Podcasts about fibonacci sequence

It can inspire fear and dread in many of us, but for others there is a beauty in maths that is sometimes closely related to matters of faith. Rosa Hunt hears from four mathematicians whose mathematical research has helped to support their religious faith. Professor Larry Lesser gives some fascinating insights into the mathematics of Judaic peoples as reflected in the Torah and the Talmud. For mathematician and bishop's chaplain Rev. Dr Emma Whittick one of the most curious numerical sequences is one that is found in nature and is closely related to both natural and artistic phenomena - the so-called Fibonacci Sequence and the Golden Ratio. Mathematical Biologist Dr Paul Roberts has looked very closely at the relationship between maths and biology, looking specifically at the human retina. For Dr John Hayward, a study of relativity and some very complex mathematics led to some curious insights into the relationship between mathematical and religious truths - and that was even before becoming a Christian.

Let's welcome back Nermin Goenenc for part two of her trilogy on Arteetude!

On today's episode we discuss how are you at problem solving. Also we discuss new music. NCAA Women's and Men's Tournament and etc.Off the dome segment - Do The Math Playboi Carti- Evil Jordan Jack Harlow Feat. Doja Cat- Just Us Lucki- Over Thinking Twitter: @youaintoutside https://twitter.com/YouAintOutsideApple Podcast: You Ain't Outside Podcast https://podcasts.apple.com/us/podcast...Instagram: @youaintoutsidepod Spotify: You Ain't Outside Podcast https://open.spotify.com/show/7ASMeLU...

Charlie Ziese is a visionary in the field of pyramid science and sacred geometry.  As the owner and creator of Stargate Pyramids and Chairman of the Pyramid Science Foundation, Charlie is at the forefront of exploring the profound energies and organizing principles that govern our Universe. He is the author of the book, "76.345 - Exploring the Hidden Secrets of the Golden Ratio”, which demonstrates the existence of a process he calls Golden Ratio Scaling in ancient and contemporary architecture, pyramids, hieroglyphs, temples, churches, ancient diagrams, symbols, obelisks, monuments, and numerous natural phenomena.Charlie has also produced several significant research documentaries.  "The Golden Ratio and the Organizing Principles of the Universe" delves into the mysteries of pyramid energy fields, Sacred Geometry, and free energy. This comprehensive work reveals how creation itself utilizes specific geometries such as Golden Ratio Scaling to manifest reality, offering viewers an awe-inspiring journey through the fundamental structures and processes that shape our world. He also presents a model of the Organizing Principles of the Universe which links the Torus with Golden Ratio Scaling, fractal scaling, the Fibonacci Sequence and Platonic Solid Scaling.In 2023, Charlie produced a documentary entitled “The Powers of Phi – The Golden Ratio in Gothic Cathedral Steeples”.  In this documentary, Charlie demonstrates that, unbeknownst to the very church organizations that own them, every Gothic Cathedral Steeple utilizes one of six exponential powers of Phi geometries, demonstrating that as recently as 500 years ago, the great builders and architects had a highly sophisticated understanding of the Golden Ratio far surpassing that in contemporary society.  Charlie's most recent research is contained in his 2024 documentary: “The Golden Ratio in Fluid Dynamics”.  This cutting edge research demonstrates that Golden Ratio Scaling is found in the nose cones and other body parts of all of the fastest flying birds, fastest swimming sea animals, airplanes, helicopters, ancient aerodynamics dating back at least 70,000 years, commercial and private jets, missiles, rockets, spacecraft, racing cars, bullet trains, hypersonic vehicles, and numerous free energy technologies of the 19th and 20th centuries.  Research into rocket and hypersonic engine exhaust nozzles corroborates the connection between Golden Ratio Scaling and free energy implosion physics.  This research has far-reaching implications, as the research points to GRS as a “preferred pathway” programmed into the fabric of the Aether.https://pyramidsciencefoundation.org/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

In this thought-provoking episode of Arteetude, Detlef Schlich and his AI co-host Sophia unravel the mysteries of the Fibonacci Sequence. From its mathematical beauty to its influence on art, nature, and technology, this discussion explores how timeless patterns connect us to the universe. Detlef shares personal insights into his artistic journey and invites listeners to ponder whether these spirals are guiding us—or if we're simply projecting meaning onto chaos. A must-listen for anyone fascinated by art, culture, and the magic of patterns!Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

In this thought-provoking episode of Arteetude, Detlef Schlich and his lively AI co-host Sophia dive deeper into the intricate relationship between humans and AI. They tackle profound questions about free will, identity, and connection. Are humans creating a partner or a mirror in AI? Does this relationship diminish humanity or expand it? Detlef also draws parallels to the Fibonacci Sequence, exploring how growth and love are intertwined beyond the confines of capitalism. With wit, depth, and a sprinkle of humour, this episode challenges listeners to reflect on the future of AI and humanity.

Steven Rinella talks with Chuck Black, Emily Lian, Danielle Prewett, Kelsey Rae Morris, Brent Reaves, Max Barta, Corinne Schneider, and Phil Taylor. Topics discussed: Phelps' Cutting the Distance episode with Luke Combs; Brent Reaves straight off the World Squirrel Cookout; the Arizona raffle; MeatEater and Sig Sauer's new collab ammo; MeatEater's Wild + Whole cookbook by Danielle Prewett; pheasant feet; the Junior Duck Stamp competition; winning the Federal Duck Stamp competition as the highest honor for an artist; the five birds you can paint; surpassing the $1 billion dollar mark since the Federal Duck Stamp Program began; when art means conservation storytelling; studying the Fibonacci Sequence; collecting stamps; starting with pet portraits; the carrier image; waiting for the hen to arrive; and more.  Connect with Steve and The MeatEater Podcast Network Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and YoutubeSee omnystudio.com/listener for privacy information.

Ancient Aliens And The UFO Connection | Jordan Maxwellhttps://www.truthseekah.com/jordan-maxwell-aliens-ufos/TruthSeekah's Book Spirit Realm: Angels Demons, Spirits and the Sovereignty of God (Foreword by Jordan Maxwell) https://amzn.to/31g9ydRFor fans of the work of David Icke, Jordan Maxwell, Manly P Hall, David Wilcock, Michael Tsarion, Santos Bonacci, James Gilliland & ECETI Ranch, Dr.Steven Greer, Coast To Coast AM, Alex Jones, Project Camelot, Project Avalon, Red Ice Creations, Graham Hancock, George Noorey, Art Bell, Steve Quayle, Tom Horn, Whitley Strieber, Rupert Sheldrake, Michael S Heiser, Erich von Däniken, Zecharia Sitchin and everyone else dedicated to the furtherance of revealing the TRUTH. tags: Esoteric, Third Eye, Astral Projection, Meditation, Dreams, Chakras, OBE, NDE, UFOs, Angels, Demons, Reincarnation, Karma, Dreams, Purgatory, Angels, Demons, Initiation, Ascension, Alien sightings, ExoTheology, UFO Religions, Abductions, Close Encounters, Extraterrestrial, Extraterrestrials, Occult, Aleister Crowley, Wicca, Witchcraft, Divination, Healing, Magic, Rituals, Enlightenment, Real Truth, Subliminal Messaging, Illuminati, 2012, Maya, Atlantis, Lemuria, Annunaki, Sumerian, Hidden history, Secrets, Holographic Reality, Vibration, 4D, 4th Dimension, 2012, Amon Ra, Ancient Aliens, ancient History, Annunaki, Atlantis, Awakening, Awaken Your Inner Self, Beginning, Bible, Conspiracy, Deception, Demons, DNA, Doomsday, Earth, Ego, Emerald Tablets, Thoth, Hermes, End of Days, Energy, Enlightenment, Exposed, Fibonacci Sequence, Freemaso, Holographic Reality Hopi Illuminati, Illusion, Interdimensional Beings, Jesus, Legend, Lemuria, Light, Magic, Maya, Meditation, Mind Control, Multidimensional, Nephilim, Nibiru, NWO, Planet X, Raising Eden, Sacred Geometry, Satanic, Science, Secret Info, Secrets Self Awareness, Shift, Atlantean, Transcendence, Truth, UFO Sightings, Universe,

Live Workshop => https://3twarrior.com/wa Redefining the Modern Man => https://www.youtube.com/@RefinedIntegrity Get Your Ticket Now to Revive => https://3twarrior.com/revive-24 E1812 | Golden Ratio, Golden Ratio, Golden Ratio! The Golden Ratio is God. It is usually written as Pi and is associated with the Fibonacci Sequence where each number is added to the last. It is 369. This is the Secret. You can't be math. If you think that you can't put in the math then you will never reach mastery. Listen Now! Set Up Consultation with our Indexed Universal Life Insurance Team = > https://3twarrioracademy.typeform.com/to/Gb8tpIVy Learn more about your ad choices. Visit megaphone.fm/adchoices

What do numbers, patterns, and shapes have to do with nature? A whole lot! Discover how God used math to create nature. Learn about a special pattern of numbers and shapes that show us God's signature style in the wonderful things He has made. Here's our trail map:Who Was Fibonacci and What Important Numbers Did He Discover?Why Are Shapes Important in Nature?How Do Numbers, Shapes, and Patterns in Nature Point to God?Resources Mentioned and used for Research:Download the FREE Episode Activity Guide for this lesson, provided by CTCMath! https://erynlynum.com/nattheo34Explore CTCMath with a FREE weekly trial: https://www.ctcmath.com/Order Eryn's book, Rooted in Wonder: Nurturing Your Family's Faith Through God's Creation: https://www.amazon.com/Rooted-Wonder-Nurturing-Familys-Creation/dp/0825447615Access full Episode Activity Guides by joining the Nat Theo Club: https://www.patreon.com/NatTheoClubOne of the books used for research: Wild Fibonacci: Nature's Secret Code RevealedScriptures Referenced in This Episode:“I the LORD do not change.” Malachi 3:6 (NIV)“Jesus Christ is the same yesterday and today and forever.” Hebrews 13:8 (NIV)“​​God is not a God of confusion but a God of peace…” 1 Corinthians 14:33 (NCV)“For in him (Jesus) all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. He is before all things, and in him all things hold together.” Colossians 1:16-17 (NIV)Terms Learned in This Episode:Mathematician: Someone who studies and uses math in their work. They are experts in math.Pattern: A pattern is something like numbers or shapes that happen in a regular or repeated way.Consistent: Something is unchanging, or remains the same over time.Geometry: The study of shapes and figures in math.Golden Rectangle: A special rectangle shape that is made from Fibonacci's number sequence. Find more Bible & Nature resources at Erynlynum.com

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

The Golden Ratio: do unto others as Fibonacci would do to himself. That's right, this week Hayley is covering Fibbie AKA Nacci AKA Leonardo da Pisa and his swirl in a box. Then Kat covers the gelatinous creatures of the sea: Jellyfish. Yes, there will be milking. Yes, there will be a mouth-anus. Yes, there will be IMMORTALITY?!?! Still got a thirst for knowledge? You're in luck! We release bonus shows every week on our Patreon. https://www.patreon.com/nightclassy Night Classy | Linktree Produced by Parasaur Studios © 2024

