Podcast appearances and mentions of Ellen Gallagher

“Wright” with a “W, spider webs, sewing needles, Dune, grief, and Black and Blue. Join the friends as they visit Going Dark: The Contemporary Figure at the Edge of Visibility. Artists include: American Artist, Kevin Beasley, Rebecca Belmore, Dawoud Bey, John Edmonds, Ellen Gallagher, David Hammons, Lyle Ashton Harris, Tomashi Jackson, Titus Kaphar, Glenn Ligon, Kerry James Marshall, Tiona Nekkia McClodden, Joiri Minaya, Sandra Mujinga, Chris Ofili, Sondra Perry, Farah Al Qasimi, Faith Ringgold, Doris Salcedo, Lorna Simpson, Sable Elyse Smith, Stephanie Syjuco, Hank Willis Thomas, WangShui, Carrie Mae Weems, and Charles White.

Imani Mason Jordan's 1:1 is written in response to Ellen Gallagher's Untitled (2005). Gallagher's intimate work shows two silhouetted figures etched onto a gold leaf background. The figures, posed as if in conversation, recall nineteenth-century portraits of authors found in narratives of slave emancipation. Jordan's couplets of words and sounds, pulsing and intimate, fragmentary and accumulative, reflects Gallagher's own process of gathering, erasing, cutting and collaging materials.The text was commissioned as part of our exhibition Close Looking: Collection Studies from the Roberts Institute of Art at Cromwell Place, on show from the 22 November to 3 December 2023.The exhibition is about close looking and reading. Six writers of different backgrounds have been specially commissioned to write responses to six works from the David and Indrė Roberts Collection, with texts that span from poetry to storytelling.Read the text and see the artwork here.Have questions, comments or want to see more of what the Roberts Institute of Art does? Reach us via therobertsinstituteofart.com, @therobertsinstituteofart and subscribe to our newsletter!

In s3e43, Platemark host Ann Shafer talks with Craig Zammiello, an artist and collaborative printer with over 40 years of experience in all areas of printmaking. He worked for 25 years at Universal Limited Art Editions, where he collaborated with numerous artists, including Jasper Johns, Elizabeth Murray, James Rosenquist, Kiki Smith, and Robert Rauschenberg. Currently, he is a collaborative printer at Two Palms working with Mel Bochner, Ellen Gallagher, Chris Offili, Elizabeth Peyton, and Dana Schutz.  He is author of a studio manual on photogravure, as well as Conversations from the Print Studio published by Yale University Press. Ann and Craig talk about Woodburytypes, working with Robert Rauschenberg at ULAE, and helping Matthew Barney grow copper nodules on a Woodburytype and then gold plating them. They talk about Craig's transition to Two Palms and how that studio works outside of the traditional print studio model. Find out about a lifelong interest of Craig's that has resulted in his collection being acquired by the American Museum of Natural History (no, it's not prints), and what band would he most like to join on tour. Zammiello received an MFA from The State University of New York, Stony Brook in 1995. He is currently Adjunct Faculty at the School of the Arts at Columbia University. Zammiello has taught workshops and classes at New York University, Yale University, The Robert Blackburn Printmaking Workshop and the Flemish Center for the Graphic Arts in Belgium. Episode image: Elizabeth Zammiello Matthew Barney (American, born 1967). In Vain Produced, All Rays Return, Evil Will Bless, and Ice Will Burn, 2015. Set of 4 Woodburytype prints on copper with electro-formed copper, nickel and 24 carat gold, in red oak frames. Framed dimensions: 11 1/2 x 15 ½ in. Printed by F-Zero Project and published by Two Palms, New York. Lead printing plate for Brad by Chuck Close (American, 1940–2021). 9x12 in. The finished Woodburytype print for Brad, Chuck Close (American, 1940–2021), with the ink overflow around the edges. 11x14 inches. Published by Two Palms, New York. R. Crumb (American, born 1943). Keep on Flushin', 2022. Etching. Sheet: 13 ½ x 11 ½ in. Printed by Craig Zammiello and published by Two Palms, New York. Mel Bochner (American, born, 1940). Is This It?, 2023. Cast and pigmented paper. 69 ¾ x 67 ¼ x 5 5/8 in. Published by Two Palms, New York. Lee Bontecou (American, 1931–2022). Ninth Stone, 1965–68. Lithograph in 1 color on Chatham British paper. 20 x 25 in. (50.8 x 63.5 cm.). Published by Universal Limited Art Editions, Bayshore, New York. Robert Rauschenberg (American, 1925–2008). Wall-Eyed Carp/ROCI JAPAN, 1987. Acrylic and fabric collage on canvas. 203.2 x 617.2 cm (80 x 243 in.). National Gallery of Art, Washington, D.C. Lisa Hodermarsky and Craig Zammiello. Conversations from the Print Studio: A Master Printer in Collaboration with Ten Artists. New Haven: Yale University Art Gallery, 2012.   USEFUL LINKS Craig Zammiello's video on photogravure techniques: https://www.youtube.com/watch?v=t3HAoyIsrDY  Craig's website: https://www.zammiello.com/ IG: @craigzammiello

