Podcast appearances and mentions of donovan woods

VØYAGR emerged as a passion project led by singer-songwriters AJ Jabaji, Rachel Josey and drummer John Morano. Drawing inspiration from artists like Wild Rivers and Donovan Woods, their sound fuses folk and country influences, featuring poignant lyrics that explore themes of faith, loss, and relationships. In addition to new music in 2025, the band will be opening for Jason Aldean and Brantley Gilbert at the WYRK Toyota Taste of Country, and showcasing at the North by Northeast (NXNE) Music Festival in Toronto. Their latest EP, "Go On & Get Out," is streaming now.   The band visited the Flamingo Lounge on May 13, 2025 and shred their stories and music.

What, exactly, is mastering? Is it a potion? A spell? A hoax? The truth is, it's a subtle and precise art, and a key element of quality music production. It is music's "x-factor", its "special sauce". Despite often being perceived as some kind of magic, mastering is, in fact, very real, as are the people who do it for a living. Case in point, Grammy-nominated and Juno Award-winning mastering engineer João Carvalho. João is the founder of João Carvalho Mastering, and co-owner of Revolution Recording in Toronto, Canada. Designed by Martin Pilchner, João's mastering studio has been labelled "...the most acoustically perfect mastering room in Canada". Since the early 2000s, João has built a massive client list, working with much-loved artists such as Sloan, Rose Cousins, Skydiggers, City and Colour, Tanya Tagaq, Donovan Woods, Hayden, Monique Barry, Blue Rodeo, Metric, Serena Ryder, The Tragically Hip, Damhnait Doyle, and Rush...the list goes on and on... In this episode, João explains his craft, the building of his world class studio, working with the likes of Rose Cousins and Sloan, the utility of a great Weezer track, and why "Claire" by Rheostatics is one of the greatest songs of all time. Joining the conversation is Music Buddy co-producer Tim Vesely (Rheostatics, The Violet Archers), who has known João since the 90s, and worked with him on many projects over the years. Music in this episode:"Music is The Message" - Rheostatics (Here Come the Wolves, 2019)"Claire" - Rheostatics (Introducing Happiness, 1995)"Chains" - Rose Cousins (Natural Conclusion, 2017)"Beverly Hills" - Weezer (Make Believe, 2005)"The Lines You Amend" - Sloan (One Chord to Another, Deluxe Reissue, 2016)Support the showPlease help us keep the pod rocking and rolling with a donation. Any amount helps! MUSIC BUDDY IS:Jane Gowan (host, producer, editor) ; Tim Vesely (co-producer)The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie Kostiuk STAY IN TOUCH Email: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastBluesky: @musicbuddy.bsky.socialTikTok: @musicbuddypodThis podcast is brought to you by Morning Run Productions.

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week we welcome Donovan Woods and his latest album Things were never good if They're not good now.   Wonderful insight into his songwriting and his place in the music business. The first time he played in Victoria, he couldn't believe the audience knew the words to his songs. And in the past year, he played in Australia and remembers an audience in Perth who sang the words louder than he could. He has come a very long way has Donovan. Struggling to find things to sing about or sing at all.  A series of failures lead to an addiction counselling program and committed himself to getting to “the bottom of myself“ He changed his mind about a lot of things. ” It turns out the truth does really set you free” “I won't be cheesy and say I  feel like this is my first album, but it certainly feels like a new start”

What a great show we have for you this week! Donavon Frankenreiter joins us from Hawaii and spreads all the chill beach vibes. From the great Canadian city of Toronto comes Donovan Woods to share his intimate brand of singer-songwriting. Nick also has a conversation with Zara Alexandra, (a singer-songwriter herself) who is the Organizer of the Colorado Chapter of the National Young Farmer's Coalition, about the joys and challenges of working the land in these contemporary times. That's all this week on eTown!    Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more!

The acclaimed Canadian troubadour Donovan Woods is back with a brand new album, “Things Were Never Good If They're Not Good Now.” He sits down with guest host Talia Schlanger to set up a new song called “When Our Friends Come Over” (featuring Madi Diaz).

I spoke with songwriter & fellow Canadian Donovan Woods about his new record 'Things Were Never Good If They're Not Good Now'. On the album, he is brutally honest - he brings the same level of honesty to our conversation. We discuss the problems with creating an image of 'perfection', opening up to a partner about one's feelings, & the power of saxophones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout his distinguished career, Donovan Woods has built a devoted following who cling to the acclaimed songwriter's every word. Never one to mince words, Woods is one of music's most vulnerable storytellers.

