Podcast appearances and mentions of Leslie Uggams

"The Handoff" & "The Strip" are spoiled! Fallout Season 2 is rated!"The Handoff" & "The Strip" Spoiler Review @2:51Fallout Season 2 Rating @1:16:57Conclusion/Plugs @1:18:04Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

Fallout Season 2 Episode 6 is spoiled!"The Other Player" Spoiler Review @1:29Conclusion/Plugs @1:03:52Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

Fallout Season 2 Episode 5 is spoiled!"The Wrangler" Spoiler Review @5:41Conclusion/Plugs @1:08:35Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

The first four episodes of Fallout Season 2 are spoiled!Episodes 1-4 Spoiler Review @5:19Conclusion/Plugs @1:03:01Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

MICHAEL COLBY is the librettist/lyricist of such musicals as CHARLOTTE SWEET (Drama Desk Award nomination), TALES OF TINSELTOWN, NORTH ATLANTIC (Show Business Award), SLAY IT WITH MUSIC (off-Broadway & London), MRS. McTHING, THEY CHOSE ME!, and LUDLOW LADD. He was chief writer for the Drama Desk Award-winning New Amsterdam Theatre Company and has been a writer for The NY Festival of Song and Theatre By the Blind.He is the author of the well-received autobiographical book “The Algonquin Kid: Adventures Growing Up at New York's Legendary Hotel.” Jay Records has released CDs of TALES OF TINSELTOWN, CHARLOTTE SWEET (the complete show), and LUDLOW LADD. DANGEROUS, a musical he co-wrote, has recently been optioned for Broadway.Michael wrote continuity for two benefits at the 92nd Street Y: STANDING OVATIONS (starring Carol Channing, Nell Carter, Elaine Stritch, Leslie Uggams, and other great ladies of the theatre) and THE LONGEST RUNNING SHOW ON BROADWAY (a tribute to Maurice Levine, hosted by Angela Lansbury). He also wrote STEPHEN SCHWARTZ: A MUSICAL CELEBRATION, a benefit for the Directors Company, starring Betty Buckley, Paul Shaffer, Kathy Najimi, et al.He created special material for ANIMAL CRACKERS (Paper Mill Playhouse/Goodspeed), lyrics for MEESTER AMERIKA (The Garage Theatre, NJ) and THE HUMAN HEART (at Marymount Manhattan College), and the narration for THE MAYOR MUSICALS, a benefit for Musicals In Concert hosted by Sheldon Harnick. Among the personalities for whom Mr. Colby has written material are Linda Lavin, Tony Randall, Tovah Feldshuh, Andrea McArdle, Robert Cuccioli, Savion Glover, Dina Merrill, Susan Stroman, Michael Feinstein, Natalie Douglas, Jack Gilford, Sharon McNight, Tom Wopat, Tony Yazbeck, Kristin Chenoweth, Bruce Adler, Lainie Kazan, Jane Powell, Julie Wilson, Alison Fraser, Donna McKechnie, & Cicely Tyson.Michael's movie credits include writing the title song for the film HEART OF THE BEHOLDER.He currently serves as Vice President of the acclaimed off-Broadway company, Urban Stages. There, he has written, produced, and often hosted annual benefits for their Winter Rhythms series.  These include: The Algonquin Kid, Ludlow Ladd in Concert, Other Lives: The Story Songs of Michael Colby (also an album from JAY Records), The Algonquin Retrospective (Nights at the Algonquin and Created at the Algonquin), Holiday Regards (MAC Award nomination), and the upcoming Cast of Characters.A member of BMI and the Dramatists Guild, Michael has a BA in English from Northwestern University and an MA in Drama from NYU. He lives in Metuchen, NJ with his wife Andrea.Website

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

The legendary Icon Leslie Uggams will be honored with the ICON Award from Porchlight Music Theatre on September 14th at Ritz Carlton. Ms Uggams was most recently seen in Season 3, Ep 7 of The Guilded Age, but she is legendary for playing Kizzy in Roots, Blind Al in the Deadpool movies, her Tony Award winning performance in “Hallelujah, Baby,” […]

Andrew Gerle and DJ Salisbury are musical theater stars. They operate as a team. They develop the story together. DJ writes the book and Andrew contributes the music and lyrics. And they share thoughts and ideas with each other. Andrew has served as musical director and pianist for Jennifer Holliday, Brian Stokes Mitchell and Leslie Uggams. DJ's background is as a director and choreographer with over 120 shows to his credit. New album: Whisper Darkly.My featured song is “Juliet Dances” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ANDREW:www.andrewgerle.comCONNECT WITH DJ:www.dysalisbury.com“Whisper Darkly”Spotify link____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Actor and singer Leslie Uggams talks about her remarkable career, which started when she was 6. She was later the first Black woman to host a TV variety show. In the 1977 TV miniseries Roots, she played Kunta Kinte's daughter. More recently she's been in Empire, American Fiction, and the Deadpool films — and is still going strong at 82. Also, writer Joseph Lee talks about what it means to be a member of the Aquinnah Wampanoag tribe from Martha's Vineyard. His new book, Nothing More of This Land, peels back the postcard image of the Vineyard to reveal a powerful story of Indigenous identity and survival. Plus, rock critic Ken Tucker reviews new music from the band HAIM and Addison Rae.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Actor and singer Leslie Uggams talks about her remarkable career, which started when she was 6. She was later the first Black woman to host a TV variety show. In the 1977 TV miniseries Roots, she played Kunta Kinte's daughter. More recently she's been in Empire, American Fiction, and the Deadpool films — and is still going strong at 82. Also, writer Joseph Lee talks about what it means to be a member of the Aquinnah Wampanoag tribe from Martha's Vineyard. His new book, Nothing More of This Land, peels back the postcard image of the Vineyard to reveal a powerful story of Indigenous identity and survival. Plus, rock critic Ken Tucker reviews new music from the band HAIM and Addison Rae.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Uggams performed in Beulah, Hallelujah Baby, Roots, Empire, American Fiction and the Deadpool films. She was the first Black woman to host a TV variety show. At 82, she's appearing in The Gilded Age. She spoke with Terry Gross about her long, winding career.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Uggams performed in Beulah, Hallelujah Baby, Roots, Empire, American Fiction and the Deadpool films. She was the first Black woman to host a TV variety show. At 82, she's appearing in The Gilded Age. She spoke with Terry Gross about her long, winding career.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Couch Potato Theater: Deadpool & Wolverine (2024) Watch the video version on Fandom Podcast Network YouTube Channel: https://www.youtube.com/@FandomPodcastNetwork Listen to the audio podcast version here: https://fpnet.podbean.com/category/couch-potato-theater Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! On this episode we celebrate 2024's biggest summer blockbuster, Deadpool & Wolverine (2024)! Deadpool & Wolverine is a 2024 American superhero film based on Marvel Comics featuring the characters Deadpool and Wolverine. Produced by Marvel Studios, Maximum Effort, and 21 Laps Entertainment, and distributed by Walt Disney Studios Motion Pictures, it is the 34th film in the Marvel Cinematic Universe (MCU) and the sequel to Deadpool (2016) and Deadpool 2 (2018). The film was directed by Shawn Levy from a screenplay he wrote with Ryan Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells. Reynolds and Hugh Jackman respectively star as Wade Wilson / Deadpool and Logan / Wolverine, alongside Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen. In the film, Deadpool learns that the Time Variance Authority plans to destroy his universe and works with a reluctant Wolverine from another universe to stop them. Fandom Podcast Network Contact Information - - Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed: https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork -Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social Host & Guest Contact Info: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Blue Sky: @akylew - Lacee Aderhold on X: @LaceePants / Instagram: @thelaceepants / Letterboxd: @Laceepants / Bluesky: @laceepants - Cat Ceder on X: @staticcat1 / Instagram: @staticcat1 - Lee Fillinsness X: @TheWayOfTheWay / Instagram: @the_way_of_the_way / Bluesky: fight-monkey #CouchPotatoTheater #FandomPodcastNetwork #FPNet #FPN #DeadpoolAndWolverine #DeadpoolAndWolverine2024 #DeadpoolAndWolverineMovie #RyanReynolds #HughJackman #ShawnLevy #WadeWilson #Logan #MorenaBaccarin #EmmaCorrin #RobDelaney #LeslieUggams #AaronStanford #MatthewMacfadyen #TimeVarianceAuthority #TVA #Marvel #MarvelCinematicUniverse #MCU #KevinReitzel #LaceeAderhold #KyleWagner #CatCeder #LeeFillingsness

