Podcast appearances and mentions of andy mills

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah are joined by Katie Herzog, co-host of the Blocked and Reported podcast and author of an up-and-coming book on quitting booze, Drink Yourself Sober. They talk about getting canceled, navigating public backlash, and why Katie's drinking tale is different from Sarah's — she used Naltrexone, an opioid-blocker, to help quit. They discuss AA, the meaning of the word “alcoholic,” the nature of addiction, and why there's no wrong way to get sober.Also on tap:* Jesse Singal, analyzed* If you walk into the online arena, expect to get gored* Helen Lewis, epic BARpod co-host* Dan Savage is brilliant, but can he help us understand “freak offs”? (Please?)* The Onion was once sold for $10,000?* Andy Mills, top-tier man!* Missing Twitter, pre-Elon* Do NOT type your name into BlueSky * When Katie realized she had a drinking problem* “Science may one day accomplish this, but it hasn't done so yet”* Sarah breastfed until what age?* The Sinclair method* Fun drunk v. sleepy drunk* The tragic death of Jonathan Joss* Sarah was Katie's AA sensitivity reader* Naltrexone, the Ozempic of booze* Sarah learns a new phrase: “pharmacological extinction”* “My life is monumentally better than when I was drinking”* AA founder Bill Wilson = weirder than you think* Writing a recovery book is a weird form of insurance* GETTING FREE* That Salon personal essay Katie can't get off the Internet* Piled on by Milo Yiannapoulos, oh the irony* Katie is fine being cringe* RIP, William LangewiescheSo much wisdom in this podcast, but the best parts are for paid subscribers