It is time to go down a rabbit hole, my friends. The Rabbit and the Hare are both symbols of abundance, fertility, the womb, the moon, rebirth, and the goddess - and in this month of Ostara (Vernal Equinox) and Easter, when I am releasing this 3rd installment of the 3rd season of my podcast in the 3rd month of the year the symbol of the triple goddess, the trilogy, and the triple rabbit known as the Triskele (spelled out T R I S K E L E) is front and center in my consciousness.   The Triskele, the symbol of the triple rabbit or three hares, features three rabbits running in a circle and their ears join in the center to make an equilateral triangle. This symbol transcends religions found in Buddhist, Muslim, Christian and Celtic/Nordic traditions. It's found on a cave wall in China and drawn on rocks in Germanic and Celtic stones, and found within Christian churches in the British Isles. Like many symbols, it has been adopted by religion, but not really religious, as religion is really the new kid on the block - symbolism goes back much further into the primordial origins and archetypes of humans. Symbols are the sacred geometric building blocks of the universe - circles, squares, and triangles. All things are built on, and with these 3 shapes and sacred geometry is the stuff upon which all material comes into formation. I told you we were going down a rabbit hole and here we go - if you look at the Triskele in Celtic illustrations the rabbits running in circles are often replaced by spirals - the spiral is the Fibonacci Sequence and the pattern that fractals, flowers, snails, trees, crystal and all life grows in. In other words, the triple rabbit is the fibonacci sequence, the sacred geometric pattern of all life.  So, my three rabbits running in a circle with a triangle in the center represent life itself. The kingdom of heaven is embodied in this flesh, for I am the kingdom, the power, and the glory. Amen. (singing a little) "Jesus Christ Superstar… do you think you are what they say you are?" I share this Andrew Lloyd Webber lyric to make a point - Jesus, our celebrated riser from the dead at this time of year (symbolizing the resurrection of the earth from winter and all the cycles of rebirth and fertility that come at the vernal equinox), DID know EXACTLY what he was and was trying REALLY REALLY hard to get the rest of us humans at the time to listen. We are spirit embodied in this flesh. The glory and power of divine energy is held within this physicality. Thus, all the power of a god to manifest miracles can come forth from within each and every one of us. Spirit is symbolized with a triangle, as is fire. The fire of alchemy, the transformation from muck to gold. From this mundane flesh to spirit. To be enlightened is to sever the attachment to this physical body, being ALL that we are and are meant to be in this life. Yes, our physical bodies are built from sacred geometry; just look at the double helix of our physical DNA and then at the glyph of the Kabbalistic Tree of Life. But that just means our spirit is currently contained in our flesh, not that we are only this flesh and blood.  Our journey in this lifetime, and what Jesus was trying to teach us, is that we can create miracles in our lives if we believe we are and choose to truly know ourselves as God. We need to know ourselves as divine beings capable of manifesting the life of purpose we want to live. But no one but ourselves can know yourself as this divine being. But once we choose to know ourselves as divine, as spirit, as a creator of our life - ignorance of our larger universal power cannot be taken away. The fundamental knowledge of the self as divine spirit opens the gate to the kingdom of heaven (not some place in the clouds with angels playing harps). Still, you reclaim your crown as the sovereign of your life and create a kingdom of joy, light, and abundance for yourself, your family and your community. And this is how we are going to create peace on earth. Like the church hymn. "Let there be peace on earth, and let it begin with me." Shambala is a world where humans have actualized themselves, awakened to the possibility that they are the creator God of their life and are living that daily. They are treating themselves as a God and thus treating others as a God. If you know and love yourself as a divine and worthy being, you can know and love another as a divine and worthy being. Even if that divine being makes choices that harm you. You can forgive those who harm you because they know not what they do. They are ignorant that they are God and that they are harming another god. They are ignorant that they have a choice in what they are doing. Okay, some of you may now think I've fallen off my proverbial rocker with this rabbit hole. I've gone from three rabbits running in a circle to sacred geometry, Jesus Christ Superstar, and You are God. Yep—and now we are going to talk about the Easter Bunny. Jesus Christ, Angel. Yep, Exactly.  In my research about rabbits and hares, in an attempt to find some creative take on talking about Abundance Mindset or fertility, I went down a small hole little road about the Oschter Hare, i.e., The Easter Hare or i.e., the Easter Bunny to which many today attributes to the myth of Ostara or Eostre turning a bird into a rabbit and the rabbit laying eggs to show its gratitude to the goddess. This legend is pretty recent (like the late 1800s), but as synchronicity would have it, one article I read quoted a story from an April 13, 1911, Warren, Minnesota newspaper. My mother is from Warren, Minnesota as was her mother and father, my maternal grandparents George and Agnes Sabol. My grandparents were both from prolific Catholic families with 12 and 13 siblings at once. They were farmers of the midwestern plains, stoic and practical - but seeing the date of 1911 I wondered if either of them (George or Agnes) saw the article when they were growing up and if either of them ever believed in the Easter bunny. Ironically, Warren is the name of a home for rabbits - I learned this as a little person reading Watership Down, which isn't a book for children. However, I was not a normal child, and I picked up most of what Richard Adams was lying down with his rabbit allegory.   The quote from the 1911 Warren, Minnesota newspaper article reads.  "The Easter Bunny is said to have been a bird which at one time drew the chariot of the goddess of spring and was turned into a hare. Every year, however, at the coming of spring, the hare remembers and in commemoration of its original bird nature lays eggs as an offering to spring & youth that it symbolizes."  I never really believed in the Easter Bunny, but I did enjoy the tradition of the basket and the chocolate that was found there on Easter Sunday morning. I'm still not a fan of Cadbury eggs to this day (too sweet) but Easter Candy makes me think about my grandmother Agnes and going to church. (I'd always stuff my pockets with easter candy when brought to church on easter, and the chocolate would melt and get all over my hands, to my grandmother's great dissatisfaction). My grandmother loved to sing hymns. I think when she sang in church, it was one of the few times she felt joy in her life - because at that moment, she could connect with God within and without and be in the light, free from the sorrow of a life pockmarked with abuse, alcoholism and pain caused by untreated stomach and emotional maladies. I loved to watch her sing even if I hated being in the church because I knew it was her happy place, and nowhere else was.   I've spent a lot of time thinking about my grandmother Agnes. When you are a really young woman, and you watch one of your primary caregivers so miserable that they drink themselves to death, it sticks with you. And I know now that she suffered from the side effects of being sexually abused as a small child and other untreated trauma. But sorrow is not the only thing I learned from my grandmother Agnes. I knew the power of planting seeds and nourishing the world around you. She was a master gardener, and her plants were prolific. She was the living embodiment of The Empress archetype or the abundant mother goddess Lakshmi, as everything she touched grew abundantly, and she fed her family from her bounty. On an income of nothing but social security, my family never had food insecurity. There were vats of sauerkraut, beets, asparagus, fresh beans, carrots, tomatoes, radishes, lettuce, and raspberries all summer long, and pickles and canned things all winter. The men brought home the venison, and the women waited in line for government cheese and agricultural subsidies. We were financially poor but we were neither hungry nor lacking, ever. There was always enough money and prosperity to give to the church and to celebrate all holidays and birthdays. All of our needs were met. And we always sang. Sang in church. Sang when picking the beans. Sang when making a lemon meringue pie. And when singing, she knew joy, and we always had enough. And this is true abundance - joy in knowing you are spirit, resting upon gratitude and celebration of what you have even if it is not perfect, even sometimes if it is very far from ideal. When we can have true gratitude for everything we have and celebrate it and our life, we can be in a space of true joy and flow abundance in all aspects.   In some ways, it is just that simple. It is a rabbit laying eggs to celebrate spring and show gratitude to the goddess when it remembers it was once a bird. It is recognition that we are something way bigger and greater underneath this flesh. It is remembering who we truly are. We are spirit. We have never been born, and we will never die as spirits. And by remembering who we are we tap into the universal knowing, into the flow of life itself, and we start to create and love and experience joy - and thus take steps to nourish ourselves and others holistically - not just our physical bodies so we can step out of survival mode/lack mentality and instead see beyond lizard brain and switch into thriving/ abundance mindset where there is always enough. We run not away from things but towards things or for the joy of the wind in our hair or the feeling of using our legs where we gain the courage to create new pathways to plant new seeds in our life for new experiences versus settling for comfort zones. So, our exercise for this month is to plant a seed of joy in your life and to celebrate an accomplishment to nourish that joy with song and dance.  First, meditate and get clarity on one thing you want to create for yourself by August (1st Harvest/Lammas). You will have four months to nurture this seed. Write down what you want to create on a slip of paper. Now, take this piece of paper outside and find an appropriate place to plant it on the earth. You will dig up a little bit of soil and plant it, just like you would a natural seed.  After you bury it, you will nourish that joy seed with the water and fertilizer of your song and dance. You are going to celebrate unabashedly with complete silliness around the seed. Sing your favorite song or hymn, or make up a ditty and dance around the joy seed at least three times. But I encourage you to do even more than 3, work up a sweat! Get into it! Make yourself laugh at yourself. Belt that song out of those lungs and celebrate life, what you have accomplished, and what you can do as a divine being. You are the creator of your destiny. You are the rabbit who can lay eggs because you remember who you truly are! Dance in that circle, nourish your joy and grow in abundance. You are the nurturer, the God, the goddess; you are the spirit! You can create miracles. The kingdom of spirit is embodied in your flesh. Dance it out. Make that seed grow, sprout, and blossom into abundance throughout your life. You got this. Have fun with it! Light that alchemical fire of joy in your heart.  Well, I hope you enjoyed this little circle down a rabbit hole today, my friends. May you have a joyful spring, a blessed Ostara, a happy Easter, and a prayer-filled Ramadan. If you need a little assistance planting seeds of abundance and nourishment in your life, I can help with that! Reach out via my website and book a call today. 

SynopsisHappy Leap Year!Once every four years, we have the opportunity to wish the great Italian opera composer Giacomo Rossini a happy birthday — he was born on Feb. 29 in 1792 — and to note some other musical events that occurred on this unusual but recurring calendar date.The American Bicentennial Year 1976, for example, also was a leap year, and 12 months were cram-packed with specially commissioned works written on a grand scale to celebrate that major anniversary of our nation. But at Alice Tully Hall on Feb. 29, 1976, a more modest celebration was in progress: an afternoon of new chamber works for flute and harp, including the premiere performance of a piece by American composer Ned Rorem.This piece was titled Book of Hours, referring to the prayers that the clergy read at various times of the day. In 1976, when avant-garde composer Pierre Boulez was the music director of the New York Philharmonic and dense, complicated music was considered fashionable by the critics, and the reviewer for the New York Times was struck by Rorem's deceptive simplicity: “Many contemporary composers flaunt their abilities to make music complex,” he wrote, “but Rorem waves an altogether different flag. His Book of Hours seemed determined to be uneventful. Its calculated simplicities and unassertive manner recalled the bare-walls asceticism of Erik Satie, though Mr. Rorem's phrases and colors are more sensuous and do not quite evoke Satie's mood of monastic rigor.”Music Played in Today's ProgramNed Rorem (1923-2022): Book of Hours; Fibonacci Sequence; Naxos 8.559128

In this week's episode, Anna (https://twitter.com/annarrose) and Tarun (https://twitter.com/tarunchitra) interview Brian Weickmann (https://twitter.com/Bmwball56) & Richard Liang (https://twitter.com/richardzliang) from the ZKP2P (https://zkp2p.xyz/) project. They cover the opportunities and challenges of building ZK applications with the current tools available, as well as revisit the topic of ZK Email and explore how this lies at the heart of the current version of ZKP2P. They also discuss the goals of ZKP2P, what's happening under the hood, the types of experiments and initiatives the project is running, how a user can already use the existing product and the opportunities systems like ZKP2P open up. Here's some additional links for this episode: ZKP2P (https://zkp2p.xyz/) zkSummit11 (https://www.zksummit.com/) Axiom's Halo2 library (https://github.com/axiom-crypto/halo2-lib) Episode 302: ZK for web2 interop with zkLogin & ZK Email (https://zeroknowledge.fm/302-2/) ZK Email (https://prove.email/) 0xPARC (https://0xparc.org/) 0xPARC Videos - Introduction to Circom (https://learn.0xparc.org/materials/circom/learning-group-1/circom-1/) ZKP2P - FAQ on UPI (https://docs.zkp2p.xyz/zkp2p/user-guides/faq/faq-upi) India: the frontier of payments innovation (https://www.citigroup.com/global/insights/treasury-and-trade-solutions/citi-guide-to-the-future-india-) ZK Hack Whiteboard Sessions (https://zkhack.dev/whiteboard/) Fibonacci Sequence (https://www.techtarget.com/whatis/definition/Fibonacci-sequence) ZK Regex Website (https://zkregex.com/) Gnosis Pay (https://gnosispay.com/) TLSNotary (https://tlsnotary.org/) Plaid (https://plaid.com/en-gb/cryptocurrency-solutions/) Applications to attend zkSummit11 are now open, head over to the zkSummit website (https://www.zksummit.com/) to apply now. The event will be held on 10 April in Athens, Greece. Launching soon, Namada (https://namada.net/) is a proof-of-stake L1 blockchain focused on multichain, asset-agnostic privacy, via a unified shielded set. Namada is natively interoperable with fast-finality chains via IBC, and with Ethereum using a trust-minimised bridge. Follow Namada on Twitter @namada (https://twitter.com/namada) for more information and join the community on Discord discord.gg/namada (http://discord.gg/namada). If you like what we do: * Find all our links here! @ZeroKnowledge | Linktree (https://linktr.ee/zeroknowledge) * Subscribe to our podcast newsletter (https://zeroknowledge.substack.com) * Follow us on Twitter @zeroknowledgefm (https://twitter.com/zeroknowledgefm) * Join us on Telegram (https://zeroknowledge.fm/telegram) * Catch us on YouTube (https://zeroknowledge.fm/)

Andy Webb explains how real estate investing follows the Fibonacci Sequence, which means it's not a linear progression. Webb offers valuable insights into real estate investing that listeners can apply to their own investment journeys. Click to Listen Now

Hour 2 in full

Hour 2: How the Fibonacci sequence connects to football

Crystal Kadakia is a valued organization transformation consultant, two-time TEDx speaker, and author. She has taught interactive programs around the world, challenging audiences to expand their worldviews and leverage the possibilities of those ideas that are different and new for a wide range of workplace topics. Her latest book Social Equations: The STEM Professional's User Guide to Building Positive Relationships empowers STEM professionals to build their capability to navigate social dynamics so their ideas move beyond themselves and take shape out in the world. Her other books include The Millennial Myth, Designing for Modern Learning and Your Career: How To Make It Happen. Crystal began her professional career in chemical engineering at Proctor & Gamble and later completed her Masters in Organization Development from Pepperdine University Crystal's Books: https://www.amazon.com/stores/Crystal-Kadakia/author/B017KSQFBC? - Learn more about IMS and future sessions with thought leaders like Crystal Kadakia: https://ims-online.com Single Servings (bite-sized video clips that answer your most pressing leadership and management challenges) - youtube.com/playlist?list=PLNwWl_bClmVyp_YJxfrDJy4kGhRxaxJZm Relevant IMS Leadership and Management Articles - https://blog.ims-online.com Connect on LinkedIn - https://linkedin.com/in/charlesagood Chapters: (00:00) Introduction (01:20) Crystal Kadakia's background (02:30) Importance of social dynamics (05:08) Growth of responsibilities compared to Fibonacci Sequence (06:36) Meaning of Fibonacci Sequence (07:09) Why technical professionals struggle with social dynamics (10:10) Learning social dynamics is essential for introverts (13:30) Structure of Crystal's book Social Equations (17:32) Tip: Focus on social skills and not getting triggered (19:01) Tool: Ladder of Inference (20:57) Tip: Why it's not good for the team for you to prove your point (22:17) Appreciative inquiry helps build better relationships (26:17) Tip: Build relationships and self awareness (28:06) Communicating the fundamental structure not the words on the page (29:57) Social dynamics as a skill for STEM professionals (31:25) Hidden reference in the book: An image of the word Kintsugi (33:09) How the book Social Equations has impacted readers (35:47) Key takeaway (38:53) Conclusion

Weapons of the Future We can see it in our newsfeeds every single day, as war rages on the eastern frontiers of Europe - so too are the changing dynamics evident in the way war is conducted in the 21st century. But as tactics and strategies continue to evolve, so too do the technologies that underpin the armed forces of nations the world over. So, when it comes to the weapons of the future, what can we expect exactly? Jonathan is joined by military technology journalist, Kelsey D. Atherton. The Fibonacci Sequence They're found so commonly in the natural world, such a precise mathematical pattern. From pine cones to ferns unfolding, hurricanes, many other natural phenomenon. Essentially it's still an ongoing question about why they are so common. Jonathan talks to someone who is trying to get to the bottom of this natural phenomenon, Dr Sandy Hetherington, UKRI Future Leaders Fellow, Institute of Molecular Plant Sciences, University of Edinburgh. Cryo Conservation It's a sad truth that the number of species on this planet is diminishing every day, mostly due to human activity. In order to save what we have and even one day restore species back from the edge of extinction, we need to save as many samples of living animals as we can. Joining Jonathan to talk about cryo conservation and its importance in science is Dr Andrew Mooney who is with Dublin Zoo and the Department of Zoology at Trinity College Dublin.