Leslie Uggams' long-standing place in American pop culture matches that of any pop diva of similar longevity, going back all the way to her days as a child star on 1950s television variety and game shows. She won a Tony in 1967 for her performance in the musical Hallelujah, Baby, and she was the first African American woman to host her own variety show, the short-lived Leslie Uggams Show, which I, as a little homo-in-training, soaked up like a sponge! These days she's also celebrated for her participation in the Deadpool franchise and other high-profile projects. Today I've decided to shed some light on her status as a pop icon in the late 1960s, focusing on her three albums for Atlantic Records and subsequent releases in the 1970s on Dionne Warwick's Sonday Records label and Motown Records, in other words, the period from just before Hallelujah, Baby leading up to just before her starring role in the earth-shattering 1977 miniseries Roots. Uggams reveals herself to be a versatile entertainer of the first order, performing songs by everyone from Holland-Dozier-Holland to Burt Bacharach, from Jimmy Webb to Waylon Jennings, from Jon Hendricks to Jackie DeShannon, including the very first official commercial release of the Leiber and Stoller song “Is That All There Is,” a year before it became a massive hit for Peggy Lee. The episode ends with a pair of protest songs recorded in 1968. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

SCOTT LOGSDON has written the book/lyrics for STICKS & STONES (with composer John McDaniel) which had a premiere concert starred Audra McDonald, Javier Muñoz, and George Salazar for Lady Gaga's Born This Way Foundation/BC/EFA; 12 DAYS TILL CHRISTMAS (with composer Dana P. Rowe, currently in development as a film with Jerry Mitchell attached); JOYCE JACKSON'S GUIDE TO DATING, (with composer Steve Marzullo) which premiered in Orlando and was seen in concert at 54 Below; AN AMERICAN COUNTRY CHRISTMAS CAROL (with various CMA winning and nominated composers) THE CRINOLYNNS and LOVE (r)EVOLUTION, a song cycle covering 120 years of LGBTQIA+ history, both written with Aaron Gandy. Both STICKS & STONES and JOYCE JACKSON won the Florida Theatrical Association's New Musical Discovery Competition. JOYCE was featured in the NAMT Composer's Concert Series and was a finalist for Richard Rodgers/ Jonathan Larson Awards. Scott has written Broadway specialty lyrics for Roundabout Theater Company's Tribute to Alec Baldwin (directed by Scott Ellis) and the GYPSY OF THE YEAR Competition for the LES MISERABLES company, as well as for notable performers including Jason Alexander. Logsdon was vetted by the Cole Porter estate to rewrite lyrics for the documentary, Fabulously Fake: The Real Life of Kenneth Jay Lane. With Dana P. Rowe, he wrote the theme song for the series Stars In the House. His non-musical plays include THE BOIS (an all-male, contemporary take on the classic play THE WOMEN), which received a staged reading at the Abbey in Orlando, and THE MOURNING AFTER (a dark comedy.) As an actor, he was an originating cast member in the LES MISÉRABLES national company. He's been seen in such roles as Thenardier, Sweeney Todd, Billy Bigelow, Che, El Gallo, and King Herod. He has performed across North America as a soloist with symphonies and as a guest star in the award-winning Sondheim Unplugged at 54 Below in New York City. His many directing credits include CHESS, THE FANTASTICKS, DRIVING MISS DAISY, THE GLASS MENAGERIE, and the southeastern premiere of SECRETS EVERY SMART TRAVELER SHOULD KNOW. He holds a degree in musical theatre from Shenandoah Conservatory and received a Distinguished Alumni Award for work in the field of musical theatre.   Aaron Gandy A specialist in American musical theater and American popular song, Aaron Gandy's concerts and recordings embrace the best of Broadway from Kern to Lloyd-Webber, while encompassing Swing, Jazz and the golden age of Hollywood. Recent recordings include the all-star Jule Styne In Hollywood (PS Classics) and the upcoming Busker Alley (Jay Records). In 2004 he conducted the premiere recording of Kay Swift's Fine & Dandy on PS Classics featuring Broadway's Carolee Carmello and HBO's Mario Cantone. Upcoming recordings include Alec Wilder's Miss Chicken Little (originally broadcast on CBS television in 1953) and a restoration of Walter Donaldson's jazz-age romp Whoopee! Regarded as a leading authority on composer Vincent Youmans, Mr. Gandy restored and conducted the premiere recording of Youmans' final Broadway score Through the Years starring Metropolitan Opera Soprano Heidi Grant Murphy. Mr. Gandy restored the original film orchestrations for Rodgers & Hammerstein's The King and I, and Irving Berlin's White Christmas. His restoration of the original film orchestrations for Rodgers & Hammerstein's Oklahoma! was performed by the Hollywood Bowl Orchestra in 1997. Mr. Gandy's Broadway credits include Disney's The Lion King, Urinetown, and Dora the Explorer Live! at Radio City Music Hall. He has concertized with The Chamber Music Society of Lincoln Center, The Chicago Humanities Festival, 42nd Street Moon, Cami Hall, San Francisco's 42nd Street Moon, The Museum of Television and Radio, Symphony Space, Tribeca Performing Arts Center and solo appearances with Davis Gaines, Leslie Uggams, Christianne Noll, Jerry Hadley, Jim Dale, Dick Hyman, Lainie Kazan and Glenn Close.

