Podcasts about Nobuo

Buenos días y bienvenidos a tod@s al trigésimo séptimo programa (numerado) de la séptima temporada de vuestro podcast de videojuegos de cabecera que es, de nuevo, el mejor podcast del público 2023. Hoy os hacemos un resumen del Nintendo Direct de este mes de Junio y, Adrián nos trae un Personajes Ilustres del Videojoc, con el amigo Nobuo de protagonista. Dadle duro y dejadnos vuestra opinión (o no). Larga vida al Podgaming, Larga vida a The Past Is Now. DADLE DURO! ------------------------------------------------------------------------------------ ¡Be Serraniter a precio de Cafeliter! ¡Recuerda suscribirte! Si te gusta nuestro trabajo, puedes invitarnos a un serranito en el siguiente enlace: https://ko-fi.com/thepastisnow Síguenos en nuestras redes sociales: @IveliasZero @Cabesa_freeman @ThePastIsNowPod Si quieres formar parte de nuestra comunidad, únete a nuestro Discord, Recuerda presentarte y contarnos cuales son tus juegos favoritos o las plataformas en las que juegas. Aquí encontrarás muy buen ambiente para hablar de nuestro hobby favorito. https://discord.gg/sHJxY6v

Después de dar el finiquito a Ángel y Cia, me hago con el control ABSOLUTO DEL PODCAST PARA SIEMPRE! Ésta semana una selección de los mejores temas de batalla de tus jrpg favoritos! Deja en los comentarios cuales son los tuyos!!

Russia's 2022 invasion of Ukraine has stressed the global energy system. Who are the energy winners and losers? How will the war and U.S.-China competition affect efforts to transition away from fossil fuels? And what are the prospects for nuclear power, after the United States and two dozen other nations agreed to triple capacity by 2050 at the 2023 UN climate summit in the United Arab Emirates? All are critical questions for global energy.In this episode, Center for the National Interest President Paul Saunders talks with Nobuo Tanaka, Chair of the Steering Committee at Innovation for Cool Earth Forum who served previously as Executive Director of the International Energy Agency and as Chairman of Japan's Sasakawa Peace Foundation.Music by Aleksey Chistilin from Pixabay

Produzione, Editing e Sound Design - UncleMatt: https://www.instagram.com/unclemattprod/Canale Youtube: https://www.youtube.com/channel/UC-Idufifk1hamoBzkZngr1wVolete far parte della community e discutere con tanti appassionati come voi? Venite sul nostro gruppo Facebook : https://www.facebook.com/groups/624562554783646/Se volete chiaccherare o giocare con noi, unitevi al server Discord: https://discord.gg/muGgVsXMBWIl nostro Instagram: https://www.instagram.com/bibliotecadialessandria/?hl=itGruppo Telegram : https://t.me/joinchat/Flt9O0AWYfCUVsqrTAzVcg

MeowsicalVGM is a VGM cover artist and the founder of the Gamer Symphony Orchestra out of the University of Maryland. Meowsical is passionate about helping others start their own game symphonies, and has a podcast on that very subject. We discuss how the GSO started, advice for others interested in starting their own, meeting Nobuo […]

Los Estados Unidos continentales eran algo inalcanzable de bombardear por cualquier potencia, y solo algún impacto artillero furtivo había impactado, pasando desapercibido. Pero ¿podían bombardearlo si algún buque acercaba lo suficiente un avión a la costa? Esa fue la misión para Nobuo Fujita, oficial piloto de la Armada imperial. que debía bombardear la zona de California con un avión de observación y ataque. Te lo cuenta 🏍 Julio 'Caronte' Produce 👨‍🚀 Dani CarAn Edita 🛠️ PodFactory Casus Belli Podcast es un Podcast de la 🏭 Factoría Casus Belli. Casus Belli Podcast forma parte del sello 📀 Ivoox Originals. 📡Estamos en: http;//podcastcasusbelli.com 👉https://podcastcasusbelli.com 🗨️Twitter, como @casusbellipod 👉Facebook, nuestra página es @casusbellipodcast https://www.facebook.com/CasusBelliPodcast 👉Telegram, nuestro canal es @casusbellipodcast https://t.me/casusbellipodcast Y nuestro chat es https://t.me/aviones10 ⭐¿Quieres proponernos algo? También puedes escribirnos a 📧 info@podcastcasusbelli.com Si te ha gustado, y crees que nos lo merecemos, nos sirve mucho que nos des un like 👍, si nos escuchas desde la app de Ivoox. Y también que comentes. 🎵 La música que acompaña al pódcast es bajo licencia Creative Commons https://creativecommons.org/licenses/by-nd/3.0/ , o amparado por la licencia privada de Epidemic Music, Jamendo Music o de SGAE de Ivoox. 📷 Imagen del cover: Ro¡ichard Sales para la película Kings of the Grial ⚛️ El logotipo de Casus Belli, de la Factoría Casus Belli y de Soldados de Leyenda están diseñados por Publicidad Fabián publicidadfabian@yahoo.es 🎭 Las opiniones expresadas en este programa de pódcast, son de exclusiva responsabilidad individual. Que cada palo aguante su vela. Muchas gracias por escucharnos, y hasta la próxima. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Final Fantasy VII enthusiast Gareth Waugh, largely considered the Cloud Strife of the Scottish comedy circuit, joins Liam and Christopher on this episode of Enjoy An Album to talk about the original soundtrack to the 1997 Japanese role-playing game FINAL FANTASY VII by groundbreaking video game composer Nobuo Uematsu. Described by Nobuo as “his greatest harvest” in terms of creativity, this soundtrack changed video game music forever with its blend of Stravinsky and Hendrix on the climactic showdown “One Winged Angel”. Featuring hot takes and digressions on everything from eco-terrorism, Sea Power's soundtrack to Disco Elysium and a true crime segment delving into the teenage crimes of Liam's younger brother with regards to a neighbour's copy of Final Fantasy VII for the Playstation One. All that plus Secret Posho and a live Tattoo Woohoo/Tattoo Boohoo. Enjoy! Check out the Patreon! Extra Episodes, Ad Free, Pre Sale - and more! https://www.patreon.com/EnjoyAnAlbum Thanks to this weeks Sponsors MANSCAPED Manscaped | https://manscaped.com 20% off with the promo code: ALBUM20

【主播的话】不合时宜即将迎来业务能力的升级：我们请了一位表达教练。阿庞来做客节目时曾说，华语世界唯一一个能以表达和辩论为业的人，只有执中学长。所以，学长来了！（黄执中老师的免费公开课可以保存下方二维码到微信扫码或者点击链接在微信打开即可领取：[grt.h5.xeknow.com](grt.h5.xeknow.com) ）我们三个作为天生内向者（？），偶尔也会感到不确定，自己真的适合做表达吗？在“不合时宜表达特训营”一开始，我们就向执中学长抛出了一系列灵魂之问：表达能力是天生的吗？跟外向内向有关系吗？什么是好的表达？执中学长在节目里提到，我们对于表达的大多数惯性理解都是错的，表达能力并非口齿伶俐，对于表达能力来说，最重要的是主张和逻辑。在节目的后半部分，我们从表达能力聊到了社会上的「表达文化」，表达其实是一个勇敢的行为，表达就可能出错，但“不出错”的价值并没有我们想象的那么高。人人都有主张，小孩子最有主张，是什么让我们在成人的过程越来越怯于说出自己的主张，而习得了场面话和糊弄话？这么多年来，执中学长一直在做表达的拓荒和普及工作，先后帮助几万人提高表达能力：学好表达有章可循，好的表达是可以后天习得的。我们也为不合时宜的听众争取了福利，免费参加学长的公开课《黄执中的表达课》，跟我们三个做同学，提高表达能力！这是一个5天的特训营，每周一期，每天由学长直播两小时（劳模……居然不是录播！），大家在任何时候听到这期播客，都可以随时报名，工作人员会安排注册到最近的日期。跟执中学长学表达，课上见！【本期主播】若含（@_若含）孟常（@孟常）王磬（@王磬）【本期嘉宾】黄执中，奇葩说BBKing，华语世界口语传播专家，《说服课》《好好说话》等主创【本期剧透】03:20 先来个灵魂之问：表达能力是天生的吗？跟内向外向有关系吗？12:03 “华语世界唯一一个能以表达和辩论为业的人，只有执中学长”19:30 人们对演讲和表达的理解往往是错的，要先格式化26:58 好的表达的第一要素：主张31:50 表达是一个勇敢的事情33:56 好的表达的第二要素：逻辑35:48 夸一个人口才好，其实是在说ta脑袋好38:27 是什么让我们在社会生活中怯于提出自己的主张？而有的人就是没有主张怎么办？43:09 “演讲演讲，先演再讲”的时代已经在发生变化46:33 表达是人的天性，小孩子最有主张，主张是被磨掉的53:10 在表达课上教了几万人之后，执中学长真的有看到大家的进步吗？1:06:15 表达之前需要多少储备？输出倒逼输入1:14:30 好的表达如何应对糟糕的表达？非暴力的表达面对暴力的表达呢？1:27:00 大家去听表达公开课时最多的需求，居然是如何跟身边的人沟通【本期音乐】片头：三宅純 - NOBUO' S GROOVE II片尾：三宅純 - NOBUO' S GROOVE I【Logo设计】刘刘（ins: imjanuary)【后期制作】方改则【互动方式】微博@不合时宜TheWeirds商务合作可发邮件至hibuheshiyi@126.com或微博私信

Ratnado gets a birthday greeting from none other than Solid Snake himself!! Ratnado & Sqat proceed to never acknowledge this happening and instead talk about two legendary video game music composers: David Wise and Nobuo Uematsu!Ratnado & SqatCobblr often find themselves listening to video game music in their daily lives. Predictably among their most listened a couple names show up often. David Wise and Nobuo Uematsu of Donkey Kong Country and Final Fantasy fame respectively. What differentiated these two men from their contemporaries. Where did they draw their inspirations from? Can one game be considered their magnum opus? Do Ratnado and SqatCobblr have favorite tracks of theirs? That last one can be answered with two Spotify playlists! Check out Ratnado's Experience of Uematsu & SqatCobblr's Monke Music. 

War is a brutal business, and it often leaves scars that last for generations. Two decades after he bombed Brookings, Oregon during World War II, former Imperial Japanese Navy pilot Nobuo Fujita returned to Brookings to give an official apology -- and the town essentially adopted him. Fujita would go on to visit Brookings multiple times, sponsoring student trips to Japan, and gifting the city his samurai sword, which had been in his family for more than 400 years. See omnystudio.com/listener for privacy information.

