Podcasts about Kush

We start this week with a bombshell, with Kush currently MIA after being implicated in the collapse of Silicon Valley Bank. Then Ro confesses to a heinous act at his work on International Women's Day, where he went from ally to sex pest in the matter of minutes as he desperately tried to gaslight his workmates. Sen also has some work yarns including a kitchen cold war and an alternative education institution in rural Victoria.We're back with another improv game - this week the “One Word Challenge.” As the name suggests the boys are given a scenario and must continue that scenario one word at a time going around in a circle.Our final segment this week is inspired by the second greatest Nelson in the history of mankind - Nelson Mandela. In this segment we discuss the phenomena of the Mandela Effect and the boys test themselves on how well they remember famous pop culture references or if they have fallen victim to the Mandela Effect.Also this week: Shlong or Shlort, Playertek vs Playermaker and Tomorrow When The War Began. Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.One Word Challenge: An improv game where the boys complete a given scenario one word at a time.Nelson Muntz: Named after the wrong Nelson, we discuss the Mandela effect in this segment.___________________________________________________________FULL PODCAST EPISODES

Breeders Syndicate - NYPD Pete Pt2 Marc Emery BC VS Ontario Roadkill Skunk Box Dig S07 E05In this episode Shawnekids, Notsodog, and myself are joined by NYPD Pete to continue the tales of London SW Onntario to BC and even a little ruckus between regions! Why is Marc Emery also known as the Dark Enemy? We delve into Pete's Skunk 1, Super Skunk and Roadkill Skunk Memories and so much more...possible hints of a future box dig episode where we see... WHAT'S IN THE BOX!?OUR MERCH STORE IS LIVE!!!! BREEDERS SYNDICATE LINKS: https://linktr.ee/riotseedsBREEDERS SYNDICATE MERCH! - https://www.syndicategear.comBreeders Syndicate website: http://www.breederpodcast.comIntro / Outro courtesy of Sight of Wonders / Approaching the Middle East / courtesy of www.epidemicsound.com

Russell Fischer and Tyrell Trotty from the Overlook Theatre Youtube channel stop by to talk to Kush Hayes about the Sixth edition of the Unnamed Footage Festival. We then get into mad spoilers about Scream VI, be warned.Tickets and More details in the episode as well as www.unnamedfootagefestival.com The Overlook Theater can be followed Twitter @OverlookTheatreSubscribe to their Podcasts on:ItunesStitcherSpotifyFind more Bluray Tuesdays with Terrell Trotty on The Overlook Theatres Youtube page.Find Terrell onTwitter: @Terrell826Instagram: @Terrell88More of The Overlook Theater on The BosNet HERE!Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyFollow Kush on Twitter @Kush_HayesMovie reviews at: www.TheBosNet.Family/reviewsSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2023 TheBosNet Family All Rights Reserved

It's that time of the month for all the Critical Banter boys to be present for an episode. Kush kicks us off, and in what's quickly becoming a recurring gag, the man proceeds to immediately plug both his Instagram accounts. We reflect on his new niche of reviewing his experiences with people, revealing he will be reviewing one of the lads next. Ro then reveals something equally as startling as he tells the boys his gripping tale of laughing at death in the face at the beach. We end with the final instalment of the ongoing football saga including a bittersweet message from a former teammate.After the overwhelming success of “Football Tic Tac Toe” a few weeks ago, it's back but this time with an actor angle. In yet another modern twist on the classic game of tic tac toe, the boys must find actors who were common across 2 movies/tv shows before we play a version including hair colours and nationalities.Our final segment this week is inspired by the state of Miguel's finger in a segment called “Fractured Thoughts.” In this aptly named segment, we discuss times when the head noise becomes considerable and the demon's voices become so loud to the point where you almost let the intrusive thoughts win and you do something truly heinous.Also this week: swimming parallel to the beach, Isla Fisher, right to bear arms and swerving on the other side of the road.Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Actor Tic Tac Toe: The classic game of football Tic Tac Toe but with an actor twist.Fractured Thoughts: We discuss times when we almost let the intrusive thoughts in our minds win.___________________________________________________________FULL PODCAST EPISODES

As promised, Drew Angelman and Kush Hayes have gone through the list of Best Picture nominations for 2023. What do the guys think of this years nominations and do they get their predictions correct?Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyFollow Drew on Twitter @DrewAngelmanMore Drew at: Angelcake EntertainmentFollow Kush on Twitter @Kush_HayesSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2023 TheBosNet Family All Rights Reserved

Massive week for the lads and here to recap it is Migs, Ro and Sen - Kush is out presumably with bird flu. We kick off with a recap of the TCB Chess Tournament which concluded over the weekend (spoiler: the winner was the only person who regularly plays chess). Massive thanks to everyone who participated and a special congrats to Jack who made the final and then proceeded to get embarrassed. Sen then provides another update to the neverending football saga before Ro reveals he's discovered a new way to go around roundabouts.Our game this week is another Tik Tok special with “Rapid Fire Guess Whom.” In this game the boys take turns to guess a random sportsperson in 30 seconds however they can only ask yes or no questions.We end this week with the always popular, “Dob in a Rare Unit.” This week, Sen recounts his encounter with random donnies at a wedding, Rohit dobs in a friend for their greedy actions and Migs witnessed some proper paranoid, tin foil hat behaviour at the supermarket.Also this week: Magnus Ninan, Spencer Dinwiddie, flogging a dead horse and vibrating butt plugs.Segments this week: The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Rapid Fire Guess Whom: Each person must guess a famous sportsperson but can only ask yes or no questions.Dob in a Rare Unit: Are you a rare unit? Is your family full of rare units? Are your mates rare units? Is your boyfriend/girlfriend/spouse a rare unit? If so, write into us and let us know the rarest thing they've done.___________________________________________________________FULL PODCAST EPISODES

Can you imagine starting a business with your friends? I'm sure many of us have thought about it, but few have done it. It's a hard feat to pull off. Trying to navigate the world of business while maintaining a relationship can do damage to the friendship. If it's done right, you can grow both. Marcus Johnson-Smith and Michael Pires are proof that you can pull it off. Friends since they were young, the two have grown up to create one of the most unique cannabis experiences in Massachusetts with Kush Groove.From shirts to a smoke shop to a dispensary and branded products the two grew the brand by leaps and bounds and maintained their friendship along the way. Stream our full interview on Monday where we discuss how the friends decided to open up Kush Groove, fashion & cannabis, MSOs, and more.Support the show

Bob Calhoun returns to The Microdose to tell Kush Hayes all about his new podcast Old Movies for Young Stoners. The two also talk wild movies including the new Elizabeth Banks movie Cocaine Bear. Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyThe Murders That Made Us is Available for purchase on ECWPress and Amazon!More from Bob Calhoun also ECWPress and Amazon.Follow Bob on Twitter: @bob_calhounFollow Old Movies for Young Stoners on Twitter: @OM4YStonersLike & Subscribe to the show Old Movies for Young Stoners on Youtube Follow Kush on Twitter @Kush_HayesSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2023 TheBosNet Family All Rights Reserved

UNDERCARD BATTLES: Ryan Dempsey vs Brooks Tawil Mac O'Hara vs Christian Conti Alden Skeadas vs Surya Deer MAIN EVENT: Reggie Kush vs Isaac Knox    JUDGES: Joe Gorman Bobby Sheehan Divya Gunasekaran Allie Mae OFFICIALS: Mark Henely, Patrick Haggerty, Lawrence Reese, Niko Pav DJ: Patrick Haggerty HOST: Matt Maran Comedy Fight Club is recorded LIVE every Sunday in NYC. Not in the NYC area? You can still watch Comedy Fight Club on youtube and follow us on Instagram and Twitter @comedyfightnyc If you want access to old episodes and bonus content subscribe to our Patreon page! https://www.patreon.com/comedyfightclub

Naijha Wright-Brown is the Executive Director of the Black Veg Society, a 501c3 non-profit organization that educates predominantly Black, Indigenous and People of Color (BIPOC) communities on the benefits of holistic living, the plant-based diet, and veganism.  She is also the co-creator of Vegan Soulfest and Maryland Vegan Restaurant Month. Naijha shares her journey creating a soul food restaurant called The Land of Kush as well as an incredibly successful Black-focused vegan festival all while running the Black Veg Society. Naijha is on a mission to help people find their vegan soul!Resources:Naijha Speaks- YouTubeBlack Veg SocietyVegan SoulFest- August 19 & 20, 2023 About the Egyptian Kingdom of KushSoul of Ahimsa: Vegan Spiritualty Retreat in NY

The revolving door at TCB continues this week as Sen taps out and Ro and Kush sub back in. This week Kush is full of yarns and brings forth an interesting conundrum - asking the lads if they would accept a sports-like contract over their normal work contracts, even going to the extreme of hypothesising a 10 year contract at Maccas for $2.5m. Then we are back to regular programming as Kush gets in his weekly plug of his movie review Instagram (@mrzorbasmith). He then floats a new Black Mirroresque review series for his regular page (@kushyyk) where he intends to review people on the pleasantness of their company.Our game this week is “Wonky Words,” as we play the game “Contexto.” This game is very similar to Geoguesser as there is a secret word and with each subsequent guess of the word the game provides you with an indication of how close/far you are from the secret word. Very simple concept, incredibly difficult game.“Compare and Contrast” is back this week. If you are new, this is where we debate and rank various things. This week we go nostalgic as we rank the best iPod touch games - from seminal classics such as Doodle Jump to the incredibly niche Flappy Bird.Also this week: Doobie smoking, Ro's sweet release on his knees, quandaries and Cocaine Bear.Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Wonky Words: We play the popular game “Contexto” - which is essentially a word guessing game.Compare and Contrast: Named in honour of our favourite HSC English essay questions, the boys debate the most pressing issues in society and attempt to agree on a ranked tier list, which may end up in broken friendships and definitely will end up being wrong.___________________________________________________________FULL PODCAST EPISODES

Located around the Nile River Valley, the Kingdom of Kush does not get the same attention that their neighbors to the north receive. That means it's time for us to do our homework. --- Send in a voice message: https://anchor.fm/heyevette/message

We survived Mardi Gras! The Pelicans have a fun All-Star break and hope to recreate the magic of last year to close out this season strong. LaToya flips off a parade float (satirically?) and the DA let's the gun times roll! Use promo code KUSH9 on CrescentCanna.com for 15% off the Crescent 9 THC seltzer now through Sunday the 26th!

