Podcasts about Seme

Dal Vangelo secondo LucaIn quel tempo, poiché una grande folla si radunava e accorreva a lui gente da ogni città, Gesù disse con una parabola: «Il seminatore uscì a seminare il suo seme. Mentre seminava, una parte cadde lungo la strada e fu calpestata, e gli uccelli del cielo la mangiarono. Un'altra parte cadde sulla pietra e, appena germogliata, seccò per mancanza di umidità. Un'altra parte cadde in mezzo ai rovi e i rovi, cresciuti insieme con essa, la soffocarono. Un'altra parte cadde sul terreno buono, germogliò e fruttò cento volte tanto». Detto questo, esclamò: «Chi ha orecchi per ascoltare, ascolti!».I suoi discepoli lo interrogavano sul significato della parabola. Ed egli disse: «A voi è dato conoscere i misteri del regno di Dio, ma agli altri solo con parabole, affinchévedendo non vedanoe ascoltando non comprendano.Il significato della parabola è questo: il seme è la parola di Dio. I semi caduti lungo la strada sono coloro che l'hanno ascoltata, ma poi viene il diavolo e porta via la Parola dal loro cuore, perché non avvenga che, credendo, siano salvati. Quelli sulla pietra sono coloro che, quando ascoltano, ricevono la Parola con gioia, ma non hanno radici; credono per un certo tempo, ma nel tempo della prova vengono meno. Quello caduto in mezzo ai rovi sono coloro che, dopo aver ascoltato, strada facendo si lasciano soffocare da preoccupazioni, ricchezze e piaceri della vita e non giungono a maturazione. Quello sul terreno buono sono coloro che, dopo aver ascoltato la Parola con cuore integro e buono, la custodiscono e producono frutto con perseveranza.

Chi ha visto almeno una volta il gesto solenne e misurato del seminatore • il suo incedere tra i solchi con passo cadenzato, la mano che affonda nel sacco e sparge il seme a pioggia • comprende bene quanto quell’immagine si addica al buon Dio. Egli è il Seminatore della vita, la sorgente di ogni energia, Colui che feconda il seme. Quel seme divino scende nel campo dell’anima umana, dove il Signore stesso ha posto il terreno migliore, e lì attende con paterna pazienza che germogli e porti frutto. Il grande problema, però, è la condizione del terreno su cui cade il seme: lo stato del nostro spirito, la nostra capacità di accogliere o, purtroppo, di rifiutare. Sassi, spine, strada: sono immagini eloquenti delle nostre situazioni, specchio della nostra religiosità e della nostra comunione con Dio attraverso la Parola. Ci richiamano anche i tranelli della vita e le false valutazioni che spesso facciamo dei valori autentici. Solo al tempo del raccolto si può vedere con chiarezza il risultato: allora si misura la perdita dovuta a una preparazione cattiva, o si gioisce del frutto abbondante. Quanti rimpianti per le occasioni mancate! Quante amarezze per rifiuti stolti! Ma il terreno buono rimane sempre possibile: è lo spirito umile e docile che accoglie la Parola con amore, la custodisce e la trasforma in gratitudine e opere di bontà.

Programa completo con Pepa Gea. Noticias con Óscar Plaza. Álvaro Martínez trae una agenda de ocio bien completa con muchos planes para el fin de semana. Rosana Güiza con el tiempo y la iniciativa del Banco de España "Puertas Abiertas". 30ytantos, con la doctora Petra Vega, tesorera de la SEME. De Contrabando con Alfonso Javier Ussía y deportes con Aitor Gómez.