Taste of Tea follows the lives of the members of the Haruno family. The eight-year old Sachiko is struggling with a giant version of herself watching over her as she goes about her life and is trying to figure out a way to get rid of it. Hajime's crush recently moved away from the town and he finds himself infatuated with another girl who arrives to the school he goes to. Yoshiko is a housewife who is looking to start her career in animation again, while her husband Nobuo is a hypnotherapist. Akira is the grandfather who helps Yoshiko with her animations while uncle Ayano recently returns to the town to make amends with a past friend. Next Series: Comedy Central Twenty (Lee Byeong-heon, 2015) Taste of Tea (Katsuhito Ishii, 2004) My Love Story (Hayato Kawai, 2015) Shaolin soccer (Stephen Chow, 2004) Youtube: https://www.youtube.com/channel/UCzMwCEPYI47Mq7W997iJkbg?view_as=subscriber Patreon: https://www.patreon.com/pastthesubtitles?fan_landing=true Instagram: @pastthesubtitles --- Support this podcast: https://anchor.fm/gps1/support

00:00:00 Molly RauhHello and welcome back to this CCIRA Literacy Conversations podcast. I'm your host Molly Rauh with my co-host Jessica Rickert. Today's podcast features, Marc Tyler Nobleman.00:00:14 Jessica RickertMarc's work centers around writing fiction and nonfiction books for young people, Mark shares how he writes books that grab an interest people will welcome. Mark we're so excited to chat with you tonight. Could you start by telling us a little bit about your background?00:00:34 Marc Tyler NoblemanWell, thanks for having me. And I am very excited to be making my return to CCIRA. It's either my third or my fourth; I can double check that before I get there. So I am an author of books for young people. I've been doing this for most of my adult life. I've written both nonfiction and fiction. My main criteria is I want to write books that grab your attention. I want to tell....If it's nonfiction, I want to tell an Untold Story, or at least what I hope will be an untold story to most readers. And if it's fiction, I just want to surprise you. I wanted to be funny, or just feel fresh to you in some way, and something that you that might grab you just from a quick, quick little glimpse, or a quick initial explanation, not a deep dive. But just I want to grab people right away.00:01:25 Jessica RickertSo when did this start? When did you start writing?00:01:29 Marc Tyler NoblemanWell, same time as everybody when I was a tiny person, but I liked it at the time, unlike a lot of my peers. And so I would write short stories. I know I did that in high school, so that might be the earliest I can say definitively. And in college, I knew I wanted to become some kind of a professional writer. It didn't know what. And I got out of school, and I stumbled into being a children's book author that was not on my agenda. Not that I was against it. I just didn't think of it. And here I am. All these years later, I'm very happy with that. I mean, it's expanded into a variety of types of writing, but that is my that is, my focus really is writing for young people. And and there are adults, their loved ones who are adults, their parents, their teachers.00:02:15 Molly RauhWell, and you and I have already... So people who can't see, he and I share the love of comics. And so I'm kind of curious. One of your more nonfiction stories is about the sort of originally unknown second co-creator of Batman. How did you get into that story?00:02:42 Marc Tyler NoblemanYes.00:02:42 Molly RauhHow do you spell across that? Where does that come from?00:02:45 Marc Tyler NoblemanWell, do we do? Should I explain to who our listeners who Batman is, or do you think they already know? They probably...00:02:53 Molly RauhI hope they know00:02:54 Marc Tyler NoblemanThey probably know. Let's give them that benefit of the doubt. So that is my big story. I will be talking about that in person. I don't want to spill the beans too much on that. But I'll answer your question, which doesn't spill the beans, which is that I was a comic book reader since I was in, again, a tiny person. And back then it wasn't cool. Now it's cool now anyone can do it, now, there's no judgment, but back then it was not exactly mainstream, or, you know, widely accepted. In fact, you know, when I was in, when I was in grade school to high school, I think there were only two or three mainstream superhero movies in that entire 10 or 12 year stretch. Now there's two or three a week, just to put it in perspective. You know, there were the Superman movies. And then at the very end of high school, the Batman movie came out. Those are the main ones. And then there was a couple lesser ones. So it really wasn't something that was, you know, widely accepted. And I, as a as a person who became a writer, I started to pay attention not only to the fictional side, but to who created these characters. And I, I remember that on my 16th birthday. The cover of Time Magazine was Superman's 50th birthday, and it talked about his creators. So I was a sixteen-year-old reading Time magazine in my school library, you know, having an epiphany that yeah, these characters came from somewhere, and I was interested in that. So I don't know exactly when I learned about the story behind Batman, but I know it was not in college. It was after that. Because in college, I proof that I did not know about The Unsung co-creator, because there's not my proudest moment, but I'm just gonna be honest with you, because you're all adults, some of my friends and I would crank call each other each other, not strangers. And this is back in the answering machine days. So our goal was to just fill out the tape. Just talk until we got cut off. So I would just ram- We would all just ramble. You know, I would just pick up a book and start reading. I would tell some story from my childhood. I am. One of the stories I told was this story began Batman, and all I mentioned was Bob Kane, the artist, the man who was credited on Batman at the time, the only person. I didn't mention Bill Finger. So as as late as college, I had never heard of this man who then end up becoming the subject of my most, I think, my most popular book and a huge part of my life, which is, again, a story that I'll tell in great detail at the conference. But you know, just the point being that, you know, you can't, as we I'll say, as adults, and as teachers and Educators can't believe everything you read. Got to look further, you might be even if it's something as huge as Batman, maybe even, especially if it's something as huge as Batman, you've got to know your source. You've got a double check. Make sure you're getting the true story you might be, you know, pulling the wool over your eyes.00:05:39 Molly RauhNow, you just made me more curious. There's no answer.00:05:41 Marc Tyler NoblemanThat's the goal right? 00:05:42 Molly RauhI'm gonna have to come see you at the conference, so I can get more info.00:05:44 Marc Tyler NoblemanPlease, do. That's what I want. I want a big group on a big, huge attendance.00:05:50 Molly RauhOkay, so, thinking more about because, you know, we have teachers here. And so they're trying to inspire their own next generation of authors. In terms of process, how do you go about writing a book? Like what? What steps do you work through?00:06:11 Marc Tyler NoblemanSo if it's fiction, I like to try to sketch out the arc of the story in advance. Now you're not locked in, but it helps me to have guideposts. And when I teach creative writing to kids in the summer and at various times during the year and I always tell them that you, I recommend that you do that, but don't feel beholden to it. You know, if your writing and your story goes in another Direction, that's okay, you're not breaking a law or a rule, but it does help to have that outline, especially, I think, the ending, because I really think with fiction, it's and I think it's important at least it helps me to have some sense of your destination so that you get there and an exciting way. I talk about it with kids by saying, if you know, there's let's say it's a Sunday, and your family is all hanging out, looking for something to do. Someone in your family might say, let's go get ice cream, but you know, we're not going to go straight there. We're going to take the scenic route. Another person might say, let's just get in the car and drive, and who knows where we'll end up. So in one, in case you've got a destination which you might get excited about, and then you take a roundabout way to get there, because that's fun in another, you're excited because you don't know what at all where you're going. So it's just one of the two, but I just prefer knowing that we're going to get ice cream at the end. That's how I like to write that I know that's where we're going. Now with nonfiction. It just starts with just the, the, the, you know, the spark of the electricity running up my spine. I mean, I read something, I hear something that I feel is so enticing and even better again, if it hasn't been done before, and it's own book. So most of my nonfiction in recent years, it's that category. Its if given my know some of the story, of course, but it hasn't been the focus of its own book. And so I love that I love feeling like I'm walking through the forest by myself. No one else is looking for mushrooms or whatever you're foraging for. You're the only one you're going to get all the best spoils. And I also just love the excitement that I see on faces of both kids and adults want to telling a story that that is new for them. So, you know, with all no love loss to Rosa Parks and Babe Ruth. And, you know, any number of other textbook names that get tons of picture books about them all deserve it. Muhammad, Ali. And, well, a lot of the presidents are falling out of favor these days. But, you know, you know who I'm talking to. Ruth Bader Ginsburg. All these people have multiple picture books by now, and they deserve them. But I want to I want to be one of the people that writes about someone that you don't really know. So that, to me, is just it's a little riskier as some some publisher. Some editors don't want to work on books that aren't pre-sold. But for me, it's the only way forward. I just want to be fulfilled by the read, the process. So with fiction, I have to sketch it out a bit with nonfiction. I just have that spark, and I just download as much as I can about the topic. And then I go through and it's fun, because then you go through and pick out the kid-friendly parts. The parts that you know are going to excite kids. It might not be them. You know, the linear story from. I mean, it will be linear when it's done, but, you know, you might be missing big moments that are not appropriate or interesting for kids. You still have to make it, you know, a cohesive whole. So that's finest. Yet. What are the pieces of this that work best for my audience? 00:09:36 Jessica RickertAnd how, like, what resources, do you have "go to" resources when you're researching for those non-fiction books?00:09:45 Marc Tyler NoblemanYeah, I just use Wikipedia exclusively. I basically just rewrite Wikipedia articles and act like its original. Wait. You're going to share this with other people. (Jessica laughs) Good? Yeah. Now, well, because I'm trying to do these stories that are more or less Untold. Oftentimes I can't rely on just the internet or books, because again, there's stuff out there that's never been documented. So a lot of the work I've done has been about people that are either still alive, or people who died recently enough that there are people still alive who knew them. So I get original interviews with those people, and sometimes original documents, you know, private documents letters, or, you know, Vital Records or so on that helped fill in the story, never been published in. If they're on the Internet, it's often because I put them there. Now, after, after I do the book, I put some of the research online share the wealth, and you know, for the next person who might want to write about that. Of course, I do use the internet, and I do use books as well, but I'm more excited about these, you know, these Quests for the things that aren't as easy to find, and sometimes you don't get some anywhere. I mean, right now, I'm working on a book where there are two main true story, two main character, two main figures. They're both still alive. The story happened in the 70s. One of them gave me a lovely two hour interview so far. And the other one I I just reached out today to this person's family, but I've been told, don't expect this person to participate for reasons that will become clear when this, when the topic is revealed, but so I may not get that, but I'm going to carry anyways and just write based on what's already been documented, maybe without family. But again, some of the stuff I've written is by about people that are long dead. So I'm never. There's not any opportunity to talk to those people. So it can be done without talking to the people involved. It's just sweeter for me if I can get their buy-in and get there on, you know, the previously Untold Story. 