So why did Harris lose in 2024? For one very big reason, according to the progressive essayist Bill Deresiewicz: “because she represented the exhausted Democratic establishment”. This rotting establishment, Deresiewicz believes, is symbolized by both the collective denial of Biden's mental decline and by Harris' pathetically rudderless Presidential campaign. But there's a much more troubling problem with the Democratic party, he argues. It has become “the party of institutionalized liberalism, which is itself exhausted”. So how to reinvent American liberalism in the 2020's? How to make the left once again, in Deresiewicz words, “the locus of openness, playfulness, productive contention, experiment, excess, risk, shock, camp, mirth, mischief, irony and curiosity"? That's the question for all progressives in our MAGA/Woke age. 5 Key Takeaways * Deresiewicz believes the Democratic establishment and aligned media engaged in a "tacit cover-up" of Biden's condition and other major issues like crime, border policies, and pandemic missteps rather than addressing them honestly.* The liberal movement that began in the 1960s has become "exhausted" and the Democratic Party is now an uneasy alliance of establishment elites and working-class voters whose interests don't align well.* Progressive institutions suffer from a repressive intolerance characterized by "an unearned sense of moral superiority" and a fear of vitality that leads to excessive rules, bureaucracy, and speech codes.* While young conservatives are creating new movements with energy and creativity, the progressive establishment stifles innovation by purging anyone who "violates the code" or criticizes their side.* Rebuilding the left requires creating conditions for new ideas by ending censoriousness, embracing true courage that risks something real, and potentially building new institutions rather than trying to reform existing ones. Full Transcript Andrew Keen: Hello, everyone. It's the old question on this show, Keen on America, how to make sense of this bewildering, frustrating, exciting country in the wake, particularly of the last election. A couple of years ago, we had the CNN journalist who I rather like and admire, Jake Tapper, on the show. Arguing in a piece of fiction that he thinks, to make sense of America, we need to return to the 1970s. He had a thriller out a couple of years ago called All the Demons Are Here. But I wonder if Tapper's changed his mind on this. His latest book, which is a sensation, which he co-wrote with Alex Thompson, is Original Sin, President Biden's Decline, its Cover-up and His Disastrous Choice to Run Again. Tapper, I think, tells the truth about Biden, as the New York Times notes. It's a damning portrait of an enfeebled Biden protected by his inner circle. I would extend that, rather than his inner circle protected by an elite, perhaps a coastal elite of Democrats, unable or unwilling to come to terms with the fact that Biden was way, way past his shelf life. My guest today, William Deresiewicz—always get his last name wrong—it must be...William Deresiewicz: No, that was good. You got it.Andrew Keen: Probably because I'm anti-semitic. He has a new piece out called "Post-Election" which addresses much of the rottenness of the American progressive establishment in 2025. Bill, congratulations on the piece.William Deresiewicz: Thank you.Andrew Keen: Have you had a chance to look at this Tapper book or have you read about Original Sin?William Deresiewicz: Yeah, I read that piece. I read the piece that's on the screen and I've heard some people talking about it. And I mean, as you said, it's not just his inner circle. I don't want to blame Tapper. Tapper did the work. But one immediate reaction to the debate debacle was, where have the journalists been? For example, just to unfairly call one person out, but they're just so full of themselves, the New Yorker dripping with self-congratulations, especially in its centennial year, its boundless appetite for self-celebration—to quote something one of my students once said about Yale—they've got a guy named Evan Osnos, who's one of their regulars on their political...Andrew Keen: Yeah, and he's been on the show, Evan, and in fact, I rather like his, I was going to say his husband, his father, Peter Osnos, who's a very heavy-hitting ex-publisher. But anyway, go on. And Evan's quite a nice guy, personally.William Deresiewicz: I'm sure he's a nice guy, but the fact is he's not only a New Yorker journalist, but he wrote a book about Biden, which means that he's presumably theoretically well-sourced within Biden world. He didn't say anything. I mean, did he not know or did he know?Andrew Keen: Yeah, I agree. I mean you just don't want to ask, right? You don't know. But you're a journalist, so you're supposed to know. You're supposed to ask. So I'm sure you're right on Osnos. I mean, he was on the show, but all journalists are progressives, or at least all the journalists at the Times and the New Yorker and the Atlantic. And there seemed to be, as Jake Tapper is suggesting in this new book, and he was part of the cover-up, there seemed to be a cover-up on the part of the entire professional American journalist establishment, high-end establishment, to ignore the fact that the guy running for president or the president himself clearly had no idea of what was going on around him. It's just astonishing, isn't it? I mean, hindsight's always easy, of course, 2020 in retrospect, but it was obvious at the time. I made it clear whenever I spoke about Biden, that here was a guy clearly way out of his depth, that he shouldn't have been president, maybe shouldn't have been president in the first place, but whatever you think about his ideas, he clearly was way beyond his shelf date, a year or two into the presidency.William Deresiewicz: Yeah, but here's the thing, and it's one of the things I say in the post-election piece, but I'm certainly not the only person to say this. There was an at least tacit cover-up of Biden, of his condition, but the whole thing was a cover-up, meaning every major issue that the 2024 election was about—crime, at the border, woke excess, affordability. The whole strategy of not just the Democrats, but this media establishment that's aligned with them is to just pretend that it wasn't happening, to explain it away. And we can also throw in pandemic policy, right? Which people were still thinking about and all the missteps in pandemic policy. The strategy was effectively a cover-up. We're not gonna talk about it, or we're gonna gaslight you, or we're gonna make excuses. So is it a surprise that people don't trust these establishment institutions anymore? I mean, I don't trust them anymore and I want to trust them.Andrew Keen: Were there journalists? I mean, there were a handful of journalists telling the truth about Biden. Progressives, people on the left rather than conservatives.William Deresiewicz: Ezra Klein started to talk about it, I remember that. So yes, there were a handful, but it wasn't enough. And you know, I don't say this to take away from Ezra Klein what I just gave him with my right hand, take away with my left, but he was also the guy, as soon as the Kamala succession was effected, who was talking about how Kamala in recent months has been going from strength to strength and hasn't put a foot wrong and isn't she fantastic. So all credit to him for telling the truth about Biden, but it seems to me that he immediately pivoted to—I mean, I'm sure he thought he was telling the truth about Harris, but I didn't believe that for one second.Andrew Keen: Well, meanwhile, the lies about Harris or the mythology of Harris, the false—I mean, all mythology, I guess, is false—about Harris building again. Headline in Newsweek that Harris would beat Donald Trump if an election was held again. I mean I would probably beat—I would beat Trump if an election was held again, I can't even run for president. So anyone could beat Trump, given the situation. David Plouffe suggested that—I think he's quoted in the Tapper book—that Biden totally fucked us, but it suggests that somehow Harris was a coherent progressive candidate, which she wasn't.William Deresiewicz: She wasn't. First of all, I hadn't seen this poll that she would beat Trump. I mean, it's a meaningless poll, because...Andrew Keen: You could beat him, Bill, and no one can even pronounce your last name.William Deresiewicz: Nobody could say what would actually happen if there were a real election. It's easy enough to have a hypothetical poll. People often look much better in these kinds of hypothetical polls where there's no actual election than they do when it's time for an election. I mean, I think everyone except maybe David Plouffe understands that Harris should never have been a candidate—not just after Biden dropped out way too late, but ever, right? I mean the real problem with Biden running again is that he essentially saddled us with Harris. Instead of having a real primary campaign where we could have at least entertained the possibility of some competent people—you know, there are lots of governors. I mean, I'm a little, and maybe we'll get to this, I'm little skeptical that any normal democratic politician is going to end up looking good. But at least we do have a whole bunch of what seem to be competent governors, people with executive experience. And we never had a chance to entertain any of those people because this democratic establishment just keeps telling us who we're going to vote for. I mean, it's now three elections in a row—they forced Hillary on us, and then Biden. I'm not going to say they forced Biden on us although elements of it did. It probably was a good thing because he won and he may have been the only one who could have won. And then Harris—it's like reductio ad absurdum. These candidates they keep handing us keep getting worse and worse.Andrew Keen: But it's more than being worse. I mean, whatever one can say about Harris, she couldn't explain why she wanted to be president, which seems to me a disqualifier if you're running for president. The point, the broader point, which I think you bring out very well in the piece you write, and you and I are very much on the same page here, so I'm not going to criticize you in your post-election—William Deresiewicz: You can criticize me, Andrew, I love—Andrew Keen: I know I can criticize you, and I will, but not in this particular area—is that these people are the establishment. They're protecting a globalized world, they're the coast. I mean, in some ways, certainly the Bannonite analysis is right, and it's not surprising that they're borrowing from Lenin and the left is borrowing from Edmund Burke.William Deresiewicz: Yeah, I mean I think, and I think this is the real problem. I mean, part of what I say in the piece is that it just seems, maybe this is too organicist, but there just seems to be an exhaustion that the liberal impulse that started, you know, around the time I was born in 1964, and I cite the Dylan movie just because it's a picture of that time where you get a sense of the energy on the left, the dawning of all this exciting—Andrew Keen: You know that movie—and we've done a show on that movie—itself was critical I guess in a way of Dylan for not being political.William Deresiewicz: Well, but even leaving that aside, just the reminder you get of what that time felt like. That seems in the movie relatively accurate, that this new youth culture, the rights revolution, the counterculture, a new kind of impulse of liberalism and progressivism that was very powerful and strong and carried us through the 60s and 70s and then became the establishment and has just become completely exhausted now. So I just feel like it's just gotten to the end of its possibility. Gotten to the end of its life cycle, but also in a less sort of mystical way. And I think this is a structural problem that the Democrats have not been able to address for a long time, and I don't see how they're going to address it. The party is now the party, as you just said, of the establishment, uneasily wedded to a mainly non-white sort of working class, lower class, maybe somewhat middle class. So it's sort of this kind of hybrid beast, the two halves of which don't really fit together. The educated upper middle class, the professional managerial class that you and I are part of, and then sort of the average Black Latino female, white female voter who doesn't share the interests of that class. So what are you gonna do about that? How's that gonna work?Andrew Keen: And the thing that you've always given a lot of thought to, and it certainly comes out in this piece, is the intolerance of the Democratic Party. But it's an intolerance—it's not a sort of, and I don't like this word, it's not the fascist intolerance of the MAGA movement or of Trump. It's a repressive intolerance, it's this idea that we're always right and if you disagree with us, then there must be something wrong with you.William Deresiewicz: Yeah, right. It's this, at this point, completely unearned sense of moral superiority and intellectual superiority, which are not really very clearly distinguished in their mind, I think. And you know, they just reek of it and people hate it and it's understandable that they hate it. I mean, it's Hillary in a word. It's Hillary in a word and again, I'm wary of treading on this kind of ground, but I do think there's an element of—I mean, obviously Trump and his whole camp is very masculinist in a very repulsive way, but there is also a way to be maternalist in a repulsive way. It's this kind of maternal control. I think of it as the sushi mom voice where we're gonna explain to you in a calm way why you should listen to us and why we're going to control every move you make. And it's this fear—I mean what my piece is really about is this sort of quasi-Nietzschean argument for energy and vitality that's lacking on the left. And I think it's lacking because the left fears it. It fears sort of the chaos of the life force. So it just wants to shackle it in all of these rules and bureaucracy and speech codes and consent codes. It just feels lifeless. And I think everybody feels that.Andrew Keen: Yeah, and it's the inability to imagine you can be wrong. It's the moral greediness of some people, at least, who think of themselves on the left. Some people might be listening to this, thinking it's just these two old white guys who think themselves as progressives but are actually really conservative. And all this idea of nature is itself chilling, that it's a kind of anti-feminism.William Deresiewicz: Well, that's b******t. I mean, let me have a chance to respond. I mean I plead guilty to being an old white man—Andrew Keen: I mean you can't argue with that one.William Deresiewicz: I'm not arguing with it. But the whole point rests on this notion of positionality, like I'm an older white man, therefore I think this or I believe that, which I think is b******t to begin with because, you know, down the street there's another older white guy who believes the exact opposite of me, so what's the argument here? But leaving that aside, and whether I am or am not a progressive—okay, my ideal politician is Bernie Sanders, so I'll just leave it at that. The point is, I mean, one point is that feminism hasn't always been like this. Second wave feminism that started in the late sixties, when I was a little kid—there was a censorious aspect to it, but there was also this tremendous vitality. I mean I think of somebody like Andrea Dworkin—this is like, "f**k you" feminism. This is like, "I'm not only not gonna shave my legs, I'm gonna shave my armpits and I don't give a s**t what you think." And then the next generation when I was a young man was the Mary Gates, Camille Paglia, sex-positive power feminism which also had a different kind of vitality. So I don't think feminism has to be the feminism of the women's studies departments and of Hillary Clinton with "you can't say this" and "if you want to have sex with me you have to follow these 10 rules." I don't think anybody likes that.Andrew Keen: The deplorables!William Deresiewicz: Yes, yes, yes. Like I said, I don't just think that the enemies don't like it, and I don't really care what they think. I think the people on our side don't like it. Nobody is having fun on our side. It's boring. No one's having sex from what they tell me. The young—it just feels dead. And I think when there's no vitality, you also have no creative vitality. And I think the intellectual cul-de-sac that the left seems to be stuck in, where there are no new ideas, is related to that.Andrew Keen: Yeah, and I think the more I think about it, I think you're right, it's a generational war. All the action seems to be coming from old people, whether it's the Pelosis and the Bidens, or it's people like Richard Reeves making a fortune off books about worrying about young men or Jonathan Haidt writing about the anxious generation. Where are, to quote David Bowie, the young Americans? Why aren't they—I mean, Bill, you're in a way guilty of this. You made your name with your book, Excellent Sheep about the miseducation...William Deresiewicz: Yeah, so what am I guilty of exactly?Andrew Keen: I'm not saying you're all, but aren't you and Reeves and Haidt, you're all involved in this weird kind of generational war.William Deresiewicz: OK, let's pump the brakes here for a second. Where the young people are—I mean, obviously most people, even young people today, still vote for Democrats. But the young who seem to be exploring new things and having energy and excitement are on the right. And there was a piece—I'm gonna forget the name of the piece and the author—Daniel Oppenheimer had her on the podcast. I think it appeared in The Point. Young woman. Fairly recent college graduate, went to a convention of young republicans, I don't know what they call themselves, and also to democrats or liberals in quick succession and wrote a really good piece about it. I don't think she had ever written anything before or published anything before, but it got a lot of attention because she talked about the youthful vitality at this conservative gathering. And then she goes to the liberals and they're all gray-haired men like us. The one person who had anything interesting to say was Francis Fukuyama, who's in his 80s. She's making the point—this is the point—it's not a generational war, because there are young people on the right side of the spectrum who are doing interesting things. I mean, I don't like what they're doing, because I'm not a rightist, but they're interesting, they're different, they're new, there's excitement there, there's creativity there.Andrew Keen: But could one argue, Bill, that all these labels are meaningless and that whatever they're doing—I'm sure they're having more sex than young progressives, they're having more fun, they're able to make jokes, they are able, for better or worse, to change the system. Does it really matter whether they claim to be MAGA people or leftists? They're the ones who are driving change in the country.William Deresiewicz: Yes, they're the ones who are driving change in the country. The counter-cultural energy that was on the left in the sixties and seventies is now on the right. And it does matter because they are operating in the political sphere, have an effect in the political sphere, and they're unmistakably on the right. I mean, there are all these new weird species on the right—the trads and the neo-pagans and the alt-right and very sort of anti-capitalist conservatives or at least anti-corporate conservatives and all kinds of things that you would never have imagined five years ago. And again, it's not that I like these things. It's that they're new, there's ferment there. So stuff is coming out that is going to drive, is already driving the culture and therefore the politics forward. And as somebody who, yes, is progressive, it is endlessly frustrating to me that we have lost this kind of initiative, momentum, energy, creativity, to what used to be the stodgy old right. Now we're the stodgy old left.Andrew Keen: What do you want to go back to? I mean you brought up Dylan earlier. Do you just want to resurrect...William Deresiewicz: No, I don't.Andrew Keen: You know another one who comes to mind is another sort of bundle of contradictions, Bruce Springsteen. He recently talked about the corrupt, incompetent, and treasonous nature of Trump. I mean Springsteen's a billionaire. He even acknowledged that he mythologized his own working-class status. He's never spent more than an hour in a factory. He's never had a job. So aren't all the pigeons coming back to roost here? The fraud of men like Springsteen are merely being exposed and young people recognize it.William Deresiewicz: Well, I don't know about Springsteen in particular...Andrew Keen: Well, he's a big deal.William Deresiewicz: No, I know he's a big deal, and I love Springsteen. I listened to him on repeat when I was young, and I actually didn't know that he'd never worked in a factory, and I quite frankly don't care because he's an artist, and he made great art out of those experiences, whether they were his or not. But to address the real issue here, he is an old guy. It sounds like he's just—I mean, I'm sure he's sincere about it and I would agree with him about Trump. But to have people like Springsteen or Robert De Niro or George Clooney...Andrew Keen: Here it is.William Deresiewicz: Okay, yes, it's all to the point that these are old guys. So you asked me, do I want to go back? The whole point is I don't want to go back. I want to go forward. I'm not going to be the one to bring us forward because I'm older. And also, I don't think I was ever that kind of creative spirit, but I want to know why there isn't sort of youthful creativity given the fact that most young people do still vote for Democrats, but there's no youthful creativity on the left. Is it just that the—I want to be surprised is the point. I'm not calling for X, Y, or Z. I'm saying astonish me, right? Like Diaghilev said to Cocteau. Astonish me the way you did in the 60s and 70s. Show me something new. And I worry that it simply isn't possible on the left now, precisely because it's so locked down in this kind of establishment, censorious mode that there's no room for a new idea to come from anywhere.Andrew Keen: As it happens, you published this essay in Salmagundi—and that predates, if not even be pre-counterculture. How many years old is it? I think it started in '64. Yeah, so alongside your piece is an interesting piece from Adam Phillips about influence and anxiety. And he quotes Montaigne from "On Experience": "There is always room for a successor, even for ourselves, and a different way to proceed." Is the problem, Bill, that we haven't, we're not willing to leave the stage? I mean, Nancy Pelosi is a good example of this. Biden's a good example. In this Salmagundi piece, there's an essay from Martin Jay, who's 81 years old. I was a grad student in Berkeley in the 80s. Even at that point, he seemed old. Why are these people not able to leave the stage?William Deresiewicz: I am not going to necessarily sign on to that argument, and not just because I'm getting older. Biden...Andrew Keen: How old are you, by the way?William Deresiewicz: I'm 61. So you mentioned Pelosi. I would have been happy for Pelosi to remain in her position for as long as she wanted, because she was effective. It's not about how old you are. Although it can be, obviously as you get older you can become less effective like Joe Biden. I think there's room for the old and the young together if the old are saying valuable things and if the young are saying valuable things. It's not like there's a shortage of young voices on the left now. They're just not interesting voices. I mean, the one that comes immediately to mind that I'm more interested in is Ritchie Torres, who's this congressman who's a genuinely working-class Black congressman from the Bronx, unlike AOC, who grew up the daughter of an architect in Northern Westchester and went to a fancy private university, Boston University. So Ritchie Torres is not a doctrinaire leftist Democrat. And he seems to speak from a real self. Like he isn't just talking about boilerplate. I just feel like there isn't a lot of room for the Ritchie Torres. I think the system that produces democratic candidates militates against people like Ritchie Torres. And that's what I am talking about.Andrew Keen: In the essay, you write about Andy Mills, who was one of the pioneers of the New York Times podcast. He got thrown out of The New York Times for various offenses. It's one of the problems with the left—they've, rather like the Stalinists in the 1930s, purged all the energy out of themselves. Anyone of any originality has been thrown out for one reason or another.William Deresiewicz: Well, because it's always the same reason, because they violate the code. I mean, yes, this is one of the main problems. And to go back to where we started with the journalists, it seems like the rationale for the cover-up, all the cover-ups was, "we can't say anything bad about our side. We can't point out any of the flaws because that's going to help the bad guys." So if anybody breaks ranks, we're going to cancel them. We're going to purge them. I mean, any idiot understands that that's a very short-term strategy. You need the possibility of self-criticism and self-difference. I mean that's the thing—you asked me about old people leaving the stage, but the quotation from Montaigne said, "there's always room for a successor, even ourselves." So this is about the possibility of continuous self-reinvention. Whatever you want to say about Dylan, some people like him, some don't, he's done that. Bowie's done that. This was sort of our idea, like you're constantly reinventing yourself, but this is what we don't have.Andrew Keen: Yeah, actually, I read the quote the wrong way, that we need to reinvent ourselves. Bowie is a very good example if one acknowledges, and Dylan of course, one's own fundamental plasticity. And that's another problem with the progressive movement—they don't think of the human condition as a plastic one.William Deresiewicz: That's interesting. I mean, in one respect, I think they think of it as too plastic, right? This is sort of the blank slate fallacy that we can make—there's no such thing as human nature and we can reshape it as we wish. But at the same time, they've created a situation, and this really is what Excellent Sheep is about, where they're turning out the same human product over and over.Andrew Keen: But in that sense, then, the excellent sheep you write about at Yale, they've all ended up now as neo-liberal, neo-conservative, so they're just rebelling...William Deresiewicz: No, they haven't. No, they are the backbone of this soggy liberal progressive establishment. A lot of them are. I mean, why is, you know, even Wall Street and Silicon Valley sort of by preference liberal? It's because they're full of these kinds of elite college graduates who have been trained to be liberal.Andrew Keen: So what are we to make of the Musk-Thiel, particularly the Musk phenomenon? I mean, certainly Thiel, very much influenced by Rand, who herself, of course, was about as deeply Nietzschean as you can get. Why isn't Thiel and Musk just a model of the virility, the vitality of the early 21st century? You might not like what they say, but they're full of vitality.William Deresiewicz: It's interesting, there's a place in my piece where I say that the liberal can't accept the idea that a bad person can do great things. And one of my examples was Elon Musk. And the other one—Andrew Keen: Zuckerberg.William Deresiewicz: But Musk is not in the piece, because I wrote the piece before the inauguration and they asked me to change it because of what Musk was doing. And even I was beginning to get a little queasy just because the association with Musk is now different. It's now DOGE. But Musk, who I've always hated, I've never liked the guy, even when liberals loved him for making electric cars. He is an example, at least the pre-DOGE Musk, of a horrible human being with incredible vitality who's done great things, whether you like it or not. And I want—I mean, this is the energy that I want to harness for our team.Andrew Keen: I actually mostly agreed with your piece, but I didn't agree with that because I think most progressives believe that actually, the Zuckerbergs and the Musks, by doing, by being so successful, by becoming multi-billionaires, are morally a bit dodgy. I mean, I don't know where you get that.William Deresiewicz: That's exactly the point. But I think what they do is when they don't like somebody, they just negate the idea that they're great. "Well, he's just not really doing anything that great." You disagree.Andrew Keen: So what about ideas, Bill? Where is there room to rebuild the left? I take your points, and I don't think many people would actually disagree with you. Where does the left, if there's such a term anymore, need to go out on a limb, break some eggs, offend some people, but nonetheless rebuild itself? It's not going back to Bernie Sanders and some sort of nostalgic New Deal.William Deresiewicz: No, no, I agree. So this is, this may be unsatisfying, but this is what I'm saying. If there were specific new ideas that I thought the left should embrace, I would have said so. What I'm seeing is the left needs, to begin with, to create the conditions from which new ideas can come. So I mean, we've been talking about a lot of it. The censoriousness needs to go.I would also say—actually, I talk about this also—you know, maybe you would consider yourself part of, I don't know. There's this whole sort of heterodox realm of people who did dare to violate the progressive pieties and say, "maybe the pandemic response isn't going so well; maybe the Black Lives Matter protests did have a lot of violence"—maybe all the things, right? And they were all driven out from 2020 and so forth. A lot of them were people who started on the left and would even still describe themselves as liberal, would never vote for a Republican. So these people are out there. They're just, they don't have a voice within the Democratic camp because the orthodoxy continues to be enforced.So that's what I'm saying. You've got to start with the structural conditions. And one of them may be that we need to get—I don't even know that these institutions can reform themselves, whether it's the Times or the New Yorker or the Ivy League. And it may be that we need to build new institutions, which is also something that's happening. I mean, it's something that's happening in the realm of publishing and journalism on Substack. But again, they're still marginalized because that liberal establishment does not—it's not that old people don't wanna give up power, it's that the established people don't want to give up the power. I mean Harris is, you know, she's like my age. So the establishment as embodied by the Times, the New Yorker, the Ivy League, foundations, the think tanks, the Democratic Party establishment—they don't want to move aside. But it's so obviously clear at this point that they are not the solution. They're not the solutions.Andrew Keen: What about the so-called resistance? I mean, a lot of people were deeply disappointed by the response of law firms, maybe even universities, the democratic party as we noted is pretty much irrelevant. Is it possible for the left to rebuild itself by a kind of self-sacrifice, by lawyers who say "I don't care what you think of me, I'm simply against you" and to work together, or university presidents who will take massive pay cuts and take on MAGA/Trump world?William Deresiewicz: Yeah, I mean, I don't know if this is going to be the solution to the left rebuilding itself, but I think it has to happen, not just because it has to happen for policy reasons, but I mean you need to start by finding your courage again. I'm not going to say your testicles because that's gendered, but you need to start—I mean the law firms, maybe that's a little, people have said, well, it's different because they're in a competitive business with each other, but why did the university—I mean I'm a Columbia alumnus. I could not believe that Columbia immediately caved.It occurs to me as we're talking that these are people, university presidents who have learned cowardice. This is how they got to be where they got and how they keep their jobs. They've learned to yield in the face of the demands of students, the demands of alumni, the demands of donors, maybe the demands of faculty. They don't know how to be courageous anymore. And as much as I have lots of reasons, including personal ones, to hate Harvard University, good for them. Somebody finally stood up, and I was really glad to see that. So yeah, I think this would be one good way to start.Andrew Keen: Courage, in other words, is the beginning.William Deresiewicz: Courage is the beginning.Andrew Keen: But not a courage that takes itself too seriously.William Deresiewicz: I mean, you know, sure. I mean I don't really care how seriously—not the self-referential courage. Real courage, which means you're really risking losing something. That's what it means.Andrew Keen: And how can you and I then manifest this courage?William Deresiewicz: You know, you made me listen to Jocelyn Benson.Andrew Keen: Oh, yeah, I forgot and I actually I have to admit I saw that on the email and then I forgot who Jocelyn Benson is, which is probably reflects the fact that she didn't say very much.William Deresiewicz: For those of you who don't know what we're talking about, she's the Secretary of State of Michigan. She's running for governor.Andrew Keen: Oh yeah, and she was absolutely diabolical. She was on the show, I thought.William Deresiewicz: She wrote a book called Purposeful Warrior, and the whole interview was just this salad of cliches. Purpose, warrior, grit, authenticity. And part of, I mentioned her partly because she talked about courage in a way that was complete nonsense.Andrew Keen: Real courage, yeah, real courage. I remember her now. Yeah, yeah.William Deresiewicz: Yeah, she got made into a martyr because she got threatened after the 2020 election.Andrew Keen: Well, lots to think about, Bill. Very good conversation, as always. I think we need to get rid of old white men like you and I, but what do I know?William Deresiewicz: I mean, I am going to keep a death grip on my position, which is no good whatsoever.Andrew Keen: As I half-joked, Bill, maybe you should have called the piece "Post-Erection." If you can't get an erection, then you certainly shouldn't be in public office. That would have meant that Joe Biden would have had to have retired immediately.William Deresiewicz: I'm looking forward to seeing the test you devise to determine whether people meet your criterion.Andrew Keen: Yeah, maybe it will be a public one. Bread and circuses, bread and elections. We shall see, Bill, I'm not even going to do your last name because I got it right once. I'm never going to say it again. Bill, congratulations on the piece "Post-Election," not "Post-Erection," and we will talk again. This story is going to run and run. We will talk again in the not too distant future. Thank you so much.William Deresiewicz: That's good.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Journalists play a vital role in a democracy, holding power to account. The traditional model of journalism sees journalists as disinterested seekers of the truth, striving for ‘objectivity' and suppressing their own opinions. But as newsrooms and editorial pages previously staffed only by white male journalists have evolved, and as the internet has driven the rise of opinion journalism, we are faced with two important questions: Does it matter who journalists are? And does it matter what they think? At a time when media business models are in crisis, how should we think about bias, representation, truth and opinion? What happens when journalists themselves become ‘the story'? And if we can't talk about these thorny questions in the media itself, can the media do its job at all?  Antoinette Lattouf is a broadcaster, columnist, author, speaker, human rights advocate, mental health ambassador who dabbles in satire and is terrible at reverse parking. She is the creator and co-host of The Antoinettes podcast, a weekly commentary and comedy podcast. She is also the co-host of news and analysis podcast The Briefing. The multi-award-winning journalist is the co-founder of Media Diversity Australia – a not-for-profit organisation working towards increasing cultural and linguistic diversity in the media. Andy Mills is an American reporter and podcast producer who co-created The Daily at The New York Times, Reflector and several documentary series including Rabbit Hole and The Witch Trials of J.K. Rowling. Josh Szeps is one of Australia's most influential and innovative interviewers. In New York, he was a founding host-producer of the revolutionary US streaming news network, HuffPost Live. He won a Webby Award while the organisation won a Pulitzer. Josh also appeared regularly with Al Roker as a contributor on the NBC TODAY Show. On his return to Australia, he co-anchored the national morning television show, Weekend Breakfast, and became a fixture of ABC Radio Sydney. Afternoons with Josh Szeps launched in 2021, a three-hour daily talkback radio show. In 2024, Josh left the legacy media to wrestle freely with ideas in a spicier way. Uncomfortable Conversations with Josh Szeps took off as a podcast, Substack publication, live touring enterprise and YouTube channel. Chaired by Louise Adler, Director of Adelaide Writers' Week, who has spent over 30 years in the culture business and continues to be committed to the dissemination of dangerous ideas.

