Podcasts about eyvind kang

Brìghde Chaimbeul, Rhodri Davies, Sam Amidon and Linda Buckley discuss the roles of tradition and place in music, and what they might think about when performing.Brìghde Chaimbeul is a Gaelic musician, composer and bagpipe player. Her music stems from traditional Gaelic material, particularly sourced from archival recordings, of songs, stories and music from the Highlands and islands of Scotland. It also explores wider musical influences, such as a variety of global piping traditions from eastern Europe, Cape Breton and Ireland. She has collaborated with artists including Ross Ainslie, Gruff Rhys, Martin Green, Carlos Nunez and Allan MacDonald. Last year she released the album Carry Them With Us in collaboration with Colin Stetson, weaving together textural drones, trance atmospheres and instrumental folk traditions.Rhodri Davies is a Welsh musician who plays harp, electric harp and live electronics, as well as building harp installations. He started playing the harp at the age of 7 and is classically trained on the orchestral pedal harp; he also plays harps from a range of different cultures, modifying their sounds with different techniques and pushing the boundaries of how the instrument can sound. He's released seven solo albums and regularly works with groups such as Hen Ogledd, Cranc, the Sealed Knot and Common Objects. Sam Amidon is an American singer, songwriter, and multi-instrumentalist from Vermont. He plays the fiddle, guitar and banjo, and is a member of the Icelandic music collective/record label Bedroom Community. He has released a string of acclaimed albums, ranging in theme from interpretations of traditional Irish fiddle pieces to old-time melodies and tales from traditional American folk history. His collaborators include classical composer Nico Muhly, experimental composer/producer Ben Frost, composer/violinist Eyvind Kang, guitar legend Bill Frisell and veteran jazz drummer Milford Graves.Linda Buckley is an Irish composer and musician who creates electronic and acoustic music working across many disciplines, most notably film, and drone and dark ambient music. She's worked in many collaborative contexts, including scoring films such as Nothing Compares by Kathryn Ferguson and To The Moon by Tadhg O'Sullivan. Recent collaborators include Liam Byrne and Crash Ensemble, Gudrun Gut and Andrew Zolinsky.

Första rad: Fotonerna vektoriserar sig i samtliga riktningar UPPLÄSNING: Johan Jönson Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: Ur "Nollamorfa" av Johan JönsonDIKTSAMLING: Nollamorfa (Albert Bonniers förlag 2023)MUSIK: Bill Frisell: No time to cryEXEKUTÖR: Bill Frisell, gitarr, Eyvind Kang, viola och Rudy Royston, trummor

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Esta semana, en una nueva sesión de Rebelión Sónica, destacamos el álbum 2022 que unió al prolífico músico experimental, compositor e instrumentista australiano Oren Ambarchi, con los músicos suecos, el bajista Johan Berthling y el baterista Andreas Werliin. Titulado “Ghosted” y editado el 15 de abril por el sello Drag City, se trata de la segunda colaboración entre Ambarchi y Berthling, tras el álbum a dúo de 2015, “Tongue Tied”. Ambos músicos además han trabajado juntos muchas veces dentro y fuera del escenario desde 2003, incluidos varios encuentros en el ensamble Fire! Orchestra con el mismo Werliin y el saxofonista Mats Gustafsson. Los preparativos para “Ghosted” comenzaron en noviembre de 2018, cuando Ambarchi, Berthling y Werliin se reunieron en el Estudio Rymden en Estocolmo, Suecia. Tras el proceso de grabación, el disco fue mezclado y masterizado por Joe Talia en Good Mixture de Berlín. De acuerdo al Bandcamp de Ambarchi, los tres músicos “comparten una fascinación por el ritmo y la multitud de formas en el que puede subdividirse dentro del beat. Usando aspectos del jazz, músicas del mundo y experimentales, cada melodía se asienta en un hondo surco, excavando a través de ajustes mínimos continuos en un cada vez más profundo groove eterno”. En la parte final del programa, viajamos al pasado en el profuso catálogo de Ambarchi, para escucharlo con material de su disco solista “Audience Of One” de 2012, en el que participan músicos de la talla de Paul Duncan, Eyvind Kang y Crys Cole.

