POPULARITY
10 episodes with Constantines
7 episodes with Constantines
2 episodes with Constantines
2 episodes with Constantines
2 episodes with Constantines
"Run With Me" The Ontario-born Bry Webb formed the underground outfit The Constantines out of the ashes of the emo band Shoulder in 1999. With their jagged guitars, tribal drums, snarling bass lines and Webb's ferocious vocals along with his poetic lyrics, The Guelph-based Constantines were one of those rare bands that seemed to arrive fully formed. From 2004 to 2008, the Juno-award nominated Constantines put out four brilliant albums--their eponymous debut, Shine A Light, Tournament Of Hearts and Kensington Heights. And there's not a false note to be found anywhere--the syncopated rhythms, musical intensity and the sheer muscle and heart that powered every song brought to mind everyone from Fugazi to the Minutemen to The Replacements. This is a partial list of their highlights; they toured with The Tragically Hip and The Weakerthans, were signed to Sub Pop, played Lollapallooza, the Vancouver Olympics and a gig at the legendary Massey Hall. With the band on hiatus, Webb formed a band called The Harborcoats and put out three brilliant solo albums--Free Will, Provider and Run With Me. Redolent with raw intimacy, sensitivity, and poetic grace, Webb's solo work rings with as much conviction as his work with The Constantines. He's been nominated for a Genie Award, he contributed a track to This American Life and he sang back-up on Feist's album Metals. I can't say enough about this guy--he's a towering force and whether he's belting out anthems or staying low in the pocket to deliver some of the most stirring acoustic numbers you've ever heard, Bry Webb is a giant talent who is one of my all-time favorites. His body of work means everything to me and his presence on this show is nothing short of humbling. And he's one of the nicest dudes ever. www.brywebb.com (http://www.brywebb.com) www.brywebb.bandcamp.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG: @emberspodcast Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com
This week Dylan was assigned the year 2003 and he selected The Weakerthans third album, Reconstruction Site. Come cry with us over a song about a cat.Join our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodJoin our brand new $5 Producer / Listening Club tier where you can get your name said every single week on the podcast as a producer. You also get access to our monthly Listening Club where we get together on Zoom to discuss an album, just like a book club!If you would like to sponsor an episode, head over to patreon.com/punklottopod and sign up for our $10 tier. Make a one time donation and you get and entire episode centered around an album of your choice.New Major Awards EP - majorawards.bandcamp.comMerch Shop - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:The Weakerthans - (Manifest)The Weakerthans - Plea from a Cat Named VirtuteThe Weakerthans - One Great City!
Toronto's indie rock sensation HotKid is back with a brand-new 4-track EP, "Downtown," set for release on October 4th, 2024 out on Fortune Stellar Records. The EP features both full-band and acoustic versions of the title track, as well as two additional guitar-driven songs, “Naked” and “All Time,” capturing the band's signature sound and versatility. The full-band tracks were recorded live off the floor at the National Music Centre's Studio Bell in Calgary, AB, using the renowned Trident console. This legendary piece of equipment has been instrumental in creating classic records by artists like David Bowie, Elton John, Queen, Rush, and Metallica. The historic studio environment, combined with exceptional acoustics and state-of-the-art gear, provided the perfect setting to capture the energy and vibrant performance. The session was engineered by Eric Cinnamon, ensuring that the recordings preserved the authentic, live feel of the band's sound. The acoustic version of "Downtown" was recorded live at the House of Miracles in Cambridge, ON, featuring Shiloh Harrison on guitar and vocals and Andrew DeVillers on baritone acoustic and vocals. Engineered and mixed by Andy Magoffin, who has worked with acclaimed artists like Great Lake Swimmers, Constantines, Attack in Black, and Feist, this stripped-down rendition highlights the emotive core and lyrical depth of the song. The Downtown EP also includes contributions from Jesse Bellon on guitar, Andrew DeVillers on bass, and Mike McKeever on drums. The EP was mixed by Shiloh Harrison and mastered by Noah Mintz at the Lacquer Channel in Toronto, ON. Mintz, known for his work with Broken Social Scene, The Tragically Hip, Sarah Harmer, and Daniel Caesar, added his signature polish to the recordings, giving the tracks a professional and cohesive finish. D I S C O V E R Website: https://hotkid.ca/Instagram: https://www.instagram.com/ilovehotkid/?hl=enSpotify: https://open.spotify.com/artist/5ZLnCbFfrcCvcVobllDeLH This episode is brought to you byGo to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop
Join our Discord! Link below. https://discord.gg/cd6sNqvnav https://beacons.ai/senornerdpodcast https://www.instagram.com/senornerdpodcast/ @senornerdpod on Twitter. John Connor is a fictional character and the male protagonist of the Terminator franchise. Created by writer/director James Cameron, the character is first referred to in the 1984 film The Terminator and first appears in its 1991 sequel Terminator 2: Judgment Day (T2). In the character's first appearance, John is portrayed by Edward Furlong as a child, and briefly by Michael Edwards as an adult in a small role. Other actors have portrayed the character in subsequent films, including Nick Stahl, Christian Bale, and Jason Clarke. In addition, Thomas Dekker portrayed John Connor in the two-season television series Terminator: The Sarah Connor Chronicles. The character serves as a protagonist in Terminator 2: Judgment Day (1991), Terminator 3: Rise of the Machines (2003), and Terminator Salvation (2009), the antagonist of the film Terminator Genisys (2015), and has a brief cameo in Terminator: Dark Fate (2019) John Constantine (/ˈkɒnstənˌtaɪn/)[1] is a fictional antihero who appears in American comic books published by DC Comics. Constantine first appeared in Swamp Thing #37 (June 1985), and was created by Alan Moore, Steve Bissette, and John Totleben. The titular Hellblazer,[2][3] Constantine is a working-class warlock, occult detective, and con man from Liverpool who is stationed in London. He is known for his endless cynicism, deadpan wit, ruthless cunning, and constant chain smoking, but he is also a passionate humanitarian driven by a heartfelt desire to do some good in his life. Originally a supporting character who played a pivotal role in the "American Gothic" Swamp Thing storyline, Constantine received his own comic in 1988. The musician Sting was a visual inspiration for the character.[4] The Hellblazer series was the longest-running and most successful title of DC's Vertigo imprint.[5] Empire ranked Constantine third in their 50 Greatest Comic Characters of All Time,[6] while IGN ranked him number 29 in its Top 100 Comic Book Heroes, and the character ranked number 10 in Wizard's Top 200 Comic Book Characters of All Time. The character made his live-action debut in the film Constantine (2005), played by Keanu Reeves. On television, Constantine was played in the television series Constantine by Matt Ryan, who later reprised the character in the Arrowverse series Arrow, Legends of Tomorrow, and The Flash, and several animated productions. Jenna Coleman later portrayed a female version of the character (and her ancestor) in the television series The Sandman, adapting both Constantines' roles from the comic series. Some writers who have written his stories have claimed to "see" him.[4][7][8]
In this episode we go back to 2003 for Indie Rock band Constantines' second album, Shine a Light. Blenderstyle Hosts: Casey, Matthew, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netConstantines, Shine a Light, Sub Pop Records, National Hum, Album Review, Blenderstyle
WE'RE MOVING THINGS OVER TO PATREON, LISTEN TO THE FULL EPISODE HERE! (FREE) Andre Ethier is a musician, painter and founding member of the seminal Toronto band The Deadly Snakes. Andre sat down with us to discuss hating craft beer, performing at Norman's 40th birthday party, growing up in Toronto, Etobicoke School of the Arts, getting exposed to independent films at an early age, Jim Carrol, overstaying your welcome in Montreal, simultaneously loving and hating Toronto, The Deadly Snakes origin story, hating other bands in the late 90's, The Constantines, millennium paranoia, ‘Rock' vs ‘Rock'n'Roll', Janes Addiction, The Oblivions, garage rock audiences, discovering music through skate videos, Toronto bands trying to leave the city, touring with The Hives, Indie Sleaze, Will Monroe's parties, the Vice era, Dan Burke, pool hopping, singing the national anthem at a Dodgers game, the ten year gap between his solo albums, Sandro Perri, his career as a painter, people having too much money in New York in the early 2000's, having his paintings stolen before a solo show, Gen Z listening habits, his kids and more! Andre Ethier Josh McIntyre Austin Hutchings ---- COLD POD https://www.patreon.com/coldpod
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band's sound, consciously and subconsciously. Find out more about The Cons' 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.
THIS WEEK! We are taking a look at The Decline And Fall Of The Roman Empire. We will have a look at what factors brought the Roman Empire to an end. From the christianization of The Empire, and Constantines move to Constantinople, to the external, and internal factors of why and how the Western Roman Empire fell. All this, and more on "Well That Aged Well". With "Erlend Hedegart.Support this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.
