Podcasts about yoshitaka

Yoshitaka und Ayane scheinen eine Bilderbuchehe zu führen. Doch diese fußt auf einer gnadenlosen Abmachung. Sollte Ayane ihm keinen Nachwuchs schenken, wird er sich von ihr trennen. Die verzweifelte Ayane weiß, dass sie die Bedingung nicht erfüllen kann. | Von Keigo Higashino | Mit Peter Kurth, Sascha Icks, Sonja Beißwenger, Samuel Weiss u.a. | Komposition: Andreas Bick | Übersetzung: Ursula Gräfe | Bearbeitung und Regie: Janine Lüttmann | NDR 2018 | Podcast-Tipp: Babas Geister: https://1.ard.de/ babas_geister

Hoy en el Tema del Día en vivo desde nuestro estudio conversamos con Yoshitaka Hoshino, Embajador de Japón en El Salvador.

Bienvenidas y bienvenidos a Recarga Activa, el podcast diario de AnaitGames en el que filtramos lo más relevante de la actualidad del videojuego en pildorazos de 10-15 minutos:1️⃣ El Nordschleife llega a Forza Motorsport2️⃣ El modo rendimiento de Final Fantasy VII Rebirth mejorará antes del lanzamiento del juego3️⃣ Ys X: Nordics llegará a Occidente en otoño4️⃣ Fallece Yoshitaka Murayama, creador de Suikoden5️⃣ Bandai Namco, Embracer Group y Sony caen en bolsa después de sus últimos informes financierosSuscríbete para recibir el siguiente episodio en tu gestor de podcasts favorito. Puedes apoyar nuestro proyecto (y acceder a un montón de contenido exclusivo) en Patreon: https://www.patreon.com/anaitreload♫ Sintonía del programa: Senseless, de Johny Grimes Hosted on Acast. See acast.com/privacy for more information.

In Season 3, Ep. 58 of the Best Boss Ever podcast, Christine talks to Atsushi Yasuda, president of AAM Revenue Strategy Consultants. Atsushi recalls some of the most important life lessons he learned from his “best boss ever”: his dad, Yoshitaka.  Even after 30+ years in the workforce, and countless great bosses, Atsushi says it's still the lessons he learned at 17 when he worked with his dad at a sawmill in small town British Columbia that have stuck with him throughout his career.  Atsushi and Christine discuss the importance of hard work, humility, and why it's critical to consistently look for opportunities to add value.

