British actress
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Está no ar mais um episódio do Especial Gótico do Livros em Cartaz! Neste episódio dedicado a Drácula de Bram Stoker Andreia D'Oliveira e Gabi Idealli tentam entender como um escritor irlandês encontrou um conde da Valáquia e o transformou no sinônimo de vampiro. O que está esperando? Vem ouvir! Comentado no episódio Drácula, romance de Bram Stoker O Hóspede de Drácula e outros contos estranhos, coletânea de contos de Bram Stoker Nosferatu (1922 ‧ Terror/Fantasia ‧ 1h 34m), dirigido por F.W. Murnau com Max Schreck como Conde Drácula Drácula (1931 ‧ Terror/Fantasia ‧ 1h 15m), dirigido por Tod Browning com Béla Lugosi como Conde Drácula O Vampiro da Noite (1958 ‧ Terror/Fantasia ‧ 1h 22m), dirigido por Terence Fisher com Christopher Lee como Conde Drácula e Peter Cushing como Van Helsing Drácula (1979 ‧ Terror/Romance ‧ 1h 49m), dirigido por John Badham com Frank Langella como Conde Drácula e Laurence Olivier como Van Helsing Drácula (2020 ‧ Terror ‧ 1 temporada) de Mark Gattis e Steven Moffat com Claes Bang como Conde Drácula e Dolly Wells como Van Helsing Sherlock (2010 ‧ Mistério ‧ 4 temporadas)
Joining me, Kelly-Anne Taylor, this week is the writer, director and actor, Dolly Wells. She grew up off of Kensington High Street in London – the youngest of six children. Aged 18 – she discovered that her stepfather was actually her biological father – the great comic actor, John Wells. In her 20s, Dolly worked as an actress – but also as a photographer's assistant, she had a stall in Portobello Market and wrote book reviews for the express. It was only when she had her daughter in her 30s that she really decided to go for it. Since then, she's made her mark – and there seems to be very little that she can't do. She's played a vampire-hunting nun in Steven Moffat's Dracula, a woman locked in a basement with David Tennant in Inside Man and an incompetent assistant in the Sky comedy Doll & Em (which, she co-wrote with her best friend, the actress, Emily Mortimer). Now, she turns her hand to directing BBC3's A Good Girl's Guide to Murder – which follows a bright-eyed, precocious teenager Pip (who decides to investigate the unsolved murder of a schoolgirl. In this episode, we talk about the beauty of ageing, her life-changing friendship with Emily Mortimer, and how female directors are changing the industry. Learn more about your ad choices. Visit podcastchoices.com/adchoices
A film about a drunk writer who decides to start forging letters. Kyle actually knows who Fanny Brice is. Dave is less than enthused. The Machine has started forging its own code.Watch the trailer for Can You Ever Forgive Me? here: https://youtu.be/UvJIaNsf_bYSend feedback to kyleanddavevsthemachine@gmail.comKeep up to date with Kyle and Dave vs The Machine by following its social media channels: Twitter: https://twitter.com/kdvstmInstagram: https://www.instagram.com/kdvstm/YouTube: https://www.youtube.com/channel/UCEZKUfH0IOp-lH5OQdIpvLwPatreon: https://www.patreon.com/kdvstmThis week the Machine printed out: 01001110 01101111 01100010 01101111 01100100 01111001 00100000 01110111 01100001 01101110 01110100 01110011 00100000 01100001 00100000 01100010 01101111 01101111 01101011 00100000 01100001 01100010 01101111 01110101 01110100 00100000 01000110 01100001 01101110 01101110 01111001 00100000 01000010 01110010 01101001 01100011 01100101 00101110 00100000 01010100 01101000 01100101 01110010 01100101 00100111 01110011 00100000 01101110 01101111 01110100 01101000 01101001 01101110 01100111 00100000 01101110 01100101 01110111 00100000 01100001 01101110 01100100 00100000 01110011 01100101 01111000 01111001 00100000 01100001 01100010 01101111 01110101 01110100 00100000 01000110 01100001 01101110 01101110 01111001 00100000 01000010 01110010 01101001 01100011 01100101 00101110 00100000 01001110 01101111 01100010 01101111 01100100 01111001 00100000 01110111 01101001 01101100 01101100 00100000 01100111 01101001 01110110 01100101 00100000 01111001 01101111 01110101 00100000 01100001 00100000 01110100 01100101 01101110 00100000 01100100 01101111 01101100 01101100 01100001 01110010 00100000 01100001 01100100 01110110 01100001 01101110 01100011 01100101 00100000 01100110 01101111 01110010 00100000 01100001 00100000 01100010 01101111 01101111 01101011 00100000 01100001 01100010 01101111 01110101 01110100 00100000 01000110 01100001 01101110 01101110 01111001 00100000 01000010 01110010 01101001 01100011 01100101 00100001 ★ Support this podcast on Patreon ★
This week, the guys go back to the list and watch the movie that nearly won Charlotte Rampling an Oscar - 45 Years. They talk about Rampling's tremendous face acting, how the cinematography and scenery highlight the growing isolation and emotional separation between the titular couple, Tom Courtenay's connection to his past roles, the very realistic and taboo-breaking sex scene and much more. Next week: Bond! More Bond! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com Full List: https://www.empireonline.com/movies/features/best-british-films/ Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) 45 Years stars Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley and Richard Cunningham; directed by Andrew Haigh. Is It Streaming? USA: AMC+ Amazon channel, Criterion Channel, Tubi, Kanopy, DirecTV and available to rent Canada: IFC and AMC+ Amazon channels and available to rent UK: Curazon Amazon channel, Netflix and available to rent Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Dee Dee and Kirsten both watched the TV Series Inside Man which can be found on Netflix. Inside Man: An American death row prisoner with a sideline in solving mysteries helps a young British journalist search for a friend who's suddenly disappeared. Starring: David Tennant, Dolly Wells, Stanley TucciSee omnystudio.com/listener for privacy information.
