Podcasts about Noise gate

Hallo und herzlich willkommen zu einer neuen Folge von Miauz Genau! Dieses Mal steigen Liam und ich in den Mauzi-Ballon, um gemeinsam durch die vergangenen Poké-News zu schweben. Unsere Reise führt uns unter anderem am Hondas Koraidon-Projekt vorbei und direkt hinein in die Nintendo Direct zur Switch 2. Doch nicht alles glänzt im Pokéversum: Neben Pokémon GO, das nun endgültig in den Abgrund der Hölle gestürzt ist, und Pikachu nun um Freiheit kämpfen muss, begegnen uns auch seelenlose Menschen in Werbetrailern – die uns mit stoischem Lächeln beweisen wollen, wie sehr sie eine 10fps-Bildübertragung von Nintendo genießen. Was es damit auf sich hat – und noch viel mehr – erfahrt ihr in dieser vollgepackten News-Folge. Viel Spaß! ________ Zur Petition "Schützt die Kunst vor KI": https://www.openpetition.de/petition/online/schuetzt-die-kunst-vor-ki-deinestimmefuerechtestimmen Zum Teraleak-Podcast bei Noise Gate: https://miauzgenau.de/2024/12/03/der-pokemon-teraleak-mgn-006/ Episode von Kit & Krysta mit den Machtkämpfen zwischen Pokémon und Nintendo: https://www.youtube.com/watch?v=u2sIxNa4DNs Dragoran Anime Special mit englischen Untertiteln: https://drive.google.com/file/d/1RY3nio4vTqiiO1tB4q2N61Hn7xdNKiNv/view?usp=sharing NVIDIA Blog zur Switch 2: https://blogs.nvidia.com/blog/nintendo-switch-2-leveled-up-with-nvidia-ai-powered-dlss-and-4k-gaming/ Video zu den Joy-Cons von Nintendo Life: https://youtu.be/dZan29cprPA?si=erZGFeSLPFgv8rKf Outro Song: 戦争を知らない子供たち von nenecolorfully

Hr 2 - Coach Mac + Crowd Noise Gate continuesSee omnystudio.com/listener for privacy information.

Hr 2 - Coach Mac + Crowd Noise Gate continuesSee omnystudio.com/listener for privacy information.

Quoi de mieux pour affronter la rentrée qu'un bon Fume, c'est du belge bien gras et explosif ? Professeur Pompon est de retour pour vous enseigner l'art du mur du son à la belge. Tout bon élève de l'école du rock se doit de connaître sur le bout des riffs, autant les anciennes formules que la nouvelle grammaire du bruit. À vos oreilles !Dans l'ordre : Sharko, Herbert Hein, Vitor Hublot, Petit Futur, Noise Gate, René Binamé, Unhinged, Werly, Thee Marvin Gays, Täksup, My Diligence, Thot, Billions Of Comrades, Le Prince Harry, Black Paper Plane, Fucked Up Minds, The Flynts, Vox Populi, Sharko.

Jackie gives a deep dive on her top 10 songs covered this season and closes out season 2 of Noise Gate. But! Noise Gate will be back for Season 3 in the fall! Stay tuned for Noise Gate updates and supplementary episode content at @noise_gate_ on Instagram (noisegatepod@gmail.com for inquiries).

Jackie is joined by metal guitarist, producer, and former Noise Gate Co-Host Josh Miller to discuss the complete, extended edition of Noah Kahan's hit record "Stick Season". If you liked this duo, go listen to the "Vaxis II: A Window of the Waking Mind" episodes from season 1 of Noise Gate, and check out Josh on Instagram @joshmguitar!

In dieser Episode stellen euch Klaus und Marc ihr Tools vor, die sie zur Restauration und De-noising von Audiomaterial einsetzen. Klaus widmet sich dabei hauptsächlich der Post-Produktion von Sprache, wo das Signal möglichst clean sein sollte, während Marc sich dem musikalischen Teil widmet und Noises auch als Stilmittel sieht. Viel Spaß beim Hören! ➡️ (00:08:20) - Noise Gate ➡️ (00:14:58) - De-Noising ➡️ (00:23:33) - Deesser ➡️ (00:28:48) - De-Reverb ➡️ (00:35:16) - EQ ➡️ (00:39:02) - De-Plosive ➡️ (00:43:00) - Multiband-Kompressor ➡️ (00:44:34) - Mouth-De-Click und Co. ➡️ (00:53:40) - Soothe & Co. ➡️ (00:56:47) - Sonstiges

"I started with the name of the sound "Aphrodite's Rock", which inspired a story: at the beginning, there was nothingness, then Aphrodite emerges from the sea foam and establishes herself first as a woman (indicated by the harp sound) and then as a mother (represented by the piano). Thus, she sings her lullaby to her child until the nightfall. The entire story is accompanied by the wind, which I chose to symbolize through the sound of the Bansuri.  "In the central section, I utilized the original sound, from her self-affirmation to the conclusion of the lullaby. Here, the sound transforms into the "sound of silence" and of night (I created that sound using a Noise Gate, Fuzz-Wah, and Delay). At the inception, I employed granulation to modify the sound of Aphrodite's Rock and a Bendir for rhythmic elements. "The Celtic harp was performed by Angela Cosi, the Bansuri by Giorgia Santoro, the Bendir by Roberto Chiga and the piano by me." Aphrodite's Rock reimagined by Valentina Marra.  Part of the Music for Sleep project - for more information and to hear more sounds from the collection, visit https://citiesandmemory.com/music-for-sleep/ IMAGE: Carole Raddato from FRANKFURT, Germany, CC BY-SA 2.0 , via Wikimedia Commons

An electronic sequence created in Pure Data & subjected to a touch of reverb & Noise Gate. More on this 604th weekly Disquiet Junto project, Heaven's Gate (The Assignment: Use a picture of the clouds as a plan for adjusting your sound), at: https://disquiet.com/0604/ About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ 1 Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

Hi gang. In this episode I want to explore the utility and value proposition of one of the unsexy but really beneficial pedals, known as the noise gate.