SHOWS THIS WEEKEND:Thursday 2/15 Hops & Barley's in Mechanicsburg, PA 6:30-9:30pmFriday 2/16 Republican Club in Hanover, PA 7-10pmSaturday 2/17 Buddy Boy Winery in Duncannon, PA 6-9pmTHURSDAY THOUGHTS….. Music is so important. Could you imagine never slow dancing with a person you love, ever? Or never banging your head and throwing horns at a metal concert, or having a completely silent workout at the gym? It's incredible the amount of places music is found when you pay attention. It reaches across cultures, continents, and connects people through a bond of rhythmic vibrations. Sometimes it just helps you pass a couple minutes at the gas pump. I find it really fascinating that people can have such wildly different tastes in music, except that everyone hates country….. Just kidding. The fact that there are so many different genres of music really goes to show that there isn't just a one-size-fits-all approach when it comes to things you connect with. Some people love deep and meaningful lyrics, others may just want to dance or jam out to a funky bass line. Sometimes it's more about the way you “feel” when you hear a song then the actual words being said. As for me, I try to listen and expose myself to every genre I can find. I like some more than others, but I've come to learn they all seem to serve different purposes for me. When I write the outlines for my blog posts or podcasts, I listen to bands like Khruangbin or Skinshape. They have groovy bass, flowing melodies, haunting vocals and tons of reverb. It's perfect for putting me in the zone for writing. The songs seem to make the words in my head flow straight down into my fingers. Rock music makes me bang my bald head back and forth, whipping my imaginary hair to and fro while shouting out lyrics at the top of my lungs. It's high energy and aggressive tendencies are perfect for my days at the gym, or the drive home from some of the gigs I play. It makes me want to break shit and then break it again. Prior to Covid, I used to go see my friend Andy's band, Adrian Blitzer, play shows here in Central PA. They'd do Deftones, Staind, House of Pain, and a bunch of other cool stuff. They had tons of energy and we were all completely exhausted by the end of their shows. It was a great release of pent up frustrations with the everyday world. I really miss those days. Country music is what I grew up on, especially the 90s country that holds a special spot in so many of my memories. Those songs transport me back to the back of pickup trucks, or the hot front porch of a friends house. They take me to summer camps and sleepovers. The country of today doesn't hold the same place in my memory box, so I don't really connect with it as much. Music is all about feeling for me, and I just can't feel shallow lyrics and boxed beats. Unfortunately, that's what I find most commercial country to be now. Every once in a while I'll hear a Zach Bryan song that I can listen to, but I definitely lean towards artists like Tyler Childers or Johnny Cash for my country fix when I need to hear some good old fashioned truth singing. Country music for me goes well with a cold beer, in a kayak, on a lake. In my teenage years, I listened to hip hop and rap because I really identified with it's message. Rap originated from oppressed people. People that were cast aside and forgotten about. My family was poor. We had enough to get by, but that was all we really ever did. The four of us lived in the same 2 bedroom second floor apartment my entire childhood, and I wore hand-me-downs from my older brother and ate government cheese. My parents didn't get along, and I was always getting chased around by the police. I saw other people that had a much better life than we did, and I wondered why they deserved it. I felt the struggle, even in my all white, low crime suburb in Central PA. My brother and I both got into trouble as a way of standing out as something other than the poor kids at school. I stole my parents minivan when I was 13 and took it on a 105 mile round trip to go joy riding with my cousin Big T and some of my closest friends, only to blow up the transmission 15 miles from home. Want to know what was playing on the stereo? Tupac's Don Killuminati Album. I did burnouts to Hail Mary, and put it on 2 wheels to Me and my girlfriend. Every time I hear that album it takes me back there. Reggae showed up as I was beginning to lose interest in hip hop. I started getting tattooed on a regular basis, and my tattoo artist would always be listening to Sublime. I've always been into the weed culture types of things, and Sublime's crazy lyrics and funky ass bass lines made it easier to sit in the tattoo chair for long stretches. Every time I hear a sublime song I think of the hours I spent getting inked to their music. Just about 5 years ago, I met my friend Brandon Fulk, and he introduced me to the band Stick Figure. Stick Figure is an American reggae band out of California. They play Cali-Style Reggae, along with other groups such as The Elovaters, Fortunate Youth, and Slightly Stoopid. This is my go-to kind of music for car trips in warm weather, or any weekends spent gigging at the beach. It's a high vibe, full chill genre of music that makes up 3/4 of my playlist at any time. The last genre I want to hit on is Americana. Artists like Jason Isbell, Donovan Woods, and The Lumineers paint beautiful pictures for you to gaze upon with just their lyrics. Their voices are smooth but weathered, and the way the instruments are played with just the right force to convey their message is an art. When I listen to “Elephant” by Jason Isbell, it makes me angry that cancer ruins lives. That it takes away the ones we love, a lot of the time before they even die. When I listen to “Good Lover” by Donovan woods, it reminds me of all the times I had settled for what I thought was love before I met my current girlfriend, Steph. I get why people say that phrase now, that they didn't know what love was until they met ______. Americana songs express life in ways that only they can. I could go on forever about music, but I'll save that for another episode. I would love to hear some songs that you love and what memories you associate them with. What songs take you back? What is an artists I should know about? What does music do for you? Thanks for listening or reading, and if you're coming to the shows this weekend, I'll see you there!

Feb 9th Alan Doyle releases his next album Welcome Home Feb 10 he guests on Mulligan Stew “I have always struggled with the middle ground. I love playing live so much and I have rightly been accused of writing songs more for concerts than albums. Most people who come to my shows want that kind of night out. So, I have overlooked the lower and slower: The lower part of my vocal range and the slower songs. I'm letting myself do that for the first time on this record.” Alan's 6th solo album and 20th of his career. Alan is celebrating 30 years in music. He's been co-writing songs for Welcome Home with Donovan Woods, Jimmy Rankin and actor Oscar Isaac.   Alan starts a 45-night North American tour Feb 20 with 2 nights in Kelowna.  Feb 29 – Edmonton  N Jube March 1  Calgary  S Jube March 9 Massey Hall   Alan Doyle is a first-class storyteller who takes us through the songs and stories. We talk about Tell Tale Harbour the play he produced. Also was involved in The Tribute to Ron Hynes Album And he has yet another best-selling book coming. The beautiful Alan Doyle and his beautiful,  beautiful band charging into 2024. At CKUA

Listening to Donovan Woods talk is almost as good as listening to him sing. The lyrics are there! Maybe the backing track of Benny and Brad cackling at his stories isn't quite as nice as Donovan's sweet acoustic guitar but hey, it's storytime. Tim McGraw in a garbage can, check it out. Support the show via Patreon! Hosted on Acast. See acast.com/privacy for more information.

Fridays were made for music! We spoke with musician Kellie Loder about their new single "When It Comes To You," and how life on tour is going with Donovan Woods.

Donovan Woods joins the show to discuss Bruce Springsteen's debut record "Greetings from Asbury Park, N.J.”  No Wayne for this one…instead, Patreon Revisitors Tom Hershey and Andrew Rybak share co-host duties.  Plenty of other discussion including opening for bands/artists and starting at zero, collaborating, Aoife O'Donovan, The Hold Steady, the formula of writing a song with a story, being a frontman, Oasis (Donovan's first pick), and Clive Davis didn't hear a single? Check out Donovan Woods at: https://www.donovanwoods.net/Check out Bruce at:  https://brucespringsteen.net/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

He's currently traversing the continent, along with a band and a production that are so big, they won't all fit on just one tour bus. He's selling out dozens of shows at concert halls that seat thousands of people. And what's he playing? Pretty much exclusively his own original roots, folk, and blues songs; and a handful written by some good friends of his. Matt's whole music career has always been exceedingly homespun and genuine. In fact, a bunch of his best friends are in his band!  How is this kind of success possible? In this day and age? Well, it's incredibly rare. But it certainly helps if you have the soul, grit, presence, work ethic, humility, smarts, and sheer mind-boggling talent of New Brunswick powerhouse Matt Andersen.  Matt's new album The Big Bottle of Joy is also the name he gives to his eight-piece band of brilliant musical pals. On their way through Alberta in April 2023, Matt generously shared some of his precious off time with CKUA. And he brought his guitar!  Matt popped by CKUA's Edmonton studios to tell us about his musical beginnings in the tiny town of Perth-Andover, New Brunswick; how he's crafted a stellar international music career in the true time-tested way, through an endless application of blood, sweat, and tears over more than 20 years; how his friends, family, and heroes have always kept him grounded and inspired; and how the songs and the giant band on the new record were products of these difficult past three years – the one time in his life he's ever stopped for a moment to catch his breath.  On top of his touching, hilarious, and wide-ranging conversation, Matt offers us a pair of exclusive performances. Given the size and scope of the band sound on the album, it's absolutely astounding to hear Matt Andersen pour his larger-than-life musical soul into an intimate, solo acoustic performance of two songs from The Big Bottle of Joy: "Only an Island" (written by his friends in the band Port Cities) and album closer "Shoes" (a song Matt wrote with Donovan Woods).  Producer: Scott Zielsdorf | Host: Grant Stovel | Graphics: Shaun Friesen | Music: Doug Hoyer 

