Podcasts about don't fear the reaper

Jesse and Alex dive into the fear of death, burial traditions, and the thought of the afterlife.

Brandyn and Ed pay tribute to late actress Dawn Wells from Gilligan's Island; they also discuss what they did over the holiday break, the new miniseries version of the Stephen King novel The Stand, the false reports that actress Tanya Roberts had passed away, the bizarre phone call Trump made to the attorney general of Georgia, the Browns making the playoffs, the Nashville suicide bomber, and much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/planet-chaos/message Support this podcast: https://anchor.fm/planet-chaos/support

Simon discusses how all-time stock market highs have ushered in some greed, but maybe anxiety and nervousness for most investors. He places the current highs and improved market breadth in historical context and argues that we should expect more positive returns over the next 12-18 months (although it could be a circuitous path). He also offers five reasons why the Financials should be owned going into 2021.

• Beast • White Flag • Radio Birdman • Goo Goo Dolls • Screaming Dizbüsters • Blue Öyster Cult • Buck Dharma • Leggat • Dead End 5 • The World of Pooh • Bonnie Tyler • The Jim Carroll Band • Helen Wheels Band • David Roter M... • Beast • White Flag • Radio Birdman • Goo Goo Dolls • Screaming Dizbüsters • Blue Öyster Cult • Buck Dharma • Leggat • Dead End 5 • The World of Pooh • Bonnie Tyler • The Jim Carroll Band • Helen Wheels Band • David Roter Method • Blotto • Hear 'n Aid

Dr. Joshua Kulp leads a stimulating class on a difficult subject. The Angel of Death is not merely a haunting presence in scary movies. This character appears in some rabbinic stories as well, where the rabbis take a somewhat surprising view of how this character is to be encountered. While the class might be a bit grim, how often do you get to sing Blue Oyster Cult with a Rosh Yeshiva? Dr. Kulp is co-founder and Rosh Yeshiva of the Conservative Yeshiva in Jerusalem where he has taught Talmud and halakhah for the last 20 years. He also coordinates the Mishnah Yomit project through the United Synagogue of Conservative Judaism. This class took place via Zoom on September 7, 2020 as part of the Elul+ Pre-Tishre study program presented by Temple Beth Am Los Angeles.

"Bitcoin’s supply schedule cannot change, because Bitcoin is the supply schedule. Any alteration produces something that is decidedly non-Bitcoin." - Nic Carter Nic does it again with a great piece on the potential future where inflation is needed to "secure" Bitcoin in the post reward era. Will it still be Bitcoin? Can it be secured? Does it mean a change it baked in already? Find out in this excellent piece from Nic, "Don't Fear the Reaper!" Drop some hella applause on the original at his medium page below: https://medium.com/@nic__carter/dont-fear-the-reaper-8bbb42358efb For some other great works mentioned in this episode, these are great further "readings" on the topic: 21 Million is Non-Negotiable: https://anchor.fm/thecryptoconomy/episodes/Read_411---21-Million-is-Non-Negotiable-Phil-Geiger-eg6fbd Unpacking Bitcoin's Social Contract: https://anchor.fm/thecryptoconomy/episodes/CryptoQuikRead_198---Unpacking-Bitcoins-Social-Contract-Hasu-e2oct5 A Most Peaceful Revolution: https://anchor.fm/thecryptoconomy/episodes/CryptoQuikRead_293---A-Most-Peaceful-Revolution-Nic-Carter-e5bfpm If you want to support the show you can share it out with your friends, subscribe so you don't miss any of these amazing works and conversations, & of course become a Patron at Patreon.com/thecryptoconomy --- Send in a voice message: https://anchor.fm/thecryptoconomy/message

I'm always up for improving how I do things. So let's do that! Today, we've got a test episode where I try out using REAPER DAW to produce the episode, and the Discord bot Craig to record my guests. Enjoy this extra-length News of the Weird, too!

I'm always up for improving how I do things. So let's do that! Today, we've got a test episode where I try out using REAPER DAW to produce the episode, and the Discord bot Craig to record my guests. Enjoy this extra-length News of the Weird, too!

Death is coming for us all. That fear underlies all other fears that we face while alive. If we can find a way to make peace with that fear, we can live more fully now. --- Send in a voice message: https://anchor.fm/gonnakicktomorrow/message Support this podcast: https://anchor.fm/gonnakicktomorrow/support

We sit down with Trevor Motley to discuss organ and tissue recovery (or is it harvesting? Farming? Mining?), how tissues are recovered, and the organ donation process. We also discuss some common myths about being an organ donor. Neither of us woke up in a bathtub full of ice with no kidneys following recording, so we'll call it a win!

(Don't Fear) The Reaper in mourning, because his granddaughter has taken over the job. It's Soul Music!   Apologies for the delay, scheduling conflicts made things difficult. Discord Twitter Facebook Tumblr YouTube

Nach Burton und vor Schumacher kam zumindest in den USA ein weiterer Batman-Film in die Kinos - Batman: Mask of the Phantasm, ein Spin-off zur extrem erfolgreichen und extrem Animated Series von Eric Radomski und Bruce Timm, über die wir dann gleich auch ein paar begeisterte Worte verlieren. Und der Film selbst? Spaltet uns mal wieder ein bisschen. Aber hört selbst.

This week, we enter into a life-or-death negotiation, and we learn a thing or two about painting. Love speculative literature? Read hundreds of other science fiction, fantasy, and horror stories online for free at TheArcanist.io. To support our writers, visit Patreon.com/TheArcanist.    Tales From The Arcanist is produced by the editors of The Arcanist. Music by Spaceinvader from Fugue.

