar el alma en primer lugar, también tiene que lidiar con la ausencia de la mujer que ama. Datos sobre 'Fuera de contacto' Hall & Oates fueron mega-populares a principios de la década de 1980, y esta canción resultó ser la última de las seis primeras listas de Billboard Hot 100 de su apogeo. Además, también fue el 14thsencillo consecutivo lanzado por el dúo que rompió el top 40 del Hot 100. 'Out of Touch' también se trazó en otros 8 países, incluida la lista de singles del Reino Unido. RCA Records lanzó 'Out of Touch' el 4 de octubre de 1984. El sello lo lanzó como el sencillo principal del álbum del dúo 'Big Bang Boom'. Esta canción fue escrita por el dúo musical de Darryl Hall y John Oates, quienes también produjeron la melodía junto con Bob Clearmountain. El video musical de esta canción tenía a Jeff Stein como director. Esta canción fue incluida en el tracklist de la entrega “Vice City” (2002) del popular videojuego “Grand Theft Auto”. --- Send in a voice message: https://anchor.fm/radioflowok/message

Hall & Oates es un dúo estadounidense de soul formado en Filadelfia en 1970, por Daryl Hall (cantante) y John Oates (guitarra eléctrica y coros). Se estima que el dúo vendió 80 millones de grabaciones a lo largo de su carrera, convirtiéndose en el dúo musical con más ventas de todos los tiempos. Llegaron al número 1 en el Billboard Hot 100 un total de seis veces junto con muchas otras canciones que entraron en el Top 40 de dicha lista. Tienen siete álbumes certificados platino y seis álbumes certificados oro por la RIAA.1​ Este éxito no se reflejó en el Reino Unido, donde nunca llegaron a tener una canción o álbum en el número uno, solo entraron en el Top 10 de la UK Singles Chart un total de dos veces junto con seis sencillos alcanzando el Top 40 de la misma lista y solo dos de sus álbumes entraron en el Top 10 de la UK Albums Chart.​ La revista Billboard los nombró en la posición diecisiete en su lista de los "100 más grandes artistas de todos los tiempos".​ Fueron incluidos en el Salón de la Fama del Rock and Roll en abril de 2014. El 2 de septiembre de 2016 recibieron una estrella en el Paseo de la fama de Hollywood. --- Send in a voice message: https://anchor.fm/radioflowok/message

Len and Beave break down the newest Facebook bracket, this time covering the music of living legends Daryl Hall & John Oates. They discuss their Hall of Fame career and impact on American music. Which era was better -- their 70s folk or 80s straight pop? If you were charge of Hall & Oates concerts, which song would you choose to open with? What song is your go-to volume raiser? What is their most underrated song? Why the heck did they hire G.E. Smith? We discuss all this and more. Tune in!!

La historia de “Maneater”, la canción más popular y emblemática de Hall & Oates Este single de 1982 estuvo cuatro semanas en el número uno de Estados Unidos. Daryl Hall y John Oates son considerados el dúo más exitoso de la historia de la música popular, con más de 80 millones de discos vendidos y una racha de diez años (1980-1990) en la que la dupla tuvo más de 20 éxitos top 40 en el Hot 100 de Estados Unidos, lo que ameritó que el año 2014 fueran incluidos en el Salón de la Fama del Rock and Roll y el año 2016 recibieran una estrella en el Paseo de la fama de Hollywood. Este dúo de Filadelfia, que cultivó con éxito el género musical conocido como “Blue Eyes Soul” (música soul hecha por artistas blancos), también se haría conocido por el contraste de imagen de sus dos integrantes, pues mientras Daryl Hall, el cantante principal, era delgado, alto y rubio, su compañero John Oates era pequeño, moreno y usaba un enorme bigote. Si bien Hall & Oates fue una verdadera fábrica de éxitos en los años 80′, posicionando seis canciones número uno en los charts de su país natal, quizás el tema más popular y emblemático de toda su exitosa carrera musical sea “Maneater”, el primer single de su álbum de 1982 “H2O”, y que tras su lanzamiento el 31 de octubre de 1982 permanecería cuatro semanas en el número 1 del Billboard Hot 100 de los Estados Unidos. El éxito mundial de “Maneater” y de otros singles del álbum “H2O” (como “Family Man” y la balada “One and one”) provocaría que Hall & Oates ganara en 1983 el American Music Award al artista musical más popular de los Estados Unidos por segundo año consecutivo, pues ya lo habían ganado en 1982 gracias al éxito de su álbum “Private Eyes” (1981). Con respecto a la canción “Maneater”, que sonaría profusamente en las radios de nuestro país a fines de 1982 y sobre todo en el lejano verano de 1983, el cantante Daryl Hall recordaría en una entrevista cómo había sido el proceso en que se compuso el exitoso single. “John (Oates) escribió un boceto de ‘Maneater'. Tenía algunos toques de reggae, y fue cuando le comenté: ‘OK, me agrada, tiene acordes interesantes, pero creo que deberíamos cambiar el ritmo'. Así lo hicimos y quedó con un estilo Motown, sin mencionar que también ajustamos la letra. Y esos cambios hicieron toda la diferencia en la canción. Por esa época nos gustaba correr riesgos. Y ‘Maneater' no era algo que sonaba como cualquier otra cosa en la radio. Nuestra idea siempre era mejorar las cosas”. La canción “Maneater” (“Comehombres”), tras ser grabada por Daryl Hall y John Oates junto a sus músicos en los estudios Electric Lady de Nueva York en diciembre de 1981, se transformaría al cabo en una notable pieza pop de 4:31 minutos de duración. Además de su sugerente letra, el single destacaba por su trepidante ritmo, marcado por la batería de Mickey Curry y la gran línea de apertura del bajo del bajista Tom “T-Bone” Wolk, además de la excelente interpretación vocal de Daryl Hall, las guitarras de John Oates y G.E. Smith, y el logrado solo de saxo del saxofonista y tecladista Charles DeChant, que aludía al misterio y al romance. En su letra el cantante Daryl Hall hablaba aparentemente de una comehombres, una sensual mujer que le gustaba usar y tirar a sus amantes y que “sólo salía de noche”: “Muchos han pagado por ver / lo que tú crees que obtienes gratis / la mujer es salvaje / Una gata domada por el ronroneo de un jaguar / el dinero es lo único que importa / si estás en esto por amor no vas a llegar muy lejos / (Oh, allí viene ella) Ten cuidado, muchacho, ella te masticará / (Oh, allí viene ella) Ella es una comehombres”. John Oates, uno de los tres compositores de la canción, junto a Daryl Hall y Sara Allen, comentaría que si bien es natural suponer que la letra trata sobre una mujer, la canción en realidad se escribió originalmente “sobre la ciudad de Nueva York en los años 80′. Se trata de la codicia, la avaricia y las riquezas conseguidas de mala manera. Pero la adecua --- Send in a voice message: https://anchor.fm/radioflowok/message

