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Some artists can always be counted on to channel a sense of place. For violinist and composer Jenny Scheinman, it’s the homeward pull of Northern California’s so-called Lost Coast, between the redwood sprawl of Humboldt County and the rugged terrain that meets the Pacific. Scheinman grew up there, and she carries its rustic charm and mystique in her music — even when it assumes a form as elegant as the songs on All Species Parade, her recent double album. In this live episode, she converses with Josh Jackson before a recent performance with her band at Solar Myth, part of Ars Nova Workshop’s 25th anniversary season. Don’t forget to brush the sand out of your hair. Follow WRTI: https://www.instagram.com/wrtimusichttps://www.facebook.com/WRTImusic https://www.youtube.com/WRTImusicSupport WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.
Marie Kruttli, Julia Hulsmann, Mia Knop Jacobsen, Keith Jarrett, Branford Marsalis Quartet, Tarbaby, Kahil El'Zabar's Ethnic Heritage Ensemble, Jenny Scheinman, Calgareal, Kristian Alexandrov and Montuno WestPlaylist: Marie Kruttli Trio, featuring Lukas Traxel and Gautier Garrigue - Conversation With My Old SelfJulia Hulsmann - They Stumble, They WalkMia Knop Jacobsen - Under WaterKeith Jarrett, featuring Gary Peacock and Paul Motian - Everything I LoveKeith Jarrett, featuring Gary Peacock and Paul Motian - Someday My Prince Will ComeBranford Marsalis Quartet, featuring Joey Calderazzo, Eric Revis & Justin Faulkner - Spiral DanceTarbaby, featuring Orrin Evans, Eric Revis and Nasheet Waits - Dee DeeKahil El'Zabar's Ethnic Heritage Ensemble - OrnetteJenny Scheinman, featuring Bill Frisell and Carmen Staaf - Ornette Goes HomeCalgaréal - Il Lago AccantoKristian Alexandrov - MamasitaMontuno West - Luna NuevaMontuno West - Viento (Tormenta)
Today, the Spotlight shines On violinist and composer Jenny Scheinman.Jenny Scheinman grew up on California's remote Lost Coast, and now she brings us music that captures the wild beauty of her roots. Her double album All Species Parade brings together jazz and folk to create something wholly original that feels like the natural world itself.With a dream team of collaborators including Bill Frisell, Nels Cline, and Julian Lage on guitars, Jenny's violin leads us through soundscapes that honor the land, its native peoples, and all living creatures.Jenny's made a career working with everyone from Lucinda Williams to Lou Reed, but this project takes her back home to create what she calls "nature worship music" that refuses to be domesticated.(The musical excerpts heard in the interview are from Jenny Scheinman's album All Species Parade)–Dig DeeperVisit Jenny Scheinman at jennyscheinman.comPurchase Jenny Scheinman's All Species Parade from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jenny Scheinman on Bluesky, Instagram, Facebook, and YouTubeJenny Scheinman Finds Her Mojo on Northern California's Lost Coast with ‘All Species Parade'How Jenny Scheinman's Humboldt roots influenced new musicDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On violinist and composer Jenny Scheinman.Jenny Scheinman grew up on California's remote Lost Coast, and now she brings us music that captures the wild beauty of her roots. Her double album All Species Parade brings together jazz and folk to create something wholly original that feels like the natural world itself.With a dream team of collaborators including Bill Frisell, Nels Cline, and Julian Lage on guitars, Jenny's violin leads us through soundscapes that honor the land, its native peoples, and all living creatures.Jenny's made a career working with everyone from Lucinda Williams to Lou Reed, but this project takes her back home to create what she calls "nature worship music" that refuses to be domesticated.(The musical excerpts heard in the interview are from Jenny Scheinman's album All Species Parade)–Dig DeeperVisit Jenny Scheinman at jennyscheinman.comPurchase Jenny Scheinman's All Species Parade from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jenny Scheinman on Bluesky, Instagram, Facebook, and YouTubeJenny Scheinman Finds Her Mojo on Northern California's Lost Coast with ‘All Species Parade'How Jenny Scheinman's Humboldt roots influenced new musicDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Drummer and composer Allison Miller begins 2025 with several diverse and exciting projects. Big and Lovely, a recording of her original music with the University of North Texas One O'Clock Lab Band was released on January 10. On February 2 at 3pm at the 92nd Street Y in NYC Allison will present Rivers In Our Veins, an ambitious multi-media work featuring the award-winning dancer Michelle Dorrance as a special guest and features three additional dancers: Claudia Rahardjanoto, Maleek Washington and Luke Hickey, plus live video projections by Todd Winkler and an ensemble that features violinist Jenny Scheinman, pianist Carmen Staaf, trumpeter Jason Palmer, clarinetist Ben Goldberg and bassist Rashaan Carter. Lastly, Artemis, Downbeat magazine's group of the year, makes its debut at the Village Vanguard the week of March 4.
2024年的第四辑《扭扭爵士 New Nu-Jazz》终于来了,至此,终于有了把上一年收尾的感觉(哦不对,还差一个年度专辑盘点…)。 这期节目中我们依然在爵士乐的世界里游历世界,Scrimshire 漫步岛国的秋风,Adrian Younge 捎来中东的热浪,Enzo Carniel 和 Airielle Besson 演绎巴黎的风情万种,TRAINING 和 Flock 则将爵士乐活用于激进的欧洲实验音乐场景。让人兴奋的还有喜辰晨好评如潮的第二张个人专辑《Queen and Elf》,以及红手五重奏在沉淀多年之后带来的首张录音作品《触碰》,仿佛一颗时间胶囊,将二十年光景浓缩于45分钟,让人颇为感怀。 你还可以在这份歌单中听到更多在2024年10-12月间发表的新派爵士乐作品。 曲目单: (00:57) Scrimshire - Hornbeam (04:31) Luke Sellick - Scottish Folk Song (09:40) Ignacio Santoro - QUE MIRAS BOBOP! (13:49) Ashley Henry - Take It Higher (17:52) Adrian Younge feat. Liraz - کنم - Farrar Konam (22:50) Fievel Is Glauque - As Above So Below (27:18) Airelle Besson - The painter and the boxer (32:43) Marysia Osu - seatime (37:46) 喜辰晨 - 叶羊 (42:59) Anna Webber - Moveable Do (La-La Bémol) (48:15) Flock - Meet Your Shadow (54:47) TRAINING feat. Ruth Goller - finback (59:00) Anna Butterss feat. Jeff Parker - Dance Steve (01:05:01) Emile Londonien - Inside (01:09:55) Enzo Carniel & House of Echo - (t)ECH(n)O inside Us (01:04:26) Hayoung Lyou - Negotiation (01:17:09) Caleb Wheeler Curtis - Stellar Ray, See? (01:22:29) Jenny Scheinman feat. Bill Frisell & Nels Cline - The Cape (01:26:32) Work Money Death - We Are the People (01:32:28) 红手五重奏 - 触摸光 → 选曲/撰稿/配音/制作/包装:方舟 → 主题音乐:Yu Su → 题图版式:六花 → 私信/合作联络: 微博/网易云/小宇宙 @线性方舟 → 《周末变奏》WX听友群敲门群主:aharddaysnight
Violinist, composer, and bandleader Jenny Scheinman is a familiar figure to jazz fans, having played for years with Bill Frisell, Allison Miller, and many others. But jazz is just one part of her music. In her own albums and in her work with musicians from Lou Reed to Lucinda Williams to Jason Moran, Scheinman incorporates a wide range of American music, including rock, folk, country, gospel, and even surf into a colorful, personal, and accessible style. Her latest album is called All Species Parade, and it brings Jenny Scheinman and her impressive band back to our studio. Set list: 1. House of Flowers 2. Ornette Goes Home 3. All Species Parade All Species Parade by Jenny Scheinman
This is the very final batch of our favorite songs of 2024... Fully charged with all this beauty we are ready to dive into 2025, knowing that no matter how crazy this year will be, it will also bring more great music! The playlist features Joe Tatton; Orrin Evans [pictured], The Captain Black Big Band; Antonio Faraò, John Patitucci, Jeff Ballard; Walter Smith III; Nacka Forum; Haoung Lyou; Immanuel Wilkins; Jenny Scheinman; Jasper Blom, Pablo Held. Detailed playlist at Happy listening!
