Podcasts about ncis los angeles

A 30-year working actor and respected acting coach that has played roles in films directed by Mel Brooks, Clint Eastwood, the Coen Brothers, and Woody Allen. Gregg starred in the films Revenge of the Nerds 3 and 4 and served as the spokesman “Dan the Del Taco Guy” for six years with 58 commercials. He portrayed Don Knotts in the NBC movie of week Behind the Scenes of Three's Company. Later, he was cast as Kenny James in the NBC show My Name is Earl. Two years later he was cast as Barney Hughes on Raising Hope on Fox for 71 episodes. Recently, Gregg directed shows for Pure Flix including Hitting the Breaks, Malibu Dan and The Beverlys. His more recent acting credits include guest starring roles on NCIS: Los Angeles, Young Sheldon and NCIS. In 2017 he founded Gregg Binkley's “Working Actors Workshop.” In 2024 he released the inspirational book Get Your Act Together: Finding Success in Acting and Life.

Introduction: How Do You Stop Hatred from Growing in Your Heart? (Matthew 5:21–26) By putting it to Death when it First Appears. (Matthew 5:21–22a) 1 John 3:15 – Everyone who hates his brother is a murderer, and you know that no murderer has eternal life abiding in him. By refusing to Kill others with Destructive words. (Matthew 5:22b) Ephesians 4:29 – Let no corrupting talk come out of your mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear. By seeking after Immediate Reconciliation. (Matthew 5:23–24) By remembering what's At Stake. (Matthew 5:25–26) 1 Corinthians 6:10 – ...nor thieves, nor the greedy, nor drunkards, nor revilers, nor swindlers will inherit the kingdom of God. Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Small Group DiscussionRead Matthew 5:21-26What was your big take-away from this passage / message?Are you struggling with anger/hatred? How can you deal with it right now before it gets out of control?Read Ephesians 4:29 - What are some practical ways to control your mouth and keep corruption from spreading to others?Why is it so hard to admit your faults and ask for forgiveness?What are the consequences of giving yourself over to hatred and unforgiveness? BreakoutPray for one another. AUDIO TRANSCRIPT Turn your Bibles to Matthew chapter 5 verses 21 through 26.Matthew chapter 5 verses 21 through 26.We live in a culture that is absolutely obsessed with murder.There are dozens and dozens of true crime podcasts that delve into the nitty-gritty detailsof the worst crimes imaginable.Who has ever listened to a true crime podcast?No shame.Just asking.There are seemingly thousands and thousands of TV shows that are centered around murderinvestigations.Let me just list a few.Blue Bloods, Only Murders in the Building, Criminal Minds, Chicago PD, Sherlock, Bones,Castle, The Rookie, Longmire, Colombo, Psych, Monk, Murder She Wrote, Diagnosis Murder.Then there are the franchises that have spun out an endless amount of added-on shows, right?Law and Order, Law and Order Special Victims Unit, Law and Order Criminal Intent, Law andOrder LA, Law and Order Trial by Jerry, Law and Order True Crime, Law and Order OrganizedCrime, NCIS, NCIS Origins, NCIS Los Angeles, NCIS Hawaii, NCIS New Orleans, NCIS Sydney,CSI, CSI Miami, CSI New York, CSI Los Angeles, CSI Vegas, CSI Cyber, CSI Sheboygan, CSI Wexford.Okay, wait.Those last two don't actually exist, but at the rate they're pumping out these spin-offs,you never really know.But millions of people tune into these kind of shows every single week to watch fictionalmurderers face justice.On top of these podcasts and TV shows, we even play a board game with children thatis all about murder.That board game is?Who has ever played Clue at some point in their lives?I don't want to explain the basic premise, right?Okay, three to six players, you're all trapped in a mansion and one of you murdered Mr. Bodie,who owned the mansion.Was it Ms. Scarlett, Colonel Mustard, Mrs. White, Mr. Green, Mrs. Peacock, or ProfessorPlum?The whole purpose of the game is to figure out who is the murderer, what is the murderweapon, and what is the location of the killing?Again, this is a game for children.If the game can end with an accusation like this, Colonel Mustard in the conservatorywith a candlestick.Maybe you love playing this game growing up because you like to solve the mystery, assignthe blame for murder, and point the finger at made-up characters.But what if I were to tell you that every single person in this room is guilty of murder?This is in my opinion, it's not a suspicion, a hunt or an unfounded accusation.This is a clear and simple fact from the mouth of our Lord.According to Jesus Christ, we are all Colonel Mustard in the conservatory with a candlestick.And you may be thinking, "Taylor, I don't know about the person next to me, but I havecertainly never murdered anyone in cold blood."Well, you may be innocent of physically murdering, but there is no wiggling out of the realitythat you are guilty of spiritually murdering in your heart by hating others.And again, I know that some of you may be resisting what I'm saying already.You think to yourself, "I don't hate anyone.I am pleasant with everyone."I mean, sure, there are some people I intensely dislike.There are some people I vent about constantly.There are some people I avoid at all costs, and if I saw them in the grocery store, Iwould run in the opposite direction.But hey, that's different.Is it different?Maybe you are dressing up your hatred to make it look nice and acceptable when it is actuallycruel and dishonoring to the Lord.No matter who you are, how nice you may appear, you are not exempt from hatred.Because you have to understand that murder is not just an action.It is a state of heart in mind.We have been studying the Sermon on the Mount since February, and we are in the second sectionof our study, "The Heart of the Law."Last week, Pastor Jeff taught that Jesus Christ didn't come to abolish the law, but to perfectlyfulfill it through His life, death, and resurrection.And throughout the Sermon on the Mount, Jesus demonstrates that the law is not skin deep.It actually drills down deep within you to your heart.Jesus cares about who you are on the inside.He is far more interested in the internal than the external.In Matthew 5, verses 21-26, Jesus exposes your greatest desires, fears, and innermostfeelings which you try to keep hidden away from others.Jesus pulls your anger into the light to show you how truly ugly, subtle, and destructiveit actually is.Jesus doesn't do this to humiliate you.He does this to help you.Jesus doesn't do this to condemn you, but to change you from the inside out.Because hatred cannot be allowed to fester.It will hollow you out on the inside, and it will hurt everyone around you.So how do you stop hatred from growing in your heart?Well, our passage for this morning offers four methods of extermination that will keepthe infection from spreading.Before we cover those, let's go to the Lord and ask for His help.Please pray for me that I will faithfully proclaim God's Word, and I will pray for youthat you will joyfully receive God's Word.Father, we thank you for this most important appointment of the week.We gather together as your people to worship you, to encourage one another, and to situnder the proclamation of your Word.Lord, I thank you that you watch over your Word to perform it, and that your Word accomplishesevery purpose for which you send it out.I pray this morning that you would do your work in our hearts and lives.We ask all this in Jesus' name.Amen.So how do you stop hatred from growing in your heart?The first method of extermination by putting it to death when it first appears.By putting it to death when it first appears.Let's read verses 21 through 22.Jesus says, "You have heard that it was said to those of old, you shall not murder, andwhoever murders will be liable to judgment.But I say to you that everyone who is angry with his brother will be liable to judgment."So Jesus kicks off a pattern that we see six times in Matthew chapter five.You have heard that it was said, but I say to you.And at first glance, it may look like Jesus is changing one of the six commandments.It may look like he is erasing the original meaning and coming up with something brandnew.But as Pastor Jeff said last week, Jesus came not to lessen the law, but to elevate it.Jesus is not changing the sixth commandment.He is simply revealing something that has always been within it, but has been ignored.He is not contradicting God's word.He is contradicting the Pharisee and scribes incomplete interpretation of God's word.The religious leaders of Jesus' day thought and taught that the sixth commandment of,"You shall not murder," only applied to the physical acts of homicide in manslaughter.They put this commandment into a box and ignored its deeper meaning.And here is the heart of the sixth commandment.Do not give yourself over to unrighteous anger, which leads to the act of unjustly endingsomeone's life.Anger is the first domino in that chain reaction.The religious leaders limited the scope of God's command and the process they limitedits impact.By viewing the sixth commandment in this way, a religious leader could look at himself andsay, "Hey, I am perfectly keeping this commandment.I have never clubbed someone over the head.I've never pushed my neighbor off a tall building in a fit of rage.God must be so proud of me, but internally they are killing people by despising them,despising tax collectors, sinners, and Gentiles."In this passage, Jesus corrects the massive oversight of the men who should know the lawbetter than anyone else, but have missed the entire point.They have missed the heart.Jesus is saying, "Don't think you're safe and sound because you have no bodies buriedin your backyard.You were on the hook for a serious crime and heading for serious consequences if you havehatred and anger and bitterness buried in your heart."It's especially egregious to be angry with fellow brothers and sisters in Christ.Why is that?You know, as a dad, it pains me to watch or read news stories about kids being bullied.But do you know what would be worse than watching strangers be mistreated, finding out thatone of my own kids is being bullied?Do you know what would be the worst of all?Discovering that one of my kids hates and actively tries to hurt his or her sibling.It grieves the heart of God to watch his children despise and attack one another.And John talks about this in his first epistle.He says, "Everyone who hates his brother is a what?A murderer.And you know that no murderer has eternal life abiding in him."At this point, you may be frustrated thinking, "Wait, so you're saying I can never be angrywith anybody, especially if he or she is a Christian.How is that possible?"To be clear, Jesus isn't saying that anger is always sinful.God gets angry.God hates sin and what it causes.Jesus got angry throughout the Gospels.As a human, it is impossible for you to not feel feelings of betrayal, of annoyance, andfrustration.Jesus isn't condemning anger in general.He is condemning a very specific kind of anger.In this passage, the word for anger in the Greek is orgizō.And this is a fuming, a boiling anger that is nurtured and intensified like a pot of wateron a stove.You keep dialing up the temperature, keep dialing up the intensity until it overflowsand scalds people.This kind of anger twists your heart.It distorts how you view other people.You may even danger about bad things happening to this person.You may want this person to get what's coming, to get what they deserve, to be publicly humiliatedand to feel the same exact pain that you feel.When you hate someone, you are communicating this message to the Lord.Lord, I don't care if that person dies and I want them out of my life for good.Now, you would never say that out loud, but that's what you're feeling in your heart whenyou harbor bitterness.Because that person is dead to you when you never ever want to see him or her ever again.In your book, it's like they've been wiped out of existence.It's like they've fallen off the face of this earth.That kind of anger is a spark that can be snuffed out or fanned into flame.It's challenging to put to death in its infancy, but it's way harder to kill once it's fullygrown and is out of control.And this principle holds true in every other area of life.If you had gone to the dentist, when you first noticed that tooth pain, you could have avoidedthe unpleasant and very expensive root canal.That small leak in your attic would have been much more manageable whenever it was a smalldrip, but now every single time that it rained, it's like a waterfall in your attic.Even care of your yard would have been much easier when you pulled weeds as they poppedup, but after months and months and years of neglect, there are weeds everywhere.In those moments, you noticed a problem, but you did nothing about it.You stuffed it down instead of honestly addressing the issue.Never turn a blind eye to your sin.Only when it comes to unrighteous anger and hatred, when you see that root of bitternesspop up, be relentless and pulling it out and throwing it away instead of giving it roomto breathe and to grow.When that urge to mentally curse someone out in your mind pops up, don't entertain it.Don't go down that ungodly route.Instead, choke out those thoughts with the word of God.If that person is a believer, pray for their sanctification.If that person is not a Christian, pray for their salvation.When a family member or friend fails you, trust me, they will fail you.Don't stew on the offense and tally up all the ways that person has let you down in thepast.Instead, run to the only one who has never and will never let you down.Go to God the Father so that you can choose patience and gentleness instead of pettinessand retaliation.When the desire to believe the worst about someone in this church enters your mind, willinglydecide to believe the best until proven wrong.Run down the stove of your anger before it hurts you and everyone around you.How do you stop hatred from growing in your heart?Second method of extermination by refusing to kill others with destructive words.By refusing to kill others with destructive words.So Jesus moves on from what's in your heart to what comes out of your mouth at the endof verse 22.He says this, "Whoever insults his brother will be liable to the counsel and whoeversays you fool will be liable to the hell of fire."Maybe this seems over the top to you.You may be thinking, "Really Jesus going before the Supreme Court and being thrown into hellfor insulting and slander?"Isn't that a bit severe?Well, maybe you won't think that if you understand what these insults actually mean.That word for insult in the Greek is "rokka" which means empty-headed or worthless.And that word for fool is "moros" from which we get which English word do you think?Moron.That's not just a cute, funny word.The New Testament uses that word to describe those who were outside the kingdom of God.So by labeling someone as "rokka" and "moros" you are saying you are a worthless and stupidwaste of space with nothing of value to offer anyone so you can go straight to hell forall I care.True Christians cannot lose their salvation by using their mouths for evil.But a person whose life is marked by this kind of vile speech should question the genuinenessof his or her faith and status in the family of God.How can you flip people off in traffic throughout the week and then passionately raise your armsand worship on Sunday?How can you unapologetically scream at your wife and your kids and then use that samemouth to pray to a heavenly Father who you were nothing like?How can you day after day at work belittle your colleagues, your coworkers, your employees,and then go to a small group and claim that you are a bold witness for Christ?How can you ruin the reputation of others with slander and then describe your reputationas above reproach in God-honoring?You cannot habitually kill others with your words and claim to love Jesus with your wholeheart.Your words say way more about you than the person you are speaking against.Please do not underestimate the impact and influence of your words.You can use your mouth to point someone to Christ or away from Christ.To smash them into a million pieces or to help put them back together again.You can use your mouth to give someone hope or to take away the little hope that someonehas.Listen to what the apostle Paul has to say about how you should and shouldn't speak inEphesians 4-29.Let no corrupting talk come out of your mouth, but only such is good for building up as fitsthe occasion that it may give grace to those who hear.No corrupting talk.Corrupting brings the mental picture of something that is rotten and moldy.Imagine every single time you use your words in a negative way that this gross odor eaksout of your mouth and grosses out everyone around you.My wife and I were first married.We lived in a garage apartment above the house with a very nice Christian couple and theirson.We have almost no complaints about them.Great family, very kind to us.We had one small complaint.Once or twice a week they would make a meal that smelled horrible.The smell would go from the kitchen into the vents and finally into our apartment.I can't tell you how many candles we lit, how many balls of Febreze we sprayed to tryto fight off this odor.Somehow those defenses make it worse, doesn't it?The smell is kind of mixed together to create a horrible uber smell.It's been 11 years.I swear to you, I can still smell this meal in my house sometimes.I know that's not possible.My wife tells me I'm imagining it, but that smells so offended in my nose that it hauntsme in every season of life.You may be thinking, "Okay, what's the point of this random gross story?"Your corrupting words have the power to linger and haunt people for the rest of their lives.If I passed around a mic this morning and asked everyone to share the most hurtful thingsthat have been said to or about you, there wouldn't be a dry eye in this room.Now I want you to think about some of the most hurtful things you've ever said to orabout someone.Was it worth it?Do you stand by what you said or do you regret it?Just given a do over, would you say it all again or would you keep your mouth shut?Remember your answers to those questions when you were tempted to lash out at others withyour words.Recognize that you can never take your words back no matter how much you wish that you could.How do you stop hatred from growing in your heart?Third method of extermination by seeking after immediate reconciliation.By seeking after immediate reconciliation.So verses 23 through 24, Jesus switches gears to focus on how you should address the angerof others when you are at fault.Let's see what he has to say about next steps.Verse 23, "So if you were offering your gift at the altar and there, remember that yourbrother has something against you.Leave your gift there before the altar and go.First be reconciled to your brother and then come and offer your gift."Jesus places a high premium on resolving relational issues quickly and pursuing after reconciliationas soon as possible.He even puts it above sacrifice, which to Jews in the first century would have beenunthinkable.Being sacrificed is expected and commanded by God, but Jesus says it's more importantto be at peace with others around you.He's saying if you're making your sacrifice, leave it there, leave, go put this issue tobed and then come back to finish your sacrifice.This would be similar to us hearing, "Listen, if you're shopping at giant eagle, leave yourcart at the register and get out of there.If you're pumping gas, jump into your car and speed away and don't worry if the gasnozzle is dragging on the road behind you.If you're worshiping a church on Sunday, stop singing and track that person down.Resolve that unfinished business."Do you have unfinished business right now?Do you need to ask for forgiveness?Maybe you need to step out, make that call, send that text or even speed out of the parkinglot.If that's you, do it right now.Maybe you don't want to.Sadly so many of us demand apologies from others, but we're so bad at apologizing whenwe're wrong.Why is that?Because apologizing requires humility.You have to make yourself small and put yourself at the mercy of someone else.Do we naturally want to do that?None of us do, but it's commanded by our God and it is expected.It's way easier to cut ties and run than it is to admit your faults.That's why there are so many marriages that end in divorce.That's why there are so many friendships that are broken.That's why so many professing Christians leave their current church to go to anotherchurch down the street.Well, time for a fresh start.No one at this new church knows my dirty laundry or my history yet not yet.Give it a few weeks or months and you'll be looking for a new church yet again.It is far more appealing to the flesh to be totally unknown and completely unconfirmedthan it is to be fully known and lovingly confronted.Please stop pretending because Jesus is not fooled.Stop running away from those you've hurt because your problems will just follow you whereveryou end up.Do not be lazy and passive about reconciliation.Just like, yeah, yeah, I'll put that on my to-do list and get to it at some point.No, Jesus is saying, rip up your to-do list because nothing else matters.Do whatever is necessary to attempt to stifle that anger that is between you and the otherperson.How do you stop hatred from growing in your heart?Final method of extermination by remembering what's at stake.By remembering what's at stake.Maybe you're still unmoved by Jesus called a crush hatred and pursue after restoration.You know what God is calling you to do, but you just don't want to do it.You don't have any plans to make any changes or say sorry anytime soon.Well, thankfully, Jesus knows how stubborn you are.And he knows how stubborn I am.So he follows up his command with a very stern warning in verses 25 to 26.He says this, "Come the terms quickly with your accuser while you were going with himto court lest your accuser hands you over to the judge and the judge to the guard andyou be put in prison.Truly I say to you, you will never get out until you have paid the last penny."Let me bring this first century illustration into the 21st century.Imagine that you and your neighbor are fighting over a property line dispute.And during one argument, you get so angry that you viciously attack him.You were 100% guilty and there are witnesses to back up your neighbor's testimony.Your neighbor threatens to call the cops, to press charges and sue you if you do not apologize.But in that moment, you don't want to apologize.You want to defend yourself.You want to fight against your neighbor.You don't want him or her to have the satisfaction of beating you.But let's follow that to its logical conclusion.The cops come, you're arrested, you're put on trial and you have to go to prison andstay there until you are let out.And even then, you still have a lot of legal fees and you still have to pay out the lostsuit.Let me ask you, is there any upside to that option, option A?What do we think?No, it's all horrible.But thankfully, there's an option B. Throw yourself at the mercy of your neighbor.Ask for their forgiveness and seek after an agreeable solution.If you do that, your future is no longer filled with orange jumpsuits and public showers.Maybe thinking, well, thanks for the random legal advice, I guess.But what does this have to do with me?Well, here's the point.Hatred is a prison that you willingly lock yourself into.Hatred is a prison that you willingly lock yourself into.If you give yourself over to it, if you refuse to repent, there will be consequences in thislife.You will become very lonely and unpleasant to be around.You'll be known as the cranky guy or lady at church that everyone wants to love butdoesn't know how to.You'll be viewed as the human cactus.Everyone tries to hug you and bring you closer, but you just push them away and hurt themwith jabs.You will be trapped in a loveless marriage.Your children will wither away under your harshness and constant criticism.And you'll wonder one day why they don't visit anymore or call you to check in.Your friends will drop away like flies one by one by one because they're tired of youpicking fights and refusing to apologize.Let me ask you, is that the direction you want your life to take?Is that where you want to end up?And these final two verses, Jesus is focusing on the penalties you will face right now ifyou wrong others and never seek forgiveness.But over this past week, I couldn't help but consider the eternal penalty for unrepentanthatred and a continual refusal to seek after the forgiveness of Christ.Paul is crystal clear in 1 Corinthians 6 10 that revilers slanderers will not inheritthe kingdom of God.As I said earlier, some of you need to do some serious self examination.If you relentlessly feed this anger in your heart and it pours out from your mouth andthrough your actions, you may need to answer this really difficult question.Am I truly saved?Because true Christians choose to love instead of hate.A true follower of Christ wants to repent of sin, not wallow in sin.Someone who has experienced the forgiveness of Christ wants to extend that to others insteadof withhold it.Those who have been changed from the inside out say, "I'm sorry, will you forgive me?"Not "I'm sorry, but" or "I didn't do anything wrong."Because none of us are perfect in any of these areas.But you should be making progress day by day, week by week, month by month, year by year.Are you kinder, more loving, more forgiving now than when you first came to Christ?And if the answer is no, maybe you never truly came to Christ in the first place.If your honest answer to the question of "Am I truly saved?" is no, then your future isfar more terrifying than any earthly jail or prison.You are looking down the barrel of an eternity of being sentenced to a prison that is inescapableonce you are there.In hell, no one is released early or given visitation rights.But I have great news this morning.You don't have to be sentenced to that kind of eternity.There is still time to trust in Christ today.You don't need to carry that hatred or bitterness any longer.Those burdens will sink you both now and forever if you let them.Give those burdens over to Christ who was hated by the crowds that you could be lovedby His Father, who was rejected on the cross that you could be accepted, who bore the angrywrath that you deserve so you could be declared innocent.Jesus Christ has open arms this morning.He is calling you to run to Him.He is ready and willing.Are you ready and willing to run to Him and accept all that He has to offer?Let nothing hold you back from Christ because He will withhold nothing from you once youcome to Him with a sincere faith in genuine repentance.If your honest answer to the question of "Am I saved?" is yes, but you still wrestle withholding on to resentment and burning with anger, I have a few final words of encouragementfor you.You may have dug yourself into a pit of your own making.You keep digging and digging and digging with obsessive thoughts, unkind words, and stubbornness.But please listen to me.You only need to stay in that hole as long as you want to.Nothing and no one is keeping you there besides yourself.If you want to get to a better place, get over yourself and admit your neediness.Admit that you need God's help.Find yourself the truth instead of buying into your own lies.You should hold no grudges because God holds no grudges against you.You have nothing to prove to anyone because Jesus Christ already approves of you.You have no reason to repay evil for evil because the Bible says that vengeance belongsto the Lord.You have no defense for your hatred because you have received the greatest love imaginable.Let's spend some time with the Lord in prayer.Please close your eyes and bow your heads.Use this time to confess your sin to the Lord.To acknowledge how much you need Him to change.Stop putting on a show and be honest with your Father because He already knows whatyou're struggling with.The first step in finding a solution to your problem is admitting that you even have aproblem.Don't worry about what's for lunch.Don't worry about your busy day tomorrow, how your kids are doing in the back.Do business with God.Father, we come before you to confess our sin.Lord, all of us struggle with this in some way at some level, whether we want to admitit or not.And Lord, if there is someone in this room who doesn't know you, Lord, I pray that todaywould be the day of salvation.Today would be the day where they run to you and ask for forgiveness for the very firsttime.For the rest of us, Lord, would help us to recognize that we are already forgiven ofour hatred, that the eternal penalty for our sin has been taken away.But Lord, we are called to love you so much that we must hate our sin.Lord, help us to hate how we sin against you rather than hate others.Where we ask for your power, we ask for your strength to grow, to mature.I pray that we'd walk out of this room as lighter people after giving you the burdenof our hatred and anger.I ask all this in Jesus' name.Amen.