What would you do to protect your family? Steven Moffat and Dolly Wells get into this and other questions as they discuss the new series Inside Man. As the series draws to a close we being to question what makes you a good person. Will Harry be able to convince Janice that he's telling the truth or will he and Mary need to do the unimaginable? Steven and Dolly take behind the scenes and discuss the explosive ending to the series.
What would you do if you were locked in a basement? Dolly Wells interviews Steven Moffat about his brand new series Inside Man. Discussing the first two episode of the series, they take a deep dive into the story, the characters, their motivations, and how on earth do you get out of a locked basement alive?
Writer Steven Moffat and actress Dolly Wells dissect their devilish new drama starring David Tennant, Stanley Tucci and Lydia West. The series follows the mysterious lives of a prisoner on death row, a vicar and a maths teacher who happens to be trapped in a cellar. Most detective shows are 'whodunits' but this one is more like a ‘who will do it', or possibly a ‘you've done it'. The details of this thriller have been kept closely under wraps until now so join Steven and Dolly as they go into all the twist and turns of the series while also delving into key moments as the story unravels.
Antonia Campbell-Hughes is a striking presence on screen and now it seems in the Directors chair with her debut feature "It's in us all" featuring Cosmo Jarvis. Our Host Georgina McKevitt chatted to her about her close attention to character and her journey from Script to screen. (@itsgeorginamckevitt) Named a Screen Star of Tomorrow and a Shooting Star at the Berlinale, her acting credits include films such as Jane Campion's BRIGHT STAR, KELLY+VICTOR, 3096DAYS, and most recently Colum Eastwood's BLACK MEDICINE. TV acting credits include comedy LEAD BALLOON, BBC's MY MOTHER AND OTHER STRANGERS, and new series DANGEROUS LIAISONS for Playground/Starz. As a writer/director Antonia has just finished her debut feature IT IS IN US ALL a complex psychological drama starring Cosmo Jarvis and Claes Bang. As well as her own projects she is co-writing dramedy, GOOD GRIEF, with Dolly Wells for Out of Orbit, LUCIA, a biopic of Lucia Joyce, with Alexandra McGuiness, and will direct LYNOTT, a feature inspired by My Boy, the story of Philomena and Phil Lynott, for Shy Punk Productions. Why not Join us THIS SATURDAY for our inaugural all day event at our Members Fni Expo at Griffith College Dublin on Sat 24th September. Visit: link.wearefni.com/unmasked for tics. IT WILL BE GREAT!!! FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. https://www.thepodcaststudios.ie/ ----------------------------------------------------------------------------------------------- Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film https://www.instagram.com/filmnetworkireland ----------------------------------------------------------------------------------------------- Support Film Network Ireland at BuyMeACoffee.com/fni ----------------------------------------------------------------------------------------------- Join our mentors initiative with Film Network Ireland at https://wearefni.com/mentors/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Antonia Campbell-Hughes is a striking presence on screen and now it seems in the Directors chair with her debut feature "It's in us all" featuring Cosmo Jarvis. Our Host Georgina McKevitt chatted to her about her close attention to character and her journey from Script to screen. (@itsgeorginamckevitt) Named a Screen Star of Tomorrow and a Shooting Star at the Berlinale, her acting credits include films such as Jane Campion's BRIGHT STAR, KELLY+VICTOR, 3096DAYS, and most recently Colum Eastwood's BLACK MEDICINE. TV acting credits include comedy LEAD BALLOON, BBC's MY MOTHER AND OTHER STRANGERS, and new series DANGEROUS LIAISONS for Playground/Starz. As a writer/director Antonia has just finished her debut feature IT IS IN US ALL a complex psychological drama starring Cosmo Jarvis and Claes Bang. As well as her own projects she is co-writing dramedy, GOOD GRIEF, with Dolly Wells for Out of Orbit, LUCIA, a biopic of Lucia Joyce, with Alexandra McGuiness, and will direct LYNOTT, a feature inspired by My Boy, the story of Philomena and Phil Lynott, for Shy Punk Productions. Why not Join us THIS SATURDAY for our inaugural all day event at our Members Fni Expo at Griffith College Dublin on Sat 24th September. Visit: link.wearefni.com/unmasked for tics. IT WILL BE GREAT!!! FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. https://www.thepodcaststudios.ie/ ----------------------------------------------------------------------------------------------- Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film https://www.instagram.com/filmnetworkireland ----------------------------------------------------------------------------------------------- Support Film Network Ireland at BuyMeACoffee.com/fni ----------------------------------------------------------------------------------------------- Join our mentors initiative with Film Network Ireland at https://wearefni.com/mentors/
Mary Holland is an actor, writer and comedian, as well as an Andy Kaufman Award nominee. She can currently be seen as one of the leads of the Netflix film SENIOR YEAR opposite Rebel Wilson. Earlier this year she starred opposite Kristen Bell in the Netflix mini-series THE WOMAN IN THE HOUSE. Mary recently wrapped the John Slattery directed feature MAGGIE MOORE(S) opposite Jon Hamm and Tina Fey and recurs on the Apple series THE BIG DOOR PRIZE from SCHITT'S CREEK producer David West Read. She also received rave reviews for her performance in the feature comedy GOLDEN ARM which is currently available on demand. GOLDEN ARM was an official selection for the SXSW Film Festival in 2020. Mary is also the co-writer and co-star of the Hulu film HAPPIEST SEASON which broke streaming records for Hulu. Last year, Mary starred opposite Rory Scovel in ROBBIE and appeared in the second season of Amazon's hit series HOMECOMING and the Apple series PHYSICAL opposite Rose Byrne. She is also a writer on the latest season of the hit animated series BIG MOUTH. After being named a New Face at the prestigious Montreal Just For Laughs Festival, Mary was named one of Time Out Magazine's Ten Comedians to Watch