Podcasts about century fox television

Vi er så tæt på 2025, som man næsten kan komme, så det fejrer vi med en lille lynquiz i årets sidste episode. Her kan du duellere mod din kone, mand eller vennerne om æren eller måske sætte en lille præmie på spil. I studiet sidder quizmaster Anders til at føre dig igennem 25 minutters seriequiz, lige før 2025 rammer - på et tidspunkt bliver en vejrmølle også til en vindmølle, men det har Anders først opdaget efter udgivelse. Hvis du først hører quizzen senere end nytårsaften - hvilket der nok er en god chance for - kan du heldigvis stadig gætte med i kategorierne "Serier fra 90'erne", "Serier fra 00'erne", "Serier fra 2010-2023" og "Serier i 2024". Vi høres på åen - og GODT NYTÅR! Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere mennesker i 2024. Yderligere informationer: Citat fra film/serie: Friends (Bright/Kauffman/Crane Productions, Warner Bros. Television, Composer: Michael Skloff), Mad Men (Weiner Bros., Lionsgate Television, Composer: David Carbonara), Ally McBeal (David E. Kelley Productions, 20th Century Fox Television, Composer: Vonda Shepard og Danny Lux), LOST (ABC Studios, Bad Robot, Composer: Michael Giacchino), Desperate Housewives (Cherry Productions, ABC Studios, Composer: Steve Jablonsky og Danny Elfman), Modern Family (20th Century Fox Television, Lloyd-Levitan Productions, Composer: Gabriel Mann), Gilmore Girls (Dorothy Parker Drank Here Productions, Warner Bros. Television, Composer: Sam Phillips), The Office (US) (Reveille Productions, NBC Universal Television, Composer: James Ferguson), Succession (HBO, Gary Sanchez Productions, Composer: Nicholas Britell), Fallout (Kilter Films, Bethesda Game Studios, Amazon Studios).

The visual media of cinema, TV and videogames are especially suited to depicting the strange visions and wonky logic of human dreaming, and the horror genre is especially able to take advantage of this.  Kirsty and Dan discuss some of the best examples, while Stella drops in to make some points, too.   Works Cited   Un Chien Andalou ("An Andalusian Dog") (Les Grande Films Classiques, France 1929, director: Luis Bunuel (co-writer: Salvador Dali) Meshes of the Afternoon (US 1943 silent/1949 with added music, directors: Maya Deren and Alexandr Hackenshmeid, who later changed his name to Alexander Hammid) Eraserhead (AFI Center for Advanced Studies, US 1979, director: David Lynch) Lost Highway (October Films, US 1998, director: David Lynch) Mulholland Drive (Universal Pictures US 2001, director: David Lynch) Rabbits (web series, US 2002, director: David Lynch) Twin Peaks: The Return (Showtime Network Television, US 2017, showrunners: Mark Frost and David Lynch) Jacob's Ladder (Tri-Star Pictures, US 1990, director: Adrian Lyne) Legion (20th Century Fox Television, US 2015-17, showrunner: Noah Hawley) The Big Lebowski (Polygram Filmed Entertainment, US 1998, directors: Joel and Ethan Coen) Dead of Night: The Exorcism (BBC Television, UK 1972, director: Don Taylor) - be sure to watch this before you listen to our Christmas episode, which will be available on Friday 20th to Patreon supporters and on Christmas Eve to everyone else   Artwork by Kirsty Worrow (Instagram: OneCrowLeft).  Music by Greg Hulme.   To hear our next episode early please go to our Patreon page and become a supporter Socials: BlueSky Mastodon Twitter Instagram (also on Threads) Facebook All clips are used in the spirit of Fair Dealing (Commonwealth law) and Fair Use (US law) for the purposes of criticism and education.  No copyright infringement intended. Visit our website, andnowpodcast.com  

Podcast episode 57. An examination of the post-MASH work of McLean Stevenson, who chose to leave the series in 1975. Series considered include The McLean Stevenson Show, In the Beginning, Hello, Larry, Condo, and Dirty Dancing. A look at the extreme popularity of MASH as well as the national mania revolving around the series finale "Goodbye, Farewell, and Amen" is included.  0:00 Intro/Stevenson's early work, MASH 16:50 The McLean Stevenson Show 29:15 In the Beginning 50:05 Hello, Larry 1:48:15 Condo 2:05:43 Dirty Dancing 2:20:50 The end of MASH, retirement and death 2:33:00 Next time on Forgotten TV/credits SUPPORT FORGOTTEN TV ON PATREON! Support Forgotten TV with Paypal Buy Me a Coffee! More at Forgotten TV Amazon links are affiliate, and Forgotten TV earns royalties from qualifying purchases made at no additional cost to you. Please support Forgotten TV while doing your regular Amazon shopping. Original audio clips included are for the purposes of historical context, review, commentary, and criticism only and are not intended to infringe. Sound effects/some music used under license from Epidemic Sound. If you need music for your podcast or YouTube channel, please visit Epidemic Sound.  Forgotten TV is not affiliated with or authorized by any production company or TV network involved in the making of any TV show or film mentioned. MASH is the copyright and property of 20th Century Fox Television and possibly additional rights holders. Copyright 2024 Forgotten TV Media

On Episode 144 of the RETROZEST podcast, Curtis continues and concludes a celebration the 45th Anniversary of the premiere of BATTLESTAR GALACTICA! This show is an American science fiction media franchise created by Glen A. Larson. It began with the original television series in 1978, and was followed by a short-run sequel series (Galactica 1980), a line of book adaptations, original novels, comic books, a board game, video games and a reboot series. Assisting Curtis in this endeavor with an exclusive interview is the composer and conductor of the score for BSG, STU PHILLIPS! Stu and Curtis had a great discussion about the music score for BSG, and the many other aspects of his long career. With Colpix Records, Stu produced high-charting hits for James Darren, Nina Simone, The Skyliners, Shelley Fabares, and The Monkees. He also furnished music for Columbia's television series, including The Donna Reed Show (with Fabares) and The Monkees. In the mid-1960s, he worked for Capitol Records and created, produced and arranged for the easy listening studio orchestra the Hollyridge Strings. In the late 1960s and early 1970s, Phillips continued scoring films and television series including music for the films Beyond the Valley of the Dolls (1970), The Seven Minutes (1971) and the television series Get Christie Love!. In 1974, he began working at Universal Studios scoring television series; Glen A. Larson made extensive use of his compositions. During this time, he scored music for the television series Switch, McCloud, The Hardy Boys/Nancy Drew Mysteries, Quincy M.E. and (of course) Battlestar Galactica. He also composed music for the television series The Amazing Spider-Man. After moving to 20th Century Fox Television, Stu composed music for The Fall Guy and Knight Rider. Be sure and pick up a copy of Stu's autobiography, Stu Who? Forty Years of Navigating the Minefields of the Music Business from his website (autographed) or from Amazon. BTW, If you are looking for a cool BSG Uniform Shirt for a costume, please visit judysemporium.com. They have both Colonial Warrior (beige) and Colonial Officer (blue) replica shirts for less than $40! Incidentally, you may help the RetroZest podcast by purchasing a unique BATTLESTAR GALACTICA T-Shirt or two (many different designs and colors!) from our store at store.retrozest.com/bsg. Browse the entire store at store.retrozest.com/home. You may also help the RetroZest Podcast by purchasing a Celebrity Video Message gift for a friend/family member from CelebVM! Choose from celebrities like Barry Williams, Gary Busey, Ernie Hudson, Robert Fripp, Right Said Fred, etc.! Simply enter their website through our portal store.retrozest.com/celebvm, and shop as you normally would; it's no extra cost to you at all! Contact Curtis at podcast@retrozest.com, or via Facebook, Twitter or Instagram. Also, check us out on TikTok!