Eyvind Kang recorded “Theme from 1st NADE” as part of his Jack Straw Artist Support Program residency in 1994 – the first year of the program. This piece and others recorded during his residency are included on his album 7 NADEs, available from Tzadik Records. The post Eyvind Kang – Theme from 1st NADE appeared first on Jack Straw Cultural Center.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Wax the Van by Arthur Russell on World of Echo (Audika) 2′35″ 4 Systems - Earle Brown by Gentle Fire on Explorations (1970 - 1973) (Paradigm Discs) 11′01″ gwneud a gwneud eto / do and do again [excerpt] by Agharad Davies on gwneud a gwneud eto / do and do again (All That Dust) 14′29″ Ordered Pairs I by Jessika Kenney & Eyvind Kang on The Face of the Earth (Ideologic Organ) 18′16″ Krishna Krishna by Alice Coltrane on Kirtan: Turiya Sings (Impulse!) 25′41″ Quiet Shore by Maxine Funke on Seance (A Colourful Storm) 33′17″ Flower Heads In The Afternoon by Landon Caldwell on Deep Strand (Trouble In Mind) 41′19″ Goin' Down by Body/Dilloway/Head on Body/Dilloway/Head (Three Lobed) 48′13″ Domain of The Wind, Part 1 by Loren MazzaCane Connors on Domain of The Wind (Family Vineyard) Check out the full archives on the website.

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Ramadan #HistoricMuslimah #16: "Rabiah al Basra" | Today, Khateebah & Mu'adthinah Jessika Kenney enlightens us about the true nature of Rabiah al Basra, the famous Muslimah that is most known for re-introducing the concept of Love back into early Sufi Islamic teachings. Jessika shows us how the gendered way that Rabiah is usually mistranslated is very harsh; however, when one goes back to the original text, we see a much warmer depiction of Rabiah, one that is rooted in love and ecstatic joy. Jessika treats us with a beautiful recitation of the original Persian poetry of Farid Din Attar as he describes Rabiah in 'The Conference of the Birds.' D O N A T E The Women's Mosque of America needs your help! Today we are at $3,310 of our $24,000 Ramadan goal to secure our women-led jumma'a services for the coming year. Make a contribution tonight: womensmosque.com/donate M O R E F R O M J E S S I K A K E N N E Y "Singing A Shining Steed: The Mystical Origins of the Buraq" by Jessika Kenney https://youtu.be/6j8fo4CPsB0 "Exploring Wudu, Water, and the Concept of 'Purity' in Islam" Khutbah by Jessika Kenney https://youtu.be/flrQ9md8nsU Adthans by Mu'adthinah Jessika Kenney: https://soundcloud.com/search?q=women... B I O Jessika Kenney is a vocalist, composer/improviser, and teacher. Jessika's singing can be heard on Ideologic Organ, Black Truffle, Weyrd Son, SIGE, Present Sounds, and other labels. She performs regularly with writers/scholars Red Pine (Bill Porter), Fatemeh Keshavarz, and Anne Carson. At international festivals, Jessika has performed her own compositions as well as music of Annea Lockwood, Hossein Omoumi, Morton Feldman, Giacinto Scelsi, and others. In 2015, her LP ""ATRIA"" (based on writings attributed to Sunan Kalijaga, who brought Islam to Java in the 15th century CE) was released alongside a sound, calligraphic score, sculpture, and video installation filling five rooms at the Frye Art Museum in Seattle. Jessika taught from 2007-2015 at her alma mater, Cornish College of the Arts in Seattle. She has studied sindhenan with many great musicians of Javanese gamelan in and outside Indonesia, particularly the late, great pesindhen Nyi Supadmi (d. 2015). She has studied Persian radifs with Ostad Hossein Omoumi (UC Irvine) since 2004. Kenney received the 2014 James Ray Distinguished Artist Award, and for collaborations with her husband Eyvind Kang, the 2015 Stranger Genius Award. She is VoiceArts faculty at California Institute of the Arts and lives in Pasadena, CA. In 1997, Jessika had her first masjid experience in the Kauman neighborhood of Surakarta, Central Java, and she has been involved in Islamic and Sufi culture ever since. S T A Y C O N N E C T E D Do you want to find out about The Women's Mosque of America's upcoming women-led & co-ed events? Sign up for our newsletter here: https://us9.campaign-archive.com/home... A B O U T The Women's Mosque of America is the nation's first women-led Muslim house of worship and a registered 501(c)3 non-profit. The Women's Mosque of America strives to uplift the entire Muslim community by empowering Muslim women and girls through more direct access to Islamic scholarship and leadership. The Women's Mosque of America provides a safe space for women to feel welcome, respected, and actively engaged within the Muslim Ummah. It complements existing mosques, offering opportunities for women to grow, learn, and gain inspiration to spread throughout their respective communities. The Women's Mosque of America provides women-led Friday jumma'a services for women and children (including boys 12 and under) once a month in Southern California. In addition, The Women's Mosque of America provides programming, events, and classes open to both men and women that aim to increase community access to female Muslim scholars and female perspectives on Islamic knowledge and spirituality. F O L L O W U S Instagram: @womensmosque Facebook: https://www.facebook.com/WomensMosque Twitter: @womensmosque