If you listen to podcasts, you're probably familiar with Andy Mills' work. He was a co-creator of The Daily, the award-winning podcast for the New York Times that attracts millions of listeners each week. He's also created, produced, and edited Rabbit Hole, Caliphate, and The Witch Trials of J.K. Rowling, among others. Andy is a deeply thoughtful, intentionally curious human, and that is readily apparent in his newest show, Reflector, co-created with Matthew Boll. We get into a lot in this conversation, like why has storytelling become increasingly political over the last decade? What happens when politics comes to fill a space in society that religion once did? And how do we get to the truth of an event that involves multiple valid perspectives? If there's a though line here, it's a call to reject what Andy calls, “The arrogance of certainty.”Reflector (Substack) // Reflector (Spotify)Rabbit HoleThe Witch Trials of J.K. Rowlingandymills.workGround News gathers news coverage from around the world, empowers free thinking, and makes media bias explicit. Subscribe through my link at https://check.ground.news/Next for 15% off your subscription.If You Liked This Conversation, You'll Probably Like These Episodes of Where We Go Next:117: The Things We're Afraid to Talk About (But Should), with Sarah Hepola & Nancy Rommelmann115: Spaceships, Silicon Valley, and Psilocybin, with Ashlee Vance113: Freethinkers Only, Please, with Meghan Daum110: The Mounting Evidence That COVID-19 Leaked from a Lab, with Alina Chan108: Investigative Journalism Is in Jeopardy, with Nancy Rommelmann105: Religious Cults, Fringe Science, and the Need for Belief, with Ross Blocher & Carrie Poppy101: Uncovering the Hidden Truths in Political Memoirs, with Carlos Lozada91: Free Speech Isn't Just for People We Like, with Kat Rosenfield65: Untangling Partisan Narratives and Fixing Political News, with Isaac Saul40: Great Writers Must Be Vulnerable in Public, with Andrew Sullivan----------If you liked this episode, consider sharing it with someone you think might like it too.Email: michael@wherewegonext.comInstagram: @wwgnpodcast