Daryl Hall is going to turn 75 in a few days, which gives Rich & Danny the opportunity to talk about a couple of guys whose music they like a whole lot, although they can't seem to agree on which songs are good and which ones aren't. And hilarity ensued.

Verdict Aidan - 5 I Can't Go for That (No Can Do) Private Eyes Head Above Water Least - Your Imagination Denver - 6 Head Above Water Private Eyes Some Men Least - Did it in a Minute Joe - 4.5 Private Eyes Looking For A Good Sign Mano A Mano Least - Tell Me What You Want Will - 5 Private Eyes Mano A Mano Head Above Water Least - Tell Me What You Want Final Score - 20.5

"And you may find yourself living in a shotgun shackAnd you may find yourself in another part of the worldAnd you may find yourself behind the wheel of a large automobileAnd you may find yourself in a beautiful house, with a beautiful wife and you may ask yourself, Well... how did I get here?Letting the days go by, water flowing undergroundSame as it ever was, same as it ever was"No need to question your existence, the only thing flowing is the tunes...please join me for 2 Hours of Music Without Boundaries on the Saturday Edition of Whole 'Nuther Thing. I'll be serving up tasty morsels from Dire Straits, Ronny Jordan, War, The Police, Daryl Hall & John Oates, Traffic, The Isley Brothers, Emerson Lake & Palmer, Creedence Clearwater Revival, Earth Wind & Fire, Supertramp, Moody Blues, Eric Clapton, Traffic, Howard Tate, King Crimson, Harold Melvin & The Blue Notes, Genesis, Aretha Franklin and Talking Heads.

Album 4 the Day - July 14, 2021 - Record Store Day - Daryl Hall & John Oates - Voices --- Send in a voice message: https://anchor.fm/album4theday/message Support this podcast: https://anchor.fm/album4theday/support

Eliot Lewis has a career most musicians could only dream about. A singer, songwriter and multi-instrumentalist, Eliot Lewis has toured all over the world as a member of the Daryl Hall & John Oates band, as well as a key member of the Scottish funk outfit, The Average White Band. Eliot has also been the only musician to appear on Daryl Hall's incredibly popular, "Live From Daryl's House” show all while keeping his own solo career going at a seemingly impossible pace. Over the course of his career he has worked with the music business' elite including, Billy Gibbons (ZZ Top), Joe Walsh, Todd Rundgren,Train, Cheap Trick,Grace Potter, Ben Folds, Booker T, Jewel, Rob Thomas, Keb Mo, Jason Mraz, Darius Rucker, Gavin DeGraw and many, many others. He has also performed on some of the most prestigious stages all over the world including the legendary Hollywood Bowl and Japan's Budokan Arena, as well as on The Voice, Conan O'Brien, Today Show, The View, Jimmy Kimmel and many others.

Andrés Calamaro, Quique González, Tos, Neil Young, Eric Clapton, Daryl Hall & John Oates, Paul Simon, Kris Kristofferson y Janis Joplin, Neil Sedaka, Torrebruno, Cliff Richard & The Shadows, Roy Orbison, Louis Jordan & his Tympany Five y Billie Davis.

Michael Douglas discusses Daryl Hall and John Oates' most successful commercial album, H2O, complete with interspersed interview footage from a 1982 MTV special on the closing days of session recording for the album, specifically the track, "Go Solo". It's a solid album and a solid podcast episode.

The full 1h26min version of this mix is now available via my Mixcloud...Link > https://www.mixcloud.com/djazuhl/ Bingo Players - Life of a DJ (Edit) Juan Luis Guerra - Vela Pena (Redrum) Scorpions - Rock you like a hurricane Chocolate Puma - Tonco Tone prefix Stealers wheel - Stuck in the middle Yves V ft.Afrojack & Icona Pop - We got that cool Sade - Smooth operator (mashup) Chicago ft.Mooee & Beatvandals - Street player Janet Jackson - When I think of you (Azuhl Thong mashup) Daryl Hall & John Oates ft.Luca - Maneater (remix) Azuhl - Back to Oldschool break David Bowie - Let's dance (revival remix) The Beatles - Ob la di (redrum) George Benson - Give me the night (redrum) Kool & the Gang - Hollywood swinging Mase - Feels good Beyonce - Mood forever (remix) Camilla Cabello - Havana (Truffle butter blend) Adine Howard - Freak like me (Moombah remix) Party Next Door ft.Drake - Loyal (refix) Nelly - El (Break) Nsync ft.Nelly - Girlfriend (2020 blend) Naughty By Nature - HipHop Hooray (Vision remix) French Montana & Jason Derulo - Unforgettable swalla (wordplay switch up) Busta Rhymes - Put ya hands where my eyes can see (E40 Blend) Beyonce - Single ladies (All night long remix) Grover Washington - Just the two of us (2020 blend)