Originally recorded Feb 16th 2018, Kai responds to Kush Hayes review of Black Panther. Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyFollow Kush on Twitter @Kush_HayesSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2018 TheBosNet Family All Rights Reserved© 2023 TheBosNet Family All Rights ReservedTags: Microdose 2022 2018 Kush and Kai

This week, the PIC are joined by the creator of the Elkins Park Eclectic Talent Show, percussionist Tony "Catastrophe" Flagiello. Tony has had an eclectic career as a touring artist, dance class dummer, Red Bull promoter, and more! Tune in to learn about the coolest new talent show in the area and stay for anecdotes like the time Tony managed the shipping of Gwen Stefani's clothing line or what's it like to be 6'4" in a hip-hop band in Japan. Then, in a rousing Game Called Something, we learn the terrifying extent of Chrissie's caffeine addiction and Steve rants about electric cars. All that and more...LIVE from the 19046! Topics Discussed: - Welcome Tony “Catastrophe” Flagiello - EP Eclectic Talent Show - Tuesdays, 6pm - 9pm at Creekside Market & Tap, Elkins Park, PA - By Elkins Park train station - All ages - Tony the Percussionist - The origin of Tony “Catastrophe” - Six Degrees of Ed Foley - The band was “Mayor Foley and the Broken Promises” - Jenkintown, but not Jenkintown - UArts/Dance Class/Bands - Alex & the Kaleidoscope band (kid's band) - Fat Head Band - Tony's other hosting gigs - A Game Called Something - AGCS: What is a job you would be terrible at? - Tony was in charge of shipping Gwen Stefani's clothing line! - W magazine photo shoot - Quit to tour Japan for hip-hop band. Summer Sonic, 2005-ish - Worked for Red Bull promoting with can car - Chrissie drinks panera liquid crack - AGCS: What kind of car do you drive, and why? - Tony drives a Nissan Murano after getting rear-ended on Broad St. - Chrissie drives an Outlander because of a third row. - Steve drives a Sonic because it's a hatchback and cheap. - Tony used to sell cars. - Where to find Tony - FB: Tony Flagiello - IG: @phillybeatalliance or @tony.flagielo *Opening theme: KUSH, by Tony Flagiello.*

We got a fun show with a few little surprises *wink wink* some unexpected guests.  The show opens up with a recap; as we discuss how our health crashed much like the connection on that livestream. For News Nugs:  Minnesota thinks they should give up on legalizing weed to let the drug sniffing dogs keep their jobs. Wouldn't want them to miss out on their pensions after all.  We then tell one mans detailed account of stoner alien conspiracy and get our own UFO sighting.  In Miami;  patient numbers keep climbing up. Her excellency the Kush Queen graces our show with her wisdom, inspiration, and realness. Fall in love with Olivia Alexander like we did and listen to the show, you wont be disappointed.   Please visit our website: www.potsmokingmoms.com Visit our sponsor: Fluent https://enrollnow.vip/login/2260?location=potsmokingmoms --- Send in a voice message: https://anchor.fm/potsmokingmoms/message Support this podcast: https://anchor.fm/potsmokingmoms/support

We're celebrating Black History and African Heritage month with a very special episode on the women of ancient Nubia! Join Chelsea and Melissa as they welcome Dr. Jacke Phillips, an expert in Nubian history and archaeology, to the show. In this episode, we discuss women in ancient Nubia, from rulers and royals to the lives of everyday women. Listen in as Dr. Phillips introduces a variety of evidence, including graves, tattoos, statues, and historical sources. You'll also learn the origin of the name "Candace"! Don't miss this very special episode on a fascinating region of the ancient world. 

It's happened again, Kush and Ro are MIA so Migs and Sen must soldier on with another football heavy episode. We kick off this week (pun intended) with Miguel recounting his Valentine's Day plans which includes an infinite food glitch - use at your own peril. Sen then discusses getting blue balled by Julian Assange, doing a Rohit and then complains about yet another overrated Sydney institution.As usual, with Kush and Ro nowhere to be seen, Migs and Sen revert back to doing football content with “Football Tic Tac Toe.” In this modern twist on the classic game of tic tac toe, the boys must find players which have played for both clubs in the relevant grids - the first person to line up 3 players in a row wins the game.Our final segment this week is inspired by comments made a few weeks back regarding a nickname given to Sen's cousin. In “Triple Cheese” we discuss the etiquette of creating a nickname, some backstories of our nicknames and some workplace nicknames you can use.Also this week: Chef Mike, Uncle Ming's, Nicolas Anelka and the Sensor Light.Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Football Tic Tac Toe: The classic game of Tic Tac Toe but with a football twist.Triple Cheese: A segment on the etiquette of nicknames and some of the best nicknames we've heard.___________________________________________________________FULL PODCAST EPISODES

From Hodu to Kush turn from darkness to beauty in a second. מלוה מלכה לנשים תשפ״ג. מהודו ועד כוש --- Support this podcast: https://anchor.fm/yisroel/support

Bill Sebald from the podcast Too Much CGI stops by The Microdose to to discuss movies and various viewing habits with Kush Hayes. Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyFind more from Too Much CGI at www.toomuchcgi.comFollow Kush on Twitter @Kush_HayesSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2023 TheBosNet Family All Rights Reserved