Bonus episode for May Day In this episode, Bela, Chandu, and Pinky talk about the cultural and artistic depiction of pandemics and plagues in various ages and societies Music: Danse Macabre Painting: 'Self-Portrait After The Spanish Flu' by Edvard Munch

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1249931486444130305 CW: Suicide, Rape, Mental Illness and Ableism It’s Infectious Disease Week on Pod Sematary! Chris & Kelsey are safer at home and have nothing better to do than watch a 6-hour television miniseries about a global pandemic and then record one of the podcast's longest episodes yet! The Classic Miniseries: The Stand (1994) "After a deadly plague kills most of the world's population, the remaining survivors split into two groups - one led by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil” (IMDb.com). Even though this 6-hour miniseries is based on one of Stephen King's longer novels, this televisual epic had everything 90s TV was good at -- namely a high confidence-to-capability ratio! The Modern Film: Quarantine (2008) "A television reporter and her cameraman are trapped inside a building quarantined by the CDC, after the outbreak of a mysterious virus which turns humans into bloodthirsty killers” (IMDb.com). American cinema did what it always does and went and remade a foreign movie, this time Spain's [•REC]. But relax, it's basically the same movie. Audio Sources: "Boogie Fever" written by Freddie Perren & Kenneth St. Lewis and performed by The Sylvers "Critters 2: The Main Course" produced by New Line Cinema & Sho Films "Don't Dream It's Over" written by Neil Finn and performed by Crowded House "(Don't Fear) The Reaper" written by Donald "Buck Dharma" Roeser and performed by Blue Öyster Cult "A Fish Called Selma" (The Simpsons S07E19) produced by Gracie Films & 20th Century Fox Television "Halloween" (1978) produced by Compass International Pictures, et al. "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Quarantine" produced by Vertigo Entertainment, et al. "Rock-A-Doodle" produced by Goldcrest Films International & Sullivan Bluth Studios "Snatch" produced by Columbia Pictures & SKA Films "The Stand" (1994) produced by Greengrass Productions & Laurel Entertainment Inc.

I nostri due abili diplomatici vengono scoperti mentre molto poco diplomaticamente cercano di dare fuoco al villaggio e Sfortuna deve affrontare il processo degli Dei! Patk si improvvisa avvocato e difende di fronte al giudice il suo cliente/compagno di (s)ventura,... Continue Reading →

Gets a little Racist - 1:04:50 FOOD - 1:15:33 Will Our Guest Get there own PEW PEW - 1:42:59

Coronavirus Start of Video Jack's Quarantine Pick Up Lines - 29:46 Our Rights During an Emergency Shutdown - 30:34 Jonathan tries to get Jeremiah in Trouble - 49:34

This is the final episode of this podcast under the name “Talk Radio Meltdown!” Beginning with Episode 451, Jack and the crew will produce podcasts as “Hardly Focused.” Learn more at hardlyfocused.com. / If you keep re-releasing video games, then you keep making money. It’s as simple as that! / After 30 years holding down morning drive, KROQ and Entercom part ways with Kevin Ryder. / You don’t need a global pandemic to kill your local shopping mall. / The COVID-19 pandemic is hilariously screwing with the following entities: GameStop, Donald Trump, porn, and the band Trapt. / Nobody knows what comes next with this global pandemic. Be kind to people, support your local businesses, and send good karma and vibes. - www.talkradiomeltdown.com

Odds are high that we see a global recession this year, but don't model for 2008.  This one is likely to be the most benign in history.

On the first episode of 2020, Brad and Eric recap the week in news. Which includes a celebrity arrest and the assassination of an Iran leader.

Death is coming for you! If you find that fact unsettling or scary, this episode will introduce you to a new perspective. Rami and author Joan Tolifson chat about dying and how to view death as a gift rather than something to be feared.

This episode we are updating you on Nudawn Linkshell, going over the December campaign, touching on the PLD/DRK updates, and filling you in on currents pertaining to FFXI. We tried to incorporate some discussion through the lens of a returning player this month. We hope you enjoy.Please remember to join us on the following platformsDiscord: www.nudawnls.com (link on website)Twitter: https://twitter.com/NudawnLinkshellhttps://nudawn.podbean.com/

On this episode, the boys discuss the dangers of a chicken sandwich can have on the human race. Also, Jacob tests Cory's Trivia knowledge and if he gets a wrong answer he has to face the Carolina Reaper, beef jerky style.

Boo! Welcome to NAYK’s 31st Episode. It's the Halloween Spooktacular 2019! I’ve got songs for your spooky playlist and movies for your Halloween horror viewing. Also join me and special guest Dr. Jens Foell for a Halloween edition of Somebody Had To Ask where we talk about zombie apocalypse weapons, tombstones, vampires, Halloween costumes, and of course, Disney World (scary, eh?). Music for Your Spooky Playlist starts at 00:01:41 - music includes versions of Season of the Witch, Don't Fear The Reaper, I Put A Spell On You, Pet Sematary, Stand By Me, Somebody's Watching Me, Stabbing in the Dark, Monster Mash, Where Did You Sleep Last Night, and Dragula. Movie reviews start at 00:27:27 - I am covering Zombieland: Doubletap, Cooties, Little Monsters, There Comes A Knocking, Rattlesnake, and The Lighthouse. SHTA with Dr. Jens Foell starts at 00:59:54 Songs for Your Spooky Playlist on Spotify The Leftover Army Podcast

Behind the Song - WDRV-FM Chicago

 Nada mejor ahora que se acercan estas fechas tan entrañables de Halloween el recibir la visita de la gran Marián Guadaña, que ha meneado bastante el árbol con la salida este año de su EP Remedios Paganos y que la teníamos muchas ganas.Y además descubrimos a los gallegos Presumido, escucharemos el regreso de El Columpio Asesino, lo nuevo de 091, Michael Kinawuka y Derby Motoreta’s Burrito Kachimba, hablaremos de la que van a liar los Green Day en el MTV weekend de Sevilla, del BIME Live de Bilbao y del esperadisimo retorno de los Supergrass. Arroparse con la música que viene el frío. 

the boys mind hunt.

Chris Franklin and Ryan Daly find the opposite of their joy with BATMAN #411, the second part of the latest Two-Face caper, because we can never have enough of those. Then finally DETECTIVE COMICS #578, the concluding chapter of "Batman Year Two". These are two very bad Batman comics, but the boys attempt to liven things up at the end by remembering the animated movie BATMAN: MASK OF THE PHANTASM. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com or supermatespodcast@gmail.com. Like the BATMAN KNIGHTCAST Facebook page at: https://www.facebook.com/BatmanKnightcast/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to BATMAN KNIGHTCAST on iTunes: https://itunes.apple.com/us/podcast/batman-knightcast/id1178232405?mt=2 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music from the Batman and Batman Returns original motion picture soundtracks by Danny Elfman. Additional music: “Two of Hearts" by Stacy Q; "(Don't Fear) The Reaper" by Blue Oyster Cult; "I Never Even Told You" by Tia Carrere. Thanks for listening!