Vi har klasket et stort fedt spoilermærkat på denne episode, da vi skal snakke om de mest chokerende dødsfald i TV-serier gennem tiden (eller i hvert fald tiden, mens vi har været i live)! Det bliver nogle melankolske værter, der kniber en lille tåre i ny og næ, når de skal snakke tragedie i Game of Thrones, Mad Men, ER, LOST, How I Met Your Mother og mange flere. Find lommetørklæderne frem! Til din næse! Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere døde karakterer i LOST. Citat fra film/TV i episoden: The Land Before Time (Amblin Entertainment, Sullivan Bluth Studios, Universal Pictures), The Lion King (Walt Disney Pictures, Walt Disney Feature Animation, Buena Vista Pictures Distribution), Angel (Mutant Enemy Productions, Greenwolf Corp, David Greenwalt Productions, Kuzui Enterprises, Sandollar Television, 20th Century Fox Television, The WB), 24 (Imagine Television, Real Time Productions, Teakwood Lane Productions, 20th Century Fox Television, Fox), ER (Constant C Productions, Amblin Television, Warner Bros. Television, NBC), NYPD Blue (Steven Bocho Productions, 20th Century Fox Television, ABC), Beverly Hills, 90210 (Propaganda Films, Spelling Entertainment / Spelling Television, Fox), Game of Thrones (HBO Entertainment, Television 360, Grok! Television, Generator Entertainment, Startling Television, Bighead Littlehead, HBO), LOST (Bad Robot Productions, Touchstone Television, ABC Studios, ABC), Mad Men (Weiner Bros. Productions, Lionsgate Television, AMC Original Productions, AMC), The Walking Dead (Idiot Box Productions, Circle of Confusion, Skybound Entertainment, Valhalla Entertainment, AMC Studios, AMC), Breaking Bad (High Bridge Entertainment, Gran Via Productions, Sony Pictures Television, AMC), Better Call Saul (High Bridge Productions, Crystal Diner, Gran Via Productions, Sony Pictures Television Studios, AMC), How I Met Your Mother (Bays & Thomas Productions, 20th Century Fox Television, CBS), House of Cards (MRC, Trigger Street Productions, Wade/Thomas Productions, Knight Takes King Productions, Netflix)

M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy drama television series that aired on CBS from September 17, 1972 to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The series, which was produced with 20th Century Fox Television for CBS, follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). (straight from the Wikipedia)M*A*S*H is a show that really does it all. It runs the gamut of whimsy (Corporal Klinger and his antics, Hawkeye makes up a Captain and hijinks ensue) to very serious (the whole cast had very weird dreams in one episode about the effects of the war on their minds, Hawkeye and Trapper help a soldier realize that he is horribly racist and needs to get over that real quick and stop being terrible). It is an incredible show that ran for so long and is absolutely worth watching again and again. Even 40 years later, the finale is still the most watched non-live television program, even beating out the OJ verdict.Oh yeah, Boy Meets WorldThe Boys get ready to dive into another episode of Boy Meets World this week as they rewatch "What a Drag." Was it actually a drag? I guess you will have to listen to find out.Also Cameron finally did the math, and Cory bought over 7 million cubic centimeters of cork. No way that is fitting in their apartment.

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 740 awesome, curious, kind, funny, brilliant, generous souls. I have a nice little news recap for you and then I have a great talk with legendary comedy writer Mike Royce! From 1988 to 1999, Royce was a stand-up comedian in New York City. For several years, he was also a warmup comedian for such shows as The Maury Povich Show, Viva Variety, and Spin City. In 1997, he got his first job as a writer on MTV's Apartment 2F, which starred Randy and Jason Sklar. In 1999, Royce joined the writing staff of Everybody Loves Raymond, where he eventually worked his way up to the position of executive producer for the last two seasons. In 2005, Louis C.K. asked Royce to be the executive producer and show runner of a new sitcom, HBO's Lucky Louie.[1] In 2008, TNT ordered a pilot for a new series written by Royce and Ray Romano.[5] By January 2009, TNT had ordered 10 episodes for the new series Men of a Certain Age, which premiered on Monday December 7, 2009 at 10:00.TNT picked up Men of a Certain Age for a second season as the ratings have increased with men in the age demographic of 25 to 54. On July 15, 2011, TNT cancelled the series after two seasons. In 2017, One Day at a Time premiered on Netflix starring Justina Machado and Rita Moreno. A reimagining of the 1975 Norman Lear sitcom, Royce co-created the 2017 version with Gloria Calderon Kellett. He is executive producer and co-showrunner of the series, alongside Ms. Kellett. In 2011, Mike Royce and his Snowpants Productions company signed a deal with 20th Century Fox Television. He produced two shows for his Fox deal, 1600 Pennand Enlisted. It later joined Sony Pictures in an overall deal and developed a failed CBS pilot. Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page  

Today on the show we have the showrunning writing duo of Dan Hernandez and Benji Samit. They are responsible for bring iconic character Pikachu to the big screen. The film starred Ryan Reynolds.Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim, to find out what happened. Aiding in the investigation is Harry's former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu. Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.Easily one of my favorite projects they worked on is the Netflix show One Day at a Time. On that project they got to work with the television living legend Norman Lear.This comedy-drama is inspired by Norman Lear's 1975 series of the same name. This time around, the series follows the life of Penelope, a newly single Army veteran, and her Cuban-American family, as they navigate the ups and downs of life. Now a nurse, Penelope is raising two strong-willed children.When faced with challenges, Penelope turns to her "old-school" mother, and her building manager, who has become an invaluable confidant. The series offers a contemporary take on what life looks like in both good and bad times, and how loved ones can help make it all worthwhile.On television, Hernandez and Samit have written for, The Tick, Super Fun Night and 1600 Penn. They were named in Paste Magazine's list of the top 28 comedy writers of 2018. In 2019, Samit and Hernandez signed a long-term deal with 20th Century Fox Television to develop, write and produce animated and live-action seriesWe discussed how they got their big break, how they approach the craft, the world of the writer's room and much more.Enjoy my conversation with Dan Hernandez and Benji Samit.

"Eine" Lieblingsserie? Nein, tatsächlich ist DIE Lieblingsserie von Tim, der dies vor kurzem in Mastodon der Welt kundtat. Und siehe, er erhielt Antwort von Gregor - ebenfalls Boston Legal Fan. Wenn zwei Podcaster feststellen, dass sie etwas lieben, müssen sie darüber sprechen. Und so wurde die Serienrep als geeignete Plattform identifiziert und dieser Podcast entstand. David E. Kelley Ihm verdanken wir nicht nur großartige Serien wie Picket Fences - Tatort Gartenzaun, Practice die Anwälte oder Ally McBeal sondern auch eben Boston Legal. Man erkennt seinen Stil direkt: Intelligent, voller Humor aber auch Ernsthaftigkeit, Skurilität und stets mit einem aktuellen Bezug auf den jeweiligen Zustand der amerikanischen Gesellschaft. In Practice die Anwälte findet Boston Legal übrigens seinen Anfang. In der letzten Folge lernen sich Denny und Alan kennen. Denny Cran Kongenial verkörpert von William Shatner ist dieser Namenspartner und 7-malige Ehemann der exklusiven Bostoner Anwaltskanzlei Cran, Poole & Schmidt der unangefochtene Star der Show. Sein Markenzeichen: DENNY CRANE - Sein Name, den er zu jedem passenden und unpassenden Anlass skandiert. Alternd, zehrend vom Ruhm vergangener Zeiten und stets auf der Kippe in den Rinderwahn aber der beste Freund von Alan Shore der von James Spader dargestellt wird. Viele kennen ihn vermutlich hauptsächlich aus der Serie Blacklist (in der er die Hauptrolle spielt) oder von einer seiner ersten Rollen als Dr. Daniel Jackson im ersten Stargate Film. Seine Rolle ist der genial argumentierende Stratege, Menschen- und Frauenfreund. Wohl der genialste Anwalt in der Kanzlei und ohne Scheu vor den schwierigen oder schlüpfrigen Fällen. Die Kanzlei Freundlich gesagt: Das Heim für ehemalige Star Trek Darsteller. Zynischer: Hier ist der Wahnsinn zuhause. Es gibt wirklich alle Arten von schrulligen Typen, die sich hier ein Stelldichein geben. Aspergergesteuerter Finanzrechtler, ehemaliger Soldat (der "Ken" der Kanzlei), Eiskalte Karriere Anwältinnen und alle angeführt von Seniorpartnerin Shirley Schmidt inszeniert von Candice Bergen. Denny und Alan lieben sie, wir lieben sie, alle anderen respektieren sie für ihren scharfen Intellekt und ihre trocken humorige Art. Vergleichbar in ihrem Charakter mit Diane Lockhart (Christine Baranski) aus der Serie The good fight. Als später ihr aktueller Lebensgefährte Carl Sack (John Laroquette) zur Serie dazu stößt, bekommt Boston Legal wie stets wenn neue Charaktere hinzu kommen einen ganz neuen Drive der die Spannung von der ersten bis zur letzten Episode stets auf dem Höhepunkt hält. Die Richter Im Laufe ihrer 5 Staffeln haben die Crane, Poole & Schmidt Anwälte mit sehr vielen unterschiedlichen Richtern zu tun. In der letzten Folge sogar mit einem inszenierten Supreme Court (vor dem Alan die beste Rede seiner gesamten Karriere für die gute Sache hält). Aber die Richter sind noch einmal besonders interessant. Sie sind immer überzeichnet, oft reaktionär oder schrullig. Der 70jährige Gestrenge, der immer noch Jungfrau ist, der 70er Typ der nicht sitzen sondern während der Verhandlung herumlaufen will oder der von Armin Shimerman dargestellte Richter Hooperman, der mit Seniorpartner Paul Lewiston (Rene Auberjonois) eine gemeinsame Vergangenheit hat und im Richterzimmer ein Gespräch führt, dass die beiden Rollen in denen die beiden Darsteller in der Vergangenheit oft aufeinander trafen, erinnern lässt: Odo gegen Quark in Star Trek Deep Space Nine. Fazit Die Serie kann man wirklich immer wieder sehen. Es gibt niemanden, der von ihr ablässt, wenn er einmal angefangen hat. Unser Tipp (ohne Afiliate oder Sponsoring) schaut direkt rein bei Disney+ oder besorgt euch die DVD (leider kein Blu Ray) Box bei Amazon. Und schaut doch mal auf https://cranepooleandschmidt.com Boston Legal : 20th Century Fox Television, David E. Kelley Productions - © Twentieth Century Fox Film Corporation. All rights reserved.

