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Explicación a nivel de calle de lo que hablamos a la hora de decir que un modelo de IA está cuantificado y porque no siempre menos es más . Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
In episode 296 there's too much to talk about! Path of Exile 1 revealed their Secrets of the Atlas new end game experience, along with their Mercenaries of Trarthus challenge league, and GGG posted their 0.2.1 patch for PoE 2! Couple that with an unhappy RodeCaster and you have yourselves one fine episode. Hopefully you have a great time in Path of Exile Land this week! Thank you, as always, for your listens each week. Love ya!(00:00:00) Welcome to Forever Exiled and intro banter(00:00:38) Big shoutout to our patrons(00:01:23) Weekly catchup: spider bites, water woes, and chores(00:08:15) Gaming with kids and family time(00:14:34) Path of Exile begins(00:19:55) Affinity tabs and stash feedback(00:26:17) League mechanic improvements(00:32:42) Trade in PoE 1 and PoE 2(00:40:10) Auto-loot debate and inventory management(00:47:18) Final thoughts on crafting and PoE 2(00:52:50) Wrapping up and sign-offForever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store
This might be the first episode of Defenders all season that we've had a solo Filly. With Scarf on a class trip and Lafferty at work the platinum haired flamingo rejoins DOTB. Getting right down to business, this is a quick recap of the Whitecaps game as there will be 2 pods and 2 One More Sleeps this week. Hopefully the troubles with the Rodecaster also come to an end for the next pod. So, the big news is that FILLY IS BACK FOR THE REST OF THE SEASON, and we couldn't be any happier. Oh and LAFC dropped points at BC Place!
Como muchos me preguntáis cómo voy con la salud, os hago un pequeño resumen. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Variadito de temas . Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Os recomiendo una serie que vale la pena de ver y que me ha gustado mucho . Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Hoy 1 de abril es el día de las bromas en USA y eso es lo que me parece está Apple inteligence . Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Listen, this episode was a struggle to get up from the rodecaster missing from the studio, to everyone working out of nation HQ today to the studio and then the studio being put back together last minute before we started recording and turns out the wrong cord was plugged into the rodecaster so you can KIND OF hear Wanye on his own podcast (sorry king! we're a real media company I swear!) Anyways, Woz join's Kennedy and Wanye as Kennedy explains what happened when meeting Leon Draisaitl this past week. How her bracelets she hand made ended up on Celeste's (Leon's Fiancee's) wrist. Plus some Vegas talk as the ON Nation Vacation is this coming weekend. All this and more on this short episode of Wanye's World. Hosted on Acast. See acast.com/privacy for more information.
Ha corrido como la pólvora la noticia(clickbait) que dice que Plex va a cobrar a todos sus usuarios por ver su propio contenido. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Usuarios que confunden churras con merinas a la hora de comparar el nuevo 16e con el píxel 9a, cuando se están equivocando de liga. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Opinión sobre la película de Netflix "The electric State" Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Opinión sobre la magicpad 2 de honor y primeros pasos con ella. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Opinión sobre el nuevo iPad 2025 y porque no va a ser mi nuevo iPad, comparándola con una Tablet de precio similar, que la deja en ridículo. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Fri, 07 Mar 2025 18:03:00 +0000 https://jungeanleger.podigee.io/2066-kapitalmarkt-stimme-at-daily-voice-66-365-danke-an-germany-fur-den-atx-tr-rekord-hinweis-borsentag-wien-achtung-tonprobleme c598e3f7dbb09afc5e5412e589b3286a kapitalmarkt-stimme.at daily voice 66/365: Patrick Kesselhut ist Director Public Distribution Germany und Österreich bei Société Générale, er war heute Vormittag im Studio, wird auch morgen am Börsentag Wien http://boersentag.at mit Stand und Vortrag vertreten sein. Ich bedanke mich beim ihm als Deutschen für das deutsche Konjunkturpaket, das den ATX TR diese Woche erstmals über 10.000 gebracht hat. Patrick skizziert, wie es nun an den Börsen weitergehen könnte und spricht über seinen Vortrag morgen. Leider hat bei der Aufnahme etwas mit dem Podcastgerät offenbar nicht geklappt, sorry für die Tonqualität, ev. muss ich einen der Rodecaster austauschen. Wird gecheckt. Aber ich denke, man versteht die Botschaft trotzdem. https://www.sgzertifikate.de Unser Ziel: Kapitalmarkt is coming home. Täglich zwischen 19 und 20 Uhr. kapitalmarkt-stimme.at daily voice Playlist auf spotify: http://www.kapitalmarkt-stimme.at/spotify http://www.kapitalmarkt-stimme.at Musik: Steve Kalen: https://open.spotify.com/artist/6uemLvflstP1ZerGCdJ7YU Playlist 30x30 (min.) Finanzwissen pur: http://www.audio-cd.at/30x30 Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/apple http://www.audio-cd.at/spotify 2066 full no Christian Drastil Comm.
En este episodio le respondo a Steizam sobre lo que comentó en su podcast sobre el Firmware 1.5.0, y les comento otras cosas de RØDE que me gustaría ver. Te invito a debatir sobre este tema en el Foro de la Comunidad de TuPodcast https://foro.tupodcast.com Y otras formas de contacto las encuentran en: https://ernestoacosta.me/contacto.html Todos los medios donde publico contenido los encuentras en: https://ernestoacosta.me/ Si quieres comprar productos de RØDE, este es mi link de afiliados: https://brandstore.rode.com/?sca_ref=5066237.YwvTR4eCu1
Opinión sobre kindle vs oled, y sobre cómo no hay que tratar con la iA. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Opinión sobre las medidas tomadas por Apple en el tema privacidad en UK y lo que esto significa para nosotros como usuarios. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Como uso el iPhone en casa para grabar este podcast y explicación de cómo acceder al contenido extra que grabaré para los que me apoyáis. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Tim Cook vuelve a reírse de los clientes plantando en el mercado un truño de iPhone al que denominan iPhone 16E.Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Toni de Sayonara Tecno se despierta a la realidad de las suscripciones digitales de medios y le doy mí opinión. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Batiburrillo de temas.Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Privacidad en los mundos de yupi. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Hablo un poco de opciones de mini PC os pongo los enlaces de los mini aquí en las notas.Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Cómo funciona el tema del grupo de la comunidad. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Es necesario y útil contratar Applecare +? Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
¿Sabías que al usar Linux para su firmware, se puede acceder por SSH a la Rodecaster Duo / Rodecaster Pro 2? No solo puedes acceder, sino que puedes navegar por todo su directorio y transferir por SSH desde el ordenador a la Rodecaster y viceversa.. El password es: Yojcakhev90 Y el script para extraer tus audios por Rsync lo encuentras en esta URL: https://github.com/ThomasStolt/Copy-Recordings-Off-Rodecaster-Pro-2/tree/main Te invito a debatir sobre este tema en el Foro de Como Pienso Digo https://foro.comopiensodigo.com Y otras formas de contacto las encuentran en: https://ernestoacosta.me/contacto.html Todos los medios donde publico contenido los encuentras en: https://ernestoacosta.me/ Si quieres comprar productos de RØDE, este es mi link de afiliados: https://brandstore.rode.com/?sca_ref=5066237.YwvTR4eCu1
Los chinos presentan su modelo y se la restriegan por la cara a los americanos, y nvidia cae en bolsa.Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Karol y yo hablamos de las series y películas que hemos visto últimamente, algún spoiler pequeñito habrá, avisados estáis.Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
Primer podcast del año, como ha terminado, como ha empezado y como me fue el año podcasteril. Si queréis apoyar este podcast, invitarme a un café o a una cerveza, aquí tenéis mi PayPal
In this latest episode – whether it's the last one of 2024 or the first of 2025 – Kristin and Danna are back, and things kick off with a little technical hiccup. Kristin accidentally hit the wrong button on the Rodecaster, sparking a fun throwback to their old intro. The duo dives into New Year vibes, with talk of “No Spend January.” But who's actually committing to this? Tune in to find out which one of them is taking the challenge seriously (or not). When it comes to resolutions, Kristin opts out completely, while Danna prefers setting loose goals – but since she doesn't write them down, does it even count? Holiday recaps are on the agenda too. Kristin shares exciting news – her and the kids' long-time dream is becoming a reality as they prepare to break ground on a new livestock barn. And of course, the age-old question arises: Do you regift or give used gifts? Kristin's all for it – whether it's regifting, passing along gently used items, or even returning gifts that aren't quite right. For laughs, reflections, and a peek into their holiday season, this episode is packed with stories and relatable moments. Grab a cup of coffee and catch up with Kristin and Danna as they roll into the New Year! Stay Connected with Danna and Kristin!
Ahora le toca el turno a la secadora para romperse, a unos pocos días de haber arreglado la lavadora. También te hablo sobre el problema del firmware 1.4.4 de la Rodecaster y sobre un problema corregido en Castopod.. Mi link de afiliados para comprar productos de RØDE: https://brandstore.rode.com/?sca_ref=5066237.YwvTR4eCu1 Me pueden contactar en: https://ernestoacosta.me/contacto.html Todos los medios donde publico contenido los encuentras en: https://ernestoacosta.me/
Les cuento como me ahorré $300 dólares por el arreglo de mi lavadora y algunos problemas que estoy teniendo con la Rodecaster Duo y la última versión del Firmware. Mi link de afiliados para comprar productos de RØDE: https://brandstore.rode.com/?sca_ref=5066237.YwvTR4eCu1 Me pueden contactar en: https://ernestoacosta.me/contacto.html Todos los medios donde publico contenido los encuentras en: https://ernestoacosta.me/
Our 2024 finale was packed with NBA talk, hot QB analysis, and more! Unfortunately, you'll never hear most of it because the Rodecaster unplugged about 55 minutes into the recording.Here are the final segments with what's left of the sports talk, Sam's movie picks, and a review of Audra's Gypsy.
1035. Hoy anuncio el resultado del sorteo de la taza de melamina entre todos los suscriptores del KoFi ¿Quién será el ganador/a? Y más importante todavía ¿Quieres participar en los próximos sorteos que realice? Es tan sencillo como automático, sólo debes suscribirte al KoFi y con cada euro aportado obtendrás una participación.Puedes conocer todas las ventajas de convertirte en kofitero entrando en: https://alotroladodelmicrofono.com/cafe Además, en esta entrega anuncio cuál es el siguiente objetivo que he marcado en esta plataforma de mecenazgo y explico los motivos que me han llevado a tomar esta decisión._________________Este capítulo llega a tus oídos gracias a 'El Recuento Musical', el podcast de historias en la música. Descubre la que hay detrás de tu canción favorita, de sus autor o autora, de cómo llegó a componerla, de su inspiración para crearla y de alguna versión alternativa de dicho tema musical. Margot Martín y su equipo te llevarán de la mano por un largo recorrido de historias musicales a lo largo de sus 11 temporadas.Encontrarás 'El Recuento Musical' en su web https://elrecuentomusical.com/, donde descubrirás el listado de todas las canciones que han publicado, a través de Instagram https://www.instagram.com/el_recuento/ o Tik Tok https://www.tiktok.com/@el_recuentokDisfruta de esta obra maestra en formato podcast._________________¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting!Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unetePor otro lado, puedes suscribirte a la versión compacta, sin publicidad y anticipada de este podcast, 'El destilado del micrófono' a través de la plataforma Mumbler a través de: https://alotroladodelmicrofono.com/destilado (Puedes escucharlo en cualquier app de podcast mediante un feed exclusivo para ti).Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon o comprando culquiera de los cursos de edición de audio, locución y producción musical de Hoy Grabo mediante https://alotroladodelmicrofono.com/cursoshoygrabo La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces), la voz de los indicativos es de Carmenia Moreno y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín.'Al otro lado del micrófono' es una creación de EOVE Productora.