Throughout history we have found ways to regulate human behaviour through the threat of social exclusion. But while the idea of ‘cancellation' is not new, the online sphere has radically shifted the way we hold people to account and punish perceived wrongdoing.  Is redemption possible in the digital age? And can narratives of growth and forgiveness help us shift the power from condemnation to compassion? What does ‘forgiveness' look like in the digital age?    David Baddiel is an accomplished comedian, author, screenwriter and television presenter. His works include the Sunday Times Politics Book of The Year – his polemic Jews Don't Count, and The God Desire. Roxane Gay is an author whose works include Ayiti, An Untamed State, The New York Times' bestselling Bad Feminist, and The New York Times' bestselling Hunger: A Memoir of My Body and the nationally bestselling Opinions: A Decade of Arguments, Criticism, and Minding Other People's Business. Andy Mills is an American reporter and podcast producer who co-created The Daily at The New York Times, Reflector and several documentary series including Rabbit Hole and The Witch Trials of J.K. Rowling. Megan Phelps-Roper is an author and podcast producer who left a life of religious extremism in 2012. She has spent the past decade using her experiences to work with schools on anti-bullying campaigns, with law enforcement organisations investigating deradicalisation, and with tech companies on the intersection of safety, free speech, and the value of dialogue across ideological divides. She hosted and produced The Witch Trials of J.K. Rowling. Chaired by philosopher, Tim Dean.