1ere émission de la 61e session...Cette semaine, pour la première de 2025 voici un restant de 2024 en jazz moderne! En musique: Tomin sur l'album A Willed and Conscious Balance (International Anthem, 2024); Flash Pig sur l'album The Mood for Love (French Keys, 2024); Carlos Bica sur l'album 11:11 (Clean Feed, 2024); Nik Bärtsch Ronin sur l'album Spin (Ronin Rhythm, 2024); Colin Vallon Trio sur l'album Samares (ECM, 2024); Tarbaby sur l'album You Think This is America (Giant Step Arts, 2024); Sam Wilkes sur l'album iiyo iiyo iiyo (WILKES, 2024); Jenny Scheinman sur l'album All Species Parade (The Royal Potato Family, 2024)...
Enjoy the second part of our preview of the upcoming Winter JazzFest, with a special focus on the musicians who will be coming to New York from out of town. The playlist features Salin [pictured]; Monsieur MÂLÂ; Michael Leonhart; Flash Pig; Dominique Fils-Aimé; Amaury Faye; Jakob Bro, Lee Konitz, Bill Frisell, Jason Moran, Thomas Morgan, Andrew Cyrille; Jenny Scheinman; Josh Johnson; Theon Cross; Mike Reed; and Nout. Detailed playlist at https://spinitron.com/RFB/pl/19986948/Mondo-Jazz (from "Si Chomphu" onward). Happy listening!
Enjoy a playlist featuring musicians that make their vocal cords, or their instruments, or their ensembles, sing (or scream). The playlist features Al Jarreau; NDR Bigband; Peter Lenz; Jenny Scheinman; Camilla Battaglia; and Spinifex. Detailed playlist at https://spinitron.com/RFB/pl/19859432/Mondo-Jazz (from "You Don't See Me" onwards). Happy listening!
This episode of Across The Margin : The Podcast features an interview with acclaimed violinist and composer Jenny Scheinman. Scheinman has produced several critically acclaimed solo albums, including 12 Songs, named one of the Top Ten Albums of 2005 by The New York Times. She has played with Norah Jones, Nels Cline, Lou Reed, Ani Difranco, Aretha Franklin, Lucinda Williams, Bono, Bill Frisell, and Allison Miller. For years, Scheinman nursed the idea of a musical homage to Humboldt, in particular the area known as the Lost Coast, a remote, earthquake and mudslide-prone region of coastal northern California, where she was raised. She considered the project from many angles. That idea has come to fruition in the form of her latest album entitled All Species Parade, the focus of this episode. All Species Parade is an epic and sprawling double album with an A-list ensemble, featuring guitarists Bill Frisell, Julian Lage and Nels Cline, pianist Carmen Staaf, bassist Tony Scherr and drummer Kenny Wollesen. Though the album does evoke a sense of pastoral wonder, it also strives to capture in Jenny's words, “a charged relationship to nature, a feeling of being part of something bigger than ourselves, powerful, and fragile, and constantly changing. Something alive. With All Species Parade, I set out to musically reflect that experience of awe.” In this episode host Michael Shields and Jenny Scheinman discuss how nature, and a personal musical challenge of Jenny's regarding song length and breadth, inspired the soundscapes found on All Species Parade. They talk about the outstanding grouping of players on the album, how Jenny paid tribute to the Wiyot Tribe with the song “Jaroujiji,” what the true meaning of the song “Shutdown Stomp” actually is, and so much more. Hosted on Acast. See acast.com/privacy for more information.
Featuring a debut and super-duper-deep-dive of violinist/composer/bandleader extraordinaire Jenny Scheinman's brilliant new record “All Species Parade."
“JOE VENUTI AND EDDIE LANG” “JOE VENUTI AND EDDIE LANG” New York, September 29, 1926Stringing the blues, Black and blue bottomJoe Venuti (vln) (g) STUFF SMITH “BILTMORE HOTEL” New York, January 6, 1937Honeysuckle rose, Stomping at the SavoyStuff Smith (vln) Clyde Hart (p) Bobby Bennett (g) John Kirby (b) Cozy Cole (d) Ella Fitzgerald (vcl) EDDIE SOUTH “PARIS” – November 25, 1937Fiddle blues (1,2)Eddie South (vln) Stephane Grappelli (vln-1) Django Reinhardt (g) Paul Cordonnier (b-2) “AND DUO” – Hilversum, Holland, March 13, 1938Black gypsyEddie South (vln) Dave Martin (p) STEPHANE GRAPPELLI “VIOLINS NO END” Paris, May 4, 1957Don't get around much anymoreStephane Grappelli, Stuff Smith (vln) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Jo Jones (d) JEAN-LUC PONTY “UPON THE WINGS OF MUSIC” Los Angeles, CA, January, 1975Upon the wings of musicJean-Luc Ponty (vln,el-vln,violectra,synt) Patrice Rushen (p,el-p,org,clavinet,synt) Dan Sawyer (el-g) Ralphe Armstrong (el-b) Leon “Ndugu” Chancler (d,perc,tom-tom) BILLY BANG “TRIBUTE TO STUFF SMITH” New York, September 20, 21 & 22, 1992Lover manSun Ra (p,synt) Billy Bang (vln) John Ore (b) Andrew Cyrille (d) REGINA CARTER “ELLA : ACCENTUATE THE POSITIVE” New York, December, 2016All my lifeXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) JENNY SCHEINMAN “THE RABBI'S LOVER” Brooklyn, NY, 2001The rabbi's loverRuss Johnson (tp) Adam Levy (g) Jenny Scheinman (vln) Greg Cohen (b) Trevor Dunn (b-1) Kenny Wollesen (d) Continue reading Puro Jazz 21 de octubre, 2024 at PuroJazz.