In this week’s episode, correspondent and poet Shin Yu Pai shares the third installment of Lyric World, featuring poet Koon Woon. Koon explores the topic of displacement and the role that poetry can have in creating a sense of belonging and home. He reads from his book Water Chasing Water and speaks on his family’s history of immigration to the United States, as well as those who had to be left behind. He reflects on cultural identity and how he and family members adjusted to life in another country. Koon also talks about his experiences of living for decades in Seattle’s Chinatown-International District. Born in a village near Canton, China, Koon Woon immigrated to Washington State in 1960. He earned a BA from Antioch University Seattle and studied at Fort Hays State University. He is the author of The Truth in Rented Rooms, winner of a Josephine Miles Award from PEN Oakland, and Water Chasing Water, winner of the 2014 American Book Award from the Before Columbus Foundation. His poetry appears in Premonitions: The Kaya Anthology of New Asian North American Poetry, among others. Woon is the publisher of Goldfish Press and the literary magazine Chrysanthemum. Shin Yu Pai is the author of nine books of poetry. Her work has appeared in publications throughout the U.S., Japan, China, Taiwan, the United Kingdom, and Canada. Her essays and nonfiction writing have appeared in Tricycle, YES! Magazine, The Rumpus, City Arts, The Stranger, Medium, and others. Lyric World: Conversations with Contemporary Poets is fiscally sponsored by Shunpike. The series is supported by grants from the City of Seattle’s Office of Arts and Culture, Windrose Fund, Poets & Writers, and The Satterberg Foundation. Lyric World is fiscally sponsored by Shunpike. Music for this episode is provided by composer Paul Kikuchi. Additional music credits: Paul Kikuchi (compositions, field recordings, percussion); Rob Millis (electronics); Tari Nelson-Zagar (violin); Eyvind Kang (viola); Maria Scherer Wilson (cello). Presented by Town Hall Seattle.