The relationships made in mokuhanga can last a long time. Whether it's a friendship based on collecting, creating, or its long and vibrant history; mokuhanga has the ability to bring people together.  On this episode of The Unfinished Print I have the pleasure of speaking to two people who's friendship is based on mutual respect, business, and the love of mokuhanga. Katherine Martin is the managing director of Scholten Japanese Art of New York City. She has overseen the galleries multiple exhibitions, written several catalogues published by Scholten, and is the heart of what goes on at the gallery. Paul Binnie is an acclaimed mokuhanga printmaker, painter and artist. He has collaborated with Katherine at Scholten Japanese art for almost fifteen years.  We first discuss Katherine's background, and her work with the gallery. Then, Katherine and Paul talk about the relationship between the gallery and the artist, the legacy of shin-hanga, how prints draw people in, and pricing Paul's work. We also discuss about editioning prints and the issues that may arise, nudity and social media, and we end on Katherine and Paul's unique friendships and how it works. This interview was recorded during Paul Binnie's solo show at Scholten Japanese Art in June, 2022. There may be some background noise during the interview. I apologize for any inconvenience.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Scholten Japanese Art - website Paul Binnie - while Paul doesn't have a singular website he does have his Instagram. There is the "Binnie Catalogue," which is produced by a third party which digitally collects his work, past and present. This can be found, here.  Flowers of a Hundred Years: A Thousand Stitch Belt (2014) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the Ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Late Fall by Lake Yamanaka (1947) Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915), and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others.  Cormorant Fishing in Nagawa River (1940) Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Twelve Images of Modern Beauties: Cotton Kimono (1922) Hiroaki Takahashi Shōtei (1871-1945) - was a Japanese printmaker, illustrator and painter. He is commonly associated with the shin-hanga movement of printmaking in Japan, working with Watanabe Shōzaburō. His work touched on many subjects, such as landscapes, beautiful women and still-life.  Evening Sun at Nagareyama (1924-27) Yamamura  Koka (1885-1942) - was a Japanese woodblock printer and painter who trained under Ogata Gekkō (1859-1920). He worked with Watanabe and other publishers in his lifetime, and self published. His themes ranged from actor prints, lasdscape, and still-life.  Flowers of the Theatrical World: Nakamura Utaemon V as Owasa (1921) Natori Shunsen (1886-1960) - was a Japanese woodblock printer who focused much of his work on kabuki actor prints. He too worked with Watanabe.  Bando Mitsugoro VII (1950's) Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Ishiyama Temple (ca. 1946) Sotheby's -  established in 1774 in London, England by bookseller Samuel Baker. It is the oldest auction house in the world, with offices located around the world. More info can be found, here.    Watanabe's foray into exhibting Japanese prints abroad can be read in this fine article by The Asian Art Newspaper, online, here. The article discusses Watanabe';s relationship with Itō Shinsui.    bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  The Second Collection of Modern Beauties: Red Blossoms by Itō Shinsui (1933) kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki - meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, too begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done.  giclee -  is a type of reporoductive process in printmaking. It means, “to spray,” which is the description of how the ink is laid into the paper. It is by using high quality scanners and printers to produce your print that giclee prints are made. More info can be found, here, at artworkarchive.com.  The Sun and Moon of Black's Beach - is a mokuhanga series produced by mokuhanga printmaker Paul Binnie. He is currently, at the time of this writing, working on the 7th and 8th edition of this series.  Summer Canyon, Black's Beach: Moon Before Dawn (2022) Black's Beach - is located in Torrey Pines, near San Diego, California. It is a secluded beach. It is known for it's allowing of naturist patrons, surfing, and various trails.  Asia Week - is an art festival which started in New York City in 2009. It brings together various art galleries to participate. These galleries specifically, and the festival in general through events, attempts to bring people from all over the world in order to promote Asian art to collectors and aficionados.  More information about Asia Week New York, can be found, here.    A Hundred Shades of Ink of Edo - is a mokuhanga series by Paul Binnie. Each print is of a figure who has an historical tattoo based on a woodblock print by a famous Japanese print designer. For instance, the print below, is of Katsushika Hokusai's (1760-1849) print design from his A Journey to the Waterfalls in all the Provinces series from 1832. As Paul informs in our interview there is a tattooed version and non-tattoo version of these particular prints.    Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc.  Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history.  Mirrors as Stylish Collage Pictures: Ichikawa Ichizo III as Dekiboshi no Sankichi (1859) Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  The Hundred Poems [By the Hundred Poets] as Told by the Nurse: Fujiwara no Yoshitaka (1835-36) Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here.   © Popular Wheat Productions opening and closing musical credit - Hyacinth Blues by The Constantines. From their self titled album The Constantines (Three Gut Records) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

Oh no! Oh man, oh god, oh man! This is Chapter 11 of Yakuza 3: Crisis and it's a BAD time. This week, Kiryu has a bad time! Plus, we've got a very special (and extra infuriating) Essence of Education from Argyle. Rest in peace, my sweet angel :'( Argyle | Jordan Twitter | Discord A Noise Space Podcast

I am honoured to welcome my first Japanese guest onto the podcast, and it is The Number One Groundsman in Japan himself: Yoshitaka Uehara! Listen to Yoshi talk about how he began his cricket by playing in the Japanese two-day league(!), the time he nearly missed the plane home when touring England with the Japan team and what he learned by playing club cricket in Melboure, Australia. Yoshi also tells me the best place to visit in Japan is Yamadera Temple, and you can find some information on that place by clicking here. As always, please do remember to rate and review the show...if you liked it...and you can comment on the Instagram account www.instagram.com/japan_cricket_podcast should you so desire. You can also follow the Japan Cricket Association on various social platforms such as: www.twitter.com/CricketJapan www.facebook.com/cricketjapan www.instagram.com/japan_cricket www.youtube.com/JapanCricket While there is also plenty of information on www.cricket.or.jp