Eusebius; Constantine's new church creation; Ecc 5 - sacrifice of fools; Snares, nets and bondage; Connecting the prophets; Handling the truth; Modern liberals; Desire for others to fail; How to get offerings to God; Confusion about the truth; Darkness; Paying to feel good; Taking responsibility; Forgiving trauma; Desiring vanity of vanities; Patterns of nature; Opening spiritual eyes; Testing forgiveness; Strengthening others; Narcissism; Seeking victimhood; Getting God to hear you; The song of the fool; Living in light; Seeing yourself; Ecc 5:1 - relating to your life; Loving your enemy; Who you trust to be your god?; Red sea example; First fruits; Yahweh Nissi?; Legal charity; Saul's foolish thing; Today's Constantines; Temptation to live in darkness; World creatures; Fasting from temptation; Reviewing Ecclesiastes so far; Humility; Filling YOU with holy spirit; Preparing for dawn; "Vexation"; Shepherds; History repeats itself; Hearing the cries of your brother; Voluntary charity; Laying down your life; Bible books part of whole message; Foolish virgins; Christ's commands to organize; Existence of wickedness; New deals; Strong family units; Recognizing your part - duty; State social welfare; Fervent charity; Casting your bread upon the waters; The road to liberty; Caring about neighbor; Re-empowering the people; Ecc 5:1; What comes out of your mouth?; Giving consent; Prov 1:10; Social Security; Prov 6:2; Mt 5:33; Swear not; Seeing your contract with "gods"; Ecc 5:9 "profit"; "field"; "conversation"; Income tax; Sharing wealth via business; "Hurting" the rich; Laboring for the wind - for self; God the capitalist; Natural filtering of those walking in darkness; Facing your trauma; Wicked for our benefit; Cultivating victims; Vampires on the pulpit; Mark of the beast; Ecc 6:1; "Under the sun"; Your power from God; HHC books; Ability to look at the light; Meditation; Take the next step!
The boys are joined by Dave Laird (Concavity Show) to discuss the greatest(!!) Canadian band of all-time. If you don't know the Cons, no better time than today to get on-board, buster! There's room in the pool for everybody.
The relationships made in mokuhanga can last a long time. Whether it's a friendship based on collecting, creating, or its long and vibrant history; mokuhanga has the ability to bring people together. On this episode of The Unfinished Print I have the pleasure of speaking to two people who's friendship is based on mutual respect, business, and the love of mokuhanga. Katherine Martin is the managing director of Scholten Japanese Art of New York City. She has overseen the galleries multiple exhibitions, written several catalogues published by Scholten, and is the heart of what goes on at the gallery. Paul Binnie is an acclaimed mokuhanga printmaker, painter and artist. He has collaborated with Katherine at Scholten Japanese art for almost fifteen years. We first discuss Katherine's background, and her work with the gallery. Then, Katherine and Paul talk about the relationship between the gallery and the artist, the legacy of shin-hanga, how prints draw people in, and pricing Paul's work. We also discuss about editioning prints and the issues that may arise, nudity and social media, and we end on Katherine and Paul's unique friendships and how it works. This interview was recorded during Paul Binnie's solo show at Scholten Japanese Art in June, 2022. There may be some background noise during the interview. I apologize for any inconvenience. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Scholten Japanese Art - website Paul Binnie - while Paul doesn't have a singular website he does have his Instagram. There is the "Binnie Catalogue," which is produced by a third party which digitally collects his work, past and present. This can be found, here. Flowers of a Hundred Years: A Thousand Stitch Belt (2014) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the Ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few. Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be. Late Fall by Lake Yamanaka (1947) Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915), and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others. Cormorant Fishing in Nagawa River (1940) Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Twelve Images of Modern Beauties: Cotton Kimono (1922) Hiroaki Takahashi Shōtei (1871-1945) - was a Japanese printmaker, illustrator and painter. He is commonly associated with the shin-hanga movement of printmaking in Japan, working with Watanabe Shōzaburō. His work touched on many subjects, such as landscapes, beautiful women and still-life. Evening Sun at Nagareyama (1924-27) Yamamura Koka (1885-1942) - was a Japanese woodblock printer and painter who trained under Ogata Gekkō (1859-1920). He worked with Watanabe and other publishers in his lifetime, and self published. His themes ranged from actor prints, lasdscape, and still-life. Flowers of the Theatrical World: Nakamura Utaemon V as Owasa (1921) Natori Shunsen (1886-1960) - was a Japanese woodblock printer who focused much of his work on kabuki actor prints. He too worked with Watanabe. Bando Mitsugoro VII (1950's) Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925. Ishiyama Temple (ca. 1946) Sotheby's - established in 1774 in London, England by bookseller Samuel Baker. It is the oldest auction house in the world, with offices located around the world. More info can be found, here. Watanabe's foray into exhibting Japanese prints abroad can be read in this fine article by The Asian Art Newspaper, online, here. The article discusses Watanabe';s relationship with Itō Shinsui. bokashi - is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga. The Second Collection of Modern Beauties: Red Blossoms by Itō Shinsui (1933) kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki - meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, too begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done. giclee - is a type of reporoductive process in printmaking. It means, “to spray,” which is the description of how the ink is laid into the paper. It is by using high quality scanners and printers to produce your print that giclee prints are made. More info can be found, here, at artworkarchive.com. The Sun and Moon of Black's Beach - is a mokuhanga series produced by mokuhanga printmaker Paul Binnie. He is currently, at the time of this writing, working on the 7th and 8th edition of this series. Summer Canyon, Black's Beach: Moon Before Dawn (2022) Black's Beach - is located in Torrey Pines, near San Diego, California. It is a secluded beach. It is known for it's allowing of naturist patrons, surfing, and various trails. Asia Week - is an art festival which started in New York City in 2009. It brings together various art galleries to participate. These galleries specifically, and the festival in general through events, attempts to bring people from all over the world in order to promote Asian art to collectors and aficionados. More information about Asia Week New York, can be found, here. A Hundred Shades of Ink of Edo - is a mokuhanga series by Paul Binnie. Each print is of a figure who has an historical tattoo based on a woodblock print by a famous Japanese print designer. For instance, the print below, is of Katsushika Hokusai's (1760-1849) print design from his A Journey to the Waterfalls in all the Provinces series from 1832. As Paul informs in our interview there is a tattooed version and non-tattoo version of these particular prints. Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc. Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history. Mirrors as Stylish Collage Pictures: Ichikawa Ichizo III as Dekiboshi no Sankichi (1859) Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world. The Hundred Poems [By the Hundred Poets] as Told by the Nurse: Fujiwara no Yoshitaka (1835-36) Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here. © Popular Wheat Productions opening and closing musical credit - Hyacinth Blues by The Constantines. From their self titled album The Constantines (Three Gut Records) logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band's sound, consciously and subconsciously. Find out more about The Cons' 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band's sound, consciously and subconsciously. Find out more about The Cons' 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.
“Volcano, Volcano” Steven Lambke rose to prominence as the guitarist of the mighty Canadian outfit The Constantines. The Juno-Award nominated band are a muscular blend of Fugazi, the Replacements and Creedence Clearwater Revival, and they're one of those bands that are redolent with integrity and heart. It's important to note that by the time the Cambridge-Ontario born Lambke joined the Constantines in '99, he'd been in a band called Captain Co-Pilot and had finished his university degree in Physics at the University of Guelph. Over the years he would take a busman's holiday from the band to release albums on his own under the name Baby Eagle, which featured guest appearances from Folks like John K. Sampson of The Weakerthans and Julie Dorion. Lambke's artist run label You've Changed Records put out several more of his albums, including his brand new one, Volcano Volcano. A swirling blend of fractured folk, spritely indie rock and low-fi bedroom pop all recorded using dollar store shakers and guitars procured at Goodwill, Volcano Volcano is a charming blend of raw and nervy songs that infectiously rip through the delicious chaos. This album is uplifting and weird and lovely and real—and whether it's the percussive The World Filled To The Brim, or the rolling perfection of Bats In Blue Twilight, this is one of the most delightful, inspiring and wonderfully raucous albums of 2022. www.youvechangedrecords.com www.bombshellradio.com www.alexgreenonline.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com
The Constantines "Shine a Light" was originally the pick of our good friend Derek Wallace. He was all set to be our guest but had to cancel last minute because of Daddy Duties. You know what they say in the business, the show MUST go on. With his approval we went and did the episode anyway. Luckily, we all had a lot to say. This is such a great record. I had many late nights myself listening to it with Derek, singing along and dissecting each song. Thank you Derek for your pick. Please BLAST this record and enjoy this episode.
On this episode of “Inside the Artist's Studio”, Sean interviews Steven Lambke, and premieres the title track from Lambke's upcoming album “Volcano Volcano”. They go through Lambke's upbringing in Cambridge, Ontario, his work with the Constantines and You've Changed Records, and how he incorporates all elements of his life into his creative practice. Along the way, they talk office temp jobs, Volkswagen Rabbits, and everything and the kitchen sink muffin recipes.Recorded on April 17th, 2022Featured Track: “Volcano Volcano” from Volcano VolcanoIntro/Outro Music: Laundry Week - “Nuthin' On My Mind “
BONUS TRACK: Constellation Myths talk about their unique cover of “Young Lions” This interview is one that I've been looking forward awhile now. Why? Because web comic creator Arechan has announced her new series, “Senorita Cometa!” This comic will be available only on Webtoon on March 25, and I am here for it! This comic takes a much darker turn, with main character Alex investigating the disappearance of her friend. This story touches on the real-life situation in Mexico, where organized crime runs rampant in some areas, and authorities having little or no means to stop them. Arechan shares some of her experiences with this and how it influenced certain scenes. We also talk about the challenges she faced writing such a serious story after recently completing the light-hearted romance series “LUFF.” We also talk about the main characters—Alex, the hero of the series, along with Detective Puig, and Adalmundo. Each has a great story behind them, with Arechan's husband being the mind behind Adalmundo. After this interview, I am joined by the band Constellation Myths, who will be releasing their rendition of “Young Lions,” one of their favorite Constantines songs from the 2003 album “Shine a Light.” We do a deep dive into their version of the song, which is far different from the original, and the origin of their cool, laid-back country tune. As this episode wraps up, enjoy Constellation Myths' “Young Lions” and be sure to get your copy when it drops on March 18.