“I saw what he did to Katie and was scared he'd do it to me” -- On one of the last nights of 1999, Krystal is tucking herself into bed after a fun sleepover with her best friend Katie, but they are suddenly woken up by a window creaking open. As Krystal opens her eyes, a man holds a knife to Katie's neck near the edge of the bunk bed. From that moment on, two things are on Krystal's mind: surviving through the night, and making sure serial killer Tommy Lynn Sells is brought to justice. Footage from: Live To Tell 48 Hours (MMX CBS Broadcasting Inc.), America's Most Wanted (20th Century Fox Television), Most Evil (MMVI Discovery Communication Inc.), The Mind of a Psychopath (ABC News Nightline)

Indy relives the 90's with the sitcom Fresh Off The Boat, Samantha reviews the murder-mystery The Club by Ellery Lloyd, and we preview the 1922 classic of the silent cinema, Nosferatu! There are 197ish countries. Watch Nosferatu here: https://www.youtube.com/watch?v=dCT1YUtNOA8&ab_channel=BestClassics   Fresh Off the Boat is an American sitcom television series created by Nahnatchka Khan and produced by 20th Century Fox Television for ABC. It is loosely inspired by the life of chef and food personality Eddie Huang and his 2013 autobiography of the same name. Huang also executive produced the series and narrated its first season. Depicting the life of a Taiwanese-American family in Florida in the 1990s, the series stars Randall Park, Constance Wu, Hudson Yang, Forrest Wheeler, Ian Chen, and Lucille Soong as the Huang family as well as Chelsey Crisp and Ray Wise portraying the family's next-door neighbors. The series premiered its first two episodes on ABC in February 2015 to positive critical reception, becoming the first network television sitcom in the U.S. to feature a family of Asian Americans as main characters in over 20 years. Prior to its second season, the series went through a retooling, which included Huang's departure as narrator. It received accolades as well as nominations for major awards, such as Critics' Choice Television Award and NAACP Image Award nominations. After becoming the first series featuring an all Asian American main cast to broadcast over 100 episodes, it concluded in February 2020 after six seasons. The Club by Ellery Lloyd: https://www.ellerylloyd.com/ I Love This You Should Too is hosted by Samantha & Indy Randhawa. We are Members of the Alberta Podcast Network.

How I Met Your Mother (often abbreviated as HIMYM) is an American sitcom, created by Craig Thomas and Carter Bays for CBS. The series, which aired from September 19, 2005 to March 31, 2014, follows the main character, Ted Mosby, and his group of friends in New York City's Manhattan. As a framing device, Ted, in 2030, recounts to his son, Luke, and daughter, Penny, the events from September 2005 to May 2013 that led him to meet their mother. How I Met Your Mother is a joint production by Bays & Thomas Productions and 20th Century Fox Television and syndicated by 20th Television (now Disney-ABC Domestic Television). The series was loosely inspired by Thomas and Bays' friendship when they both lived in New York.[1] The vast majority of episodes were directed by Pamela Fryman, who directed 196 episodes out of 208. The other directors were Rob Greenberg (7 episodes), Michael Shea (4 episodes), and Neil Patrick Harris (1 episode). Twitter Instagram Mack's channel Intro music by Dan Mason

Glædelig Jul! I denne sidste episode før nytår kigger vi på 2022 i streamingens verden - vores egen Golden Globes om man vil! Det er der kommet en to-parter ud af, og i første del er 'Årets Skuffelse', 'Årets Streaminghøjdepunkt', 'Årets Overraskelse' og 'Årets Peter-Anekdote' i vælten - samt 'Årets Film', men det har godt nok været et magert år på dét punkt. PS. Vi har en smule lydproblemer i denne og den efterfølgende episode - håber, I vil bære over med os. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere Peter-anekdoter. Yderligere informationer Citat fra film/serie: The Book of Boba Fett (Lucasfilm, Golem Creations, Disney Platform Distribution,  Disney+), Lord of the Rings: The Rings of Power (Amazon Studios, New Line Cinema, Amazon Prime Video), Salsa (P3, DR Drama - skaber: Jonas Risvig og Denise Kræmer), Euphoria (HBO Entertainment, The Reasonable Bunch, A24, Little Lamb, DreamCrew, ADD Content Agency, HOT, TEDY Productions, Warner Bros. Domestic Television Distribution, HBO), NYPD Blue (Steven Bochco Productions, 20th Century Fox Television, 20th Television, ABC), Spy X Family (Wit Studio, CloverWorks, Crunchy Roll, Muse Communication, TV Tokyo).

What is Christmas really about? Television of course. To close out 2022 we talk about some of the most iconic Christmas episodes of our favourite shows. From turning on the lights on Candy Cane Lane to Holiday Armadillos this episode has it all. Merry Christmas everyone. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.  Non-profit, educational or personal use tips the balance in favor of fair use. 'New Girl'-'The 23rd' clip is property of Meriweather Producstions, Elizabeth Meriweather Pictures, American Nitwits, Cherin Entertainment & 20th Century Fox Television. 'Glee'-'A Very Glee Christmas' clip is property of Brad Falchuk Teley-Vision, Ryan Murphy Productions, 20th Century Fox Television, 20th Television & Fox. 'Bobs Burgers'-'Christmas in the Car' clip is property of Wilo Productions, Buck & Millie Productions, 20th Television & Fox. 'Modern Family'-'Undeck the Halls' clip is property of Lloyd Levitan Productions, Picador Productions, Steven Levitan Productions, 20th Century Fox Television, ABC & Walt Disney Studios. 'That's So Raven'-'Escape Claus' clip is property of Brookwell McNamara Entertainment, Buena Vista Television & Disney Channel. 'Friends'-'The One with the Holiday Armadillo' clip is property of Bright/Kauffman/Crane Productions, Warner Bros. Television & NBC. 'Gilmore Girls'-'The Bracebridge Dinner' clip is property of Dorothy Parker Drank Productions, Hofflund/Polone & Warner Bros. Television. 'The Simpsons'-'Marge Be Not Proud' clip is property of Gracie Films, 20th Television & Fox. 'The Big Bang Theory'-'The Bath Item Gift Hypothesis' clip is property of Chuck Lorre Productions, Warner Bros. Television, Warner Bros. Television Distribution & CBS.