In this week’s episode, correspondent and poet Shin Yu Pai shares the third installment of Lyric World, featuring poet Koon Woon. Koon explores the topic of displacement and the role that poetry can have in creating a sense of belonging and home. He reads from his book Water Chasing Water and speaks on his family’s history of immigration to the United States, as well as those who had to be left behind. He reflects on cultural identity and how he and family members adjusted to life in another country. Koon also talks about his experiences of living for decades in Seattle’s Chinatown-International District. Born in a village near Canton, China, Koon Woon immigrated to Washington State in 1960. He earned a BA from Antioch University Seattle and studied at Fort Hays State University. He is the author of The Truth in Rented Rooms, winner of a Josephine Miles Award from PEN Oakland, and Water Chasing Water, winner of the 2014 American Book Award from the Before Columbus Foundation. His poetry appears in Premonitions: The Kaya Anthology of New Asian North American Poetry, among others. Woon is the publisher of Goldfish Press and the literary magazine Chrysanthemum. Shin Yu Pai is the author of nine books of poetry. Her work has appeared in publications throughout the U.S., Japan, China, Taiwan, the United Kingdom, and Canada. Her essays and nonfiction writing have appeared in Tricycle, YES! Magazine, The Rumpus, City Arts, The Stranger, Medium, and others. Lyric World: Conversations with Contemporary Poets is fiscally sponsored by Shunpike. The series is supported by grants from the City of Seattle’s Office of Arts and Culture, Windrose Fund, Poets & Writers, and The Satterberg Foundation. Lyric World is fiscally sponsored by Shunpike. Music for this episode is provided by composer Paul Kikuchi. Additional music credits: Paul Kikuchi (compositions, field recordings, percussion); Rob Millis (electronics); Tari Nelson-Zagar (violin); Eyvind Kang (viola); Maria Scherer Wilson (cello). Presented by Town Hall Seattle.

Producer Randall Dunn has worked for years with bands like Sunn O))), Bill Frisell, Kayo Dot, Eyvind Kang, Chelsea Wolfe, Earth and hundreds more. Over time he has crafted in an instantly recognizable sound that is marked by clarity, spaciousness and big time vibes. For this talk we answer your questions about a variety of topics from Buddhism to tracking Sunn O))), recording aesthetics, travel and a whole lot more.

Traditions are traditions... For this year's Hanksgiving episode we celebrate the work of a truly original artist, Hank Roberts. The Indiana-born, upstate New York-based, cellist, jazzaphone fiddler and vocalist, is one of those rare musicians whose name on the front or the back of an album should make any one purchase that record without questions asked, run home and play it immediately. This week we try to squeeze into a couple of hours a discography that spans over three decades and illustrates the artistic trajectory of a key figure in the famed New York downtown scene that continues to be at the forefront of creative music. In this first part, we focus in particular on some of his projects as a leader and on his ongoing collaboration with Bill Frisell. In the second part we focus on a number of other projects he is the leader of, including yet unreleased material of his current sextet. This segment also spotlights his work as a member of 858 Strings, the string section he shares with Jenny Scheinmann and Eyvind Kang featured on a number of projects by Bill Frisell, as well as his Italian adventures with Pipe Dream and trombonist Filippo Vignato. To complete this overview of Robert's discography during this segment we also feature a number of projects he has recorded with Tim Berne as well as with other luminaries of the New York scene like Marty Ehrlich or Ralph Alessi as well as collaborations with singers. Hank in there! It must be a very nice Hanksgiving then! Detailed playlist at https://spinitron.com/RFB/pl/9867097/Mondo-Jazz Photo credit: Christopher DelCollo.

In this unique speech, Khateebah & Mu'adthinah Jessika Kenney delves into the many different understandings of the buraq, or shining steed, that the Prophet Muhammad (peace be upon him) rode on his Night Journey. She explores the more mystical and folklorish renditions of the buraq as a winged animal with a woman's head, to the more metaphysical and scientific theories of the buraq as electricity or light. At the end of her speech, Jessika treats us with an interactive singing performance in which she invites the audience to participate in chanting beautiful poetry in the background as she sings the main verses. // On the evening of May 10, 2019, The Women's Mosque of America held its fifth annual co-ed iftar & qiyam during the holy month of Ramadan, featuring all women speakers and a chance for the greater public to benefit from the spiritual insights of its Muslim women leaders. Bio: Jessika Kenney is a vocalist, composer/improviser, and teacher. Jessika's singing can be heard on Ideologic Organ, Black Truffle, Weyrd Son, SIGE, Present Sounds, and other labels. She performs regularly with writers/scholars Red Pine (Bill Porter), Fatemeh Keshavarz, and Anne Carson. At international festivals, Jessika has performed her own compositions as well as music of Annea Lockwood, Hossein Omoumi, Morton Feldman, Giacinto Scelsi, and others. In 2015, her LP “ATRIA” (based on writings attributed to Sunan Kalijaga, who brought Islam to Java in the 15th century CE) was released alongside a sound, calligraphic score, sculpture, and video installation filling five rooms at the Frye Art Museum in Seattle. Jessika taught from 2007-2015 at her alma mater, Cornish College of the Arts in Seattle. She has studied sindhenan with many great musicians of Javanese gamelan in and outside Indonesia, particularly the late, great pesindhen Nyi Supadmi (d. 2015). She has studied Persian radifs with Ostad Hossein Omoumi (UC Irvine) since 2004. Kenney received the 2014 James Ray Distinguished Artist Award, and for collaborations with her husband Eyvind Kang, the 2015 Stranger Genius Award. She is VoiceArts faculty at California Institute of the Arts and lives in Pasadena, CA. In 1997, Jessika had her first masjid experience in the Kauman neighborhood of Surakarta, Central Java, and she has been involved in Islamic and Sufi culture ever since.