On today's episode, Andrew is joined by American actor, Caleb Castille. He starred as Devin Roundtree in the TV series NCIS: Los Angeles and as Tony Nathan in Kingdom Story Company's Woodlawn. To connect with Andrew, follow him on Instagram @andrewerwinofficial. To connect with Caleb Castille, follow him on Instagram @calebcastille. Make sure you never miss an episode by following us on Instagram, Facebook, and YouTube @kingdomstorycompany. Join the conversation as a Kingdom Story Company Insider at kingdomstorycompany.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Im zweiten Teil von Episode 67 sind wir immer noch auf der Suche und zwar nach einer der größten Bands der 90er, einem zu früh verstorbenen Ausnahmemusiker, einem Schauspieler, dem ein Flop zum Verhängnis wurde, einer Musikerin mit einzigartiger Stimme, einer Band, die sich nach ihrem größten Erfolg aufgelöst hat und einer Künstlerin, die sich mit dem Papst angelegt hat. Oasis - Supersonic (First TV Debut) Live The Word, UK - March18, 1994 https://www.youtube.com/watch?v=4Or8QahwlC4 Oasis - Noel and Liam Gallagher Interview - Rare! - 1994 The O-Zone (The Early Years)  https://www.youtube.com/watch?v=E7MNpvShZk8 Oasis - MTV Most Wanted (18th August 1994)  https://www.youtube.com/watch?v=Q8-wG5MvlV4 Oasis - Live (audio) in Bielefeld (15th January 1996)  https://www.youtube.com/watch?v=bAt6F8xbIuU Oasis Performing At Knebworth August 10th, 1996 Full Concert 1st Night  https://www.youtube.com/watch?v=IZqo1bYgkRs Noel Gallagher on the Battle of Britpop | Oasis vs. Blur | Roll with It vs. Country House  https://www.youtube.com/watch?v=gvZ6tgcfPrM Rick Beato: What Makes This Song Great? "Wonderwall" OASIS https://www.youtube.com/watch?v=silOU_BvPWc Oasis - Slide Away https://www.youtube.com/watch?v=3GCSUSwcDwg Jeff Buckley - Fall In Light (Rare Documentary) https://www.youtube.com/watch?v=RTviRXd4L2A Jeff Buckley - Remembered Doku https://www.youtube.com/watch?v=BVp_8jYZtEE Jeff Buckley: The Tragic Death of the Musician & Making of Grace https://www.youtube.com/watch?v=Npx63XF_-RI Jeff Buckley - Forget Her https://www.youtube.com/watch?v=HO0svGjVEP8 School Ties - Trailer  https://www.youtube.com/watch?v=qMsVgp0Utfk Minnie Driver and Chris O'Donnell talk about living with fame, doing an Irish accent.  https://www.youtube.com/watch?v=XIBrlevCXaU Rewind: 27-yr-old Chris O'Donnell on Batman and Robin, his McDonalds commercial, Arnold, fame, etc https://www.youtube.com/watch?v=f3eo6tLTXNs Batman & Robin Trailer https://www.youtube.com/watch?v=4RBXypX4qWI Chris O'Donnell on "NCIS: Los Angeles"  https://www.youtube.com/watch?v=RsaKdVxw71I Moloko - Fun For Me https://www.youtube.com/watch?v=hTjyhydMURI Nico - Icon Documentary https://www.youtube.com/watch?v=CrsD97bF48g Nico: Autopsy of an Icon https://www.youtube.com/watch?v=B3f3pYnZz7c Nico - Rare NZ Interview https://www.youtube.com/watch?v=MOeU-BF78gM Nico before The Velvet Underground https://www.youtube.com/watch?v=ueyNdpOmlyU The Velvet Underground & Nico in 4 Minutes https://www.youtube.com/watch?v=NgLMTnHgl_o Nico - The Fairest Of The Seasons https://www.youtube.com/watch?v=D5JX4-zZbiY Countdown (Australia)- Molly Meldrum Interviews The Fine Young Cannibals- October 20, 1985  https://www.youtube.com/watch?v=TVDinFosD5c Fine Young Cannibals - Johnny Come Home  https://www.youtube.com/watch?v=2yvWl8EcLmo Matt Bianco & Fine Young Cannibals - Fight at Midem 86 Awards  https://www.youtube.com/watch?v=yu5RW3C2_mM Fine Young Cannibals Interview 1989 Rapido  https://www.youtube.com/watch?v=xkcZUk2eKso Fine Young Cannibals - I'm Not The Man I Used To Be https://www.youtube.com/watch?v=tk6bnmVRbhw Sinead O'Connor - Fearless (Full Documentary https://www.youtube.com/watch?v=-I6Tap62z10 Early Sinead O'Connor Interview https://www.youtube.com/watch?v=HcBgUYMYqRw Sinead O'Connor on ripping up Pope photo in 1992 https://www.youtube.com/watch?v=8LcmJErI8IQ Sinead O'Connor: I love about my mother that she's dead https://www.youtube.com/watch?v=_H1DsWsKLE8 Sinead O'Connor - All Apologies https://www.youtube.com/watch?v=SEVu1tcUGnc

Writer/producer Shane Brennan talks to Michael and Cote about taking over as NCIS showrunner for Donald Bellisario, turning DiNozzo into an action star, and creating NCIS: Los Angeles. Michael and Cote discuss S3E19: Iced. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we are joined by Micky Shiloah! Micky Shiloah is an actor and creator best known for his social media series Anthony & Diane (which has helped him grow his following to over 160K across platforms) and his musical-comedy song "I'm Gay".No stranger to the live stage, he's performed in venues ranging from Off-Broadway to Radio City Music Hall. In Los Angeles he's performed in productions including Leslye Headland's Bachelorette, the musical-comedy Don't Hug Me, We're Family, and the improv-comedy troupe The MaD JaCKRaTS (LPNSImprov).Over the last two years he has grown his social media presence with his series Anthony & Diane as well as other characters (including the favorites Gay Reg & Katherine) and skits that are loved by his followers. He incorporated his songwriting into the series with his song "Lose Your Lovin'" which is performed by faux-band The Glazed Donuts.His TV/Film credits include Westworld, NCIS: Los Angeles, Criminal Minds: Beyond Borders, and Mistresses.In this episode, we discuss growing up in New York, being an actor from a young age, being a shy kid, loving improv, being 1 of 5 siblings, being gay, having a social media presence, and so much more. You don't want to miss our discussion about Micky's knack for impressions and all the work he puts into putting out content. Give this episode a listen!Recommendations From This Episode: The House in The Cerulean Sea - TJ KluneLoomlyFollow Micky Shiloah: @mickyshiloahFollow Carly: @carlyjmontagFollow Emily: @thefunnywalshFollow the podcast: @aloneatlunchpodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on Too Opinionated, we sit down with actress Angelique Cabral!  Angelique is known for her work in Wish as Amaya and Lif in Pieces as Colleen. She is also known for her roles in Friends with Benefits, Frasier, Dragons: The Nine Realms, With Love, Big Sky, Big Shot, Maggie, Undone, Grace and Frankie, Grey's Anatomy, Fresh off the Boat, Transparent, The Odd Couple, Chicago P.D., NCIS: Los Angeles, State of Affairs, Criminal Minds and Enlisted!   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Send us a Text Message.Hosts Koji and Michelle delve into the intricate nature of genuine apologies and the actions that must accompany them to signify real growth and understanding. They share personal stories, such as Koji's challenging week with a broken-down car and a bat incident, and Michelle's temporary homelessness due to fumigation, to illustrate the complexity of apologies in everyday life. The discussion then shifts to the historical significance of the Civil Liberties Act of 1988, which provided reparations to Japanese Americans incarcerated during World War II. Special guest Keiko Agena enriches the conversation by reading a part of the Act, emphasizing the importance of government acknowledgment and reparations. The episode offers a nuanced exploration of how official apologies can pave the way toward healing and understanding for marginalized communities, making it a must-listen for anyone interested in the power of words and deeds.ABOUT OUR READERKeiko Agena is best known for her series regular roles on the shows PRODIGAL SON where she played Dr. Edrisa Tanaka and GILMORE GIRLS, where she played Lane Kim for seven seasons and reprised the role in the Netflix GILMORE GIRLS revival. In between Agena has been a series regular on HULU's THE FIRST and recurring on BETTER CALL SAUL, DIRTY JOHN, DOOM PATROL and 13 REASONS WHY. As a guest star she has appeared on such shows as SHAMELESS, SCANDAL and NCIS LOS ANGELES to name a few. Keiko has recently published an Artist Workbook titled NO MISTAKES through Penguin/Random house which is available wherever books are sold. As an improviser she's performed numerous shows at UCB Sunset, UCB NY and IO WEST.ABOUT USWelcome to "Japanese America," where the Japanese American National Museum unveils captivating stories that add a Nikkei slant to the American narrative. In each episode, we explore Japanese Americans' unique experiences, challenges, and triumphs, illuminating their rich contributions to the mosaic of American life. From historical milestones to contemporary perspectives, join us for an insightful journey showcasing the diverse tapestry of a community that has shaped the American story in extraordinary ways.  Welcome to "Japanese America," where each story unfolds like a chapter in a living history book.For more information about the Japanese American National Museum, please visit our website at www.janm.org. CREDITSThe music was created by Jalen BlankWritten by Koji Steven SakaiHosts: Michelle Malazaki and Koji Steven SakaiEdited and Produced by Koji Steven Sakai in conjunction with the Japanese American National Museum

Sponsored by Surfshark! Get a deal at https://get.surfshark.net/SH3q3  Kirk Baltz is a film, theater and television actor who has worked with such noted film directors as Chantal Akerman, Warren Beatty, Oliver Stone, John Woo, Kevin Costner, Quentin Tarantino, Taylor Hackford and Deniz Gamez Erguven to name a few.  Kirk has appeared in such noted films as Reservoir Dogs, Bulworth, Natural Born Killers, Face/Off, and Dances With Wolves. In recent years, he's appeared in Taylor Hackford's Parker, Deniz Erguven's Kings, and the critically acclaimed short films The Armoire by Evan Cooper, and Demon by Caleb Slain. His TV appearances include Snowfall, NCIS:Los Angeles, 24, The Fugitive, Will & Grace, The Shield, Without A Trace, and NYPD Blue.  Kirk teaches acting classes in-person and virtually, and regularly leads acting workshops in major cities throughout the U.S. and abroad. Listen to the conversations, get some good news, and have some laughs with the guys on Good Things Are Happening. Visit us on the web at https://www.goodthingspod.com/ Patreon: https://www.patreon.com/goodthingsarehappeningpodcast/

Eric C. Olsen talks to Cote and Michael about getting cast for NCIS: Los Angeles, the extreme athleticism and professionalism of LL Cool J (... and taking a punch to the face from him on his first episode). Michael and Cote discuss S3E6: The Voyeur's Web. Learn more about your ad choices. Visit podcastchoices.com/adchoices

NCIS: Los Angeles-star Daniela Ruah talks to Michael and Cote about Kensi Blye, and playing romantic partners with her brother-in-law Eric Olsen. Michael and Cote discuss S3E5: Switch. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Conhecida mundialmente pelo seu papel icônico na série "NCIS: Los Angeles", conquistou o coração de milhões com sua performance impecável e seu carisma inconfundível. Mas há tanto mais para descobrir sobre esta mulher talentosa que levou o nome de Portugal além-fronteiras. Aos 23 anos partiu para os Estados Unidos. Por lá se instalou e mostrou de que armas é feita.É mãe de dois, casou-se com o duplo e irmão do seu colega de elenco. Estreou-se ainda como realizadora há pouco e está de volta a Portugal.Depois de tantos quilómetros percorridos atrás dela foi finalmente hora de enfiar Daniela Ruah, n'A Caravana.Podem seguir a Daniela em:https://www.instagram.com/danielaruahProdução e Agenciamento: Draft Media https://www.draftmediaagency.com

“I was quite set on theater. I was going to go out to Los Angeles for one year -- and that was it. Then I was going to go back to New York and devote myself to the theater. It didn't work out that way.” -- Jan Eliasberg80s TV Ladies "Director Ladies" series continues as Susan and Sharon welcome legendary director Jan Eliasberg. Jan began her television director career in the 1980s with an episode of Cagney & Lacey -- and she went on to be the first female director ever on Miami Vice, Crime Story and 21 Jump Street. She has also directed episodes of Dirty Dancing, L.A. Law, Dawson's Creek, Party of Five, Sisters, Parenthood, Nashville, Supernatural, Bull and NCIS: Los Angeles. Jan recently published her first novel, Hannah's War.In this enlightening conversation, Jan discusses how the American Film Institute (AFI) and “The Original Six” opened up opportunities for her and other female directors; how to navigate directing a network television show for the first time -- and how courage, tenacity and little guile can make all the difference …THE CONVERSATIONHow do you get 10,000 hours of experience when directing requires so much time, money and people: Europe or Yale?What can Shakespeare and Ibsen teach you about directing TV? Everything…Frances McDormand, Angela Bassett, John Turturo, Tony Shalhoub and Courtney Vance -- how do you quickly figure out what different actors need to create great performances?What happens when you direct a play about South African apartheid in St. Louis in the early 1980s?On shadowing directors: “I'm already a director -- what am I doing watching these people? I mean, they're good, but I'm good, too. And that was the kind of confidence -- or maybe you could say arrogance, fearlessness - -that it takes to go into a field that is predominantly male and actually make a dent and get a job.”How a twisty game of cat-and-mouse with Barney Rosensweig led to Jan's first directing gig -- on Cagney & Lacey. (S5, EP13 -- “Act of Conscience”).Directing L.A. Law -- and David Kelly's very first script!How asking others for advice is a gift that goes both ways.Directing two classic, fan-favorite episodes of Miami Vice.Jan gets her first feature film in 1988: How I Got Into College -- but you won't believe what happened to her on Day Two of filming…Past Midnight -- working with the great Rutger Hauer and Natasha Richardson.Is the window for women directors opening or closing? Jan gives us her take.So, join Susan, Sharon -- and Jan -- as they talk Dennis Farina, Michael Moriarty, Rutger Hauer, Paul Giamatti, Daniel Craig, Meg Foster, Sela Ward, Swoosie Kurtz, Kirsten Dunst, George Clooney, Patricia Arquette, Stanley Tucci -- and creamsicles!AUDIOGRAPHYFind out more about Jan at JanEliasberg.com.Buy Jan's new novel Hannah's War at Bookshop.Read Michael Cieply's 1988 article on Jan and other fired women directors at LA Times.  80s TV LADIES NEWSCatch 90s TV Baby Serita Fontanesi's “Not Ugly” podcast at Apple.CONNECTRead transcripts and more at 80sTVLadies.com.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.

 Chris Grace (@ChrisGraceComedy) and Joseph Schles (@josephschles) join Rob Stern (@TheRobStern) to to play "Hit on This!" read the pilot to NCIS: Los Angeles, go back in time, and much more!

On the latest episode of Right Place Right is the one and only Wesam Keesh – the man behind Wesam's World and a professional eye-roller from Tulsa, Oklahoma. Join hosts Mike Pecci and Lance A. Williams as they try to keep up with Keesh's journey from “Li'l Abner” to the glitz and glam of sunny Los Angeles. With a resume boasting scene stealing roles in Law & Order: Organized Crime, Awkward, Marvel's Echo and NCIS: Los Angeles, Keesh has somehow managed to avoid getting lost in the Hollywood shuffle where dreams go to die faster than you can say "grande soy latte”. The episode dives headfirst into personal growth, belief systems, and cancel culture - because apparently, nothing screams "fun podcast conversation" like discussing the existential crisis of being a actor in a city full of Instagram influencers and wannabe Kardashians, right? But it's not all doom and gloom, folks, so buckle up because this episode is about to take you on a wild ride full of laughs through the absurdity of showbiz and the even greater absurdity of grown men pretending to have it all figured out. It's one you won't want to miss. --------------------------------- Music by Mitch Murder ►Wesam's IG: @wesamkeesh ►Wesam's World: https://www.youtube.com/channel/UCIEy_lTyI57a4pJMB3RvD9w ►Mike Pecci's IG: instagram.com/mikepecci ►Lance's Instagram: www.instagram.com/golancego/ ►ILWP's IG: instagram.com/inlovewiththeprocesspod

Director, writer and actress Alicia Coppola visited The Locher Room to discuss her beautiful and powerful new short film, And You Are…?. The film stars Golden Globe Award-winner Jane Seymour and Zach Barack who will join Alicia for the interview. Zach is credited as the first openly transgender actor in a Marvel film. And You Are…? is Alicia's second short film. Her first, Between Us, is a raw and emotional slice of her personal life. Alicia's career began on Another World where she played Lorna Devon. She also played Dr. Meredith Gates on The Young and the Restless. In addition to her roles in daytime, Alicia has an extensive list of credits that include, Empire, Shameless, Jericho, Why Women Kill, 9-1-1, and NCIS: Los Angeles to name a small few.Spend an hour with Alicia Coppola and Zach Barrack to learn more about this incredible short film and why Alicia had to fight some resistance to get this film made.

Nancy Linehan Charles sits down with Greg and Dustin to talk about crying, dying, smoking, and yelling. She also gives all of us great life advice. Nancy Linehan Charles has been a professional actor for more than 40 years. She has appeared in plays from off-Broadway to regional to summer stock. Her favorite roles on the stage include the lead in The Visit, for which she won the Los Angeles Drama Critics Circle Award, and her featured performance in Toys in the Attic, for which she won both the Ovation Award and the L.A. Drama Critics Circle Award. Her film work includes playing Ben Affleck's mother in The Way Back; Max Von Sydow's wife in Steven Spielberg's Minority Report; Ned Beatty's wife in Mike Nichols' Charlie Wilson's War; and appearances in Testify and Rob Zombie's Lords of Salem. She has shot close to 100 guest-starring roles on TV, including Shameless, Bosch, NCIS: Los Angeles, Criminal Minds, Grimm, Better Things, The West Wing and ER, to name a few, plus a recurring role on the CBS hit Young Sheldon. Charles is also the artistic director of a flash mob Shakespeare company called Salty Shakespeare. Her company flashes bits of the Bard in crowded elevators, or in the coffee line at Starbucks, or anywhere that seems inappropriate. In 2014, the Los Angeles Times called Salty Shakespeare “the best flash mob Shakespeare company in L.A.”—not mentioning that it's the ONLY flash mob Shakespeare company in L.A. Salty Shakespeare lives up to its motto of “Erupting, Interrupting, Disturbing the Peace.” Charles holds a Master's degree in theatre, was a marathon runner and is the mother of two fine young men: Charlie Linehan, a lawyer in the field of Cyber Investigation, and Will Rothhaar, a working actor.  Listen to the conversation, get some good news, and have some laughs with the guys on Good Things Are Happening. Visit us on the web at https://www.goodthingspod.com/ Patreon: https://www.patreon.com/goodthingsarehappeningpodcast/

We sat down with the incredibly talented Director Dan Liu. Dan's incredible work includes The Walking Dead, Fear the Walking Dead, Shadow and Bone, Kung Fu, La Brea, NCIS Los Angeles, For All Man Kind, Star Trek Strange New Worlds, Star Trek Picard, and more! We had an absolutely wonderful time learning about his career and what goes in to the process of being a director!

Our Manopod guest Jon Lindstrom has been an actor and director in Hollywood for almost 40 years on shows like Homeland, True Detective, Bosch, NCIS: Los Angeles, and General Hospital. And now he has written his first novel, a spectacular thriller called "Hollywood Hustle", filled with jarring twists and turns and memorable characters. He says follow your dreams at any age! Check it out and get inspired!