Greg Thompson is a writer-producer known for Bob's Burgers, Glenn Martin D.D.S., and King of The Hill.Greg Thompson on IMDB: https://www.imdb.com/name/nm0860188/Greg Thompson on Twitter: https://twitter.com/gregthompMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptionsGreg Thompson:Try to pay attention to the voices of the show. Know the show. Watch, watch every episode. Um, you know, when we were hired on King of the Hill, I, I'd watched King of the Hill, but I hadn't seen everything. But, you know, I methodically started plowing through hundreds of episodes at that point. I think maybe 200 episodes had happened by the time we, we joined it. So, and that's just kind of an education and you internalize the voices of the characters and, and it, it helps you. It helps you know what to pitch. You'reMichael Jamin:Listening to Screenwriters. Need to Hear This with Michael Jen.Hey everyone. Welcome to Screenwriters. Need to hear this. I'm Michael Jamin and I got another special guest today. This is my old friend. I'm gonna, this is my friend Greg Thompson, and I'm gonna give you a proper introduction, Greg. So sit down, just relax. Let me just talk to the people for a second. Um, so Greg is a very successful TV writer and he started on bunk, a show called Bunk Bread Brothers. We're gonna run through some of, through some of the credits. I'm heard of Bunk Bread Brothers, then fired up, which was interesting. This was the heyday of nbc. This was when, uh, the character she lived instead of a clock. She was, she was a church mouse, wasn't she? GregGreg Thompson:. Yeah, she was a church MassMichael Jamin:WhoGreg Thompson:Is second, second season. She moved into a shoe, uh,Michael Jamin:.Greg Thompson:It was Sharon Lawrence with, uh, Leah Remedy.Michael Jamin:Ah, Sharon Lawrence with Leah Remedy. This was back in the heyday of NBC shows like, uh, musty tv. And then a show called, I'm gonna run through some of your credits. Maggie, big Wolf on campus, then one of your bigger credits. 30, uh, third Rock from the Sun. Great show, then Grounded for Life. Another great show. Everyone hates Chris. Everybody hates Chris. Everybody hates Chris. Another great show. I'm in Hell. We're gonna talk about that. King of the Hill. You were there for many years. Glen Martin, dds. I never heard of that one, but I was involved in it. then Now, most recently you were writer, what are you executive, co-executive producer on Bob's Bergs.Greg Thompson:So I, I'm, I'm down to consulting producer. Technically I was we'll talk, I was co exec. I was actually executive, I was actually executive producer to be, to be most technical. Well, yeah, we all got promoted up to executive producer after aMichael Jamin:Certain And what happened? Why did you get bounced down to co exec? I mean, a consulting producer.Greg Thompson:I decided to rank fewer, fewer days a week. So I, I've, I've, am I, do you still want me on the show?Michael Jamin:Yeah, I'm, now I'm jealous of you. How many days a week are you working?Greg Thompson:I only work two days.Michael Jamin:Oh. And of those two days, how many days are you really working? ?Greg Thompson:I don't know. Probably four. Cuz it filters into other days andMichael Jamin:Yeah,Greg Thompson:It does over it also. Yeah.Michael Jamin:We're gonna talk about that. But I wanna get into the beginning, Greg. Cause I, I, I, so we met in the Warner Brothers Writers Program, writers workshop, or whatever it was called. Yeah, we did. And you were, were supposed to be you and your partner. Our Abrams were supposed to be the competition that me and Seavert were facing. And, but very quickly we realized we weren't, we weren't gonna, we weren't gonna make good enemies, friends and love.But, but I gotta say, Greg, you've always been, and I know I've never, probably never said this to you personally, but you were, it may seem odd since we don't talk that often, but you were definitely one of my closer friends, closest friends in the industry, because I always feel like I, I feel like we're not in competition. I can always be, I can confide in you to tell you what's going on with my career. I never feel like I'm gonna get stabbed in the back. You always got my back. I got your back. So you, you've always been a great friend. And that's why as I thank, thank you for doing the show and helping everyone Oh, tell your story.Greg Thompson:You're, you're very welcome. You, of course, it's of course it's mutual. Um, and I'll just say at the Radcliffe or at the, uh, pardon me, the Writer's Warner Brothers Writer's Workshop, um, I was, uh, so intimidated by you and Seavert. I, uh, you like you, we were kind of sited. We were seated in kind of a big o and you were, you guys were like across the room and you already, you already had credit. You had a credit on Lois and Clark, which was like, you know, incredibly impressive. We didn't have credits.Michael Jamin:That's what you were, that's what you're, because there was no other reason to be intimidated by us. So we never said anything like, IGreg Thompson:Think, I don't know, you just, you looked, you looked the right part. Sea had this kind of scowl on his face all the time, which, which was very untrue to his personality. But he just looked, uh, super serious. Like, like heMichael Jamin:WasGreg Thompson:Interesting figuring it all out.Michael Jamin:Turns out neither of us. It was a prestigious program. And, and it didn't help either of us. It didn't help. It definitely didn't help. But it didn't help you did itGreg Thompson:Other than Well, it, it did get us, it did lead us to an agent, which then, which then led us to our first job. So it actually did help us, even though the Warner Brothers, the studio was not interested in hiring us,Michael Jamin:Right? So after,Greg Thompson:After watching us work,Michael Jamin:As I tell our audience to catch 'em up, um, so yeah, we worked together. So we never worked together. We were just, we became friends on that. And then later, then later we shared a bungalow. We both had overall deals at CBS Radford. And so we shared a bungalow. We'd have lunch together. Remember we'd hang out in your office and just talk about ideas. Bounce Yeah. Each other that think an overall deal's great. That was fun. And then later was, no, king Hill was before that.Greg Thompson:King Hill was beforeMichael Jamin:That. Right? And then later Radford, our overall deal. Then later we hired you guys on, on Glen Martin. And you guys saved our butts. You and your partner Aaron, saved our butts. And then how did I Thank you. I almost, I almost thanked you by destroying your career. . I only remember you guys, you guys came in, was it, it was season two, right? Of Glen Martin.Greg Thompson:Yeah. Season two. Yeah.Michael Jamin:We, we brought you in. We had the money. We wanted very, we wanted season writers. And you guys came in, you always delivered great drafts, which is, is, I always say, this is all you want from a writer. Can you turn in a good draft? And you guys always did. And then there was talk of spinning off Glen Martin to a spinoff. And I remember we were like, Hey, we'll do this show. And then you could run the other show or which one, one or the other you guys could run. And you're like, eh, we got this other offer to go to this cartoon called Bob's Burgers. You don't wanna go to Bob's Burgers,Greg Thompson:,Michael Jamin:You wanna stay here? . And then, and thank God you took that offer, cuz I would've felt terrible like ruining your career. Cause that they spinoff never happened. . And then Glen Martin was canceled and it jumped off just in time to go to,Greg Thompson:There was an idea that Glen Martin was gonna jump to Fox or something, andMichael Jamin:There was a lot of lies floating .Greg Thompson:Yeah. It was probably Michael Eisner was planning these thoughts.Michael Jamin:Um, right. I forgot Fox. Fox didn't, Fox had no, had no knowledge of that. They weren't on Greg Thompson:. But, uh, yeah. But yeah, I think we all thought the puppet animation genre was gonna explode. And, and I have to say, it's really funny. It's still, when I look at, I've dug up some old Glen Martin's. It is really funny. I mean, it is, it was an underrated show under watched certainly, but also underrated.Michael Jamin:Yeah. Yeah. It was, we did some good stuff. You guys wrote some great episodes. But then, so you got the offer because Bob's Burgers co-create by Jim Dore. We both work with on King of the Hill. So he reached out to you guys. How did you have this Bob about, and why didn't he reach out to us? ?Greg Thompson:I didn't probably You were working. You, you're busy. Um, weMichael Jamin:Were busyGreg Thompson:Developed by Jim DotR. I should make sure I say that properly. Created by Lauren Bouchard, developed by Jim DotR. Um, yeah, he was just staffing up. And actually he, he had hired two other guys, uh, before us. And then there, um, and gosh, I'm blanking blanket on their names. Sorry. Um, but they had a pilot going, and their pilot got picked up to production. So they had to drop out of Bob's burger's mm-hmm. . And, and then that opened up a slot and Jim, Jim called us to, to come interview for it. And we saw the That's been, and, and you guys, you guys let us out of our Glen Martin deal early by the way. You, you did us a favor that not everybody would've done.Michael Jamin:That's that is true. Now some people wouldn't. But, but I think most,Greg Thompson:I most, I think most would good, good people would,Michael Jamin:Good people let you out. Our contract. Um, and so, and how many that was 2008, you've been on that? Oh, no,Greg Thompson:That was 2000, 2010. We went over there, 10, I think we, we went over to Glen Martin. We were there for actually second half of the first season through most of the second season.Michael Jamin:Oh, that's what it wasGreg Thompson:Like Glen Martin. Yeah. So I think we wrote It'sMichael Jamin:A amazing song. You've been on Bob's Burgers. It's crazy. Like that's, that's job security.Greg Thompson:Yeah, I was thinking, yeah, it's, it's 12 over 12 years now. And I, I'm wearing, um, I'm wearing the first piece of swag we ever got on Bob's. I don't know if it's visible on camera or not. This, this, uh, old hoodie, which is now just in taters. It's 12 years old. AndMichael Jamin:Do you, is it hard coming up with stories that at the, for 12 years?Greg Thompson:Yes. Yes. Very hard. Um, also because unlike The Simpsons, which is kind of branched off into the peripheral characters, they'll do a episode about APU or whatever they used to. Anyway. Um, Bob's stays with the, the family. Right. And, and doMichael Jamin:You, how, how does the musical numbers work? How do you guys produce, you know, how do you write and produce that?Greg Thompson:Uh, well, I, Lauren is extremely musical. Lauren Bouchard very musical. So he always had, you know, a big interest in that. And he can, he can write and play. And then there are, you know, there are, uh, musical people, you know, uh, uh, on the show.Michael Jamin:Who writing the lyrics for that? Do you write some script or what?Greg Thompson:Well, we do, yeah. Yeah. Most of the writers will write some lyrics. I've written. Yeah, I've written some lyrics. And that's, you know, don't write the music occasionally. You might like take a stab at a tune for something silly, but yeah. And that's, that's like, and that's, that's like funMichael Jamin:For the music as wellGreg Thompson:Then. Yeah. Yeah. You do like the, um, yeah, we're like members of ASCAP or BMI or something. Yeah. And, um, yeah, there's actually been, um, two Bobs Burgers record albums that have come out. Didn't that sub pop?Michael Jamin:Were you with the movie as well,Greg Thompson:Though? Yeah, I mean, to a limited degree. It was, the movie was, was really written by, by Lauren and Nora Smith, who's also the, you know, his number two, she's also Show Runner. Um, and then, but all the other writers pitched in on Story and, and jokes and, you know, we looked at lots of cuts. And so we, we were, we were part of it. Uh, we're, we have credit, but, um, but they did the, uh, heavy lifting for sure.Michael Jamin:And, you know, you're kind of like the last writer, Guild of America. Cartoon , one of the last, right. I mean, you're covered by the writer Guild, right? It's not ascap. I mean, notGreg Thompson:Yeah, yeah, yeah. It's, it's a, yeah, it's a, it's a writer's guilded show. Yeah. And I guess, like, I don't know, not to tell Tales Outta School. I think Disney is still trying to, you know, put shows on the air on, you know, Disney now owns 20th Century Fox Television. Um, still try to get, you know, II covered shows, which that's a, a guild with fewer, bene fewer benefits for your, your viewers.Michael Jamin:It's nonstarter now. It's like, it's, I, it's, it's the animation.Greg Thompson:Oh, is it really? Yeah. Okay. Things are tough. Okay. I didn't realize that.Michael Jamin:How did you, now you didn't start you, what was your career for the, for people who are listening, what was your career before you got into writing? I'll start from theGreg Thompson:Beginning. Um,Michael Jamin:Year was 1948.Greg Thompson:. I was, I was 12. The, uh, that wasThe, I I would just say in brief that like, I always loved television growing up. I loved movies and television. Uh, and I, I became a writing major in college, uh, creative writing major, which wasn't, wasn't a good idea. Uh, but at all that time, it never occurred to me that there were people that wrote television . I never looked at the credits. And so it never occurred to me that there would be a career doing screenwriting. Um, and so after I got outta college, I went into, I moved to New York and I got into, uh, book publishing and was a, worked in marketing for a few different publishers. Uh, book and magazine publishing. And that was go, that was my career. That was what I was doing. I was gonna be kind of a business person. And, you know, in, I wore a suit, uh, took the subway.Um, and then I went to business school to get an MBA thinking, well, that's the next step of my, my, uh, tremendous business career. And that brought me out to LA afterwards to work at the LA Times. Um, and, uh, uh, Aaron Abrams. So you bet you, before my friend, uh, had split up with his wife, he'd moved out to LA to be a screenwriter, and then his marriage had blown up. Um, so he had an empty bedroom. And I moved in with him to begin my job at the LA Times. And Aaron was trying to be a screenwriter. And so for the,Michael Jamin:From college,Greg Thompson:Uh, yeah, we kind of, we did an equivalent of the, uh, we, we did a little, uh, summer school publishing bootcamp kind of thing. Um, interesting. One summer after college, like a six week program, a little like the, the sitcom writing workshop in a way, but for people interested in publishing. Um, and so just like a summer school thing. So I met him doing that. We, we hit it off. We had, you know, kind of this instant, instant rapport. Um, and, uh, I thought he was hilarious and everything. And so I wasn't surprised when he eventually decided that he was gonna try to be a screenwriter. So then I move into the, I move into his, uh, terrible, messy apartment. Um, and, and I see like he is got a bunch of scripts. I'd never seen a script before. Uh, you know, it's kind of, it was pre-internet.You couldn't like, download scripts. It's like, oh, wow, this is weird. So that led me to reading scripts, talking to Aaron about what he was doing. Uh, you know, he very generously would ask me to read things he was working on and ask if I had any ideas or thoughts. Uh, and, and then, and then, and then Aaron suggested we were, we were having some conversation about the, uh, actually the NFL player's strike, uh, of the eighties. And he said, I always thought that would be an interesting movie. Um, so, uh, then he said, do you wanna try to write a movie about that with me? So together, we basically hammered out this, um, comedy that did not become the, was it a Keanu Reeves movie, but was The Replacements. Ours was called Substitute Heroes. And it was much like The Replacements. And, and that was the first thing we wrote together. And that ended up, um, we ended up selling that for a guild minimum to some place.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you, and it's absolutely free. Just go to michael jamin.com/watchlist.Greg Thompson:The substitution Heroes, where did you sell it? Football comedy. Yeah.Michael Jamin:AndGreg Thompson:Where did you want? And it ended up selling to like, uh, some producers for Guild minimum, um, low budget minimum, which was I think like $26,000 or something like that. Or maybe, maybe more. Uh, but that was, I, you know, obviously that would be thrilling even now to sell a movie for, you know, a little bit of money. So it was very thrilling to, to me and, um, and Aaron. And so, and then at the same time, like I'm working my LA Times job, and I wasn't enjoying that a ton. You know, I was in like this, I don't know, weird little group called Market Planning. And we'd do these like analyses of like Orange County advertising market and stuff that no one would ever look at. Um, and, uh, and the LA Times was a place, I always remember this. They would do casual Friday, one day a month.So you had to, you had to remember what Friday remember? Casual. Casual. That was before we were casual all the time. Yeah. Right. So you had to remember what Friday of the month was, casual Friday. So you could not wear your suit. Um, and then for our, uh, Christmas party, we had a, like an annual Christmas party. You'd have to come in an hour early that morning. And the, the Christmas party would be like, between the hours of 7:00 AM and 8:00 AM , or 8:00 AM and 9:00 AM I, I forget when work started , at least in my department, that's,Michael Jamin:You have to get up to your party. Some party.Greg Thompson:It wasn't . Yeah, no, it wasn't, it wasn't festiveMichael Jamin:.Greg Thompson:So it was that there was that kind of, it was that kind of play. So meanwhile, you know, then I'm like, you know, thinking, oh, well this, this screenwriting thing's working out great. I'll do that instead. Um, you know, and I think, you know, like, you know, we are getting a lot of meetings and I think, you know, in Hollywood, like a meeting sounds exciting. Yeah. It'll almost inevitably lead to nothing. But still for a moment you feel like, you know, you're driving on a lot, you have a pass, they're waiting for you, you sit down, someone brings you out water, you feel important. And, and it's, the people you're meeting with are almost always just filling their schedule to feel important. Yes. So you go in there and together, all of you feel important, and then you leave. ItMichael Jamin:Sounds like you're, you've listened to my podcast. Cause I've said these words many times.Greg Thompson:OhMichael Jamin:Yes, go important, but go on. Right. Then go. What happened?Greg Thompson:Uh, so then, um, I, I remember Aaron was like, he had this, um, he played like beach volleyball, uh, in this like league or something like that, even though he was terrible. ButMichael Jamin:I don't, I don't believe that part of his story,Greg Thompson:But, well, I'll say he was on a beach volleyball team. Whether you could describe it as playing, I don't know. But I think he was trying to beat girls. And so, but he, but there were a couple like TV writers in his, in the beach volleyball group, and he said, these guys are all doing great. They all have like, big houses. Uh, they're so successful. We should like, let's forget movies. Let's try to write television. So we started working on, uh, some spec scripts, as you know, I'm sure you've probably talked about that at different times. And, uh, you know, we wrote an Ellen, you know, and a spec is your sample to get hired onto a show. We wrote an Ellen that I thought was great, uh, that I still remember what it was about. It was about Ellen dates her assertiveness instructor and then can't break up with him because she's not assertive enough. Which,Michael Jamin:Funny.Greg Thompson:Well, well, for one thing, I, I don't know if there is such a thing as an assertive assertiveness instructor , I think it felt, it felt right to us in 1994 or so. Um, but, you know, but we thought, okay, we've nailed it. We've written one spec, now we're gonna, now our career will begin in television. And everybody hated it. And I mean, you've probably experienced this, or people experienced people who've felt this way. They fall in love with their spec. They think their spec is great. It's really the, the first spec they've written. And they become very, very attached to it. Not attached to every part of it. Every, every element. They're not receptive to notes. And I, I think I was certainly that way about this, this one, but the, uh, the feedback was so uniformly negative. It was like, okay, well let's , I think we have to write another one. So we wrote a Larry Sanders uhhuh, uh, a Larry Sanders spec, which went much better. It was just a much better show for us. It was more in our sensibility. It was. So, uh, that's the one that, uh, we ended up using to get into the, uh, Warner Brothers sitcom writing workshop.Michael Jamin:Yeah. And that, the rest, now Aaron, Aaron Abras was this, you know, we were both friends. One of the sweetest guys you ever met. And then he tragically died halfway through your career. And then I remember, I mean, it was just awful, but I remember either calling you or writing to you, and I was like, listen, cuz you had to reinvent your career at that point. You were, you had a writing partner that you relied on and you bounced things off. And then you had to become a solo writer. And I remember reaching out to you saying, listen, if, like, if you wanna, if you might need to write new samples, if you want help breaking a story or anything, like just call me receiver. Well, happy. But, but you never did. What wasGreg Thompson:That like? I re I re I I, I, I do remember that, and I still grateful for that. Uh, but you and Stever both reached out and were were terrific during that time. Um, it was, it was fortunate for me that I was on Bob's burgers. We had done, Aaron and I had done a season on Bob's, so, uh, it hadn't even aired yet. Um, but it was, I'm trying to think when it got it. Season two order, I guess it didn't get that until it had aired for a few, a few weeks. Um, once Bob's began airing and the show got picked