This episode we have Eliot Lewis on to talk about his amazing career,surviving the music industry during 2020 & his favorite cannabis strain. He has toured all over the world as a member of the Daryl Hall & John Oates band, as well as a key member of the Scottish funk outfit, The Average White Band. Eliot has also been the only musician to appear on Daryl Hall's incredibly popular, "Live From Daryl's House” show all while keeping his own solo career going at a seemingly impossible pace. For more info eliotlewis.com

Dug and long time friend Ray Amico get Real On... The state of the touring industry during such crazy COVID-19 times. What the future holds and what's next. They then get a little into some philosophy on how to reimagine the industry and beyond! Ray Amico is a multi-faceted musician/composer/producer/studio engineer for over 30 years, known as the guitar player in the legendary NY Bizarre-Core band, SIX AND VIOLENCE as well as a veteran Tour Manager, Production Manager, FOH Sound Engineer, and Tour Accountant. BIOGRAPHY Born in Brooklyn, N.Y in the late '60s, Ray started out in the early 80's first as a musician, then as a producer and studio engineer. Ray worked for several years in various NYC studios, as an engineer for A&M Records, working on projects for artists such as Celine Dion, Taylor Dayne, Mariah Carey, Cheap Trick, Norman Bates & The Showerheads and many, many others. From the mid-'80s through the late 2000s, Ray was best known as the guitarist for the NY Bizarre-Core Band, SIX AND VIOLENCE, who were known on the scene for their radically strange music and stage shows, which drew notice from Ian Anderson of JETHRO TULL, who loved the band so much that he played flute on two songs for their 1989 debut album, “Lettuce Prey”; the same year that JETHRO TULL controversially won the Grammy for “Best Hard Rock / Heavy Metal Recording”. After several years in the studio, Ray found that several of the artists that he had been working with started asking him to go on the road with them, doing their FOH Live sound, as well as taking care of responsibilities as Tour Manager / Production Manager, with the skills that could cover all of the different types of things that happen on the road. Over the last 25+ years, Ray had been on the road almost constantly, working with artists internationally, at every possible level. Ray has toured with a wide diversity of artists over the years, in multiple positions, from Toni Braxton to John Fogerty, George Lopez, Dane Cook, Smash Mouth, Ke$ha, DEVO, Fiona Apple, Sublime With Rome, The Cult, Jane's Addiction, 2 Skinnee J's, Jimmy Cliff, Zucchero, Panic! At The Disco, Dream Theater, “Weird Al” Yankovic, System Of A Down, Nancy Sinatra, Trans-Siberian Orchestra, Eric Johnson, Chic with Nile Rodgers, Beastie Boys, Sinead O'Connor, Daryl Hall & John Oates, Jim Gaffigan, as well as many, many others. As of March 2020, Ray was on a Central, South & North American tour with the Italian artist Eros Ramazzotti when the international Coronavirus Pandemic struck, ending that and seemingly every other tour and event, for the undetermined future. After moving to Rome, Italy in 2004 Ray released his first solo album as TYRANASSAURUS RAY, called “The Never-Ending Battle Of Fear”, a compilation of Ray's demos and recordings from all over the world. While living in Rome, Ray was introduced by a mutual friend to Eddie Zengeni, who along with Ray has a deep love, knowledge, and fascination with Mob-related films such as “The Godfather” and “GoodFellas”, as well as a passion for all types of music. While working for years as Tour & Production Manager for the band DEVO, Ray met his future wife Michelle, who was DEVO's secretary at their MUTATO MUZIKA STUDIOS in LA. After moving back to the states, Ray married his loving wife Michelle in 2009 and adopted both of her children, Michael and Matthew. In 2016 Eddie Zengeni approached Ray with a project: Eddie was writing, producing, and starring in his own independent street-gangster film set in Rome, Italy called “UNREDEEMED”, and asked Ray if he would write and record the entire soundtrack and score for the film. Ray asked one of his closest friends, keyboardist/producer Michael Klooster of the band SMASH MOUTH to be his co-musical director of the film and for the two of them to collaborate on the entire soundtrack and score of the film, consisting of a wide variety of styles, and accompanied by the talented Josh Mighell on drums/percussion. Along with contributions on various songs from a variety of friends, the talented singer Fiona Apple also supplied inspiration as an Associate Producer of the film. Ray has a Bachelor's Degree in Communications from CUNY Queens College and is extremely passionate about the loves of his life: his wife Michelle, his NY Mets, his puppy dogs, and music. Ray Amico contact info: misosuperay@gmail.com www.linkedin.com/in/ray-amico-811859 For your Free Guided Hypnotic Meditation go to www.guidedhypnotic.com  

On Episode 013 of the RETROZEST podcast, your host Curtis Lanclos discusses VOICES, the 9th studio album of power pop duo Daryl Hall & John Oates, in honor of its 40th Anniversary (it was released on July 29, 1980)! Don't miss a concise retrospective on Hall & Oates, and Curtis' Top 4 List of his favorite songs from the record! Also, included are some additional Landmark Birthdays for July 2020 and a short report on the Evel Knievel Stunt Cycle retro toy reproduction! Contact Curtis at podcast@retrozest.com, or also on the RETROZEST Facebook page.... https://www.facebook.com/zestretro/ 

