Podcasts about Transatlanticism

'In her four-minute address, Meloni unleashed her charm offensive on Trump—delivering a mix of what he wanted to hear (anti-immigration remarks, promises of more Italian investments in the US) and what he didn't (a call to make the West, not just America, great again—implying a revival of Transatlanticism). She also delivered remarkable clarity on the need to defend Ukraine for a just and lasting peace. Whatever followed in the Q&A was inconsequential. She had done her job well', says ThePrint Consulting Editor Swasti Rao in her latest column.     To read column: https://theprint.in/opinion/trump-tariff-pause-chaos/2596639/

The month of M-arch continues! And we wouldn't be good 30-something millennial white boys if we didn't pay tribute to perhaps the most 30-something millennial white boy band of all time, Death Cab for Cutie. We did Transatlanticism a while back, so we thought it was high time we reviewed Plans, their follow up album. And don't worry, we of course play Smash or Pass. You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms, but since all platforms are kind of evil now, you should probably just email us. That's the best way to get a hold of us! You can also follow Mike @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media, but once again, just email us. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

The glove compartment is inaccurately named, but Know Your Writes! is right on the money! In another special New Year's episode, Robb and Colton welcome returning guest Alex Periera (Birthday Dad) as the trio breakdown Death Cab for Cutie's Transatlanticism. Other topics include: - Alex, Robb, and Colton's favorite songs of the year  - the origins of "Giraffic Park"   - whether or not Ben Gibbard is fun at parties Artists mentioned in this episode: - The Shins - Will Smith - Mount Eerie  - Mk.gee  - Rose and Bruno Mars - Streetlight Manifesto - Motion City Soundtrack - Thursday - Blink 182 - Bright Eyes - The Postal Service

In episode 7 of Strategy Speaks, Linde Desmaele and Luis Simón sit down with Daniel Fiott to discuss the aftermath of the re-election of President Trump and the future of European security. 

Ben Gibbard is the voice of the bands Death Cab for Cutie and The Postal Service. He talks about Death Cab's scrappy start, recording their classic album Transatlanticism, how the band learned to defuse internal tensions, and how he approaches songwriting in middle age. This episode was recorded in 2023.Links from the Show: Ben's Tiny Desk ConcertBen breaks down his song "Black Sun"Death Cab for Cutie video for "I Will Follow You Into The Dark"Death Cab for Cutie video for "Soul Meets Body"The Postal Service video for "Such Great Heights" For more conversations like this – with guests ranging from Tom Hanks to Bjork to Jason Sudeikis – go to https://www.thegreatcreators.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Esta semana se publica el segundo trabajo de Amateur, lo que fue el regreso a la escena de algunos ex-componentes de La Buena Vida. Con el título de "Impasse" firma nuestro disco de la semana en un programa que también tiene otros protagonistas del pop patrio: Cristalino, Alo Presidente, Adiós Noviembre y Canciller. En nuestro repaso a la actualidad internacional escuchamos lo nuevo de Two Door Cinema Club, Camera Obscura, Bukve, Alan Fennah, Kaiser Chiefs, Isolation Therapy, Bleachers, Hollow Coves, Crumbs, Dan Moisan, Juergen Pichler, Vili V, Iron & Wine, Sunlit y Mira Zoff. Completamos este repaso con nuestra versión de la semana, escuchando a The Japanese House versioneando a Abba. Recuperamos el disco "Transatlanticism" de Death Cab For Cutie en su 20º aniversario y "El artista adolescente" de Dar Ful Ful para felicitar a la discográfica Jabalina Música que cumple 30 años. Y no podemos olvidarnos que en Valencia estamos en Fallas. Alejándonos de nuestra línea musical habitual ponemos el broche al programa recibiendo a Tacho que nos presenta su interesantísimo proyecto y su nuevo single. Con él ponemos el toque fallero y festivo al programa.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie's enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard's workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

This week's guest is Zach Jones. Zach is a is a drummer, singer, songwriter, and producer from Brooklyn, NY. Zach has performed and recorded with artists such as Sting, Ingrid Michaelson, A Great Big World, Elle King, and many more. He also writes and records music with his own group, Zach Jones & the Tricky Bits. He's the kindest dude ever; I was smiling the whole time. We could all benefit from being a little more like Zach on and off the kit so I know you'll enjoy my chat with Zach Jones about the 5 records that helped shape into the player he is today. Cheers! SUBMIT YOUR LISTENER PICKS HERE   ZACH'S BIG FAT FIVE 

Will Lou and Alex Wong answer listener questions about Pascal and O.G., the front office, the bench unit, which Raptor they would take to karaoke, “Plans” vs. “Transatlanticism,” Alex's 2001 Honda Civic, who would win in a UFC fight, and much more. Later, they give their appreciation for their most dedicated listeners and award the Raptors Show chain of the week. The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠hier⁠⁠⁠⁠⁠⁠⁠ oder hier: ⁠⁠https://open.spotify.com/playlist/2HYjUpw8BOaKuOpo0ORVDV?si=74f75187f8884c2f Diesmal besprechen wir: - die Beefs des Monats : Lana Del Rey vs. Hexenjäger, Coldplay vs. ihr Manager, Morrissey vs. Capitol Records, die 112. - Billy Corgan startet mit Wrestling-Liga im TV durch - Spotify streicht kleinen Künstler*innen die letzten Tantiemen - neue Singles und/oder Albumankündigungen von Libertines, Idles, Alkaline Trio, Yard Act, Sleater-Kinney, Future Islands und MGMT - die neuen Alben von Sufjan Stevens, Blink-182, The Gaslight Anthem, The Drums und The Kills (+ kurz & gut: Dictator Ship, Cannibal Corpse, Ilgen-Nur, Svalbard, Squirrel Flower und Spiritual Cramp) - den 20. Geburtstag von Death Cab For Cutie's „Transatlanticism“ - die Frage, ob Måneskin die letzte Rockband sind Unsere gefeaturete Künstler*in Lou Berger findet ihr unter https://louberger.bandcamp.com/ Folgt uns bei ⁠⁠⁠⁠⁠⁠⁠facebook.com/LoveIsNoisePodcast/⁠⁠⁠⁠⁠⁠ und schreibt uns unter loveisnoisepodcast@gmail.com.