Do we have to choose between conserving nature and growing the economy?The Chancellor Rachel Reeves has been complaining about the £100m being spent on a tunnel to stop bats being squished by trains on the HS2 railway line. A debate about whether looking after the environment is getting in the way of developing Britain's infrastructure has ensued. Is nature conservation getting in the way of economic growth - and can there only be one winner?Presenter: Adam Fleming Producers: Josephine Casserly, Simon Tulett, Beth Ashmead-Latham Editor: Penny Murphy Production coordinator: Janet Staples Studio engineer: Andy Mills

Meghan Murphy speaks with Andy Mills, a journalist, host of ⁠Reflector⁠, and co-creator of ⁠The Witch Trials of JK Rowling⁠. Any was working at the New York Times when an accusation of “abuse” forced him to resign. His illustrious and well-deserved career was taken from him in a moment over minor past infractions. Andy recovered, of course, and is forging forward in journalism, but the experience impacted him deeply. We spoke about what journalism needs, what “bigotry” really means, what being cancelled feels like, why he loves scary movies (and Taylor Swift) and more. The Same Drugs is a fully independent, listener-supported, non-Russia-funded podcast. Please consider ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠supporting us with a donation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, beco⁠ming⁠ a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patron⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or becoming a paid ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠subscriber on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can watch select clips and episodes of The Same Drugs on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Full videos are available on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and to YouTube channel members. You can support The Same Drugs on Spotify by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠clicking the "support" button⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or you can ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠donate directly via Stripe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The Same Drugs is on X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thesamedrugs_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Meghan Murphy is on X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@meghanemurphy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@meghanemilymurphy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find The Same Drugs merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fourthwall⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-same-drugs/support

In 2016, the election of Donald Trump took the mainstream media by surprise, with many in the press struggling to understand his rise to power and the factors driving it. Now, in the wake of Donald Trump's decisive win, here we are again. My guest on today's program suspected we might be missing the story, and just days before the election, published a brilliant podcast episode unpacking the comeback of Donald Trump.Andy Mills is an award-winning American reporter and podcast producer, and co-creator of The Daily at The New York Times and The Witch Trials of J.K. Rowling at The Free Press. He's now the host of the Reflector podcast.You can find Tara Henley on Twitter at @TaraRHenley, and on Substack at tarahenley.substack.com

Podcaster/journalist Andy Mills shares the unusual trajectory of his life and career: from small town boy; to God-loving member of a close-knit group of friends; to rebellious drop-out of a Christian college; to curious outsider in Southern Sudan; to hard-working, some-time inappropriate young media professional; to a more self-aware, award-winning podcast producer; to New York Times outcast; to independent media professional (with a Substack, of course). [Break for breath.] Along the way, we discuss the merits/drawbacks of faith, unpack the pivotal year that was 2015, debate the limitations of forgiveness, and dissect the difference between being canceled for your beliefs versus what others believe of you.Mentioned in this episode:-Reflector podcast -Mills Spills (BAR pod) -The Witch Trials of JK Rowling (Free Press)Find us on Apple Podcasts, Spotify, or wherever you get your podcasts. Share @UncertainPod on your social media of choice.On the agenda:- Growing up in small town Christian America [0:00-14:53]-What happened to the Church - a.k.a When God died in 2015 [14:54-22:00]-Winning, and then losing, the friendship lottery [22:01-47:39]-The tension of uncertainty in community [47:40-52:52]-Online conversations and communities (back to 2015) [52:53-1:01:59]-Entering journalism by way of Sudan [1:02:00-1:11:57]-Identity, narrative, and bias [1:11:58-1:30:30]-The tribe of media and the danger of ideas (2015 reprise) 1:30:31-1:42:30-Andy's second cancelation story [1:42:31-1:59:26]-Comparing the cancellations [1:59:27-2:05:36]-What happened at the New York Times [2:05:37-2:19:15]Uncertain Things is hosted and produced by Adaam James Levin-Areddy and Vanessa M. Quirk. For more doomsday thoughts, subscribe to: uncertain.substack.com. Get full access to Uncertain Things at uncertain.substack.com/subscribe

This week on the Primo episode, Katie is joined by huge dorks Matt Boll and Andy Mills to discuss a scandal in the gaming world. To hear more, visit www.blockedandreported.org

This week on Blocked and Reported, Katie is joined by Reflector's Andy Mills and Matt Boll to discuss a controversy surrounding X-Men '97. Plus, catastrophe in the Southeast. Hurricane Helene: Rumor Response | FEMA.govSexy vintage X-MenSexy X-Men ‘97Beau DeMayo (@beau_demayo) • Instagram photos and videoshttps://www.tylerramsey.com/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.blockedandreported.org/subscribe

On this week's bonus episode with talk with Kentucky Ag Ext specialist Andy Mills to learn about growing alfalfa for wildlife.  We have all heard about the quality of forage that alfalfa can produce but we've also heard of the many difficulties. Why is it considered to such a good forage and what are the techniques a guy needs to use to establish a field. Andy explains it all and we learned from him. If you interested in growing diverse crops for your wildlife, you'll find this one interesting. Listen, Learn and Enjoy. Support the showStay connected with GameKeepers: Instagram: @mossyoakgamekeepers Facebook: @GameKeepers Twitter: @MOGameKeepers YouTube: @MossyOakGameKeepers Website: https://mossyoakgamekeeper.com/ Subscribe to Gamekeepers Magazine: https://bit.ly/GK_Magazine Buy a Single Issue of Gamekeepers Magazine: https://bit.ly/GK_Single_Issue Join our Newsletters: Field Notes - https://bit.ly/GKField_Notes | The Branch - https://bit.ly/the_branch Have a question for us or a podcast idea? Email us at gamekeepers@mossyoak.com

In the last episode, we sat down with Andy Mills to discuss his thoughts on the public reading of scripture as it relates to personal growth. The conversation continues in this episode with part two. What an encouraging listen! 

In part one of a two-part episode, Andy Mills joins the podcast to discuss the public reading of scripture as it relates to spiritual growth. Andy is the co-chair of the Grace & Mercy Foundation. He served as a board member and senior fellow at Kings College and co-chair of the Theology of Work project. We hope the discussion encourages you in your spiritual journey!

Today, we have a special story from two friends and former Free Pressers, Andy Mills and Matt Boll. They have a new podcast, Reflector, that I think you're going to love, and we're sharing an episode where they look at some of the hidden truths and misconceptions about alcoholism and how to treat it. Alcohol consumption increased more during the Covid years than it had at any time in the past 50 years. In fact, Americans were drinking so much that from 2020 through 2021, there were approximately 178,000 alcohol-related deaths, which is more deaths than from all drug overdoses combined, including opioids. And yet most Americans with a drinking problem never speak to their doctors about their drinking, and fewer than 6 percent of them receive any form of treatment whatsoever. Today, a woman named Katie tells the story of her self-experimentation with a little-known but highly effective drug to combat her alcohol addiction. It's not only an incredibly moving story of one woman's journey but it also gets to the bigger question of why these types of medications aren't widely used in America, and it challenges everything we know about alcoholism and how to treat it. Check out Reflector wherever you get your podcasts, or by going to reflector.show and becoming a subscriber.  If you liked what you heard from Honestly, the best way to support us is to go to TheFP.com/subscribe and become a Free Press subscriber today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The girls are joined by Andy Mills, a reporter and a podcaster who spent time as both a fundamentalist Christian and an employee of The NY Times. You may know him from such podcasts as The Daily, The Witch Trials of J.K Rowling, and most recently, Reflector.We discuss faith and certainty, values, conspiracy theories about the media, how to pray in 2024, Fandom, and much more! Andy has been listening to Ask A Jew, so he really wants to talk to us about Botox.Growing up super-duper religiousWhat Andy accidentally learned at seminaryPut your money where your values areHave you tried being less authentic, Yael?This phone is made for callingFandom built the internetOpen your homeWill Biden resign? We called it.Trump supporters walk amongst you!The parents of hostage Omer Neutra speak at the RNC (here's what the Washington Post had to say about it)We ask Andy, what is a Podcast?Ladies, shoot your shot.Listen to Reflector!!  Joing the AAJ conversation on Susbtack! askajew.substack.comEmail us your questions askajewpod@gmail.com ⭐ ⭐ ⭐ ⭐ ⭐ Want to help us grow? Rate and review us 5 stars on Apple podcasts and Spotify ⭐ ⭐ ⭐ ⭐ ⭐

Podcast production legend Andy Mills survived–and thrived–in the venerable halls of NPR and the New York Times, where he worked for Radiolab, co-creating The Daily as well as series like Rabbit Hole and Caliphate. More recently, he co-created groundbreaking podcast The Witch Trials of JK Rowling for The Free Press. Today, he's living in the midwest and, along with his creative partner Matthew Boll, trying to build his own platform, one meticulously produced podcast at a time. Is he losing his mind? Or getting his soul back?Check out Andy and Mathew Boll's new podcast, the Reflector:We need you, we love you. Do you love us???? (Subscribe please, this is degrading.) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit aspecialplace.substack.com/subscribe

The podcasting pioneer discusses capturing the real J.K. Rowling, quitting The New York Times, and his new show Reflector.

