Podcasts about katsushika hokusai

Before Monet painted water lilies or Degas sketched ballerinas, a wave was crashing in from the East. In this episode, we explore how Japanese woodblock prints—especially Hokusai's ‘The Great Wave off Kanagawa'—reshaped the way Western artists thought about space, subject, and form. From flattened perspective to everyday scenes, ukiyo-e wasn't just decorative—it was revolutionary. We'll unpack the rise of Japonisme, its deep (and sometimes uneasy) influence on Impressionism, and how one iconic wave helped turn the tide of art history. Today's image: Katsushika Hokusai, ‘Under the Wave off Kanagawa (Kanagawa oki nami ura),' (1830-32). Woodblock print; ink and color on paper. Metropolitan Museum of Art, New York. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast | @matta_of_fact

Hai mai sentito parlare di chi svuotò il mare… per un pizzico di sale?Dalle isole Fiji, una fiaba antica ci racconta di una vecchina, una zucca vuota e un incontro magico con l'oceano.

La Grande Vague d'Hokusai est partout. Accrochée au mur du salon chez nos amis, à la Une du magazine The New Yorker de novembre 2022, sur nos fonds d'écran. Bref, la grande vague bleue pleine d'écume déferle depuis toujours autour de nous.  La Grande Vague, ou plus exactement La Grande Vague de Kanagawa, est une célèbre estampe japonaise du peintre japonais, Katsushika Hokusai, réalisée en 1830. Une estampe japonaise est une illustration d'abord dessinée à l'encre de Chine et au pinceau par l'artiste, puis ensuite gravée sur bois pour faire ressortir le dessin par relief, à la manière des tampons. Hokusai fut un spécialiste de l'estampe japonaise, et sa vague est son œuvre la plus connue, première de la série "Trente-six vues du Mont Fuji". Mais c'est quoi exactement ce tableau ? Que représente cette estampe ? Et aujourd'hui, La Grande Vague se retrouve vraiment partout ? Écoutez la suite de cet épisode de "Maintenant, vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : 14 janvier 2023 À écouter aussi : Quels sont les pires scandales écologiques causés par des tournages de films ? Sylvester Stallone, Fabrice Luchini, Cameron Diaz... qui sont ces célébrités passées par le porno ? Qu'est-ce que le toying, cette pratique mal considérée dans le graffiti ? Retrouvez tous les épisodes de "Maintenant vous savez - Culture". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Toyohara Kunichika (1835-1900) is considered one of the last great ukiyo-e print designers of Japan. His evocative works helped shape some of the most significant prints from the latter era of ukiyo-e and burgeoning Meiji nishiki-e. I welcome back to the show Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS (the School of Oriental and African Studies) at the University of London and an Academic Member of the Japan Research Centre where we explore Kunichika's life and career. We discuss Kunichika's upbringing in Edo-period Japan (1603–1868), his training at the Utagawa School, and his evolution as an ukiyo-e artist. We discuss Kunichika's creative process, the woodblock production methods of the Edo and Meiji periods, and his favoured themes—kabuki actors, and beautiful women. We also discuss how Kunichika subtly incorporated Japan's emerging modernity into his designs. Lastly, Dr. Hinkel and I share our personal stories about why we have such an affinity for Toyohara Kunichika and his work. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Ichikawa Sandanji I (1842-1904) as Akiyama Kiimori from New Plays for the Meiji Theatre (1894) Published by Akiyama Buemon ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   The Mirror of Women of Wisdom and Courage - Princess Chujo (1843) Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Beauty in a Mirror - Beauty Applying Perfume On Her Neck (date unknown)  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries.   Light House at Kudan On A Rainy Night ca. 1930's   Tsukioka Yoshitoshi (1839-1892) -  was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.     Rising moon over Mount Nanping - Cao Cao (1885)   nishiki-e (錦絵) - is the Japanese phrase for multi-colour woodblock prints, otherwise known as brocade pictures. Usually attributed to the Meiji period (1868-1912).   © Popular Wheat Productions opening and closing credit - Evening Chimes in Japan logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

En este episodio de nuestro podcast, exploramos la fascinante vida y obra de Katsushika Hokusai, uno de los artistas más influyentes del movimiento ukiyo-e. Sumérgete en el mundo del arte japonés tradicional mientras analizamos sus icónicas estampas, como la famosa "Gran ola de Kanagawa". Descubre cómo Hokusai revolucionó el grabado japonés y cómo su estilo único ha dejado una huella indeleble en la historia del arte. Además, hablaremos sobre el contexto cultural del ukiyo-e, sus temas recurrentes y cómo este arte refleja la vida cotidiana y la belleza efímera del período Edo. ¡No te pierdas este viaje visual y sonoro a través de la maestría de Hokusai y el ukiyo-e!

Wir springen in dieser Folge in die 1830er Jahre. Es ist jenes Jahrzehnt, in dem der zu jenem Zeitpunkt schon über 70-jährige Künstler Katsushika Hokusai ein Bild kreiert, das bald nicht nur in Japan, sondern auf der ganzen Welt Berühmtheit erlangen wird. Wir sprechen in dieser Folge über die sogenannte "Große Welle", einen Holzschnitt, der wie kaum ein anderes Kunstwerk die Fantasie der Menschen beflügelt – und zwar bis heute. //Erwähnte Folgen - GAG228: Berliner Blau – die Erfindung einer Farbe - https://gadg.fm/228 - GAG255: Die 47 Ronin - https://gadg.fm/255 - GAG311: Der Imjin-Krieg - https://gadg.fm/311 - GAG478: Das Königreich Ryukyu - https://gadg.fm/478 - GAG323: Die Republik Ezo und das Ende des Shogunats - https://gadg.fm/323 - GAG34: Tee, Silber und Rauschmittel - https://gadg.fm/34 Literatur - Christine M. E. Guth. Hokusai's Great Wave, 2015 - C.J. Holmes. Katsushika Hokusai, 2023 - Diverse Hokusai Manga Ausgaben gibt's auf archive.org. Eine davon ist diese hier: https://archive.org/details/hokusaimangathes10kats/mode/2up Das Episodenbild zeigt einen Teil des Holzschnitts "Unter der Welle vor Kanagawa" von Katsushika Hokusai. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

This week: the Los Angeles wildfires. The Art Newspaper's West Coast contributing editor in LA, Jori Finkel, tells our associate digital editor, Alexander Morrison, about the devastation in Southern California, and its effect on artists and institutions. The World Monuments Fund (WMF), the independent organisation devoted to safeguarding global heritage has released its biennial World Monuments Watch, a list of 25 sites that are potentially threatened. The aim of the list is, according to the WMF to “mobilise action, build public awareness, and demonstrate how heritage can help communities confront the crucial issues of our time”. Ben Luke talks to John Darlington, the director of projects for WMF Britain, who also reflects on the future of the organisation's project to train Syrian refugees in stonemasonry skills, in the wake of the change in government in Syria. And this episode's Work of the Week is All About Painting in Colour: An Illustrated Book, a portfolio in two volumes made by the leading artist of the late Edo period in Japan, Katsushika Hokusai. The last of his drawing manuals, made by the artist at the very end of his life, it features in a new book, Hokusai's Method. We talk to Ryoko Matsuba, one of the authors of the new book.Hokusai's Method, with texts by Kyoko Wada and Ryoko Matsuba, is published by Thames and Hudson. It is out on 23 January in the UK, and priced £35, and on 4 February in the US, priced $45.The Art Newspaper's book The Year Ahead 2025, an authoritative guide to the year's unmissable art exhibitions, museum openings and significant art events, is still available to buy at theartnewspaper.com for £14.99 or the equivalent in your currency. Buy it here. Hosted on Acast. See acast.com/privacy for more information.

Jeff Wall talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Wall—who was born in 1946 in Vancouver, Canada, where he still lives, though he also works in Los Angeles—makes photographs but aspires to approach his medium with the freedom, range and openness taken for granted by other artforms. Presented on a large scale, his images are enormously varied, from those that are close to reportage; to what he calls “near-documentary” images—tableaux, where he recreates a scene he has witnessed in reality with actors; to elaborately staged environments responding to art or literature; and even what he calls “hallucinations”. Crucially, he has used the term “cinematographic” to describe his approach, in that his pictures use different degrees of preparation and processing before he presses the shutter and afterwards, thereby applying what Jeff has called “aspects of the arts of dramatisation” to the pictorial practice of still photography. Because of this, his work has long had a fascinating philosophical relationship with truth and reality—two key cornerstones of orthodox claims for his medium's potency—and what Wall has called “blatant artifice”. Initially famous for the technique he pioneered in the art world of presenting vast transparencies on lightboxes, he now mostly works with prints, on a similar scale, in both colour and black and white. As he has engaged closely with the history of art, books and film, Jeff has used the term “prose poems” to describe his photographs: that form's complex structures and language and ability to conjure broad constellations of meanings, perfectly describe his art and how we experience it. He discusses how comics and Bruegel were his earliest visual inspirations, talks about his responses to historic works by Katsushika Hokusai and Albrecht Dürer, reflects on the “accidents while reading” that have led him to make images responding to literary works by Franz Kafka and Yukio Mishima, among others. Plus he answers some of our usual questions, including the ultimate, “what is art for?”Jeff Wall: Life in Pictures, White Cube Bermondsey, London until 12 January 2025; Museum of Art, Architecture and Technology, Lisbon, Portugal, April-August 2025. Hosted on Acast. See acast.com/privacy for more information.

Nous sommes au début de années 1830 à Edo, aujourd'hui Tokyo. Âgé de 75 ans environ, Katsushika Hokusai, peintre, dessinateur et graveur, préfaçant l'une de ses séries les plus célèbres, « Les Cent vues du mont Fuji », dont la fameuse « Vague » est extraite ou « Grande vague de Kanagawa », Hokusai qui se fait appeler « le vieillard fou de dessin » écrit : « Depuis l'âge de six ans, j'avais la manie de dessiner les formes des objets. Vers l'âge de cinquante, j'ai publié une infinité de dessins ; mais je suis mécontent de tout ce que j'ai produit avant l'âge de septante ans. C'est à l'âge de septante-trois ans que j'ai compris à peu près la forme et la nature vraie des oiseaux, des poissons, des plantes, etc. Par conséquent, à l'âge de nonante ans, j'aurai fait beaucoup de progrès, j'arriverai au fond des choses ; à cent, je serai décidément parvenu à un état supérieur, indéfinissable, et à l'âge de cent-dix, soit un point, soit une ligne, tout sera vivant. Et l'artiste de conclure très malicieusement : Je demande à ceux qui vivront autant que moi de voir si je tiens parole. » Au cours de sa très longue carrière, Hokusai a pourtant réalisé une œuvre considérable que l'on estime à 3 000 tirages couleur, des illustrations pour plus de 200 livres, des centaines de dessins et plus de 1 000 peintures, sans compter les pièces détruites ou disparues. Mais c'est pour l'une d'entre elle, en particulier, qu'il est devenu une icône : « La vague » qui est, aujourd'hui comme « La joconde » de l'art japonais, reproduite à l'infini sur toute sortes de supports : T.shirts, vaisselles, posters, montres etc. Hokusai, dans son pays, est une révolution à lui tout seul et au-delà, une source capitale d'influence en Occident, pour les Impressionnistes, notamment. Alors, laissons-nous porter, aujourd'hui, par la vague Hokusai … Avec nous : Anne Hustache, historienne de l'art. Sujets traités : Katsushika Hokusai, peintre, dessinateur , graveur, Tokyo, Kanagawa, vague Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Katsushika Hokusai einer der wichtigsten Künstler Japans. Die Ausstellung "Manga Hokusai Manga" im Japanischen Kulturinstitut in Köln vergleicht seine Skizzenbücher mit aktuellen Mangas. Hochkultur erzeugt Popkultur. Laura Dresch ist begeistert. Von Laura Dresch.

When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European perspective on Japanese prints and printmaking. We also dive into Japanese aesthetics and how they are interpreted through a Western lens. Additionally, Malene discusses how these aesthetics influence her brand, Tiger Tanuki, the role history plays in shaping her business, and her upcoming book. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Malene Wagner & Tiger Tanuki - Instagram, website ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Uniqlo -  a Japanese clothing brand known for its affordable, minimalist, and high-quality everyday wear. It focuses on functional designs, using innovative fabrics like Heattech for warmth and AIRism for breathability. Uniqlo is popular worldwide for offering essential wardrobe staples and often collaborates with well-known designers and artists to create unique collections. Clear Day With A Southern Breeze (1831) is a print usually known as "Red Fuji." From the series Thirty Six Views of Mt. Fuji this print was actually pink, red was used in later impressions by publisher Nishimuraya Yohachi.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Yayoi Kusama -  is a pioneering Japanese artist known for her immersive installations and polka dot motifs that explore themes of infinity, identity, and mental health. Born in 1929 in Matsumoto, Japan, Kusama began her artistic journey through painting and avant-garde practices, eventually moving to New York in the late 1950s, where she became a key figure in the pop art and feminist movements. Her works, range from large-scale installations like the "Infinity Mirror Rooms" to her vibrant sculptures and paintings. Kusama's art is a deeply personal expression of her own experiences with mental illness, transforming her obsessions into stunning visual experiences that resonate globally. Today, she is celebrated as one of the most influential contemporary artists, with exhibitions and installations that captivate audiences worldwide. From "Life Is The Heart of A Rainbow", Installation (2017) MANGA - was an exhibition from May 23 - August 26, 2019 held at the British Museum in London, England.  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Tomoo Inagaki (1902-1980) - introduced to mokuhanga by Onchi Kōshirō and Un'cihi Hiratsuka in 1923. Beginning in 1924, Inagaki published his first prints in magazines such as Shi to hanga (issue 13), Hanga (issues 6, 9/10, 11, 14), and Kitsutsuki, and exhibited with the Nihon Sôsaku-Hanga Kyôkai (Japan Creative Print Association). He became a member of the Nihon Hanga Kyôkai (Japan Print Association) in 1932 and participated in various post-war international competitions, including the Paris, Tokyo, and Lugano biennales. His cat prints have been highly collectible. More info can be found at Viewing Japanese Prints, here. The Rival Cats - 18" x 24" (1960's - 1970's) Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Frances Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Japanese Bath (1937) - 11 7/8" x 9 5/8 " Yoshitomo Nara - is a renowned Japanese contemporary artist and is celebrated for his distinctive paintings and sculptures featuring figures with large heads and expressive eyes, often exploring themes of innocence, rebellion, and solitude.  Change The History (2007) acrylic on wood 74-7/16" × 55-1/2" × 3-1/8" Mingei - is a Japanese term that translates to "folk craft" or "people's art." It refers to a movement that emerged in the early 20th century, emphasizing the value and beauty of traditional, handmade crafts created by anonymous artisans. Mingei focuses on everyday objects, such as pottery, textiles, furniture, and utensils, that reflect the culture and daily life of the people who made them. Lawrin Smith - is the author of the book "The Prints of Yoshitoshi: A Complete Illustrated Catalog" (2009). This comprehensive catalog focuses on the works of Tsukioka Yoshitoshi. The book provides detailed descriptions and illustrations of Yoshitoshi's prints, showcasing his significant contributions to the ukiyo-e genre and his influence on modern printmaking. Wabi-sabi is a Japanese aesthetic philosophy that celebrates the beauty of imperfection, transience, and the natural cycle of life. It combines two concepts: "wabi," which refers to rustic simplicity and tranquility found in nature, and "sabi,"which denotes the beauty that comes with age and wear. Wabi-sabi values simplicity, asymmetry, and the unique characteristics of objects and experiences, encouraging appreciation for the impermanent and humble aspects of life. This philosophy is reflected in various forms of art, architecture, and design, emphasizing natural materials and handcrafted items, and fostering mindfulness and acceptance of the imperfections that make life beautiful. A-yo - is a renowned Japanese artist associated with the Gutai Art Association, an avant-garde group that emerged in post-war Japan. Known for his vibrant colors and distinctive style, Ay-O's work often incorporates elements of nature, light, and movement, reflecting themes of playfulness and spontaneity. He engages with materials in innovative ways and has explored performance art as part of his creative expression. With extensive exhibitions both in Japan and internationally, Ay-O has made significant contributions to contemporary art, emphasizing the joy of creation and the aesthetic experience. Marcel Duchamp (1887–1968) was a French-American artist and a key figure in modern art, known for his significant influence on the Dada movement and conceptual art. He initially trained as a painter but became renowned for challenging traditional notions of art through his controversial works, such as "Fountain"(1917), a readymade sculpture of a urinal that questioned the definition of art and the role of the artist. Duchamp's other notable pieces, including "The Large Glass" (1915–1923) and "Bicycle Wheel" (1913), explored themes of chance and perception. His innovative ideas about art as a conceptual experience rather than a purely visual one continue to resonate, solidifying his status as one of the most influential artists of the 20th century.   Fountain (1917) replica (1964)   Naoko Matsubara - is a contemporary Japanese printmaker known for her expertise in mokuhanga. Born in Osaka, she studied at Kyoto Seika University, where she specialized in printmaking and mastered the techniques of this ancient art form. Matsubara's work often blends traditional methods with contemporary themes, exploring the relationship between nature, culture, and identity. Her prints are characterized by intricate details, vibrant colors, and a deep appreciation for the materials and techniques involved in woodblock printing. She teaches and promotes mokuhanga both in Japan and abroad, exhibiting her work in galleries and museums worldwide and receiving numerous awards for her contributions to the field. Naoko's interview with The Unfinished Print can be found, here.    Gihachiro Okuyama (1907-1981) - was a prominent Japanese printmaker and painter associated with the sōsaku hanga (creative prints) movement. Born in Tokyo, he studied traditional Japanese painting and was influenced by Western art styles, leading to innovative woodblock prints characterized by bold colors and dynamic compositions that blend traditional aesthetics with modern elements. Throughout his career, Okuyama exhibited extensively in Japan and internationally, contributing significantly to contemporary printmaking while also playing a vital role in art education by sharing his expertise with future generations. His work reflects a deep engagement with the cultural exchanges between East and West during the post-war period.     Moonscape - 10" x 21"   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Prince Rokuson Tsunemoto from Suikoden of Japanese Heroes (1843) 10" x 7"    Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.    Kabuki Plays - Narukami and Princess Toki (ca. 1890's) triptych   Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Dog, Daschund 2 10" x 15"   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      Anxiety (1894)   Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim.   Mill in Sunlight (1908). Credit: Kunstmuseum Den Haag, The Hague, The Netherlands © 2021 Mondrian/Holtzman Trust   Shunga - meaning "spring pictures," is a genre of Japanese erotic art that flourished during the Edo period (1603–1868), characterized by woodblock prints, paintings, and illustrated books depicting explicit sexual scenes often combined with humor, romance, and social commentary. Notable for its vibrant colors and intricate details, shunga explores themes of intimacy and sexuality, serving both as entertainment and education in a culture where such topics were often taboo. The genre reflects societal attitudes toward love and relationships and has a rich history despite facing censorship at various times. Today, shunga is recognized as a significant part of Japanese art history, appreciated for its aesthetic qualities and cultural context. Paul Binnie - Candlelight (1994) kappazuri print 24" x 18"  Tosa Prefecture - historically known as Tosa Province, is located in the southern part of Shikoku, Japan, and corresponds to present-day Kochi Prefecture. Renowned for its natural beauty, including mountains, rivers, and coastal landscapes, Tosa has a rich cultural heritage that includes traditional crafts like Tosa washi (handmade paper) and Tosa pottery. The region is famous for its vibrant festivals, such as the Yosakoi Festival, which features lively dance performances, and is known for its agricultural products, particularly citrus fruits like yuzu and sudachi, along with seafood. Kochi City, the capital of Kochi Prefecture, serves as the cultural and economic center, showcasing local cuisine, historical sites, and museums. Tosa's unique blend of natural scenery, traditional crafts, and cultural events contributes to its significance within Japan. © Popular Wheat Productions opening and closing credit - I Am Pentagon by the band Make Up from their album Save Yourself (1999) released by K Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Denna gång tar vi oss till Edo-periodens Japan och det mest ikoniska japanska konstverk: Katsushika Hokusais “Under vågen utanför Kanagawa” (ca 1830-1832) från serien “36 vyer av berget Fuji”. Bilden har blivit en symbol för Japan och används nuförtiden i de mest olika sammanhang. Den har blivit emoji, används i miljöaktivism, surferkulturen och i ölreklam. Alla känner nog igen bilden, men handen på hjärtat, hur många vet mer om den än titeln och konstnären? Bilden känns så modern och ungdomlig att det är svårt att tänka sig att den är nästan 200 år gammal och att konstnären var över 70 gammal när han skapade den. I vårt poddavsnitt berättar vi hur bilden omedelbart uppnådde en otrolig popularitet i Japan, där färgträsnittet ska ha tryckts upp i hela 8000 exemplar, istället för de sedvanliga 200. Vi pratar om hur bilden kom att påverka den västerländska konsten, när den nådde Europa ca 1850 och hur konstnärer som Vincent van Gogh, Carl Larsson och kompositören Claude Debussy inspirerades av den. Men vi berättar också om inspirationen från väst till öst och hur nederländska konstverk anses ha påverkat Hokusai och hur det importerade färgpigmentet berlinerblått från väst kom att spela en betydande roll i Hokusais verk. Eftersom vi befinner oss väldigt mycket i Japan i detta avsnitt, som har en konst och en konsthistoria som inte alla är helt bekanta med, kommer vi att introducera en del japanska fenomen och begrepp i detta avsnitt. Till exempel berättar vi om bildgenren ukiyo-e som översätts till “Bilder från den förbiflytande världen” och hur Hokusai bidrog till att förändra den. Vi förklarar också den spännande tekniken färgträsnitt med vilken dessa japanska bilder producerades, som under Edoperioden inte ansågs vara konst, utan snarare en souvenir, som kunde köpas till samma pris som ett paket nudlar. Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