American Fiction is a 2023 American comedy-drama film written and directed by Cord Jefferson, in his feature directorial debut. Based on the 2001 novel Erasure by Percival Everett, it follows a frustrated novelist-professor who writes an outlandish satire of stereotypical "black" books, only for it to be mistaken by the liberal elite for serious literature and published to both high sales and critical praise. It stars Jeffrey Wright, Tracee Ellis Ross, Issa Rae, Sterling K. Brown, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, and Keith David.

Join Dom, ILL, and returning guest Rico as they dive into the epic crossover event of the year, Deadpool & Wolverine (2024)! From the wild antics of Deadpool to Wolverine's gruff heroics, we break down the hilarious action, unexpected twists, and how this MCU film ties into the multiverse chaos. Did the Time Variance Authority steal the show? How did Hugh Jackman and Ryan Reynolds' chemistry hold up? Tune in to find out! Don't forget to like, comment, and subscribe for more movie reviews, reactions, and breakdownsdeadpool3 #Wolverine #SayWhatsReel #MarvelMovie #MCUDeadpool & Wolverine is a 2024 American superhero film based on Marvel Comics featuring the characters Deadpool and Wolverine. Produced by Marvel Studios, Maximum Effort, and 21 Laps Entertainment, and distributed by Walt Disney Studios Motion Pictures, it is the 34th film in the Marvel Cinematic Universe (MCU) and the sequel to Deadpool (2016) and Deadpool 2 (2018). The film was directed by Shawn Levy from a screenplay he wrote with Ryan Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells. Reynolds and Hugh Jackman respectively star as Wade Wilson / Deadpool and Logan / Wolverine, alongside Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen. In the film, Deadpool learns that the Time Variance Authority is set to destroy his home universe and works with a reluctant Wolverine from another universe to stop them.DONT GET LEFT BEHIND! Make sure to check out the previous video! - https://bit.ly/3pGIGG9Bored? Check out this AWESOME video! - https://bit.ly/3Kd721xEnjoying the channel & want to support more? SUBSCRIBE - https://bit.ly/43mI4Dkhttps://linktr.ee/reviewinrebelsFind the SWR Crew DOM CRUZETwitter: https://twitter.com/itzdomcruzehoe Instagram: https://www.instagram.com/itzdomcruzehoe/QTwitter: https://twitter.com/King_Quisemoe Instagram: https://www.instagram.com/king_quisemoe/We hope you enjoyed the video and the content we put out here at Say Whats Reel Thank you for watching!

On the October 16 edition of the Music History Today podcast, Creedence breaks up, the Grand Ole Opry gets more diverse, & Little Richard records. Plus, it's John Mayer's birthday. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: * In 1951, Little Richard recorded for the first time. * In 1956, Elvis' film Love Me Tender premiered. * In 1962, Motown started their package concert tour with Mary Wells, Marvin Gaye, The Supremes, Little Stevie Wonder, & the Contours. * In 1965, singer and actress Leslie Uggams married her longtime friend Grahame Pratt. * In 1972, Creedence Clearwater Revival broke up. * In 1975, Bruce Springsteen performed at the Roxy in Los Angeles, which led to him getting noticed by the mainstream media. * In 1976, the disco novelty song by Los Angeles radio DJ Rick Dees, Disco Duck hit #1 on Billboard's hot 100 singles chart. * In 1976, Stevie Wonder hit #1 with the album Songs in the Key of Life. * In 1986, Chuck Berry held his 60th birthday concert, which was filmed for his film documentary Hail Hail Rock N Roll. * In 1986, Marie Osmond married her husband Brian Blosil. * In 1988, the Smile Jamaica charity concert to help Hurricane Gilbert victims was held in London. * In 1992, Sinead O'Connor was booed when she performed at the Bob Dylan tribute concert at Madison Square Garden in New York City. The audience was reacting to the incident on Saturday Night Live a couple of weeks earlier when she ripped up a photo of Pope John Paul II. * In 2003, Apple released the Windows version of the ITunes store. * In 2010, Nicki Minaj set a record for most songs to debut on the Billboard singles chart in the same week with 7, with Bottoms Up with Trey Songz debuting at #11. The record has since been shattered a number of times. * In 2011, singer-songwriter Paul McDonald married actress & screenwriter Nikki Reed. * In 2013, actress & singer Kristen Bell married actor Dax Shepard. * In 2017, Ed Sheeran broke his wrist & elbow in a biking accident, which made him cancel part of his Asian tour. In the world of classical music: * In 1942, Aaron Copland's ballet Rodeo premiered in NYC. In award ceremonies that were held on October 16: * In 2012, the Grand Ole Opry inducted only its third African American member, after DeFord Bailey & Charley Pride. It was Darius Rucker, lead singer of Hootie & the Blowfish and successful solo country music singer. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Today on Too Opinionated, we talk with Jane Dorian about the illustrious career of her godfather, Jerry Herman (Hello Dolly!, Mame, La Cage Au Faux, Mack & Mable, Dear World, Milk & Honey, etc) and the women that would become known as Jerry's Girls (Carol Channing, Angela Lansbury, Bernadette Peters, Pearl Bailey, Liza Minnelli, Leslie Uggams, Karen Morrow, Rita Moreno, Ethel Merman, Mary Martin, and many more).   The Doyle Auction House is currently scheduled to offer items of historic significance on November 14th, while his crypt (Adjacent to Marilyn Monroe and Hugh Hefner will be auctioned on October 25th.   JERRY HERMAN (Composer/Lyricist) There is never an evening when, somewhere in the world, the music and lyrics of Jerry Herman are not being sung by a lady in a red headdress, or a lady with a bugle, or a middle-aged man in a wig and a boa.  Hello, Dolly!, Mame, and La Cage are home to some of the most popular, most-often performed and most successful musical heroines of all time, and have given Jerry the distinction of being the only composer-lyricist in history to have had three musicals that ran more than 1,500 consecutive performances on Broadway.  His first Broadway show was Milk and Honey (1961), followed by Hello, Dolly! (1964) Mame (1966) Dear World (1969), Mack & Mabel (1974) The Grand Tour (1979), La Cage (1983), Jerry's Girls (1985) and "Mrs. Santa Claus" (1966), a CBS TV special starring Angela Lansbury.  Showtune, a revue of his life's work, is performing in regional theatres around the country.  His string of awards and honors includes, Tonys, Grammys, Drama Desk Awards, the Johnny Mercer Award, the Richard Rodgers Award, the Oscar Hammerstein Award, the Frederick Lowe Award, the Songwriters Hall of Fame and the Theatre Hall of Fame.     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode, Wellington and Savon discuss CeeDee Lamb's major contract extension, the Steelers making Russell Wilson the starter and the chances of Bear making the playoffs. They also discuss Josh Allen being voted the most overrated QB in the league and Steph Curry's 1-year extension along with Anthony Edwards' comments on lack of skill in the 80's. For their album reviews, they discuss Post Malone's F-1 Trillion, Khalid's Sincere, Travis Scott's Days Before Rodeo and Big Sean's Better Me Than You.In the second half, they review Deadpool & Wolverine, the 2024 film starring Hugh Jackman, Ryan Reynolds, Leslie Uggams and Blake Lively; also directed by Shawn Levy. Wellington and Savon discuss why this film was able to work so well, what makes it a great blockbuster and the chemistry Ryan Reynolds and Hugh Jackman were able to have so effortlessly plus much more. 