in 2016 and among Vulture's 50 Comedians You Should Know. Since then, Mary has worked alongside some of comedy's biggest names in a heavily recurring role on VEEP, guest appearances on both SILICON VALLEY and NEW GIRL, as well as starring alongside Carol Burnett in the ABC pilot, HOUSEHOLD NAME. Mary also played one of the leads in BLUNT TALK opposite Patrick Stewart, Jacki Weaver and Dolly Wells. Her other credits include MIKE AND DAVE NEED WEDDING DATES, CURB YOUR ENTHUSIASM, AND THEN THERE WAS EVE and UNICORN STORE. Mary is also a member of the comedy troupe WILD HORSES. As you can imagine we dive deep and cover a lot such as, talking about escape rooms, being an improv guru, trust and collaboration, not getting your first option, resilience, taking 8 years to book her first gig, fear, flow state & becoming a leading lady. The video footage of this entire chat is now out as well! So check them out on YouTube under Michael Kahan Check Mary out on: Instagram: https://www.instagram.com/maryhollandaise/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan
Brandon and Sarah watch and critique “Alien,” the original film of the franchise, directed by Ridley Scott. It was basically Brandon’s first time watching, since if he has seen it before, he’s basically forgotten it. Listen to find out if he thinks it holds up after 41 years!Sarah going for the “my bad” Trifecta:Claes Bang is actually a Danish actor and musician.Dolly Wells is actually an English actress (born in Merton, London, England as Dorothy Perpetua Gatacre).“Jaws” was actually released in 1975.Funny “Mother” coverhttps://www.youtube.com/watch?v=lzleKr06pPQ Giger on how to pronounce “Giger”https://www.youtube.com/watch?v=CfKfPftF3RI
Can You Ever Forgive Me? is a 2018 American biographical film directed by Marielle Heller and with a screenplay by Nicole Holofcener and Jeff Whitty, based on the 2008 confessional memoir of the same name by Lee Israel. Melissa McCarthy stars as Israel, and the story follows her attempts to revitalize her failing writing career by forging letters from deceased authors and playwrights. The film also features Richard E. Grant, Dolly Wells, Jane Curtin, Anna Deavere Smith, Stephen Spinella, and Ben Falcone in supporting roles. Israel took the title from an apologetic line in a letter in which she posed as Dorothy Parker. - Wiki
Between her performance in Relic and everything she’s accomplished over the course of her career, it’s tough to imagine Emily Mortimer having been an extremely shy kid who feared being called on in class. Over the years, Mortimer has worked with some of the best of the best in the business like Martin Scorsese and Wes Craven, she wrote and starred in her own show with good friend Dolly Wells, and now she’s part of the powerhouse ensemble in the phenomenal IFC Midnight release, Relic. Hear all about her experience shedding her shyness, the career-changing pep talk she got from husband Alessandro Nivola, working on Scream 3 with Wes Craven, working with Martin Scorsese and so much more in this edition of Collider Ladies Night!
This episode contains parts two and three of our review of the BBC 2020 adaptation of Dracula. The series was written by Moffat & Gattiss, starring Claes Bang and Dolly Wells. These two parts were named 'Blood Vessel' (oof) and 'The Dark Compass' If you had fun with us then why not let us know with a review? Come check us out on Instagram on @loreschoolpodcast Or you can get us on loreschoolpodcast@gmail.com Music: Keep On The Sunny Side (trad.) by LoreSchoolBoi Produced and edited by LoreSchoolGurl
And we're back this week to finish what we started, dissecting the great Francis Ford Coppola's 1992 adaptation of Bram Stoker's Dracula! Joining me again is the wonderful and devilishly talented Anna Simpson, Artistic Director of Quintessence Theatre. Their adaptation of Dracula for the stage won the World Broadway Theatre Award in 2019 for Best Play. But wait! There's more! Because variety is the spice of (un)life, we also take on the recent Steven Moffat/Mark Gatiss adaptation, produced for BBC and Netflix and starring Claes Bang and Dolly Wells! Let us know your thoughts by getting in touch: youreoncrackmate@gmail.com Facebook: https://www.facebook.com/YoureOnCrackMatePod Twitter: https://twitter.com/YoureOnCrackPod Twitter: @seanferrick Instagram: https://www.instagram.com/youre_on_crack_mate_podcast/ Anna's Details: Email: annasimpson050987@wixsite.com Twitter: @annasimpson87/@quintessencepro Facebook: https://www.facebook.com/quintessencetheatreco
This is a three part miniseries in which we tackle the BBC 2020 adaptation of Dracula by Moffat & Gattiss, starring Claes Bang and Dolly Wells. This first instalment is titled "The Rules of the Beast" Spoilers of course, adult content as you might expect from bringing sexy Drac. If you would like to support us please consider leaving a review or forwarding to a friend. Come check us out on Instagram on @loreschoolpodcast Or you can get us on loreschoolpodcast@gmail.com Music: Keep On The Sunny Side (trad.) by LoreSchoolBoi Produced and edited by LoreSchoolGurl
Actors Emily Mortimer and Dolly Wells join Anna Smith for a lively discussion about films, friendship, nostalgia, and the notion of 'strong women'. The pair take us behind the scenes in their TV series Doll & Em, and talk about Good Posture, Dolly's directorial debut starring Emily as a reclusive writer living in New York. Dolly also discusses Can You Ever Forgive Me? and Emily reveals the connection between The Newsroom and Doll & Em. The second of Girls On Film's special 'Isolation Pods', this episode also features Doll and Em's recommendations for home viewing, from family favourites to edgy new gems on streaming. If you've enjoyed this episode, please review and subscribe to Girls On Film and considering supporting us by becoming a patron. www.patreon.com/girlsonfilmpodcast Thank you! Share your #homemovieposters created during quarantine at: www.twitter.com/girlsonfilm_pod www.facebook.com/girlsonfilmpodcast www.instagram.com/girlsonfilm_podcast/ Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. This episode was recorded in April 2020.
On this week’s episode of The Witching Hour, Haleigh and Perri review Netflix’s Dracula starring Claes Bang and Dolly Wells, and also run through the horror titles on this year’s Sundance Film festival line-up.