What you'll learn in this episode: Why ancient Nubian jewelry is still significant today How the Kingdom of Kush rose and fell How ancient jewelry motifs, techniques and materials were shared and adapted between cultures Why the Museum of Fine Arts Boston has a significant collection of ancient Nubian art, and why it's being exhibited at the Getty Villa Why jewelry is often one of the only pathways to understand ancient cultures About Dr. Sara E. Cole Sara E. Cole is Assistant Curator of Antiquities at the J. Paul Getty Museum (Villa). She holds a PhD in Ancient History from Yale University. At the Getty, she is part of the Classical World in Context initiative, which seeks to highlight cross-cultural interactions in antiquity and explore the diversity and interconnectedness of the ancient Mediterranean and Near East through a series of special exhibitions and related publications and public programs. She has curated or assisted with exhibitions of Egyptian, Mesopotamian, Neo-Assyrian, Persian, and Nubian art. About “Nubia: Jewels of Ancient Sudan” from the Museum of Fine Arts, Boston October 12, 2022 - April 3, 2023 Getty Villa Museum For nearly 3,000 years a series of kingdoms - collectively known as the Kingdom of Kush - flourished in ancient Nubia (present-day southern Egypt and northern Sudan). The region was rich in sought-after resources such as gold and ivory and its trade networks reached Egypt, Greece, Rome, and central Africa. This exhibition presents highlights from the Museum of Fine Arts, Boston's extensive collection of Nubian objects and features superbly crafted jewelry, metalwork, and sculpture exhibiting the wealth and splendor of Nubian society. Learn more about the exhibit at https://www.getty.edu/art/exhibitions/nubian_jewelry/ Photos available on TheJewelryJourney.com Transcript: Nubian jewelry is often overshadowed by Egyptian and Greco-Roman jewelry, but the ancient Nubians were the world's first jewelry pioneers. Their influential work is currently on display at “Nubia: Jewels of Ancient Sudan,” an exhibit at the Getty Villa featuring pieces from the collection of the Museum of Fine Arts in Boston. Dr. Sara E. Cole, assistant curator of the exhibit, joined the Jewelry Journey Podcast to talk about how Nubians developed their own enameling techniques; why jewelry is the key to understanding ancient cultures; and how iconography was shared and adapted throughout the ancient world. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, my guest is Sara Cole, who's the Assistant Curator of Antiquities at the Getty Villa in Malibu, California. She's the curator of “Nubia: Jewels of Ancient Sudan,” an exhibit at the Museum of Fine Arts in Boston which showcases Nubian material. These finds were jointly executed early in the last century by Harvard and the Museum of Fine Arts. The exhibit is now open until April 3. Welcome back. Can you look at a piece of jewelry and say, maybe not exactly where it came from, but the period? It's late; it's early? Can you look at one and know? Sara: To put it in a bigger perspective, something about this collection of material that makes it so special is that it is all from documented archaeological excavations that were carried out in the early 20th century. Jewelry can be quite challenging if you have no context for a piece other than by comparing it stylistically to other known examples. It can be quite difficult sometimes to try to approximate when and where something was made, or to say with 100% certainty that it's even ancient if you have no context for it. A lot of the same materials and techniques that were used in antiquity are used or can be mimicked today. But with all of this material, it came from documented archaeological excavation, so we know exactly where it was found. Thanks to that context, we are able to say approximately the time period in which it must have been made and used and placed in the tomb. I suppose you could compare other surviving examples with what we now know from the archaeological record, but with this material, we are able to be absolutely certain of its authenticity and the time period in which it was being made and used because we have that archaeological context. Because Nubia had such a close relationship with Egypt and they engaged in so much exchange, there are some pieces that are found in Nubian contexts that might have been made in Egypt and imported to Nubia. It's often very difficult to say precisely where something was made because they were using very similar techniques and materials and iconography. So, there are a number of pieces in the exhibition that we think might have been manufactured in Egypt and then imported into Nubia. But even where that's the case, those objects clearly have value to the Nubians because they speak to their cultural and religious beliefs and priorities. Sharon: So, people would wear this jewelry in life, the pectorals or amulets. Did they have the same thing in their grave? Were they buried with what they wore, or did they have something special for it? Is it something made just to be buried with? Sara: It's both, actually. These royal tombs contained rich assemblages of jewelry. Some of the items do appear, based on signs of wear, to have actually been worn in life and then placed in the tomb with the deceased. There are also pieces that appear to have been made specifically to go in the burial, things that are very, very delicate and seem like they would not have been able to work in real life, or certain objects that are made specifically for funerary contexts. There's one piece in the exhibition from the Napatan Period that's really exquisite. It's this large, gold repoussé image of the goddess Isis, who is kneeling and stretching her wings out in a protective gesture, but at the tips of her wings and below her legs are these little tabs that each have a hole punched in them. The piece is too delicate, it seems, to have been something that someone would wear in life. And because of those little tabs with the punched holes, we believe it was probably manufactured specifically for this king's burial, and that it was meant to be sewn into the linen mummy wrappings that were used to mummify his body. Often there were amulets, protective icons, pieces of jewelry that were incorporated into the wrappings during the mummification process. So, it's both. Some of these pieces were probably worn in life and then taken to the tomb, and some of them were made specifically for the burial context. Sharon: I'm surprised you can even tell the difference between Egypt and Nubia with the cross-pollination. You talk about Isis. Being an expert, how does somebody know it was Egyptian? The only thing I've heard is that earrings were Egyptian. There weren't earrings before that. Sara: It's actually the other way around. This is one of the areas where the Nubians may have influenced the Egyptians. Earrings appear in Nubia before they appear in Egypt, so it's possible the Egyptians got the idea for earrings from the Nubians. As I mentioned, too, the fly pendant ornament originates in Nubia and gets adopted by the Egyptians. So, there is influence going in both directions, and where the Nubians incorporate Egyptian religious ideas, religious iconography, protective icons, they're still adapting it. They're not directly copying it necessarily. They're adapting it to their local traditions, to the types of materials they work with, to the types of objects and ornaments they make. It's not necessarily just a direct copy. In some instances, it is hard to tell whether a specific piece was made in Nubia versus Egypt. But with the burials themselves, we know these are Nubians and not Egyptians because we're looking not just at the jewelry, but at the overall burial itself, the whole object assemblage, the types of materials they're being buried with. In addition to the jewelry, there would be things like vessels, pottery, tools, weapons, things that give us a bigger picture. The cultural identity is not just the jewelry, but also the way in which they're buried and the place in which they're buried. In the Kerma Period, they used a very distinctive type of burial. They used tumulus burials, these big, beehive-shaped mounds, which was a distinctive type of burial. Over time those mounds get larger and larger, and we can tell that some of them must have belonged to Kerma rulers. Even though there are now written records during that period, we're going strictly by the archaeological record. In the Napatan Period, they actually used Egyptian hieroglyphs for monumental inscriptions. We do start to get some written records that we can read, and when these kings' and queens' tombs were excavated, there were often items within the tomb inscribed with their names. So, we know who these tombs belonged to, and they belonged to Nubian and Napatan kings and queens. It's really looking at the big picture and not just at the jewelry specifically to identify who these items belonged to and whose burials they come from. Sharon: First, I want to know how anybody even knew these tombs were there. Everything you're describing, at least from the description of what was in the tombs, is what Carter found when he opened the tomb just a few years later, maybe 10 years later. I'm just wondering how they knew these tombs were there. How did they know that? Was it just the beehives that were standing on a farm? Sara: The material that's in the MFA Boston was all excavated in the early 20th century, from 1913 to 1932, by a joint Harvard/MFA Boston expedition led by an American archaeologist named George Reisner, who worked in both Egypt and Sudan. He took a team to Sudan that ended up excavating at Kerma, Napata and Meroë. He was tremendously successful in what he discovered, and he essentially rediscovered the city of Kerma. There have been excavations within the city itself, but they also discovered this vast cemetery outside of the city containing tens of thousands of these tumulus burials. Then at Napata and Meroë, they're utilizing pyramid burials, which are still visible on the landscape. You can walk up to them. He was really the first to do these rigorously documented, professional archaeological excavations of these places, and he found a tremendous amount of material. I should also mention the way it ended up in Boston is that, at the time, Sudan practiced the partage system, so he finds would essentially be split 50-50. About half the materials remain in Sudan, where it is now in the national museum in Khartoum, and about half the material was allowed to be taken back to Boston by Reisner, where it became part of the MFA collection. So, the MFA is now home to the largest and most significant collection of Nubian archaeological material in the world outside of Khartoum. Sharon: Did they suspect that there were these kingdoms, but nobody ever found them? Is that what happened? How did he start digging? Sara: To be perfectly honest, I would have to go back and double check how he determined exactly where he wanted to begin. Sharon: Why should we care about the Nubians? Why should we care about these kingdoms? You describe how it kept moving further south. That's usually because of agriculture. What caused them to move, besides invasion? Sara: That's a broad question. I don't know that we necessarily know for certain what was motivating them to move from one city to the next. In terms of the question of why we should care, that's something we could ask about any ancient civilization. It does raise this broader question about relevance that a lot of audiences are asking. I would say for Nubia especially, this is the region in northeastern Africa where some of the earliest civilizations of ancient Africa are arising. This is an incredibly important region that was also a real crossroads for international trade, given their connections to the Red Sea, into central Africa, into sub-Saharan Africa, and eventually out into the broader Mediterranean world. This was a very interconnected place with rich natural resources where some of the earliest complex civilizations of ancient Africa arise, so I think we absolutely should care about it. Speaking in terms of jewelry specifically, this is the place where some of the most exquisitely crafted, sophisticated pieces of ancient jewelry in the world were produced. They were incredibly skilled artisans who developed techniques for working with these materials that in some cases, like I mentioned with the enameling, were believed to have been invented in the modern era until recently. Sharon: That's amazing. I always have to think about the fact that they didn't have electric lights and they had to work by candlelight. They had to deal with sunlight only. I don't know exactly how to phrase this, but most of the time, if I were to take a piece from the little room of jewelry at the Getty Villa, and I want to take it out and put it on my wrists, nobody would know the difference. Would you say that's the same with a lot of this? Sara: I think so. It always strikes people how contemporary some of these pieces look. They look like things that could have been made today. Sharon: Were they going back or was this the start of it? Were they going back and building on what had been done before? Sara: They were really pioneers. They were developing new techniques and new styles for working with this material. In the pre-Kerma phase, in the archaeological record, there are items of personal adornment that are made from things like shell or imported faience sometimes, simple strings of beads, that kind of thing. But then as they develop kiln technology to make pottery, they're also able to apply that to making faience and eventually glass. They develop, as I mentioned, these very sophisticated techniques for working with different semiprecious stones, for working with gold, for working with glass and enameling. They're really not looking back to any existing precedent. They are developing these techniques for the first time. Sharon: That's amazing. You wonder why each civilization or each culture seems to have certain things that are ubiquitous, like a ram's head. You wonder, where did it start? What keeps your attention about all of this? Is it the cross-pollination? Sara: I don't even know where to begin answering that. I find this material endlessly fascinating. Every time you look at it, you see or appreciate something new, the intricacy of it, or as I mentioned, the ways in which this jewelry for the ancient Nubians is not just a status item. It's not just something beautiful to look at and wear. It's imbued with all of these layers of meaning. It reflects so many aspects of Nubian society and Nubian beliefs and Nubian practices. Because of the relative lack of written records from ancient Nubia, we are reliant on the archaeological record. So much of this jewelry helps us more broadly understand ancient Nubian society. I think you can come back to it and look at it over and over again and find new levels of meaning in it every time, as well as being able to appreciate how beautiful it is. Sharon: But you must have seen a lot of ancient jewelry. You've seen Greek and Roman and Egyptian and Nubian. What keeps your attention? What's so fascinating that it would keep your attention for so long? Sara: I think everything I just mentioned. The jewelry across ancient societies is fascinating for those same reasons, that it typically is not just about beauty and personal adornment. It's also reflective of cultural and religious beliefs, but I think it's the fact that this material is some of the earliest of its kind as well. As I mentioned, they're pioneers in developing new techniques or adopting techniques from other places and reengineering them as they did with faience, which was being made in Egypt prior to Nubia. They reengineered it, figured out how to make it for themselves. They were developing these unique techniques like the glazed quartz, the enameling techniques. It's incredible to think that 3,000, 4,000 years ago, people were making these items and developing these technologies and with handmade tools and natural light, and it would be very difficult to control temperatures of a kiln. It's incredible. Sharon: It is incredible. I know the Getty Villa is different than the Getty Center. The Getty Villa is a replica of a Roman villa, and it has a little room that has just jewelry. It's very small. It's a jewel box of a room, really. Do they have Nubian jewelry in there? Sara: We do not. We do not own any ancient Nubian jewelry in our permanent collection at the Villa. The Villa is a separate site from the Getty Center. We are home to the Getty Museum's Antiquities Collection specifically. Our permanent collection of antiquities is predominantly Greek, Roman and Etruscan. This Nubian exhibition is part of a broader initiative we've been engaged in in recent years, where we're trying to bring in special exhibitions featuring material from other ancient cultures and civilizations so our visitors can get a bigger picture of the ancient world. It's also so we're not perpetuating this idea that in antiquity, Greek and Roman are all there is. There's so much more than that. What's reflected in our permanent collection is Greek and Roman. So, through this special exhibition program, we're able to highlight other cultures. We also recently had a big exhibition on ancient Persia that included some stunning items of Persian jewelry. Sharon: I missed that one. Sara: We don't have any Nubian or Egyptian jewelry in our antiquities collection, so this is a unique opportunity. As I mentioned, this material is housed at the MFA Boston, so it's a unique opportunity for people on the West Coast to see a major exhibition of ancient Nubian material, but it is quite different. You can see some stylistic similarities like I mentioned with the Meroitic Period, when they have those trade connections to the Greco-Roman world. You can see stylistic similarities between some of our Greco-Roman pieces and some of the pieces in the Meroitic section of the exhibition, but it is very distinctive. It's a nice counterpoint. We have at the Getty a pretty significant collection of ancient, engraved gemstones as well as some Hellenistic gold jewelry and finger rings. You can see similarities. Finger rings with carved bezzles became very popular during the Meroitic Period as well, so you can see some similarities there with the rings being made in the Greco-Roman world. Sharon: If you haven't seen the little room with jewelry there, you could take any piece from the Greco-Roman era—and it's probably true of the Nubian era, too—and put it on, and nobody would know the difference if you went to the market. Sara: Yeah. Sharon: Something I came across mentioned the role of women in Nubia, that there was a stronger role. Can you tell us something about that? Sara: Yes, it seems throughout ancient Nubian history, in the Kingdom of Kush, royal women held particularly high status. We can see that in a few different ways. We can see that in their burials. We can see it some of their individual items of jewelry, which I'll mention, and we also see it in some of the practices that were being implemented, the roles that royal women had. In the Napatan period, there were a group of royal women who became associated with the god Amun and were sent to Thebes in Egypt, which was the Egyptian center of the worship of Egyptian Amun. These women were made into high priestesses of the god at his temple there. So, they held these very high-ranking, powerful positions, and these were royal women who were relatives of the Napatan kings who were also ruling in Egypt. They had great religious significance in this very important role, where they were sent to Egypt as god's wives of Amun, what we call them, or high priestesses of Amun. During the same period, there are some items of jewelry in royal women's tombs at Napata that speak to their importance. For instance, there's a piece in the exhibition that is easy to overlook because it's very small, but it's definitely worth taking the time to look at. It's a little silver pendant that shows the goddess Hathor, who I mentioned previously is the goddess of love and fertility and motherhood who gets adopted and becomes very important in the Nubian culture. It's an image of Hathor, and she is nursing a Nubian queen named Nefrukakashta. The item was found in her tomb. So, she is receiving, essentially, divine lifeforce from Hathor through being nursed by her. This is important because this was also a composition we see in Egypt,  but there it's only the kings who appear being nursed by Hathor. The king is embodying a divine role as pharaoh, so he receives divine lifeforce from Hathor. You never see royal women in ancient Egypt in this pose being nursed by Hathor, but in Nubia, we see it. The status of royal woman is higher there. They're considered worthy of being show in this position of being nursed by the goddess herself. By the time we get to the Meroitic Period, the final phase of the kingdom, there's actually a series of queens who take the throne for themselves and they rule as sole rules. These were very powerful women ruling over the Kingdom of Kush in its final phase, one of whom even famously fought off attempts at invasion by the Roman emperor Augusts. She signed a peace treaty with him to protect the border between Nubia and Egypt, which at that time had become a Roman province. So, royal women in ancient Nubia achieved very high status. Sharon: I think that's very interesting. I could talk to you for hours about the history of women and what happened after that. Thank you so much, Sara, for being with us today. I just want to remind you about the exhibit. I listened to a webinar and looked at the press release. It looks like it will be a very interesting exhibit. I look forward to seeing it in person live. It's through April 13. Dr. Sara Cole is the assistant curator. Thank you very much for being here today. Sara: Thank you so much for having me. We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