In this episode of the “Speaking to Influence”, Dr. Laura Sicola spends time with Ellen Gallagher, Chief Operations Officer at Wilkes University. In this episode you will learn: how a free text-book initiative is increasing student's likelihood for success that time spent earning a 4-year degree teaches you critical interpersonal and management skills how everyone, regardless of their role, has the ability and responsibility to represent their organization on social media that filling a presentation with technical terms and knowledge, is often more about a speaker lacking confidence than effectively communicating to adjust you communication style to match what will most resonate with the intended audience that confidence and humility are not mutually exclusive and that you should be confident in your abilities, but humble enough to be ready to learn from other's fresh perspectives. About Ellen Gallagher: With over 30 years of experience as a financial leader in the nonprofit sector, Ellen serves as the COO of Wilkes University, an independent, non-denominational four-year university in Wilkes-Barre, PA. She oversees several of the university's operations including finance, information technology, facilities and dining services, campus security and capital projects. She also helps in developing the financial, technological and facility planning initiatives for the university. Throughout her career, she has held several positions at several arts and non -profit organizations including at the American Museum of Natural History in New York City, The Public Theater and New York Shakespeare Festival, the Lincoln Center Redevelopment Corporation, the Tucker Music Foundation and the Pennsylvania Ballet. Ellen is also an accomplished pianist. You can connect with Ellen in the following ways:  Wilkes University: https://www.wilkes.edu  LinkedIn: https://www.linkedin.com/in/ellengallaghercoo/   You can connect with Laura in the following ways: LinkedIn: https://www.linkedin.com/in/drlaurasicola LinkedIn Business Page: https://www.linkedin.com/company/vocal-impact-productions/ YouTube: https://www.youtube.com/c/VocalImpactProductions Facebook: Vocal Impact Productions Twitter: @LauraSicola Instagram: @VocalImpactProductions Website: https://vocalimpactproductions.com/ Laura's Online Course: https://virtualinfluence.today See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Join Toby Huss, Reno Wilson, and Brian Goodman as they sit down with host Elias on Press Day to discuss their roles in the hit series 'Fatal Attraction', now streaming on Paramount+. These talented actors share fascinating insights into the making of the show, their approach to portraying complex characters like Mike, Earl, and Arthur, and what it was like to work together on set. Tune in for an engaging conversation about the art of acting and the thrill of bringing intense stories to life on screen. Fatal Attraction" is a television series adaptation of the 1987 thriller film of the same name, which starred Michael Douglas and Glenn Close. The show takes a modern approach to the classic story of infidelity and mental illness, exploring the complex dynamics of relationships and their consequences in the present day. The plot centers around Dan Gallagher, played by Joshua Jackson, a successful lawyer who begins a dangerous affair with Alex Forrest, portrayed by Lizzy Caplan. As their relationship intensifies, it leads to catastrophic outcomes that have a profound impact on the lives of everyone involved. The series also features Amanda Peet as Beth Gallagher, Dan's wife, Toby Huss as Mike Gerard, Dan's friend and colleague, Brian Goodman as Arthur Tomlinson, another one of Dan's friends, Alyssa Jirrels as Ellen Gallagher, Dan and Beth's daughter, and Reno Wilson as Detective Earl Brooker, who investigates the events that unfold throughout the series. You can watch this interview on YouTube https://youtu.be/teSM48lImW0 Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com  www.youtube.com/c/TheManCaveChronicleswElias        