In support of his second solo album titled 'Free Will,' the Constantines frontman performs songs including “Asa,” “Undertaker,” and “Lowlife” with his band The Providers, Live at Massey Hall. Team UNPLUGGED.
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band's sound, consciously and subconsciously. Find out more about The Cons' 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band's sound, consciously and subconsciously. Find out more about The Cons' 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.
I'm so excited to be a part of chatting with the Constantines through anchor FM tomorrow. I'm also going to be having them on the show. Do you have not checked out their podcast please do so it's through Anchor app and it's called chatting with the Constantines --- Send in a voice message: https://anchor.fm/sylvia-stein/message Support this podcast: https://anchor.fm/sylvia-stein/support
Full Text of ReadingsThe Seventh Day in the Octave of Christmas Lectionary: 204All podcast readings are produced by the USCCB and are from the Catholic Lectionary, based on the New American Bible and approved for use in the United States _______________________________________The Saint of the day is St. Sylvester, PopeSaint Sylvester was born in Rome around the year 250. Not much is known about him, but legends surround him. Some legends state that at a young age, Sylvester was put under the care of a priest to be formed in the practice of religion and sacred literature.He enjoyed providing shelter to Christians passing through the city, and would take them with him, wash their feet, serve them at table and give them all the care the needed in the name of Christ. One of the Christians that Sylvester hosted was Timothy of Antioch, an illustrious confessor of the faith. When he arrived in Rome, no one dared to receive him, but Sylvester considered it an honor. For a year, Timothy preached the gospel Jesus Christ with great zeal, while Sylvester selflessly shared his own home. After Timothy died as a martyr, Sylvester buried his remains, but was quickly accused of having hidden the martyrs treasures, andthe governor had him imprisoned. In reply to the accusation, Sylvester said, Timothy left to me only the heritage of his faith and courage. After the governor one day swallowed a fish bone and died, the guards' hearts were softened, and they set the brave young man free. Sylvesters courageous acts became known to Pope Melchiades, who elevated him to the diaconate. Under the tyranny of Diocletian, the persecution of Christians grew worse while Sylvester was still a young priest. Most Christians that went abroad were put to the test of offering sacrifice, with the alternative of apostasy or death. During this difficult time, Sylvester strengthened the confessors and martyrs, and God preserved his life from many dangers.Sylvester became Pope in 314, after Pope Mechiades died, and reigned until 335. He is remembered in particular for the Council of Nicea, the Baptism of Constantine, and the triumph of the Church. A memorable story from Sylvesters pontificate involved Constantine, who was attacked by leprosy. He was still a pagan at the time, and unconcerned for the Christians, whose doctrine was entirely unknown to him.One night Saint Peter and Saint Paul appeared to him and commanded him to call for Pope Sylvester, who would cure him by giving him Baptism. He obeyed, and the Pope baptized him, with which came Constantines conversion.Even though some facts about Pope Sylvester are unknown, his feast day is celebrated on December 31 in memory of his death in 335. Saint of the Day Copyright CNA, Catholic News Agency
On our final comic book review show of 2020, we're chatting: Batman Annual #5 DC Comics By James Tynion IV and James Stokoe Wolverine #8 Marvel Written by Benjamin Percy Art by Adam Kubert and Viktor Bogdanovic Nailbiter Returns #8 Image Comics Written by Joshua Williamson Art by Mike Henderson Tales From The Dark Multiverse: Dark Nights Metal #1 DC Comics Story by Scott Snyder, Jackson Lanzing & Collin Kelly Written by Jackson Lanzing & Colin Kelly Pencils by Karl Mostert The Amazing Spider-Man #55 Marvel Written by Nick Spencer Art by Patrick Gleason Monstress: Talk-Stories #2 Image Comics Written by Marjorie Liu Illustrated by Sina Takeda Dark Nights Death Metal: The Last 52: War of the Multiverses #1 DC Comics Written by Joshua Williamson and Scott Snyder, Magdalene Visaggio, James Tynion IV, Kyle Higgins, Regine Sawyer, Che Grayson, Marguerite Bennett, Matthew Rosenberg and Justin Jordan Art by Dexter Soy, Scott Koblish, Alex Maleev, Scott Kolins, Anitha Martinez, Pop Mhan, Inaki Miranda, Rob Guillory and Mike Henderson The Avengers #40 Marvel By Jason Aaron and Javier Garrón Lost Soldiers #5 Image Comics By Aleš Not and Luca Casalanguida Jinny Hex Special #1 DC Comics Written by Magdalene Visaggio Art by Gleb Melnikov King In Black: Iron Man/Doctor Doom #1 Marvel Written by Christopher Cantwell Art by Salvador Larroca Stranger Things: Science Camp #4 Dark Horse Comics Written by Jody House Pencils by Edgar Salazar Justice League: Endless Winter #2 DC Comics Written by Andy Lanning & Ron Marz Art by Carmine Di Giandomenico & Howard Porter Ghost Rider: Return of Vengeance #1 Marvel Written by Howard Mackie Pencils by Javier Saltares Colonel Weird: Cosmagog #3 Dark Horse Comics Written by Jeff Lemire Art and Letters by Tyler Crook SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex: What is up everybody? Welcome to The Stack. I'm Alex. Justin: I'm Justin. Pete: I'm Pete. Alex: And, this is the final Stack of 2020. Pete: What? Justin: Yes. Alex: [Crosstalk 00:00:18] It's the last one everybody. No more comic book reviews after this, until next year or next week, [crosstalk 00:00:23]. Justin: We'll have some fresh ones. Pete: [crosstalk 00:00:25] It's like a week away. Like, what are you doing? Justin: No, but we're going to be different people then. We're going to have different ideas. We're going… [Crosstalk 00:00:32] Pete: What? Justin: The comics are going to be different, man. 2021. [crosstalk 00:00:35] They're probably all going to come out of your computer. Alex: I can be very political. Justin: Oh, that's a fresh take. Alex: Thank you. Pete: Oh wow. Alex: Here's something [crosstalk 00:00:43] not political. Actually, I guess maybe it kind of it is, but let's kick it off with Batman Annual #5 from DC Comics by James Tynion IV and James Stokoe. So, this is the origin of Clownhunter. Here, we get a story of [inaudible 00:00:55] and Clownhunter, a little bit of Batman in it, but pretty much a flashback after his experiences, backing off from killing Harley Quinn. This was a great story. And, particularly just the collaboration between James Tynion and James Stokoe was great. Justin: The art in this book was excellent. Just a really fun story. We've seen a lot of Clownhunter lately, like a lot. Pete: Yeah. Justin: So to go back into this, I was like, “Oh, more.” But, to get the backstory and with such a great fresh art look, like really enjoyed it. Pete: Yeah. I really like the way the counselor talked to Clownhunter and Batman. Like, when she said that, “Batman is smart,” oh, I laughed. That was just fun. Yeah. It's great to get this kind of like origin story. It makes a lot more sense now with everything. I would have liked this a little bit sooner, but I'm very happy that we got it. Alex: Jesse, you talk about this a lot, about what James Tynion has been trying to do seemingly, is add a lot of wrinkles to the Batman mythos with Clownhunter, with Ghost-Maker. Justin: Yeah. Pete: Ghost-Maker. Alex: Classic character, clearly he had a big impression on me. As well as just his take on a Harley, and the Joker and other things. And, that really starts to pay off here, I think in a nice way. It definitely makes me engendered to the character quite a bit more. Let's move on and talk about Wolverine #8 from Marvel, written by Benjamin Percy, art by Adam Kubert and Viktor Bogdanovic. This is, I believe, the 350th adventure of Wolverine; and finally, they're over. This is it. This is the last adventure of Wolverine after 350. As he promised in his first appearance back in Incredible Hulk, he said, “Hey Bob, 350 times and I'm done.” Justin: Yeah. Alex: And now he's, “That's it.” Justin: “I'm going to replace Professor X someday,” he said, as he fought the Hulk. Alex: Pete, what do you think about this issue, did this hold up to the immense legacy of Wolverine? Pete: No. But, we kind of got like different stories here. Some of them more enjoyable than others, but I did very much enjoy a lot of the action and the one where like, Wolverine's like punching this face in the water. That was great. Very enjoyable. It's a good way to kind of talk to people. I'm very excited for how it ended though. I don't know if we should do spoilers or not, but I'm excited for- Alex: No, we don't really do spoilers on this podcast after the comics have already come out. Yeah, of course, you can go. Pete: All right, fine. I'm excited for Patch to be back, and to get more Patch. Justin: Patch Adams. Pete: Well, Robin Williams rest in peace, you fucken legend. But, not that Patch. I'm talking about the old Wolverine Patch. So, very cool. Justin: “It is interesting to touch on so much of the Wolverine legacy,” as you said Alex. Reading this book made me want to see a series that is literally just like, sort of time-dashing through different Wolverine eras and telling us some stories we haven't heard yet. Because, I feel like we get Wolverine showing up in the present day areas where he had all this history, and he's like, “Ah shit, I got to deal with the son of this person I killed,” or something. And like, it made me want to see more stories throughout the Wolverines 350 issue long history. Alex: I really believe Benjamin Percy invented the CIA character that Wolverine is hanging out with. He just feels like a very different character interaction Wolverine, where he's not a super spy. He's just a member of the CIA. He's mostly hanging out in his backyard, and he's really just there for Wolverine to have somebody to sound off of, and that's it. He's not a mutant. Well, that's great. There's something really involving about