E won't post on what's-his-face's site, Brian listens to the one with the bird, and Ed buys an expensive toaster.

Death Cab for Cutie sind Urgesteine des gefühlvollen Indie-Pop-Rock. Vor zwanzig Jahren erscheint mit „Transatlanticism“ ein Album, das als Indie-Klassiker Musikgeschichte schreibt. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-death-cab-for-cutie-transatlanticism

Death Cab for Cutie sind Urgesteine des gefühlvollen Indie-Pop-Rock. Vor zwanzig Jahren erscheint mit „Transatlanticism“ ein Album, das als Indie-Klassiker Musikgeschichte schreibt. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-death-cab-for-cutie-transatlanticism

Death Cab for Cutie sind Urgesteine des gefühlvollen Indie-Pop-Rock. Vor zwanzig Jahren erscheint mit „Transatlanticism“ ein Album, das als Indie-Klassiker Musikgeschichte schreibt. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-death-cab-for-cutie-transatlanticism

Death Cab for Cutie sind Urgesteine des gefühlvollen Indie-Pop-Rock. Vor zwanzig Jahren erscheint mit „Transatlanticism“ ein Album, das als Indie-Klassiker Musikgeschichte schreibt. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-death-cab-for-cutie-transatlanticism

Death Cab for Cutie sind Urgesteine des gefühlvollen Indie-Pop-Rock. Vor zwanzig Jahren erscheint mit „Transatlanticism“ ein Album, das als Indie-Klassiker Musikgeschichte schreibt. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-death-cab-for-cutie-transatlanticism

On this album, The Window, Ratboys recruited one of most sought after producers in indie rock, Chris Walla. He produced breakthrough records like The Decemberists' The Crane Wife, Tegan and Sara's The Con, and both Transatlanticism and Plans for his former band, Death Cab For Cutie. Walla's touch on The Window maximizes the ten years of Ratboys coming together to make the transformative album of their career. It's earthy and comforting. It accomplishes big moments without sounding like it's trying too hard. Moments soar, moments wander, moments come back to earth and settle in. Webpost

Quinn comes to you LIVE on the eve of Riot Fest and Transatlanticism's 20th anniversary to power rank the tracks from the iconic album

We've had quite a break while we waited for Lindsey's hand to heal, so we're finally back with a really fun episode. We had lunch and discussed what we could cover on an episode and came up with The Postal Service and Death Cab for Cutie's 20th anniversary tour of Give Up and Transatlanticism. Listen in to hear our opinions and how excited we are for both album playthroughs at Riot Fest.

Here is our review of Death Cab for Cutie and The Postal Service's performance on September 6, 2023 at The Anthem in Washington D.C.Intro song: The New Year by Death Cab for CutieSong 1: Clark GableSong 2: Nothing BetterSong 3: The District Sleeps Alone TonightSong 4: TransatlanticismOutro song: Enjoy the Silence by Depeche Mode

Culture writer Niko Stratis joins Melissa and Courtney to talk about small town romance that isn't like a Hallmark movie. Then they discuss the 20th Anniversary of Death Cab for Cutie's Transatlanticism and Niko's recently launched music podcast Blue Eyes Crying By The Chips, which SMXR listeners will want to add to their queue.

For the 20th anniversary of The Postal Service record, GIVE UP, we take a detailed look at how it was made. After Jimmy Tamborello was looking for vocalists to collaborate with for a Dntel album he was working on, he connected with Ben Gibbard of Death Cab for Cutie. Gibbard agreed to provide vocals for a track that became, “(This Is) The Dream of Evan and Chan.” The two of them worked so well together that they decided to work on more material and form a new project. Tamborello's friend, Tony Kiewel at Sub Pop heard about their collaboration and suggested they would be interested in releasing a full album. Tamborello got to work creating instrumentals at his home in Los Angeles and would mail rough mixes of the tracks on CD-Rs to Gibbard in Seattle. Gibbard would then come up with the melodies and lyrics, recording his vocals and other instruments to send back to Tamborello. Over the course of the year, they would keep collaborating through the mail, enlisting Jenny Lewis and Jen Wood to provide additional vocals. After the ten tracks were nearly complete, they met in Los Angeles to finish mixing the album. GIVE UP was eventually released in 2003. In this episode, Gibbard describes how these Postal Service tracks that Tamborello would send were nice breaks in his writing schedule for Death Cab for Cutie, who were in the middle of writing TRANSATLANTICISM. Because their collaboration started so spontaneously, he describes how this approach opened up his writing and pushed him into new territory. Tamborello describes how he initially conceived of a more experimental project but quickly changed directions as the tracks became more pop oriented and Gibbard's melodies were so infectious. With the limited technology of the early 2000s, he describes how the album was made almost entirely on a Kurzweil K2000 synthesizer and how he would manipulate sounds and sample classical records for added effect. As the concept of remote collaboration has taken off in recent years, GIVE UP remains a fascinating document of its time. From the unlikely marriage of indie rock and electronic music in the early 2000s to the slow process of mixing by mail to the spontaneous idea of asking Jenny Lewis to sing on the album, to the key influences of Bjork, Liz Phair, Conor Oberst and Stephin Merritt to the mysterious effortlessness of the whole project, we'll hear the stories of how the record came together.