“JOE VENUTI AND EDDIE LANG” “JOE VENUTI AND EDDIE LANG” New York, September 29, 1926Stringing the blues, Black and blue bottomJoe Venuti (vln) (g) STUFF SMITH “BILTMORE HOTEL” New York, January 6, 1937Honeysuckle rose, Stomping at the SavoyStuff Smith (vln) Clyde Hart (p) Bobby Bennett (g) John Kirby (b) Cozy Cole (d) Ella Fitzgerald (vcl) EDDIE SOUTH “PARIS” – November 25, 1937Fiddle blues (1,2)Eddie South (vln) Stephane Grappelli (vln-1) Django Reinhardt (g) Paul Cordonnier (b-2) “AND DUO” – Hilversum, Holland, March 13, 1938Black gypsyEddie South (vln) Dave Martin (p) STEPHANE GRAPPELLI “VIOLINS NO END” Paris, May 4, 1957Don't get around much anymoreStephane Grappelli, Stuff Smith (vln) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Jo Jones (d) JEAN-LUC PONTY “UPON THE WINGS OF MUSIC” Los Angeles, CA, January, 1975Upon the wings of musicJean-Luc Ponty (vln,el-vln,violectra,synt) Patrice Rushen (p,el-p,org,clavinet,synt) Dan Sawyer (el-g) Ralphe Armstrong (el-b) Leon “Ndugu” Chancler (d,perc,tom-tom) BILLY BANG “TRIBUTE TO STUFF SMITH” New York, September 20, 21 & 22, 1992Lover manSun Ra (p,synt) Billy Bang (vln) John Ore (b) Andrew Cyrille (d) REGINA CARTER “ELLA : ACCENTUATE THE POSITIVE” New York, December, 2016All my lifeXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) JENNY SCHEINMAN “THE RABBI'S LOVER” Brooklyn, NY, 2001The rabbi's loverRuss Johnson (tp) Adam Levy (g) Jenny Scheinman (vln) Greg Cohen (b) Trevor Dunn (b-1) Kenny Wollesen (d) Continue reading Puro Jazz 21 de octubre, 2024 at PuroJazz.
In this episode of Backstage Sonoma, host Steven Roby sits down with iconic alternative-country artist Robbie Fulks to dive deep into his latest album, Bluegrass Vacation. Fulks, known for his storytelling prowess and sharp musicianship, shares the inspiration behind his shift into pure bluegrass and what it was like working with legends like Sam Bush and Jerry Douglas. From songwriting processes to collaborations with artists like Jenny Scheinman, Fulks provides an intimate look at the creation of his music. The interview also touches on Robbie's evolution as a songwriter and performer, reflecting on personal memories, career highlights, and his passion for creating music that defies traditional genre boundaries. With a special preview of his upcoming performance with Jenny Scheinman at Hop Monk Tavern, this episode is a must-listen for fans of bluegrass, Americana, and heartfelt storytelling. Episode Highlights: Robbie's inspiration for Bluegrass Vacation and his journey into the bluegrass genre. Collaborating with bluegrass legends Sam Bush, Jerry Douglas, and rising stars like Sierra Hull. Insight into Robbie's unique songwriting process and how quiet solitude sparks creativity. A behind-the-scenes look at Robbie's musical partnership with Jenny Scheinman. A sneak peek at Robbie's upcoming projects, including his next album, Now Then. Robbie and Jenny's upcoming performance at Hop Monk Tavern in Novato. Featured Songs: “One Glass of Whiskey” from Bluegrass Vacation “I'll Trade You Money for Wine” featuring Jenny Scheinman “Fare Thee Well Carolina Gals” from Upland Stories Links: Robbie Fulks' website: robbiefulks.com Get tickets for Robbie Fulks at Hop Monk Tavern: kcturnerpresents.com Follow Robbie Fulks on Instagram: @robbiefulks Bluegrass Vacation Album: Listen here Social Media Hashtags: #BackstageSonoma #RobbieFulks #BluegrassVacation #AlternativeCountry #JennyScheinman #Bluegrass #AmericanaMusic #HopMonkTavern #LiveMusicCalifornia
In this episode of Backstage Sonoma, host Steve Roby interviews acclaimed violinist and composer Jenny Scheinman. Jenny shares insights into her latest album, All Species Parade, which is deeply influenced by her return to the remote Lost Coast of Humboldt County. She reflects on how reconnecting with nature and rural life, especially during the pandemic, has reshaped her musical direction. The conversation also explores the challenges of balancing her artistic career with motherhood and how the isolation of 2020 led to a period of creative growth. Jenny also discusses her long-standing collaborations with guitarists Bill Frisell, Julian Lage, and Nels Cline, highlighting how their unique styles contributed to the album's sound. The episode delves into her approach to genre-bending, improvisation, and composing music that reflects the natural world and her journey. As a special preview, Jenny shares details about her upcoming performances at Mr. Tipple's Jazz Club in San Francisco, offering fans a glimpse of what to expect from these intimate shows. Episode Highlights: - Jenny's transition from the urban landscape of New York to the rural beauty of Humboldt County. - The inspiration behind her new album All Species Parade and its connection to nature. - Collaborations with Bill Frisell, Julian Lage, and Nels Cline and their impact on the album. - Navigating the challenges of motherhood and creativity, especially during the pandemic. - Details about her upcoming performances at Mr. Tipple's Jazz Club in San Francisco. Featured Songs: - “Nocturne for 2020” - “Ornette Goes Home” Links: Jenny Scheinman Official Website Follow on Social Media: Instagram: @jennyscheinmanmusic Twitter: @JennyScheinman
Fearless musician and composer talks about how her tune construction has changed over time, her current musical projects and the timeless experience of playing live with Paul Motian.
Feel that rumble underfoot? It might be the stampeding onrush of new music this fall. This episode, we're throwing a spotlight on the most anticipated albums among them, by alto saxophonist Immanuel Wilkins, vibraphonists Patricia Brennan and Simon Moullier, pianist Kris Davis and Joe Alterman, and violinist Jenny Scheinman. We're also talking shop with tenor saxophonist Nubya Garcia, whose aptly named Odyssey is simply undeniable. Joining us from her home in London, she reflects on transatlantic contrasts, unhurried creative intentions, and the welcome challenge of enlarging her musical canvas to epic scale. Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.