The Dawn of the New Order, like it or not.By Final Stand. Listen to the full episode at Explicit Novels.This is a recounting of the new dean's attempt to destroy Zane by Zane's own abusive nature.“Earned leadership is a blessing; assigned leadership is a burden”THIS IS HOW IT IS GOING TO BEIt started at 6:45 as we began filing out of the dorm toward the dining hall and breakfast. We received texts, or our dorm mothers received them if we didn’t have that function, assigning us a tribe we belonged to. What was a tribe? No one seemed to have a clue what this entailed for us.“So,” Iona was the first to ask me, “What tribe are you part of?”“My tribe’s called the Mediator tribe,” I responded. “What lame-ass name does your tribe have?” Iona blinked at me, took my phone from my hands, and looked at it while we walked.“Mercy and I are in 17,” Rio sneered. “Why did your group merit a name and ours didn’t?”“Because Zane doesn’t have a tribe,” Iona figured. “He is not of the mediator tribe; he’s a mediator. The real question is, how many mediators are there and what is their responsibility?”“I’m in tribe three,” Vivian volunteered. “I do have a notation but no indication who to see about it.” The conversations around us were going in the same general direction, the girls trying to figure what sort of disruptions this would cause. The teachers put a kibosh on students walking around and finding out where their friends were placed so the text and phone messages being tossed around were obscene.The surprise going to breakfast had saved virtually all of the freshmen from Handmaiden’s Duty but they snapped us up heading for Assembly. I had Frederica Nicholas who decided to make a game of her giving me a word and me having to create a poetic verse. I rapidly learned the more risqué my verse, the more touchy-feely she became. (And she is a Rhaine supporter, huh?) I am a glutton for sexual foreplay no matter where it comes from.Entry into the Assembly Hall brought its own special form of confusion. All the seats had numbers for the tribes that could sit there. I didn’t find my group anywhere but I did catch the fact that Christina’s group had been broken up. I stopped by Heaven to put a comforting hand on her shoulder because she looked terribly unsettled before I approached Ms. Goodswell on the stage.My spiritual advisor stood up, walked to the edge of the stage, and knelt down so we could talk privately.“Hi, Teach. I can’t seem to find my groups/tribe’s area,” I said pleasantly. “Can you help me out? Hell, can you tell me what’s going on?”“Zane, your seat is right over there,” she said, pointing to a chair on the front row – aisle seat. She smiled sadly. “All I can tell you about this program right now is that I trust you.” Oh crap, that didn’t sound good. Sitting on the front row – the region normally reserved for seniors – was just as disturbing. I sensed an epic boning in my future and I was sure I knew who the chick with the strap-on was.Chancellor Bass came to the podium and led us through the first ten minutes of the session. I could tell she was simmering with anger and resentment over whatever the upcoming fiasco was, and she showed it. She introduced Vice Chancellor Scarlett, then sat down abruptly. Her enthusiasm wasn’t muted; it was buried in the core of the earth.“Greetings, students of Freedom Fellowship University; I believe we stand at the first step to a great, glorious, and blessed experiment,” Vice Chancellor Dr. Victoria Scarlett began. Her plan did sound grandiose, was certainly going to be famous (or infamous), and whichever supernatural powers put their mark on this train wreck, I was sure we’d discover the Arch-angel Morningstar also had his sulfuric fingerprints on it when the CSI’s were finally brought in.The basics of the scheme: There would be eighteen tribes of fifty or more members. Each tribe had all four grades in it but was focused on declared majors so that the girls could support one another. Each tribe would internally determine how they would regulate themselves as well. Externally, relations would be overseen by the Mediator – yes, that was in the singular – as in one: me.At this point, I was wondering if jumping up, shooting Scarlett in the heart, and crying ‘Sic semper tyrannis’ was appropriate. I didn’t have a gun and realistically, Victoria didn’t deserve death for what she was putting all of us through. A few days in a pillory would suffice. No, she was making me be the 'Man’ of our academic community, our judge and arbitrator.As for my job qualifications, or lack thereof; I am considered morally loose, if not downright deviant. I’m an eighteen-year-old boy telling twenty-one-year-old women what to do, I have no legal experience – oh, yes, and half the campus hates my guts. I almost missed it when Dr. Scarlett added that Vivian would remain my guardian.Maybe Vivian would throw herself in the path of a sharpened pencil, pen, or stylus aimed at my heart by any number of the young ladies that wanted me dead, just like a Secret Service Agent.“You will be informed of the location of your first meetings. Each tribe will meet at eight o'clock tonight and tomorrow night to create the foundations of your group,” Dr. Scarlett informed us.“Tribes five and seventeen will be meeting in the Solarium of Alan Smithee dorm, if that is okay with Mr. Braxton.” Victoria looked my way. I stood up in case anyone missed my discomfort for being called out and actually asked by a lead educator for anything resembling permission on this campus.“Eight o'clock tonight?” I questioned. “I don’t know if that works for me. I have a Brazilian body wax at eight and have scheduled my eyebrows to be plucked at 8:45, plus there is a new episode of NCIS: Los Angeles at nine.”“How about they promise to keep the noise level down?” Victoria volleyed right back at me without missing a beat.“Very well, Dr. Scarlett, if you personally guarantee their behavior, I’m okay with them using my room,” I allowed. I couldn’t provoke Scarlett and I couldn’t embarrass her, so I was back to facing her rear-bound artificial cock catching up with my behind. I sat back down. Victoria quickly exited center stage and a bitter Chancellor ushered us through the last of the service.I waited outside the Assembly Hall for my friends and my Handmaiden for the moment, Theresa Yates. Christina and Chastity caught up with me first, both giving me a curious look.“Bro,” Rio sneered as she and Mercy joined us, “we need to discuss your future abuse of power, bribes and kick-backs you are going to get. Nice banter with ol’ Scarlett too.”“Yes,” Christina said sarcastically, “being flippant with the Vice Chancellor backfired so spectacularly the first time, it definitely needed repeating.” Her criticism really sucked because I always secretly wanted her to think well of me.“What’s your plan?” Chastity prodded me. She was always helping me out when she got the chance. As she finished, Iona, Hope, Faith, and Heaven showed up.“They split us up,” growled Heaven. “Do something, Zane.”“He just found out about this,” Iona responded before I could. “Give it time and combined, we will come up with a solution together.” I sighed with some relief at her assistance and then I blinked. The powerful kiss I planted on Iona’s lips caught everyone off-guard.“Freaking brilliant!” I complimented her gaily, giddy with glee. I didn’t have an actual plan yet but I had a direction to propel my thought toward. With my mind awhirl, I caught sight of Theresa moving past me on her way to class.“Hey, Theresa,” I called out. “What are you having me do today?” She looked a bit shocked.“Zane, we are no longer allowed to call on you for Handmaiden’s Duty,” she informed me.“Oh, He…ck no,” I choked out. “Who says?”“The Vice-Chancellor declared you to be outside the tradition,” she stated sadly. I wasn’t going to stand for this. Victoria was building a wedge between me and the rest of the student body.“Iona, do that tech-thing that you do and inform the ladies that by the authority vested in me as mediator, I am reinstating myself as part of the Handmaiden’s duty until…over half of the tribal leaders petition that I do otherwise,” I announced.“By tech-thing, do you mean send a text message with an accompanying e-mail to all the students on the school registry?” Iona regarded me quizzically.“Zane,” Chastity worried, “are you sure you have the authority?”“Of course he has the authority,” Rio declared. “He’s the freaking mediator.” Sometimes I would really like to get a word in before the conversation runs away from me.I swatted Iona on the butt – she squawked.“Chastity, this is clearly a game of chicken, so why not see how far Scarlett is willing to go,” I replied. The look Christina gave me restored my faith in me; her eyes beamed at me, alight with an intellectual fire. I had one last thing to do while the chaos boiled one last time before the ebb: I hugged Rio.“I want you to break into Gabrielle’s place,” I whispered in her ear, “wait for her to come get you, and tell her this: There is no Cordelia Dresden.”“Back off, Joker,” Rio punched me. Rio trusted me not to put her in harm’s way if I had another choice and Gabrielle knew that Rio would be the last person any sane individual would trust to do this.She gave no hint of a reply to my request. The assumption was, if Cordelia didn’t know what we were up to, she couldn’t figure out a way to stop us, and right now I wanted a way for us out of her little game here at FFU. My current theory was that the girl I knew as Cordelia didn’t exist before she came here, she was an invented personality, and I wanted to know who the inventor was.Oh yeah, back to my actual life where my academic and social lives were in upheaval because my current nemesis (or one of them anyway) was a crusading idealist. I swear to God, if I survive this place, I will never forgive Aunt Jill for not sending me to the University of Hawaii, which was my first choice for college. All I had to worry about there was hurricanes, tsunamis, volcanoes, and the wrath of the island spirits for despoiling virgins – simple shit.“Zane, you will discuss the merits and sins of the concubines of King Solomon with me,” Theresa said, as she passed me her backpack to carry. Life rolled back to semi-normal and we separated to make our way to our first classes of the day. That illusion took another ill turn when I entered English class with Ms. Goodswell. She gestured for me to come to her desk before the lesson began.“Zane,” she informed me softly, “none of the female teachers or administrators at this school can give you orders, only suggestions. Only Dr. Jennings may truly compel you to do anything.”This bombshell was the reason she said she trusted me back in Assembly. The only one making me do the right thing was me. I had never considered me Mr. Responsibility before so I was in for a crash course in having authority over 900 students and 100 teachers. I told Virginia Goodswell about my decision concerning my Handmaiden’s Duty to get her input, then compelled her to treat me as any other student – because apparently, I’m in charge of students now.“There are old soldiers and there are bold soldiers, but there are very few old, bold soldiers,” she reminded me. “Never forget, no matter how dark it may seem, Zane, you are never alone.”“I could always use a picture of you in a white, low-cut bikini to inspire me,” I hinted.“Mr. Braxton, by the authority vested in me by the mediator, I order you to take your seat so we can begin classes,” she smirked. Oh, the irony: stymied by my own hubris.Celia Wanamaker snapped me up coming out of English class. Vivian was waiting for me and Raven was in tow – right up until Paige snapped her up. Celia had me name a biblical character for each letter of the alphabet. Paige had Raven quote bible verses – backwards. As if there was any doubt my day could get worse, it did so immediately.“Oh, the great Priest-King approaches!” screeched Rio on seeing me. “We all must genuflect – that’s kneel down until your head touches the ground for you stupid bitches – until the Mediator passes.” The horrible, horrible thing was that dozens of confused girls started doing just that.“Hold on,” I held up my hands for attention, “Hold on. Rio is mistaken. Genuflecting is only done during the Holy Days of Christmas, Good Friday, and Easter.”Okay, I made that up off the fly and I figured that I wouldn’t be at school for Christmas, and Good Friday and Easter were next year and I’d worry about that then. For now:“Emily, Rebecca, Henrietta, and Magdalena, please carry Rio to her next class – by the legs and arms,” I instructed some of the closest students. “If a door or other object gets in the way, don’t hesitate to use her head as a battering ram.”“Damn, Bro, that’s harsh,” Rio giggled from the floor. I knelt beside her.“Yeah,” I whispered, “like being man-handled by four girls isn’t going to turn you on.”“Don’t tell them that,” she whispered back. I rose and continued on to class. A wiggling, squirming, cursing, and fighting Rio followed us.I went through the same rigmarole in Biblical Archeology. I told the teacher that using my authority over students, I was instructing her to instruct me as if I was any other student…because I was a student and this was the area of my authority; right? She bought into my reasoning with some relief.“How was it?” I mouthed to Rio once class was well on the way.“Two hands all the way up the thigh – one knows I forgot my undies and was thoroughly soaked – two titties grabbed,” Rio described what she’d been subjected to, “and I got to bite Magdalena’s butt. I love those soccer player asses. You are most likely the best friend I will ever know; thank you.”“Always willing to help a fellow pervert out,” I grinned back. Rio winked, then returned to work. I needed all the humor I could get because it was going to be a long damn day. By the time I made Marksmanship at three o'clock, I was damn happy to shoot something. I got some relief by having my best day ever, scoring a 53 (out of a possible 100) at the range. When I finished, I noticed a large number of my club mates standing close by.WOMEN AND THE WORLD AT LARGE“Yes?” I questioned the ladies clustered behind me at the firing line.“Oh, we are huddling behind your manliness,” Daphne, one of the better shooters, joked.“Manliness? Daphne, you just shot an 87. Hell, if you ladies want to be safe, stand in front of me, because apparently that’s the one place my bullets don’t go,” I chided her.That was a slight exaggeration. I was a pretty good shot out to 50 meters, but when I have to use binoculars to even see the target some of these girls are nailing, I know I have a long way to go.“Zane, police your station,” Hope instructed me. “Everyone, it is time for field training.” This was the other part of marksmanship…sneaking around and spotting targets in the woods. We didn’t use live rounds but it was still fun stuff.“Gung-ho!” I responded to Hope. I’d heard that this was the battle cry of an Asian-American unit in World War II; Japanese I think.“I’m Korean, Zane,” Hope tried not to chuckle. “We are not exactly friends with the Japanese.”“If I stop saying it will you ask your Daddy not to come?” I inquired hopefully.“If you keep saying it, I’ll stop telling my Father I can’t live without you,” she countered.“You can’t live without me?” I questioned.“Of course I can live without you, but I had to think of something to stop him from parachuting here in the dead of night and slitting your throat,” she confided.“You are joking; right?” I worried. Hope was nonresponsive as we got our gear together for the hike. “Hope, tell me that was a joke.” Once we passed into the forest, Hope was quiet, business-like and nothing but. We were a mile into our trek when Hope settled down to study the environs. Per procedure, Hope watched to her front and left; I crouched at her back, facing away, and watched to our rear and Hope’s right.We would stay this way until Hope set up on the target, which was when I became her spotter. Since we weren’t there yet, I scanned my area one more time, then cupped my right hand and reached behind me until I touched Hope’s ass. I waited for a reaction of any kind but none came. Three seconds later I began to gently coast along her posterior, lightly squeezing her buttocks and rubbing along her cleft.With a careful ear, I caught Hope’s breath gaining in intensity. A few seconds later, she reached back and tapped my arm lightly so I stopped. Hope then rose carefully and we continued on our way. During the entire encounter, neither one of us had deviated from our watchfulness, which gave the whole situation a greater erotic appeal for me.“Zane,” Hope caught my attention as the last rifle and bullet was secured away, “I really wasn’t sure how you would deal with me…being better than you. How do you do it?”“All the training and skill in the world isn’t worth a damn if you won’t fight,” I tried to explain. “A willingness to fight without talent is a waste. Hope, you didn’t defeat me; you beat me.”She seemed to be searching for my definition of those two terms.“Let’s walk over to Orienteering before Heaven pops,” I suggested. “We can both pin Heaven down but short of killing her, I’m not sure how to stop her.” Hope chuckled at that assessment and nodded. “Hope, you put me on the mat and made me tap out – you beat me. You haven’t discouraged me from coming at you when I feel I’m more capable – you haven’t defeated me.”“Beating implies physical dominance but defeat is a state of mind,” Hope replied as she stripped my definitions bare. I swung back my hand to spank her ass. Hope flinched slightly as instinct recognized the incoming blow and dictated a menu of responses, most of which involved causing me pain. I spanked her left ass cheek; Hope yelped and glared over her shoulder at me in feigned annoyance.“You are a very verbose wench,” I shook my finger at her.“Do you want them to perform an extensive autopsy to figure out where I stuck that finger or are you going to remove it from my face right now?” she challenged me mirthfully. I stepped to her side, draped an arm around her waist; a second later she hesitantly echoed the gesture.When we got to Orienteering, Hope and I parted company and I joined my fellow students as Heaven stood before us. The silence dragged on…and on until I finally felt compelled to raise my hand.“Yes, Zane?” Heaven asked sweetly. You know; that 'sweetly’ that says, I have an iron skillet to the head in my immediate future.“Class? Are we going to have class today? Please?” I mumbled.“I don’t know, Zane,” Heaven glared at me with a vicious smile stitched to her face. “Do we have your permission to have class today? Apparently we need to.” Oh, fuck-buckets; Hope had probably had the same instructions and blown them off; Heaven was going a different way.“I understand,” I announced with dignity as I stood and walked up beside Heaven before facing the rest of the class. “As your appointed mediator, I think we should come forth and pray on the matter. All of you come to the front and kneel in a semi-circle; you too Heaven.” I put a hand on her shoulder and put pressure on her to kneel beside me – right beside me.The girls gathered around, Heaven was on her knees only inches from my crotch with her eyes flickering from my hard cock (I’m giving strong consideration to slamming that bastard in the middle of the US Tax Code to make it calm down) to my eyes. Soon I was in the center of a waist-level sea of slightly swaying female heads.“Let us pray,” I intoned. “Lord, guide us and give us strength to be true to ourselves, have faith in the gifts of insight, determination, and self-worth you have given us. Also, give us the vision to see what is wrong, the knowledge to understand when we hear things that are nonsense, and the will to forge past those words so that we find our own voice. In Jesus Christ’s name we pray; Amen.”“Amen,” the girls said, at varying volumes and with varying conviction. They were all there, on their knees, staring at me. I swear to God, if one of them had 'Baaa'ed, I’d have died on the spot.“Okay, who believes I’m more qualified to teach this class than Heaven?” I began. Two girls started to raise their hands then self-consciously reversed direction.“You are all correct; I am totally unqualified to teach this class. I am totally unqualified to tell any of you to do virtually anything. I don’t know more about life than any of the rest of you do. At eighteen, I’m younger than most of you. I’m a guy, nothing more. You ladies don’t need me. Really, do any of you have any need of me whatsoever?”“Sex,” blurted out of the mouth of Ruth, one of the senior club members. No one said anything for a few seconds. Okay, I could deal with this.“Fine, sex. With the Purity Pledge here, do any of you think you would need me for sex?” Twelve of the fourteen girls raised their hands; counting Heaven made it thirteen. I wanted to be anywhere else but in the deathtrap of my own creation. Screw that; I wanted to crawl into a deep, dark hole and pull the dirt in behind me.“We hear you are really good at it,” Benios tried to explain things to me.“Brandi told us all about blowjobs. Those seem safe enough with the Pledge,” Michelle added. Heaven started snickering at my expense.“All right, everyone,” Heaven raised her voice as she stood up, accidentally squeezing my dick through my pants as she did so, “let’s get started, and if no one screws up today, we can have Thursday’s class in Zane’s bedroom.”We finished the last class for the day and started leaving our outdoor classroom when Ruth put her hand on my lower arm.“Zane, does a blowjob violate the Purity Pledge?” she asked. That wasn’t really what she was asking. Why would I know the specifics of a pledge that everyone knew I hadn’t taken? No, what she was asking was if she could experiment with oral sex with me.The other girls were not so surreptitiously hanging around for the answer.“Honestly, I don’t believe that fellatio is an acceptable alternative to vaginal sex unless it includes cunnilingus,” I bullshitted. I believed that, but I was hoping the lingo would buy me an exit.“What?” Ruth stammered.“Oh, I know that,” Michelle giggled. “Fellatio is when you take a man’s phallus and put it in your mouth, and cunnilingus is when a man puts his mouth…down there,” she pointed at her crotch.“Zane, do you do that too? Put your mouth – ” Ruth hounded me.“Sure,” I confessed. “Every man should, but in reality, it is more than tongue work” – I wiggled my tongue – “but finger work too. All you have to do is think how your fingers feel down there, except this time they are under someone else’s control and you have a strong, flexible muscle added to the mix.” I instantly knew I was missing something with this audience.“You touch yourself; right?” I questioned. By many of the guilty looks, I could tell that most of the class had, but a surprising number hadn’t, Ruth included.“I never have,” Ruth replied. “I was afraid I’d stop being a virgin.” I nodded, walked over to the closest tree, and banged my head against it.“That’s enough for today,” Heaven intervened. “We can pick up this wonderful, non-orienteering discussion next time.” She ushered me away. I was rather thankful to get away and into the company of someone I trusted. “Are you ready for tonight?”“You mean am I waiting to pack your tight ass and drag my fingernails over your back until I draw blood? Yes,” I grinned down at her.“Evil!” she giggled. “You are sinister, vile, and an aberration to all that is pure in the world.”“Well, you are purely wonderful,” I countered. “So is this a case of opposites attract?”“Do you like to see me that way?” my transvestite lover teased.“Your legs on my shoulders as I drive into you; on your hands and knees; you looking down at me as you slide down that first time, your ass cheeks bouncing, with my hands kneading them as you face away, but most of all…with your head on my chest, asleep, your hair spilling over your eyes as you lay there – that’s the best,” I related.“How can you be lusty and sweet at the same time?” she murmured.“It’s how you make me feel, Heaven,” I explained. “It is no mystery – you are that good to me.”“Best boyfriend ever,” she whispered, as she hugged my arm tight. On the final approach to Heaven’s dorm, she gave me a nudge.“So, how did you beat the ten-second rule?” Heaven prodded me.“We have a ten-second rule?” I questioned.“We don’t, silly; it’s Hope’s rule,” Heaven grinned. “No one holds her for more than ten seconds. She has – had proximity issues.”“We were intimate,” I pointed out. “That probably helps.”“I hope so,” Heaven laughed. “The first time Christina and I barged into her room, we found ourselves staring down the barrel of a gun. Chastity was her roommate and she nearly freaked because she didn’t know Hope had an automatic, much less slept with one under her pillow.”