I'm so excited to have my dear friends (Eliotte Nicole, Mackenzie Martin, Taylor Hansen) of 10+ years in LA join me in this very special episode. Revisiting this in the editing process was everything I needed and more to put the biggest smile on my face and remind myself of the power of community. I highly respect each of these incredible humans and they share beautiful insight on the importance of community, how not to be a creeper when developing new relationships (aka networking), and the beauty of friendship in a harsh industry. @eliottenicole@_mackenzie_martin_@taylor.n.hansenEliotte Nicole is an eclectic performer originally from San Antonio, TX and a graduate of Washington University in St. Louis. Trained in many forms of dance, Eliotte has performed the works of Kenny Ortega, Tyce Diorio, Charm La'Donna, Jerry Mitchell, Michael Rooney, Martha Graham, and more. She is a Background Vocalist for Taylor Swift and was a part of the award-winning and record-breaking: The RED World Tour, The 1989 World Tour, and The reputation Stadium Tour. Eliotte has performed on TV and award shows with Taylor Swift, Cher, Meghan Trainor, John Legend, Ne-yo, and Pitbull; and in commercials for Ford, Crocs, Nike Training Club, Old Navy to name a few.  Be sure to catch Eliotte on stage with Taylor Swift for the upcoming The Eras Tour!Mackenzie Martin is a Los Angeles based Choreographer and Entrepreneur, recognized internationally for her distinctive and artistically grounded choreography, her ability to create a sense of space, and visionary leadership. Her credits include Missy Elliot, Lululemon, Donovan Woods, Duomo, Sephora, Caesar's Palace, DanceOn, Polica and Simon Birch's "14th Factory" and is a two time Capezio A.C.E Awards nominee. Mackenzie is the Director of LA contemporary dance company GEOMETRY and the CEO & Founder of SOUL DE SOUL Dance Convention where she also teaches on faculty. She is also the founder of GENESIS STUDIOS in Los Angeles.Taylor Hansen is a Los Angeles based Choreographer, Dance Educator, Coach and Manager from Rochester Hills, MI. She danced her way through Hollywood for many years and has officially transitioned her career in dance education. Taylor has traveled the country judging, teaching master classes and setting guest choreography over the last 10 years. Her powerful choreography has won numerous awards in the competitive circuit, with her proudest role being the Head Coach of Saugus High School dance team in Santa Clarita, CA. You can also pop into her open technique class at Los Angeles' newest professional studio, Genesis Studios, where she also happens to be the Manager/Lead Designer. In Michigan Taylor danced with Radio Disney, Variety Charity, Detroit's MotorCity Movements and also appeared on FOX as a Vegas finalist for SYTYCD Season 7. Taylor completed her Bachelor's Degree of Fine Arts at Loyola Marymount University.  Find her shouting 5,6,7,8 or on a hike in LA.Hey y'all! I'm Justine, the voice behind the DC:U pod and MNTR MGMT. After 15+ years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? join the mntrU Crew or become a Pod Producer/SupporterConnect with me on Insta @mntr.mgmt

Friends. Welcome back to Graventown yet again. I don't always pod, when I do, I pod with the gods. Here's another one for your content wood-chipper. Drive it into your ears to lessen your fears. Today's guest is one of the most prolific songmakers I've ever met and I was lucky enough to have a nice intimate chat with him as he drove around the countryside shoreline in his lovely home province of Prince Edward Island. Dennis Ellsworth is a songwriter, performer, sideman, and record producer from Charlottetown, PE. His songwriting career started in high school, filling notebooks with lyrics and poems. He grew up on the Beatles, Simon & Garfunkel, Ray Charles, Kris Kristofferson, Roy Orbison, Willie Nelson and Merle Haggard. His tastes evolved in grade 6 and he began collecting cassettes. His personal music collection is stylistically expansive. Some might call his love for music an addiction, but whatever. Over the years he has collaborated with Josh Finlayson and Andy Maize from Skydiggers, Gord Downie from The Tragically Hip, Joel Plaskett, Donovan Woods, Rose Cousins, John Smith, and David Barbe (producer of Drive-by Truckers and bass player for 90's alt rock band Sugar.) In 2015 Dennis signed a publishing deal with Cymba Music Publishing in Toronto and has since written songs in a wide variety of styles His music has appeared in television shows for CBC, Netflix, HBO and was featured in the award-winning film, The New Romantic. Ellsworth has released 2 full length albums with his previous group, Haunted Hearts, an album as a duo with Kinley Dowling, two EP's and 10 full length solo albums, including his most recent triple album project called Bound by Love.Dennis is releasing a single on every Bandcamp Friday this year, so be sure to follow along in support on his bandcamp page and find him on instagram or on his website. Watch for our shows together in Montreal, Ottawa and Wolfe Island in late May. UPCOMING GRAVEN SHOWS:MARCH 3 - JETHRO'S (PETERBOROUGH, ON) - TICKETSMARCH 4 - ACOUSTIC GRILL (PICTON, ON)Catch me in a town near you by visting my website to see where I'm playing. If people can hate for no reason, I can love for no reason - and I love you. Thanks for stopping by Graventown. Yer always welcome here. As a full time independent artist, you can support me by joining my SUPER RAD subscription service at https://ko-fi.com/gravencanada

It's all about feeling the love this week on Georgian Bay Roots Radio! This week's show has songs about romantic love, that feeling of new love, love between friends and more. You can catch it all here. Featuring music by Valdy, The Good Lovelies, Dave Hawkins, Coco Love Alcorn, Drew McIvor, Eric Nagler, Donovan Woods, Sharon Lois and Bram, Christine Lavin, The Barra MacNeils, John Prine, Joel Plaskett, Jayden Grahlman and a brand new track from William Prince!