Ryan Daly and Chris Franklin return to discuss BATMAN #410, which sees the Dark Knight and his new partner Jason Todd go up against Two-Face. Then DETECTIVE COMICS #577, the third chapter of "Batman Year Two". Also, because this episode was recorded a long time ago, the boys make numerous references to the detective's "bat-a-wang". Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com or supermatespodcast@gmail.com. Like the BATMAN KNIGHTCAST Facebook page at: https://www.facebook.com/BatmanKnightcast/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to BATMAN KNIGHTCAST on iTunes: https://itunes.apple.com/us/podcast/batman-knightcast/id1178232405?mt=2 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music from the Batman and Batman Returns original motion picture soundtracks by Danny Elfman. Additional music: “Two of Us" by The Beatles; "(Don't Fear) The Reaper" by Blue Oyster Cult; "Bad Company" by Bad Company. Thanks for listening!  

Smells like Bacon Bits and Dispair. The Hot Stuff shouldn't be that Thick. Over 100 Years of experience, and still little to no common sense. Ice Cream Cheese Pairings. Thunderclap Headaches. New Teeth sprouting from the roof of my mouth. That's a face of a Cat with his nuts snipped. App Time! Your Twitter questions and more on this episode of TMSPM.

Don't fear the one who can kill the body but not the soul...

It’s a most triumphant part two to our discussion of the wise fools Bill S. Preston, esq. and Ted ‘Theodore’ Logan! This week, we’ll get into the wacky and ambitious sequel to Bill & Ted’s Excellent Adventure, Bill & Ted’s Bogus Journey. As we track the heroes’ journey through the afterlife—heaven, hell, a new-age seance, and everywhere in between, we’ll explore its roots in Greek mythology and classic world cinema. We’ll break down the film’s relationship to the story of Sisyphus, cross-cultural personifications of death, psychoanalytical touchstones, and the medieval imagery of the Danse Macabre—because sooner or later, you’re gonna dance with the reaper. God gave rock and roll to you. Support us at www.patreon.com/midnightmyth Check out our new merch store for Midnight Myth, Boomerangerang, and Wheel of Ka tees and totes! Save 15% on march through 7/6 with the code ‘SOLSTICE’ Learn more, view sources and inspiration, and sign up for e-mail updates at www.midnightmyth.com Twitter Facebook Instagram If you enjoy the podcast, please consider leaving a rating or review on Apple Podcasts or wherever you listen! --- Support this podcast: https://anchor.fm/midnightmyth/support

We are back once again with our FIRST episode of the year (and it's freaking May). Anyways, we hope you guys enjoy this new bracket we determine the best fast food place in the U.S. #summerofweekend From this point on, the outros will be remixes of the Space Jam intro. This week is a mashup with Blue Oyster Cult's "Don't Fear The Reaper."

Welcome to the Death and Cowbells episode of Three Chords and the Truth: The Apologetics Podcast! One of the most difficult dilemmas in the entire Bible has to do with how Judas Iscariot actually died. According to Matthew’s Gospel, Judas hanged himself, and priests purchased the field where he died for thirty pieces of silver. But, according to the book of Acts, Judas fell headfirst in a field that he had acquired and his intestines burst out. So which is it? And what does this mean for how we read the New Testament? Today, in the Three Chords segment of the program, Dr. Robert Plummer joins Timothy and Garrick to discuss the fate of Judas Iscariot. In the Truth segment, your intrepid cohosts discuss a Christian theology of death by examining “(Don’t Fear) The Reaper” by the Blue Öyster Cult--which ends up leading to discussions about the Milford Oyster Festival and whether Eddie Money is still alive. This week’s question from the Infinity Gauntlet places the two greatest comic-book movie trilogies ever—DC’s Dark Knight trilogy and MCU’s Captain America trilogy—in the ring to face each other in a battle to the death. Subscribe to Three Chords and the Truth: The Apologetics Podcast: Apple / Android / RSS. In this Episode Robert Plummer, Ph.D., is professor of New Testament interpretation at The Southern Baptist Theological Seminary and host of the Daily Dose of Greek screencast. He is the author or editor of several books, including Going Deeper with New Testament Greek (B&H, 2016) and 40 Questions about Interpreting the Bible (Kregel, 2010). Follow Dr. Plummer on Twitter at @dailygreek. Questions to Discuss 1. According to Matthew 27, Judas hanged himself; according to Acts 1, he fell headfirst and his intestines burst out. How did Judas actually die, by falling or by hanging? 2. According to Matthew, it was the priests who bought the field where Judas bought the farm; according to Acts, Judas bought it himself. Who actually purchased the Field of Blood? 3. There is another account of the death of Judas that comes from an individual named Papias, who was a leader in the second-century. According to his account, Judas was cut down after trying to hang himself, and he was later run over by a wagon. Should these words from Papias have any impact on the way we approach this apparent discrepancy? Links to Click If you want to dig deeper into the historical integrity of the New Testament, one great place to start is In Defense of the Bible, edited by Terry Wilder and Steven Cowan. To download a sample chapter, visit http://www.bhacademic.com B&H Academic 40 Questions about Interpreting the Bible: book by Robert Plummer Daily Dose of Greek: resource by Robert Plummer Remember Death: book by Matthew McCullough The Pornography of Death: article by Matthew McCullough Swimming in a Sea of Death: book by David Rieff The Myth of Sisyphus: novel by Albert Camus Unanswered Prayers and the Love of God: article by Eduardo Echeverria (Don't Fear) The Reaper: song by Blue Öyster Cult The Wreck of the Edmund Fitzgerald: song by Gordon Lightfoot Black Sabbath: song by Black Sabbath I Wanna Go Back: song by Eddie Money Milford Oyster Festival: community event in Milford, Connecticut ThreeChordsApologetics.com If you are interested in earning a master’s degree online or on campus that will equip you with the most comprehensive apologetics training available anywhere, go to http://www.sbts.edu/bgs/degree-programs/mdiv/apologetics/ How to Make Three Chords and the Truth More Amazing than It Already Is Support the show and spread the word! Here are a few ways to do that: 1. Subscribe to Three Chords and the Truth: The Apologetics Podcast (Apple / Android / RSS). 2. Leave a rating and review on iTunes to encourage other people to listen to the show. 3. If you purchase any of the books mentioned in Three Chords and the Truth, consider using the Amazon links provided in the show notes. The show will receive a small percentage of each sale. 4. Visit our Patreon site where you can support the podcast, suggest future songs or topics, and order Three Chords and the Truth merchandise. 5. Make contact with us on Twitter: @DrTimothyPJones  @GarrickBailey  @ApologeticsPod The Closing Credits Three Chords and the Truth: The Apologetics Podcast thanks B&H Academic for their sponsorship. Music for the podcast has been licensed through Artlist.io and performed by the band Vegan Friendly—even though neither Garrick nor Timothy has ever been vegan friendly. Brief excerpts of music played in the second half of each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. "The fair use of a copyrighted work ... for purposes such as criticism, comment, news reporting, teaching, ... scholarship, or research, is not an infringement of copyright" (U.S. Code § 107, Limitations on exclusive rights: Fair use).

