Podcasts about Seme

La Sociedad Española de Medicina Estética (SEME) lanza la campaña divulgativa "Tu cara ya no me suena", formada por píldoras informativas que ayudan a los ciudadanos a diferenciar los procedimientos médicos de los estéticos, identificar las malas prácticas y tomar decisiones para proteger no solo la belleza sino también la salud.

La Asociación Española de Consumidores hace más de un año encontró en Internet la venta sin control de ácido hialurónico para ser inyectado directamente por parte de los consumidores, un tema preocupante que podría conllevar graves problemas de salud. Así lo transmite la Dra. Petra Vega, médico estético y miembro de la Junta directiva de la Sociedad Española de Medicina Estética (SEME).

Zdi se neverjetno, vendar je resnično. Januarja leta 2005 ...Iz knjige Zgodbe kažejo novo pot, ki je izšla v zbirki Zgodbe za dušo pri založbi Ognjišče.

Il Messaggio di Oggi: “PANE DA MANGIARE, SEME AL SEMINATORE” • Isaia 55: 10 • Matteo 13: 8 • Efesini 1: 13 • 1 Corinzi 1: 18 • Giovanni 3: 33-34 • Luca 8: 11 (12-15) • Giovanni 10: 27 • Isaia 55: 10-11 • 2 Timoteo 4: 2-3 • Giovanni 9 :4 • Matteo 22 :9 (10-11) • Apocalisse 7: 14 • Luca 12: 43-44 • 1 Corinzi 15: 58 • Luca 12: 43-44 --Guarda Canale 245 | Tivùsat 454 | Sky 854Scopri di più su www.paroledivita.org/linkinbio

Uno dei grandi problemi del cambiamento climatico saranno le migrazioni. Saremo costretti anche noi a spostarci a causa del cambiamento climatico? In molti paesi succede già. Ospiti:Anna Pirani, ricercatrice senior presso il Centro Euro-Mediterraneo sui Cambiamenti Climatici (CMCC) nella divisione sui rischi climatici e le strategie di adattamento (RAAS)Cristina Cattaneo, Director of SEME. Gianni Tartari, ambasciatore dell European Climate Pact, è tra i promotori del progetto MICLIMI ( Migrazioni climatiche e mobilità interna nella metromontagna padana). Ha scritto insieme a Andrea Membretti e Filippo Barbera, "Migrazioni verticali - La montagna ci salverà?" edito da Donzelli EditoreOlivier Turquet, Attualmente coordina la redazione italiana di Pressenza.

691 MC Solar- Qui Seme Le Vent Recolte Le Tempo

Conocemos la trayectoria de Koldo y Unai Etxebarria que con su trikitixa y pandero recorren muchos de los municipios de nuestro territorio....

Dal Vangelo secondo MatteoIn quel tempo, Gesù congedò la folla ed entrò in casa; i suoi discepoli gli si avvicinarono per dirgli: «Spiegaci la parabola della zizzania nel campo».Ed egli rispose: «Colui che semina il buon seme è il Figlio dell'uomo. Il campo è il mondo e il seme buono sono i figli del Regno. La zizzania sono i figli del Maligno e il nemico che l'ha seminata è il diavolo. La mietitura è la fine del mondo e i mietitori sono gli angeli. Come dunque si raccoglie la zizzania e la si brucia nel fuoco, così avverrà alla fine del mondo. Il Figlio dell'uomo manderà i suoi angeli, i quali raccoglieranno dal suo regno tutti gli scandali e tutti quelli che commettono iniquità e li getteranno nella fornace ardente, dove sarà pianto e stridore di denti. Allora i giusti splenderanno come il sole nel regno del Padre loro. Chi ha orecchi, ascolti!».