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What you'll learn in this episode: Why ancient Nubian jewelry is still significant today How the Kingdom of Kush rose and fell How ancient jewelry motifs, techniques and materials were shared and adapted between cultures Why the Museum of Fine Arts Boston has a significant collection of ancient Nubian art, and why it's being exhibited at the Getty Villa Why jewelry is often one of the only pathways to understand ancient cultures About Dr. Sara E. Cole Sara E. Cole is Assistant Curator of Antiquities at the J. Paul Getty Museum (Villa). She holds a PhD in Ancient History from Yale University. At the Getty, she is part of the Classical World in Context initiative, which seeks to highlight cross-cultural interactions in antiquity and explore the diversity and interconnectedness of the ancient Mediterranean and Near East through a series of special exhibitions and related publications and public programs. She has curated or assisted with exhibitions of Egyptian, Mesopotamian, Neo-Assyrian, Persian, and Nubian art. About “Nubia: Jewels of Ancient Sudan” from the Museum of Fine Arts, Boston October 12, 2022 - April 3, 2023 Getty Villa Museum For nearly 3,000 years a series of kingdoms - collectively known as the Kingdom of Kush - flourished in ancient Nubia (present-day southern Egypt and northern Sudan). The region was rich in sought-after resources such as gold and ivory and its trade networks reached Egypt, Greece, Rome, and central Africa. This exhibition presents highlights from the Museum of Fine Arts, Boston's extensive collection of Nubian objects and features superbly crafted jewelry, metalwork, and sculpture exhibiting the wealth and splendor of Nubian society. Learn more about the exhibit at https://www.getty.edu/art/exhibitions/nubian_jewelry/ Photos available on TheJewelryJourney.com Transcript: Nubian jewelry is often overshadowed by Egyptian and Greco-Roman jewelry, but the ancient Nubians were the world's first jewelry pioneers. Their influential work is currently on display at “Nubia: Jewels of Ancient Sudan,” an exhibit at the Getty Villa featuring pieces from the collection of the Museum of Fine Arts in Boston. Dr. Sara E. Cole, assistant curator of the exhibit, joined the Jewelry Journey Podcast to talk about how Nubians developed their own enameling techniques; why jewelry is the key to understanding ancient cultures; and how iconography was shared and adapted throughout the ancient world. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, my guest is Sara Cole, who's the Assistant Curator of Antiquities at the Getty Villa in Malibu, California. She's the curator of “Nubia: Jewels of Ancient Sudan,” an exhibit at the Museum of Fine Arts in Boston which showcases Nubian material. These finds were jointly executed early in the last century by Harvard and the Museum of Fine Arts. The exhibit is now open until April 3. Sara received her Ph.D. from Yale, which is amazing. She's an expert in ancient history and a specialist in material culture of Greco-Roman Egypt. She has studied the cross-pollination of cultures, and we'll hear a lot more about it today. Sara, welcome to the program. Sara: Thank you for having me. Sharon: So glad to have you. Tell us about your own journey. Did you come to jewelry through antiquities or archaeology, or the other way around? Sara: Yes, through my study of archaeology and Egyptology as a graduate student. That was primarily my introduction to this material. I became familiar with Nubia primarily through the MFA Boston's tremendous archaeological collection of Nubian material. When I was a graduate student at Yale back in, I think, 2011, I took a graduate seminar on Nubian archaeology with a Nubian specialist named Maria Gatto. In one of our classes, we took the train to Boston and got to spend a day going through the storerooms of the MFA looking at Nubian material. We were primarily looking at pottery that day, but we did get to see some other objects as well. In 2014, MFA put on its own small exhibition featuring their Nubian jewelry collection, so that brought that material a little bit more into public view. Then in 2019, the MFA did a big exhibition bringing out highlights of their full Nubian collection that was called “Ancient Nubia Now.” Since 2019, they very generously sent parts of this collection to different museums for exhibitions around the world. We're very fortunate at the Getty Villa that we were able to borrow some of these stunning pieces of jewelry and personal adornment from that collection for this current exhibition. Sharon: I have to ask you. When you were younger, you say you were interested in Egypt and ancient periods, but very few people go into archaeology. How is it that you stuck with it? Sara: Museums were really my entry point to the ancient world as a child, which I think is true for a lot of us. I grew up in a small town in Virginia and wasn't exposed to major museum collections as kid, but we had a small, local museum. It featured mostly local contemporary artists, but one summer they put on view a small touring exhibition of Egyptian material from the Virginia Museum of Fine Arts in Richmond. I was probably 11 or 12 years old. That was my first exposure to ancient Egyptian material, and I just found it incredibly captivating and compelling, and I stuck with that interest. I ended up doing a bachelor's degree in classics and then my Ph.D. in ancient history, where I studied a combination of Egyptology, classics and art history. But I've always had a great passion for museums in particular because it was my personal entry point to the ancient world. We do have the opportunity, through putting on exhibitions like this, to reach such wide audiences and to bring this material to their attention, things they've maybe never seen or considered before. It's a really wonderful opportunity. Sharon: It really is. When you say Nubia, a lot of us haven't really thought about Nubia or Nubian jewels. That's the entry point or the foundation. What is Nubia? What do you mean by Nubian? Sara: That's a great question, because I think a lot of people have heard of Nubia but they're not quite sure what it is. Traditionally it has received a lot less attention than ancient Egypt, which is this huge, looming civilization. When we talk about ancient Nubia, we're really talking about a geographical region that was located immediately south of ancient Egypt. They were neighbors. In terms of modern-day geography, it reached essentially from Aswan in what is now southern Egypt down to about Khartoum in present-day Sudan. The contemporary political border between Egypt and Sudan cuts across part of what was ancient Nubia, when the border was located further north between Nubia and Egypt. So, it's essentially this geographical region going across part of what is today southern Egypt and northern Sudan. For parts of its ancient history, Nubia as a region was actually home to several different cultural groups. It wasn't always a single, unified culture. So, when we talk about Nubia, we're talking about the geographical area, and then there were different cultures that lived within Nubia. Around the third millennium B.C., a political institute called the Kingdom of Kush—because the region was known as Kush in antiquity—arose at the city of Karma in what is today Sudan. It eventually came to conquer essentially all of the region of Nubia. The Kingdom of Kush lasted on and off for a period of almost 3,000 years, and it moved to different capital cities in different phases. It first arose at Kerma in the third millennium B.C., then moved further south to a capital called Napata, which was also along the Nile River, around 750 B.C. Then in its final phase, starting around 350 B.C., it was centered at a city even further south on the Nile River called Meroë. So, when we talk about ancient Nubia, we're talking about that region, but for this exhibition, we're really focusing on items of jewelry that were worn by royalty and the elite of the Kingdom of Kush that were found at these three successive capital cities. Sharon: I was going to ask you if Napata and—is it Morocco? Sara: Meroë. Sharon: Meroë. I've heard so much about it, but did they all have jewelry? Did the royalty all have jewelry at all three of these sites? Sara: Yes, absolutely. Throughout human history, I think in all cultures we see personal adornment as a universal means of self-expression. It's a means of expressing status and power. But also in antiquity, much of this jewelry, either the materials themselves or the iconography incorporated into it, had symbolic religious significance. Items of jewelry were often amuletic and protective, or they could signify one's status in society, one's role. They reflect a lot about an ancient culture's social organization, religious beliefs, communities, etc. These items of jewelry speak to so much more than being aesthetically beautiful status items. So, yes, even very early in Kerma and even in pre-Kerma archaeology, we find items of jewelry in the archaeological record. Jewelry was very essential, especially for rulers and for individuals of high status, to express themselves in ancient Nubia. Sharon: Did both men and women have jewelry? Sara: Yes, they did. Men, women, children, and sometimes even very prized royal animals were adorned with jewelry. Sharon: Were these from tombs or graves? Sara: Yes, essentially all of the items in this exhibition were excavated from royal and wealthy burials. This was material that people valued in life but also chose to take with them to the grave. As a I mentioned, a lot of these pieces have iconography that is protective or amuletic, which would have particular significance in the context of the tomb. These are images that are going to protect you as you are making your transition to the afterlife. So, all of the material was excavated from burials. That is primarily where we find these high-status jewelry items still surviving. They survive because they were buried, and people didn't have the opportunity to reuse them or repurpose the materials. Sharon: First of all, I think I forgot to say that this exhibit is only on until April 3, which comes up quickly. I can't remember if I said that or not. Sara: Yes, two more months to go see it at the Villa. Sharon: When you say it's like a dynasty or the Kingdom of Kush lasted 3,000 years, I have this idea that it rose high and then it was—I don't want to say nothing, but they weren't reading. It was like the Dark Ages in a sense, really dark, and then it rose again in a different place. How did that work? Sara: The Kingdom of Kush went through fluctuations over that 3,000-year period. I wouldn't necessarily call it dark ages. The Nubians simply never developed the same tradition of extensive written records like we get from Egypt, so much of our knowledge of Nubia comes from the archaeological material. We just don't have extensive written historical documentation from this region. It wasn't part of the culture. They had a very complicated relationship with their neighbor to the north, Egypt, which is largely the reason for these periods of rise and fall. The Kingdom of Kush arose, like I mentioned, at Kerma in Sudan, during which time in northern Nubia, there were other cultural groups inhabiting that region who were in conflict with Egypt. The Kingdom of Kush eventually was able to take that region and unify Nubia under its rule. Kerma flourished for almost 1,000 years, from about 