00:11:43 Molly RauhThinking about just interviewing in general, I know that sometimes that's a challenge to ask kids to do. So, what are some of your tips for reaching out to someone and kind of asking for their time and their story and their information?00:11:59 Marc Tyler NoblemanYeah, well, I wish I was a little kid asking because who said, can say no to a little kid, right? That would that would be an advantage, but I get it. Yeah, it is an important skill, even if you don't become a writer. It's just important to know how to ask questions of other people. being appropriate, but, you know, getting the story, you know, and how to handle people that are difficult or mysterious, or whatever. So that is a great skill. I mean, for kids that are doing that for school, I mean, I did will depend on the assignment. But let's say they don't have a specific number of questions to ask, maybe just start with five something that seems manageable and not overwhelming. And if you can ask them to, don't think of it like an assignment. But think of it like, you're just curious, what do you? What do you? What would you want to know about? Someone kids are not. They're very curious. But, I mean, I have two kids of my own, and sometimes they just don't, you know, the they don't articulate what they want to know, and just they just they give up before they even start. So if you tell them just, you know, think about what something you want to ask someone that you think that person is never talked about, or wouldn't tell you without you asking, or just try to make it a little bit more of a game and a mystery like can you be the one to crack the code? Can you get this person to tell you about his childhood when she never talked about before? I don't know, make it a little bit more of a challenge. I haven't done that specifically with kids, but, you know, working on interview techniques. But you know, you never, you just have to keep trying. If someone's I don't know if I would emphasize this with kids. But when people say no to me, I don't, I don't hear the word no when it comes to asking for an interview that's not talking about other types of consent, but I will keep trying to get the story. And I actually put a bit of a burden on their shoulders saying, you might be the only person who can share this information. So for the you know, for posterity, for scholarship, I hope that you'll you'll talk about it, and that doesn't always work, but I am not gonna let it go without trying. It's just too important. I've had people that have died that I know know interesting things about my topics, but they wouldn't tell me. So I, you know, I don't want I want to limit, mitigate that as much as possible. So basically, like we tell kids, you know, there's no such thing as a dumb question. Ask whatever is of interest to you. 00:14:10 Molly RauhSo a little perseverance is valuable there too. Let's see, there's so so many different directions I could go. So I'm also curious, you know, just about. Obviously comic books have been a passion that informed a couple books. But what are some of your interests outside of writing outside of, you know, that career path that inspire you as a writer, or just help you kind of feel well-rounded and give you that energy and inspiration to keep writing?00:14:52 Marc Tyler NoblemanWell, I mean, it's nothing original to say that I love reading, and I do. And I love running, and I can't say that it has a direct correlation to writing. But there are a lot of people that would compare writing to running because they're both typically solitary. And I also, you know, as a writer, I don't want to be the person of a person who's just at a desk in a room all day, even before covid. I wanted to get out and get some air. And so that that's a happy place for me. I. There's a trail that picks up right around the corner from our house. And it's might like it's like a second home for me to go there and listen to music and not, you know, a lot of people listen to podcasts when they run or commut or all that. But I'm so much with words all the time when I'm working, that when I run, I listen to music. I give myself a chance, because I don't have a commute. I don't drive anywhere everyday guaranteed. So that's my time to just listen to music and relax and get some, some fresh air. And I've actually got a couple book ideas while I've been running; nothing that's sold yet. But I don't know if the running is a help or a hindrance. But yeah, when you're out there, your head clears, and you can think of things and... And I have, as I mentioned, two kids. I love spending time with my family. They're both teenagers now. So it's not always my choice anymore. Spend time with them. I have to be penciled in or well, you know, typed in. And as I mentioned, I love music I love especially 80s music. I could do a whole talk on that, but I don't think anybody would show up. Maybe that's another conference. So those are my things running, music, family.00:16:36 Molly RauhAll right, I get that like running, I think, is I don't know, it's cathartic. It just helps you, you know, I, yeah, I think it's stimulating for ideas. Yeah. So no, no podcast, no words, music only.00:16:51 Marc Tyler NoblemanOkay, yeah, they're, we're a dying breed or so much so much pressure to listen to podcasts these days.00:16:58 Molly RauhI know. Well, I did the podcasting for a while, but even on my commute, I don't listen to podcasts anymore. I do listen to audio books. My commute is for audiobooks. So since you said reading which, you know, you said, not unique, which is true. Every time we talk to authors, they always have books that they love. So what are some of your favorite authors, or favorite books, especially when you were younger, that have kind of led you to have the passion you have for reading and writing?00:17:28 Marc Tyler NoblemanWell, some of these may not be so original either, but Where the Wild Things Are, which each, when I revisited it as an adult, reading it to my own kids, I was really blown away about how beautifully written is. It's not just this memorable visual journey, but the way he wrote it was so so wonderful. And it's only 10 sentences, which is a weird thing to realize as an adult, I love a novel called the mouse in the motorcycle. By Beverly Cleary, who just passed away. I think it was last year. And I loved a book that is not well-known. It's called David and the Phoenix. Have you heard of that? By any chance? It wasn't a big, you know, classic book, although since I've been to, I mean, over the years I've blogged about it and talked about it in various ways. And I know a lot of people come out of the woodwork and say, I totally remember that book. That was a big favorite of mine. But again, it never became a classic. So that was a novel written in 1957 by a man named Edward Ormondroyd, who's still alive at 96 and he's a friend, I guess you could say, I did reach out to him at one point, interview him for my blog. And I met him in person. So that was a really fulfilling moment, to meet someone that inspired me as it, not only as a fan to an author, but as peers. I mean, because I do that now too. And he was very gracious and very interesting, and that he had never met. You'd never done anything that authors today do. He'd never spoken at a conference. He'd never done a book signing. He never did a school visit, they just didn't he his that this book was published in 1957. It wasn't - those things were in all standard at. Certainly not school visits, I would imagine. So that was interesting, meet an author who has a totally different experience as a children's author than I have. So those are three of my favorites as a kid. Yeah, those are three of my favorites.00:19:21 Jessica RickertWhat about for your own books that you've written? Do you have some favorites, both fiction and nonfiction that you love more than other book, your other books?00:19:33 Marc Tyler NoblemanWell, everything I've done in the last ten or twelve years totally overrides everything I did before that not that they weren't books of Merit of some kind. I mean, I put my heart into those two, but what I've been doing recently are all things that topics that I hand pick. And before that, I was sometimes doing books based on other people's suggestions, or, you know, not not coming to it on my own. So, of all my books, and I mean my Batman book is my favorite in the sense that it became more than a book. And again, I don't want to teach just enough to get people to show up. It's it started off as a book, and it became a mission. And it became a very big mission that lasted many years, so that that's a category unto itself. And then, you know, the others I love in different ways too, they all like, with everything that we do, they have their, you know, they conjure different, you know, moments of your life, or in my case, I think about some of the struggles that each one involved, and what I had to try to overcome to get the book published, because nothing's come easy for me with writing, which is fine. If it's easy, it's it's boring. But it isn't like I've written a book and then the next day, someone says, I want that like it's taken a while for me, a lot of my work. And but again, because it's I'm, I think it's because I'm choosing topics that they feel are going to be a harder sell. And I tell them, well, that's what I'm here for. I'm not just going to write it and then go on a run and never come back. I'm going to help you sell it and promote it, and that's why I do conferences. That's why I go to schools. I want people to, you know, enjoy the story the way I did I wouldn't do all this work, and then let it float off, you know, on its own. So yeah, the Batman book would take first place. And then a lot of the recent ones would be in a tie for second.00:21:27 Molly RauhSo, thinking about that, you like comics? So we've asked about books, but what are some of your favorite Comics? Or even graphic novels? Because like you and I have mentioned there, you know, once upon a time, it wasn't cool to be into comics. But now, like there's not that stigma around that. So maybe share some of your favorites, some newer things that are being printed and published that kids might get their hands on, or that teachers might get hands on, because I certainly like some adult comics that I would never give to kids. And I've also had some comics that, like as soon as I'm done reading, I bring into the classroom to a particular kid. And I'm like, you have to read this. Here's the next one. What are some of your favorite? Well, a couple of graphic novels I've read recently that I loved were "Flamer" by Mike Curato, which is biographical and "New kid". Of course, I by Jerry Craft. I really liked. I don't read tons of graphic novels by you know, it's not I'm not. I don't specifically gravitate towards those. I just gravitate towards a good book, whether it's graphic novel, you know, pros or whatnot. Another one I read this summer that I thought was great was "Kent State." It's a new. It's 00:22:47 Molly Rauhthe newest book by a guy named Derf Backderf And it's, it's, it's his telling of the Kent State, the Ohio, you know, the, the Four Dead in Ohio story. And I knew almost nothing about that, even though I knew, ooh, that I know. I mean, I know of the song I know of the incident, but I couldn't have told you what it was about. And he just does a masterful job of weaving these four individuals stories into one tragic, overarching story. And then as far as traditional comics I mean, I grew up on I mean, being a huge fan of I'm a DC guy. As you can imagine, based on Batman. My favorites were Justice League because I like groups. I like to see how groups work together, like to see how groups split up to tackle different issues, both in superhero comics and in life. I also liked it a team-up comic called "The Brave and the Bold," which was Batman, plus somebody else every issue. And there was another one of DC Comics presents, which was Superman, plus someone else. And there are there are there are collected editions of those. I would recommend them for teachers with kids, because comics these days, the the there are still comics produced for elementary age kids. But a lot of the main characters are quite dark. Even Superman. I mean, a lot of the stories are quite sophisticated, quite dark. So not the same way when we were kids, where it was all kind of for everybody. So if you go back to the stuff that was done in the 70s and 80s, it's you know, it's a bit dated a little. It's a little dated. But I think for kids that like superheroes, they might really like it. You know, that sometimes it's a one-and-done story. It's you not to read 20 issues to get a full story. You can read one, which I think for reluctant readers is a little bit more accessible. Nowadays, you know, everything's an arc. You know, it's a it's 8 issue Arc, or a ten issue arc because they want to. They're creating these stories to be bound and sold as graphic novel so they can sell them online and easier with, you know, the newsstand business of buying this individual issue is, unfortunately, I don't think going to be around for much longer. Once people our age phase-out, they're not going to do it for the next generation. They're not buying comics generally. So, and then, of course, there's all the, you know, the ones that don't need my help. You know, there's there's the Raina, you know, Telgemeier books to Cece Bell, and they're doing great things, and kids know them already. So they don't need, you know, like them. But those are great too. 00:25:19 Jessica RickertI have a question not being a connoisseur of comic books, and only just watching the movies which I know is probably horrible for you two. Do you have a favorite superhero?00:25:32 Marc Tyler NoblemanSuperman. So it's again, it's there's this dichotomy throughout my whole childhood, you know, cool and uncool. So Superman uncool, Batman cool. DC uncool, Marvel cool. Han Solo cool, Luke Skywalker, uncool. You know, Fonzie, cool, Richie Cunningham uncool. I always like the uncle ones, except I did like Han Solo better than Luke. But for the most of the most of, those examples I was on the less cool side. So yeah.00:26:09 Molly RauhAll right, you're going to have to explain that one 'cause I have my reasons why I would pick Batman over Superman. So why Superman? Because, no I hardcore disagree with you on that one.00:26:20 Marc Tyler NoblemanSo do most kids. I I think it's, so I mean, a lot of it is just, you know, who you meet first. And he, I remember being introduced to Superman. It feels like first. But I also like, I mean, hit, you know, the Superman that I fell in love with is doesn't exist anymore. In a way. You know, he was good for good sake. There wasn't. There was no complexity to it. Of course, you know, our culture at the moment, and probably forever more is is just much more sensitive to all kinds of Injustice and differences, and, you know, sent being sensitive to as much as possible in every direction which those are certainly greatness there. Superman, you know, used to just you just you just had you just trusted the guy to do the right thing no matter what. And now it's just not as not as black and white. So I still love him, but I think it's just getting more complicated to be Superman than it used to be. And I love Batman too, obviously I spent a whole bunch of my life on him too. But I like Superman, just seems they both seem like loners. And I think I always was I always was drawn to that. Now they both have, well now they're both. It's not good. You know, things evolve. Now, they're - Superman's married with a son. And Batman has Catwoman. But you know, when I was growing up, they were loners and I that appealed to me to that they would do the right thing not to get tons of friends and to get paid or praise, but just because it was the right thing and that really resonated with me as a kid and helped inspire me to write Boys of Steel, my Superman book. That notion of just do the right thing, even if you don't get all this attention for it, or jobs and money, or your name on a big, you know, sign or plaque, or, you know, something like that. You're just doing it because, you know, in your heart, that's what you should do. And I like that about Superman. And Batman did it too. But it was just that was Superman's whole whole essence. 