This time around we start with a rendition of "Portrait of Jennie" with strings followed by a portrait by a string player named Jenny… a portrait of Ornette Coleman by violinist Jenny Scheinman to be precise. That's followed by tributes to Nusrat Fateh Ali Khan, Steve Lacy and Hariprasad Chaurasia, as well as a love letter to NYC. The playlist features Franco Ambrosetti; Jenny Scheinmann; Lux Quartet; Dan Weiss; Roberto Ottaviano, Danilo Gallo, Ferdinando Faraò; Nasheet Waits [pictured]. Detailed playlist at https://spinitron.com/RFB/pl/19310530/Mondo-Jazz (from "Portrait of Jennie" to "Snake Stance"). Happy listening! Photo credit: Jimmy Katz
New York-based drummer, composer, and educator Allison Miller has played with singer/songwriters like Brandi Carlile, Ani DiFranco, or Natalie Merchant, but she's best known for her own bands, and her own music, which is usually labeled jazz, but you'll hear elements of rock, funk and folk in there too. She's the bandleader of the chamber jazz band Boom Tic Boom, and is part of the all-star jazz group Artemis along with many other collaborations. Allison Miller's latest album, Rivers In Our Veins, features a new band, including several members of Boom Tic Boom but with tap dancers as well. Allison Miller presents the full multimedia Rivers In Our Veins on Nov. 25 at Roulette. Commissioned by Mid Atlantic Arts Organization and Lake Placid Center for the Arts, Rivers In Our Veins is inspired by five major rivers of the Northeast United States – the James, Delaware, Potomac, Hudson and Susquehanna – their history, how they serve the communities around them, and how those communities need to better upkeep them. Allison Miller goes deep with research about rivers and social movement — migratory movement — along rivers, as well as what she learned from the River Keepers. [Much more about Rivers In Our Veins.] Her top-shelf band, with violinist Jenny Scheinman, bassist Todd Sickafoose, clarinetist Ben Goldberg, trumpeter Jason Palmer, and pianist Carmen Staaf, along with two phenomenally talented tap dancers, perform selections from Rivers In Our Veins, in-studio. Set list: 1. Hudson 2. Of Two Rivers (Part 2) 3. Fierce
This episode of Across The Margin : The Podcast presents an interview with lauded drummer, composer, bandleader, and teacher Allison Miller. Miller is a musician who has mastered a vast array of musical settings — from guesting on late night TV to keeping time for some of today's most beloved singer-songwriters (such as Ani DiFranco, Natalie Merchant, and Brandi Carlile). She has recorded six albums as a bandleader — 5 AM Stroll, Boom Tic Boom, No Morphine-No Lilies, Live at Willisau, Otis Was a Polar Bear, and Glitter Wolf — as well as working as a session musician. Her work with bands has included forming the band Honey Ear Trio with Rene Hart and Erik Lawrence, Holler and Bam with Toshi Reagon, and her own band, Allison Miller's Boom Tic Boom. She is also a member of the jazz supergroup ARTEMIS. Miller's latest album Rivers in Our Veins — the focus of this episode — is a 12-song cycle embracing the concept of flow and renewal, and dedicated to the United State's crucial rivers, watersheds, and the organizations devoted to reviving and protecting them. Her band features a deeply telepathic cast of improvisers, including violinist Jenny Scheinman, Ben Goldberg on contra-alto and Bb clarinets, pianist Carmen Staaf, trumpeter Jason Palmer, bassist Todd Sickafoose, and a grouping of remarkable tap-dancers (learn more about this in the episode!). The captivating piece of American art that is Rivers in Our Veins was commissioned by the Lake Placid Center for the Arts and acts as a tribute to the natural environments we are blessed to live within and around and to those who make it their mission to protect them; In this episode host Michael Shields and Allison Miller discuss just how, specifically, her latest album was inspired by five American rivers and our nation's crucial waterways in general. They talk about the phenomenally talented assemblage of musicians featured on the Rivers in Our Veins and the tap dancers who enliven a bevy of songs on the album. They discuss the tour which boasts an ambitious multimedia production, the curiosities of being a bandleader as a drummer, Miller's musical inspirations, and a whole lot more. Hosted on Acast. See acast.com/privacy for more information.
This year, the Department of Defense began renaming military bases that honor the Confederacy. On this week's On the Media, a former general explains why the reckoning with the myth of the “lost cause” is overdue. Plus, hear how Russian propaganda about the war in Ukraine has been hundreds of years in the making. 1. Ty Seidule [@Ty_Seidule], the Vice Chair of the National Commission on Base Renaming, on the military's efforts to reckon with the "Lost Cause." Listen. 2. Alexis Akwagyiram [@alexisak], Managing Editor of Semafor Africa and former Reuters bureau chief in Nigeria, on the potential widespread impact of the coup in Niger. Listen. 3. Mikhail Zygar [@zygaro], investigative journalist and founder of the independent Russian TV channel Rain, on debunking some of Russia's most powerful myths about itself. Listen. Music:The Last Bird - Zoe KeatingTomorrow Never Knows - Quartetto D'Archi Dell'orchestra Sinfonia di Milano Giuseppi VerdiWinter Sun - Gerry O'BeirneAli Farka Toucche - Jenny ScheinmanAirborne Toxic Event - Danny ElfmanLieutenenent Kije - Sergei ProkofievLieutenenent Kije - Sergei Prokofiev
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In the wake of the recent publication of "New Standards", the collection of 101 compositions by women composers curated by Terri Lyne Carrington for Berklee Press, this week we feature some of the compositions featured in the new book, and a few more that we hope may appear in a future expanded edition. The playlist features Jaimie Branch [pictured]; Jenny Scheinman; Dinosaur; Bria Skonberg; Rita Marcotulli; Miho Hazama; Simone Baron & Arco Belo; Caroline Davis; Arcoiris Sandoval; Marilyn Crispell; Sylvie Courvoisier, and Mark Feldman. The detailed playlist is available at https://spinitron.com/RFB/pl/16445708/Mondo-Jazz (up to "Éclats for Ornette"). Happy listening!
We'd like to thank you all for listening and participating during season 2. After this episode, we'll be taking a break and will return for Season 3 in the fall. Keep your ears open for our return date. In today's episode, we share some of our favorite responses to “why the arts are important?” We hear from Christine Cox, Nolan Harvel, Stacey Kent, Jessica Rivera Shafer, Andrea Gyorody, and Heather Lundstedt. We would like to thank all of our guests and artists for joining us this year, including Rebecca Carson, Paul Vacchiano, Nic Few, Kelly Todd, Geneva Lewis, Jenny Scheinman, Sean Allinson, Jacob Haren, Keith Colclough, Hollace Starr, Ryan Board, Lincoln Hanks, Christian Romo, Thomas Lowe, and Bryan Yamami. More info about the Center for the Arts including the 2022-2023 season can be found: https://arts.pepperdine.edu/ Music by Nolan Harvel