About a year ago, the team that makes this show (Matt Boll and me, Andy Mills) along with our dear friend Megan Phelps-Roper (who also helps with each episode of Reflector), put out the final installment of The Witch Trials of J.K. Rowling.  The show was a big hit with millions of listeners, even as it split — and in some cases enraged — media critics. Our aim was to tell the story of Rowling's two major public controversies — both the witchcraft accusations from the late 90's and the current backlash around sex and gender — as a way to uncover deeper truths about human nature. Today, Megan again joins us to ask: Where do things stand now? For Rowling, for the debate around sex and gender, and for our society's willingness to have hard conversations in public. Here in Part 1, author and journalist Helen Lewis guides us through the latest developments in women-only sports, women-only spaces, and youth transition medicine. We explore the ways in which the United States is becoming more of an outlier, and how J.K. Rowling's career has continued to thrive amidst the backlash against her. In Part 2, we dive into thoughts and criticism — of J.K. Rowling, of the series we made about her, and of our team itself — from three members of the trans community, each with a unique perspective. This includes two of listeners' favorite guests from the original series: Natalie and Noah. For paid subscribers you can listen to that episode right away. To become a paid subscriber visit us at reflector.show As always we appreciate your time and attention, and would be delighted if you'd share this show and give us a rating on Apple or Spotify. If you have any feedback, story suggestions, or criticisms, feel free to shoot us an email at hello@reflector.show

On this episode of Big Conversations, Little Bar, hosts Patrick Evans and Randy Florence sit down with Andy Mills, the Chief of Police in Palm Springs. From the corner booth at Skip Paige's Little Bar, Chief Mills shares the compelling journey that led him from Midwest to Golden State, and finally to the heart of the Coachella Valley. Fully integrated into the local culture alongside his wife, Chief Mills discusses his deep appreciation for the diversity, environment, and unique spirit of the region. He delves into his early interest in police work, sparked by an Indiana State Police trooper who took him on a ride-along. His early-life exposure to diversity in his interfaith household, and music also played pivotal roles in shaping his views on respect and inclusion. Tune in to this insightful episode of Big Conversations, Little Bar for an intimate look at the values and experiences that define Palm Springs' top law enforcement officer from Little Bar – the Center of the Coachella Valley Universe and presented by the McCallum Theatre with tickets now on sale for the 2024-25 season at McCallumTheatre.org.#BigConversationsLittleBar #PodcastEpisode #AndyMills #ChiefOfPolice #PalmSprings #CoachellaValley #CultureAndCommunity #DiversityAndInclusion #MusicAndRespect #PodcastInterview #LocalHeroes #CommunityLeaders #LawEnforcementLife #PatrickEvans #RandyFlorence #PoliceWorkJourney #SkipsLittleBar #PodcastLovers #LocalCulture #InspiringStories #MutualBroadcastingSystem

Jamie is joined by Andy Mills—host of Reflector and a co-creator of the New York Times' “The Daily” podcast—to discuss why he left seminary for journalism and what's gone wrong inside American newsrooms. The Agenda: —Andy's background —Why is everyone in New York? —Policing curiosity —The outsized power of young journalists —Take them seriously, not literally —Woke McCarthyism —The Twitterization of journalists —What makes a great podcast? Show Notes: —The Dispatch Podcast with A.G. Sulzberger —Andy Mills and Matthew Boll's Reflector —The Witch Trials of J.K. Rowling —Nellie Bowles' book —Tom Cotton's op-ed in the NYT —Adam Rubenstein's Chick-fil-A story Learn more about your ad choices. Visit megaphone.fm/adchoices

Can medications like naltrexone revolutionize the treatment of alcohol dependence? Join today's discuss as Duane speaks with acclaimed journalist and podcast producer Andy Mills, who brings a wealth of experience from shows like The Daily and Radiolab. Andy delves into his new independent podcast, Reflector, highlighting a compelling episode titled "The Sea Change." He shares the gripping story of his friend Katie, who successfully managed her alcohol issues using the Sinclair Method during the COVID-19 pandemic, sparking a critical conversation on why such effective treatments aren't more widely adopted. Andy discusses the fundamental role of community and external support in overcoming addiction, underscoring the message that no one heals alone. Drawing from his experiences reporting on the opioid crisis and the unintended consequences of the COVID-19 lockdowns, Andy paints a vivid picture of the evolving landscape of addiction awareness. Through Katie's unique journey – seeking treatment without hitting rock bottom and finding success with the Sinclair Method – Andy illustrates the transformative power of personal stories in understanding addiction and exploring new treatment methods. In this episode, you will hear: Uncovering the treatment for overdrinking Exploring addiction and society's influence Hidden struggle with addiction stigma Balancing medication and thriving in life The depths of human connection Follow and Review: We'd love for you to follow us if you haven't yet. Click that purple '+' in the top right corner of your Apple Podcasts app. We'd love it even more if you could drop a review or 5-star rating over on Apple Podcasts. Simply select “Ratings and Reviews” and “Write a Review” then a quick line with your favorite part of the episode. It only takes a second and it helps spread the word about the podcast. Supporting Resources: Reflector - The Sea Change: https://www.reflector.show/p/the-sea-change  The Daily: https://open.spotify.com/show/3IM0lmZxpFAY7CwMuv9H4g  Radiolab: https://radiolab.org/  NovusMindfulLife.com Episode Credits If you like this podcast and are thinking of creating your own, consider talking to my producer, Emerald City Productions. They helped me grow and produce the podcast you are listening to right now. Find out more at https://emeraldcitypro.com Let them know we sent you. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comOur guest Kat Rosenfield is one of the best cultural critics of our day: Funny, incisive, fast-moving, and a great novelist to boot (see You Must Remember This). She's a third-timer on this pod, which might be a record, and she's just landed a plum gig as a columnist for the Free Press. You may know Kat from her podcast Feminine Chaos, with Phoebe Maltz-Bovy, or you may know Kat from Twitter, where she always keeps it interesting. She came on to talk about her latest column for the Free Press, “Does Divorce Make You Hotter?”Also discussed:* Divorce rings* So many Emilys* Bad-mouthing your former spouse in public* Tom Wolfe: “The right to shuck overripe wives”* Red flags in men are somehow not red flags when women do it?* The point of a personal esssay* WE LOVE MEN, good husbands edition* The people who crow their happiness on social media are almost never happy* Rasputin, the cat* Social media breakup announcements: We are the celebrities now* In defense of the “over-ripe” demographic* Sarah announces her new boyfriend, which almost certainly means she'll break up tomorrow* But what does he eat for breakfast?* Do real criminals rap about their previously undetected crimes?Plus, Diddy and the potential dangers of confusing the artist with his art, some Andy Mills love, the origin story of Sarah's new romance, and much more!

A double-album worth of great content this week. Start off with Moynihan talking to Matt and Kmele about his Free Press piece charting the collapse of Vice and him forthcoming piece charting the collapse of the Black Panther Party. Then the lads chat about the weirdness of the New York Trump trial, Israel in Rafah, and lots more. And stick around for Kmele's conversation with the Lennon-McCartney, the Lieber and Stoller of podcasts, Matt Boll and Andy Mills, the duo who brought you The Witch Trials of JK Rowling, among other modern audio classics. They're back with a new series called Reflector, a “show about the strange experience of being human.” We don't know *exactly* what that means, but we absolutely guarantee that it will be a work of unparalleled brilliance. Check out episode one here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wethefifth.substack.com/subscribe

Andy Mills' new podcast Reflector is now available. Episode 1 concerns Naltrexone, a drug that actually works to stop alcohol cravings, and yet 12-Step programs are much more popular, despite being much less effective. He also talks about media capture and the great podcast fake enthusiasm epidemic. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist Subscribe: https://subscribe.mikepesca.com/ Follow Mikes Substack at: Pesca Profundities | MikePesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comYou may not recognize Andy Mills' name, but you likely know his work: He co-created The Daily podcast for The New York Times, where he also produced Rabbit Hole, a fantastic series on the internet, and – quite fatefully! – the war on terror podcast, Caliphate. Shit happened. It was complicated. Andy is no longer at The New York Times. But he's struck out on his own. Last year he gave us The Witch Trials of JK Rowling, one of 2023's best podcasts, and now he's back with a new podcast, Reflector, which tells “stories about the strange experiences of being human — sparking wonder, unveiling complexity, and igniting curiosity.” The first episode tackles a familiar topic, over-drinking, and centers on an unexpected subject: Katie Herzog, the very funny host of Blocked & Reported, who shares her experience with the anti-drinking drug Naltrexone. Nancy and Sarah chat with Andy about addiction, storytelling, faith, and how to push back on the media's excesses.Also discussed:* The burden of knowing who is going to hell* The Bible, it has slow parts* The love of God is a very hard thing to lose* Drinking as a spiritual experience* How the social justice movement is deeply Protestant* The Caliphate scandal* About Andy's exit from the New York Times …* Sarah, the black belt of dumping beer on people's heads* Jealousy's role in the media meltdown* More on Donald McNeil Jr. ouster, and Nancy could not be happier/angrier* Did Infinite Jest predict social media?* Naltrexone: Miracle drug, or “quick fix” that doesn't address what's wrong?* “You're a smoker? Lucky you.”* A civil war on the movie Civil War* “I wanna listen to a podcast that's just Nancy saying, ‘William Langewiesche.'”* The Harry Potter of adult romance novelsPlus, video texts equal love, why no stories are actually neutral, why alcohol is an “analog drug,” and much more!