Ryan and Dylan give their thoughts on the first MCU movie to release in months, Deadpool & Wolverine.

A few spoilers for the 2023 film American Fiction. Inspired by a recent viewing of American Fiction, Dr. Jemar Tisby is joined with EP Beau York to discuss the pitfalls that progressive white liberals fall into when attempting to separate themselves from racism. American Fiction is a 2023 American comedy-drama film written and directed by Cord Jefferson in his feature directorial debut. Based on the 2001 novel Erasure by Percival Everett, it follows a frustrated novelist-professor who writes an outlandish satire of stereotypical "Black" books, only for it to be mistaken for serious literature and published to high sales and critical praise. The film stars Jeffrey Wright, Tracee Ellis Ross, Issa Rae, Sterling K. Brown, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody and Keith David. Support this podcast at patreon.com/passthemic Learn more about your ad choices. Visit megaphone.fm/adchoices

Spoiler Warning! Chris and Taylor review the 34th film in the MCU Deadpool & Wolverine written by Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, and Shawn Levy with direction by Levy. Serving as a sequel to Deadpool and Deadpool 2, Deadpool learns that the Time Variance Authority is set to destroy his universe and works with a reluctant Wolverine from another universe to stop them. The film stars Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford and Matthew Macfayden. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ X: https://x.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: Let's Get Checked Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25

Brennan & Mama K return to the scrap-heap of MCU content for the biggest movie of the summer: Deadpool & Wolverine

Send us a Text Message.In this episode Mike tears off his clothes while getting fan-serviced, Troy lines up primo cameos before snorting them in deeply, as they both team up to take on Deadpool & Wolverine.►Connect with 'Bald Guys & Bad Movies':-Facebook: / baldguysbadmovies -Instagram - / baldguysbadmovies -Twitter/X - / baldmovies ►Experience their unique takes on films of all stripes:- Apple Podcasts - ...

Well hello, all you wonderful Filmlosophiles! Yes, we've missed you too! The crew is back, along with Jr Filmlosopher Sarah, to talk about the long-awaited, long-anticipated Marvel-Jesus movie of the year, Deadpool and Wolverine. Sit back and listen as we chat not only about the bombastic nature of the film, but also all the elements beyond the theater that made this film the line in the sand for fans and gatekeepers. We don't hold back in this episode, and give maximum effort (hehe) in revealing our thoughts and opinions on the latest escapades of the Merc with the Mouth and the Baddie with the Claws.  So pull up a chair, take out your pens, grab your popcorn, and tune in to this week's episode of The Filmlosophers!

Title: Deadpool & Wolverine [Wikipedia] [IMDb] Director: Shawn Levy Producers: Kevin Feige, Lauren Shuler Donner, Ryan Reynolds, Shawn Levy Writers: Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, Shawn Levy Stars: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, Matthew Macfadyen Release date: July 26, 2024 PROMO: Anime Talk (@AnimeTalk12) SHOWNOTES: Our maximum-effort, spoiler-free review of Deadpool & Wolverine is finally here! On the latest episode of Collateral Cinema At the Movies, we are beyond excited to bring to you our thoughts on the highly anticipated team-up of Ryan Reynolds and Hugh Jackman, with its many gratuitous cameos from the last 24 years of Fox's X-Men films and other Marvel movies. Where does it stand amongst the previous Deadpool films as well as recent releases from Marvel Studios? Has the MCU been saved? Get your special socks out, nerds, and find out now! Also, stay tuned for more post-season content and Season Eight of Collateral Cinema. Collateral Cinema is on Facebook, Instagram, and Twitter, and is on GoodPods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeartRadio, and wherever else you get your podcasts! Collateral Media merch is now available on TeePublic! Check out everything from shirts and hats, to stickers and even tapestries, at our affiliate link now: teepublic.com/stores/collateral-media-group (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

On this week's Episode, Will, Ian & Nora Team up for the most anticipated team up ever. And it's lewd, crude and plotless Dude! Sex jokes are made, Regular jokes are made, it ends and you appreciate that it was bter than it deserved to be, but was still- DEADPOOL & WOLVERINE (R) Directed by: Shawn Levy. Starring: Ryan Reynolds, Hugh Jackman. Emma Corrin, Matthew MacFadyen, Dafne Keen, Jon Favreau, Morena Baccaran, Rob Delaney, Leslie Uggams, Jennifer Garner, Wesley Snipes, Channing Tatum, Chris Evans, Wunmi Mosaku and Many Other Talented People! 00:00:30- Phone-in it in 00:01:00- Ryan Reynolds Ryan Reynoldsyness (See also:https://www.patreon.com/posts/s1-episode-4-78328900?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link, https://www.patreon.com/posts/s1-episode12-guy-78329640?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link https://open.spotify.com/episode/1E0ecg9rPJ3TgTwKM8bqxw?si=23893d74883e480f, https://www.patreon.com/posts/s1-episode26-red-78330403?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link) 00:05:30- First Thoughts     00:10:00- SPOILERS Ahead 00:10:15- Whatcha Been Watchin'? (Nora: Love Island: USA clips, Gladiator, Pride & Prejudice (2005), Deadpool. Ian- Sonny, The Jetsons Movie, The Flintstones, The Olympics. Will- Olympics, Logan, Deadpool 1 & 2) 00:18:45- DEADPOOL & WOLVERINE 00:22:30- Tasty Morsels 00:25:00- Ratings 01:01:25- Totals 01:05:00- Next Week/Bye Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/THELastActionCritics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: @TheLastActionCritics Twitter:     @THE_Lastcritics email:   Thelastactioncritics@gmail.com Next Week:The Bourne Identity (2002)