Tim talks with Heather Hutchinson. She is a blind mental health & disability advocate who is also an author and singer! Tim & Heather talk about her blindness, annoying questions she gets asked, what we can do to be more aware peoples metal health and disabilities, her singing career, her book, and much more! If you want to submit a question, comment or just have something you want to say. Go to https://20timinutes.com/contact-tim/ and click 'Contact Tim' or Text Tim at 781-523-9333 Follow Heather: Website Facebook Twitter Instagram TikTok Bio:Hutchison's songs have always been rooted in the universal feelings of the human experience, from her latest single, Tough Luck, a fun and sassy dance pop empowerment anthem about finding your voice, to the quirky but serious synth-pop Lock the Door, about the time Hutchison spent in a secure psychiatric facility during COVID-19, to the understated strings and piano of If I Could, in which she speaks to her former self, as well as to the ones who have been lost to mental illness. Hutchison sings with the conviction of someone who has lived these experiences, and her crystal clear voice commands attention from the very first note. With captivating melodies and strikingly powerful, honest lyrics that stay with you long after the songs are over, Hutchison weaves achingly beautiful stories, offering her unique brand of realistic optimism to others who are struggling. Blind since birth, music was an integral part of Hutchison's world from a young age. Growing up in Edmonton, Alberta, she spent much time in her early years making up melodies and figuring out songs by ear on the piano. She was exposed to a diverse array of artists from her parents' music collection such as Mariah Carey, Aretha Franklin, The Beatles, and Burton Cummings. She cites later musical influences including Sara Bareilles, Eva Cassidy, Donovan Woods, and City and Colour. Since her completion of a diploma in Jazz and Contemporary Voice in Vancouver, British Columbia, she has grown to incorporate some elements of jazz into her music. Latin influences are also evident in newer material, a product of time spent living in South America. Her songs are not only a musical project for Hutchison, they are her life's work. The themes of her music are the perfect soundtrack to her recently released Amazon best-selling memoir, Holding On by Letting Go. Hutchison is passionate about educating people on mental health and disability through her music and writing. She is a frequent guest on national television and radio programs and renowned podcasts across the globe, singing and speaking to bring her message of hope to those who are struggling. In her advocacy work, she has appeared alongside numerous high-profile psychologists, clinical counselors and other mental health professionals. Since the release of her first EP of original material at only sixteen years of age, Hutchison has released four albums and numerous singles to critical acclaim and has performed in concert halls, theatres, clubs and outdoor stages from North to South America, with many performances broadcast on television and radio. Her singles have received frequent airplay across Canada and the US, and she has been a regional finalist in CBC's Searchlight. Her single, Reason to Stay, won a 2016 Vancouver Island Music Award for pop recording of the year, and her album, Where the Ocean Meets the Sand, was nominated for album of the year at the VIMAs. A versatile artist, Hutchison sings in both English and Spanish and can be seen performing her original material solo or with a band, as well as appearing with her jazz group, The Heather Hutchison Trio. With fans from around the world and the innate ability to connect with audiences young and old, the universality of Hutchison's message is clear Purchase 20TIMinutes Merch:20TIMinutes Gear Follow Tim: YouTube Instagram Twitter Facebook Download the FREE 20TIMinutes App DISCLAIMER: This podcast is for entertainment purposes only & informs all listeners of the podcast, that the views, thoughts, and opinions expressed in the each episode belong solely to the host of 20TIMinutes, Tim McCarthy, and not necessarily to the podcast hosts employer, organization, committee or other group or individual. Tim is NOT a mental health professional. Tim only speaks about his own personal struggles and what works for him. If you're in need of help mentally or physically, please contact your primary care provider, a mental health professional or in case of an emergency, dial 911.See omnystudio.com/listener for privacy information.

Chris Marshak, producer, drummer, percussionist and all-around great guy joins your host, Steve Yusko along with Stephen Martino, another percussionist and previous guest on the podcast. We explore Chris' take on the music industry and how to collaborate with artists when producing music. We'll hear three songs that Chris brought to the table along with the remix of Steve Windwood's Spanish Dancer.Some of the artists that Chris has recorded and/or performed with...Steve Winwood, Marc Cohn, Ricardo Arjona ,Jill Sobule, Amy Helm,  Johnston,G Love,Liz Longley, Donovan Woods, Cheryl  Wheeler, Lucy Kaplansky, Duke Levine, Cassandra House, Henry Butler, Martyn Joseph, Mike Delguidice, Andy Falco, Amy Correia, Billy J. Kramer, Miles To Dayton,Jeff Golub, Phoebe Hunt,Matt Marshak, Lisa Matassa, Joanna Mosca, The Levins, Greg Greenway ,Pat Wictor, Bill Scorzari, Mark Newman, Dave Diamond, Robert Bruey, Kerri Powers, Erica Leigh, Brian Unger and Lucy Bonilla Connect with The Long Island Sound Podcast  Intro/Outro song in this episode: “Fading out Fast” from Mike Nugent's album, Mike Nugent and the Blue Moon Band . Opening Narration by Faith YuskoAll songs in this podcast episode have been used with prior permission by the artists. Please Subscribe Here: Https://linktr.ee/thelongislandsoundpodcast“Chris is one of my go-to drummers for so many of the recording projects and albums that come my way. Chris has a keen sense of what will work best for each song that he plays on. He comes with a great feel and pocket for a multitude of genres and is not afraid to experiment with different textures and layers of rhythms that together create something unique and memorable. In addition, every time he shows up for a session he brings new sounds and instruments that offer a continually expanding sonic palette from which to choose. Chris comes incredibly well prepared and I know that whenever we'll be working together in a recording session or live performance it's gonna be a great day of creativity and camaraderie.”                                                                         — Ben Wisch (2x Grammy Award winning producer)Call the Listener Line (631) 800-3579 and leave your comments for our host and guests.Please Subscribe Here: Https://linktr.ee/thelongislandsoundpodcast Call the Listener Line and leave us your impressions (631) 800-3579Support the showConnect with us here: Https://linktr.ee/thelongislandsoundpodcast If you like what you hear,click the link below to support us with a secure donation. https://www.paypal.com/donate?token=lg4LOxiWjgFS8z75NJpziIIRYXvpvtm6oZ2VlYE5eedpGDcJ-YD1ybtpJZiAWaSa1HKHDPX7IFp9uisz