In the wake of yet another racist mass shooting, this time in Buffalo, New York, media outlets are churning out heartbreakingly familiar stories, with the same tropes and the same helplessness. On this week's On the Media, how we've become mired in patterns and lost sight of the potential solutions. Plus, how journalists should cover the ongoing siege on democracy. Then, a deep dive into the forgotten legacy of one of America's most influential writers. 1. Brooke Gladstone [@OTMBrooke], OTM host, on the tropes that choke coverage of every mass shooting, and why we should focus on consequences and the 'rot at the root.' Listen. 2. Jay Rosen [@jayrosen_nyu], professor of journalism at New York University and media critic for PressThink, on why journalists should still be in "emergency mode." Listen. 3. Paul Auster, acclaimed novelist and author of Burning Boy: The Life and Work of Stephen Crane, on the 19th century writer's forgotten legacy. Listen. Music: White Man Sleeps by The Kronos QuartetFergus River Roundelay by Gerry O'BeirneMiddlesex Times by Michael AndrewsA Ride with Polly Jean by Jenny ScheinmanCellar Door by Michael Andrews
In this episode, we will be sharing new audio and excerpts from podcasts with two of our favorite artists, TAIKOPROJECT and Jenny Scheinman. The Center for the Arts will present TAIKOPROJECT on May 21, 2022, and we will present Jenny Scheinman on June 3, 2022. First, we will hear Rebecca Carson talking with Bryan Yamami about TAIKOPROJECT's new tour of Benzaiten. This was originally aired on December 1, 2020. After, R.J. Morgan and Jenny Scheinman talk about her upcoming performance of Kannapolis: A Moving Picture, how she fell into this project, and her process. This was originally aired on January 4, 2022. More info about the Center for the Arts can be found: https://arts.pepperdine.edu/ Ticket Purchases: TAIKOPROJECT: https://www.etix.com/ticket/p/8091101/taikoproject-benzaiten-malibu-smothers-theatre Jenny Scheinman: https://www.etix.com/ticket/p/7607916/jenny-scheinman-in-kannapolisa-moving-portrait-malibu-smothers-theatre Previous Episodes: TAIKOPROJECT: https://open.spotify.com/episode/10IrvaRSAFMPK0Js55FDlp?si=adb715a46ebd4913 Jenny Scheinman: https://open.spotify.com/episode/0j6bbKUKOMiX7c7rGOjYB0?si=6f19651bfaf743ee Taiko Music Composer: Jeremy Zerbe Folk and Violin Music by Nolan Harvel
Ron Miles was a jazz hypnotist who would lure his listeners into his music world, taking them to another dimension and gently dropping them back on earth at the end of his concerts, or albums, leaving them wondering… ‘what did just happen…? And how did I get here'? A few days back he passed away at 58, something that for most came as completely unexpected and very hard to make sense of. So this week we do the only thing that may help process this event, take a look back at decades of music that he wrote and played, either as leader or sideman but always as a custodian of beauty. The playlist also features Jason Moran, Bill Frisell, Brian Blade, Joshua Redman, Jenny Scheinman, Ben Goldberg, and Myra Melford. Detailed playlist at https://spinitron.com/RFB/dj/80823/Leonardo-Granvassu (up to "Promised Land"). Photo credit: Luciano Rossetti (Phocus Agency)
In “Sand Dipper,” jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco's painting looks. And it feels like the question on Laocoön's face as he looks up for the last time. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/jenny-scheinman-el-greco-laocoon.html. Image credit: El Greco (Domenikos Theotokopoulos), Laocoön, c. 1610/1614, oil on canvas, National Gallery of Art, Washington, Samuel H. Kress Collection, 1946.18.1 Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app https://feeds.megaphone.fm/NGAT6207729686. Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks ABOUT THE NATIONAL GALLERY OF ART The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. More National Gallery of Art Content: Facebook: https://www.facebook.com/nationalgalleryofart Twitter: https://twitter.com/ngadc Instagram: https://www.instagram.com/ngadc/ Pinterest: https://www.pinterest.com/ngadc/_created/ E-News: https://nga.us4.list-manage.com/subscribe/post?u=e894a1837aca4526f7e8a11b3&id=2085ff9475
In “Sand Dipper,” jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco's painting looks. And it feels like the question on Laocoön's face as he looks up for the last time. Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
In “Sand Dipper,” jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco's painting looks. And it feels like the question on Laocoön's face as he looks up for the last time. Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
Outstanding musician, known for her impeccable talent with the violin, fiddle, and vocals, Jenny Scheinman joins R.J. on Centered on the Arts. R.J. listens to Jenny as she describes what her performance of Kannapolis:A Moving Portrait will be, what our patrons should expect, her creativity, and all of the passion she brings behind her projects. More info about the Center for the Arts can be found: https://arts.pepperdine.edu/ Music by Nolan Harvel
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Episode 160: Women with roots - in jazz is the heart of this hour. Jenny Scheinman is one of the leading jazz violinists working today, yet her musical life began grounded in folk music and she's been a prolific contributor to records and tours by the likes of Rodney Crowell, Robbie Fulks, Ani DeFranco and others. Her many collaborations with guitarist Bill Frisell have produced sublime fusions of folk, country and jazz. And Jenny has released two acclaimed songwriter albums as well. Now she's leading a band with drummer Allison Miller. You'll hear samples from that catalog as we speak about a unique life in music. Also in the hour, Nashville's Kandace Springs talks about getting mentored by Prince, landing a record deal on Blue Note and making a new album with heroes like Nora Jones and Christian McBride. We've posted a feature about her here.
Con la misma fascinación con la que Bill Frisell descubrió la historia de Mike Disfarmer, redescubrimos nosotros "Disfarmer", proyecto publicado en 2009 por el guitarrista en el que trató de trasladar en música la vida de este peculiar fotógrafo que cambió su apellido familiar para marcar distancias con las labores agrícolas de su familia. El guitarrista y mandolinista Greg Leisz, la violinista Jenny Scheinman y el contrabajista Viktor Krauss le acompañaron en este viaje por el sur de Estados Unidos. Para John Scofield, el bajista Steve Swallow sigue siendo "un mentor". Llevan tocando juntos más de 40 años y ahora el guitarrista dedica un trabajo a su repertorio, que grabaron en un mediodía con el método de "la vieja escuela". En "Swallow tales" lo comparten con el baterista Bill Stewart. Dice el cineasta Werner Herzog que "lo que ha sido extraño se convierte en algo familiar. Y lo que ha sido familiar adquiere la aureola del misterio". Es su descripción de la música de un trío que le es muy familiar: el conformado por el chelista Ernst Reijseger (autor de varias de sus bandas sonoras), el pianista Harmen Fraanje y el cantante Mola Sylla. Toda la información y derechos: http://www.elclubdejazz.com