TV Series Premiere:DraculaJonathan Harker travels to Transylvania to meet a new client and finalize the sale of a stately house in London but finds himself trapped in a terrifying maze-like castle of undead brides with a vampire Count whose ambition is to conquer the world.Created by: Mark Gatiss, Steven MoffatDirected by: Jonny Campbell, Damon Thomas, Paul McGuiganProduced by: Sue VertueCast: Claes Bang, Dolly Wells, John HeffernanDistributor: NetflixFirst Episode Date: January 1, 2020Runtime: 4 hours 30 minutesGenre: Horror, DramaRated: TV-14 Sneak Peek:Troop ZeroTroop Zero is a 2020 American comedy-drama film, directed by Bert & Bertie, from a screenplay by Beasts of the Southern Wild co-writer Lucy Alibar and inspired by Alibar's 2010 play Christmas and Jubilee Behold The Meteor Shower.Director: Bert & BertieWritten by:Lucy AlibarProduced by: Steve Tisch, Todd Black, Jason BlumenthalScreenplay by Lucy AlibarCast: Merritt Wever, Scarlett Johansson, Adam DriverDistributor: Amazon PrimeRelease Date: January 17, 2020Runtime: 1 hour 34 minutesGenre: Comedy, Drama, FamilyRated: PG Blu-Ray Review:Terminator: Dark FateIn Mexico City, a newly modified liquid Terminator -- the Rev-9 model -- arrives from the future to kill a young factory worker named Dani Ramos. Also sent back in time is Grace, a hybrid cyborg human who must protect Ramos from the seemingly indestructible robotic assassin. But the two women soon find some much-needed help from a pair of unexpected allies -- seasoned warrior Sarah Connor and the T-800 Terminator.Director: Tim MillerProduced by: James Cameron, David EllisonScreenplay by David Goyer, Justin Rhodes, Billy RayCast: Linda Hamilton, Arnold Schwarzenegger, Mackenzie DavisDistributor: Paramount Pictures (North America), 20th Century Fox (International)[1]Release Date: November 1, 2019Runtime: 2 hour 08 minutesGenre: Action, Adventure, Sci-FiRated: R See acast.com/privacy for privacy and opt-out information.
Directed by: Jonny Campbell, Paul McGuigan, Damon Thomas Written by : Mark Gatiss, Steven Moffat, Bram Stoker Stars: Claes Bang, Dolly Wells, Corrina Wilson Run Time: 4 Hours, 30 Minutes Link: Netflix https://youtu.be/8HhctUu4DpU Synopsis Part 1: The Rules of the Beast This miniseries begins in Hungary, 1897. Mr. Harker is locked up in a convent, and he looks carefully, considering eating a fly, as two nuns enter. Sister Agatha, a nun, comes to visit, and she has read his account of his recent visit to Transylvania. The nun asks why he stopped fleeing Dracula if he was as evil as Harker claims. The nuns watch as a fly crawls inside Harker’s eye. He’s bald, hairless, wrinkled, and looks a lot like a burn victim. The nun is here to interview Harker, and she asks very detailed questions. The nun asks if he had sex with Count Dracula. Credits roll. We flash back to Transylvania. He has hair and looks normal now. The carriage driver won’t take Harker any closer to the castle. Dracula’s creepy driver picks him up and takes him to the castle, where he meets old man Dracula. He’s buying Carfax Abbey, and Harker works for the real estate lawyers. The local people are ”without flavor,” he says. Dracula says to Harker, “I will absorb you,” to become more British. He calls his own castle “the prison without locks,” as it’s so hard to navigate. The evening goes pretty much according to most other versions of the story, as he sees a woman in the room above his, but cannot find the woman. The next evening, Dracula looks a little younger, and his English has improved significantly. Harker is determined to find out who else is in the castle. Dracula explains that “No. No one is living here.” As the days pass, Harker gets weaker, and his fingernails and hair starts to fall out. Each day, he searches deeper and deeper into the tunnels of the castle. At one point, Harker opens a bunch of boxes containing dead people, who don’t like being disturbed. He passes out after finding Dracula in a crypt as well. Dracula is soon young again, and he instructs Harker to write three letters to Mina, Harker’s fiance. One that he’s about ready to leave, one that says he’s on the way, and one that says he’s almost home. Dracula says that this is so no one will come looking for Harker in Transylvania. Harker is too weak to argue or fight back by this time, so he writes the letters. He eventually runs into the girl in the window, and when she turns out to be a vampire, he finds the cross doesn’t help him. Dracula ends up staking her just to see what would happen. Dracula takes Harker up to the highest point of the castle and twists his head around. He’s completely dead, not breathing, and with no heartbeat. He’s undead, but not quite yet a vampire. He jumps off the roof of the castle and escapes by shining reflected sunlight off his silver cross, which burns Dracula. Sister Agatha explains that the other nun, who has sat there silently listening to the whole story, is really Mina in disguise. The convent is suddenly under attack by bats. Harker hands Mina a stake, and we see his fangs. He ends up staking himself. Agatha and the other nuns face down Dracula outside. She opens the gate for him, but won’t give him permission to enter. We soon learn that Sister Agatha is really Agatha Van Helsing, from Holland. Dracula wakes up Harker; he explains that suicide doesn’t work for vampires. Dracula promises to kill him-- if Harkerjust invites Dracula inside... Which goes badly for the nuns. Agatha and Mina hole up in a room and hope to wait it out for morning. Part 2: Blood Vessel Dracula talks to Agatha about books and chess. He explains about his voyage to England aboard the ship “Demeter.” Dracula begins to tell her the tale… as credits roll. The captain has nightmares. Doctor Sharma examines a coffin wherein someone was buried alive. They watch the body sit up. We flash forward as we go aboard the Demeter, which is onloading seven passengers, some new crew, and a bunch of mysterious boxes of dirt. It’s four weeks to England, so Dracula just joins up with the other passengers. He conjures up a fog to hide the sunlight. He befriends an old countess who speaks German, but Dracula says “My German is a little rusty.” After he goes outside and eats a Bavarian man, his German improves significantly. She tells Dracula a story about this dashing young man she met many years ago, and it was Dracula. She becomes Dracula’s next victim. There’s a mysterious passenger in room 9 that no one is allowed to see. Lord Ruthven’s wife leaves her cabin that night and runs into Dracula. Doomed! Dracula insists they search cabin 9, but the captain refuses to allow anyone else inside. It comes up at dinner that most of the guests were invited, or were recommended by, Mr. Belouer, a translation of the name “Dracula.” They all have connections to this man one way or another. He’s invited select people to be food for his voyage. Most of the crew abandon ship, taking one of the lifeboats. We flash back to the previous episode. Dracula let Mina go, but kept Agatha. It turns out that she’s the person in room number 9. Back on the ship, Dracula turns Agatha in for being the murderer. She admits that she’s a vampire, and they get ready to hang her. She spits blood in his face, and this exposes him to the others. Agatha relieves the captain of command (really?) and starts a search for Dracula, who ran away. The captain says, “You don’t seem like a nun.” They dump all the boxes of soil except one, which they decide to use as a trap. Ruthven partners up with Dracula and turns against Dr. Sharma, but Sharma’s daughter drinks poison. Ruthven then shoots Sharma, who Dracula wanted to drink for his intelligence. Dracula