Jeder kennt das Problem. Man nimmt einen Podcast oder ein Video auf, hört es sich an und denkt: "Könnte besser klingen". Aber wie? Hier kommt Deine Lösung. In dieser Folge erfährst Du, wie Du aus Deiner Aufnahme einen Profi-Ton holst. Dabei spielt es keine Rolle, ob Du einen Podcast oder ein Video aufgenommen hast. Hier sind die drei wichtigsten Punkte, die Du in dieser Folge lernst: - Welche Tools Du brauchst: Denoiser, Noise Gate, Equalizer, Kompressor und Limiter. Sie sind die Helden dieser Folge. - Wie man diese Tools richtig einsetzt. - Die Macht der Audiobearbeitung. Ich habe viele Hörbeispiele eingebaut, daher vergiss nicht, Deine Kopfhörer aufzusetzen! Viele Podcast-Hosts und Content-Creators übersehen die Audiobearbeitung. Sie wissen nicht, was sie verpassen. Diese Folge ändert das. Es ist Zeit, Deinen Sound auf das nächste Level zu heben. Los geht's! Beeindrucke Kunden und Geschäftspartner mit herausragender Ton- und Videoqualität! Besuche meine Website, um inspirierende Fallbeispiele zu sehen, und sichere Dir einen unverbindlichen Beratungstermin, um die optimale Lösung für Deine Videokommunikation zu realisieren. www.corporate-studio.de ________________________________________________________ Du hast ein Thema rund um die Digitalisierung von Training & Unternehmenskommunikation, zu dem Du gerne einmal einen Podcast mit mir hören möchtest? Oder Du hast spannende Inhalte zum Thema und möchtest gerne mal Gast in meinem Podcast sein? Dann schreib mir an podcast@webinar-profi.de Ich wünsche Dir viel Spaß beim Hören und freue mich auf Dein Feedback!

Jackie wraps up season 1 of Noise Gate by ranking her top 10 favorite songs that were discussed during the season. She also gives recommendations for albums and songs that the average listener should check out in order to expand their horizons on new artists and genres. Check out the rest of the season if you haven't already, and follow Noise Gate on Instagram @noise_gate_ for updates and sneak peaks of Season 2!

Nordo finishes off the show with Dan Hayes to break down the Twins in Anaheim tonight, Nordo complains about bird noises, and he takes calls from the farm.

Tristan and Jackie return to their discussion of Dua Lipa's tiktok famous album "Future Nostalgia" for the final episode of Season 1 of Noise Gate! Next week, Jackie will be back with a solo season wrap-up of the best (and worst) music covered during Season 1. Follow the pod on Instagram @noise_gate_ for updates and production sneak peaks of Season 2!

Jackie is joined by professional bassist, producer, composer, and Twitch streamer Tristan Lauzon on this weeks episode of Noise Gate. Tristan and Jackie get into the theory behind Dua Lipa's 2020 record "Future Nostalgia", a groovy "pool party energy" album that took social media by storm upon its release. Follow Tristan on Instagram @tryplow and come back next week for part 2!

Episode 7 of Noise Gate features Jackie Connor and fellow Popular Music student Sam Kessler. The two take to the task of analyzing a folk record from one of the most influential and prominent artists of all time: Taylor Swift. This beautiful record demonstrates Taylor's unmatched songwriting and incredible versatility as an artist through moving folk music with multiple coexisting narratives. Check out Sam on Instagram @sam_kessler_ (and go follow @noise_gate_ while you're at it)!

Jackie and Alex are back on Episode 6 of Noise Gate talking through the second half of Cage The Elephant's "Melophobia". The intro and outro music for this episode was written, recorded, and produced by the immensely talented Adam Toerpe - go check him out @adamtoerpe on Instagram! 

On Episode 5 of Noise Gate, Jackie Connor and Alex Meixner discuss the first half of Cage The Elephant's 2013 album, "Melophobia". This record features a handful of alternative rock staples and a couple hidden gems from a band who has heavily influenced the American music scene over the last decade. The intro and outro music for this episode was written, recorded, and produced by the immensely talented Adam Toerpe - go check him out @adamtoerpe on Instagram!

On Episode 4 of Noise Gate, Jackie is joined by Jared Wolfe, Noah Garcia, and Ken Sevier of My Upside Down, a local rock band. They discuss the creative process and personal connections behind their debut EP, "Love and Taxidermy" (out on all platforms now!). Follow them on Instagram @myupsidedown5, and go listen to the record!

Episode 3 of Noise Gate features multi-instrumentalist Erika Middleton-Sharpe, who joins host Jackie Connor to discuss her debut EP, "Tools"! They discuss the experimentalism and creative process behind the record as well as Erika's musicianship and inspiration for the EP. Listen to "Tools" on all platforms or purchase it on BandCamp, and follow Erika on Instagram @erika_middleton_sharpe.

Hosts Jackie Connor and Samuel Posner continue their discussion of Bon Iver's record, "22, A Million" on Episode 2 of Noise Gate. Check out the previous episode to hear some hot takes on the first half of the album!

Welcome to the first episode of Noise Gate! Host Jackie Connor is joined by philosophy major and classical pianist Samuel Posner to discuss the front half of Bon Iver's album, 22, A Million. This masterfully produced album addresses loneliness and isolation in nature and urban life at the intersection of indie and folk, old and new, digital and human. Join us next Friday for the back half of the album!