2,400 B.C. until roughly 1,550 B.C. But what happened around 1,550 was that Egypt entered into a very powerful period in its history, the New Kingdom, the rise of the Eighteenth Dynasty, and those kings invaded Nubia and took over. They occupied Nubia for about 500 years, during which time we don't have a tremendous amount of archaeological evidence for what was going on. But it seems like Nubians and Egyptians were essentially coexisting in Nubia during this period. As you can imagine, over 500 years, there's a huge amount of cross-cultural exchange as a result of the Egyptian presence in Nubia. Some Egyptian religious ideas get incorporated into local Nubian tradition, as does a lot of iconography. There are a lot of ways in which the Nubians start adapting some Egyptian concepts to their own local practices. Then the Egyptians get pushed out of Nubia around 1,000 B.C. approximately. The Kingdom of Kush starts to regroup and rebuild itself, and it reappears fully around 750 B.C., now at the capital city of Napata. What's interesting at the beginning of the Napatan phase is that the Nubians turn the tables on Egypt and invade them. They take over Egypt and rule for about 80 years. For that 80-year period, staring around 725 B.C., the Kingdom of Kush is at its greatest extent, going all the way from what is today Sudan up to the Mediterranean coast, ruling over both Nubia and Egypt. After that 80-year period, they get pushed out of Egypt but are still ruling the Kingdom of Kush from Napata. We see some really interesting ways in which the rulers of that 80-year period adapted an Egyptian mode of self-presentation. They're trying to present themselves as legitimate pharaohs in Egypt. They start presenting themselves in a way that is adapted from earlier pharaonic styles of self-presentation. Even though the Nubian kings are spending some time in Egypt, they choose to be sent back to Napata for their royal burials, and they start using pyramid tombs during this period. They start practicing mummification and incorporating some Egyptian-style object assemblages into their burials. We see some of those practices get adapted during this 80-year period, including the incorporation of a lot of Egyptian religious iconography into their jewelry. We see those trends continue later, even when they're no longer ruling in Egypt. Then during this Napatan phase, which lasts roughly 400 years, they start to gradually shift the capital further south to this third city of Meroë. By around 350 B.C., both the administrative capital and the royal cemetery have moved to Meroë, and this is the final phase of the Kingdom of Kush. This is a phase that lasts from roughly 350 B.C. to 350 A.D., when the Kingdom of Kush falls. It corresponds with the conquests of Alexander the Great throughout the eastern Mediterranean and ancient Near East, the rise of his successor kingdoms and then the rise of the Roman Empire. But throughout all of this, the Kingdom of Kush maintained its political independence. It never became part of Alexander's territories; it never became part of the Roman Empire, unlike Egypt, which did. They had a complex relationship with Rome, who at times tried to take Nubia unsuccessfully, but they were also connected to these vast trade networks that connected the Mediterranean and the Near East throughout the Roman Empire. It was a very cosmopolitan place, ancient Meroë. They were very closely connected through trade networks to the rest of the world. They were also producing some incredibly high-status pieces of jewelry with really exquisite craftsmanship. Then the Kingdom of Kush falls around 350 A.D. That's the big picture of what we're looking at here, with the history of the Kingdom of Kush and its different phases. Sharon: When you say Nubia, is that the same as the Kingdom of Kush? Do you mean the Kingdom of Kush or Nubia are one in the same, I guess? Sara: Nubia in antiquity was known as Kush, and then the Kingdom of Kush is the political entity ruling over that region. Sharon: Did the jewelry change over the years? Sara: It did, yes. We do see that even across these different phases, each one has a distinctive aesthetic. There is no single, unified Nubian look to the jewelry. Different fashions change over time. Different popular materials come in and out of fashion. In Kerma, in the earliest phases, we see jewelers making items out of locally available and imported organic materials. They're making use of things like hippo and elephant ivory to create cuff bracelets. They're making use of shells they imported from the Red Sea coast and fashioned into different items. They were also importing faience from Egypt. Ancient faience was a man-made, blue-green, glazed, quartz-based ceramic material that was very popular in Egypt. The Kermans were importing it initially, but then they developed their own faience-making technology and were able to produce their own. So, we start to see the use of this man-made material. They're using gold. Nubia in antiquity is known primarily as a land of gold because of their rich gold resources in the Eastern Desert. That was their main coveted natural resource. They had incredibly skillful techniques in working with gold. We see them using locally available semiprecious stones, things like carnelian and amethyst. They work with quartz in some really interesting ways. Quartz is found alongside gold, so it was probably symbolically associated with gold. Gold was valued not only because it was this very prized economic resource, but it was also an imperishable material. It was associated with immortality and the sun, and it was very highly symbolically valued. They would take quartz and do an interesting treatment that, as far as I am aware, is distinctive to ancient Kerma. They would take the quartz, either shaping it into spherical beads or taking chunks of it in its raw form to use as pendants, and they would put a blue-green glaze over it and fire it in a kiln to create a hard, shiny, translucent blue surface that creates this stunning, glass-like appearance when it's done successfully. It was a delicate technique. You had to be very careful, because if you raised the temperature in the kiln too quickly, the quartz would fracture and burst, and you would lose your item of jewelry you were making. They had to be very careful in this process, but again, as far as I know, this is a distinctive Kerman technique, a distinctive way of working with quartz. Those were the types of materials they were utilizing to make items of jewelry. There's also a particular ornament we start to see in Kerma that is really interesting and later gets adopted by the Egyptians, which is the fly pendant. They are these large pendants that were often worn in pairs strung around the neck, and they represent flies. We have an example in the exhibition where the head is made of gilded bronze and the wings are carved out of ivory. These are found in soldiers' tombs. They appear to have been given as a medal of honor to high-status members of the Nubian military. We can ask why they would choose a fly of all things to honor a member of the military, and we believe it's because if you go to Egypt, if you go to the Nile Valley, you will experience that the flies are very big and mean and aggressive. So, we think these fly pendants are a way of associating the aggression and the tenacity of the Nilotic flies with the aggression and the tenacity of Nubian warriors. Later these fly pendants actually get adopted in Egypt as well as a military medal of honor. So, those were the kinds of things we find at Kerma. As I mentioned, that period comes to an end with this big invasion of the Egyptians around 1,500 B.C. Then when the Kingdom of Kush rearises at Napata around 750 B.C., they invade Egypt. They take over, and we start to see how this 500-year period of intense cross-cultural interaction has resulted in the introduction of a lot of Egyptian iconography into the royal jewelry. We start to see a lot of images of goddesses like Hathor and Isis, who became very important in the Nubian pantheon. There is an Egyptian god called Amun who becomes introduced as the supreme god of ancient Nubia, but in his Nubian form specifically, he takes the form of a ram or a man with a ram's head. We believe that before this period, there was probably an indigenous ram god who Amun became assimilated with. So, we see a lot of ram iconography in the jewelry. There's a lot of iconography associated with the goddess Hathor, who was this Egyptian goddess of love, fertility, beauty and motherhood with whom Nubian queens and royal women became particularly associated. We see a lot of that kind of iconography. We see protective icons that have been introduced from Egypt, things like the Eye of Floridus, the scarab beetle, that kind of thing. They're working a lot in faience still. There are some queens' tombs from this period where these large faience plaques are very popular, again in the shapes of religious protective imagery, amuletic icons, gods and goddesses. They were big plaques that were strung on strings of beads and worn around the neck, essentially meant to sit over the chest to protect the pectorals. We see a lot of that kind of thing, this incorporation of new iconography, new religious ideas, sometimes a very Egyptian mode of self-presentation that they've adopted from the Egyptians. They're working in faience; they're working in gold. We do see some silver during this period. Silver was not locally available; it was an imported material, but we do see a lot of skilled gold work during this phase. They are developing some very sophisticated techniques for how to fashion items of jewelry, but also things like golden vessels. This is a phase where we start to see that Egyptian influence and some increasing sophistication in the techniques with which they're working, with both these man-made and locally available resources. In the Meroitic Period, we see those gold working techniques really hit their stride. There is some tremendously sophisticated gold work made during the Meroitic Period, where they're using techniques like granulation and filigree and very delicate wirework. At Meroë, they also start producing glass. Glass beads start to appear in the jewelry. Something that Meroë distinctively is also known for is the use of a wide range of enameling techniques. They would take powdered glass and apply it to the surface of items of jewelry, and then heat it to fuse it and create it a hard, shiny, colorful surface. There were multiple enameling techniques they developed at Meroë, some of which, prior to their discovery at Meroë, were thought to have not been invented until the modern era. There were techniques they developed at Meroë, and the knowledge of that technology was lost and rediscovered in modern times. This is also a phase during which we see, as I mentioned, a kind of cosmopolitan international style developing. We do see some Greco-Roman influences coming into play in the form of large, dangly pendant earrings and the development of new color schemes, for instance. There was a color scheme at Meroë that was especially popular, which was red, white and black. They would use cornelian, which was a popular material, to achieve the red and then import obsidian for black and travertine for white. Each phase has its own distinctive repertoire of objects and iconography and manufacturing techniques that were being used. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. END OF PART ONE