Andy Mill's is the co-creator of The New York Times ground-breaking podcast, The Daily, and before that worked on the equally inventive and critically acknowledged podcast Radiolab. He's also one of the very few journalists to gain the trust of J.K. Rowling for his series The Witch Trials of J.K. Rowling. Finally, he's been the subject of critical reporting from Canadaland for his work on the Peabody Award winning series for The New York Times, Caliphate. That series was stripped of the Peabody and Mills himself was “cancelled” for a combination of the Caliphate controversy and a series of attacks on twitter for his past work-place behaviour.It's a rare opportunity to speak with someone with a CV like Mills' and even rarer for Jesse to have the opportunity to come face to face with someone who has been the subject of intense scrutiny from Canadaland's reporting.To hear an extended version of this interview, become a supporter by going to https://canadaland.com/joinTo learn more:Califail — CANADALANDAndy Mills' Professional Website — Andy MillsCaliphate — The New York TimesThe Witch Trials of J.K. Rowling — The Free PressNew York Times Says ‘Caliphate' Podcast Fell Short of Standards — The New York TimesAn Arrest in Canada Casts a Shadow on a New York Times Star, and The Times — The New York TimesHost: Jesse Brown Credits: Tristan Capacchione (Audio Editor and Technical Producer), Bruce Thorson (Senior Producer), Jonathan Goldsbie (News Editor), André Proulx (Production Coordinator), Karyn Pugliese (Editor-in-Chief)Sponsors: Douglas, CFUV, Article, SquarespaceIf you value this podcast, support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch at our store, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody.You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information.

Episode: 00200 Released on February 26, 2024  Description: Welcome to our 200th episode! In this corner, we got a guy who knows how to get a TKO (technical knockout) with his TKO (tackle known offenders) program: Kurt Smith! And in this corner, you know him, you love him, your host, Jason Elder! [ding ding] Thank you everyone for all your support and we hope you enjoy this exciting episode.  In this episode, Kurt Smith discusses his transition from the military to a sworn officer to a crime analyst to the ArcGIS guy. Kurt is a man ahead of his time, optimizing technology in the early 90s to investigate and close cases. His badge story involves putting himself in the mind of a suspected rapist and murderer to retrace the potential steps. Kurt's intuition uncovered additional leads to the case that ultimately lead to the apprehension of the offender. While this doesn't bring back lost loved ones, Kurt hope that these case closures would bring some peace to the surviving families. Kurt has since moved into consulting work after an impressive career in law enforcement and analysis. He, along with other well-known analysts in the field, paved the way for aspiring analysts. CHALLENGE: There are Easter eggs in one of the tables of the Excel chapter that Jason wrote for the IACA textbook. First-person to email us at leapodcasts@gmail.com about what the Easter eggs are will receive a $50 gift card from us. Happy hunting! Name Drops:  Mark Stallo (00:03:23), Pat Drummy (00:04:49), Sean Bair (00:05:10), Deena Bowman  (00:13:08), Andy Mills (00:17:56), Nancy Lavigne/Julie Wartell/Liz Groff/Jim Bueermann (00:20:29), Phil Mielke (00:23:18), Amy Varela (00:32:42), Chris Catren (00:33:09), Molli Duker (00:41:06), Noah Fritz (00:47:17), Jeff Vandersip (00:47:38), Darcy Brown (00:48:18), John Beck (01:04:28) Public Service Announcements:  Mark Stallo (https://www.leapodcasts.com/e/mark-stallo-%e2%80%93-the-visionary/) Jeff Vandersip (https://www.leapodcasts.com/e/jeffrey-vandersip-the-crackerjack-analyst/) Related Links:  https://www.sandiego.gov/police https://www.sdsheriff.gov/ https://portal.cops.usdoj.gov/resourcecenter/RIC/Publications/cops-w0047-pub.pdf https://www.esri.com/en-us/industries/law-enforcement/overview https://en.wikipedia.org/wiki/John_Albert_Gardner  Association(s) Mentioned: Vendor(s) Mentioned: ArcGIS Contact:  Transcript:  Podcast Writer: Mindy Duong Podcast Researcher:  Theme Song: Written and Recorded by The Rough & Tumble. Find more of their music at www.theroughandtumble.com. Logo: Designed by Kyle McMullen. Please visit www.moderntype.com for any printable business forms and planners.  Podcast Email: leapodcasts@gmail.com   Podcast Webpage: www.leapodcasts.com   Podcast Twitter: @leapodcasts 00:00:17 – Introducing Kurt 00:12:35 – 1995 San Diego Issues 00:21:29 – Redlands 00:30:26 – CAD Implementation 00:35:34 – Break: Mark Stallo & Jeff Vandersip 00:37:50 – San Diego Sheriff's Department 00:45:05 – Tackling Known Offenders (TKO) 00:49:41 – ABS:  Homicide Close to the House  01:03:14 – Consulting 01:05:37– LEA Still Struggling  01:09:53 – Words to the World

This week on Blocked and Reported, Katie is joined by longtime radio and podcast producer Andy Mills to discuss the scandal that nearly killed his career. The DailyCaliphateThe Witch Trials of JK Rowling NYT: “New York Times Says ‘Caliphate' Podcast Fell Short of Standards”NYT: “Two Journalists Exit New York Times After Criticism of Past Behavior”A Note from RadiolabThe Daily: “Delilah” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.blockedandreported.org/subscribe

It's a sequel! Remember 'Lavender House'? We're talking about the sequel, 'The Bell in the Fog', the second book in Lev A.C. Rosen's Andy Mills private eye series. Discussion begins at 25:00. And of course, we check in on some stuff we've been playing, watching, and thinking about. Playing: Baldur's Gate 3 (PS5) Super Mario RPG Remake (Switch) Fortnite Festival (PC) Watching: Quiz Lady (film, Hulu) Doctor Who Series 12 (Max) Thinking About: Video game consoles year-end wrap-ups Game Changer Season 6 trailer Find us on Twitter: @NovelGamingPod Send us an e-mail: novelgamingpodcast@gmail.com Logo by: Katie! Theme song: "Bit Bossa" by Azureflux

In this episode, Scott discusses the success of Andy Mills, the President of Medline Industries, LP.

In this episode, Scott Becker discusses the success of Andy Mills, the President of Medline Industries, LP.

In this episode, Scott discusses the success of Andy Mills, the President of Medline Industries, LP.

Andy Mills returns to the pages created by the masterful storyteller Lev AC Rosen in this new novel: THE BELL IN THE FOG. Bell is also set in Post-WW2 San Francisco. Andy is working as a Private Eye. HIs office is above the Ruby, a popular gay bar. But few people want to hire a former cop. And then his Ex who ghosted him years earlier shows up and needs Andy to do a job for him. What could possibly go wrong, or right?

This week we welcome Blenheim Palace head gardener Andy Mills to the Horticulture Week Podcast.A year into the role, Andy says he is still getting his bearings with the garden: "A place as diverse as Blenheim takes quite a while to get your head around - ask me the same question in about 3-5 years!"Andy is merging hands-on gardening with garden history in his role at Blenheim, with plans to restore and transform the Formal Gardens, which aims to reinstate many of features and elements which have disappeared across the last three centuries."It would be really nice to go back through 300 years of history and speak to every single Duke and the designers and say 'Why? When? How?'" he says. The 10-year-plus project will be the biggest change to its 90 acres of gardens in over 100 years and Andy has been told the Oxfordshire gardens "have been in aspic for the last 40 years...it is time for a change". But with changing climate conditions, the updates to the garden will involve a degree of evolution: "Gardeners have always had to roll with it and evolve with it. Blenheim is such a big influential property, what we do here, hopefully echoes what other people do, because it always has."He waxes lyrical about the hundreds of charming details he is discovering daily as he wanders the estate: "I'm finding new interesting details all the time"But as well as delighting in hidden wonders, Andy has discovered that what would have been an "amazing plant collection...has slowly disappeared" and species he would expect to see "are just not there".Andy talks about how he is reviving a "rewilding" approach at Blenheim, and has left some 60 acres of the grass uncut rather than "mowing it tight as a billiard table". He is making the Secret Garden "more secret", refining the hedges in the Italian Garden which currently look like "office carpet", introducing some "big drifts" of plants in the borders inspired by his work at the National Trust's Packwood House.Longer term Andy hopes his work will elevate the gardens on the world stage:"I'd see Blenheim very firmly established on the world gardening map...I mean this is the English Versailles!He adds: "I'd like to see not just Blenheim Palace but Blenheim Palace and Garden...because the garden is way more important!" Hosted on Acast. See acast.com/privacy for more information.

Remember Concorde? The supersonic passenger airliner from Air France and British Airways that flew twice the speed of sound? Its been retired nearly twenty years now, but there hasn't been anything like it since. Three former British Airways pilots, Andy Mills, Richard Westray, and Mike Bannister, tell us what it was like to fly the thing!