We finally get started on our Infinity Countdown coverage!  Al's brother Joe is back and helping him cover the first three parts of last years Infinity Countdown.  Guardians of the Galaxy #150, Infinity Countdown: Adam Warlock and Infinity Countdown: Prime.  Guardians!  Novas!  Raptors!  Kang!  Wolverine!  It all starts here.... A Gal Walks Into A Comic Shop Andromeda Army of Darkness- this is my broomstick  ComicBookDB Cosmic Boy Elders of the Universe Facebook Gerry Duggan Grand Comics Database Guardians of the Galaxy #150 Guardians of the Universe It All Comes Back To Superman Marvel Mike's Amazing World Rocky (Rocky Horror Picture Show) Scott Adsit Secret Origins Twitter Tumblr Opening Music- Lino Rise "Into Pompeii" Licenced Under Creative Commons: By Attribution 3.0 Closing Music- Sound Design Provided By Jason Donnelly All Rights Reserved

Welcome to Around the Table in 80 Dice This month, we play Numenera, an award-winning science fantasy tabletop role-playing game set in the far distant future, Miriam Scott was our Game Master Scott Krammer, Caleb Wall, Isaiah Weatherford, and Sean Tasker were this months players. Don't forget to subscribe to iTunes and Googleplay 80Dice.Wordpress.com Patreon.com/80Dice The Nerdd Network TheNerdd.com

The RC is in motion towards a rather eerie landscape. Rhal has a rather stunning performance, Zaltanna let there be light, and Balance wants to talk to it. But what is *it* exactly? Probably the stuff of nightmares... I Guess We Are About To Find Out... We now have a Patreon! You can help support the show at http://www.Patreon.com/TLDPod Visit our friends at Skullsplitter Dice and receive a free random metal die (one use per customer, one per customer) with every purchase when you claim the offer on the page and use the promo code The_Lucky_Die at checkout! Use the hyperlink above or go to http://bit.ly/TheLuckyDie to get your new lucky die and help support the show! Find us - Email: TheLuckyDiePodcast@gmail.com Website: www.TheLuckyDie.com Twitter: @TLDPod Arch - @Arch_DnD Casey - @childofginevra Neil - @BardicMartin Volonda - @Volly_Londa

The Gxds gather for the 11th episode to discuss everything from G.O.O.D. music to Blue Oyster Cult. From the transformation of rap music into a more rock inspired genre, to the gentrification of Detroit's Midtown. Featuring special guest host/interviewee; Jay Dachon. TheGxdsAreWatching... --- Support this podcast: https://anchor.fm/thegxdsarewatching/support

A surprise discussion on the death of a monster who has plagued my family for decades. My paternal Uncle --- Support this podcast: https://anchor.fm/margaret-cortez/support

It's time to ruin Saren's big day. In this season finale Eric and Kenneth are taking the fight to Ilos, resulting in some fairly different outcomes on more than a few choices. Kenneth continues to be the hardened Renegade while Eric is the reasonable Paragon. We also talk our overarching thoughts on Mass Effect 1, what we're excited to see in Mass Effect 2, and tease what's to come in future episodes of Normandy FM. Become a patron of Normandy FM: http://patreon.com/normandyfm Twitter: Normandy FM: @normandyfmshow Eric: @seamoosi Kenneth: @shepardcdr

The guys sit down with Abu Mujahid who's daily occupation is as a Raqi (Exorcist). We talk about the world of The Jinn, evil eye and possessions. Hosts: sim: @ImranMuneer_ Shaykh Amir: @AmirSaeedTMM Mahin: @mfi_81 ============== www.wahedinvest.com Wahed Invest set out with an idea to provide our community with a reliable, transparent, and most importantly, accessible investment product. www.halfourdeen.com Half our Deen is the Private Muslim Matrimonial website. www.MyWassiyah.com Receive an exclusive discount by using the link below to sign up with MyWassiyah.com http://6mywassiyah.refr.cc/themadmamluks Make sure income from investments is halal!  https://www.wahedinvest.com/ ============== E-mail us your comments, feedback, and questions at TheMadMamluks@gmail.com Follow us on Twitter: @TheMadMamluks Like us on Facebook: www.facebook.com/themadmamluks View pictures of our guests and studio on Instagram: TheMadMamluks *NEW* Subscribe to watch us Live on YouTube: www.youtube.com/themadmamluks  

Get your coat we're going on a train ride! That's the tone of this movie right? The gang are following the epic tale of Doctor Zhivago through different Russian revolutions. After that tension, they calm down with the soothing sounds of Brian Eno and then all the tension returned as they argued about the title of (Don't Fear) the Reaper. Then much like Sam, Austin leaped alone. Stay tuned to hear J.C. try to quit the show!   Intro 0:00 -- 15:15 Doctor Zhivago 15:15 -- 56:55 Ambient 1: Music for Airports 56:55 -- 1:07:55 (Don't Fear) the Reaper 1:07:55 -- 1:17:15 Quantum Leap 1:17:15 -- 1:23:05 Outro 1:23:05 -- 1:26:04   --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review   Twitter iTunes YouTube   Join us next time as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)   Artwork by Ray Martindale Opening tune and clips by Adam Lord    

Today Mark is joined by Daniel Reed, Grant Alexander, and Mark Cunningham to discuss The Shroud of the Reaper tournament and much more!