Ben Gibbard is the voice of the bands Death Cab for Cutie and The Postal Service. He joins Guy to talk about forming Death Cab and recording their classic album Tranatlanticism, how the band learned to defuse internal tensions, and how he approaches songwriting in middle age.Links from the show:Ben's Tiny Desk ConcertBen breaks down his song "Black Sun"Death Cab for Cutie video for "I Will Follow You Into The Dark" Death Cab for Cutie video for "Soul Meets Body" The Postal Service video for "Such Great Heights"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It would be tough to say any vinyl collector started out earlier than Jordan Kurland. Having already accumulated every Kiss album by age 6, he became an obsessive fan of The Who just four years later, and eventually parlayed his love of music into a career in large-scale event production — for example, the Noise Pop festival rung in its 30th birthday in February — and championing musicians on a professional level. While the likes of Pup, Toro Y Moi and Real Estate currently fall under Jordan's umbrella at Brilliant Corners Artist Management (which he co-founded in 2017), this year will see an unprecedented joint tour from a pair of the agency's largest draws: The Postal Service and Death Cab for Cutie, performing two of the most influential records of the 21st century in full (Give Up and Transatlanticism, respectively). Prior to that jaunt, Jordan discusses his favorite San Francisco record stores, Give Up's specific cultural impact, riding both the digital age and the vinyl resurgence from a business perspective, and the two major ways he's chosen to honor jazz legend Thelonious Monk. Find Jordan's social media and more at jordankurland.net.

The Hunks discuss the 2003 releases from The Postal Service and Death Cab For Cutie.

Valentine's Day is sooo overrated, let's talk about tumultuous long-distance relationships, breakups, and general melancholy instead. Join us with music writer, editor, producer, and fellow podcaster Courtney Smith, as we deep-dive (like, REALLY deep-dive) into Transatlanticism by Death Cab for Cutie. We'll sip a beverage that reminds Courtney of her days working at MTV in 2003 supporting the release of this album.  Plus... Courtney might get surprised by a certain... game show taxi driver... Album ReBrews is nominated for Best Music Podcast for the Chicago Reader's  Best of 2022 survey! Vote for us here!! Please and thank you!!Check out Courtney's podcast, Songs My Ex Ruined HERE!Stream Transatlanticism by Death Cab for Cutie here.Thank you to Cameron Bopp for editing our show and writing our theme song!You can find Album ReBrews on Instagram here and Twitter here. (@albumrebrews)TW/CW: Explicit language, alcohol use and references.  Fair Use Disclaimer: Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.Fair use is permitted by copyright statutes that might otherwise be infringing.Logo Attribution: Thank you to Vecteezy for providing free vectors used as part of our podcast art. 

In 2022 we'll have a 20 year anniversary tour for Death Cab's “Transatlanticism” and Postal Service's “Only Album” so we're taking a look back and playing our favorite songs from these two albums! And no, the Shin's cover of “Silhouettes” doesn't count apparently! Discover bonus eps, merch and more on our Patreon! This week: Heather and Ramsey have a surefire way to destroy everyone's night at the concert! Help from an AI! And Heather does a magic trick with her liquids! All this and so much MORE! Wanna get a shout-out on a future episode? Give us a rating on iTunes! It helps us, and it helps you feel good about yourself!

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie's enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard's workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie's enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard's workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Over on Patreon, we're beginning our Fall Albums series. On episode 1, we talk about Death Cab for Cutie's 2003 record “Transatlanticism, why this feels like “fall” to us, some facts about the record, and revisit the 2009 Hollywood Bowl performance. Which are your favorite fall albums? Enjoy the show! Get some merchandise here FollowRead More

An episode a year in the making, while also being a couple of years in the making. A year because Paul should have been on when he and Allen first talked about it. Two years because Kirk and Allen SWORE they covered this album already, but we're SO WRONG. Either way, it's been done. Enjoy some YNHT?! alright? -- Voice message: https://anchor.fm/neverheardpod/message, email: neverheardpod@gmail.com! The official YNHT?! playlist can be found under "Official You've Never Heard This?! Playlist" on Spotify.

We're covering another album this week, because we have a lot of fun doing albums, okay?? And this is a CLASSIC 30-something-year-old white boy album. Transatlanticism by Death Cab babyyyy. We kinda actually do our due diligence of discussing the album and comparing it to Star Wars and we play a fun game of Smash or Pass for each track on the album. It's a good time. Enjoy! You can contact the show at agoodpodcast@gmail.com and @HowStarWarsIsIt on all platforms. You can also follow Mike @MikeGospel on Twitter and @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media and on his website josiahrobinson.biz. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show, once again, head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

This might be four months late, but MERRY CHRISTMAS to all of you out there. This was recorded in late December so Alex and Austin are discussing the stress of the holidays, giving our thoughts after seeing Spider-Man: No Way Home, and drinkin' on some good ol' fashioned Great Lakes Christmas ale. Our topic is the 2003 album Transatlanticism by Death Cab for Cutie, and it's got both of us hashing it out. Alex is defending his nostalgic love for what he considers a near-masterpiece, while Austin is discovering it for the first time and is unsure about it. Much of this consists of an argument over the nasally vocal delivery of Ben Gibbard, who Austin refers to as 'Squidward' (fuck you Austin, in the most lovingly way possible). There's discussion about the quality of music that we're nostalgic for, thoughts on My Chemical Romance, and deep insights into relationships and love in general. Also Alex gets DRUNK on this episode (apologies y'all), so we hope you can suffer through that. Anyways, thanks for listening. Subscribe to the show and tell your mother about us.