doesn’t appreciate the help. Eventually, there’s another standoff, and more people die, but this results in Dracula being set on fire and jumping overboard. We see Agatha pull off her fingernail, just as Harker did in the previous episode. She’s infected as well, so she tells the captain to take a lifeboat and blow the ship up. The lifeboat sails off, and the captain comes in, explaining that he’s going down with the ship. Except it’s really Dracula in disguise. The real captain is laying on the floor with a bite in his neck, but he’s not really quite dead yet. We finally learn why vampires fear the cross, and it makes a lot of sense in the context of the series, although Agatha says he’s lying about the explanation. The captain blows a hole in the side of the ship. Dracula hides out in a box of soil as it sinks to the bottom of the ocean. Time passes; Dracula breaks out of the box and walks to shore. Helicopters appear with spotlights, and Agatha approaches, welcoming him to England. Part 3: The Dark Compass We see what happened between Mina, Agatha, and Dracula at the end of episode 1. Credits roll. We jump to 123 years later... A woman, Kathleen, wakes up and finds Draclua in her house. He’s watching the sunset on TV. He killed the woman’s husband, Bob, and tied his undead body in the refrigerator. He “downloaded” Bob’s memories, so he has some idea about modern things now. We flash back to the end of episode 2. We see Dracula at the beach with the helicopters and snipers. He laughs to hear how long it’s been. The woman isn’t really Agatha, but her descendant, Zoe Helsing. Dracula turns into bats and escapes, leaving the others behind. This is how he wound up at Kathleen’s house. He finds a coffin full of soil upstairs at Kathleen’s house with a cell phone inside. Zoe Helsing calls and tells him to get in the box. He tricks her in the kitchen and bites her. He starts vomiting, because there’s something not right with her blood. They put him in the box, and now he’s their prisoner. They take to some kind of underground facility. Meanwhile, Jack Seward meets Lucy and Quincy at the dance club. He keeps getting phone calls from Jonathan Harker. The next morning, he heads to the Jonathan Harker foundation, where they took Dracula. It’s basically Torchwood, but for studying Dracula. They show a bunch of people video of divers finding Dracula’s box at the bottom of the ocean and opening it up. Dracula bit the diver’s finger off, which gave him the power to get to shore. It’s never made clear why he went to sleep for all those years. Dracula isn’t thrilled with his prison cell. “It’s a toilet. I’m a vampire. Why have you given me a toilet?” The cell rotates, and the way the sunlight streams in, they can isolate him in any of the corners. Zoe tries to take Dracula’s blood, but she can’t break the skin. Intead, he cuts his wrist and fills a test tube for her. Dracula immediately realizes that Zoe isn’t really in charge and wants to know who’s funding the institute. There’s someone in charge, and Dracula wants to know who it is. This plot line goes absolutely nowhere, and may have been left in as a lead-in to a sequel. Dracula figures out that Zoe has cancer, and that’s what was wrong with her blood. Dracula’s been Skyping with a lawyer named Renfield using an iPad in his cell. Zoe asks “who gave him the wifi password?” and then he tells her, “It’s my name.” No one thinks to change the password. Renfield is Count Dracula’s lawyer, and he’s arrived to protest Dracula’s imprisonment. “Count Dracula has rights!” exclaims the lawyer. Zoe drinks the blood sample. Dracula steals Jack’s phone on the way out; he’s been released. The whole imprisonment plot stops abruptly as he’s released. Lucy calls the phone and has a conversation with Dracula. Three months have passed. Dracula and Renfield are literally plotting world domination. He’s carefully screening people to drink and steal their abilities. We get several long and really boring scenes with Lucy and her narcissistic friends talking about something stupid for an interminable period. Dracula and Lucy go for a walk through the graveyard, and by this time, I was starting to hope that Buffy would jump up and surprise us. Instead, they’re listening for people knocking on their coffin lids from inside. ”The children of the night, what sweet music they make.” There appear to be undead all over the world, and no one but Dracula knows how common this is. Jack goes to see Zoe in the hospital. They don’t understand why Dracula keeps coming back for Lucy over and over. What’s special about her? He kills Lucy, but promises she won’t be dead for long. Except they cremate the body. That doesn’t stop her, as she wakes up and drains the attendant. Dracula’s blood gives Zoe visions of Sister Agatha. She knows who is funding the project, and she’s not happy about it. Zoe’s dying, but she leaves the hospital. Jack and Zoe go to visit Dracula. Lucy arrives a bit later, and she’s a mess who freaks out when she sees herself. Jack stakes her, and she turns to dust just like in Buffy the Vampire Slayer. Zoe runs across the table and pulls the curtain down, just like in the 1958 ”Horror of Dracula,” exposing him to sunlight. Nothing happens. Zoe explains that there are no rules or limitations to Dracula’s power, it’s all just ingrained habits that he’s picked up from vampire legends. The only thing Dracula really fears is death, but he’ll end up living forever in shame of his fear. Then Zoe lays down on the floor and dies. Dracula walks slowly into the sunlight. It doesn’t hurt him. He drinks her blood, knowing that it’s poison to him. We assume they both die, but we don’t actually see it happen. The end. Commentary Part 1 is very moody and dark. This was always the most interesting part of the original story for me, and it was good that a miniseries could take the time to actually cover all the details. Most Dracula films have to focus on the action and horror, and leave the lot of the details out. The vampire baby was a neat idea. The confrontation at the convent gate was very good as well. The actor who plays Harker did an excellent job. Part 2 introduces a few new things. First, Dracula has the best, and most efficient, way to learn a new language. While the first part followed the first part of the book fairly closely (with some embellishment), the part of the book dealing with the Demeter was much shorter, so this section has a lot more new material. The twist at the end was unexpected. Part 3 brings some really good visuals with the various dream sequences, but they don’t make up for boring teenagers and 90210-style angst that were completely out of place here. The “let’s study Dracula” angle was really unique and different but went nowhere. The scene with the nine undead people in a single cemetery killed it for me. If there are that many undead everywhere, then Dracula isn’t really that unique. It ought to be relatively easy to find an undead person and study them. Dr. Sharma did it a hundred years ago, why can’t they do it now? Episode one and two were excellent. I like what they tried to do in episode three, but it focused too much on the young people and not enough time is spent from Dracula’s point of view. The first two were Dracula’s story, and the third seemed to drift away from that. I kept getting the feeling that we were supposed to care about Lucy, but before she died, she always just seemed like a shallow girl obsessed with Instagram selfies. The heavy focus on her detracts a bunch from the story. Part three should probably have split into two more full parts: one for the prison and one for Lucy. As it was part three was just a mess.