#TWIT80, Episode #41. Yappin' about all the songs that peaked in popularity on the American pop music charts "This Week In The 80s"-the 3rd week of June. "Old Blue Eyes" gets his final top 40 hit... in the 80s??? Journey inspires Bryan Adams. Christopher Cross falls victim to the dreaded "Sophomore Slump". Madonna gets her 1st top 10 hit and Daryl Hall & John Oates get their final top 10 hit. PLUS - "Up With People", Elvis Costello rip-off artists, Japanese R&B, the ONLY country crossover between 1985 and 1992 and how many versions of "Wind Beneath My Wings" did it take to finally "hit". We'll find out! All that and more on another exciting, fun-filled edition of "This Week In The 80s". Thanks for listening. Please share, subscribe and write a review. 41 episodes in- We're almost to the end of the series!YouTube Playlist: https://rb.gy/dehlla

Chris talks with renowned singer, songwriter and percussionist Porter Carroll Jr. about the legendary R&B band he helped found, Atlantic Starr, as well as his current work with Daryl Hall & John Oates and his much-acclaimed new solo cabaret projects.

Meet Ray Amico. A multi-faceted musician/composer/producer and studio engineer for over 30 years, at one time the guitar player in the legendary NY Bizarre-Core band, SIX AND VIOLENCE as well as a veteran Tour Manager, Production Manager, FOH Sound Engineer and Tour Accountant. Influenced by the band Devo at an early age, Ray started out working at A&M Studio, working on such projects as Celine Dion, Taylor Dayne, Mariah Carey, Cheap Trick, and many others. On this episode, we talk about what it takes working the major tours, where they've been, and what we can anticipate in the future once the Corona Virus pandemic isolation ends. Simply put, the past, present, and beyond of the working tour. Ray has toured with a wide diversity of artists, in multiple positions, from Toni Braxton to George Lopez, Sublime With Rome, The Cult,Ke$ha, DEVO, Fiona Apple, Jane's Addiction, 2 Skinnee J's, Jimmy Cliff, Zucchero, Panic! At The Disco, Dream Theater, “Weird Al” Yankovic, System Of A Down, Nancy Sinatra, Trans-Siberian Orchestra, Eric Johnson, Chic with Nile Rodgers, Beastie Boys, Sinead O'Connor, Daryl Hall & John Oates, Jim Gaffigan, John Fogerty, Dane Cook, Smash Mouth as well as many, many others. He's also recorded an album titled "TYRANNOSAURUS RAY", called “The Never-Ending Battle Of Fear”, a compilation of Ray's demos and recordings from all over the world. While living in Rome, Ray was introduced by a mutual friend to Eddie Zengeni, who along with Ray has a deep love, knowledge and fascination with Mob-related films such as “The Godfather” and “GoodFellas”, as well as a passion for all types of music. As roommates in Rome, along with Eddie's wife, Emanuela, the three spent much of their time together performing music and digging deep into the film culture. While working for years as Tour & Production Manager for the band DEVO, Ray met his future wife Michelle, who was DEVO's secretary at their MUTATO MUZIKA STUDIOS in LA. After moving back to the states, Ray married his loving wife Michelle in 2009, and adopted both of her children, Michael and Matthew. The Business Side of Music ™ © 2020 Beyond the Music Produced & Hosted by Bob Bender  Creator & Technical Advisor (the man behind the curtain): Tom Sabella Audio Engineer (one really cool guy): Jim Tennaboe Director of Video (the brains of the entire operation): Deborah Halle Lighting Director (the inventor of video): Mark Pleasant Marketing & Social Media: Kaitlin Fritts Recorded at (when we're not practicing Social Distancing): The Coffee House and Underground Bunker in Franklin, TN Mixed & Mastered at: Music Dog Studios in Nashville, TN Website: businesssideofmusic.com  Stream or Download (free) businesssideofmusic.com  To submit to be interviewed: musicpodcast@mail.com Sponsorship information businesssideofmusic.com/sponsor-affiliate/ Join our mailing list for show announcements, career advice, industry discounts, free gifts and more.  Like Free Special Thanks to Tom Sabella and Traci Snow for producing and hosting over 100 episodes of the original “Business Side of Music” podcast, and trusting us to carry on their legacy. For our disclaimer and all its details, please click on the applicable link on our website. You can check out the organization that Ray discusses on the show at www.tourmgmt.org Cuts from Ray Amico's projects include: "Hardass"  "Susie Sunshine"

#TWIT80s, Episode #35. We're back! All the songs that peaked in popularity on the American pop music charts "This Week In The 80s" - the 1st week of May. The first single from the best (in my opinion) Billy Joel album. The 2nd single I ever bought. Eric Clapton's only top 10 hit of the 80s. What band who nearly shut down Rochester NY in 1982. Michael Jackson almost succeeds himself at #1. Barry Manilow rocks out (and fails). What do Jim Henson and a 1984 guitar solo have in common? Memories of Rodney Dangerfield's "Young Comedians" special. David Gilmour and Roger Waters have a d*** swinging contest. Who wins??? Daryl Hall John Oates get moody. The most OVERRATED music video of all time. The song that luckily stiffed... for Bon Jovi's sake... and the short-lived U2 cover band I was in. Crammed full of more useless 80s music trivia per episode than all the other shows combined. Well.... maybe. Thank you for listening! #TWIT80sYouTube Playlist: https://bit.ly/34MkAuC