Sam Harris speaks with Megan Phelps-Roper about the new podcast series she hosts and produced, “The Witch Trials of J. K. Rowling.” The series is also produced by Andy Mills and Matt Boll for The Free Press. Born and raised in the Westboro Baptist Church, Megan Phelps-Roper left a life of religious extremism in 2012. She has spent the past decade using her experiences to work with schools on anti-bullying campaigns, with law enforcement organizations investigating deradicalization, and with tech companies on the intersection of safety, free speech, and the value of dialogue across ideological divides. Her journey has been chronicled in a trio of BBC documentaries, a TED talk, and her memoir Unfollow. Podcast: The Witch Trials of J.K. Rowling Twitter: @meganphelps Learning how to train your mind is the single greatest investment you can make in life. That’s why Sam Harris created the Waking Up app. From rational mindfulness practice to lessons on some of life’s most important topics, join Sam as he demystifies the practice of meditation and explores the theory behind it.

Host Megan Phelps-Roper asks J.K. Rowling to respond to pushback from some of her critics. The two also discuss the difficulty of discernment—why it can be so hard to know what's right. Produced by Andy Mills, Matthew Boll, Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

Transgender fans of Harry Potter share their criticism of J.K. Rowling—and the experiences that inform their views. Produced by Andy Mills, Matthew Boll, Megan Phelps-Roper, and Candace Mittel Kahn, with special thanks to Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

After years of observing the conflict between advocates for trans rights and women's rights, J.K. Rowling weighs in. Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

The movement for trans rights hits its stride in the early 2010s, but encounters fierce resistance from an unexpected source. J.K. Rowling watches the battle unfold with mounting unease. Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

The early days of the internet collide with the feverish fandom of “Harry Potter,” and a sprawling, global community emerges. But the hopefulness of this new technology brings with it the darker impulses of human nature. Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

We are talking feeding people this week, and Portland, and who counts as family. Yes that's the little one in the pic, and me in the ‘stache. What a weird party that was! We wound up in a long conversation with an editor from another city, a visitor who tried to laser-beam you with his charm. “Don't you know the effect you have on men?” he later said, to one of us, a line I found kind of hilarious, like something from a book called, “Ninety Things To Say To A Woman That Might Get You in Her Pants.” The guy's life later went up in flames, and pretty publicly. I'm not throwing a log on that fire but will say, I was less than surprised.We are also talking this week's literati flare-ups (the stealth editing of Roald Dahl, the never-ending crusade against of J.K. Rowling, dust-up #609 at the Times) and their opposite, the people who come to your aid. Why not also feed them some chicken?Episode notes:“Taking My Ex Back In (for His Own Good),” by Nancy Rommelmann (NYT Modern Love)I misspoke when I said You Must Remember This is Kat Rosenfield's second book. It's her fifth! But the second I've read, and which I love love love love love.Paloma-cam during Kat Rosenfield's party for No One Will Miss HerMy Smoke ‘Em If You Got ‘Em partner, Sarah Hepola, went on record saying “The Witch Trials of J.K. Rowling” will be the Podcast of the YearI think we are all coming to realize that late 2020/early 2021 was a time when certain segments of the media and the public-at-large became absolutely possessed with a desire for the blood of their colleagues. I've written and talked about Donald G. [I accidentally said “J.”] McNeil Jr. a dozen times. He and Andy Mills, an original creator of the NYT's “The Daily” as well as its once-crown jewel podcast “Caliphate,” were both ushered out of the Times in February 2021. McNeil now writes on Medium, and Andy is working with Bari Weiss's The Free Press, including on “The Witch Trials of J.K. Rowling.” Good work will out. And speaking of not canceling people…Katie Herzog and Jesse Singal update the NYT flame-wars on the most recent episode of Blocked & Reported, “Times Wars, Episode IX: The Normies Strike Back.”Signs of the tide shifting? Penguin Random House to publish 'classic' Roald Dahl books after censorship criticism, by Theara Coleman (The Week) “NPR to Cut 10% of Its Staff,” by Katie Roberson (NYT)Hoisin ChickenThis recipe is very easy to double or triple. Cooking time will depend on the size of the chicken thighs and how many you have in the pan.* 8 chicken thighs, skin on* Salt and pepper* 3/4 cup hoisin sauce, Lee Kum Kee brand preferred, thinned out with 3 - 4 tablespoons soy sauce Preheat oven to 375F.Salt and pepper the chicken thighs on both sides and place them, skin side up, on a rack inside your baking pan or sheet. The rack will prevent the thighs from sitting in the cooking juices and becoming less crisp. No problem if you don't have a rack! Bake until chicken skin starts to brown, about 25 minutes. Pour and brush on hoisin-soy mixture. Make about another 20 - 25 minutes, until thighs are nicely shellacked.The drippings from the pan can be poured as-is over rice or, better, heat them in a small saucepan until somewhat reduced and yummier, about 5 minutes.Serve chicken with sticky rice and a cucumber salad: peeled and seeded cucumbers, sliced and mixed with rice wine vinegar and a large pinch of sugar and a smaller pinch of salt. Add some chopped fresh basil, mint or cilantro if you're feeling fancy.Three ways to make sticky rice! (Also called glutinous rice, sushi rice, and sweet rice.) I have not had great luck making sticky rice in the rice cooker, and have never tried the microwave method. Let me know if you do!Everything is more delicious when you become a paid or free subscriber This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit smokeempodcast.substack.com/subscribe

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comTwo recent controversies prove the power of words, and also our country's near-hopeless division. Publishers of Roald Dahl's children's classics, including Charlie and the Chocolate Factory, were busted making edits that removed “offensive” passages for modern audiences, an effort spearheaded by a group called Inclusive Minds (“consultants and campaigners,” according to their website). Nancy and Sarah sift through the reactions and dangerous implications, and wonder: What are we asking — or rather, enforcing — that our children give up? Could it be delight?Meanwhile, Nancy and Sarah are loving a new podcast from The Free Press, “The Witch Trials of J.K. Rowling.” Hosted by Westboro Baptist Church apostate Megan Phelps-Roper, and masterminded by exiled The Daily producer Andy Mills, the show interviews the author born as Joanne Rowling and reveals her to be sympathetic, deep-thinking, and (of course) complicated. The show has only dropped two episodes, but it's Sarah's current vote for Podcast of the Year. Whatever you think of Rowling (and can anyone tell us how to pronounce her last name?), this podcast is an extraordinary peek into a pressing controversy — not that such value would ever stop the haters.Also: Sarah sings the Oscar Meyer jingle. MILF Manor gets a new MILF. Who is Nancy's vote for the most popular humorist of the past 50 years? (Hint from Sarah: It's not the most popular humorist.) And: Is Dave Barry funny? A debate.

As "Harry Potter" becomes an international phenomenon, it coincides with the culture wars of the 1990s. In the backlash from Christians across America, author J.K. Rowling is accused of mainstreaming witchcraft and poisoning children's minds. Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

Host Megan Phelps-Roper writes a letter to J.K. Rowling—and receives a surprising invitation in reply: the opportunity for an intimate conversation in Rowling's Scottish home. Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe. This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.

The California Rangeland Trust is 25 years old, and to celebrate this momentous occasion, we brought back our good friend Andy Mills. Not only is Andy Chairman of the Rangeland Trust Board of Directors, he was also the Trust's very first staff member. In this premiere episode of Season 2 of Tuned in to the Land, host and CEO, Michael Delbar, sits down with Andy as he reflects on his 25-year journey with the organization and the two of them discuss the exciting events and projects coming down the pike this year and beyond. Tune in to learn more about the Rangeland Trust's history and to find out how you can join in the 25-year celebration.

This week we talk about different types of smokers and grills that are available out there. 

It finally happened! A BARPod live show. It was very very fun. If you’d like to talk about it with other BARPod premium subscribers, click here. (MANY thanks to Andy Mills for whipping the audio into publishable form — there was a recording error and it was a mess at first.)Show notes/Links:Heterodox Academy: https://heterodoxacademy.org/Katie on Stuart Reges: https://www.thestranger.com/tech/2018/06/26/28210971/university-of-washington-computer-science-lecturer-explains-why-why-women-dont-code-chaos-ensuesJesse on the CUNY controvery: https://nymag.com/intelligencer/2018/09/a-cuny-student-was-investigated-for-criticizing-israel.htmlJesse on the Lake Washington Institute of Technology controversy: https://reason.com/2021/04/05/a-professor-pushed-back-against-white-fragility-training-the-college-investigated-her-for-9-months/ Erec Smith: https://www.ycp.edu/academics/school-of-the-arts-communication-and-global-studies/faculty/smith-erec.php And on Twitter: https://twitter.com/rhetors_of_yorkFree Black Thought: https://www.freeblackthought.com/Image: “Elevated perspective of the Denver metro area and downtown skyline with The Rocky Mountains as a backdrop” via Getty This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.blockedandreported.org/subscribe