On episode 318 of the BSP I discuss youtube's announcement of new features for educational content including paywalled education videos, my issue with everyday carry and many other hobbies, the Mojave MA-D, and then we discuss people criticizing youtube because they don't play the game, what camera and lenses I use, how i think you should use a noise gate, why my reviews sound so different over time, and how important 15kHz+ is for spoken word.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Mojave MA-D: https://imp.i114863.net/mojavemad Yellowtek M!ka: https://www.yellowtec.com/mika.html Interface: n/a Sennheiser HD650: https://geni.us/sennhd650   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 01:15 - YouTube Educational Video Player 05:10 - YouTube Paywall for Courses 07:40 - YouTube Quizzes Announcement blog: https://blog.youtube/news-and-events/the-next-chapter-for-learning-on-youtube/ 10:15 - My Issue with EDC (Everyday Carry) and Many Hobbies 18:32 - Mojave MA-D 20:55 - WYHTS: sE Voodoo was GREAT! 21:41 - WYHTS: People Criticize YouTube Because They're not Good Enough Creators! 30:15 - WYHTS: What Cameras and Lenses do I Use? 32:40 - Ask Bandrew 33:36 - Voice Submission 1 34:37 - How Should I Use my Noise Gate? 39:12 - Voice Submission 2 40:10 - Why Do My Reviews Sound So Different Than They Did 5 Years Ago? 46:00 - Why Do You Make Re-Reviews? 48:30 - Voice Submission 3 49:30 - How Imporant is 15kHz+ for Spoken Word? 52:30 - Outro

This week we cover the history of common types of guitar pickups, analyze the tone of Mick Thomson on Slipknot's "Psychosocial", and demonstrate two effective ways to use a noise gate.

Vi er allerede tilbage og efter forsinkelsen, som blev til det sidste lange afsnit, har vi ikke nået at spille helt lige så meget. Men vi har pillet ved en Noise Gate så det ikke længere lyder som om Christian sidder i en domkirke. Og så har vi haft spilaften hvor vi har set en... Læs mere

About three years ago, I did a review of the TC Electronics Sentry. It's an example of a noise gate for a pedal board. Since that time, I have happily been binging on pedals and related gear yet I still hear and get questions about dealing with noise from the amplifier when the instrument is not being played. Sometimes it appears to be electrical noise but most often it's pickup noise that creates some really annoying hiss. Adding a noise gate can be a simple method to deal with this.

On episode 306 of the BSP I discuss youtube rolling out a new feature for viewing content on TV, the Focusrite Vocaster Two and answer a bunch of questions and ramble a bit.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Neumann KMS105: https://geni.us/kms105 Yellowtek M!ka: https://www.yellowtec.com/mika.html Focusrite Vocaster Two: https://imp.i114863.net/vocastertwo Sennheiser HD650: https://geni.us/sennhd650   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro 01:30 - YouTube Updating TV Viewing Experience YouTube Blog Post: https://blog.youtube/news-and-events/the-future-of-interactivity-in-the-living-room/ 04:25 - Neumann KMS105 06:00  - Focusrite Vocaster Two 11:40 - WYHTS: Super Thanks! 12:20 - WYHTS: CD Roms Were Great 15:20 - WYHTS: We Lack a Sense of Awe 17:54 - WYHTS: Summers in the 90's Were The Best 20:30 - Ask Bandrew 21:45 - Voice Submission 1 22:26 - Use Spectral Denoise Instead of a Noise Gate 25:38 - Voice Submission 2 26:45 - Would I Pick a Darker or Brighter Microphone? 30:00 - Voice Submission 3 - Huh? 31:00 - Voice Submission 4 31:38 - What Mic Totally Failed to Meet My Expectations? 36:30 - A Bunch of Random Topics 41:00 - Movie of the Week 42:00 - Outro

# 65-B: "The Price of Certs" / "Noise Gates and Pitch"

# 65-B: "The Price of Certs" / "Noise Gates and Pitch"

On episode 283 of the BSP, I discuss a problem with the Neat King Bee II, how Turtle Beach used to be a high end audio manufacturer, why I started wearing a smart watch again, the difference between an expander and noise gate, whether you should use line or instrument level on your audio instrument and why vintage gear is always “better”.    Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Microtech Gefell UMT70s: https://vintageking.com/gefell-umt70s-fet Yellowtek Boom Arm: https://www.yellowtec.com/mika.html Arturia MiniFuse 2: https://imp.i114863.net/mfuse2 Sennheiser HD650: https://geni.us/sennhd650   As an amazon affiliate I earn from qualifying purchases.    Twitter: @bandrewsays Ask Questions: https://www.askbandrew.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro  01:04 - Arturia MiniFuse 2 03:30 - WYHTS: Problem With Neat King Bee II? 05:15 - WYHTS: Turtle Beach Used to Be High End Audio!  06:50 - WYHTS: Fixed Level Interface Output 08:00 - WYHTS: Focusrite Fixed Level Output 09:15 - WYHTS: Getting Hired 10:05 - WYHTS: Why I Started Wearing a Smart Watch Again? 13:15 - Ask Bandrew 13:55 - Voice Submission 1 16:13 - Difference from Expander & Noise Gate?  20:32 - Email 2 22:00 -  Line Level vs. Instrument Level for Electric Guitar D.I. 28:25 - Voice Submission 3 29:15 - Why is Vintage Gear Always “Better”? 35:45 - Voice Submission 4 36:12 - What's the Future of Podcasting? 42:20 - Outro