Tarun, Haran, Christian and Harsha are back with a great episode, this time with their college friend, Kush! They reflect on their college life, talk about their early careers, and what plans may be in store for the future, dive into their hobbies and so much more! Have an interesting topic or would like to be featured on an episode? Let us know! Head over to @aninterestingdiscussion on Instagram! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/aninterestingdiscussion/message

This week's guest is Princess O'Nika Auguste, a Saint-Lucian writer, theologian, historian, poet-critic, researcher, and digital content creator. She's here to talk about Amanirenas, Queen of the Kingdom of Kush from c. 40 BCE to c. 10 BCE, and was a one-eyed Black woman who prevented the Romans from taking over most of the African continent. Follow Princess O'Nika Auguste: Instagram: @isletheologian Substack: princessonikaauguste.substack.com Twitter @isletheologian Merch store www.zazzle.com/store/isletheologian Patreon: patreon.com/isletheologian Ko-Fi ko-fi.com/isletheologian -- Support Vulgar History on Patreon Get merch at http://vulgarhistory.store - use code TITSOUT for free U.S. shipping or TITSOUT10 for 10% off your order Learn more about your ad choices. Visit megaphone.fm/adchoices

After last week's opening segment was canned due to various violations of the Geneva Convention, Kush is back in person to oversee the other 3 monkey's and ensure no other inhumane acts are performed on this podcast. To mark his return, Kush begins with a hypothetical review of his movie rating system, including potentially using his head as a scoring system. We then finally reveal an ongoing saga regarding our upcoming football season as we have been unceremoniously dumped from our previous team before ending with a final yarn of seeing Dave Chappelle live.In another classic bait and switch, the game this week isn't Gone Camping, instead it's a new one - “Critical Categories,” which is our take on the seminal classic game of Scattergories.We end this week with another new segment “Can I Borrow A Feeling?” where we discuss some of the more niche, underrated feelings in life - ranging from relieving oneself after holding in a long piss to the first drop of water after a massive night out.Also this week: Ro smoking a doobie, Yondr pouches, Band 6 movie, Dragon Booster and Antonio Banderas.Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Critical Categories: This game is all about speed as the boys must name as many items in a given category as fast as they can.Can I Borrow A Feeling?: A segment where we discuss the most underrated feelings in the world.___________________________________________________________FULL PODCAST EPISODES

Friend of the Family, Mike Fish, stops by to talk about The 57th Big Game between the Chiefs of Kansas City and the Eagle of Philadelphia.  Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyFollow Mike Fish on Twitter @MrMikeFishDiscover Claret & Big Blue at: ClaretBigBlue.comFollow Claret & Big Blue @cbbpod on Twitter & InstagramFor More Information on Waffle Box - Twitter: @WaffleBoxPodArchives available on YouTube and www.thebosnet.family/waffleboxFollow Kush on Twitter @Kush_HayesSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2023 TheBosNet Family All Rights Reserved

Looking for a strain that brings positive vibes and potentially a higher than usual experience? Hollywood kush could be that strain you've been seeking. Smooth and robust. Intense aromas. An elevated experience that can make you feel like your bones are floating in your body. Great for not just physical pain, but also, can help you when you got the blues. Go low and slow with this one for beginners and for those who are more advanced… load this up with a another strain. This episode is guaranteed to hit your spot in finding that new amazing strain in your rotation. Help the show hit its goal of 420 Supporters! https://www.patreon.com/CannabisSchool Get Cannabis School Swag https://www.cannabisschool.us/shop.html For Questions or to submit feedback please email Hosts@cannabisschool.us https://www.youtube.com/@cannabisschool A Flow Media Production www.cannabisschool.us Canabis , Cannabis , THCV , Cannavist , cannabinoid , cannabiz , Sativa , Extracts , THC , CBD , MMJ , cannabid, cannabuild , cannabidiol, cannabiz , Canna , extracto , khush , kush , carts , pax8 , botanicals , alternative health , alternative medicine , marijuana , hemp , plant medicine , Skywalker , OG , CBG , CBN , HHC , Extracts , Concentrates , Dabs , Shatter , Wax , pain relief , Anxiety relief , Cancer , Resin , Rosin , Endometriosis , Crohn's , auto immune disease , PTSD , Inflammation , Arthritis , Pancakes , Where Cannabis is Legal , Where Cannabis Originated From , Where Cannabis is Legal US , Where Cannabis oil , Where CBD is legal , Where CBD oil legal , What Cannabis Product is best for pain , what cannabis mean , what cannabis product is good for anxiety , what cannabis is best for adhd , what cannabis plant produces seeds , will cannabis become federally legal , who cannabis recommendations , who cannabis report , who cannabis. legalization , who cannabis classification , who cannabis review , who cannabis medical , who cannabis addiction , which cannabis strains are good for , what cannabis strains are good for , which cannabis is best for nausea , why cannabis should be legalized , why cannabis should be legalized in the UK , why cannabis should not be legalized , why cannabis illegal , why cannabis should stay illegal , why cannabis is legal , can cannabis cause dementia , can cannabis cause aggression , can cannabis withdrawal cause psychosis , can cannabis make you angry , can cannabis help with nerve pain , when cannabis became illegal , when cannabis legal Canada , how cannabis affects relationships , how cannabis look like , how cannabis affects our cognition and psychology , how cannabis is made , how to make edibles , how to use marijuana , how do you smoke marijuana , how to smoke cannabis , how do I use cannabis , Psalm Trees, James Berkeley - Ah Yeah https://chll.to/d08ed5fb --- Send in a voice message: https://anchor.fm/cannabisschool/message

The wheels have well and truly fallen off here at Critical Banter, as this week the boys record an opening segment so heinous and so horrific that Kush had to cut out 95% of what was said to save the careers of Migs, Ro and Sen. Not sure what got into the lads this week to trigger such a violent outburst, but nevertheless one day when we are famous enough, we'll release the full uncensored version.Anyway, we move and we got a new game this week as we play the “Alphabet Game.” As you may have seen on Tik Tok, in this simple improv game, the lads take turns saying a sentence to advance the story, except their sentence must start with the letter of the alphabet preceding the person before them. SImple game, therefore very difficult for us.Another new segment this week with “Odd One Out,” as we reminisce and discuss odd/niche ways people consume food. Our test case for this week pertains to a friend of the show who revealed his truly startling (and disgusting) method of eating a block of chocolate.Also this week: lots of slurs, Karens, triple cheese and the mandarin velociraptor.Segments this week:Alphabet Game: The boys try to complete a story, one sentence at a time, but each sentence must start with the next letter of the alphabet.Odd One Out: We kink shame people for eating common food in weird and wonderful ways.___________________________________________________________FULL PODCAST EPISODES

DJ Darien, along with South Central's finest, Kush, Solo Gee, Q.pid, and the talented Elaina'Rae joins Droematic for a briefing on the South Central music scene, and what it takes to shine above the rest.