Il progetto Alpinisti Insuperabili - adrenalina inclusiva, si prefige di accompagnare delle persone con disabilità motoria sulla vetta del Bretihorn, nel massiccio del Monte Rosa.L'idea è venuta a Daniele Boero e Roberto Ferraro. Li ha sentiti per noi, Franz Rossi.Potete trovare un episodio collegato a questo lnk:Il fattore kappa

Piergiorgio Odifreddi, matematico, accademico e divulgatore scientifico, con la scrittrice, poeta e attrice Ilaria Maria d'Urbano, in un dialogo incentrato sulla relazione tra matematica e poesia. La matematica si trova dovunque, anche nella poesia. *****************************+  FloraCult, 13ª EDIZIONE 25 | 26 | 27 | 28 APRILE 2024 I CASALI DEL PINO VIA ANDREASSI 30, ROMA.

'Gure haurrak ere badira' manifestua babestu zuten guraso elkarteen, ikastolen eta sindikatuen babesarekin agerraldia egingo dute Bilbon ekainaren 16an. Sarraskia gelditzeko hainbat eskari egingo dituzte, Cris Cordeirok Naiz Irratian aletu dituenak.

Commento al Vangelo di domenica 16 giugno 2024 #16giugno2024 #Cmv #Vangelodelladomenica

Kurtso amaieran azterketetan dabiltzan gaztetxoen gurasoentzat gomendio interesgarriak eman dizkigu Ainara de Migelek. Urnietako Ikasmin ikasketa zentruko irakaslea da orain hogei urte baino gehiagotik, eta ongi ezagutzen du nerabeek zer behar duten garai hauetan....

Neste episódio, Seme Arone Junior e Carlos Henrique Mencaci, fundadores do Nube (Núcleo Brasileiro de Estágios), falam um pouco sobre suas carreiras e sobre como fundaram o Nube, uma das maiores corporações privadas de colocação de jovens no mercado de trabalho. Como encontrar o Seme e o Carlos: Site: https://www.nube.com.br/ Linkedin: https://www.linkedin.com/in/chmencaci/ Linkedin: https://www.linkedin.com/in/seme-arone-junior-9085b0/

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Parabola del seme26 Diceva ancora: «Il regno di Dio è come un uomo che getti il seme nel terreno, 27 e dorma e si alzi, la notte e il giorno; il seme intanto germoglia e cresce senza che egli sappia come. 28 La terra [infatti] da se stessa porta frutto: prima l'erba, poi la spiga, poi nella spiga il grano ben formato. 29 E quando il frutto è maturo, subito vi mette la falce perché l'ora della mietitura è venuta».Il granello di senape30 Diceva ancora: «A che paragoneremo il regno di Dio, o con quale parabola lo rappresenteremo? 31 Esso è simile a un granello di senape, il quale, quando lo si è seminato in terra, è il più piccolo di tutti i semi che sono sulla terra; 32 ma quando è seminato, cresce e diventa più grande di tutti gli ortaggi; e fa dei rami tanto grandi che alla sua ombra possono ripararsi gli uccelli del cielo».33 Con molte parabole di questo genere esponeva loro la parola, secondo quello che potevano intendere. 34 Non parlava loro senza parabola; ma in privato ai suoi discepoli spiegava ogni cosa.Support the show

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Bitxia da New Yorken hiritarrek duten zientziarako zaletasuna eta jakinmina. Asteleheneko eklipsearekin bidaiak antolatu zituzten New York estatuaren iparraldera, Buffalo edo Niagara aldera, handik hobeto ikusiko zelako. Hegazkin txartelak eta hotelak agortu ziren. Liburutegi eta museoetan betaurreko bereziak banatu zituzten ilargiak estaliko zuen eguzkiari zuzen begiratzeko. Ikastetxeetatik ateraldiak antolatu ziren. Iritsi zen eguna, eta minutu batzuetan dena igaro zen. Ilundu egin zuen pixka bat eta gero argitu. Seme alabak azkenerako desengainatuta etxeratu ziren. Hainbestekoa zen ikusmina ezen ez zirela hunkitu.