Send us feedback/questions via TextWhat if a single piece of tech could revolutionize your entire podcasting setup? Join us for a lively Saturday morning chat where we kick things off discussing the brand-new Rodecaster video switcher, a game-changer priced at $1,200. Jim tricked some people at his job using eleven lab voices. We also talk listen notes, and running out of steam, and more.Sponsors: PodcastBreanding.co - Because they see you before they hear youBasedonaTrueStoryPodcast.com - How Much of that movie is real?Some of these links are affiliate links which means I may receive a small compensation without raising the price for you. Tools Used:School of PodcastingPodpage.comEcamm LiveSupercastMentioned TodayEleven Labshttps://supportthisshow.com/elevenlabsRodecaster Videohttps://geni.us/rodcaster-videoPocketcasts https://pocketcasts.com/Podcast Guruhttps://podcastguru.io/Captivatehttps://supportthisshow.com/captivateBlubrryhttps://supportthisshow.com/blubrryBuzzsprouthttps://supportthisshow.com/buzzsproutPerplexity AIhttps://www.perplexity.aiFeatured Supporter Chris StoneCast Ahead has carved a niche in the podcasting industry by providing full-spectrum podcast production services tailored to each client's unique needs See castahead.net Podindy.com is a one-day event focused on Profiting from Your Podcast, Magnified by AI with keynote speakers Dave Jackson, Author of the book Profit from Your Podcast: Proven Strategies to Turn Your Listeners Into a Livelihood, and Cari Van Slyle, host of AI Goes to College and Professor of Technology from Louisiana Tech University. Grow your podcast audience with Podcast Hot Seat. We help you do more of what is working, and fine tune those things that need polished. In addition to the podcast audit, you get a FREE MONTH at the School of Podcasting (including more coaching). Check it out at https://www.podcasthotseat.com/store Do you miss those awesome conversations you have in the hallway at podcasting events? Learn about new Podcasting Tech, and grow your network without the high priced plane tickets! Go to podcasterhappyhour.com Go to askthepodcastcoach.com/voicemailSupport the showBE AWESOME!Thanks for listening to the show. Help the show continue to exist and get a shout-out on the show by becoming an awesome supporter by going to askthepodcastcoach.com/awesome
Ever wondered how a couple of law enforcement and firefighting professionals found their way into the world of podcasting? Join us as we recount our incredible 14-year journey that we started with the “show that shall not be named”, The Crossover Show. From the nerve-wracking early days of audio editing struggles to the joy of connecting with our amazing patrons, this final episode is packed with nostalgia, laughter, and heartfelt memories. We take you behind the scenes of our most cherished episodes, including the chaos of our spontaneous live shows and the hilarity of our never-realized "drunk show."Relive the evolution of podcasting through our eyes, from our humble beginnings with GarageBand and Audacity to mastering Pro Tools and Rodecaster. We'll share the technical bumps and triumphs, the quirks of early SEO practices, and the thrill of reaching wider audiences through improved accessibility. Our journey was filled with memorable mishaps and learning curves, all of which we recount with gratitude and a sense of accomplishment.But it's not just about the technical side—our podcast forged unforgettable friendships and personal growth. We touch on significant milestones, both personal and professional, and how they've intertwined with our podcasting adventure. From impromptu "Ask MC" segments to pop culture banter and family milestones, this episode is a celebration of the camaraderie and joy that defined "The Crossover." Join us for one last ride as we bid farewell to a journey that has brought us immense joy and lasting memories.Support the showJoin our Facebook Community!Buy us a beer!Email Us! (Justin or Jason)Thanks for listening and please share the show!
Are you craving honest conversations and not just talking heads from the major media companies? According to Vox Topica, podcasting is now the leading trusted media source! We look at this headline and share more exciting podcasting news. Today, we explore Rode's new Rodecaster video device, discuss BetterHelp's investment in podcast advertising, and highlight important upcoming Podcast events! We also chatted with Jonah Berger about living with Charcot-Marie-Tooth disease and the inspiring research that is happening to find a cure. Tune in to hear the juiciest news in the podcasting industry, and get ready to mark your calendars for exciting podcast events on physical and virtual stages. Episode Highlights: [2:44] Improv Class Update and Encouragement [6:52] Introduction to Jonah Berger and CMT Awareness [15:47] Jonah's Journey with CMT and Marc's Annual Fundraising Walk [19:55] Podcasting Events and Headlines [27:59] Trust in Podcasts and Sponsorships [42:29] Rodecaster Video Announcement [1:04:01] Improving your sound quality Links & Resources: The Podcasting Morning Chat: www.podpage.com/pmc He Walks like a Cowboy: podcasts.apple.com/us/podcast/he-walks-like-a-cowboy/id1536575871 Rødecaster Video: www.instagram.com/marcronick/reel/DAUETTjysHd/ Podnews: www.Podnews.net Contribute to Marc Ronick's 4th Annual Lansing Michigan Walk For CMT: https://bit.ly/pmccmt Join The Empowered Podcasting Facebook Group: www.facebook.com/groups/empoweredpodcasting Who Sponsors Stuff: www.whosponsorsstuff.com Find Podcast Sponsors: www.findpodcastsponsors.com Earn More and Grow You Comunity with Howl: www.planethowl.com Voters Trust Podcasts Above All Media: podnews.net/press-release/registered-podcasts-voters-trust-above Podbox Memphis: https://secure.everyaction.com/8zVxmT1e-0ixFqhy6pWxoQ2 Afros & Audio: https://www.afrosandaudio.com/Remember to rate, follow, share, and review our podcast. Your support helps us grow and continue to bring valuable content to our community. Join us LIVE every weekday morning at 7am ET (US) on Clubhouse: https://www.clubhouse.com/house/empowered-podcasting-e6nlrk0w Brought to you by iRonickMedia.com and NextGenPodcaster.com Please note that some links may be affiliate links, which support the hosts of the PMC. Thank you! --- Send in your mailbag question at: https://www.podpage.com/pmc/contact/ or marc@ironickmedia.com
Last week, we had a blast hosting a podcasting class from the University of North Florida at our Content Is Profit studio. It was awesome to dive into different levels of podcasting experience, from newbies to those with 50 episodes under their belts. No matter where you're at in your podcasting journey, this episode's got some golden nuggets to level up your game! Here's what you don't want to miss: - We bust the myth that you need pricey gear to launch a killer show. - We share how to turn your podcast into a money-making machine by building strong relationships. - Whether you're just starting or already deep into it, we cover everything from mastering the Rodecaster to must-have production tools. - Plus, we share real-world tips on content creation to help you step up your podcasting game without the overwhelm. Remember, your message matters more than fancy production. Ready to kick off your podcast journey? Keep it simple, and let your voice shine! Timestamped Overview: 01:00 Guide unfamiliar podcasters to effective use of equipment. 06:55 Experienced music industry professional discusses production equipment. 09:41 Wanna share fun concept, helping audience, hiring. 10:52 Planning complex episodes with limited time/resources. 13:21 Focus on message quality over flashy production.
Just when I was enjoying the McWedding photo dump from Vogue, the St. Louis Blues had to come and drop a turd in the punchbowl with their duelling offersheets on Philip Broberg and Dylan Holloway. Instead of going back to bed as I should have, I decided to fire up the Rodecaster and knock out a short emergency episode of the podcast to talk about what's happened, what the Oilers' options are, and what I think they'll do over the next handful of days. Hosted on Acast. See acast.com/privacy for more information.
979. Hoy reflexiono sobre lo que han sido estos 2 años y 6 meses usando las interfaces de grabación de podcast Rodecaster PRO y más concretamente la Rodecaster PRO II en estos últimos meses.Si quieres ver la oferta que encontré en Amazon hace poco del modelo Rodecaster PRO II, puedes encontrarla en este enlace de afiliados https://amzn.to/3UJnGeIRecuerda que puedes apoyar o patrocinar este podcast a través de mi perfil en Ko-Fi entrando en: https://alotroladodelmicrofono.com/cafe o si lo prefieres comprar merchandising oficial del podcast en https://alotroladodelmicrofono.com/tienda. Si quieres apoyarlo sin ningún coste para ti, puedes hacerlo realizando tus compras en Amazon a través de mi enlace de afiliados de Amazon: https://alotroladodelmicrofono.com/amazonTe recomiendo echar un vistazo a los cursos sobre edición de audio, locución y creación de podcast de Hoy Grabo. Puedes echar un vistazo a través de este enlace https://alotroladodelmicrofono.com/cursoshoygrabo Revisa la pestaña de Servicios del Ko-Fi si quieres que tu proyecto se convierta en el patrocinador de este podcast o bien contratar alguno de los servicios que ofrezco. Puedes escoger entre un episodio temático, un patrocinio semanal, quincenal o mensual, grabar tu podcast en vivo o una consultoría dedicada. Si quieres crear tu propio proyecto sonoro, puedo ayudarte desde EOVE Productora, te recomiendo visitar https://eove.es/contacto
Originally from Boston, Chris Keene is an incredibly bright, incredibly funny, snarky comedian with a point of view. You can see Chris performing live all over the American Southwest. In this episode, we give deep into the progress and regress of racism in America in the tech age, the tech model as well as its evolution since the days of AOL, the Barbie movie, and a whole bunch more. I was saddened to learn the SD card on my Rodecaster was about to fill up cutting this episode 15 minutes shorter than I originally intented, but I do plan on having him back. Chris is a one of a kind voice and I hope you can get down with him. Give Chris a follow wherever you follow people on things. http://www.instagram.com/chrisgkeene http://www.threads.net/@chrisgkeene http://www.tiktok.com/@chrisgkeene And follow me while you're at it, hot damn! http://www.instagram.com/ianirarousso http://www.threads.net/@ianirarousso http://www.tiktok.com/@ianirarousso http://www.twitter.com/ianirarousso http://www.facebook.com/ianirarousso Follow The Ian Ira Rousso Show Show on Instagram and Threads http://www.instagram.com/tiirspodcast http://www.threads.net/@tiirspodcast Join The Ian Ira Rousso Show groups on Reddit and Discord https://www.reddit.com/r/theianiraroussoshow/ https://discord.gg/AujN47Vj And see me live! Upcoming dates and t-shirts for sale at: http://www.ianirarousso.com I coproduce The 32 Special, a live stand-up comedy show at Ireland's 32 in the San Fernando Valley. Follow the show in Instagram to find out lineups week of http://www.instagram.com/32specialcomedyshow Debut comedy album Sorry Again out now! https://music.apple.com/us/artist/ian-ira-rousso/1697388120 #TheIanIraRoussoShow #TIIRS #ComedyPodcast #ComedyTalkShow #TalkShow
Finally! Gandhi & Andy show viewers behind the scenes of their home studio setups and discuss the equipment and software they use to produce eGPlearning content.1:42 Where do we record from?6:02 Adaptations & sound proofing7:56 Inspiration & decoration11:14 Equipment: Computers & monitors14:24 Equipment: Keyboards & mice17:42 Equipment: Microphones22:29 Equipment: Webcams25:10 Speakers & headphones26:30 Equipment: Lights28:09 Essential software30:32 Extra gadgets Click the links to view and grab the equipment we use…Keyboards:Epomaker TH96 (direct) https://epomaker.com/products/epomaker-th96?sca_ref=653713.Cd1o7fEx4nEpomaker TH96 amazon: https://amzn.to/4blwXyV (check voucher discount) Keychron K4: https://amzn.to/4dlRIwm Mouse: Gandalf's Logitech MX master: https://amzn.to/4bmKCpo Andy's Red mouse: https://amzn.to/3UJKiMe Microphones:Both have Blue Yeti: https://amzn.to/3WowKGU Gandalf's Blue Sona https://amzn.to/3wgWDhq Andy's Samson Q2U https://amzn.to/3Wm24WP Gandalf's Rodecaster: https://amzn.to/3ULKoD6 Webcams:Gandalf's basic webcam Logitech C920: https://amzn.to/3w8eEP3 Andy Brio: https://amzn.to/3WkF7n2 Gandalf's insta360 link: https://amzn.to/3UpCJsH Lights:Gandalf's Litra glow https://amzn.to/3UqLX7L Andy Neewer lights: https://amzn.to/3xWQ9Vg Software:Streamyard : https://streamyard.com/pal/c/6029521535369216 Extras:Streamdeck: (neo): https://amzn.to/4dBLzMP Timer: Boost your triage skills with our dynamic 5-session live webinar course, tailored for primary care clinicians. Led by Dr. Gandalf and Dr. Ed Pooley, this comprehensive training covers all facets of remote patient triage—digital, on-call, and more. Gain practical knowledge, exclusive tips, and direct access to our experts through open Q&A sessions. Elevate your ability to manage primary care challenges effec Learn how to use TPP SystmOne as a clinician in this comprehensive online course with a full money back guaratneeSign up by bit.ly/TPPS1Course Join Dr Mike as he shares how to get started and fly using EMIS to make your life easier with this clinical systembit.ly/EMIScourse
Patrick is back after a harrowing day of unreliable and unpredictable internet service. He has spend a considerable amount of money for a 5G cellular backup system to remedy this issue in the future. Aaron and April Imholte are on there third weed of being sick, and it must be some fever, because the Moobs has convinced himself that his numbers are higher than ever. Watch as the Scrimp brings her man some soda, the two argue about energy drinks, and they wreck their precious Rodecaster, whcih is the very cornerstone of their super professional broadcast. Bob Levy has made some moves, set some traps, and is now threatening action if Brennan doesn't pay him money. What's going on? Does anyone know? What is Bob going to do? Is Kevin going to lose his channel? ...