On episode 273 of the BSP, I discuss Youtube changing the requirements for channels to gain the community tab feature, the SM7b becoming less popular, my advice on cutting out filler words, why I don't recommend noise gates all the time, how I recommend addressing incorrect microphone technique, and more.    Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Shure SM7b: https://geni.us/shuresm7b Yellowtek Boom Arm: https://www.yellowtec.com/mika.html Presonus Revelator iO24: https://imp.i114863.net/io24 Sennheiser HD650: https://geni.us/sennhd650   As an amazon affiliate I earn from qualifying purchases.    Twitter: @bandrewsays Ask Questions: https://www.askbandrew.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro  00:56 - YouTube Community Post Sub Requirement Changes YT Post About Community posts: https://support.google.com/youtube/thread/125117248/expanding-community-posts-to-channels-with-500-subscribers-and-removing-the-discussion-tab?hl=en 04:15 - Presonus Revelator iO24 05:30 - WYHTS: People's Choice of Desert Island Mics 06:26 - The SM7b is Falling Out of Favor 08:15 - WYHTS: Old Adages 10:00 - WYHTS: Does the 512 Audio Limelight Fit in Electro Voice Shockmounts? 11:30 - Ask Bandrew 12:30 - Voice Submission 1 15:45 - How bad does audio have to be before I turn it off?  18:10 - How to Stop Saying Filler Words? 22:45 - How is My EQ? / Why Not to Use a Noise Gate  26:15 - Email 2 27:00 - How do You Correct Incorrect Mic Technique Politely?  30:42 - Voice Submission 3 31:15 - Have I Ever Modded Any of My Audio Gear? 33:15 - Email 4 33:50 - How to Reduce Sibilance?  36:00 - Outro

Logicの標準プラグイン Noise Gateで遊んでみました。 ▪︎ お便りはこちらから https://forms.gle/HZnJgw9Y7g7xuHg28 ▪︎ SoundCloud https://soundcloud.com/eri-yosikazu/ ▪︎ ツイッター https://twitter.com/yosikazu_eri ▪︎ note https://note.com/yosikazu_eri/m/m2945564340e1 ▪︎ MIDIキーボード Novation Launchkey mini MK3 https://amzn.to/2LBx0jN ▪︎ 電子キーボード Casio CT-S300 https://amzn.to/3vKe9p3 スタンド https://amzn.to/2Qr8Omy ▪︎ DAWソフト Logic Pro X (2月よりAbleton Live 10 Liteから乗り換え) ▪︎ 使用学習サービス Melodics https://melodics.com/ ▪︎ イントロ音楽 オリジナルを使用しています。 ▪︎ 音楽経験について 高校時代に２年エレキギターに触れた時期があるくらい。ピアノは初心者です。2021年1月2日にビートメイクをはじめました。

John DiCaprio and Nick Noce sit down this week to breakdown Nick's guitar setup from what kind of guitars he plays to what kind of amps he uses live and for recordings as well as his pedal board in a complete breakdown on this weeks episode of Nicks rig rundown. The two also discuss new and upcoming Win By 2 Music, new merch designs, Cryptocurrencies and last but not least the upcoming inaugural In The Paint Whiffle Ball Tournament starting this April 3rd, 2021 Saturday on our YouTube page all online proceeds we will be donating back to local business's and local music venues so if you are able to help we will shout you out as well as sending out some free merch we will make sure to drop a link every Saturday on the live chat during the game, The games will also be rendered down in audio form for our Spotify and Apple listeners but for the full viewer experience make sure to head over to www.youtube.com/realwinby2 for live coverage. We have added a message link if you are a viewer or listener we want to hear from you by leaving a message on the show for us to play on the following show provided with this link: https://anchor.fm/john30224/message Follow us on Twitter at: https://twitter.com/JohnDiCaprio10 Follow us on Instagram: https://www.instagram.com/dicaprio1692/ https://www.instagram.com/nick_winby2/ Follow us on Facebook https://www.facebook.com/john.dicap https://www.facebook.com/nick.noce.7 Nicks gear Guitars: 2020 GnL ASAT Classic Tribute 2020 Gibson sg standard 2019 gibson les paul special tribute double cut 200? Chibson Custom 2018 gibson les paul traditional Amps 1992 peavey 5150 Peavey Classic 50 410 50-Watt 4x10 Guitar Combo Pedals Donner Tuning, Pedal Ibanez Tube Screamer, Mini Pedal TC Electronic Spark Mini Booster, Noise Gate, MXR M169 Carbon Copy Analog Delay Pedal, mxr analog chorus --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/john30224/message Support this podcast: https://anchor.fm/john30224/support

How do you get rid of sounds that leak onto your mic when you are not speaking? A noise gate is the answer. It's the go to tool if you or or guest's mics are bleeding into each other's recordings. It's good for removing loud breathing too. Let's explore how to use this tool. PRODUCTION NOTES Recording Mic: MPOW 071 USB & 3.5mm Headset Recording device : Samsung Galaxy Note 4 for the narration. 2 x Samson Q2U into a Zoom H6 for the bleed tests. Recording location: Narration recorded sitting on my bed. Bleed test done in my son's bedroom we were 8 feet (2.5 meters) apart. Recording app: For the phone I used Auphonic Edit. Recording format: WAV (16 bit stereo) Sample rate: 44100Hz Editing app: Audacity (including for the Noise Gate) Sound Treatment: Auphonic Productions at Auphonic.com Auphonic.com settings [to output as a 16bit mono WAV file]: Adaptive Leveler (on), Loudness Normalization (Loudness Target -19 LUFS ), Filtering (on), Noise and Hum Reduction (Reduction Amount: Auto), Sample rate: 44.1kHz I uploaded the resulting WAV file to Anchor.fm to host the file and added the music from their free music stock. Anchor automatically converts the WAV file into a 128kbps .m4a file