**It’s The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Tracks By Big Tony, Birdbone, Boys, Daryl Hall & John Oates, First Touch, George Duke, Gloria Gaynor, Jamie Long, Kashif, Lace, The Three Degrees, Linda, Neil Cloud Orchestra, Oattes Van Schaik, Pasadenas, Randy Crawford, Step By Step, Strutt & More Catch Rendell Every Saturday From 7PM UK Time The Stations: Trax FM & Rendell Radio #traxfm #rendellradio #soul #funk #70ssoul #80ssoul #60s #boogie #disco #easylistening #soulclassics #reggae #nusoul #relaxwithrendell Listen Here: www.traxfm.org Free Trax FM Android App: https://play.google.com/store/apps/details?id=net.traxfmradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/original103.3/ OnLine Radio Box: http://onlineradiobox.com/uk/trax/?cs=uk.trax Tune In Radio : https://tunein.com/radio/Trax-FM-s225176/ Radio Deck: http://www.radiodeck.com/radio/5a09e2de87e3370db06d44dc Radio.Net: http://traxfmlondon.radio.net/ Stream Radio : http://streema.com/radios/Trax_FM..The_Originals Live Online Radio: http://www.liveonlineradio.net/english/trax-fm-103-3.htm **

**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Tracks By Big Tony, Birdbone, Boys, Daryl Hall & John Oates, First Touch, George Duke, Gloria Gaynor, Jamie Long, Kashif, Lace, The Three Degrees, Linda, Neil Cloud Orchestra, Oattes Van Schaik, Pasadenas, Randy Crawford, Step By Step, Strutt & More Catch Rendell Every Saturday From 7PM UK Time The Stations: Trax FM & Rendell Radio #traxfm #rendellradio #soul #funk #70ssoul #80ssoul #60s #boogie #disco #easylistening #soulclassics #reggae #nusoul #relaxwithrendell Listen Here: www.traxfm.org Free Trax FM Android App: https://play.google.com/store/apps/details?id=net.traxfmradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/original103.3/ OnLine Radio Box: http://onlineradiobox.com/uk/trax/?cs=uk.trax Tune In Radio : https://tunein.com/radio/Trax-FM-s225176/ Radio Deck: http://www.radiodeck.com/radio/5a09e2de87e3370db06d44dc Radio.Net: http://traxfmlondon.radio.net/ Stream Radio : http://streema.com/radios/Trax_FM..The_Originals Live Online Radio: http://www.liveonlineradio.net/english/trax-fm-103-3.htm **

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Programa #979 | AOR Diamonds #218 | Segunda parada de nuestra máquina del tiempo particular, segundo capítulo especial para conmemorar y celebrar un año. Hoy ha sido el turno de 1981, el año del 23F, de la legalización del divorcio, del estreno de 'Scanners', 'Rescate en NY' o 'Indiana Jones'. El mismo que se estrenaba 'Verano Azul' y que se editaba auténticas obras maestras a cargo de Journey, Rick Springfield, Rush, Loverboy, Shoting Star o Survivor. Los hemos repasado todos! Acompáñanos en este viaje en clave melódica que repasa el año de un modo lúdico, alegre y severo, donde más allá de las bandas citadas también podrás escuchar a Praying Mantis, Def Leppard, April Wine, 38 Special, Men At Work, Whitesnake, Rainbow, Styx, Survivor o Daryl Hall & John Oates. Ah, y tampoco falta nuestro apartado especial dedicado al Cine y los estrenos de 1981, con la batuta siempre certera de Oriol Cardó, que vuelve a casa. Dale al Play! Solo para suscriptores/as. Si quieres, ya sabes...entra en ivoox.com, busca nuestro podcast y suscríbete por 1,49€/mes. Escucha este episodio completo y accede a todo el contenido exclusivo de AOR Diamonds. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/75094

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Programa #979 | AOR Diamonds #218 | Segunda parada de nuestra máquina del tiempo particular, segundo capítulo especial para conmemorar y celebrar un año. Hoy ha sido el turno de 1981, el año del 23F, de la legalización del divorcio, del estreno de 'Scanners', 'Rescate en NY' o 'Indiana Jones'. El mismo que se estrenaba 'Verano Azul' y que se editaba auténticas obras maestras a cargo de Journey, Rick Springfield, Rush, Loverboy, Shoting Star o Survivor. Los hemos repasado todos! Acompáñanos en este viaje en clave melódica que repasa el año de un modo lúdico, alegre y severo, donde más allá de las bandas citadas también podrás escuchar a Praying Mantis, Def Leppard, April Wine, 38 Special, Men At Work, Whitesnake, Rainbow, Styx, Survivor o Daryl Hall & John Oates. Ah, y tampoco falta nuestro apartado especial dedicado al Cine y los estrenos de 1981, con la batuta siempre certera de Oriol Cardó, que vuelve a casa. Dale al Play! Solo para suscriptores/as. Si quieres, ya sabes...entra en ivoox.com, busca nuestro podcast y suscríbete por 1,49€/mes.

Chad talks music with former guitarist for Daryl Hall & John Oates and SNL Musical Director G. E. Smith. He starts out by telling Chad how he got introduced to the guitar, his love of music, playing with Hall & Oates during their glory years, and surviving for decades in the music industry, 4-14-20.