Al di là del renderlo impossibile da ingoiare per sbaglio, la dimensione francamente esagerata del seme dell'avocado è un assurdo, semplicemente perché è troppo grande per qualunque animale (attuale) da mangiare. E quindi, perché è così grosso? Vuoi farmi le domande? Iscriviti a Patreon per supportarmi, fare le domande e ascoltare il podcast senza pubblicità: https://www.patreon.com/cosemoltoumane Io sono Gianpiero Kesten, per gli amici Jam. Mi trovi ogni domenica in onda su Radio Popolare e in podcast ogni giorno su Cose Molto Umane.

Luce e Ombra fanno parte di noi, ma per rinascere dobbiamo sentirci in equilibrio con noi stessi e prometterci di stare bene, di ricominciare! La Luna del Seme ci aiuta proprio in questo!Il brano che sentite nella siglia è "Returning Home" selezionato dal sito https://www.fiftysounds.comL'altro brano che sentite in sottofondo è "Northern Lights" selezionato dal sito https://www.fiftysounds.comL'agenda suggerita è: "Llewellyn. Agenda delle streghe 202.." di Jennifer HewitsonLa descrizione in testa alla sigla è narrata da Letizia.

DJ Seme On His Latest Collaboration With Nviiri Producing 'Bachelor' | The Hype

Avete presente i semi degli aceri? Quelli a forma di pala d’elica, che quando cadono si avvitano e quasi prendono il volo? Ispirandosi al seme di questo albero, il gruppo di ricerca guidato da Barbara Mazzolai all’IIT di Genova, in collaborazione con il Leibniz Institut for New Materials, ha realizzato un seme artificiale che, grazie alla capacità di veleggiare sospinto dal vento, può essere sparso facilmente nell'ambiente, dove è in grado di rilevare e comunicare vari parametri (come la temperatura, l'umidità, o l'acidità), per poi decomporsi a fine vita. L’invenzione prende il nome di Acer i-Seed ed è stata descritta sulla rivista scientifica Science Advances. Ne parliamo con Barbara Mazzolai, Direttrice del Laboratorio di Robotica Soft Bio-ispirata e Direttore Associato per la Robotica in IIT.

En nuestro país se realizan más de 204.000 intervenciones de Cirugía Estética al año y, según un reciente informe realizado por la Sociedad Española de Medicina Estética (SEME), nos iniciamos bastante más jóvenes que hace una década en los tratamientos médico estéticos, con una edad media de 20 años versus los 35 con los que solían acudir a la consulta antes. Sobre qué nos hacemos y cuáles son los tratamientos realmente efectivos hablamos en el podcast de hoy, en colaboración con Galderma, con la doctora Victoria Escapa, médico estético en la Clínica Escapa de Oviedo. See omnystudio.com/listener for privacy information.

Highway to Health is brought to you by the KwaZulu Natal Department of Health. Growing KwaZulu-Natal Together. Dr. Sandile Tshabalala who is the Head of the KwaZulu-Natal Department of Health, shares information on the Dr Pixley Ka Isaka Seme Memorial Hospital. Webpage

La gratitudine è un atteggiamento mentale che porta a essere consapevoli e riconoscenti per le cose positive della propria esistenza. Praticare la gratitudine anche nelle situazioni più quotidiane può trasformare favorevolmente la nostra vita e aiutarci a connetterci di più a noi stessi e agli altri. Lascia un commento nella nostra community! https://discord.gg/hDVGVd2