Slowly We Rock saw Ghost live! This week we talk about all things Ghost while trying to survive a Reaper Chili - an in introduction to Sweden's spookiest export, their triumphant show at London's Royal Albert Hall, the burning pain of a hot pepper and their all round passion for all things Satanic. Don't forget to join us on social media Facebook Twitter Instagram

Today Mark is joined by Daniel Reed, Grant Alexander, and Mark Cunningham to discuss The Shroud of the Reaper tournament and much more!

Ricky, Blair, Major Juggler, Will and Sable discuss store champs, the power of jam and some 2.0

Most videos games involve death in one way or another, but few try to present it as entertaining and whimsical. Keith and Jesse sit down with comedian Chelsea Davison to talk about the LucasArts classic Grim Fandango - a game where everything is dead a... Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Franklin and Ryan Daly continue to chronicle the Dark Knight's sophomore year in DETECTIVE COMICS #576. It's part two of "Batman: Year Two" featuring the series' new artist Todd McFarlane. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com or supermatespodcast@gmail.com. Like the BATMAN KNIGHTCAST Facebook page at: https://www.facebook.com/BatmanKnightcast/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to BATMAN KNIGHTCAST on iTunes: https://itunes.apple.com/us/podcast/batman-knightcast/id1178232405?mt=2 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music from the Batman and Batman Returns original motion picture soundtracks by Danny Elfman. Additional music: “(Don't Fear) The Reaper" by Blue Oyster Cult; "Only the Good Die Young" by Billy Joel. Thanks for listening!  

The four people I talk to in this episode were the four people kind enough to stick around and hear me play at the end of Tuesday's open mic. So I figured the least I could do was record a chat with them. And also you can hear me attempt to learn to play Don't Fear The Reaper as well as attempt to sing like Matt Berninger from The National. Thank you to James, Louis, Diana, and Geraud. I'm sure you'll find them at an open mic near you. Thanks for listening. You can find me in the usual places: Twitter: -- https://www.twitter.com/saddestnightout -- Instagram: -- https://www.instagram.com/saddestnightout --  Email: -- saddestnightout@gmail.com -- Patreon: -- https://patreon.com/saddestnightout -- iTunes: -- https://itunes.apple.com/us/podcast/saddestnightout/id1361554117?mt=2 -- TuneIn: -- https://tunein.com/podcasts/Music-Podcasts/SADDESTNIGHTOUT-p1118077/ -- Stitcher: -- https://www.stitcher.com/podcast/saddestnightout -- Soundcloud: -- https://www.soundcloud.com/saddestnightout --

Chris Franklin and Ryan Daly review DETECTIVE COMICS #575, the first part of "Batman: Year Two" and the final issue penciled by Alan Davis. Plus listener feedback on last episode's much-beloved Batman #408. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com or supermatespodcast@gmail.com. Like the BATMAN KNIGHTCAST Facebook page at: https://www.facebook.com/BatmanKnightcast/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to BATMAN KNIGHTCAST on iTunes: https://itunes.apple.com/us/podcast/batman-knightcast/id1178232405?mt=2 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music from the Batman and Batman Returns original motion picture soundtracks by Danny Elfman. Additional music: “The Way It Is" by Bruce Hornsby and the Range; "(Don't Fear) The Reaper" by Blue Oyster Cult; "Don't Change" by INXS. Thanks for listening!

Drunk Dialing gives each and every listener a chance to become the star of the show. The hosts banter on and answer calls from eager listeners ready to participate in the conversation. This podcast is also broadcast live, so if you’re looking for something to do on a Saturday night, check our Twitter feed and give us a call! Tonight Ted Flint is joined by Jared Smith and Tom Hyde to discuss near death stories with callers who call in to chat on a cold Saturday night. Who knows where the twists and turns will go as the callers tell their tales. Subscribe to the podcast on iTunes, Stitcher or almost every podcast application to stay up to date on each of the nine podcasts distributed by The Tailgate Society.  Subscribe to get these podcasts the minute they are done recording.  

Noel and Michael are joined by writer Christopher Mills (Femme Noir, Gravedigger, Perils on Planet X, and the excellent blog Space: 1970) to discuss Tarzan the Fearless, a 12-chapter serial starring Buster Crabbe (Buck Rogers, Flash Gordon) and Julie Bishop (The Black Cat). It's also the first Tarzan film by legendary Tarzan producer Sol Lesser. Opening music from Tarzan the Fearless Closing music from "(Don't Fear) The Reaper" by Blue Oyster Cult  

The team mops up their opposition then joy ride with Girly Paul. Also, we continue to get combat rules wrong.... 

Chris Franklin and Ryan Daly review DETECTIVE COMICS #571, in which the Dynamic Duo confront their fears and the villainous Scarecrow! Plus, listener feedback from last episode. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com or supermatespodcast@gmail.com. Like the BATMAN KNIGHTCAST Facebook page at: https://www.facebook.com/BatmanKnightcast/ This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to BATMAN KNIGHTCAST on iTunes: https://itunes.apple.com/us/podcast/batman-knightcast/id1178232405?mt=2 Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music from the Batman and Batman Returns original motion picture soundtracks by Danny Elfman. Additional music: “Viva Las Vegas" by Elvis Presley; "(Don't Fear) The Reaper" by Blue Oyster Cult. Thanks for listening!

被称为重金属摇滚乐先驱的Blue Oyster Cult，1969年成军于纽约长岛，1971年与哥伦比亚唱片公司签约，并於1972年发行第一张专辑，专辑发行后随即加入Alice Cooper的巡回演唱会，担任开场嘉宾，在这段期间中以他们独特精湛的表演方式获得许多死忠乐迷的拥戴及效忠。1976年的白金专辑「Agents Of Fortune」让他们尝到了走红的滋味，专辑中的单曲「(Don't Fear) The Reaper」不仅获得排行No.12的好成绩，这首单曲更成为重金属乐团的国歌。

One of the most feared heavyweights in NHL history, Stu Grimson, joins JR & Jaffe for a candid discussion. In this week's episode you hear Stu talk about the way his career started, being drafted into the NHL, not once, but twice and what it was like being roommates with JR while the two were teammates in Chicago. Stu also tells the boys about the toll being a fighter in the NHL took on his body. Don't miss this fun interview.