I Don't Wanna Hear It Podcast163 – One and One Are Five: Something Horrible Is About To Happen"Podcasts do not suffer emptiness of purpose at the time of their creation. It is when they have become established that aims are lost and replaced by vague ritual. And ad revenue."-Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books now at WND Press because we want to be bankrupted by a dying medium.We now have a Big Cartel where you can buy shirts, pins, mugs, and coffee.Also, you should listen to our 2021 Christmas special: A Black Metal Christmas Carol, as well as Mikey's true crime podcast, Wasteland and Shane's psychology podcast, Why We Do What We Do.Aaannnddd... our good buddy Matt Moment is in a great hardcore band called Contact. Check 'em out!Episode Links:Seventh StarDeath Cab For CutieBitter Branches“Can't Help But Hate” by TerrorIntegrity's “Hated of the World” Shirt SeriesBlack Craft CultChildren of Dune by Frank HerbertBe WellSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution: Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

We talk Allvin, Castonguay, trade rumors, and play a little game of "guess the player" courtesy of our old pal Iain MacIntyre, all while watching Vyas play chell over Zoom.

Jim Jatras is a retired Washington, DC-based attorney, political analyst, and media and government affairs specialist. He formerly served as a senior foreign policy adviser to the US Senate Republican leadership, and before that served as a diplomat in Mexico, the Office of Soviet Union affairs, and the Office of the Under Secretary for Political Affairs. Jatras is also an Orthodox Christian and an outspoken political and cultural critic.  A self-proclaimed “unReconstructed Byzantine,” Jatras and I discuss the covid “winds of delusion,” jab exemptions, referring to “the American Republic in the past tense,” the media-industrial complex, the American “ethnos,” the South as globohomo's whipping boy, Transatlanticism, Kievan Rus history, the Orthodox Church and geopolitics, and more. I'm telling ya, folks, it's a stupendous interview, just brimming with both big-picture takeaways and fascinating particulars. Some Jatris content related to our chat include: Orthodox Reflections' panel discussion “The Journey Through Pandemia” “How American Media Serves as a Transmission Belt for Wars of Choice” “The Media As Watchdogs of American Hegemony” “It's Time for Us All To Escape from the ‘Trans-Atlanticism' Straitjacket” “War with Russia Is Not ‘Inevitable.' Keep Repeating That” “What's Really behind the State Department's Meddling in Ukraine?” “It's Later Than You Think” from his speech at the 2021 Ron Paul Institute Student Seminar You can read more of Jatris' articles at the Strategic Culture Foundation and Chronicles, check out some of his other interviews on YouTube, and follow him on Twitter.

#103-101Intro/Outro: Prickly Thorn, But Sweetly Worn by The White Stripes103. Hamilton Soundtrack (Alexander Hamilton & My Shot & You'll Be Back & Satisfied & Wait For It & Dear Theodosia & Non-Stop & Cabinet Battle #1 & It's Quiet Uptown)102. Transatlanticism by Death Cab For Cutie (The New Year & The Sound of Settling & Transatlanticism & Expo '86 & Tiny Vessels & We Looked Like Giants)101. Blonde on Blonde by Bob Dylan (Just Like a Woman & One of Us Must Know (Sooner or Later) & Stuck Inside of Mobile With the Memphis Blues Again & Leopard-Skin Pill-Box Hat)Vote on Today's Album ArtHave you voted on Week 9 Round 1 winners yet? If so, no further action needed. If not:Vote on Week 9 Round 2 Album Art (Episodes 341-345)Have you voted on Weeks 5-8 Round 2 winners yet? If so, no further action needed. If not:Vote on Weeks 5-8 Round 3 Album Art (Episodes 321-340)Decade update:00's - 4490's - 3210's - 2560's - 2070's - 1680's - 820's - 240's - 230's - 1Top years:2007 - 101967, 1996, 2004, 2009, 2011, 2012 - 61973, 2003, 2015 - 5

Death Cab For Cutie came as a trio: Ben Gibbard sang, Nick Harmer played bass, and we wheeled in our piano for Zac Rae. This intimate set included two new songs — including "Black Sun," the first single from their new album Kintsugi. The album title refers to the Japanese art of reassembling broken pottery and making the breakage part of the newly formed pot. Death Cab For Cutie, a groundbreaking band formed in 1997, has gone through its own rebuilding of sorts. Chris Walla, a founding member of the band, has left, after contributing music to Kintsugi, but that's his farewell offering. Death Cab For Cutie is still strongly defined by Gibbard's words, and that couldn't be more evident in this beautifully stark performance, which also includes "No Room In Frame" from Kintsugi, as well as two stripped-down favorites from the past. One, "Your Heart Is An Empty Room," is from Plans, while a beautiful love song from Transatlanticism, "Passenger Seat," moistened more than a few eyes in the crowd. Set List "Black Sun" 0:07 "No Room In Frame" 5:13 "Your Heart Is An Empty Room" 9:23 "Passenger Seat" 14:00 Credits Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Maggie Starbard, Carlos Waters; Assistant Producer: Emily Jan; photo by Emily Jan/NPR Team UNPLUGGED.

"Oh instincts are misleading, You shouldn't think what you're feeling" ... but you should listen to this week's JAM packed episode where we are joined by our dear friend Jeff Gipson (@mrgipson) of Dune Boys' fame for part 3 of our Death Cab for Cutie record by record review. We talked about 2003's 'Transatlanticism' and 2005's 'Plans', all of our favorite and least favorite tracks, and we had a visitor join us at the end of the show as Emo Chid's British cousin 'Emo CHOD' joined us from across the pond to sing some Blink 182 bangers (&mash.) Follow us on Twitter: @CHIDSPIN / @SighFieri / @RoundingDown Support the show (https://cash.app/$roundingdown)Support the show (https://cash.app/$roundingdown)

Welcome to The OC, listener. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie's enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard's workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! Also please follow this week's guest @internetlauren.While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Welcome to The OC, listener. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie's enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard's workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! Also please follow this week's guest @internetlauren.While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Burial's Untrue (which, amazingly, we only reverse once in this podcast) is a seminal electronic album but Matt is rude and still not really digging into electronic music. Instead, he's talking about how engrossing and generous the world of Untrue is and how well Burial brings listeners in. Such an Intimate experience with music is incredibly powerful, and Matt presents Julien Baker's Turn Out the Lights and Death Cab for Cutie's Transatlanticism as two albums with which he has had close, intimate relationships, as have countless listeners with both.