Dal Vangelo secondo GiovanniIn quel tempo, stavano presso la croce di Gesù sua madre, la sorella di sua madre, Maria madre di Clèopa e Maria di Màgdala.Gesù allora, vedendo la madre e accanto a lei il discepolo che egli amava, disse alla madre: «Donna, ecco tuo figlio!». Poi disse al discepolo: «Ecco tua madre!». E da quell'ora il discepolo l'accolse con sé

Non possiamo non parlarne ancora un po': Hollow Knight Silksong è arrivato e per giorni non si è parlato d'altro, tra alti, bassi e le solite polemichette.Ma c'è anche altro di cui parlare, successi non aspettati e progetti morti che muoiono una seconda volta.Ora che è uscito, diteci: state giocando a Silksong? State impazzendo davvero o camminate con gioia annichilendo nemici su nemici? Ditecelo con un commento! LINKSilkong e i suoi giocatori - https://tinyurl.com/cdsk7pswSilksong e gli store - https://tinyurl.com/2s46jnfrSilksong e la Cina - https://tinyurl.com/3x9p7xz2Silksong e i pirati - https://tinyurl.com/4pn27d7aAbbiamo un problema con i soulslike? - https://tinyurl.com/4ah2ves2Un milione di Snake in un giorno - https://tinyurl.com/mvy2sjrxAtari vorrebbe un remake di Policenauts (?!?) - https://tinyurl.com/4v3dxezaÈ tutta colpa degli investitori? - https://tinyurl.com/y98y8etnPAROLA DI BAFFOHollow Knight [Steam] - https://tinyurl.com/yck2mwa8 Wiki Speedrun [Web] - https://tinyurl.com/bd32r4beUNISCITI ALLA COMMUNITY❤️ Telegram: https://t.me/MustacchiChat Discord: https://discord.gg/QH92JWVfA5TUTTI I NOSTRI LINK

L'esercito austriaco che si ritira dopo la battaglia di Galizia non può più definirsi tale. La guarnigione della fortezza di Przemyśl dovrà mettere in campo tutto il proprio coraggio e tutta la propria resilienza per sbarrare la strada ai Russi.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoCon la partecipazione di Zeno Du Ban, Federico Menis e Matteo RibolliFonti dell'episodio:Andrey Borisyuk, The forgotten war. Russia in 1914-1918, Veche, 2024Prit Buttar, Collision of Empires, The War on the Eastern Front in 1914, Osprey Publishing, 2016Rotem Kowner, Historical Dictionary of the Russo-Japanese War, The Scarecrow Press, 2006John Losher, The Bolsheviks: Twilight of the Romanov Dynasty, Author House, 2009Pyotr Miltatuli, Russia in the reign of Nicholas II, Rusky Isdatelski Zentr, 2017Sergei Nelipovich, Two campaigns. The Struggle for East Prussia in August-October 1914, Kvadrniga, 2023Alexey Oleynikov, Russia-Shield of Entente, Piter, 2016Hew Strachan, The First World War. To Arms, Oxford University Press, 2001Alexander Watson, Il grande assedio di Przemysl, 1914. Storia di una battaglia dimenticata, Rizzoli, 2021In copertina: soldati austroungarici impiccano dei civili ucraini, aprile 1918, dal Bundesarchiv.

A volte vorremmo che i nostri sogni si realizzassero subito.Che le cose accadessero adesso, in fretta, come desideriamo.Ma la verità è che esistono delle tempistiche divine che non possiamo forzare… solo rispettare. In questo episodio ti racconto una favola dolcissima e potente: la storia di un piccolo seme che ci insegna a fidarci del tempo della vita, della nostra crescita interiore e dei cicli invisibili che ci trasformano, anche quando non ce ne accorgiamo. ✨ Masterclass in arrivo!Martedì 8 luglio terrò una masterclass gratuita dal titolo “Dalla tua essenza alla tua intuizione”,dove parleremo di come ascoltare quella voce interiore che sa sempre qual è la strada.