up for another season, which was a little nip and tuck, cuz the ratings were a little, um, or touch and go rather, uh, uh, the Lauren and Jim offered me, you know, the opportunity to come back as a solo writer. Uh, so I, I did not have to produce those other specs. I did have to write a pilot that Aaron and I had been contracted to write. So I had to, I did have to finish the pilot. We'd outlined it, but we hadn't written it yet. And, um, I had to, I had to write it. But when you, that was, so that was the first thing I wrote.Michael Jamin:And was it like, even now, do you hear his voice? Like, do you think, what would Aaron do here? Or, or are you like, you know, now this is, are you, you know, areGreg Thompson:You Yeah, no, I I I, I still totally do. Uh, I mean, he was, he's such a funny guy and, you know, it was, you know, he used to say like, you know, the, unfortunately the funny person of the writing team died. So the, the, the guy who's like, does little, I don't even know what my specialty was, kind of doing things Aaron did, but a little less well founded. Uh, and, um, but yeah, no, I'll, I'll sometimes if I'm, if I'm writing and if a, a joke will occur to me, and I'll think that is an Aaron kind of joke, right. You know, that that's, that's his sensibility. So as much as I can cha uh, channel, uh, Aaron's voice, I, I I try to, um, he was, you know, just a unique voice.Michael Jamin:I imagine it would be honestly be a little paralyzing that first, at least the first couple of scripts you're like, I'm, I'm, I'm flying solo here.Greg Thompson:Yeah. Uh, and I, you know, I don't know how it is with you and Seaver, I think, you know, you, you do work separately at times. I know. Um, but, uh, every, everything Aaron and I had written, we'd written together in the same room. You know, we might go off and work on a scene by ourselves for a while and then share it, but mostly it was like kind of taking turns at a keyboard while the other guy was there in the room. Yeah. Uh, looking, you know, looking over the shoulder. So it was, uh, it was, you know, a pretty, um, uh, uh, close writing situation. So yeah, I just, um, I, I, I would do a couple tricks of, I would, I remember the, when I was writing the pilot, uh, it was like, okay, I'm gonna write the scenes that I think are easier to write first.Mm-hmm. . And so I wrote scenes out of order just to make progress. Right. Uh, and so then when you make a little progress, you begin to feel better, you begin to feel more confident. Um, right. And, and I also, and I still do this, I'll, I'll write a scene maybe with some, some of the dialogue at all caps, which is my way of saying this is not the dialogue. This is an approximation of what has to be said here in this moment. Uh, just to get through it, just to get through it so I don't get stuck. Um, yeah. Uh, because yeah, I mean, Erin and I would, we'd, we would try to do as little rewriting as possible, just maybe outta laziness. So we would kind of get a lot of consensus on everything before we wrote, uh, or as, you know, as we worked our way down the page. But as a, as a solo writer, I just couldn't do that. It was like, Nope, I'm, I'm gonna have to do more revisions, I'll have to do more passes. Um mm-hmm. . So that's what, that's what I started doing.Michael Jamin:And now does it just feel comfortable on your own or, you know, I, it's interesting,Greg Thompson:You know, I know it, it, it does and it doesn't, it always feels a little in like, you know, right now I'm, you know, trying to come up with story ideas to write one and looking at the calendar and looking at how much time I have, and I think, oh God, am I gonna have enough time to break it? And, uh, you know, holidays are coming up that's gonna cut into time. Uh, so I, I always have a little bit of panic, and I think I'm known for this on the show of being fairly neurotic about scripts, worried I won't put it together. Uh, cuz you know, there's so many, so many, Michael, you know, there's so many jokes in the script, it's like several hundred by the time you're done. And it's like, oh, how will I think of all those jokes?Michael Jamin:It's that, that's the part that's intimidating to me. It's the getting the story out. Well,Greg Thompson:Yeah, no, I mean, the story, you know, obviously the most important part. Um, but, you know, every element is hard. And so it's whatMichael Jamin:Now how mu like how is it run, how is it differently working on Bob's workers than it was either at Glen Martin or Kim King of the Hill for you? You know, the process.Greg Thompson:Uh, I'd say Bob's Berger's, it's much more, uh, you kind of become your own little executive producer of your episode all the way through production, you know, and basically, most of the times you will be coming up with the idea of your episode. You will be pitching it, you will be running the room, uh mm-hmm. as you, you know, put, uh, break the story. Uh, you know, then you're updating, you know, Lauren, the, and Laura, the showrunners. But you're, it's, it's kind of on you. It's, it's not, it's not like, and there will be people breaking stories simultaneously, which I guess was what we had at King of the Hill too. Yeah. Uh, a a few small rooms, um, but it isn't like probably most of television today still where it's everybody around a table, the whole staff breaking one story at a time. Right. With, you know, walking through the beats on a, on a board, kind of assembling it all, everybody, the staff, everybody together. It's, it's more individual. Uh, you, you, we kind of have more rope to, you know, make magic or get in trouble.Michael Jamin:And now you're doing, you're consulting, which is so interesting, just a couple days a week. Um, yeah. What, how's that for you working out? Everyone talks about what?Greg Thompson:It's,Michael Jamin:It'sGreg Thompson:Perfect. It's simultaneous with, it's simultaneous with C so it's, it's, it's hard to separate the two in a way. So it's, so far it's been people are beginning to come back to the office, but for the last two and a half years, it's been all Zoom.Michael Jamin:Yeah. Uh,Greg Thompson:And uh, I would say like, if I didn't have to like write scripts occasionally, it would be fent it would be so easy. I mean, not easy, but, but it's always like, you know, if you could sit back and give people pitches on their episode all day, and it's like, well, here's my idea. If it works, terrific. If it doesn't work, well , you know, it's not my problem. It it is. ButMichael Jamin:Do you think you'll stay there for, for a, for a while longer? What do you, what are your plans? Do you have any?Greg Thompson:I I, I, you know, I've just kind of taken it year by year. Uh, the, um, we'll see, um, I don't know. It's, it's still been a fun thing and, and most of the staff is the same staff as when we first grouped up 12 years ago.Michael Jamin:No one's, no one's leaving back, back when we started, um, uh, you know, we, you could jump shows, you might work on a show for a couple years, then jumped to another show. But now with the market, you'd be crazy to leave any show if you're on a show, you stay there and you hang on for dear life.Greg Thompson:I think so. I think so. I think that's been true of Bob's and, you know, uh, Wendy and Lizzie Molino, two of to have really, you know, very funny writers on, on Bob's. They did, they left only because they developed their own show, uh, the Great North. So, but despite that, they still have a hand in Bob's and write an episode a year. So nobody really wants to let go of Bob's.Michael Jamin:Yeah. And then, uh, yeah. Do you, are you developing at all? Have you tried to develop in recent years or,Greg Thompson:You know, I, past the first year, no, I haven't, I haven't tried to develop, and that's, you know, I have to say that's a little bit of laziness on my part. Like, you know, why do I wanna develop myself out of a job, this great job on Bob's? Uh, yeah. And, and also it was like, you know, we, Aaron and I, Aaron and I think did like eight or nine pilots, only one produced, but it was always really hard and, uh, a distressing experience. You'd, you'd, you know, we'd go in full of, full of ambition and hopes and dreams of how this next pilot was gonna be great. And then, and then you'd get so ground down by the process, we'd be miserable and hate, and hate our pilot by the end of it. Michael Jamin:People don't under no understanding, uh, of how the industry actually works. That's what I'm trying to educate them. But like we say the same things, like if we didn't have, if we were on full time staff, we, we wouldn't have to develop, we wouldn't run out to develop. It's only because staffs, the orders are so much shorter that you kind of have to, if you wanna make a living, you gotta sell what you gotta,Greg Thompson:Yeah. Yeah. But yeah, tell provision's changed, changed it that way. So so, you know, I'm a little embarrassed. I haven't, you know, tried to develop in the last decade, but I don't know, I'm just,Michael Jamin:So what, what advice do you have? Do you, I mean, are you bringing on any young writers or what advice do you have when you see a young writer join the show?Greg Thompson:Uh, well, boy, I don't know. I guess it would be the advice. Uh, I'd give any young writer, you know, just try to, try to pay attention to the voices of the show. Know the show, watch, watch every episode. You know, when we were hired on King of the Hill, I, I'd watched King of the Hill, but I hadn't seen everything. But, you know, I methodically started plowing through hundreds of episodes at that point. I think maybe 200 episodes had happened by the time we, we joined it. So, and that's just kind of an education and you internalize the voices of the characters and, and it, it helps you, it helps you know what to pitch. So, you know, we'll, we'll have, obviously, like a new writer will often like, pitch an episode idea that we've kind of already done. And, you know, it's hard to catch up with everything, but you have to try.Michael Jamin:Right.Greg Thompson:And just, I guess trust that you're, trust that you're there for a reason and that your ideas are good and, you know, do your best.Michael Jamin:Right. Right. But it's a pretty supportive environment there, it sounds like.Greg Thompson:Oh, it's great. Yeah. No, it's, it's really a nice group of people. Um, you know, you've been on many staffs and I was on many staffs, and I think my experience was almost always good. Uh, I hope yours was too. But you know, the, I think we probably all have both had the experience of being in a room where you're sitting in the same, you're around a table, same table every day. You're not only that, but you're seated in the same seat every day. Mm-hmm. , uh, same person to the left, same person to the right. And, and sometimes there will be people who will make a point of only laughing at, uh, somebody's, somebody several people's pitches, but never several other people's pitches.Interesting. Trying to, right. Yeah. I mean, uh, and, uh, it, it is a little bit of a, and this is, you know, it was rare to have this experience, but, you know, maybe did once or twice, um, pe writers are trying to get their jokes in. Uh, they would rather have their joke in than a funnier joke from somebody else. So there is that, there is that bit of competition. And I'm not saying I would have the funnier joke that no one would want in or anything like that, but, uh, uh, it's, it's this natural, um, selfishness, self-preservation, I guess. Yeah. Of like, right. I must, I must have a certain number of jokes in the, in the episode, or I'm not, I'm not earning my, my morsel of meat Yeah. Today. Yeah. So, um, so there, you know, there is a competitiveness. And I think, I think some shows, I think very could be bad miserable places. Um, Bob's was a fantastic place. Everybody was great. Right. Everybody was supportive. Uh, everybody was funny. Uh, everybody is funny. So many great writers. So it's been a, a fantastic situation.Michael Jamin:And how, and you say you were, you're involved heavily in the production. So you'll watch the animatics, you'll give notes on the air, or do you watch all the automatics or just the ones you, you produce?Greg Thompson:Uh, we watch all thematics and colors. Uh, but the animat, you know, for your own episode, you, you will be, you know, more involved in notes and revisionismMichael Jamin:Just forGreg Thompson:People. And the,Michael Jamin:The a animat are the rough, uh, before like crude sketches of the, uh, cartoon, the animation. And then you give notes on that. And then, then it's more like for blocking, which before the character should do and what kind of shot you have. And then later they color it in and, you know, that's, then you, you give notes on that as well. But you, are you also at the record? Are you, um, recording the actors?Greg Thompson:Yeah. Yeah. And, uh, we've done that a few different ways. In the beginning of the show, it was the, uh, Bob's was unique in this, in that they, you'd have multiple actors in, you know, on, on Mike, uh, at the same time. And it would be a simultaneous recording, so you'd have overlap mm-hmm. , uh, and improv. And that was kind of a hallmark of Bob's. And then in, uh, as c happened, we had to kind of break that apart and actors were recording in their homes, and so we were getting them one at a time. Right. Um, and so now it's, it's kind of a little combination of,Michael Jamin:But are you direct in a way, the actress yourselves or someone else? One of the store runners directingGreg Thompson:Lauren, Lauren was the director for like the first 10 years mm-hmm. every episode. And then during Covid we began to direct our own episodes. Right. Uh, but now we're actually in the process of having one writer direct all the episodes, uh, uh, with the, uh, a writer producer will direct all of them. And just so there's kind of a, a unified voice coming from the directing booth. Right. Um, and then Theri, the writer is also there to give notes and suggestions.Michael Jamin:Roll their eyes. You're doing it wrong.Greg Thompson:Yeah. I'd say, no, that's not, that's not, it's goes. So, yeah. And uh, I'd say Lauren is kind of constantly tinkering with the process, trying to improve it, even after like 12 years you think it would, things would be, okay, this is how we do it, this is how we'll always do it. But no, it's still being, aspects of production are being reinvented and tinkered with all the time.Michael Jamin:It's a great show. Cause it has such a sweetness to it, such an earnestness to, uh, who knew, who knew it was gonna be sort of giant.Greg Thompson:It does. It does. Uh, and I know early on, like, um, you know, Aaron and I would pitch, uh, coming from a, well, I guess working on every other show, we pitched a lot of, like, stories that involved conflict between the family, you know, uh, that was a little maybe sharper than Lauren wanted to do. Yeah. He didn't want, you know, his thing is he doesn't ever want the characters being mean to each other. Right. Anything perceived as mean. And so, like, you know, like, oh, if you're watching most sitcoms, it's like, oh, I don't know, everybody's, everybody does this all the time. You know what, so, but he wanted something sweetie.Michael Jamin:Yeah. And it's a good instinct. When we, we, when we worked for, uh, Chris Lloyd who, you know, he ran Frazier for many years, and then later we worked for Man Practice. He used to say the same things. He, he would say Velvet Gloves. So when the characters slapped each other, they had to be wearing velvet gloves. So you never wanna hit too hard. Everyone saw too hard, you know, I was like, oh, that's, that's smart. I'll start using that wordGreg Thompson:. I won't do it, but I'll use the word. Yeah. Um, yeah. And, and, and certainly like, you know, one thing with the internet, now, you can see what everybody thinks of every episode and on Reddit. And do you guysMichael Jamin:Do that?Greg Thompson:Uh, Twitter? Do you go? Yeah. Yeah. DoesMichael Jamin:That change the way you write future episodes?Greg Thompson:I think a little, um, like we did an episode once where the family was on a game show, which is kind of an unusual episode for us. It was pretty early. And they end up kind of getting cheated out of their prize at the end of the game show. It's kind of a, they're kind of ripped off. Mm-hmm. and the ending, we thought, no, it's a great ending. It's, you know, it's, it's perfect. It's funny, it's, uh, it's television viewers hated the bels that that had happened to the Belchers that they'd been, it, it felt like an unsatisfying ending to many, many, many viewers. And they would keep bringing it up. In fact, they still bring it up, uh, online as, as a, an episode ending. They don't like, uh, and you know, I think maybe because it was an unearned, they hadn't really done anything wrong and they ended up being, you know, kind of robbed. So I think we, we avoid, we try to avoid lessons where they, or episodes where they just have complete egg on their face by the end. Right. There has to be some kind of little, little victory or something learned, something positive that comes outMichael Jamin:It. Yeah. That's interesting. It's interesting you take that few, cuz I never sire kind of does. I, I'm really kind, I stay away from, I don't want to hear about the reviews. I don't want to hear about what the viewers think, just wanna, you know, do my thing and cross my fingers. But it's, you know, different.Greg Thompson:I mean, that's probably healthier. But if it's an episode that I wrote that's airing, um, I just devour Twitter.Michael Jamin:Do you really?Greg Thompson:Trying to, trying to, uh, oh, yeah. No, I, I I definitely try to cherry pick , you know, any positive comments.Michael Jamin:We went on, geez, this is about a year ago, Sierra and I went on, I don't know when we went on YouTube to like, see what people were saying about Glen Martin. We hadn't watched the show in years. And, and then there's some guy from his basement, some young guy talking about the show and he nailed it. He, he was as if he was in the writer's room. Like he understood the show better, better than we did. And it was just hilarious to hear him take it apart. I was like, man, this guy,Greg Thompson:I think, did you send that around? Did you send that around to the writers? I kind of remember reading something that I thought, yeah, this guy's, this guy's good, thisMichael Jamin:Guy's, he was like a spy me. So much Funny .Greg Thompson:Yeah. Yeah.Michael Jamin:Wow.Greg Thompson:That, oh, it was a funny, it was a funny show. Does that air, I mean, does that, how does that, as a quick aside, is Glen Martin accessible on anyMichael Jamin:Platform? I think, yeah, I think it's on YouTube where you can watch it all for free. So we don't get any, I mean, we have some points and we don't get any of it. I don't think you make money by showing,Greg Thompson:But it'sMichael Jamin:For free.Greg Thompson:Did some, I mean, did some kid upload it or is it, is it like they're all this, whoever owns it, put it, putMichael Jamin:It on Michael Eisner there as a whole, like maybe we get enough used, like he can even sell it again somewhere. I'm like, you know, yeah. Sell it somewhere. Let's, let's bring it back. But I don't think we've pushed band to bring it back. I can't, we reboot Glen Martin. I don't think there's anything there. Oh, that's funny.Greg Thompson:Oh. Oh,Michael Jamin:Well,Greg Thompson:Uh,Michael Jamin:Greg, is there any place, is there anything you wanna plug? Do you wanna talk about your next season? Should people follow you anywhere? Is there anything you wanna get off your chest before eight?Greg Thompson:Oh, well, God, I'm not really on Twitter. No. I mean, I can't, it's, I'm unfollowable on social media cuz um, I don't know. Just, uh, I guess keep watching. Uh, uh, I kind of forget where we are production-wise. I never know what episodes about to air. Yeah. Cause as you know, the, the production schedule in in animation is very long. It's almost don'tMichael Jamin:Without nine months with you guys in almost a year.Greg Thompson:Well, it can be, you know, if, especially if you know, the order changes. Right. And, andMichael Jamin:How manyGreg Thompson:Episodes do you get, you know, after production. But it's a longMichael Jamin:Time. What, what is your order this year? Like 22?Greg Thompson:Uh, I think it's 22. I think it's, yeah, Bob's is one of the last, you know, shows that still gets a 22 order. Uh, and it does less so now, but it did, you know, repeat a lot too. So there was residuals involved. Um, so, but fortunateMichael Jamin:It worked out.Greg Thompson:Um,Michael Jamin:,Greg Thompson:No. Let's see what I, I, I, uh, I would merely plug, uh, your,Michael Jamin:My Plus this in my Pod . All right. Everyone that well,Greg Thompson:Are you still doing the videos as uh, what? Oh, I was just asking if you're doing the video, the video, uh, podcast things as well. Yeah.Michael Jamin:These will air, yeah, they air they'll be on YouTube as well, and we run clips across media. Okay. People can, you know, they can get it everywhere. They can. Yeah. Continue following.Greg Thompson:Okay. It'sMichael Jamin:All part of that. Yeah. It's all, but that's, yeah. I, I, I, this has been fascinating hearing your story as far as I'm concerned, but ,Greg Thompson:But Greg,Michael Jamin:Thank you forGreg Thompson:I, I, uh, well, thank you. I hopeMichael Jamin:You're a good dude.Greg Thompson:Uh, thank, thank you for having me, Michael. I, you know, I'm a, I'm a huge fan of yours, uh, and, uh, yeah, honored.Michael Jamin:Oh God, this is my honor. But alright, everybody, thank you so much to great comic comedian, writer Greg Thompson. And, uh, yeah. So what, let me tell you what else is going on over here. So keep, if you guys wanna sign up for my watch list, that's my free newsletter where I send out daily tips for screenwriters and creative types at Michael jam.com/watchlist and keep following us here. And, uh, yeah, we have different content on YouTube. Our YouTubes at Michael Jam, writer and, uh, Instagram. Keep follow My Instagram, the TikTok Act. Michael Jam writer. All right, everyone. Thank you so much, Greg. Thank you. Until next week for more people. All right. Be good.Phil Hudson:This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving your review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

