Podcast appearances and mentions of bryant lake bowl

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the original submission.Celebrating the work of Duluth artist Oddio NibJeff Schmidt, owner of Lizzards Art Gallery & Framing in Duluth, recommends visiting a retrospective show for Duluth painter Oddio Nib. Nib is a prolific artist whose work includes still lifes as well as abstract and narrative paintings.Over 100 of Nib's paintings spanning more than 40 years of work will be in the exhibit, which opened this week at Zeitgeist's Gallery Cafe and runs through July 30. The exhibit will expand to the Zeitgeist's Atrium July 2–30, where some of Nib's larger works will be hung. The paintings are for sale as well.Sing me a SongAmanda Helling is an improviser from Minneapolis, and she appreciates the musical improv abilities of Hannah Wydeven. Her ability to make up engaging songs on the spot is on full display in her show “Sad Songs for Happy People,” which runs Fridays in May at 9:30 p.m. at Bryant Lake Bowl in Minneapolis. It's part of The Residency at the venue that pairs two 25-minute improv shows in an evening; Darth Hogbeef is the partnering act.“Sad Songs” will also help kick off the Twin Cities Improv Festival, which runs June 5–8 at the Phoenix Theater in Minneapolis.Amanda says: Hannah is an engaging musical improviser, and her show is very interactive. I'm always blown away by people who can improvise songs that sound almost preplanned, and Hannah is at the top of that game. Between the total 4th-wall break and the music that, despite being called “sad songs,” is often riotously funny.Hannah's show is a tour de force. “Sad Songs” would be at the top of my list of suggested shows to introduce someone to long-form improvisational theater.— Amanda HellingTell Me a StoryPeter Bretl of Minneapolis calls himself an enthusiastic amateur storyteller, and he's really been enjoying taking classes and attending open mic nights at the American School of Storytelling in Minneapolis.He appreciates the coaching to help him tell stories more comfortably before a crowd, and he recommends that anyone who is interested show up at an open mic night and add their name to the list of speakers for an opportunity to tell a story of up to 10 minutes in length.Open mic nights for storytelling are the third Monday of the month (next event: Monday, May 19 at 7 p.m.) and open mic nights for poetry are every fourth Monday (next event: Monday, May 26 at 7 p.m.)Peter says: The venue itself is delightful. I think seating capacity is 36, so you feel almost surrounded by friends. There's an intimacy to it that I really, really like. And the crowds there are very supportive. Everyone wants you to succeed.— Peter Bretl

For this episode, our Patreon supporter Ryan joins your hosts Eric, Tim, Joshua, and special guest host Shanan live on stage at the Bryant-Lake Bowl! Ryan has brought us “A Shipment of Mute Fate,” an episode of Escape featuring Jack Webb as a passenger transporting dangerous cargo aboard a ship at sea! What deadly thing […]

Thanksgiving has passed but it’s too soon for Christmas, and that means it’s time for leftovers! Specifically, it means another live Q&A at the Bryant-Lake Bowl in which special guest Shanan Custer asks your Mysterious Old Hosts all the leftover questions from our previous Q&A! Tim, Eric, and Joshua share their opinions about classic monster […]

We were joined by Shanan Custer for this live recording of our podcast at the Bryant-Lake Bowl! She brought a couple episodes of Ceiling Unlimited for us to check out! The series features Orson Welles in patriotic tales of flight sponsored by Lockheed-Vega! The first of these two scripts was written by Lucille Fletcher and […]

Today's Song of the Day is “Velvet Vampire” by Mark Mallman. Mark Mallman will be performing at Bryant Lake Bowl & Theater on Friday, November 1.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here. Click hereGrief without words Theatermaker Kurt Engh saw The Moving Company's performance of “SPEECHLESS” in 2017, and he's thrilled the show is back again. The show opens Friday and runs through Nov. 10 at the Jungle Theater in Minneapolis. As the name implies, the play is entirely without words, but the emotions run deep. Kurt explains: Someone passes away in the play, and that person is ironically or symbolically named Hope. I think it's intentionally left to be ambiguous. The play is about five people going through grief in this very melodramatic but real way, and they find that the only way forward is to support themselves, but also support each other. The play shows how people are able to support each other when they don't even know what to say, when they're so upset and they're so at a loss, truly, that they move forward through physical kindness to each other. The collaborators of this production have been working together for many years. They are my favorite theater company in the Twin Cities, and this was voted as a best play of the year in 2017 by the Star Tribune. There are performances on Wednesdays that are pay-as-you-are starting at $15.— Kurt EnghA smorgasbord of short films — or hot dish, if you will Rachel Coyne of Lindstrom is looking forward to seeing the Franconia 5 Minute Film Fest, a short film festival featuring works from Minnesota and Wisconsin artists. The top 15 judge-selected films will be screened at Franconia Sculpture Park this Saturday, Oct. 5 at 7 p.m. and at the Trylon Cinema in Minneapolis Thursday, Oct 10. The Franconia screening is free with a suggested $10 donation. Seating on benches is limited, so Rachel recommends bringing a blanket or lawn chairs. Rachel adds: There's a claymation artist, some live film, some animation. In the years in the past, when I've gone, you know, it's kind of like eating like a really pungent spice. You're just like, wow, that's an idea, and it hits you over the head, and then before you know it, you're onto the next film.Given that the filmmakers are all from Minnesota and Wisconsin, Rachel adjusts her metaphor: It's more hot dish. So there's peas, there's carrots, there's tater tots and there's probably even some mushroom soup in there. — Rachel CoyneDid you hear that classic Irish epic about the cow? Anna Maher is a classically trained singer and actor living in the Twin Cities, and she's glad that one of her favorite theater companies, Clevername Theatre, is remounting a fan-favorite from the 2022 Minnesota Fringe Festival. “Connor's gonna tell: The Tain Bo Cuailnge” is a one-person recounting of the “Táin Bó Cúailnge,” an old Irish epic tale about a cattle raid. See it at Bryant Lake Bowl & Theater in Minneapolis, Fridays, Oct. 4 and Oct. 11 at 7 p.m. and Sunday, Oct. 13 at 3 p.m. Anna says: It's kind of like the Irish Odyssey. It's an epic, and it chronicles a war that was waged between two factions, and then there's a hero. And the whole thing, the whole fight, revolves around a cow. And so, Connor will tell the story. He uses different voices. There are some different outfits that happen. There's a mask, there's a little bit of puppetry involved. And then he has a mandolin player who accompanies him for the entire show.” (Note: Anna Maher works for American Public Media Group, the parent company of MPR News.)— Anna Maher

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Our 350th episode celebration continues with a live Q&A at the Bryant-Lake Bowl! Special guest Shanan Custer interviews your Mysterious Old Hosts to find out the true origin of the MORLS and to learn their secret opinions on a wide range of topics! We collected questions from Patreon and the audience and here are the […]

It’s our 350th episode and we’re celebrating with live recording of our podcast at the Bryant-Lake Bowl! Our audience joined us for the Suspense adaptation of “The Most Dangerous Game” based on the short story by Richard Connell! The production features Orson Welles as General Zaroff, an eccentric big game hunter who lives a reclusive […]

Josh Carson is back! You likely know him best from the annual holiday mayhem of A Very Die Hard Christmas at Bryant Lake Bowl. Well, he's back with a hilarious new show called Movie Fight Club. What's the first rule of Movie Fight Club? Listen and find out. Enjoy!

Special guest Shanan Custer joined us at the Bryant-Lake Bowl for this live recording of the MORLS as we listened to “The Edge of the Shadow” from Dark Fantasy! The story features a farmer investigating a strange cut on his cow’s leg, which of course leads to a romantic betrayal, strange omens of the future, […]

Today's Song of the Day is “Banjo Song” from Nolen Sellwood's album Cadence To The Flame, out now. Nolen Sellwood will be performing Bryant Lake Bowl on Saturday, June 15.

Special guest Laura Zabel joins us for this week’s episode recorded in front of a live audience at the Bryant-Lake Bowl! We’re listening to “A Thing of Beauty” from Suspense! Angela Lansbury stars as a reclusive woman recounting the days of her youth to two clergymen. She tells them of her time as a renowned […]

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art.Want to be an Art Hound? Submit here.Click here.Exploring the artistic journeyDive into the captivating world of Stuart Loughridge, a local artist renowned for his mastery in etching, painting and drawing. Recommended by Gary Korlin, an independent fine artist in the Twin Cities.Gary says: I'd like to introduce — or basically maybe reintroduce — Stuart Loughridge. He's a local artist, and what I like about the guy is that he's got three excellent elements working for him: education, talent and then it's all run by his intuition. He's very interested in etching, which is sort of a lost art. And but he paints and draws. He paints in watercolor, he paints in oils. He does portraits, figures, still lifes — but, you know what, his passion is landscapes and a lot of them are very local. This whole process is very exploratory. It's definitely a show worth experiencing.The show that Stewart is going to be having at the Groveland Gallery in Minneapolis is going to be a little bit of everything. But the main focus is going to be on landscapes. But the interesting thing is that this is going to be sort-of a tracking, or a tour, of his history. He's going to have sketchbooks there, he's going to have his plein air sketches, which he calls just “fieldwork” and it's going to be leading up to finished pieces. This whole process is very exploratory. It's definitely a show worth experiencing, I would say.Stuart Loughridge's show runs through May 25. This Saturday, Stewart is going to be doing a portrait demonstration. So that might be fun for a lot of you who are interested in just expanding your knowledge — Gary KorlinResilience and recoveryDiscover the profound and poignant narrative of “Ugly Lies the Bone,” a play that explores the themes of healing and resilience. Recommended by St. Paul visual artist Bebe Keith.Bebe says: “Ugly Lies the Bone” is playing at the Commonweal Theatre in Lanesboro. A friend actually recommended this to me. She said the excellent portrayals and important subject matter were so compelling that she has already seen it twice. It's moving and, most of all, it's hopeful.The story is about Jess, a soldier returning home from war with injuries both — visible and unseen. She finds some relief through something called “virtual reality therapy.” It plunges her into an Arctic setting that helps with her burnt skin. So she strives toward healing, and she's also trying to restore her relationships, home and all that she's lost. I've read the script and it had me in tears. Jess is broken and in despair — and she's got some grit. It's moving and, most of all, it's hopeful. They are offering a free performance on May 5 for anyone who has served or is currently serving in any branch of the military and their families. “Ugly Lies the Bone” is playing at the Commonweal Theatre in Lanesboro through July 6.— Bebe KeithCelebrating diversity and joyWatch a unique collection of four short plays, penned by LGBTQ+ playwrights from across the country. Recommended by Minneapolis theater director Gretchen Weinrich.Gretchen says: Threshold Theater's new collection of plays is called “4Play.” It's opening at the Bryant Lake Bowl on April 26. It's a collection of four short plays written by LGBTQ+ playwrights that came from an open call for playwrights all across the country. I've been looking forward to seeing this show for a couple of reasons. First of all, Threshold has been holding staged readings of its place for a couple of years. But this is their first fully staged version with movement and sets and costumes. And they're really excited to put that on and I'm really excited to see it. These plays really look at things that are great about community or support — and joyful things about life.The great thing about this collection, from what I understand, is that it shows LGBTQ+ folks in a bunch of different stages of life and experiences. And what I really like about it, from what I read about it, is that it's really upbeat. Oftentimes when we talk about groups that are quote-unquote marginalized sometimes the topic can be really depressing or sad. But these plays really look at things that are great about community or support — and joyful things about life.— Gretchen Weinrich