The series stars Joshua Jackson as Dan Gallagher, Lizzy Caplan as Alex Forrest, Amanda Peet as Beth Gallagher, Toby Huss as Mike Gerard, Brian Goodman as Arthur Tomlinson, Alyssa Jirrels as Ellen Gallagher, and Reno Wilson as Detective Earl Brooker -- all of which sat down to discuss what it was like working on a show that is a reimaging of the original cult classic film. One of the most intense scenes, for me, was with Jackson was the initial parol hearing to which Jackson added that was done the first day of shooting. Caplan and I discussed how she isn't playing just a "crazy" woman and how things have changed a lot since the original film was made. For the rest of the cast, they discuss what their characters are thinking with each one breaking down how their relationship started with Dan and how it ends up years later. We also spoke to the Alexandra Cunningham (“Dirty John,” “Chance”) serves as writer, showrunner and executive producer on the series alongside executive producer Kevin J. Hynes (“Perry Mason”), with whom Cunningham developed the series, and executive producers Darryl Frank (“The Americans”) and Justin Falvey (“The Americans”) for Amblin Television. All of whom went into great detail on various scenes they did as an nod to the original film and others they expanded on to create a new universe. Host: Monica Gleberman Editor: Polina Jdanova Social Media Graphic: Jojo -- Synopsis: The all-new series is a deep dive reimagining of the 1980s cultural touchstone FATAL ATTRACTION through the lens of privilege, personality disorders, family dynamics and murder. In the present day, after serving 15 years in prison for the murder of Alexandra Forrest (Lizzy Caplan), Daniel Gallagher (Joshua Jackson) is paroled with the goals of reconnecting with his family and proving his innocence. In 2008, Dan first meets Alex and his world begins to unravel after their brief affair threatens to destroy the life he's built with his wife, Beth (Amanda Peet). *Fatal Attraction premieres Sunday, April 30, 2023 on Paramount+ Don't forget to follow us on Twitter @SilenceonSet and Instagram @SilenceonSetPod

4 Years of St. Rose Got TalentArianna Simon and Samantha Golding interview the 4th Annual St. Rose Got Talent's student producers, Ellen Gallagher '22 and Chelsea LaGotta '22 (also last year's 2nd place winner) to learn more about this year's show, how we connected with our celebrity judges, and what's in store for us this year. They both share the history of the St. Rose Got Talent Show and tell us how much work is involved in putting together this annual event.Click here to buy tickets for St. Rose Got Talent on 3/10/22Click here to donate and support, "Hope for Haiti."

In this podcast, Ellen Gallagher, a senior associate in our regulatory litigation group, will be looking at trends in FCA enforcement over the past year.

Ellen Gallagher talks about her life and work through the art, literature, music and other cultural experiences that have profoundly affected her. She tells Ben Luke about the extraordinary opportunity she had to live with an original Keith Haring print while at Oberlin College, Ohio; her love of Diego Velázquez and Stanley Brouwn; the influence of the Afrofuturist mythology of the Detroit techno band Drexciya; how Herman Melville, in his novels and novellas, wrote more perceptively about race than he is often credited with, and much more. And, of course, she answers the ultimate questions we ask in each episode: if you could live with just one work of art, what would it be? And what is art for? See acast.com/privacy for privacy and opt-out information.