The world of aesthetics and its endless devices has been confusing to many. A lot of us have curiously tried them: some loved it, and some couldn't handle the pain of the treatments. What are the difference between various devices? Is the popular Morpheus the best? How about fractional CO2 laser? Ultherapy? What should you choose?Dr. Jorge Gaviria has extensive experience in laser aesthetic treatments since 2009, and he will break down and explain the science, the pros and cons of various devices, why Fotona seems to come out on top, and why Fotona is not more known in the US.Dr. Gaviria is a talented Aesthetic doctor with special expertise in laser procedures. He graduated as a Surgeon from De Los Andes University in Venezuela in 2001. Dr. Gaviria specialized in Aesthetic Medicine at De Los Andes University in 2016, and Anti-Aging Medicine at Lisandro Alvarado University in 2014. He trained in laser therapy at the University of Carabobo 2012, and the University Gran Mariscal de Ayacucho, Caracas in 2015. Dr. Gaviria holds a Masters degree from Catalunya Polytechnic University (UPC) in Barcelona Spain on Laser dermatologic applications, and is Board Certified in Laser Procedures and Surgery by the American Board of Laser Surgery (ABLS). He is a Key Opinion Leader, researcher, and trainer for Fotona since 2010. He was one of the first users in Latin America to utilize and develop intravaginal laser non ablative technologies, he has published his work and lectures internationally on a regular basis. He is a Member of UIME, SEME, AACS, ASLMSFotona is considered the gold standard laser machine in Asia and South America (including aesthetic hotspots like Korea and Brazil) — it seems to do EVERYTHING: non-surgical 4D Facelift, body sculpting, lip plump, hair restoration, vaginal tightening/lift, penile enhancement, sleep apnea (as effective as CPAP), laser hair removal, scar/cellulite/varicose veins, and pain reduction.Fotona does all of above exceptionally well and it is fantastic with ALL skin types, unlike other laser machines that tend to cause hyperpigmentation in darker skin tones.If you are interested in a Fotona treatment, please contact our clinic Uplyft Longevity Center at info@uplyftcenter.com or call 818-356-8232.To Connect with Dr. Jorge Gaviria:https://drgaviria.com/To Connect With Dr. Joy Kong:http://drjoykong.com/Watch Video Episodes on YouTube:https://www.youtube.com/channel/UCZj1GQBWFM5sRAL0iQfcMAQFollow Dr. Joy Kong on Social Media:https://www.instagram.com/dr_joy_kong/https://www.facebook.com/stemcelldrjoyhttps://www.linkedin.com/in/joy-kong-md-4b8627123/For more information about anti-aging regenerative medicine treatment visit:https://uplyftcenter.com *Our content is for informational purposes only and should not be treated as medical or health advice. Please consult with your doctor / healthcare provider if you have any questions about your medical conditions.*

En Sincelejo le hicieron una polémica escultura a los "Mamaburras de antaño" y en Bucaramanga graban videos porno en vía pública cerca al aeropuerto; Colombia, país de calenturas.