Un espacio que evoca la historia y anécdotas de las canciones que marcaron una época. En este episodio les traemos algunas "Love Songs". Hablamos de Billy Joel, Joe Cocker, Phill Collins, Daryl Hall & John Oates, Chicago, John Lennon y Elton John. Con Jesús Martínez y Gerardo Ortega

The Cloud burst, and for forty days and forty nights, all of our secrets rained down. In the not terribly distant future world of Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s 2013-15 series The Private Eye, the Internet is a distant memory and anonymity is now the foundation of American society. Of course, our hero is an amoral paparazzo-slash-private investigator whose job is to dig up those old secrets; of course, this leads him into a world of trouble. For the penultimate Four-Color Flashback of 2019, Paul and Arlo discuss Vaughan’s clever utilization of noir tropes in the post-Internet age, Martin’s dynamic pencils/inks, Vicente’s eye-popping colors (this is one noir that doesn’t hide in the shadows), their radical pay-what-you-want self-publishing platform Panel Syndicate, and the big philosophical question at the heart of the book: is the Internet worth it?   Next: for the final Four-Color Flashback of the season, we get existential with Fabio Moon and Gabriel Ba’s Daytripper. THE BREAKDOWN Total Run Time: 01:31:30 00:00:22  - Intro 00:04:10  - Main Topic 01:27:00  - Outro / Next THE MUSIC “Private Eyes” by Daryl Hall & John Oates, Private Eyes (1981) “This Masquerade” by The Carpenters, Now & Then (1973) THE LINKS   Panel Syndicate   “The Private Eye: A Damn Good Comic About How the Internet Changes Us” by Evan Narcisse, Kotaku “An Internet Comic About Post-Internet Life Imagines All Our Privacy Nightmares Come True” by Mark Peters, Slate “Cloud Burst: A Review Of Brian K. Vaughan’s Futuristic Comic Noir, The Private Eye” by Andrew Jones, Digital America

Je hoort dit keer muziek van Chicago, Daryl Hall & John Oates, Elvis Costello, John Mayer, Sam Smith en Powderfinger.

Ouça... Tradução Musical!

Ouça... Tradução Musical!

This episode of Big Blend Radio features Philly based powerhouse vocalist, songwriter, and guitarist, Mutlu, who discusses his new album “Good Trouble” that hits on thought-provoking topics like societal change, inequality, depression, and hardship. However, the album still features two soul-styled songs that emphasize love and connection. Mutlu's songwriting and vocals will not be the only thing that moves listeners. His rhythmic compositions showcase a rare and retro sound that can be attractive to fans of any genre. Mutlu has toured the nation as a support act with legendary duo Daryl Hall & John Oates, and with acclaimed singer/songwriter Amos Lee. More at: http://www.mutlusounds.com/ Thanks to the National Parks Arts Foundation for sponsoring this episode. More at: https://www.nationalparksartsfoundation.org/

This episode of Big Blend Radio features Philly based powerhouse vocalist, songwriter, and guitarist, Mutlu, who discusses his new album “Good Trouble” that hits on thought-provoking topics like societal change, inequality, depression, and hardship.  However, the album still features two soul-styled songs that emphasize love and connection. Mutlu’s songwriting and vocals will not be the only thing that moves listeners. His rhythmic compositions showcase a rare and retro sound that can be attractive to fans of any genre. Mutlu has toured the nation as a support act with legendary duo Daryl Hall & John Oates, and with acclaimed singer/songwriter Amos Lee. Thanks to the National Parks Arts Foundation for sponsoring this episode.

#TWIT80s - Ep. 10: What do AC/DC, Little River Band, Grandmaster Flash, Def Leppard, a "Star Search" vocal champ, New Kids On The Block and... "Burt Reynolds?!?!"... have in common? They all had songs that peaked in popularity "This Week In The 80s". PLUS - An Oscar winning #1 duet featuring a woman one of my elementary school teachers thought was (ahem) "unattractive", the song Michael Jackson DIDN'T rip-off from Donna Summer, (despite what Quincy Jones says!), the Debbie Harry solo flop that Jermaine Jackson DID (appear to) rip-off and... the final 80's chart entry for the greatest singles act (host/author's opinion) of the 1980s - Daryl Hall & John Oates . Thanks for listening! Please share, subscribe, write reviews and leave comments. #TWIT80s YouTube playlist: https://bit.ly/35IbjnHSpotify playlist:https://spoti.fi/2J4MvfE

Dit keer muziek van Daryl Hall & John Oates, Paolo Nutini, Golden Earring, Steely Dan, Elbow en The Four Tops.

#TWIT80s - Ep. 2/September Week 2: Hall & Oates Alert!!! The R rated movie my parents let me watch... at age 6! Plus - Did the world really almost END in the fall of 1983? Revisionists be damned! #TWIT80siHeartRadio playlist > https://ihr.fm/2kx5vdLYouTube playlist > https://bit.ly/2lg3FhvSpotify playlist > https://spoti.fi/2lH3EDl

Met herinneringen uit de oude en nieuwe doos, serie- en boekentips en zaken van hoofd en hart . Met uit de platenkast van Mouna en Francis Richard Galliano, Les Baxter, Rosalía, Dizzy Gillespie, Rose Murphy, Faye Webster, Daryl Hall & John Oates, Suprême NTM, Robert Palmer en The Beach Boys.

Retrouvez bientôt le concert de Daryl Hall & John Oates

Singer, songwriter multi-instrumentalist Eliot Lewis discusses his debut album “Adventure.” Eliot is a key member of the Daryl Hall & John Oates band and one of the original featured musicians on MTV's “Live From Daryl's House.” www.EliotLewis.com

Eliot Lewis is a singer songwriter and multi-instrumentalist as well as being a key member of the the Daryl Hall & John Oates band. Eliot is also one of the original featured musicians on MTV's “Live From Daryl's House.” His contributions stand out on some of the best moments from the show including performances with Billy Gibbons (ZZ Top), Joe Walsh, Todd Rundgren,Train, Grace Potter, Ben Folds, Booker T, Jewel, Rob Thomas, Keb Mo, Jason Mraz, Darius Rucker, Gavin DeGraw and many, many others. Earlier in his career Eliot spent several years as a key member of the The Average White Band. Eliot toured, wrote and also produced several songs for the Scottish soul band. 