In the underground music scene of New York City, bassist, engineer, educator Kato Hideki is a most crucial participant. Before moving to New York City in 1992 Kato was an original member of Otomo Yoshihide's Ground Zero. Since arriving in New York, he has worked closely with John Zorn, Ikue Mori, Eyvind Kang, Fred Frith, Marc Ribot and Zeena Parkins among many others. He was born and raised in Nagoya, Japan and has played on many of my favorite records to come out of New York in the last twenty five years. A great talk with a great guy.

El pianista Fred Hersch debutó en el mítico Village Vanguard de Nueva York como líder de su propio trío en julio de 1997. Una grabación permite escuchar por primera vez las mejores tomas de aquel estreno junto a sus socios de entonces Drew Gress (contrabajo) y Tom Rainey (batería). Abrimos esta edición de 'Club de Jazz' del 7 de diciembre de 2018 con la Italian Instabile Orchestra, una institución de la improvisación europea, que publicaba en 1995 un disco en ECM bajo el título de "Skies of Europe". Ornette Coleman la definía en el libreto como "un concepto colectivo de democracia sonora". Un año después, el guitarrista Bill Frisell presentaba su cuarteto junto a Ron Miles (trompeta), Eyvind Kang (violín y viola) y Curtis Fowlkes (trombón). Con ellos daba vida a varios temas compuestos para cine, televisión y una película muda de Buster Keaton. El prolífico saxofonista estadounidense Noah Preminger presenta "Genuinity", trabajo compartido con Jason Palmer (trompeta), Kim Cass (contrabajo) y Dan Weiss (batería). Quairós es el nombre para el cuarteto formado por el británico Tom Arthurs (trompeta), los fineses Markus Pesonen (guitarra) y Janne Tuomi (batería y percusión) más el canadiense Miles Perkin (contrabajo). "Vela" es producto de una sesión improvisada en Berlín. Funcionan de forma cooperativa. Way North es un cuarteto que reunió en Nueva York a tres canadienses y un estadounidense: Rebecca Hennessy (trompeta), Petr Cancura (saxo tenor), Michael Herring (contrabajo) y Richie Barshay (batería). Su segundo disco lleva por título "Fearless and Kind". Toda la información y derecho: http://www.elclubdejazz.com

El pianista Fred Hersch debutó en el mítico Village Vanguard de Nueva York como líder de su propio trío en julio de 1997. Una grabación permite escuchar por primera vez las mejores tomas de aquel estreno junto a sus socios de entonces Drew Gress (contrabajo) y Tom Rainey (batería). Abrimos esta edición de 'Club de Jazz' del 7 de diciembre de 2018 con la Italian Instabile Orchestra, una institución de la improvisación europea, que publicaba en 1995 un disco en ECM bajo el título de "Skies of Europe". Ornette Coleman la definía en el libreto como "un concepto colectivo de democracia sonora". Un año después, el guitarrista Bill Frisell presentaba su cuarteto junto a Ron Miles (trompeta), Eyvind Kang (violín y viola) y Curtis Fowlkes (trombón). Con ellos daba vida a varios temas compuestos para cine, televisión y una película muda de Buster Keaton. El prolífico saxofonista estadounidense Noah Preminger presenta "Genuinity", trabajo compartido con Jason Palmer (trompeta), Kim Cass (contrabajo) y Dan Weiss (batería). Quairós es el nombre para el cuarteto formado por el británico Tom Arthurs (trompeta), los fineses Markus Pesonen (guitarra) y Janne Tuomi (batería y percusión) más el canadiense Miles Perkin (contrabajo). "Vela" es producto de una sesión improvisada en Berlín. Funcionan de forma cooperativa. Way North es un cuarteto que reunió en Nueva York a tres canadienses y un estadounidense: Rebecca Hennessy (trompeta), Petr Cancura (saxo tenor), Michael Herring (contrabajo) y Richie Barshay (batería). Su segundo disco lleva por título "Fearless and Kind". Toda la información y derecho: http://www.elclubdejazz.com