Japonya'nın ulusal ağacı Cryptomeria japonica'yı konuşuyoruz

Listen to this episode ad free + exclusive episodes and bonus material at https://www.patreon.com/voicesinjapanIn this episode Matt talks about meeting famous sumo wrestlers, plus the new Japanese ¥1000 note with a famous artwork on it, and what to be wary of during typhoon season. Burke talks about a surprising story regarding a couple and a shrine, he then tests Matt on his shrine etiquette!Sponsors:MaruMoriThis site has everything you need to learn Japanese! It's an all-in-one, guided, gamified Japanese learning experience with the aim to take you all the way from absolute beginner to language mastery, and the best part is you can start anywhere! https://marumori.io/register?rcode=vijBearfoot BarLocated in downtown Sapporo, walking distance from the subway station. There are a variety of Japanese made local and craft beers, bottled and on tap. 21 different sorts of international beers. A wide range of regular and unique spirits and basic cocktails also available. Burgers and pub style snacks. With friendly English and Japanese speaking staff.  https://www.facebook.com/bearfootbarHokkaido GuideEstablished over 10 years ago, written by locals for locals and international tourists. The guide contains information on all types of businesses and locations around Hokkaido. There's information regarding all things Hokkaido such as sightseeing, nightlife, events, services, food and restaurants, entertainment, outdoor activities, and more. Currently offered in English and Thai, advertising space available. Check out website for everything you need to know about this beautiful prefecture. https://hokkaidoguide.comUse our Buzzsprout affiliate link to start your podcast today! Website:https://www.voicesinjapan.com/Follow us and check out our other content:https://youtube.com/@voicesinjapanpodcasthttps://twitter.com/voicesinjapanhttps://www.facebook.com/voicesinjapan/https://www.instagram.com/voicesinjapan/Get in touch: voicesinjapan@gmail.comSupport the Show.Support the Show.

When embarking on your mokuhanga journey, whether through making or collecting, one name stands out above the rest: (pause) Yoshida. The Yoshida family of artists have helped create some of the most important and exciting mokuhanga prints of the last 100 years. Their designs, techniques, and marketing transformed the perception of prints in Japan and around the world.   I speak with Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS (the School of Oriental and African Studies) at the University of London and an Academic Member of the Japan Research Centre. Dr. Hinkel is also the curator of the current exhibtion (at the time of recording)  about the Yoshida family of artists, titled Yoshida: Three Generations of Printmaking, being held at the Dulwich Picture Gallery in London, England.   Dr. Hinkel joins me to discuss the Yoshida family, from Hiroshi to Ayomi, the exhibition at the Dulwich Picture Gallery—the first of its kind in the United Kingdom—the Yoshida family's history, and their impact on the global art community.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Dulwich Picture Gallery - located in London, England the Dulwich Picture Gallery is the worlds first public "purpose-built" public art gallery founded in 1811.  Robert Rauschenberg (1925–2008) - was an American artist known for his innovative and boundary-defying work that blurred the lines between painting, sculpture, and everyday life. Emerging in the 1950s, Rauschenberg challenged the conventions of traditional art with his "Combines," a series of works that incorporated found objects, photographs, and non-traditional materials into paintings, creating dynamic, multi-dimensional pieces. Characterized by a spirit of experimentation and a desire to break down the distinctions between art and the real world, Rauschenberg played a crucial role in the transition from Abstract Expressionism to Pop Art. Charlene (1954) mixed media Pop Art - was an art movement from the 1950s and 1960s that incorporated imagery from popular culture, such as advertising, comic books, and consumer goods. It challenged traditional art by blurring the lines between high art and everyday life. Key figures like Andy Warhol and Roy Lichtenstein used bold colors and familiar icons to both celebrate and critique consumer culture, making Pop Art one of the most influential movements in modern art. Yoshida: Three Generations of Japanese Printmakers - is the current exhibition at the Dulwich Picture Gallery from June 19, 2024 -  November 3, 2024.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Kumoi Cherry Tree 23" x 29 1/8 " (1926) Yoshida Fujio (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Flower - B (1954) 15 3/4" x 10 5/8" Yoshida Tōshi (1911-1995) - was the second child of Hiroshi Yoshida and Fujio Yoshida, although the first to survive childhood. Beginning with oil paintings and then apprenticing under his father with woodblock cutting. By 1940 Tōshi started to make his mokuhanga. After his father's death in 1950, Tōshi began to experiment with abstract works and travel to the United States. Later travels to Africa evolved his prints, inspiring Tōshi with the world he experienced as his work focused on animals and nature.  American Girl A (1954) 15 7/8" x 11 1/8" Yoshida Chizuko (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Jazz (1953) 15 3/4" x 11" Yoshida Hodaka (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures. Abstract (1958) 11" x 15 7/8" Yoshida Ayomi - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. Ayomi's lecture referred to by Jeannie at PAM can be found here. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) woodblock installation  Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Spring Rain at Sakurada Gate (1952) 10 3/8" x 15 3/8" Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.    Impressionism - was an art movement that emerged in France in the late 19th century, characterized by a focus on capturing the fleeting effects of light and color in everyday scenes. Instead of detailed realism, Impressionist artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas used loose brushwork and vibrant colors to convey the atmosphere and momentary impressions of their subjects. This movement broke from traditional art by often painting en plein air (outdoors) and prioritizing personal perception over exact representation, leading to a revolutionary shift in modern art. Wassily Kandinsky (1866–1944) - was a key figure in the development of abstract art, known for using color and form to express emotions and ideas without representational content. His influential writings and innovative approach helped shape modern art, making him a central figure in movements like Expressionism and the Bauhaus. Stars (1938) 13 7/8" x 10 1/4" colour lithograph  Charles Freer (1854–1919) - was an American industrialist and art collector, best known for his significant contributions to the field of art through the establishment of the Freer Gallery of Art. Freer was a wealthy entrepreneur who made his fortune in the railroad industry. In his later years, he became an avid collector of art, particularly Asian art, including Chinese and Japanese ceramics, paintings, and sculptures. Nakagawa Hachiro (1877-1922) - was a close friend of Yoshida Hiroshi and traveled to the United States together for the first time in 1899. He was a yōga painter and showed primarily in Japan. Landcape in The Inland Sea 13.94" x 20.87" colour on watercolour  The Great Kanto Earthquake - struck Japan on September 1, 1923, with a magnitude of approximately 7.9. It devastated the Kanto region, including Tokyo and Yokohama, causing widespread destruction and fires that led to the deaths of over 100,000 people. The earthquake also resulted in significant infrastructure damage, homelessness, and economic disruption. In the aftermath, the disaster prompted major rebuilding efforts and urban planning changes. Additionally, the earthquake led to social and political unrest, including widespread anti-Korean sentiment, as rumors falsely blamed Korean immigrants for the disaster. Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Thirty Six Views of Mount Fuji No. 21 Lake at Hakone 14" x 9 1/4" Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Selection of Views of the Tokaido (1934) Bishu Seto Kilns 15 3/4"  x 10 3/8" Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Kasumi Teshigawara Arranging Chrysanthemums (1966) 21 7/8" x 16 1/2" Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  Tama River in Musashi Province from 36 Views of Mount Fuji (1830-32) 9 7/8" x 14 7/8"  Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most important sōsaku hanga artists and promotor of the medium. His works are highly sought after today. More info, here. Nijubashi Bridge to the Imperial Palace from Scenes of Lost Tokyo (1945) 7.8" x 11.1" published by Uemura Masuro Tarō Okamoto (1911–1996) was a prominent Japanese artist known for his avant-garde works and dynamic use of color and form. His art, which includes painting, sculpture, and public installations like the "Tower of the Sun," often explores themes of chaos and modernity. Okamoto was influential in Japanese contemporary art and also made significant contributions as a writer and cultural commentator. More info, here.  Seashore (1976) lithograph 5.55" × 22.05" Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” St. Olaf College - is a private liberal arts college located in Northfield, Minnesota. Founded in 1874 by Norwegian-American settlers, it has a strong emphasis on a comprehensive liberal arts education, integrating rigorous academics with a commitment to fostering critical thinking, leadership, and global citizenship. The college is known for its vibrant community, strong programs in the humanities, social sciences, and natural sciences, and its affiliation with the Evangelical Lutheran Church in America (ELCA). St. Olaf is also recognized for its strong music program, including its acclaimed choir and music ensembles. More info, here. The Detroit Institute of Arts (DIA) -  is an art museum in Detroit, Michigan, founded in 1885. It is known for its extensive collection of artworks from various cultures and periods, including significant American, European, and African art. The DIA is particularly famous for Diego Rivera's Detroit Industry Murals and serves as a major cultural center with diverse exhibitions and educational programs. More info, here.   baren - is a Japanese word to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although baren have many variations.    Jeannie Kenmotsu, PhD - is the Arlene and Harold Schnitzer Curator of Asian Art at the Portland Art Museum in Portland, Oregon. She specializes in early modern Japanese art, with a focus on painting, illustrated books, and prints. Her interview with The Unfinished Print about her work about the Joryū Hanga Kyōkai can be found, here.    © Popular Wheat Productions opening and closing credit - by Gordon Lightfoot - Affair on 8th Avenue from the album Back Here On Earth (1968) on United Artists. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                        

O Papo Tatuí recebe o editor e tradutor Diogo Kaupatez, mestre em cultura japonesa pela Universidade de São Paulo, com especialização no período ukiyo-e e em seu expoente maior, Katsushika Hokusai. Ele trabalhou no mercado livreiro como assistente na editora Estação Liberdade e como vendedor na Livraria Cultura e Livraria da Vila, época em que iniciou sua carreira como tradutor de inglês e japonês, contribuindo com editoras como Cosac Naify e Planeta. Em 2016, permaneceu no Japão atuando como tradutor e revisor de textos budistas para a editora japonesa Ichimannendo, e fundou a C33 Editora, disponibilizando ao público brasileiro conteúdos inéditos ou pouco disseminados por aqui, desde folclore, arte e cultura até questões relativas à sexualidade e comportamento. O podcast foi gravado na Cabine Tatuí. Apresentação: João Varella | Coordenação: Cecilia Arbolave | Produção, operação técnica e edição de áudio: Ian Uviedo  Conheça a Sala Tatuí: www.salatatui.com.br | Conheça a Banca Tatuí: www.bancatatui.com.br | Assine o Boletim Tatuí: www.substack.com/@boletimtatui 