This episode was recorded live at the Bryant-Lake Bowl in Minneapolis with special guest, Shanan Custer! We’re listening to “The Wailing Wall” from Inner Sanctum Mystery, starring Boris Karloff! The story features a murderous husband who can’t seem to escape his crimes! What is the source of the keening sound that haunts him? Is he […]

KNOSAGE & Novek welcome Adam (Advizer) and Roberto (Cybervato)!Roberto (El Cybervato) is an interdisciplinary performance artist and educator. Sifuente's projects include: #exsanguination, a collaboration with new media artist jonCates and Aram Han Sifuentes (2016-2019); “Reculmulations: Digital Avatars and Performance objects,” a collaboration with digital artist Claudia Hart and composer Edmund Campion (Black and White Gallery NYC).As co-founder of the San Francisco based performance troupe La Pocha Nostra, he has performed and conducted workshops with La Pocha across the US, Canada, Europe and Latin America. Sifuentes has co-authored two books with Guilermo Gomez-Peña; most recently “Exercises for Rebel Artists: Radical Performance Pedagogy” Routledge 2011. As a performance pedagogue, he has been Artistic Director of the Trinity College/La MaMa Performing Arts Program NYC. Sifuentes is currently Professor of performance at the School of the Art Institute of Chicago.The 1990s saw hip-hop's influence extend well beyond the confines of the traditional large metropolitan areas (New York, Los Angeles, Houston, Atlanta, et al.), initially spreading into the suburbs, where it infiltrated every socio-economic strata and crossed every cultural boundary, then ultimately found its way into smaller regional niches, such as, in the case of the progressive rap combo Oddjobs, Minneapolis and St. Paul. With the equally forward-looking artists of the Rhymesayers Entertainment enterprise, the group not only helped to put Minnesota on the hip-hop map but, inspired by previous mavericks like De La Soul, the Beastie Boys, Hieroglyphics, and Freestyle Fellowship, also helped to tie rap's coastal-based, old-school past with its visionary, postmodern, untethered future.The individuals who would eventually form the official Oddjobs lineup originally came together in 1996 as members of the 30-odd-strong Cases of Mistaken Identity (CMI) collective, a rotating cadre of rappers, DJs, b-boys, and graffiti writers drawn mostly from a pair of local high schools. By 1998, Minneapolis MCs Advizer (Adam Waytz) and Crescent Moon (Alexei Casselle), and St. Paul producers/DJs Anatomy (Stephen Lewis) and Deetalx (Devon Callahan), had gravitated toward one another and began performing together at all-ages venues as Oddjobs, occasionally backed live by local band Heiruspecs. Not long thereafter, the group released its first tape, Case Studies, with CMI and began to earn a measure of local exposure. The foursome's entrée into more widespread underground circles came the next year with its debut indie full-length, Conflict and Compromise. They attracted even more notice within the hip-hop community after Crescent Moon's strong showing at the battle competition of the 1999 Scribble Jam, and via his frequent spot as an auxiliary MC for Eyedea + Abilities of Rhymesayers fame. Advizer and Deetalx made the move to Brooklyn in the fall of that year to attend college, but the members kept Oddjobs alive via tapes, telephone calls, and commutes, resulting in the 2000 EP Absorbing Playtime. At around the same time, the Funboy EP was pressed in a limited edition of 5000 and officially released only in Japan. (It quickly began making the rounds in the United States as a bootleg.) Across the Tracks, a Deetalx mix CD, and Live at the Bryant Lake Bowl, with Chicago's Typical Cats and Heiruspecs, both appeared in 2001.The full CMI crew -- by that time down to Oddjobs and MCs Nomi and Naimles -- had planned to follow with a full-length project. Instead Nomi (Mario Demira) joined as an official member (CMI Productions became the business front for the group), and the three remaining Minnesotans made the final move to New York the following autumn. Success and respect came surprisingly quickly for the quintet in the Big Apple. Its 12" single "Blue Collar Holler" rose to the sixth spot on the CMJ college radio chart. (A subsequent remix of the song attracted guest appearances from Aesop Rock and Vast of Cannibal Ox.) Oddjobs shared stages with or opened for De La Soul, DJ Shadow, Blackalicious, El-P, and Atmosphere, among others. In 2002 the crew released its first nationally distributed full-length, Drums, on its own indie startup label Third Earth Music. The album was lauded by fans, fellow rappers, and critics alike. They briefly partnered with Eyedea for the extremely rare toss-off cassette Whereabouts of Hidden Bridges. The collaboration also accounted for a track on the next official Oddjobs recording, the six-song The Shopkeeper's Wife EP, released in the spring of 2003. ~ Stanton Swihart

In this episode, Rob Dunkelberger interviews the members of the Mysterious Old Radio Listening Society (MORLS) podcast and theater group: Tim Uren, Joshua English Scrimshaw, Shanan Custer, and Eric Webster. They chat about their love for old-time theater, performing live on stage, and what's coming up next for them. Tune in to hear the answers to these burning questions and more:Who IS Jimmy Montague, Antiquarian-for-Hire? What is the Fourth Prong? And did they really have cigarettes for babies in the olden days?Find out more about the adventures of the Mysterious Old Radio Listening Society on their website, listen to their delightful podcast, and keep an eye out for their regular appearances at Bryant Lake Bowl. Upcoming shows include:  Mysterious Old Radio Listening Society: A Christmas Post-Mortem at Crooners Supper Club on December 28th at 7:30 pm. You can also catch Eric Webster and Shanan Custer in I'll Be Homicidal for Christmas at the Mystery Cafe through January 6, 2024 and Tim Uren in in the Mounds Theatre production of It's an Honorable Life through December 23.Twin Cities Theater Chat is produced and hosted by Carol Jackson of Minnesota Theater Love and members of the Twin Cities Theater Bloggers collective. As always, you can find the Twin Cities Theater Bloggers on Facebook and on Instagram. Read our review round-ups and go see a show today!

Art lover Bill Adams was delighted to visit the Kaddatz Galleries to see Charles Beck: Rarities and Masterpieces. The Kaddatz and other Fergus Falls venues have been celebrating “A Year of Beck” throughout 2023, marking what would have been the Minnesota artist's 100th birthday. Charles Beck (1923 – 2017) created woodcuts, paintings, and other artworks that often celebrated the landscape of Ottertail County in west central Minnesota. This is the final show in the series, and it runs through Dec. 23. The pieces in this exhibit include works from private collections that would not otherwise be available, spanning from Becks' college drawings to his final piece. “I would say that Charles Beck's works are quintessential Minnesota pieces,” says Adams, who was thrilled to encounter new works of Beck's at this show. “Yesterday when I was driving home from Fergus, I looked through some bare trees and in the background was a blue sky with white clouds above it, and I thought to myself, ‘Wow, that looks just like a Beck piece.'” Don Fortner has retired as music director from First Presbyterian Church in St. Cloud. Still, he wants everyone to know about the wonderful music series that Granite City Folk Society hosts at the church and at Bo Diddley's Deli every month. Fortner was involved in connecting the Granite City Folk Society with the church as a venue during Covid, and he's delighted to see how the First Fridays concert series continues to grow in popularity. He says the 100-year-old church has excellent acoustics.  Folk artist John Gorka will perform December's First Fridays concert, Dec 1 at 7 p.m. at First Presbyterian Church. Rupert Wates will be at Bo Diddley's on Friday, Dec. 15 at 7:30 p.m. Tickets are available at the door. Find the concert series schedule here.  Oil painter Laura Lindquist of Stillwater says her favorite holiday show each year is “Letters to Santa,” a one-woman show that had her “hooting and hollering” when she first saw it last year. Actor Janelle Ranek transforms into 10 characters, each writing letters to Santa. Sitting in the intimate setting of Bryant Lake Bowl, Lindquist was astounded by Ranek's versatility and humor. Each year's show is different.  This year's version, “Letters to Santa: Shaken, Not Stirred,” runs at Bryant Lake Bowl in Minneapolis from Dec. 2 – 23. 