Khateebah Jessika Kenney delivers the 43rd khutbah for The Women's Mosque of America on July 27, 2018. In this beautiful khutbah, Jessika looks at the symbolism of water in Islam and the deeper meanings of "ritual purity", performing Javanese and Persian poetry related to the topic. Bio: Jessika Kenney is a vocalist, composer/improviser, and teacher. Jessika's singing can be heard on Ideologic Organ, Black Truffle, Weyrd Son, SIGE, Present Sounds, and other labels. She performs regularly with writers/scholars Red Pine (Bill Porter), Fatemeh Keshavarz, and Anne Carson. At international festivals, Jessika has performed her own compositions as well as music of Annea Lockwood, Hossein Omoumi, Morton Feldman, Giacinto Scelsi, and others. In 2015, her LP "ATRIA" (based on writings attributed to Sunan Kalijaga, who brought Islam to Java in the 15th century CE) was released alongside a sound, calligraphic score, sculpture, and video installation filling five rooms at the Frye Art Museum in Seattle. Jessika taught from 2007-2015 at her alma mater, Cornish College of the Arts in Seattle. She has studied sindhenan with many great musicians of Javanese gamelan in and outside Indonesia, particularly the late, great pesindhen Nyi Supadmi (d. 2015). She has studied Persian radifs with Ostad Hossein Omoumi (UC Irvine) since 2004. Kenney received the 2014 James Ray Distinguished Artist Award, and for collaborations with her husband Eyvind Kang, the 2015 Stranger Genius Award. She is VoiceArts faculty at California Institute of the Arts and lives in Pasadena, CA. In 1997, Jessika had her first masjid experience in the Kauman neighborhood of Surakarta, Central Java, and she has been involved in Islamic and Sufi culture ever since.