Mokuhanga becomes a part of those who open themselves to its possibilities. It draws you in as an art form, with its seeming simplicity, and guides you on a profound journey of exploration. One of the strengths of mokuhanga as a practice is its ability to harmonize with other artistic and academic endeavors, enriching one's life in many ways.   On this episode of The Unfinished Print, I speak with William Mathie, a teacher and relief printmaker based in Pennsylvania. We discuss Bill's discovery of mokuhanga in the 1980s and how his academic and artistic journey in printmaking evolved, leading him to rediscover mokuhanga later in life. Bill and I delve into his personal mokuhanga teachers, his work on the Pennsylvania Print Symposium in 2006, his printmaking philosophies, his time at the First International Mokuhanga Conference in Awaji and Kyoto, and we also explore his own mokuhanga work, materials, making tools and how he views mokuhanga through an academic lens.   William Mathie - website, Instagram   Guarding The Cheese    The golden age of mokuhanga is generally considered to be during the Edo period (1603-1898), when the art of color woodcut flourished in Japan. Although woodblock printing in Japan has its origins around 700 CE, color woodblock printing began in 1743.   Rudy Pozzati (1925-2021) - was an American Professor Emeritus, painter, and printmaker who traveled extensively through grants early in life. Later, he served as a professor at Indiana University Bloomington from 1956 to 1991. Indiana University is a public research university in Bloomington, Indiana. He worked in various styles of printmaking and studied mokuhanga in Japan in the 1980s.   Man-eating Mares of King Diomedes (2009) one colour lithograph, 24 3/4" x 33 3/4"   The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.    Kenji Takenaka - is a mokuhanga printmaker based in Kyoto. He is a fifth generation printmaker, who has demonstrated mokuhanga technique throughout the world. He established the Takenaka Woodblock Printing Company (Takesazado) to help teach and promote mokuhanga. More information can be found, here.    Chikurin 10.6" x 15.3"   The Japan Foundation - established in October 1972 as a government-affiliated corporation and relaunched in 2003 as an independent administrative institution under the Ministry of Foreign Affairs, promotes international cultural exchange through a variety of programs. With its global network, including offices in Japan and 22 overseas locations, the Foundation focuses on Arts and Cultural Exchange, Japanese-Language Education Overseas, and Japanese Studies and Intellectual Exchange. It is funded by a government endowment, annual subsidies, investment revenue, and private donations.   Tuula Moilanen  - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print can be found here. Blooming Sky 2, (2017) 10.2" x 14.2"   Yukō Harada - is a mokuhanga printmaker based in Kyoto, and works at Kenji Takenaka's Takesazado and is considered a sixth generation printmaker. An interview with Ms. Harada can be found at amirisu, here.   Rainy Season Stripes 7" x 5"   Evan Summer -  He is a printmaker and Professor Emeritus based in Kutztown, Pennsylvania. He has an extensive CV of artist-in-residence programs and has focused his print work on etching. More information can be found on his website, and on Instagram.    Landscape With Sloped Horizon (State 1)  lithograph printed by Tim Sheelsey at Corridor Press (2003) 36" x 30"   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     Andy Farkas - is a mokuhanga printmaker, author, mentor, and documentarian based in Pennsylvania. Andy's interview with The Unfinished Print can be found, here.    Watching Over 16" x 10"    serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Edinboro University in Pennsylvania - a part of PennWest Edinboro, is a public university located in Edinboro, Pennsylvania. Established in 1857 as Edinboro Academy and has a rich history of providing higher education. Before becoming part of the Pennsylvania Western University system in 2022, Edinboro University was known for its strong programs in education, art, and nursing. The university offers a wide range of undergraduate and graduate programs, with a commitment to academic excellence and community engagement.   John Lysak - is a master printmaker and artist. He is associated, like William Mathie, with Egress Press, a fine art publishing and research component of the Printmaking Area of Edinboro University of Pennsylvania's Art Department. More information can be found here   Palix River Marshlands (2022) acrylic on board 11" x 17"   wood engraving  - is a printmaking technique where an artist carves an image with burins and engravers, into the surface of a block of wood. The block is then printed using pigments and pressed into paper. Wood engraving uses the end grain of a hardwood block, typically boxwood. This allows for much finer detail and more intricate lines. Thomas Bewick (1753–1828), and Eric Gill (1882–1940) are some popular wood engravers.    The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.      Miami University at Ohio - is a public research university in Oxford, Ohio.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga, held in two locations in Japan: Kyoto and the Awaji Islands, which are located near Shikoku.   Keizo Sato -  is a second generation mokuhanga printmaker based in Kyoto. Mr. Sato created the Sato Woodblock Print Center to teach mokuhanga. It is associated with Kyoto Seika University. An interview with Mr. Sato conducted by Fine Art JPN can be found, here.    Hiroshi Fujisawa - is a master carver and has been carving mokuhanga for over fifty years. He demonstrated at the first International Mokuhanga Conference in 2011. A lovely blog post about an interaction with Hiroshi Fujisawa can be found, here on printmaker Annie Bissett's blog. Annie's interview with The Unfinished Print can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. More information can be found on her website, here.    A Cluster (2023) 15" x 11"   Young Woman Blowing a Popen - is a mokuhanga print designed by Kitagawa Utamaro (?-1806). Utamaro was one of the first famous woodblock print designers in the Edo Period of Japan made famous by his bijin prints of beautiful women. The print was first printed in 1792/93. It is from the series Ten Classes of Women's Physiognomy.     Energy Policy, 2005 - George W. Bush's energy policy prioritized expanding domestic fossil fuel production, including controversial drilling in protected areas like the Arctic National Wildlife Refuge, and offered substantial subsidies to the oil and gas industry while neglecting renewable energy development. Critics argue that this approach increased greenhouse gas emissions, exacerbated climate change, and harmed public health due to higher pollution levels. Additionally, by failing to diversify energy sources and invest in sustainable alternatives, the policy left the U.S. vulnerable to energy security risks and has delayed the transition to a cleaner energy economy.   Punch Magazine - Punch magazine, founded in 1841 in London, was a British weekly publication known for its satirical humor and cartoons. Punch played a significant role in shaping British satire and social commentary during the 19th and early 20th centuries. It became famous for its witty and often biting critiques of politics, society, and culture, influencing public opinion. Despite its early success and influence, the magazine eventually declined in readership and ceased publication in 2002.   Echizen - is a region in Fukui Prefecture, Japan, known for its long history of papermaking. The area is home to many paper artisans. One notable figure is Iwano Ichibei. He is a Living National Treasure in papermaking and the ninth generation of his family still making paper today. More information can be found here.in English, and here in Japanese.    Morgan Conservatory of Papermaking - established in 2008, the Morgan Conservatory of Papermaking is a nonprofit organization based in Cleveland, Ohio, dedicated to preserving papermaking techniques from around the world. It also serves as a working studio and gallery. More information can be found here.    The Morgan Library & Museum - based New York City, originally the private library of financier J.P. Morgan, it was established in 1906 and became a public institution in 1924. It houses an extensive collection of rare books, manuscripts, drawings, and prints, including works by literary and musical greats like Charles Dickens and Mozart. The museum also hosts rotating exhibitions and serves as a cultural hub, renowned for its architectural beauty and significant contributions to literature, history, and the arts. More information can be found, here.    © Popular Wheat Productions opening and closing credit - live music at The Seabird jazz bar in Aoyama, Tōkyō, Japan. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Japan issued its first new banknotes in two decades on July 3, yen packed with 3D hologram technology to fight counterfeiting. Prime Minister Fumio Kishida praised the state-of-the-art anti-counterfeit traits of the new 10,000 yen, 5,000 yen, and 1,000 yen bills as historic. “I hope the people will like the new bills, and they will help energize the Japanese economy,” he told reporters at the Bank of Japan. While the new bills were released with fanfare, currency already in use will remain valid. In fact, people will still need older bills to use most vending machines and to pay bus fares, local media reported. Kishida noted the people featured on the bills celebrate Japanese capitalism, women's equality, and scientific innovation. The 10,000 yen bill, worth about $62 at the current exchange rate, has the face of Eiichi Shibusawa, known as “the father of Japanese capitalism,” a key figure in building Japan's modern economy. He is credited with founding hundreds of companies. The 5,000 yen bill, worth about $30, features Umeko Tsuda, a pioneer feminist and educator who founded a college. The 1,000 yen note, worth about $6.20, portrays physician and bacteriologist Shibasaburo Kitasato, who was instrumental in the research of tetanus and the bubonic plague. The backs of each of the bills feature Tokyo Station, wisteria flowers, and ukiyo-e artist Katsushika Hokusai's Mount Fuji, respectively. The new bills also feature larger printing so they're easier to read, especially for the nation's aging population. It may take some time for ordinary people to get hold of the new bills. They first are going to banks and other financial organizations. Then, they'll be distributed to automatic teller machines and stores, according to the Bank of Japan. The majority of transactions in Japan are still done in cash, and cashless payments have been slower to catch on than in many other countries. “Although the world is moving toward cashless interactions, we believe cash remains important as a way for safely settling payments anywhere and anytime,” said Bank of Japan Gov. Kazuo Ueda. This article was provided by The Associated Press.

We meet Es Devlin CBE to discuss her new multi-media work SURFACING commissioned by BMW and unveiled at Art Basel in Basel 2024.A pioneering combination of sustainable energy and movement in an installation of water, light, sound and dance. A dance collaboration and a series of mobile sound installations within a pilot fleet of BMW iX5 Hydrogen vehicles.In Hall 1.1 of the art fair Devlin created a booth displaying four works: Surfacing (2024), an illuminated cube of rain penetrated by a line of light and Surfacing II (2024), a pair of painted televisions in which a dancing figure appears to displace pixels and pigment, are flanked by Mask (2018) a projection-mapped model city fusing hands and river, and Mask in Motion (2018) a revolving illuminated translucent printed city which meshes viewers within its kinetic shadow.Each work continues Devlin's 30 year exploration of the entangled dance between humans and technology. The booth surprises visitors each hour as Surfacing's box of rain, like a magician's apparatus, conjures a 7 minute dance work by renowned Paris-based choreographer Sharon Eyal with music composed by London-based duo Polyphonia. A meeting of artist and engineers: Devlin has spent the past year engaging with engineers at BMW, learning the mechanics behind the hydrogen fuel cell technology and its implications for the future of sustainable energy systems. As an opening chapter to the works on view in Hall 1.1, she has created a simple soundscape drawn from their conversations and underscored by composers Polyphonia which is played to guests in the pilot fleet of BMW iX5 Hydrogen vehicles.Devlin says: “I learned from the BMW engineers the beautiful symmetry of the system at work within the hydrogen fuel cell: the energy that is used to separate hydrogen atoms from oxygen is recreated when the oxygen is reunited with hydrogen within the car. The by-product is not only the energy which propels the vehicle, but water.”The exterior of the BMW iX5 Hydrogen has been wrapped in a painted blue and white collage in which Devlin overlays paintings and text made in response to the prints and literature which populated her wall and bookshelves as a teenager. Painted gestures echoing the 1831 woodcut ‘The Great Wave off Kanagawa' by Japanese artist Katsushika Hokusai, are superimposed over hand written extracts from literature's longest sentence about water drawn from James Joyce's seminal novel ‘Ulysses'. Underlying the collage are excerpts from BMW Group publications on hydrogen fuel cell technology.Artist and Stage Designer, Es Devlin's work explores biodiversity, linguistic diversity and collective ai-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Her canvas ranges from public sculptures and installations at Tate Modern, V&A, Serpentine, Imperial War Museum and United Nations General Assembly, to kinetic stage designs at the Royal Opera House, the National Theatre and the Metropolitan Opera, as well as Olympic ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyoncé, The Weeknd, Dr Dre, Kendrick Lamar and U2.Visit: https://EsDevlin.com/ and Follow @EsDevlin and @BMWGroupCulture Hosted on Acast. See acast.com/privacy for more information.

La Grande Vague d'Hokusai est partout. Accrochée au mur du salon chez nos amis, à la Une du magazine The New Yorker de novembre 2022, sur nos fonds d'écran. Bref, la grande vague bleue pleine d'écume déferle depuis toujours autour de nous.  La Grande Vague, ou plus exactement La Grande Vague de Kanagawa, est une célèbre estampe japonaise du peintre japonais, Katsushika Hokusai, réalisée en 1830. Une estampe japonaise est une illustration d'abord dessinée à l'encre de Chine et au pinceau par l'artiste, puis ensuite gravée sur bois pour faire ressortir le dessin par relief, à la manière des tampons. Hokusai fut un spécialiste de l'estampe japonaise, et sa vague est son œuvre la plus connue, première de la série "Trente-six vues du Mont Fuji". Mais c'est quoi exactement ce tableau ? Que représente cette estampe ? Et aujourd'hui, La Grande Vague se retrouve vraiment partout ? Écoutez la suite de cet épisode de "Maintenant, vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : 14 janvier 2023 À écouter aussi : Quels sont les pires scandales écologiques causés par des tournages de films ? Sylvester Stallone, Fabrice Luchini, Cameron Diaz... qui sont ces célébrités passées par le porno ? Qu'est-ce que le toying, cette pratique mal considérée dans le graffiti ? Retrouvez tous les épisodes de "Maintenant vous savez - Culture". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

いらっしゃいませ, Irasshaimase, WELCOME to our HOKUSAI epic-sode! We FUCKING LOVE this guy and are so excited to share his life story with YOU ALL. Our most beloved friends and listeners. This one has it all... ghost stories, fellatio performing squid, and more! Come join us as we go through the long life of our dear Hokusai. There will be sake, there will be badly pronounced Japanese words, and there will be SYPHILIS! As always with love... The Baroque B*tches ***DISCLAIMER*** This episode does contain stories of violence. Please be mindful when and where and with whom you listen, and please if these themes are at all triggering for you skip this one, take care of yourself, and know that we LOVE YOU!

Mokuhanga today can be made in so many ways. So many inspirations, so many people creating beautiful pieces from all over the world. Coming to you from Obihiro, Hokkaido, I have been traveling around Japan for over a month. Coming back to Japan is always an inspiring act and it is already like a second home to me. What brought me back to Japan this time around was the 2024 International Mokuhanga Conference held in Echizen City, Fukui, Japan. Meeting with so many mokuhanga artists, carvers, and printers inspired me and makes me want to be a better artist and to make a better podcast. On this episode of The Unfinished Print I speak with one of the mokuhanga artists who also attended the 2024 IMC. Jason Fujiwara. Jason lives and works in Tokyo, Japan where he creates his mokuhanga. Jason and I speak together about how he approaches his work, his inspirations, the idea of cultural identity in his prints , his time at the 2024 International Mokuhanga Conference, and Jason even asks me some questions. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jason Fujiwara - website, Instagram Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Ōiso: from the series The Tōkaidō Road - The Fifty-three Stations (1851-52) Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  Poem by Sangi Hitoshi :  the series One Hundred Poems Explained by the Nurse (n.d.) David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  The Forest In Summer: From the Series "My Solitudes." (2007-9) Ema Shin - Based in Melbourne, Australia, Ema Shin hails from Niigata, Japan. She pursued her education in printmaking at Tama Art University in Tokyo. Currently, her work spans across various mediums including papier-mâché, embroidery, tapestry weaving, bookmaking, urauchi, collage, and mokuhanga. For more information, visit here.  Soft Alchemy (Fertile Heart) Woven tapestry, cotton, wool, 21" x 31" x 2.3", Matthew Stanton photography. (2019)   Terry McKenna -  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education. For further details about Terry and his school, here. Additionally, you can read Terry's interview with The Unfinished Print, here and Richard Steiner's interview here.    Beauty (2010)   mokume - is a woodblock printing technique where, by using heavy pressure on wood which contains a heavy grain, the artist can reveal the grain in their work. Below is a fine example of mokume technique by Osamu Sugiyama:     10 Views of Mt. Fuji - Moonlight over Shinobino Moor (13"x16.9")   bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. Below is a fine example of bokashi by Paul Binnie:     Flowers of a Hundred Years: Bubble Era [of 1990] (18.5"x13") (2024)   ukiyo-e - is a form of multi-color woodblock print and painting  primarily associated with Japan's Edo Period (1603-1867). Originating in the 17th century with prints featuring only a few colors, it evolved into a sophisticated system of production and technique by the Meiji Period (1868-1912). However, with the emergence of photography and other printmaking methods, traditional ukiyo-e production ceased by the late 19th century, leaving behind a rich legacy in Japanese art history.    Procreate - is a popular digital art app designed exclusively for iPad and iPhone. It offers a wide range of tools and features that allow artists to create digital illustrations, paintings, and designs with ease. Some of its key features include a variety of brushes, layers, blending modes, and advanced editing options. Procreate has gained popularity among digital artists due to its intuitive interface, powerful capabilities, and ability to produce high-quality artwork.   A2 - is a paper size part of the ISO 216 standard and is commonly used for posters, architectural drawings, and other large format prints. Its dimensions are 594 x 420 millimeters or approximately 23.4 x 16.5 inches.   Pansion paper - is a medium-heavy kozo paper, varying in size  and weight and is predominantly used in printmaking.    Ralph Kiggell (1960-2022) : was a highly influential figure in our world of mokuhanga printmaking. Originally from England, Ralph resided and practiced his art in Thailand. Renowned for his innovative approach, Ralph pushed the boundaries of mokuhanga through his creation of exceptionally large pieces, intricate jigsaw carving techniques, and vibrant color palettes. He also played a pivotal role in promoting mokuhanga globally through his involvement with the International Mokuhanga Conference. His legacy will be deeply felt and cherished by the mokuhanga community. You can explore Ralph's work, here. You can read his obituary in The Guardian here and his interview with The Unfinished Print, here.     White Orchid (n.d.)   Keiko Kobayashi - is a mokuhanga printmaker and administrator of the International Mokuhanga Conference. She lives and works in Tokyo, Japan. More information can be found, here.    花喰い(6) 蝋梅に四十雀 (2024) 4"x4"   nengajō -  (年賀状) what began as a way for Japanese nobility to communicate with faraway friends and family during the New Year festive period, has become a way for all people to send New Year greetings to their own friends and family. More info, here.   Kay Watanabe - is an artist located in Brisbane, Australia. Her creative endeavors span across various mediums, including mokuhanga and other printmaking techniques, painting, drawing, and photography. For further details about Kay and her artistic journey, visit here.      Heaven And Earth (2019) etching on paper    Roslyn Keane -  is a mokuhanga printmaker and baren designer situated in Sydney, Australia. Her artistic creations lean towards abstraction and often feature large-scale pieces crafted using a diverse range of techniques. For additional insights into Roslyn's work, her KBB barens, and her The Stables Print Studio, visit, here.     Transition (2019/20)    © Popular Wheat Productions opening and closing credit - eating in an izakaya in Himeji, Japan with friends recorded live in 2024.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