00:28:21 Molly RauhAll right, that's a fair argument. That's maybe the best argument for Superman I've ever heard. So, yeah, I might, I might like him a little better than I did a minute ago.00:28:31 Marc Tyler NoblemanWhat's your Batman take?00:28:33 Molly RauhWell, for me, it's it's a very simple piece of superpowers and not having superpowers. I like Batman because theoretically, like he is a regular human being. Yes, he's empowered by, you know, money and access to this technology. But, you know, I kind of liked that he was an ordinary human being. Who just, you know, used innovations, and you know his own personal sort of drive to become a superhero.00:29:07 Marc Tyler NoblemanI want to see if I can find. I saved this tweet that for me, really summarized Superman in a new way. But probably I knew it all along innately. So I love this. Superman stories aren't a fantasy about how good it would be to have power. they're a fantasy about what it would be like if someone with power was good. So giving credit where credit's due. This is I don't even know who this is. But the it's a someone on Twitter named Ian McIntyre. So I just love that that he could do whatever he wants. I mean, talk people talk about Batman that you know, look what he's doing with no power. But there's a flip side. Look what Superman is not doing with power. 00:29:50 Molly RauhI like that take that's kind of cool, that almost like I might have to pull that into an essential question, because I teach history and like, you know, we just finished some industrial like Gilded Age, Progressive Era, kind of stuff. And a big piece of that was looking at corruption. And so thinking about, like people with power, you know, do they do they always abuse it? Or are there people who use it for good? And so thinking of, yeah, yeah, well, I can send that to you. 00:30:25 Jessica RickertI just never really, like, you guys have opened my eyes to there's deeper and more complex things than just like the movies that I go to like looking. I'm definitely going to look at superheroes differently now. At a deep audio cuts out.00:30:43 Marc Tyler NoblemanThey're not for everybody.00:30:45 Molly RauhYeah, they're not for everybody, but I, you know, anybody I think, who's into comics, realizes that the majority of your comics, whether it's super hero stories or anything else, they're really human stories. They're looking at the human condition and looking at human motivations. And so the social scientist in me always loves them, because they're really just kind of who are we at our core? And, you know, what are we capable of in good and bad ways?00:31:14 Marc Tyler NoblemanYeah. 00:31:18 Jessica RickertWell. Are there any other books that you want to highlight for teachers that might be listening, that you think would be good for them to share with their students? I know you have a lot of books, but a couple that, oh, you should try this one or try this one00:31:33 Marc Tyler NoblemanSure. So I wrote a book called "Fairy Spell," which is a true story about two girls in World War One era England who went into the woods one day with a camera. And this was, again, World War 1 era. So this was not camera like anything we've seen. And they came back with only one photo, which one of their fathers developed in the dark room in their house. And that photo revealed one of the two girls with what they said were for fairies. And this kicked off a mystery that lasted for the rest of their lives. So they were one of them was only nine, and one was 16 and they didn't reveal the full truth about what really happened that day in the woods until they were in their 80s. So what I love about this story level out of things about I love it. It's about two girls. I love that it's about two girls that have agency. They're driving the story I love. I can't reveal it because it would spoil the book. But when they end up telling more of what happened later in life, I love their reason for not telling it sooner. So at first I thought maybe there'd be some. Maybe I'd get some pushback that I'm writing a book about liars. I don't want to say what they said that was true and not true. They said things that - I'm going to say this so I don't spoil the whole thing. At the end, there's they have a different -they say something different than each other. Their story was the same for most of those years. But then at the end, they diverge. So there is some. There is some untruth in it. But there's also some truth. And I love how it's just a new way of looking at the truth. And what isn't what we, how we classify truth and what we, how we judge people that don't tell the truth. You know, it's not, they don't lie for the same reason with the same effect. So I love that. And it also it's become, you know, very relevant with respect to fake news. I didn't write it because of that, but it is a great book to use to help children start to discern, you know, the importance of, again, not believing everything you read on at face value and learning how to verify things on the especially on the internet, whether they're true or not, or whether they need more, you know, more investigation. So that's a great book for that. And apparently, that's what a lot of people use it for. And there are a lot of lessons these days about that which is so important, teaching our kids how to be internet savvy, and how to not question everything to the point that you are a conspiracy theorist. But just you have a healthy skepticism about things so that you use your brain. And when I say in the book, you know, some people decry the internet saying that it makes us think less. I think it has to, really, it's making us think more. You really need to, like, I just said, don't take the first- and I, you know, I tell my kids, we all tell kids. Now, you know, the last couple of years, when you Google something, Google has a little box at the very top. It's in a box the to make you think like that's the definitive be-all-end-all answer. So I tell my kids, well, view, are you even looking at the source of that? And just because Google says it's true doesn't mean it is. So that book is helpful, I think with that topic. And then I wrote another book that's called "Thirty Minutes Over Oregon," so closer to your side of the country. And that's a true story out of WWII about a Japanese pilot named Nobuo who did something that no one before him, or since luckily has done. He became the only person in history to bomb the United States mainland from a plane. And the reason that most people have never heard this is because those bombs did not kill anyone, didn't even hurt anyone. They hit the forest outside of a town called Brookings. So maybe a couple squirrels bit it, but no humans. And because of that, it's not a World War. Two story that we teach it wasn't a turning point, but that's why I love it. It's a smaller story with a great famous first that is not really famous. And then this emotional core about this pilot, how this act impacted him later in life. So it's a great story about how enemies can become friends. I don't want to say too much, but he does come back to America after the war. And it's about something that you don't see in picture books. Too much least. I haven't seen it in non-fiction picture books, and that is redemption. This the idea of redemption, most picture books, that folk that are biographical. They follow the same arc. They start in someone's childhood. The child has a dream. The child tries and fails multiple times. And eventually the book ends with this person becoming the famous person that we all know. Again, the you know, with Bader Ginsburg or Babe Ruth, who met those I don't need to name famous people, you all know them, but that's and that's fine. But I don't. I prefer different kinds of stories. So I prefer story that's not quite as predictable where maybe they mean the Batman story is about a guy that basically opposite success. And then the ending is that he failed. So it's kind of a bummer, but that's life sometimes, and people we need to tell kids that you did a great thing. We shouldn't. He should be honored for it. But in the end, he didn't really benefit from it. And it was a sad story. And that's okay. It's okay to have a sad story. So the 30 minutes of Oregon book is a great story about Redemption about how I mean. Now it's especially, I think, a topic in the news and in life is about second chances. I mean, people are, you know, I see a lot of people that are not given a second chance. They misspeak. They something comes up from their past from sometimes even as young as being a teenager. And that completely changes the entire trajectory of their adult life. And there are times where, you know, second chances are definitely less viable. But I think for a lot of these cases, they're not in. This is a story about that. In today's world, you know, this man's story would he would have not been given a second chance, and he would have been a villain for the rest of his life. So I love this idea of, you know, seeing them at a human level. In this case, he was doing something during war, and you don't excuse that. But it was a war, and everyone was doing things that they would prefer not to be doing. And he did spend a lot of years trying to atone for that and show his true nature, and so reconciliation, redemption, very powerful, very powerful ideas. That, again, you don't see that often in - at least, I don't see them in picture books. I hope they're out there. I just haven't seen them myself. So those two, I think, really help with a lot of different levels of lessons in classrooms character development. And of course, the news thing is more, you know, practical skill.00:38:23 Molly RauhI love that. I think I know what books I'm picking up next, and hopefully I can get through them before. Maybe I hit some units where I could use those in my classes, because, you know, again, I'm a history teacher. I can totally use those.00:38:40 Marc Tyler NoblemanThank you.00:38:41 Molly RauhSo we're at that point where we're some of your heroes00:38:49 Marc Tyler NoblemanHeroes in general. Or...00:38:51 Molly RauhWell, certainly educational heroes, if you have them. But if you want to go a different route and just focus on anybody who's inspired you, who is your hero in what you do, you can go broader if that suits you better. Sure, well, I can do a two-in-one. I can do a personal hero and an educator here, which is my mom, who was a teacher before I was born. So I ruin that. She gave up when I came along, but she is just she's had a really, really challenging life for different reasons. But you turned out to be the sweetest mom. I mean, except for your two moms of all time. And with no, with no guidance, she, you know, she didn't have a loving upbringing where she had something 00:39:40 Molly Rauhto learn from. I don't know where she gets it from. And and she was also someone that you know, helped shape my creative side When We Were Young, my sister and I, my mother would not give us coloring books, because she felt we should start with a blank page that we should create from nothing. And so after a while, I think we wore down a bit, and as long as we still Drew on blank pages as well, but she didn't want us to be given someone else's work and then fill it in. And she also nudged me to be that she saw that I could be a writer before I did, which is typical mom. You know, she knew that I what I was good at, or what I had an aptitude for, and probably what I like, even though I didn't realize it. And she nudged me that way. And then again, as this is going to be no surprise about a guy who liked Superman Richie Cunningham, DC Comics better than there are opposite, which is that I have a lot of teachers that not only were inspirational for me, I'm still in touch with. I mean, most people I know if they're in touch with anyone, it's just one teacher I'm in touch with. I mean, not regular touch, but I have emails and reach out on, and I would say, on a, you know, somewhat regular basis to say hi to a number of teachers. So and you know, sometimes it's very vague why they resonate with me, but they must they must have helped shape me. I can't always figure out why I'm so drawn to them still, but a couple in particular are you no, are you know were formidable, or not formidable, formative, or probably formidable too, formative for me. And I love that because they are so that such a thankless job for so many and I it just three. It's very gratifying to, you know, all these years later, to just have this relationship so that they know that they mattered to me and probably to others that don't don't don't all right, as you know, aren't as obsessive about these things as I am, reaching out keeping in touch. So that means a lot to me for teachers that I had that had an impact for them to know that they did even your in my old age.00:41:47 Jessica RickertI love that. Well, thank you so much for joining us. We're all definitely going to have to check out so many more books. I loved your cliffhangers. And if you have not registered for Marc Tyler, Nobleman's sessions yet, now you got to go find out about the Batman story too. So thank you for joining us. And we look forward to seeing you in February at CCIRA.00:42:13 Marc Tyler NoblemanI can't wait. Thank you so much for your time. And I look forward to seeing you both in person. 00:42:19 Molly RauhThanks for listening to CCIRA Literacy Conversations podcast. To find out more about CCIRA go to CCIRA.org. On CCIRA.org, you can join as a member, or find great resources like our professional development blog, which posts every Tuesday and has a variety of guest writers on an awesome selection of topics. CCIRA is a professional organization of educators and community members is dedicated to the promotion and advancement of literacy. We also have a Twitter account @ColoradoReading. You can find us on Instagram at CCIRA_ColoradReading. Or you can find us on Facebook, where we also have a members only group that we're trying to build. And our Facebook account is CCIRA Colorado Reading. We'd love to hear more from you. And again, if you're looking for new content, please send any questions or things you'd be interested in seeing from ccir a to ccir a video at gmailcom. Thanks for listening and have a great week.