“Hors Pistes – 16e édition”L'écologie des images – festival en ligneau Centre Pompidou, Parisdu 1er au 14 février 2021Extrait du communiqué de presse :Commissariat : Géraldine Gomez, chargée de programmation.assistée d'Alexandre FinkelsztajnDu climat aux écrans, les désordres planétaires changent notre culture visuelle. Durant quinze jours, le festival Hors Pistes convie cinéastes, artistes et chercheurs pour alerter les regards et entrevoir d'autres avenirs. Plus de 50 rendez-vous exclusifs et gratuits à suivre sur centrepompidou.fr.HOME  |  AGENDA CULTUREL  |  “HORS PISTES – 16E ÉDITION” L'ÉCOLOGIE DES IMAGES – FESTIVAL EN LIGNE, AU CENTRE POMPIDOU, PARIS, DU 1ER AU 14 FÉVRIER 2021 “Hors Pistes - 16e édition” L'écologie des images – festival en ligne, au Centre Pompidou, Paris, du 1er au 14 février 2021Partage“Hors Pistes – 16e édition”L'écologie des images – festival en ligneau Centre Pompidou, Parisdu 1er au 14 février 2021Centre PompidouFestival Hors PistesPODCAST – Interview de Géraldine Gomez, chargée de programmation du Festival Hors Pistes,par Anne-Frédérique Fer, à Paris, le 25 janvier 2021, durée 26'09, © FranceFineArt.Hors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligne© Anne-Frédérique Fer,visite de l'exposition avec Géraldine Gomez, le 25 janvier 2021.Geoffroy de Crécy,Empty Places,2020. © Autour de minuit.Daniel Spoerri,Fouilles archéologiques du Déjeuner sous l'herbe.© Denis Gliksman, Inrap.Ellen Gallagher,Wiglette from DeLuxe,2004. © Ellen Gallagher. Courtesy Gagosian.Lia Giraud,Photosynthèse,2020.Nikolaus Geyrhalter,Homo Sapiens.© Nikolaus Geyrhalter Filmproduktion GmbH.Sabrina Ratté,Floralia,2021.Extrait du communiqué de presse :Commissariat : Géraldine Gomez, chargée de programmation.assistée d'Alexandre FinkelsztajnDu climat aux écrans, les désordres planétaires changent notre culture visuelle. Durant quinze jours, le festival Hors Pistes convie cinéastes, artistes et chercheurs pour alerter les regards et entrevoir d'autres avenirs. Plus de 50 rendez-vous exclusifs et gratuits à suivre sur centrepompidou.fr.ÉditorialL'explosion des plateformes ou celle de la vidéoconférence en témoignent : depuis un an, la pandémie de covid-19 a ralenti la circulation des corps et démultiplié celle des images. Proposer, dans ce contexte, un festival intégralement en ligne et non in situ comme initialement prévu, vous donner rendez-vous chaque jour sur internet pour y partager rencontres, projections, performances, c'est installer cette 16e édition de Hors Pistes sur la crête de ce paradoxe : d'écran en écran, le partage infini des images contraste avec notre conscience des limites planétaires et du soin qu'il nous faut prendre de ce monde fini dans lequel réapprendre à habiter. Quelle écologie, alors, pour les images ?L'arrivée d'un train, la sortie d'une usine : on remarque rarement combien, avec les frères Lumière, la naissance du cinéma emprunta ses emblèmes à la révolution industrielle, célébrant ici la mobilité et la vitesse, s'attardant là sur la foule affairée des travailleurs du regard. L'extraction des moindres éclats du réel et leur réplication sur pellicule vont alors bon train : bientôt, les rails du travelling s'inspireront de ceux du chemin de fer et les studios afficheront fièrement leur statut d'industrie ; il n'y aura guère que Buster Keaton à la proue d'une locomotive ou Charlie Chaplin entre deux roues dentées pour s'inquiéter de la frénésie de conquête technique et géographique où les images se trouveront prises, de l'appétit avec lequel elles annexeront des territoires entiers au périmètre du visible, se dispensant d'interroger leur propre impact sur la nature ou sur les peuples ainsi offerts à la voracité de l'oeil.Un siècle plus tard, cette évidence a vécu. À mesure que les enjeux écologiques s'installent au coeur des motifs du cinéma populaire, à mesure aussi que les effets du changement climatique s'avèrent sous nos yeux dans des lueurs d'incendie, la tension s'accroît entre le souci de protéger l'environnement des effets destructeurs de l'activité humaine, et les formes de production, de circulation et de consommation des images. Car le train des frères Lumière n'a pas cessé de rouler, ni son réseau de s'étendre : il dessert désormais, outre les salles de cinéma, les multiples terminaux qui donnent sur nos rétines et il ne nous est plus permis de fermer les yeux sur ce qu'il exige de terres rares dans nos téléphones, de câbles sous nos océans, d'énergie pour refroidir nos serveurs. Peut-on imaginer et pratiquer une écologie des images?Peut-on, aux images conquérantes, substituer des visions d'artistes en forme de présages, attachées à alerter sur les dangers et les possibles d'une transformation planétaire dont les effets sont encore à venir ? Ces questions traverseront la 16e édition de Hors Pistes, festival dédié à explorer toutes les formes de l'image en mouvement, et à rencontrer celles et ceux qui en font la matière de leur création, de leur pensée et de leur écriture. Conçue à l'origine autour d'une exposition, de projections, de performances et de parole, cette 16e édition dorénavant numérique souhaite rester fidèle à son ambition initiale en articulant des productions originales (comme la visite virtuelle de l'exposition) et des interventions de grandes voix de la création contemporaine qui, chacune dans leur domaine conjuguent la quête de sobriété écologique et le souci du vivant : Kelly Reichardt au cinéma, Vinciane Despret en philosophie, Jérôme Bel dans le champ de la danse contemporaine, Hito Steyerl ou Nicolas Gourault dans celui des arts visuels, Philippe Descola en anthropologie des images et bien d'autres encore guideront nos regards et nos pas.Mathieu Potte-Bonneville, Directeur du département culture et création du Centre PompidouCoup d'œil sur l'écologie des imagesL'ensemble du programme et les horaires sont à retrouver sur le site : www.centrepompidou.fr/fr/horspistes2021Comment les images donnent-elles à voir l'urgence environnementale ? Comment le souci de l'impact écologique des images transforme-t-il la fabrique et la diffusion de notre culture visuelle ? Le Festival Hors Pistes proposera cette année une programmation mêlant projections, exposition et rencontres sous le signe de « l'écologie des images ».Du 1er au 14 février, se feront ainsi écho :L'exposition « Matières d'image », rassemblant les oeuvres contemporaines de plasticiens et vidéastes (Nicolas Gourault, Peter Hutton, Alice