When creating mokuhanga, one requires time – time to prepare, time to plan, and time to explore. The essence of the work emerges from this delicate balance of managing one's time and integrating life within mokuhanga.   In this episode of 'The Unfinished Print,' I have the pleasure of speaking with printmaker Wuon-Gean Ho. Wuon-Gean approaches her mokuhanga with a keen focus on work-life balance, emphasizing creation not at the expense of life but as a means to enrich and enhance it. Join me as we delve into Wuon Gean's unique perspective on mokuhanga, how it skillfully blends with her other printmaking endeavors,  learning under Akira Kurosaki,  her educational experiences and we delve into her philosophies on living a life infused with art.    Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Wuon-Gean Ho - website JET Programme - a teaching programme created in 1978, which is sponsored by the Japanese government, and various Japanese ministries. This organization brings people from around the world to teach English to Japanese students in grade school, junior high, and high schools throughout the country.  More info, here. Tate Modern - located in London, UK, and stands as one of the world's largest and most renowned contemporary art museums. It houses an extensive collection of international modern and contemporary art from around the world. The museum is known for its innovative exhibitions that showcase works by both established and emerging artists. Additionally, Tate Modern offers a variety of educational programs, workshops, and events designed to engage visitors of all ages and backgrounds. Kyoto Seika University - situated in Kyoto, Japan, is a leading private university specializing in art and design education. The university offers undergraduate and graduate programs in various fields of art and design, including painting, sculpture, graphic design, and manga. Known for its rigorous academic curriculum, Kyoto Seika University emphasizes practical skills and creative expression. The institution has a rich history and tradition of nurturing talented artists and designers, with a strong focus on fostering creativity and innovation among its students. Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable.  Katsushika Hokusai (1760-1849) - is one of the most, if not the most, famous Japanese artist ever known. He designed woodblock prints, as well as creating his own paintings, screens, scrolls, and commissioned art in Buddhist temples throughout Japan. More info, here. The British Museum has a lot of info, here.  Devon - is a city located in the southwest of England, and is renowned for its stunning natural beauty, diverse landscapes, and rich cultural heritage. Rugged coastlines adorned with sandy and picturesque villages, Devon offers a wealth of attractions for visitors and locals alike. You can find more info on Devon tourism, here.  Fabriano paper - is a high-quality paper produced by the Fabriano paper mill in Fabriano, Italy. It is renowned for its exceptional durability, texture, and archival quality, making it a favorite among artists, printmakers, and conservators worldwide. Fabriano paper comes in various weights, textures, and finishes. It is prized for its ability to withstand repeated erasing, scraping, and wet media applications while retaining its integrity and beauty. Camellia oil - also known as tea seed oil, is a versatile vegetable oil extracted from the seeds of the Camellia oleifera or Camellia sinensis plant, which are the same species from which tea leaves are harvested. Originating in East Asia, particularly China and Japan, camellia oil has been used for centuries for culinary, cosmetic, and medicinal purposes. In mokuhanga it has been used to oil the baren when printing, making a smooth printing surface.  Copperplate oil - is a substance used in the intaglio technique such as copperplate engraving or etching. This specialized oil, typically comprising linseed oil and resin, serves multiple purposes throughout the printmaking process. Initially applied to copper plates, it functions as a protective layer, guarding against oxidation while enhancing the quality of engraved or etched lines by promoting smoother, more consistent marks. Copperplate oil aids in achieving tonal effects and to the longevity of the final prints. It also serves as an effective agent for cleaning plates post-etching, ensuring the preservation of engraved details while removing excess ink. Ian Phillips - is a woodblock printmaker based in the UK. He works in water based printing, with the landscape of the sea as his main inspiration. More info of Ian's work can be found, here.  tabi hanga - is the collaborative printing method which Wuon-Gean describes in her episode.    © Popular Wheat Productions opening and closing musical credit - Audrey by Dave Brubeck from the album Brubeck Time released in 1955 on Columbia Records. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

Katsushika Hokusai is best known for The Great Wave off Kanagawa, part of his series of 36 Views of Mount Fuji. His family was in the mirror business, but Hokusai showed a proclivity for art starting at a young age. When he was 14 he started apprenticing as a wood carver. He spent 4 years carving wood blocks to use as stamps for printmaking. He then went on to study under artists to produce his own designs. His first prints were of actors from the Kabuki theater in 1779. Some years later, he would shift his focus to landscapes. Today marks 400 episodes in my feed. Although many have been encore presentations as I post re-runs when I need a break or in preparation for my annual Arts Madness Tournament (remember Mondays will still be new episodes) seeing that number on my feed made me pause to reflect for a moment. I am truly grateful for everyone who takes time out of their day to listen to my show. To make sure this would be a good episode for you all, I re-recorded one of my most popular episodes adding a little more information about Hokusai. This is one of the first episodes I am recording since upgrading my mic so it should sound good and hopefully, the show will just keep getting better as we go. Whether you have listened to every episode or you are just now discovering the show, I appreciate your support. Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Katsushika Hokusai. His story as an artistic genius unfolds a relentless quest for perfection driven by unwavering discipline, steadfast integrity, and persistent perseverance, showcasing the true essence of greatness.Support the show

A family-friendly museum in London presents an exhibition to introduce all things Japanese, from Hokusai's nineteenth-century woodblock print to a kimono ensemble for a dog. It aims to show how stories passed from one generation to another have shaped art, design, and technology in Japan. Many have come across the name “Hokusai” and his iconic woodblock print, ‘The Great Wave.' The image can be seen on T-shirts, mugs, and tea towels, but it is not widely known that the artist, Katsushika Hokusai, was one of the first to use the term “manga.” “Manga” is derived from two Japanese words— “man,” which means whimsical or entertaining, and “ga,” which means pictures or images in general. In the books published by Hokusai, there is no text or dialogue—slightly different from the modern versions which have become a worldwide phenomenon. Despite having internationally recognized characters scattered across the floor, the exhibition goes beyond the world of manga and anime. “A highlight of Japan: Myths to Manga is the incredible crossover between art, design, and technology and how playfulness and creativity are infused within Japanese culture and part of their stories and how the stories and the landscape of Japan go on to have inspired some of the most much-loved anime, manga, and incredible designs," explains curator, Katy Canales. Canales herself has fond memories of playing with Sylvanian Families (1985-1995) which reflect coexistence with nature—the very principle of Japan's indigenous faith, Shinto. The connection between folklore and its influence on Japanese culture is seen through the 150 objects and artwork on display. “What we hoped to do was to bring something that children and their families would really enjoy so that it would be something for everyone to take part in,” Canales says. “For the parents to be able to see items from their childhood and to be able to pass that on and to really engage with their children, to be able to talk, create a discussion and hopefully inspire them to be creative as well.” This article was provided by The Associated Press.

As a collector of mokuhanga, I am constantly exploring the reasons behind my love of collecting mokuhanga and why I make it and educate myself about it; it seems to be layered, even for my modest collection. So it is always fascinating to speak to someone who has been collecting for many years, with a deep understanding of why they collect and how they do.    I speak with mokuhanga collector Darrel C. Karl about his collection of prints, paintings and scrolls. It's one to admire. Collecting for years now, Darrel was kind enough to speak to me about his collection, how he began it, his love of preparatory drawings, collecting ukiyo-e, shin hanga, and we discussed in length his blogs, Eastern Impressions and Modern Japanese Theatre Art Prints.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Darrel C. Karl - Eastern Impressions & Modern Japanese Theatre Art Prints. Hashiguchi Goyō (1880-1921) - a woodblock print designer who also worked, albeit shortly, with Watanabe Shōzaburō. In his short life Goyō designed some of the most iconic woodblock prints ever made. “Kamisuki” 1920, and “Woman Applying Powder” 1918.  Woman Applying Make-up (Hand Mirror) 1970's/80's reprint Ishikawa Toraji (1875-1964) -trained initially as a painter, having travelled to Europe and The States early in his professional life. Painted primarily landscapes while exhibiting at the fine art exhibitions in Japan Bunten and Teiten. Famous for designing Ten Types of Female Nudes from 1934-35. He finished his career as a painter and educator.  Morning from Ten Types of Female Nudes (1934) Charles W. Bartlett (1860-1940) - was a British painter, watercolorist and printmaker. Travelling the world in 1913, Bartlett ended up in Japan two years later. Having entered Japan, Bartlett already had a reputation as an artist. Bartlett's wife, Kate, had struck up a friendship with printmaker and watercolorist Elizabeth Keith. Watanabe Shōzaburō was acutely aware of foreign artists coming to Japan, having worked with Fritz Capelari and Helen Hyde. Watanabe published 38 designs with Charles Bartlett. Bartlett's themes were predominantly of his travels.  Udaipur (1916) 8" x 11"  Paul Binnie - is a Scottish painter and mokuhanga printmaker based in San Diego, USA. Having lived and worked in Japan in the 1990s, studying with printmaker Seki Kenji whilst there, Paul has successfully continued to make mokuhanga and his paintings to this day. You can find Paul's work at Scholten Gallery in Manhattan, and Saru Gallery in The Netherlands.  Butterly Bow (2005) 15" x 11" Yamakawa Shuhō (1898-1944) - was a Nihon-ga painter and printmaker. His prints were published by Watanabe Shōzaburō and he created the Blue Collar Society in 1939 with Itō Shinsui. Made famous for his bijin-ga prints.  Dusk (1928) 14.3" x 9.5" Red Collar (1928) Otojirō Kawakami (1864-1911) - was a Japanese actor and comedian. His wife was geisha, and actress Sadayako (Sada Yakko).  Impressions - is a biannual magazine published by The Japanese Art Society of America.  Andon - is a biannual magazine published by The Society of Japanese Art.  Gallaudet University - is a private federally charted university located in Washington D.C., USA for the deaf and hard of hearing. More info can be found here.  National Museum of Asian Art - is a museum within the Smithsonian group museums and was the first fine art museum by The Smithsonian in 1923. More info can be found, here.  Vincent Hack (1913-2001) - was an American printmaker and Colonel in the United States Army. He produced mokuhanga from ca. 1950-1960. He studied in the Yoshida atelier while living in Tokyo. More information about VIncent Hack can be found in Eastern Impressions, here.  Chinese beauty and Dragon (not dated) Elizabeth Keith (1887-1956) - was a Scottish born printmaker, watercolorist, and painter. She travelled extensively before living in Japan  from 1915-1924. In 1917 she was introduced to print published Watanabe Shōzaburō and by 1919 after some work with Watanabe's skilled artisans Keith started to see some of her designs printed. Over 100 prints were published of Keith's designs. More information can be found, here.  Little Pavillion, Coal Oil, Peking (1935) Lillian May Miller (1895-1943) - was a Japan born American printmaker. Studying under painter Kanō Tomonobu (1853-1912). Miller began carving and printing her own prints by 1925 having studied under Nishimura Kumakichi.  Rain Blossoms (1928) 10" x 15" Nöel Nouët  (1885-1969) - was a French painter, illustrator and designer who designed prints for Doi Hangaten between 1935 and 1938 when Nouët was teaching in Shizuoka City, Shizuoka, Japan.  Haruna Lake (1938) Helen Hyde (1868-1919) - was an American etcher, and printmaker who studied in Japan with artists such as Emil Orlik (1870-1932). Hyde was influenced by French Japonisme and lived in Japan from 1903-1913.  A Japanese Madonna (1900) 14.5" x 3" Kataoka Gadō V (1910-1993) - was a Kabuki actor who specialized in female roles or onnagata in Japanese. He became Kitaoka Nizaemon XIV posthumously.  Natori Shunsen (1886-1960) - was a Nihon-ga painter and woodblock print designer who worked with Watanabe Shōzaburō. Shunsen's prints focused on kabuki actors, mainly ōkubi-e , large head prints.  Ichikawa Ennosuke as Kakudayu (1928) 15" x 10" Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.  Kabuki Costume - is a book written by Ruth M. Shaver with illustrations by Sōma Akira and Ōta Gakkō (1892-1975). It is an in-depth book about the costuming in kabuki theatre. It was published by Charles E. Tuttle in 1966. Ōta Gakkō - was an artist and designer who also designed woodblock prints in the 1950's.  Ichikawa Jukai III (1886-1971) as Shirai Gonpachi  from Figures of the Modern Stage: no. 3 (1954) Tsuruya Kōkei - is a mokuhanga artist who lives and works in Tokyo, Japan. His prints have focused on kabuki actors; in the 1980s, he was commissioned to produce kabuki portraits by the Kabuki-za theatre in Tokyo. Recently, he has focused on cats and the masters of mokuhanga such as Hokusai (1760-1849). He printed on very thin gampi paper.  Five Styles of Banzai-Ukiyoe / Katsushika Hokusai (2017)  Yamamura Toyonari (1885-1942) - also known as Kōka, is a painter, and print designer known for his theatrical prints, actor prints, landscapes and beautiful women. He studied under printmaker Ogata Gekkō (1859-1920). Toyonari worked with carvers and printers to create his prints such as those at Watanabe's studio and also printed and carved his own prints.  February/Winter Sky (1924) 16.35" x 10.5" Sekino Jun'ichirō (1914-1988) - was a mokuhanga printmaker who helped establish the sōsaku hanga, creative print movement in Japan. His themes were of landscapes, animals and the abstract. Sekino exhibited and became a member with Nihon Hanga Kyōkai and studied with Ōnchi Kōshirō (1891-1955) and Maekawa Senpan (1888-1960).  Woman In A Snowy Village (1946) 13" x 10" Bertha Lum (1869-1954) - was born in Iowa. Having begun travelling to Japan in 1903, Bertha Lum noticed the decline of the Japanese woodblock print in Japan in the early 20th Century, deciding to take up the medium. Lum began making woodblock prints after learning in Japan from an unknown teacher during her first trip to Japan. Japan, Lafcadio Hearn (1850-1904), and China influenced Bertha Lum's prints. Lum's work focused on these themes through an American lens.  Winter (1909) 8" x 14" Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.  Scholten Japanese Art - is a mokuhanga-focused art gallery in midtown Manhattan. René Scholten, an avid collector of the Japanese print, founded it. You can find more info here. Katherine Martin is the managing director of Scholten Japanese Art. Katherine has written extensively for the gallery and conducted lectures about Japanese prints. Her interview with The Unfinished Print can be found, here.  Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.  Kataoka Jūzō I as Hanako from the play Yakko Dōjōji at the Kabuki-za (1906). chūban - 10.4” x 7.5” senjafuda - are the votive slips Claire brings up in her interview. These were hand printed slips pasted by the worshipper onto the Buddhist temple of their choosing. These slips had many different subjects such as ghosts, Buddhist deities, and written characters. Japan Experience has bit of history of senjafuda, here.   Shintomi-za -built in 1660 and also known as the Morita-za was a kabuki theatre located in the Kobiki-chō area of Tokyo, today the Ginza District. It was famous for taking risks with its productions.    Meiji-za - was a kabuki-specific theatre built in 1873 and underwent several name changes until finally being named the Meiji-za in 1893. The theatre continues to this day.    Imperial Theatre - is the first Western theatre to be built in Japan in 1911 and is located in Marunouchi, Chiyoda, Tokyo. It continues to show Western operas and plays.    The John F. Kennedy Center For The Performing Arts - was built in 1971, and named after the 35th President of the United States, John F. Kennedy. The theatre is located in Washington D.C. and hosts many different types of theatre, dance, orchestras and music. More information can be found, here.    The Subscription List - also known as Kanjichō in Japanese, is a kabuki play derived from the noh play Ataka. The modern version of this play was first staged in 1840. It is performed as the 18 Famous Plays as performed by the Danjurō family of actors.     The Subscription List designed by Toyohara Kunichika (1835-1900)   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.      Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.    Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.      Kiso River (1927)   Toyohara Chikanobu (1838-1912) - was a painter and designer of mokuhanga. He was a samurai during the final years of the Tokugawa shogunate rule in Japan. As Chikanobu began to look more to art as a living, he studied under Utagawa Kuniyoshi where he learned Western painting and drawing techniques. He also studied under Utagawa Kunisada and Toyohara Kunichika. His print designs were of many different types of themes but Chikanobu is well known for his war prints (sensō-e), kabuki theatre prints, current events and beautiful women.      Enpo- Jidai Kagami (1897)   32 Aspects of Women - is a series of prints designed by Tsukioka Yoshitoshi (1839-1892). It was his first series of bijin-ga designs.    shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945).   Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here.   Composition in Red and Brown (1950) 19" x 15"   Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here.   ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.    surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.     Poem by Sōsei Hōshi, from the series One Hundred Poems Explained by the Nurse. Taishō period (1912–26)s reproduction.    Kitagawa Utamaro (1753-1806) - was a painter and ukiyo-e designer during the Edo Period of Japan. His portraits of women are his most famous designs. After getting into trouble with the shogunate during the early 19th Century with some offensive images of deceased shogun Toyotomi Hideyoshi (1536/37-1598), Utamaro was jailed and passed away shortly after that.    The Courtesan Umegawa and Chubei of the Courier Firm   Tokyo University of the Arts (Geidai) - founded during the merger of the Tokyo Fine Arts School and the Tokyo Music School in 1949, TUA offers Masters's and Doctorate degrees in various subjects such as sculpture, craft and design as well as music and film. It has multiple campuses throughout the Kantō region of Japan. More information regarding the school and its programs can be found here.    Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here.   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   Enami Shirō (1901-2000) - was a printmaker who is associated with ephemeral prints such as greeting cards. Also created his own larger format prints during the burgeoning sōsaku hanga movement of the early to mid Twentieth Century.      The Benkei Moat (1931) 12.5" x 9"   Kitano Tsunetomi (1880-1947) - was an illustrator, Nihon-ga painter, carver and print designer. Lived and worked in Osaka where he apprenticed carving with Nishida Suketaro. Founded the Taishō Art Society and the Osaka Art Society. Painted and created prints of beautiful women as well as mokuhanga for magazines such as Dai Osaka. The most famous of his prints and paintings is Sagimusume, The Heron Maiden.        Umekawa - Complete Works of Chikamatsu (1923)   Hamada Josen (1875 - ?) - was a painter and mokuhanga designer and studied with Tomioka Eisen (1864-1905). Designed bijin, shunga,  and landscapes after the Great Kantō Earthquake of 1923. Designed prints for Collection of New Ukiyo-e Style Beauties (1924).     December - Clear Weather After Snow from the series New Ukiyo-e Beauties (1924) 17.50" x 11.12"   Ikeda Shoen (1886-1917) - was a Nihon-ga painter who's paintings also became mokuhanga prints. Her paintings are quite rare because of her early death.      School Girls Going Home (1900) 13" x 9"   Igawa Sengai (1876-1961) - was a painter, illustrator and print designer. After serving in the Russo-Japanese war (1904-1905), he joined the Miyako Shinbun in Nagoya City. Designing prints in the 1926 he designed prints for Collected Prints of the Taishō Earthquake and in the 1930's he designed propaganda prints for the Japanese war effort. His contribution to the 1924 Collection of New Ukiyo-e Style Beauties (1924).     April - Rain of Blossoms (1924) from New Ukiyo-e Beauties.   Asian Art Museum San Fransisco - with over 18,000 pieces of art the Asian Art Museum of San Fransisco has one of the largest collections of Asian art in the United States. More information can be found, here.    Freer Gallery of Art - is a museum within the Smithsonian group of museums in Washington D.C, with a collection of Chinese paintings, Indian sculpture; Islamic painting and metalware; Japanese lacquer; Korean ceramics.    Arthur M. Sackler Gallery - is a museum within the Smithsonian group of museums in Washington D.C. It's collection contains some important Chinese jades and bronzes.    Yoshida Hiroshi: The Outskirts of Agra Number 3 from the series India and Southeast Asia (1932)     Yoshida Hiroshi: Cave of Komagatake from the series Southern Japan Alps (1928)   © Popular Wheat Productions opening and closing musical credit - The Crystal Ship by The Doors from their self-titled album The Doors (1967). Release by Elektra Records.   logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                    