“Note to self: never climb in Hope’s window looking for a midnight hook-up,” I sighed.“Hey,” Heaven playfully grumbled, “if you are crawling in anyone’s window for some late-night booty, it had better be my window and my booty you are after, Mister.”“Or what?” I teased. “Are we back to me being in a deep, dark hole, you with the only key, dressed up for me in black strips of leather?”That description dated back to our first day on campus together when she hated my very existence.“Bitch,” Heaven growled with frustrated desire.“I’ll see you at the car in ten minutes, then.” I gave a double pump of the eyebrows and left. We had been invited by Officer Danica Campbell of the Lancaster PD for a barbeque so we could get reacquainted. It was something Heaven was really looking forward to (not that I minded).Danica’s house needed a little yard work but was otherwise an unremarkable ranch style house with an attached carport. Heaven’s hands kept fluttering at her sides and straightening out her skirt. Me; I was in a long-sleeved pull-over and jeans and was having a much easier time of it emotionally. My only problem was our timetable; I had to be back before nine.We could smell the burning charcoal from the front yard but I indicated to Heaven that we weren’t friends enough to simply walk around back unannounced. We rang the doorbell, then rang it again. Heaven was going for a third, nervous try when Danica opened the door.“Hey, you two, come on in,” she greeted us, and stepped aside so we could enter.The first aura I detected in Danica’s home was of benign neglect; the house was inhabited but no one actually lived here. Everything looked old but not worn, except for one chair and the cabinet around the TV which had VHS tapes (?) and scores of DVDs from the past ten years. Danica was in a lumberjack shirt, jeans, and deck shoes with a noticeable lack of bra, panties, and socks.“I’m glad you two showed up,” Danica said, talking to us as we followed her through the living room to the kitchen. We could see the grill cooking away on a concrete patio through a sliding glass door.“I almost showed up last night,” Heaven blurted out, then looked mortified.“You would have had to wait a while,” Danica joked. “I worked last night.”“I would have put her to sleep on the doorstep, covered her in a blanket, and given her a garden gnome to use as a pillow,” I joked. Heaven blushed furiously and punched me in the arm.“Be careful, Mister Braxton,” Danica threatened me with a wink, “I have handcuffs, pepper spray, and a taser – behave.”I was hoping that comical exchange would have reduced the tension. It almost worked. As Danica opened the sliding glass door, she turned to say something. I have no idea what it was that got into her but at that point, Heaven threw herself at our hostess, wrapped her arms around Danica’s neck, and kissed the lady cop. Danica staggered out the door onto the patio, grabbed the doorsill before they toppled over, and after her obvious moment of panic, put her other arm around Heaven’s waist.Third Wheel Syndrome was kicking in for a while as the two kept tickling each other’s tonsils and rubbing their bodies together.“I, ah…wanted to kiss you since I talked to you on the phone,” Heaven finally said. Danica stroked a finger along Heaven’s left earlobe, wiggling it back and forth.“Mission accomplished,” Danica smiled. “You don’t date much, do you? That’s not a condemnation; it’s just, you have a raw intensity I haven’t seen in a while. I like it.” Heaven looked ready to dive into another lip frenzy when our hostess held her up. “Let’s check on the grill, unless you like your pork chops and chicken burnt as hard as the coals that made 'em.”Heaven gave Danica enough lead to make it to the grill and open it up. My friend coughed and choked as the smoke billowed out; it was Heaven’s first outdoor barbeque, or at least the first that didn’t involve a professional pit master and a whole steer.“Give her some room,” I cautioned Heaven. “I hear those things are hot.” It was my first time too, but they had similar things in Thailand so I wasn’t totally lost.Eventually, I was forced to wrap my arms around Heaven from behind to keep her from bouncing all over the place. Her enthusiasm didn’t bother me; she was fun and felt she had a lot of catching up to do. We chatted about her work and our school machinations. Danica made a crack about me and women putting me on my back – funny like a crutch.We gathered in her living room; it was the only room that had the seats to meet our needs with the meat, coleslaw, hush puppies, and lima beans to eat. There was the promise of sherbet if dinner didn’t fill us up. Things were going so smoothly that I almost missed Danica’s little ploy.“Heaven, since you are getting a beer, would you get me one too,” Danica off-handedly mentioned. We were finishing up the meal and washing it down with the appropriate beverage – lemonade in my case and beer in theirs.“Sure,” Heaven smiled warmly, and off she went. She didn’t hear Danica get up and follow her into the kitchen, though Danica did give me a wink.The moment Heaven pulled the two lagers out of the refrigerator, Danica slipped up behind her and pressed her body into Heaven’s. For a second, Heaven thought it was me and was looking over her shoulder to chastise me. I was following but was hanging back.“Zane – ” then she noticed it was Danica, “Huh?”“Hey, Precious,” Danica purred to her, “it seems your hands are occupied;” gesturing to the beer in each. Danica stretched her arms around and cupped Heaven’s breasts and began massaging them. Heaven tried to twist around but Danica didn’t let her. She bit into Heaven’s neck instead, sucking up and down from ear to shoulder.“The last time you snuck up on me; now it is my turn. How does it feel?” Danica continued. She pressed Heaven up against the refrigerator door, grinding her there for a while before letting Heaven turn and faced her.“It feels good,” Heaven gulped, “but I know some other things I want to do to you that are better.”Danica answered that by sensually sliding down Heaven’s body until she was kneeling. From there she lifted Heaven’s skirt, pulled down her double panties and started making kissing/slurping noises that made Heaven shudder in anticipation. Danica was bobbing in a slow, languid style that was pushing the tranny toward her own internal blaze. I saw the opportunity to come up and relieve Heaven of her beers before she dropped them.Heaven’s hands dropped immediately to Danica’s head and trembled with the desire to push Danica farther and farther down her cock. Danica held her off, having more blowjob experience than Heaven and I combined. I took the time offered to remove all our shirts and Heaven’s bra before alternating kissing Danica’s neck and back while playing with her tits, and going to Heaven and kissing her and teasing her nipples with my teeth.She was over-eager and was tapping Danica’s crown inside a minute, indicating the shortness of her fuse. Heaven gave a muted squeak followed by,“Oh, God, that’s so fucking good – take it – oh, God – take it!” Danica did a masterful job of soaking up everything Heaven had to give and draining her dry afterwards.Danica had to hold Heaven’s hips to stop my lover from sliding to the ground on her ass.“I think we will all be passing on the sherbet,” Danica grinned while licking her lips. Heaven nodded, first shakily but soon with much more assurance. I kicked off my shoes in my own endorsement of this plan and we were soon all migrating to Danica’s bedroom.Heaven, new to the romantic aspects of sexuality, dove straight onto the bed and shimmied out of her skirt. Danica and I stopped at the foot of said bed and shed our pants (and underwear for me). As Heaven looked at us, I pulled Danica’s hair aside and began kissing her from right beneath her ear down to the nape of her neck. Danica responded by pressing her backside into me and gyrating her ass on my crotch.Danica ran her left hand behind her back and began moving it sensually along my stomach to the base of my cock and up again. Her right hand stroked my thigh and hip on the other side. I countered by moving my left to her left breast, mauling it but leaving the nipple unmolested for now. My right hand went in a serpentine fashion to her crotch and hovered right above her clitoris.We played tag with our intimate parts long enough for Danica to start sweating and moaning against me.“Why aren’t you married, again?” she snickered. “Oh, yeah, you being eighteen and all.”“Are you too much woman for one man?” I countered.“Actually, I’ve been looking for someone special,” she confessed, but she wasn’t looking at me when she said it. That wasn’t lost on Heaven either; her jaw dropped. “Don’t freak,” Danica reassured her. “I know we don’t have much in common – I’m a townie and you’re a rich girl from somewhere else – but we have until spring if you want to hang out.”It took Heaven a few moments to digest that.“I’d like that, Danica; I’d like that a lot,” she smiled.“Well, I’d like it if you came over here and kissed me before your boyfriend drives me totally nuts,” Danica teased her. Heaven got on her knees and waddled to the end of the bed to join us.“Wait,” Heaven said at the last second, eyes wide with surprise. “I have a boyfriend and a girlfriend – I rock!” and then she dove into Danica’s lips. Danica was propelled into me by Heaven’s passionate embrace. She reciprocated by moving her hand off my hip and onto Heaven’s semi-rigid cock.Heaven’s phallus hardened quickly enough and she upped the tempo by buoying up her breasts and initiating a nipple fight between her tits and Danica’s – wow, a freaking advantage I hadn’t thought of.“Lets – ” Danica gulped for air “– get on…the bed. I want some…of this…in me,” she pulled on Heaven’s cock.Oh, yeah, this was the Heaven-Danica show and I was second fiddle…and I felt it was glorious. 'You are known not by what you do but by what you leave behind,’ or so yet another saying goes. Danica and Heaven were happy with one another, even if only for a little while. That 'while’ included Heaven retreating up the bed as Danica followed and I pursued her.“Have you been a good girl?” Danica quizzed Heaven. “Do we need a condom?” clarified the issue.“No, no, I’ve only been with Zane,” Heaven answered.“That’s hardly a ringing endorsement for safe sex,” Danica chuckled.“Damn, that’s just cold,” I groaned. “For your information, if my partner wasn’t a virgin, she was someone I know intimately.”“So you are not doing it with that Warlord chick living in your house now?” Danica persisted.“How do you even know about that? It happened Sunday,” I wondered.“Zane,” Danica sighed patiently, “I’m a cop and your house is like two miles away.”“Can we get back to concentrating on the sex?” Heaven grumbled. “I’ll wear a condom if you want. I’ll wear a harem girl outfit if you want, as long as it leads to sex with you.”“That won’t be…necessary,” Danica murmured as she positioned Heaven’s cock between her labia then began to push down.I was working out what my place in this could be when I spotted the bottle of lubricant (generic) boldly sitting on Danica’s nightstand – not very subtle at all. I shifted over, got the bottle, then got around behind them once more.“Can I join in?” I asked.“I trust you,” Danica purred. Silly her; I’m behind her with a source of lube and a passion to use it. I poured some out on Danica’s cleft and let it ooze down toward her pussy. I let it cascade over three fingers before sealing it up again. With my left hand, I began working a finger into Danica’s anus, and with my right, I worked another into Heaven’s.“Oh,” Danica grunted, as I slipped past her sphincter. Heaven’s response was to moan sensually. It took me a little while to not only work a finger in but a second one in as well; then the fun began. With Heaven, I began both pumping and making a series of circular motions; with Danica, though, I pressed down until I was counter-massaging Heaven’s cock through the walls of her rectum and vagina.“Oh, my fucking God!” shouted Danica. “That feels great; she’s really grinding against me.”“Keep that up,” gasped Heaven. “I – I can feel your fingers.” Okay, I got this one right. I could also feel the sympathetic impulses growing between Danica’s vaginal walls and Heaven’s penis; they weren’t going to last long. Drilling Heaven’s butthole in rapid-fire fashion sent her crashing ahead of the wave.“Dan – Dan – Danica – Hell, yeah!” Heaven screamed as she slammed upward into the lady cop. Danica’s back bowed and a low growling noise reverberated through her body. Both tried to use their anal muscles to grind my finger bones together; for the orgasms they were riding through, it was worth it.Danica shivered through one last orgasmic burst then settled gently down on Heaven. Heaven reached around with her arms and ran them up and down Danica’s back. Our hostess pushed off her lover’s body with her elbows on the mattress and kissed her nose.“That felt wonderful,” she smiled down at Heaven. Heaven didn’t immediately respond. “Is something wrong?” Danica worried.“I – um – it was really nice, Danica, but –” Heaven worked through the words.“But?” Danica asked.“But I think I’m into guys,” Heaven gave her worried confession. “I’m sorry; what we did felt good but what sent me over the top was –”“Oh,” Danica seemed to deflate.“Hold on,” I intervened, even as my fingers were still slowly working them both. “Heaven, you liked Danica’s blowjob; right?”“Yes. It was wonderful,” Heaven brightened up. “She’s – you are –” she looked into Danica’s eyes “– the best I’ve ever had.”“Still, you like it up your ass, don’t you?” I prodded. Heaven bit her lip and rolled her head to the side. Danica pushed herself onto all fours and sighed.“Well, damn,” she sighed, “I was sort of hoping –”“Danica, would you consider screwing Heaven’s butt? Giving it a chance?” I hazarded.“I’d give it a shot,” Danica replied after a moment’s hesitation. Being with a girl was new; being with a transgender was new; and now being the driving force in anal sex was going to be new too.“I’ll get dressed and go out to the car,” I winked. “Surprise, surprise; I worried something like this would happen so I brought a few things along.”I was afraid that when I got back from the car with my backpack holding the strap-on, that a chill would have set in. I shouldn’t have worried; Danica was surprisingly passionate and Heaven was sheer surprise itself. They were cuddled face to face exchanging small kisses and stroking each other’s hair.“I just want you both to know,” Danica held up a warding hand, “if that thing is longer than my arm, I’m calling this off.” I presented the device for her approval and while it could be intimidating, it wasn’t scarier than Heaven’s normal equipment. “I’m glad that’s going into you and not me,” Danica ended up teasing Heaven. Not to be outdone, Heaven rolled onto her stomach and wiggled her upraised butt in the air.“Oh, she’s begging for it,” Danica laughed.“Yes, she does, and if you think that’s sweet, imagine how nice it is to wake up with her ramming that pole in while riding you,” I painted the picture.“Is there any position she doesn’t like?” Danica inquired.“I’m right here, my butt up in the air. Please, somebody do something,” Heaven whined.“Not that I know of,” I ignored Heaven’s plea. “You could try it in the shower, bent over the sofa, heels up in the La-Z-boy, or hanging from the pull-up bar – she’s quite strong.”“Oh – mmm, thanks, Zane; I’ll explore those opportunities,” Danica grinned.“Hello – butt here…needs stuffing,” Heaven became more insistent.“She’s shameless,” Danica teased happily.“Absolutely,” I laughed, “but if one of us doesn’t fulfill her needs real soon, violence will ensue.”“Zane, you warm her up and I’ll figure out how to put this thing on,” Danica instructed me as she took hold of her sexual toy.“About damn time,” Heaven panted as I worked my first finger in again. I’d oiled up several fingers before handing the lube to Danica to prepare her artificial cock with. Heaven’s anus was already pliable from our activity so it took only two minutes to work the second and third finger in. By that time, both Danica and Heaven were ready.“This is weird,” Danica mumbled, as she placed her phallic head against Heaven’s sphincter. “Let me know if this – ” she got out before Heaven pushed back and gasped. “Doesn’t that hurt?”“Makes me feel full,” Heaven gasped. “Push.” Danica did indeed push, and spanked Heaven for good measure.Now that I was freed up again, I elected to recline beside Heaven and watch her get fucked by Danica. Heaven and I made eye contact; that totally free, blissful look was exceptionally special for me. I’d seen Heaven afraid far too often. I’d seen her furious far too often as well.“Zane,” Heaven perked up, “get over here. I want your cock. I want it coming and going.”“Revenge,” taunted Danica. Heaven and I had given Officer Campbell simultaneous oral and anal sex, and now Heaven was getting the same treatment. I sat my ass on the pillow in front of Heaven’s face, legs spread wide. She grabbed my cock in both hands (my penis is so massive, its ability to block out the Sun often cows primitive tribes – or maybe Heaven has small hands) and yanked it forward somewhat painfully until she could lick the tip.“Come on, Zane,” Danica egged me on, “take hold of her head and fuck her like a cheap slut.” A shudder passed head to foot through Heaven’s body and she gave out a small sob.“Heaven,” I asked cautiously, “do you want to stop?”“I’m being fucked like a slut, Zane,” she replied tearfully. “I’m being fucked like a slut.”You never know with some people. Danica gave me a worried look so I gave her a quick smile and a nod. Heaven wanted to be a woman, but almost as important was that she wanted to be seen and treated like a woman. It may have played out in Heaven’s imagination that she had gone to some seedy bar looking all hot and sexy, then a couple had picked her up so they could treat her like a bad little girl.I raised my hips, feeding more of my cock into Heaven’s mouth.“Spank your bitch’s ass,” I teased Danica. She responded by alternating noisy but not very painful slaps to our tranny’s buttocks. Heaven wanted the tease, not the real pain, and Danica was right there for her.Once we had a good rhythm going, I could feel Danica’s cock slamming at its deepest impact, Heaven squirming and squealing with the pleasure and her tongue and throat swirling around my oral intrusion. She slurped and sucked desperately while a small amount of drool marked her cheek and jaw. Heaven began making whimpering noises along with the grunts when Danica drove in deeper.All the sizzling sex I’d been forced (yeah, right) to watch sent me over the edge first.“Heaven…babe, here it comes,” I chanted several times before I finally did shoot gobs and gobs – so much it shot out her nose and mouth. Okay, not really that much, but I certainly felt some relief.Heaven swallowed with some degree of urgency because she was at her tipping point as well.“Oh, God; oh, God; oh, God, Danica…FUCK!” she cried out, then bucked up hard against Danica. On the second buck, Danica took hold of Heaven by her elbows. Heaven rocked a few more feeble times onto the strap-on but her energy was temporarily spent.Danica wrapped her right and then her left arm around Heaven, pulling her into an upright, kneeling embrace, her breasts squished against Heaven’s back.“Are you okay, Precious?” Danica panted next to her lover’s ear.“I – oh, yeah – I feel great,” Heaven wheezed. “I also…seem to have…made a mess…on the bed.”“I planned for that,” Danica answered with a kiss to Heaven’s neck. “I was hoping we’d end up here. By the way, do you want me to pull this out now?”“Yeah, my ass is getting a bit sore – muscles stretched,” Heaven shivered. I wiggled forward so that Danica could push Heaven against me as she withdrew the artificial phallus from its resting place up Heaven’s back door.When the last of it slipped free, Heaven gave a brief little hiccup, then melted into my arms.“Damn, I’m so glad I met you,” she murmured.“Thanks,” Danica and I said together, then laughed at the confusion. Heaven gingerly curled into my lap while Danica sat back and worked off the sexual aid that had brought so much pleasure.“Well, that was different,” Danica mused. “I’m not sure how much I enjoyed it but I can’t say it turned me off.”“Mmmm…that was good sex,” Heaven smiled at us both. “I like good sex.” I gave her a little nudge and communicated as best I could by eye contact alone. “Thank you, Danica,” she added. “I really liked that – what you did for me.”“In that case, we really should do it again,” Danica said nonchalantly. Heaven perked up right away.“Right now?” she hoped.“No,” I cut that conversation right off. “I need to get back to campus, and that means you have to get back as well.”“But – ” Heaven sounded hurt “– Danica…that means we can’t…”“I know,” Danica interrupted. “Zane has church work tomorrow and then I’m at work for the next five nights, so…maybe next Tuesday?”“I’d like that,” Heaven became excited once more. She crawled over to Danica and began kissing the cop and running her hands all over her body.“Bathroom, clothes, kisses goodbye, and then we have to go,” I prodded Heaven. She looked over her shoulder at me with deep disappointment. Finally, she sighed and nodded. The rest of our visit passed quickly enough. Heaven behaved, I cleaned up the strap-on and myself, and we left Danica with some thank-you’s and a bemused look on her face. I knew that expression; people had described me as having it after my second date with Heaven too.THE BIRTH OF THE JANISSARIESWhen we returned to campus, I felt my stress level rise once more. This time I was reasonably sure I had a plan but I needed some help. I sent out some messages for people to gather, and for a special few, I sent people to get the girls I wasn’t sure would come otherwise. I barely got back to my dorm room before the fire tribal meetings that had taken place there broke up.I wasn’t there to say much but I did impress upon the students that this was my turf and I wasn’t ceding one inch to Ms. Scarlett’s scheme or to any one tribe.The group that I’d assembled was very eclectic – some by force and a few of them I barely knew at all. Of the staff, I brought in Dana Gorman – because she was the prior Head of Security and our current Physical Education Coach – and Gabrielle Black, because she was the current Head of Security and I didn’t want to build an internal police force without her advice and consent.On the justice side of things, I brought in Dr. Bryce Kennedy [FYI: she is a woman], the head of the Pre-Law program, Ms. Hudson Lane, our school lawyer, and Ms. Virginia Goodswell, because I trusted her judgment where teachers and teaching were involved. Despite the oddity of the situation, they all answered my summons and didn’t look frighteningly pissed at my request.Student-wise, there was a sea of familiar faces, if not friendly ones. Only Mhain Reynard had been brought here under threat of force by Hope and Chastity. When most of the two visiting tribes had cleared out, I began my meeting.“What I have to say may ramble a bit but please be patient; we are creating something new here,” I began. “Has anyone heard of the janissaries?”Iona raised her hand, as did Hope, Christina, and Simone Brady (former Junior Class President).“For the rest of you, there was a Muslim empire of Turks who ruled much of Eastern Europe and the Middle East. They would levy a tax against their Christian subjects of young sons, and they would take these boys, force their conversion to Islam, and then use them as elite soldiers and palace guards for the Sultans.”“No, I’m not asking anyone to convert,” I warded off some of the more hateful looks, “but the principle elements of what I say will make sense, I promise. These Janissaries soon rose up to become the chief officials of the Turkish government, the most loyal and trusted of all the Sultan’s men. They were both the military and the civil authority of the Empire.” I let that sink into the crowd of bright young women I’d assembled.“So you want us as your personal guard?” Kylie Frik, a sophomore candidate for Class President, sneered. Clearly, she was thinking harem, not what I had planned. Hannah Cartwright, her opposite in the sophomore camp, figured it out.“You want us to be a police force and, I’m guessing by the presence of a few Law types, to be judges as well. You want a shield between you and direct involvement of things you might do.”“Close, but no cigar,” I grinned to Hannah. She liked me well enough but she didn’t really know me or the twisted way my mind worked. “You wouldn’t be my shield; I would be yours. The Janissaries get together and decide policy and how to best enact it; I give