that relationship that feels fresh and new. And, I liked that quite a bit. Like, the issues where it's just them talking. Very cool. A lot of fun. Pete: Yeah. I disagree with you. That's what I was talking about when it was [inaudible 00:05:08], but you do get some really great kind of classic Wolverine moments. There's like a big splash page where he's kind of coming through a window with his claws out and he's like, “I got a dog in this fight.” Alex: You don't like CIA guy, Pete? Pete: No, no, I don't like CIA guy. Alex: Can I pause at something by you? I think if they were sitting in a bar, you would like it a lot more than if [crosstalk 00:05:32] they're sitting in a backyard. Justin: Yeah. Pete: Well, I very much enjoy the backyard drinking. That's all we can do right now. We can't really go in bars. The bar thing isn't really what… It was just kind of like the way the CIA guy was, that I didn't trust him, or I didn't think Wolverine should be chatting with him. It seemed like Wolverine's too busy to stop for a beer at that moment. Justin: It's like I always say, “A backyard is just a bar without a pool table.” Pete: I always say that. Alex: Nailbiter Returns #8 from Image Comics written by Joshua Williamson, art by Mike Henderson. We get some big revelations through this issue about the game that has been going on since these fake and real serial killers. And, we get a big flashback to Nailbiter's origin story, or at least, I guess, before his origin story. I say this every issue, “I love how they're fleshing out and adding to this mythology.” “It's just fun, it's gross.” It plays out one of my biggest fears about poking out eyeballs that are [crosstalk 00:06:35]. Justin: Ah, that's all I could think about. I have such [crosstalk 00:06:38] a… I don't have a lot of like picky fears, but falling down and having my eyeball catch on the edge sharp table- Alex: Oh, stop. Justin: … is a big one. It's a big one for me. Like tripping randomly, and then boop, corner of a table. Alex: [crosstalk 00:06:53] I just want to note this for the person who does transcripts on our podcast, please put in everybody cringed when Justin said [crosstalk 00:07:00] Justin: [crosstalk 00:07:00] Yes, exactly. Also, an umbrella spoke going into my eye. Pete: Nailbiter is great. I mean, it should have been in our kind of like top list of the year, for sure. Alex: Oh, here we go. Pete: But, it's one of those things where I'm really impressed with the storytelling of this book. Like, they did a really amazing job of like getting a lot of action in the front, and like slowly rolling out the story. This is issue eight and we're kind of getting the origin story, that's kind of crazy, but it really works in this world. It's the action and the intensity are so over the top, but the story is very interesting, which is impressive. And, the characters and the grossness, and the fact that we're reacting so much to a comic book really says a lot about how well they do creating this world, and sucking us all into it and kind of making a part of it. It's so creepy. And, I can't believe that like, this is just the tip of the iceberg for their plans to come. I can't wait to read more. This is such an intense, over the top book. Really, well done. Alex: Let's move on and talk about Tales from the Dark Multiverse, Dark Nights: Metal #1 from DC Comics. Story by Scott Snyder, Jack Lanzing and Collin Kelly, written by Jack Lanzing and Collin Kelly, pencils by Karl Mostert. It's appropriate that this book is about the Joker Dragon, because this is the most ouroboros snake eating its own tail book that DC has maybe ever done. It's insane. It is a version of the Dark Multiverse where the heroes lost Dark Nights: Metal that is being reflected because of Dark Nights: Death Metal, never getting to see this. I went to do this very trepidatious. I was not sure about this idea at all, but I think it paid off really nicely. I like this a bit. And shockingly, I think it actually has repercussions for the future of the DC Universe in a big way, that was very surprising. Pete: Yeah. I really love this book. I was surprised, Dark Metal keeps turning it up, and turning it up. And, like the hilarious degradation shredding on the guitar, and then having a kryptonite pick. That was insane. The [crosstalk 00:09:25] Joker Dragon was awesome. Justin: Very fun. Pete: This is just so much fun, completely over the top. This is just great. Justin: I like seeing Duke take such a prominent place in the DC Universe. Like, a character that I felt was created, and then occupied this weird place where he's was a Robin who became this new character, who had metahuman abilities, which is something that really hasn't been touched upon in the Bat Family. So, it felt like he slipped into this sort of middle place. And, to see him back here as a focus, and still sort of as a Bat character while still carving out his own place, I really liked. Alex: Yeah. Good book. Definitely pick it up. Next up, The Amazing Spider-Man #55 from Marvel, written by Nick Spencer, art by Patrick Gleason. We are continuing and maybe wrapping up the last remains storyline involving Harry Osborn. It seems like maybe we're moving on with something different next issue, but nothing is resolved here necessarily. [crosstalk 00:10:31] And I got to be honest, I like this issue. I'm still willing to follow them, but we're getting to the point where I really need some answers, or they're going to lose me. [crosstalk 00:10:43] to be honest. Justin: I agree with you. Like, I do think this character has been one this… I guess we can say it's Harry Osborn at this point. Alex: Yeah. Pete: Yeah. Justin: It seems like it just is, has been held over our heads for every issue up to this point, right. For 54 issues basically. And we were getting, it just feels like we're not getting the whole thing. And, I don't know why. Because, if you read this sort of by itself, it's like, “Oh, I see this villain has captured Peter Parker and all of his friends, and is going to kill them solely, and Peter Parker has to get away.” But, it does feel like there's a missing piece that sort of really binds everything together. And I'm, to your point, sick of the coin that's associated with it. Especially when like the Sin-Eater storyline before this was so good, and felt like such a great standalone story. I want to have that feeling about this issue, or this series, this arc as well. Pete: This is just a little too intense for me for Spider-Man. Like, the part where Spider-Man shoots his webbing through somebodies head, and out the back of their skull was just like, “Holy shit.” I didn't think I would ever see that in a Spider-Man comic. I think sometimes Nick Spencer is a little bit more of a shock factor, and I don't know, it's pulling me out of the story a little bit. It doesn't feel like a Spider-Man comic, even though it's obviously dealing with Spider-Man, and all the friends, and all that stuff. Also, the MJ stuff in here was weird, but maybe that's just because I have MJ issues in Spider-Man right now. Justin: [crosstalk 00:12:28] I liked MJ being such a bad-ass in this issue, though. Like, she really is the hero. Pete: Yeah. She really does kind of like step up and kind of be like, “All right asshole, what the fuck is your deal?” Alex: All right. I'll throw one theory out at you about Amazing Spider-Man and what's going on, that I feel like its kind of obvious, but I'm not sure that they're going to go for it. And, I thought they were going to go for it in this issue based on what they said, and then they didn't. Is this because of One More Day? Like, did this- [crosstalk 00:12:58] Justin: I thought that too. I thought we [crosstalk 00:13:00] were going to find out what MJ whispered to Mephisto, and it had something to do with it. Pete: That's what I thought too, and then it didn't. Alex: [crosstalk 00:13:08] reverse it or change it, because there's the whole thing about MJ saying, “No, Peter doesn't remember.” Harry doing a toast and saying, “Brand new day.” Justin: Yeah. Alex: That was the part that I was like, “Oh, shit,” when that got to the middle of the issue, and then they didn't follow up on it. So that, I think is to me, is the thing where it feels like you were saying, Justin, “You got to stop being coy about it, just get to whatever it is and let us know.” And hopefully, that happens next issue. Justin: Yeah. And, I will say the way this issue ends makes me think they could still go that way. Alex: Yes. Pete: Yeah. They're definitely toying with our emotions in this, for sure. Alex: Next up, the Monstress Talk-Stories #2 from Image Comics, written by Marjorie Liu, illustrated by Sina Takeda. Alex: I think we were unilaterally loved the first issue of this, which was as the title implies, merely a story showing the past of some of the characters in the present day of Monstress. This tells another story of those characters past. And, it's as gorgeous, and lovely, and sweet and [inaudible 00:14:11]. Justin: Lush. Alex: Lush is a great adjective. Great story. Pete: Yeah. It's not just a story though. It's a talk-story. Alex: Okay, [crosstalk 00:14:21] Justin: Wow. Pete: Somebody telling somebody else this story. Justin: A talk-story, that's basically a podcast. Pete: Oh, weird. But yeah, I can see why this is Alvin's favorite- [crosstalk 00:14:30] Alex: Hey, what's up everybody? This is Monstress, we're sponsored this week by [Blue Apron 00:00:14:33]. Blue Apron. Pete: Yeah. I can see why this is one is Alvin's favorite picks, because it's got some like creepy, furry shit in here, but that is [crosstalk 00:14:46]… Alex: You know me. Pete: Yeah. You're a perv. Justin: Oh, I thought you were going to define yourself when you said that. You know me question mark. Alex: [crosstalk 00:14:56] I like to leave an air of mystery for our listeners. Justin: Yeah. Pete: But, the art alone is just glorious. It's really just fantastic, jumps right off the page, and is worth it. Justin: It's super dreamy in a good way. Like, I feel like this sort of plays a little bit like a prequel, but the sort of dreamy look of the art makes it feel like one of the characters is remembering this or dreaming it, which I think you don't really