Katie Carter is an art lover and former arts reporter for Northern Community Radio. Recently, she made the drive to the Edge Center for the Arts in Bigfork, Minn., where she says she was blown away by Terry Leinbach's show “Wonder.” The show includes 39 large, abstract paintings, which Carter calls “a feast of texture and color” that offers layered imagery whose meaning and emotion seemed to evolve the longer she looked. Leinbach leaves room for this wonder-led interpretation: she numbers — but does not title — each piece. At the center of the gallery space are small wood block creations marked with words that invite the viewer to stop and contemplate. “It struck me in my cells, when I looked at her art,” Carter says. “It just had such a vibrancy and energetic-ness to it ... To me, her stuff could be right next to Helen Frankenthaler.” Leinbach lives near Blackduck, Minn. A retired Head Start teacher, she taught herself painting during the pandemic, working on large canvases repurposed from secondhand stores or stretched by her husband. “Wonder” runs through Sept. 30.  Jim Robinson is co-founder of Table Salt Productions and an alumnus of the Brave New Workshop. He's a big fan of writer and performer Josh Carson. Robinson is looking forward to seeing Carson's show “The (Almost) Complete and (Mostly) Accurate History of Alcohol" which opens Friday at Bryant Lake Bowl in Minneapolis.  Best known for co-creating “A Very Die Hard Christmas,” Carson has also dived into history to create plays on John Wilkes Booth and Nellie Bly, among others. This show explores the way alcohol has shaped our lives, causing — and occasionally solving — problems from ancient Greece through today. “You walk away from these shows breathless because they are so packed with comedy and information,” Robinson says. “He's a brilliant writer.” The show runs through Sept. 30. Poets & Pints marks its 100th show next Wednesday, and poet Charles Curry of Apple Valley says he “wouldn't miss it for the world.” The monthly poetry event takes place at Sisyphus Brewing. Curry describes it as "an exceptionally welcoming show for poets," fostering a friendly environment. Both seasoned and novice poets are invited to perform a wide array of styles, including formal and free verse poetry, as well as spoken word and rap.Poet Tony Plocido is the host and curator of the events. At a typical event, poets fill out a quick form ahead of time for an opportunity to present their work; an open mic follows the scheduled readers. The 100th show features Minnesota poets Shane Hawley, Thadra Sheridan, Joe Davis and Khary Jackson, as well as Shawn Pavey of Kansas City.  The nonprofit show is part of the League of Minnesota Poets, whose local chapter is Cracked Walnut. Shows take place on the third Wednesday of the month. Register to read at future events here. 

Josh Carson is back! This time he has Emily Dussault with him. They have a killer show coming up (along with Leslie Vincent!) called 'Twee AF'. It sounds hilarious. I love these two. Total gamers. Cheers!Support this podcast at — https://redcircle.com/brian-oake-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Breaking Ice - Chapter 2Fear of judgement, the courage of sharing pain, or guilt, or confusion, owning that not knowing is not an excuse for hurting, that humility is hard, that learning hard things is harder, and accepting responsibility is a daily struggle. This is the rocky relational landscape being explored by five BreakIng Ice performers on a bare stage at Barnes Jewish Hospital in St. louis, Missouri in the winter of 2019.LISTEN TO Breaking Ice Chapter 1Change the Story / All Episodes Change the Story Collections - Our full catalogue of Episodes in 12 Collections: Justice Arts, Art & Healing, Cultural Organizing, Arts Ed./Children & Youth, Community Arts Training, Music for Change, Theater for Change, Change Making Media, Creative Climate Action, Art of the RuralBIO'sNoël Raymond holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities. Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few.Kurt Kwan has been creating performances and facilitating dialogues around issues of Diversity and Inclusion with the Breaking Ice company since 2001. He also manages the Late Nite and Naked Stages programs. As an actor he has performed with Ten Thousand Things, The Walker, Childrens Theatre Company, Mu Performing Arts, New York Asian American Writers, The History Theatre, and Theatre La Homme Dieu.Notable MentionsDEI programs: Diversity, equity, and inclusion (usually abbreviated DEI) refers to organizational frameworks which seek to promote "the fair treatment and full participation of all people", particularly groups "who have historically been underrepresented or subject to discrimination" on the basis of

In this episode of Twin Cities Theater Chat Recommends, we are joined by Jill Schafer of Cherry and Spoon,  Rob Dunkelberger of The Stages of MN, and  Erica Skarohlid of Lettered in Theatre  to recommend a few shows currently running in the Twin Cities:  Next to Normal at Theater Latte Da, Sherwood at Theatre in the Round, and Red Speedo by Walking Shadow Theatre Company (at Hamline University). We also discuss a few shows we're looking forward to seeing: The Courtroom: A Reenactment of One Woman's Deportation Proceedings by Jungle Theater (at Hamline University and the Jungle), The Assassination of the Archduke of Austria-Hungary Franz Ferdinand by Jackdonkey Productions (at Bryant Lake Bowl), Into the Woods at the Guthrie Theater, and The School of Rock by Open Door Community Theatre at Park High School.Twin Cities Theater Chat is produced and hosted by Carol Jackson of Minnesota Theater Love and members of the Twin Cities Theater Bloggers collective. As always, you can find the Twin Cities Theater Bloggers on Facebook and on Instagram. Read our review round-ups and go see a show today!

Noah Hynick of Minneapolis works at an escape room. He recommends a new play at Bryant Lake Bowl titled “The Assassination of the Archduke of Austria-Hungary Franz Ferdinand.” The play was written by Minnesota stand-up comic Joey Hamburger and is produced by Jackdonkey Productions. “It's all about the events leading up to the assassination of Archduke Ferdinand,” Hynick explains. “It's sort of a tragic comedy and follows some real things that happen as well as some not quite true things.”  “Lots of places are still feeling the effects of COVID and everything. And now having new theaters come out, I think it's a really good chance to support smaller theaters and new art,” Hynick said. The show runs June 14-17, with an additional performance June 22. Amy Garretson of Rochester is the education and community outreach coordinator with the Rochester Art Center. She's excited that a new art house movie theater has opened in the Cooke Park neighborhood of Rochester, Pop's Art Theater. “The type of films they're showing are either films that are shown before the wider release at the big theaters, or they're just independent cinema that you're really just not going to see screened anywhere else in southeast Minnesota,” Garretson said. “After a long drought, there's finally a place where you can go to see interesting, innovative independent cinema here in Rochester.” Pop's Art Theater's screenings currently include “Dalíland,” a 2022 film about Salvador Dalí starring Ben Kingsley, and two classics of Hong Kong action cinema, “Police Story 2” with Jackie Chan and 1972's “Fist of Fury” with Bruce Lee. St. Paul's Christine Sweet is a former classical music broadcaster with Classical MPR and a current member of the Twin Cities theater community. “Ladyslipper Ensemble is one of my favorite local chamber music ensembles,” she says. “And that's because every time I've been to a Ladyslipper concert, I hear something wonderful that I've never heard before — whether it's brand new or just new to me.” She explains that Ladyslipper is “a group of four instrumentalists plus mezzo-soprano Sahar Hassan, who is its director. They typically don't perform as a quintet but in combinations of those instruments, or instruments and voice and sometimes they also have guest performers.” The next Ladyslipper performance will include music of Gabriel Fauré and Erich Wolfgang Korngold, as well as a premiere of a new piece by Minnesota composer Carol Barnett. The event will take place June 12 at MetroNOME Brewery in St. Paul.

This episode and next will tell the story my time with Breaking Ice and share what I learned about the program's evolution and history, its impact, and its innovative approach helping workplaces large and small "cultivate courageous dialogue around issues of diversity, equity and inclusion. BIO'sNoël Raymond holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities. Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few.Kurt Kwan has been creating performances and facilitating dialogues around issues of Diversity and Inclusion with the Breaking Ice company since 2001. He also manages the Late Nite and Naked Stages programs. As an actor he has performed with Ten Thousand Things, The Walker, Childrens Theatre Company, Mu Performing Arts, New York Asian American Writers, The History Theatre, and Theatre La Homme Dieu.Notable MentionsDEI programs: Diversity, equity, and inclusion (usually abbreviated DEI) refers to organizational frameworks which seek to promote "the fair treatment and full participation of all people", particularly groups "who have historically been underrepresented or subject to discrimination" on the basis of identity or disability.[1]Barnes Jewish Hospital is the largest hospital in the U.S. state of Missouri. Located in the Central West End neighborhood of St. Louis, it is the adult teaching hospital for the