Antonio Trupiano"Il seme dell'utopia"Orthotes Editricehttps://orthotes.comIl saggio "Il seme dell'utopia" è a cura di Veronica Petito e Antonio TrupianoContestando le distorsioni della società in cui hanno visto la luce, le grandi utopie dell'età moderna si sono confrontate con un tempo “altro”: un tempo aperto, tempo non visibile e mai raggiungibile, e tuttavia tale da mettere in crisi il presente e di additare altre possibilità di esistenza. Ritorna, anche in questa riflessione, l'antico dilemma: utopie come evasione o come progettualità innovativa? Utopie come promessa di liberazione o come produzione di gabbie rese infernali dalla loro pretesa di perfezione? Convinti della saggezza espressa dalle parole di Max Weber secondo cui «il possibile non verrebbe raggiunto se nel mondo non si ritentasse sempre l'impossibile», gli autori hanno affrontato la sfida dell'utopia attraverso un lungo percorso caratterizzato dall'ascolto reciproco e dal pensare insieme. Interrogarsi sull'utopia, in ultima istanza, significa concedersi il diritto alla speranza nella certezza che ciò che ancora non si vede può portare frutto in abbondanza. Come un seme.Saggi di:Secondo Bongiovanni, Maria Borriello, Ermenegildo Caccese, Maurizio Cambi, Giuseppina De Simone, Francesco Donadio, Alfonso Lanzieri, Veronica Petito, Cloe Taddei Ferretti, Antonio Trupiano, Angelo Maria VitaleAntonio Trupiano insegna Epistemologia, Metafisica ed Ermeneutica presso la Pontificia Facoltà Teologica dell'Italia Meridionale (Sez. San Luigi, Napoli) dove attualmente è Direttore del Settore Filosofico. Il suo principale interesse di ricerca verte sulla dimensione sapienziale della ragione. È autore di numerosi saggi su temi e problemi di filosofia contemporanea, con particolare riferimento ad autori quali D. Bonhoeffer, B. Lonergan, H.-G. Gadamer, X. Zubiri.Veronica Petito insegna Etica e Storia della filosofia presso la Pontificia Facoltà Teologica dell'Italia Meridionale (Sez. San Luigi, Napoli). Il suo ambito di interesse riguarda soprattutto il pensiero ebraico del '900 e la fenomenologia husserliana. Al suo attivo numerose pubblicazioni su E. Levinas, E. Husserl, E. Stein, H. Arendt.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Dr. Robert Epstein is a distinguished psychologist, researcher, author, and professor who is passionate about educating the public about advances in mental health and behavioral sciences. Through his discovery of Search Engine Manipulation Effect (SEME), Dr. Epstein uncovered how Big Tech companies manipulate opinions, decisions, and votes through surveillance and censorship. We're handing our data and democracy to the tech lords, and Dr. Epstein is determined to stop the Big Tech threat. Listen now to learn more about how you can fight back! Want to minimize your digital footprint? Read Dr. Epstein's 7 Simple Steps Toward Online Privacy here (https://medium.com/@re_53711/seven-simple-steps-toward-online-privacy-20dcbb9fa82) Want daily news without the liberal slant? Subscribe to First Right here (https://www.restorationofamerica.com/first-right/)

Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Parabola del seme26 Diceva ancora: «Il regno di Dio è come un uomo che getti il seme nel terreno, 27 e dorma e si alzi, la notte e il giorno; il seme intanto germoglia e cresce senza che egli sappia come. 28 La terra [infatti] da se stessa porta frutto: prima l'erba, poi la spiga, poi nella spiga il grano ben formato. 29 E quando il frutto è maturo, subito vi mette la falce perché l'ora della mietitura è venuta».Il granello di senape30 Diceva ancora: «A che paragoneremo il regno di Dio, o con quale parabola lo rappresenteremo? 31 Esso è simile a un granello di senape, il quale, quando lo si è seminato in terra, è il più piccolo di tutti i semi che sono sulla terra; 32 ma quando è seminato, cresce e diventa più grande di tutti gli ortaggi; e fa dei rami tanto grandi che alla sua ombra possono ripararsi gli uccelli del cielo».33 Con molte parabole di questo genere esponeva loro la parola, secondo quello che potevano intendere. 34 Non parlava loro senza parabola; ma in privato ai suoi discepoli spiegava ogni cosa.Support the show

Oggi avremo il piacere di fare un viaggio con Renzo Rosso, il fondatore del marchio Diesel che ci racconta in profondita’ di tutte le sue creature, della loro metamorfosi e dell’umanita’ con la quale le accompagna. Il dream team di One More Time e’ composto da: Giovanni Zaccaria, Mauro Medaglia, Davide Tessari, Alice Gagliardi e Filippo Perbellini.See omnystudio.com/listener for privacy information.

Meditazioni anchor.fm/giulio-maspero

A new season of anime is underway! James, Jacki, and Lynzee discuss Trigun's new look, PA Work's original anime Buddy Daddies, the Golden Globes, Airheads?!, and more!