It's time for another @EchoChamberFP https://www.instagram.com/echochamberfp/ podcast!!! And this week, DLNQNT has a thriller, Universal Pictures, Warner Bros. Pictures & Amblin Entertainment get windy, while Elysian bring a classic back to the BIG screen, plus Lionsgate have a true tale for us! AND, thanks to Marvel Studios, Maximum Effort, 21 Laps Entertainment & Walt Disney Studios Motion Pictures we're back to the Marvel Cinematic Universe (MCU) for the 34th time!!! In 'Part One' we have: Jericho Ridge Watch Review: Here. https://youtu.be/gcuilI1k6PA Galway Film Fleadh, World Premiere: 14th July 2023 UK Theatrical Release Date: 25th April 2024 US Digital Release Date: 30th June 2023 US Digital Release Date: 2nd February 2024 UK Digital Release Date: 29th April 2024 Director: Will Gilbey Cast: Nikki Amuka-Bird, Zack Morris, Olivia Chenery, Philipp Christopher, Solly McLeod, Zachary Hart, Aidan Kelly, Simon Kunz, Michael Socha, Capital T, Alex Tate, Pippa Winslow, Running Time: 88 min Cert: 15 Trailer: Here. https://youtu.be/9k9_Oi1d9D4 ---------------- Twisters Watch Review: Here. https://youtu.be/h9JYHi2fR2M Cineworld Leicester Square, London, World Premiere: 8th July 2024 US Theatrical Release Date: 19th July 2024 UK Theatrical Release Date: 17th July 2024 Director: Lee Isaac Chung Cast: Daisy Edgar-Jones, Glen Powell, Anthony Ramos, Brandon Perea, Maura Tierney, Harry Hadden-Paton, Sasha Lane, Daryl McCormack, Kiernan Shipka, Nik Dodani, David Corenswet, Tunde Adebimpe, Katy O'Brian, David Born, Paul Scheer, Stephen Oyoung Running Time: 122 min Cert: 15 Trailer: Here. https://youtu.be/Jm27YjLnPHc?si=S8vfkIRiaa5aHQnw Website: Here. https://www.twisters-movie.com/home/ ---------------- My Neighbour Totoro Watch Review: Here. https://youtu.be/jSzJPtbtrQo Tokyo International Film Festival, World Premiere: 19th September 1989 US Theatrical Release Date: 13th July 1988 UK Theatrical Release Date: 24th May 2013 UK Theatrical Re-Release Date: 2nd August 2024 Digital Release Date: 17th December 2019 Director: Hayao Miyazaki Cast: Dakota Fanning, Elle Fanning, Tim Daley, Pat Caroll, Lea Salonga, Frank Welker and Paul Butcher Running Time: 86 min Cert: U Trailer: Here. https://youtu.be/N1L80AtQ0Zg Website: Here. https://www.elysianfilmgroup.com/movie/my-neighbour-totoro-tonari-no-totoro ---------------- Boneyard Watch Review: Here. https://youtu.be/MJ7Edl8PvS4 US Theatrical Release Date: 5th June 2024 US Digital Release Date: 2nd July 2024 UK Digital Release Date: 22nd July 2024 UK Digital Release Date: 5th August 2024 Director: Asif Akbar Cast: Mel Gibson, Curtis "50 Cent" Jackson, Brian Van Holt, Nora Zehetner, Weston Cage, Deena Bacon, Courtney Akbar, Randall J. Bacon, Lilo Baier, Xavier Beloved, Camille Collard, Angelica DeChavez, James Di Giacomo, Kesia Elwin, Ramon Ford Running Time: 96 min Cert: 15 Trailer: Here. https://youtu.be/mpinS51UjZo Website: Here. https://www.lionsgate.com/movies/boneyard ---------------- Deadpool & Wolverine Watch Review: Here. https://youtu.be/AlIdgoygg0g David H. Koch Theater, World Premiere: 22nd July 2024 US Theatrical Release Date: 26th July 2024 UK Theatrical Release Date: 25th July 2024 Director: Shawn Levy Cast: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, Matthew Macfadyen, Karan Soni, Brianna Hildebrand, Shioli Kutsuna, Stefan Kapičić, Randal Reeder, Lewis Tan, Dafne Keen, Jennifer Garner Running Time: 128 min Cert: 18 Trailer: Here. https://youtu.be/73_1biulkYk?si=W14QPgEPmJ9Njmuc Website: Here. https://www.marvel.com/movies/deadpool-3 --------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020

It's the movie everyone has been waiting for. Can Deadpool 3 save the MCU? Find out as Matt F Basler joins us to review DEADPOOL & WOLVERINE.Directed by Shawn Levy, written by Levy, Ryan Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells. Starring Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen.Support this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.

The guys give both a non-spoiler and spoiler review of the latest Marvel movie Deadpool and Wolverine starring Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Matthew Macfayden, Brianna Hildebrand, and Aaron Stanford.

This week on the Everything Actioncast, Zach and Chris enter the MCU multiverse and discuss Deadpool & Wolverine (Spoilers!)The only MCU film of 2024, Deadpool & Wolverine finds Wade Wilson (Ryan Reynolds) trying to save his universe, the Fox Marvel/X-Men universe, after the death of its "anchor being", the Wolverine (Hugh Jackman) who died in Logan is causing the universe to slowly die. Rogue TVA agent Paradox (Matthew Macfadyen) wants to speed up the process with a device called a "Time Ripper," and Wade is forced to navigate the multiverse to find a new Wolverine who can stabilize his universe. The guys talk about the many mind-blowing cameos, the logistics of the timeline, the awesome action sequences, Deadpool's potential future in the MCU, and more.Next week, we're revisiting Teenage Mutant Ninja Turtles (2014) as the movie celebrates its 10th anniversary and Tales of the TMNT debuts on Paramount+.We want to hear your comments and feedback. Send them all to contact@everythingaction.com. Also, let us know your suggestions for movies for us to discuss.Please subscribe, rate, and review us on Apple Podcasts, Amazon Music, Spotify, or wherever you get podcasts. You can also find the podcast on YouTube.Check us out on Twitter (@evaction), Facebook (www.facebook.com/everything.action), and Instagram (@everything.action).