In this video we’re continuing our foundational series using Cubasis 3 and its plugins to explain the fundamentals of music production with today’s video focusing on the Noise Gate.Join our Mobile Music Army and support our efforts of creating/educating mobile music producers!-Patreon (as little as $1/month) https://www.patreon.com/mobilemusicpro-Buy us a cup of coffee https://www.buymeacoffee.com/mobilemusicpro-Join our Discordhttps://discord.gg/94Z3fJC24XWebsite:-http://mobilemusicpro.comSocials:-https://youtube.com/mobilemusicpro-https://instagram.com/mobilemusicpro-https://twitter.com/mobilemusicpro-https://facebook.com/mobilemusicpro

Contacto de negocios: Guitarrasyviejitos@gmail.com¡¿Qué tranza viejitous?! En éste vídeo les damos una guía rápida sobre pedales. Desde qué adaptadores de corriente hay disponibles, hasta cómo suena y cómo funciona cada efecto clásico para guitarra.¡Síguenos en nuestras redes viejito!Facebook.com/guitarrasyviejitos/Instagram.com/guitarras_viejitosTimestamps:-True Bypass vs Buffered Bypass: 08:35-Longitud de cables: 10:51-Adaptadores de corriente: 12:35-Miliamperaje: 15:28-Boost: 18:59-Overdrive: 21:01-Distorsión: 22:38-Fuzz: 23:40-Compresores: 25:08-Volumen: 28:40-Noise Gate: 30:18-Ecualizadores: 34:45-Wah: 36:29-Pitch shifters y armonizadores: 38:46-Tremolo y vibrato: 39:50-Chorus, phaser, flanger: 41:38-Reverb y Delay: 44:26¡Gracias por escucharnos, viejito!

Sito e Lezioni di Chitarra: https://chitarrafacile.comLibro "Facci Caso" di Gennaro Romagnoli: https://amzn.to/3ifYJ4XCome ottimizzare al meglio la sessione di esercizio e studio della chitarra per imparare e migliorare con il massimo dell'efficacia?In questa puntata del podcast Chitarra da Bar abbiamo invitato Gennaro Romagnoli, psicologo e psicoterapeuta di fama nazionale che ha appena pubblicato un libro con Mondadori dal titolo "Facci Caso" in cui parla dell'attenzione in un modo unico e molto pratico.Ho letto il suo libro e mi sono reso conto che c'erano un sacco di consigli, tecniche e strategie applicabili al mondo della chitarra sia per chi vuole imparare a suonare, sia per chi vuole migliorare e raggiungere un livello superiore. Così ho deciso di invitare Gennaro proprio per parlarci in prima persona e offrire i suoi migliori consigli ottimizzati per i chitarristi, essendo lui anche un musicista.Con Gennaro Romagnoli abbiamo parlato di:0:00:00 - Introduzione0:02:07 - Libro "Facci Caso" di Gennaro Romagnoli0:04:50 - L'era della distrazione0:07:06 - Multitasking, cos'è veramente0:11:09 - Il cervello nelle dita0:12:07 - Guardare per migliorare0:17:22 - Usare il Noise Gate per imparare più velocemente0:23:44 - Errore 10:27:38 - Errore 20:36:21 - Errori 3 e 40:54:48 - Errore 50:55:07 - Esercizi noiosi?0:58:37 - La pratica migliore sulla chitarra?1:09:45 - Metodo per esercitarsi al massimo dell'efficacia#chitarra #lezionidichitarra #imparare #podcastLIBRO "LA MENTE DEL CHITARRISTA": http://lamentedelchitarrista.com/ATTREZZATURA:Microfono: https://amzn.to/2RzrZqHCavi per Microfoni: https://amzn.to/2RR4wBFAsta piegevole: https://amzn.to/2Xlh452ARREDAMENTO:Lampada: https://amzn.to/2Ysv2naQuadri: http://stilechitarra.comPupazzetti dei Chitarristi: https://amzn.to/2RR5vll