Kevin Sizemore is a well-known actor who has appeared in numerous popular TV shows and Hollywood movies. The Princeton, West Virginia native's impressive resume includes appearances in several hit shows, such as Fear the Walking Dead, Resurrection, Under the Dome, and NCIS: Los Angeles. He has also starred in movies like Woodlawn, Miracle at Gate 213, and A Christmas Tree Miracle, filmed in West Virginia. In this episode, we discuss the changing landscape of TV and film as streaming services take over as the primary source of entertainment conumption. Additionally, we explore how Sizemore's upbringing in West Virginia has contributed to his success in the industry. Speaking of West Virginia, Sizemore is currently collaborating with Homer Hickam to produce the next installment of the October Sky series, titled December Sky. They aim to begin production soon and intend to shoot the entire movie in West Virginia. We get an update on where the project stands.

On this week's episode, I have actor Chris Gorham, (Out of Practice, The Lincoln Lawyer, NCIS: Los Angeles and many many more) and we dive into the origins of his career. We also discuss the work-life balance he has with his family and some of the things he wishes more actors were aware of while filming. There is so much more, so tune in.Show NotesChris Gorham on Instagram: https://www.instagram.com/chrisgorham/Chris Gorham IMDB: https://www.imdb.com/name/nm0330913/Chris Gorham on Wikipedia: https://en.wikipedia.org/wiki/Christopher_GorhamMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptChris Gorham:But in getting to know them and talking to them, Almost all of them had day jobs, like worked for the city, Worked, worked for construction crews. They had full-on-day Jobs. Some of them were Entrepreneurs, some of them worked in government. And that was a New idea to me because that hadn't been my experience here. But as the income and equality has increased so dramatically, It feels like that's where our business has been going, where everybody has to have another,Michael Jamin:You are listening to, what the hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity. I'm talking about writing, and I'm talking about reinventing yourself through the arts.Chris Gorham:Like my backdrop, this is my, oh, I love it. Official SAG after LA delegate backdrop that we used him during the convention.Michael Jamin:I know you're a big show. We're starting already. I'm here with Chris Gorham, and he is an actor I worked with many years ago on a show called Out of Practice. He's one of the stars that was a show with starting Henry Winkler, stocker Channing, Ty Burrell, Chris Gorham, and Paul Marshall. It was a great show on CBS and only lasted a season. But Chris, Chris is about as successful working actors as you can, short of being like someone like Brad Pitt, who's known across the world. You've done a ton of TV shows, and I'm going to blow through them real fast here.Chris Gorham:Okay. You can, I can't talk about them still, but your strike is over so you can,Michael Jamin:Yeah, right, because Chris is, I guess he's in sag and actually you're one of the members, you're one of the, what do you call yourself, the king? SoChris Gorham:I'm the king of SAG aftra. No, I was elected to be on the LA local board and also elected as a delegate. So that's what this background was. Our official LA delegate background forMichael Jamin:The research delegate for for the model. What does that meanChris Gorham:For the convention? Yeah. It's kind of reminiscent of Model un. So it's the convention that happens every two years where all the delegates get together and we elect the executive vice president, and there's certain offices that get elected by the delegate membership.Michael Jamin:I don't think we have that in the Writer's Guild. I think we have a direct democracy. You, I guess have a representative democracy.Chris Gorham:Yeah. Yeah. It's a much bigger union. How bigMichael Jamin:Is it? How big do you know? AboutChris Gorham:160,000 members.Michael Jamin:Wow. Okay. Members, but that's active members. And what do you have to be to be an active member?Chris Gorham:What do you have to be? DoMichael Jamin:You have to sell? You have to work a certain amount or something?Chris Gorham:No, once you're in, you can stay in as long as you pay your duesMichael Jamin:Every year. Oh, okay. But then that doesn't mean you get health. You have to qualify for health insurance and stuff like that. Correct.Chris Gorham:Well, it's a big part of the strike. It's one of our big talking points really is only about 13% and just under 13% earn enough to qualify for our healthcare plan. And I mean, that's only about $26,700 a year to qualify for healthcare.Michael Jamin:That's a big deal. I mean, healthcare, healthcare. So most people don't realize this, and it seems so naive to say this, but I get so many comments when on social media, all these actors are millionaires. Dude, what are you talking about? You can be a working actor and book two gig. You're lucky if you do two gigs a year. AndChris Gorham:Well listen, it goes to the heart of what this strike is about is that it's worse than people even think because just to what's the best way to talk about it? So a big part of our asked during this negotiation is a big increase in the contributions to our health and pension plan by the producers. And the reason is that they haven't increased it in a long, long, long, long time. So for instance, one person could work, let's say you got hired to do an episode and got paid very well, right? For one episode. Let's say you're getting it, it's an anthology show. They're paying the top two people like series regulars, and you're getting a hundred grand for one episode. So you would think a hundred thousand dollars. That is a lot of money for one episode. If I'm doing that, I am clear. Definitely qualify. You do not qualify for healthcare because you've only done one episode and the producers only have to contribute up to a certain amount. So even though you've made a hundred grand in one episode, you still have to book another job, at least one moreMichael Jamin:And clear,Chris Gorham:Not going to qualify for healthcare.Michael Jamin:I've produced a lot of shows. I don't recall ever paying a guest star anywhere close to a hundred thousand an episode. No, not even close.Chris Gorham:No, no. And the minimums have, right now, I think for a drama, the minimum's around $9,000, maybe a little more than that for an episode for top of Show guest start like the top paid guest shows on those shows. Yeah, you can't. And it's become almost impossible to negotiate a rate higher than the minimums.Michael Jamin:You can have a quote and they go, well, that's too bad. This is what we're paying you.Chris Gorham:Correct. This is what we're paying you.Michael Jamin:Let me just run through some of yours so people know who we're talking about because some people are listening to it. So Chris is, I'm going to blow some of his bigger parts, but he works so much. So let's start with Party of Five where you did four episodes, which I love that show. I just had to mention that, but of course, popular. You did a ton of those. Felicity, remember that? Odyssey five, Jake 2.0, which you started in medical investigation out of practice, which I mentioned Harper's Island Ugly Betty, Betty Laa, which I loved, of course, covert Affairs and what else? I'm going through your list here. Full Circle two Broke Girls. You worked with two of the broke girls and insatiable the Lincoln lawyer, and that doesn't include any of your guest chart. So you are incredibly successful actor and you've strung, actually, I want to hit on something. Sure. So this is a little embarrassing on my part. We had a technical, this is our second interview because I had technical errors on my point. I'm not that good with technology, even though I've done well over a hundred episodes of this, and Chris graciously allowed me to do this over. But one of the things that you said, the thing that struck me the most during our last talk, which I found incredibly interesting and humble, I said to you, Chris, how do you choose your roles? And do you remember what you said to me?Chris Gorham:Yeah, yeah, of course. Yeah. I said, I should be so lucky. Yeah. The reality is, it's like actors like me. I've had a lot of conversations with actors like me who star on television shows, multiple television shows, and we all joke about how many times we've been asked in interviews. The questionMichael Jamin:Really,Chris Gorham:Why did you choose this to be your next project?Michael Jamin:Right. Well, I wanted to eat. That's why.Chris Gorham:Yeah, yeah. Because I think journalists sometimes forget, and they think that we're all to use your example, Brad Pitt, and that we're being sent scripts and we get to choose what our next project is, but in reality, that is not at all. What happens, what happens for the vast majority of us is we are sent auditions. Sometimes we get the scripts, sometimes we don't. And we put ourselves now what used to be going to the casting office. Now we put ourselves on tape and we send it off into the void, and we hope that we get hired.Michael Jamin:And you'll work on a part. When you do get the script, how long will you spend preparing for that before you submit your tape?Chris Gorham:Oh, it depends mostly on two things. One, how many pages it is, and then it depends on how well written it's, to be honest. You've heard this before.Michael Jamin:Go ahead. Tell me.Chris Gorham:The better the writing, the easier it is to memorize.Michael Jamin:Right. And explain why that is.Chris Gorham:Well, the reason is is because it makes sense. If it's written like a human being talks, then the next sentence follows from the sentence before. If you understand the emotion of what's going on, then it just makes sense and the dialogue flows and it's just so much easier to memorize. The stuff that's always the hardest is when you're the character that's laying pipe and you're just spewing out exposition and it's not really coming. Listen, the good writers are always trying to tie it down to that emotional reality, but sometimes you got to lay pipe, and that's stuff's always the hardest, particularly if it's a bunch of medical jargon or legal jargon. That kind of stuff is crazy.Michael Jamin:And what people don't also realize, I think, is when you're starting out an actor, oh, I could play everything. I could play a villain. I could play a teacher, I could play a biker, I could play a doctor. That's fine when you're in your high school play, but in Hollywood, you're going to be cast the part that you are closest to because if not, we will cast someone who looks like a biker or who was a biker, and we'll cast someone who looks like a doctor. Right? Yeah. So you have to figure out who you are, basically.Chris Gorham:Yeah. Well, it's one of the, I went to theater school at UCLA and I was very lucky because during my freshman year, they decided to start a conservatory program within the theater program there. So we all auditioned and I got into this conservatory program. So for my last three years, it was conservatory training, and I still got my bachelor of arts degree from UCLA. It was the best of both worlds. One of the things that I felt like a few years out after having it is I wished they had spent a little bit more time helping us learn how to act like ourselves. You spend so much time in theater school, learning how to stretch your creativity, working on your voice, working on your body movement, body awareness, vocal awareness, and then learning how to play all these different kinds of parts and all the plays you're doing. All the parts are filled from college students. So sometimes you're playing an old man, sometimes you're playing a young woman who knows. But the second you start auditioning for roles professionally, you're only going to be seen for roles that you physically look like. And so it's really important to quickly learn if you haven't already, how to be you. Right. How do you do that version of you?Michael Jamin:Where do you begin with that?Chris Gorham:Well, it takes practice. We used to do an exercise. It was in one of the very beginning acting classes. In fact, I didn't even take this acting class. I was observing, I think my senior year, one of the grad students was teaching it. And it was just as simple as everybody got in circle and instead of being crazy and dancing like a tree or whatever, it was literally, it was just walk across. Just walk from point A to point B. Just you just don't do anything. Just walk from what, and you would be surprised how difficult that can be becauseMichael Jamin:You become self-conscious of what you'reChris Gorham:Exactly right. You become and you feel like you should do something mean. And especially for a bunch of theater kids who've kind of grown up in their theater school, all high schools and stuff all over, it's all about being big, and it's all about the jokes and getting attention and to let all of that go and just be in the market is a very difficult thing for a lot of people. But it's super, super important. And that carries through forever. Just being just be there. You don't have to do anything, particularly when you have a camera on you, and particularly when it's time for your closeup, you don't have to do a lot. You just have to be there and be present and alive in the scene.Michael Jamin:But so much, I think some people, they greatly underestimate how difficult acting is because it looks like make-believe and whatever. We're just, you're having fun on the camera, but to be in the moment, especially when the cameras are on you and everyone's watching in, go hurry up and go, because we've set up the scene for half hour and we want you to shoot it now. And it's so hard to stay in the moment, I think. So how do you stay in the moment when you become conscious that you're actingChris Gorham:Now? If I become conscious that I'm acting now, I'll just stop.Michael Jamin:You willChris Gorham:Often I'll just stop and say, can we start over? Can we just go back to the top because for whatever reason, and then go again. Because if I'm conscious, then I'm not in a scene, then it's not going to work and they're not going to be able to use it. So I would just stop and go back. I mean, it's the great advantage of film, right?Michael Jamin:But you do much theater anymore, because that's different when you're on stage.Chris Gorham:I only feel like benefits and things for years. We're rehearsing for one this weekend, we're doing the Girls Benefit to raise money for breast cancer research.Michael Jamin:So it's one show.Chris Gorham:It's one show. I mean, for me, I've been a single income family of five for almost 23 years. So with that, I haven't able to afford to go and do theater, but I miss it. I love it. I did two weeks, 14 years ago, I did two weeks in Spalding Gray Stories left to Tell in New York off Broadway.Michael Jamin:Really? So you were Spalding Gray, I mean, it's a one man show,Chris Gorham:Right? Yeah, yeah. Well, it's a one man show split into five different personalities. So it's different parts of him. And so the business part, they would swap out celebrities every two weeks. And so I came in and did that for two weeks, and it was the best.Michael Jamin:And this was in New York?Chris Gorham:Yeah.Michael Jamin:That's amazing. How did something like that come up? How do you get that?Chris Gorham:I don't know. I don't remember. I don't mean it must've come through my agents or my manager. I don't remember. I don't remember.Michael Jamin:Wow. How interesting.Chris Gorham:Because now, I was just going to say now, it's been so long since I've done, I've become, I'm so out of the loop of LA theater in particular, which is kind of more feasible for me at this point, just because it's close and easy. I don't even really know how to get back in. In fact, one of my youngest was doing a summer theater camp at Annoys Within, and it's close to where we are. So I was trying to figure out, I reached out to my manager, I was like, Hey, is really close. Is there, are they doing anything that would make sense for me to do something with them over there? They were like, yeah, that's a great idea. And they never heard anything. So I just emailed them my photo and resume with a letter, and I never heard anything back. So I literally, I don't even know how to approach getting cast in theater anymore,Michael Jamin:Because your agent, there's not enough money for your agent to work on it.Chris Gorham:They couldn't be less interested.Michael Jamin:I'm always curious how that works. We just saw a show at the Pasadena Playhouse and I was like, well, how do these actors, how do they, yeah, ifChris Gorham:You find out, let me know the Playhouse also write down the street. It'd be amazing.Michael Jamin:Yeah, there's always some, but then again, you would have to commit to something. And during that time period, let's say it was two months, you can't take other work you've committed and something big could come along, who knows? IChris Gorham:Mean, maybe. But also that is, you live with that fear all the time, no matter whatMichael Jamin:Do you mean even if you're on a show, you mean?Chris Gorham:Well, not if you're on a show, then you're working well, then you worry about the show being canceled and then that you're never going to work again. But when you're not working, well, this brings up two thoughts. One is there's a fear of taking something that's not the big thing, because you are afraid that if you do this smaller thing that it's going to conflict with the big thing that might be just around the court. And the other thought that it brings up is I talked with so many actors over the years who are not working and are really struggling and feel paralyzed about going to try and do anything else because there's this intense peer pressure that, well, you can't quit. You can't quit now that your moment, it might be just around the corner, it might be the next audition.Michael Jamin:You mean quit Hollywood and do something for a different career, youChris Gorham:Mean? Yeah, go do something else. You got to hang in. You got to hang in. And I feel like it's a really difficult balancing act because the truth is that this business is really, really hard to go back to the strike. It's gotten increasingly difficult to the point where it's almost impossible with an actor to make a living, to be able to raise a family, to be able to put your kids through college and those kind of life things that are important to so many of us.Michael Jamin:And I know, and that's why you fight and that's why you fight. And that's why it's so people think, well, so what for actors? But the problem is like you're saying, if actors can't make a living in between or you're starring in a show, that's great, but the show will probably get canceled up to one season. But you still need to keep a healthy talent pool of actors who can continue to keep a living, because if they can't, they're going to leave. And then how are you going to cast as writers and producers? How do you cast this part if there's not a healthy talent pool? That'sChris Gorham:It. That's it. We can't continue paying the stars these massive, massive, massive amounts of money and having everybody else working on these tiny minimums because it's unsustainable. The best and the brightest of us that haven't won the lottery are going to go do other things because there's more to life and life. You can be an actor without pursuing it as a career.Michael Jamin:But I haven't heard those notions come up at all. Maybe I'm not just tuned in, but the idea of, well, maybe we're paying the stars too much, or has that been a discussion at all?Chris Gorham:I mean, I have that discussion. Yeah. Oh, really? Well, yeah, because it's not that, well, certainly for me, and not so much from my personal experience, but just from my kind of bleeding heart observations of this business, when you see movies, it's why, like I've said for a long time, the only way now to make a living in this business is if you're a star or a series regular on a TV show.Michael Jamin:Yeah. Yes, I agree with that. It's theChris Gorham:Only way because all of the supporting cast, none of the supporting cast makes enough money to make a consistent living in this business because your stars get massive amounts of money. Everyone else is working scale, and the minimums have not risen nearly enough to make it enough. And the stars, well, this is the excuse the studios use, is that they're paying the stars so much. There's no money left to pay anybody else over scale, so no one else can negotiate over scale. And in tv it's a similar thing. So it just makes it very difficult.Michael Jamin:And not only that, LA has always been an expensive city to live, but now it's crazy. It's like crazy. I can't afford, if I hadn't bought my house when I did it, I couldn't even come close to affording this house and have a middle class house. It's something special about it. So these are the issues that actors are fighting over. Yeah, it's an important, it's so interesting when you hear your friends or colleagues thinking about leaving, do they tell you what they're going to do or what they want to do? It's such a hard thing when you're middle aged, what are you going to do?Chris Gorham:Right. No, it's true. It's true. No, I have some friends that have gone into teaching.Michael Jamin:Okay.Chris Gorham:Yeah. Most of my actor friends are still around. Have one friend who started the business ages ago and still runs that business while she's worked periodically as an actor throughout all of these years. And she still works frequently, but her main income is from this business that she created. Right.Michael Jamin:She's very, so you got to be entrepreneurial, basically. Yeah.Chris Gorham:Yeah. It's funny. I did a movie early in my career where we shot in Tonga and New Zealand, and we had a lot of New Zealand actors were working on this film and in talk, and some of them were quite famous in New Zealand. They were working on this famous New Zealand TV show, like legitimate celebrities. But in getting to know them and talking to them, almost all of them had day jobs, worked for the city, worked, worked in construction crews. They have full on day jobs. Some of them were entrepreneurs, some of them worked in government. And that was a new idea to me because that hadn't been my experience here. But as the income inequality has increased so dramatically, it feels like that's where our business has been going, where everybody has to have another gig.Michael Jamin:Yeah.Chris Gorham:It didn't used to be that way. And I don't think that it has to be that way.Michael Jamin:Yeah, I agree with you. Yeah. I mean, it's definitely, yeah, it seems very unfair. It doesn't seem, well, I mean, I guess all things is fair about being an actor. Being an actor has always been a pursuit of like, well, is there anything else you could do? Then choose that? But true, it seems like now it's like, I don't know. What do you do? What recommend then for people, young kids or kids, whatever, 20 year olds who considering getting into the business?Chris Gorham:Yeah, I mean, that advice I think is evergreen. That if you can go do something else as a career, absolutely do something else as a career. Oftentimes the advice I give is when you're young, spend a lot less time thinking about what you want to be when you grow up and spend a lot more time thinking about what kind of life you want to live when you grow up, what kind of things do you want to do? And then you can find career paths that will allow you to live the kind of life you want to live. And it becomes less obsessed with having a certain job.Michael Jamin:Well, that's something to consider. So for you as a working actor, sometimes you'll be on location, you might be in a different city. Is that something you away from your family, which is hard as you were raised in a family, is that something you considered? Is that something you would reconsider now?Chris Gorham:I had no idea. I grew up in Fresno, California. My mom was a school nurse. My dad was an accountant. They didn't know what to do with me, and I didn't know anything about the business. I wanted to be. Yeah, I didn't know. Yeah. I had no idea. And so my first, and I was very fortunate. I got out of school, I started, I got my union card in 1996, the year I got out of school was booking occasional guest stars on things. My first job was one scene in a movie with two big movie stars, big famous director. It was awesome. And then I booked my first series just three years after school. Cool. And it was shot at Disney. It was like 10 minutes away from our little place we were renting. And then it was canceled and it came out of nowhere. And then I was very fortunate again. I booked another series two weeks later, but that one shot until longMichael Jamin:AndChris Gorham:I had no idea what that meant. And I left to do that pilot six weeks after our first born son, our firstborn was born. So my wife, anal had no idea what no idea we were doing. Suddenly we had a newborn baby, six weeks old, and then I'm gone for five weeks. It was extraordinarily difficult.Michael Jamin:I apologize. Something must be open and I have to shut it down because someone's, I'm sorry.Chris Gorham:Oh, no worries. Okay.Michael Jamin:I thought everything shut. But yeah, so to continue, so that's heartbreaking. You have a brand new baby and you're out of town. You left here.Chris Gorham:Yeah. It was hard. And we didn't, because we didn't grow up here, so we had no experience. I don't know how to do this. And no one was really kind explaining to us, okay, this is how you get through this. These are the different ways you can do it. These are the options. You know what I mean? I didn't have anybody, I didn't have a mentor or somebody guiding me in how to do this thing.Michael Jamin:But at any point in your career, you must, because worked for so many actors, you must have at some point found someone a little older and wiser. Right?Chris Gorham:Well, the closest thing we had was Anelle had Stacey Winkler. It was really sweet. Anelle used to sit next to Stacey Winkler at every taping, and they would just talk and Stacey would give her advice, and it was great. One week, Anelle come to the taping, and the next week Stacey scolded her and was like, you have to be here every week and let everyone know that that is your husband.Michael Jamin:Interesting. I remember she came to, I think every out of practice,Chris Gorham:Everyone.Michael Jamin:So why is it about staking your territory? What was that? Or is this being supportive?Chris Gorham:What was it? No, I think it was both, but I think partly staking your territory. I was the young guy, the young handsome guy on this show, and it's a CVS show, and so she was like, you need to be here. But then it was also she said, but then he's the star here at work. You have to make sure that when you get home, the kids are the star, not him. You have to make it veryMichael Jamin:Clear. Was there a difficulty for you? Is it hard to go home and not be the star? What was that like?Chris Gorham:I had gotten pretty good at it, certainly by then. But I would imagine looking back in the beginning, it's kind of that power corrupt and absolute power. Corrupt absolutely. Of course can go to your head when you are getting a little famous and you're making some money. And when you're at work, you are catered to, you're one of the stars of the show. You're catered to a handed foot. Everything's taken care of. I've described it as series regulars are treated like fancyMichael Jamin:Babies on set.Chris Gorham:Don't upset the babies. You need to keep them safe at all times. You need to keep them comfortable at all times. You don't want them crying. You don't want them cranky. You need to keep them fully regulated because when everything's ready to roll, we need the fancy babies to be able to perform. And as soon as they're done, we want them to go back to their cribs slash trailers so that then the grownups can finish getting everything ready for the next shot.Michael Jamin:And imagine giving this kind of pressure to a child actor. I mean, have you worked with many child actors?Chris Gorham:Yeah, many over the years, and I can say almost all of it. Almost all of it's been a good experience. I haven't had any total nightmares with child doctors. That being said, every parent that's asked us about getting their kid into the business, we have always advised against it. And we didn't encourage any of our kids to get into it.Michael Jamin:It's rough. I haven't worked with many child, I just haven't been on shows with a lot of kids. And I am glad because I have a feeling I would when a kid is messing around on set in between takes or just not being professional because they're acting like children the way they are supposed to act. In my mind I would be thinking, stop fucking around. This is work. I know that's what I would be thinking, which is an awful thing to put on a child. But that's what you're paying them a lot of money to do. It's a hard position. I don't know. I just feel for those kids, I just feel like, yeah, I know. That's where Ill be thinking. Hopefully I wouldn't be saying it. Yeah,Chris Gorham:It's difficult. It's very, I mean, sets are, they're not for kids. They're an adult work environments, which by the way, some adult working actors need to be reminded occasionally that these are adult working environments. This is not your personal playground. But yeah, it's a difficult environment for kids. So I mean, you need them. So I'm grateful that they're there.Michael Jamin:I think that too sometimes. Sometimes I'll see an actor goofing around too much, and we're all, I'm like, dude, let's get out of here. All the crew wants to go home. They've been working 12 hour days for the past week and a half. They want to go home too.Chris Gorham:Well, let me tell you, this is one of the things where with every showrunner that I've become friendly with, I highly encourage them, if at all possible, to bring their series regulars behind the curtain and bring them to at least one production meeting that show them how the sausage really gets made, expose them to all of the other incredibly creative, intelligent, wonderful people who make up this team that makes the TV show or the film. Because then they get to see, because as cast, especially as the stars of the show or the film, you really are treated as if you are the most important cog in this machine. And it's really helpful, I think, and just the team morale, if actors understand that they are a very important cog in that machine, but just one of the cogs in the machine. YouMichael Jamin:Said you learned this, I think when you first were directing, you started directing episodes of the shows, you weren't, right?Chris Gorham:Yeah. I had think a basic actor's understanding of how things work on set. And I'm not to blow my own horn. I'm generally a nice person. So I'm kind to people. I'm nice to everybody on set. I learned people's names. I generally understood what people did, but only when I started directing did I really understand just how incredible the whole ensemble is and how much the rest of the team has to offer and is contributing to the show or the film. It was just a level of respect that I don't think I could really have until I was allowed behind