In this powerful and inspiring episode of Elevate the Day, wewelcome author and speaker Malaika Boyer-Seme to share the heart behind her new book, “Malaika's Faith.” Through a deeply personal journey of loss and grief, Malaika reveals how tragedy became a catalyst for a deeper relationship with God—not just knowing about Him but truly knowing Him.With grace and vulnerability, Malaika discusses the pivotalmoment that changed her life forever and how it led her to walk more closely with the Lord. Her story is one of resilience, healing, and transformation through faith.Key Takeaways:The difference between knowing about God andhaving a personal relationship with Him.How a tragic loss drew Malaika into deeperintimacy with Jesus.The essential role of community and surroundingyourself with fellow believers during difficult times.The importance of anchoring your life inScripture and God's promises, even when circumstances feel unbearable.Malaika's Faith serves as a beacon of hope for those walkingthrough their own valleys."For we walk by faith, not by sight.”  (2 Corinthians 5:7 NKJV)Thank you for tuning in—and remember, your walk with Goddoesn't have to be perfect, it just has to be real. Keep walking by faith.Click here to order Malaika's Faith by Malaika Boyer Seme.

Ljubljano je obiskal Édouard Louis, eden osrednjih francoskih literarnih glasov mlajše generacije. Louis v avtobiografskih delih opisuje odraščanje, ki je bilo zaznamovano z nasiljem. O nasilju pravi, da nosi v sebi seme svojega lastnega uničenja, ker poraja nujo, da o njem spregovorimo. Kajti če ga razkrijemo, ga lahko uzrejo tudi drugi. In ko ga enkrat vidimo, se mu lahko upremo. Sicer pa v oddaji še o nagradah tantadruj, na Lirikonfestu so za ambasadorja poezije razglasili Ivana Dobnika, v Kranju se je začel igralski filmski festival KRAFT, v Mariboru se bo sklenilo Borštnikovo srečanje. Med razstavami pa izpostavljamo Barok v Sloveniji – Arhitektura in uporabna umetnost, ki so jo odprli v Narodnem muzeju, ter razstavo Alenka dela lutke, ki v Gledališkem inštitutu predstavlja delo lutkovne ustvarjalke Alenke Pirjevec.

Show notes by Heather Lean ACP, BSc ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.RnRRounds.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Il Messaggio di Oggi: “IL REGNO DI DIO È COME UN UOMO CHE GETTA IL SEME ” • Marco 4: 26 (27-29) • Isaia 55: 11 • 2 Corinzi 3: 18 • Isaia 55: 10 • 2 Pietro 3: 18 • Genesi 1: 11 • Luca 8: 11 • Giovanni 3: 8 • Filippesi 3: 12-13 • Luca 9: 62 • 2 Corinzi 4: 1 • Galati 6: 8 • Galati 5: 16 • 1 Corinzi 6: 19-20 • Galati 6: 7-8 • Amos 7: 7-8 • Matteo 7: 24-25 • Galati 6: 9 • Marco 4: 25 • Isaia 46: 10 • Marco 4: 26--Guarda Canale 245 | Tivùsat 454 | Sky 854Scopri di più su www.paroledivita.org/linkinbio

In tempi così tetri come questi dove la nebbia è più minacciosa che mai, in cui non possiamo fare un nuovo presidente e forse anche il Signore del Male è in agguato...beh, perché non andare a trovare il buon vecchio John Carpenter insieme al suo cinema così cinico eppure irresistibile? Ultimo capitolo della Trilogia dell'Apocalisse e viaggio all'interno dell'orrore attraverso un racconto metanarrativo in cui Carpenter esprime tutta la sua passione nei confronti di Lovecraft e non solo. In breve, "Il seme della follia".

In questo episodio Leo e Sacco vi parlano di:00:02:41 - Sacco alla riscoperta di La Conversazione e Intrigo Internazionale00:08:31 - Il Seme Del Fico Sacro di Mohammad Rasoulof00:15:58 - L'Orto Americano di Pupi Avati00:27:07 - Mickey 17 di Bong Joon-ho00:59:05 - Letterboxd & News01:01:54 - Emilio su L'Orto Americano

Parliamo di Il seme del fico sacro di Rasoulof, Captain America: Brave New World con Harrison Ford e con Fabio Radaelli della serie Netflix Cent'anni di solitudine.Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli.A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.