Stephanie [00:00:12]:Hello, everybody, and welcome to Dishing with Stephanie's dish. We talk to people that have written cookbooks or books or food adjacent things because I can't get enough about talking about food, and and today we have a great guest. She is julie joe sieverson. She is the author of Oldest Twin Cities a Guide to Historic Treasures. And I had read about this book, and I thought, oh, that's cool. I wonder if she has stuff in there about restaurants and breweries, because we have so much history in the Twin Cities. And indeed she does. Welcome to the program.Julie [00:00:47]:Thank you for having me here. This will be fun.Stephanie [00:00:50]:Yes, it will be fun. So how did you decide? Are you like a born and bred twin Citian, and how did you decide to undertake this project?Julie [00:00:59]:Yes, I'm a fourth generation Minnesotan, and I've lived in the Twin Cities most of my life. I first wrote a book called Secret Twin Cities a Guide to the Weird, Wonderful, and Obscure, and that came out in 2020, arrived March, mid March, right when the cities were shutting down. So good timing on my part. I shoved them all in the corner for a couple of weeks because I thought, who's going to want to buy a travel guide right now?Stephanie [00:01:24]:Right?Julie [00:01:25]:It turned out okay for secret Twin cities. They had a lot of social distancing ideas in it, coincidentally. But anyway, all this Twin Cities evolved from that book. About a year later, the publisher asked if I'd like to write another one. And I really wanted to do one of more of a historic nature because I just think with COVID and the really tough year that the Twin Cities had in 2020, including the murder of George Floyd and the Civil uprising and businesses shutting down, burned down. I just felt like I needed a reason to fall back in love with the Twin Cities. And I was feeling a loss of community and a loss of connection. And for me to feel connected to the region I live in is very important to me. I need to feel part of the fabric. And so I just stopped focusing on enduring places in our midst and places that hung in there and have endured and have reopened, providing us continuity, kind of a comfort that was good for my soul to focus my energy there. So that's why I kind of went in this direction.Stephanie [00:02:43]:Well, and one of the selections in the book is the Oldest Best Bar, which is our friend Tony Zacardi, who bought it from our friend Lisa Hammer. I knew Lisa and Keith, and they had shepherded the bar, and then they sold it to Tony Zacardi. And it's from 1906.Julie [00:03:03]:Apparently.Stephanie [00:03:04]:It's an institution on Cedar Avenue. And you talk about sort of that pandemic and that coming back to life. Tony is a good example of someone that really he had just bought the bar and all of a sudden it has to close, and they're trying to hang on. And a lot of these bars and restaurants and distilleries really were in tough shape. So I was so glad that when we came out of the pandemic that Palmers has come out of it. And tell me a little bit about the history of Palmers in particular.Julie [00:03:40]:Yeah. And Tony really was he was really propelled into the national spotlight during that time. Yes.Stephanie [00:03:48]:He was an African American man who.Julie [00:03:51]:Owns this in the heart of he spray painted black owned business in hopes to protect his business, to deflect potential looters. And he was really a spokesperson and a comfort, I think, for the twin stage community during that time. We needed absolutely.Stephanie [00:04:10]:And the music community, too, because Palmer has had such a history in steeped in music.Julie [00:04:16]:Yeah. What a gem this place is. It's so unique, with an Islamic mosque on one end and then that iconic Mustachioed man against it on the other one. And as I write in the book, you rarely leave this place without a story to tell. Kind of rough edge place. Maybe not everybody's going to feel comfortable there, but you're very welcome there, no matter who you are. And you'll be invited to play a game of Scrabble or get into a conversation, unless you're a jerk. Because if you're a jerk, you're going to get plastered on a poster note on the back wall, and you're not going to be welcome there at all.Stephanie [00:05:00]:That's funny.Julie [00:05:02]:Yeah.Stephanie [00:05:02]:Another institution that is in downtown Minneapolis specifically, and I didn't realize that they had had a fire in 1989, but this was Glicks, the oldest downtown bar.Julie [00:05:20]:Yeah. Lots lots of damage. It seems like most of these places have endured fires over the years. Yeah.Stephanie [00:05:30]:You can imagine that. Yep.Julie [00:05:32]:Yeah, they they really came back from that. In fact, there was a moose in there. They have these animal heads mounted all throughout the restaurant. And the moose in the back room had been stolen from during a fraternity party there. And I think this group, whoever had stolen it, felt so bad because of fire that Reopening day, they anonymously returned it, leaning it against the front door. Welcome, everybody back. But yeah, my daughter was just there the other day. She's like I'm a glicks. I'm like, do you know that's in my book? No, I didn't even know that.Stephanie [00:06:05]:I had no idea either. Now, the Monte Carlo has been near and dear to my heart for some time, and my mom and dad got divorced, and my dad moved downtown. And that was really like, wow. Because we were suburban girls. And the first weekend my dad had us, he took us into this CD alley, and he went through this back door that had this weird sign above it and brought us in. And I thought he was bringing us into a pool hall. And I was like, oh, my gosh, my dad has really tipped over here, and it turned out to be the Loveliest bar inside. It was actually the Monte Carlo, and he was kind of a regular there. What's the historic nature of the Monte Carlo?Julie [00:06:47]:Yeah. Well, yeah, the hum of the neon sign is going to remain a constant in the North Loop Bar. It's really exquisite in there with this mirrored wall behind the bar. One's kind of an elegance to it, to it all. But the whole North Loop area, the warehouse district is where the Milky Way candy bars and cream of pasta and pop up toaster were invented. This was a real industrial place. The neighborhood has more than 60 buildings that are over a century old. A lot of them have been repurposed. Some of them. A few of them are rehearsal spaces for the Minnesota Opera, and a lot of them are faded. Business signs are repurposed. You see the old signs, ghost signs, sort of. But the Monte Carlo Bar and Grill have stood the test of time. It used to be mostly only for men, but then when it changed ownership, mr. Rimsick, who owns a number of places in the Twin Cities, he kind of turned it into a destination for all the patty, is a great happening place. Now, Beijing style wings, they're really famous for.Stephanie [00:08:06]:Yeah, the dry rubbed wings are my favorite. Yeah, a kind of funny one that I didn't expect would reach me and grab me, but it did. So I work on the Stone Arch Bridge festival and I curate a culinary market that happens underneath the Hennepin Avenue Bridge. And underneath that bridge, we have 38 ten x ten booths of vendors that produce Minnesota made food products. And as I was looking through your book, it's the oldest bridge relic at First Bridge Park, which is where I am during these two days of the festival from 1855. Underneath that bridge, there's these giant anchors, and I sit on those anchors. That's my chair during the two days of the festival. So I didn't realize they were so old.Julie [00:08:56]:Well, yeah, those don't date back to the very first bridge to cross the Mississippi River anywhere. Right there at St. Anthony Falls. I mean, prior to that bridge back in 1855, people were crossing over the falls to get to the other side. That first bridge didn't last real long, and then they created another one and another one. So anyway, these archaeological excavations revealed anchors from the original bridges, and so now they are under the Hennepin Bridge. Now you can see and sit on them if you want. There's plaque. So cool. Really interesting history at that park. Yeah. Right down from Melrose Park.Stephanie [00:09:42]:The oldest island venue in 1893 is the Nicolette Island Inn, which is still operating as a hotel, as a restaurant. It is a beautiful, gorgeous spot. If you ever just want to pop in for a drink or they have delicious food, too. Yeah, that's a great spot. And I didn't realize that David Shea was kind of responsible for bringing that back. He's designed so many restaurants in the Twin Cities.Julie [00:10:08]:Yeah. I didn't realize he was connected to that either until I started research. Talented guy. Yeah. That place I learned a lot about. I didn't really know a lot about that fire that had kind of spread through Nicholas Island and all northeast Minneapolis. A very ravishing fire, and only one of two structures, industrial structures, on the island to survive it. A fire started by some boys smoking. And so, again, these places that have endured. And at one point, it was a men's shelter, salvation army men's shelter. So I really and, you know, I can't help but continue then to learn about and read about Nicholette Island.Stephanie [00:10:52]:Right.Julie [00:10:53]:So many storied history there. Couple donkeys, Pearl and she. But I really focused on that island and my secret Twin Cities.Stephanie [00:11:01]:Who would have known that the oldest bowling alley was the Bryant Lake Bowl?Julie [00:11:08]:Yeah, I mean, that's a legendary spot in the Lin Lake neighborhood, and that's really evolved over the years. It used to be a Ford garage, and apparently it's haunted by a mechanic who was crushed by a car there. But at the heart of it is the eight lane bowling alley. Old school. But around it now is a really funky groovy restaurant that you never super funky for. A bowling alley and a cabaret with these red leather seats from Stillwater Junior High School, where you can go to all kinds of events there. And there's a really cool drone video that went viral in 2021 that they created to support businesses struggling through the pandemic. It's a cool right up our alley. You can Google it went viral. Yeah.Stephanie [00:11:57]:In 1964, Boca Chico became the oldest Mexican eatery, which is interesting, because I know that the Silva family opened El Burrito Mercado a little bit further down the street in the 70s, early seventy s. I didn't realize Boca Chica was that old. And it's still run by the family, isn't it?Julie [00:12:17]:Yeah, it sure is. Grandma Fria seasoned pork tamales are still on the menu. Yeah, this place was a really delightful surprise. Walking into you can go there after visiting the Wapisher Caves, the gangster tours there. That's a great place to go to afterwards. You just walk in and every wall tells a story of the family's heritage murals. But, yeah, Uramo Frias and Gloria Coronado, who's a petite, spunky lady, they fell in love and started this little place. She was actually linked to a dynasty, cultural dynasty in Minneapolis. Her parents owned the first Mexican restaurant in St. Paul, and then in Minneapolis called the Casa Coronado, but that has long closed.Stephanie [00:13:10]:And there's the oldest family Italian restaurant in St. Paul. Yuruso's.Julie [00:13:15]:Yeah. Yuruso's and giant meatballs. And again, that's family owned. Same family. And what I love about that place are giant murals of Sweet Hollow especially. It is located right across from Sweet Hollow. You would never know that across the street there is a hidden valley below street level. Right. We're former immigrant shanty town and in the book I give directions on how to get there because it's a little kind of windy but you can find it.Stephanie [00:13:50]:Yeah.Julie [00:13:51]:Yes.Stephanie [00:13:53]:When you were writing the book, what was one of your favorite discoveries?Julie [00:14:00]:Well, I fell in love with the New York Life Eagle. And that's a Summit overlook park in the Summit neighborhood. It overlooks the river valley.Stephanie [00:14:09]:I lived right there. It's right across from the University Club on Point of Land.Julie [00:14:16]:Maybe because of a mother. She's a mother. She's there taking her tail ons into a serpent, digging in there, protecting her nest of eaglets there in that pose she was almost discarded. She used to be on the third story entrance of the New York Life building in downtown St. Paul. And when that was removed, she really was nearly forgotten and discarded. And she was kind of put on a pedestal in front of a parking lot for a while until she found her new home here. And now she's in all her glory. There a nice spot while you're mansion goggling over mansions there in that area.Stephanie [00:14:54]:Yeah. I had no idea about Newman's being the oldest bar in the state.Julie [00:15:00]:Well, that's the big question because it's a tie between Newman's and the Spot Bar in St. Paul. The feud. I'm sure St. Spot fans will be mad at me for including Newman's, but I included the Spot bar in secret to the city, so I had to be fair. But those two kind of feud over. They both have very good reason but different reasons to want to claim that title. So yeah, Newman's is famous for their frog tank in the window.Stephanie [00:15:30]:What is the story of the frog tank? Do you know?Julie [00:15:34]:You ask people there and the Tank of Frogs has just been there as long as anybody can remember. It's just a tradition that they keep going and I guess the frogs have disappeared every now and then. One was found in a pitcher of beer. But this place has a hidden door behind the Tank of Frogs. It's only used for special events, but they used to hide have kind of speakeasy up there during prohibition and that's where you could speak up there and have a legal hooch. And there was like a phone that connected upstairs to the main bar to let the bartenders know when the cops were coming sniffing.Stephanie [00:16:13]:That's hilarious. Yeah. I love it. You go into all this detail like 1972. The oldest food co op is the Seward food Co op. Who knew that that was I mean, I don't know. The Twin Cities co op movement has been so strong, but who knew Seward was the first? I didn't. I thought the wedge was the first.Julie [00:16:36]:Yeah, no, they were really kind of the first, and now the most enduring. And what I didn't know was what a violent struggle the food co op went through in those early years. It sounds kind of like stuff going on these days with, you know, there was a takeover yeah. That tried to take over with steel bars and fire bombs, but they failed because there was such a difference of philosophy. And these were really some veteran radicals really disagreed with what they called the white bourgeois elitism. That's kind of how the opposing group.Stephanie [00:17:21]:Those bourgeois co op people.Julie [00:17:25]:And there's a new documentary about that called The Co op wars that was created in 2021. Super interesting to learn about the whole early Twin Cities.Stephanie [00:17:34]:Yeah, that sounds neat. Well, this is a great book. Your second book, Julie. Joe Sieverson Oldest Twin Cities a Guide to Historic Treasures. Are you already working on your third?Julie [00:17:44]:Not yet. Promoting this is full time right now.Stephanie [00:17:49]:Yes. Well, it's fun to visit with you and to hear the story and to just get more history about some of these great spots. Pick up the book and then take your own kind of historical tour, right?Julie [00:18:03]:Yes.Stephanie [00:18:04]:I love it. Thank you, Julie Joe. And thank you for highlighting some of our relics. Treasures, a fabric of a community is always about the history. That where you come from. Right. And it's good to be reminded of some of these great spots. I sat on that anchor all summer, last summer, and I never knew. So I love it. Thank you so much for joining us. I appreciate you.Julie [00:18:29]:Absolutely. Thank you.Stephanie [00:18:30]:All right, we'll talk soon. Okay, bye. Get full access to Stephanie's Dish Newsletter at stephaniehansen.substack.com/subscribe