#XboxNews #psnewstelugu #playstation5 #PS5 #helldivers2 #gamepass Today Hargeet & I sit down & talk about various Phil Spencer articles, Xbox's future, AA Gaming, and the state of AAA gaming, as well as Sony's President on their future. All this & more on this week's Games Talk Live podcast! Hargeet can be found on Discord at "HChani" GTL Merch: https://tinyurl.com/2vfse7pd Follow Me: @JFonzerrelli on Twitter Email Contact: TheGamerFonz@Gmail.com My other channel: https://youtube.com/channel/UCXkqxBAaLhjYBUx5huBjqgw List of my gear: Beyerdynamics dt770 pro (headphones) Rodecaster pro 2 (mixer/soundboard) Austrian Audio OC18 (mic) Rode PSA1 (mic boom arm) Razor Kiyo Pro camera Elgato Key light Corsair Vengeance i8200 PC Time Stamps: 00:00 Introductions This channel is dedicated to gaming, primarily console gaming. As an owner of a PS4, PS4 Pro, Xbox One S, Xbox One X, and Nintendo Switch, I discuss everything in the way of news, or games for these consoles. I will definitely be getting a PS5, and New Xbox as soon as those are available. Thank you for checking out my channel. #XboxNews #PS5News #Playstation5 #XboxSeriesX #PS5 #XboxSeriesS #GTL #GamesTalkLive
The Walter Bosley Killifornia series with Todd Wood:https://youtube.com/playlist?list=PLyRk5dFkCi2bpAPI6oLKZnilZMQ1n2k67&si=yDBpAj5lmHtQpoRxI can't always hear mic anomalies because my audio is processed through the Rodecaster. The Rodecaster makes it sound the way it should. StreamYard however overrides this at times and what you get are occasional flukes. People said Todds volume was way high. I had no way of telling that. I heard it differently than it was recorded.Todd Shares very interesting details about the Process Church, Manson, and 4 Pi cult.GET COMMERCIAL FREE PODCASTS and Exclusive Content, Become a Patron. https://Patreon.com/DisguisetheLimits My Website: https://www.semperfryllc.com/podcast.html Priestcraft: Beyond Babylon is getting Great Feedback! 8.5x11 Paperback, Hardcover, & Kindle: https://www.amazon.com/dp/B0CNGX53L7/Barnes & Noble: Priestcraft: Beyond Babylon 416 pages, and ebook: https://www.barnesandnoble.com/w/book/1144402176 KOBO: https://www.kobo.com/us/en/ebook/priestcraft-beyond-babylon Add to the Kristos Family Apocalypse Fund: https://GiveSendGo.com/BaalBusters DR MONZO Products: https://drmonzo.kartra.com/page/shopDR MONZO ATB BOOK: https://drmonzo.kartra.com/page/ATBBookUSE CODE: BaalBusters15 for 15% OFF Dr. MONZO's store itemsDR PETER GLIDDEN, ND All-Access https://leavebigpharmabehind.com/?via=pgndhealthGet KRATOM HERE: https://klaritykratom.com/?ref=BaalBustersSubmit Questions: https://buymeacoffee.com/BaalBusters or just Call-in!Have you tired TRY BLUE? https://tryblue.refr.cc/baalbusters for 17% Off!SHIRTS & MERCH https://my-store-c960b1.creator-spring.com/THIS CHANNEL IS INDEPENDENT and has no sponsors but YOUJOIN Locals by Clicking the JOIN Button Beneath the video.AWESOME Hot Sauce: https://SemperFryLLC.com Use Code at site for 11% Off qualified purchasesBa'al Busters channel: https://rumble.com/c/BaalBusters Twitter: https://twitter.com/DisguiseLimitsInstagram: https://www.instagram.com/baalbusters/Telegram: https://t.me/BaalBustersStudios JoshWhoTV channel: https://BaalBuster.JoshWhoTV.com Spotify: https://open.spotify.com/show/3N7fqqG6MX84vKbANtxrWS The Host, Daniel Kristos, is a US Coast Guard veteran, author, a father, small hot sauce business owner, researcher, personal trainer, avid reader, and independent Historical Detective.
YES they are our sponsors, BUT they also make great gear. Point in case this week is their new MiCreator range for Content Creators. We take a look at what's on offer. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson In this episode of Pro Audio Suite, we discuss the latest products from Austrian Audio - the 'my creator studio', 'my creator satellite' and 'my creator Ylav'. We explore how these products are catering to the rapidly growing creator category that includes podcasting, vlogging, and songwriting, effectively replacing the conventional home studio. We noted Austrian Audio's strategic move into this space given their impressive engineering track record. Upcoming in the podcast, we will be testing an ISO booth to gauge its isolating efficiency. We also discuss the difficulty in finding unbiased reviews for new products and how important transparency is when recommending products. We mention our pleasant surprise at Austrian Audio's enthusiasm to join us as a sponsor, further expanding the opportunities for our listeners to gain insights into their products. Be sure to subscribe to our show and join the conversation on our Facebook group. #ProAudioSuite #AustrianAudio #CreatorRevolution Timestamps (00:00:00) Welcome & Introductions (00:00:40) Austrian Audio Studio Release (00:07:33) ISO Booth Arrival (00:09:32) Michael's Shipment Delay (00:13:45) Trustworthy Product Reviews (00:18:43) Sponsorship Discussion (00:23:55) Podcast Production Details Transcript Speaker A: Y'all ready be history. Speaker B: Get started. Speaker A: Welcome. Speaker B: Hi. Hi. Hello, everyone, to the Pro Audio Suite. Speaker A: These guys are professional and motivated with tech. To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com. Speaker B: Learn up learner. Here we go. Speaker C: And don't forget the password. Trip a P 200 to get $200 off your Triboof. Now, talking of product, one of our sponsors, apart from Triboof is Austrian Audio. And Austrian Audio have been busy lately and just released some new product, which is my creator studio, my creator satellite and my creator Ylav, which is an interesting thing for Austrian Audio. I didn't think they would get into this or particularly the Mylav thing. I didn't see them going that way. But what do you think, just a first look at this product from Austrian Audio. Speaker B: Well, I would say they are reading the tea leaves, as you could say, and it's just they have to have a product in this category. The creator category is a massive category. It kind of encompasses podcasting, Vlogging, songwriting. If you make content, you're a creator. And so this is like we are creators today because we're making a podcast. So this is who they need to reach out to. It's no longer the home musician or the home studio. It's the creator. This is the category that's replacing the quote unquote home studio. And so they're entering that market. And if their engineering track record so far is any indication, because this is new and none of us have one, I think they'll nail it. They haven't really missed a beat on anything they released so far, and I think they need to be very careful to make sure that brand stays gold. It's really concerning when companies release something half baked or just not quite up to par, even though it's at a lower price point. So obviously it's not going to be made in Austria in the same lab as the OC eight one eight. Right. : It's interesting. It's got one knob. I wonder if it's like that one thing where we couldn't figure out how to use it because the interface was like two buttons and everything happened. Speaker B: Yeah, well, I'm looking at it closely on screen and I don't have the software again, but it's got a three position switch on the face of the body of the mic itself and it's got high low mute. So that leads me to believe that it's just a very simple two position gain switch. : Yeah, but it talks about low latency monitoring, so it's got some stuff going on as a creator. It talks about low latency monitoring without any trouble. Speaker B: Yeah, well, it's got a volume balance knob, which I would say probably is that. So it's a volume control and it's a blend control, assuming that's what Bal means. Speaker C: Unless it could actually be when you plug into the micreator studio, you plug in the micreator satellite to create a stereo mic. Maybe that switch actually doubles as that to get a blend between left and right. I don't know right. Speaker B: Don't know yet. Don't know yet. : I'm looking for a manual. Speaker B: It's got a nice engineering industrial design. Not sexy, just kind of utilitarian looking. A square ish rectangular body and then the microphone capsule on top, which kind of has that cool retro look where the capsule is suspended inside a rim. And it's a nice looking design if it holds up to the abuse of what creators do, which is, to be completely frank, not take care of their gear. In a lot of cases, you just chuck things in your bag. I'll talk about another one of our friends rode, right? Speaker C: Yes. Speaker B: One thing I love about my rode wireless mics, the little wireless mes I have the cheapy ones is they're so light and so basic that I can just kind of I mean, I stick them in a little bag. And throw them in my gear bag. And they're so inconspicuous and they're so simple to operate that when I do need to use them as long as the battery is charged. And that's important. But as long as they got a charge on them, they're just so easy to deploy. Like within 30 seconds, I had it plugged into my iPhone. I launched the Road, I think they call it Capture road capture app. And I'm capturing my mic on my camera, the mic on my talent, and both cameras, the front and the rear. And I'm automatically shooting video and audio. : Is that all down to three files? Does it give you them separately or how does it do it? Speaker B: Yeah. So what it's doing and I would like to control this, but I can't. So what it does is it makes two video files and then each video file has a two track audio to go with it. So each video has both the microphones on ISO tracks. So what I do is when I bring why does it make two videos. : Like front and back or what? Speaker B: I can set it up to do that. Yeah. So you'll see a video I'm going to release soon, which is the interview of the owner of Vocalbooth.com. And I use that feature. So you'll see a video of me and him talking to each other. I'm behind it, he's in front of it, and you'll see it's just switching between the two of us. I'm using software to do this switch back and forth. And all I had to do was actually isolate the two audio tracks so I could get a better mix because I ended up having both audio tracks on both shots. So I had to kind of isolate them so you didn't have doubles, right, if that makes any sense. But this reminds me of that kind of, like, creator's tool, simple USBC plug and go. Looking at the back of the microphone now, I'm actually finally saw the rear of it. There's a few more functions, a few more jacks. : Well, the plug in the satellite mic is one. Speaker C: Yeah, that'll be the out. And then you get to the satellite mic, and then it's got an input and an output. And I'm assuming that what you do there is you get the headphone monitoring will come from the out, from the satellite, I guess, yeah. Speaker B: I mean, I look at this as Austrian audio saying, those road systems are cute, but we make good mics. So let's do the same idea. Forget at the wireless mics. This is really more for musician creators. So let's be able to have two mics, but all plugged into one USB. : This is a little bit of a RODECaster, I think it does. Speaker B: It's a little bit of a road type. Yeah. : Because it's recording both the lavalier mic and the close up mic, I guess. Speaker B: The lav or the satellite mic, which. : Looks like I think it records both. Speaker B: Yeah. The satellite mic looks like just another of the same capsule, just without the rest of the brains. It's just a little it's got a TRRS microphone cable, and it goes to the slave. It's like a master slave. We don't use that anymore, do we, the terms anymore? But it's kind of like there's the primary secondary, or whatever you want to call it. Speaker C: That's really interesting. Interesting product. We'll try and get our hands on something, at least one or two of those, just to check them out. Also, in the next few weeks, someone is sending me an ISO booth. I think you've done a demo on. Speaker B: Those sending you an ISO booth. So if they're sending it to you and it's for isolation, that already makes me concerned that it's not going to be very good at Isolating. Speaker C: Well, you know the big thing, you stick your head inside the ISO booth. : Yeah. The gray one that makes you want to vomit once you're in there for. Speaker C: A while, probably we'll find out when I get it, but it's going to be shipped to me in the next week or so. : Brush your teeth. Speaker C: Yes. Speaker B: Are we divulging who this is yet? Are we going to wait until you've used it and then you're going to. Speaker C: Mention we'll wait till I've used it. I just want to check it out. : Isn't it Isovox? Speaker C: Isovox, yeah. : Yes. Speaker B: They're going to send you their new. Speaker C: Cheaper one, the Isovox Two, I think it's called. Speaker B: Oh, they're going to send you Isovox Two. Speaker C: Yeah. Speaker B: Okay. : Aren't those things like, $800? Speaker B: I did a video review of that. How long ago? Five years ago. They're going to send you one of those? Speaker C: Yeah, I think you did the Isovox one, is that correct? Speaker B: I did the isovox two. I have the video loaded right now on my screen. Speaker C: Wow. Yeah, because the distributor that brings in Austrian audio into Australia have got them. : Yeah. The isovox two is like $1,000. Speaker C: So it's just going to come down for a week. I'll play with it and then we'll use it on one of the upcoming episodes and see what we think. Also an update on the passport vo. I've seen a bit of correspondence flicking backwards and forwards, mainly to you, George. How's it? Speaker B: Well, you know, the