En los últimos 150 años, los tsunamis han causado más de 500.000 muertos y la destrucción de extensas áreas costeras en todo el mundo. Los megatsunamis, con grandes olas que superan los 40 metros de altura con los procesos más extremos, fenómenos excepcionales e infrecuentes, pues se han documentado algo más de 30 megatsunamis en la historia de la Tierra.  Aunque, atención, en el siglo XXI y sólo entre 2014 y 2020, se han registrado varios megatsunamis en una frecuencia muy por encima de lo registrado en el anterior siglo ¿está influyendo el cambio climático? De todo ello hablamos con la doctora en Geología y jefa de proyectos técnicos en el Instituto Geológico y Minero de España (CSIC), Mercedes Ferrer. Autora del libro Megatsunamis, dentro de la colección ¿Qué sabemos de? (Ed. Catarata). Con Don Víctor hablamos de la ola más profusamente repetida y homenajeada, La gran ola de Kanagawa de Katsushika Hokusai.Escuchar audio

Katsushika Hokusai is best known for The Great Wave Off of Kanagawa, part of his series of 36 Views of Mount Fuji. His family was in the mirror business, but Hokusai showed a proclivity for art starting at a young age. When he was 14 he started apprenticing as a wood carver. He spent 4 years carving wood blocks to use as stamps for printmaking. He then went on to study under artists to produce his own designs. His first prints were of actors from the Kabuki theater in 1779. Some years later, he would shift his focus to landscapes. Related Episodes: ArtCurious: Katsushika Oi Art Smart: Ukiyo-e Who ARTed: Blue Check out my other podcast Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma and Christy use Eugène Grasset's lithograph Morphinomaniac (1897) as a starting point to talk about artistic depictions of morphine and historical opioid addiction, as well as decadence and degeneration in fin-de-siècle Parisian society. In this episode, we cover vampires, hypodermic syringes, Orientalism and Japonisme, 'dangerous' women, masturbation, pleasure, and sex work, true crime waxworks, and gendered consumption — of women, goods, and drugs. CLICK HERE TO VIEW THE IMAGES WE DISCUSS, as well as complete show notes, references, and suggestions for further reading. MEDIA DISCUSSED Eugène Grasset, Morphinomaniac (1897) Photographs of a ‘hysterical' woman yawning at the Salpetrière from Nouvelle Iconographie de la Salpêtrière (c. 1888-1918) Eugène Grasset, Inquiétude (1897) Aubrey Beardsley, cover illustrations for The Yellow Book, An Illustrated Quarterly (1894) Henri de Toulouse-Lautrec, Divan Japonais poster (1892-93) Bernini, detail from Rape of Proserpina (1621-22) Edvard Munch, Vampire II (Vampyr II) (1895) Walter Sickert, Reclining Nude (Le lit de cuivre) (c. 1906) Examples of Parisian wax work: Death of Marat at the Musée Grévin (photograph taken 1959) Albert Joseph Pénot, La Femme Chauve-Souris ('The Bat-Woman') (c. 1890) Luis Ricardo Falero, Vision of Faust (1878) Eugène Grasset, Vitrioleuse (The Acid Thrower) (1894) Katsushika Hokusai, The Waterfall Where Yoshitsune Washed His Horse at Yoshino in Yamato Province(c. 1832) Jules Cheret, Vin Mariani (c. 1896-1900) Jean Bernard Restout, Morpheus (Sleep) (c. 1771) Pablo Picasso, Waiting (Margot) (1901) Pablo Picasso, Morphinomanes (1900) Paul-Albert Besnard, Morphine Addicts (Morphinomanes) (1887) CREDITS This season of ‘Drawing Blood' was funded in part by the Association for Art History. Follow our Twitter @drawingblood_ ‘Drawing Blood' cover art © Emma Merkling All audio and content © Emma Merkling and Christy Slobogin Intro music: ‘There Will Be Blood' by Kim Petras, © BunHead Records 2019. We're still trying to get hold of permissions for this song - Kim Petras text us back!!

Nienke Bakker, curator at the Van Gogh Museum, unpacks how the artist encountered Japan in Europe, and how woodblock prints shaped his perspectives in the rural village of Auvers-sur-Oise, an ‘artist's colony' on the outskirts of Paris. Unlike other post-Impressionists like Paul Gauguin, Vincent van Gogh never travelled outside of Europe. He didn't need to; for him, the idea of ‘exotic' places was often enough to inspire his vivid practice. van Gogh found ‘foreign' inspirations in cities like Paris and London. His paintings were displayed at the same time as the Paris Universal Exhibition (1889) and as an avid collector of Japanese prints, he also attended the city's new Asian art exhibitions. Exposure to artists like Katsushika Hokusai shaped his perspectives on his own local environment, his elongated forms, and his surprising use of the colour blue. But it was in the countryside - and the rural village of Auvers-sur-Oise - where Vincent van Gogh realised these various influences in their most vivid visual forms. Here, he spent just 74 days before his death, but produced a painting per day - and was close to the global recognition he gets today. Following their landmark Van Gogh and Japan (2018), Van Gogh Museum curator Nienke Bakker talks about their new exhibition, the first ‘serious' study of the end of his life, how Vincent's landscapes combined both local and global images, plus the often unequal relationship between rural and urban spaces. Van Gogh in Auvers. His Final Months runs at the Van Gogh Museum in Amsterdam until 3 September 2023, and then the Musée d'Orsay in Paris, until 4 February 2024. For more, read my article in The New European: https://www.theneweuropean.co.uk/the-exhibition-that-re-frames-van-goghs-last-days/ WITH: Nienke Bakker, curator at the Van Gogh Museum in Amsterdam. She is a curator of Van Gogh in Auvers. ART: ‘Old Vineyard with Peasant Woman, Vincent van Gogh (1890)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Ambition and confidence are two concepts that make an artist. These ideas can take different forms and trajectories, but artists can accomplish anything with talent and a supportive community.  In this episode of The Unfinished Print, I speak with one artist who exudes ambition and confidence. Daryl Howard is a mokuhanga printmaker and artist who lives and works in Austin, Texas. What drew me to Daryl's work is her desire to maintain the mokuhanga tradition, putting both body and soul into her mokuhanga.  Daryl speaks with me about her evolution as a mokuhanga printmaker, her travels, her community, and her time with Hodaka Yoshida.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Daryl Howard - website, Instagram Time Of Smoke That Thunders (2022) Sam Houston State University -  is a public research university located in Huntsville, Texas, USA. Established in 1879 to educate teachers for Texas public schools, SHSU has evolved into a school which offers subjects in criminal justice, Texas studies, and is known for its athletics. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  lithography - is a printing process which requires a stone or aluminum plate, and was invented in the 18th Century. More info, here from the Tate.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  Stanley Lea  (1930-2017) - was a Texas printmaker and teacher of printmaking at Sam Houston State University in Huntsville, Texas.  Texas A&M - established in 1876 as the Agricultural and Mechanical College of Texas, Texas A&M is a research University in College Station, Texas which has a variety of subjects and programs, more info here. Yokota Airbase, Tōkyō (横田飛行場,) -  established in 1940 as Tama Airbase for the Japanese Air Force, converted in 1945 as an American military base used in the Korean War and the Cold War.  Dr. Richard Lane (1926-2002) -  was a collector of Japanese prints. He was also an author and dealer in Japanese art.  Tsukioka Yoshitoshi  1839-1892 (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.   Yūten Shami - Fudō Myōō threatening the priest Yūten Shami (1867) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Tachikawa, Tōkyō - 立川市 - is a city located in the metropolis of Tōkyō. It had an American military presence until 1977. For some tourist info, you can find it here. surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Kunitachi - 国立市 -  is a city located within the metropolis of Tōkyō. Originally a part of the 44 stations Kōshū Kaidō (甲州街道), a road which connected Edo to Kai Prefecture (Yamanashi). Hodaka Yoshida (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures.    White House O.J. From My Collection (1980) lithograph Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Red Canna (1954) Chizuko Yoshida (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Butterfly Dance (1985) zinc plate and mokuhanga Ayomi Yoshida - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) University of Texas at Austin - is a public research university in Austin, Texas, USA. Founded in 1883, the University of Texas at Austin has undergraduate and graduate programs. You can find more information here. Lee Roy Chesney III (1945-2021) - was a printmaker and professor at the Universitty of Texas at Austin.  William Kelly Fearing (1918-2011) - was an award winning painter,  printmaker, and artist who was professor Emiritus at the University of Texas at Austin. His work focused on landscapes, religious imagery, and the human figure. Abstract Figure in Oil (1947) oil on canvas Ban Hua: Chinese woodblock prints - There is a lot of information regarding Chinese woodblock printing. The history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936), who established the Modern Woodcut Movement. First, check out the work of the Muban Educational Trust based in England. More info can be found here and here at Artelino; for Lu Xun's history, you can find more information here.  Victoria Falls - is a large waterfall located on the border of Zambia and Zimbabwe in South Africa. It is also known as Mosi-oa-Tunya or "The Smoke That Thunders" in the Bantu language of Sotho. The falls are 1,708 meters and 108 meters high.  Wacom -Wacom - is a Japanese company that began in 1983. It produces intuitive touch screen display tablets. It has offices in the US and Europe.  Photoshop - is a raster graphics editor created by Adobe. It allows the user to create and edit images for graphic design, typography, and graphic design.  Akua - are water-based pigments used in intaglio, mokuhanga, and monotype.  Winsor & Newton - is a British artist supply company, started in 1832, which sells artist materials such as pigments, brushes, paper, etc. You can find more info, here.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Dallas Museum of Art - is an art museum established in 1903 and contains art collections from all over the world and from many periods of history. Some of the collections on the DMA are African, American, Asian, European, Contemporary, and Pre-Columbian/Pacific Rim. More info can be found here. Impressionism - is an art movement founded by Claude Monet (1840-1926), Edgar Degas (1834-1917) and other artists in France. The movement was from 1874-1886 and focused on suburban leisure outside Paris. The Impressionist movement launched into the public consciousness in 1874 at the Anonymous Society of Sculptors and Painters and Printmakers exhibition. More information about the Impressionist movement can be found here at The Met.  Blanton Museum of Art - founded in 1963 at the University of Texas at Austin. It houses collections of European, modern, contemporary, Latin American, and Western American Art.  You can find more information here.  Albrecht Dührer (1471-1528) was a painter and author famous for making detailed devotional works with woodcuts. You can find out more from The Met here for more information about his life and work. The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Pop Wave Orange by Daryl Howard (2021) Bridge In The Rain (After Hiroshige) - was a painting painted by Vincent Van Gogh (1853-1890) in the style of woodblock print designer Utagawa Hiroshige (1797-1858).  baren - is a Japanese word used to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although the baren has many variations.  Sharpening brushes on shark skin are traditionally used on mokuhanga brushes that were “sharpened” or softening the brushes bristles rubbing up and down on the shark skin. But today, you can use very fine sandpaper made of silicon carbide (dragon skin). Mokuhanga printmaker John Amoss has a beautiful write-up about using shark skin and its uses here.  Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous paper maker is Iwano Ichibei. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. You can find more information in English, and in Japanese.  kizuki kozo - is a handmade Japanese paper with many uses. Of a moderate weight and cooked with caustic soda. It is widely available.  Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.  Itoya - is a stationary store in the Ginza district of Tōkyō. It has been in business for over 100 years. They have stores in Yokohama, in various malls throughout Japan and at Haneda and Narita airports. More info can be found on their web page (Japanese) and their Instagram.  Bunpodo - is a stationery store located in the Jinbōchō district of Tōkyō. It was established in 1887 and is considered the first art store in Japan. More info here. Matcha Japan has a walkthrough of the store here. McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. Cocker-Weber - is a brush manufacturing company based in Philadelphia, Pennsylvania, USA.  It was established in 1892. You can find more information here.  Philadelphia Museum of Art - originating with the Centennial Exhibition of 1876, the PMA has over 200,000 pieces of art and objects and is one of the preeminent museums in the US. James A Michener (1907-1997) - a Pulitzer Prize winning writer, scholar and academic who wrote on Japanese prints, amongst many more topics. Mokuhanga Artists Using Laser - many mokuhnaga printmakers today are exploring using laser engraving for their woodblocks rather than hand cutting. Printmakers who use this method are Cal Carlisle, Endi Poskovich, Shinjji Tsuchimochi, and Benjamin Selby. If you know of others, please let me know! Illustrator - is an Adobe product which creates two-dimensional pieces for artists and illustrators.  James A McGrath - is an educator and artist who served as Director of Arts for American Schools in Europe; he taught design, painting and poetry at the Institute of American Indian Arts and was the Arts and Humanities Coordinator for the US Department of Defence School in Southeast Asia. He also worked on the Hopi Indian Reservation and returned to the Institute of American Indian Art as dean of the college and Museum Director. He is now retired. You can find some of his work and writings here at The Smithsonian.  Hopi Mesa - is the spiritual and physical home of the Hopi tribe in Arizona. It is a group of villages (pueblos) on three mesas. Mesa are flat-topped ridges surrounded by escarpments. More information can be found on Visit Arizona here. National Endowment For The Arts - was established by the US Congress in 1965 and created to fund arts and education in the United States. You can find more information here.  Dawson's Springs Museum - is an art museum located in an old bank and was established in 1986 in Dawson's Springs, Kentucky. Karoo Desert - is a semi-desert located in South America and distinguished by the Great Karoo and the Little Karoo. A great article about the Karoo Desert by The Guardian can be found, here Chobe River - also known as the Kwando, is a river which flows from Angola and Namibia. It is known for its wildlife and runs through various National Parks.   Kachina - these are the religious beliefs of the Hopi, Zuni, Hopi-Tewa, and Kerasan. It incorporates the supernatural, dancing, and dolls through Ancestor worship.  bas relief - is a sculptural technique where figures and designs are carved or moulded onto a flat surface, only slightly raised above the background. Bas relief has been used in art and architecture for thousands of years and is found in various cultures, such as the Egyptians, and Assyrians, during The Rennaisance, until today. Bas relief is used today to decorate buildings, monuments, tombs, and decorative objects such as plaques, medals, and coins. In bas-relief, the figures and designs are typically carved or moulded in shallow relief, with only a few millimetres of depth,  creating a subtle, three-dimensional effect that is less dramatic than the more deeply carved high relief. Bas relief can be made from various materials, including stone, wood, metal, and plaster. sepia - is a reddish brown colour. Can be found in various pigments.  Duomo di Firenze - is the Florence Cathedral, finished in the 15th Century, using some of the finest architects from Italy. It is associated with the Italian Renaissance.  Boston Printmakers -  is an organization of international printmakers started in 1947. It holds a Biennial every two years. You can find more information here. The National Gallery of Art - is a free art gallery in Washington D.C. Founded by financier Andrew W. Mellon. The gallery houses more than 150,000 pieces dedicated to education and culture. Construction finished for the West building in 1941. More info can be found here.  © Popular Wheat Productions opening and closing musical credit - I Got It Bad And That Ain't Good  by The Oscar Peterson Trio (1963) on Verve Records. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