Described by Pitchfork as a "musical polymath," composer/violist Eyvind Kang has created and collaborated on hundreds of recordings and countless tours, from his own solo masterpieces to his work with Laurie Anderson, Bill Frisell, Animal Collective, Sun O))), The Decemberists, and Blonde Redhead. On this episode, he tells us about his early inspirations, his favorite project, and the music his teacher thought was garbage.   Playlist Here is a Spotify playlist to pair with Underscore Episode 5 with Eyvind Kang. It features hand--picked selections from Chrysanthe and Thomas to encapsulate the conversations and recommendations from the episode.   Music Featured in Interview: "Marriage of Days" by Eyvind Kang (iTunes / Spotify) "The Island" by The Decemberists (iTunes / Spotify) "Partita No. 3 in E Major: Preludio" by J.S. Bach (iTunes / Spotify) "Straight Outta Compton" by N.W.A. (iTunes / Spotify) "Giant Steps" by John Coltrane (iTunes / Spotify) "Dhun" by Ravi Shankar (iTunes / Spotify) "Gimme Shelter" by The Rolling Stones (iTunes / Spotify) "It’s a Man’s, Man’s, Man’s World" by James Brown (iTunes / Spotify) "Automatism" by Group Ongaku (YouTube) "Seva" by Jessika Kenney and Eyvind Kang (unreleased) "Cyclades" by Anne Carson, Robert Currie, and Eyvind Kang (unreleased) "Side 1" from Plainlight by Eyvind Kang (LP) Lightning Round Questions What genre is your music? Non--music Performance ritual? Quigong and tai chi A modern/technological tool that’s extremely helpful to your practice? Recording and playback A failure that turned out for the best? He tried to adapt a kacapi (Sudanese zither) technique for the viola but ended up creating a new pizzicato technique for himself instead. Something besides music that you’re obsessed with right now? Agriculture, philosophy, questions of justice and human rights A piece of art that changed your life? The Large Glass by Marcel Duchamp Something Old: Einstein on the Beach -- "Scene 3: Spaceship" by Phillip Glass. (iTunes / Spotify) Something New: Music by Black Composers made a Living Composers Directory. Recommended track: "Starburst" by Jessie Montgomery (iTunes / Spotify) Something Borrowed: "Iron" by Woodkid (iTunes / Spotify) Something Blue: "Prometheus, The Poem of Fire" by Alexander Scriabin (iTunes / Spotify) Credits: Hosts: Thomas Kotcheff and Chrysanthe Tan Script: Chrysanthe Tan Guest: Eyvind Kang Recording engineer: Mark Hatwan Produced by: Chrysanthe Tan Editing: Mark Hatwan Underscore is an extension of the Classical KUSC family Podcast theme: "Playground Day" by Chrysanthe Tan (iTunes / Spotify)   Social Media Facebook: /underscorefm Twitter: @underscorefm Instagram: @underscorefm Thomas is @thomaskotcheff on Twitter and Instagram. Chrysanthe is @chrysanthetan on Facebook, Twitter, and Instagram. Facebook group: Join our Facebook group, Underscore Society, to give us your thoughts, request future topics, and connect with other podcast listeners! Newsletter: Sign up for our mailing list to receive Underscore updates, offers, and opportunities to connect with other music aficionados. Email: Thoughts, questions, suggestions? We’re at info@underscore.fm

Episode 381: March 4, 2018 playlist: The Skull Defekts, "A Brief History of Rhythm, Dub, Life and Death" (The Skull Defekts) 2018 Thrill Jockey Dedekind Cut, "Tahoe" (Tahoe) 2018 Kranky Arianne Churchman, "Midsummer Ley Line Hotline" (Calendar Customs) 2017 Folklore Tapes Abul Mogard, "Tumbling Relentless Heaps" (Works) 2016 Ecstatic Aaron Dilloway, "Switch 1" (Switches) 2017 Cejero Elizabeth Cottern, "Akoasm II" (Heschl's Gyrus) 2017 Other Forms of Consecrated Life Eyvind Kang, "Plainlight/Bay of Fundy (excerpt)" (Plainlight) 2018 Abduction Alvin Lucier, "Hanover (excerpt)" (Criss-Cross / Hanover) 2018 Black Truffle Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Randall Dunn is a musician, producer and sound engineer who for the past twenty years has been lending an utterly unique approach to the records of some of contemporary music's most exciting artists. In addition to being the mastermind of Master Musicians of Bukkake, he's worked closely with Eyvind Kang, Earth, Bill Frisell, Oren Ambarchi, Wolves in the Throne Room and was a major contributor to the Sunn O))) masterpiece "Monoliths and Dimensions". He recently located to Brooklyn after two decades in Seattle and continues to stay active as a premiere sound alchemist

El guitarrista Bill Frisell y el baterista Matt Chamberlain se reúnen por segunda vez con los productores Lee Townsend y Tucker Martine en Floratone II. Con ellos colaboran Mike Elizondo (b), Jon Brion (tcl), Ron Miles (tp) y Eyvind Kang (viola). Es una de las propuestas de la edición de "Club de Jazz" del 12 de septiembre de 2012 en la que la excusa de un viaje palestino nos trae la música de Anouar Brahem ("The astounding eyes of Rita"), Robert Wyatt, Gilad Atzmon y Ros Stephen ("... for the ghosts within") y Avishai Cohen con Nitai Hershkovits ("Duende"). El "Jazz Porteño" de Alberto Varela recupera un trabajo de 1996 del guitarrista brasileño Guinga bajo el título de "Cheio de dedos". "desde mi cadiera" Jesús Moreno repasa la última edición del Festival de Uzeste y el tributo que rindieron al pianista Jef Gilson. Lo ilustra con su "Suite pour San Remo" grabada en 1966. Anxo encuentra en los "Éxitos secretos" de Ángel Petisme los "Ritmos Latinos". Y además, junto a Luis Díaz García en el "Tren Azul", le cantamos cumpleaños feliz a Sonny Rollins con música de su "Vol.2" para Blue Note de 1957, Toda la información y derechos: http://www.elclubdejazz.com