bottom line being I think Mike is being very transparent, but this is the truth is that he had a backlog of product to ship because of a part supply issue. So that really took the energy away from our product for a few months that we thought he would have been working on our product. So that means that our product is still in essentially, it's in design phase. We were the Envisionaries Envisionaries the vision visionaries for what we wanted, but it comes down to actual circuit design, and that is what it takes to get this thing really built. And so Michael is in that stage. He's in the circuit design stage. We were hoping this would have happened three months ago. It didn't, because he's been trying to basically relaunch and redeliver or deliver a whole bunch of their products because of a USB chip problem. Speaker C: Yeah. Speaker B: And so they had to literally redesign the boards for four products, get them back into production, get them delivered and shipped. So they've done that. So now if you do want to go buy a micport pro Three, they're actually shipping. They're no longer on preorder, as they've been for quite a while, as well as the mixer face and the portcaster and things like that. Speaker C: And the English Channel, I think, is number one. Speaker B: Yeah. Well, there's another one that's the English Channel, which I hear a little birdie said that we might have something to test out at some point. Speaker C: I think one is being shipped to Robo. I know that. I'm pretty sure that's happening, so that could be interesting. Speaker B: The English Channel is a fully analog piece, right? : Is it a preamp and EQ or. Speaker C: Just a preamp and limiter compressor? Preamp, I think it's got everything. Basically, there's a channel strip I got. Speaker B: To double check because they also have this soapbox, and there's a little bit of an overlap in terms of what does what, so I'm double checking that right now. But the Channel well, the English Channel. : Is but he only sent one to Robbo, right? He didn't send them out all over the place. Speaker B: I don't know. I thought he asked for my address, but I could be wrong. Yeah, but the English Channel, he didn't. : Ask for mine, as far as I know. Speaker B: Okay. Speaker C: Oh, mine. Speaker B: Tim's fighting words. The English Channel includes a studio mic, pre dynamics processor with gate compressor and DeEsser and parametric EQ with sonic enhancer and a streaming USB audio interface with SD card recorder. So it's essentially it's a little mini rack of three products. That's the English Channel. Speaker C: Yeah. : I didn't realize English Channel had a recorder on it. Speaker B: Well, it's the soapbox, the black cab and the portcaster. Yeah. Speaker C: All in one or linked together? Speaker B: Well, yeah, all combined in a cool little rack that they all lock into and connect together to make it feel like one product. : I think it's all those together. Oh, is he sending you the whole string? Speaker C: Holy shit. Speaker B: I don't know, but that would be pretty slamming. I was the most interested in testing the soapbox because that's kind of like a DBX 286. : I think the Preamp is the most interesting one if it's a decent external preamp. Speaker C: Yeah. Speaker B: Well, the soapbox is the preamp. The Black Cab is a five band spectral processor. : It's an EQ five band. It's a three wait, hold on. Speaker B: Well, they call it a five band. : Black Cab is just a three. I'm looking at it right now. It's a three band parametric q gain. Speaker B: And it must have a high shelf and a low shelf. : Oh, yeah, it does. Speaker B: No, it's got HDF. Yeah, it's got a pad that makes it five bands. And then there's the podcaster, is the recorder side of the whole thing. Speaker C: Yeah. It's interesting with sentrance because I've sort of been scouting around as well because I got an email from Michael that sort of inspired me to go down a rabbit hole on the Google. And I found some really interesting reviews, particularly on MixerFace, that was written by Sound on Sound magazine. And anyone that knows Sound on Sound knows they're pretty an authority. And they're good. : Yeah. Speaker B: Beyond reproach, would you say? Speaker C: I would say pretty well beyond reproach. Yeah. And they rave about Sentrin's products, so that was quite nice to read. Speaker B: Good to see. Yeah, I know a lot of the reviews. I mean, it's probably more likely to find a pretty honest review in these traditional print magazines than I would say you're going to find on a YouTube channel these days. I know that YouTubers are being forced to divulge that the product was sent to them, but that is part of the whole. Those that want to give the most impartial reviews tend to be the ones that actually go buy the products. Right. And so it's getting increasingly difficult to find reviews of brand new products that were not gifted to the reviewers. : I can tell you that I bought the Mixer. Speaker C: Bo Weaver. He's got a mixer face from memory as well, isn't he? Did he get one? Speaker B: He may. I don't recall particularly, but I think so. I think he's always been an early adopter. Whenever something new came out that was portable, he was all over it. Speaker C: Yeah. Speaker B: So I'm sure he had one. Yeah. Speaker C: Well, if that's the case, then I should put my hand up and say, I bought my OC eight one eight. : Yes, you did. Speaker C: Yes. : That's what started the whole thing. Speaker C: It was because I just bought the thing and loved it. That was the beginning of getting into bed, so to speak, with them. Speaker B: I bought my Rode wireless. Mics. Speaker C: Good work. Speaker B: It's about the cheapest thing they make. : But I bought my Rode Wireless Mics, but I didn't buy this guy, which I do like. I have to be honest, I think the NTG Five has been quite a good mic. Speaker C: Yeah. Speaker B: Now, we're on a new topic, but when I recommend product, I do try to defulge that I know or I have some kind of a relationship with that vendor. I do try to say that if it makes sense in the context, but it's proving your integrity. If you're listening to us right now, honestly, and you don't know who we are, first of all, Google us, okay? And second of all, we all have worked in this industry a really long time. We have very large client bases of trusted people. And if we're going to shill a product that was given to us by these vendors, we're going to use them, you're going to hear them, and you're going to get our god's honest thought about those products, period. There is no reason we're not going to go out of business because we told you something didn't sound good. It ain't going to happen. Like, we're just going to keep right on chugging whether we like something or not. So we're always going to be very straightforward with what works and what doesn't, you know what I mean? Speaker C: But the thing is, if it's something good, you want to share that information with people. I mean, I know the Austrian audio, particularly the OC 8118. I know quite a few people have bought them on my recommendation and love them. So it's not they've bought them and just going on, great, thanks for that. I've just shelled out some cash and. : You haven't gotten any commission or anything for that? Speaker B: No, really? : In fact, we should talk about that. Speaker C: Yes, indeed. Speaker B: No, we don't. We get product, we get to use it. We get to use it in the real world. We get to do our shows with the products. You hear us using the products, we talk about them. That benefits them, the vendor or the manufacturer, that benefits us because we get to use the stuff and talk about it with authority. And it benefits hopefully, you guys, too, because you're going to hear us say what we like, what we don't like, and what works, what doesn't, and that kind of thing. So hopefully everybody wins and they find that there's some integrity. There's going to be people out there who say, well, screw those guys, they got that thing for free. I've immediately written them off as an authority on that product or impartial reviewer, and that's fine. What are you going to do? Speaker C: Yeah. And we do get stuff for free, and we're quite happy to disclose that we're not going to lie to anybody about the product just because we got it for free. I mean, if it's free and it's junk, we'll say it's junk. Like the product. The Austrian audio thing. When I approached them to come on as a sponsor, I was expecting a big no. But no, they were happy to listen to the podcast and were happy to get involved. Speaker B: Going back, do you remember why you approached them? What caught their attention to you? Speaker C: Well, first of all, I had been reading about these microphones coming out and I was actually the barbecue at a friend's place, and the guy who is the distributor for Austrian Audio now had told me some time ago that he said, I've got something special up my sleeve that's coming out. We're going to be distributing this new microphone. And I'd forgotten all about that. And I saw him at the barbecue and I said, oh, Mark, I've seen this great new mic. It looks fantastic. It's called the Austrian Audio. OC. Eight one eight. He goes, Mate, that's the one we're bringing in. I went, Holy shit, you're kidding. Looks great. He goes, It's fantastic. And then they did a bit of a launch just when COVID had kicked off, unfortunately, and I went to this. Speaker B: I'm familiar with that problem. Yeah. Speaker C: God. And it was all the product launched. Speaker B: Exactly like three months before the friggin Pandemic. We're trying to sell a portable product whenever traveling. Speaker C: Then I went to this function that Group Technologies here in Australia are put on. So they had Austrian Audio down there, they had a whole bunch of other products they bring into Australia from Europe and all over the place. And I met Martin, who's the CEO of Austrian Audio. He was there just talking to people and demonstrating product. And so I had a good chat with him and he was telling me about how Austrian Audio happened and what the capsule they put into the OC eight. One eight was actually from all the R and D they were doing at AKG, trying to replicate the C Twelve. And it's all the stuff about microphones that they got from famous people just to try and get some kind of sonic signature from the C Twelve that they could base their new OC 8118 on. So that was when I first got it. And I bought one and just loved it and kind of went from there, really. So I was talking to the guys here and I said, it'd be really nice if they became a sponsor. Would they be interested? And it's like, Talk to Walter in Austria and see what he says. So I did. Speaker B: And they said, you did it the old fashioned way. Speaker C: Old fashioned way? I didn't use a pen and paper to write a letter. Speaker B: No, but you had a relationship, you made a connection, you had a relationship, you just reached out and that's how it works. Whereas a lot of influencers, it doesn't work that way at all. The influencers just getting inundated with emails from the marketing departments of all these different products saying review our product please. And that's not at all what happened and how things work around here. Partly because we're kind of in terms of the internet of personalities, we're small potatoes. We do not have 20, 5100 and 3 million followers. It ain't going to happen. So there's not that motivation for companies to get these products into our hands. Like bandru? Speaker C: Yeah. Speaker B: From podcastage and those guys nor do we want to be in that position either. Those guys, it's a grind for them. I've talked to Mike Delgadio, the booth junkie and other guys like them and it's a grind for them. They just oh get I have four more of these things to get reviewed in the next know or whatever. It becomes just sort of a grind. And we're not in that position either, which I'm really grateful for that we don't have to. It's just not part of how we do things and how we make money. We just get product, we talk about it, use it and then we just do our thing. Speaker C: Yeah, and we're not just a product reviewer either. I mean, we're more not at all brainstrust. Speaker B: If this is your first time listening to us, go back a year or two. Speaker C: Yeah, that's right. Yeah. It's more of a brains trust and a place where people can listen in and just use us as a resource to get some information about anything they might want to do in their home studio, including buying an Austrian Audio microphone. Speaker B: I've gotten some really good anecdotal just literally a man on the street. People I meet at events. Great compliments about the that's well that's know I really enjoy your shows that you podcast. Pro Audio Suite podcast, you know, it resonates with people. I am told about this show I showed up to Joseph Brando's promo masterclass and three different people at lunch there were like, hey, I love that's. Great. People are hearing really they really enjoy it and it resonates with them and there's some value that they're getting from the show. Speaker C: Well, I do know that there's quite a few dealers in Chicago that resonates with them as well. : Definitely. Speaker B: Well that was fun. Is it over? Speaker A: The Pro Audio suite with thanks to Tribut and Austrian audio recorded using Source Connect edited by Andrew Peters and mixed by Voodoo Radio Imaging with tech support from George the Tech Wittam don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say g'day. Drop us a note at our website. Theproaudiosuite.com.