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As an onna-musha, Tomoe Gozen was one of the rare few female warriors to participate in offensive warfare if the stories are to be believed. Join us again for another tale set during the Genpai War. The same tale of family drama and betrayal – this time from the side of Minamoto no Yoshitaka and the warrior that would go on to inspire generations of samurais. In this choose-your-own-ending adventure, we'll tell the story of Tomoe's final stand and speculate over what happened to this deadly, decapitating difficult damsel after the stories all end. Oh, and if you should ever come across the ghost of Tomoe Gozen on horseback with a naginata in hand? Run. Definitely run. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, Maddy and Shijo introduce the second cultural dimension in the series: the high/low context dimension, and discuss how this affects their married life. References Rogers, Everett M.; Hart, William B.; Miike, Yoshitaka (2002). "Edward T. Hall and the History of Intercultural Communication: The United States and Japan" (PDF). Keio Communication Review (24): 3–26. Leeds-Hurwitz, Wendy (1990). "Notes in the History of Intercultural Communication: The Foreign Service Institute and the Mandate for Intercultural Training". Quarterly Journal of Speech. 76 (3): 262–281. doi:10.1080/00335639009383919. Croucher, S. M., Bruno, A., McGrath, P., Adams, C., McGahan, C., Suits, A., & Huckins, A. (2012). Conflict styles and high–low context cultures: A cross-cultural extension. Communication Research Reports, 29(1), 64-73. Kapoor, S., Hughes, P. C., Baldwin, J. R., & Blue, J. (2003). The relationship of individualism–collectivism and self-construals to communication styles in India and the United States. International Journal of Intercultural Relations, 27(6), 683-700.

Show Notes This week, we review and analyze Mobile Suit Gundam ZZ (機動戦士ガンダムΖΖ) episode 2 - "The Boy From Shangri La"/シャングリラの少年 - discuss our first impressions, and provide commentary and research on some aspects of the Japanese economy on 1986: laborforce participation by youth and women, educational attainment, tanshinfunin, migrant labor, and... orange imports. Plus - another Japanese poem. - Chart of youth unemployment rate in Japan, 1970-2020. - Youth employment rate in Japan, 1979-1986. - Wikipedia page on the Japanese education system. - Wikipedia page on Japan in the 1980s. - Paper on labor force participation from the Bank of Japan Review. - Study on how tanshinfunin fathers affect children’s socioemotional development, from Hokkaido University. - Wikipedia page about migrant labor. - Page about migrant workers in Japan, from the Asia-Pacific Human Rights Information Center (based in Osaka). - Discussion and definition of the “natural” unemployment rate. - Paper on “Migrant Workers in the Post-War History of Japan” by Yasuo Kuwahara of Dokkyo University. - Paper on “Development of Immigration Policy in Japan” by Atsushi Kondo of Kyushu Sangyo University. - Unesco Institute for Statistic page (source for 1980 upper-secondary school completion rate). - “Education in Japan: Past and Present” (source for enrollment rates in upper-secondary school in 1980). - Text used for information on internal migration in Japan: Ishikawa, Yoshitaka. “Internal Migration in Japan.” Internal Migration in the Countries of Asia: a Cross-National Comparison, by Martin Bell, Springer, 2020, pp. 113-136. - Industry overview of the Japanese fruit-imports market (with historical background). - 1987 article from the South Florida Sun Sentinel about Japan lifting import quotas on American oranges in 1988 (I misspoke in the episode and said 1998). - Paper from the USDA’s Economic Research Service, “The Japanese Market for Oranges.” - 1983 paper from the Case Western Reserve Journal of International Law, “Japan’s Quantitative Restrictions on the Importation of Agricultural Products.” - About the decline of the orange market in Japan since 1990s. - Paper on decline in orange consumption since mid-1990s: Mori, Hiroshi & Clason, Dennis L. & Ishibashi, Kimiko & Gorman, William D. & Dyck, John H., 2009. "Declining Orange Consumption in Japan: Generational Changes or Something Else?," Economic Research Report 55836, United States Department of Agriculture, Economic Research Service. - Online reference for the poem used in Saegusa's memorial, taken from the Hyakkunin Isshu poetry collection (百人一首), by Semimaru (蝉丸), a Heian era poet and musician. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. The recap music for Season 3 is New York City (instrumental) by spinningmerkaba, licensed under a Creative Commons Attribution (3.0) license.. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com Find out more at http://gundampodcast.com