It's a double-whammy on our latest episode of Soundtracking, as we bring you two extremely talented ladies charting very different courses in the world of cinema. First up is Hildur Gudnadottir. Well known to fans of this podcast - on which she has featured by proxy many, many times - Hildur has gained broader and much deserved recognition for her work on Joker - Todd Phillips's origin story about the eponymous super-villain that has proved hugely popular among movie fans and critics alike. If you haven't seen it yet, Joaquin Phoenix's performance is astonishing, as is Hildur's suitably disturbing score. Then we have Dolly Wells, a much-loved British comedy actor who has just made her directorial debut with Good Posture. She and I have more of a chat about her career in television and film than the usual focus on music, but she's an utter delight, so we really wanted to share it anyway.
This week sees the first-ever Empire Podcast tour roll into Chris Hewitt's spiritual home, Liverpool. And, in a fun-packed show at FACT in front of a sold-out audience, Chris, Helen O'Hara and James Dyer discuss the week's movie news (including Spidey's return to the MCU), review Joker, Judy, and Good Posture, and take a whole heap of audience Qs. They're also joined by Dolly Wells, actor-turned-director, whose train got into Liverpool just in time for her to talk about her first film behind the camera, the rather wonderful Good Posture. Plus, back in the studio, John Nugent talks to some bloke called Joaquin Phoenix about some movie in which he plays a clown. Sounds like a laugh. Everyone loves clowns. And after last week's sound snafu in York, you'll be delighted to know this one sounds better, although some mic hiss does intrude towards the end. Hopefully it won't spoil your experience too much. Enjoy.
Actors, writers and lifelong friends Emily Mortimer and Dolly Wells join us today to discuss their new film Good Posture, out in cinemas this week on October 4th. We learn about their inspirations, how they write, co-create and collaborate on set, in both Good Posture and their hit sitcom Doll & Em Dolly tells us a bit about her own background and her inspiration from childhood to act, write and now direct, the pair discuss the politics of being friends whilst dealing with the director/actor dynamic. Emily shares insight from the actor's perspective and good approaches filmmakers can have. Giles is still fighting dragons in Wales whilst shooting Arthur and Merlin: Knights of Camelot, so sitting in today are directors Phil Hawkins and Christian James with producer Robbie McKane. Follow Emily on Instagram @emortimer Follow Dolly on Instagram @dollywells Curzon showings for Good Posture https://www.curzoncinemas.com/soho/film-info/good-posture LINKS This week's episode is sponsored by MusicBed Promo Code: FILMMAKERSPOD WATCH Star Wars Origins trailer https://www.youtube.com/watch?v=zdFjOXphx5E WATCH The Dare trailer https://www.youtube.com/watch?v=c5aZVm2drjY Giles Alderson website Robbie McKane website WATCH World of Darkness https://www.amazon.co.uk/gp/product/B07BS35KQ2?pf_rd_p=855cdcfd-05d9-474f-b84d-8286a3530ba1&pf_rd_r=G5Q5NNQZR9PRZNQ4ME5D WATCH Fanged Up https://www.amazon.co.uk/Fanged-Up-Daniel-OReilly/dp/B07F83JN6G/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1542670909&sr=1-1&keywords=fanged Follow us on Twitter @filmmakerspod @Food4ThoughtDoc@gilesalderson@35mmdop @Cjamesdirect @dan710ths @FangedUpFilm @thedaremovie @robbiemckane @philmblog Part of the www.podfixnetwork.com
Antony Gormley’s new exhibition at the Royal Academy in London features a series of new artworks which are monumental in size, scale and weight, from a 5000kg suspended piece of iron to a gallery flooded with 33,000 litres of seawater, weighing 56 tons. Idoya Beitia, the Royal Academy’s Head of Exhibitions Management, discusses the greatest logistical challenge the gallery’s ever faced. From Ryan Murphy, the creator of Glee, Nip/Tuck and Pose, now comes The Politician. Karen Krizanovich reviews the Netflix drama, set in a super-rich California, which follows Payton Hobart in his ambition to become US President, but first he must win his High School election where all the candidates will do anything to win. The show stars Dear Evan Hansen’s Ben Platt alongside Gwyneth Paltrow and Bette Midler. Actor and writer Dolly Wells discusses directing her first feature film Good Posture, and working with her long-time collaborator and best friend Emily Mortimer, with whom she also made the hit HBO TV series Doll & Em. Presenter John Wilson Producer Jerome Weatherald
MK3D Live! with with Jason Isaacs, Waad al-Kateab, Dolly Wells, Emily Mortimer and Peter BradshawWant to come to a recording of a Mark Kermode Live in 3D show at the BFI Southbank in London?You can book tickets to next month’s MK3D here:https://whatson.bfi.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=9FD162DC-3C10-43AB-ADCC-31364C1822AE&BOparam::WScontent::loadArticle::context_id=9F31E26A-0485-48B9-B9CB-4BA957BE7942If it says it's sold out - don’t despair, there are often returns so check again nearer the time.Follow Mark @KermodeMoviewww.markkermode.co.ukKermode On Film is produced by HLA Agency and Hidden FlackProducers Hedda Archbold, Nick Freand Jones and Tom Whalley See acast.com/privacy for privacy and opt-out information.