It started with just a select few, then it grew in popularity to become a trend, and these days, guys like our very own George "the Tech" Whittam are installing home studios at a rate of knots while others create their own acoustically treated paradise in the basement. So what's next? What does the future hold, and can we ever recoup the costs by charging our clients to use them?? A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson In this episode of the Pro Audio Suite, the team delves into the upcoming Nexus from Source Elements, a plugin that effectively routes audio, virtual audio interfaces in and out of Pro Tools. The team also discusses novel features such as the Dim operation and incorporates talkback functionalities. The emerging future of voice-over artists working directly from one room, rather than traditional booths was examined, suggesting industry shifts. There is discussion on the need for talent to show their value in order to increase pricing, given the significant investments made in equipment and learning audio engineering. Other elements discussed included the limitations of the iPad in a pro audio production workflow, the strategic placement of preamps, and the anticipation of the passport and Nexus release. The episode rounds off with a nod towards their future plans to incorporate higher levels of control. #ProAudioSuite #SourceElementsNexus #VoiceoverTech Timestamps [00:00:00] Intro - Meet the Pro Audio Suite Hosts [00:00:52] Discussing Nexus: The Innovation in Audio Routing [00:08:38] Efficiency of Nexus on Channels [00:09:13] The Future of Voice Over Workstations [00:12:05] Charging Reality in Voiceover Industry [00:15:19] Value of Remote Studios and its Impact on Pricing [00:22:18] Investment Expectations in Preamps, compressors and Microphones [00:28:04] Nexus Router's Flexibility in Sound Production [00:32:40] The Role of iPads in Pro Audio Production [00:37:16] The Controversy of the Preamp's Location [00:42:02] A Light-hearted Detour from Nexus Talks [00:42:20] Anticipating the Launch of Passport & Nexus [00:44:40] Pro Audio Suite's Collaboration with Tribut & Austrian audio, and a Mention of George Wittam's Tech Support Services. Transcript Speaker A: Y'all ready? Be history. Speaker B: Get started. Speaker C: Welcome. Speaker B: Hi. Hi. Hello, everyone, to the Pro Audio Suite. These guys are professional. Speaker C: They're motivated with tech. To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com line up. Speaker B: Learner. Here we go. Speaker C: Welcome to another Pro audio suite. Don't forget, if you do want to buy a Tribooth, the code is tripap 200 to get $200 off your purchase. If you'd like to leave a comment, by the way, on your favorite platform, please do so. It's good for our analytics, and we might drive a bit more traffic, which is always handy. Now, something that may be out as we speak or maybe about to be released, is the new Nexus from Source Elements. You've definitely had a look at it, George. I think you've had a look at it, Robert. And Robert knows all about it because it's his baby. Speaker A: How much do you know, Robert? : Let's be honest, I'm clueless. Yeah. Speaker C: No, that's me. That's my Robert. : I know it all, but really, don't I'm just like yeah. Speaker A: Can I just say, before you dive into it, it's a very sexy beast. Seriously, it's very clever. Speaker C: You've had a look around the whole thing, haven't you? Speaker A: I have. I've sort of had a play with it. But, I mean, Robert's going to explain it the best, so we should leave it to him to run through the list of features. : I like hearing what kind of mess other people make out of it. Speaker A: Well, you know, what inspires me the most, and I think is going to be the most useful for our listeners, I think, is simple things like the Dim operation, the fact that it actually just drops your mic level. : Drops the levels. Yep. Speaker A: And all that sort of stuff. : A lot simpler than a Dugan mixer. Speaker A: The gateway from a studio point of view, from me looking at that gateway, everything's all in the box. I've got video, I've got everything there. But, I mean, you should explain it all. : Yeah. So basically, Nexus started out, oh, God, how many years ago? 2007? I don't know. But I was like, wouldn't it be nice if you could route audio, virtual audio interfaces in and out of Pro Tools? And it was like, we made that, and it was kind of a hit. And what it was primarily used for was to interface the client side of a remote voiceover session, or just a remote client side. So think of it as Source Connect was the remote connection for voice talent into an engineer setup, who then also has remote clients. And Nexus was used to empower things like zoom and hangouts. But we all know that all of those have their various issues for instance, one of them is if you're broadcasting and you've got talkback going over zoom, there's very different goals of the talkback versus the broadcast that you want to have your clients listen to, so the talkback can have echo cancellation on it. And actually that helps because many times your clients don't have headphones, but your broadcast, you don't want it to be impeded by the echo cancellation and things like this. So what Nexus is, is it still represents to me that sort of client side connection. But now we're completing more of it. Instead of saying, oh, just like throw Nexus at Zoom, or throw Nexus at whatever it is that your clients are using Microsoft teams, here's a gateway for it that does what you need as a professional audio and video person for collaborating with your clients. Instead of trying to pound Zoom into a hole. Speaker B: Here's how it was described ten years ago, you sent an email out sourcenexis is an audio application router. Record remote voiceover from Source Connect directly into Final Cut or Media Composer playback itunes to Pro Tools, even patch Pro Tools to and from Nuendo all at the same time. Route any audio application in and out of Pro Tools, even if that application does not have any plugin support. Speaker A: There you go. Speaker B: That was December 2013. : So that's like a very broad, broad strike explanation. Sort of like it's round and so it rolls, but this is a wheel for a car. So yeah, the rolling part of it is well, it pretty much is a router that was put in the Daw so that you could route external interfaces in and out and do things like that. And the primary thing that it got used a lot for was those client side connections. Speaker C: So how would it work for someone like me? What benefit would I get out of Nexus? Speaker B: So the talent side, what do they say? : I think the same thing. So just like you've got Source Connect and you're running with studios and engineers and it has that rock solid queued up connection that's going to pick up every bit. Even if the internet does its thing, as you know, voice talent are being forced to take up much more and more of the burden and you have the situation where, hey, can I get playback? So one of the things that Nexus has is it's now a suite, by the way. It's not just the plugin. So there's the original Nexus IO, which is sort of like just the raw plugin. You have to know what you want to do with it. You have to build your own template for it. Nexus Review is a Nexus plugin that now has several ins and outs going into it and out of it. So it brings your talk back over to the gateway, which is our web meeting room. It gets the gateway back into your connection so that you hear it in your headphones and it plays your playback to the connection and everybody. And it does all that without you having to even think about what the word Mix Minus is or if it even exists. Because it's done all in one plugin. So what used to need two, three Nexus plugins and a talkback plugin is now Nexus Review. Okay, straight, just drop that plugin on your master fader, your setup is complete. Speaker C: So when you do playback, it actually mutes everything else. So you don't get obviously well, it. : Doesn'T in this iteration, but there's going to be all kinds of stuff that starts to happen within the suite, within its sort of capabilities. And I think that right now, the first thing you would say is it just makes playback easy. Your question specifically, Andrew, which is like, why would a voice talent want this? It makes playback easy because really, in that sense, you're just like the engineer at that point. You're recording stuff and you're playing it back. That's kind of like what? So this just makes that setup way less daunting because all you really have to do is and also we're going to probably come out with that as a standalone app as well. So if you're using something like Twisted Wave, you can just route Twisted Wave into the Nexus review app and same thing, you don't have to be on a daw. It doesn't have to be a plugin, but it does your Mix Minus and your talkback Twisted Wave. Actually, here's a question about twisted wave. Do you have the option to monitor live through it? Speaker B: It does have a monitor mode that you can turn on, of course with a little bit of latency, but it does have that capability, right? : So you might want to do that. And funny enough, if it does create a latency with yourself, there's a handy mute button so you can mute it and you don't have to listen to it, but at least your clients can hear you monitoring through Twisted Wave. So there's little individual situations that might come. Speaker B: What would be the benefit though? Like if you don't have to monitor yourself in Twisted Wave, what would be the benefit of turning that on? : Well, the reason why is that you're either going to direct your microphone live into Nexus Review, but then if you want playback, you're going to route your Daw into Nexus Review. And if you call Twisted Wave a Daw, then you want to route Twisted Wave into it. Speaker B: Okay, so you set the output in your Twisted Wave output setting to the Nexus review plugin input. : Yes. Not the input of well, in this case it would be the input of the application, not the gotcha gotcha, because in the Daw sense, the input is taken care of. It's like whatever channel you throw it on, the input is implicit. Speaker B: Right. : And then that same ability for all you video editors out there and things like that, the review set up and integrating my talkback with a talkback button if I want all of that is just like done, whatever, I have to set up a template in Pro Tools or I have to have a mixer. All the different things that people do. Speaker B: To be able to passport vo. Speaker C: Yes. Nicely sliding there. Speaker B: Right. So just to get a little bit deeper. So I'm in Twisted Wave. I'm the actor. I've recorded myself. I hit stop, I hit play to hear playback. I want to hear the playback and I want it to also send to Nexus. If I set the output of Twisted Wave to Nexus, will I myself on the local side hear the playback also or will it be shunting the audio. : To you would hear the playback and so there is a fader for you. Speaker B: Oh, Nexus handles that for you. : Nexus has a fader with the mute on it that you could mute that if you want. Speaker B: Nice. So that solves that problem. Beautiful. Right. Speaker C: The question I've got though is it seems that we as voice over people are going to end up sitting in one room with microphones and screens and computers in there with us. So the booth is pretty well fast becoming redundant. : Well, it might be that radio style booth. Speaker A: Yeah. Do you just have it in your booth? That's right, that would be my yes. Speaker C: What I mean but it's become like a radio. Speaker A: I think that's going to happen anyway. I kind of think that for me, this thing's sort of ahead of the game because I can see that coming, I really can. The more and more I even had two sessions in the last couple of weeks canceled because the creative guys just jumped online with the voice and did it themselves. They didn't need an engineer. : We do see a lot of that. It's like the phone patch may have gone away, but the direct to client session and where it comes up and it's really funny because clients don't really save time when they do this. They think they do, but they don't. So they say, hey, let's not book a studio to record the talent. Let's pay the talent the same amount of money and make them record it and complain at them if it didn't work out the way we wanted, by the way. So now we have the talent recording everything and inevitably, no one keeps good notes. And even if someone does keep good notes, you don't know how well the talent is cutting up the files. And it's very easy if you've ever been in a session sometimes to get your take numbering off from what you're writing down and what's actually happening in a computer, especially if you as the talent, you're busy trying to do other things, like read the script and not look at the computer screen. On what file number Twisted Wave is on. And so inevitably, someone has to put humpty Dumpty back together again after the talent has recorded everything. And that's going to take just as much time as just recording the session with an engineer online who can cut everything up and do it for you. And that way the talent only reads what they need to. They're not reading a bunch of speculative takes because no one knows if A is going to edit back to take 65 or whatever. You can just hear it. You got it. Great. And it fits because we timed it out. Speaker A: You just touched exactly on the problem that came from one of these sessions the other day. And this was a well known agency, a global agency, that they did one of these sessions where they just recorded it with whoever it was locally and they were on the phone, but the creative rings me and goes, yeah, kind of. I'm really happy with this. But we did some takes. I asked the talent to do this, but of course, with no labels, no notes, no nothing, I've got to go through every single take and go to him. Is it this one? No, that's not it. What about this? No, that's not it. No, it's more like this. Oh, hang on. Okay, well, is it this one? No, it's not that. It's like if I was doing the session in Pro Tools, it would be labeled. I'd have a page full of notes as well. This edits to this, blah, blah, blah, and it's done. But it took, like half an hour to find one take for this guy. Speaker B: The pennywise found it is pennywise pound foolish. : But the other problem is that what happens is that they're all working off of flat bids, right? 