We're happy to share the 4th episode of our new show, "S.H.A.M.E cast" A sister show to "Evolving w/ Cory Kastle", I've have joined forces with my wonderful woman Alyssa, and together we share our advise experiences in hopes to help others along the way to navigate life's weird moments. We adopted this concept from our fans, friends and family that enjoy our energy together. We also enjoy podcasts of other couples in relationships, so we wanted to jump in and help where we can! If you have any questions about relationships, or what it can feel like in the entertainment industry, we are here! Leave us your message here 856-209-4413 We will be sure to answer it! If you feel shy, you may stay anonymous if you wish! Here's the first batch of questions! Let's keep being weird, and cast out shame!

Dr. Robert Epstein is an author, professor, and one of the top, if not the top, Research Psychologists in the world. https://DrRobertEpstein.com https://AiBRT.org Dr. Epstein founded the American Institute for Behavioral Research Institute for Behavioral Research and Technology. A non-profit organization that offers data regarding the power of Google and other Big Tech Companies and how they can sway the mind in many aspects. I think it is important to note; Dr. Epstein does not hate Google however he shows what Google and the others are really doing, oddly he and his team are the only ones doing this kind of research. Dr. Epstein is passionate about educating the public about advances in mental health and the behavioral sciences. The former editor-in-chief of Psychology Today. UPCOMING ARTICLE https://TheMidtermsWereRigged.com (upcoming article, "How Google Stopped the Red Wave") THE CASE AGAINST ADOLESCENCE https://Teen20.com (Dr. Epstein's book on raising teens, cited by SCOTUS) GOOGLE ALTERNATIVES https://restoreprivacy.com/google-alternatives BIG TECH https://MyGoogleResearch.com (to support & learn more about AIBRT research on Big Tech) https://MyPrivacyTips.com (Epstein article on privacy, updated Feb. 2022) https://TheCaseForMonitoring.com (15-min. video about AIBRT's 2020 election findings) https://EpsteinTestimony.com (7-min. video, Epstein 2019 Congressional testimony) https://GooglesTripleThreat.com (Epstein's new "Google's Triple Threat" booklet) https://EpsteinOnTuckerCarlson.com (Epstein on Tucker Carlson, 56-min. video, PASSWORD: "epstein") https://EpsteinOnAmericanThoughtLeaders.com (90 min. video, interview on Big Tech) https://EpsteinOnSTEMTalks (90-min. biographical audio interview) https://CreepyLine.org (90-min. documentary about Big Tech, features Epstein research) https://TamingBigTech.com (article about AIBRT's 2016 monitoring project) https://TheAnswerBotEffect.com (new research on personal assistants) https://TargetedMessagingEffect.com (new research on Twitter) https://SearchEngineManipulationEffect.com (2015 SEME paper in PNAS) https://LetterToGoogleCEO.com (Nov. 5, 2020 letter from US Senators to Google CEO) COVID-19 https://NationalTestingDay.com (beating the virus without lockdowns or vaccines) https://CarrierSeparationPlan.org (peer-reviewed scientific article about CSP)➔Sponsors: https://www.mscsmedia.com/sponsors

El cómico presenta en la Sala del Humor Fuencarral 'Espíritu', un espectáculo en el que se plantea algunas cuestiones que le inquietan sobre lo que vamos a encontrarnos en el más allá

Šesta epizoda zmajev. Kdo še ni rodil? Zakaj so okna v Kraljevem pristanku tako popularna? Kje je bil prašič? Daemon je mogoče celo človek? Na začetku pa opravičilo! Če so ti glave všeč, jih lahko podpreš. Hvala. – Glave #143 Zapiski: 15. Pesmica o zmaju – Marta Zore Pridi se pogovarjat -> Discord: Glave gledajo […]

Agathe Schmitt, fondatrice de Sème était l'invitée de Stéphane Pedrazzi dans Good Morning Business, ce vendredi 12 août. Ils sont revenus sur /la mode qui fait partie des industries les plus polluantes en termes d'émission de CO2 et l'initiative de Sème de produire un jean moins polluant made in France sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.