Stephanie [00:00:12]:Hello, everybody, and welcome to Dishing with Stephanie's dish. We talk to people that have written cookbooks or books or food adjacent things because I can't get enough about talking about food, and and today we have a great guest. She is julie joe sieverson. She is the author of Oldest Twin Cities a Guide to Historic Treasures. And I had read about this book, and I thought, oh, that's cool. I wonder if she has stuff in there about restaurants and breweries, because we have so much history in the Twin Cities. And indeed she does. Welcome to the program.Julie [00:00:47]:Thank you for having me here. This will be fun.Stephanie [00:00:50]:Yes, it will be fun. So how did you decide? Are you like a born and bred twin Citian, and how did you decide to undertake this project?Julie [00:00:59]:Yes, I'm a fourth generation Minnesotan, and I've lived in the Twin Cities most of my life. I first wrote a book called Secret Twin Cities a Guide to the Weird, Wonderful, and Obscure, and that came out in 2020, arrived March, mid March, right when the cities were shutting down. So good timing on my part. I shoved them all in the corner for a couple of weeks because I thought, who's going to want to buy a travel guide right now?Stephanie [00:01:24]:Right?Julie [00:01:25]:It turned out okay for secret Twin cities. They had a lot of social distancing ideas in it, coincidentally. But anyway, all this Twin Cities evolved from that book. About a year later, the publisher asked if I'd like to write another one. And I really wanted to do one of more of a historic nature because I just think with COVID and the really tough year that the Twin Cities had in 2020, including the murder of George Floyd and the Civil uprising and businesses shutting down, burned down. I just felt like I needed a reason to fall back in love with the Twin Cities. And I was feeling a loss of community and a loss of connection. And for me to feel connected to the region I live in is very important to me. I need to feel part of the fabric. And so I just stopped focusing on enduring places in our midst and places that hung in there and have endured and have reopened, providing us continuity, kind of a comfort that was good for my soul to focus my energy there. So that's why I kind of went in this direction.Stephanie [00:02:43]:Well, and one of the selections in the book is the Oldest Best Bar, which is our friend Tony Zacardi, who bought it from our friend Lisa Hammer. I knew Lisa and Keith, and they had shepherded the bar, and then they sold it to Tony Zacardi. And it's from 1906.Julie [00:03:03]:Apparently.Stephanie [00:03:04]:It's an institution on Cedar Avenue. And you talk about sort of that pandemic and that coming back to life. Tony is a good example of someone that really he had just bought the bar and all of a sudden it has to close, and they're trying to hang on. And a lot of these bars and restaurants and distilleries really were in tough shape. So I was so glad that when we came out of the pandemic that Palmers has come out of it. And tell me a little bit about the history of Palmers in particular.Julie [00:03:40]:Yeah. And Tony really was he was really propelled into the national spotlight during that time. Yes.Stephanie [00:03:48]:He was an African American man who.Julie [00:03:51]:Owns this in the heart of he spray painted black owned business in hopes to protect his business, to deflect potential looters. And he was really a spokesperson and a comfort, I think, for the twin stage community during that time. We needed absolutely.Stephanie [00:04:10]:And the music community, too, because Palmer has had such a history in steeped in music.Julie [00:04:16]:Yeah. What a gem this place is. It's so unique, with an Islamic mosque on one end and then that iconic Mustachioed man against it on the other one. And as I write in the book, you rarely leave this place without a story to tell. Kind of rough edge place. Maybe not everybody's going to feel comfortable there, but you're very welcome there, no matter who you are. And you'll be invited to play a game of Scrabble or get into a conversation, unless you're a jerk. Because if you're a jerk, you're going to get plastered on a poster note on the back wall, and you're not going to be welcome there at all.Stephanie [00:05:00]:That's funny.Julie [00:05:02]:Yeah.Stephanie [00:05:02]:Another institution that is in downtown Minneapolis specifically, and I didn't realize that they had had a fire in 1989, but this was Glicks, the oldest downtown bar.Julie [00:05:20]:Yeah. Lots lots of damage. It seems like most of these places have endured fires over the years. Yeah.Stephanie [00:05:30]:You can imagine that. Yep.Julie [00:05:32]:Yeah, they they really came back from that. In fact, there was a moose in there. They have these animal heads mounted all throughout the restaurant. And the moose in the back room had been stolen from during a fraternity party there. And I think this group, whoever had stolen it, felt so bad because of fire that Reopening day, they anonymously returned it, leaning it against the front door. Welcome, everybody back. But yeah, my daughter was just there the other day. She's like I'm a glicks. I'm like, do you know that's in my book? No, I didn't even know that.Stephanie [00:06:05]:I had no idea either. Now, the Monte Carlo has been near and dear to my heart for some time, and my mom and dad got divorced, and my dad moved downtown. And that was really like, wow. Because we were suburban girls. And the first weekend my dad had us, he took us into this CD alley, and he went through this back door that had this weird sign above it and brought us in. And I thought he was bringing us into a pool hall. And I was like, oh, my gosh, my dad has really tipped over here, and it turned out to be the Loveliest bar inside. It was actually the Monte Carlo, and he was kind of a regular there. What's the historic nature of the Monte Carlo?Julie [00:06:47]:Yeah. Well, yeah, the hum of the neon sign is going to remain a constant in the North Loop Bar. It's really exquisite in there with this mirrored wall behind the bar. One's kind of an elegance to it, to it all. But the whole North Loop area, the warehouse district is where the Milky Way candy bars and cream of pasta and pop up toaster were invented. This was a real industrial place. The neighborhood has more than 60 buildings that are over a century old. A lot of them have been repurposed. Some of them. A few of them are rehearsal spaces for the Minnesota Opera, and a lot of them are faded. Business signs are repurposed. You see the old signs, ghost signs, sort of. But the Monte Carlo Bar and Grill have stood the test of time. It used to be mostly only for men, but then when it changed ownership, mr. Rimsick, who owns a number of places in the Twin Cities, he kind of turned it into a destination for all the patty, is a great happening place. Now, Beijing style wings, they're really famous for.Stephanie [00:08:06]:Yeah, the dry rubbed wings are my favorite. Yeah, a kind of funny one that I didn't expect would reach me and grab me, but it did. So I work on the Stone Arch Bridge festival and I curate a culinary market that happens underneath the Hennepin Avenue Bridge. And underneath that bridge, we have 38 ten x ten booths of vendors that produce Minnesota made food products. And as I was looking through your book, it's the oldest bridge relic at First Bridge Park, which is where I am during these two days of the festival from 1855. Underneath that bridge, there's these giant anchors, and I sit on those anchors. That's my chair during the two days of the festival. So I didn't realize they were so old.Julie [00:08:56]:Well, yeah, those don't date back to the very first bridge to cross the Mississippi River anywhere. Right there at St. Anthony Falls. I mean, prior to that bridge back in 1855, people were crossing over the falls to get to the other side. That first bridge didn't last real long, and then they created another one and another one. So anyway, these archaeological excavations revealed anchors from the original bridges, and so now they are under the Hennepin Bridge. Now you can see and sit on them if you want. There's plaque. So cool. Really interesting history at that park. Yeah. Right down from Melrose Park.Stephanie [00:09:42]:The oldest island venue in 1893 is the Nicolette Island Inn, which is still operating as a hotel, as a restaurant. It is a beautiful, gorgeous spot. If you ever just want to pop in for a drink or they have delicious food, too. Yeah, that's a great spot. And I didn't realize that David Shea was kind of responsible for bringing that back. He's designed so many restaurants in the Twin Cities.Julie [00:10:08]:Yeah. I didn't realize he was connected to that either until I started research. Talented guy. Yeah. That place I learned a lot about. I didn't really know a lot about that fire that had kind of spread through Nicholas Island and all northeast Minneapolis. A very ravishing fire, and only one of two structures, industrial structures, on the island to survive it. A fire started by some boys smoking. And so, again, these places that have endured. And at one point, it was a men's shelter, salvation army men's shelter. So I really and, you know, I can't help but continue then to learn about and read about Nicholette Island.Stephanie [00:10:52]:Right.Julie [00:10:53]:So many storied history there. Couple donkeys, Pearl and she. But I really focused on that island and my secret Twin Cities.Stephanie [00:11:01]:Who would have known that the oldest bowling alley was the Bryant Lake Bowl?Julie [00:11:08]:Yeah, I mean, that's a legendary spot in the Lin Lake neighborhood, and that's really evolved over the years. It used to be a Ford garage, and apparently it's haunted by a mechanic who was crushed by a car there. But at the heart of it is the eight lane bowling alley. Old school. But around it now is a really funky groovy restaurant that you never super funky for. A bowling alley and a cabaret with these red leather seats from Stillwater Junior High School, where you can go to all kinds of events there. And there's a really cool drone video that went viral in 2021 that they created to support businesses struggling through the pandemic. It's a cool right up our alley. You can Google it went viral. Yeah.Stephanie [00:11:57]:In 1964, Boca Chico became the oldest Mexican eatery, which is interesting, because I know that the Silva family opened El Burrito Mercado a little bit further down the street in the 70s, early seventy s. I didn't realize Boca Chica was that old. And it's still run by the family, isn't it?Julie [00:12:17]:Yeah, it sure is. Grandma Fria seasoned pork tamales are still on the menu. Yeah, this place was a really delightful surprise. Walking into you can go there after visiting the Wapisher Caves, the gangster tours there. That's a great place to go to afterwards. You just walk in and every wall tells a story of the family's heritage murals. But, yeah, Uramo Frias and Gloria Coronado, who's a petite, spunky lady, they fell in love and started this little place. She was actually linked to a dynasty, cultural dynasty in Minneapolis. Her parents owned the first Mexican restaurant in St. Paul, and then in Minneapolis called the Casa Coronado, but that has long closed.Stephanie [00:13:10]:And there's the oldest family Italian restaurant in St. Paul. Yuruso's.Julie [00:13:15]:Yeah. Yuruso's and giant meatballs. And again, that's family owned. Same family. And what I love about that place are giant murals of Sweet Hollow especially. It is located right across from Sweet Hollow. You would never know that across the street there is a hidden valley below street level. Right. We're former immigrant shanty town and in the book I give directions on how to get there because it's a little kind of windy but you can find it.Stephanie [00:13:50]:Yeah.Julie [00:13:51]:Yes.Stephanie [00:13:53]:When you were writing the book, what was one of your favorite discoveries?Julie [00:14:00]:Well, I fell in love with the New York Life Eagle. And that's a Summit overlook park in the Summit neighborhood. It overlooks the river valley.Stephanie [00:14:09]:I lived right there. It's right across from the University Club on Point of Land.Julie [00:14:16]:Maybe because of a mother. She's a mother. She's there taking her tail ons into a serpent, digging in there, protecting her nest of eaglets there in that pose she was almost discarded. She used to be on the third story entrance of the New York Life building in downtown St. Paul. And when that was removed, she really was nearly forgotten and discarded. And she was kind of put on a pedestal in front of a parking lot for a while until she found her new home here. And now she's in all her glory. There a nice spot while you're mansion goggling over mansions there in that area.Stephanie [00:14:54]:Yeah. I had no idea about Newman's being the oldest bar in the state.Julie [00:15:00]:Well, that's the big question because it's a tie between Newman's and the Spot Bar in St. Paul. The feud. I'm sure St. Spot fans will be mad at me for including Newman's, but I included the Spot bar in secret to the city, so I had to be fair. But those two kind of feud over. They both have very good reason but different reasons to want to claim that title. So yeah, Newman's is famous for their frog tank in the window.Stephanie [00:15:30]:What is the story of the frog tank? Do you know?Julie [00:15:34]:You ask people there and the Tank of Frogs has just been there as long as anybody can remember. It's just a tradition that they keep going and I guess the frogs have disappeared every now and then. One was found in a pitcher of beer. But this place has a hidden door behind the Tank of Frogs. It's only used for special events, but they used to hide have kind of speakeasy up there during prohibition and that's where you could speak up there and have a legal hooch. And there was like a phone that connected upstairs to the main bar to let the bartenders know when the cops were coming sniffing.Stephanie [00:16:13]:That's hilarious. Yeah. I love it. You go into all this detail like 1972. The oldest food co op is the Seward food Co op. Who knew that that was I mean, I don't know. The Twin Cities co op movement has been so strong, but who knew Seward was the first? I didn't. I thought the wedge was the first.Julie [00:16:36]:Yeah, no, they were really kind of the first, and now the most enduring. And what I didn't know was what a violent struggle the food co op went through in those early years. It sounds kind of like stuff going on these days with, you know, there was a takeover yeah. That tried to take over with steel bars and fire bombs, but they failed because there was such a difference of philosophy. And these were really some veteran radicals really disagreed with what they called the white bourgeois elitism. That's kind of how the opposing group.Stephanie [00:17:21]:Those bourgeois co op people.Julie [00:17:25]:And there's a new documentary about that called The Co op wars that was created in 2021. Super interesting to learn about the whole early Twin Cities.Stephanie [00:17:34]:Yeah, that sounds neat. Well, this is a great book. Your second book, Julie. Joe Sieverson Oldest Twin Cities a Guide to Historic Treasures. Are you already working on your third?Julie [00:17:44]:Not yet. Promoting this is full time right now.Stephanie [00:17:49]:Yes. Well, it's fun to visit with you and to hear the story and to just get more history about some of these great spots. Pick up the book and then take your own kind of historical tour, right?Julie [00:18:03]:Yes.Stephanie [00:18:04]:I love it. Thank you, Julie Joe. And thank you for highlighting some of our relics. Treasures, a fabric of a community is always about the history. That where you come from. Right. And it's good to be reminded of some of these great spots. I sat on that anchor all summer, last summer, and I never knew. So I love it. Thank you so much for joining us. I appreciate you.Julie [00:18:29]:Absolutely. Thank you.Stephanie [00:18:30]:All right, we'll talk soon. Okay, bye. Get full access to Stephanie's Dish Newsletter at stephaniehansen.substack.com/subscribe