Con la misma fascinación con la que Bill Frisell descubrió la historia de Mike Disfarmer, redescubrimos nosotros "Disfarmer", proyecto publicado en 2009 por el guitarrista en el que trató de trasladar en música la vida de este peculiar fotógrafo que cambió su apellido familiar para marcar distancias con las labores agrícolas de su familia. El guitarrista y mandolinista Greg Leisz, la violinista Jenny Scheinman y el contrabajista Viktor Krauss le acompañaron en este viaje por el sur de Estados Unidos. Para John Scofield, el bajista Steve Swallow sigue siendo "un mentor". Llevan tocando juntos más de 40 años y ahora el guitarrista dedica un trabajo a su repertorio, que grabaron en un mediodía con el método de "la vieja escuela". En "Swallow tales" lo comparten con el baterista Bill Stewart. Dice el cineasta Werner Herzog que "lo que ha sido extraño se convierte en algo familiar. Y lo que ha sido familiar adquiere la aureola del misterio". Es su descripción de la música de un trío que le es muy familiar: el conformado por el chelista Ernst Reijseger (autor de varias de sus bandas sonoras), el pianista Harmen Fraanje y el cantante Mola Sylla. Toda la información y derechos: http://www.elclubdejazz.com
durée : 00:54:38 - Jenny Scheinman & Allison Miller - par : Alex Dutilh - Le projet commun à deux égéries de la scène jazz actuelle de Brooklyn, la violoniste Jenny Scheinman et la batteuse Allison Miller distille le charme régressif des jeux de société : “Parlour Game”. - réalisé par : Fabien Fleurat
durée : 00:54:38 - Jenny Scheinman & Allison Miller - par : Alex Dutilh - Le projet commun à deux égéries de la scène jazz actuelle de Brooklyn, la violoniste Jenny Scheinman et la batteuse Allison Miller distille le charme régressif des jeux de société : “Parlour Game”. - réalisé par : Fabien Fleurat
After three weeks of thematic episodes, we have to get back to checking what's new and what's coming up... The piles of new and upcoming releases have been building up and we could not wait any longer. So here's to a great episode with new, upcoming and reissued gems, featuring the music of Dave Holland, Zakir Hussain, Chris Potter, Ben Van Gelder, Reinier Baas, Emma Frank, Craig Taborn, Louis Moholo and other creative minds. The playlist features Kevin Hays, Lionel Loueke, Dave Holland, Zakir Hussain, Chris Potter, Jenny Scheinman, Allison Miller, Théo Ceccaldi, Roberto Negro, Ryan Blotnick, Maurice Louca, Louis Moholo, Petter Eldh, Emma Frank, Ben Van Gelder, Reinier Baas, Remy Le Boeuf, Dan Tepfer, Reid Anderson, Dave King, Craig Taborn, Steve Lehman, Alex Koo, Caroline Davis, Rob Clearfield, Anne Paceo, Moutin Factory, Tim Ries, Guillermo Klein, Jean-Christophe Cholet, Matthieu Michel. Detailed playlist at https://spinitron.com/RFB/pl/9265241/Mondo-Jazz
Another week replete with beautiful new releases, and re-releases, from the etheral to the political, both catchy and heart-brakingly gorgeous, from both sides of the Atlantic Ocean. The playlist includes Vincent Peirani, Jenny Scheinman & Allison Miller, Tom Pierson, Lisa Maxwell, Laura Jurd, Daniele di Bonaventura, Gianluigi Trovesi & Gianni Coscia, The Last Poets, Idam Morim, Jonny Mansfield, Jon Irabagon, Cecilie Grundt, Stéphan Oliva, Sébastien Boisseau, Tom Rainey, Kuhn Fu, Mickey Finn, Giancarlo Tossani, Red Kite. Detailed playlist at: https://spinitron.com/RFB/pl/9059129/Mondo-Jazz
Discípulo de Jackie McLean y de Anthony Braxton, el saxofonista alto Steve Lehman celebra los diez años de su trío invitando al pianista Craig Taborn. Junto a él y sus compañeros de trío, Matt Bewer (contrabajo) y Damion Reid (batería), se dedica a reivindicar "The people I love". La vida es un juego, a veces de mesa, a veces político. La violinista Jenny Scheinman y la baterista Allison Miller unen esfuerzos en "Parlour game", trabajo lúdico que comparten con Carmen Staaf (piano) y Tony Scher (contrabajo). El físico Jorge Wagensberg compartió con el baterista Ivo Sans que "el placer de la música bascula entre ofender al cerebro por anticipar demasiado y frustrarlo por anticipar demasiado poco". Sans decidió que el placer era compartir "Locations" con los maestros Agustí Fernández (piano) y Evan Parker (saxo). Toda la información y derechos: http://www.elclubdejazz.com
Discípulo de Jackie McLean y de Anthony Braxton, el saxofonista alto Steve Lehman celebra los diez años de su trío invitando al pianista Craig Taborn. Junto a él y sus compañeros de trío, Matt Bewer (contrabajo) y Damion Reid (batería), se dedica a reivindicar "The people I love". La vida es un juego, a veces de mesa, a veces político. La violinista Jenny Scheinman y la baterista Allison Miller unen esfuerzos en "Parlour game", trabajo lúdico que comparten con Carmen Staaf (piano) y Tony Scher (contrabajo). El físico Jorge Wagensberg compartió con el baterista Ivo Sans que "el placer de la música bascula entre ofender al cerebro por anticipar demasiado y frustrarlo por anticipar demasiado poco". Sans decidió que el placer era compartir "Locations" con los maestros Agustí Fernández (piano) y Evan Parker (saxo). Toda la información y derechos: http://www.elclubdejazz.com
Dikt: "Trädgård av glömska" Uppläsning: Jonas Brun Jonas Brun är född i Vällingby 1979. I september utkom hans senaste bok , diktsamlingen Omsorg. Sedan debuten med romanen Den andra tiden 2004 har han publicerat sammanlagt fyra romaner och fem diktsamlingar. Jonas Brun och tilldelats en rad priser för sitt författarskap, som Mare Kandres minnespris och De Nios vinterpris. Hans roman "Skuggland" belönades med Sveriges Radios romanpris 2013. Skuggland blev även dramatiserad och spelades på Dramaten i regi av Lena Endre. Han har tolkat amerikansk poesi till svenska, bland annat Frank OHaras Lunchdikter och Louise Glucks Averno. Jonas Brun är också psykolog och delar sin tid mellan sitt författarskap och psykologyrket, där han arbetar med neuropsykologiska utredningar och med anhörigstöd. Diktsamling: "Omsorg" (Pequod Press, 2019) MUSIK Bill Frisell: Remember EXEKUTÖR Bill Frisell, elgitarr, Jenny Scheinman, violin och Greg Leisz, pedal steel guitar
The impeachment inquiry into President Trump is tangled up in Ukrainian politics, but few Washington reporters understand the dynamics at play. This week, On the Media looks at what we all need to know to make sense of the news. Plus, why there are no whistle-blower protections for those in the intelligence community. And, how the Nixon impeachment makes a case for a more deliberate Trump inquiry. Don't miss... 1. Tim Naftali [@TimNaftali], historian at New York University, on what the Nixon impeachment teaches us about the need for a deliberate process. Listen. 2. Tom Devine, legal director at the Government Accountability Project, on the poor protections for intelligence community whistle-blowers. Listen. 3. Adam Entous [@adamentous], staff writer at The New Yorker, on the patchy validity of Trump's Hunter Biden accusations. Listen. 4. Kyrylo Loukerenko [@K_Loukerenko], executive director at Hromadske Radio, helps us make sense of the misinformation about Ukraine. Listen. Music: Nuages (Clouds) by James Carter Life On Mars? by Meridian String Quarter A Ride With Polly Jean by Jenny Scheinman Nocturne for piano in B flat minor
Allison Miller performed at the 2019 Newport Jazz Festival. #WPRO She is an acclaimed drummer, composer and teacher, and along with violinist Jenny Scheinman recently released their latest album, "Parlour Game". http://allisonmiller.com/
Allison Miller performed at the 2019 Newport Jazz Festival. #WPRO She is an acclaimed drummer, composer and teacher, and along with violinist Jenny Scheinman recently released their latest album, "Parlour Game". http://allisonmiller.com/