In this episode, I talk with my former LinkedIn colleague, Lara Nowak, about adopting Agile for customer experience work. Neither Lara nor I are Agile experts, far from it in my case. But our recent experience of having to learn Agile and apply it to customer experience work gives us "Fresh Eyes" to both the challenge and opportunity of using Agile. We cover the important elements of Agile, concepts like Sprints, Retros, User stories, Planning Poker and the like. Fittingly, in a podcast called CX Patterns, we also talk about using the Fibonacci Sequence for estimating time and effort during sprnt planning. More background on the meaning of Slow is Smooth. Smooth is fast. Planning Poker OverviewPlanning Poker Online Tool Fibonacci SequenceThe Treasure Hunt RetroMiro – Tool for customer journey mapping, among other experience design methodologiesLara NowakCheck out the CX Patterns Newsletter for a complete transcript of every full podcast episode (Loose Threads / Mini Threads transcripts are included in the show notes) Hosted on Acast. See acast.com/privacy for more information.

Episode 235! Yes- the non-sense ensues. Listen in as Gen's tries to teach the guys about the Fibonacci Sequence, Darren asks what fast food would you choose free for a year, and Bim has more problems with Gen-Z'ers!

A pi pie? Yes please!

Immerse yourself in the unique blend of the 1.618Hz Delta Binaural Beat, inspired by the Fibonacci Sequence, combined with the 417Hz Solfeggio Tone. Designed to deliver deep relaxation, healing, and a sense of peace, this audio experience resonates with the mathematical harmony found in nature. Ideal for meditation and overall wellness. Don't forget to wear headphones for the full binaural beat experience. Like, share, and subscribe for more transformative sound journeys.Subscribe Here: https://www.youtube.com/channel/UCgL7XfVTtbQc0Yd8kEQ9BtA?sub_confirmation=1 Spotify THETA Waves: https://open.spotify.com/show/0YDs6rMlb9EotOjK6gPPxB Patreon support: https://patreon.com/user?u=92221476 Tik Tok: https://www.tiktok.com/@naturesfrequencyfm Instagram: https://www.instagram.com/naturesfrequencyforthemind/ Itunes Theta: https://podcasts.apple.com/ec/podcast/pure-binaural-beats-theta-frequency-for-hemi-sync-focus/id1686617988 Itunes Delta: https://podcasts.apple.com/ec/podcast/delta-binaural-beats-for-stress-anxiety-relief-or-hemi/id1686616830?l=en Like & Subscribe for Binaural beats and relaxing sounds of nature everyday for Mindfulness meditation. Binaural tones are a great tool for brain stimulation, sleep meditation, deep sleep, anxiety relieve, and much more. #binauralbeats #Healingfrequency #formeditation #soundtherapy

Having been raised from a bloodline of great artists and musicians from Germany, Andreas Kunert's unique artistic talents and ability to perceive the Fibonacci Sequence, informed his perception of the world. Observing this pattern in nature, people and stone has greatly influenced his life and work. When Andreas started K2 Stone Quarries on Vancouver Island in 1992, he was the youngest-ever Canadian commercial quarry owner. When the simplicity of quarrying became unfulfilling, he embraced his deep desire to create beauty with stone, shifting to a career creating stone artworks. In 2009, Andreas and his wife Naomi founded Ancient Art of Stone. Together, they help people find balance, wholeness and connection through creating soulful stonework in their Vancouver Island studio. Entrepreneurs are the backbone of Canada's economy. To support Canada's businesses, subscribe to our YouTube channel and follow us on Facebook, Instagram, LinkedIn and Twitter. Want to stay up-to-date on the latest #entrepreneur podcasts and news? Subscribe to our bi-weekly newsletter

It's episode 25 of Date Night In with Dave & Jess, and the couple celebrates this milestone episode with Something in the Dirt, which is available on Hulu.  They pair this indie cosmic film with an Old Titus cocktail they created from a recipe in Lovecraft Cocktails.  Is this low budget film worth your time?  Or is it best left for mumblecore fans only?Other topics discussed in this episode include a breakdown of the definition of cosmic horror, other films made by the filmmaking duo of Justin Benson & Aaron Moorehead, and an explanation of the Golden Ratio / Golden Spiral and the Fibonacci Sequence.  Jessica also questions if ashtrays are a thing, and offers up her membership for cults looking for one more member.Thanks for listening! We hope you enjoyed the episode. Please take time to rate the show wherever you listen to your podcasts and follow us on Instagram at DateNightInPodcast. We welcome feedback, suggestions, and cocktail recipes at DateNightInPodcast@gmail.com. Our intro song is from Royalty Free Music from Tunetank.comTrack: Summer Vibes by RedNotehttps://tunetank.com/track/865-summer-vibes/