Emily Mortimer, Dolly Wells and Grace Van Patten, the stars ofGood Posture join host Robin Milling at the 2019 Tribeca Film Festival. The film features first time director Wells who also wrote the screenplay about a young girl (Van Patten) who moves in with family friend and famed author (Mortimer), after her widower father moves to Paris with his young girlfriend. It was a labor of friendship and love as Wells and Mortimer are lifelong friends. They talk about that familial connection, easily bringing Van Patten into their inner circle. They've extended those familial ties even further among their children and siblings. The ladies of Good Posture tell Robin what it was like working together on the film which was shot in Brooklyn, sharing behind-the-scene stories from the set. They reveal a few more gems that only good friends can chatter about.
Emily Mortimer, star of Mary Poppins Returns and Lovely & Amazing, talks to Catie Lazarus about merkins, The Sex Pistols, work wife Dolly Wells and babysitter/husband Alessandro Nivola. Dolly Wells, best known for Bridget Jones Diary and HBO’s Doll and Em, offer a sneak peak of what they’re working on next.
Emily Mortimer, star of Mary Poppins Returns and Lovely & Amazing, talks to Catie Lazarus about merkins, The Sex Pistols, work wife Dolly Wells and babysitter/husband Alessandro Nivola. Dolly Wells, best known for Bridget Jones Diary and HBO’s Doll and Em, offer a sneak peak of what they’re working on next. This episode is brought to you by the following advertisers: Citrix. Start working smarter today at citrix.com/employee. Helix, a new kind of DNA testing. Try today for a deep discount at helix.com/employee. Learn more about your ad choices. Visit megaphone.fm/adchoices
We set the mood and keep it rude this week, while we review the new Danny McBride/David Gordon Green ‘Halloween’ (Jamie Lee Curtis, Judy Greer, Andi Matichak), the Oscar worthy ‘Can You Ever Forgive Me?’ (Melissa McCarthy, Richard E. Grant, Dolly Wells) and Jonah Hills’ directorial feature debut ‘mid90s’ (Sunny Suljic, Katherine Waterston, Lucas Hedges). Tis the season to run down a list of the highest grossing horror films of all time and throw some love at John Carpenter’s soundtrack work. You bet we mention ‘Your Highness’. On a personal note, when I typed the title of this episode, I, Darren, refused to use the same font Jonah Hills insisted upon using for his film, since he already insisted upon showing his movie in 4:3 ratio and that's about as much insisting as anyone can handle regarding any special requests. Consider yourself censored, Hills. No, I insist.
Darren review's the latest, increasingly popular adaptation of Stephen King's 'IT' (Bill Skarsgard, Jaeden Lieberher, Finn Wolfhard, Sophia Lillis), and Anthony tackles Lake Bell's new feature, 'I Do...Until I Don't' (Ed Helms, Paul Reiser, Mary Steenburgen, Amber Heard). We Bruce Springsteen-ify some adult contemporary hits, rave about Dolly Wells, gush over the studly Richard Dreyfuss and his Oscar winning role in Neil Simon's 'The Goodbye Girl' and talk about our own personal Pennywises. John Wayne Gacy wins. At the top of the show, 'Ingrid Goes West' gets a little more love and we take a look back at teen Jodie Foster's controversial thriller, 'The Little Girl Who Lives Down The Lane'.
País Estados Unidos Director Burr Steers Guion Burr Steers (Novelas: Jane Austen, Seth Grahame-Smith) Música Fernando Velázquez Fotografía Remi Adefarasin Reparto Lily James, Sam Riley, Bella Heathcote, Douglas Booth, Jack Huston, Charles Dance, Lena Headey, Matt Smith, Emma Greenwell, Janet Henfrey, Sally Phillips, Dolly Wells, Hermione Corfield, Raiden Integra, Millie Brady, Suki Waterhouse Sinopsis Durante la Regencia Británica de 1819, una plaga de zombies invade la apacible población inglesa de Meryton. Bennet y sus hermanas, que han sido entrenadas por su padre en las artes marciales, se disponen a combatir contra los ejércitos de los muertos-vivientes. Pero, al mismo tiempo, Bennet tendrá que evitar que la llegada del altivo y arrogante señor Darcy la distraiga de su misión.
País Reino Unido Director Andrew Haigh Guion Andrew Haigh (Relato: David Constantine) Fotografía Lol Crawley Reparto Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley, Sam Alexander, Richard Cunningham, Rufus Wright, Hannah Chalmers, Camille Ucan Sinopsis Falta sólo una semana para el 45º aniversario de su boda, y Kate Mercer está muy ocupada con los preparativos de la fiesta. Pero entonces llega una carta dirigida a su marido, en la que se le notifica que, en los glaciares de los Alpes suizos, ha aparecido congelado el cadáver de su primer amor.
Blunt Talk's Dolly Wells and Timm Sharp report the latest news. I’m Too Effing High is hosted and produced by James Mastreani. This episode was also produced by Matt Newell, Mike McLendon, Dhruv Uday Singh, and Andrew Steven.