Yoshitaka Mashiba war ein gutaussehender, wohlsituierter Mann. Mit seiner attraktiven Frau Ayane schien er eine Bilderbuchehe zu führen. Doch diese fußte auf einer gnadenlosen Abmachung. Ayane wusste, dass sie diese kaum erfüllen kann und verabschiedete sich nach einer gemeinsamen Aussprache, um ihre kranken Eltern zu besuchen. Einen Tag später liegt Yoshitaka tot in seinem Wohnzimmer, neben sich eine verschüttete Tasse Kaffee. | Aus dem Japanischen von Ursula Gräfe | Mit: Peter Kurth, Sascha Icks, Sonja Beißwenger, Samuel Weiss, Anne Müller, Wolf-Dietrich Sprenger, Gerd Wameling u. v. a. | Musik: Andreas Bick | Hörspielbearbeitung und Regie: Janine Lüttmann | (Produktion: NDR 2018)

Kyle (16) and Marcus (14) Ando, of Marlborough, are a sophomore and freshman, respectively, at Lincoln-Sudbury Regional High School. Their father, Yoshitaka Ando, recently died from cancer on Dec. 3, just three days before the two boys went to the a Division 2 Super Bowl at Gillette Stadium with the L-S football team. In this audio clip, Kyle and Marcus go back and forth talking about their father, who was the L-S athletic trainer, and what he meant to them. 

Today we delve into the death of the Goddess Izanami, and for the poem, we have a reading from a poet known as Fujiwara no Yoshitaka. ~~ Review us over on: Podchaser. Check out our growing database on Japanese History over at historyofjapan.co.uk Twitter: @japanarchives Instagram: @nexus_travels Facebook: @japanarchives ~~ Intro and Outro music by The Kyoto Connection available on the freemusicarchive. ~~ Written by Thomas and Heather.

Show notes: In the show, The Bio Busters professors, Dr. A and Dr. C, discuss with Conservation Biology Senior Grant Milne about some of the more peculiar reproductive mechanisms in the animal kingdom. Reproduction plays an important role in the diversity and speciation of animals that evolve over time and pass traits to offspring. From platypuses and their unique brood care, to some freaks in the sheets (bedbugs), we touch on a broad range of reproductive strategies in animals that stray dramatically from what we consider the norm. Keep the discussion and comments going on the iTunes review section, or feel free to e-mail the podcast with future show ideas and thoughts on the current show.   Music by Bahaa Naamani Email us at thebiobusters@gmail.com   References:   Angeloni, Lisa. “Sexual Selection in a Simultaneous Hermaphrodite with Hypodermic Insemination: Body Size, Allocation to Sexual Roles, and Paternity.” Animal Behavior, vol. 66, 2003, pp. 417–26, doi:10.1006/anbe.2003.2255. Balcombe, Jonathan. “Sex Lives of Fish.” Natural History, vol. 124, no. 8, Sept. 2016, pp. 22–27. Hawkins, Margaret, and Adam Battaglia. “Breeding Behavior of the Platypus (Ornithorhynchus Anatinus) in Captivity.” Australian Journal of Zoology, vol. 57, no. 3, Oct. 2009, pp. 283–93. Kamimura, Yoshitaka, et al. “Duplicated Female Receptacle Organs for Traumatic Insemination in the Tropical Bed Bug Cimex Hemipterus: Adaptive Variation or Malformation?” PLoS ONE, vol. 9, no. 2, Feb. 2014, pp. 1–9. EBSCOhost, doi:10.1371/journal.pone.0089265. Martin, Peer, et al. “The Parthenogenetic Marmorkrebs ( Malacostraca: Decapoda: Cambaridae) Is a Triploid Organism.” Journal of Zoological Systematics & Evolutionary Research, vol. 54, no. 1, Feb. 2016, pp. 13–21. EBSCOhost, doi:10.1111/jzs.12114. Scholtz, Gerhard, et al. “Ecology: Parthenogenesis in an Outsider Crayfish.” Nature, vol. 421, no. 6925, Feb. 2003, p. 806. Streit, Adrian. “How to Become a Parasite without Sex Chromosomes: A Hypothesis for the Evolution of Strongyloides Spp. and Related Nematodes.” Parasitology, vol. 141, no. 10, May 2018, pp. 1244–54, doi:10.1017/S003118201400064X.