the curtain to see how it was happening. So whatMichael Jamin:Would you recommend? Would you recommend that every week one actor attends a production meeting? Is that what you're saying?Chris Gorham:Listen, that's one way to do it. Right. However it works for that showrunner, for that production, I would just encourage them because I just feel like so often, and I think, I don't know if it's true now, but I've talked to showrunners in the past that have talked about the show and the training program and about the message they got was to keep the cast at arm's length. Really? Yeah. And there certainly can be good reasons for doing that. I can understand why that sometimes makes the job easier, certainly, and sometimes maybe makes it possible. But I just think there's more to gain by bringing them in to letting them see, really meet the whole team and get to know the whole team. And because there's just, I mean, truly, you see what the set designers do, and you see what the customers do, and you see, we get to understand how lighting works. You know what I mean? It's just how hard the ads work on putting together with the schedule and learn why the schedule gets put way put together the way it gets put together. And once you understand it, then maybe you're a little less mad about having to be last in on Friday, two weeks in a row.Michael Jamin:Yeah.Chris Gorham:You see, it's like they're not out to get you. They are trying to accommodate you, and you are not the only factor that is being accommodated.Michael Jamin:You're talking about the writers now?Chris Gorham:No, I was talking about the cast look, in regards to schedule casting,Michael Jamin:Very, very frustratedChris Gorham:About scheduling.Michael Jamin:Oh, I see. Yeah, that's always right. I can see why that would be frustrating. So what happens? You get a call sheet and you're told to come in whatever, 8:00 AM and they don't get to shoot your part until 1:00 PM and you're like, why did they call me in so early? And sometimes it just happens. It works out that wayChris Gorham:Sometimes. Yeah. They're trying. They're trying. And sometimes it just doesn't work out. And with the scripts, with writers, it's a similar kinds of thing. It's like once you understand how many chefs are in the kitchen of getting these scripts, these stories broken, and then these scripts written how many notes the writer has gotten about their script from the studio and then from the network before it ever gets to the cast.Michael Jamin:You're making me anxious just talking about it. No joke.Chris Gorham:Sorry. And then that's why as a cast member, when you then go to the writer and say, Hey, can I ask you about this? Your writer looks like they're dying a little inside.Michael Jamin:Yeah. No, no, I can't do that.Chris Gorham:And it's like, so the best writers that I've worked with have always been very organized about how actors give notes. They're like, if we're doing table reads on a show, they'll be like, look, we're going to do the table read. Everybody's got 24 hours to give whatever notes or feedback you've got about the script. And then after that, we're considering it locked. Please respect that once you're on. The idea being that you don't want to spend a lot of time on the day when you're there waiting to shoot, talking about suddenly having questions about the scene and asking it to be rewritten. That's not the term.Michael Jamin:Yeah, it's not. And because we have to get next week's script and next week's script is a disaster. I'm telling you, it's in terrible shape. That's how it always is.So you want to worry about this. What about the crashing plane out there? That's going to be, I remember, I have to show, I can't remember if I mentioned this last time we spoke, but one of my favorite experiences of working in Hollywood was when I was an out of practice, and I can't remember what I was doing. I think the showrunner, Chris, I think he had me deliver pages up to the actress. It was show night right before the show, and I don't know why it was made, but for some reason, I remember carrying a couple of scripts to the dressing room maybe an hour before the showtime, and you guys were all there, the whole cast, and you're holding hands. And Henry's like, come on, Michael, come on in, come on. And I'm like, what's going on right here? And you're all just holding hands. And he goes, and he invited me in. I'm like, but I'm a writer. What do you mean? No, grab some hands. So I remember taking who, who's hands? I don't know, but I'm in the middle. I'm with a circle. I'm holding hands. I'm like, what is going on here? And then you guys did, I don't know what you would call it, but it was some kind of, it'sChris Gorham:Like a little vocal warmup or something. No,Michael Jamin:It was almost like a blessing. It was like a blessing. It was almost like, what's it, we are here to, I am curious if you've done this since then. It was like, we are here to support each other. We're going to have a wonderful show. We're all together. We're a family. And it was almost spiritual. It was very, I guess you haven't done that. You don't remember this.Chris Gorham:I remember doing that. I don't remember that specific moment. But that was all Henry.Michael Jamin:But it wasn't every week that you guys didChris Gorham:That. Every week we did that.Michael Jamin:Yeah. Okay.Chris Gorham:Yeah. Every week it was our ritual, but Henry started as the ritual before we went down to start the show. We would have this time just with a cast or occasionally with a writer who'd come in.Michael Jamin:I thought it was a beautiful moment. I really did.Chris Gorham:It was really great on dramas. You don't do that because you don't have that moment where you're all together about to go start the show. That's already happened to me on sitcoms.Michael Jamin:So maybe it's a theater thing then. Do you thinkChris Gorham:For sure it's a theater thing. Yes. Yes.Michael Jamin:Yes. So tell me, this happens on other employees always before every show or before every night. Opening night every night. Yeah.Chris Gorham:I mean, of course it depends on the show, right? It depends on who's there and who's, but yeah, thinking back, even when I was a kid in Fresno doing local theater, they would always feed circle up right before Showtime.Michael Jamin:Is that what they call, is there a name for this circle up? What is it?Chris Gorham:No, no. That's just what I'mMichael Jamin:Using. So there's no nameChris Gorham:For you get in the huddle. You get in the huddle.Michael Jamin:But I really thought, I still remember it. I was touched by it that this is something that you guys did to support each other so that you could hold space and feel safe in front of a crowd and know it was a very team thing. And I was like, wow. I felt almost like I was invading it. I felt like I don't belong here because I'm not on stage with you guys. But that's what I remember. It struck me. Something else that always struck me was how well guest stars were greeted by the regular cast. That's a very, very position. You've been on both sides of that,Chris Gorham:Right? Yeah, for sure.Michael Jamin:For sure. What's that on both sides for you?Chris Gorham:I've worked on shows where I have, where series regulators never spoke to me. We were in a scene together, but outside of the scene never spoke to me.Michael Jamin:So action. And this is the first time you're talking to them.Chris Gorham:Correct.Michael Jamin:I suppose that could be good if your characters were just meeting for the first time, but is thereChris Gorham:Sure. I guess. I guessMichael Jamin:I guess.Chris Gorham:But we could, we're professionals. We could pretend. But that was pretty early in my career. Now I don't really have that experience anymore. But also, I took it with me and I made it a point, having had that happen once or twice early in my career, that once I was the series regular, I've always made it a point to never ever do that,Michael Jamin:To always welcome the guest star and just absolutely greet them. It's a hard thing to stay. I mean, think about it's the first day of school for them. Yeah. You're walking into, you don't know anybody. I,Chris Gorham:No, it's difficult enough. Like you said, this is a difficult job. And why make it harder on somebody who is coming in on the bottom of the rung of power at this show? Why would you use the very real power that you wieldMichael Jamin:Show it's It is real.Chris Gorham:Yeah. Why would you wield that to make someone who's on your team, right? Uncomfortable. Why you?Michael Jamin:But we know these actors. I'm the star. I want you. I want to remind you. It's like, dude, we know. We know.Chris Gorham:Yeah. There are people like that. I feel like that's the exception. It happens. Oh, really? But I feel like it's the exception.Michael Jamin:Interesting.Chris Gorham:Yeah.Michael Jamin:Hey, it's Michael Jamin. If you like my content, and I know you do because you're listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michaeljamin.com/watchlist. And now back to what the hell is Michael Jamin talking about?One thing we also spoke about, which was very interesting to me, was I don't know what they call now, I guess, what do they call? They call it sex coordinators. What is the role for those peopleChris Gorham:Who, oh, intimacyMichael Jamin:Coordinators. Intimacy coordinators. But you mentioned that they have other functions. It is not just when two people are lying in bed, half naked. It's also for,Chris Gorham:So the way that I describe it to people who've never heard of intimacy coordinators is everyone's familiar with stunt coordinators. So stunt coordinators are brought onto a set to keep actors physically safe. Intimacy coordinators are brought onto a set to keep actors emotionally safe.Michael Jamin:And this is relatively new thing. Maybe what, five or 10 years or something? Maybe less,Chris Gorham:Right? Yes. New. And we are pushing to make them required. But one of the hurdles before we can make them a requirement like a stunt coordinator is required. One of the hurdles is actually getting enough intimacy coordinators qualified, trained and qualified to do thisMichael Jamin:Job. Are most of them, are they therapists, counselors? What's their training, do you think? No,Chris Gorham:I think a lot of them come from the acting court. Really? Really? Yeah. Yeah. BecauseMichael Jamin:You mentioned it's not just that. It's also like if you have two characters yelling at each other in a scene, no sex, they're just yelling at each other that an intimacy record will talk to you afterwards, right?Chris Gorham:Yeah. So here's a couple things that we did. I'd worked on a show where we had a scene, it was a sexual assault scene, but there were no clothes, there was no nudity and things stopped before things progressed to the point where we were physically exposed. But that kind of scene, you're very emotionally exposed, right? And this was my first time interviewing with an intimacy coordinator. I didn't really know what to expect. So there was a part of the conversation was, okay, for instance, it's written in the script that the other character is going to reach down and grab your groin. And I talked to the in music coordinator saying, I talked to the director and the director wants to see that. He said, are you comfortable with that? Here's what we have to protect you. We have a piece that's going to go between your pants and your underwear to protect your groin.And so when she grabs you, that's all she's grabbing. It was like, okay, great. That's super helpful actually. Great. I've never had that before. And it seemed like that. And it's nice. It makes me feel more comfortable. Certainly makes her feel more comfortable. Who wants to do that? Nobody. But then after the physical parts of discussion, then the conversation shifted. And she said, another thing that I've done with a lot of actors who've done scenes this, I would recommend that you put together a self-care routine for the end of the day. I was like, well, what do you mean? Like it could be anything. Whatever is going to be comforting to you. Some people, you might make a put things together. So you can draw a bubble bath when you get home. You might put together a playlist of music that makes you feel good.It might be pictures of your kids, could be whatever it is that is going to give comfort if you need it at the end of the day, because you never know what scenes like that might trigger. And that's the thing is you write scenes like this and it's necessary for the story, and you works as appropriate for the characters, but you never know what the actors as people, what their life experience has been. And they may have in their real life, been through an experience like that. And so then reenacting it can be very triggering. And it's the thing about acting when you're doing these emotional scenes, be it anger or big crying emotion, your body doesn't know you're pretending.Michael Jamin:Exactly.Chris Gorham:Exactly. So you mentally, well, this is pretend none of this is real. We're on a set crew numbers and friends, but your body doesn't know the difference. Once you're experiencing those emotions, you are experiencing those emotions and you never know what it's going to bring up. So that kind of care, emotional care, I thought is really great.Michael Jamin:And it's like, you'll do this just so people are aware. If you have a scene where you're screaming and yelling or sexually assaulting someone or whatever, and your adrenaline's pumping and whatever, your, not hormones, but cortisol. Cortisol is racing, whatever. All this stuff is going through your head and your body doesn't know, and you're doing the scene a dozen times and it's very hard. I feel it's must be hard to wash that out of your system.Chris Gorham:Can be. It can be. I mean, that's the thing. And it's different for everybody. I ended up, I was okay at the end of the day. I was exhausted, but I felt okay. But I was glad that I'd put some thought into, if I'm not feeling okay, here's what I'm going to do, it's going to help me feel better. And just having thought about it, I think just helped.Michael Jamin:No, I don't think I've ever worked with an intimacy coordinator because in comedy we don't really do a lot of that. But is it always a sexually charged? Is that what the line is? It's not just drama. There always has to be some kind of sexual element when they're brought in. Is that what itChris Gorham:Is? That's certainly how it started. And I think now it's one of the things, it's still new. We're figuring out when it, certainly on the sexual stuff, I'm trying to think. It was interesting. There was a resolution. I think there was a resolution that's going to be coming up the convention. There's lots of conversation about intimacy coordinators. But there was some conversation that had never crossed my mind. But once I was talking to someone about it, I thought, yeah, you know what that makes a lot of sense is bringing in intimacy coordinators when you're physically with children. Physically with children. So for instance, you are playing a dad and you're working with kids and you're getting in bed and cuddling with the kids at bedtime, or you're putting your daughter on your lap to have, because they had a rough day and you're cuddling and you know what I mean? And you're having physical contact with kids to have an intimacy coordinator there just to make, because again, you don't know what people's experiences been to protect the kids so that there's a conversation and there's somebody there watching. And I thought, you know what? Smart, that's a great idea.Michael Jamin:That is a really smart idea. Because we don't know what these kids have been through. We don't know.Chris Gorham:And again, most actors, most people in the world are caring, kind, certainly empathetic. That's their wholeMichael Jamin:Job. That's the job.Chris Gorham:But just like any other profession, some people need help. Some people don't always have the best intentions, and some people don't always behave well. And so it's important. So yeah, I thought that was just such a good idea.Michael Jamin:I totally agree. We also spoke about how you handle it when you are working with an actor who maybe isn't as professional or prepared as you are in the scene and what you do. I thought it was interesting what you had to say.Chris Gorham:Okay, so huge pet peeve. For me. It's like, no, it really bugs me when you're working with someone who hasn't bothered to learn their dialogue. So that's a huge No-no. But then sometimes you are working with an actor who just isn't great, who just for whatever reason isn't great. So my strategy for dealing with that is I just basically start acting to an X. I just don't, whatever they're giving me is just bad. What I know is that the editor is going to cut around the bad performance and they're going to use me. So it's even more important for me to stay completely engaged in the scene. And it's an extra level of acting challenge because then you're acting. It's like, I don't know. It's working on one of the superhero movies or something where you just start treating them like a tennis ball and you do the scene regardless because you can't let them affect your performance. Your performanceMichael Jamin:PerformanceChris Gorham:Has to be there.Michael Jamin:But let's say you were working with a casting director. I've worked with many, obviously many, and some cast directors, they'll read with you, and some of them are not great actors. NoChris Gorham:Read bad.Michael Jamin:And then you have, as an actor, you were trained to react and to what they give you, but how do you deal with it when they're not giving youChris Gorham:Enough? It is. It's really hard. It's one of the nice things about this whole self take resolution is that's kind of taken out of it because you've got, hopefully you have someone working with you that's going to give you something. And if not, you can do multiple takes and send the best one. It was always one of the most difficult things about auditioning in the room is when you are, and I've heard so many horror stories, I've experienced just a couple, but when you're doing your audition and the person you're reading with is garbage, and so much of it becomes, it's not like how convincing their reading is. For me, it was always a rhythm thing. It was like they just aren't listening. And so the rhythm gets completely screwed up. And it's like,Michael Jamin:I always feel for actors when they have to do this, you have a crappy sketching director. It's like, well, what so hard.Chris Gorham:Or you look up and the casting director's like on the phone,Michael Jamin:That's even worse. EatingChris Gorham:Lunch and not this.Michael Jamin:If you prepared a scene and in this moment you're going to be hot, you're going to be yelling, and the casting director is not giving you enough for you to get angry at. So you're saying you just go ahead and do it the way you prepared, even though if the scene, but then it looks like you're almost looks like you're crazy. You're getting angry and the cast director's at the lunch. It's just something you got to deal withChris Gorham:Because that's the scene. And they're probably, even when you were in the office, usually they were recording it. Right. So all they're going to see is your side.Michael Jamin:Okay.Chris Gorham:So you have to doMichael Jamin:That's good advice.Chris Gorham:Yeah.Michael Jamin:I remember, this is years ago, we did a scene. We had this very famous actress. Actress. She was older, and we booked her and she came for the role and it was exciting to have her on set. She was very famous, but she should not be working. Her agent should not have booked her because I'veChris Gorham:Had an experienceMichael Jamin:Like that too. Really? So maybe she had dementia. I felt terrible because she clearly had dementia or early signs of dementia, so she literally couldn't remember one line. So you'd feed her the line, and even still, she couldn't remember it half a second later. And I just felt she, I didn't know what to do. I was like, she's struggling here. She's probably feels very embarrassed, very lost. Very, why did her agent send her out for this book? Maybe because she needed the insurance. I don't know. But it was a horrible situation. I felt bad all around.Chris Gorham:I've worked with an actress who a very similar situation, and they went to cue cards and they just did it line by line.Michael Jamin:Even with QI wanted to bring in cue cards. The director said, I don't want to bring q. I was like, what are you doing, dude? This is awful. I lost that fight. I thought we needed cue cards. They justChris Gorham:Shot her side line by line, and then I just did my side to an X.Michael Jamin:Yeah. Yeah. It's so interesting. That's one of the realities of being on a TV show.Chris Gorham:Totally. And it's one of the, but also why it's so important to not to get, just to do, at the end of the day, be responsible for your performance and make sure that you're giving the best performance that you can give and you can't control the other stuff that's happening. And then as an actor, then trust your director and your camera operators and your review that they're going to take care of you as best that they can and your editor. But it doesn't behoove anyone to make you look like an idiot unless you're supposed to look like an idiot. Right,Michael Jamin:Right.Chris Gorham:Everyone wants to make the show. Great.Michael Jamin:Are your kids getting into acting or have they expressed any No. You said with relief. No, not in the arts at all.Chris Gorham:No, no, no, not at all.Michael Jamin:Your wife was an actor. I mean, I'm, yeah, I'm surprised that there's not that pull.Chris Gorham:Well, my oldest son is autistic. He finished high school and now he's got a part-time job like pharmacy down the street. He's doing well, and his younger brother is studying business, wants to go into real estate. Oh, good. It's like, okay.Michael Jamin:Yeah, thank God.Chris Gorham:Yeah. And then our youngest loves to sing, has a beautiful singing voice. But yeah, no, he isn't really interestedMichael Jamin:GoingChris Gorham:Into the business, which is fine. We've never put any pressure onMichael Jamin:Them. Well, sure.Chris Gorham:And had they had a passion for it, we would be supportive, but it's just not, their heartsMichael Jamin:Taken them. It's funny. I'm sure they've come to set with you seen you do it. Yeah.Chris Gorham:Yeah. They think it's boring. They're like, this is so boring.Michael Jamin:It is boring. There's a lot of boring on a set. I don't know if,Chris Gorham:Yeah, it's super boring. They've never watching things with me in it because it's weird to see your dad not being your dad. Also, another thing, thinking about it, having just talked about Stacy Linker a little bit ago, I think part of the reason they don't like going to set is because it set. I am the star and not them. SoMichael Jamin:Oh, interesting.Chris Gorham:That doesn't feel great either. It's way better at home.Michael Jamin:What is it like for you though, when you're out in public? And fame to me is, so how do you experience fame when someone comes up to you and they think they know you and they want a piece of you? What does that do to you?Chris Gorham:Well, I've been really lucky, I feel like, because kind of been able to walk the line where I've experienced being famous enough to have the paparazzi jump out and want to take my picture and talk to me.Michael Jamin:That's a lot. That's a level of fame I don't think anybody would want to have,Chris Gorham:But never to the point where it really got in the way. It was just a few. There were some moments in my career where I was famous enough that the paparazzi knew who I was and would take my picture, but never famous enough that it reallyMichael Jamin:BotheredChris Gorham:You, caused problems. Never famous enough where I needed security. Never famous enough where it got really inconvenient.Michael Jamin:But let's just say you're at a restaurant and someone wants to come up, they want to talk to you, they autographed, they want to meet you.Chris Gorham:Most of the time people get it. I'm usually out with my kids and my wife, so they understand if they're coming up and I'm with my wife and kids, that it's a little awkward for them to ask me to stop dinner with my family to talk pictures or take. So that doesn't really happenMichael Jamin:Now. Oh, that's good. I mean, Brad, I could see your family being like, oh God, we're trying to have a night. We're trying to be together.Chris Gorham:There's been moments like that, especially for the kids. Anelle it, it's always been fun. Early in my career, it was weird because we were on a show and we couldn't go to malls because kids would chase us around malls in the very beginning. But then as you get older, that happens less and less. And then it's just been, sometimes it's surprising. My kids forget for a while. We'll go a while without getting recognized at all. And then weirdly, in Chicago, weirdly, I think the last show that I was on must have lots of people watched it in Chicago. And so suddenly, anytime I'm in Chicago, I'm recognized all the time. And so It's like my kids remember. Oh, right. Dad's on tv.Michael Jamin:That's soChris Gorham:Funny. Funny. When Ethan was starting high school was when a very popular show with the high school kids had just premiered. And that was actually really difficult for him. We've talked about it since. He didn't really reveal how hard it was for him, but last year we were talking about it and he was kind of opening up and said, yeah, no, it sucked. It wasn't great.Michael Jamin:Really?Chris Gorham:You were doing that show while I was starting high school and so everyone knew who I was and everyoneMichael Jamin:Knew who all his friends and all the kids. Yeah. It's hard for a kid and itChris Gorham:Was embarrassing.Michael Jamin:Yes, it was. They were embarrassed that you were their dad.Chris Gorham:Yeah. Really? It was super embarrassing. Yeah. Well, because of what that show, because of my character on the show for high school kids, just, it was a lot. I was physically quite exposed on that show and so yeah, it was a lot. It a lot.Michael Jamin:Oh wow. We did a show with these two guys link and these were big YouTubers and they were huge. And I hadn't heard of them. I didn't know them. And then remember we'd go for the meeting and one of them said to me, you wouldn't believe this, but I can't go to Disneyland without being swarmed. That was his crowd. He's like, I know you've never seen me before, but I can't go there without being swarmed.Chris Gorham:Yeah.Michael Jamin:It's so funny. Yeah,Chris Gorham:It's wild. Yeah. That was,Michael Jamin:It's interesting that this, go ahead, please.Chris Gorham:No, no, no, no. It was just a dumb Disneyland story. Go ahead.Michael Jamin:No.Chris Gorham:Well, the dumb Disneyland story was, there was a period in my career where working on a certain show where we could not only go to Disneyland for free, but also were given the guide and the behind we were taking care of at Disneyland, like a celebrity, which was funny because it was so, we did it a couple times, but I think even just the second time we went to Disney Disneyland, that way, it's too much. Honestly. It sounds great, and it's great the first time to be able to skip all the lines, you know what I mean? But after that, it's like, oh, there's actually way less to do at Disneyland than you think when you don't have to wait in line for anything.Michael Jamin:That's so funny. You kindChris Gorham:Of finish it all in four hours and then you're like, oh,Michael Jamin:Now what? Now what?Chris Gorham:Again?Michael Jamin:That's so funny. Yeah.Chris Gorham:Yeah.Michael Jamin:I'm always curious, I am always curious about how people experience I'm around you guys and how you guys experience fame and what is it like that parasocial relationship where people think they know you and they don't. They just know this part of you.Chris Gorham:It's different for everybody.Michael Jamin:Yeah. I always feel like it must be like, am I giving you what? When someone comes up to you, is there that thought in your head? Where am I giving you what you wanted? You just met me. Am I giving you what you wanted? Because I don't know what you wanted and am I who you wanted me to be for five minutes? Oh, that's funny.Chris Gorham:I don't think about it that way. I've just tried to be kind to people just, I just try to be kind. Just be kind. That's all. That's really all I'm thinking about is just because, listen, it could be worse. It's not terrible for people to be happy to see you generally.Michael Jamin:Right.Chris Gorham:That's not terrible. That's kind of nice. Can it be inconvenient? Sorry.Michael Jamin:Well, I saw a clip of Eve who played Jan Brady, right. And she was on the talk show. This clip was probably 30 years old or whatever, and someone in the audience said, can you just do it? Can you just say it? Can you say it right? And she's like, we knew what you wanted. We knew everyone knew. She wanted her to say, Marsha, Marsha, Marsha. And she was like, I'm not going to say it. I won't say it, and why not? And everyone was so disappointed, and I felt for her. I was like, because she doesn't want to be your performing monkey now. And that was when she was 10.Chris Gorham:Well, that's the thing too. It's like is a one you can be kind and say no.Michael Jamin:Yeah,Chris Gorham:Right. Just being kind doesn't mean you're going to say yes to every request,Michael Jamin:But that sounds like something you've maybe had a long conversation with a therapist to come to that conversation. Really? Yeah. That's something I would struggle with. Someone would say, you know, could be kind still say, no, am I allowed to? But you're saying you came to this realization on your own.Chris Gorham:I dunno. I don't know. Listen, I do see a therapist, and so maybe I don't remember having a breakthrough about that specifically, but certainly walking things through with a therapist can only help. Also, I think being a dad helps with that because in parenting, so much of the job is saying no. And that can be really hard sometimes, certainly for some people, but it's an important part of the job.Michael Jamin:Talk about how important do you think it is, and for you to either, okay. As a writer, I think it's very important to spend at least some amount of time in therapy because if you don't know yourself, how could you possibly know another character? And I wonder if you feel the same way. Same thing about acting.Chris Gorham:Oh, I've never thought about it that way.Michael Jamin:Really?Chris Gorham:Yeah. Yeah. No, I never thought about that way. But it certainly can be helpful. I mean, for the same reason. It just, it's spending that time thinking about, and sometimes it's taking that hour just thinking about the whys of things. You spend so much of your days reacting to everything and taking the time to go, okay, why did this lead to this? Why did I do that when this happened to me? And as a person, it's going to help you stay more regulated and be just healthier in life. But also, yeah, for sure. There's going to be moments when you're going to be able to understand a character brother, because you've maybe put some thought into why people doMichael Jamin:These things, why people do. Yeah.Chris Gorham:I been, one of the things I've