Welcome to the Policy People Podcast. In this conversation, I discuss NATO and the future of transatlanticism with Lauren Speranza. We discuss Biden’s Europe tour means for transatlanticism, the generational divide in NATO leadership, how Gen Z and Millenials view the organization, the three levels of hybrid threat, the nuances between Russian and Chinese threats to Europe, whether an EU-wide military could replace NATO, if cyberattacks can trigger the NATO Treaty’s Article 5 for collective defense action, the alliance’s expansion in the Indo-Pacific, the role of NATO in upholding ‘the West’ as a socio-political entity and many more topics.You can listen to the episode right away in the audio player embedded above, or right below it you can click “Listen in podcast app” — which will connect you to the show’s feed. Alternatively, you can click the icons below to listen to it on Apple Podcasts or Spotify. If you enjoy this conversation and would like to help the show, leaving us a 5-star rating and review on Apple Podcasts is the easiest way to do so.Thank you to Vaishnavee Bakshi for leaving this review this week…To give us a review, just go to Policy People on Apple Podcasts and hit ‘Write a Review’.Lauren Speranza is Director of the Transatlantic Defense and Security program at the Center for European Policy Analysis (CEPA), where she works with the U.S. government and NATO ally and partner governments to inform transatlantic security policy. Her areas of expertise include defense and deterrence in Europe, hybrid warfare, defense technology, and NATO-EU relations. Prior to joining CEPA, Lauren was the deputy director of the Transatlantic Security Initiative at the Atlantic Council. Her recent projects and publications have focused on Russian and Chinese hybrid threats, Chinese investment in European technology, and NATO adaptation for the future. You can discover her tank’s work at cepa.org. You can also connect with Lauren on LinkedIn or follow her on Twitter at the handle @LaurenSperanza. Subscribe at policypeople.substack.com

#245-241Intro/Outro: Wait For It by Leslie Odom, Jr. (from the Hamilton soundtrack)245. Pump It Up by Elvis Costello & the Attractions244. Transatlanticism by Death Cab For Cutie (10)243. Don't Stop by Fleetwood Mac (3)242. 100 Years by Five For Fighting241. Keep the Car Running by Arcade FireBalderdash alert

In our 11th episode, we take a stand against Rolling Stone's 500 list by making a track by track argument for Death Cab For Cutie's Transatlanticism as one of the best albums of the last twenty years. We are joined by our guest, Troi Aragon-Buchanan. We also encourage you to support our independent record store of the week, Atlantic Sounds. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

D# & DJ Hotplate talk heartbreak while discussing Transatlanticism by Death Cab For Cutie. https://linktr.ee/AlbumClub --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/album-club/support

S2. Ep. 9. Indie Rock Lord Destroyers. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/tyler-schield/support

Getting to chat with @calculizer #ChrisWalla this week was a truly joyful experience. The @dcfc founder and producer talks us through his (rather traumatic) early music life and just how Death Cab began in a basement with a 4 track, grew into the multiplatinum giant it became, and some reasons why he decided to step away. Enjoy.

Episode Notes God, love, lust, politics, and depression. This was a deep one, but maybe one of the best conversations we've ever had. Join us as we talk about the disappointment of The New Year, neon lights, glove boxes, and daisies. This podcast is powered by Pinecast.

While 2010's "Easy A" is primarily a scarlet love letter to Emma Stone and her emerging star power, it's Patricia Clarkson and the unfathomably hot Stanley Tucci as her parents who nearly steal the show. To say nothing of Lisa Kudrow as the misguided guidance counselor, "Wings" alum Thomas Haden Church, Amanda Bynes pre-retirement, Penn Badgley post-Gossip Girl, and just the way Stanley Tucci says the line, "You alright, buddy?" We also have much to say about gift cards, Ann Hathaway, colonial Williamsburg, gay men's love for tragic divas, "Transatlanticism," Julia Child, Olive Kitteridge and that restaurant scene in "My Left Foot." Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

For our sixteenth episode, Jon & Harrison take on an album requested by one of their past interview guests! Patty Lynn of The Wind + The Wave requested Transatlanticism, the 2003 concept album by indie darlings Death Cab for Cutie. Over the course of an hour-long discussion, we cover… The silliness of “Death Cab for Cutie” as a band name, and other silly band names of the aughts Whether this truly counts as a concept album, and what even is a concept album, anyway? The occasionally clunky word choices permeating this album The contrasting energies of Ben Gibbard’s lyrics as Chris Walla’s expansive musical arrangements More bad impersonations by Jon - Millhouse van Houten, President Bill Clinton, and Zero Mostel How the lyrics do not show Ben Gibbard (or the character he’s playing) in a very flattering light Some speculation over different interpretations of “Tiny Vessels,” “Transatlanticism,” and “Passenger Seat” Harrison and Jon reveal their picks for Key Track The Request Lottery and a preview of next episode's album Come join us for an hour of thoughtful and good-humored commentary, and we'll catch you on the B-side! The dice roll from this episode's Request Lottery can be found here: https://youtu.be/tYc4_Z4HWk8 The spreadsheet Request Lottery picks and their associated numbers can be seen here: https://docs.google.com/spreadsheets/d/1xOiYNZduLxz7L2CtNUPK1YOu63ni2XTWpcy1cdB6EQw/edit?usp=sharing You can get your request on this list by donating to our Patreon account at any level. Support us on Patreon! https://www.patreon.com/PlayDiscPodcast Follow us on Facebook! https://www.facebook.com/PlayDiscPodcast/ Follow us on Twitter! https://twitter.com/PlayDiscPodcast Email us at playdiscpodcast@gmail.com This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Kyle and Louie get into that age old question, what is Emo, and are Death Cab Emo, or Indie, or what??? The debate rages on, but what is clear is how beautiful and smart the songwriting is on this 2003 indie-rock classic. Transatlanticism is one of Kyle's faves so get ready for a lot of heartfelt praise and wistful sighs on this latest KTJB.