Check out my friends:instagram.com/wtftolistentoearbudspodcastcollective.orgindiedropin.comand Virgo Gabrielle everywhere you get music.

The Oregon Coast was a surprisingly active theater in World War 2. This episode begins to tell the tale of a Japanese fighter pilot, Nobuo Fujita, and the president of a small town chamber of commerce, James Douglas Peterson. Check out my friends: onemichistory.comearbudspocastcollective.orgindiedropin.comAlso, check out:twitch.tv/rgoddess_ and twitch.tv/evkiyoshi

80年代日本中のひとが耳にしたであろう「北の国から」や「探偵物語」のテーマ曲のあの印象的なハーモニカはそう、八木のぶおさん。歌謡曲からブルース、フュージョンやジャズなどジャンルを超えて活躍する八木さんに、ハーモニカの可能性～宮古島の魅力～など、リスナーさんからの質問にもお応えいただきました。1991年（30年前！）のジロキチでのセッションを記録したカセットテープから、当時の熱いセッション、貴重な音源をどうぞお楽しみください。「ジロキチナウ」のコーナーでは、カウンターのメグより最新のジロキチニュースをお届け。 ㅤ 【八木のぶお -Nobuo Yagi-】 https://www.facebook.com/Harp.Nobuo.Yagi/ ㅤ ★On-Air tracks★ㅤ ●『月にうかれて』より「鳥・風・楽団」「WHAT NOW MY LOVE」 八木のぶおharp 須川光pf,key 田中まことg 古澤良治郎dr ㅤ ●"Groove Night" Live at JIROKICHI 1991年2月7日「tombo」 大出元信g 正木五郎dr 大西真b 大石学pf 八木のぶおharpㅤ ㅤ 番組への応援チャージ♪はJIROKICHIオンラインショップ で受け付けています。御礼にJIROKICHIで使えるドリンクチケットを配送させていただきます。どうぞよろしくお願いします！ https://jirokichi.official.ec/ ㅤ --------------------- Radio House JIROKICHI Official web www.jirokichi-radio.com/ ㅤ Opening theme : Elena Kato Ending theme : Mitsuhide Tatsumi ㅤ Mixing & Mastering Engineer：Ai Isshiki ㅤ Production support : goen sessions/ フロントポーチ /neuron / アンテナ ㅤ www.jirokichi.net

Jake #2 (Edson, Varicose Ken) returns to the DM throne to take us through Wizards of the Coast 5e classic, Hoard of the Dragon Queen. Join him, Nobuo, Avrik, Bentley, and Paints-with-Blades as they investigate the strange disturbances of Tiamat's cult.   *The rest of this campaign will be Patreon exclusive. Visit the link below for deets!   Patreon: patreon.com/herefortherolls   Instagram: @_herefortherolls   Email: herefortherolls@gmail.com   We very much appreciate those 5-Star Reviews and Subscribes!   Baldur's Gate: Descent Into Avernus is a published adventure by Wizards of the Coast   Edited and Produced by Jake Holt   Character Art by Teanca Rossouw   Logo Design by Trent Holt   Music pulled from YouTube Creator Studio, Audioblocks.com, and Artlist.io   Check out Reroll on the App Store today, on either iOS, Android, or desktop using promo code HEREFORTHEROLLS for 10% your Reroll purchase!  

Salut à vous, Le poète du jour était très ami avec Tamura Ryûichi dont je vous parlais la semaine dernière. Ils appartenaient tous les deux à un groupe de poètes d'après-guerre appelé l'école Arechi. Ayukawa Nobuo est né à Tokyo en 1920, il a lui aussi fait la guerre, pendant laquelle il a contracté la tuberculose. Ce recueil, sobrement intitulé Poèmes 1945-1955 est considéré au Japon comme l'un des livres fondateurs de la poésie contemporaine. Il est traduit en français par Karine Marcelle Arneodo pour les éditions La Barque. Composé en cinq parties, abordant divers thèmes, on peut clairement dire que le principal fil rouge en est la mélancolie que traine Ayukawa Nobuo. J'ai choisi néanmoins de vous lire un des textes les moins sombres. Bonne écoute ! Retrouvez tous les épisodes de Mort à La Poésie sur : https://addict-culture.com/mort-a-la-poesie/

we are here to talk "dark" "souls", some of our favorite japanese rock bands, and how lame april fools day is in the 2020s, apparently. we didnt have an itinerary going in. maybe it shows, maybe not! All music used is by You Are Something True and can be found on the Pop Spirit bandcamp Intro: Dances With You Outro: The Fate of Your Spirit

Programa de Radio No.134 Podcast 283Transmitido el 07 Abril 2021 por Radio y TV. Querétaro 100.3 FM Este primer programa dedicado a otro de los grandes músicos y compositores de Videojuegos el maestro Uematsu Nobuo, sabemos que dedicarle un programa es poco, y sólo nos enfocaremos en su primera etapa y sus inicios así de cómo llegó a las primeras adaptaciones orquestales de su obra máxima Final Fantasy en este episodio, no se pierdan del programa cómo cada miércoles por el 100.3FM de Radio y Televisión Querétaro de 16 a 17hrs. Centro de México, en Internet: https://www.rtq.mx/100-3-fm-qro/

This episode sees Adam and Kiaran taking a stroll down memory lane and playing Part 1 of the Final Fantasy VII Remake. Tune in to find out what we thought of our experience, the additional content, and the ending. Story spoilers discussed at the end and what we think it means for Part 2 in the series.

In this episode, Paul, Sterling and Mathew are joined by the man behind YouTubes “8-Bit Music Theory” channel to look at the masterful OSTs from the Final Fantasy series. With the release of the FFVII remake fresh in the mind, the lads jump head-first into a nostalgia laden exploration of the work of Nobuo Uematsu in all its glory.  From the humble 8-bit beginnings of the series to the full blown orchestral arrangements, they look at the hooks, motifs and all-round wizardry that makes the music of Final Fantasy one of the most lauded in all of Geekdom.

Episode 10 continues Final Fantasy month with more of Nobuo's incredibly diverse portfolio. Follow along on our YouTube playlist for this episode: https://www.youtube.com/playlist?list=PLU8Al-ogXRQDigQHWHBV2QJe1SNYngMPg List of tracks discussed in this episode: 1. Liberi Fatalia 2. Opera (Maria and Draco) 3. Hymn of the Faith 4. Balamb Garden 5. Not Alone Mallorie created the intro and outro for this episode! Check out her Soundcloud: @ratedM4mallorie

The boys are still showing their love for video games this week as they introduce a new segment all about video game music, with that in mind, to listen to their full choices you should head to insertnameherecast.com/more - this will be our new super comfy home for all the added extras you need for each episode.But as with every week, they struggle to keep to the conversation. They can't help but go knuckles on some chuckles.News also make a triumphant return, all hail.If you'd like to contact the show for whatever reason, you should use these little portals to social media heaven.facebook.com/insertnameherecastinstagram.com/insertnameherecasttwitter.com/nameherecastYou can also email the boys at insertnameherecast@gmail.comDon't forget to bookmark insertnameherecast.com and if you haven't already, subscribe and leave a little rating and maybe even a cheeky review. It really helps the show to grow.Special thanks to those that created the music that we have so much appreciation for:Nobuo Uematsu.Martin O’Donnell, Michael Salvatori and Bungie.John Baker.The Konami Kukeiha Club

In this weeks episode, the final before our recap, we had the pleasure of taking a personal tour of the Rosson House at Heritage Square in downtown Phoenix. Heritage Square is home to renown restaurants such as Pizzeria Bianco and Nobuo at Teeter House, right next door to the Arizona Science Center. When you think of Phoenix often images of cowboys, cacti and rattlesnakes come to mind. Rarely would one associate the Victorian Era with Phoenix, a trip through the Rosson House will change that belief. Many of us natives have seen the fancy house on the corner on the way to the science center. Katie Delahoyde - Museum Interpreter and Jennifer Hance - Director of Education provide the history and give life to this old fancy house. It's a big house with bigger character, noises and even ghosts? You’ll have to listen and visit to find out whether it has supernatural inhabitants. Enjoy this episode and guided tour through the Rosson House museum and be sure to stop in to experience for yourself. Also if you’re looking for a night out be sure to check out their event page. ‘Victorian Secrets’ is much more than a night at the museum and worth of a date night or girls night out. Enjoy. Special Guests: Jennifer Hance and Katie Delahoyde.