The Beautiful South成立于1989年,主唱是保罗西顿和鼓手大卫Hemmingway组成了美丽的南部乐队。乐队风格：爵士、R&B。歌词常带有讽刺,愤世嫉俗。,1994年发表的专辑,取得双白金销量成为英国畅销专辑。在九十年代的英国是相当受欢迎的。他们曾经风靡英伦长达六年之久，在94年出版的单曲 Carry on Up the Charts, 成为英国唱片界有史以来最为畅销的唱片。他们的歌属于比较清新的民谣风格，前后共出了10张专辑。很奇怪他们在英国可谓大红大紫，在北美却毫无波澜，丝毫不像很多英伦乐队的历程那般顺利其实 The Beautiful South大可安安份份做一支走高格调路线的Pop乐队，首首作品造句俏丽，再配以三位主唱（paul heaton,dave hemingway及brianna corrigan）柔顺剔透的声线，然而偏偏这几位南方人不愿同流合污粉饰太平雕造空中楼阁，于是他们的作品在清新悦耳中总带有几分黑色幽默与荒诞不经

Life long childhood friends Tom Stewart and John Curren discuss death and its effect on motivation. What is it like to lose a loved one, family or friend? How does that make one reflect on their own life? What will be said at your funeral? Will you leave a legacy? All of the questions will be addressed as Tom and John dig deeper into the fate that awaits us all. ———————Find out more on http://www.aswiftkickintheass.comhttps://www.facebook.com/aswiftkickintheasshttps://twitter.com/AKickintheasshttps://www.pinterest.com/akickintheass/—-Listen to the podcast on iTunes—https://itunes.apple.com/us/podcast/a-swift-kick-in-the-ass/id928326346

Christian Hand dissects the Blue Oyster Cult classic “Don’t Fear The Reaper.”

In this week your hosts Malachi Barrett and Ben Solis talk about their favorite deaths and resurrections. In the Halloween spirit we also enter the Battle Dome with classic horror film villains and duke it out.

Host Jim Ventura (professional Navigational consultant - Astrology, Numerology, Runes, Tarot, Animal cards etc...) is the author of two metaphysical books, YouTube videos and does local and Skype seminars and classes on many different metaphysical subjects. Snake Oil is Jim's monthly blog column. Snake Oil radio is a forum for discussion of a wide range of metaphysical subjects with a primary focus on how everyone can learn to fine tune their unique intuitive abilities and skills. Callers may call in toward the end of Jim’s show with questions or comments and some shows include 5 minute free mini navigational consultations (today's show will not get to live calls). Todays Show live Column read: Don't Fear the Reaper "Someone in the karaoke bar sang an old Blue Oyster Cult song, “Don’t Fear the Reaper,” two days before my sixteen year old cat died. I was impressed that someone tackled such a complicated song. It was fitting that I heard this, because for weeks I had been telling my cat it was okay to let go of his body and his time with me. I would miss him, but his time here had come to an end. He was almost 16 years old. As I left the bar, the song ran through my head. While driving the next day, I heard it on the radio. “Seasons don’t fear the reaper, nor do the wind, the sun, and the rain. We can be like they are. Come on baby...” A lot of people struggle with the idea of death. I guess I am strange because I have no fear of it. I had remembered living other lifetimes when I was a child. It wasn’t until I got older that..." Join me for a live colum read and discussion about how the death of our family members including our pets can be viewed in a more enlightened way! 

The story behind "(Don't Fear) The Reaper" by Blue Oyster Cult

202+40: (Don't fear) The Reaper

Here’s a hint: not to be confused with the Örange Cräb Society…

What is Up, GamerNation?? We are back! The glory of ReaperCon has left us coated in its awesomely sweet goo of pewter perfection. After an immensly amazing weekend at Reaper, we return to you with tales of daunting and daring gaming and miniature madness! Seriously - the d20Radio Crew had an amazing time with the hospitable and helpful Reaper family. This episode, after tredging the depths of the galaxy with Cody, seeing what contraband Watto has, and answering some good listener questions, we delve deeply into a crucible of molten pewter with our special guest, ReaperDarryl. We talk about ReaperCon, and all the great gaming that went on, as well as the custom minis Darryl created for Star Wars play at the Con. Darryl then gives us his advice and tips on converting solid metal minis from the Reaper lines to create custom Star Wars minis of your own. All in all - amazing advice to help make your games that much better! Thanks again to the gang at Reaper for welcoming d20Radio with open arms. We had a blast. So, GamerNation, sit back, relax, plug in, grab your paints - and whatever you do... Don't Fear the Reaper!

What is Up, GamerNation?? We are back! The glory of ReaperCon has left us coated in its awesomely sweet goo of pewter perfection. After an immensly amazing weekend at Reaper, we return to you with tales of daunting and daring gaming and miniature madness! Seriously - the d20Radio Crew had an amazing time with the hospitable and helpful Reaper family. This episode, after tredging the depths of the galaxy with Cody, seeing what contraband Watto has, and answering some good listener questions, we delve deeply into a crucible of molten pewter with our special guest, ReaperDarryl. We talk about ReaperCon, and all the great gaming that went on, as well as the custom minis Darryl created for Star Wars play at the Con. Darryl then gives us his advice and tips on converting solid metal minis from the Reaper lines to create custom Star Wars minis of your own. All in all - amazing advice to help make your games that much better! Thanks again to the gang at Reaper for welcoming d20Radio with open arms. We had a blast. So, GamerNation, sit back, relax, plug in, grab your paints - and whatever you do... Don't Fear the Reaper!

Program 78: In this episode, we explore '(Don't Fear) The Reaper' by Blue Oyster Cult.