Lenay, le collectif Fossilation, Michelangelo Frammartino, Lia Giraud, Jacques Perconte…), dans un jeu de confrontations entre photographie argentique et image numérique traquant les signes de l'avenir dans les mutations du paysage, éclairés par les incendies géants que les films amateurs documentent dans de nombreuses parties du monde.Le festival réunira de grandes voixqui, dans de multiples domaines de la pensée et de la création, mettent la préoccupation environnementale au coeur de leur recherche et de leur pratique.Ouvert par un dialogue entre la philosophe Vinciane Despret (invitée intellectuelle du Centre Pompidou en 2021) et l'artiste Tomás Saraceno, le festival se clôturera par une rencontre entre l'anthropologue PhilippeDescola et la documentariste Eliza Levy qui lui consacre le film Composer les mondes.La plasticienne Hito Steyerl, dont l'exposition majeure ouvrira le 3 février en Galerie 2 du Centre Pompidou, conversera avec le philosophe Peter Szendy, pour une séance exceptionnelle du cycle Planétarium consacré aux cartographies contemporaines.Rendez-vous de la réflexion sur toutes les formes de l'image en mouvement, Hors Pistes sera ponctué de nombreux rendez-vous :Rendez-vous de parole : rencontres quotidiennes avec « La leçon des images » conviant cinéastes, chercheurs, photographes… de tous horizons à proposer tour à tour leur regard singulier sur les images qui les ont marqués ; feuilletons au long cours confiés, une semaine durant, au critique de cinéma Hervé Aubron puis à l'historienne de l'art Anne Lafont.Rendez-vous en images : projections « Animation et écologie » avec la revue Blink Blank.Rendez-vous collectifs : avec les huit intervenants du « marathon » réunis par Marie Rebecchi, les jeunes réalisateurs de Master de l'École des Arts de la Sorbonne, les finalistes du festival de cinéma en école d'art Si Cinéma… comme autant de manières de prendre la mesure d'une préoccupation écologique aujourd'hui partagée.L'exposition Matières d'imageLes images constatent, témoignent, investissent, dénoncent, accusent irrémédiablement. Elles captent, surveillent, tracent, enregistrent et deviennent de véritables pièces à conviction sur l'état de notre planète. Un flux littéral, qui révèle toujours plus la dégradation de notre environnement et de nos conditions de vie. C'est un nouveau continent qui est né, qui investit notre attention, dessine nos imaginaires, nos peurs, nos fictions et nos avenirs.Ce ne sont pas de ces images dont il s'agit ici. S'entremêlent des images argentiques, numériques, projetées sur les murs, un écran, sur de l'eau, une membrane, des images aux matières variées, qui ont comme lien celui de l'observation du monde.Ainsi l'exposition propose une halte, une brèche, un souffle suspendu à l'image : non celle que l'on voit, mais celle qui manque. Non celle qui n'aurait pas été filmée, mais celle qui augure d'une scène encore à venir, à la manière des prêtres de l'antiquité, qui du bout d'un bâton, tracent dans le ciel un rectangle et y observent un signe qui vient à surgir.Ces images laissent présager. Que va-t-il se passer dans les paysages grondants de Peter Hutton, dans les montagnes en mutations de Jacques Perconte. Que nous révèlent les algues marines appelées « oeil véritable » de Lia Giraud ou la caméra embarquée sur le dos d'un animal de Nicolas Gourault, d'une promenade non humaine à ras du sol, d'autres paysages ? d'autres représentations du monde. Que cherchent les mains des sculptrices filmées par Kelly Reichardt dans la terre, cette même terre, écorce de la planète, retravaillée par les motifs pixélisé et hypnotiques de Nicolas Sassoon et Rick Silva qui enferment une histoire du monde… Dans ces quadrati rectangulaires, la scène qui s'y augure, par définition ne s'y trouve pas encore. [Pascal Quignard, Sur l'image qui manque à nos jours.]Les images sont souvent silencieuses, seule la voix de l'artiste chamane numérique, Seumboy Vrainom :€, résonne. Autant d'histoires à suivre, d'une écologie à inventer.Géraldine Gomez, Programmatrice du festival Hors Pistes Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Gavin Turk in conversation with Joseph Kosuth, moderated by James Putnam ‘We are asleep. Our life is like a dream. But in our better hours we wake up just enough to realise that we are dreaming.' - Ludwig Wittgenstein Gavin Turk's installation and intervention in Freud's former residence, Wittgenstein's Dream, investigates the intriguing conceptual dialogue between two enlightened Viennese thinkers of the 20th century, Sigmund Freud (1856-1939) and Ludwig Wittgenstein (1889-1951). Gavin Turk was born 1967 in Guildford, from 1989-91 he attended the Royal College of Art. For his MA exhibition show Cave, Turk notoriously presented a whitewashed studio space containing only a blue heritage plaque commemorating his presence. Though refused a degree, his subsequent infamy attracted the attention of Charles Saatchi and Turk became part of a loosely associated group known as the ‘Young British Artists' (YBAs). He has continued to show worldwide and has work in many national museum collections (including Tate and MOMA). His work often deals with concerns of authority and identity and has taken up many forms including the painted bronze, the waxwork, the recycled art-historical icon and the use of litter. Joseph Kosuth is one of the pioneers of Conceptual art and installation art, initiating language-based works and appropriation strategies in the 1960s. His work has consistently explored the production and role of language and meaning within art. The philosophy of Ludwig Wittgenstein, among others, influenced the development of his work. Kosuth's installation Zero & Not was exhibited at Berggasse 19 - The Sigmund Freud Museum in Vienna, marking the centennial of Sigmund Freud's birth. In its artistic and curatorial approach the installation drew on his seminal exhibition projects Wittgenstein – Das Spiel des Unsagbaren at the Vienna Secession (1989) in Austria and the Palais des Beaux-Arts, Brussels. Wittgenstein's Dream is the latest in the critically acclaimed ongoing series of Freud Museum London exhibitions curated by James Putnam that have included projects by Sophie Calle, Sarah Lucas, Ellen Gallagher, Tim Noble & Sue Webster, Mat Collishaw and Miroslaw Balka. Wittgenstein's Dream is on display at The Freud Museum London 26 November 2015 – 7 February 2016  In association with Ben Brown Fine Arts.