ANNOUNCEMENTS The August Edition of the HSS Song Contest is over with Mark George coming out on top as the winner. Although it was incredibly hard to choose a winner, Mark's song,  “The Other Side of Sound” was picked due to its arrangement, it's clarity and balance, as well as the interest it generated even as an instrumental piece. You can hear the song and listen to my comments on it here: (https://youtu.be/AN9DeEWihcw?t=3988)   The September Edition of the HSS Song Contest is on!    Here are the guidelines for the contest. Original non-copyrighted work  No lewd lyrics or vulgarity  One submission per entrant  File submission in WAV or MP3  Deadline September 25th  Upload your songs here: http://bit.ly/September-Submission   Why would you want to upload your song?         The main purpose I started the song contest was to inspire musicians to release more music and to generate interest in others music, while providing insight and constructive dialogue from a professional standpoint on how to improve the song submitted.      Now, a few months into the HSS Song Contest routine, this segment of the channel has taken on a life of its own! The community it has created and the feedback that has been generated from within the community is amazing! There have been collaborations, friendships, and professional connections made as a result of the contest and so many have claimed that they are learning more and more every single time around.       The song that is chosen as the winner receives a free mix/master of the winning entry from yours truly and the results are shared on the channel to help everyone benefit from knowing what went into it.     Wanna join the HSS Session Players? (https://bit.ly/Session_Player_Sign-up) From time to time I am asked to help out on a project or need some instrumentation for personal client work. While I can play a Bass, I am not a Bassist. That said, I am creating a list of Session Players that I can call on to work on projects. If you'd like the opportunity to work on some projects and collaborate with other like minded musicians. Sign up! EAR TO THE GROUND      Every guitarist knows that becoming a better player takes lots and lots of practice. Positive Grid's “Spark” amplifier is a Bluetooth-connected practice amp/speaker packed with features including tons of onboard effects, a nice assortment of I/O ports, dual speakers, and a wealth of panel controls and presets.       It gets better: With the Spark's free companion app, you can play along with tunes that you stream through the amp and have your mobile device display which chords to play as you go. Or, you can have the app lay down an accompanying drum and bass track for you to jam along to. The Spark mobile app (for Android and iOS) gives you access to a massive library of amp models and effects that let you emulate the sound you get from classic tube amps, acoustic amps, bass amps, and other types of amplifiers. You can also create customized effects using virtual pedals for Overdrive, Noise Gate, Delay, Modulation, and Reverb, or you can access Positive Grid's BIAS-powered tone library that contains more than 10,000 amp and effects presets that let you mimic the guitar sounds of your favorite players such as Jimi Hendrix, BB King, Stevie Ray Vaughn, and many others.       If you're a guitarist and you're looking for an affordable mobile rig to practice with at home, at work, or even on your commute, the Spark may be the solution you;re looking for.. -This months 3 FREE Plugins- 1. Temper Temper is a modern digital distortion plugin featuring a rich saturation stage and a unique phase distortion. Use the variable saturation curve to add warmth and edge to your sound, and let the phase distortion bring character and clarity through your mix. Temper also features a simple resonant lowpass filter and a feedback path to drive the intensity of the tone. Watch the Temper Video demo here. 2. Alter/Ego Alter/Ego is based on the award winning technology featured in chipspeech but instead of targeting Vintage voice technology, it focuses on more ‘modern' (1990+) singing synthesis algorithms and research. It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It's a true synthesizer, the sound can be extensively modified for easy and expressive performances.  3. Driftmaker Driftmaker is a delay disintegration device that parses incoming audio, recalls certain parts and adds analog deterioration to the signal. MAIN THOUGHT   1. Consider Using Auto-Tune The name “autotune” can have what some people would consider to be negative connotations. The artificial, robot-voice style that is popular in some genres is wildly unpopular with other people. But the truth is that modern auto tuning software is capable of far more subtle vocal correction than simply turning your voice into a robot. For a start, it's variable, meaning you can apply a little or a lot. And then there's micro pitch controls, formants and other smaller tweaks that can take individual notes or whole clips and pull them to where they need to be without sounding like they have been processed. Antares is at the forefront of these kinds of tools but there's also Melodyne, and DAWs like Cubase (VariAudio) and Logic (Flex Pitch) have very powerful tools built-in. Used with care, they can rescue almost any vocal. 2. Warm Up This is something you can do to help your performance at the source, regardless of any processing that may come later in the chain. Professional singers have all kinds of techniques and routines they use to keep their voices in shape and prepare before recording takes. You don't necessarily have to go as far as copying them, but singing a few scales, regulating your breathing and making sure you are hydrated before starting will all help you to nail a better performance than if you just turn up and begin. 3. Generate Harmonies You can bolster a vocal performance by adding harmonies, but you may not be confident in singing them yourself. The good news is that there are several ways to do it in software. Cakewalk is one DAW that has a tool for doing just this, and any tool or plug-in that lets you pitch shift audio without changing its speed (i.e. most DAWs these days) can be utilised to create harmonies on a new audio track. However, simply pitch shifting a clip to use as a harmony may not always sound great, and it's better to get access to individual notes so you can truly control the way they interact with your main vocal melody. SynchroArts Revoice Pro 4 is another very powerful tool for working with the pitch and timing of vocals. 4. Use Dedicated Vocal Plug-Ins Recording while monitoring through software insert effects is much less of a hassle these days, with computers powerful enough to operate at very low latency, or indeed interfaces with onboard DSP and direct monitoring available. But it's usually advisable to record a vocal clean and then add processing afterwards so that it can be tweaked and edited in the most flexible way possible. Specialist tools like iZotope's Nectar provide a multitude of controls tailored specially to vocals like breath control, saturation, de-essing and more. Waves also makes some excellent vocal processors and if you don't want to spend too much, you can use your DAW's bundled plugs in a chain to combine things like EQ, compression, de-essing and saturation into a ready-to-use preset to apply to your vocals. 5. Consider Software-Generated Accompaniment If you're not happy with your own performance it's always an option to get someone else in to sing for you. But if that is not a possibility, you could look at software-generated backing or even lead vocals. Instruments like EastWest's Symphonic Choirs, Hollywood Backup Singers, Voices of Soul and Voices of Opera use something called WordBuilder, a technology that lets you type in text and then has the instrument recreate it using its sample library. Yamaha's Vocaloid is another “virtual singer” that lets you build up authentic sounding vocal parts from a large library, bypassing the need to sing for yourself. 6. Process More Not necessarily just the kinds of processing that you would ordinarily do like adding compression and reverb, but consider more weird and wonderful options. A vocal that is perhaps lacking in body can be run through all kinds of effects to change the way it sounds including guitar fx, delays, lo-fi effects and much more. It's true that this approach might not suit a pop single for example, but for many other genres of music it can help to blend a vocal into a track in interesting and unusual ways. Since plug-ins are all virtual, you can always experiment and try a few things, undoing them later if you decide down the line that they aren't right. 7.  Learn Mic Technique The way you interact with a microphone can have a big impact on the way a vocal is recorded. Obviously to begin with you'll need a decent quality studio mic and a recording environment that's as soundproofed as you can reasonably make it. If you find it necessary to move closer to the mic because your vocal projection isn't so strong, you need to mitigate the proximity effect by making sure you have at least one pop shield, and possibly even two if you are very close to the mic. Some mics also have internal popshields, though every vocalist should really own an external one as well. It's also vital to maintain a consistent distance from the mic while singing - around 6-8 inches is recommended but this will depend on the power of your voice. Moving around while singing will affect the recording level, so is to be avoided if at all possible. 8. Sing Like Nobody's Watching  For a less experienced vocalist, singing live into a mic, even in a studio, can make them self-conscious. It's natural to be a little nervous but it can also affect the quality of a performance. You might find that clearing the room of people - the control room if you're in a studio - can help with this. You may need to keep the engineer around to stop and start recording, but they could also set a loop around the track, activate recording and then you could try several takes in a row, all without anyone else around.    Home Studio Simplified exists to simplify the complexities of the Home Studio and to help you make professional music in a less than professional space. We can Dream alone. We can Create alone. But Together we can achieve so much more.  