The hero that loves to eat chimichangas while executing a perfect superhero landing is again knocking at your door! The merc with the mouth himself, Ryan Reynolds as Deadpool, is back and he's bringing a “friend.” You thought he was dead at the end of “Logan” but the Disney Marvel money was just too sweet and so Hugh Jackman as Wolverine comes back to join our indestructible hero in “Deadpool and Wolverine.” No such resurrection for Marvel will come from this movie alone but the prospect of getting these two all-time fav characters together is exciting. In this third Deadpool movie, our beloved Wham fan has gone limp in life and he's looking for a way to matter again. He's still got the love of all his friends but he there's someone in his life that he wants back and he's willing to do anything. Deadpool soon receives an offer to give him almost exactly what he wants but at a terrible price. Enter Wolverine into the movie when Deadpool learns he's an important part of everything going on in this movie. They don't exactly start out creating their own secret handshake and riding a tandem bicycle. Wolverine, who can count being super anti-social as one one of his superpowers, doesn't want to split a PB&J sandwich with Deadpool, much less help him in his quest. Will Deadpool be able to win Wolverine over? How many Madonna songs will be in the soundtrack? Does Jonathan Majors make a cameo? Is it worth finding out? Check out this episode to maybe find out. “Deadpool and Wolverine” also stars Emma Corrin, Matthew Macfayden, Morena Baccarin, Rob Delaney, Leslie Uggams, Karan Soni, Brianna Hildebrand, Shioli Kutsuna, Stefan Kapicic and Randal Reeder. Support the Show.Feel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Robert Winfree, Zachary Strobel, Chae Tate and Mark Radulich present their Deadpool and Wolverine 2024 Movie Review!Deadpool & Wolverine is a 2024 American superhero film based on Marvel Comics featuring the characters Deadpool and Wolverine, produced by Marvel Studios, Maximum Effort, and 21 Laps Entertainment, and distributed by Walt Disney Studios Motion Pictures. It is the 34th film in the Marvel Cinematic Universe (MCU) and the sequel to Deadpool (2016) and Deadpool 2 (2018). The film is directed by Shawn Levy from a screenplay he wrote with Ryan Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells. Reynolds and Hugh Jackman star as Wade Wilson/Deadpool and Logan/Wolverine, respectively, alongside Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen in supporting roles. In the film, Deadpool is pulled from his quiet life by the Time Variance Authority (TVA) and he partners with a reluctant Wolverine on a journey to save his universe.Deadpool & Wolverine premiered on July 22, 2024, at the David H. Koch Theater in New York City, and was released in the United States on July 26, as part of Phase Five of the MCU. It set a record for the highest grossing opening debut for an R-rated film, and has grossed over $444.7 million worldwide, making it the eighth-highest-grossing film of 2024.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Send us a Text Message.This week on Fabulous Film & Friends we've jumped on that bandwagon and got a full fledged case of Deadpool-mania!That means we're going to discuss all three of Ryan Reynolds happy little R-rated capers which started in 2016 with Deadpool directed by Tim Miller, starring Ryan Reynolds, TJ Miller Morena Baccarin, Brianna Hildebrand, Stefan Kapicic,  Ed Skrein, Leslie Uggams, Karan Soni and Gina Carano. Then continued with 2018's Deadpool 2, directed by David Lietch and starring pretty much the same cast minus Skrein and Carano with the addition of Josh Brolin, Zazie Beets, Julian Dennison, and Rob Delaney. And capped off with the most marketed and hyped movie of my lifetime, 2024's Deadpool & Wolverine, directed by Shawn Levy and starring Mr. Reynolds and Hugh Jackman as well as a good portion of the previous supporting cast in cameos along with Matthew MacFadyen and Emma Corrin as villains. I'm Gino Caputi and my solitary guest today is author, hypnotherapist and comic book shop royalty Joe Field. I have to announce that Deadpool & Wolverine raked in 440 million over the July 26th 2024 weekend, the highest opening weekend box office haul for an R rated film ever. Was it  Ryan Reynolds' and Hugh Jackman's over-the top marketing strategy of appearing on nearly every talk show and commercial for a month that helped or hurt its box office. Could it have been more if they hadn't seemed so transparently mercenary? Before we get into it, the synopses:Deadpool 1-3 are about Wade Wilson, aka Deadpool. the “Merc with a Mouth” a cynical 4th wall breaking character who makes scores of naughty puns while killing bad guys in over-the-top grotesque CGI enhanced ways. His powers are just like Wolverine's, he's unkillable because he heals and regenerates faster than it takes for his body's functions to shut down due to loss of blood. Or something like that. Which Deadpool Film gets the killshot?Find out!Follow the FFF Facebook page!https://www.facebook.com/groups/fabulousfilmandfriendsWatch the podcast on Youtube:https://youtu.be/mJStFakR5RI

It's been awhile (insert Staind song here) since we've done a homework movie but we're back at it with the new release of the Marvel movie Deadpool & Wolverine. Directed by Shawn Levy in the film, Deadpool is pulled from his quiet life by the Time Variance Authority (TVA) and he partners with a reluctant Wolverine on a journey to save his universe.  The film stars Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Send us a Text Message.Deadpool & Wolverine - Movie Review! Spoilers! Kathy, Mark and Burk argue, I mean, review Deadpool & Wolverine, a 2024 American superhero comedy film based on Marvel Comics featuring the characters Deadpool and Wolverine, produced by Marvel Studios, Maximum Effort, and 21 Laps Entertainment, and distributed by Walt Disney Studios Motion Pictures. The film is directed by Shawn Levy from a screenplay he wrote with Ryan Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells. Reynolds and Hugh Jackman star as Deadpool and Wolverine, respectively, alongside Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen in supporting roles. In the film, Deadpool is pulled from his quiet life by the Time Variance Authority (TVA) and he partners with a reluctant Wolverine on a journey to save his universe.#deadpool #wolverine #deadpool3 #deadpoolreview #moviereveiws #marvel  @marvel  Get early access to these reviews by joining Patreon or our YouTube channel! YouTube Membershiphttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinPatreonhttps://www.patreon.com/CinemondoPodcastJoin this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinOfficial Swag https://shop.spreadshirt.com/cinemondoNew videos daily!!Subscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1

The movie event of the summer is finally here, featuring the team-up we've always wanted to see! Deadpool & Wolverine is in theaters now and we can't wait to talk about it! Join The Watchers as we break it all down! The live chat starts at 3 p.m. CT! #DeadpoolAndWolverine ❤️

Deadpool & Wolverine is spoiled!Discover more great podcasts on the That Shelf Podcast Network! Learn more about TDF Everything on Facebook and Twitter!Hosts:Daniel Grant (Twitter & Instagram)Ben Sit (Twitter & Instagram)Show:@TDFSpoiled on Twitter, Instagram & Threads

Oh, hey there, chimichanga lovers and Wolverine fanatics! It's Geekcentric here, ready to dish out some spoiler-free goodness on the latest slice of cinematic perfection: Marvel Studios' Deadpool and Wolverine. Brought to you by the genius minds of Shawn Levy, Ryan Reynolds (that handsome devil), and the one and only Hugh Jackman (yes, he still has that ruggedly charming growl).Levy's direction? Chef's kiss. Reynolds' performance? Perfection (as always). And Jackman? Let's say those claws have never looked sharper. The chemistry between them is so electric it might just fry your popcorn.We discuss our thoughts on the movie without spilling any beans (or spilling any blood, because, you know, spoiler-free); let's say this movie hits harder than Colossus's punches and will leave you begging for more. So grab your nearest unicorn plushie, pop open a cold one, and strap in (or on) for a wild ride. - TOTALLY NOT WRITTEN BY DEADPOOLMarvel Studios' Deadpool & Wolverine opens in theatres on July 26th. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