Your typical biracial Asian American country boy to Hollywood story… In the 90s, Tim Lounibos was at the forefront of an “exciting new breed of asian american actors” with “widespread mainstream appeal”—graced with “charisma” and performances which critics called “absolutely luminous” and “remarkable”—but that was when quality inclusive casting was still decades away. Tim has carved out a worthy 30-year career covering film, tv, commercials, animated voice over, and theater (co-founded the acclaimed and groundbreaking Asian American theatre Lodestone Theatre Ensemble and helped run East West Players). Credits include recurring roles on Bosch, The West Wing, JAG, and Beverly Hills: 90210. Most recently, he's been seen on Hawaii Five-0, NCIS, NCIS: Los Angeles, and FBI: Most Wanted. It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production.

Kurt Yaeger is an actor who ripped his leg off becoming an amputee, broke his pelvis in half, bladder torn in half, broke seven vertebrae, and a number of other injuries in a motorcycle accident. After two years of recovery he shot multiple films and tv shows then landed Greg the Peg on the hit series Sons of Anarchy (2008) which helped solidify his return as an actor, who just happens to be missing a leg. He's currently filming the feature The Beanie Bubble, with Zach Galifianakis and Elizabeth Banks. Kurt recently shot a hyper-athletic portrayal of Dylan Conner, the Ship's Engineer on Netflix's Another Life (2019) 2021, followed by roles in SEAL Team (2017) , The Good Doctor (2017), & an Apple show yet to be listed.. CBS All Access brought Kurt into the new series Tell Me a Story (2018) right after he starred in the UK hit comedy film The Festival (2018). He's also known for roles in [link= Quarry (2016), Pure Genius (2016), NCIS: Los Angeles (2009), Shooter (2016), and Shameless (2011). It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production.

Erin Cahill's acting career launched in 2001 when she was cast as Jen, the Pink Ranger in the series POWER RANGERS: TIME FORCE. Since then, she has starred in regular and recurring roles on ABC's RED WIDOW, TNT's SAVING GRACE and FOX's FREERIDE. She has over 30 guest-star credits including ANGEL FROM HELL, BONES, NCIS: LOS ANGELES, HOW I MET YOUR MOTHER, SLEEPY HOLLOW, BODY OF PROOF, CHUCK, LAW & ORDER: LOS ANGELES, THE MENTALIST, MONK, CSI: NY, SUPERNATURAL and GREY'S ANATOMY. Erin has starred in numerous leading roles in studio features such as Netflix's THE WATCHER, Hallmark's SLEIGH BELLS RING, the second and third installments of Disney's BEVERLY HILLS CHIHUAHUA franchise and SONY's BOOGEYMAN 3. She has also starred in the independent films, IT SNOWS ALL THE TIME, WINGMAN INC., and this year's CUT TO THE CHASE for which she won Best Supporting Actress at The Northeast Film Festival. Erin is also an ardent philanthropist, and contributes her time and resources to many worthy causes. Her current passion project is raising funds with her husband to build schools for underprivileged children in Nepal and Malawi in affiliation with the prestigious buildOn Organization. Currently Erin recurs on this season of Freeform's STITCHERS and has three features slated for summer release, including Sony's animated RESIDENT EVIL VENDETTA. THAT ONE AUDITION'S LINKS: TNTT ACTING MEMBERSHIP: The New Triple Threat Membership PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Andrew OUTREACH: Elle Powell WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Imani Love

TurdOrTreasure is ThisWeekInGeek's dedicated review show covering everything from games to movies to tv to electronics and everything between.This Episode:What's New?- Eternights (PS5 Review)https://store.playstation.com/en-us/concept/10004814/- Samba de Amigo: Party Central (Sega Switch Review)https://sambadeamigo.sega.com/index.html?lang=en&platform=switch- Taito Milestones 2 (ININ Taito Switch Review)https://www.iningames.com/games/taito-milestones-2/- Paramount September Roundup (Paramount DVD Reviews)Poker Face Season 1 - https://www.blu-ray.com/dvd/Poker-Face-Season-One-DVD/275990/Fire Country Season 1 - https://www.blu-ray.com/dvd/Fire-Country-Season-One-DVD/278957/NCIS: Los Angeles Final Season - https://www.blu-ray.com/dvd/NCIS-Los-Angeles-The-Final-Season-DVD/276411/NCIS: Los Angeles Complete Series - https://www.blu-ray.com/dvd/NCIS-Los-Angeles-The-Complete-Series-DVD/275989/Whats Next?Your Geekmaster:Alex "The Producer" - https://twitter.com/DeThPhaseTWIGFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekYouTube: https://www.youtube.com/channel/UCc1BfUrFWqEYha8IYiluMyAiTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: spotify:show:0BHP4gkzubuCsJBhU3oNWXGoogle Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMzU3MTAzNy9lcGlzb2Rlcy9mZWVkCastbox: https://castbox.fm/channel/id2162049Website: http://www.thisweekingeek.netSeptember 11, 2023This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3571037/advertisement

Discover the transformative power of meditation with host Emily Fletcher and her guest, career actor Barrett Foa. In this episode of "Why Isn't Everyone Doing This", they explore how meditation  has enhanced Barrett's performance in his career.    From embracing doubt and finding clarity to embodying different roles and celebrating growth, Emily and Barrett engage in candid conversations that inspire connection and transformation. Join them on a journey of self-discovery, as they delve into the purifying force of ecstasy, the importance of men's mental health, and the joy of embracing life's fluidity.   ===   For FREE bonus content such as mini-masterclasses from our guests and more, visit https://zivameditation.com/whythis/   ===   Have you listented to our previous episode with Emily Fletcher? Listen on Apple Podcasts: https://open.spotify.com/episode/6FEEL0uE44SC3hcTaJyVWw?si=1239d8c7c57f4028   ===   Timestamps  00:00:00 - Introduction 00:05:15 - The Power of Meditation in Performance 00:15:19 - Letting Go of Preparation and Being Present in the Performance 00:20:24 - The Power of Meditation in Daily Life 00:25:32 - The Fear of Rejection and Neediness in Auditions 00:30:34 - Surrendering and Flow in Acting 00:35:51 - The Importance of Process and Results 00:46:03 - Barrett's Ayahuasca Experience 00:51:08 - Embracing Personal Growth and Liberation 00:56:32 - Tapping into Divinity and the Power of Pleasure 01:12:29 - The Mystery of Meditating Before Thanksgiving Dinner 01:17:43 - The Importance of Noise and Signal 01:22:49 - Conclusion   ===   Barrett Conrad Foa is an American singer, dancer, and actor, with over a decade in Broadway theatre shows. He has played many leading characters in off-Broadway and regional theatre productions. He has appeared in multiple Broadway shows, including Mamma Mia! and as Princeton and Rod in Avenue Q. From 2009 to 2021, he portrayed Eric Beale on the military police procedural NCIS: Los Angeles.   ===   Ready to start your life-altering Ziva practice? Click here to start now: Free Meditation Masterclass: https://zivameditation.com/freemasterclass/ Learn More: https://zivameditation.com/ Join us on Instagram: https://www.instagram.com/zivameditation/

Opinions That Don't Matter Podcast ep.168 Show topics covered: The Heat Won't Let Up! WEIRD SPORTS! UK Double Decker Bus Racing & Balloon World Cup (Major League Keepy Uppy) Juvenile & Mannie Fresh on TinyDesk: https://www.youtube.com/watch?v=kes2P4IC2bQ Speakeasy Bar in Austin… Firehouse Lounge in Austin - Great! What grinds Kati's Gears? Misinformation on the internet. Oatly milk NCIS Los Angeles: got this wrong about mental health. Kati still loves the show. Taylor Swift is a MENSCH! https://apple.news/A3GHokF_YQ1qm1S49r8Na-Q Taylor Swift's Longtime Truck Driver Reacts to "Life-Changing" $100,000 Bonuses Concert ticket prices are out of control…. But why? Serial Killers… Bryan Kohberger's attorneys want indictment dismissed. It's an ‘uphill battle,' experts say https://apple.news/Abp8UaDK6RmGlshuuClHmRw The SocketFan as seen on TV makes zero sense The Long Island Loser… Another serial killer is apprehended. Rex Heuermann & the Gilgo Beach murders LETTERS Tom's Rapid Fire Responses - Tom from VA A Picture I drew - Giorgia the artiste! The Whistle hack - Ben, OTDM Chief Space and Science officer ***Support the OTDM Podcast by shopping with our affiliates**** PURE SPECTRUM CBD... Sean finds PAIN RELIEF for his arthritis (hallux rigidus). Over the past year, the pain has become somewhat debilitating and in an effort to ease the pain, he is using CBD oil from Pure Spectrum. Sean's morning routine: I dropper of Pure Spectrum Black Label. Use the discount code OTDM for 15% Off All your CBD needs @ ⁠https://www.purespectrumcbd.com/⁠ AMAZON... Do you buy stuff from Amazon? Visit Amazon through our link and any purchases you make (even if it's not in our store) will count towards the Podcast. How cool is that? Simply use Amazon how you normally would but go to it through our link... ⁠https://www.amazon.com/shop/katimorton⁠ CONNECT • Discord community https://discord.gg/4gPTrGBM9z • OTDM census form https://forms.gle/qFZM3ywPzrpKMkKfA • Email OTDMpod@gmail.com • Speakpipe 90 second voice message: https://www.speakpipe.com/OTDM • Kati Morton TikTok @Katimorton Instagram @katimorton • Sean St. Louis TikTok @hatori_seanzo Instagram @seansaintlouis --- Send in a voice message: https://podcasters.spotify.com/pod/show/otdm/message Support this podcast: https://podcasters.spotify.com/pod/show/otdm/support

Y'all loved the first one so much, we had to bring it back! Hosts jarrett hill and Tre'vell Anderson welcome writer, editor, and Stop Cop City activist Da'Shaun L. Harrison. Harrison also discusses why they and fellow activists are trying to block the development and construction of a police training compound “Cop City”, on the outskirts of Atlanta. Stop Cop City activists believe that going forward with the development would displace and disenfranchise the lives of marginalized people, and further perpetuate the police state we are currently living in.  In addition, they'll discuss how copaganda goes beyond just “cop shows” and legal dramas and can show up in many different forms in media. Later on the show, Tre'vell and jarrett get into some DisHonorable Mentions and a history lesson on civil rights activist Pauli Murray. Mentioned In This Episode:Pauli Murray Copaganda Stop Cop City DIS/Honorable Mentions: jh:HM: Well, I Laughed Podcast - the system was never designed for us to stop workingHM: See The Thing Is..Podcast - I'd rather work thru jealousy than work thru dishonesty” HM: Snoop Dogg, Doggyland Kid Hits, Affirmation SongHM: The Schomburg's marking time: Arts In The Age of IncarcerationTA:HM: The Hollywood Reporter and New York Times Envelope roundtable talk curators, particularly Lacey Rose.Plugs:Da'Shaun L. Harrison's Belly Of The Beast: THE POLITICS OF ANTI-FATNESS AS ANTI-BLACKNESSMy Name Is Pauli Murray - Prime VideoWe See Each Other: A Black Trans Journey Through Television and Film Buy The BookListen To The PodcastPre-order Historically Black PhrasesGo ahead and @ usEmail: FANTI@maximumfun.orgIG@FANTIpodcast@Jarrett Hill@rayzon (Tre'vell)Twitter@FANTIpodcast@TreVellAnderson@JarrettHill@Vivalapalma (Producer Palmira Muniz)@Swish (Senior Producer Laura Swisher)Laura Swisher is senior producer Music: Cor.eceGraphics: Ashley NguyenFANTI is produced and distributed by MaximumFun.org

Amanda's LA comedy pal David Magidoff joins us for a great episode!  David Magidoff stars in Showtime's highest rated series of all time, Dexter: New Blood as overly eager officer Teddy Reed. His recent credits include American Crime Story: Impeachment, and recurring as Nicky Brooks on AppleTV+'s Emmy nominated and SAG Award winning, The Morning Show.  Other TV credits include roles on American Crime Story, Top Elf, Schooled, Cousins for Life, General Hospital, Lethal Weapon, Richie Rich, Austin & Ally, CSI: Crime Scene Investigation, NCIS: Los Angeles; NCIS, Sonny with a Chance, Imagination Movers, Greek, ER, Veronica Mars, The House Webshow, Zoey 101, Las Vegas and American Dreams. You've seen him as a host on HQ Trivia as well as MTV's Broke ___ Game Show. Starring in over 80 commercials and counting, including Taco Bell, Southwest, Progressive, Jersey Mikes and so many more. Magidoff also performs improv around the world including The Groundlings, UCB & the Edinburgh Fringe Festival. In 2007, he founded an international comedy school called Monkey Butler, which has taught improv completely free of charge to over 3,000 students in the UK, the US and New Zealand. Be sure to check out David LIVE in LA at his hilarious and always-brand-new show: Making Love with David Magidoff. David and Sarah's Award Winning Palm Springs AirBnB: staybungalowm.com @DavidMagidoff Please leave us a rating and review! Many thanks and please enjoy. Produced by @OnAirwithQ

On this episode of The Power of Love Show we welcome special guest, Grant Garry. Grant Garry is a multi-passionate person of Armenian heritage with an interest in telling stories that help others find meaning, purpose and hope. He is passionate about long form conversations, singing, non-fiction literature, meditation, writing, coffee, and cars. Grant earned his Bachelor's Degree from Loyola Marymount University. He studied improv at The Groundlings School, is a member of SAG-AFTRA, and a Certified Grief Educator.  He previously produced and acted in Black Cat, for which he received 6 Best Feature wins. Other acting credits include NCIS: Los Angeles, Night of the Living Deb, Sweeney Todd, and Cinderella. His documentary film, Room for Cream: The Coffee Experience, explores how humans experience coffee from a psychological standpoint. For the film, he traveled to Guatemala, farmed coffee beans, traveled to Washington DC, interviewed New York Times Best Selling Author Daniel H. Pink, and of course, visited various coffee houses around town. His new film, Meet Me Where I Am, explores the topic of grief through individual stories of loss, love, and hope. The film aims to normalize grief in our culture and explores how we can actively participate in helping others through grief.  Learn More About Grant: Website: GrantGarry.com Instagram: @MeetMeWhereIAmFilm But Tickets • Sunday, July 2, 2023, 12:15PM • TCL Chinese Theatres: https://danceswithfilms.ticketspice.com/dwf26-meet-me-where-i-am?fbclid=PAAaYlzfvJumzuupryjGmUnuAUx2P2O1RGVWL8EeHL3RaZdKYqdiIpgV1jigk_aem_th_Af1x-JwjU31nCwDgeo2cP3GNtmBH7aut9O15njV1HnGbYNqUotk-1kmRotLr-siFB38 Learn More About DDJF: Website: DDJF.org Instagram: @DeeDeeJacksonFoundation Facebook: Dee Dee Jackson Foundation LinkedIn: Dee Dee Jackson Foundation Twitter: @DDJFoundation Leave a podcast review: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-power-of-love-show/id1282931846 Spotify Podcasts: https://open.spotify.com/show/6X6zGAPmdReRrlLO0NW4n6?si=koXehESfSrSwA-zWi2vf-w Can't make the live-stream? You can always watch our syndicated interviews later on YouTube or Facebook! Subscribe to our YouTube channel: https://www.youtube.com/watch?v=2-Nd1HTnbaI Like Our Facebook Page: https://www.facebook.com/884355188308946/ Join our Official Facebook Group full of supportive community members: https://www.facebook.com/groups/1500933326745571/?ref=share_group_link Visit the DDJF official website: http://www.ddjf.org/ Follow us on Instagram: @DeeDeeJacksonFoundation --- Support this podcast: https://podcasters.spotify.com/pod/show/thepowerofloveshow/support

Grant Garry is a filmmaker, actor, and owner of the production company Wesley Curtis Productions. He is the director of the new documentary Meet Me Where I Am - Which explores the topic of grief through individual stories of loss, love, and hope. Grant earned his degree in Theatre Arts from Loyola Marymount University. He has studied improv at The Groundlings School, acting in musical theater with Jason Alexander, and is a Certified Grief Educator. He has a passion for singing, long-form conversations, nonfiction literature, meditation, writing, coffee, and cars. He previously produced and acted in Black Cat, currently available on Amazon Prime. Other acting credits include NCIS: Los Angeles, Night of the Living Deb, Sweeney Todd, and Cinderella. His upcoming documentary film, Room for Cream: The Coffee Experience, will explore how humans experience coffee. 

Liz Vassey is best known for her roles as Emily Ann Sago on All My Children, Captain Liberty in The Tick, Wendy Simms in CSI: Crime Scene Investigation and Nikki in the Web series Nikki & Nora. She has been a regular or recurring character in many other series including Maximum Bob, Brotherly Love, Necessary Roughness and Two and a Half Men. She has also guest starred or co-starred in many other shows such as Castle, Dharma & Greg, Dawson's Creek and Early Edition. Lately she has been writing and selling screenplays and TV projects, produced and directed the documentary The Human Race and acted in the last season of A Million Little Things and the two-part series finale of NCIS: Los Angeles.