Welcome to Part #2 Chris Marshak, producer, drummer, percussionist and all-around great guy joins your host, Steve Yusko along with Stephen Martino, another percussionist and previous guest on the podcast.We explore Chris' take on the music industry and how to collaborate with artists when producing music. We'll hear three songs that Chris brought to the table along with the remix of Steve Windwood's Spanish Dancer.Some of the artists that Chris has recorded and/or performed with...Steve Winwood, Marc Cohn, Ricardo Arjona ,Jill Sobule, Amy Helm,  Johnston,G Love,Liz Longley, Donovan Woods, Cheryl  Wheeler, Lucy Kaplansky, Duke Levine, Cassandra House, Henry Butler, Martyn Joseph, Mike Delguidice, Andy Falco, Amy Correia, Billy J. Kramer, Miles To Dayton,Jeff Golub, Phoebe Hunt,Matt Marshak, Lisa Matassa, Joanna Mosca, The Levins, Greg Greenway ,Pat Wictor, Bill Scorzari, Four 80 East, Jeff Kashiwa, Carl Burnett, Mary Gatchell, Robert Poe,David Lockwood, Dave Murphy, Kat Quinn, Mark Newman, Dave Diamond, Robert Bruey, Kerri Powers, Erica Leigh, Brian Unger and Lucy Bonilla Connect with The Long Island Sound Podcast  Intro/Outro song in this episode: “Fading out Fast” from Mike Nugent's album, Mike Nugent and the Blue Moon Band . Opening Narration by Faith YuskoAll songs in this podcast episode have been used with prior permission by the artists. Please Subscribe Here: Https://linktr.ee/thelongislandsoundpodcast“Chris is one of my go-to drummers for so many of the recording projects and albums that come my way. Chris has a keen sense of what will work best for each song that he plays on. He comes with a great feel and pocket for a multitude of genres and is not afraid to experiment with different textures and layers of rhythms that together create something unique and memorable. In addition, every time he shows up for a session he brings new sounds and instruments that offer a continually expanding sonic palette from which to choose. Chris comes incredibly well prepared and I know that whenever we'll be working together in a recording session or live performance it's gonna be a great day of creativity and camaraderie.”                                                                         — Ben Wisch (2x Grammy Award winning producer)Call the Listener Line (631) 800-3579 and leave your comments for our host and guests.Please Subscribe Here: Https://linktr.ee/thelongislandsoundpodcast Call the Listener Line and leave us your impressions (631) 800-3579Support the showConnect with us here: Https://linktr.ee/thelongislandsoundpodcast If you like what you hear,click the link below to support us with a secure donation. https://www.paypal.com/donate?token=lg4LOxiWjgFS8z75NJpziIIRYXvpvtm6oZ2VlYE5eedpGDcJ-YD1ybtpJZiAWaSa1HKHDPX7IFp9uisz

It is a pleasure to welcome award-winning singer, songwriter, and producer Carleton Stone to The Jake's Take with Jacob Elyachar Podcast. The Nova Scotia, Canada native, recently dropped his latest solo and self-produced album, Papercut. Through the sax-blasted Americana with power-pop and 1980s synthesizers, Carleton blurs musical genres to explore several tumultuous years and asks two difficult questions: “What the hell have I done?” and “What if I had gone down some other path?”Papercut is one of Carleton's strongest and most forthcoming albums, thanks to innate songwriting skills. Listeners will follow him as he plumbs the depths of an emotional roller coaster ride. The album also features several talented musicians, including bassist Liam Jaeger, percussionist Howie Beck, cellist Kevin Fox, trumpeter Tom Moffett, saxophonist Julian Nalli, and vocalists Erin Costelo and Mel Stone.Before releasing Papercut, Carleton released his 2011 self-titled debut and 2014's Draws Blood. He is also half of the pop duo Port Cities and an in-demand producer and songwriter. Carleton worked on Jake's Take friend Willie Stratton's critically acclaimed Drugstore Dreamin.' He also wrote songs with and for Classified, Donovan Woods, Mo Kenney, Neon Dreams, and Ria Mae.In this edition of The Jake's Take with Jacob Elyachar Podcast, Carleton Stone spoke about facing the obstacles breaking into the North American music market and the stories behind several of his songs, including “Blood is Thicker Than Water,” “Papercut,” “Monte Carlo,” and “House in the Hills.” Carleton and I also shared our mutual admiration for Andrew Watt, Bruce Springsteen, and Survivor.

Recorded backstage at Analog at Hutton Hotel in Nashville, TN, AmericanaFest 2022. Tim Baker reveals another preview single, “Echo Park” taken from his recently confirmed new album, The Festival, coming out on October 21st via fellow singer/songwriter and friend, Donovan Woods' label, End Times Music. The new LP, Tim's sophomore release follows his acclaimed 2019 solo debut, Forever Overhead voted “Folk Album Of The Year” by Exclaim! and “Album of The Year” in 2019 by CBC Music. The internationally celebrated singer/songwriter, award winning indie-rock band-leader (Hey Rosetta!), and 2020 JUNO award ‘Songwriter of The Year' nominee plans to tour an extended list of cities through the fall, featuring a headline show at Massey Hall on December 9. Tim has partnered with the PLUS1 Climate Fund so that $1 per ticket goes to supporting grassroots organizations working to mitigate the current climate crisis and build a sustainable future for all. Tickets are available via timbaker.net. Follow The Libby O Show: Facebook, Twitter, and Instagram: @thelibbyoshow www.thelibbyoshow.com

Donovan Woods received a vouching of support, after his controversial facebook post upset some Yellowknifers, from a fellow musician and Folk on the Rocks alumni member, aka, "Mr. Cabin Radio."

Meredith Lazowski joins the DTP to discuss her debut album 'Other Way Home'!   Meredith stepped away from music to train and work as a digital product designer for several years, but is stepping back into her musical roots on this 10 track collection, some of which Meredith wrote over 15 years ago!   Meredith has enlisted a Canadian all-star team to record, including producer Justin Rutledge (a JUNO Award Winning artist) with Joshua Van Tassel on drums (Donovan Woods, Rose Cousins), Kelsey McNulty on organ (Great Lake Swimmers), Tom Juhas (Joan Smith and the Jane Does) on electric guitar, and Devon Henderson on bass (Vallens).   We also discuss how Meredith applied her digital design skills on the album's artwork, how she grew through recording & releasing “Other Way Home”, & more!   Connect w/ Meredith Lazowski! —       —   Support Colton Gee and Desert Tiger ----- Check out our webstore @ Follow the Desert Tiger Podcast @   Follow Colton Gee @   -----

Folk on the Rocks' last major lineup announcement for the 2022 festival, Donovan Woods, has ruffled some feathers ahead of this weekend's shows with a seemingly thoughtless (perhaps meaningless?) FB post...

The Juno award winning songsmith from Ontario talks owning his own masters, writing a song that Tim McGraw picked up, and learning to write in "found" moments as a father of young children.

Vince had a chat with the acoustic/coastal folk artist Ziggy Alberts. The pair spoke about Ziggy's latest single 'The Sun and The Sea' featuring Donovan Woods. See omnystudio.com/listener for privacy information.