Welcome to The OC, listener. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie's enormous 2003 hit Transatlanticism. This kicks off The OC Month, where the podcast will explore bands that performed at The Bait Shop on the hit show, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard's workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! Also please follow this week's guest @internetlauren.While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Welcome to The OC, listener. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie’s enormous 2003 hit Transatlanticism. This kicks off The OC Month, where the podcast will explore bands that performed at The Bait Shop on the hit show, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard’s workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week’s podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! Also please follow this week's guest @internetlauren.While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today’s show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

This week I continue with all kinds of special-ness, foregoing the typical format to take a trip down memory lane with two hours of the "essential Nora songs." Brace yourselves because it's a wild ride! STAY HOME AND STAY SAFE. I love you. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Spark by Tori Amos on From The Choirgirl Hotel (Atlantic) 4′09″ Just by Radiohead on The Bends (XL Recordings) 13′17″ Spiderwebs by No Doubt on Tragic Kingdom (Interscope) 17′27″ Every Little Thing She Does Is Magic by The Police on Ghost In the Machine (A&M) 21′42″ O.N.E. by Yeasayer on Odd Blood (Secretly Canadian) 26′48″ Zebra by Beach House on Teen Dream (Sub Pop) 35′37″ Starla by Smashing Pumpkins on Gish (Caroline) 46′16″ Maybe I'm Amazed by Paul McCartney on McCartney (Apple Records) 49′51″ Gypsy by Fleetwood Mac on Mirage (Warner) 54′02″ She Sends Kisses by The Wrens on The Meadowlands (Absolutely Kosher) 64′17″ Stella Was A Diver (And She Was Always Down) by Interpol on Turn On The Bright Lights (Matador) 70′38″ In The Dark by The Changes on Today Is Tonight (Kitchenware) 74′11″ Somewhere Across Forever by stellastarr* on stellastarr* (RCA) 77′51″ The World Has Turned And Left Me Here by Weezer on Weezer (Geffen) 82′22″ House Of Jealous Lovers by The Rapture on Echoes (Mercury/DFA) 91′15″ Keep Yourself Warm by Frightened Rabbit on The Midnight Organ Fight (Fat Cat) 96′38″ Transatlanticism by Death Cab For Cutie on Transatlanticism (Barsuk) 104′16″ Terrible Love by The National on High Violet (4AD) 109′15″ Voyeur by James Blake on Overgrown (Polydor) 116′14″ It's the End of the World as We Know It (And I Feel Fine) by R.E.M. on Document (IRS) Check out the full archives on the website.

"Transatlanticism" is said to be a meditation on the ups and downs of long-distance relationships. In today's episode, we'll discuss how frontman and lyricist Ben Gibbard creates an interesting focal point for Death Cab For Cutie, and why their lyrics always seem to feel so relatable. Also, how music affects our mood, The Postal Service, Seattle, and the caveat I make with myself when I listen to Death Cab.

"Minha terra tem palmeiras, Onde canta o Sabiá; As aves, que aqui gorjeiam, Não gorjeiam como lá." "Minha terra tem palmeiras, Onde canta o Sabiá; As aves, que aqui gorjeiam, Não g

“Minha terra tem palmeiras, Onde canta o Sabiá; As aves, que aqui gorjeiam, Não gorjeiam como lá.”

“Minha terra tem palmeiras, Onde canta o Sabiá; As aves, que aqui gorjeiam, Não gorjeiam como lá.”

The Cool Guys™ take a look at the well renowned 2003 album Transatlanticism by Death Cab For Cutie. A cult classic that’s been given many rewards and accolades over the years and named their best album by frontman Ben Gibbard! Enjoy!

Welcome to the first episode of The Bluth, the Whole Bluth, and Nothing But the Bluth! To kick off episode 1, we discuss Don Bluth's ambitious first feature film, The Secret of NIMH. In addition to diving into the challenges of making such a visually stunning film on an independent budget, we also discuss Bluth's past at Disney, the incredible performances by the voice actors, mice in cinema, and we even make time for some of our crazy (BUT MAYBE TRUE?) fan theories! Tune in every first and third Bluthsday (Tuesday) of the month for new episodes! Links: The Secret of NIMH Bluth-Ray: https://amzn.to/2FS7Ac0 The Secret of NIMH Trailer: https://www.youtube.com/watch?v=cISmv0IGoQQ The Secret of NIMH Poster: https://amzn.to/2TTnNl5 Watch The Secret of NIMH with ads on YouTube: https://www.youtube.com/watch?v=Ja8TsLgOGfI Waking Sleeping Beauty: https://amzn.to/2HSmrpo Waking Sleeping Beauty Trailer: https://www.youtube.com/watch?v=aYDiT0JkerI The Vista: https://www.vintagecinemas.com/vista Secret Movie Club: https://www.facebook.com/secretmovieclub35mm Death Cab for Cutie's Transatlanticism: https://amzn.to/2HUetfw Missing Artwork Podcast - Adde Russell: http://modern-vinyl.com/2018/01/17/missing-artwork-s02e02-adde-russell-death-cab-for-cutie Follow Dax Schaffer on Instagram: https://www.instagram.com/daxschaffer Follow Dax Schaffer on Twitter: https://twitter.com/DaxSchaffer Follow Sara Iyer on Instagram: https://www.instagram.com/saraiyer Follow Sara Iyer on Twitter: https://twitter.com/saraanjuliiyer Follow the Podcast on Instagram: https://www.instagram.com/nothingbutthebluth Like the Podcast on Facebook: https://www.facebook.com/TheBluthTheWholeBluthAndNothingButTheBluth The Secret of NIMH score by Jerry Goldsmith "Title and Registration" by Death Cab for Cutie Audio clips are from The Secret of NIMH, created by Aurora Productions, Don Bluth Productions, and Mrs. Brisby Ltd.