THIS IS A PREVIEW. CHECK OUT THE FULL EPISODE ATPatreon.com/worstofall   63. How I Met Your Mother (feat. David Armstrong) David Armstrong (Omni BiLateral PANic) sits the lads down to tell them the fraught and incredibly lengthy story of the hit CBS sitcom: How I Met Your Mother. Topics include the infamous ending, the deck shenanigans of Josh Radnor, and the slow death of the American multi-cam sitcom. And don't forget to read A.J.'s HIMYM Spec Script/Nightmare - “Have Ya Met Ted?”   Want more TWOAPW? Get access to the rest of this episode, our full back catalogue of premium and bonus episodes, and add your name to the masthead of our website by subscribing for $5/month at Patreon.com/worstofall!   Omni BiLateral PANic is a podcast where three Bi-coastal, Bisexual+, Bi-products of the 90's ride the Highways and Bi-ways through some niche pop culture and take every detour possible! Listen on Apple Podcasts Website: omnibilateralpanic.com Media Referenced in this Episode: How I Met Your Mother (2005 - 2014): Available on Hulu / Amazon / Apple TV Season One, Episode One: Pilot Season Two, Episode Nine: Slap Bet Season Eight, Episode Twenty: The Time-Travelers Season Nine, Episode Sixteen: How Your Mother Met Me Season Nine, Episode 23/24: Last Forever “TV Summer School: How to Create and Run a Successful Sitcom”, E! Online (August 6, 2007) How I Met Your Dad Pilot, 20th Century Fox Television (2004) How I Met Your Mother Alternate Ending, 20th Century Fox Television/CBS (2014) TWOAPW theme by Brendan Dalton: brendan-dalton.com / brendandalton.bandcamp.com