It's great to be back with another selection of the latest new releases on Episode 631 of Folk Roots Radio. This time around we check out new music from Avi Kaplan, Brendan Scott Friel, Heather Sarona, Justine Giles, Michael Walsh, Barney Bentall, Amy Correia, Sarah Hiltz, Matt Andersen, Emily Jean Flack, Dieter van der Westen Band, Shred Kelly, Lynne Hanson and Donovan Woods. Enjoy! If you like the artists you hear on this show and want to support them, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live show opportunities. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-631-were-all-about-the-music-cosmic-mirror-edition/

The Queen (Amy) and her Queer (Alix) host podcast The Gal (Mac) and her Gay (Alden) to talk about friendship and running a podcast together — see what we did there? What's Up? Alix cries her way through a Donovan Woods concert and Amy gives her two cents on bachelorettes. Jar Of Questions: do you believe in ghosts?

Actor Alan Cumming discusses his new memoir, Baggage: Tales from a Fully Packed Life, about his stage and screen career, his time with the Spice Girls, and working with Stanley Kubrick. Singer-songwriter Donovan Woods introduces a track off his latest EP, Big Hurt Boy, and plays a very special game of Jam or Not a Jam. Singer-songwriter Nemahsis talks about growing up in a conservative Muslim household, hiding her passion for music from her father and making music about her relationship with the hijab.

In episode #73 of The XS Noize Podcast, Mark Millar catches up with JUNO Award-winning singer-songwriter Donovan Woods. Along with his work as an in-demand songwriter, whose work has been recorded by the likes of Tim McGraw ("Portland, Maine") and Lady A's Charles Kelley ("Leaving Nashville"), and co-writes with a diverse group of songwriters, such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies), a budding truth about Woods has emerged. As respected as he is as a solo artist, he's evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre. In this interview, songwriter Donovan Woods talks about his new Big Hurt Boy EP, songwriting, his love for Oasis, and more.

Donovan Woods has a conversation with Tom about his journey in music, why after writing "Portland, Maine" for Tim McGraw to record he felt compelled to release his own version, and what he thinks of Oasis frontman, Liam Gallagher, singing with his arms behind his back. This episode is brought to you by Lumie, the original inventors of wake-up lights, whose Bodyclock Luxe 750DAB wake-up light mimics a natural sunrise and sunset. Shown to improve quality of sleep and to boost productivity in clinical trials, this remarkable device also features high quality audio with DAB+ radio, Bluetooth speakers, USB port and a selection of over 20 sleep/wake sounds. The Lumie Bodyclock Luxe 750DAB can transform the way you start and end your day, especially if you struggle to wake up in the morning and/or get to sleep at night. Go to lumie.com to find out more.

The big game is this week so we decided to mix a little football with the outdoors!  On todays episode we learn about how Donovan Woods' journey from little league football to the NFL and a Super Bowl ring, as well as his love for the outdoors.

We had the pleasure of interviewing Breagh Isabel over Zoom video! Breagh Isabel – the Halifax-based and Cape Breton Island-born recording artist, songwriter and producer – has released her debut single, “Girlfriends,” (LISTEN HERE) along with the official video (WATCH HERE). The song helps usher in her new recording contract with Warner Music Canada. “Girlfriends” is a pop-leaning, coming-of-age story about a very specific type of heartbreak; the kind that comes from being a lovesick teenager in less welcoming times. The song emerged from a session with one of her Canadian songwriting crushes, Simon Wilcox (Nick Jonas, Selena Gomez, Lennon Stella). Isabel offered up the lyrics, “maybe we were homophobic” and like an astute therapist, Wilcox instantly started peeling back the layers, unravelling a closely kept story that needed to be told, and thus “Girlfriends” was born. “I had no firm intention of delving into a solo artist project when I wrote ‘Girlfriends,' but the song easily became the most honest thing I had ever written. I started to feel like I had something to say that might resonate,” says Isabel. “The song is about little – and sometimes big – moments and thoughts I didn't know what to do with at the time, but now realize were just expressions of me figuring out who I am.” The theme of heartbreak is vivid in the accompanying music video, filmed in both Vancouver and Halifax. The video follows two high school students (played by Carolyn Yu and Cassidy Foley) as they explore burgeoning feelings, echoing the lyrics of Isabel's song. The video was funded in part by the MVP Project, produced by Shelby Manton of Boldly and directed by Tamara Black. Sonically, “Girlfriends” pairs thought-provoking, emotive storytelling with dynamic percussion and bouncy electric guitar that counterintuitively make the song feel catchy and calming all at once. Airy vocal swells and synths off the top of the track set the stage for the song's dream-like reflection. In her signature smoky timbre, Isabel sings, “I wanted to be girlfriends, but we were just girl friends,” revealing the painful standstill of confusion and loss that comes from love unrequited.  “It's a bit of a sad song wrapped up in a happy-sounding package. The lyrics don't really tell a hopeful story,” Isabel spills. “The resolution comes from the fact that I can own the experience and re-tell it from a place of happiness.”  Though Girlfriends signals the start of her own solo career, Breagh Isabel's creative handiwork will likely already be familiar to music audiences. Isabel has written for and been featured on the records of artists like Classified, Ria Mae, Donovan Woods and BANNERS. While the world was in lockdown, she cut her teeth in production and signed a publishing deal with Concord Music. Her tracks have already been featured on the megahit show Grey's Anatomy and the superhero series Batwoman. She also toured throughout Canada and Europe and gained international recognition during her time as a member of the band Port Cities. Mostly writing for others, she would often tuck little ideas away that seemed overly personal, but with “Girlfriends, Breagh Isabel is now ready to begin a new chapter all her own.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #BreaghIsabel #zoomListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

As a teenager, Jason Dufour's musical purchases were informed not by the name on the front cover or the track listing on the back; instead, he looked to the liner notes. “I would walk into HMV and I knew the guys there,” he begins to recall. “I'd say, ‘I think this one dude worked on this CD, can I open it? I just want to see!' If I opened it and didn't see the name, I'm like, ‘I don't want to buy this!'” Two decades later, Jason Dufour is the name in the liner notes, wherever you may be reading them. A graduate of London's Ontario Institute of Audio Recording Technology (OIART), Dufour has gone on to have a hand in multiple Juno Award-winning and nominated records across a slew of genres, and is one of the Canada's most in-demand and well-rounded engineers today. His résumé is dotted with marquee names, including Lights, Three Days Grace, Tokyo Police Club, Donovan Woods, Protest the Hero, and The Tea Party, and is punctuated by a Juno victory of his own as 2017's Recording Engineer of the Year for his mixing work on July Talk's acclaimed LP Touch. Links mentioned in this episode: https://www.professionalsoundpodcast.com http://www.nwcmarket.com https://www.professional-sound.com This podcast is hosted by ZenCast.fm

Barenaked Ladies frontman Ed Robertson joins Simon and Brian to discuss the writing of the band's latest album Detour de Force as well as classic BNL songs like 'One Week'. In this wide-ranging chat, Ed talks about collaborating with the likes of Kevin Griffin and Donovan Woods, writing in his car, and taking inspiration from everyone from Howard Jones to Eminem.