Kodama, himself a survivor of the bombing of Hiroshima, narrates the story from the point of view of Shin's father, Nobuo Tetsutani (鉄谷信男 Tetsutani Nobuo). Shinichi is playing on his tricycle when the bomb is detonated. Nobuo finds the barely alive Shin still holding onto the tricycle's handlebars and trapped under the rubble of their destroyed home. Nobuo's efforts to save his son are in vain and Shin dies that evening. Nobuo buries Shin with his tricycle. Forty years later, Nobuo exhumes Shin and his two sisters, who also died in the bombing, in order to give them a proper burial at a cemetery. While digging everything up, a pipe was found, believed to be a part of the tricycle Shinichi had owned. Not long after, they found skeletal remains of two human hands; the remains were identified as Shinichi and his local friend, Kimiko, who had died together with him, holding his hand. Nobuo donated the tricycle to the Hiroshima Peace Museum, where it is currently on display. Source: https://en.wikipedia.org/wiki/Shin%27s_Tricycle

Kodama, himself a survivor of the bombing of Hiroshima, narrates the story from the point of view of Shin's father, Nobuo Tetsutani (鉄谷信男 Tetsutani Nobuo). Shinichi is playing on his tricycle when the bomb is detonated. Nobuo finds the barely alive Shin still holding onto the tricycle's handlebars and trapped under the rubble of their destroyed home. Nobuo's efforts to save his son are in vain and Shin dies that evening. Nobuo buries Shin with his tricycle. Forty years later, Nobuo exhumes Shin and his two sisters, who also died in the bombing, in order to give them a proper burial at a cemetery. While digging everything up, a pipe was found, believed to be a part of the tricycle Shinichi had owned. Not long after, they found skeletal remains of two human hands; the remains were identified as Shinichi and his local friend, Kimiko, who had died together with him, holding his hand. Nobuo donated the tricycle to the Hiroshima Peace Museum, where it is currently on display. Source: en.wikipedia.org/wiki/Shin%27s_Tricycle

Episode 5 - Nobuo Fujita by Brad and Ned

Nobuo Yagai joins Coach Rene and Matt to discuss his book, Warrior in the Garden and talk about martial arts and the Bushido code. We also discuss recent UFC events in MMA and One FC recent events and upcoming fights. You can find Nobuo Yagai's book by clicking here Thanks for listening! See acast.com/privacy for privacy and opt-out information.

プロゲーマーのNOBUOさんがゲスト。小学生のときから付き合ってきていた病気と難病についての話を聞きました。 NOBUOさんプロフィール 広島県出身。プロゲーマー。マリオカートシリーズの名人として、TVなどメディアにも多数出演し、過去にマリオカートWiiの世界大会で6度の優勝を記録。 TeamGRAPHTのサポートを受けるプロゲーミングチーム「Radical⚡︎Stormerz」のリーダーを務めるほか、現在は松竹芸能事務所にも所属。精力的にゲーム実況・解説を行うほか、ゲーム誌「ニンテンドードリーム」ではライターとしても活動している。 Twitter：@GUM_nt2 YouTubeチャンネル：RSZ NOBUO https://www.youtube.com/channel/UC-h-_CCsshQUzVU5_vcOppQ Spotifyはコチラから open.spotify.com/show/06KKcdyJcSdSjQQvOOJOWj

- Eric has been playing Diablo 3 (2:36) - Hat Continues to Play DQ XI (5:47) - Sakaguchi & Nobuo on Initial FF7 Remake Plans (6:40) - Has the Decline of FF Been a Positive Force for JRPGs? (22:00) - Favorite Non-Square JRPG OST (39:22) - Is Xenoblade Chronicles Over-Hyped? (45:01) - Should we have more horror-themed RPGs? (1:01:30) - Thoughts on a Gameboy Classic (1:08:45)   YouTube Page: https://www.youtube.com/channel/UCIX_7uaTXjhBvxMvUWwbfLA  

Liz tells another WWII story. Weird can be sweet sometimes.  Secondary topics: A list of things you might find on a hike in the Oregon wilderness; Devon goes off on the TSA; we commit to dunking on bagpipe players.  Patreon: https://www.patreon.com/ouijabroads Website: https://ouijabroads.com/ Shop Weird: https://ouijabroads.com/shopweird/ Facebook: https://www.facebook.com/OuijaBroads/ Twitter: https://twitter.com/theouijabroads/ Instagram: https://www.instagram.com/theouijabroads/

WEEK IN GEEK: Andrew saw Spider-Man: Homecoming so now they can talk about it while D. gets upset that Vice Media fired gaming journalist, Mike Diver, who co-created Vice's video game wing, Waypoint. NAME THAT CHIPTUNE: After going deep into an YouTube hole watching marching bands playing video game music, Andrew brings to the table the question: When the hell did video game music become so popular? Is it that good or are we just getting old? RELATED LINKS: Emily Reese's podcasts about video game music: First, the defunct Top Score with Emily Reese (the archives are still active) and the current Level with Emily Reese. New Dan & Rusty Video Game Power Hour where they play Thunder Lotus Games' new release, Sundered. D. Bethel's interview with Nathan Miller for the podcast, Finding Sacramento. WORKS CITED, REFERENCED, OR CONSULTED: Lieberman, David. "Vice Media Cuts Staff by 2% As it Sharpens Focus on Video." Deadline. Penske Business Media, 21 Jul. 2017. Raymond, Adam K. "Vice Holds Field Day in Brooklyn as Dozens of Employees are Laid Off." New York Magazine. New York Media, 21 Jul. 2017. LINKS: Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode. Join our Facebook page E-mail: Andrew - andrew@forallintents.net, D. Bethel - dbethel@forallintents.net Subscribe to our YouTube channel. Subscribe to and review the show on the iTunes store. For all intents and purposes, that was an episode recap. FEATURED MUSIC: -"Stayin' in Black" by Wax Audio -"Scene III (Final Fantasy - 'Opening Theme', 'Town', 'Matoya's Cave')" by The Tokyo Symphony Orchestra (from Symphonic Suite Final Fantasy; arranged by Katsuhisa & Takayuki Hattori)

Les chemins de Sir Jiffy, Shiori, Nobuo et Endo se croisent dans le village de Ropa alors que chacun ressent l'appel du voyage. Bien qu'ils possèdent tous leur propre raison de quitter le confort de la civilisation, leur destination est la même: la grande ville de Danac, où a lieu la coupe du monde de Nekoball. Alors qu'ils prennent la route, ils réaliseront rapidement que ces quelques jours de marche seront plus éprouvants q'ils ne le croyaient. De plus, quelqu'un les observe de loin, mais qui?

Les chemins de Sir Jiffy, Shiori, Nobuo et Endo se croisent dans le village de Ropa alors que chacun ressent l'appel du voyage. Bien qu'ils possèdent tous leur propre raison de quitter le confort de la civilisation, leur destination est la même: la grande ville de Danac, où a lieu la coupe du monde de Nekoball. Alors qu'ils prennent la route, ils réaliseront rapidement que ces quelques jours de marche seront plus éprouvants q'ils ne le croyaient. De plus, quelqu'un les observe de loin, mais qui?