1 hour for the talent. They know what their residuals are. They bid these things out. And it's really hard to get these agencies to necessarily do just, hey, we want to be creative and throw paint on the wall and pay by the hour to throw paint on the wall. Instead, they do I don't know if you've seen that. It's that thing where the guy says, like, hi, we'd like to do an advert and we want to research sound effects and do all this stuff and try two different music takes and this and that. So 1 hour. And the person in the studio is like, I think it's going to take longer than that. And then the person at the agency is like, no, we know our stuff. We know exactly what we want. We're not indecisive at all. We only need 1 hour. And then you're like, okay, now you're stuck making a commercial in 1 hour that you know is going to take longer. So even though the agency basically saddles the talent with recording the takes, they never actually face the consequences of their actions because the bid happens. Then they audition, and it's like they've already at that point with the bid, taking out the voice record. We'll just give you takes. Speaker C: Yeah. You get what you pay for. And if you don't pay him, you. Speaker B: Don'T get much, and you're going to pay later. Speaker A: It's pay now, pay later. Sooner or later, you're going to pay for it. : I really think this was that moment when the voiceover industry, they all decided that they were going to try to eat each other's lunch. And at some point, it became like, my booth doesn't cost a thing. My setup and knowledge of my booth and what to do through blood and sweat and tears, paying me figured out and literal money that is free too. Speaker B: Right? : And all that stuff never should have been free. It should have been, okay, I'm whatever. $400 an hour, and, oh, you want to use my studio even if it's $50 an hour? Speaker B: Yeah, there should be a rate attached. I totally agree. As voice actors who wanted to be providing a service and I can name names, but I don't need to who are very early on in the home studio timeline. Right. Like literally FedExing Dat tapes. Right. They wanted to be a service provider. They wanted to be ahead of the curve and create a business niche for themselves. In the meantime, they were creating a problem for the fact that home studios would eventually become the norm, and nobody was getting compensated for operating a studio and engineering a session. : It's like when you have something unique, you charge more for it. So if you're a voice talent and because you're available at home, you are available, like, instantaneously, you don't need to have a limo drive you around La. That's a perk. And it might be a perk for you, but it's also a perk for your clients. But it became part of the add in, like, a long time ago. This was in the early 2000s. This was in the days of ISDN that this happened. Speaker B: It was literally when I got into the business. Yeah. I was just being told, people need this help. And I didn't know anything about the business model. I didn't know Jack squad about who got paid what, how, what you didn't get paid for. I just was there to solve problems. So I had no idea that this was going on till much later. : Yeah, but here we are. Talent put a lot of time, effort, money, emotion into building their setup and learning this basically some aspect of the craft of audio engineering, essentially. Maybe not the whole thing, but there's. Speaker B: Like I mean, tell me this. Would there be a value I know this is off topic, but would there be a value when a talent or an agent invoices that even if the bottom line is identical, that you literally add in a line that's engineering services, so it literally shows up and they see, oh, we're paying for this. Would there be some efficacy to this? It's kind of like restaurants starting to charge a service fee or a kitchen love fee or whatever. There's been a lot of blowback to this because some people really just raise your prices and other people are like, I like the transparency. So it's kind of confusing. : I think that if you want to, you effectively want to raise your price. And the only way you're going to be able to raise your price is by showing your value. And so in that sense, you almost need to because to the point that it happens on the flip side. So not just our like there's three layers to it. It used to be that the talent went to the studio and so there's two studios and there was a lot of meat on the bone for a whole industry. Right? There was an engineer in a studio in La. There was an engineer in a studio in New York. There was a voice talent in La. Yeah, there was five creatives over in New York. It was all happening real time. And At T was like just digging into the pie, too. And now it's like the first thing that happens is voice talent or the auditions come in and they know must have ISDN or source connect, essentially, and read between the lines. And what's happening over on the bid side is there's no money for a remote studio. Only talent with home studio need apply. And George, how many times have you seen talent that have done the Voice Tracks West? Or I know a place that knows what pay out of pocket. Speaker B: I tell people do it all the time. : Voice tracks west is I'm like, if. Speaker B: You don't do these sessions that often, spending $10,000 on a soundproof booth is a massive waste of money. : Yeah. And Voice Tracks has got a tight operation. It's not like decked out in oak panels, like all the big working facility. Boom. It's like, here's a room, here's a setup. You need an engineer to set you up. We don't have staff to sit there and babysit you the whole time, but what are you going to do? That's all you need. I don't know what they charge, but I have a feeling it's pretty affordable enough. Speaker B: They do what we call talent friendly rates, right? : And it's a great idea. So you get those auditions that are basically like, bring your own studio iOS. And then the next level is like, you know what, we're not even going to hire an engineer to record it like we just talked about, right? Speaker B: It's a weird position. I've always felt weird being in the position of enabling, essentially because I'm enabling the talent buyers to charge low rates for engineering or not budget for it. And I'm enabling the talent to meet that need. At the same time, there's the plus. : That you have your talent that can go live where they want to. And there's many talent that would if charging for their studio would be a deterrent to them having the lifestyle that they want. They want all their sessions to be in house. The reason to give it away is not just because they're trying to get an edge over some other talent, but also because they're trying to direct their life the way they want it to be. And being called into a freaking city every other day for an hour session and you got to drive 2 hours is crazy. And so it makes sense. Speaker B: And let's face it, as a voice actor, you can't live the lifestyle that you would like to live and be in. Those days are mostly gone. That you can live that lifestyle and have a nice home and have all this space and blah, blah, blah and live in the city, like live in Los Angeles or Lake. Like that's unbelievably expensive. : Right. And you don't have to anymore. Speaker C: Anyways, getting back to the rate thing, though, there is a way of doing it because on my invoices I show, studio and edit and then whatever the fee is and it's usually zero zero, but you can actually put in there. Voiceover blah, blah, blah. That rate goes in studio, edit X dollars and then you can give them a discount, which actually is equivalent to the studio rate. That way the client sees that there is a fee involved in that, but you've just done them a favor and not charged them for it. Speaker B: I think that's very smart. I will invoice people for a $0 item just so they know they're getting it. The problem with like a flat rate. : Or just write the real price down and say the discount that you're getting. Speaker B: Yeah. I'll say this is $100 thing, I'm throwing it in at $0. But you need to know that it has a value attached. Speaker A: Yeah, everything we do has a value attached because it's our time. Speaker B: Right? Yeah. But it needs to be literally spelled out for them on black and black and white, I think. Speaker A: Agreed. Speaker C: But the stupid thing is I was talking to in fact, Robbo and I were talking yesterday about equipment and stuff in the studio and believe that's the stupid thing. Well, it's the stupid thing in my case because it's ridiculous. I mean, I don't need any of this stuff, really. But I was sitting here the other day, like, adding up how much the dollar value of the stuff I've got in here in preamps compressors and microphones is just completely insane. : It's ridiculous. It is, yes. Speaker C: It's fun though. : Okay. It is. People putting wings on their back of their Honda Civic. Speaker C: Yeah, thanks. : I hate to say it, but it's like we are kind of doing some. Speaker B: Of that even does that you can buy a Civic with three exhaust type tips coming on the back. Speaker C: Exactly. Yeah. Get yourself the type r boom. Look out. : Yeah, but sometimes we're just like, OOH, that thing's going to make us faster and improve my zero to 60 time that neve preamp or whatever, and I think that we get caught up. I mean, God knows I've spent a lot of money on audio gear. Speaker C: Oh, you have? You're worse than me, actually. : I need, like, the nose spray that breaks the addiction, whatever. Speaker B: But Robert's business model is a different one. His service is his studio and his skill with his know. So I feel like a service provider that's providing that type of a studio service. There's an expectation of a certain investment in that equipment and keeping it up. Speaker A: To date and keeping it serviced and. Speaker C: Keeping it's funny, though, because I did send a file off to one of the audio production guys in one of the radio networks here because he was looking at buying Austrian audio microphones for their studios, which he did. Speaker A: Salesmen. Speaker C: But he said, oh, can you send me something? You got a sample of the eight one eight? And I went, yeah, sure. So I sent him just a cold read, eight one eight through the neve. He just come back going I said, what do you think? He goes, oh, my God, I'm buying one. Speaker A: Nice. : It's so funny. The subtle stuff is really there, but it's great when either someone is completely doing the same drugs that you're doing or actually is truly hearing the same thing that you're hearing. There is this like, wow, that really is better. And at the same time, someone walks in who doesn't understand much about audio and goes like, what's the difference? Speaker B: You really get me. You really see me. Speaker C: It was really funny. It's like a guy that both Robbo and I know is also an audio guy. This is years and years and years ago. He got a voice track sent. It was a cold read from a studio in Melbourne. And he called me up and he said, do you know what microphones or what microphone they use down at this studio? And I said, no, I don't, actually. He said, man, you got to find out. It sounds unbelievable. So I went down there and I was in there doing a job, and before I got in there, I said, what mics are you using, by the way? He goes, oh, what was the session? I told him, it's like, oh, yeah, we've just bought a new U 47, the Telefunkin U 47. When they first reissued the thing, I'm like, okay, so I think they were selling for close to 20,000 Australian dollars at the time. So 15 14,000 us. I'm guessing. Sounded very nice. Speaker A: You would want to I didn't know. Speaker B: They reissued that mic. Speaker C: Yeah, the telephone U 47. Speaker B: Yeah. I never knew there was a reissue of that mic. : Yeah, that thing's been, like, homages to. Speaker B: No, I know, but I mean, it's literally in Neumann. Like, they did just the U 67. : Like, five years ago. It's telefunken, but telefunken is not the Telefunkin that Telefunken was, right? Speaker C: Correct. Yeah. : Telefunkin is like some company in Connecticut. Telefunk is really a European funky funkin. Speaker C: It was kind of weird though, because a lot of the Neumans that were re badged for America, so like Frank Sinatra's U 47 was actually badged, I think, as a Telefunken. : Right. So they were really U 47s. They were really Neumanns. Right. And then they were rebadged as Telefunken. And then the same thing happens with the AKG C Twelve because Telefunken was an importing company. They would commission things to be made or they would just say, hey, I'll buy a bunch of those. Speaker C: And there were tons of companies doing that, particularly in America, where they rebadged microphones under different brands that were made primarily by AKG or Neumann. : It's kind of like rebadging Chinese stuff in a way, happens. It's like happening again. You see the same product and it's like, oh, they just put a different name on it and called it their amplifier. Speaker C: So you're going to white label Nexus and set it off under different brands. : There's all kinds of discussions and things that pop up and then sometimes just like fizzle out. But one thing for sure, I think, is that at least on some version of the Gateway, one of the talked about features is to customize it so you can make it like Andrew's Shopahor. Speaker A: Well, one thing I wanted to touch on and something that's not in the demo though, but something you were showing me after we finished recording a couple of weeks ago is the router. Can you tell us about that? Because that's a game changer, right? : It's not going to release on the first. It might actually I don't know, but right now it's a little bit behind. It would be one of those things that certainly would take. It would be one of the things that takes longer to get out, but it's pretty much done. And it's just a desktop router. So you can set up a lot of this stuff or the rest of the stuff that you want to customize on your desktop routing, for example, if you wanted just to have something that routed. One of the things that happens with Pro Tools in particular is once you close your session, you lose all your routing. So if you're not putting all your work into one session or working on one thing and you have to open up different files while you have a group of people online and connected, when you close Pro Tools, you lose communication and possibly even different parts of those connections, depending on what platforms are on. They might lose their connections too, because some of those connections go through you. So router gives you the opportunity to be able to set up sort of like a desktop route. Similar in a way, George, to what a lot of people that you have do with the Apollo Mixer. Speaker B: Yeah, I was going. To mention that. Right, exactly. But being on a not you're now hardware agnostic, you can be on anything. Speaker A: Because the killer for that, for me, is that is exactly what you're saying, is that whole thing of, like, you're halfway through a session and the creative goes, hey, last time we did this, we did blah, blah. Can you go to the old Pro Tools session? And you got to do that whole embarrassing listen, yeah, I can do that, but you're going to lose me for a second here, guys. Okay, I'll be back in a minute. And you hear the way you go. : That whole thing changed the way I work. I have Pro Tool sessions with hundreds and possibly, I don't