Efter en ufrivillig pause er vi tilbage med et nostalgisk trip down memory lane! I denne episode hopper vi nemlig tilbage til, hvad Peter gang på gang har betegnet som "det ufarligste årti": 1990'erne. Det bliver bl.a. et genhør med The X-Files, Rap Fyr i LA, Felicity, Friends og naturligvis Eleva2ren. I studiet joiner vores næsten faste gæst Ramesh Krishnasamy os igen. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen samt i denne episode Ramesh Krishnasamy - alle tidligere TV1000 abonnenter. Yderligere informationer Citat fra film/serie: The X-Files (Ten Thirteen Productions, 20th Century Fox Television, 20th Television, Fox - composer: Mark Snow), Eleva2ren (TV2, Nordisk Film TV), Friends (Bright/Kauffman/Crane Productions, Warner Bros. Television, Warner Bros. Television Distribution, NBC), The Fresh Prince of Bel-Air (The Stuffed Dog Company, Quincy Jones Entertainment, Quincy Jones-David Salzman Entertainment, NBC Productions, Warner Horizon Unscripted Television, Warner Bros. Television Distribution, NBC - composer: Quincy Jones III), Rescue 911 (CBS Entertainment Productions, CBS Productions, Arnold Shapiro Productions, MTM Enterprises, 20th Television, CBS Television Distribution, CBS), Keeping Up Appearances (BBC, BBC Worldwide, 2entertain, Universal Pictures, BBC1), The Nanny (Sternin & Fraser Ink Inc., TriStar Television, Highschool Sweethearts Productions, Sony Pictures Television, CBS - composer: Timothy Thompson), Felicity (Touchstone Television, Imagine Television, Buena Vista Television, The WB - composers: W. G. Snuffy Walden, Joseph Williams, Danny Pelfrey, Jon Huck, John Zuker), Predator (20th Century Fox, Lawrence Gordon Productions, Silver Pictures, Davis Entertainment, Amercent Films, American Entertainment Partners L.P.), Nissebanden (Danmarks Radio - composer: Hans Dal)