Leslie has danced professionally since 2004. She began her formal training at age 18 at the University of Wisconsin at Green Bay and received her BFA in Dance from the University of Minnesota in 2003. Leslie was a founding member of Black Label Movement from 2005 – 2009, and joined nationally acclaimed repertory company Zenon Dance in 2006. She built a rich and diverse performance career at Zenon until its final performance in 2019 when the company closed its doors. Leslie has performed as a guest artist with the Minnesota Opera, Jon Ferguson's Theatre Forever, Shapiro and Smith Dance, Tamara Ober, Paula Mann, Maggie Bergeron, Laura Osterhaus/SLO Dance, and James Everest/Wavelets Creative in collaboration with the seasonal “Soundgardens” in outdoor spaces. Presently she is in collaboration with Mathew Janczewski/ARENA Dances and Berit Ahlgren/Honeyworks for works to premiere summer 2023. Leslie has earned recognition for her excellence in performance with Sage Award Nominations in 2009 and 2016 and she is the recipient of a McKnight Fellowship for Dancers in 2010. Leslie's choreography has been supported by Red Eye Theater, Metropolitan Regional Arts Council, the Walker Arts Center, Minnesota State Arts Board, and Bryant Lake Bowl's 9x22, where she most recently featured her latest solo project.  Her teaching experience spans all ages, public schools, rural dance studios and intensives. She completed teacher training with Dance for Parkinson's Disease at the Mark Morris Dance Group in New York City in 2018, and has volunteered within her community to serve as grant and fellowship review panelist for McKnight Foundation, MSAB, MRAC, and the Sage Award Committee. 

The story we can't get enough of: The Golden Globes "Scandal" What happened to all the after parties? Lorna Landvik joins the show to talk about her upcoming shows at Bryant Lake Bowl! More on the Amazing Barbra Walters. She was a true trailblazer!

Today's Song of the Day is "Dust" from Kelley Smith's EP, Moon Child, out now.Kelley Smith will be performing at Bryant Lake Bowl on Friday, March 10th.

Maggie Bergeron is a teacher, choreographer, dancer, and writer whose life has moved from a Northwestern MN farm to boarding school in Michigan to Minneapolis, MN, where she currently resides. She is currently a Senior Lecturer in the U of MN Dance Program, dances on occasion, makes collaborative work for all sorts of performance occasions, and produced and curated a music/movement festival called Hear Here! along with her composer husband Nicholas Gaudette in 2015 and 2017. Maggie is committed to engaging the process of collaboration in her work, and is most interested in a holistic imagining of a performance experience for audience members. Her work has been seen locally at Studio Z with Zeitgeist, the Southern Theater, Red Eye Theater, Walker Art Center and Bryant Lake Bowl and nationally at Interlochen Arts Academy, Cincinnati Conservatory of Music, and Keshet Dance Company. Maggie co-authored Approaching College with Purpose, a textbook for first year experience courses, and is committed to supporting students making the transition into and out of college. Maggie graduated from Interlochen Arts Academy and holds a BFA in Dance from the University of Minnesota. She is a Licensed K-12 Dance Instructor and holds a Masters of Arts in Teaching.

This is the second chapter of the Pillsbury House + Theatre story. At the corner of George Floyd Square & the Pandemic, PH+T is breaking the community development mold using the power of the arts & culture to stimulate community health, ownership & justice. https://change-the-story-chan.captivate.fm/episode/episode-55-pillsbury-house-theater (Missed Chapter 1? Go To CSCW EP 55, Pillsbury House + Theater Chapter 1) BIO'sSigne V. Harriday is Artistic Producing Director at Pillsbury House + Theatre. Signe is a fierce visionary and powerful storyteller who crafts theatre that awakens our individual and collective humanity. As a director, multidisciplinary artist, activist, and facilitator, she uses theatre as a catalyst to ask questions about who we are and who we are in relation to each other.Past accomplishments include: Associate Company Member of Pillsbury House Theatre. Co-founder of Million Artist Movement, a collective of artists committed to Black liberation. Co-founder of the award-winning synchronized swimming team, The Subversive Sirens. Founder of Rootsprings Coop, a retreat center for BIPOC artists/activists/healers. Co-founder of MaMa mOsAiC, a women of color theater company whose mission is to evoke positive social change through female centered work. Core team member of REP Community Partners. Signe earned her MFA in Acting at the Institute for Advanced Theatre Training at the American Repertory Theatre at Harvard and Moscow Art Theatre. Current projects: Director of Bridgforth's bull-jean stories, Associate Director of Octavia E. Butler's Parable of the Sower Opera, Choreography for Love of Silver Water, Playwright for Dysmorphia. Recent directing credits: Dining with the Ancestors, Fannie Lou Hammer Speak On It, Hidden Heroes Noël Raymond is the Co-Artistic Managing Director at Pillsbury House + Theater. Noël holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities.   Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few. Mike Hoyt: Mike is a visual artist and Pillsbury's Creative Community Liason. For nearly twenty years he has been producing, managing, and directing arts-based community development projects and youth development programs, while making his own art in his community. Creating and facilitating unique shared experiences that connect diverse and often non traditional art audiences drive his art practice. Hoyt's work has been exhibited locally and abroad at the Seoul Olympic Museum of Art, Arts At Marks Garage in Honolulu, University of Hawaii Art Gallery, Pillsbury House + Theatre, Soap Factory, Soo Visual Arts Center, Intermedia Arts, Franconia Sculpture Park, Art Shanty Projects, and the Walker Art Center among others. He has received awards from the Minnesota State Arts Board, a Northern Lights.mn Art(ists) on the Verge Fellowship, a Jerome...