ANNOUNCEMENTS The August Edition of the HSS Song Contest is over with Mark George coming out on top as the winner. Although it was incredibly hard to choose a winner, Mark’s song,  “The Other Side of Sound” was picked due to its arrangement, it’s clarity and balance, as well as the interest it generated even as an instrumental piece. You can hear the song and listen to my comments on it here: (https://youtu.be/AN9DeEWihcw?t=3988)   The September Edition of the HSS Song Contest is on!    Here are the guidelines for the contest. Original non-copyrighted work  No lewd lyrics or vulgarity  One submission per entrant  File submission in WAV or MP3  Deadline September 25th  Upload your songs here: http://bit.ly/September-Submission   Why would you want to upload your song?         The main purpose I started the song contest was to inspire musicians to release more music and to generate interest in others music, while providing insight and constructive dialogue from a professional standpoint on how to improve the song submitted.      Now, a few months into the HSS Song Contest routine, this segment of the channel has taken on a life of its own! The community it has created and the feedback that has been generated from within the community is amazing! There have been collaborations, friendships, and professional connections made as a result of the contest and so many have claimed that they are learning more and more every single time around.       The song that is chosen as the winner receives a free mix/master of the winning entry from yours truly and the results are shared on the channel to help everyone benefit from knowing what went into it.     Wanna join the HSS Session Players? (https://bit.ly/Session_Player_Sign-up) From time to time I am asked to help out on a project or need some instrumentation for personal client work. While I can play a Bass, I am not a Bassist. That said, I am creating a list of Session Players that I can call on to work on projects. If you’d like the opportunity to work on some projects and collaborate with other like minded musicians. Sign up! EAR TO THE GROUND      Every guitarist knows that becoming a better player takes lots and lots of practice. Positive Grid’s “Spark” amplifier is a Bluetooth-connected practice amp/speaker packed with features including tons of onboard effects, a nice assortment of I/O ports, dual speakers, and a wealth of panel controls and presets.       It gets better: With the Spark’s free companion app, you can play along with tunes that you stream through the amp and have your mobile device display which chords to play as you go. Or, you can have the app lay down an accompanying drum and bass track for you to jam along to. The Spark mobile app (for Android and iOS) gives you access to a massive library of amp models and effects that let you emulate the sound you get from classic tube amps, acoustic amps, bass amps, and other types of amplifiers. You can also create customized effects using virtual pedals for Overdrive, Noise Gate, Delay, Modulation, and Reverb, or you can access Positive Grid’s BIAS-powered tone library that contains more than 10,000 amp and effects presets that let you mimic the guitar sounds of your favorite players such as Jimi Hendrix, BB King, Stevie Ray Vaughn, and many others.       If you’re a guitarist and you’re looking for an affordable mobile rig to practice with at home, at work, or even on your commute, the Spark may be the solution you;re looking for.. -This months 3 FREE Plugins- 1. Temper Temper is a modern digital distortion plugin featuring a rich saturation stage and a unique phase distortion. Use the variable saturation curve to add warmth and edge to your sound, and let the phase distortion bring character and clarity through your mix. Temper also features a simple resonant lowpass filter and a feedback path to drive the intensity of the tone. Watch the Temper Video demo here. 2. Alter/Ego Alter/Ego is based on the award winning technology featured in chipspeech but instead of targeting Vintage voice technology, it focuses on more ‘modern’ (1990+) singing synthesis algorithms and research. It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It’s a true synthesizer, the sound can be extensively modified for easy and expressive performances.  3. Driftmaker Driftmaker is a delay disintegration device that parses incoming audio, recalls certain parts and adds analog deterioration to the signal. MAIN THOUGHT   1. Consider Using Auto-Tune The name “autotune” can have what some people would consider to be negative connotations. The artificial, robot-voice style that is popular in some genres is wildly unpopular with other people. But the truth is that modern auto tuning software is capable of far more subtle vocal correction than simply turning your voice into a robot. For a start, it’s variable, meaning you can apply a little or a lot. And then there’s micro pitch controls, formants and other smaller tweaks that can take individual notes or whole clips and pull them to where they need to be without sounding like they have been processed. Antares is at the forefront of these kinds of tools but there’s also Melodyne, and DAWs like Cubase (VariAudio) and Logic (Flex Pitch) have very powerful tools built-in. Used with care, they can rescue almost any vocal. 2. Warm Up This is something you can do to help your performance at the source, regardless of any processing that may come later in the chain. Professional singers have all kinds of techniques and routines they use to keep their voices in shape and prepare before recording takes. You don’t necessarily have to go as far as copying them, but singing a few scales, regulating your breathing and making sure you are hydrated before starting will all help you to nail a better performance than if you just turn up and begin. 3. Generate Harmonies You can bolster a vocal performance by adding harmonies, but you may not be confident in singing them yourself. The good news is that there are several ways to do it in software. Cakewalk is one DAW that has a tool for doing just this, and any tool or plug-in that lets you pitch shift audio without changing its speed (i.e. most DAWs these days) can be utilised to create harmonies on a new audio track. However, simply pitch shifting a clip to use as a harmony may not always sound great, and it’s better to get access to individual notes so you can truly control the way they interact with your main vocal melody. SynchroArts Revoice Pro 4 is another very powerful tool for working with the pitch and timing of vocals. 4. Use Dedicated Vocal Plug-Ins Recording while monitoring through software insert effects is much less of a hassle these days, with computers powerful enough to operate at very low latency, or indeed interfaces with onboard DSP and direct monitoring available. But it’s usually advisable to record a vocal clean and then add processing afterwards so that it can be tweaked and edited in the most flexible way possible. Specialist tools like iZotope’s Nectar provide a multitude of controls tailored specially to vocals like breath control, saturation, de-essing and more. Waves also makes some excellent vocal processors and if you don’t want to spend too much, you can use your DAW’s bundled plugs in a chain to combine things like EQ, compression, de-essing and saturation into a ready-to-use preset to apply to your vocals. 5. Consider Software-Generated Accompaniment If you’re not happy with your own performance it’s always an option to get someone else in to sing for you. But if that is not a possibility, you could look at software-generated backing or even lead vocals. Instruments like EastWest’s Symphonic Choirs, Hollywood Backup Singers, Voices of Soul and Voices of Opera use something called WordBuilder, a technology that lets you type in text and then has the instrument recreate it using its sample library. Yamaha’s Vocaloid is another “virtual singer” that lets you build up authentic sounding vocal parts from a large library, bypassing the need to sing for yourself. 6. Process More Not necessarily just the kinds of processing that you would ordinarily do like adding compression and reverb, but consider more weird and wonderful options. A vocal that is perhaps lacking in body can be run through all kinds of effects to change the way it sounds including guitar fx, delays, lo-fi effects and much more. It’s true that this approach might not suit a pop single for example, but for many other genres of music it can help to blend a vocal into a track in interesting and unusual ways. Since plug-ins are all virtual, you can always experiment and try a few things, undoing them later if you decide down the line that they aren’t right. 7.  Learn Mic Technique The way you interact with a microphone can have a big impact on the way a vocal is recorded. Obviously to begin with you’ll need a decent quality studio mic and a recording environment that’s as soundproofed as you can reasonably make it. If you find it necessary to move closer to the mic because your vocal projection isn’t so strong, you need to mitigate the proximity effect by making sure you have at least one pop shield, and possibly even two if you are very close to the mic. Some mics also have internal popshields, though every vocalist should really own an external one as well. It’s also vital to maintain a consistent distance from the mic while singing - around 6-8 inches is recommended but this will depend on the power of your voice. Moving around while singing will affect the recording level, so is to be avoided if at all possible. 8. Sing Like Nobody’s Watching  For a less experienced vocalist, singing live into a mic, even in a studio, can make them self-conscious. It’s natural to be a little nervous but it can also affect the quality of a performance. You might find that clearing the room of people - the control room if you’re in a studio - can help with this. You may need to keep the engineer around to stop and start recording, but they could also set a loop around the track, activate recording and then you could try several takes in a row, all without anyone else around.    Home Studio Simplified exists to simplify the complexities of the Home Studio and to help you make professional music in a less than professional space. We can Dream alone. We can Create alone. But Together we can achieve so much more.  