What ever happened to little Ellen Gallagher from Fatal Attraction? Did Beth ever forgive Dan? Is Dan still ignoring the women in his life? Is Alex Forrest gone for good? Listen to our sequel ideas and find out! Have better ideas? Let us know!   Buy or Rent Fatal Attraction: https://amzn.to/2T8pdZA    Out this Month: Week 1: Fatal Attraction (1987)  Week 2: Top Ten Creepy Love Songs  Week 3: Up in Flames: 2018 in Review  Week 4: Fatal Attraction Sequel Ideas     Coming in March: Night of the Living Dead!    Support us on Patreon: https://www.patreon.com/TheFilmFlamers   Visit our Store: https://teespring.com/stores/thefilmflamers   Facebook: https://www.facebook.com/TheFilmFlamers/   Twitter: https://twitter.com/TheFilmFlamers   Our Website: https://www.filmflamers.com       Sweet dreams...     Intro/Outro Music Credits: "Welcome to Horrorland" and "Master Disorder" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Chantal Pattyn krijgt schrijfster Mira Feticu over de vloer, en praat met Dirk Snauwaert over Ellen Gallagher in Wiels. Heleen Debruyne las de eerste verhalenbundel van Kristen Roupenian.

For this week’s episode the girls went along to the Hatton to check out one of their newest exhibitions, ‘Francis Bacon | Ellen Gallagher’, which looks at the visual links between the works of these two very different artists.