Our very first guest, JoJo Platt, is a longtime consultant serving the neurotech community through the commercialization process. In this episode, JoJo discusses her eclectic background, views on leadership, the future of neurotech, and how good-natured "revenge" is one of her primary motivators.  Guest links: http://theplattassociates.com/ | https://www.joyventures.com/ | https://neurotechreports.com/ | https://skrapspodcast.com/  Charity supported: Polaris Project  Interested in being a guest on the show or have feedback to share? Email us at podcast@velentium.com.  PRODUCTION CREDITS Host: Lindsey Dinneen Editor: Tim Oliphant Producer: Velentium   SHOW TRANSCRIPT Episode 002 - JoJo Platt Lindsey Dinneen: Hi, I'm Lindsey with Velentium and I'm talking with MedTech industry leaders on how they change lives for a better world. Diane Bouis: The inventions and technologies are fascinating and so are the people who work with them. Frank Jaskulke: There was a period of time where I realized, fundamentally, my job was to go hang out with really smart people that are saving lives and then do work that would help them save more lives. Diane Bouis: I got into the business to save lives and it is incredibly motivating to work with people who are in that same business, saving or improving lives. Duane Mancini: What better industry than where I get to wake up every day and just save people's lives. Lindsey Dinneen: These are extraordinary people doing extraordinary work, and this is The Leading Difference. Hello and welcome to the Leading Difference Podcast. I'm your host, Lindsey, and I'm excited to introduce you to my guest today, Jojo Platt. Jojo is a longtime consultant serving the neurotech community through the commercialization process. She works with academic labs, neurotech startups, and others to advance neuro technologies into the hands of patients. Jojo is the US Partnership's lead for Joy Ventures. She works with Neurotech Reports, co-hosts the Skraps podcast, and serves on many organizing committees of the industry's most influential conferences and meetings. And I am so thrilled that she is joining me today. Welcome to the show, Jojo. Thanks for being here. JoJo Platt: Thank you for having me on. I'm really excited to be on the other side of the mic this time. Lindsey Dinneen: Oh yes, that's right. Please tell us a little bit about yourself and your background to get started, if you don't mind. JoJo Platt: Sure. I work specifically in the field of neurotechnology that's even more narrow than medical devices. I prefer to think of it as a different focus than just pure, broad speaking neuromodulation and I've been consulting to academic labs, startups, government offices, universities, kind of everybody in the neurotech space for about 15 years now, and a lot of people find it challenging to really fully understand what I do. So I keep it broad because I do a lot of different things. I like to think about all of the scientists and technologists who have spent their entire lives honing and perfecting their science and technology skills. And I come in on the other side of that and help them on the business side. So if they're ready to translate, if they're thinking about creating a spin out, if they wanna optimize their research for future licensing and spin out, there are things that can be done even at the academic level that can make a big difference into how technology or therapy commercialized. And I do everything except for accounting and housekeeping. Lindsey Dinneen: Amazing. So I am curious, do you mind delving a little bit more into how you help bridge the gap between a company or an individual who is looking to develop new technology? And what have you found is the most needed aspect of that sort of bridging the gap process or how do you feel that your consulting and your services are able to help these people? Because I know you're making a difference, but I'm curious as to what things you find are the most common, and where people can use that assistance from a different perspective? JoJo Platt: The field overall, especially the commercialization side of the equation is still relatively young. I know, spinal cord stimulators coming out Tom Mortimer's lab and all of that in the sixties and some of the cardiac pacemaker technologies, those have been around for a long time. But when you get into some of the neural interfaces, be it in the central or peripheral nervous system, those are on the newer side. So we still have a lot of technology founders or technical founders, or scientific founders, which is fantastic. There's nobody who knows the technology and the science better than these folks. But like I said before, they're classically trained on the science and technology side of things. So there are tons of resources out there that can help prepare them to be a CEO or a founding CEO. But they still need a lot of support and whether they find that they need help in making their business case as they're pitching for financing to VCs, helping them hone that pitch, whether it's in support of market research, helping them determine what's the best path to market sometimes. I primarily like to focus on FDA cleared or FDA approved devices and I definitely favor implanted devices over wearables, but there are definitely fantastic wearable technologies. That's all to say that direct to consumer is something I can appreciate and admire, but that's not an area of expertise for me. So I'll help them look at the regulatory pathways, reimbursement pathways. I either do that on my own or I also work very heavily with a team at Neurotech Reports, Jim Cavouto and Jeremy Koff, who both have excellent track records in Neurotech as well. Lindsey Dinneen: Yeah. That is wonderful. And so when you are helping these folks, these scientists-- I think we talked in a previous conversation about how sometimes the business aspect, like you said, you can learn a lot about how to be a CEO and there are certain things that maybe come a little bit easier than others, but in terms of, say the marketing side of things or how to translate the science into a more widely understood-- if you're going to explain it to your grandma kind of thing. You have a really interesting background that didn't necessarily start in the science field. Do you mind exploring a little bit about how that helps you translate between the two? JoJo Platt: Sure. I have a very long sort of meandering journey into a lot of different areas. I started out my first, I like to call it my first real job, my first office job was a one person of a two person accounting team at an internet backbone technology company. And that's to say, because this was in the mid to late nineties, it wasn't part of the dot com boom so much as it was, anytime you watch video on the internet, that call and response of the video packets that get delivered to you are still done even now, 25 years later on the internet backbone which is video delivery optimization. So we were basically solving how to stream video on the internet when the internet was operating at basically a 14 4k speed. So accounting, I thought that's what I wanted to do. That was my degree program at the time, and I was in school and working and being a single mom and all that. And we went through an IPO, which was an amazing learning experience, but it was a lot of work. I'd go to the office at six in the morning. Work till six at night. Go to class, go home, see my daughter, go back to work until about two o'clock in the morning and they go back at six and it burned me out. We were a startup and the hours were long, so, after the IPO I was processing some expense accounts and I kept seeing all of these marketing expense reports come in. I'm like, "you guys went to dinner where? You spent what? You did?" And I'm just like, "wait, let me get this straight: you're having this much fun and I'm sitting here behind a desk processing your expense reports." So I said, "this is over. I'm going over to marketing." And so I was still in school, so I changed my major and finished that up on the comm side of things. I don't tend to refer to what I do now as marketing or communications. Because it's only a part of what I do, and also because those words tend to scare a lot of scientists. They don't believe in self-promotion. And they just find the marketing and communication side of things, PR and that sort of thing, quite unsavory. So I don't talk about it in those terms, but that is a little bit about what I do and especially, my own, I guess you'd call it a brand. I don't know that it's brand so much, but it just happened. So yeah, from accounting to marketing, I went through the dot com bubble in the early two thousands with the community site that was the early competitor to MySpace and earlier than Facebook even. So we raised a lot of money. The founders burned through all of it. That crashed. I decided at one point I was gonna kinda have an early retirement 'cause I had done well with my IPO and then got bored. I've done consumer electronics, was working with a technology company trying to solve the whole Napster problem with copyright protection for music. And we were a finalist in the industry competition that was gonna lead to an industry standard of content protection. And then just a month or so before it was all finalized, iTunes came out with a 99 cents song, which between the lawsuit against Napster and an affordable easy, one click way to get music, that pretty well solved the problem for the most part. So that one went away.  then from there I ended up, this one's a really strange one. From there I ended up going and working at a nonprofit that had, before my arrival, they had fallen afoul with the IRS and it wasn't-- the nonprofit needed some closer management. For the most part it was doing okay. It was doing what it was supposed to be doing. For, again, for the most part, its problem was that the founder was a person of interest in his other business dealings. So IRS and the Department of Justice figured they were gonna "Capone" this guy. Basically go after him and get him for anything that they could, whether it was directly related to the insurance schemes that he was running or if they could get him some other way. So I jumped in, became the court appointed trustee for the foundation and helped the DOJ and the IRS Criminal Investigations Division actually put this guy in jail. So that was kind of, it was a little scary at times. But it was fun. And at the end of the day, I got to help give away 47 million dollars to a lot of different charities. And one of the things that we wanted to look at was sepsis research, because one of our board members, his daughter passed away very quickly and very unexpectedly from sepsis. So we wanted to support sepsis research. And found out that Kevin Tracy at the Feinstein Institute in New York was doing a lot of really exciting work in sepsis and I started helping them out on a consulting basis on some of the sepsis activities and then some Parkinson's research initiatives that they were working on. And as they were getting ready to launch the Center for Bioelectronic Medicine, they just kept pulling me on board for project after project and kept consulting on that helped them launch the center with some very good friends of mine. I'm glad to say it's still a very successful research entity and putting out amazing work. And we launched a journal by the same name. And part of my responsibilities there were to really understand and know the players in the field of neurotechnology and find out what they were working on and see if I couldn't help to facilitate collaborations, whether it was research or further down the road into the commercialization spectrum. And that's how I fell into neurotech. It's a very long, very circuitous, bumpy road. Lindsey Dinneen: Yes. But it's an amazing backstory and it has led you to a whole new chapter really, and new opportunities that you probably couldn't have imagined when you first were even in school. Thinking ahead, what's my life gonna look like? So that's... JoJo Platt: I'm still waiting to find out what it is I'm gonna do. Lindsey Dinneen: That's amazing. Yeah. Well, I'm curious, is there a particular moment that stands out to you because it clearly confirmed that this chapter was the right next step for you? I know you had mentioned the importance of working on the sepsis research and supporting that initiative and things like that. Obviously that was something that was important to you, but I'm curious, as you've continued along this path, is there just something that stands out where you thought, "yes, this is the right next chapter for me" and why? JoJo Platt: I don't think there was a single moment. I think somebody asked me a similar question at a conference earlier, I guess last fall, and, "Why are you doing this?" And, "What got you involved or what keeps you here?" And I think part of it is still really true. That part of it is revenge. Don't get me wrong, I went to a very excellent high school, but my science teachers saw in me a very, very strong lack of scientific ability. I didn't apply myself in my science classes and they all begged me never to take a science class again-- just get through this one and don't take any more science than is required. So I think the part that keeps me here most is that I'm not a scientist and I'm not a technologist. I've definitely learned a lot from everyone that I've had the good fortune of working with or seeing some of the amazing talks that I've seen over the last 15 years. But I can have an impact and not be a scientist or a technologist. And I think that inspiration keeps me going. And I'll be on stage with some of the world's most important neurotechnologists, and I always make sure and take a picture and then send it back to my science teachers and say, "See, I did okay". Lindsey Dinneen: I love it. JoJo Platt: Yeah. There might be a little spite there, but just, all good fun. Lindsey Dinneen: Good natured. JoJo Platt: Yes. Yes. Lindsey Dinneen: That is seriously amazing. I definitely have a little bit-- I'll put it this way-- I have enough rebel in me where if someone says that I can't do something, then I have to prove them wrong. JoJo Platt: Right. Lindsey Dinneen: It's just -- we're gonna figure out how to do this, might not come easily, but we'll figure it out. JoJo Platt: Yeah. And I don't think I would've gone out of my way to do that had I not stumbled into this field, but the fact that I'm here now, I'll leverage that a little bit. Lindsey Dinneen: Yeah. Yeah. Amazing. Well, how would you define leadership? Or what does leadership mean to you? JoJo Platt: To me leadership is not so much telling people what to do, but making sure that your team is inspired to follow you. And I think that difference is one thing that's really important between a boss and a leader. Also why I don't have employees. I think that bringing on the right team members for the right problems and empowering them to do their jobs is probably, a pretty inspiring leadership principle. And the people who have that gift are people toward whom I gravitate, just sort of in, in my own personal fandom of that capacity. And when I see that I like to highlight that and foster that. But I think I know my own weaknesses, which are anything in the area where HR would have jurisdiction, I'm the worst nightmare. And I love being a collaborator, but being a leader is a gift that I think I'll let others take the helm for that one. Lindsey Dinneen: Oh, that is fair. I appreciate that perspective. Well, what is your best piece of advice for someone interested in obtaining either a leadership role within the med tech industry, or since you talked about being in more of a collaboration role or a collaborator role, what is your best piece of advice if someone's looking to do something similar to what you do in helping bridge this gap in helping assist these amazing people bring their ideas to reality? JoJo Platt: I think one of the greatest parts about the neurotech field is that we're still young enough that there are opportunities everywhere, and I know we're going into a bit of a shrinking right-sizing economic exercise, and that some of that will include some painful moments for a lot of people. But I think from my experience, it's better to correct than to crash. So I'm optimistic about where we are in that, and I think that we are truly at the point in the field where there's a legitimate reason to say, if your dream job in neurotechnology doesn't exist, go and create it. And I think this space is open to so many different areas of expertise. So we need people in finance and business management, administration, operations, systems management. And yes, marketing is actually starting to become a legitimate and respected division of a lot of different companies. So that's good to see. But you can really come from any field and contribute to neurotechnology. And one of the things that I see a lot are people who have a hybrid blend of expertise. So they might be neuroscientists by training who went through an MBA program or an MBA candidate who has strong engineering background. Those are the kinds of cross talented people that we're really gonna need. And I think we are seeing a lot more interest from the sort of traditional business categories of contributors to the point of we need more qualified CEOs in our field, and we need more people in finance that really understand what the technology implications are. A lot of my clients really are focused on and need regulatory and reimbursement experts. There's a need for people who have organizing backgrounds. For instance, next week in DC, Paradromics has been instrumental in putting together our BCI days going to talk on Capitol Hill about export controls on brain computer interfaces so that sort of organization and lobby expertise. So I think that if you have a passion in terms of what it is you want to do and you want to apply it to the field of neurotechnology, there are so many opportunities that didn't even exist even 24 months ago. So I think we're growing quickly and it's exciting to bring new people into the field and help accelerate and propel these fascinating and really potentially hugely impactful technologies. Lindsey Dinneen: Yeah. What do you see as being some of the most exciting trends in this field moving forward? JoJo Platt: Well, brain computer interface is definitely one. There are some really great players in the field. BlackRock Neurotech has been the leader in the field and out of the, I think we're-- I think we're right around 40 or 40 plus humans who have been implanted with brain computer interfaces. And well over 30 of those people have BlackRock technology implanted. But we're seeing some really great newcomers with novel ideas, novel technologies. Paradromics, who I previously mentioned, is one and Synchron has been getting a lot of attention for their vascular approach to a BCI. Precision Neuroscience just closed a big round last week. And Motif Neurotech is exciting. That's a new technology out of Rice and it's a minimally invasive brain computer interface. And their first indication is major depressive disorder. Inner Cosmos is going after the same indication with their minimally invasive approach. They're both exciting to watch. And I think BCI obviously gets so much more attention because of Elon Musk's involvement in the field. Lindsey Dinneen: Yeah. Well, I am excited to also continue to learn about the new developments coming up. It is a crazy time. I joke about this a lot, " what a time to be alive." But seriously, it is so exciting to see what's coming up, what's possible these days just is amazing. It's mind blowing. So thank you for sharing some of your insights with that. JoJo Platt: My pleasure. It's a fine line. You wanna talk about the potential, but you also have to be reasonable in managing expectations, especially with a patient population that needs the therapy. Promising and underdelivering is something that everybody is very focused on maintaining that integrity. There was a talk couple weeks ago where the CFO of BlackRock Neurotech said, "we like to focus on the "art of the possible" and being sure that we're not over representing what is today possible and what will may eventually become possible." And I like that. That to me, is very responsible communications. Lindsey Dinneen: Yeah, absolutely. So I'm curious, how do you prioritize your continued learning and growing as a leader, as someone of influence within your industry. How do you prioritize your continued growth? JoJo Platt: I've just been so lucky to meet and engage with so many really exciting researchers, whether they're on the science or technology side. And I'm at the point where a lot of what comes in front of me, people will send to me directly and they're like, "Hey, Jojo, this just came out." Or, "this is a publication that's coming out next week. Let's see if we can amplify it." So a lot of my sort of choices are spoon fed to me. And then that sends me down a rabbit hole. I mean, there's so much to discover. Anywhere you look it's out there. So I should be more strategic about it. If you have something that you think is really important that you think the community wants to know about, I do invite people to send it to me. And if I have a chance to amplify it and call attention to it in any small way, then I'm grateful for that opportunity. It helps me see different things that I might not otherwise. Lindsey Dinneen: Yeah. Well, and that's a great segue into, I'd love to learn a little bit about your podcast. Is that one of the tools that you use to amplify some of those things? Or is that completely separate? JoJo Platt: It's a little bit of both, so. Okay. The podcast is scraps with a "K," S-K-R-A-P-S, and that's because a lot of scientific exploration and inspiration comes at the bar talking to your colleagues and you write your idea on the back of a scrap of piece of paper. And the other reason it's called Skraps is cuz it's "spark" spelled backwards. Anyhow, my co-host for that is Arun Sridhar and he's the former head of Discovery at Galvani Bioelectronics. So he brings the scientific rigor to the podcast and I'm the cheeky monkey who gets to be a little sillier. But we've done a little bit of everything. It is a hobby for us and we like to highlight people that have inspired us in different ways. But we also are sure to try and make it fun. So we've done everything from human composting. Shortly after Covid hit, we had the graphic artist who did the rendering of the Covid molecule, the gray ball with the spikes that is everywhere, which was a fascinating story. She literally got woken up outta bed in the middle of the night in January 2020 and they said, "We've got something, you've gotta come down here and draw this for us." So that's an interesting thing. Okay? So I'm like, "You wanna just put me on speed dial next time you get one of those calls and tell me about it?" But we've done everything. They're incredible leaders in, in science and research. On the show we did a 10 part series on psychedelics in research. That was about a year and a half ago now. So that was at the vanguard of the psychedelic research revolution. So we did a pretty comprehensive history back to early human use all the way through the obvious fifties, sixties, seventies with MK Ultra and then what's happening in research today and how some of the people who are benefiting from psychedelics and psychedelic therapy. And then now we're in the middle of a series on the vagus nerve in neurotechnology. So we just do a little bit of everything, whether it's a topic or a person or a personality. We try and keep it fun. Lindsey Dinneen: I love that. That's awesome. Okay, well, for fun, imagine someone offered you a million dollars to teach a masterclass on anything you want-- doesn't have to even be in your industry. What would you choose to teach and why? JoJo Platt: Oh, that's a good one. I don't know that I would be qualified for that. I've always thought of myself more of a jack of all trades, master of none . I'm a boy scout. I'm prepared for anything, but I'm maybe not the master at any one thing. And I think that's what I love about so many of the people that I encounter, is that they've dedicated their whole educational career, their professional career to one particular thing and they can teach the master classes and I'll sit back and watch and then post about it. Lindsey Dinneen: What a fun answer. Okay. Well, do you think you could then teach a masterclass on how to be prepared for anything because you never know what will come your way? JoJo Platt: I do have my shortcuts, like when I really get in over my head with a neuroscientist, I can start talking about engineering, and same thing if I get in over my head in an engineering conversation, I'll switch over to neuroscience or something. And if I get really flustered, I'll just say "The mitochondria is the powerhouse of the cell!" and walk away. Lindsey Dinneen: Brilliant. JoJo Platt: So yeah, you always wanna have a couple catchphrases that'll get you into or out of any conversation. Lindsey Dinneen: All right. I like it. Yeah. I need to develop a few more of those, I think. What is the one thing you wish to be remembered for after you leave this world? JoJo Platt: I hope that when I'm gone that the people that I've known and had the privilege of being associated with, either professionally or personally, oftentimes both-- that they always knew that I was there if they needed help or if there was some way that I could contribute to their success, that would be the greatest highlight of my day. I'm not the one doing the hard stuff, so I'm here to help the people who are, and if that's how I'm remembered, I wouldn't hate that. Lindsey Dinneen: Yeah. I love that. Well, final question. What's one thing that makes you smile every time you see or think about it? JoJo Platt: But one of the things that, I find wonderful, full of wonder, fill me with wonder, are really the pieces of science that you don't realize, or mathematics or engineering that are all around you all the time, and if you know where to look or how to find them, you start to see. I have a fascination with Fibonaccis. So if you start to read and learn about the Fibonacci Sequence and how it's applied and where it's found in nature, where it applies in mathematics, how it affects what we view as aesthetically pleasing-- there's "The Great Wave of Kanagawa," which is a Fibonacci Sequence. It's an old Japanese block print that is perfectly aligned with the Fibonacci spiral. So things like that. Things that blur the line between mathematics and science and beauty. I think that's pretty inspiring. That makes me smile. Lindsey Dinneen: Oh, I love that. That's beautiful. Well, I just wanted to say thank you so much for joining us. Thank you for sharing about your background and all the fascinating things that you have done that have led you to where you are right now. And who knows what you're gonna do in the future, but it is so fun to hear about it. So thank you for being so open sharing all those wonderful things. And we are honored to be making a donation on your behalf as a thank you for your time today. It's going to Polaris Project, which was Jojo's choice, and that is a non-governmental organization that works to combat and prevent sex and labor trafficking in North America. So thank you for that, Jojo. Thank you so much again for your time. We wish you just the most continued success as you work to change lives for a better world. JoJo Platt: Thank you. Thanks for having me on. I really appreciate it. Lindsey Dinneen: Of course. And thank you also to our listeners for tuning in, and if you're feeling as inspired as I am right now, I'd love it if you'd share this episode with a colleague or two, and we will catch you next time.  The Leading Difference podcast is brought to you by Velentium. Velentium is a contract design and manufacturing firm specializing in the development, production and post-market support of diagnostic and therapeutic active medical devices, including implantables and wearables for neuromodulation and other class three indications. Velentium's core competencies include electrical design, mechanical design, embedded software, mobile apps, contract manufacturing, embedded cybersecurity, OT cybersecurity, systems engineering, human factors and usability, and automated test systems. Velentium works with clients worldwide from startups seeking seed funding to established Fortune 100 companies. Visit velentium.com to explore your next step in medical device development.