Pillsbury House + Theater is a groundbreaking “new model for human service work that recognizes the power of the arts and culture to stimulate community participation, investment and ownership.” This is the first of two PH+T chapters. BIO'sSigne V. Harriday is Artistic Producing Director at Pillsbury House + Theatre. Signe is a fierce visionary and powerful storyteller who crafts theatre that awakens our individual and collective humanity. As a director, multidisciplinary artist, activist, and facilitator, she uses theatre as a catalyst to ask questions about who we are and who we are in relation to each other.Past accomplishments include: Associate Company Member of Pillsbury House Theatre. Co-founder of Million Artist Movement, a collective of artists committed to Black liberation. Co-founder of the award-winning synchronized swimming team, The Subversive Sirens. Founder of Rootsprings Coop, a retreat center for BIPOC artists/activists/healers. Co-founder of MaMa mOsAiC, a women of color theater company whose mission is to evoke positive social change through female centered work. Core team member of REP Community Partners. Signe earned her MFA in Acting at the Institute for Advanced Theatre Training at the American Repertory Theatre at Harvard and Moscow Art Theatre. Current projects: Director of Bridgforth's bull-jean stories, Associate Director of Octavia E. Butler's Parable of the Sower Opera, Choreography for Love of Silver Water, Playwright for Dysmorphia. Recent directing credits: Dining with the Ancestors, Fannie Lou Hammer Speak On It, Hidden Heroes Noël Raymond is the Co-Artistic Managing Director at Pillsbury House + Theater. Noël holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities.   Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few. Mike Hoyt: Mike is a visual artist and Pillsbury's Creative Community Liason. For nearly twenty years he has been producing, managing, and directing arts-based community development projects and youth development programs, while making his own art in his community. Creating and facilitating unique shared experiences that connect diverse and often non traditional art audiences drive his art practice. Hoyt's work has been exhibited locally and abroad at the Seoul Olympic Museum of Art, Arts At Marks Garage in Honolulu, University of Hawaii Art Gallery, Pillsbury House + Theatre, Soap Factory, Soo Visual Arts Center, Intermedia Arts, Franconia Sculpture Park, Art Shanty Projects, and the Walker Art Center among others. He has received awards from the Minnesota State Arts Board, a Northern Lights.mn Art(ists) on the Verge Fellowship, a Jerome Visual Artist Fellowship, and a McKnight Visual Artist Fellowship. Hoyt has the added benefit of raising a family three blocks from PH+T and is honored to have the opportunity to engage local...

Come see us do our first LIVE PODCAST in three years, Friday 7/22 at Bryant Lake Bowl in Minneapolis! Details on our facebook and twitter pages. Thanks to everyone who supports the podcast on patreon. Find out when live show tix are on sale, get every episode early, enter contests, and other fun stuff! patreon.com/372pages … Continue reading "Episode #124 – Gump & Co Ep 5"

Michael Hanna is an actor and musician based in Minneapolis, MN. He has performed at The Guthrie, Mixed Blood, and Jungle Theater, as well as stages across the country. He's the front man and manager of Ready Freddie, a Queen Tribute band. (IG @readyfreddiempls) As an eponymous singer-songwriter, he's performed at The Warming House, Bryant Lake Bowl, and Moto-I. 

Margaret Ogas (she/her) is a dancer and choreographer based in Minneapolis. Using an interdisciplinary approach rooted in dance, her works tell surreal everyday stories through a collage of movement, text and sound. Her choreography has been presented at the Walker Art Center, the Cedar Cultural Center, The Minnesota Museum of American Art, Bryant Lake Bowl, Center for Performing Arts, and on sidewalks in South Minneapolis. She is a recipient of the 2021 Naked Stages Fellowship at Pillsbury House + Theatre. In addition to her choreographic work, Margaret performs with the Taja Will Ensemble and is a teaching artist. She holds a BFA in Dance from the University of Minnesota-Twin Cities. Learn more at margaretogas.com. 

Taryn Griggs and Chris Yon create original dance works that are deadpan slapstick, understated melodrama, autobiographical science fiction, cubist vaudeville, asymmetrically consonant explorations of magic and virtuosity in everyday movement. They met at the Bessie Schönberg Artist Residency at The Yard in 2002 and have been working together ever since. They were participants in the dance communities of New York City, Minneapolis, and Iowa City, before moving to Winston-Salem. Chris and Taryn's choreographies have been presented across the US, Canada, Ireland, and France. In New York, in addition to the presentation of their work at La MaMa, Dance Theater Workshop, PS122, The Kitchen,and Danspace Project, they appeared together in the work of David Neumann, Yoshiko Chuma, Karinne Keithley Syers, and Sara Rudner. During their years in the Twin Cities, they were both McKnight Fellows,co-curators for Choreographer's Evening at the Walker Art Center, and their work was presented as part of the Walker's Momentum Dance Series at The Southern, Red Eye Theater's Isolated Acts, Jaime Carrera's Outlet Performance Festival, and 9x22 at the Bryant Lake Bowl. Since moving to Winston-Salem, their work has been commissioned by the North Carolina Dance Festival (NCDF), American Dance Festival (ADF), and they have been developing a platform for new work and collaborations through the ongoing project, Interstitial: A site specific dance during the changeovers between art exhibits at the Southeastern Center for Contemporary Art. Griggs teaches at UNCSA, Yon at Appalachian State University. During COVID, their work temporarily moved to the screen. Check out these short screendances commissioned by ADF: Glimmer by Chris Yon; and Chris, Bea, and me by Taryn Griggs; and this one commissioned by NCDF: Untitled (Smoke Stacks) by Chris and Taryn.

Alexandra is a Carpatho-Rusyn American choreographer based in Minneapolis, MN. She creates original works ranging from solos to evening length group works for the stage and screen. She is a 2021 Ann & Weston Hicks Choreography Fellow at Jacob's Pillow and a 2020 Jerome Hill Artist Fellow Finalist. Her most recent work, dance film Heritage Sites, premiered in 2020 and will be screened at the 48th annual Athens International Film and Video Festival (OH), Sans Souci Festival of Dance Cinema (CO), DanceBARN Screendance Festival (MN), and Astoria Film Festival (NY). It is also an Official Selection of the BLOW-UP International Arthouse Filmfest Chicago (IL).Since relocating to Minneapolis she has been commissioned by Threads Dance Project and the Performing Institute of Minnesota. She has also presented work at The Cowles Center for Dance & the Performing Arts, Candy Box Dance Festival/Arena Dances, Zenon Dance Zone, Future Interstates, and 9x22 dance lab at the Bryant Lake Bowl. She has worked with Jeffrey Peterson Dance, Ethnic Dance Theatre, April Sellers Dance Collective, Helen Hatch/Hatch Dance & Berit Ahlgren, and Paulina Olowska & Jessie Gold.  She has been moving with Black Label Movement under the direction of Carl Flink since 2017. 

During episode 370, co-hosts BL Ochman & David Erickson discuss Neil Young and other musicians leaving Spotify in protest over Joe Rogan's Covid disinformation, as well as: The Bryant Lake Bowl's amazing marketing video Gibson's NFT guitars Michelob Ultra's Super Bowl commercial previews M&M's mascot makeovers Influencers need to get their act together Twitter lets the Big Lie spread The ridiculous defintion of an Instagram Reel view 2022 spending on social audio Plus great new apps and important stats and a lot of stuff in between. Video, Show Notes & Links: https://beyondsocialmediashow.com/370 Connect with the show on social media Subscribe to the weekly eNewsletter

In this episode from Doubters/Believers Alliance, Brien gives a talk on how the movement of Deconstruction is so powerful and how its helped so many who are trying to find faith or walk away from it. In this talk we cover what is deconstruction, how many faith leaders feel threatened by it and how it can in actuality deconstruction can help transform us in healthy ways. We also talk about how Paul Tillich on deconstruction can help us all too. Follow us on IG:@doubtersbelievers@roguetheologian@sacredmnProduced by Chromatone Productions by Caleb Rowe, Seattle, WA(Recorded at Bryant Lake Bowl on 12/5/21). See acast.com/privacy for privacy and opt-out information.

This quick special announcement episode is to let everyone know about an upcoming event on November 14th here in Minneapolis at Bryant Lake Bowl. Please take a listen and sign-up if you are interested. See acast.com/privacy for privacy and opt-out information.

Chris Schlichting lives in the Twin Cities within the traditional, ancestral, and contemporary lands of the Dakota people, and is a Minnesota-based, performer and dance enthusiast who believes in a flexible definition of dance. His choreography expresses itself as a tensile inclusion of dichotomies. Relying on the formality of structural investigation and the emotion of earnest expression, his dances evoke the grandiosity of spectacle and the delicacy of intimate moments. Schlichting develops dances outside the constraints of thematic and conceptual frameworks, allowing the choreographic process to develop focus through physical intuition and sensory awareness.Schlichting was named Best Choreographer in 2013 by City Pages for his work Matching Drapes, which also received two Sage Awards, including one for “Best Performance” and one for “Best Design”. He is a 2015 McKnight Choreography Fellow, administered by The Cowles Center and funded by the McKnight Foundation, and was the first recipient of the American Dance Institute's (now Lumberyard) Solange MacArthur Award for New Choreography, a project that provides commissioning funds, fiscal sponsorship, developmental and production support for a new work from one U.S. based choreographer every year. Schlichting's 2015 work Stripe Tease was named a “Top dance of 2015” by the Star Tribune.Schlichting has been presented by venues throughout Minnesota, including the Walker Art Center, the Cowles Center, The Southern Theater, the Bryant Lake Bowl, the Red Eye Theater and many more; in New York at Danspace Project and as a frequent contributor to CATCH! performance series; Legion Arts in Cedar Rapids, IA; ODC in San Francisco, CA; Velocity in Seattle, WA; Fusebox Festival in Austin,TX; the Storefront Theater (Chicago, IL). Schlichting's work has also been commissioned by James Sewell Ballet (Ballet Works Project), Carleton College, The Southern Theater, Young Dance, and Zenon DanceCompany.