know, thousands of spots. Whole years of campaigns, just boom, one after the you do them all on one timeline thing of like, oh yeah, one big ass timeline. Really? Speaker B: They're not just clips in the clip viewer? : No, it's basically what ProTools lacks is any sort of like have you ever worked in Media Composer? Speaker B: A little bit. : Okay, so Media Composer, you can have sessions well, you have a bin. Yeah. Pro Tools user have been wanting folders within their bin for the last 20 years, and they still have yet to get them. Different issue, but even more so, the edit and the mixer in Pro Tools are joined at the hip. But there's many aspects of your mixer that are not part of your edit. They're just part of your studio. Speaker B: Sort of like there's a utility mixer. : This is a utility, this is your external. What used to be in a lot of early setups were like people that would have like a Mackie mixer off to the side and then they'd add Pro Tools. And what was going in and out of the Mackie mixer was like microphones and headphone feeds and connection to the tape dock probably back. Um, and so the mixer still had routing capability and some of that's daunting. And really what you need is just like a couple straight ahead patches and maybe a volume control. And that's really what Nexus router lets you do. It has an advanced mode where you can just sort of draw whatever you want from A to B and then that way you can even have different setups that you can load and save and close and open up a different setup, or you can make one massive. Speaker B: Setup forward to it. Because I'm looking forward to being more hardware agnostic and less attached to something like the Apollo in general and kind of endorsing that kind of mentality of being a little bit less attached to that system. So this will be something that'll be nice to set up for more people who do want that extra level of sophistication absolutely. : Yeah, it'll make it like if they have little special things that they need to do, even something like a talkback mic when they're outside or playback from some other device if they want to plug their phone in or have some other app. Speaker B: Let me ask you this. This is definitely going down a rabit hole in terms of features, but can you imagine that ever being on a touch screen interface like an iPad or having a controller? : I could definitely imagine. We've already got other levels of control that we're planning on, which are, I think, pretty exciting. Speaker B: You guys were talking earlier about things are moving towards the actor having to have really a full production suite in their booth, right? Speaker C: Yeah. Speaker B: It sucks, though. I mean, people don't want the day. : That someone asks an actor to not only record for them, but can you please play back picture while you record? When that happens, then it's like you're really throwing a lot at Cipriano. Speaker B: I mean, he does stuff when he. : Has to, but some people can do that. It wouldn't be that hard. Speaker B: He paid me to set up Pro Tools to do it. : Right. Speaker B: Yeah. So it would be lovely for someone who really still wants to have a feeling of I have a mic, I have a headphone, I have my script. But not having to have keyboard, monitor, mouse, that whole rig in there too and just have somewhat innocuous iPad or even if you're reading off the iPad, you can just do the four finger swipe and switch over to the mix. : The hardest thing becomes, I still think the iPad is a tough environment. There's been a lot of actors have been like, can I just do this all on the iPad? Speaker B: Yeah. No, there's a bit of a stay in your lane. The iPad has a lane to stay in. To me, it still has no place in a Pro audio production workflow except as a controller or a script reader. : Yeah, it works well as a controller. Speaker B: I've got my V controller controller and a script reader. That's what it's for. To me. It's not a pro audio. Despite the power of the thing, the hardware, the fact that it's got Thunderbolt now in the Pro model, iPad Pro, it's still just not the tool for the job. So use it what it's for, and that's what it's good for. So I would endorse having that in there just to control the Nexus monitoring and the other stuff. : Do a lot of talent. Really avoid and not want some really. Speaker B: Do avoid it as long as they can. They really despise doing that. Speaker C: I'm one. Speaker B: Yeah. It's because of the distraction. Because this is the right brain, left brain, actor, engineer, conundrum. You can't do both at the same time. I don't care who the hell you are, you can't do them both equally well. One is always suffering at the hands of the other. So the actor that really but what. : Does an actor need in the booth? Truly? They need to be able to record takes, and they need to be able to play back. Speaker B: Mean, some people like, I'll call you out, Bo Weaver, I've known you so long. He hits record, he walks into the booth. He records all of his sessions. He walks out of the booth and he sits down and he edits all the sessions. Like done. That's his workflow. Now. How often is he directed? Very rarely. Record and send. But yeah, that's what he likes. He likes to have the two separate church and state. Speaker C: Well, I'm exactly the same. I have the same workflow as Bo because a lot of my stuff is not directed. So I do exactly the same thing. I go in there, record, come back and come out of here and edit and send. : Yeah, but how many times you go back and forth? Speaker C: I save each file separately. So if I'm doing like 430 2nd spots for somebody, then I'll record a couple of takes or two or three takes. : How do you know you're in time? Are you timing yourself? Speaker C: I do a timer first. I will sit there and I'll time one with the stopwatch first read. So I know ballpark where I'm at. By the time you deep breath, you lose a couple of seconds. So if I'm doing like one, that's got to be 27 seconds and I come in at 27, then I know I've got 2 seconds up my sleeve so I can take more time with it. Once you've been doing this for that's the thing. : You guys have like atomic clocks built in. I can't tell you how many times I've had a talent and I'm like, can you take half a second off that? And they take half a second off that. Speaker B: It's like, wow, bo had an iPad one for years. He may still have it just to run the timer period. He's like, It's a great timer. It doesn't make a click. : I have an iPad one that I use for my eight faders approach. Yeah. So there's some minimal amount of control that's necessary. They at least need a door handle, probably. Do they want a mic mute? Speaker B: Yeah, I'm sure they would. Most people would like to have that, I would think. Yeah, it's pretty embarrassing when you got. Speaker C: A horrible client down the line and mic mute's. Very handy. Speaker B: Horrible client or bad cheese. Speaker C: Yeah. : How do you find the foot switches. Speaker C: For I reckon a foot switch would be great. Speaker A: You need one of those AP. You need a foot switch. Speaker C: Yes, I need a foot switch. Foot switch is great. I love it. Trouble is, I probably tread on it by accident. Speaker B: Well, the Whirlwind PPD or whatever, they have a foot switch on off switch. : The ones that don't break phantom power so that they don't pop, they just sort of short out. Speaker C: And it's also like I wouldn't want I mean, the idea is fantastic. I think it's fun, but I hate too much stuff between the microphone and the preamp. Speaker B: Yeah. Speaker C: Well, there's that one more thing that can go wobbly on you. Speaker B: Not to go completely off base here again, but I was talking earlier about what I saw podcast movement, and I saw the boss answer to the RODECaster pro because Roland's had and Roland too. Boss is like their musician wing of Roland or like the guitar pedal. : I don't know about that. Speaker B: Right. : So they had boss is the guitar wing and Roland and Roland is the keyboard wing, but they've crossed areas. Like mainly Roland has made guitar synths and the other view is that Roland is the high end and then Boss is the middle. Speaker B: Right? So I'm looking at their things and going, okay, here's another RODECaster. What's on the back? A foot pedals plug. I was like, Whoa, that's cool. What can you do with that? He's like, whatever you want. For the gamers, you can do anything you want. I was like, Well, I can see that being cool because the mixer is outside on your desk and you run a foot pedal in your booth and now you have a way to cut your mic, or it could be a way to hit record and then punch a marker when you click it again. There's a lot you could do with. : That, so whatever you want. The foot pedal can send like USB. Speaker B: Messages, as far as I can tell. I don't know how flexible it is, but it's pretty flexible. There's also air tools or AirTurn I think that's called AirTurn. And now other companies are getting into it where you can get Bluetooth pedals that go in your booth to control certain functions. So there's more you can do with foot pedals, which is kind of neat, but if I'm not wearing headphones and I don't know, my mic is truly off, I would never trust anything wireless. : So what about the preamp? I mean, the preamp should be in the booth or not, because even if you wanted to be really theoretical about it, your best signal would be by running the shortest mic line and getting it up to the preamp right line. Speaker B: If you're running, then sending it 20 foot runs, that's different, it's negligible. : But having the preamp in the booth to be able to set it is a different thing, right? Isn't that necessary? Speaker B: Yes and no. I mean, some people do. I'd say most people that have a booth that don't have the equipment in the booth don't have the preamp in the booth, but it's less convenient. : And so they're just recording conservatively and going like, I'll just hit minus twelve, I got plenty of bits, I put. Speaker B: Plenty of Avalon 737s in booth. And I just told people, like, this thing's a radiator, so it's going to get nice and toasty in here. If you really need to have this in here, I get it, but be my last choice. What, to put in the booth? Speaker C: Well, that's what I'm thinking. The more gear I was going to say about that exactly that most people's home studio booths are quite small, and you start piling gear in there, it's going to be like a furnace. Speaker B: Yeah. Gets hot in there quick. So the less the better. Even modern computer monitors are pretty low power, but they still make heat. They still radiate heat. Everything makes heat. So the less in there, the better. Yeah. It's going to be interesting when the passport Vo comes out, how people choose to use it. Whether they're going to have it in booth or outside of the booth, you can go either place. And the thing you're going to miss out on it not being in booth is that mic switch. Mic mute. That's why I think the majority are going to use it in the booth. So what we'll be testing I think so, too, how far we can run it on USB to the computer. So we'll be doing some testing around that whole workflow as well. Speaker C: Yeah, I can see the value in having the Passport Vo in the booth for sure. Maybe you're doing a zoom session or whatever. You can use that second interface to run either your phone or iPad or whatever, that you can run the zoom session. Speaker B: That's where I could see it being really useful, having the iPad in the booth for phone patch, zoom, blah, blah, blah, communications. Speaker C: Absolutely. Speaker B: And having that run into it and just that would be a really easy way to facilitate those sessions. Boy. : Well, in a way, you can have it. Sorry, you can cut all that out. Speaker B: We're really off topic now. Speaker C: This was about Nexus and I don't know where the hell we've gone. Speaker A: Oh, man, we've gone all over the place, let me tell you. This is tangent. Speaker C: I'm just waiting to see the Mad. Speaker A: Hatter pop out from behind the door somewhere. Editing nightmare. That is the Pro audio suite. Speaker B: Yeah. Wrap this one up. : I'll bring it together. What comes out first, the passport or Nexus? Speaker B: Nexus. Speaker C: Nexus. Speaker A: Nexus. : Probably. Speaker A: Right? Speaker B: Well, we'll see, because these are both but we don't know. Neither of them want to divulge a release date until it's certain because people don't. We've all learned that produced product to under Promise Over Deliver is really the best policy. : You can't give a product a C section. Speaker B: Right. Speaker A: What we can promise about the passport, though, is that when it does come out, it's going to be killer. Speaker B: It's going to be killer. We're going to make sure of it, because by the time anybody receives one in the mailbox, we have already hammered on it and proven without a shadow of a doubt that it will do what we said it's going to do. When you get one, it's going to be fully tested and vetted before that. : Yeah, I'm excited because I think you see all these USB interfaces coming out constantly and no one has one that does these. Speaker B: They're all playing out of a different playbook. Like, I got into a whole conversation on Facebook about this one person's. POV is clearly the future is firmware, software, everything. And I said, I don't think it's that clear. I said, Because we're developing the exact opposite. And his response was, I think that's not a good idea. And my response was, I think it's a very good idea because look at all the products that have come and gone and what products you can still plug into your Mac or your PC that still work 15 years later. And the Micport Pro First Gen is one of those products. You just plug it in and it works. So that's the philosophy. We're just carrying that forward. Speaker A: My old trusty two rack sitting here right next to me. How old is that now? Jesus. Speaker C: 15 years. Speaker A: Have to be something like that. Still keeps going. : A two, not even an three two rack. Speaker A: Yes, exactly. Speaker B: Yeah. Wow. : I have some ones in my garage. Speaker A: No, I don't need the double o one. Speaker C: What are they doing in the garage? Speaker A: Yes, exactly. Why are you using them, Robert? Speaker B: Unlike you, he's using his ramps to hold up his Porsche 920. Speaker C: The Pro audio suite with thanks to Tribut and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robo Got your own audio issues? Just askrobo.com tech support from George, the tech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, end, suggest a topic, or just say good day. Drop us a note at our website proaudiosuite.com