每天学点历史，从每日一宝开始，今天给大家介绍的是蒂凡尼银水罐（Pitcher），尺寸为20.3厘米×12.7厘米×15.2厘米，重1171.7 克，为1878年蒂芙尼（Tiffany & Co. ）的产品。这件作品模仿了了葛饰北斋（Katsushika Hokusai）的艺术风格，描绘了一处池塘的场景，当中有蜻蜓、鸢尾花和鲤鱼。现收藏于芝加哥艺术博物馆。

This week's episode is about block printing. For the history segment, I talked a bit about Katsushika Hokusai, a Japanese woodblock printer in the 19th century, and I interviewed Speedball Art Products to learn about modern materials and methods. To learn more about Speedball, check out their website: https://www.speedballart.com/ Fill out the Airwave Media Network survey to give me feedback and get a chance to win a $500 gift card: www.surveymonkey.com/r/airwave Art Smart is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Connect with me: Website | Twitter | Instagram | Tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Boston Public Radio: Chuck Todd on Wisconsin Supreme Court election result takeaways and it's connection to the issue of abortion and other national headlines. We opened the lines to ask listeners about their thoughts on the superintendent who lost his job offer for using the word ‘ladies' in an e-mail. Did listeners think he committed a microaggression? Andrea Cabral continued analysis of the Wisconsin Supreme Court election and future ramifications, the Alpaca Cop Squad in Missouri and more. Paul Reville on high graduation & low college attendance rates for BPS students, the case of leading candidate for superintendent of the Easthampton Public Schools who lost his job offer for using the word ‘ladies' in an e-mail and more. Volunteer Jen Robinson from Moms Demand Action and co-lead of the Massachusetts chapter is on to discuss substantive action everyday people we can do to address gun violence in Massachusetts and beyond. Sarah Thompson and Kendall DeBoer from the MFA are on to talk about the MFA's exhibit of works of (and inspired by) Japanese print-maker Katsushika Hokusai and his Great Wave off Kanagawa. We wrapped up the show by asking listeners how they maintain a healthy lifestyle despite pills that advertise magic weight loss.

Katsushika Hokusai's "The Great Wave off Kanagawa" is a masterpiece of ukiyo-e printmaking and a cultural icon that has left a lasting impact on the world of art. Its bold composition, use of color, and dynamic energy have made it one of the most recognizable and influential works of art in history. The print has inspired countless artists and has been widely reproduced and adapted, becoming a symbol of the beauty and power of Japanese art. Hokusai's contribution to Japanese art and culture is immeasurable, and his legacy continues to inspire and captivate audiences today. --- Support this podcast: https://podcasters.spotify.com/pod/show/vidalsocial/support

Katsushika Hokusai is best known for The Great Wave Off of Kanagawa, part of his series of 36 Views of Mount Fuji. His family was in the mirror business, but Hokusai showed a proclivity for art starting at a young age. When he was 14 he started apprenticing as a wood carver. He spent 4 years carving wood blocks to use as stamps for printmaking. He then went on to study under artists to produce his own designs. His first prints were of actors from the Kabuki theater in 1779. Some years later, he would shift his focus to landscapes. Please support the show by taking this listener survey. The information in the survey helps the network figure out appropriate advertising, and you can give me feedback to help me improve the show. As an added bonus, when you fill out the survey, you can enter to win a $500 Amazon gift card. www.surveymonkey.com/r/airwave Related Episodes: ArtCurious: Katsushika Oi Art Smart: Ukiyo-e Who ARTed: Blue Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (the teacher who gets the most shoutouts on this form by Feb 27 will get a $50 Amazon gift card) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

The relationships made in mokuhanga can last a long time. Whether it's a friendship based on collecting, creating, or its long and vibrant history; mokuhanga has the ability to bring people together.  On this episode of The Unfinished Print I have the pleasure of speaking to two people who's friendship is based on mutual respect, business, and the love of mokuhanga. Katherine Martin is the managing director of Scholten Japanese Art of New York City. She has overseen the galleries multiple exhibitions, written several catalogues published by Scholten, and is the heart of what goes on at the gallery. Paul Binnie is an acclaimed mokuhanga printmaker, painter and artist. He has collaborated with Katherine at Scholten Japanese art for almost fifteen years.  We first discuss Katherine's background, and her work with the gallery. Then, Katherine and Paul talk about the relationship between the gallery and the artist, the legacy of shin-hanga, how prints draw people in, and pricing Paul's work. We also discuss about editioning prints and the issues that may arise, nudity and social media, and we end on Katherine and Paul's unique friendships and how it works. This interview was recorded during Paul Binnie's solo show at Scholten Japanese Art in June, 2022. There may be some background noise during the interview. I apologize for any inconvenience.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Scholten Japanese Art - website Paul Binnie - while Paul doesn't have a singular website he does have his Instagram. There is the "Binnie Catalogue," which is produced by a third party which digitally collects his work, past and present. This can be found, here.  Flowers of a Hundred Years: A Thousand Stitch Belt (2014) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the Ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Late Fall by Lake Yamanaka (1947) Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915), and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others.  Cormorant Fishing in Nagawa River (1940) Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Twelve Images of Modern Beauties: Cotton Kimono (1922) Hiroaki Takahashi Shōtei (1871-1945) - was a Japanese printmaker, illustrator and painter. He is commonly associated with the shin-hanga movement of printmaking in Japan, working with Watanabe Shōzaburō. His work touched on many subjects, such as landscapes, beautiful women and still-life.  Evening Sun at Nagareyama (1924-27) Yamamura  Koka (1885-1942) - was a Japanese woodblock printer and painter who trained under Ogata Gekkō (1859-1920). He worked with Watanabe and other publishers in his lifetime, and self published. His themes ranged from actor prints, lasdscape, and still-life.  Flowers of the Theatrical World: Nakamura Utaemon V as Owasa (1921) Natori Shunsen (1886-1960) - was a Japanese woodblock printer who focused much of his work on kabuki actor prints. He too worked with Watanabe.  Bando Mitsugoro VII (1950's) Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Ishiyama Temple (ca. 1946) Sotheby's -  established in 1774 in London, England by bookseller Samuel Baker. It is the oldest auction house in the world, with offices located around the world. More info can be found, here.    Watanabe's foray into exhibting Japanese prints abroad can be read in this fine article by The Asian Art Newspaper, online, here. The article discusses Watanabe';s relationship with Itō Shinsui.    bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  The Second Collection of Modern Beauties: Red Blossoms by Itō Shinsui (1933) kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki - meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, too begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done.  giclee -  is a type of reporoductive process in printmaking. It means, “to spray,” which is the description of how the ink is laid into the paper. It is by using high quality scanners and printers to produce your print that giclee prints are made. More info can be found, here, at artworkarchive.com.  The Sun and Moon of Black's Beach - is a mokuhanga series produced by mokuhanga printmaker Paul Binnie. He is currently, at the time of this writing, working on the 7th and 8th edition of this series.  Summer Canyon, Black's Beach: Moon Before Dawn (2022) Black's Beach - is located in Torrey Pines, near San Diego, California. It is a secluded beach. It is known for it's allowing of naturist patrons, surfing, and various trails.  Asia Week - is an art festival which started in New York City in 2009. It brings together various art galleries to participate. These galleries specifically, and the festival in general through events, attempts to bring people from all over the world in order to promote Asian art to collectors and aficionados.  More information about Asia Week New York, can be found, here.    A Hundred Shades of Ink of Edo - is a mokuhanga series by Paul Binnie. Each print is of a figure who has an historical tattoo based on a woodblock print by a famous Japanese print designer. For instance, the print below, is of Katsushika Hokusai's (1760-1849) print design from his A Journey to the Waterfalls in all the Provinces series from 1832. As Paul informs in our interview there is a tattooed version and non-tattoo version of these particular prints.    Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc.  Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history.  Mirrors as Stylish Collage Pictures: Ichikawa Ichizo III as Dekiboshi no Sankichi (1859) Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  The Hundred Poems [By the Hundred Poets] as Told by the Nurse: Fujiwara no Yoshitaka (1835-36) Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here.   © Popular Wheat Productions opening and closing musical credit - Hyacinth Blues by The Constantines. From their self titled album The Constantines (Three Gut Records) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

The importance of passion cannot be understated.  It can be a wonderful and beautiful thing, and if it's made into a positive part of not only one's own life but for others as well; it's a passion worth pursuing.  On this episode of The Unfinished Print I speak with mokuhanga collector, self taught scholar and instructor, Carol Dorman. Having seen her work and lectures with the Japan Foundation Toronto, on various topics on ukiyo-e history and culture, I found her knowledge and story to be of great interest. I speak with Carol about her journey from working at the CBC for the national news, to working side by side with Stuart Jackson, a mokuhanga gallery owner here in Toronto. Carol speaks on her love of the ukiyo-e period of Japanese woodblock prints, her collecting, how that world has changed dramatically during her time at The Stuart Jackson Gallery, and we discuss her work at the LIFE Institute of Toronto where she teaches and instructs age 50+ students about ukiyo-e history.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Regina, Saskatchewan - is the capital of the Canadian Province of Saskatchewan. Located on the land of the Cree, Saulteaux, Dakota, Nakota, Lakota, and Métis peoples, it is the 16th most populace city in Canada.  The city has many restaurants, museums, and other places of interest. More info can be found at Tourism Regina, here.  University of Toronto -  considered a public research university, U of T is located in the city of Toronto, Ontario, Canada, and was founded in 1827. It has educated any number of famous Canadian authors, scientists, politicians, and the like. More info, here.  Stuart Jackson Gallery - is a ukiyo-e specific gallery located at 882 Queen Street W. in Toronto, Ontario, Canada. It has been doing business in Toronto for almost fifty years. More info, here.  The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here.  The Canadian Broadcasting Corporation - also known as the CBC, is a Canadian Federal Crown corporation and is the oldest broadcasting network in Canada. Founded in 1936, the CBC broadcasts news, original programming, and sports throughout Canada and the world. They broadcast via various digital platforms as well as terrestrial platforms such as television and radio.  More info, here. Meiji Period of Japan (1868-1912)- the Meiji Period in Japanese history is synonymous with turmoil and regime change. The Meiji Period is named after Prince Mutsuhito (1852-1912), who became Emperor after his fathers death, Emperor Kōmei (1846-1867). Mutsuhito's reign came at the end of the Keiō Era, (1865-1868), until his own death in 1912.    Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.    Tsuzoku Suikoden Goketsu Hyakuhachi-nin no Hitori (津属水滸伝後けつ百八人にの一人 ca. 1827)   Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc.  Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history.  Oni Azami Seikichi (鬼あざみ清吉) 1859   Yorkville, Toronto - Yorkville is a neighbourhood located in the heart of Toronto. It has a rich history, politically and culturally. It has become a high end neighbourhood in the city, with many expensive shops,  luxury homes and condos. It is famous for once being the hotbed of folk music in the world, outside of New York City, in the 1960's. Performers such as Neil Young, Joni Mitchell, Bob Dylan amongst others performed in the various clubs in the neighbourhood.    2008 Financial Crisis - was a world wide financial crisis which started in 2007 and lasted throughout 2008 and onwards. This crisis affected housing, mortgages, the automotive industry, and world economic markets.    David Kutcher is the owner and operator of Moonlit Sea Prints, located in Easthampton, Massachusetts. His interview with The Unfinished Print can be found, here.    Fading of Japanese woodblock prints - certain colours, especialy in ukiyo-e period prints (beni), are known to fade over time. Since pigments in mokuhanga are generally water based, they will fade naturally, but more quickly if located near sunlight. There are many reasons why your print will fade, so the website Viewing Japanese Prints has written a fine article regarding those very reasons, amongst other ways you can protect your mokuhanga collection. You can find that article, here.    The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here.    Red Hook, Brooklyn, NY - is a neighbourhood in Brooklyn, New York. Once called South Brooklyn and once an industrial area, Red Hook has evolved over time to house many New Yorkers who are looking to be close to Manhattan and still be able to afford a home. There is a great New York Times article, here, which explores the history of this fascinating area.    Doi Hangaten -  is a mokuhanga print publisher located in Tōkyō, Japan. Once a publisher of prints associated with the shin-hanga movement of the ealry twentieth century, the company continues to publish reproductions of famous Japanese prints, in the old ways. Most recently, the Doi family have collaborated with David Bull and Mokuhankan to publish new verions of some of the old blocks from almost 100 years ago. More info about the Doi Hangaten can be found here, here and here. The collaboration videos produced by Mokuhankan regarding the Doi family and the subsequant collaboration can be found, here.    LIFE Institute - is a learning facility for adults age 50+.  The LIFE Institute began in 1991, and has a membership of 2500 today. The institute offers high quality education in the Arts, Humanities, Science and Technology, amongst others. Courses are conducted in person or online. More info can be found, here.    The National Gallery of Art - is a free art gallery located in Washington D.C. Founded by financier Andrew W. Mellon. The West building was constructed in 1941. The gallery houses more than 150,000 pieces of art and is dedicated to education and culture. More info can be found, here.    Itō Jackuchū (1716-1800) - was a Japanese painter who painted in silk. His work can be seen in scrolls (kakemono), sliding doors (fusuma), and folding screens (byōbu). Known for his wild style of painting, Jackuchū's most popular theme is of birds. There are many books wirtten about Jackuchū and his life and times. More info can be found, here , to get you started.  Rooster (18th Century)   Nishiki-e (錦絵) - is the Japanese phrase for colour woodblock prints, otherwise known as brocade pictures.    Ogata Gekkō (1859-1920) - was a painter, illustrator and mokuhanga designer. Gekkō's work has a delightful water colour style, where the subjects seem to be floating and light, regardless of whether the subject is a beautiful woman or a ghostly fox. Gekkō's subject matter ranged from landscapes, to mythology. Ogata Gekkō had a full career, from working with many publishers for his print designs to founding various art associations. More information about the life and career of Ogata Gekkō can be found, here, on David Humphries' fantastic website about the artist.  Drawing Water from Yoro Waterfall — 養老孝子瀧を汲の図 (1896)   Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan.    Evolution of Pigments in Mokuhanga - the evolution of pigments in mokuhanga began with hand painting in the later 17th Century, to the multi coloured prints of ukiyo-e, shin hanga, and sōsaku hanga. More info regarding the pigment evolution can be found, here, at the Library of Congress.    The Japan Foundation - is a not for profit organization established in 1972, with many offices located around the world. The Japan Foundation Toronto has been active in the city since 1990. More info, here for the JF worldwide, and here for Toronto.    Elizabeth Forrest - is an award-winning Canadian artist and mokuhanga prinmaker. She has been producing mokuhanga since the late 1980's when she lived and studied in Kyoto. She has studied with the late Akira Kurosaki (1937-2019).  More info about Elizabeth's work can be found, here.  And It Began To Rain (2014)   Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Taurus (1973)   Barbara Wybou - is a Canadian mokuhanga artists who lived, worked, and studied in Japan for twenty years. Her home these days is Toronto where she continues to work on her mokuhanga. Notably she studied with the late Tōshi Yoshida (1911-1995). Her work can be found, here.  Rats 3   Toyohara Kunichika (1835-1900) -  was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here.    Onoe Kikugorō V as The British Spencer (1894)   War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here.    Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between two colonial powers, the Imperial Russian and Imperial Japanese military, taking place in China. Information about its background can be found here at history.com, and here.    bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  Itō Shinsui (1898-1972) After Washing Her Hair (1936)   yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga.  Utagawa Yoshiiku (1833-1904) Oyama Doll - Ichikawa Udanji (1893)   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer.   Yamato Take no Mikoto with His Sword Kusanagi - is the print by Ogata Gekkō which Carol mentions as one of her favourite prints.     Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in world war 2, having been stationed in Japan. After his time in the war Statler moved back to Japan, where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as acoomodation, and the 88 Temple Pilgrammage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.”   John Stevenson -  is an American author who has written extenisvely on Tsukioka Yoshitoshi (1839-1892).    Tsukioka Yoshitoshi (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.    The Flower of Edo (1858) Utagawa Kuniyoshi (歌川 國芳) - was a print designer and painter known for his triptychs, yoko-e (horizontal landscape prints), Yokohama-e (prints with Yokohama as its subject), and yakusha-e (actor prints). Considered as one of the last of the "golden age" print designers of the ukiyo-e genre.  Ichikawa Kodanji IV as the ghost of Asakura Togo (possibly 1851) Kunisada/Kuniyoshi Exhibit - was an art exhibition held at the Museum of Fine Arts Boston from August 11 - December 10, 2017. There was also an excellent catalogue printed for this show and would add to any woodblock print fan's library. more info, here. The book I reference about Toyohara Kunichika is "Time Present and Time Past of a Forgotten Master: Toyohara Kunichika 1835-1900"  There are various online print collections that the aspiring mokuhanga scholar can seek out to help in their studies. The Library of Congress has their collection online, as does ukiyo-e.org, who have various impressions af their prints throughout their website.  Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. Acadia Books - is a vintage and unique used bookstore located at Sherbourne and Queent St. East in Toronto, Ontario, Canada. In my opinion it is one of the best bookstores I have had the priviledge to visit. More info, here.  © Popular Wheat Productions opening and closing musical credit - intro music is Spill Yer Lungs and outro music is Tailor  both by Julie Doiron from her album I Can Wonder What You Did With Your Day (2009) on Jagjaguar Records logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