Glaswegian act Butcher Boy came to our attention in 2007, with the release of their first album "Profit in Your Poetry".It was a real treat, a excellently realised indie folk pop album, full of literate, heartfelt lyrics about wistful memories: it’s tender, organically produced sound drew favourable comparisons in my own mind: "Think early Belle and Sebastian haunted by a real past, the precise poetic pop of the Smiths tinged with a heavy Glaswegian sensibility. Think the tunes of Lloyd Cole and the Commotions matched to the intimacy of Arab Strap, most of all think wonderfully dark pop music, for nights out or those long dark midnights spent alone by your turntable, reading the inlay, and submersing yourself in the sound."They followed this up with the single "18th Emergency" later that year, a stately ballad it was like being allowed to read someone's secret diary entry, each line consumed with poetic heart tugging imagery that conjures up moments in time, lovers lost and real kitchen sink drama.Their new album "React or Die" is preceded by a single "Carve a Pattern" which you can download here(from the folks at Stereogum):Butcher Boy- Carve A PatternIt reflects a progression a more buffed up, musically expressive sound that still bares the emotional brevity, and bittersweet vocals at the heart of Butcher Boy. We caught up with their lead singer/lyricist John Blain Hunt (who is also the famed DJ behind the National Pop League nights) for an exclusive insight into each of the tracks that make up their second work "React Or Die."Butcher Boy's "React Or Die" Track By TrackWHEN I'M ASLEEPI wrote the main melody one Sunday night after watching The Dream Life of Angels on BBC2. Rue des Cascades by Yann Tiersen is over the closing credits, and the film has an incredibly savage and sad ending. I could barely speak the day after watching it. The final frame is still and calmbut it is heaving with regret. It's like a sob caught in your chest, grief.Originally, the song was a duet with a completely different vocal melody but when Maya joined the band I went back to it and worked on a stronger cello line, something to suit Maya's style of playing which is very confident and strident. The rest of the song fell into place around the cello. I watchedThe Dream Life of Angels again and I re-wrote the lyrics to read like a nursery rhyme.Basil plays ten mandolin tracks on three mandolins at the end. Brian, the engineer, said that the last "I never feel..." was a Leo Sayer moment, which I'm quite proud of.I love playing this live - it breathes and it feels very powerful.CARVE A PATTERNI bought a rattly old piano in 2003 and I came up with the melody for "Carve A Pattern" the day I got it - I don't think I ever wrote anything else on that piano. Butcher Boy aren't really a band for jamming but we used to rehearse this song a lot, just because it was such good fun to play. I'vegot a ten-minute long recording of us playing it in my old front room and by the end of the song we were hamming it up so much it's like the finale of a Broadway musical.This was always going to be the most pop song on the record - I wanted it to be really sharp and snappy. The last chord originally rang out for twenty seconds, like A Day In The Life, and there are lots of little nods to different songs I love in it. Brian said that the backing vocals in the chorus are like Satellite Of Love but I think they're more like Mr Sandmanby the Chordettes. They're both odd and unsettling songs though; either one is good enough for me.YOU'RE ONLY CRYING FOR YOURSELFI distinctly remember humming the melody for this one afternoon while we were recording our first record. There seemed to a big leap between the verse and the chorus melodies and I originally thought it could be a calland response song.This song was pieced together in the studio much more than the others. We ended up trying to lighten it a lot, as it had ended up sounding very ominous and serious. We swapped from upright piano to Rhodes and chopped out a lot of the strings.I used to see a man busking on saxophone around Glasgow a lot and, for a while, I harboured a fantasy I would ask him in to play some chops and then open up with a solo at the end. We never did it, but I maintain it would've worked! We had a whistle signalling the end section too, which was meant tobe a little nod to Felicity but we decided to cut it.We used Brian's Moog for the end section - the overall feel of the song was meant to be like Del Shannon's Runaway and we were trying to get close to that high organ sound.ANYTHING OTHER THAN KINDThis was, mostly, a really old song I wrote at the end of 1998 called Sugar Shock, but we changed a lot of the arrangement and the vocal melody and lyrics are different.I wrote it when I was living in Sheffield. I had the attic room and you could see for thirty miles out of the window - it was really magical. I used to write songs on an old keyboard called an ARP Quartet - it was very limited and unreliable but had a really beautiful, gentle piano tone. Everything came out sounding like it was recorded in the woods.I wrote the words to this sitting in Queens Park. The music is very gentle and so I wanted to unsteady it a little. I'm happy that it can read as a piece of prose - it sits beside "There Is No-One Who Can Tell You Where You've Been" from our first record.Alison plays piano strings on this, and Alison, Basil and I wrote the oboe part together one Sunday morning... the song really needed an oboe! It sounds like woodcuts to me, and ink, and a very heavy sky.THIS KISS WILL MARRY USWe were going to call the album this - it's like an unwritten Burns poem.This is another old song - I recorded a version of it at Ca Va in 2001 along with I Know Who You Could Be (which was on Profit In Your Poetry) and two songs we¹ve not released yet called Juicy Fruit and Mouchette. Again, the ARP was a key part in writing it - originally, the little piano riffrepeated over and over again. I recorded the first demo on Halloween 2001 and I've got lovely memories of that.We recorded the sea sounds at Irvine beach on New Year's Day, 2008 - we got about 15 minutes worth, inciting the seagulls with a goat's cheese tart. I also wanted to get the sounds of sails slapping against masts but, strangely, all the boats were out of the harbour that day.The introduction to This Kiss Will Marry Us was originally another old song- one I'd forgotten about and found going through cassettes when I was moving house. I used to catalogue the songs I wrote but this one had no title or date - I think it was from the same times as When I'm Asleep though, when I was trying to write sea shanties on melodica.Alison plays the piano strings again, and the Rhodes too... I wanted it have the feeling of uneasiness you get from the gentler songs on the Assault On Precinct 13 soundtrack, which are warm and incredibly cold and detached at the same time. That's how the song feels to me - being aware of the structure and purpose of emotion but not knowing how it works at all.A BETTER GHOSTMusically this was, by far, the easiest song to write for the record - the whole song fell into place in about five minutes. I was watching the 2007 Scottish Cup Final in the house with my pal Iain at the time, and we'd got sandwiches and coffee and cake from a place called Espresso, which is one ofmy favourite places to eat. I was probably feeling pretty happy and satisfied.The lyric to this one is my favourite on the record - I wanted to use the phrase "a better ghost" for ages but couldn't exactly work out what it would mean. It came eventually though... I remember reading that birds can flockand fly in formation because they have magnets in their bones. I don't know if that's true or not but I liked the idea.We made a video for this song with our pals Keith and Allison. There is a real feeling of tenderness between them in the video which I really love. The song tries to be tender, but stoic too.CLOCKWORKI can barely play piano and Alison and I more or less got here by trial and error and me humming everything. There is a chord change in the instrumental section that's consciously All Of My Heart by ABC and the general feel I was hoping for was Vince Guaraldi.This is definitely the most complicated song for us to play! Findlay is an incredible drummer - we're constantly in awe of how quickly he can pick things up, interpret them, and then make them entirely his own. We ended up with a samba current all the way through this, blocks, congas... I was playing a guitar rhythm I'd cribbed off the Miracles and Basil is playing this really beautiful, bluesy little riff... It's on our agenda now to learn how to actually play it together.The cornet players from Kings Park Brass Band play on the second half of this song - when we'd completed the instrumental I couldn't quite believe we'd come up with it all.WHY I LIKE BABIESThis is another old song - I wrote it in the summer of 2000. It's changed a little musically since then, but oddly for me the lyrics are pretty much intact. I like the line "I watch with tired eyes as you seduce yourself" -that's the mood for the song.As a band we were actually playing this before much of the material for our first record was finished, but we struggled to get it to hang together properly. We tweaked the drums though - it's got a little stutter and roll from The Train From Kansas City by the Shangri Las in there now - and it suddenly worked.Originally, the song started with guitar and vocals but we worked on a different introduction... We wanted it to sound like the Carpenters. Basil's guitar makes it more Candy Says... and we managed to get some use out of the studio Mellotron in the middle eight.We gave the clock we used at the end of this song to Ulla, who did all the artwork for the record.SUNDAY BELLSI wrote this, as Sparks, in about 1999 in a batch of about six songs in two weeks. Originally it was a real rant - I couldn't get the words out fast enough. We started working on it again when we were on tour in October 2007 and actually got round to sound checking it a few times.I rewrote the words last summer. I always found the sound of Sunday Bells quite ominous - they remind me of being little and having the quilt pulled up to my eyes.Basil's guitar reminds me of Don't Fear The Reaper; the Hammond reminds me of I Will Die With My Head In Flames; Findlay's drumming is as precise as disco and we put in a deliberate little nod to Blue Monday going into thelast verse.REACT OR DIEAgain, this song was written and pretty much ready before "Profit In Your Poetry" but I wanted to save it for a second album.The song started out as a poem I'd written about a Diane Arbus photograph. It was of a couple of married kids in Washington Park Square in New York...They were babies, but furious and utterly defiant to the camera. The poem was more about how I imagined that type of person.I wrote it when I was on holiday in Philadelphia in 2005. I had a rare moment on that holiday - it was Halloween and I was walking. It was warm, I was just off the campus at Penn University. It was about 4pm and the sun had started to drop and suddenly the angle of the light and the shadows on the building opposite was perfect. It was so beautiful and still and it literally felt I had spent my whole life waiting for that moment. And it felt like the end of something... it's not explicitly connected, but because I was working on this song at the time, this song reminds me of that moment. It's apt that it's the last song on the record.When the brass band come in it's meant to sound like the lights of miners' hard hats appearing over the hill. Alison arranged that little piece and it brings a lump to my throat.I really enjoy songs that are less than two minutes long.React Or Die is out in the UK on the 6th of April 09 viasmashing indie/club imprint How Does It Feel To Be Loved? The album comes with a 16 page booklet and liner notes by John Blain Hunt. Here's a tracklist:"A Better Ghost" will be the second single, out 23/03/09.Orginally published here:http://www.godisinthetvzine.co.uk/content/content_detail.php?id=3149&type=FeaturesAll content syndicated from http://wwwg.odisinthetvzine.co.uk