Fred Schodt, Independent Scholar and Author

Fred Schodt, Independent Scholar and Author

I veckan har Suikoden och Suikoden II släppts på PS3 och PS Vita. Jag undrade då vem mannen bakom spelen var och det här är resultatet. Jag vill även tillägga att jag inte gillar RPG speciellt mycket. Att veta mer om spel och personerna bakom dem kan vara mer intressant än spelen i sig för [...]

In this beefcake of an episode, we discuss the greatness that is Final Fantasy VI. We discuss the intricate relationships between certain characters, such as the love story between Celes and Locke, the story of Cyan and his family, the intricacies of Terra being the "main" character, the relationship between the two royal brothers Sabin and Edgar. We also discuss Shadow's stories, both the one where he doesnt die when the world gets destroyed as well as his intended ending. We discuss the soundtrack of the game, referring to it as Nobou Uematsu's masterpiece work. We also discuss how the game took the Super Nintendo to it's limits, and how it still looks good today. We talk about getting the Espers, and also delve into whether or not you should get Ragnarok the Esper, or Ragnarok the sword. We also discuss a little bit of news regarding Final Fantasy XIV and XV, where now in XIV you can fight Ultros and his friend Typhon. Enjoy our thoughts on this excellent Rpg!

In this episode, Joe and Kaleb read their newest Itunes review, talk about the housing crisis in Final Fantasy XIV, where the economy is horrendous and houses cost millions of gil, leaving many players homeless, bringing down the value of the cities. We also discuss the newly released job classes in Final Fantasy Explorers; the monk, the warrior/tank, and the black mage. We also mention that this episode is super short, because we ran out of space on our media host and are too cheap to upgrade.

In the news this week: A new Final Fantasy XIV inspired resturant is opening in Japan, it's name: The Eorzea cafe. Square-Enix's CTO, in charge of the engine for Final Fantasy XIV's remake, has stepped down, and is to be replaced. Tetsuya Nomura is at comic-con, and he's signing Batman posters! Final Fantasy XV rumors abound! Possible Steam leak regarding a possible PC release for the game, yet no official statement from square... Discussion: An in-depth biography for Final Fantasy artist, Yoshitaka Amano, in which we discuss his career and the impact he's had on Final Fantasy Why are ther no Final Fantasy novelizations? Other: UFF Podcast: Back to School Spectacular!! Make sure you stick around through august, it's gonna be awesome!  

Episode 6 is finally here! Today Nick and Ray talk about music and are joined in-studio by Yoshitaka - a student at IAC and hip-hop MC! The hosts also discuss the phrase 'check it out!' SHOW INFO HERE: www.theenrpodcast.com/2014/07/03/episode-6-show-info/

Episode 46: Manga Podcast Review for He Is My Master Volume 2. Story by Mattsu. Art by Asu Tsubaki. Translated by Beni Axia Conrad. Adapted by Janet Houck and Bambi Eloriaga. Originally published in Japan by Square Enix in 2004. Published here by Seven Seas, $9.99. Rated Older Teen (16+) even though there is no nudity or fan service whatsoever. Compared to other Older Teen titles, Master is quite tame and harmless. Yoshitaka is a young 14-year-old who is filthy rich after his parents die in a car accident. Not knowing how to take care of himself, he hires three girls to be his maids: The two sisters, Izumi and Mitsuki, and Anna. Yoshitaka intends to spend his money indulging all his wildest fantasies, which mostly consist of creating awkward innuendo filled situations with the three girls. But he's not the only pervert in the mansion. Mitsuki's pet alligator, Poochi, has a thing for Izumi, and so does Anna, even if she is a girl too!  A good and goofy episodic comedy, if a bit mindless. My Grade: B+