With the release of Deadpool & Wolverine just days away, we've reached the final stop on our Mutant Rewatch tour. And what a finale it is! Join The Watchers as we look back at Deadpool 2. The live chat starts at 7 p.m. CT! #DeadpoolAndWolverine ❤️

"One of the things I love about looking back at 80s television is you get to see some early and amazing young stars and very exciting stunt casting."It's Guest Stars Galore on 80s TV Ladies! We're taking a nostalgic trip back to the iconic 80s sitcom "A Different World." Susan and Sharon debate -- and celebrate -- the amazing roster of guest stars that walked the halls of Hillman College during the six seasons of A Different World. As one of the only black-centered shows of its time, A Different World was in many ways “the only game in town” for a certain generation of black performers, and under show-runner Debbie Allen it became a real showcase for black celebrities who -- even in the 80's and 90's -- didn't have as many opportunities when it came to network television exposure.Legendary performers—such as Lena Horne, Josephine Premice, Patti LaBelle, Diahann Carroll, Robert Guillaume, Gladys Knight—and modern stars like Whoopi Goldberg, Raven Symone, Halle Berry… and Tupac Shakur—found a spotlight. Susan and Sharon get out their red pens and grade books and fight it out, narrowing down who will finally be “Best in Class” -- The Top Ten Guest Stars of A Different World!THE CONVERSATIONTHE TOP TWO: How Patti LaBelle and Diahann Carroll are so hilarious -- and perfectly cast -- as the moms of Dwayne and Whitley: two parents from very “different worlds”.Whoopi Goldberg was the secret weapon that allowed the show to do an “AIDS Episode” (“If I Should Die Before I Wake” S4; EP23). Once she signed on, the network couldn't say no. It became the highest rated episode of the season.Josephine Premice played the art dealer that Whitley works for in S4 -- and is the mother of writer/showrunner Susan Fales-Hill! (She later plays Dwayne and Whitley's landlord in S6!)The beautiful Billy Dee Williams plays a former baseball player (S6; EP23) who decides to finish college -- and ends up in the classroom of his old flame: Leslie Uggams!But is it a true 80s TV Ladies show? Sharon calls out showrunner Debbie Allen. She directed 83 episodes of the show (104 were directed by women) and steered it through most of its run.Jennifer Lewis -- as Dean Dorothy Dandridge Davidson -- hits the heights in the Lena Horne Episode -- “A Rock, A River, A Lena” (S6; E22)Susan calls out Gladys Knight in “Three Girls Three” (S2; EP5) -- a classic 80's stunt casting coup that is everything you want it to be!Can you believe it? Susan also loves a very “guy-centric” episode: “Citizen Wayne” (S2; EP21) -- starring Jesse Jackson. But this isn't on Sharon's list for reasons…Who are the TWO GUEST STARS who get cut from the list? One is a guy… And one is… ALSO A GUY!So -- join Susan and Sharon as they talk Brian's Song, Kris Kross, Tisha Campbell, high-kicks, the “Evolution of Whitley,” Gilbert Gottfried, “checking the gate” -- and showering with Blair Underwear (we mean Under-wood!).AUDIOGRAPHYFind out more about “A Different World College Tour 2024” at adwtour.com.Read about Whoopi Goldberg and the A Different World AIDS episode at Hollywood Reporter.Read an oral history of A Different World in Vanity Fair.Watch A Different World -- streaming on MAX.Find out more about A Different World at the official Facebook page.Check out Tammy at the true-crime podcast: Grits with a Side of Murder.Sign up to nominate 80s TV Ladies for a Podcast Award! Go here to sign up & nominate us.We're in the running for Best TV & Film and Best Female Hosted podcast!PS - You can also vote in other categories for our pals at Richard Hatem's Paranormal Bookshelf, SoCal Voices and Grits With a Side of Murder!CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Check out Instagram/80sTVLadies.Support us and get ad-free episodes on PATREON.Find more cool podcasts on our host sight, Weirding Way Media.It's the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.

As we continue to prepare for Deadpool & Wolverine, the Watchers revisit the origin movie that made the Merc with a Mouth a household name. #Deadpool #DeadpoolAndWolverine ❤️

This is a bestseller in our hearts! 2023's “American Fiction” earned writer/director Cord Jefferson's screenplay a much deserved Oscar, Jeffrey Wright and Sterling K Brown underdog nominations for Best Actor and Best Supporting Actor, and introduced us to Queen Coraline, Ten Perfect Minutes of screen time from Tracee Ellis Ross, Issa Rae in that conference room scene, THE Leslie Uggams, and of course Best Supporting LORRAINE. To say nothing of a stacked featured ensemble, including Miriam Shor's perfectly panicked Paula, a Keith David cameo, the gays in the kitchen, the lip reader from that episode of “Veep” and the finest of men, Officer Maynard. (And speaking of fine—Jeffrey Wright is Jeffrey RIGHT in this and we need to be celebrating that more as a community.) Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

Deadpool & Wolverine Trailer  Reaction! Ryan Reynolds & Hugh Jackman! Kathy, Mark and Burk react to the new trailer for Deadpool & Wolverine, an upcoming American superhero film based on the Marvel Comics characters Deadpool and Wolverine. The film is directed by Shawn Levy from a screenplay he wrote with Ryan Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells. Reynolds and Hugh Jackman star as Deadpool and Wolverine, respectively, alongside Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Karan Soni, and Matthew Macfadyen. #deadpool #wolverine #deadpool3 #ryanreynolds #hughjackman Get early access to these reviews by joining Patreon or our YouTube channel! YouTube Membershiphttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinPatreonhttps://www.patreon.com/CinemondoPodcastJoin this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinOfficial Swag https://shop.spreadshirt.com/cinemondoNew videos daily!!Subscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1

Chris and Taylor review the 2023 comedy drama film, American Fiction, written and directed by Cord Jefferson, in his feature directorial debut. Based on the 2001 novel Erasure by Percival Everett, it follows a frustrated novelist-professor who writes an outlandish satire of stereotypical "Black" books, only for it to be mistaken by the liberal elite for serious literature and published to both high sales and critical praise. It stars Jeffrey Wright, Tracee Ellis Ross, Issa Rae, Sterling K. Brown, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, and Keith David.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcastTwitter: https://twitter.com/thepotentialpodSupport us on Patreon:patreon.com/thepotentialpodcastThanks to our sponsors:Let'sGetChecked: Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25 ★ Support this podcast on Patreon ★