see in a lot of comics. I thought that was cool. Pete: Yeah. Alex: Good issue. And, good two issues series, even if you haven't necessarily been reading the book. Next up, Dark Nights: Death Metal – The Last 52: War of the Multiverses #1 from DC Comics, written by Joshua Williamson and Scott Snyder, Magdalene Visaggio, James Tynion IV, Kyle Higgins, Regin Sawyer, Che Grayson, Marguerite Bennett, Matthew Rosenberg and Justin Jordan. Art by Dexter Soy, Scott Koblish, Alex Maleev, Scott Kolins, Alitha Martinez, Pop Man, Inaki Miranda, Rob Guiilory and Mike Henderson. Alex: This is a bunch of stories that take place simultaneously with the end of Dark Nights: Death Metal, is all of the Multiverses are all fighting together. As usual, it's a mixed bag, some are good, some are fine. But, what jumped out at you? What did you particularly like about this issue? Pete: I really like Bergy's story, Matt Rosenberg. The Armageddon Blues was a lot of fun. Yeah. I just… Some like really cool, amazing art. Yeah. But, some of the story not as good, but there was some great stuff in there. Justin: I agree with you. I really liked the Rosenberg story, which featured Constantine and dark Constantine like becoming [crosstalk 00:16:40] Pete: Yeah, two Constantines. Justin: Yeah. Alex: Yeah. Pete: I just don't know why one Constantine would trust the other one. When they're pouring the drinks, I was like, “Come on, if you're really Constantine, you'd fucken know.” Alex: To give you the conceit of the story, everybody's meeting their dark multiverse opposites, who they're the worst version of themselves. And, Constantine, in the version he meets himself, is basically indistinguishable from himself. And, it's fun. Yeah, they just try and get a drink in the Oblivion Bar and hang out, compare notes. It's a good time. Justin: I also really liked the story right before that, by Marguerite Bennett and Inaki Miranda, which was a Penguin focused story, which felt like [crosstalk 00:17:16] it was specific, and good and horrifying in a great way. Pete: Yeah. Alex: Good stuff. I think a good collection better than I expected. And definitely, if you've been enjoyed Dark Nights: Death Metal, a good thing to pick up. Next up Avengers #4 from Marvel, by Jason Aaron and Javier Garonne, is kicking off the Phoenix storyline in earnest. Justin, what do you think? You were into this. Pete: Our very own [JTS'Z 00:17:42]. Justin: Hey, Let me handle this one guys. Pete: .All right. Justin: I like this a lot. I feel like Jason or Aaron has really cornered the market on these fun, high stakes Avengers stories that take up a premise, and just laid on the table, and then just really amp it all the way up, and tell us these wild stories focusing on the different Avenges dealing with, in this case, the Phoenix Force. We had all the great Ghost Rider stuff before this, the vampire stuff before that, like I've been really enjoying these runs. They're a little bit lighter than you might expect the Avengers to be, but it's great. Pete: Yeah. I really enjoyed this. Art is glorious. It's just kind of like a great jumping on point for this big thing that's happening. But I like how, even though it's huge, there's a lot of fun, like really small, cool moments. And, I also love when Captain America has downtime, he's just punching shit, just working shit out. You got to respect that, man. That's just great. Alex: Yeah. I like this. This is fun. I mean, there's not much going on here in terms of innovation, but it's Doctor Doom versus Captain America, and that's a good time. Pete: Yeah, its fun. Alex: Next up, Lost Soldiers #5 from Image Comics, by Ales Kot and Luca Casalanguida. This is, I think, the last issue of this. We've [crosstalk 00:19:07] checked in a couple of issues here. Gorgeous, gorgeous book. Justin: It is. The art is so good in this book, especially the last sort of run, the last sequence going to the end. Really, just a great combination of words and texts while bringing the story together, this… Sorry, words and pictures while bringing the story together, really well done. Pete: Yeah. Casalanguida, I know we kind of… It's tough with the name or whatever, but just wanting to kind of point that out. Alex: Oh, sorry about that. Pete: Yeah, yeah. [crosstalk 00:19:40] Alex: Hey Pete, I'm glad you never get names wrong and you're always here to correct me on- Pete: Oh no, I'm not… No, no, no. [inaudible 00:19:47], I am not attacking you on that. I am awful- [crosstalk 00:19:50] Alex: You son of a bitch. Justin: Wow. I knew we'd [crosstalk 00:19:53] break up eventually. Pete: I'm just trying to help. Justin: But here, this is the precipice of 2021, [inaudible 00:19:58] year. The year we always said it was going to be our year. Pete: I'm just trying to look out- [crosstalk 00:20:03]. Alex: We had that 15 year plan. Justin: Exactly. Textbook we've fit every one. Pete: But, this is like so creepy in a lot of different ways. I kind of had to read it a couple of times to really tried to get what was happening. It's very intense. It's really well done. But, it's really just very moving, and it's just shakes you a little bit. Alex: Good stuff. Let's move on and talk about the Jinny Hex Special #1 from DC Comics, written by Magdalene Visaggio, art by Gleb Melnikov. This is focusing on a character… I don't know if it was created by Brian Michael Bendis, but certainly he wrote it over in his Young Justice book. This is a descendant of Jonah Hex who lives in the modern day. And this book, she is dealing with the resurgence of an old villain. Alex: I loved this book. I thought this was such a fun story. And, I was very surprised to find out the art was by Gleb Melnikov, instead of Humberto Ramos, because I thought it was Humberto Ramos for a good portion of the book. It was not, but just a fun mashup of western story and magic. And, just the positivity of the Jinny Hex character is infectious over the course of the pages. Justin: I agree. I want to see more from this character. Pete: I had a hard time with this. The art, I agree, is unbelievable. It's an interesting story. But, the problem I had was this doesn't feel like someone who's related to Jonah Hex in any way. I wanted her to be… Alex: You wanted her to have a piece of skin connecting her top lip to [crosstalk 00:21:52] bottom lip. Pete: No. I wanted her personality to be kind of like a little gruff, not trust people as much, like kind of feel a little bit like Jonah Hex, gave me that relation. But, she was very sunny and nice. And I'm like, “That doesn't feel like a Hex to me.” Justin: “Like a fresh take,” you're saying. Pete: Yeah, I mean, I understand like, “Hey, let's change the character, maybe make them a little bit more approachable.” Cool. But, you got Hex on the last name, so I want to see some grit. I want to see a little bit meaner type of person, [crosstalk 00:22:25] not trusting a person. Justin: You want to see a piece of skin, connect the grittiness to [crosstalk 00:22:28] Pete: Stop saying the skin. The skins not the character. Justin: Like a googly [crosstalk 00:22:32] eye, you had googly eye. Alex: It's kind of the character. Justin: If I were to name four things about Jonah Hex, I think three of them would be the one side of his face. Pete: Oh my [inaudible 00:22:41]. I read a lot of Jonah Hex. I love Jonah Hex. So, I had a lot of high hopes for this. I think it's great. I do want more of this, but I hope the more we get, the more we kind of find out a little bit darker stuff about Jinny. Justin: How many times have you watched the Jonah Hex movie? Pete: That is garbage. Don't talk about that- [crosstalk 00:23:03] Alex: I mean, I will mention there's a really great interview where Josh Brolin mentions that, “He always wanted to play a character that had a piece of skin that connected his top lip and his bottom lip.” He finally got to do it. [Crosstalk 00:23:12]. Pete: The skin is not the character. Alex: It's kind of the character. Pete: Stop. Justin: He talks about it all the time. Plus, most of the issues, he's going to the dermatologist to get that thing treated. Pete: Oh my god, I fucken hate you guys so much. Justin: An early western dermatology. Pete: Why do I do this? Why do I do this to myself? Justin: Moisturize it Jonah. Alex: Moisturizer, got it. Justin: Its so [crosstalk 00:23:34] hard, it keeps it chapped. Alex: It's very [crosstalk 00:23:36] dry here [crosstalk 00:23:37] desert. Pete: Well, at least I have a line that's like I'm trying to not be like Jonah Hex. You know what I mean? Like, give me something. Justin: I am a medicine man and I recommend you moisturize. Alex: King in Black: Iron Man, Doctor Doom #1 from Marvel written by Christopher Cantwell, art by Salvador Larroca. As you can figure out for the title, this is Ironman and Doctor Doom teaming up during- [crosstalk 00:23:59]. Pete: Teaming up. Alex: … the whole King in Black storyline to try and kill Santa Claus. Justin, you've been very anti Santa Claus in Marvel Comics over the past couple of weeks. How did this issue strike you? Justin: I got to say, I thought this was fun. I feel like Christopher Cantwell is occupying this space of like, just good storytelling that are sort of funny, but have these like good underpinnings, like the Doctor Doom series that he just did. And, it was such a surprise, I guess. So, it got me. Pete: Yeah, it was. Like the look on his face when they're like, “Is that Santa?” That was really fun. Yeah, I agree, it's kind of insane, but it's a fun story. Yeah. I mean, if people love vines, creepy vines, they're going to love the story as well. Alex: Yeah. If you love creepy vines, definitely check out this book. Moving on. Justin: I love Red Vines. Can I still… Is this story still accessible [crosstalk 00:24:58]? Alex: Ah, come on. Pete: Are you serious? Alex: Only good for soda. [crosstalk 00:00:25:01]. Justin: Just kidding. Nobody loves Red Vines. Alex: Nobody loves Red Vines, I love Twizzlers tho. Pete: Twizzlers. Yeah. Now, we're talking. Justin: I don't like any of them. I want my candy to be not rope. Pete: What? Justin: Not ropey. Alex: What about sour straws? What about those? Justin: Give me a Sour Patch child, [crosstalk 00:25:20] I'll eat those. Alex: Child. Fair