Jenny Terry from Durham University delivers a talk titled “Time Bombs, Time Lapse, and Time Capsules in the Fiction of Octavia Butler and the Art of Ellen Gallagher.” This talk was included in the session titled “Fictive Kindred / Seeding the Pattern.” Part of “Octavia E. Butler Studies: Convergence of an Expanding Field,” a conference held at The Huntington June 23, 2017.

„Naujienų pulsas“: Angela Gheorghiu šventė 25 metus dainavimo Karališkajame operos teatre ir 150-ąjį kartą lipo į šio teatro sceną. Varšuvos muziejus įsigijo F. Chopino Baladės g-moll rankraštį, iki tol saugotą Londone privačioje kolekcijoje. Malaizijos filharmonijos generalinė direktorė atleido rinkodaros skyriaus vadovą dėl to, jog šis nesugebėjo pašalinti iš Facebook nusivylusio klausytojo komentarą. Niujorko filharmonijos meno vadovas Alanas Gilbertas ruošiasi palikti postą ir finaliniame koncerte birželio mėnesį planuoja surengti vienybės ir palaikymo akciją, pakviesdamas 19 muzikantų iš 19 pasaulio šalių, tarp kurių – Rusijos, Meksikos, Irano, Irako ir kitų šalių atstovai.Rubrikoje „Retro“ prisiminsime Niną Simone. Jos gimtuosius namus Trajone (Šiaurės Karolinoje) nusipirko afroamerikiečių menininkai Adamas Pendletonas, Rashidas Johnsonas, Ellen Gallagher ir Julie Mehretu aukcione už 95.000$, kad juos išsaugotų.Rubrikoje „Rūgštynės“ pasiklausysime sudėtingų klasikos kūrinių, kurie, pasirodo, yra įveikiami muzikantų-vunderkindų. (Skambės suaugusiųjų interpretacijos).Paskutinįjį pusvalandį praleisime su pop-klasika virtusiais kūriniais: M. Ravelio „Bolero“ ir C. Saint-Saenso „Introduction et rondo capriccioso“.

Artist Ellen Gallagher in conversation with Wim Pijbes of the Rijksmuseum, Amsterdam.