Garance Doré sits down with actresses and writers Emily Mortimer & Dolly Wells at Robert in the Boerum Hill neighborhood of Brooklyn to discuss friendship. Emily & Dolly—real life best-friends— are the creators and stars of the HBO series Doll & Em, which is a fictional show that’s based on the relationship between two best [...]
This is Christian and Shonali's last WDEK of 2015. They had a great 2015 BUT the Happy Holidays weren't so happy for one of their audience members who thinks Shonali and Christian are too positive. Ep. 38 first guest is comedian, actor, writer and director David Cross. David has maintained his success for a long time. Shonali believes David's success has something to do with promptly answering emails. Which do you think is David's favorite thing to do: stand up, acting, editing, writing, or directing? David's holiday party was intense. Check out Jon Benjamin and David's Icelandic Blue on YouTube. The third and last season of David's show Todd Margaret comes out this week. In the Christmas spirit, David leaves us with words about Jesus. The second guest on WDEK is Shonali's latest girl crush; actress and writer Dolly Wells of HBO's Doll & Em. Dolly and Shonali take shoe pics together. Dolly moved to Brooklyn recently from England and explains (Americans) our differences. She loves Jordan. Dolly created her HBO show with her very best friend, successful actress Emily Mortimer. The show was huge in England. Dolly's kids, her husband and her mother are all cast within the show. Dolly says she and Emily once took 9 years to write a script for a screenplay. She inspires us all to shoot a pilot instead of writing treatments. In addition to requesting another season of Doll & Em from HBO, look for Dolly in the show Blunt Talk with Patrick Steward and a very tiny part in the movie 45 Years. Ep. 38 musical guest is songwriter, musician and leader of Okkervil River, Will Sheff. Will's band started out in Austin, Texas where he worked at a video store and played music in his house. After he was written up in Rolling Stone, everything changed for his father. Will sings an unreleased song that he did lots of research on called Famous Tracheotomies. Find out why Will and Shonali are fellow fans of the Rock*A*Teens. Will plays Car and Driver from the Rock*A*Teens - Sweet Bird of Youth. Have you heard of the musician David Wiffen? David Cross joins the discussion and shares his new favorite musician, from the 1970's, Chic Clerggg from Greenland. Happy New Year everyone! Please follow us on Twitter @WDEKPodcast and contact us at WDEKpodcast@gmail.com
Actress Emily Mortimer stopped by to talk about her latest film '10,000 Saints' starring Ethan Hawke, Asa Butterfield and Emile Hirsch. This is the second time Mortimer has worked with Butterfield and she commented on his performance in '10,000 Saints.' “He’s an incredible actor. You take one look at him on screen and those blues, it’s just like, he kind of is cinema in a way,” said Mortimer. '10,000 Saints' will be in theaters and on demand August 14. The conversation led to her sitcom on HBO, 'Doll & Em' in which Mortimer heads to Hollywood, closely followed by best friend Dolly Wells as her assistant. Wells is her life long best friend. We joked about if Mortimer and Wells argued over who would shag Ewan McGregor in season two. “I did get a little bit jealous on the set when she (Dolly) was making out with Ewan McGregor,” said Mortimer. The second season of 'Doll & Em' will premiere on HBO in September. Bonus track: Should Marvel make a Blade Netflix series or a fourth film?
Sweetgreen is one of the best places on the east coast to get a salad, and what else would a company known for organic kale do to expand their footprint but start a music festival? The annual Sweetlife festival draws thousands of fans to Merriweather Post Pavilion, and that's where maDCap caught up with musician Robert DeLong last year. DeLong is a man of many talents: drummer, singer, songwriter, producer and one hell of a performer. He commands the stage from his drum set, often employing computer game controllers in his live sets. He tells us about his upbringing, musical process, and yes, the face paint. Then, Dolly Wells is co-creator, executive producer and writer of Doll and Em on HBO. It's a six-episode series about London woman (Doll) who breaks things off with her boyfriend and moves to work as an assistant for her movie star best friend (Em.) Hilarity ensues. Em is played by Emily Mortimer and she and Dolly Wells are real-life best friends. @RobertDeLong http://RobertDeLong.com twitter.com/DeLongMusic instragram.com/RobertDeLong -- http://dollandem.com http://twitter.com/WellsDolly -- http://madcapdc.org http://twitter.com/madcpadc
Sweetgreen is one of the best places on the east coast to get a salad, and what else would a company known for organic kale do to expand their footprint but start a music festival? The annual Sweetlife festival draws thousands of fans to Merriweather Post Pavilion, and that's where maDCap caught up with musician Robert DeLong last year. DeLong is a man of many talents: drummer, singer, songwriter, producer and one hell of a performer. He commands the stage from his drum set, often employing computer game controllers in his live sets. He tells us about his upbringing, musical process, and yes, the face paint. Then, Dolly Wells is co-creator, executive producer and writer of Doll and Em on HBO. It's a six-episode series about London woman (Doll) who breaks things off with her boyfriend and moves to work as an assistant for her movie star best friend (Em.) Hilarity ensues. Em is played by Emily Mortimer and she and Dolly Wells are real-life best friends. @RobertDeLong http://RobertDeLong.com twitter.com/DeLongMusic instragram.com/RobertDeLong -- http://dollandem.com http://twitter.com/WellsDolly -- http://madcapdc.org http://twitter.com/madcpadc
With Tom Sutcliffe Actresses Emily Mortimer and Dolly Wells have created a sitcom, Doll & Em, about a Hollywood star who hires her best friend as her personal assistant. They talk to Mark Lawson about playing exaggerated versions of themselves and how their own close friendship inspired the series. The 1942 battle of Stalingrad was one of the bloodiest in the history of warfare. Stalingrad 3D is the first Russian film made completely with 3D IMAX technology and is Russia's highest grossing film to date. Film historian Ian Christie reviews. Award winning writer David Grossman talks about Falling Out of Time. Combining drama, prose and poetry, the book tells the story of bereaved parents setting out to reach their lost children. David Grossman, whose own son died in 2006, discusses the art of writing about loss and grief. Producer: Timothy Prosser.