enough. Stranger Things: Science Camp #4, speaking of children, Dark Horse Comics written by Jodie Houser, pencils by Edgar Salazar. So, this is wrapping up this storyline taking [crosstalk 00:25:34] between season two and three as Dustin and his new girlfriend fight a serial killer at camp. Spoiler, it turns out maybe not totally a serial killer. Pete, you seem to like this. What's going on? Pete: Yeah, this was great. This is what I wanted from the beginning. I wanted to see how they got together. This is just kind of a fun…. I just appreciated what they did here. They connected things for us. That's what I want, when it's like between seasons, like give me how this happened. They did it in such a great way, that felt like the characters we know and love. I thought this was great. I thought it made sense, that it was… I don't want to spoil it, but like, yeah, it was cool. And, totally felt like it fit in the world. And, I was happy. Justin: I was down on the first couple issues of this, but I thought this last issue really wrapped it up nicely. [crosstalk 00:26:30] It felt like we really landed in a place where it felt more like the Dustin character, and that he found sort of a new batch of kids to really do a stranger thing with. Pete: [inaudible 00:26:43] Alex: I Agree. I thought this was fun. I enjoyed the series overall. My one quibble is, and this is an impossible problem to get past, but it felt like there is no way that Dustin would ever not mention everything that happened to this comic book series to his friends. Justin: Yeah. Alex: Like, he would not shut the fuck up about what went on here. The fact that he didn't mention it, it was like, “Eh, I don't believe this is necessarily canonical,” like there's that leap there. Pete: Oh, you've… I mean, that's insane. Alex: Dustin, the character from Stranger Things would not be like, “Hey, there was a serial killer at camp.” He wouldn't mention that? Pete: Yeah. But, this is a comic that takes place in-between. You can't go back and wretchedly change what happened. Alex: He would have 100%, like I respect that they needed to do this, so they made the story work. Pete: That's not how this works, man. Alex: No, I understand like logically- Pete: The shows already came out. Alex: I understand logically- Pete: You can't… Justin: To be fair guys- Pete: What are they going to do, fucken- Justin: … in-between seasons of Comic Book Club, I fought a serial killer to the death. Alex: You did mention that before. [crosstalk 00:27:51]. Justin: And, I did mention it. Alex: Okay. You also got a girlfriend right? Justin: What happens in-between seasons, stays in-between seasons. Pete: In-between panels, shit goes down, bro. You can't- [crosstalk 00:28:00] Alex: I'll tell you what, it is the never ending story. That's the main thing that I would [crosstalk 00:28:04] take away from it. Pete: That's the stupidest… Alex: Justice League: Endless Winter #2, from DC Comics written by Andy Lanning and Ron Marz, art by Carmine Di[inaudible 00:28:13]. Justin: Wow. Alex: Saw Pete looking at me, I going to pitch it. Justin: Pete, holding up a notepad, getting [crosstalk 00:28:25] redline. Pete: Oh my God. You just bailed on it. Oh my god. Justin: That was the most Pete thing you've ever done. These dudes get into trouble and be like, “Well, I'm not going to finish that.” Alex: Carmine Di [inaudible 00:28:47]… Justin: Yeah. Alex: I'm so sorry. Pete: Oh god. Alex: You're a wonderful artist, and Howard Porter, this is wrapping up the Endless Winter storyline that's run through a couple of books over the past couple of month. We were pretty high on the first issue. But, how do you feel about how this event wrapped up? Justin: It's much more different reading this during the winter. You really feel the cold. Alex: Yeah. Cool. Thanks. Pete, what about you? Pete: Oh my God. All right. Okay. First off, can we give a shout out Variant Cover by Daniel Warren Johnson. I thought this was amazing art, a great story. The sad Batman line kind of hurt me a little bit where it was just like, the chance to be with your family, anyone would understand. I was like, “Oh, poor, sad Batman, that was tough, tough a little moment there.” But yeah, I thought this was great. Justin: It's interesting how much Black Adam becomes the center point of this story, which I am not crazy into. Pete: Okay. Justin: But, that's where we are, I guess. Alex: I do feel like we've gotten a little repetitive with the Black Adams storylines, where he's like, “Black Adam, you shouldn't be here.” And then, Black Adam is there and he's like, “I'm trying to help.” And they're like, “No, Black Adam.” Then beat him up a little bit. I want to see something new for him. I want to see a new mode for Black Adam. Pete: Yeah. You all aright? You got the hiccups or something? Alex: Yeah, I got a little bit of the hiccups. Justin: What happened? Pete: Its like, “Are you getting choked up talking about Black Adam, likes what's [crosstalk 00:30:31]. Alex: [inaudible 00:30:32] so much. Don't pick out Black Adam. I love Black Adam. Yeah, this is fine though. This is fine. Like, we talked about with the first issue, Andy Lanning and Ron Marz know their way around an event, and make it fun. They know all the characters. It's enjoyable. If you've been following all along, I think there's a solid ending. Alex: Moving on to Ghost Rider: Return of Vengeance #1 from Marvel, written by Howard Mackie, pencils by Javier Saltares. This is, as we all have been begging for, the return of some guy who has been trapped in hell and a bunch 90s characters who escape from hell, and there's a bunch of fighting. Pete, I'm sure you love this. Pete: Yeah. This was like a younger me, well like wheelhouse of just over the top action and crazy characters. Yeah. I mean, it doesn't make much sense, but it is quite badass, and a lot of fun battles and very gross stuff. Alex: Justin. Justin: On my end, I agree with you. When they said at the beginning of this issue, “Michael Badilino,” I was like, “Oh, I feel like I'm at someone's birthday party, and I don't know who it is.” And, that was sort of the whole vibe here. I was like, “This is like a ghostwriter who is…” This is a little mean, but it's just less interesting than all the other ghostwriters. So I was like, “I don't quite know the deal here, but-“ Pete: Yeah, its like Heavy Metal Ghost Rider, basically. Justin: Yeah. Alex: Yeah. I mean, I agree with you, and I agree that it's also mean. But definitely reading this, I was like, “Who is this for?” “Who are they publishing this for it?” “Have people been demanding this?” I'm sure this is something that, oh, you Pete. Pete: Well, younger… Lets… Yeah. Alex: Younger Pete. Pete: Yeah. Justin: Younger Pete. Alex: Yeah. There you go. It's just… I don't know it. Art's fine, writing's fine. I want a little more for my comics, that's all I'm saying. Pete: Like, teenage me would fucken love this. Justin: Teenage me would fuck over this. Alex: Oh boy, lets- Justin: Speaking of getting a little more from our comics, let's move on to our next one. Alex: Colonel Weird: Cosmagog #3, from Dark Horse Comics, written by Jeff Lemire, art and letters by Tyler Crook. Spinning out of Black Hammer, Colonel Weird is continuing to jump through his timeline, Slaughterhouse-Five style, mix things up. There's something he's forgetting. He's tried to figure it out. My God, this series is so good. Justin: So good. I love this title so much. Black Hammer does such a good job of being like… Yeah, we're telling sort of Justice League stories that have like Indie Comics, Justice League stories, you could say. And, this is just a perfect version of that. I love the art. I love the Slaughterhouse-Fiveness of it. It really just keeps hitting the mark, which is hard to do with what they've established here. Pete: Also, there's a lot of like… I completely agree with everything you're saying, this is really phenomenal. The art's banana's good. But, it's also like a lot of really cool things. Its like, he stops and talks with this like somewhat, maybe homeless dude on the corner, and then the homeless dude had a little flower in his hair. And then later when we see him, the weird guy has a flower in his hair, similar to how he did. There's a lot of great details. Its just very impressive, this kind of weird-ass storytelling. I can't wait to see how this wraps up. Alex: I love how Tyler Cook, Crook, excuse me, draws Colonel Weird just with this mixture of vulnerability and sadness throughout the book. Justin: Yeah. Alex: That is wonderful. We've talked about this before with Black Hammer, but just the way that Jeff Lemire is creating this own universe for himself, and his characters is awesome. So, this is great. Pete: Also, like the eyeball stuff was not as like cringe-worthy as Nailbiter, it was a very creative and weird, but not like cringe-worthy, which was cool. Also- [crosstalk 00:34:52] Alex: To clarify, he shoots a giant eyeball. Pete: Yeah. And then, we get like a tease image for the next issue, and the little prince from outer space style, just so cool. Alex: Great books. And, that's it for The Stack. If you'd like to support us, patrion.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast into YouTube, iTunes, Android, Spotify, Stitcher, or the app of your choice, to subscribe and listen to the show. Comicbookclublive.com for this podcast. More @comicbooklive on Twitter. That is it for 2020. We will see you for more Stack in 2021. Justin: See you in the future. Pete: Its next fucken week guys. Why are you making it a big deal? Justin: No, the world going to be different. Alex: Wow. [crosstalk 00:35:36] going to be so much older. Justin: We're going to get to download our comics onto a tablet. (singing). The post The Stack: Batman, Wolverine And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band's sound, consciously and subconsciously. Find out more about The Cons' 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band’s sound, consciously and subconsciously. Find out more about The Cons’ 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week’s podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today’s show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.