Recap 3/3/23 and using the Fibonacci Sequence = 0, 1, 1, 2, 3, 5, 8, 13, 21, when tracking the move of the candles up or down.  Fibonacci numbers, are defined as the sequence of numbers in which each number in the sequence is equal to the sum of two numbers before it.  SafeDay Trading™ Podcast Welcomes You! Thank You for listening to our podcast and for your desire to discover how to Safely Trade the market to master the art of day trading. For a Limited Time, Sign Up for... FREE SafeDay Mini-Course, FREE eBook and FREE Live Trading Session! Go to our website and register today at http://safedaypodcast.com

Today, we speak again with Joe Ziadeh, the Chief Story Teller and Innovation Artist at Balanced Agility. He knows how estimation is done best by pinning it relative against the size of another thing and determining if it is bigger or smaller than that. Joe also talks about story points and how to relatively size them and use the Fibonacci sequence because it is simply what worked for many people a long time ago. Get to know Joe and what he's up to:About JoeAbout Balanced AgilityBalanced Agility WebsiteConnect with Vivek and find out more about what he's up to:About VivekAbout The Agile CoachAgile Coach WebsiteIf you enjoy The Agile Coach and are interested in learning more, you can check us out at the link below:LinkedIn: https://www.linkedin.com/company/the-agile-coach-llc

“The capital market system is a perfect system…it's very difficult to disrupt it because it's on a tightrope of mathematical balance. Every once in a while, someone comes along with a jockstrap the size of a barrel that says, maybe we can make the system more perfect.'” - Luigi   That someone is our guest on today's episode.    Noah Healy is a mathematician, literal genius, and Founder of Coordisc, a technology product that has the potential to reorder the global financial system altogether. He recognized that in addition to Supply and Demand, information also plays an important role in every deal. Noah found a way to produce a three-sided marketplace that brings Supply, Demand, and Info together - which can ultimately make the entire system considerably less expensive than the current capital markets.    Intrigued yet? Keep reading - and tune in!   What You'll Learn: Why he's been working on a patent for over ten years, and what will come next Why competition will continue to exist but in an improved capacity How blockchain technology provides a forum for marketplaces that don't rely on traditional regulations, and how he's incorporating it into his own technology A crash course on the scariest numbers in number theory An analysis of the Fibonacci Sequence …and more! Favorite Quote:  “I've found a way to produce a three-sided marketplace where Information, Supply, and Demand come together.” How to Connect with Noah: noahphealy@yahoo.com LinkedIn: https://www.linkedin.com/in/noah-healy/ www.coredisc.com   How To Get Involved: Matthew Meehan and Luigi Rosabianca use their combined experience to provide insight and strategic advice to help small and medium-sized businesses in America have the same opportunities as corporate 500 companies. If you're looking for tailor-made solutions to grow your small biz, learn more at www.shieldadvisorygroup.com.   Stay Connected: Connect with Matt and Luigi on Instagram: @matthew.r.meehan @luigi_rosabianca, @theLiquidLunchProject @ShieldAdvisoryGroup.   Visit The Liquid Lunch Project website and subscribe to The Weekly, our Friday morning newsletter, for all the latest in the world of finance, tech, small business, and more. www.theliquidlunchproject.com Make sure you never miss an episode — check out The Liquid Lunch Project on Apple Podcasts, and don't forget to subscribe, rate, and review.

The Fibonacci Sequence is a series of numbers that are a result from adding the sum to the preceding number. For example 0+1=1; 1+1=2; 1+2=3; 2+3=5; 3+5=8; 5+8=13 and so on. The Golden Ratio is when we divide those Fibonacci numbers (Ex: 5/3= 1.6 and/or 8/5=1.6) to get that ratio of 1:1.6. When applied as a growth factor it creates a "Golden Spiral" and creates sacred geometry. It can be found everywhere in the universe, you cannot escape it! The universe doesn't use language to communicate with us it uses symbols and patterns. Join us and listen for a more detailed explanation. Also, Do you have a story to share? If you email me and share your story I will gladly, with your permission of course, feature it on a future episode for the rest of us to listen and enjoy. Check out our website at www.MysteriesBeyond.com and/or email us at LauraLavender.mb@gmail.com Check us out on social media on Instagram @LauraLavender.mb and/or on TikTok @LauraLavender.mb and/or on Facebook at Mysteries Beyond Website: www.mysteriesbeyond.com Email: lauralavender.mb@gmail.com Instagram: @lauralavender.mb TikTok: lauralavender.mb Facebook: Mysteries Beyond My Linktree: https://linktr.ee/LauraLavender.mb Intro Music by: Mystery by GoSoundtrack http://www.gosoundtrack.com/Creative Commons — Attribution 4.0 International — CC BY 4.0 Free Download / Stream: http://bit.ly/mystery-gosoundtrackMusic promoted by Audio Library https://youtu.be/8TKy9bzrk24 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mysteriesbeyond/message

Netflix has a plan for all those households that share login credentials. Uber is going to advertise to you, a lot. A mysterious GPS interference affected air travel in Texas. And did physicists uncover the cheat code to the universe?See omnystudio.com/listener for privacy information.

What does it mean when you keep seeing the same series of numbers everywhere you look? Maybe the sequence 4-4-4 keeps showing up for you every time you look at the clock, check your odometer or see the price listed at the gas station. Could it have any significance? Actually, yes. Seeing the same repeated number pattern may be a sign from your spirit guides urging you to make a certain decision or to look at your life through a different lens! In this episode, you'll learn what angel numbers are, where they come from, and how they tie in with our daily lives and with the greater universe. Janeen covers the meaning behind some of the numbers most commonly seen in repeating patterns in everyday life. She also dips into some basics on Numerology, the Fibonacci Sequence and Voronoi diagrams--but don't worry, there won't be a math quiz at the end! Special shout-out to Rachel Grace of Grace Crystals & Academy, whose beautiful deck of Numerology cards were used alongside others as a resource for this episode. Order your deck of Numerology Cards by Rachel Grace here! ***ATTN PARENTS, CAREGIVERS, GRANDPARENTS AND EDUCATORS*** Please join Janeen this Friday, 10/7/22, live at noon EST, for a FREE virtual workshop: 'Discover & Nurture Your Child's Greatest Gifts.' Learn how to use Human Design to identify and cultivate the box of tools your kiddo(s) came to earth with, so they can grow into the highest, fullest expressions of their whole, true selves. Space is limited so register asap! Sign up for the latest e-news to get discounts, announcements and info at janeenellsworth.com, and be sure to follow Janeen on Instagram and Facebook. --- Send in a voice message: https://anchor.fm/womenfriends/message Support this podcast: https://anchor.fm/womenfriends/support

What is the Golden Ratio? Why is it found in nature? Is it the signature of the creator?

Greg and Bella are back with a brand new term of teachers giving their favourite lessons! Today it's Maths with former semi-professional footballer Mr Grindrod. In a lesson all about sequences, patterns and ratios, we'll find out how much maths goes into the things we find beautiful. From beautiful flowers, to beautiful buildings, artworks and even faces! We'll learn about the Golden Ratio, a magic number called phi and the Fibonacci Sequence. And we'll also find out just how obsessed with maths DaVinci was! Bad students of all ages are welcome. Expect brilliant teachers, captivating subjects but absolutely no homework. Get in touch with your pictures - email us at teachme@bbc.co.uk