"More cowbell" is a line from an April 8, 2000 Saturday Night Live comedy sketch about the recording of the song "(Don't Fear) The Reaper" by Blue Öyster Cult. The sketch featured guest host Christopher Walken as music producer Bruce Dickinson and Will Ferrell as fictional cowbell player Gene Frenkle. The line itself has grown into a pop culture catch phrase.The sketch is presented as though it is an episode of VH1's Behind the Music. It begins with what is said to be film from the 1976 recording session that produced the band's biggest hit, "(Don't Fear) The Reaper." The producer (Christopher Walken) introduces himself as "the Bruce Dickinson" and tells the band they have "what appears to be a dynamite sound." The band members are impressed at this compliment because of Bruce Dickinson's supposed high standing in the music industry.The first take of the recording session begins soon after. The recording seems to be going well, but the band stops playing after a few moments because the cowbell part is rather loud and distracting. However, Dickinson feels quite differently and, to the surprise of most of the band, asks for "a little more cowbell" and suggests that the cowbell player, Gene Frenkle (Will Ferrell), "really explore the studio space this time."Frenkle's exuberance in following this advice causes him to bump into his bandmates in the cramped studio, and the band aborts another take. Dickinson enters the studio exasperated at wasting "two good tracks." Frenkle sheepishly agrees to tone down his performance in the spirit of cooperation. Instead, he passive-aggressively plays the cowbell very close to Eric Bloom's (Chris Parnell) ear and fails to keep time with the rest of the band. Frenkle then knocks over Bloom's microphone stand, ending the take prematurely. The rest of the band expresses frustration with Frenkle, but Dickinson remains focused only on getting more cowbell onto the track.Gene Frenkle then makes an impromptu speech to Blue Öyster Cult, declaring that Dickinson's stature lends a great deal of weight to his opinion about the cowbell part, and therefore it is Frenkle's duty to give it his all in playing the cowbell. At the climax of the sketch, Dickinson exclaims: "I got a fever. And the only prescription... is more cowbell!" The band agrees to let Frenkle play the cowbell part his way. As the band begins another take, the sketch ends with a freeze frame on Frenkle with the message: "In Memoriam: Gene Frenkle: 1950-2000."The proceeding was copied and pasted from Wikipedia.http://en.wikipedia.org/wiki/More_cowbell