Le novità della settimana al cinema e in streaming raccontati attraverso i nostri pregiudizi e bias cognitivi: grande cast per Follemente con Pilar Fogliati e Edoardo Leo insieme a Giallini, Santamaria, Papaleo, Pandolfi, Fanelli e altri ancora per l'Inside Out di Paolo Genovese. Dall'Iran le peripezie per far conoscere al mondo Il Seme del Fico Sacro di Mohammad Rasoulof.E poi escono L'Erede e Cherry Juice. Su Netflix arriva l'atteso Zero Day con Robert De Niro. E non finisce qui.

Candidato all'Oscar come Miglior Film Internazionale, Il seme del fico sacro di Mohammad Rasoulof è uno dei film più potenti dell'anno. Un'opera dall'urgenza politica davvero rara, che ha saputo travolgerci emotivamente per quello che racconta ma anche per come lo fa.

Insieme a Fabio "Wolf" Gorini, Luca Antoniazzi e la guest star Michela Gorini ci catapultiamo nella cittadina di Hobb's End per chiudere la trilogia dell'apocalisse.In questo episodio parliamo de "Il seme della follia" (In the Mouth of Madness) un film horror diretto da John Carpenter dove l'investigatore assicurativo John Trent (Sam Neill) viene incaricato di ritrovare lo scrittore Sutter Cane (Jurgen Prochnow) un autore di bestseller horror scomparso misteriosamente.Film dalle atmosfere lovcraftiane dove il confine tra realtà e follia si mescola meravigliosamente regalandoci un mondo inquietate e surreale.

Málaga acoge el congreso mundial de medicina estética: “El intrusismo y la desinformación son alarmantes”

La Sociedad Española de Medicina Estética (SEME) lanza la campaña divulgativa "Tu cara ya no me suena", formada por píldoras informativas que ayudan a los ciudadanos a diferenciar los procedimientos médicos de los estéticos, identificar las malas prácticas y tomar decisiones para proteger no solo la belleza sino también la salud.

La Asociación Española de Consumidores hace más de un año encontró en Internet la venta sin control de ácido hialurónico para ser inyectado directamente por parte de los consumidores, un tema preocupante que podría conllevar graves problemas de salud. Así lo transmite la Dra. Petra Vega, médico estético y miembro de la Junta directiva de la Sociedad Española de Medicina Estética (SEME).

Zdi se neverjetno, vendar je resnično. Januarja leta 2005 ...Iz knjige Zgodbe kažejo novo pot, ki je izšla v zbirki Zgodbe za dušo pri založbi Ognjišče.

Uno dei grandi problemi del cambiamento climatico saranno le migrazioni. Saremo costretti anche noi a spostarci a causa del cambiamento climatico? In molti paesi succede già. Ospiti:Anna Pirani, ricercatrice senior presso il Centro Euro-Mediterraneo sui Cambiamenti Climatici (CMCC) nella divisione sui rischi climatici e le strategie di adattamento (RAAS)Cristina Cattaneo, Director of SEME. Gianni Tartari, ambasciatore dell European Climate Pact, è tra i promotori del progetto MICLIMI ( Migrazioni climatiche e mobilità interna nella metromontagna padana). Ha scritto insieme a Andrea Membretti e Filippo Barbera, "Migrazioni verticali - La montagna ci salverà?" edito da Donzelli EditoreOlivier Turquet, Attualmente coordina la redazione italiana di Pressenza.

691 MC Solar- Qui Seme Le Vent Recolte Le Tempo

Piergiorgio Odifreddi, matematico, accademico e divulgatore scientifico, con la scrittrice, poeta e attrice Ilaria Maria d'Urbano, in un dialogo incentrato sulla relazione tra matematica e poesia. La matematica si trova dovunque, anche nella poesia. *****************************+  FloraCult, 13ª EDIZIONE 25 | 26 | 27 | 28 APRILE 2024 I CASALI DEL PINO VIA ANDREASSI 30, ROMA.