On this weeks episode we welcome back The Hemp Wizard

We kick off this week straight off the bat with a controversial topic as Miguel (conscientious objector) reveals he worked on Australia Day, refusing to take leave. Even worse, he unintentionally had the gall to take the moral high ground over his coworkers who did in fact take the day off. We then discuss whether celebrating was allowed and if you were allowed to post an instagram story. Sen brings some yarns from his roadtrip which coincidentally happened during Australia Day (no celebrating occurred) which included tales of his friend taking multiple L's. New game this week as we play “Bingo or No Bingo.” In an interesting twist however, this game doesn't actually feature any sort of bingo, instead Ro chucks the boys a popular statement and they must deduce if it is indeed a fact (bingo) or an old wives' tale (no bingo).For the first time in 2023, we end with the always popular “Cuck or Be Cucked.” In this edition, Rohit experiences colonialism first hand whilst in the air and Manny gets alpha'd by a small business owner.Also this week: Changing the date, popcorn Chernobyl, mouth farts, and hunger strikes.Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Bingo or No Bingo: In this game the lads must decide if a statement is true or false.Cuck or Be Cucked: Have you or your loved one been alpha'd recently? In this segment the boys give you tips on how to alpha those who have alpha'd you.___________________________________________________________FULL PODCAST EPISODES

Gt Beer Sunrise Jouvert Promo Cd By Bigpapa,bobby Kush & Dj Dellon Hotskul by OneVoiceFamily

Katie Kush, Andrew Youngblood and Romi Chase are some of the guests interviewed by Ralph Sutton and Big Jay Oakerson on day 2 of the AVN Awards weekend in Las Vegas! They discuss whether size matters to Katie Kush and Romi Chase, what it's like writing for the awards from Andrew Youngblood, Katie Kush's firsts, who'd win in a fight between Big Jay and Ralph and so much more!(Air Date: January 25th, 2023)Support our sponsors!YoDelta.com - Use promo code: Gas to get 25% off!To advertise your product or service on GaS Digital podcasts please go to TheADSide.comand click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Katie KushTwitter: https://twitter.com/KatieKushxx2Instagram: https://instagram.com/KatieKushxx2Andrew YoungbloodTwitter: https://twitter.com/noyoungbloodInstagram: https://instagram.com/noyoungbloodRomi ChaseTwitter: https://twitter.com/romi_chaseInstagram: https://instagram.com/romi_chaseBig Jay OakersonTwitter: https://twitter.com/bigjayoakersonInstagram: https://www.instagram.com/bigjayoakerson/Website: https://bigjaycomedy.comRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hip Hop and R&B artist Kush Driver is set to release his upcoming album, “On Demand,” on February 3, 2023. The 35-track album is a robust collection of hip hop and R&B songs, including many features with collaborators. “I want listeners to have fun with it,” exclaims Kush Driver. Rapper & Singer, Kush Driver, stops by Vigilantes Radio Live to chat with Dini about his new 35-track album & making hard decisons between family and career. #interview #discover #explore #exploremore #kushdriver #ondemand #artistlife #vigilantesradiolive #dini #weekly #youarewelcomedhere #extraordinarypeople #podzquadnetwork #podzquad Make sure to stay connected to Kush Driver on all platforms for new music, videos, and social posts. Website: www.kushdriver.biz Music Video: https://youtu.be/e9bR2y3K1rs Facebook:https://www.facebook.com/chris...   Instagram: @official_Kush_Driver   Tiktok: @kushdriver3   Twitter: @driverkush

Welcome to Breeders Syndicate 2.0 - This is the new improved Breeders Syndicate fully run and operated by Matthew Riot. Accept no imitations. This is Season 6 Episode 3, Part 7 of the Madjag and Raho Chronicles.Today we are joined by Jim's old Buddy from Grows 2 and 3 (The Big Skun k 1 grow) and we get to hear another perspective and some more exciting tales from the Madjag era. Jonny is an absolute treat and a wonderful storyteller - links to his book below!ALSO CHECK OUT OUR BRAND NEW FIRST TOYMAKER COLLAB WITH SUPER SUCKLORD - THE PANAMA RED RIOT SEEDS / SUCKLORD EDITION!https://suckadelic.myshopify.com/collections/strainsa link to Jonathon Slator's BookLhttps://jonathanslator.com/the-year-of-the-mad-jag/https://madjag.com/I HIGHLY suggest to anyone who loves this show to visit this page prior to listening, so you truly understand the magnitude of the tale that will be unfolding over the next several weeks,Again, a true blessing and honor... Absolutely humbling to be the guys to help deliver Jim and Raho's tales. I was ear to ear grinning for 2 hours.OUR MERCH STORE IS LIVE!!!! http://www.syndicategear.com - I have to figure out the ssl certificate, when i do itll be more payment options. This is a DTG printing service so we don't make a bunch of money but you all requested it, so we did it! Find Madjag: https://www.madjag.comBREEDERS SYNDICATE LINKS: https://linktr.ee/riotseedsBREEDERS SYNDICATE MERCH! - http://www.syndicategear.comBreeders Syndicate website: http://www.breederpodcast.comIntro / Outro courtesy of Inkha Avail on https://soundcloud.com/inkhamusic?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The 2023 Academy Awards nominations have been announced causing Drew Angelman and Kush Hayes to give their knee-jerk reactions to this years nominations. Part 2 comes out March 10th,Music by IAmSoLocoFind more from IAmSoLocoon Twitteron Facebookon SpotifyFollow Drew on Twitter @DrewAngelmanMore Drew at: Angelcake EntertainmentFollow Kush on Twitter @Kush_HayesSubscribe to the Microdose on:StitcheriTunes & Apple PodcastsSpotify© 2023 TheBosNet Family All Rights Reserved

Friend of the show Kush Jenkins hit me up after listening to Episode 201 to talk about a few topics. Tap in, join the conversation and let me know your thoughts on these topics. Enjoy the show! Show intro/interlude music by DJ Cam One: Twitter/Instagram DJ Cam One's label: Mysteryismusic.com Mysterysoundrecordings.bandcamp.com DJ Cam One on Spotify Your host Uncle Dub: Twitter/Instagram Untappd (Beer Check-in app): ItsUncle_Dub Email: sportswagonpodcast@gmail.com Check out the Bald Head Logic podcast co-hosted with DJ Cam One Please consider supporting the podcast: Buy Me a Coffee Send a voicemail, subscribe, rate and tell a friend about the show! Thank you for listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/itsuncledub/message

The little old man had a new slant on the mystery of what really happened to the great dinosaurs… Day of the Hunters by Isaac Asimov, that's next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Thanks to the thousands of you who listen to The Lost Sci-Fi Podcast every week and we always look forward to your comments, suggestions, and requests. TG Dom Nemo writes “love the added background info! I'm afraid, by now, I just take your great narration for granted.” Thank you, and we appreciate the compliment! Dr. Kush - Retired and from the District of Columbia, D.C. had this to say, “Best Audiobook Narrator Ever. Thanks, I have been listening to you all weekend. You make them very enjoyable.” Thanks Dr. Kush, that is high praise!If you've got something to say we'd love to hear it, send us an email, scott@lostscifi.com.About two months ago we heard from this legendary author with the story “Christmas on Ganymede.” He returns today with a terrific titillating time travel tale. When this story was published in 1950 the average cost of a new car was $1,510, gasoline for your new ride was 18 cents a gallon and a fellow by the name of James Dean got his big break in a Pepsi commercial. Not the singer and the sausage guy, Jimmy Dean. The Rebel Without a Cause actor James Dean. From the pages of Future Science Fiction Magazine in November 1950, Day of the Hunters by Isaac Asimov…Next week on The Lost Sci-Fi Podcast…We all know that every android has its little idiosyncrasies. But what can a civilized human being do about it when his perfect servant drives him crazy?… Your Servant Sir by Sol Boren. That's next week onThe Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.