In this episode, we’ll cover why you might want to use a digital recorder in your podcasting efforts, and how to choose the best one for you.We’ve discussed digital recorders in the past, and in fact, you can find our current definitive guide here: The Best Digital Podcast Recorders on the Market. This episode digs into the very same stuff with a little extra detail. Each option depends on your own unique situation, show format, and budget. But here are some of the models we typically recommend: Zoom H1 or Tascam DR-05 - the lower-cost 'lite' models Zoom H5 or Zoom H6 - premium Zoom options Rodecaster Pro II - the ultimate podcast recorder Zoom PodTrak P4 - does a lot of what the Rodecaster does at quarter of the price Mackie DLZ Creator - the "money is no object" option Also Mentioned Growth Essentials Course
Show Notes: https://wetflyswing.com/490 Presented By: Mavrk Fly Fishing, Dette Flies, Stonefly Nets Sponsors: https://wetflyswing.com/sponsors Justin Lovell, a resident of Cape Breton, Nova Scotia, has a deep passion for both powerlifting and fly fishing. With an unwavering dedication to physical strength and a love for the peacefulness of the outdoors, he finds joy in these two diverse pursuits. Whether he's lifting heavy weights or casting his line into the serene waters, Justin embraces the unique blend of power and tranquility that powerlifting and fly fishing offer, making him a true adventurer at heart. 00:05 - Justin shared the fly fishing opportunities in Cape Breton, Nova Scotia such as casting for Atlantic salmon in the Margaree River or targeting brook trout in secluded mountain streams. 03:23 - We talked about Justin Lovell's social media, and you can check out his accounts here, as well as on Apple, Spotify, Amazon, Youtube, and Podbean. 04:30 - Justin shared that Cape Brenton, Nova Scotia, boasts unique features such as lobster fishing, coal mining, and the Cabot Trail, making it a unique and diverse island. 06:18 - Justin passionately highlighted the world-class fly fishing opportunities nestled along the iconic Margaree River, where anglers can pursue the thrill of catching Atlantic salmon and immerse themselves in the tranquility of Cape Breton's landscape. 07:36 - Justin mentioned several lodges in the area, including glamping, Big Interval Lodge, Brown's and Ross's cabins, and various other options. He mentioned that they offer a cool spot for life purposes and can be accessed around the margarita. 08:16 - Justin shared that despite the common perception of him being a dedicated salmon angler, he actually prefers fishing for brook trout. He humorously mentioned that he's known for his passion for dry fly fishing, which leads to playful teasing from his friends who favor streamers. He emphasized his preference for catching numerous small trout on dry flies over targeting one big brook trout using streamer patterns. Justin clarified that he doesn't dislike streamers but has a genuine love for the art of dry fly fishing. 10:45 - Justin shared that Bras d'Or Lakes offer a unique fishing opportunity with a variety of fish, including striped bass, brown trout, rainbow trout, Brook trout, perch, flatfish, and mackerel. This unique fishing opportunity provides a diverse range of fish for those seeking a unique fishing experience. 11:45 - Justin, a weightlifter, had no outdoor experience until 27 years ago when he fell during a squat and crushed his lower back. He tried to fly fishing at home but was criticized for breaking threads. He eventually bought a fly rod and went out, but accidentally got the hook stuck in his ear. Justin advises others to take time to learn and improve their skills. 12:56 - Jusin learned fly fishing by going with older guys and learning from their experiences. He found some information correct and others wrong, but as he progressed, he began listening to podcasts and other tips to identify areas for improvement. 13:34 - Justin advises beginners to initially learn fly fishing independently, focusing on casting and mastering essential skills like fly line tying, backing attachment, and leader connection. He simplifies casting techniques, underscores the significance of proper methods and gear, and offers guidance to enhance skills and enjoyment in fishing. 14:22 - After three years of starting fly fishing, Justin embraced the guiding principle for learning, recognizing the importance of opportunities. He was open about his limitations and began guiding advanced individuals, forming close friendships, and gaining insights from clients. Over time, he contemplated sharing his guiding expertise through teaching. 16:43 - Justin mentions the North River and Baddeck River, which hold salmon, and Bras d'Or Lakes occasionally receive a run of salmon. 18:38 - Justin mentioned Cape Breton's numerous fishing spots, including the Cabot trail, which boasts massive Brook Trout. He emphasized the importance of visiting for daybreak, as it is a challenging hike. The area is worth the effort, as it offers numerous opportunities for fishing. 20:11 - We discussed a mixed topic, focusing on Brook Trout. When planning a trip, Justin recommends targeting late May to early June for prime fishing, especially for large Brook Trout. However, July to September offers dry fly fishing, with some variability due to weather conditions. 24:33 - Justin shifted away from Salmon Fishing, barely guiding for them last year and not at all this year. Surprisingly, this year has witnessed the highest fish catch in the last four years, with people landing up to four fish a day, a significant improvement compared to the usual one or none. 27:32 - Justin used to prepare a list of questions for his podcast interviews, but he now takes a more spontaneous approach. He aims to understand the interviewee's fishing style and personality better, leading to unexpected and intriguing conversations. As an example, during an episode with Kelly Galloup, Justin uncovered that Kelly had a background as a bodybuilder, surprising many listeners. 31:22 - As Justin delves deeper into podcasting, he's realizing the increasing demands and responsibilities. He acknowledges the positive results but acknowledges the need for better balance. To streamline his process, he plans to schedule podcast uploads in advance, allowing for automation and reducing last-minute efforts. 32:51 - Last year, Justin launched a TV show during a scorching summer. This year, the filming team and Justin are learning fly fishing content, capturing moments in rivers and lakes. They feature Brook Trout, a potential salmon show, and stripers. 34:59 - Justin remarked on his impressive growth over the past couple of years, recognizing the transformation from earlier episodes to his current state. Despite a busy schedule encompassing guiding, healthcare work, a TV show, podcasting, and single parenthood, he remains grateful for the opportunities. He also expresses gratitude for the camera crew who enhance his image on the screen. 35:50 - Our fishing season typically ends in October and begins again in May, with our latest shows featuring River Denny's and the recent Mull River episode. There's more exciting content to come, including episodes on the Middle River and Margaree, all packed with action. You can check more here. 36:34 - We discussed the differences between the TV show and the podcast, particularly in terms of feedback and enjoyment. Justin finds both mediums enjoyable and receives positive feedback for both. While some opinions may vary, he values and respects diverse perspectives. Overall, the experience has been positive, with a focus on helping and supporting others through the show by featuring fishing events and fly tying. 38:45 - Justin suggests targeting May or early June for Brook Trout fishing. Fly fishing is the general approach, but tactics can vary based on weather conditions. Justin provides necessary supplies and adapts fly selection based on the year's conditions. Options include dry flies, streamers like muddler minnows, Mickey fins, stone flies, nims, queen of the water, and wet flies. 41:35 - Justin, with nine years of experience, aims to promote his unique fishing method in local rivers and lakes. He offers clients the opportunity to fish for farm-raised Rainbows, acknowledging their origin but emphasizing the enjoyable experience. Clients often prioritize the experience over the fish's nature. 42:17 - The conversation discussed fishing and guiding, emphasizing the importance of hiring a guide for unfamiliar spots. It discussed meeting spots like renting a car, staying at a lodge, or exploring towns like Margaree or Bedak. Justin highlighted flexibility in meeting arrangements and discussed Brook Trout and Salmon fishing opportunities. 44:42 - We discussed the Margaree River's reputation as a famous destination for Atlantic Salmon fishing. Notably, Topher Browne, an expert in Atlantic Salmon and Spey casting, highlighted the river's appeal as he traveled across North America. The Margaree River is renowned for its status as a prime location for Atlantic Salmon fishing. 45:02 - We discussed the fame of the Margaree River for Atlantic Salmon fishing, with notable anglers like Lee Wolf and John Casamento having fished there. The Margaree is renowned within the Atlantic Salmon community, along with other rivers like the Baddeck River and North River. When thinking of Atlantic Salmon fishing, the Margaree River in Cape Breton stands out as a significant and well-known location for this type of angling. 47:46 - When heading to the Margaree River, Justin suggests getting information through a DIY approach or consulting a local guide like the Tying Scotsman. Engaging with locals who know the area well, such as the Tying Scotsman, can provide valuable guidance for planning your trip, whether you're considering DIY fishing or seeking expert advice. 49:46 - Justin described a scenic drive through a national park that takes around six hours, offering constantly changing and captivating views at every turn. The park's designation as a national park could be attributed to its abundant wildlife and diverse forest ecosystems. Situated at Cape Breton's northern tip, it is mostly surrounded by the ocean, adding to its unique allure. 50:58 - Justin explained that his fishing journey started on a lake, where he studied and honed his skills. Over the past three years, he has transitioned to river fishing and developed a strong affinity for it. He now finds more enjoyment in catching numerous small Brook Trout in rivers than landing a single massive one. He values the experience and even regrets not having a GoPro to capture his past big catches. 52:49 - Justin found his podcasting journey fulfilling, despite doubts about its continuation. He rekindled enthusiasm and invested in equipment to improve his setup. He stressed the importance of creating a strong first impression to capture and retain listeners' attention. 55:18 - Justin and I collaborated on a previous episode. If you're interested in watching it, here's the link provided. 56:26 - Justin has interviewed various notable guests on his podcast, including Brian Chan, Brian Wise, Jim Zu, and Kelly Gallup. He values each episode for the unique learning experiences they offer, whether it's about fishing, fly tying, or podcast editing. He appreciates the insights gained from all his guests. 57:57 - Justin discussed his tech setup for podcasting, highlighting the use of the Rodecaster Pro, a versatile device that allows him to connect phone calls and computer audio. Initially, he used Zoom for audio only but later incorporated video by connecting his phone to the Rodecaster and saving recordings on an SSD card. He clarified that he communicates through his mic to the phone or Rodecaster, while his guests hear him through the phone or vice versa. 58:30 - Justin transitioned to video podcasting using E-mix, Adobe Audition, and a program that matches sound to industry-standard -16 for both himself and guests. He improved audio quality by addressing echo issues and ensuring consistent sound levels throughout the podcast. 01:01:29 - Justin appreciates Seesaw Communications' cameraman for his expertise in video production, recognizing his assistance in technical challenges and teaching valuable skills. He reflects on past videos and recognizes improvements in content and production quality over time. 01:02:34 - Justin mentioned his social media presence, highlighting that while he has a Facebook page for CB Fly Fishing, he's primarily focusing on Instagram as it appears to be a more effective platform. He invites people to follow him on Instagram to see his fly fishing content. 01:03:51 - Justin expressed gratitude to Jason, Brandon, and Mark, who have supported him through positive and negative feedback. He appreciates the opportunity to discuss his growth and improvement and is excited about the conversation. 1:05:11 - Justin is open about not knowing everything and admits he might not have all the answers. He enjoys engaging with others and discussing fishing topics, even if he doesn't have all the information. His passion for fishing is evident, and he finds joy in introducing newcomers and witnessing their successes. 1:07:31 - Justin anticipates a smooth continuation of his fishing endeavors, including guiding, fly tying, podcasts, and TV shows, as they enter the fall season. He acknowledges the challenges but remains motivated to pursue his passions. His ultimate goal is to fully commit to his fishing ventures and transition away from his day job. 1:07:54 - Justin discussed his admiration for healthcare professionals and the challenging nature of their work. He acknowledged the emotional weight of being in an environment where people are dying and emphasized the difficulty healthcare workers face. 1:08:31 - Justin discussed his back issues and the worsening condition that has led him to consider surgery. He mentioned the persistent pain and discomfort he experiences, even affecting his sleep. Despite enduring the pain without medication, he acknowledges the need to address the issue and is hopeful about potential solutions. 1:10:54 - Justin is dedicated to fly fishing and podcasting, adapting to changing times, and now offering video podcasts. His website, cbflyfishing.ca, connects with his work. 1:11:31 - Justin expresses gratitude for sharing his journey and insights during conversations. 1:11:35 - A photo of Justin during his weightlifting days was shared during the conversation. Fly Fishing Nova Scotia Resources Noted in the Show "Tying Scotsman," who provides valuable information and tips about fishing spots in the area. Fly Fishing Nova Scotia Conclusion with Justin Lovell In conclusion, Justin Lovell's passion for fly fishing in Nova Scotia shines through his engaging podcast and videos. He not only shares valuable insights, tips, and experiences from his local fishing adventures but also connects with fellow anglers. Through discussing techniques and equipment, Justin demonstrates his dedication to the sport and his eagerness to disseminate knowledge. As a valuable resource for beginners and seasoned fly fishermen alike, he contributes to the vibrant Nova Scotia fly fishing community. His content, encompassing exploration of scenic rivers, insights into fly patterns, and revelations about fishing spots, offers an informative and enriching perspective. Show Notes: https://wetflyswing.com/490