El guitarrista Bill Frisell y el baterista Matt Chamberlain se reúnen por segunda vez con los productores Lee Townsend y Tucker Martine en Floratone II. Con ellos colaboran Mike Elizondo (b), Jon Brion (tcl), Ron Miles (tp) y Eyvind Kang (viola). Es una de las propuestas de la edición de "Club de Jazz" del 12 de septiembre de 2012 en la que la excusa de un viaje palestino nos trae la música de Anouar Brahem ("The astounding eyes of Rita"), Robert Wyatt, Gilad Atzmon y Ros Stephen ("... for the ghosts within") y Avishai Cohen con Nitai Hershkovits ("Duende"). El "Jazz Porteño" de Alberto Varela recupera un trabajo de 1996 del guitarrista brasileño Guinga bajo el título de "Cheio de dedos". "desde mi cadiera" Jesús Moreno repasa la última edición del Festival de Uzeste y el tributo que rindieron al pianista Jef Gilson. Lo ilustra con su "Suite pour San Remo" grabada en 1966. Anxo encuentra en los "Éxitos secretos" de Ángel Petisme los "Ritmos Latinos". Y además, junto a Luis Díaz García en el "Tren Azul", le cantamos cumpleaños feliz a Sonny Rollins con música de su "Vol.2" para Blue Note de 1957, Toda la información y derechos: http://www.elclubdejazz.com

Utah-based poet and singer, Lara Candland and composer-performer Christian Asplund have evolved a unique style of performance involving an ethereal and lush mix of speech, singing, live sampling, looping, layering, drones, and electronics. They will draw from poems in Candland's recently published Alburnum of the Green and Living Tree and her recently completed chapbook about surgery Physic at the Table.Lara Candland’s book Alburnum of the Green and Living Tree was just released from BlazeVox. Her work has appeared or is forthcoming in Fence, The Colorado Review, Barrow Street, Greatcoat, Fine Madness, The Quarterly and other journals. Her pamphlet, Tongue Child was published by the University of South Carolina’s Palanquin/TDM series. She has been a finalist in The Motherwell, Hudson, and St. Lawrence book awards. She has also been the recipient of an AWP Intro Award, She is a founder and the librettist for Seattle Experimental Opera, and a finalist in the Genesis Prizes. Her opera, Sunset with Pink Pastoral with husband and composer Christian Asplund, was performed by Almeida Opera in London’s Sadler’s Wells Theatre. Candland has taught poetry, college writing, food writing and fiction writing at various colleges and universities around the country as an itinerant grad student/follower of a grad student, and is currently exploring the intersection between written down works and live improv with electronic sampling. Christian Asplund is a Canadian-American composer-performer based in Utah where he is Composer-in-Residence at Brigham Young University. He has degrees from University of Washington, Mills College, and Brigham Young University where his teachers have included Stuart Dempster, John Rahn, Joel-Francois Durand, Alvin Curran, Chris Brown, Thea Musgrave, and Meyer Kupferman. He cofounded Seattle Experimental Opera which has produced seven of his operas. He has performed with such musicians as Christian Wolff, Eyvind Kang, Larry Polansky, Daniel Good, Francois Houle, Michael Bisio, Robert Reigle, Gino Robair, and Phil Gelb in a variety of venues and recordings in the U.S., Canada, and Europe. His scores are published by Frog Peak Music. Asplund is also an active scholar and has published articles and chapters on music theory and critical theory.