They say lightning doesn't strike twice, yet here we are 2 years later and once again Rohit has fallen victim to identity theft. It's very rare for sequels to reach the lofty heights of the first one, but as we regale this week we can absolutely confirm this edition of Rohit's misfortune is as good as the first time.In a throwback, we bring back the classic “Would You Rather?” where the boys answer increasingly absurd and thought-provoking hypothetical questions leading to some heated discussions, with this week having a distinctly Sydney vibe to it.We end this week with a new segment “Change My Mind,” where the lads put forth their strongly held beliefs to the others to see if their minds can be changed. This week we debate the best part of Sydney, influencer kid parents, beers amongst other topics.Also this week: Nigerian Prince, Dominic Perrotet, Frangos and Australia Day.Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Would You Rather?: Boys discuss in depth between two very extreme alternatives.Change My Mind: The boys present their stubborn/controversial opinions for their minds to be changed.___________________________________________________________FULL PODCAST EPISODES

Welcome to Breeders Syndicate 2.0 - This is the new improved Breeders Syndicate fully run and operated by Matthew Riot. Accept no imitations. This is Season 6 Episode 3, Part 6 of the Madjag and Raho Chronicles.Part 4 we decided to go down the Forum era route to hear Madjag and Raho's experiences... it more or less predictably ends up being Notso's adventure down Nevil land but its a fun journey regardless of how many times its tread!https://madjag.com/I HIGHLY suggest to anyone who loves this show to visit this page prior to listening, so you truly understand the magnitude of the tale that will be unfolding over the next several weeks,Again, a true blessing and honor... Absolutely humbling to be the guys to help deliver Jim and Raho's tales. I was ear to ear grinning for 2 hours.OUR MERCH STORE IS LIVE!!!! http://www.syndicategear.com - I have to figure out the ssl certificate, when i do itll be more payment options. This is a DTG printing service so we don't make a bunch of money but you all requested it, so we did it! Find Madjag: https://www.madjag.comBREEDERS SYNDICATE LINKS: https://linktr.ee/riotseedsBREEDERS SYNDICATE MERCH! - http://www.syndicategear.comBreeders Syndicate website: http://www.breederpodcast.comIntro / Outro courtesy of Inkha Avail on https://soundcloud.com/inkhamusic?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

All the fun allowed, Jade Kush, joins Matt Slayer at the table tonight. The duo start off strong discuss STI's and their impacts on the industry. Matt and Jade then move into discussing inventive ways to take medications. Matt and Jade share their stances on NFTs and “the blockchain”. Jade updates everyone on what she has been up to the last few year including OF, production work, and focusing on herself. Jade doxxes her cat. Jade and Matt compare the pros and cons of hiring your friends. Jade gets fired and spills the details. Jade draws her lines in the sand around marriage. Matt and Jade debate rave vs techno rave. Jade discusses her opinion on relationships and the strings that come attached. Jade shares why she isn't looking for a long term relationship. Jade gives her insights to managing an adult film production. All this and more this week on And Now We Drink   Cover your shame in our wares. New Merch! anwd.net/merch The Patreon is full of exclusive content and directly supports the show. patreon.com/mattslayer   Subscribe to the youtube youtube.com/andnowwedrink     Check out the discord  https://discord.gg/uBd9G8e       Check the home of And Now We Drink andnowwedrink.com   Matt is now a Twitch Affiliate. Check out his Channel at www.twitch.tv/mattfnslayer

Katie Irani - Nov 30, 1999

By the grace of God all four members of TCB are reunited once again and have convened for a special pod recording. Sen is back from India after helping RRR with their campaign for an Oscar nomination for Best Foreign Film and with him brings culture shocks and rants. After spending some time on Indian roads and witnessing first hand the sheer lunacy that is driving in India, Sen now admits the stereotypes he has helped perpetuate in fact may be understated. Elsewhere, on his return journey home, Sen reveals his luggage to be missing for almost a week as he battles a large Australian airline.“Stockholm Syndrome” is back for the first time in 2023 and this week we must acknowledge the dropping of the most anticipated book since probably the Bible. Hot off the press, the boys must decide if a given quote is taken from Prince Harry's tell all memoir “Spare” or from E.L. James' 2011 modern day classic “Fifty Shades of Grey.”To bring us home this week is perhaps our most primal, potentially even darkest, and definitely most testosterone-filled segment “Animal Wars.” Animal Fighting Scenarios was a very popular Facebook page from a few years back and the boys have brought it back with their own twist. The result is Kush graphically describing, in detail, how he would incapacitate poultry in hand to hand combat.Also this week: road rage, Jetstar, riding wild stallions and could Kush fight Mr 305?Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Stockholm Syndrome: This segment has nothing to do with actual Stockholm Syndrome, instead this is a game where the boys try to distinguish between IKEA products and another unrelated category.Animal Wars: The boys take their own spin on Animal Fighting Scenarios as they (hypothetically) discuss which animals they could beat in a fight.___________________________________________________________FULL PODCAST EPISODES

Happy New Year! Happy Black People month! Breaking in the new year we return with the goat himself Reggie Kush! The Jump Boys catch up with Reggie and his recent success in comedy and music. Reggie is also here to let you know that there will be NO GOKU SLANDER!Follow Reggie!@reggie_kushhttps://linktr.ee/jumpent

The House of Madjag Colombian Imports Petroglyphs Paying Dues and Culture S06 E05Welcome to Breeders Syndicate 2.0 - This is the new improved Breeders Syndicate fully run and operated by Matthew Riot. Accept no imitations. This is Season 6 Episode 3, Part 4 of the Madjag and Raho Chronicles.Part 5 is a departure from the normal strain histories show and was a chance for me to delve deeper into the mind of our friend Mad Jag. As we are becoming friends and now close friends, I really want to show the complexity that is the human I've encountered. This week Notso was at work on the beast coast and Raho was tied up with family affairs, so me and Mad Jag talked Colombian and South American influence on the modern Cannabis market as well as Petroglyphs in the canyon and apprenticeship and paying them dues!https://madjag.com/I HIGHLY suggest to anyone who loves this show to visit this page prior to listening, so you truly understand the magnitude of the tale that will be unfolding over the next several weeks,Again, a true blessing and honor... Absolutely humbling to be the guys to help deliver Jim and Raho's tales. I was ear to ear grinning for 2 hours.OUR MERCH STORE IS LIVE!!!!https://www.syndicategear.com - I have to figure out the ssl certificate, when i do itll be more payment options. This is a DTG printing service so we don't make a bunch of money but you all requested it, so we did it!Find Madjag: https://www.madjag.comBREEDERS SYNDICATE LINKS: https://linktr.ee/riotseedsBREEDERS SYNDICATE MERCH! - http://www.syndicategear.comBreeders Syndicate website: http://www.breederpodcast.comIntro / Outro courtesy ofInkha Avail on https://soundcloud.com/inkhamusic?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

On this episode, we present the first of Twelve (12) Panel Episodes where we enlist guests to help us discuss classic albums from eras past. With this Panel, Skip & DJ are joined by DeCypherEd Producer "Joe" as well as friend of the show Mike Raggs from "Raggs Rants" to breakdown and share our thoughts on Wiz Khalifa's classic project "Kush & OJ". We discuss Wiz's legacy, cultural impact, and discography as well as many facets of this great body of work. Support the show

The Alan Cox Show

Fresh out of China covid lockdown, Kushagra graces us with his presence for this second episode of 2023. Kushagra reveals a new instagram account focused on movie reviews which he's been working on during his annual leave from the podcast. After flogging that for a bit, we then get our weekly Rohit first world problem - this week it's tipping culture in Hawaii. Unfortunately, Ro did not appreciate the performative art the waiters had to put on to earn their tip, instead he would prefer they just earned a below minimum wage salary.Our game this week is for our fellow degenerate gambling listeners with “Overs / Unders.” Pretty simple game, where the boys must figure out how many of a certain thing there is by determining if it is over or under an arbitrary number. In this edition the boys ponder Maccas stores in Australia, number of chips in a bag and how many beers they've had in their life amongst others.Finally we end this week with some mathematics with “BODMAS.” By mathematics we of course mean a NCAA March Madness / FIFA World Cup Round of 16 inspired bracket tournament segment, where this week we put head to head the 16 most popular cuisines in the world.Also this week: @Mr Zorba Smith, 18% service tip and what is Bulgarian food?Segments this week:The Logue: Tired of reaching around each other (at least on the podcast), the boys have instead decided to reach around the week's news stories, events and viral trends.Overs / Unders: The boys are given a category and an arbitrary number and must guess if there are overs or unders on that number.BODMAS: Our bracket tournament style segment where 16 competitors battle it out to 1 eventual winner.___________________________________________________________FULL PODCAST EPISODES

Zack is a former USC defensive tackle. He lost 92 lb by implementing a keto diet after his football career. He continues a meat/animal-based diet, as featured in Newsweek. His real name is “Zack Kusnir,” pronounced Kush-ner. Find Zack on Twitter: https://twitter.com/ZackStrength Timetamps: 00:00 Trailer 00:46 Introduction 02:13 End of football career 04:05 Newsweek article 06:13 Carnivore diet in New York 07:59 Nutrition playing football 09:56 Performance on keto diet 11:55 Pushback about diet 14:08 Ketogenic diet negative effects 16:32 Plant-based diet push 18:25 Good steak in New York 20:50 Diet and family 23:03 Recovering from workouts 25:49 What athletes eat 28:10 Eggs in the diet 31:09 How to cook eggs 33:29 Cardio 35:17 Bowel movements 37:27 Future diet 39:16 Influencing others 41:38 Gym goals 44:01 Growing a family 46:15 Obesity in New York 48:51 Cholesterol See open positions at Revero: https://jobs.lever.co/Revero/ Join Carnivore Diet for a free 30 day trial: https://carnivore.diet/join/ Book a Carnivore Coach: https://carnivore.diet/book-a-coach/ Carnivore Shirts: https://merch.carnivore.diet Subscribe to our Newsletter: https://carnivore.diet/subscribe/ . ‪#revero #shawnbaker #Carnivorediet #MeatHeals #HealthCreation   #humanfood #AnimalBased #ZeroCarb #DietCoach  #FatAdapted #Carnivore #sugarfree  ‪