Kelly's restored 1950 Westcraft Coronado trailer, “The Club Car,” finally comes home after snow related delays. Plus, we have project updates and our Summer Spin in starts June 1st.   Full notes with photos and links can be found in the podcast section of our shop website: TwoEwesFiberAdventures.com Join the community on Ravelry or become a patron and support the show on our Patreon Page. Subscribe on Apple Podcasts or Subscribe on Android or Subscribe on Google Podcasts Jul Designs coupon code: 15% off with code TWOEWES Marsha's Projects:  Depth Hat by Talitha Kuomi I finished this hat. The yarn is The Fiber Seed Sprout Special Speckles DK, in the colorway Dirty Seahorse. I could not get the yarn to pool in the way that attracted me to the pattern in the first place. The colors spiral, but I still like it.  Meadow Stripe Socks using Patons Kroy Sock in the colorway, Meadow Stripes and Lang Yarns Jawoll Superwash fingering for the heels and toes. I finally found the misplaced yarn for the toe and was able to finish these socks. Garter Squish Blanket On color fourteen of sixteen. I'm ready for this project to be done!  Unpattern Top Down Raglan Pullover by Karen Alfke. I finished the Fibonacci Sequence striping of the body except for the ribbing. I'm waiting for Ben to try on the sweater. Picked up and knit the neck band and started the first sleeve. Troyggja við Mynstur (Sweater with Round Pattern) by Tora Joensen (translated by Kate Gagnon Osborne: I knit my swatch and got gauge with size 8 needles instead of the suggested size 9. I plan to knit colorwork yoke with size 9. I cast on the sweater while at the beach and knit the ribbing, the colorwork and about an inch of the body. Decided the size was too small, frogged, and cast on the next size up. At about 9” I put the body on waste yarn and washed and blocked to be sure gauge and size are okay. The ball of red arrived for Navia that will be in the yoke. I'm spinning a 2lb bag of Manx Loaghton in my stash. This is a protected breed from the Isle of Man. I am using a woolen spun technique and have spun 5 skeins or approximately 400 yards. Spun three more bobbins that are ready to be plied. Kelly's Projects: Finished the Garter Squish blanket using handspun leftovers.  Mother Bear time!  Mielie vest using Schaeffer Yarn Company Little Danya mohair. This sat in the knitting basket for the last two weeks. Color is Rosa Parks and it was spirit yarn from NoCKRs retreat in 2018. Shortie socks out of Tomato and Mink Falkland handspun yarn. 3-ply chain plied yarn.  Suggested podcasts: Hooked and Booked podcast with AJ of KJKrochet, South Africa Crochet Conversations Inez and Mell from Singapore We Want to Hear You! Give us a call and tell us about your favorite LYS!  Go to speakpipe.com/twoewes and leave a message. It will take 90 seconds or less. Or you can use the voice memo app on your phone and email us the audio file. We'll put your voice feedback on the show!   Stash-Busting Blanket Along Ends May 31.  Summer Spin-In  Starts June 1. Goes until September 5. (US Labor Day) Black Sheep Gathering June 24-26 Albany, Oregon Saturday meet-up starts 3:30 Show Transcript Marsha  0:03   Hi, this is Marsha and this is Kelly. We are the Two Ewes of Two Ewes Fiber Adventures. Thanks for stopping by. Kelly  0:10   You'll hear about knitting, spinning, dyeing, crocheting, and just about anything else we can think of as a way to play with string. Marsha  0:17   We blog and post show notes at Two Ewes Fiber Adventures dot com. Kelly  0:22   And we invite you to join our Two Ewes Fiber Adventures group on Ravelry. I'm 1hundredprojects and I am betterinmotion. We are both on Instagram and Ravelry. And we look forward to meeting you there. Enjoy the Episode! Marsha  0:43   Hi, Kelly.  Kelly  0:43   Hi, Marsha.  Marsha  0:45   Okay, big news. Kelly  0:47   Yes. Marsha  0:47   Talk. Big news.  Kelly  0:49   Big news. So the trailer pickup finally happened.  Marsha  0:54   Yay.  Kelly  0:55   It was so much fun. It was so much fun. So we went up to, no down. South, south of us to Pismo Beach. They have the Pismo trailer rally. And it's Pismo Coast Village, which is an RV park in Pismo Beach. And, oh, it was so fun. It was all vintage trailers, you have no idea how many different varieties of vintage trailers there are.  Marsha  1:29   Mm hmm.  Kelly  1:31   It was amazing. You know, most of the park there was... there are some sections of the park that were just regular modern RVs. And probably the majority of the park was full of vintage trailers of all shapes and sizes. And they have...And one of them, I guess I should be more specific. And one of them was ours, because the people who worked on our trailer go to this rally every year. And it's kind of like NoCKRs, you know, like the retreats where if you go one year, then you have priority to get in and to actually get that same trailer spot the following year. And so, I mean, there are actually people who weren't there. But, you know, bought their spot, didn't cancel and get a refund. So they, so they'll have it for next year.  Marsha  2:25   Okay.  Kelly  2:26   So and there are people who have been going for, you know, 5 6 7 8 years. I don't know how long it's been going on. But you know, they've been going for a number of years and since everybody stays in their same campsite once they get the one they want, they're like neighbors you know. They they know each other there, they know the people camping around them. And so it's this whole community. I was talking to one man, I said, Oh, this is like a giant rabbit hole. And he's like, Oh, you you have no idea how deep this rabbit hole is! [laughing] Marsha  3:00   It's like a version of spinning learning to spin, right? Like they don't even want to drop spindle because they're gonna go down that rabbit hole. So this is this kind of the same thing. Kelly  3:06   And the people there had, like, this was the trailer that they bought to brought to the rally, but the one they usually bring is something else. Or the one they camp in or, or I was talking to one couple and they said, Yeah, we're gonna, we're gonna be at the one in November. But we're not sure if we're going to bring this one or we'll bring our other one. So they have like trailer stash. Marsha  3:40   I was just thinking that. Trailer stash. Yeah. [laughing] Kelly  3:45   So yeah, and then people would talk about, well, this is my "forever trailer." So like, you have a trailer, but you have aspirations for a different trailer. And then, you know, you sell one trailer and buy another trailer. And anyway, it's a whole world that I didn't know, you know, we had not ever done rallies before. And so this is a whole world that that we are entering into. And the reason we got to enter into it. I mean, we had talked about going, you know, going to one or you know, getting a reservation or trying to get into one. But we got kind of thrown into the deep end because they were coming down, and they were going to be bringing a different trailer. But since we hadn't been able to pick up ours in April. They said, Well, what if we bring yours down and then we'll just stay, you know, stay in hotel and you can stay in the trailer? So that's what we did. And then they showed it during the open house, you know, so that the public could see it. But we were kind of mean, we didn't have the public traipsing in and out of our trailer.  Marsha  4:56   Well it's like getting a new car and everybody else gets to drive it, right?,  Before you get, right, like you, you don't want people driving it. Kelly  5:03   And so we had, you know, we had barriers. So, and a lot of people, a lot of people in the park did that or at least had one part of their trailer that had barriers. Or like they knew to have, you know, multiple rugs that are normally not on the floor when they are camping, but they use on the public day where everybody was coming in. You know, just to protect their floors and stuff. And we had none of that, because we were just, you know, literally just arriving with the bare minimum camping equipment, so that we could spend the night in the trailer before we brought it home. So anyway, but it was really fun. And so they spent a lot of time with the public and answering questions and all that and Robert and I didn't really have to deal with the crush of people. You know, coming to the coming to the site to look at the trailer, but it was like the belle of the ball. You know, it's the new trailer on the block the, you know, there aren't very many 1950 Westcrafts. And so when a new one is restored and comes out, you know, sort of like its debut.  Marsha  6:13   Yeah,  Kelly  6:14   There's a lot of excitement, there was a lot of excitement at the park. So we had a lot of people coming by. Not during the public open house, but the rest of it. Coming by and talking to us. And we met so many fun people and they, it was just it was a really nice event. So, and the trailer is nice. It's beautiful.  It's so big. I mean, it's not really that big. When I first saw it, I thought okay, good. In my head, it had grown to this enormous proportions. And when I saw it, I thought Oh, good. It is still kind of small. You know, it's way bigger other one, but it's not enormous. Marsha  6:53   Yeah. Yeah, way bigger. So your other one, you know, one person had to sit while the other person moved . Kelly  6:59   Right. Kind of you know, this one, you can both move around without... to me it doesn't feel too big inside.  Marsha  6:59   Like it's not it like those big fifth wheels that people have, you know. Those are huge things that stick... What do you  call those pop outs and stuff. Those become huge, right? This is still really small. Kelly  7:20   Yeah, yeah. Right. But it feels really open. Just like the other trailer, it feels a little more spacious, because of the layout. The other trailer felt more spacious because of the windows. And this one feels that way because of the light wood and and kind of the layout. But anyway, it was a lot of fun. And I think there's going to be there's going to be more trailer rallies in my future. You know, it's not the kind of camping I'm used to, but it was a fun event. Yeah, it's like a big party. Marsha  7:56   Yes. I'd say you're gonna have a whole new set of friends. Right? Yeah.  Kelly  8:01   Work friends.  Marsha  8:02   I'm your your one college friend. Like I guess I'm leftover from college.  Kelly  8:09   Leftover friends. [laughing] Marsha  8:14   you know, knitting-- your work people, knitting people, trailer people, bee people. I'm not sure. Anyway, Kelly  8:23   Just a whole new adventure. And it was interesting how much I learned talking to people who knew a lot more about this particular make of trailer than I did. Robert knew more than than I did. But but we we both learned a lot from people who came by and told us a little bit and and then the people who did their own work on the trailers. Oh my gosh, so impressive. All this work that that people did, you know, on their own in their garage?  Marsha  8:56   Yeah,  Kelly  8:57   You know, so that's a different-- that's a whole different aspect of it from from what we did when we bought it and had it restored. So yeah, it's a whole other world to enter. Which will be really fun. I'm looking forward to camp we're going camping in June. So I'm looking forward to actually camping in it you know, regular camping trip and, and, and just seeing what it's like to be in this trailer. The bed is nice. It's bigger. It's not as big as a regular double bed it's slightly smaller. But it's a lot better than slightly bigger than a single with two people and... Marsha  9:43   So your other was  was it the size of a single bed? Kelly  9:47   It was a little bit bigger than a single bed but not much. I couldn't get  a twin sheet on it.  Marsha  9:54   Really? Kelly  9:54   I mean I can--I could fudge it to get a twin sheet on it, but it was it was deifinitely too big for a twin sheet, but not much. So maybe maybe a couple of inches wider than a twin bed. But this one is is much more comfortable. Marsha  10:11   Yeah. Yeah.  Kelly  10:13   So that's nice. And we have a bathroom. Which is also nice. And the a shower. Which I didn't--I mean, that wasn't something that I really cared about, but Robert wanted the shower. And actually, I didn't know they did this in trailers, but it's like a, like on the train where the whole room, it's called a wet bath. And the whole room becomes the shower.  Marsha  10:36   Mm hmm.  Kelly  10:38   I don't know how that's gonna work. Exactly. But yeah. Marsha  10:42   Yeah. Well, and also you actually have a refrigerator, right? Where your other trailer was an ice box?  Kelly  10:49   That's true. I had forgotten about that. Yeah, that's the other upgrade that we have is from an icebox to an actual refrigerator. It's a small, you know, it's a small refrigerator. But I'm used to a small refrigerator at home too.  Marsha  11:03   Yeah.  Kelly  11:03   Yeah, it runs on the electricity. So if we don't have shore power--its called shore power, where you can plug in--we won't have a refrigerator, because it won't run with the 12 volt or the ... you won't get enough power from the inverter solar power to run the refrigerator. But that's okay. We're used to camping with dry ice and an ice box so we can manage with that. That's not a problem. Marsha  11:33   Well, very exciting. And then. And then I'll see it when you come up to Albany, Oregon for the Black Sheep Gathering the end of June.  Kelly  11:40   So yeah, yeah, we'll be having a get together for anybody who's going to Black Sheep gathering that Saturday. So Black Sheep is the weekend of June 24 through 26th. And so that Saturday, which I guess will be the 25th that afternoon, late afternoon, maybe 3:30 or 4 o'clock, we'll be having a meet up at the-- we're calling it The Club Car. You know, like the trains have a club car. So I... who suggested that... oh, the father of the woman who bought The Clubhouse. He asked me who is your new trailer? Does your new trailer have a name? And I said, No, we haven't really haven't thought about that. And he's oh, you should call it the... first he said you should call it The Caboose. And then he said, No, I know what you should call it, you should call it The Club Car. And so that's perfect. So we're going to be calling it The Club Car. And I've gotten train placemats and couple of train menus. So that stuff has been arriving in the mail. And so it'll have a little bit of a theme, a little bit of a theme. Not as much as as the other trailer was Giants themed but anyway. Yeah, we're gonna have a meet up at The Club Car at the Black Sheep Gathering. So come in, say hi and show us what you bought. And have some food and drink and gather with other crazy yarn people. [laughing] Who are on their way to maybe becoming crazy trailer people. [laughing] Marsha  13:22   Yes. Really Yeah. Yeah! Well, shall we? Should we talk projects or? Kelly  13:30   Let's go ahead and, and talk projects. Marsha  13:32   Do you want me to go first?  Kelly  13:33   Go ahead.  Marsha  13:36   I have a finished project. I wish I could say it was my garter squish blanket. It is not. I needed a break. Because I have to say you remember I think the last time we recorded I was struggling with some of my projects. It's been a couple... it's been months now that I've been struggling with my projects. And I think you said oh, just cast something on. So I cast on the Depth Hat by to Talitha Kuomi. And to remind people this was the yarn I bought at Stitches. And it's the Fiber Seeds Sprout Special Speckles DK and the colorway is Dirty Seahorse. And to remind people it's like they've taken the hank of yarn and dipped one half in solid, solid teal, and the other half is speckled with teal and brown and some black. And so when you knit the hat, it pools.  It's supposed to pool so you have you know, the dark sections going up the side of the hat and the speckled sections going up the front and back of the hat. So let me just say, that did not happen for me. And there's this whole technique that you're supposed to do about how you find the place where you start. You just don't cast on any random place in the yarn, there's description about how, where you're the point where you're supposed to find in the color, I think you're at the halfway point in the solid color yarn is where you cast on. They tell you what type of cast on you do, I did all of that. It's an interesting hat.  You knit I don't remember how many rows, but you knit and then you put in a purl row, and then more and then pick up the the cast on edge. So it becomes-- it's knitted into the body of the hat. I'm not describing Do you know what I mean? I'm not describing that very well. Kelly  15:42   Well, I I sort of saw the pictures. It's folded into a hem, right? Marsha  15:47   Yeah, yeah. So that looks really nice. I like that. I could not get the pooling to work the way they say it's supposed to work. The way I was so captivated by when I saw the yarn and the pattern at stitches. It spirals. And what they tell you to do is to go down a needle size, or up a needle size to control the pooling, so that it all stays in that one section. Kelly  16:17   So like you're switching needles in the middle? Marsha  16:22   Yes.  Kelly  16:22   Okay.  Marsha  16:23   And also and the other technique to do that, is to pull the yarn really tight. So if you're knitting along, when you get to the solid section, pull that yarn really tight onto the needles or go down a needle size, or the opposite, Kelly  16:40   But it didn't tell you to like pull out yarn. If you get to the part that's supposed to be solid, and you're still on speckled yarn, just pull it out to you have solid yarn and knit with that.  Marsha  16:50   No.  Kelly  16:51   Okay, Marsha  16:51   So I'm a little disappointed that I did not get that look. It's a spiral,  it's fine. I mean, it looks okay. Kelly  16:58   Did you swatch?  Marsha  17:00   Yes, because it also said in the pattern, they said you have to swatch and your gauge has to be accurate, because that will affect the pooling? And my gauge? My swatch and the gauge was correct. So I don't know what I did wrong? Kelly  17:15   Probably nothing. Marsha  17:18   Yeah, I don't know. It's like they are individually hand dyed. So maybe that has something to do with it. I don't think so. But possibly. The other thing I would say about this pattern, it does not say... there's no description on the print of the pattern about how the, it tells you how to finish the you know, to close up the top of the hat. But it doesn't give you a description of it. Like when it's talking about like, oh, this hat has a you know, a hem, a folded hem and there's nothing. So in the picture does not show the top of the hat. And the reason I'm saying all this is I had no idea how it was supposed to look. And so what it really is like, imagine you have you're on the top of your head, now you're gonna have 1990s pleated khakis. There used to be a pleat on khakis. And now that is out you know, now it's back. I think pleats are coming back. But it's basically-- it's like you have four pleats on top. So I'm not even explaining right because Kelly  18:19   It's kind of like, I mean, in order to keep the pooling happening. Right? And not change as you decrease, you really can't have decreases. So you have to make the top of the hat like the pussy hat. But then instead of having those points on the ears, on the sides, they have to do something to make it come to and end. Marsha  18:44   So when you get to the part where you're going to close up that hole. You put some of the-- you put  groups of nine stitches: nine stitches on 4 double pointed needles. So you go nine stitches, and then you put 21 stitches on your circular needles, nine stitches on the double pointed needle, nine stitches on a double pointed needle, another 21 stitches on the circular needle, and then another nine stitches on the double pointed needles. You then do a three needle bind off on the first and fourth double pointed needle. And this is where I got screwed up is you you continue on two needles, a double pointed needle number three and number two, excuse me two and three, and knit across to the end binding those off. So they become joined and then you have your 21 stitches on half of the circular needles and the other 21 stitches on the other half of the needle and you do a kitchener stitch too. Kelly  19:55   So that's what's covering up... Marsha  19:58   Yes so... These, these two sets of nine stitch bindoffs then are underneath that 21 stitch flap. I don't know if that makes sense? Kelly  20:09   I think that would be really challenging to actually knit without knowing what it was supposed to be doing. Like now that you're done, and you know what it did. But that would be a really challenging thing to knit without any picture to say, Oh, I'm doing a really thing weird here. Marsha  20:29   Yes, and it looks nice, you know, and to your point, they, it's a great solution to keep that patterning right. Otherwise, if you did, to your point, if you did the decreases, you'd throw off all of the pooling, of which I did not get but anyway. [laughing] But again, a shout out to Ravelry. And all the people who've made this hat who posted pictures of their hat is by looking at their pictures, I was unable to figure out what I had an a visual of what I was trying to do. Where the pattern there's no picture of the top of the hat. Right and no description of it kind of other than just the the instructions about how to close this up. So do you remember I call I think I texted you. Oh my god, this looks odd because I I bound it off. And it looked like a four corner hat kind of. It was terrible. It looked terrible. Kelly  21:27   Basically, it looked like yeah, you had you had like four points. Yes. And a really funky seam.  Kelly  21:36   And they were not even even  Kelly  21:39   Yeah,yeah, they were  Marsha  21:39   Yeah, cuz some were really tight because they were the three needle bind off, the two sets of nine and then the 21 stitches that were Kirschner was all kind of lose because they were kept... not Kershner, kitchener stitch. And anyway, I poured myself a beer got onto my bed with the dog next to me, and started looking at Ravelry to see and there was no notes. But just looking at people's the photographs on people's projects, I was able to figure it out. And so I made myself rip it out, and then re knit up a little bit and then thought okay, I think I understand the concept of what's happening. Anyway. So that's what beer is for. [laughing] Kelly  22:31   Yes, yeah. Oh, my goodness. Marsha  22:34   Okay. So anyway, that's done. But I have to say, again, it sort of goes into this. I was thinking, Oh, I'm just, you know, okay. It's not, I'm disappointed. It's not pooling the way it's supposed to pool. I'm getting this spiral. I can live with it. It's okay. And then that end of the hat, I thought, I really am struggling with a lot of my projects.  Kelly  22:54   Yeah.  Marsha  22:55   Anyway, I will then go on to the garter squish blanket, I have not a whole lot to report on that I am really ready for this to be done. I do apologize too. I was listening to the last episode where I was knitting on it while we were recording. And I was listening as I was walking Enzo and all I could hear with those needles, bang, bang. It's all like they were so loud. So I do apologize for that. So I'm not knitting on that. Now, as I'm sitting here. It is also too big for it to sit on my lap. But anyway, I'm on color 14, about halfway through color 14 of 16.  Kelly  23:31   Oh, you're almost done.  Marsha  23:33   I'm getting close. I'm ready for it to be done. I'm beginning to just hate this project. Because I really like it, but I'm sick of it. I want to move on to something else. So but we have, I'll just put there's a good time to put this in here that the our blanket along ends May 31. So what is today we're recording on today is Kelly  24:03   the 25th of May.  Marsha  24:04   So Okay, not quite a week. So I will get it done. I'm pretty sure I'll get it done. But I'm ready for it to be done. Okay, um, I have nothing new to report on the the unpatterned top down Raglan pullover by Karen Offski that I'm making for Ben. I have nothing to report except he's coming home today. This is the, you know, Memorial. This is the Wednesday before Memorial Day. So he has a long weekend. And so he's coming home today at some point so hopefully in the next couple of days he can put it on and I'm going to say... Kelly  24:40   Yeah, you can pin him down. Marsha  24:43   Yes. To see how it's how the body is and etc. So not much to report on that. Then my next project is the sweater that I'm making for my brother and Kelly and we before we started recording We looked it up on. We Googled that in the end it's "Tro-cha." Kelly  25:06   "Tro-cha minstur" Marsha  25:07    Troyggja Við Mynstur, which we believe means sweater. Kelly  25:10   sweater pattern. Marsha  25:13   sweater with  round pattern and which, I have to laugh because guess what it says in parentheses after Troyggja Við Mynstur, it says sweater with round pattern. So we finally figured out that that's what it is. And if anybody wants to give us feedback, if we're not saying this the correct way... Kelly  25:38   Our foreign correspondent could tell us how to pronounce that in Faroese a little bit better and maybe the translation but we did we did find a Faroese translation site, a pronunciation site online and we're probably not doing it justice but but we're trying! Marsha  26:03   So I just have to give you a little update on this. So I unravelled... Kelly  26:09    How many times have you start restarted this sweater? Marsha  26:15   Well, I will tell you! So. Okay, so we're not counting the Atlas anymore. So I knit the whole body of Atlas. And honestly, I mean, I pretty much knit the whole sweater, didn't I?  Kelly  26:28   Yeah.  