John Oates is one half of the best-selling duo of all time, Hall & Oates, as well as an accomplished solo artist. Since their formation in the early 70s, Daryl Hall & John Oates have recorded 21 albums, which have sold over 80 million units. They scored 10 number 1 records, over 20 Top-40 hits, and have toured the world for four decades. All this effort has earned John numerous American Music Awards, MTV Awards, and multiple Grammy nominations. In 2005, he and Daryl were inducted into the American Songwriters Hall of Fame. In 2014, Hall & Oates was inducted into the Rock and Roll Hall of Fame. John’s long solo career continues since 1999 and his latest project entitled Arkansas was released this year. So, what does all this have to do with cars? When I met John at Rennsport this past summer, he shared his lifelong fascination with cars and racing.

It's Halloween time so we got in the spirit by dressing up as our favorite dynamic harmonizing duo from the 80's... Daryl Hall & John Oates!! We run through the Mt. Rushmore of Hall & Oates tunes before diving into the best and worst Halloween music of all time. Hello Thriller, goodbye Monster Mash and much more.

It's Halloween time so we got in the spirit by dressing up as our favorite dynamic harmonizing duo from the 80's... Daryl Hall & John Oates!! We run through the Mt. Rushmore of Hall & Oates tunes before diving into the best and worst Halloween music of all time. Hello Thriller, goodbye Monster Mash and much more.

This is the real-time live recording of two Funpoint! pals discovering that an album was actually horny. We're getting sad with Born Ruffians and their album Red, Yellow & Blue this week! You may not be able to live on the prairie with your 2000 person extended family, but you can definitely listen to us do Indie Rock Man Voice instead. Slap City picks: "Maneater" by Daryl Hall & John Oates, "Needle" by Born Ruffians. Listen to our playlist here  Join us in 2 weeks when we'll talk about our 4th Patreon pick, The Mars Volta's De-Loused in the Comatorium! Our Patreon page: https://www.patreon.com/postgameofthrones Join our Discord chat: discord.gg/7sbAt9X Check out our merch here: http://www.redbubble.com/people/wehgrr/collections/647855-postgame-of-thrones-podcast

This week we tackle our first ever compilation album as we discuss The Very Best of Daryl Hall & John Oates and their “very best” is incredibly good...seriously.   Recommended Listening:   (500) Days of Summer - Soundtrack  https://open.spotify.com/album/2n5AOB0lGse7qp38HvVROB?si=nZWpBwaRQWOSSPtof8xbgA   The Bird and the Bee Interrupting the Masters Volume 1:  A Tribute to Daryl Hall and John Oates   https://open.spotify.com/album/6Bh8grVrJlDIJ0vJKtakTi?si=FT8ElqX0T5CRHieXqt8HtQ   Video You Make My Dreams Come True - From (500) Days of Summer https://www.youtube.com/watch?v=t2VGpqq2-I8   Live From Daryl’s House  https://www.livefromdarylshouse.com   huntsmanhill.com #huntsmanhill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg  

Hola Gente! Este miércoles es casi tan disfuncional como la familia familia de tus primos así que aprovecha este hermoso día y hagamos algo nuevo con nuestras vidas! Artículo de los días puente: Https://es.wikipedia.org/wiki/Puente_Festivo La música de hoy: Maneater de Daryl Hall & John Oates. Nuestro Facebook: www.facebook.com/MananasConLeo Instagram: @Elleonunes

1 Everybody Wants the Rule the World (RMX) by Tears For Fears 2 The Way You Make Me Feel (Extended) by Michael Jackson 3 Need You Tonight (Remix) by Inxs 4 Kiss (Redrum) by Prince 5 Out Of Touch (Extended Mix) by Daryl Hall John Oates 6 I Can Dream About You (12' Extended ) by Dan Hartman 7 The Way It Is (Redrum) by Bruce Hornsby 8 Lessons In Love (Shep Pettibone Remix) by Level 42 9 New Sensation (Redrum) by Inxs 10 Rhythm Of The Night (Extended Version) by Debarge 11 Under Pressure (Extended) by Queen & David Bowie 12 Bette Davis Eyes (Extended) by Kim Carnes 13 Miss Me Blind (Ultimix) by Culture Clube 14 Come To My Aid (Remix) by Simply Red 15 What Have I Done To Deserve This by Pet Shop Boys 16 Der Kommissar (Original) by Falco 17 Good Vibrations (Remix) by Marky Mark & The Funky Bunch ft. Loletta Holloway 18 Livin' On A Prayer (Mixshow) by Bon Jovi 19 Sussudio (Perry Mix) by Phil Collins 20 Too Late For Goodbyes (Extended) by Julian Lennon 21 Trouble (Remix) by Lindsay Buckingham 22 Who Can It Be Now (Albertomix Xtend) by Men At Work 23 The reflex (Extended) by Duran Duran 24 Everybody Have Fun Tonight (12 Inches Of Fun) by Wang Chung 25 Talking In Your Sleep (Ultimix) by The Romantics 26 Perfect kiss (Remix) by New Order 27 Cry Wolf (Extended Mix) by A ha 28 Just Can't Get Enough (Remix) by Depeche Mode 29 Here comes the rain again (Remix) by Eurhythmics

One look at Sean Quackenbush’s resume and it’s clear to see that not only has his work ethic paid off, but obviously he’s got the talent, drive, and the ears, to back it up. Sean’s career started at the Saratoga Performing Arts Center in upstate New York. One fateful night, while mixing FOH for Robert Randolph & the Family Band his whole life changed, and he’s been on the road with an incredible list of artists ranging from Brandi Carlile and Matisyahu, to KT Tunstall, Ben Harper, O.A.R., the Experience Hendrix Tour, and Daryl Hall & John Oates. Join Sean and I as we talk about fatherhood, the road, and learning on the job from some legendary roadies.