Jenny Scheinman at the 2019 Newport Jazz Festival. #WPRO Violinist, bandleader and producer Jenny Scheinman talks about her career trajectory, her past appearances at Newport, and her latest album with Allison Miller, "Jenny Scheinman & Allison Miller's Parlour Games" https://www.jennyscheinman.com/
Jenny Scheinman at the 2019 Newport Jazz Festival. #WPRO Violinist, bandleader and producer Jenny Scheinman talks about her career trajectory, her past appearances at Newport, and her latest album with Allison Miller, "Jenny Scheinman & Allison Miller's Parlour Games" https://www.jennyscheinman.com/
Possibly, more than any other instrument, the saxophone defines the sound of jazz. Most jazz combos have at least one sax player on the front—and when you see that saxophone, you know it’s going to be doing a LOT of soloing, even if the bandleader or composer plays another instrument. But what happens to the shape and texture of jazz when you subtract the sax from the equation? We’ll find out in this episode of Mondo Jazz, featuring Jaimie Branch, Allison Miller, Erik Friedlander, John Zorn, Marvin Pontiac, Tenderlonious, Jeremy Steig, Clark Gayton, John Scofield, Tronzo Trio, Michael Rossetto, Bill Frisell, Jenny Scheinman, Makaya McCraven. Detailed playlist at https://spinitron.com/RFB/pl/7762748/Mondo-Jazz
Vigésimo capítulo de los 'Clásicos del Siglo XXI', producción de 'Club de Jazz' en la que apostamos por músicos que serán vistos como clásicos de nuestra época. En esta edición escuchamos música de la pianista Myra Melford, el cornetista Ron Miles, la violinista Jenny Scheinman y el guitarrista Bill Frisell. Toda la información y derechos: https://www.elclubdejazz.com
Vigésimo capítulo de los 'Clásicos del Siglo XXI', producción de 'Club de Jazz' en la que apostamos por músicos que serán vistos como clásicos de nuestra época. En esta edición escuchamos música de la pianista Myra Melford, el cornetista Ron Miles, la violinista Jenny Scheinman y el guitarrista Bill Frisell. Toda la información y derechos: https://www.elclubdejazz.com
Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Drummer Allison Miller is a well-known figure on the New York jazz scene, but she's also had a second career backing big-name folk and rock artists like Natalie Merchant, Ani DiFranco, and Brandi Carlile. She released an album with her band Boom Tic Boom early this year, and has a new album, Parlour Game, with violinist Jenny Scheinman (who's also in Boom Tic Boom), pianist Carmen Staaf — with whom she made the album Science Fair last year — and bassist Tony Scherr. Parlour Game will be out August 2. In this interview, we talk about her drum sound and her approach to playing and recording, the various artists she's backed, and her own bands. It's a really fun, somewhat nerdy conversation, especially when we start in on talking about microphones and studio work, but I think it's also really interesting, especially when she talks about working with bigger-name pop and rock artists and how that's different from jazz gigs. I really enjoyed having this conversation, so I hope you'll enjoy listening to it. This episode has no sponsors of any kind, so please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Also, Osiris is conducting a listener survey. Everyone who enters will have the chance to win a limited edition Osiris poster, so take the survey today. Thanks! Music heard in this episode: Allison Miller/Jenny Scheinman, "116th & Congress" (Parlour Game) Allison Miller's Boom Tic Boom, "Daughter and Sun" (Glitter Wolf)
Memphis Minnie KPFA Women's Magazine presents an hour of Black women's music and history featuring Minnie Memphis, Josephine Baker and more. Today's show is hosted by Safi wa Nairobi. Listen now (59:50 min) and stay tuned for a special guest interview with Jenny Scheinman who will be appearing tonight, June 4th at the Freight and Salvage. The post Womens Magazine – June 3, 2019 – Women and the Blues appeared first on KPFA.
Local and internationally touring musician, Jenny Scheinman does so many rad things out there in the world. It's quite rare that she gets the opportunity to share what she's been up to with folks here at home, but that's about to change! Jenny talks to KHUM about her show "Kannapolis: A Moving Portrait" that'll be coming to the Arkley on Friday April 5th.
¡Llegamos a los 18! A efectos legales (al menos en territorio ibérico), ¡ya somos mayores de edad! Celebramos los 18 años de 'Club de Jazz' en esta edición del 12 de febrero de 2019 conversando con la baterista Allison Miller, que años después vuelve a pasar por nuestros micrófonos para celebrar los 10 de su grupo Boom Tic Boom. "Glitter Wolf" es el nuevo disco de la banda que Miller comparte con su cómplice Myra Melford (piano) más Todd Sickafoose (contrabajo), Jenny Scheinman (violín), Kirk Knuffke (corneta) y Ben Goldberg (clarinete). Toda la información y derechos: http://www.elclubdejazz.com
¡Llegamos a los 18! A efectos legales (al menos en territorio ibérico), ¡ya somos mayores de edad! Celebramos los 18 años de 'Club de Jazz' en esta edición del 12 de febrero de 2019 conversando con la baterista Allison Miller, que años después vuelve a pasar por nuestros micrófonos para celebrar los 10 de su grupo Boom Tic Boom. "Glitter Wolf" es el nuevo disco de la banda que Miller comparte con su cómplice Myra Melford (piano) más Todd Sickafoose (contrabajo), Jenny Scheinman (violín), Kirk Knuffke (corneta) y Ben Goldberg (clarinete). Toda la información y derechos: http://www.elclubdejazz.com
Welcome to the completely re-imagined bonus show for members of The Jazz Session! I'm really happy with how this turned out, and this is the general smorgasbord format I'll be using going forward. This episode is going out on the main feed, too, as a means of encouraging YOU to support The Jazz Session. In this episode: Dan Rubright reviews his Winter JazzFest experience, including sets featuring: Matthew Stevens, Aaron Parks, Tommy Crane, Taylor Eigsti, Carmen Staaf, Jenny Scheinman, Allison Miller, Mathias Eick, Dave Liebman, Adam Rudolph, Hamid Drake, and more. Dan also gives a few tips for folks who want to catch the festival in 2020. In an extra segment not heard on TJS #472, bassist Tim Lefebvre talks about some of the many projects he's involved with as both a player and producer, and also about the role of a producer in the modern era. And finally I talk about Samm Henshaw, a British soul singer who's on heavy rotation in my house these days.
Welcome to the completely re-imagined bonus show for members of The Jazz Session! I'm really happy with how this turned out, and this is the general smorgasbord format I'll be using going forward. This episode is going out on the main feed, too, as a means of encouraging YOU to support The Jazz Session. In this episode: Dan Rubright reviews his Winter JazzFest experience, including sets featuring: Matthew Stevens, Aaron Parks, Tommy Crane, Taylor Eigsti, Carmen Staaf, Jenny Scheinman, Allison Miller, Mathias Eick, Dave Liebman, Adam Rudolph, Hamid Drake, and more. Dan also gives a few tips for folks who want to catch the festival in 2020. In an extra segment not heard on TJS #472, bassist Tim Lefebvre talks about some of the many projects he's involved with as both a player and producer, and also about the role of a producer in the modern era. And finally I talk about Samm Henshaw, a British soul singer who's on heavy rotation in my house these days.