This week, we continue with our Spotlight on Nobuo Uematsu. Enjoy!   PART II   Last week we looked at the beginnings of Nobuo Uematsu’s career, from being hired at Square Co. to his first two masterpieces that we can agree on with his soundtracks of FF4 and FF6. As a reminder, this is a special kind of Spotlight, one where you sit back, and enjoy the music.   Let’s continue from 1995. Chrono Trigger, the one fucking game that we need to play but can’t because of the official order of things, was a gigantic project for Square, and is often cited with FF6 as the greatest RPG game ever. Most of the music was composed by veteran composer Yasunori Mitsuda, but Nobuo would leave his mark on the classic game as well, composing 8 of the tracks for the game. Here’s the haunting theme “Silent Light”:   https://www.youtube.com/watch?v=9T4WB2zfmps   No, no no no. Silent LIGHT. Not Silent night… Jesus.. That was Josef Mohr.   https://www.youtube.com/watch?v=5ccv48ZiX1I&index=10&list=PLTHOcnhIuPOvEJd8WJI6kaJbQG0NeKtaY   1996 would be kind-of a dud year for Uematsu. The little known game “Dynami Tracer” would be his only solo work in 1996, and it’s definitely not one of his better soundtracks… But we wouldn’t wanna keep you wanting! Here’s a little piece called...music factory.   https://www.youtube.com/watch?v=x-T4JU01UoA&list=PL70567EDAFF96BD39&index=3   We’re not gonna even bother with his next work, contributing to the album for Front Mission: Gun Hazard with a half a billion of other Square composers. His next game was 1997’s fucking Final Fantasy 7. We can’t give you just one. Here’s his band, the black mages’ version of perhaps the most popular FF7 song One Winged Angel:   https://www.youtube.com/watch?v=LHzEaKFqboI   One of the most beautiful pieces from the game, Aerith’s theme, taking a cue from Terra’s theme in the last game, here’s an orchestral version of that song:   https://www.youtube.com/watch?v=NU0TcnsLop8   We can’t forget Kaleb’s favorite. This is Cosmo Canyon.   https://www.youtube.com/watch?v=qBk58XDx5gY   His next game would be that of FInal Fantasy 8. Nobuo has stated that with 8’s soundtrack, he worked hard to reflect the charcter’s emotions at certain parts of the game. It would be one of the more successful FF soundtracks with what is now as of 2016 the second-biggest video game music single ever, Faye Wong’s “Eyes on Me” selling over 500,000 copies.   Now… Final Fantasy VIII… This is a tough one because neither of us really care for the soundtrack of FF8. There’s something about the tone of the instrumentation and the terrible engrish lyrics of “eyes on me” that leaves us with a bad taste in our mouths, but no one can deny the power of the opener, Liberi Fatali!!!!   https://www.youtube.com/watch?v=j4MMhY4RyxQ   Eh, fuck it, we’ll give you “Eyes on Me”.   https://www.youtube.com/watch?v=ANw53vQFJeM   Along this stream of Final Fantasy games, the often-underappreciated Final Fantasy IX would follow. FF9 would take a departure from the previous games with the soundtrack offering a more medieval scottish highlands inspired milieu. Nobuo would do the entire 160 tracks on his own for this game. Here’s one of them, “The Place I’ll return to someday”:   https://www.youtube.com/watch?v=1OK29BoxomE   We can’t forget “Rose of May”...   https://www.youtube.com/watch?v=xKw3eJV6XFM   Along with these classic pieces, Nobuo wrote yet another J-pop single to go with the game. This the greatest cover of “Melodies of Life” ever made:   https://www.youtube.com/watch?v=wffHREGnTiA   The same year as FF9, the year 2000, would be Nobuo’s first foray into feature films, where he would compose the main theme for the animated film “Ah! My Goddess: The Movie”   https://www.youtube.com/watch?v=T2VTbUCek8E   The first FInal Fantasy game without a soundtrack composed entirely by Uematsu himself would be the PS2 smash hit…. You guessed it! Final Fantasy X. One would guess that he may have been a bit burned out from FF9. In the end Nobuo ended up composing 51 of the game’s 89 tracks, including the Joe favorite “To Zanarkand”   https://www.youtube.com/watch?v=z3eQuEm4R10   One of the most commonly performed songs by The Black Mages is the incredibly zany “Fight with Seymour”   https://www.youtube.com/watch?v=87e5qQnVerI   Can’t forget a Kaleb favorite, “Auron’s Theme”.   https://www.youtube.com/watch?v=LaAhtI1_HU8 Oh, and one of the decent theme songs for a Final Fantasy, probably because it wasn’t awkwardly forced into the english language, here’s “Suteki Da Ne”   https://www.youtube.com/watch?v=ikunVjaG2hw   Final Fantasy XI, despite the arguments between Kaleb and I on whether or not he composed the soundtrack for the game, was composed in large part by him. NOT THE EXPANSIONS, but the original release. Here’s one of his tracks, “Ronfaure”:   https://www.youtube.com/watch?v=UZ-ZDsFUEP8   Another insanely cool track from FF11 from Uematsu is “Despair”   https://www.youtube.com/watch?v=joxCId9SvAU   ...And one of the best-ever FF songs, one that Joe actually likes. This is the epic “Distant Worlds”.   https://www.youtube.com/watch?v=TzbzAXKCn-Q   Between 2003 and 2004, Uematsu seems to have been put on the backburner a little big, scoring for minor games like Hanjuku Hero Tai 3D and Egg Monster Hero, and only contributing one track for Final Fantasy Tactics Advanced during that time… Here’s the Main Theme:   https://www.youtube.com/watch?v=KqGNeqc26go   In 2004 Square veteran Hironobu Sakaguchi famously quit Square-Enix to create Mistwalker Studios, and in a way Nobuo left with him. Wanting to work on his live performances, his band the black mages, and seeking other opportunities creatively, Nobuo decided he was going to forge ahead as an independant contracter, and since that departure he’s returned to the FF series 3 times. For the soundtrack of Advent Children he built on his previous themes from FFVII, with FF12 he gave us another pop song I really don’t have the stomach for right now, and with FFXIV… Well, despite creating a lot of tracks for the original release, A Realm Reborn got rid of much of the original music from FF14. His biggest recent contribution to the FF series is probably the song “Answers” from the tragic end of the original game.   https://www.youtube.com/watch?v=VMhcyzQ7mKw   Nobuo Uematsu has gone on primarily to work with his old friend “The Gooch” on the games Blue Dragon, Lost Odyssey, and The Last Story. All of which feature great soundtracks.  Here’s one from Blue Dragon, titled Waterside   https://www.youtube.com/watch?v=kAzwlwkcFaU   And here’s another from his non-Square Work. Here’s the terrifying Howl of the Departed from Lost Odyssey: https://www.youtube.com/watch?v=kmCp20CW-Pw   Nobuo Uematsu's touch can be felt upon the whole series. Without him FInal Fantasy wouldn't be the same, and would be worse off for it. Nobuo Currently works hard at his live performances and various little composing projects for games and movies that he decides to work on. He’s doing so much, we can’t even cover it in a two-parter, but it seems he won’t be doing a full FF soundtrack anytime soon We are grateful to him and his work. What say we close with a gorgeous piece from “The Last Story” and close the book on our Spotlight of Nobuo Uematsu? This is “Lost Time”:   https://www.youtube.com/watch?v=agAlOe0PoxY  

It's time for our Nobuo Uematsu spotlight episode. Sit back, relax, and enjoy the tunes!   PART I   With the exception of Hironobu Sakaguchi, there really isn’t any other name more synonymous with Final Fantasy than that of “Nobuo Uematsu”. Composing either all or part of 12 of the 15 main-series final fantasy games, much of the feel and atmosphere, that visceral, unspeakable part of us that sings when we are reminded of a Final Fantasy, may be the melodies that Nobuo Uematsu is responsible for. With numerous remixes, live symphonic performances, and the original scores themselves, fans of Final Fantasy have relived their FF adventures through listening to the plethora of material presented by Nobuo Uematsu through their headphones while they do homework, clean their homes, or drive to work. There is no doubt that without the contribution that Nobuo Uematsu has brought to the series, much of our experiences with these games would be dramatically altered from what they are. Where would Star Wars be if it weren’t for John Williams? You could ask the same of Uematsu.   Note: You will be hearing a large number of remixes through this two-part Nobuo Uematsu spotlight, as well as some concert performances, and tracks from the games themselves. The youtube links for all of the pieces will be provided in the descriptions, and we ask that if you like a particular piece to consider following the links and supporting the artists that keep the music of Uematsu alive.   Let’s get to it…   [small interlude with the main FF theme]   Nobuo Uematsu was born on March 21st, 1959 in Kochi, Japan. Inspired by the music of Elton John, he taught himself how to play the piano at the age of 12.   Shortly after graduating from Kanagawa University, Uematsu began writing music for commercials before being hired by Square Co. in 1986 to work on video game scores.   For 18 years Uematsu worked at Square, creating over 30 video game and movie soundtracks before separating from square in 2004 to become an independant contracter.   We’re gonna pay special attention to these years, as that’s where most of the Final Fantasy meat is at; but first, let’s rewind the clock back to his very first game score, co-written with Takashi Uno, this is a piece from “Cruise Chaser Blassy” called “Space”:   https://www.youtube.com/watch?v=HcmWisadc9Q   1986 would end up being a very busy year for rookie Nobuo, the next game he’d work on would be his first that he’d compose entirely on his own called “Alpha”, although we can’t seem to find any tracks for that game, his next would be a NES classic called “King’s Knight”. Here’s the theme from that game:   https://www.youtube.com/watch?v=uBui5DMZAVs   December of 1986 would feature his next soundtrack, that for Suishō no Dragon. Here’s the intro track for that game:   https://www.youtube.com/watch?v=6MIhB2mgcRA   The 3-D Battles of WorldRunner would push Square’s stereoscopic 3D technology to the limits and with the music of this game, we would see a side of Nobuo we hadn’t seen before, you could call it “super pep” here’s a cover of the main theme:   https://www.youtube.com/watch?v=uDZhruBVzP4   Another soundtrack was made for a little piece of software called “Apple town story”, and he would follow that up with “Mystery Quest” (not to be confused with Mystic Quest, a later game). Here’s a taste:   https://www.youtube.com/watch?v=E_qIcMhmXJ0   With few exceptions, most of the pre-FF games Nobuo Uematsu worked on have been forgotten, with the most notable detail about them being that they had soundtracks created by Uematsu. Nearly forgotten games such as Genesis, Alien 2, and Cleopatra no Maho, which were next up in line, could probably be seen as pot boilers for what was to come, quick cash grabs before Square’s impending doom in 1987. Here’s a taste from the 26/40-famitsu scored Cleopatra game:   https://www.youtube.com/watch?v=cGnh3e6wNdo   Rad racer would come next, notable for being one of the few racing games on the NES. This is a track called “Grand Canyon”:   https://www.youtube.com/watch?v=GpzbHphuVrk&index=4&list=PL0D98064E11A94D91   One of the first dating sim games would follow (I sense desperation) with the long-winded mother fucking title of a game called “Nakayama Miho no Tokimeki High School”, that Nobuo would co-score with Toshiaki Imai. And the last game Nobuo would score, a sequel of sorts to 3D worldrunner would be that of “JJ”. But ya’ll wanna get to the good stuff. I can feel it. Fine. His last effort of 1987 would be the soundtrack for Final Fantasy.   This now-legendary soundtrack featured both the arpeggio prelude and main theme that would be staples in the series to come. He remarked once that he felt kind-of embarrassed as he hadn’t worked all that hard on pieces that would be hummed by gamers around the world. This is one of the best songs in the game. Here’s a cover for “Matoya’s theme”:   https://www.youtube.com/watch?v=TdRMfqWNJok   Beginning in 1988, Nobuo would slow down his work to 1 to 2 games per year, primarily being that of the scores for Final Fantasy games. Occasionally though, he would take a detour. Here’s a track from “Hanjuku Hero”:   https://www.youtube.com/watch?v=ebIzHCFGxTc   His other score of 1988 would be for the sequel to FInal Fantasy, Final Fantasy 2. Much of the original score from FF1 would make it into FF2 for our enjoyment, along with some original works. Here’s a remix of “Rebellion”:   https://www.youtube.com/watch?v=nU06ttrbqcM   For some reason Square thought it would be a really awesome idea to make a game based on the book Tom Sawyer, but if there were someone who could make a killer soundtrack for such a game, it would be Uematsu for Square’s Tom Sawyer in 1989.   https://www.youtube.com/watch?v=auLBLk4ibAk   Ha ha jk   Here’s a real piece from the game. An effort from Nobuo to make a soundtrack more, as he calls it “scenic”:   https://www.youtube.com/watch?v=o2uUfAcF7T8&list=PLfUvsxulQQd-zuBTVzmYzj1RvOArPnnEp&index=1   The Final Fantasy Legend, or as it was originally called in Japan, “Makai Toushi Saga” (the reason it’s not counted as an FF game in our podcast) would round out 1989 with this Game Boy classic and square’s first platinum hit at the time with 1.37 million copies sold. Nobuo remarked that he had difficulty coming up with the 16 tracks for the game because of the hardware limitations of the game boy. Despite this, the game would have a soundtrack considered as classic for many of its fans. Here’s a remix of “Battle With Creator”:   https://www.youtube.com/watch?v=KXTMQ4APiwg   Final Fantasy 3 would follow in 1990, and with this game came the fucking awesome piece “Crystal Tower” check out this power-metal remix:   https://www.youtube.com/watch?v=lT8humrSC2c   Considered one of the best Racing Games of the NES, Rad Racer II would be yet another game graced with Uematsu’s presence, as his 11th game score. Here’s a super upbeat cover of Gumball Crash titled “Fire in the Tires”:   https://www.youtube.com/watch?v=trFfjaNtySI The second Saga game or “Final Fantasy Legend 2” would come next, and would eventually be heralded as 97th of the greatest games of all time in a poll by Famitsu. For this game, Kenji Ito would assist in composition. Here’s a piano cover of “Save the World”:   https://www.youtube.com/watch?v=jCLU6V6coqg   Nobuo’s first masterpiece would come on the SNES and would be his only game of 1991. He’s called the composing process for the game one of the hardest in his career.  Staying up with the sound team deep into the night, the music would be so heralded that one of the tracks from the game would go on to be official music curriculum for japanese school students. That game would be Final Fantasy IV, and that song would be “Theme of Love”:   https://www.youtube.com/watch?v=LfV0YlvBpvE   And, how can we call ourselves fans of FF IV if we don’t include Fabul’s Theme?   https://www.youtube.com/watch?v=rlklyML9Pu8   Nobuo wouldn’t write anything for Romancing Saga, although for it and its sequel he would assist with the arrangement, his next mega-work would be Final Fantasy V. FF5 would require Uematsu to create over 56 tracks, a favorite of the game being the song “Dear Friends”, which Nobuo has performed on countless occasions:   https://www.youtube.com/watch?v=tgBccEEtu64   The next track is featured during the fight with one of the series’ most beloved opponents; Gilgamesh. Here’s a cover of “Clash on the Big Bridge”:   https://www.youtube.com/watch?v=qQGcv3encAo   We could legiimately make one of these entire episodes about FF6, but we’re gonna go ahead with the two big tracks from that masterpiece of a game. Here’s an amazing metal cover of “Dancing Mad”   https://www.youtube.com/watch?v=nqPP9tp6PKo   And let’s finish it off with a favorite of ours, Terra’s theme. Join us next week for part 2.   https://www.youtube.com/watch?v=oG-Q9ELmGpw