The Great Wave off Kanagawa is a yoko-e (landscape-oriented) woodblock print created by Japanese artist Katsushika Hokusai during the Edo period... but that has nothing to do with this episode. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

April Vollmer is one of the most important mokuhanga printmakers and authors working today. Her book, Japanese Woodblock Print Workshop, is a must have for any person interested in mokuhanga. its process, history, and the artists making it.  On this epsiode of The Unfinished Print, I speak with April Vollmer about her travels throughout the mokuhanga landscape. Her time at Nagasawa Art Park, and then onto MI Lab. How she got into becoming an author, writing Japanese Woodblock Print Workshop, her influences and her process.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. April Vollmer -website, Instagram, Facebook. April was recently a part of the mokuhanga exhibition at the Kentler International Drawing Space, in Red Hook, Brooklyn, New York. This show was curated by the Mokuhanga Sisters collective and is called Between Worlds from, June 17 - July 31st, 2022. Rochester, New York - is a city located in Upstate New York. It was originally inhabited by the Seneca peoples. Shaped by the Genesee River, Rochester was once a flour making city as well as a city famous for its horticulture. More information can be found, here. Hunter College - Is a public college located in Manhattan, New York, and was founded in 1870 as a college for women. More info, here.  abstract art - is an art type which moved away from a 19th Century artistic idea of perspective.  Abstract art was a rebellion of colour, shape, and experience, for both the viewer and the maker. It corresponds to the modernism of the industrial world, with science, technology, and architecture. More info can be found, here.  colour field - is a term in painting associated with the abstract painters of the 1950's and 1960's using large swaths of flat colour. Mark Rothko (1903-1970) is one such painter associated with colour field. More info, here.  Vincent Longo (1923-2017) -  was a painter, printmaker and teacher based in New York City. He was a part of the New York School of artist's of the 1950's and 1960's. His work was based in geometry. You can find more information about Vinnie, here. 4 Blocks (1985) Bill Paden (1930-2004) - was a woodblock printmaker and artist who studied under the American expat Clifton Karhu (1927-2007) in Kyoto. More info, here. Beppu Beach Water Bay Mountain (ca. 1970's) hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen, by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Tetsuya Noda (b 1940) - is a contemporary print artist, photographer and professor emeritus at Tokyo University of the Arts (Tōkyō Geidai).  His process uses photographs through a mimeograph machine, then woodblock and silk screen. Considered one of Japan's most famous living artists, Noda's work is a wonderful representation of what can be done with the print medium. More info, with video, can be found, here.  The LeRoy Neiman Center for Print Studies - is a not for profit centre at the Columbia University School of the Arts, which provides an atmosphere of print education for students and invited guests.  Tōkyō v Kyōto (Ōsaka) school of mokuhanga - Tōkyō and Kyōto have, historically, been culturally different throughout Japanese history. Even today, especially with foreign expats, which side of the border you pledge allegiance to can make or break a pleasant conversation. Regarding woodblock printing, it was the moving of the capital to Edo from Kyōto by Tokugawa Ieyasu (1542-1616), officially in 1603, which centred the world for an entire nation. Edo became the business, and cultural district in which most people found themselves. The sankin kōtai system, where daimyō from the entire country, were obligated to spend alternating years in the capital, allowed the merchant classes to grow prosperous, spending their time and money on entertainments such as ukiyo-e, kabuki, and sumo.  This didn't mean that Kyōto and Ōsaka didn't have ukiyo-e, it simply meant that it was overshadowed by Edo. This is because many publishers and artists lived and worked in Edo's environs. Kabuki from Edo and kabuki from Kyōto thrived, therefore there were many prints published for the plays performed in both cities. Stylistically the prints are different, with Ōsaka ukiyo-e being called Kamigata-e, the region where Ōsaka, and Kyōto are situated. For instance, the work of Ōsaka artist, and painter Shunkōsai Hokushū (active 1802-1832) is famous in Ōsaka for his kabuki prints, but is relatively unknown today, as compared to Katsushika Hokusai (1760-1849) who lived and worked around the same time in Edo. Comparing the two is perhaps comparing Brad Pitt (b. 1963), with Steve Buscemi (b. 1957), but I feel that it shows what both artists, successful in their fields, can accomplish for the genre. More information on Ōsaka ukiyo-e, can be found, here.  Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Minimalism - is an art movement based on simplicity and geometry. Generally connected to 1960's New York City. More info, here. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Yakult  (2018) Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. The Dance (2015) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California.  Her work can be found, here. Mariko, Katie, and Yoonmi are also a part of the collective, wood+paper+box, which can be found, here.  Summer Flowers (2021) Daniel Heyman (b. 1963) - is a painter and printmaker based in Rhode Island at the Rhode Island School of Design, where he is Assistant Professor. His work can be found, here. Janus (2019/2020) IMPACT Conference - started by The Center for Print Research, IMPACT stands for "International Multi-discipinary Printmaking, Artists, Concepts and Techniques'. Based in Europe, it is an academic conference discussing printmaking and how it fits into this world. More info about the most recent conference can be found, here.  Kari Laitinen (b. 1952) - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Secret Space II (2014) Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989-2012,  where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937-2019). Her work can be found, here. Clear Day Fuji (2014) Arches - is a brand of Western watercolour paper that is acid-free. BFK - also knowns as Rives BFK, is a Western printmaking paper, made in France. Like Arches, it is 100% cotton. Lower East Side Print Shop - founded in 1968, and is a not-for- profit printmaking studio located in New York City. More information can be found, here.  Jennifer Mack-Watkins -  is a contemporary mokuhanga printmaker, and serigrapher based in New York City and New Jersey. Her work explores American culture through a personal lens. Her work has been featured  in Vogue and the New York Times. More information can be found, here.  What To Do (2013) Andrew Stone - is based in Florence, Italy. Andrew is a wine maker and former full-time doctor who has been making mokuhanga and baren, for years. His blog can be found, here. his interview with The Unfinished Print can be found, here.  Mons Veneris (2016) Frogman's Print Workshop - is a print space, opened in 1979,  in South Dakota. In 2016 the space moved to the University of Nebraska. More info can be found, here.  The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Ansei Uchima (1921-2000) - was a mokuhanga printmaker in the sōsaku hanga style of Japanese printmaking. He was the translator for Japanologist Oliver Statler (1915-2002). In Memoriam (1958) Keiji Shinohara (b. 1955) - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Twilight (2012) Ursula Schneider - is a painter, woodblock printmaker and teacher at Sarah Lawrence College in Yonkers, New York. More info about her work can be found, here. Leaf and Wood (2018) Jackie Battenfield - is a painter, printmaker, collagist, author, and motivational speaker. April alludes to Jackie's  book, “The Artist's Guide: How to Make a Living Doing What You Love,” (2009). More information about Jackie's work can be found, here. Soundings (1999) International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.  Tōhoku Earthquake and Tsunami 2011 - (東北地方太平洋沖地震) was a massive earthquake and subsequent tsunami which struck the coast of North East Japan on March, 11, 2011. The earthquake was 9.0 - 9.1 on the Richter scale. Watson-Guptill - is an American publishing house, starting business in 1937. It is now a part of Ten Speed Press.  Mina Takahashi - is the editor of Hand Papermaking magazine dedicated to the production and preservation of handmade paper. Was the editor of Dieu Donné in New York City from 1990-2004. She is also a curator. Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here. Mid-America Print Council - promotes the art of printmaking of all types. It was started in 1990 in Des Moines, Iowa. It publishes an annual journal with essays and articles about printmaking. More information can be found, here. Edvard Munch (1863-1944) - was a Norwegian artist, who at the time of his death in 1944 had amassed thousands of his own works, including 15,391 prints of all types. Munch loved printmaking, using various mediums. The National Gallery of Art in Washington D.C. has an excellent exploration of his prints, here.  Mokuhanga books in English -  Here is a list of books for those interested in studying and understanding mokuhanga, that I am aware of. This list is by no means exhaustive, so if you believe I've missed one please message me. If the book is in print (or even out of print and there are PDF's) you will see the authors name hyper-linked so you can get the books : April Vollmer - Japanese Woodblock Printshop: A Modern Guide to the Ancient Art of Mokuhanga. (2015) Watson-Guptill Publications Tuula Moilanen, Kari Laitinen, and Antti Tanttu - The Art and Craft of Woodblock Printmaking. (2013) Aalto Books Laura Boswell - Making Japanese Woodblock Prints. (2020) The Crowood Press. Hiroshi Yoshida - Japanese Woodblock Printing. (1939) Sanseido Company, Ltd. Walter J. Phillips -  The Technique of the Colour Woodcut. (1926) Brown-Robertson, New York. Rebecca Salter - Japanese Woodblock Printing. (2001) A&C Black. Tōshi Yoshida & Rei Yuki - Japanese Print Making: A Handbook of Traditional and Modern Techniques. (1966) Tuttle Publishing. Marilyn Chesterton and Rod Nelson - Making Woodblock Prints. (2015) Crowood Press  Terry McKenna - Terry has written two excellent woodblock primers for the beginner and the intermediate practitioner. The first is Mokuhanga Fundamentals: Core Skills... & the second book is, Creative Print. Both can be purchased directly from here, and other fine establishments in e-book or physical form. Self Published.  Fabiola Gil Alares - her book, Mokuhanga: Manual Ilustrado de Xilografía Japonesa, is one of the finest books on the subject of mokuhanga. This book is in Spanish. Her interview with The Unfinished Print can be found, here.  Keiko Hara (b.1942) - is a painter, printmaker in mokuhanga, lithograph, and stencil. She is also a sculptor, and collagist. More info can be found, here. Verse R - Black and White (2017) floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block; blotting, and very clean borders are one of the positives of using this method of registration. It is an "L" shape.  baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Endi Poskovich - is a printmaker and artist who focuses on symbols, and language for his work. More info about his work can be found, here.  Two (Hälftberg) (2004-2017) Holbein - is a pigment company with offices in Japan, Canada, and the United States. More info, here Benjamin Selby - is an artist who works in mokuhanga, as well as touching on serigraphy and installations. More information about Benjamin's work can be found, here.  Turbulent Waters (2020) Auto Mach Reciprocating Wood Carver -  is an automatic chisel that is made in Japan. It is plugged into an outlet. It comes with a variety of bits for carving. It makes carving large areas of hard wood a breeze. More information can be found, here.  acetate - is a plant based, non-petroleum product. It is made from wood pulp and cotton. It is bendable, and stiff enough to use for getting into your kentō registration if you decide to use it for key block transfer. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Started with painter Yoshida Kasaburō (1861-1894), and made famous by Yoshida Hiroshi (1876-1950) and his work with the shin-hanga movement and woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Generation by April Vollmer (2002) © Popular Wheat Productions opening and closing credit - Anyone Can Have a Good Time by OWLS (2001). From their self-titled album, and released on Jade Tree.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