We're back with another Ko-Fi edition of Albums in the Attic!! Marvel as we dish out our critical wisdom towards all those who kindly donated this month. This is also special as it is our LAST episode till we come back with a bang in December with the end of year AITAAS awards & Top 25 of the year special BUMPER episodes. But for now get ready for us to talk about these 4 eclectic records! Who will like which the most?! What grades shall be given!! Find out now!!
Steven Lambke has Vish over to his house to talk about his amazing new album Dark Blue, his work for Sappyfest, You've Changed Records turning ten years old and collaborating with Daniel Romano, what's up next for him and Constantines, and more! Supported by CFRU 93.3 FM, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.
Arkells' singer/guitarist Max Kerman on the origins of the band, repping a changing Hamilton, learning from heroes, social activism, standing in solidarity with the Unist’ot’en Camp and Wet’suwet’en land defenders, the band's new album Rally Cry, and more! Supported by CFRU 93.3 FM, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.
Christine Fellows on Roses on the Vine, Winnipeg, Guelph, budgies, dogs, John K. Samson, Vivat Virtute, future plans, and much more! Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.
Chad VanGaalen, Chris Dadge, and Ryan Bourne talk about Calgary, the Hillside Festival, R.E.M., David Letterman, Preoccupations, the future and more! Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, and Planet of Sound.
Correction: NEEDS' lead singer Sean Orr is incorrectly referred to as "Scott". We regret this error. The guys discuss Tryal's Companion and their show at the Toronto Jazz Fest, Canada Day, why Canadian music sort of is a genre, (the underrated?) Gordon Lightfoot, Massey Hall, Constantines, Rhye, the Montreal Jazz Fest, NEEDS' Impressions, "New Growth" by Petra Glynt and "I Feel Free" by Dilly Dally. Fetaured Songs: Come On - Tryal Approaching Lavender - Gordon Lightfoot I Feel Free - Dilly Dally
On this week's episode of Strange Grooves, we're joined by the amazing Barb Crawford! Barb has been a long-time supporter of the Saint John music and arts scene (including being a Strange Grooves patron, THANK YOU!) and is also an avid record collector. Barb is someone we both really learn a lot from and we're so excited when she agreed to book some time with us for this interview. We start by chatting with Barb about her involvement in the city's music arts community over the years and how it has shifted from giving her time, to giving her money. We talk about the importance of all age venues and other members of the community who are working to create cool things for everyone to enjoy. Barb shares some of the shows she's looking forward to this summer and then we dive into some of her favorite records. You'll hear about Land of Talk, Spoon, The Constantines, The National, Wolf Parade, Gord Downie and more.
If you ask Canadian musicians to name a band they especially admire, the name you'll hear the most will be Guelph's Constantines. Bry Webb fronted the Constantines until the band decided to go their separate ways in 2010. After a break from music, Bry returned with some solo records. I hung out with Bry Webb for a bit in Vancouver "friend band" Ladyhawk's tour van. The Constantines were back together for a reunion tour and we chatted about the end of that band, what got him back into music, and the Constantines reunion. Why did the Constantines decide to call it a day? Who inspired Bry's return to music and his solo work? What's it like to write music on a dad's schedule? What embarrassing thing is Bry afraid his son will find out when he googles his dad? What bizarre career did his grandmother want Bry to try? How is the Constantines reunion tour going? You'll have to listen to find out! Tracks played on the radio edit of the show... 1) Constantines, Tournament of Hearts (2005) "Working Full-Time" (background) 2) Bry Webb, Free Will (2014) "Prove Me Wrong" 3) Bry Webb, Provider (2011) "Asa" (partial) 4) Bry Webb, Provider (2011) "Undertaker" 5) Constantines, Kensington Heights (2008) "Time Can Be Overcome" (partial) 6) Bry Webb, Free Will (2014) "AM Blues" ALL songs CANCON
If you ask Canadian musicians to name a band they especially admire, the name you'll hear the most will be Guelph's Constantines. Bry Webb fronted the Constantines until the band decided to go their separate ways in 2010. After a break from music, Bry returned with some solo records. I hung out with Bry Webb for a bit in Vancouver "friend band" Ladyhawk's tour van. The Constantines were back together for a reunion tour and we chatted about the end of that band, what got him back into music, and the Constantines reunion. Why did the Constantines decide to call it a day? Who inspired Bry's return to music and his solo work? What's it like to write music on a dad's schedule? What embarrassing thing is Bry afraid his son will find out when he googles his dad? What bizarre career did his grandmother want Bry to try? How is the Constantines reunion tour going? Why is campus radio so important in the current media climate? What weird object do I find in Ladyhawk's tour van? You'll have to listen to find out! Tracks played on the podcast edition of the show... 1) Constantines, Tournament of Hearts (2005) "Working Full-Time" (background) 2) Bry Webb, Free Will (2014) "Prove Me Wrong" 3) Bry Webb, Provider (2011) "Asa" (partial) 4) Bry Webb, Provider (2011) "Asa" 5) Bry Webb, Provider (2011) "Undertaker" 6) Constantines, Kensington Heights (2008) "Time Can Be Overcome" 7) Bry Webb, Free Will (2014) "AM Blues" ALL songs CANCON
Está no ar mais um episódio do Vem Cmg Podcast, um programa lançado por temporadas e apresentado por Flavio Moreira, que traz bate papos com anônimos com histórias de valor ou humor e dicas de músicos e bandas pouco conhecidos por aqui no Brasil. No programa de hoje, você vai conhecer duas bandas com alguma estrada mas que vão fazer você sair da mesmice. Conheça o indie rock empolgante e melódico dos nova-iorquinos do Clap Your Hands Say Yeah e dos eletrizantes canadenses do Constantines. O Vem Cmg Podcast é um programa produzido pela Vem Cmg Produções, que produz podcasts para profissionais e empresas de desenvolvimento humano. Conheça: Siga a Vem Cmg Produções no Instagram Siga a Vem Cmg Produções no Facebook Conheça mais sobre o Constantines Acesse: https://theconstantines.wordpress.com Conheça mais sobre Clap Your Hands Say Yeah Acesse: http://cyhsy.com Conheça a nossa playlist oficial do Vem Cmg Podcast e encontre mais músicas e artistas que vão fazer você sair da mesmice Siga a playlist Rádio Vem Cmg! Interaja com Vem Cmg Podcast nas mídias sociais: Inscreva-se no Vem Cmg Podcast no YouTube Siga Flavio Moreira no Instagram Siga Flavio Moreira no Linkedin Siga Flavio Moreira no Facebook Siga Flavio Moreira no Twitter iTunes: Se tem preferência por assinar nosso feed pelo iTunes, clique aqui! Publicidade: Se tem interesse em anunciar a sua marca, produto ou serviço no Vem Cmg Podcast, envie um e-mail para flaviomoreiira@gmail.com --- Send in a voice message: https://anchor.fm/vem-cmg-podcast/message
Bry Webb is the frontman for The Constantines, one of my most beloved bands. Stemming from their start in 1999 they traveled and toured and put out 4 full length albums and 2 EPs, skyrocketed to indie fame and broke up in about 2010. Then in 2014/15 they hit the scene again, hard. The Constantines, or Cons, as they're known on the indie scene, played Massey Hall May 27, 2015 - one of the most pivotal moments in my life even tough I wasn't there (oh I wanted to be but you will hear why I didn't make it to that show and you can find that exact show through Live at Massey Hall ) and reignited that love of a truly great Canadian rock band. Bry Webb joins me after he played Riverfest and while he only hinted at what was to come for The Constantines it lit a spark of hope that I would get to see this band live again, to return to a place and time of stunningly great lyrics, hard hitting drum lines and that fender strat lifted overhead calling the crowd to their feet. And keeping them there all night. www.theconstantines.com https://www.youtube.com/watch?v=AqoL5XegJuw https://theconstantines.wordpress.com/ https://www.facebook.com/Constantines/
Steven Lambke is a gifted musician, songwriter, and singer based in Toronto, Ontario. A member of the Constantines, over the past decade, Lambke has also released a wondrous solo discography under the moniker Baby Eagle. He recently retired Baby Eagle to work under his own name for the stunning album, Days of Heaven, which was […]
Loosen your collar Shake off the wires Run like a river Glow like a beacon fire Words written by Bry Webb on the banks of the Speed River in Guelph, Ontario immortalized by his band the Constantines in their song Young Lions. Without realizing it, Webb seems to have summed up the spirit of the running community, specifically the Speed River Track And field club in that city, running like the river its named after, swift and almost unstoppable and glowing in the pride of their hard work. On this weeks show, Guelph also happens to be the binding tie between our two topics...first we talk with current Guelph resident and recently crowned Canadian 10km champion Eric Gillis about his race in Ottawa last weekend, trying to qualifying for Rio and fatherhood. Then we talk to Chris Moulton and preview the Speed River Inferno, a meet attracting talent world wide happening this Saturday, that you will not want to miss.