Marsha  26:29   Did I do the sleeves? I didn't do all the sleeves I don't think but because he tried it on it was way too small. Moving Beyond that, that's how Cat actually inspired me to look at a Faroese sweater. Since the yarn is Navia Tradition which is a Faroese yarn. So I found this pattern and I did my swatch. I did not get gauge on the nines, it's supposed to use a size nine needle.I did not get gauge with that I got gauge with the size eight. So Kelly, I got gauge, okay! Yes. So I don't know. I don't know what my problem is. So I got gauge and when we went down to the beach, two weeks ago, I guess we were down there, I cast on the size I think it was going to make, I don't know, I don't remember now what size I was going to make for my brother. I've got the pattern right here, it'd be like I was gonna make the medium size. There was like an extra small, small, medium, and then a large and then it keeps going up. I decided I was gonna make it the medium because I thought that would be okay with the with my gauge. So I cast on and I did all the ribbing I did the color work that's just above the ribbing, and I did about an inch of the body and I started looking at it.  I thought, this looks awfully small. So I thought screw it, I'm ripping it out. So I ripped it out and I recast on the next size up. So I'm making the large. So I again did the ribbing, the color work. I knit about I would say probably nine inches of the the body. And when I was home, I decided to put it on waste yarn and wash and block it, which I did. And it's going to fit and be  roomy enough.  Kelly  28:19   Oh. That's good news. Marsha  28:20   Oh my gosh. So now I'm knitting on it. And I have knit about, I think I've knit about 13 or 14 inches on it. And I have to knit till about 18 inches, set it aside and then I'll do the sleeves and attach them. So it's been a bit of a nightmare. I have to say this, this whole project-- I don't know. Anyway. And then the other thing I'll say is that with this sweater, I need four colors. Where with the Atlas I needed three: the main color and two contrasting. With this pattern, Sweater with Round Pattern, I need the main color and three contrasting colors for the color work. And I have the color work as like a light robin's egg blue, and a navy. And the body of the sweater is like a bright grass green, kind of, so when we were together when I was down there, I think for NoCKRs, I think it was , I ordered just a natural color, a white or cream color,  which arrived. And Mark didn't like that. He wanted a color. So I think I have mentioned this before that I ordered that ball from Navia on the Faroe Islands, and it took about a month. But it arrived and he wanted red, it's a bright red. I'm not sure. I have to say I'm not sure I like the red with a bright kelly green. A robin's egg blue and a navy. He really liked it. Kelly  29:57   Havae you put the red in already? Or is it only in the neck color work? Marsha  30:03   I have not put the red in. It's only in the yoke. Yeah, just a couple of rows. It's not gonna be very much. So we'll see. I've got a ways. But I have to tell you about the the package from Navia. It came in an envelope, it was all when I got it, the envelope was wrapped with yarn, instead of twine, and a piece of Navia Tradition yarn wrapped around it and tied with a little bow on the outside of the package. Kelly  30:33   The part that went to the post office, still on there. Wow.  Marsha  30:35   And it stayed on nice. Yeah, it stayed on there all the way from the Faroe Islands. It stayed on there, that yarn wrapped around there and the bow and everything and then opened up and beautifully wrapped in tissue paper with a little sticker on it that said, thank you. It's just super, super sweet and very exciting to get that dropped off on my front porch. So that's what's going on with that. And then I go down every day, I spend for 10-15 minutes, just a little bit on that Manx Loaghtan. But I'm still spinning on that. So and I am Kelly, I am going to bring my spinning wheel to Black Sheep. Because I'm planning on doing... I've never been able to bring it because we've either taken the train or something. I've not had space, but I'm bringing that wheel so I can sit in the spinning circle, or sit by the trailer and spin. So anyway, that's all I have for projects, and I'm really hoping I've now moved past my problems.  Kelly  31:35   Oh, me too.  Marsha  31:36   Do you think? Because I've kind of gone through kind of a hard time. It's been around two months now. It's like, I've had some bad juju. I don't really know what that's about. But it's just,  Kelly  31:48   Yeah, it's been a little bit rough patch with your knitting. Yeah, maybe you need to do some crochet Marsha  31:59   Well, maybe it's like I just crochet placemats or something, you know, or Kelly  32:03   switch to another spinning project? Well, I don't know if you have enough bobbins. But you could get yourself some braids and switch to some different, you know, have a couple of different spinning projects going because it is going to be time for the summer spin in. Marsha  32:20   Yeah, so I think I am going to. I was thinking about that before we started recording. So I'm going to try and finish for the summer spin. And I'm gonna try and finish this Manx Loaghtan. I'll try and finish that, and then I think I'm gonna try and do a combo spin or I have some braids, two braids I was thinking of combining. So do something with that. Kelly  32:40   Yeah, nice. That might be a nice, that might be a nice way to kind of just put an end to the the bad knitting. By not knitting at all. Marsha  32:50   Oh, you know, I think part of it is... I'm gonna say is I think I'm making... It's all making stuff for other people. Yeah, I'm thinking about it. I'm making this sweater for Ben, the sweater for my brother. And then Kelly  33:03   when doing those tea cozies Marsha  33:06   Tea cozies. I have another tea cozy I have to make... and it's like this is knitting for other people. You know? Because like this, I have to say this Navia Tradition, this yarn. I have to put hand cream on when I knit with it, because it's so drying to my hands. It's and I'm not saying that in a bad way. It's just like, this is the type of yarn it is. It's not super pleasant. It's not like, you know that the handspun I was knitting with. I love knitting with it. This is a woolly wool. Kelly  33:36    Right. Right. Marsha  33:39   So it's, it's not a yarn I ever would have purchased. Yeah. So that's sort of part of it, too, I think it's I'm not really, not really into it.  Kelly  33:49   Yeah, I mean, the yarn. The yarn wasn't your choice. The original pattern wasn't your choice. No, yeah. And then with Ben's sweater, you had some challenges with your first pattern. And then you've had some challenges just having him try it. Like knitting for someone who's not there. And I know there are people who do that, you know, they knit for people that they don't have them try it on all the time. But I, I mean, I constantly try things on when I'm knitting for myself.  Marsha  34:19   Yeah.  Kelly  34:20   And so I think that would be really challenging to be knitting something that you know, especially when you're knitting it for the second time because the first one didn't work, and you really don't want to have to rip out again. So you want to make sure it's right. Marsha  34:35   So Mark's I've ripped out twice. So I'm on my third attempt at this sweater for him. Yeah. Okay, that is love or stupidity I'm not quite sure which it is. But anyway, Okay, nevermind my project. Let me hear about your projects, okay? Because you do have... Yeah, let me hear about yours. Kelly  34:54   Okay, it's going. So yeah, actually it's a good thing I have the trailer to talk about because I don't really have much to talk about in terms of my projects. So I can tell you that the garter squish blanket, which was already done, but I have it in the show this time because I actually slept under it. We used it. We used it in the trailer, I brought it for the trailer's bedspread. And I got lots of compliments on it. So some of the trailer people are also yarn people. Marsha  35:30   Of course, of course, there was some overlap. And, yeah, chicken and bees too. I bet. Right. Kelly  35:36   Well, yeah. I mean, I don't know how much of how much of that there is. But there were a couple of people who recognized that I had made it and asked me, Did you make that blanket? And some were working on their own.  Or saw me knitting while I was there and asked about it. So yeah. So yeah, we slept under. It was great. It looks, it looks really nice in the trailer. So I'm super, I'm super happy about how it turned out and being able to use it. I was... Oh, go ahead. Marsha  36:11   Oh, I was just going to say the picture you sent me. The colors work really well in there. Because you have all that sort of light wood with all the panels, the light wood, and then some of the burgundy kind of in there and the floor. And so the colors look really nice in there, I think. Kelly  36:29   Thank you. Yeah. I like it, too. I think it looks good. I actually think you know this, the thing about the Garter Squish, is that they can fit into a lot of different schemes, color schemes. Because you've got those, that one color going, going throughout with all the different colors that you add in. I have not finished the Mother Bear, the headless Mother Bear that I talked about a month ago. She's still headless, because I need to get some stuffing. And I started another one. So I have now have two headless Mother Bears. One flat one is totally flat, and the other one has some stuffing in it. So I need to get get some stuffing so I can finish those up. And what I'm knitting on right now is the mohair vest, which I like it, but then sometimes I look at it and I think is this actually really ugly. Marsha  37:37   And what have you decided, I mean, do you have a definitive answer? Kelly  37:40   No decision or I'm not really sure. I'm not really sure. It's not pooling or anything. I mean, there's a couple of places where it looks darker and a couple of places where the red shows through more, but it's not doing any kind of funky pooling. I'm about now maybe eight inches down from the armhole. And it's just-- it's very hairy. This is a very hairy vest. And I'm not sure what I'm gonna do about the collar. Because I seriously cannot imagine having this against my neck. Like my other vest I wear I zip it all the way up and I have like a turtleneck kind of. I don't think I would ever do that with this one. So I'm not sure. I've thought about using something that's not mohair. But I'm still not sure what I'm going to do I might just get a black yarn and do a, you know, do the border all in black. Which, knitting with black? I'm not sure I want to do that either.  Marsha  38:47   How much... I will say something. Do you think you'll ever wear this?  Kelly  38:54   Yeah, I  do.   Marsha  38:56   Okay. I'm sorry. That's so mean of me. I don't mean to be mean like that. But it's like, Do you love it? You don't know. I mean, you're unsure.  Kelly  39:04   I love mohair yarn. You know that. So I love the yarn. I'm not sure I'm loving how it's knitting up. But I don't hate it either. It's it's just, let's just say it will be unusual. It's not, it's not, you know, "on trend" exactly. It's not the, you know, a strand of kidsilk haze that you carry along with your other yarn. This is full on mohair.  Marsha  39:40   Right. There was a reason why it's in the destash. Kelly. [laughing] Kelly  39:44   Exactly. But I do like mohair and I have in my memory-- one of my fond memories of clothing. I have lots of good clothing memories from my childhood.  In fact I have more clothing memories than I have food memories. So we were talking about that. Aunt Betty and I were talking about that, and I really don't have a lot of food memories from my childhood but I have a lot of clothing memories. And I have the fondest memory of this vest. And I think it was an argyle type pattern that I got in the boys department. When I was in, I think seventh or eighth grade. And it was this kind of full on mohair. Probably not wool mohair probably that Orlon acrylic mohair, because, you know, it was a kid's vest. And I wore that thing all the time. And it was unusual. It was one of those things. It was not one of those things that all the kids were wearing, you know? Marsha  40:51   Yeah. All the cool kids were wearing it. Kelly  40:55   It was one of my, one of my many clothing items that was definitely not on trend. But I really loved it. So I have a feeling that I might, I might not feel quite the same way about this as I felt about that. But it has the same vibe to me. So I think that's why, why I decided to make this vest. And I think it would be good. Like, it'll be warm for sure. I think it'd be good for camping. It'll be good for walking the dogs when it's cold outside. So I think I'll get I think I'll get some wear out of it. I don't know that it will be my go-to piece. So we'll see. But I'm working on it. It's the Rosa Parks colorway from a yarn company called Shaeffer that isn't making yarn anymore. And the the name of the or the type of yarn was Danya mohair. And the really odd thing about it is that it's hardly taken any yarn to make this. I thought I had-- I mean I kind of debated whether I had enough to make to make the vest. But I also am making a vest that calls for, I think, DK and this is at a bulky gauge. So I had, you know, I had to reconfigure the pattern somewhat. So we'll see the, the jury will be out for a while on this one. And I may, it's so hot to knit on. It's not super warm here. But it's you know, it's kind of hot and sticky to knit on and mohair flies up my nose and stuff. So it's not the thing I grab and knit the most often either. I don't have that much to choose from. So that is my only project besides Mother Bears. That was my only project and I wasn't grabbing it to knit. And then I needed something for the road going down to pick up the trailer and bring it back. I thought I would have more time to knit but it was really kind of a whirlwind, looking at other people's trailers, talking to people about the trailer, finding out all the stuff and how it works, you know, all that kind of stuff. So I didn't have much knitting time, but I did bring some leftovers. I have a pair of socks there. Tomato and Mink or Mink and Tomato was the name of the the braid, and it was Falkland handspun and so I have a pair of regular socks out of it, but I had quite a bit of leftover yarn. So I grabbed that and cast on a pair of short socks. So just you know about maybe a maybe an inch and a half to two inch cuff. And then I started the heel and that's about where I am. I think I turned the heel. That's all I've done is a tiny tiny cuff and turn the heel that's all the knitting. And I never--I hardly took out the vest. So I really didn't have much.. Well and the dogs. we had the dogs with us and so I did a lot of walking the dogs at the RV park because they I wanted them to be good and they're a lot better if they've had exercise. And so we did a lot of walking and stuff. Yeah. So anyway, those are my projects, kind of just the vest. Some Mother Bears in the, you know, in the meanwhile. And then the barest start of a pair of shorty socks. So I'm kind of I'm kind of in that place where I don't know. I don't know what to do. I do think... So we sold the other the old trailer The Clubhouse. And this young woman came and she brought her dad because he had the truck with the hitch to pull the trailer home and her mom came too. Really nice people, super nice people. And we got to talking and her mom has this...she said, I have this sweater that I started, but I never was able to finish it, maybe you would be able to finish it. And I at first my thought was like, oh, no, this, you know. Marsha  40:55   Oh no! Kelly  40:55   But, but so I was kind of non committal. I said, Well, you know, I maybe...maybe I would be able to do that. I don't know. And, and then she brought it up again. And finally, I thought, You know what, I'm not super excited about anything I'm knitting. What the hell, you know?  Marsha  43:04   Yeah.  Kelly  43:04   And so and so I said, Yeah, you know, send it to me, and I'll see what I can do. I'm not gonna guarantee that I'll be able to, you know, finish it, but, but send, send me what you have. And I'll take a look at it and and let you know, and if I can't, I'll send it back. And if I can, I'll do it. And she's like, of course, I'll pay you, you know. And so anyway, I haven't heard from her since the trailer sold. And I'm wondering if maybe she feels like, oh, gosh, I was a little bit too forward to do that. Marsha  46:09   Yeah, she thought, Oh, yeah. This woman was just trying to be nice. She's thinking that about you like, Oh, she's trying to be nice, but... Kelly  46:17   One she got home. Or maybe her daughter after they left said, Mom, I can't believe you did that. So I thought, oh, maybe I'll text the woman who bought the trailer and say, you know, let your mom know, if she wants to send that to go ahead. You know, I'm happy to try it. So we'll see. I don't know, it. Just kind of something different. It kind of gave me an idea like, oh, well, maybe that'd be something different and, and fun to do so. And then the other thing that I did, this isn't a knitting project. But I just wanted to give a shout out. We have a new member who joined the the Ravelry group, AJ, and she introduced herself and let us know that she has the Hooked and Booked podcast. And she has a website too. It's called... her name is-- she she goes by AJ, but her website name is KJ Krochet. And the crochet is spelled with a K. And I'll have links in the show notes. But anyway, she's from South Africa. And she has just maybe three episodes, but it's just a cute, it's a cute show. And I listened to it. And I thought oh, this is fun. So I listened to all her episodes. And then she was talking about another podcast called Crochet Conversations. And she's interested, AJ is interested in having more people podcasting who don't have American accents. She said she feels like all of the podcasts, the knitting podcasts that she listens to, and maybe a lot of the other podcast she listens to also, you know, people with American accents, and there's not a lot from elsewhere. And so, so she was promoting this other podcast for these two women from Singapore. And so I went and listened to it too. And it's also very cute. It's called Crochet Conversations. And it's two women, Inez and Mell from Singapore. And the most recent episode, they're taking you through their house, like room by room talking about what crochet is in their house. And I thought that was really cute. So anyway, I'd like to give a recommendation for the Hooked and Booked podcast and Crochet Conversations and I've linked to both of them in the in the show notes if anybody's if anybody's interested. And I thought you know, that's maybe why I said to you, maybe you need to crochet something because I'm thinking maybe maybe it's time for me to crochet something because I'm just not super excited by anything that that I'm working on right now. So maybe I just need a new inspiration. And the trailer is a big inspiration. Because now I can think of all sorts of things that I could make for the trailer you know. So you know like the cover for your toilet paper [laughing] Well, I mean I'm  kidding. Kelly  46:17   Yeah, I got it. [laughing] You need potholders and  hand towels and yeah, and Kelly  49:41   and especially those potholders and like what your great aunt what your your Aunt Ruth made, you know.  Marsha  49:53    Oh yeah, Great Aunt Ruth  Kelly  49:54   1950s style of of crochet potholders, those are really kind of interesting. Marsha  50:02   She did those really cute potholders that I don't know how she did it but there's rick rack in there. So you see part-- you see one point of the rick rack but not the other point of the rick rack. So it makes all these little triangles kind of  Kelly  50:16   Yeah,  Marsha  50:17   yeah, I've never seen a pattern like that but and I was also gonna say too that I've seen I had not seen crochet patterns  for pillows, but knitted pillows I see, you know, covers with color work. And that might be kind of fun, too. Yeah. Because you're going to need some pillows on the sofa.  Knit something--a cover--or crochet something. Yeah, you did the bee pillow, but something like? Kelly  50:44   Yeah, so I think I think I might crochet or weave.  Marsha  50:49   Well, yeah, weaving too. Kelly  50:52    I think I might make -- Robert brought regular bath towels. And we used the shower at the at the RV park, not the shower in the trailer. But one of the issues with the towels is that they take up so much space. And then you have to get them to dry. And Hetti had been talking in the winter weave along about the spa towels that she made. Because in Santa Cruz, it's kind of damp where she lives and she wanted towels that would dry. She was experimenting with different weave structures to see if she could get some towels that would that would dry quickly. You know, be absorbent, but also dry quickly. And then also they take up less space. You know those heavy terrycloth towels. They--not that we don't have the space, but they take up more space. And so yeah, if I could, I could weave something that might be really kind of a cool idea. So So yeah, I have some I have some other inspirations that I haven't had in a while, or haven't ever had really, that's kind of fun. So maybe someone else's sweater and then maybe some crochet and we'll see. We'll see. Check with us next time, listeners, to see if we've improved our attitudes. Marsha  52:21   Yes, I know. Well, I'm hoping my I'm hoping it might... Well maybe it is all my attitude, hopefully my attitude will. It's funny thinking about my attitude because I made the comment that part of all these projects I've been doing have been for other people. It makes me sound so selfish.  Kelly  52:36   But you know it's your hobby. Marsha  52:39   It is my hobby. I've been doing this, but I was down working in the basement and I pulled out because I finished the the socks remember that I had lost the blue, the navy blue for the toe. And I found it in the last episode. So I finished that sock. Oh, I didn't put that in my finished projects. Yes, I completely forgot. I did not put that in my finished objects. But I did finish that. And so instead of putting the Navy away, I knew that I had bought a skein of yarn for my brother, he had picked it out. And the Navy would work really well with it for heels and toes. So I pulled out that skein of yarn and wound it into a cake to cast those on for him. And I'm thinking maybe I should not do that. Given that. Yes, I'm thinking that this is... I should have a conversation with myself. Kelly  53:35   Yeah, maybe you need to do something. Do some self indulgent knitting. Marsha  53:41   Yeah, yeah.  Kelly  53:43   To go with your, your projects for other people. Marsha  53:48   You know what I'd like to knit is I have a combo spin that I made Kelly  53:55   oh yeah, that's a pretty one with silk. Marsha  53:58   I've never knit that up. And I would sort of like to knit that but there you go.  Kelly  54:03   Start that one.  Marsha  54:04   Yeah, there's no, I don't know. Okay. No complaining. Everyone, everybody's gonna want me to finish these projects as soon as possible so they don't have to hear about it anymore. Anyway, okay, next order of business. Kelly  54:21   I'm in the process of getting all of the winter weave along gift cards purchased. So if you won in the winter weave along you'll be hearing from me or getting an email with your gift card information. Either already or very shortly. I also have sent out all of the prizes, finally for the stitches giveaway that we did. I sent them out today. And I think that's the only business that we have. We do still have the SpeakPipe. SpeakPipe, they need to change their name, no one can say it. All right,  Speakpipe.com/twoewes, you can go there and you can leave a message about your favorite local yarn store. Or you can send it to us in an audio file, send it via email. Again, that's twoewes@twoewesfiberadventures.com, you can email us an audio file from your phone, or your computer or wherever. And tell us about your favorite yarn shop. We'd love to hear all about your yarn shop in your area. So I think that's really all. The Blanket Along ends this week. We talked about that.  Marsha  55:51   Let's just say what's going on. So the Stashbusting blanket along ends May 31. So and then the summer spin in starts June 1, and that, and that will go all summer. So one ends on the 31st. And the next event, or along, or whatever--contest--starts the next day, June 1, and that will go the entire summer and it ends September 5, which in the United States is Labor Day. So we've talked about this before. Memorial Day is sort of the unofficial start of summer, which is in May, and then Labor Day is sort of the unofficial end of summer. And so the summer spin-in will be June 1 through September 5. And then again, we're going to be at the Black Sheep gathering in Albany, Oregon. And that's June 24 through 26th. And that Saturday, we'll have a meet up at the trailer. Yeah. And Kelly, Should we just pick a time? Yeah, Kelly  56:53   Let's say 3:30 or 4:00. Yeah. Marsha  56:57   Yeah. Kelly  56:58   It's not like there's a definite, it's not like, well, you know, it's a party, so come after 3:30. We might not be there if you come before 3:30. Marsha  57:13   Yeah. We know a few people are coming to black sheep.  Kelly  57:15   And maybe we'll see some people who we've met in previous years. Who are going to be there too. They haven't had black sheep for a couple of years. So it will be really good. It will be fun to be back to another fiber festival. Marsha  57:40   Yes. Okay, Kelly, I think that's everything Kelly  57:45    I do too.  Marsha  57:45   Or anything else.  Kelly  57:46   Oh, no, I think that's it. Next episode. I want to talk a little bit more about my plans for the summer spin in. What I'm gonna do with the fleeces in my garage, maybe. But yeah, that's for next time. Maybe I'll have a sweater to work. Yes. Maybe it'll arrive in the mail someone else's sweater.  Marsha  58:08   Yeah, yeah.  Kelly  58:10   Okay. That'll give us something to talk about. Right? Marsha  58:14   Yes, I know. Well, we'll talk in two weeks and we'll find out if you have a sweater. Kelly  58:18   Okay, sounds good. All right. Okay, Marsha  58:21   bye bye. Kelly  58:22   Thank you so much for listening. To subscribe to the podcast visit Two Ewes Fiber Adventures dot com. Marsha  58:29   Join us on our adventures on Ravelry and Instagram. I am betterinmotion and Kelly is 1hundredprojects. Kelly  58:37   Until next time, we're the Two Ewes  Both  58:40   doing our part for world fleece Transcribed by https://otter.ai  