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Parabola del seme26 Diceva ancora: «Il regno di Dio è come un uomo che getti il seme nel terreno, 27 e dorma e si alzi, la notte e il giorno; il seme intanto germoglia e cresce senza che egli sappia come. 28 La terra [infatti] da se stessa porta frutto: prima l'erba, poi la spiga, poi nella spiga il grano ben formato. 29 E quando il frutto è maturo, subito vi mette la falce perché l'ora della mietitura è venuta».Il granello di senape30 Diceva ancora: «A che paragoneremo il regno di Dio, o con quale parabola lo rappresenteremo? 31 Esso è simile a un granello di senape, il quale, quando lo si è seminato in terra, è il più piccolo di tutti i semi che sono sulla terra; 32 ma quando è seminato, cresce e diventa più grande di tutti gli ortaggi; e fa dei rami tanto grandi che alla sua ombra possono ripararsi gli uccelli del cielo».33 Con molte parabole di questo genere esponeva loro la parola, secondo quello che potevano intendere. 34 Non parlava loro senza parabola; ma in privato ai suoi discepoli spiegava ogni cosa.Support the show

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

DJ Seme On His Latest Collaboration With Nviiri Producing 'Bachelor' | The Hype

Avete presente i semi degli aceri? Quelli a forma di pala d’elica, che quando cadono si avvitano e quasi prendono il volo? Ispirandosi al seme di questo albero, il gruppo di ricerca guidato da Barbara Mazzolai all’IIT di Genova, in collaborazione con il Leibniz Institut for New Materials, ha realizzato un seme artificiale che, grazie alla capacità di veleggiare sospinto dal vento, può essere sparso facilmente nell'ambiente, dove è in grado di rilevare e comunicare vari parametri (come la temperatura, l'umidità, o l'acidità), per poi decomporsi a fine vita. L’invenzione prende il nome di Acer i-Seed ed è stata descritta sulla rivista scientifica Science Advances. Ne parliamo con Barbara Mazzolai, Direttrice del Laboratorio di Robotica Soft Bio-ispirata e Direttore Associato per la Robotica in IIT.

En nuestro país se realizan más de 204.000 intervenciones de Cirugía Estética al año y, según un reciente informe realizado por la Sociedad Española de Medicina Estética (SEME), nos iniciamos bastante más jóvenes que hace una década en los tratamientos médico estéticos, con una edad media de 20 años versus los 35 con los que solían acudir a la consulta antes. Sobre qué nos hacemos y cuáles son los tratamientos realmente efectivos hablamos en el podcast de hoy, en colaboración con Galderma, con la doctora Victoria Escapa, médico estético en la Clínica Escapa de Oviedo. See omnystudio.com/listener for privacy information.

Highway to Health is brought to you by the KwaZulu Natal Department of Health. Growing KwaZulu-Natal Together. Dr. Sandile Tshabalala who is the Head of the KwaZulu-Natal Department of Health, shares information on the Dr Pixley Ka Isaka Seme Memorial Hospital. Webpage

La gratitudine è un atteggiamento mentale che porta a essere consapevoli e riconoscenti per le cose positive della propria esistenza. Praticare la gratitudine anche nelle situazioni più quotidiane può trasformare favorevolmente la nostra vita e aiutarci a connetterci di più a noi stessi e agli altri. Lascia un commento nella nostra community! https://discord.gg/hDVGVd2