Larry is joined by Emmy Award-winning and Academy Award-nominated writer and director Cord Jefferson to discuss his newest film ‘American Fiction'. They begin their conversation by reminiscing about their time together on ‘The Nightly Show' and marvel at the amazing journey that Cord's career has taken up to this moment. They then shift to ‘American Fiction' and discuss the myriads of genres the movie attempts to encompass and how its main character Monk, played by Jeffrey Wright, reflects the real limitations put on Black writers in Hollywood (5:10). This leads to a discussion on the process of adapting a screenplay from an original book, in this case ‘Erasure' by Percival Everett, and how Cord used his journalism "superpower" to navigate his transition from TV to cinema storytelling (13:38). After the break, Cord talks about the diverse reactions he's received from people who have seen ‘American Fiction' and shares an educational showbiz story passed along by legendary actress and member of the film's cast, Leslie Uggams (41:22). Host: Larry Wilmore Guest: Cord Jefferson Associate Producer: Chris Sutton Additional Production: Kyle Williams Learn more about your ad choices. Visit podcastchoices.com/adchoices

Director: Cord Jefferson Writers: Cord Jefferson, Percival Everett Starring: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David, Issa Rae, Sterling K Brown Runtime:  1 Hour 57 Minutes Synopsis: Starring Jeffrey Wright in one of his most beautifully nuanced performances, American Fiction is both a wickedly smart satire about the commodification of marginalized voices and a bittersweet portrait of an artist forced to re-examine the terms of his integrity. Thelonious “Monk” Ellison (Wright) is a respected author and professor of English literature. But his impatience with his students' cultural sensitivities is threatening his academic standing, while his latest novel is failing to attract publishers; they claim Monk's writing “isn't Black enough.” He travels to his hometown of Boston to participate in a literary festival where all eyes are on the first-time author of a bestseller titled We's Lives In Da Ghetto, a book Monk dismisses as pandering to readers seeking stereotypical stories of Black misery. Meanwhile, Monk's family experiences tragedy, and his ailing mother requires a level of care neither he nor his trainwreck of a brother (Sterling K. Brown) can afford. One night, in a fit of spite, Monk concocts a pseudonymous novel embodying every Black cliché he can imagine. His agent submits it to a major publisher who immediately offers the biggest advance Monk's ever seen. As the novel is rushed to the printers and Hollywood comes courting, Monk must reckon with a monster of his own making. Adapted from Percival Everett's novel Erasure, Cord Jefferson's directorial debut is a wildly entertaining send-up of our hunger for so-called authenticity. Featuring stellar supporting turns from Issa Rae and Erika Alexander, and a string of cheeky cameos, American Fiction is a timely reflection on the fictions we tell ourselves about race, progress, and community. Out of all the films at the Toronto Film Festival, American Fiction seemed like the one that would be a setup for disappointment.      Several big name actors (Jeffrey Wright, Sterling K Brown, Issa Rae, etc). It just reeks of the type of film to draw an audience in but disappoint them. Thankfully, Cord Jefferson does not fall into the trap and makes a very smart, nuanced film that is both funny, serious and insightful all at the same time.  American Fiction succeeds where other films like it have failed because it does not try to run away from the point it's trying to make by trying to over-explain its point or cater to the wrong audience. It's a very refreshing take on black art and black family. While some will look at the obvious, over-the-top and quite frankly, funny plot of the film, there is a very nuanced, subtle plot that revolves around the complexities of a black family. American Fiction tackles topics like: Black families and acceptance (or not) of homosexuality in their family Black male anger that is directed inward instead of expressed safely How the "Black experience" can be the same regardless of income and social status Respectability politics in Black Art and so many more issues This is the film that so many think they're making when they want to tackle some of these concepts but fail. American Fiction manages to sneak in a lot of complex issues while masking it under superficial which is very meta for the plot of this film. This is definitely a must see film. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork

Director: Cord Jefferson Writers: Cord Jefferson, Percival Everett Starring: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David, Issa Rae, Sterling K Brown Runtime:  1 Hour 57 Minutes Synopsis: Starring Jeffrey Wright in one of his most beautifully nuanced performances, American Fiction is both a wickedly smart satire about the commodification of marginalized voices and a bittersweet portrait of an artist forced to re-examine the terms of his integrity. Thelonious “Monk” Ellison (Wright) is a respected author and professor of English literature. But his impatience with his students' cultural sensitivities is threatening his academic standing, while his latest novel is failing to attract publishers; they claim Monk's writing “isn't Black enough.” He travels to his hometown of Boston to participate in a literary festival where all eyes are on the first-time author of a bestseller titled We's Lives In Da Ghetto, a book Monk dismisses as pandering to readers seeking stereotypical stories of Black misery. Meanwhile, Monk's family experiences tragedy, and his ailing mother requires a level of care neither he nor his trainwreck of a brother (Sterling K. Brown) can afford. One night, in a fit of spite, Monk concocts a pseudonymous novel embodying every Black cliché he can imagine. His agent submits it to a major publisher who immediately offers the biggest advance Monk's ever seen. As the novel is rushed to the printers and Hollywood comes courting, Monk must reckon with a monster of his own making. Adapted from Percival Everett's novel Erasure, Cord Jefferson's directorial debut is a wildly entertaining send-up of our hunger for so-called authenticity. Featuring stellar supporting turns from Issa Rae and Erika Alexander, and a string of cheeky cameos, American Fiction is a timely reflection on the fictions we tell ourselves about race, progress, and community. Out of all the films at the Toronto Film Festival, American Fiction seemed like the one that would be a setup for disappointment.      Several big name actors (Jeffrey Wright, Sterling K Brown, Issa Rae, etc). It just reeks of the type of film to draw an audience in but disappoint them. Thankfully, Cord Jefferson does not fall into the trap and makes a very smart, nuanced film that is both funny, serious and insightful all at the same time.  American Fiction succeeds where other films like it have failed because it does not try to run away from the point it's trying to make by trying to over-explain its point or cater to the wrong audience. It's a very refreshing take on black art and black family. While some will look at the obvious, over-the-top and quite frankly, funny plot of the film, there is a very nuanced, subtle plot that revolves around the complexities of a black family. American Fiction tackles topics like: Black families and acceptance (or not) of homosexuality in their family Black male anger that is directed inward instead of expressed safely How the "Black experience" can be the same regardless of income and social status Respectability politics in Black Art and so many more issues This is the film that so many think they're making when they want to tackle some of these concepts but fail. American Fiction manages to sneak in a lot of complex issues while masking it under superficial which is very meta for the plot of this film. This is definitely a must see film. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork

Mo talks with Leslie Uggams, the award-winning and boundary-breaking entertainer. On the Mitch Miller Show, Uggams became the first Black woman to be a regular on a variety show. And her own later variety series was a milestone. She talks to Mo about her career and her 1965 marriage to Australian Grahame Pratt, at a time when interracial marriage was illegal in many states. This episode comes from a CBS Sunday Morning interview originally aired in 2020.See omnystudio.com/listener for privacy information.