Michelle Szeto is Vice President of the Management Division at Paquin Entertainment Group in Nashville.  I first met Michelle with one of her longtime clients, Donovan Woods at a Juno Awards Gala broadcast. Since, we've worked on a few projects together in my work at SiriusXM.Michelle got her first taste of the entertainment industry at an early age in her hometown of Hong Kong, working in concert production for international superstars such as Oasis, Celine Dion, Boyz II Men, Sean Lennon and Prodigy.  Wait until you hear the Noel Gallagher part!!Since joining Paquin Entertainment Group over fifteen years ago, Michelle has worked in publicity, tour marketing and management. Now, in her role as Vice President, Management Division,  Michelle personally manages award-winning artists and songwriter: Donovan Woods, Logan Wall, Aaron Raitiere, Wild Rivers, Devan and Cassidy Mann; continues to lead global marketing and press initiatives for management clients, including Buffy Sainte-Marie; and works alongside the Agency division in international talent acquisition and tour marketing support for its roster of artists. During the pandemic, Michelle and Donovan launched a record label together which they called End x Music (end times music...the pandemic, you get it). The core of End Times' mission is transparency and adaptability. In the world of streaming, the data is available. Artists should understand their expenses and their earnings as well as anyone they work with. It allows us to interpret and react to how, why, and where songs are being discovered. There are many pathways to success, and success looks different to everyone. Every artist and every project is unique and artists should be confident that the team built around them is being created thoughtfully and purposefully in service of their individuality. https://www.endxmusic.com/LinkedIn: https://www.linkedin.com/in/michelleszeto/https://www.paquinentertainment.com/management-teamHere are some links to listen to Michelle's clients:Donovan WoodsLogan WallAaron RaitiereWild RiversDevanCassidy Mann

Having an app is not a strategy, it's just one step in building a cohesive digital strategy to enhance the customer's experience. Find out what else makes up a digitally sophisticated brand. Related Links: Hathway Website Hosted by: Donovan Woods, Director of Operations, Fuels Institute and Chris Blasinsky, Content Strategist, NACS About our Guests: Matt Carinio, VP, Strategy, Hathway With 20 years of operations, R&D, product and marketing experience in the online and mobile space, Matt Carinio thrives on formulating executable solutions to complex problems. With proven methods that allow organizational leaders to successfully uncover challenges that they were unaware of or to just clarify ones that are already known, Matt's goal is always to make their business and them as individuals successful through the process of strategic planning and execution. Sam Herro, Director of Business Development, Hathway Sam Herro is the Director of Business Development at Hathway. In his role, he's tasked with growing Hathway's presence in the convenience store industry, working across Hathway's current convenience store clients. Prior to Hathway, Herro served as Director of Member Development at Study Groups and as Director of Retail at Kum & Go. For the past decade, he has sought innovative ways to change the how, what, and where of convenience. In his most recent roles, he has facilitated mastermind groups of top executives in the convenience industry in addition to leading the fueling innovation for one of the largest convenience retailers in the US.

According to NACS research, 2021 is shaping up to be a good year for c-store sales. But, it depends whether you compare sales to 2019 or 2020, what category you're looking at, where you live and whether trends stay or go. Related Links: NACS Research NACS State of the Industry Report NACS | CSX Hosted by: Donovan Woods, Director of Operations, Fuels Institute and Chris Blasinsky, Content Strategist, NACS About our Guest: Chris Rapanick, Director, Business Development, NACS | CSX, LLC Christopher Rapanick is the Director of Business Development for NACS | CSX, LLC. With more than 18 years of experience in the wholesale, B2B and retail sales environment, Chris is an expert in analyzing retail sales and has been an integral part of data collection for CSX and NACS State of the Industry for many years.  

Retail competition for share of customer dollars has never been so great as the lines between channels continue to blur. Seamless digital experiences earn a customer's loyalty - no matter how, where and when they shop. Related Links: Stuzo Website NACS Daily "Rewards Programs Boost Store Transactions" Hosted by: Carolyn Schnare, Director Strategic Initiatives, NACS and Donovan Woods, Director of Operations, Fuels Institute About our Guest: Aaron McLean, Chief Marketing Officer, Stuzo As Stuzo's Chief Marketing Officer, Aaron leads the company's marketing department, supports go-to-market efforts, and leads media relations, analyst relations, and product marketing. Aaron is also a serial technology entrepreneur, a lifelong musician / composer, and co-founder and former Board Member of Philly Startup Leaders.

We have another hour of great new music to bring you on Episode 583 of Folk Roots Radio as we hold back the interviews to check out more of the latest new releases with some wonderful new Covid Tunes thrown in the mix. Join us for new music from The Slowinks, David Olney & Anana Kaye, Dieter van der Westen & Eric van der Westen, Kelli Trottier and The Mushy Peas, The Nordic Fiddlers Bloc, Crys Matthews, Craig Werth, Donovan Woods, Colleen Kattau, The Hello Darlins, Andrea Nixon, Bridget Melody, Dalannah Gail Bowen and Bob Bossin & Friends. If you like the artists you hear on this show, don't just stream their music – BUY their music and then you'll really make a difference to their income during this difficult time when it's much more challenging to find live shows. Folk Roots Radio is a labour of love - a full time hobby. If you enjoy this episode, please consider giving us a 'LIKE' and leaving a review/comment on your podcast provider and sharing the episode on social media. We'll love you for it! Check out the full playlist on the website: https://folkrootsradio.com/folk-roots-radio-episode-583-were-all-about-the-music-whatever-keeps-you-going-edition/

Watch the episode here: https://youtu.be/YzTQj7x9WI4 Carleigh Aikins is a singer-songwriter from Barrie Ontario, currently residing in Toronto.  She has toured the world as a live backing vocalist and band member for many acts including, Macy Gray, Royal Wood, Bahamas, Jack Johnson, Dan Mangan, Patrick Watson, Hannah Georgas, Donovan Woods, The Weather Station, Jeremie Albino and more. She is releasing we debut solo record entitled JUNK JEWELRY, and has released two songs titles LETTING YOU GO and TOUGHER THAN YOU.  CHECK OUT HER MUSIC HERE: https://linktr.ee/artistcarleighaikins Follow All About The Song on Instagram: https://www.instagram.com/allaboutthesong/ Listen to the audio of this and many more All About The Song episodes: Apple Podcasts: https://tinyurl.com/yd5cpbmf Spotify:https://tinyurl.com/yxa6mxlu Website: https://www.allaboutthesongpodcast.com

Award-winning singer-songwriter Donovan Woods—who splits his time between Toronto and Nashville —has been rapidly garnering esteem for his heart-tuggingly beautiful ballads, like the recently released duet “IOWA” (which Wheel of Fortune would credit in the form of Before and After “Aoife O'Donovan Woods”). In this latest installment of GITM, with additional guest-host Brad Kennard, Woods sits down to chat about a songwriter’s unique challenges in the age of Covid, his unique and exciting collaborations with dancers and visual artists around the world, and the ethos behind his own record label. Fun is abound, with dichotomies of relief/revenge, hospitality/rudeness and kindness/cruelty swung around freely like confetti. It’s a party!