A brand new venture can bring trepidation, and is never as straight forward as it may seem. That's something that I know all too well. On this episode of The Unfinished Print, I speak with curator, collector, and small business owner David Kutcher about his Japanese woodblock print gallery Moonlit Sea Prints. Located in Easthampton, Massachusetts, David opened his gallery to share his love of Japanese woodblokc prints. We discuss why he got involved with the Japanese woodblock, the background of the business, his own private collection, the competition, and how history plays a part in his business.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Moonlit Sea Prints - website, Instagram.  Night Fishing by Arai Yoshimune (1873-1935) - Arai Yoshimune was a woodblock print designer who designed for the Hasegawa/Nishinomiya publishing house. “Night Fishing” is one print in a series of popular shin-hanga style woodblock prints published in the early 1900's by Hasegawa/Nishinomiya of Tōkyō, called "Night Scenes". The series is made up of 21 prints. A fascinating article on this series can be found, here. Below is the "Fishing Boat," print from the this series.    Fuji Arts - is an online Japanese woodblock print store, for collectors and is based in Ann Arbor, Michigan. The company has been in operation since 2000.  Connie Mack (1862-1956) - was an American professional baseball player and manager, and is the longest serving manager in baseball history.   Babe Ruth (1895-1948) - is arguably the greatest American baseball player of all time. Made famous for his time with the New York Yankees form 1920-1934. Is said to have hit his first ever home run here in Toronto in 1914 when baseball was played on the island, against the Toronto Maple Leafs (baseball club).  1934 Japan Baseball Tour - baseballs all stars of the time, including Connie Mack and Babe Ruth, went to Japan in 1934 to play on an “All American All-Stars” team. More information can be found here, with some footage.  Acidic and non acidic matting - acid is a natural occurring element within paper. Like food, some have more, some have less. For very acid-free paper you would be using paper made from cloth rag and containing a small amount of a chemical compound called “lingnin” which is in all paper. The more lignin, the more acid the paper has. You want to use an acid-free paper to protect your print or piece of art from yellowing and other damage. For a great read on the subject, you can check it out, here .  Starry Night by Takahashi Shōtei (1871-1945) - is a woodblock print, 6”x15” produced around 1926-1927.  Shōtei  designed woodblock prints for the Okura Shoten publishing house, and later for Maeba Shoten, finally designing some of his most famous prints, such as the one below, with Watanabe Shōzaburō (1885-1962). I have seen this print with the 1926/27 year of production as well as a 1936 date as well. A biography of Shōtei can be found, here. Tōshi Yoshida (1911-1995) and the Franklin Mint - in the early 1980's Tōshi Yoshida, the eldest son of Hiroshi Yoshida (1876-1950) embarked on a collaboration with the Franklin Mint. A private mint (a place where currency is made) based in Pennsylvania. The series of prints are considered surimono (privately commissioned prints). The prints are three sets of prints, called The Friendly Garden, Birds of the Seasons, and the calendar prints of birds and flowers. The sizes seems to vary. In muy research i've seen some prints as being 13.5" x 21.5" for the calendar prints and 12" x 20" for Birds of the Seasons. You can see some of these prints here.   print sizes - Japanese print sizes vary. The following are from the book, “The Printed Image: the Flowering of Japan's Woodblock Print Culture, (2018). ōban - 15” x 10” chūban - 10.4” x 7.5” ōtanzaku - 15.3” x 7” chūtanzaku - 15.3” x 5.2” For a larger and more extensive list you can find that, here, at artelino.com Japan in the 1950's - coming out of the second world war, Japan was slowly beginning to recover ecenomically. Starting with the U.S/Japan security alliance, called the San Fransisco Peace Treaty of 1951. By the late 1950's, and well into the late 1960's, with the help of the United States, Japan's GDP began to grow exponentially. A few economic reasons were for this. First, the US market was opened to Japanese exporters, leading to protectionism by a stregthening Japanese bureaucracy, enabling the Japanese government to control domestic and international production. Second, is what Jeff Kingston calls  “industrial targeting.” This is where the Japanese government would focus on certain sectors deemed to be vital to economic growth, thereby giving private loans which in turn would create strength in Japanese infrastructure like heavy industry, crude-oil and natural gas. This also enabled the cartel system by creating fixed cliques which as a matter of course, were open to corruption. These cartels (zaibatsu) played a large part in the fascist Japanese war machine, but with their connections with American corporations and being anti-Communist, the American post-war occupying government saw these zaibatsu as an asset to Japanese growth. Companies that had connections to militarist Japan are, Mitsui, Mitsubishi, and Hitachi to name a few. This growth that began in the 1950's, continued until the Japanese economic bubble burst in 1989. For more information on Japan's economic history check out Jeff Kingston's 2019 book, called Japan: Polity Histories. Moonlit Sea by Shoda Koho (1871-1946) - Koho was the designer of this famous print. Little seems to be known about this print designer who published his designs with Nishinomiya Yosaku, also known as the Hasegawa Publishing Co.  Jimbōchō -  is an area in the city of Tōkyō. Located in Chiyoda. It is an area made famous for its bookstores, where you can buy vintage, used, and new books of all genres. Some information can be found, here. Toyohara Kunichika (1835-1900) - considered to be the last ukiyo-e designer. Known as an incredible talent and having his own demons, Kunichika studied under Utagawa Kunisada (1786-1865) and lived and died in Tōkyō. His work is powerful, bombastic, and colourful. His triptychs at times broke from the single panel sheet traditoin of one image per sheet, where one image for Kunichika could take up all three panels. More information can be found, here. The Museums of Liverpool have a new Kunichika exhibition from April 15, 2022 - September 4, 2022. The print below is Onoe Kikugoro V as Akashi no Naruzo (1890) Yoshikazu Utagawa (dates unknown but active from 1850-1870) - famous for his Yokohama-e prints, prints that focused on the foreigners in Yokohama City in the 19th Century. Yoshikazu also made triptychs of tengu (long nose trickster forest goblins), and other demons. The triptych below is, Yoshitsune on Mount Kurama. Minamoto no Yoshitsune (1159-1189) - was a leader of the Minamoto clan, associated with the period of warrinhg between the Minamoto and the Taira clans during the Heian Period (794-1185). Yoshitsune's history, like many individuals of that historical period in Japanese history, is mixed with legend and is difficult to know what is true and what is not. Many woodblock prints were made describing his military prowess, as well as his adventures with his friend Benkei.  Some history of Yoshitsune can be found, here.  intaglio printmaking - is a style of printmaking, the opposite of relief printmaking, where scratches are made with a burin on the plate (copper, zinc, aluminum) and then dipped in acid. Ink and pigment is rubbed on with a brayer, brushes, etc. More info can be found, here. Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be. The print below is Kude Beach, Wakasa (1920) Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915), and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others. Below is Suma Beach (1938) James Abbott McNeil Whistler (1834-1903) - was an American painter based in Britain. His paintings are generally of landscapes of lonely terrain, as well as of portraits. His most famous painting is of his mother.  His complete works can be found, here.  Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here. Below is, Coastal Landscape In Moonlight (1857) Gustav Klimt (1862-1918) -  was a Viennese born artist who was a part of the art nouveau, and Vienna Secessionist movements.  His subjects were, generally, of women. More information can be found, here. Vincent Van Gogh (1853-1890) - was a Dutch post-Impressionist painter. He began to collect Japanese woodblock prints around the winter of 1886-1887 from the art dealer Siegfried Bing, to collect and to sell for a profit, although he didn't sell very many. This collection would go on to influence much of his work.  Red Fuji - also called “Fine Wind, Clear Morning,” is a woodblock print designed by Katsushika Hokusai (1760-1849) and made around 1830-1832.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Hokusai Updated - was an exhibition held at the Mori Art Museum in the Roppongi area of Tōkyō which ran from January, 17th, 2019 to March, 24th, 2019.  Hokusai manga - first published in 1814 these comical figures, lansdscapes, flowers, and other various images were created by the woodblock designer and artist Katsushika Hokusai. Beginning with Volume 1, “Transmitting the Spirit and Revealing the Form of Things,” the series became impressively popular and was continually produced, in fifteen volumes, until 1878, and in woodblock print form.  More information from the Princeton Library can be found, here.  Kawanabe Kyōsai (1831-1889) - was a woodblock print designer and painter who focused on dark, devious, ghostly images and even some war prints.  Kyōsai's work has had a resurgence the passed decade with many people outside of the woodblock print community. More information can be found, here. Below is his triptych, Demon's Out. The Western influence on the Japanese print market - Western collectors have had a deep affinity for Japanese woodblock prints since the late 19th Century. In 1891, the print curator of the Boston Museum of Fine Arts held a Japanese print exhibition at the Smithsonian and in many ways, helped usher in a love for the Japanese woodblock print in America. As the popularity of Japanese woodblock prints began to grow, with more foreign artists living and working in Japan and abroad, such as Emil Orlik (1870-1932), Bertha Lum (1869-1954), and Helen Hyde (1868-1919) who started making their own woodblock prints. This new awareness of contemporary and vintage Japanese woodblock prints began to foster more collecting. As time has gone on, and with the Japanese woodblock print becoming so famous in the West, prices in Japan have begun to climb steadily, with more collectors in Japan collecting woodblock prints.   sensō-e - are Japanese woodblock prints which focus on war. They can be single panel, diptych and triptych's. Complicated woodblock techniques were used, which highlighted war, specifically the first  Sino-Japanese War (1894-1895). Artists such as Kobayashi Kiyochika designed prints for this war, the beginning of the Japanese Imperialist project. More information can be found, here. Below is Great Victory and Occupation of Jiuliancheng (1894) by Watanabe Nobukazu (1874-1944)  Shirō Kasamatsu (1898-1991) - was a woodblock print designer who worked with the Watanabe atelier making shin-hanga designs. Below is Mount Wakakusa (ca. 1930) and Mountains Cottage in Spring (ca. 1960's) Floating World Gallery - is a Chicago-based  brick and mortar / online Japanese woodblock print outlet in operation since 1987.  Focusing on all genres of Japanese woodblock prints. More info, here.  Crosseyed Gallery - is a Los Angeles based woodblock print online store. More info, here.   Art Walk: Easthampton, Massachusetts - is a monthly art walk held the first Friday of the month and created by Easthampton City Arts. They arrange arts programming and cultural events. More info, here.  Pillar prints  - also called hashira-e (柱絵), are prints which have the shape of scrolls but are smaller. They are 4.5” x 28” and were attached to pillars in Japanese homes. Associated with the 18th Century. More info can be fond, here. Below is Cherry and the Moon, by Yoshimoto Gesso (ca. 1910-1930) Yoshimoto Gesso (1881-1936) - was a shin-hanga print designer who designed many landscapes, birds, and flowers. More info, here. Below is his Blue Bird and Asters (ca.1930's) surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.  Ronin Gallery - is a NYC based Japanese woodblock print brick and mortar, online shop, and was established in 1975. More info can be found, here.  Taoist alchemy -  also called nei-dun, is a type of internal alchemy in Taoism which purports to give the initiate a long life. External alchemy in Taoism is called wai-dan which uses herbs and minerals to promote a long life. More info can be found, here.    © Popular Wheat Productions opening and closing credit sound - I am listening to the CBC's IDEAS podcast and the episode is called "Madame Blavatsky: Intellect, Adventurer, Occultist...Fraud. This can be found on any podcast platform.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.*** Bibliography: Forrer, Matthi, Michael Scuffil, and Adele Schlombs. The Printed Image: The Flowering of Japan's Woodblock Printing Culture. Köln: Buchhandlung Walther König, 2018. Marks, Andreas, Chiaki Ajioka, and Elisabeth Sövik. Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection. Minneapolis, MN: Minneapolis Institute of Arts, 2015. Martin, Katherine. Highlights of Japanese Printmaking, Part 3: The International Perspective.Scholten Japanese Art, 2008. Uhlenbeck, Chris, Louis van Tilborgh, Shigeru Oikawa, Lynne Richards, and Diane Webb. Japanese Prints: The Collection of Vincent Van Gogh. London: Thames & Hudson, 2018.  

Katsushika Hokusai, conocido simplemente como Hokusai, fue un artista, pintor de ukiyo-e y grabador japonés del período Edo. Hokusai es mejor conocido por la serie de grabados en madera Thirty-Six Views of Mount Fuji, que incluye el grabado icónico internacionalmente The Great Wave off Kanagawa. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week we have the finals for our Arts Madness Tournament. Katsushika Hokusai is up against Yayoi Kusama. As of the time of recording, there is only a three vote margin between the two artists.  You can vote for your favorite artist/work at www.whoartedpocast.com   Who ARTed is a part of the Airwave Media podcast network. You can check out their other shows at www.airwavemedia.com or on your favorite podcast app.

Fabiola Gil Alares is one of mokuhanga's most interesting artists. Her work, with bright flat, rich colours with a romantic appeal, tells a fantastic story, one which naturally draws you to her work. In this episode of The Unfinished Print, I speak with mokuhanga printmaker Fabiola Gil Alares about her prints, her artistic background, the amazing book project she's undertaken and what it feels like to be one of the hardest working mokuhagna artists, today.  Special thanks to my good friend Consuelo Orrego for help in translation.  Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Fabiola Gil Alares - website, Instagram, LinkedIn, Facebook, YouTube, Mokuhankan Laura Boswell - is a British printmaker who uses mokuhanga, and linocut and reduction printmaking, as her mediums of choice. She was interviewed by The Unfinished Print, which can be found, here. She is an important teacher and promoter of mokuhanga. More info can be found, here. MI Lab - Is an artist-in-residency located in Lake Kawaguchi, near Mt. Fuji. Once called Nagasawa Art Park, MI Lab has been an important centre of many talented and successful mokuhanga printmakers, working today. More info, here.  Mokuhankan and David Bull - is a brick and mortar woodblock print shop located in Asakusa, Tōkyō. It is a learning and working space, where it sells the works of artist Jed Henry, master carvers of the past, and various print series. All are printed and carved by Mokuhankan printmakers and carvers. Started by printmaker David Bull as a way to sell his own series and reprints of old carvers of the past, Mokuhankan has grown exponentially over the years and is a must visit when coming to Tōkyō. More info, here.  Shoicihi Kitamura - is a master carver of Japanese woodblock. He has taught at Nagasawa Art Park and has conducted many demonstrations on carving, and at various International Mokuhanga Conferences. More info, here.  Hidehiko Gotō - is a master baren maker and mokuhanga artist who has conducted many demonstrations on baren making throughout the world, and at the International Mokuhanga Conferences. Some of his mokuhanga can be found here. Gotō also contributed to Fabiola's book.  Terry McKenna - is a mokuhanga artist and instructor based in Karuizawa, Nagano, Japan. He is a student of Richard Steiner, an American woodblock printmaker based in Kyōtō, Japan. Terry runs and operates the Karuizawa Mokuhanga School, which is a school open to those who are interested in wanting to learn and study mokuhanga in a Japanese setting. Both Richard and Terry have been interviewed by The Unfinished Print, here, and here.  Educational Museum of Origami, Zaragoza - is a one of its kind museum focused on the Japanese paper art of origami, located in Zaragoza, Spain. More info, here.  Serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper, etc.  Katsushika Hokusai (1760-1849) - is one of the most, if not the most, famous Japanese artist ever known. He designed woodblock prints, as well as creating his own paintings, screens, scrolls, and commissioned art in Buddhist temples throughout Japan. More info, here. The British Museum has a lot of info, here.  Miyakodori - is a publishing house of woodblock prints. Started by Takashi Kashiwagi, a woodblock carver himself, he releases and carves (through laser and hand carving) artists such as Tōkyō based graphic designer Shinji Tsuchimochi. More info, here. shop.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. His fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. Royal Talens Gouache - is a specific brand of gouache pigment. Gouache pigments are a mixture of pigment, water and binder and usually opaque and used in painting, and various types of printmaking. Royal Talens is a maker of different types of pigments, originally a Dutch company but is currently produced all over the world. More info, here.  Nakajima Tsuzen - is a mokuhanga printmaker who has been working in the medium for many years. His work highlights the woodblock technique of mokume, where the grain of the wood is used to highlight certain aspects of the print. Mr. Nakajima's website can be found, here. Instagram Different types of wood - mokuhanga printmakers can use many different types of wood for their work. Most of the time, shina veneer harvested sustainably, is used for modern woodblock prints. Japanese cherry wood was used a lot but because of it's expense today it is used rarely. Other woods used is basswood, elm, and even red oak. Mokuhanga books in English - As Fabiola mentions in the episode, there are various other books on mokuhanga and it process in the English language. Here is a list of books that I am aware of. It is also important for me to say, that through this list we can see how important Fabiola's book is for those who speak languages other than English and hopefully other mokuhanga practitioners will publish books in various languages around the world. This list is by no means exhaustive, so if you believe I've missed someone please message me. If the book is in print (or even out of print and there are PDF's) you will see the authors name hyper-linked so you can buy the books : April Vollmer - Japanese Woodblock Printshop: A Modern Guide to the Ancient Art of Mokuhanga. (2015) Watson-Guptill Publications Tuula Moilanen, Kari Laitinen, and Antti Tanttu - The Art and Craft of Woodblock Printmaking. (2013) Aalto Books Laura Boswell - Making Japanese Woodblock Prints. (2020) The Crowood Press. Hiroshi Yoshida - Japanese Woodblock Printing. (1939) Sanseido Company, Ltd. Walter J. Phillips -  The Technique of the Colour Woodcut. (1926) Brown-Robertson, New York. Rebecca Salter - Japanese Woodblock Printing. (2001) A&C Black. Toshi Yoshida & Rei Yuki - Japanese Print Making: A Handbook of Traditional and Modern Techniques. (1966) Tuttle Publishing. Marilyn Chesterton and Rod Nelson - Making Woodblock Prints. (2015) Crowood Press  Terry McKenna - Terry has written two excellent woodblock primers for the beginner and the intermediate practitioner. The first is Mokuhanga Fundamentals: Core Skills... & the second book is, Creative Print. Both can be purchased directly from here, and other fine establishments in e-book or physical form. Self Published.  Naoko Matsubara -  is a Japanese-Canadian mokuhanga printmaker who has been a printmaker for over 60 years. She has worked with artists such as Munakata Shikō (1903-1975) and has published many books, and has traveled the world for her work. More info, here. Her website can be found, here.  opening and closing credit music - TELEVISION -  Marquee Moon (1977) Elektra/Asylum  © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

In episode two, Johanna Schwaiger will be interviewing Miles Yoshida, an outstanding draftsman and sculptor from Long Beach, CA. Miles will be sharing with you his use of ink for crosshatching, his creative routine, and the story behind his famous hand portraits. You will learn how his sculpting and drawing careers influence one another. Miles will also speak about his main inspirations from the past, such as Michelangelo, Albrecht Durer, Leonardo Da Vinci, Katsushika Hokusai, Tsuguharu Foujita, and many more.

Dr. Matt Lodder is a Senior Lecturer in Art History & American Studies at the University of Essex. His research focuses on using art history as a lens to understand the history of western tattooing from the 17th century onward, specifically in the "professional era" which began in the 1880s and continues today. You can find him on Twitter @mattlodder, and learn more about his research here: https://www.essex.ac.uk/people/lodde23007/matt-lodder Here are some links to sources discussed in this episode: Vanity Fair, 1926, "Modern Fashions in Tattooing" https://archive.vanityfair.com/article/1926/1/modern-fashions-in-tattooing "Bad Boys and Tough Tattoos" https://books.google.com/books/about/Bad_Boys_and_Tough_Tattoos.html?id=oNMAZhTdQVsC Sutherland Macdonald: https://mymodernmet.com/sutherland-macdonald-tattoo-history/ Katsushika Hokusai, 19th c. Japanese artist: https://www.katsushikahokusai.org/ Inking of Immunity is made possible by all these humans: Chris Lynn - Executive Producer & Co-host Becci Owens - Associate Producer & Co-host Mike Smetana - Associate Producer & Co-host Julia Sponholtz - Assistant Producer Patricia Arnett - Assistant Producer Kira Yancey - Production Manager Find us on social media on Facebook (inking.of.immunity), Twitter (@inking_immunity), and Instagram (@inking.of.immunity) A transcript of this episode can be found at https://otter.ai/u/Mh1G_M1c3oCYwyaludp_vQQGfSo

This episode is all about film director Wes Anderson and his influences such as Stanley Kubrick, Martin Scorsese, Francois Truffaut, and Katsushika Hokusai. --- Support this podcast: https://anchor.fm/your-favorite-artists-favorite-artists/support

Welcome to Minisode Monday, where we kick off the week with something quick and actionable -- to make you more magnetic and effective -- that you can implement right away. This week, we've got a little lesson in art history: Katsushika Hokusai's woodblock print The Great Wave and how it was influenced by -- and went on to influence -- art from around the globe in spite of its creation during Japan's most isolated period. Let's get to it! The Cheat Sheet: Do you think you're impervious to outside ideas -- positive or negative? Consider Katsushika Hokusai's 1829 woodblock print, Under the Wave off Kanagawa (also known as The Great Wave). This famous piece was created in Japan during a period of intense isolation -- yet it prominently displays European influence from color choice to composition. In turn, The Great Wave went on to influence artists around the globe -- again, in spite of Japan's dedication to isolation at this time in history. Influence is never something we can fight, but it's something we can be aware of so it doesn't control what we do and think without our knowledge. Looking for ways to influence others while being aware of how you're being influenced? Take the Art of Charm Challenge by clicking here, or text CHARMED to 33444. Also be sure to check out our Social Capital Intensive here! Let us know about how you put today's Minisode Monday into practice! Tweet with @TheArtofCharm in your response or write to Jordan directly: jordan@theartofcharm.com (he actually reads everything)! Does your business have an Internet presence? Now save a whopping 50% on new webhosting packages here with HostGator by using coupon code CHARM! Listen to The Art of Charm, All of the Above, and hundreds of your favorite podcasts with the free PodcastOne app (on iOS and Android) here! Find out more about the team who makes The Art of Charm podcast here! Show notes at https://theartofcharm.com/podcast-episodes/minisode-monday-51-the-great-waves-of-influence/ HELP US SPREAD THE WORD! If you dig the show, please subscribe in iTunes and write us a review! This is what helps us stand out from the crowd and help people find the credible advice they need. Review the show in iTunes! We rely on it! http://www.theartofcharm.com/mobilereview Stay Charming!