The episode with important relationship advice. Wyndy the Witch and Glenn with Three Ns talk about select songs off of Death Cab for Cutie's album Transatlanticism while washing it down with beers from Foreign Objects Beer Company, Half Acre Beer Company, Cross Keys Brewing Company, and Evil Twin Brewing. Sprinkled in is some sage like advice about long distance relationships and "breaks". Are long distance relationships actually trash? Do breaks really work? Did the duo learn their lesson and eat prior to recording this episode? No, no, and maaaybe?

Chris and Amelia discuss holidays in their home countries: from Mother's Day to Guy Fawkes to Thanksgiving. Traditions, foods and history come into play in this second episode of Transatlanticism.

November 9, 2018: - Bad Omens drops off the Senses Fail/Amity Affliction/Belmont tour for their name being too small on the flyer. - Kevin Devine and John K. Samson will be releasing a split 7" on November 30th. You can hear Samson cover "Saturday Night On Utopia Parkway" now. - Hear a new track ("Burn It") and pre-order the new record (Strength in Numb333rs) from The Fever 333. - Laura Jane Grace and the Devouring Mothers are hitting the road in March/April! - Capstan sign to Fearless Records, put out "Stars Before the Sun". - As Cities Burn sign to Equal Vision Records, put out "2020 AD". - The Maine put out their cover of "Transatlanticism", part of the Songs That Saved My Life compilation put out by Hopeless Records. Learn more about your ad choices. Visit megaphone.fm/adchoices

greetings and welcome back to part two of our All Hywel's Ween Spooktacular. On today's show Colter reads a story by HP Lovecraft and Pete retails us with the chilling story of the Bell Witch, a 19th Century middle-Tennessee legend. Tune in for all the haunting tales of Transatlanticism we have for y'all.Hywel was oddly not with us, maybe he is haunting one of our listeners? Let us know at fireescapepod@gmail.com.If you would like to read along, check out the posts section on fireescapepod.com.

Fresh off the heels of seeing the band perform live, Heather and Ramsey tackle Death Cab For Cutie's 2003 classic, "Transatlanticism!" A classic mini-sode of What's Heather's Beef?™ We discuss the weird/hilarious demo version of "Title and Registration!" And if you're going to write long outros, Death Cab, then Ramsey is going to write new lyrics for them! All this and MORE! Don't want to end the fun? Check out our Spotify playlists for more music choices from Ramsey and Heather. Wanna get a shout-out on a future episode? Give us a rating on iTunes! It helps us, and it helps you feel good about yourself!

Transatlanticism, the widely beloved album from indie/alternative stalwarts Death Cab for Cutie, is a staple on lists of the most important albums of the 2000s. On first listen, your reaction may be, “why?” On this episode of Critically Acclaimed, host Jake Ramirez and Joyous Eclectic host Matt Rawls dig into the conceptual nature of Transatlanticism, […] The post Transatlanticism by Death Cab for Cutie appeared first on Critically Acclaimed.

In episode 14, the guys discuss indie rock giants, Death Cab For Cutie's Something About Airplanes. The album, which was released in 1998 as their first studio album, set the tone for a band which become synonymous with the latest iteration of the "quiet guy" archetype that emerged in the early 2000s. At the same time, and perhaps as would be expected, the album can be quite apart from the band's later albums-- particularly Transatlanticism and Plans-- that would propel Death Cab to mega-stardom.

Christopher Cross and Dylan Schwan review the new feature from the creator of This Is Us, Dan Fogelman's Life Itself. Chris may not have watched it but don't worry, Dylan was here to suffer for your sins. The guys found some time for the new Netflix series from Patrick Somerville and Cary Joji Fukunaga, Maniac. Dylan caught the new Paul Feig film, A Simple Favor, believe it or not and Chris tells us about the new season of Bojack Horseman and still not proving it's not an animated Mad Men clone. Next week, Chris and Dylan watch Jeremy Saulnier's latest genre hybrid, Hold the Dark. You can find Film Fallout every week on iTunes, Soundcloud, Facebook, and Instagram, as well as anything else that pulls an RSS Feed. The podcast (@filmfalloutcast), Chris (@HammerkopCross), and Dylan (@DreaminDylanS) are also on Twitter. You can also find Chris' film writing at goombastomp.com. Please feel free to share the podcast with anyone who may enjoy it, and rate and subscribe on iTunes to help spread the word as much as possible! Intro, Outro and Transition Music: Pristine by Snail Mail and Transatlanticism by Death Cab for Cutie

This week we dig past the title and registration to pull out that burnt copy of Transatlanticism we all have floating around in the glove box. Were talking Death Cab new and old...Next, on The Radio Cure! Playlist: https://open.spotify.com/user/123363873/playlist/6DnpMk4RREVmQQTJ5ztsHk?si=5YXbNzuLQ6qnFULLHPkZAA Review:https://music.avclub.com/nicki-minaj-animal-collective-and-death-cab-lead-a-bu-1828387342 Music: Summer Years: https://www.youtube.com/watch?v=WBM-brPlGkQ When We Drive: https://www.youtube.com/watch?v=l71vi6umJPo Autumn Love: https://www.youtube.com/watch?v=cZf5J1KihJM 60 & Punk: https://www.youtube.com/watch?v=C9nLqUQYoiE

They're back!!! The idiots return to the podcast to discuss an important album, Transatlanticism. They also cover where they've been for the last month and what they've been getting up to! Jump back in to the podcast and subscribe so you don't miss any of the new episodes coming up.