Welcome back!Today we are kicking off the LOVE series with Mackenzie Martin. This interview was so special as we got to have a really good and honest and powerful conversation about dance.. the highs and lows. Mackenzie offers up her outlook on the power of movement, connection and authenticity which I hope will inspire you as much as it inspired me!BIO:Mackenzie is a Los Angeles based choreographer and entrepreneur and recognized both nationally and internationally for her distinctive and artistically grounded choreography and her ability to create a sense of space. Her professional credits include Missy Elliot, Lululemon, Donovan Woods, Sephora, Caesar's Palace, DanceOn, Polica and Simon Birch's "14th Factory" and is a two time Capezio A.C.E Awards nominee.Mackenzie is the Director of LA contemporary dance company GEOMETRY, the CEO & Co-Founder of Soul de Soul Dance Convention where she also teaches on faculty. She is the founder and developer of MMMETHOD; a comprehensive holistic approach to movement and technique grounded in a mindful ethos. She has had the honor of being invited to showcase work and full length concerts across the world in Scotland, Greece, Italy, Australia and Spain and presented her research entitled "Intentions: Getting Present for Contemporary Movement" at the World Congress of Dance in Athens, Greece.Mackenzie is on faculty at AMDA College of the Performing Arts in Hollywood. Before COVID-19 she was teaching weekly open classes at IAF Compound in North Hollywood, her classes can be found online via IAF PRIME, a virtual platform for the studio. She is also guest faculty at Broadway Dance Center and Peridance in New York. Mackenzie is also a judge and guest faculty for West Coast Dance Elite. Mackenzie is a proud member of the International Dance Council (CID) and has had the privilege of teaching throughout the United States, Europe, Greece and New Zealand.She is represented by GTA for dance, choreography, and education.Instagram: https://www.instagram.com/_mackenzie_martin_/Website: https://www.mackenziemartininc.com

Raised in an environment infused with music, creativity and entrepreneurial values, Julien Paquin displayed an inherent wisdom for the live entertainment business from an early age. In 1993, he joined his father Gilles as an agent at Paquin Entertainment Group. Julien's instinctive knack for discovering new artists has helped shape Paquin Artists Agency into an industry leader, cementing his reputation as one of the premier agents in Canada. Under his direction as President of Paquin Artists Agency, the company's roster has steadily grown to over 250 acts spanning a broad spectrum of musical styles. Julien represents such notable artists as Serena Ryder, The Sheepdogs, The Reklaws, The Strumbellas, Donovan Woods, Coeur de Pirate and Alexandra Stréliski The diversity of these acts reflects his vision for the Artists Agency: a people-oriented organization, providing distinguished service to its artists and thereby fostering their careers. Julien currently serves on the board of The Foundation Assisting Canadian Talent On Recordings (FACTOR). His contribution to the industry continues to be widespread; twice he has been recognized as "Agent of the Year" by Canadian Music Week (CMW) and is the recipient of six Canadian Country Music Awards (CCMA) in the same category.

Raye Zaragoza is an award-winning singer-songwriter who Paste Magazine called “one of the most politically relevant artists in her genre.” First-generation Japanese-American on her mother's side, indigenous on her father's side, and raised in New York City, Raye shares her unique perspective and stories through songs that are both inspiring and thought-provoking. Her sophomore LP Woman In Color produced by Tucker Martine (The Decemberists, First Aid Kit) is releasing today, October 23, 2020. The folk album is an intimate, empowering exploration of Raye's journey to feeling comfortable in her own skin and background. Writing about social issues comes naturally to Raye. "As a woman of color in America, social issues are things you deal with and see every day of your life," she says. "I write about my experience and oftentimes my existence has been laced with injustice." Raye's modern-day protest music been featured on Billboard, Democracy Now!, and PopMatters. She has toured in support of Dispatch, Rising Appalachia, William Elliott Whitmore, Dar Williams, Donovan Woods, and many more. In this episode, I sit down with Raye to discuss the early days of discovering art, how she hustled in the waitress & hosting scene to pursue music, her experience marrying her personal and professional identity to inform her career, how her vast multi-cultural identity has shaped her views on the world, and so much more. If you're an aspiring singer-songwriter, or ready to listen to a soulful conversation on identity, grit, and art, this conversation is for you. Listen to Raye's latest album, Woman in Color, on: iTunes: https://apple.co/341QbZv Spotify: https://spoti.fi/2HCwS1l ---------- Recommended in this episode: Hurray for the Riff Raff: https://bit.ly/3n0jsfY The Artist's Way: A Spiritual Path to Higher Creativity: https://bit.ly/3j3GIai ---------- Raye Zaragoza's Website: https://bit.ly/3jkJ84k Raye Zaragoza on Instagram: https://bit.ly/3czeIcl Raye Zaragoza on Facebook: https://www.facebook.com/Rayemusic/ Join Raye Zaragoza on Patreon: patreon.com/rayezaragoza ---------- Write for The Passages Project: https://bit.ly/3cBJW2k Follow The Passages Project on Instagram: https://bit.ly/2FVI8Wg Follow Chloe on Instagram: https://bit.ly/30g3HHY

Cette semaine, les Punch Brothers, Ol'Savannah, Pharis and Jason Romero, Donovan Woods et plusieurs autres!

Cette semaine au Ranch à Robert, de la musique de Pharis & Jason Romero, Hawktail, Dave Rawlings Machine, Dany Placard, Donovan Woods et plusieurs autres!

 Cette semaine, de la musique de Donovan Woods, I'm With Her, Louis-Philippe Gingras, Noam Pikelny et Plusieurs autres!

241e épisode cette semaine avec de la musique de Avec pas d'casque, Donovan Woods, Billy Strings et plusieurs autres!