Chad VanGaalen is a talented musician and award-winning filmmaker/visual artist based in Calgary Alberta whose latest album Shrink Dust, was released in 2014 via both Flemish Eye and Sub Pop Records. He is playing Massey Hall in Toronto with the Constantines on May 27 and will appear at the WayHome festival in Oro-Medente on July […]
A tale of two Constantines. If you've listened to our podcast for this week's episode (Blessed Are the Damned), you know that this one didn't wow me the way some of the others have. I've been mulling it over, trying to determine what exactly it was that left this one, and the previous episode, feeling a bit like soup gone cold. For me, this show really started turning into something I was dying to watch in Ep. 3-The Devil's Vinyl. Sure, the introduction of Papa Midnite didn't hurt. But more than that, TDV was the first episode that really seemed to lock into a universe I could invest in. The focus of the episode (a diabolically-powered record) was something I hadn't seen before, and something that didn't present easy solutions. With Papa Midnite, we saw the series start to veer closer to the comic. Some interesting questions were raised, and the show made it's first major step towards being something more than a supernatural procedural. Read More... The post TDYK 07-The Devil You Know Episode 07-Blessed Be The Damned Review appeared first on Golden Spiral Media- Entertainment Podcasts, Technology Podcasts & More.
We're back this week with an interview with Karl Wolf, the Lebanon-born, Montreal-based singer, songwriter, and producer who's just about to drop his fifth solo release, Stereotype. He's had a great few years riding the success of his last two releases, Nightlife and Finally Free, which spawned singles like "Afrika," "Hurting," and "Ghetto Love." We chat with him about the new album, some of his upcoming colloborations, wearing the hats of performer and producer simultaneously, and more. Also, Ottawa's Arboretum Festival has put together a killer lineup for its 2014 edition, featuring the likes of Kevin Drew, Constantines, Hilotrons, and Chad VanGaalen. We catch up with the organizers of this on-the-rise event and talk about the things that go into staging a production of this sort, along with the aspects that make Arboretum particularly unique.
Constantines are a powerful and influential band who originally formed in Guelph, Ontario in 1999. After releasing four acclaimed and inspiring post-punk/rock ‘n’ roll albums, Constantines went on indefinite hiatus in 2010. The band have reconvened in recent months and Sub Pop reissued their classic 2003 album Shine a Light this past June. Constantines are […]
Steven Lambke is a very talented songwriter, singer, and guitar player who often performs under the name Baby Eagle. A founding member of Constantines, Lambke was raised in Cambridge, Ontario and currently lives in Toronto where he manages the You’ve Changed Records label, which has released music by the likes of Baby Eagle, Attack in […]
Bry Webb is one of Canada’s most distinctive singers, songwriters, and musicians. Based in Guelph, Webb emerged from London, Ontario’s post-hardcore punk scene, fronting an excellent band called Shoulder. In the late 1990s, he co-founded a Guelph-based band called Constantines who had a profound impact on rock music during their 10-year run. In 2011, Webb […]
RIP Bob Casale of Devo. Constantines reunite. Pussy Riot in Sochi. Menzingers song.
Doug Tielli is one of the most captivating and talented musicians in Toronto’s underground music community. His work is both innocent and searching yet completely deliberate and confident in its uncertainty. A multi-instrumentalist who has enriched records by Owen Pallett, the Luyas, Constantines, Sandro Perri and many more, Tielli has been a key figure in […]
Pinball Sessions are live, off the floor, pressure free recordings by some of Canada and the World's best artists. Recorded in Guelph, ON at the Pinball Studios, full sessions are released twice a week and can be found on http://pinballsessions.com. The Pinball Sessions Podcast offers up some of our favourite tracks as well as session room banter, interviews and other goodies unavailable on the Pinball Sessions website. For a 'behind the scenes' look at the making of a session, quirky questions asked to artists, and one of a kind moments be sure to keep an eye on the Pinball Sessions Podcast. THIS EPISODE: Following our 'All-American' episode is an 'All-Canadian' one with Del Barber and Baby Eagle. Del Barber is an alt-country, folk and folk rock songwriter, musician and record producer from Winnipeg, Manitoba. This Juno-nominated and two time Western Canadian Music Award winner serenade us with his song 'Right Side Of Wrong.' Baby Eagle is the collaborative project of Steve Lambke who has worked with everyone from The Constantines to Julie Doiron, and closely with Daniel Romano as co-runner of You've Changed Records. He opens his track with a bit of banter, then play us his song 'Memory Forever.' Both full sessions can be found at http://pinballsessions.com Del Barber: http://pinballsessions.com/2013/06/03/del-barber/ Baby Eagle: http://pinballsessions.com/2013/07/22/baby-eagle// Del Barber Online: Web: http://www.delbarber.com/ Twitter: https://twitter.com/delbarberino Facebook: https://www.facebook.com/Delbarber Baby Eagle Online: Web: http://youvechangedrecords.com/artists/baby-eagle/ Twitter: https://twitter.com/youvechangedrec Fine Pinball Sessions Online: Web: http://pinballsessions.com/ Twitter: https://twitter.com/PinballSessions/ Facebook: https://www.facebook.com/pinballsessions Instagram: http://instagram.com/pinballsessions/ Google+: https://plus.google.com/109652065469078482120/posts If you enjoy the Pinball Sessions Podcast we appreciate giving us a review and rating on iTunes. Each time you rate and review us, someone gets a free game on a classic pinball machine! iTunes: https://itunes.apple.com/ca/podcast/pinball-sessions-podcast/id678367272?mt=2 - Pinball Sessions acknowledges the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters.
Toronto-based music writer Joshua Kloke is joined us in studio this week with tales of his first published novel (ESCAPE IS AT HAND), his brand new publishing company (ETERNAL CAVALIER PRESS), and his recent trip to the lowest of continents. Music from: Constantines, Shannon and the Clams, Restorations, Night Birds, Dead Farmers, Smith Street Band, and more!
Busy P - "Rainbow Man" Young Galaxy - "Fever" Oneida - "Lavender" Pick A Piper - "Cinders and Dust" Tahiti 80 - "Easy" Maylee Todd - "Baby's Got It" The Organ - "Fire In The Ocean" Daft Punk (ft. Panda Bear) - "Doin' It Right" Constantines - "Young Lions" Thao & The Get Down Stay Down - "We The Common (For Valerie Bolden)" Do Make Say Think - "Reitschule" Data Romance - "Waiting Pace" Boats - "We Got Tables And Chairs" Decades - "Washed" Patrick Watson - "Quiet Crowd"
Busy P - "Rainbow Man" Young Galaxy - "Fever" Oneida - "Lavender" Pick A Piper - "Cinders and Dust" Tahiti 80 - "Easy" Maylee Todd - "Baby's Got It" The Organ - "Fire In The Ocean" Daft Punk (ft. Panda Bear) - "Doin' It Right" Constantines - "Young Lions" Thao & The Get Down Stay Down - "We The Common (For Valerie Bolden)" Do Make Say Think - "Reitschule" Data Romance - "Waiting Pace" Boats - "We Got Tables And Chairs" Decades - "Washed" Patrick Watson - "Quiet Crowd"
The Constantines, New KingDizzy Eyes, Let's Break Up The BandBabysitter, Summer of LuvTwin Sister, Bad StreetMister Heavenly, Pineapple GirlGirls Names, I LoseSilver Shampoo, LaddersWooden Shjips, Lazy BonesThee Oh Sees, I Need SeedGuimauves, Aliens Eat What People EatApollo Ghosts, LightweightDuffy and the Doubters, Metal DetectorSlim Twig, PriscillaTonstartssbandht, Shot To La ParcUnder The Sun, Whatever Happened That Day
Constantines - "Justice" - Constantines Mugison - "Murr murr" - Mugimama ! is this monkey music? King Khan - "Take A Little Bit" - What Is (With The Shrines) Taken By Cars - "Uh Oh" - Endings of a New Kind Desert Sessions - "Creosote" - Volumes 9 & 10
To celebrate IndieFeed Networks winning two positions on Apple's Best of 2008 Podcast category, this episode is part of our year-end highlights review. We hope you enjoy this special rebroadcast of Constantines on IndieFeed Alternative and Modern Rock
Constantines on IndieFeed Alternative Modern Rock
The Constantines on IndieFeed Indie-Pop
Episode 9: 2005 Great Music Round-up: (Smog), Andrew Bird, Beck, Decemberists, Spoon, Brian Eno, Art Brut, Sigur Ros, Broken Social Scene, Metric, Constantines, The New Pornographers, Wolf Parade and Bright Eyes.
© 2020-2025 Ivy Podcast Discovery LLC