The guys are back with one more surprise bonus episode. Justin reviews Autumn Love, the latest single off of Thank you for today. Regular episodes return next Tuesday with the much anticipated Transatlanticism episode.

This week, topics include Mother's Day, The Outhouse and being transparent. Enjoy. Songs played this week: 1) Skeleton by The Front Bottoms 2) Boxing Timelines by The Early November 3) I Miss You by Incubus 4) Old Friends by Pinegrove 5) Calgary Girls by The Smith Street Band 6) Transatlanticism by Death Cab for Cutie

How should Europe respond to a US that might be pivoting away or might not see Europe as useful anymore? There's a number of camps, one might say. The relationship between US and Europe has faced many stresses and strains over the years, especially in present times as European leaders debate over the transatlantic partnership. Thus, WAR ROOM is pleased to welcome to the studio special guest Peter Sparding, a transatlantic fellow in the Washington office of the German Marshall Fund of the United States. As the US faces increased competition from other regions of the world, whither Europe? And what does Europe have to say about the US?     You can also download a copy of the podcast here.   Peter Sparding is a transatlantic fellow in the Washington office of the German Marshall Fund of the United States, where he works on foreign and economic policy developments in the United States and Europe. Darrell Driver is a colonel in the U.S. Army and the Director of European Studies at the U.S. Army War College. The views expressed in this presentation are those of the speakers and do not necessarily reflect those of the U.S. Army War College, U.S. Army, or Department of Defense. Photo Credit: NATO  

Host Michael Escanuelas invites Adde Russell to the program to discuss her work on the Death Cab For Cutie album, "Transatlanticism." This is the first of a two-parter with Russell. modern-vinyl.com Theme Music: @markredito

Casey Cavaliere (The Wonder Years) spins the epic Death Cab for Cutie album Transatlanticism for Brian and Brian. All transitional music today is from The Wonder Years. Their latest release Burst and Decay (An Acoustic EP) is available on a few different gorgeous wax variants. Send us pics if you have it! Death mails for cuties: volcanovinyl@gmail.com Twitter (where disappointment and regret collide): @volcanovinyl #vv122

In this latest installment from EMU, Dave recounts his harrowing journey across the Atlantic, with the goal of reaching the hallowed grounds of the hidden town known as Ostium. Written and performed by Alex C. Telander. Warning, this episode contains explicit language. Ostium now has a merchandise store, check it out: https://www.redbubble.com/people/ostiumpodcast/shop?asc=u If you want more Ostium, why not become a patron on our Patreon page www.patreon.com/ostiumpodcast, where for just $2 a month you'll get access to an exclusive brand new mini episode every two weeks (and this includes all through the offseason); and during the regular season of the show you'll get access to new episodes a full week before everyone else. Alternatively, you could also make a one-time donation and help support Ostium on our website, www.ostiumpodcast.com. And if you wouldn't mind leaving Ostium a review on whatever app or program you use to listen to podcasts and that way people can see what you're saying to convince them to listen to Ostium. Thanks for listening and see you in two weeks.

Death Cab For Cutie's Transatlanticism changed the indie rock scene for the better. Find out the story behind and inside the record, including why Ben Gibbard was so dang sad.]]>

In today’s episode, we get to a new level of emo by reviewing Death Cab for Cutie’s Transatlanticism.  In order to make that more bearable, we sandwich the review with a little metal-talk about a youtube video Ian recently saw of Cattle Decapitation’s vocalist exploring new dirty vocal techniques in the studio as well as play…Read more Episode 18 – Transatlanticism

james radick (small parks) and jamie discuss some death cab #hot takes and other time and space things and wow isn't this a GREAT ALBUM??? humor us and give this a lil listen.

In this episode we bring in Vinyl Evangelist Peter Zimowski (Mr. Now Spinning himself) to discuss his blog and personal Vinyl movement on the interwebz and the album of the evening is Death Cab For Cutie's "Transatlanticism". We thank Peter / Now Spinning so very much for gracing our show and helping us spread the good word of the Vinyl Community. Closing the show is our very own Derek Jones covering (what I seem to recall as nearly everyones favorite track from the record) "We Looked Like Giants".

This time on Record Breakers, Petey decides to go all Seth Cohen on the guys and bring them Death Cab For Cutie's 2003 seminal release, Transatlanticism, and boy do they have opinions on it. What are their opinions? Well, you're gonna have to go ahead and listen to find out.

Song 1: They are Night Zombies!! They are Neighbors!! They've Come Back from the Dead!! Ahhhh! - Sufjan Stevens (from Illinoise)[Emusic] [iTunes]Life's been kinda hectic these days. New house (soon), new job (sorta), Balticon 41.Song 2: License and Registration - Death Cab For Cutie (from Transatlanticism)[MySpace] [iTunes] [PMN]Song 3: Jet Ski Accidents - The Blow (from Bonus Album)[MySpace] [Emusic] [iTunes] [PMN]Two new ways to find me online:Twitter - HoboZeroLast.fm - RandomSignalSong 4: Average Guy - Beatnik Turtle (from The Song of The Day podcast)[MySpace] [iTunes]Song 5: Secrets From the Future - MC Frontalot (from Secrets From the Future)[MySpace] [Emusic] [iTunes]One of the very first podcasts I ever listened to, Seth and Jessica's WHYME (Worst Music You Ever Heard) has ended. Thanks for all the great music!Song 6: Jessica Deserves a Quiet Night - Seth - third son of albert[MySpace]