Dustin Haug  grew up in southern Minnesota and attended St. Olaf College. Although he was very active in the dance department and spent a good deal of time studying chemistry, he earned a BA in Visual Art in 2000. He moved to Seattle, WA after graduation and began working with KT Niehoff's lingo dance theater in 2002, creating and performing in several evening-length works, including Speak to Me, Relatively Real, and Inhabit. In the summer of 2007, Dustin moved back home to Minnesota. Locally, he has shown his own work at The Walker Art Center's Choreographer's Evening, Zenon's Dance Zone, Choreographer's Evening at the Ritz, Bryant Lake Bowl, and SPCPA's Evening of Dance. He has also had the pleasure of working with numerous local choreographers such as Body Cartography Project, Rosy Simas Danse, Patrick Scully, Maggie Bergeron and Dancers, and Chris Schlichting. Dustin joined Mathew Janczewski's ARENA DANCES in 2013 to help create and perform the evening-length work The Main Street Project. He has taught modern dance and contact improvisation at Zenon Dance School since 2008; dance, chemistry, and physics at St. Paul Conservatory for Performing Artists from 2008-present.Lately, he splits his time between teaching science and coordinating the academic program at St. Paul Conservatory for Performing Artists, teaching modern dance technique at Zenon Dance School, teaching and performing with ARENA, brewing beer, reading to his daughter, and laughing with his wife.

This midweek bonus episode is a crossover with The Sacred Collective podcast. Our own Brien Aadland--pastor of the group that meets at Bryant-Lake Bowl on Sunday mornings in Minneapolis: known first as "Revolution Church"; then as "Revolution Church Minneapolis"; and now, "The Doubters/Believers Alliance"--interviews influencer Milo Winslow, for an episode of The Sacred Collective. Milo and Brien discuss similarities and differences in their experiences being raised in conservative subcultures of the midwestern United States, including their shared background as curious children raised in Pentecostal Christian churches. Both were inquisitive, intelligent kids, turned off by the arrogant attitude possessed by the popular Purity Culture of the 90's. Milo and Brien also share the sentiment that their experiences interacting with proponents of such one-dimensional thinking were often traumatic for much of the youth which they targeted.Milo grants Brien's request to help spread education and awareness about the challenging journey of embracing an identity as a gender-queer person. Milo elaborates on the nuances that surround facing that experience in both religious and non-religious settings which are ignorant to the challenges surrounding coming to terms with this very personal and often misunderstood personality trait.After editing this episode, Caleb told Brien how much he enjoyed just hearing the conversation, and how proud he was to be a part of Sacred Collective and Revolution both. He also told Jay about this episode, and how well it would fit in with the rest of Revolution's content, and asked Jay if they could use it as a bonus episode this week!(Jay said yes, so here it is!!)We should have at least a few more Meet Your Congregation episodes on some coming Wednesdays very soon, but have had to slow down a bit with the production schedule, as they sort through some heavy personal issues (which will definitely bleed through in Revolution's content sooner than later, as all things do when your work is this personal and transparently honest).Be sure to catch Milo on social media: @thatgaymilo; Brien Aadland can be found: @roguetheologian; the podcast this interview was recorded for was started by a small group including Brien and Caleb: @sacredmn; Caleb is facing a full plate-and-a-half right now, but managing to still produce some content: @revolutioncaleb @chromatoneproductions; Jay has also been involved in The Sacred Collective on more than one occasion: @jaybakker; and this is Revolution: @revolutionchurch94.The Doubters/Believers Alliance is the new name for the group that is meeting in-person in Minneapolis, MN at Bryant-Lake Bowl on Sunday mornings. It is now led by Brien, and is the newest iteration of the group in Minnesota that initially met as Revolution Church, under Jay Bakker. Caleb moved to Minnesota and eventually took over production of Revolution (which is now located in Seattle, WA) working for Jay, helping transform The Sacred Collective from a live small group into a recorded podcast and online community. Jay and Caleb are now in Seattle, preparing to launch Revolution in a new form--part live gatherings; part online streaming/recorded content--integrating bits and parts they've developed and refined over the years. Jay Bakker helped found Revolution as a Church in 1994. It was then, and is still now, a community of Grace and Provocation. Enjoy, react, and interact with Revolution, The Sacred Collective, and The Doubters/Believers Alliance online:www.revolutionchurch.comwww.facebook.com/revolutionchurchmnwww.revolutionchurch.com/donatewww.facebook.com/revolution-church-minneapolisIG:@jaybakker@revolutionchurch94@revolutioncaleb@sacredmn@roguetheologian@thatgaymiloT:@jaybakker@revolution1994@revseattlecaleb@sacredmn@brienaadland@thatgaymiloRecorded in St Paul, Minneapolis, on July 22, 2021, for The Sacred Collective podcast.Co-produced by Brien Aadland and Caleb Rowe.Original music by Caleb Rowe.www.revolutionchurch.com See acast.com/privacy for privacy and opt-out information.

Judith Holo Shuǐ Xiān is an interdisciplinary choreographer, improviser and sound artist. Her work prioritizes and centers the experiences of QTIPOC, and stands as an allyship to those of other marginalized identities. She has presented works at venues including Fresh Oysters Performance Research, Public Functionary, Bryant Lake Bowl, Tek Box, The Southern Theater, Intermedia Arts (Minneapolis, MN) and 9 Herkimer Place (Brooklyn, NY) and has recently enjoyed collaborating with others including Dua Saleh, Emily Gastineau, HIJACK/Galia Eibenschutz, Reed Two Bulls, Leila Awadallah, Judith Howard, Rosy Simas, Chris Schlichting, Pramila Vasudevan, Megan Meyer,  and Erin Drummond. She is a 2017 Q-Stage: New Works and 2019 Momentum: New Dance Works recipient.

Caleb has a chat with Matt McCrorey from back in Revolution's old home of Minneapolis. Caleb and Matt used to attend a couple of group meetings for people to discuss their deconstruction/deconversion, and though he is not a regular participant or listener, Matt has attended Revolution a time or two at Bryant-Lake Bowl in Minnesota. Find Matt on social media to connect with him: @c0nsc10us_ph03nixwww.revolutionchurch.com/donatewww.facebook.com/revolutionchurchmn@revolutionchurch94@revolutioncaleb@revseattlecaleb@jaybakkerRevolution is a community of grace and provocation led by Jay Bakker. This podcast is edited and produced by Caleb Rowe. See acast.com/privacy for privacy and opt-out information.

Caleb gives Brien Aadland a call to catch up and find out how things are going back in Minnesota with Revolution Church Minneapolis. The close friends spend their time remembering how this Revolution Church "plant" of sorts came to be, when Jay and Caleb left Minnesota to relocate to Seattle. Brien has aspired to pastor a nontraditional, "disorganized religion", punk church for years, so the hole left in Minneapolis's Bryant-Lake Bowl by the relocation of Jay's Revolution was bittersweet; the end of one chapter meant the beginning of another.Recorded in Seattle, WA and St. Paul, Minnesota on Saturday, May 8th 2021.www.facebook.com/Revolution-Church-Minneapolis@RevolutionChurchMPLS@roguetheologianwww.RevolutionChurch.comwww.facebook.com/RevolutionChurchMNwww.youtube.com/RevolutionBroadcasting@revolutionchurch94@jaybakker@RevolutionChurchCalebMusic by Andrew Bryant @magnoliastate.Engineered & edited by Caleb Rowe. See acast.com/privacy for privacy and opt-out information.

Our March 2021 episode includes:The 2021 Infinite Dial Report (:50)Guest: Tom Webster, Edison Research (8:00)Spotlight: Viral drone video (24:50)Gallagher's State of the Sector 2021 (28:50)NFTs and marketing (33:05)Listener question: Getting your audience to your blog (37:25)LINKSTALKING POINTThe Infinite Dial 2021The state of podcast listening for 2021/Podcasting finds a wayThe future of social audio: Startups, roadmap, business models and a forecastTom Webster, Edison ResearchSPOTLIGHTThe viral Bryant Lake Bowl drone videoMotorcycle ride inside Rosedale CenterQUICK NEWS & QUICK TAKESState of the Sector 2021The brands are at it again, Taco Bell is hopping on the NFT trainWhat's an NFT? And why are people paying millions to buy them?Why the NFT craze is a bubble waiting to popMORE INFORMATIONHansonandHunt.comApple Podcasts pageSpotify pageSign up for Arik's weekly emailSPONSORBrandpoint

https://www.rally-studios.com/ Jay Christensen's IG: https://www.instagram.com/jaybyrdfilms/?hl=en Anthony Jaska's Twitter: https://twitter.com/AnthonyJaska Mike Welsh's LinkedIn: https://www.linkedin.com/in/michael-welsh-66369235/ Bryant Lake Bowl and the video: https://www.bryantlakebowl.com/drone-video

Have you seen that incredible drone video from Bryant Lake Bowl? We break it down and we talk about restrictions begining to let up in MN!Subscribe now on Spotify , Sticher or Apple Podcasts! (more platforms coming soon)!follow me:Instagram: @rudy_pavichTwitter: @rudy_pavichFacebook: CLICK HERE! Learn more about your ad choices. Visit megaphone.fm/adchoices

Restaurateur, Kim Bartmann, comes from a punk rock culture and supported herself through college by working in kitchens. Bartmann moved to Minneapolis in 1983 and would go on to open the Cafe Weird . Today, she currently operates eight restaurants which include: Pat's Tap, Bryant Lake Bowl, Bread & Pickle, Tiny Diner, The Third Bird, Red Stag Supperclub and Trapeze. Kim and her restaurants have taken countless accolades including James Beard Semi-Finalist Outstanding Restaurateur 2013 & 2015. In addition Kim contributes to Women's Chef and Restaurateurs, which exist to promote awareness around women chefs.