Curt Smith is one of the two original members of the iconic 80s pop band Tears for Fears. As the band prepares for a spring and summer of touring with Daryl Hall & John Oates, Curt sits down to give us the inside story of how Tears for Fears came to be, why it broke apart, and how he and bandmate Roland Orzabal found a way to work together again. Full show notes available at http://ktla.com/frankbuckleyinterviews.

Mutlu opened for Todd Rundgren in 2016 at the Daytona Beach concert and he has recorded a cover of "Hello It's Me".  He is the only artist besides Todd that has been a guest on Live From Daryl's House two times. Mutlu is a soulful, singer-songwriter. A Philadelphia native and first-generation American of Turkish descent, Mutlu has already built a substantial fan base in his hometown, while winning widespread praise for his prior releases.  He's collaborated and toured extensively as a support act with legendary duo Daryl Hall & John Oates and holds the distinction of having made the most guest appearances on Daryl Hall's acclaimed, award-winning TV/Internet  show "Live From Daryl's House". He's also gained considerable attention for his work with noted singer-songwriter Amos Lee, with whom he's toured extensively as a support act and backup vocalist.  He was the support act on the North American leg of Joe Jackson's acclaimed "Rain" tour and has shared stages with the likes of Adele, Katy Perry, John Hiatt, Leon Russell, the Blind Boys of Alabama, Todd Rundgren, Shuggie Otis & many more. Born Mutlu Onaral, he grew up steeped in Philadelphia's deep R&B traditions, eagerly absorbing the fundamentals of old-school soul music and incorporating it into his own musical persona.  His local success led to a recording deal with Manhattan/EMI Records, which released his acclaimed 2008 debut album Livin' It, produced by the late, great T-Bone Wolk, and featuring guest appearances by Daryl Hall, Amos Lee, G. Love and Raheem DeVaughn. His latest release is the Hypnotize EP which he co-produced with songwriter/producer Darius Amendolia. 

Zaterdagavond 22:00 uur en het is weer tijd voor Goot Op De Radio met Leo van der Goot. Muziek van Blind Faith, Buddy Holly, Paul McCartney, Fleetwood Mac, Thomas Red, Daryl Hall & John Oates, Sarah Vaughan en The Rolling Stones.

One of the most successful and prolific writers and producers of all time, Desmond Child’s songs have resulted in nearly six dozen Top 40 singles on Billboard’s pop, rock, country, and R&B charts. His band Desmond Child & Rouge attracted the attention of Paul Stanley. He partnered with Child to write “I Was Made For Loving You,” which became a major hit for KISS in 1979. Desmond first collaborated with Jon Bon Jovi and Richie Sambora for Bon Jovi’s 1986 album, Slippery When Wet. That partnership resulted in the #1 hits, “You Give Love a Bad Name” and “Livin’ on a Prayer.” Desmond has appeared as a co-writer on every Bon Jovi album since, co-writing additional hits such as “Bad Medicine,” “Born To Be My Baby,” “This Ain’t a Love Song,” and “(You Want To) Make a Memory.” He formed a similar alliance with Aerosmith, with whom he wrote the hits “Dude (Looks Like a Lady),” “Angel,” “What It Takes,” and “Crazy.” He co-wrote Joan Jett’s “I Hate Myself for Loving You” and all of the tracks on Alice Cooper’s wildly successful Trash LP, including the hit single “Poison.” Not limited to the rock world, Child began branching out, co-writing pop songs such as Michael Bolton’s “How Can We Be Lovers,” as well as co-writing and producing “Just Like Jesse James” and “We All Sleep Alone” for Cher. In the late 1990s, he returned to his Latin roots, joining forces with Ricky Martin and scoring with several singles, inluding the #1 worldwide smash, “Livin’ La Vida Loca.” Among the many others artists who’ve recoded his songs are Cyndi Lauper, Megadeth, Ratt, Hanson, Robbie Williams, Roxette, Boyzone, Daryl Hall & John Oates, Bonnie Tyler, Hilary Duff, Vince Neil, Lindsay Lohan, Jonas Brothers, Meat Loaf, Scorpions, Sebastian Bach, INXS, Kelly Clarkson, Joss Stone, and Weezer. He was inducted to the Songwriters Hall of Fame in 2008 and is the Chairman and CEO of the Latin Songwriters Hall of Fame. 

Voici pour vous le grand classique Pop ,Funk De Daryl Hall & John Oates - I Can't Go For That Sortit en 1981 chez Rca Records https://itunes.apple.com/fr/album/very-best-daryl-hall-john/id273750173# Retouché par mes soins en version Club Soulful House ,House A vôtre appréciation ;) Here's to you the classic Pop, Funk Daryl Hall & John Oates - I Can't Go For That Came out in 1981 with RCA Records https://itunes.apple.com/fr/album/very-best-daryl-hall-john/id273750173# Retouched by me in one Club version Soulful House, House At your appreciation ;)

Hablamos de la Duquesa de Alba, de comer frutos secos todo el día, de Copito de Nieve (que en paz descanse), sobre la cagada de 4 kg de Copito de Nieve en el Zoo de Barcelona, How To Make It In America o Los Goonies. Y también, además de estos temas tan jodidamente cruciales, hay canciones: FERNANDO MILAGROS, LANA DEL REY, DARYL HALL & JOHN OATES, DELAY TREES, IVAN, PELEA, POLANSKY Y EL ARDOR...

Porter Carroll Jr  is a true American R&B legend. After co-forming the popular group Atlantic Starr back to the 1970s and helping to guide them through a successful, hit-laden career in the 1980s, Carroll would go on to perform with Shania Twain, Michael Bolton and many others. Today, he is a percussionist/vocalist in the Daryl Hall/John Oates band, and can … Read more about this episode...