Sedan tidernas begynnelse har vi pratat om att göra en Final Fantasy VII-special och nu är det alltså äntligen dags. I ett lite längre avsnitt än vanligt går David, Per och Victor igenom allt från första minnen av spelet, till framtida förhoppningar på den stundande remaken. Dessutom försöker de ta reda på hur Cait Sith egentligen styrs. Kanske genom ett kommentarsfält på twitch?

Hoje o Game Audio Drops volta depois de algum tempo trazendo um assunto polêmico! Nobuo Uematsu no recente vídeo Big in Japan do Beep(documentário que será lançado falando da história e da cultura da música de jogos), assista aqui: https://vimeo.com/139395943, fala que a música de games tem que parar de se influenciar e copiar a música de cinema e se influenciar pela cultura extensa da Game Music que temos, para me ajudar a discutir sobre o assunto chamei o grande Schneider Ferreira e o compositor Ryuno e tentar entender se isso realmente existe ou se é apenas a impressão do Nobuo baseado no mercado Japonês. Enquanto estávamos preparando a pauta desse podcast estávamos escutando a clássica Dancing Mad do Final Fantasy VI, composta pelo genial e agora polemico Nobuo Uematsu. Se inscreva para a série de vídeos gratuita: 5 passos para entender melhor como criar trilha sonora pra games (http://www.gameaudioacademy.com/5passostrilhas)

Llegamos a los turbulentos 60 con una muestra del cine fantástico japonés que hacía furor en los festivales internacionales. Solo que Jigoku no es la típica película kaidan al uso, con fantasmas de mujeres agraviadas acosando a deshonrosos samurai. Se trata más bien de un cuento de su actualidad con una edificante moraleja; si vamos por ahí haciendo el mal, nos vamos derechos al infierno(o infiernos, que hay muchos) y allí sufriremos los más terribles (y sorprendentemente brutos para la época) castigos físicos. Los protagonistas de ésta historia verán sus almas arrojadas allí después de una desafortunada cadena de incidentes provocada por un accidente de tráfico. Id con cuidado al volante. Hasta mañana.

Justin has returned! Him and Josh discuss the role of music in video games. Sometimes a little bit too much fangasming over songs. But you all an appreciate the enthusiasm right!?

In this episode, Joe and Kaleb read their newest Itunes review, talk about the housing crisis in Final Fantasy XIV, where the economy is horrendous and houses cost millions of gil, leaving many players homeless, bringing down the value of the cities. We also discuss the newly released job classes in Final Fantasy Explorers; the monk, the warrior/tank, and the black mage. We also mention that this episode is super short, because we ran out of space on our media host and are too cheap to upgrade.

The Original Gamer crew meets up to talk about a pretty crazy July filled with tournaments and a special meeting with Nobuo Uematsu. www.original-gamer.com og@original-gamer.com

With Episode 10 in the can, Andrew and Dan decide to mess with your minds with this exciting eleventh episode of For All Intents and Purposes. Week in Geek:  Andrew starts making text adventures as Dan mourns the end of the Image Comics series, Prophet. Love the Craft: The Lovecraft segment returns as Dan and Andrew dissect the invisible menace of "The Dunwich Horror." Discussion:  With the avalanche of response to last week's question, Andre wand Dan decide to more fully investigate the topic of musical scores as they relate to film, video games, and television. Andrew Objects: With movie scores in mind, Andrew objects to the Eric Serra-composed score for Pierce Brosnan's first outing as James Bond, Goldeneye. Geek Thoughts:  This week, they keep up the musical themes by asking: What is your favorite television theme and why? Submit your answer––or any other comments or questions––as a comment to this episode's post at forall.libsyn.com. Or send us an e-mail at forallpod [at] gmail.com. Subscribe to this podcast on iTunes and leave us a rating, especially if you enjoy the show! Leaving ratings will help spread the word! For all intents and purposes, that was an episode recap. Music from this episode: -"Stayin' in Black" by Wax Audio -"Miles Edgeworth––Objection! 2011" by Noriyuki Iwadere (from Ace Attorney 2 Orchestra Arrangement) -"Ladies First" and "A Pleasant Drive in St. Petersburg" by Eric Serra (from the soundtrack to Goldeneye).

Olá, pessoal! Finalmente, é com todo o orgulho do mundo que apresentamos a vocês o cast de Nana! Eu estou chorando de tanta emoção… Porque esse foi o meu melhor cast, do meu anime preferido e, cada segundo dele foi incrível de várias maneiras diferentes. Posso garantir que a edição desse cast está exemplar e a … O post AFS PODCAST 088 – NANA – O Shoujo Musical DEFINITIVO apareceu primeiro em Anime Freak Show v7.0.

C-side(Communication)は、14分ごろから A-side(Academic Skill)は、32分ごろから B-side(Best score program)は、55分ごろから   ・オープ […]

C-side(Communication)は、13分ごろから A-side(Academic Skill)は、26分ごろから B-side(Best score program)は、45分ごろから   ・オープ […]

C-side(Communication)は、15分ごろから A-side(Academic Skill)は、26分ごろから B-side(Best score program)は、39分ごろから   ・オープ […]

A-side(Academic Skill)は、17分ごろから B-side(Best score program)は、29分ごろから C-side(Communication)は、44分ごろから ・オープニング ・Be […]

A-side(Academic Skill)は、19分ごろから B-side(Best score program)は、36分ごろから C-side(Communication)は、46分ごろから ・オープニング ・今回 […]

  A-side(Academic Skill)は、16分ごろから B-side(Best score program)は、35分ごろから C-side(Communication)は、52分ごろから &nbs […]

A-side(Academic Skill)は、21分ごろから B-side(Best score program)は、43分ごろから C-side(Communication)は、51分ごろから   ・オープ […]

A-side(Academic Skill)は、17分ごろから B-side(Best score program)は、29分ごろから C-side(Communication)は、46分ごろから   ・オープ […]

A-side(Academic Skill)は、16分ごろから B-side(Best score program)は、38分ごろから C-side(Communication)は、46分ごろから   ・オープ […]

今回も時間の配分がコントロール出来ず申し訳ありません！！1時間半…orz A-side(Academic Skill)は、17分ごろから B-side(Best score program)は、42分ごろから C-sid […]

今回から、いよいよ、2nd.シーズンに入っていきます。 2nd.シーズンでは、より実践的な英語力を付けるプログラムをABCの3方向で準備していきます！ A-side(Academic Skill)は、13分ごろから B- […]

Lessonは16分ごろからです☆ 今回で、英文法主体の番組はひとまず卒業したいと思っています。 次回からの内容については、鋭意試行錯誤中ですので、しばらく迷走すると思いますが、御期待＆御容赦下さいませm(– […]

Lessonは27分ごろからです☆ ・オープニング ・ノブオさんがイギリスでサッカーを観ていた件。 ・「モナリザの上にポケモンのシールを貼るようなもんだ！」 ・メッセージ紹介 ・Lesson 17 「前置詞と等位接続詞」 […]

Welcome back to Battle Bards, a collaborative bi-weekly podcast that listens to and discusses MMO soundtracks!  On our second podcast, Syl, Syp, and Steff tackle the daunting and exuberant score of Final Fantasy XI.  It's an hour full of whimsy, mogs, and earworms! Follow Battle Bards on iTunes Follow Battle Bards on Stitcher Episode 2 show notes Introduction to Final Fantasy XI's soundtrack (Composers Nobuo Uematsu, Naoshi Mizuda, and Kumi Tanioka) Airship Ru'Lude Gardens The Republic of Bastok Recollection Battle in the Dungeon Mog House Mhaura Sometime, somewhere Check out Distant Worlds Contact the Bards: email all the Bards: battlebards@mail.com Steph: MMO Gamer Chick @MMOGC Syl: MMO Gypsy @Gypsy_Syl Dodge: A Casual Stroll to Mordor @tdhowell Syp: Bio Break  @Sypster Special thanks to Tesh for the logo!

This is my Uematsu special. I will be playing some of my favorite tracks from the Final Fantasy Series. FF1 - 10. Thanks again for listening and for keeping retro gaming alive! Track Listing in this order   Prelude - FF1 Castle Pandeomiun-FF2 Living Forest-FF3 Chocobo Chocobo - FF4 Harvest Festival- FF5 Edgar & Sabins Theme- FF6 Phantom Train- FF6 Let the battle begin - FF7 Costa Del Sol- FF7 Listen to the cry from the planet- FF7 The Landing- FF8 Liberi Fatali-FF8 The Castle-FF8 A Place to call home-FF9 Village of Dali-FF9 Unforgettable Silouette-FF9 Zanarkand-FF10 Otherworld-FF10 Fight with Seymour-FF10 One Winged Angel - Distant Worlds FF7

Thu, 1 Jan 1976 12:00:00 +0100 http://epub.ub.uni-muenchen.de/3154/ http://epub.ub.uni-muenchen.de/3154/1/009.pdf Schuller, Gerd; Suga, Nobuo Schuller, Gerd und Suga, Nobuo (1976): Laryngeal Mechanisms for the Emission of CF-FM Sounds in the Doppler-Shift Compensating Bat, Rhinolophus ferrumequinum. In: Journal of Comparative Physiology A, Vol. 107: pp. 253-262.