In meiner neuen Folge rede ich gemeinsam mit meinem Gast "Moritz" über die aktuelle Entwicklung von Fortnite, vieles was uns stört und quatschen über aktuelles! :-) Entschuldigung für die Internet-Probleme bei meinem Gast, deshalb hat sich das öfters in eine einseitige Unterhaltung bewegt. Ach und sorry für die Punkte wo meine eigene Stimme immer leiser wird, danke an das Noise Gate dafür, in der Folge lief nichts wirklich - Hoffe sie gefällt euch trotzdem. ^_^

Hello and welcome to the computers with ease podcast where we talk about all things related to audio and video. I’ve been using the Rodecaster Pro for a while now, and recently they brought out a firmware update version 2.1 … Continue reading → The post Rodecaster pro noise gate appeared first on Computers with Ease » Podcast Feed.

Elektronische Musik die liebäugelt mit der Avantgarde und Klänge, die befreien sollen. Im Rahmen von Noise Gate spielen heute drei Künstlerinnen im Hek, powered by female:pressure. von Mirco Kaempf

Danne träffar Linus Öhrn som spelar gitarr längst ut på Metalflanken i bland annat Siniestro, Valkyria och Blood of Jupiter. Vi pratar om Down Strokes, 2:a vågens Black Metal och den krångligaste Noise Gate kopplingen. Mycket Nöje! 

No Dia Internacional do The Clash a Noise Gate investiga a história e propõe uma discussão sobre os  temas vigentes nas músicas da banda britânica. Vamos lutar contra as mudanças climáticas!

No Dia Internacional do The Clash a Noise Gate investiga a história e propõe uma discussão sobre os  temas vigentes nas músicas da banda britânica. Vamos lutar contra as mudanças climáticas!

No Dia Internacional do The Clash a Noise Gate investiga a história e propõe uma discussão sobre os  temas vigentes nas músicas da banda britânica. Vamos lutar contra as mudanças climáticas! No Dia Internacional do The Clash a Noise Gate investiga a história e propõe uma discussão sobre os  temas vigentes nas músicas da banda britânica. Vamos lutar contra as mudanças climáticas!

No Dia Internacional do The Clash a Noise Gate investiga a história e propõe uma discussão sobre os  temas vigentes nas músicas da banda britânica. Vamos lutar contra as mudanças climáticas!

I’m sorry. It’s been a while since I’ve recorded. I neglected to turn off the hardware noise gate that I use. It’s fairly abrupt at some times and it’s due to me starting my words with an exhale which is, in all probability, poor elocution. I’ll never be a member of Skull & Bones at … Continue reading Forgive the Noise Gate