Jazz and minimalism? An interesting combination that produces fascinating and hypnotic results which we'll delve in in this episode of Mondo Jazz. Plus: an interview with Caroline Davis on the occasion of the release of her latest album, "Heart Tonic", as well as a loungy tribute to Cecil Taylor, and a preview of live performances by Patrick Zimmerli and Derek Gripper. The playlist includes also new releases by: Dead Combo, Nick Baertsch, Shake Stew, Brad Jones, Phil Ranelin, Jenny Scheinman, The Necks, Neil Cowley, Horace Silver, & more... Detailed playlist available at https://spinitron.com/radio/index.php?station=rfb&month=Apr&year=2018&playlist=6499#here
The Road. A place that inspires music and inspires to listen to music. In this episode of Mondo Jazz we’ll focus on music about roads to Timbuktu, French and Italian streets, being “on the road” and the road as a metaphor for a jazzist’s necessary openness to the unexpected. And some jazz inspired by the soundtrack of Federico Fellini's "La Strada" [The street, in Italian]. PLAYLIST INCLUDES: Thievery Corporation, Jimmy Smith, Wes Montgomery, Sexmob, Enrico Pieranunzi, Avion Travel, Richard Galliano, Jacky Byard, Geri Allen, Mario Arcari, Aldo Romano, Nelson Veras, Francesco Negro, Paolo Fresu, Phronesis, Peter Schwebs, Fabrizio Cassol, Oumou Sangarè, Branford Marsalis, Jr. Walker, Numbers Band, Mark Simmonds, Mark Murphy, Jenny Scheinman, Rob Wasserman, Lou Reed. Full playlist at: https://spinitron.com/radio/playlist.php?station=rfb&playlist=5859#here
El trompetista Nate Wooley promueve una reflexión sobre la vigencia y puesta al día cancionero USAmericano y en esta edición de 'Club de Jazz' del 14 de diciembre de 2017 armamos un programa que sirve una reflexión musical sobre la identidad de la música de Estados Unidos. Wooley lo hace reuniendo a tres músicos que nunca habían tocado como tal trío y con diferentes orígenes estéticos y geográficos: el baterista Greg Saunier, el cornetista Ron Miles y la guitarrista Mary Halvorson. Son los responsables del primer volumen de "New American Songbooks". La propia Mary Halvorson cierra el proyecto "Book of Angels", de John Zorn, que tras 32 discos da por completado este ciclo de "nueva música judía". Halvorson reúne a Miles Okazaki (guitarra), Drew Gress (contrabajo) y Tomas Fujiwara (batería). La violinista Jenny Scheinman presenta "Here on earth", culminación de su trabajo de composición de música para los vídeos que H. Lee Waters tomó en pequeñas poblaciones del este de Estados Unidos en los años de la Gran Depresión estadounidense. Un trabajo para el que cuenta como invitado con el maestro Bill Frisell. Una figura que dejó una huella indeleble en la identidad del jazz fue Thelonious Monk, a la que dedica Fernando Ortiz de Urbina su 'London Calling' con dos grabaciones que salieron recientemente a la luz y que eran inéditas hasta la fecha. Toda la información y derechos: http://www.elclubdejazz.com
El trompetista Nate Wooley promueve una reflexión sobre la vigencia y puesta al día cancionero USAmericano y en esta edición de 'Club de Jazz' del 14 de diciembre de 2017 armamos un programa que sirve una reflexión musical sobre la identidad de la música de Estados Unidos. Wooley lo hace reuniendo a tres músicos que nunca habían tocado como tal trío y con diferentes orígenes estéticos y geográficos: el baterista Greg Saunier, el cornetista Ron Miles y la guitarrista Mary Halvorson. Son los responsables del primer volumen de "New American Songbooks". La propia Mary Halvorson cierra el proyecto "Book of Angels", de John Zorn, que tras 32 discos da por completado este ciclo de "nueva música judía". Halvorson reúne a Miles Okazaki (guitarra), Drew Gress (contrabajo) y Tomas Fujiwara (batería). La violinista Jenny Scheinman presenta "Here on earth", culminación de su trabajo de composición de música para los vídeos que H. Lee Waters tomó en pequeñas poblaciones del este de Estados Unidos en los años de la Gran Depresión estadounidense. Un trabajo para el que cuenta como invitado con el maestro Bill Frisell. Una figura que dejó una huella indeleble en la identidad del jazz fue Thelonious Monk, a la que dedica Fernando Ortiz de Urbina su 'London Calling' con dos grabaciones que salieron recientemente a la luz y que eran inéditas hasta la fecha. Toda la información y derechos: http://www.elclubdejazz.com
With the help of a backing band that includes Ivan Neville and Jenny Scheinman, the iconic singer-songwriter plays three songs from across her tough and uncompromising career.
With the help of a backing band that includes Ivan Neville and Jenny Scheinman, the iconic singer-songwriter plays three songs from across her tough and uncompromising career.
La baterista Allison Miller publica "Otis was a polar bear", nueva grabación de su proyecto Boom Tic Boom. En esta ocasión, además de los habituales Myra Melford (piano), Jenny Scheinman (violín) y Tod Sickafoose (contrabajo), se suman el cornetista Kirk Knuffke y el clarinetista Ben Goldberg. En esta edición de 'Club de Jazz' del 4 de junio de 2016, escuchamos además un ambicioso trabajo del clarinetista Ben Goldberg bajo el título de "Orphic Machine", a partir de un tratado poético de quien fuera su profesor de literatura, Allen Grossman. Una grabación que incluye a músicos como Nels Cline (guitarra), Ches Smith (batería) y Carla Kihlstedt (voz y violín), entre otros. El "Jazz Porteño" de Alberto Varela ofrece la música del pianista Gustavo Kerestezachi en una grabación en Buenos Aires de diciembre de 1961, que fue recientemente recuperada. El trío del pianista Brad Mehldau vuelve a publicar cuatro años después. En "Blues and Ballads" ofrece lo que promete el título junto a sus socios Larry Grenadier (contrabajo) y Jeff Ballard (batería). Toda la información y derechos: http://www.elclubdejazz.com
La baterista Allison Miller publica "Otis was a polar bear", nueva grabación de su proyecto Boom Tic Boom. En esta ocasión, además de los habituales Myra Melford (piano), Jenny Scheinman (violín) y Tod Sickafoose (contrabajo), se suman el cornetista Kirk Knuffke y el clarinetista Ben Goldberg. En esta edición de 'Club de Jazz' del 4 de junio de 2016, escuchamos además un ambicioso trabajo del clarinetista Ben Goldberg bajo el título de "Orphic Machine", a partir de un tratado poético de quien fuera su profesor de literatura, Allen Grossman. Una grabación que incluye a músicos como Nels Cline (guitarra), Ches Smith (batería) y Carla Kihlstedt (voz y violín), entre otros. El "Jazz Porteño" de Alberto Varela ofrece la música del pianista Gustavo Kerestezachi en una grabación en Buenos Aires de diciembre de 1961, que fue recientemente recuperada. El trío del pianista Brad Mehldau vuelve a publicar cuatro años después. En "Blues and Ballads" ofrece lo que promete el título junto a sus socios Larry Grenadier (contrabajo) y Jeff Ballard (batería). Toda la información y derechos: http://www.elclubdejazz.com
Drummer/composer Allison Miller’s new album, Otis Was a Polar Bear, once again features her Boom Tic Boom ensemble: pianist Myra Melford, violinist Jenny Scheinman, cornetist Kirk Knuffke, clarinetist Ben Goldberg, and bassist Todd Sickafoose. Miller recently invited Modern Drummer into her Brooklyn, New York, home, to discuss the making of the album.... The post The Modern Drummer Podcast With Allison Miller appeared first on Modern Drummer Magazine.