The world of aesthetics and its endless devices has been confusing to many. A lot of us have curiously tried them: some loved it, and some couldn't handle the pain of the treatments. What are the difference between various devices? Is the popular Morpheus the best? How about fractional CO2 laser? Ultherapy? What should you choose?Dr. Jorge Gaviria has extensive experience in laser aesthetic treatments since 2009, and he will break down and explain the science, the pros and cons of various devices, why Fotona seems to come out on top, and why Fotona is not more known in the US.Dr. Gaviria is a talented Aesthetic doctor with special expertise in laser procedures. He graduated as a Surgeon from De Los Andes University in Venezuela in 2001. Dr. Gaviria specialized in Aesthetic Medicine at De Los Andes University in 2016, and Anti-Aging Medicine at Lisandro Alvarado University in 2014. He trained in laser therapy at the University of Carabobo 2012, and the University Gran Mariscal de Ayacucho, Caracas in 2015. Dr. Gaviria holds a Masters degree from Catalunya Polytechnic University (UPC) in Barcelona Spain on Laser dermatologic applications, and is Board Certified in Laser Procedures and Surgery by the American Board of Laser Surgery (ABLS). He is a Key Opinion Leader, researcher, and trainer for Fotona since 2010. He was one of the first users in Latin America to utilize and develop intravaginal laser non ablative technologies, he has published his work and lectures internationally on a regular basis. He is a Member of UIME, SEME, AACS, ASLMSFotona is considered the gold standard laser machine in Asia and South America (including aesthetic hotspots like Korea and Brazil) — it seems to do EVERYTHING: non-surgical 4D Facelift, body sculpting, lip plump, hair restoration, vaginal tightening/lift, penile enhancement, sleep apnea (as effective as CPAP), laser hair removal, scar/cellulite/varicose veins, and pain reduction.Fotona does all of above exceptionally well and it is fantastic with ALL skin types, unlike other laser machines that tend to cause hyperpigmentation in darker skin tones.If you are interested in a Fotona treatment, please contact our clinic Uplyft Longevity Center at info@uplyftcenter.com or call 818-356-8232.To Connect with Dr. Jorge Gaviria:https://drgaviria.com/To Connect With Dr. Joy Kong:http://drjoykong.com/Watch Video Episodes on YouTube:https://www.youtube.com/channel/UCZj1GQBWFM5sRAL0iQfcMAQFollow Dr. Joy Kong on Social Media:https://www.instagram.com/dr_joy_kong/https://www.facebook.com/stemcelldrjoyhttps://www.linkedin.com/in/joy-kong-md-4b8627123/For more information about anti-aging regenerative medicine treatment visit:https://uplyftcenter.com *Our content is for informational purposes only and should not be treated as medical or health advice. Please consult with your doctor / healthcare provider if you have any questions about your medical conditions.*

En Sincelejo le hicieron una polémica escultura a los "Mamaburras de antaño" y en Bucaramanga graban videos porno en vía pública cerca al aeropuerto; Colombia, país de calenturas.

Benvenuti ai 4 Vangeli-letture in 1 anno 5 gg a settimanaOggi: Parabola del seme26 Diceva ancora: «Il regno di Dio è come un uomo che getti il seme nel terreno, 27 e dorma e si alzi, la notte e il giorno; il seme intanto germoglia e cresce senza che egli sappia come. 28 La terra [infatti] da se stessa porta frutto: prima l'erba, poi la spiga, poi nella spiga il grano ben formato. 29 E quando il frutto è maturo, subito vi mette la falce perché l'ora della mietitura è venuta».Il granello di senape30 Diceva ancora: «A che paragoneremo il regno di Dio, o con quale parabola lo rappresenteremo? 31 Esso è simile a un granello di senape, il quale, quando lo si è seminato in terra, è il più piccolo di tutti i semi che sono sulla terra; 32 ma quando è seminato, cresce e diventa più grande di tutti gli ortaggi; e fa dei rami tanto grandi che alla sua ombra possono ripararsi gli uccelli del cielo».33 Con molte parabole di questo genere esponeva loro la parola, secondo quello che potevano intendere. 34 Non parlava loro senza parabola; ma in privato ai suoi discepoli spiegava ogni cosa.Support the show

Oggi avremo il piacere di fare un viaggio con Renzo Rosso, il fondatore del marchio Diesel che ci racconta in profondita’ di tutte le sue creature, della loro metamorfosi e dell’umanita’ con la quale le accompagna. Il dream team di One More Time e’ composto da: Giovanni Zaccaria, Mauro Medaglia, Davide Tessari, Alice Gagliardi e Filippo Perbellini.See omnystudio.com/listener for privacy information.

A new season of anime is underway! James, Jacki, and Lynzee discuss Trigun's new look, PA Work's original anime Buddy Daddies, the Golden Globes, Airheads?!, and more!