This week: Part one of the Open Engagement conference 2013 series. Caroline Picard talks to Caire Doherty! Claire Doherty is Director of Situations. Claire initiated Situations in 2003 following a ten-year period investigating new curatorial models beyond conventional exhibition-making at a range of art institutions including Ikon Gallery, Birmingham, Spike Island, Bristol and FACT (Foundation of Art and Creative Technology), Liverpool. Claire has worked with a diversity of artists including Lara Almarcegui, Uta Barth, Brian Catling, Phil Collins, Nathan Coley, Lara Favaretto, Ellen Gallagher, Joseph Grigely, Jeppe Hein, Susan Hiller, Mariele Neudecker, Cornelia Parker, Roman Ondak, Joao Penalva and Ivan and Heather Morison. She has advised a range of organisations as curatorial consultant including Tate, Site Gallery Sheffield and is author of the public art strategies for the University of Bristol and Bjorvika, Oslo Harbour. In 2009, Claire was awarded a prestigious Paul Hamlyn Breakthrough Award as an outstanding cultural entrepreneur. Claire directed One Day Sculpture in 2008-9 with David Cross, a year-long collaborative series of 20 commissioned, 24-hour public artworks across New Zealand. In 2010, she was Co-Curatorial Director of Wonders of Weston for Weston-super-Mare. Doherty lectures and publishes internationally. She is editor of Contemporary Art: From Studio to Situation (Black Dog Publishing, 2004); Documents of Contemporary Art: Situation (Whitechapel/MIT Press, 2009) and co-editor with David Cross of One Day Sculpture (Kerber, 2009), with Paul O’Neill, Locating the Producers: Durational Approaches to Public Art (Valiz, 2011) and with Gerrie van Noord, Heather and Ivan Morison: Falling into Place (Book Works, 2009). She was also an external advisory member of the Olympic Park Public Realm Advisory Committee and a Fellow of the RSA.

In the context of Ellen Gallagher’s work, speakers will explore and complicate readings of Afrofuturism and its influence on contemporary artists’ practices, creating an intricate understanding of the genre and its evolutions.

TV producer Tony Garnett; Zoe Wanamaker; The Eagles; artist Ellen Gallagher; Lucy Moore on dancer Nijinsky; and actor Geoffrey Rush.

50 years since 'Billy Liar' was released Samira Ahmed talks to one of the film's stars, Helen Fraser, and film historian Melanie Williams to discuss its role in British cinema. When it comes to success and leadership, are those who are extroverted given an unfair advantage? Susan Cain, who argues the power of the introvert is undervalued, Julia Hobsbawm, the business woman dubbed the "Queen of Networking", and the cultural historian Henry Hitchings discuss. Sarah Kent talks about the artist Ellen Gallagher's new exhibition, AxMe. And Michael Burleigh argues the collapse of colonial empires after World War II led to countless vicious power struggles and that the consequences of distant wars are still with us.

With Mark Lawson. Oscar-winning actor Geoffrey Rush stars alongside Charlotte Rampling and Judy Davis in The Eye of the Storm, a film based on Patrick White's novel about sharp family tensions, as a middle-aged brother and sister return to the home of their dying mother. Geoffrey Rush talks about his career on stage and in films such as Shine, Pirates of the Caribbean and The King's Speech. In the latest edition of the Cultural Exchange project, in which 75 leading creative minds share their passion for a book, film, poem, piece of music or other work of art, Melvyn Bragg shares his long-standing love of a Rembrandt self-portrait from 1658. The artist Ellen Gallagher discusses her new exhibition, AxME, which opens this week at the Tate Modern. Gallagher's work includes painting, collage and film installations, and she often uses newspaper cuttings and advertisements from vintage magazines to explore race and identity. She discusses how she moved from being an aspiring writer to working as an artist via jobs as a baker and a carpenter, and the challenges of creating work using plasticine. In 1963 John Profumo, the then war minister, resigned over his affair with Christine Keeler. The scandal damaged the government and led to the suicide of Stephen Ward - the man who'd introduced Keeler to Profumo. Whilst preparing a display to mark the 50th anniversary of the Profumo Affair, the National Portrait Gallery made an incredible discovery: on the reverse of Stephen Ward's pastel drawing of Christine there's a similar drawing of an unknown young woman. Richard Davenport-Hines, author of a book about the scandal, talks to Mark about the enduring appeal of the Profumo affair, and speculates on the identity of the woman. Producer Nicki Paxman.