This week on the 100th Episode of BEFORE THE BREAK, the boys sit down with actor, Joel Johnstone. He's appeared on such shows as SWAT, Longmire, NCIS Los Angeles, and had recurring roles on CSI Vegas, The Newsroom, and Getting On. He's been a series regular on The Astronauts Wives Club, and earned a SAG Award for his work on The Marvelous Mrs. Maisel. We discuss growing up in the Midwest, his love of baseball, how a summer theatre program changed his life, moving to NYC for college, how a black box theatre production officially hooked him, booking his first professional gig in London, dealing with years of droughts, moving to L.A., how making his own film re-sparked his passion, and how a casting assistant on The Newsroom changed the course of his career. That and much more! Follow Before The Break - on Instagram at @beforethebreakpodon Twitter at @b4thebreakpodhttps://beforethebreak.buzzsprout.com/Follow Joel -on Instagram at @joeljohnstoneFollow Tom -on Instagram at @imtombythewayhttps://www.tommybeardmore.com/Follow Adam -on Instagram at @thatadamdecarlohttp://adamdecarlo.com/Don't forget to subscribe, leave a review, and give us a rating!Support the show

Caleb Castille (my good friend from college) was a senior at the University of Alabama and former cornerback for the Crimson Tide, who quit the team after winning two national championships in 2013, to pursue acting. Growing up in one of Alabama's leading football dynasties with two generations --his father, Jeremiah, and his two older brothers, Tim and Simeon--that went on to play in the NFL…Caleb knows what it feels like to have big shoes to fill and certain expectations assumed of you.  Once Caleb chose to pursue his acting career he first appeared in a series of print and commercial ads for Air Jordan and Nike. Then made his official acting debut in Woodlawn (2015) as the lead role!  After his debut in Woodlawn, Caleb has gone on to star in various other projects including, and most recently, 4 seasons as a series regular on NCIS: Los Angeles.  Join us for a fun conversation about the reality of choosing your own path and defying expectations, that just might lead you to the big screen! Connect with Caleb on Instagram Connect with Caleb on Twitter Connect with us on Instagram Connect with Tori on Instagram Guess what?! WE'RE ON YOUTUBE!

Welcome to Lunacy; where we discern the sacred from the insane and admit that whether we like it or not, we are all profoundly affected by the cycles of the moon. Today, I'm joined by my good friend Craig Dobbin. Craig is a composer for film and Television, and has been working on NCIS Los Angeles for the last seven seasons. He is also a self-expression and leadership program leader for Landmark Education, and is continuing his career working on other films and projects now that NCIS Los Angeles is reaching completion.Tune into our conversation about music, inspiration, the power of listening, integrity, Love Operating System.Find Craig at: www.craigdobbin.comLearn more about Landmark Education at: www.landmarkworldwide.com  I welcome your thoughts on this episode! Comment on Youtube or find me on Instagram!I'm Geoff Eido. Join me each week for interviews and insights intended to shine a light on the darkness, like the full moon in the forest. www.geoffeido.cominfo@geoffeido.comhttps://www.facebook.com/GeoffEido Instagram: @geoffeido Support the Show.

Welcome back to Season 3, a Special Episode of the Asian Hustle Network Podcast! We are very excited to have Rich Ting on this week's show. Actor Rich Ting was born in Los Angeles, California and is a 4th generation Asian American. Growing up as an athlete, Ting played collegiate football at Yale University while earning a B.A, and then went on to achieve a dual J.D./M.B.A. degree. Soon after achieving his scholastic goals, he realized that he needed to switch careers and pursue his passion for the entertainment industry and, specifically, as an actor. Ting has appeared on major hit shows: Magnum P.I., NCIS: Los Angeles, Supergirl, Waco, Rush Hour, and Chicago P.D. He has also landed roles on blockbuster films, such as Lone Survivor and Salt as well as the spaghetti Western feature film, No Name and Dynamite, where he plays the lead character of ‘Dynamite Davenport'. Ting is most well-known for playing the iconic character 'Bolo' in the HBO Max drama series Warrior, a television series inspired by the writings and work of Bruce Lee and is unforgettable on Amazon's Season 4 of the critically- acclaimed The Man in the High Castle as 'Captain Iijima', a driven, ambitious young detective in the Japanese Kempeitai. In 2022, Ting has been seen on FX's The Old Man opposite Jeff Bridges on the streaming service Hulu as well as on Netflix's Partner Track where he plays the character of ‘Carter Min', the General Counsel of Min Enterprises. In 2023, Ting will be seen on Apple's Hello Tomorrow as ‘Hikaru Makoto', Disney Freeform's AZNBBGRL as ‘Cody Lim' and will also serve as the Grand Marshal of the 2023 San Francisco Chinese New Year Parade and Festival. Ting currently lives in Los Angeles, CA with his wife and teacup Maltese, Somi. In addition to working in film and television, he's still active in the martial arts world, loves to travel to exotic places, and is a true foodie at heart. To stay connected with the AHN community, please join our AHN Directory: ⁠⁠https://ahn.community⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/asianhustlenetwork/support

This guest needs no introduction. One of the pioneers of rap music and a true icon in film & television, the one and only LL Cool J. He helped define the sound and style of the genre in the 1980s and 1990s, with classic hits like "I Can't Live Without My Radio," "Going Back to Cali," and "Mama Said Knock You Out." He's sold millions of albums, won numerous awards, and has been inducted into the Rock and Roll Hall of Fame. But LL Cool J's impact extends far beyond music. He's also a successful actor, with memorable roles in films like "Deep Blue Sea," "Any Given Sunday," and "Halloween H20," as well as the long-running TV series "NCIS: Los Angeles." He's also a savvy entrepreneur, with a range of businesses and investments that have made him one of the wealthiest and most respected figures in entertainment. Tap in to this episode for gems from LL Cool J about creativity, innovation, leadership, and success.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/mworthofgame

Find out what life is really like behind the scenes of some of the biggest hit TV shows and movies of the past 30 years (The Fugitive, Entourage, Ray Donavan, Shameless, NCIS Los Angeles, Outer Banks, House of Lies, etc.) with longtime assistant director Gary B. Goldman.

Join me in another new episode of Ceremony Circle Podcast as I, your host, shaman and bestselling author, Alyson Charles Storey, dive into the world of Vedic meditation with Emmy award-winning actor and meditation teacher, Jeff Kober.Jeff, known for his acting roles in Big Sky, NCIS Los Angeles, Walker, General Hospital, and other hit shows, has also been a teacher of Vedic meditation since 2007. His recently published book, "Embracing Bliss: 108 Daily Meditations" is now available, along with his companion podcast, "Embracing Bliss with Jeff Kober."Top 6 Things You'll Learn from This Episode:How I met Jeff and received my mantra from him, including the wild dream I had after the first day of meditation classWhat mantras are, and the benefits of Vedic meditationThe concept of adaptation energy and its role in stress relief and blissWhat "following charm" meansSome epic stories from Jeff's acting career, including tales of demon horns and playing dark charactersJeff's daily devotion to meditation and how it has transformed his lifeStay tuned to the very end for our closing ceremony circle practice, guided by Jeff, to connect with present moment awareness. This episode is packed with wisdom, loving conscious awareness, and powerful stories that you won't want to miss!Find more from me on IG at @IAMALYSONCHARLES or alysoncharles.com. Learn more about Jeff Kober and his work at jeff-kober.com or follow his podcast, "Embracing Bliss with Jeff Kober."

Best known for his role as Eric Beale on the CBS series NCIS: Los Angeles, Barrett Foa is an incredibly talented cross-over artist and actor who has performed in Hollywood and the theatre world. He made his Broadway debut in 2001 in the original cast of Mamma Mia, which launched his stage career. He then starred in shows like: Avenue Q, The 25th Annual Putnam County Spelling Bee, and Buyer and Cellar off-Broadway. Barrett is also the vice-chair of Every Day Action, an organization whose goal is to change the way Hollywood manages food waste. On the podcast, Barrett talks about ways in which we can help feed people with food insecurities. Today's podcast is part of our Earth Month series, called United Nations Global Goals, where we talk about tackling the world's “to do” list to make our planet a better place. I'm joined by my passionate Co-Host for this series, Anika Larsen, who was a guest on this podcast last year and introduced me to the Global Goals. Anika is a Tony Award Nominee and advocate for sustainability and the environment. We decided to work together on this series and bring in guests to talk about the ways in which we all can make small changes for the greater good.    Learn more about about the worthy causes discussed in this episode and how you can donate and/or help: YourEveryDayAction.org/ GlobalGoals.org BroadwayGreen.com/ BPN.fm/SaveThePlanet Connect with Barrett: Instagram: @BarrettFoa Facebook: @BarrettFoa Connect with The Broadway Gives Back Podcast: Facebook: @broadwaygivesbackpodcast Instagram: @broadwaygivesbackpodcast Twitter: @broadwaygives Hosted & Executive Produced by Jan Svendsen. A proud member of the Broadway Podcast Network. Special thanks to Dori Berinstein, Alan Seales, and Kimberlee Garris from BPN; Julian Hills from The Bulldog Agency; and Eric Becker from Broderick Street Music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Order THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.comLearn more about Blue Buddha: https://bluebuddhaentertainment.comThis week on the New Music Business podcast, Ari chats with Charles Levan (co-founder/ president) and Chase Walker (music coordinator) of Blue Buddha Entertainment, a boutique music licensing firm.Established in 2002, Blue Buddha Entertainment specializes in sync placement for independent artists and labels, serving as a premier conduit for contemporary groundbreaking artists and repertoire. Blue Buddha's diverse catalog is current, hit-driven, and reflects the highest level of artistry and production, providing One Stop Rep. music with a global tastemaker appeal.Past sync placements include: Shrinking, Found, All American, This Is Us, Supreme Models, Lost, Atlanta, 4400, All American Homecoming, Criminal Minds, Chicago P.D, Grey's Anatomy, New Amsterdam, Las Vegas, Dirt, One Tree Hill, Smallville, Party of Five, NCIS- Los Angeles, Californication, The Fosters, Pivoting, Good Trouble, The Sinner, Bull, Kung Fu, Vanderpump Rules, To All The Boys, Shameless, Charmed, Royal Pains & others.With over 27 years of experience in the music industry, Charles' passion in the sync space is coupled with a focus on artist development, helping artists hone their musical craft in an ever-changing entertainment world. Learn more here.05:11 Welcome05:50 Sync licensing explained10:06 Does Blue Buddha work with artists with co-writers?14:06 What happens when a song has aired but was not legally cleared19:28 How Blue Buddha services their artist roster and keeps relationship strong with music supervisions21:17 The process of sync briefs and finding artists that'll fit the music request26:46 Sync budgets in television now versus previous years34:37 Sync agency business model and how Blue Buddha makes money39:10 Retitling song agreements45:21 Difference between sync agencies and music libraries52:27 How often Blue Buddha signs new artists and how artists can manage their expectations01:02:56 Advice for artists who want a sync placement01:05:35 How a musician can balance creative authenticity while stills being syncable01:13:51 Final questionSubscribe to The New Music Business: https://aristake.com/nmbAri's Take Academy (use code NMB for 10% off): https://aristakeacademy.comWatch more discussions like this: https://bit.ly/3LavMpaConnect with Ari's Take:Website: https://aristake.comInstagram: https://www.instagram.com/aristake_TikTok: https://www.tiktok.com/@aris.takeTwitter: https://twitter.com/ArisTakeYouTube: https://www.youtube.com/user/aristake1Connect with Ari Herstand:Website: https://ariherstand.comInstagram: https://instagram.com/ariherstandTwitter: https://twitter.com/ariherstandYouTube: https://youtube.com/ariherstandEdited and mixed by Maxton HunterMusic by Brassroots DistrictProduced by the team at Ari's Take Hosted on Acast. See acast.com/privacy for more information.

On Episode 94  of “Swing Hard” in case you hit it, Denny talks to actor and baseball dad, Dominic Pace.  You may have seen Dominic on TV  in  "The Mandalorian, " "Superstore," or "NCIS: Los Angeles."  Denny and Dominic talk about youth baseball, acting and his  unique baseball bucket list! Swing Hard in case you hit it."Swing Hard in case you hit it!" Denny Barrett

"The real experience for me is between action and cut; everything else is preparation."Jeff Kober was born in Montana, where he worked as a farmer and factory worker until his early 20s. Then, trying to escape from his rough childhood, he followed a girl who dreamed of being an actress to Los Angeles and started a rock band, The Walking Wounded. A couple of years later, Jeff was alone in L.A.; the girl figured acting wasn't her thing, and the rock band didn't make it. Unpretentiously, Jeff attended an acting class that would change his life and showed him a new way to cope with the darkness in him. He is an Emmy Award-winning actor currently recurring on Big Sky and NCIS: Los Angeles. He is best known for his participation in Sully, directed by Clint Eastwood, his role as Joe in The Walking Dead, and his work in Leave No Trace. He is also a Vedic Meditation teacher, author of the book "Embracing Bliss: 108 Daily Meditations," and host of the "Embracing Bliss podcast."In this episode, Jeff talks about his first steps in Hollywood, his struggle with depression and PTSD, and how acting first and then meditation helped him to see the light shine again. We also talk about his journey into mindfulness, how meditation enhanced his acting skills, how he handles the fear of getting on stage, and much more. Tune in to Episode 72 of Hollywood Dream Maker to learn how quieting your ego's voice and being present can take your acting to the next level. In This Episode, You Will Learn:About Jeff's unplanned arrival in Los Angeles (2:25)Why focusing on external validation is detrimental for an actor (6:57)What happens when we pick emotionally grounded intentions (20:26)How can shutting down your mind help you (26:02)About Jeff's connection with meditation and mindfulness (37:44)How meditation helped Jeff to deal with the fear of being on stage (50:25)Connect with Jeff:IMDbWebsitePodcastGet his book: Embracing Bliss: 108 Daily MeditationsLet's Connect: Manhattan Actor Studio Website Hosted on Acast. See acast.com/privacy for more information.

In this unique episode of Scott Talks, we feature a special reading created and also read by Jeff Kober. A former The Only One In The Room guest and friend of the show.  A little about Jeff Kober: As an actor, Jeff has appeared in many TV series, General Hospital and recently recurring on NCIS: Los Angeles, Shameless, The Walking Dead, Sons of Anarchy, and New Girl, and many others. Film work includes Leave No Trace, Sully, Beauty Mark, and Tank Girl. For the past seven years, he has written a Daily Thought about meditation and consciousness that he sends out to subscribers and which he is in the process of organizing into book form. He is also working on another book, The Mythology of Self: Discovering and Changing the Stories We Tell Ourselves. Jeff also makes wet collodion tintypes and ambrotypes in his studio in Studio City. Finding Jeff Kober: https://jeff-kober.com/ Watch Laura's new TEDx Talk: Confessions From The Only One In The Room  PATREON SHOUT OUTS: Mercedes Cusick LMFT, Website: www.mercedescusick.com, IG: @recoverhealbloom Check Out How To Do The Pot Thanks to Kathleen Hahn Cute Booty Lounge is made right here in the USA, by women and for women. The company is incredible, female, and minority-owned and all of their leggings make makes your booty look amazing. Go to https://cutebooty.com/ today! Embrace your body, love your booty! Join our Patreon: Become an Only One In The Room patron by joining us on Patreon! Starting at only $5.00 per month, you'll get bonus content, access to outtakes that the general public will NEVER see, extremely cool merch, and depending on what tier you get, monthly hang time with Scott and Laura. Join our Patreon today at https://www.patreon.com/theonlyonepodcast  Don't miss our new Friday series On My Nightstand. Be sure to join our Facebook Group for the most up-to-date info on guests, episodes and more. You can also DM us on Instagram @theonlyoneintheroom or email us via the website at www.theonlyonepod.com Also visit the website for the latest from our host Laura Cathcart Robbins like live events, appearances, featured articles and more. We love hearing from you in the comments on iTunes and while you're there don't forget to rate us, subscribe and share the show! Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen enlists the team at “NCIS: Los Angeles” to help solve the mystery of who sells the best knitting supplies in all of Cleveland. The answer: Fine Points on Larchmere Blvd, the latest recipient of the #ColbertSmallBizBump. Stop by today or visit them on the web at https://finepoints.com. One of our all-time favorite guests, Jake Gyllenhaal, returns with an update on his sourdough starter and a sneak peek at his new animated film, “Strange Worlds,” which is in theaters now. He also has almost finished work on another exciting project: a reboot of the 1989 classic, “Roadhouse,” and he would be thrilled if Stephen Colbert would agree to make a cameo appearance. Learn more about your ad choices. Visit megaphone.fm/adchoices

LL Cool J is one of those artists that has seemed to effortlessly transition from the music world to acting. From shows like "NCIS: Los Angeles" to movies such as "Deep Blue Sea" it's pretty common to see him on your television screen. But in 1995 LL still had a fairly limited amount of acting credits when he was cast to be the main role in the NBC sitcom "In The House". In the show he stars as Marion Hill, a former NFL player who due to some unfortunate financial troubles needs to rent his house to a woman and her two children to help cover the bills. The show took on a total overhaul when the majority of the cast was changed in season 3 after the show moved to UPN. But was the original format solid enough to last? Listen as the boys deep dive their pilot episode, "Getting To Know You". www.S1E1POD.com   Starring: LL Cool J, Debbie Allen, Lisa Arrindell, Jeff Wood, & Maia Campbell

Jeff Kober offers meditation classes, writing, and grounded wisdom.  As an actor, his recurring roles include The Walking Dead, Sons of Anarchy, Shameless, New Girl and NCIS: Los Angeles. Kober has guested on many television series, including Law & Order: Special Victims Unit (1999), CSI: Crime Scene Investigation (2000), ER (1994), 24 (2001), The Closer (2005) and Criminal Minds (2005).https://jeff-kober.com/ _____________________________________TICKETS LIVE - EASTFOREST.ORG/TOUR"CEREMONY TOUR"11.01 Boulder, CO*11.02 Salt Lake City, UT11.03 Boise, ID11.04 Vancouver, Can11.06 Seattle, WA11.08 Portland, OR11.10 Nevada City, CA*11.11 San Francisco, CA11.12 Santa Cruz, CA11.13 Los Angeles, CA11.15 Las Vegas, CA11.16 San Diego, CA11.17 Phoenix, AZ11.19 Santa Fe, AZ11.20 Austin, TX*Seated Venue-Performancesign up for the mailing list at eastforest.org to stay in the loop on early tickets.+ JOURNEY SPACE LIVE - Exclusive world premiere listening events of new East Forest psychedelic guidance music and online facilitation with JourneySpace.com, Sept 24 and Oct 22nd.Join our East Forest COUNCIL on Patreon.  Monthly Zoom Council, podcast exclusives, live-streams, and more. Listen to East Forest music:  "IN" - the latest full album  release from East Forest - LISTEN NOW: Spotify / AppleListen to East Forest guided meditations on Spotify & AppleOrder a vinyl, dad hats, sheet music, original perfume oils, and more: http://eastforest.orgPlease rate Ten Laws with East Forest in iTunesAnd on Spotify★★★★★Sign up to learn about new retreats, shows in your area, and to join the community.Stay in the flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/

Billy and Dom discuss more ways to troll while watching LOTR and some Boston history before having Tiffany Smith on to talk about scuba diving, her favorite video games, the best musicals, building chemistry with co-stars, and then Eat the World with a bite of a Carolina Reaper and loaded baked potatoes!Tiffany is the definition of the modern-day Hollywood multi-hyphenate as a popular host, up-and-coming actress, and in-demand web personality. As an actress, she showcased her beauty and talent as a spot-on Meghan Markle in Lifetime's “Harry & Meghan” Becoming Royal” and has been featured on hit TV shows such as The CW's Supernatural, NCIS Los Angeles, The CW's Jane The Virgin, FOX's Behind Enemy Lines (directed by McG), and films like Sony Pictures' House of Demons. Tiffany has additionally lent her vocal chops as the voice of ‘Hawkgirl' in Lego DC Super-Villains video game.Get your Friendship Onion merchandise at https://www.thefriendshiponionpodcast.com! Tune in every Tuesday for new episodes and please be sure to rate, subscribe, and leave a comment/review! And be sure to follow and add your favorite funky jams to our Spotify playlist "The Friendship Onion." Feel free to leave Billy and Dom a message with your comments, questions, or just to say hello at https://www.speakpipe.com/thefriendshiponion or write us an email at thefriendshiponion@kastmedia.com For fan art submissions, please contact Johnny Clues at thefriendshiponion@kastmedia.com! TFO's IG - @thefriendshiponion Billy's IG - @boydbilly Dom's IG - @dom_monaghan_Tiffany's IG - Tiffany's IG - @tiffany_smithTiffany's Twitter - @tiffany_smith Produced by Jon - IG: @jcvack Visit ReserveBar.com today and use promo code ONION to save $10 off your purchase of $75 or more on spirits, wine or pre-made cocktails—but only when you use our special offer at ReserveBar.com with code ONION.Get your next delicious bowl of guilt-free cereal at MagicSpoon.com/ONION and use the code ONION to save five dollars off.See omnystudio.com/listener for privacy information.

After 21 days, CNN+ shuts down. Clay and Buck "dance on its grave" and compare it to other short tenures, like Anthony Scaramucci's stint as Trump White House Communications Director. Clay says, "This is maybe the biggest media failure of all time." CNN+ is just like setting $300 million on fire! Bottom line: No one wanted to see more Jemele Hill, Rex Chapman, Brian Stelter and Don Lemon. CNN gave up the decades that they had branded themselves as "trusted news" to turn into an anti-Trump network, Trump broke them. Buck suggests Clay make an offer to buy CNN+ and fold it into OutKick, for which he has a storied media business history. Callers weigh in on the colossal failure of CNN+. EIB 24/7 VIP gives an update on NCIS: Los Angeles actor Chris O'Donnell, who long ago turned down the part Leonardo DiCaprio played in blockbuster Titanic. See omnystudio.com/listener for privacy information.