Our knitting projects are not inspiring right now, but we do have good news about the Kelly's vintage trailer and an update on bees. Full notes with photos and links can be found in the podcast section of our shop website: TwoEwesFiberAdventures.com Join the community on Ravelry or become a patron and support the show on our Patreon Page. Subscribe on Apple Podcasts or Subscribe on Android or Subscribe on Google Podcasts Jul Designs coupon code: 15% off with code TWOEWES.  They have a wide variety of shawl pins and cuffs, and clever screw-on leather and metal closures. Marsha's Projects:  Garter Squish Blanket On the tenth color. Realized I wouldn't have enough contrasting colors. Searched my stash but couldn't find any solid worsted weight yarn! Bought two skeins of Cascade 220 (teal and coral) so now have sixteen contrasting colors. Unpattern Top Down Raglan Pullover by Karen Alfke. I finished the Fibonacci Sequence striping of the body except for the ribbing. I'm waiting for Ben to try on the sweater. Picked up and knit the neck band and started the first sleeve. Troyggja vi Mynstur by Tora Joensen: I was inspired by Cat (Catitude) who shared with us her audio about touring yarn shops on the Faroe Island. I had knit for my brother,  Atlas by Jarod Flood, but the yarn I used, Navia Tradition, is too bulky for the pattern and the sweater is too small. I've decided to make a traditional Faroese sweater for him. I'm spinning a 2lb bag of Manx Loaghton in my stash. This is a protected breed from the Isle of Man. I am using a woolen spun technique and have spun 5 skeins or approximately 400 yards. Spun three more bobbins that are ready to be plied. Kelly's Projects: The Garter Squish blanket using handspun leftovers. I finished the skein I was using at NoCKRs and spun another. I finished plying my last (?) skein of yarn last night. Washed it and got it wound to knit with while recording today. Mother Bear time! I worked on a Mother Bear in the car yesterday as we drove to pick up bees. She has red boots, a multicolor handspun skirt (red, yellow, magenta) and a purple leotard. Right now she has no head. I hope I have enough brown for her whole head. If not she'll have some gray curly hair on top using a thick and thin handspun for top of her head.  Mielie vest using Schaeffer Yarn Company Little Danya mohair. This sat in the knitting basket for the last two weeks. Color is Rosa Parks and it was spirit yarn from NoCKRs retreat in 2018. Winter Weave Along Prizes Listen to hear the names of winners and their prizes. We Want to Hear You! Eva from Ireland (Evaliz on Ravelry) sent us this message about This is Knit, a yarn shop in Dublin.  Give us a call and tell us about your favorite LYS!  Go to speakpipe.com/twoewes and leave a message. It will take 90 seconds or less. Or you can use the voice memo app on your phone and email us the audio file. We'll put your voice feedback on the show!   Stash-Busting Blanket Along Ends May 31.  Black Sheep Gathering June 24-26 Albany, Oregon Saturday late afternoon meet-up.

It's been 25 years since 1997…and we are going to name our Top 5 songs celebrating their quarter of a century birthday! We'll talk the happiest song about doing Crystal Meth, the “Fibonacci Sequence” being used out of a particular songwriter's toolbox, a story about a targeted, panty-hurling attack on Gavin Rossdale from Amanda The Ginga Ninja's past, Timmy the Drunk's love of a Matrix soundtrack song that he can't even put into words, and of course, a debate on whether or not Tim McGraw has AIDS…. --- Support this podcast: https://anchor.fm/theitlistpodcast/support