CW: Child Abuse/Molestation, Rape, Suicide It's Creepy Bromance Week on Pod Sematary! Chris & Kelsey have been keeping the wrong sort of friends lately. The Classic Film: Henry: Portrait of a Serial Killer (1986) "Arriving in Chicago, Henry moves in with ex-con acquaintance Otis and starts schooling him in the ways of the serial killer” (IMDb.com). This first-time outing from John McNaughton is well-directed and features a killer performance from Michael Rooker, but it certainly isn't for everyone. It's what Chris might call "effective stuff" or... "compelling stuff." The Modern Film: Creep (2014) "A young videographer answers an online ad for a one-day job in a remote town to record the last messages of a dying man” (IMDb.com). Creep is a testament to what can be made with two buddies and a camera. Accept no excuses from the Thankskillings of the world. Audio Sources: "Colonel Homer" (The Simpsons S03E20) produced by Gracie Films & 20th Century Fox Television "Creep" (2014) produced by Blumhouse Productions & Duplass Brothers Productions "Henry: Portrait of a Serial Killer" produced by Maljack Productions "My Mistake" written by R. Brandle & P. Petraitis and performed by Lynne and the Lizards "Peachfuzz Theme (The Heart of a Lion)" written by Mark Duplass & Kyle Field and performed by Little Wings "Science Fiction/Double Feature" written by Richard O'Brien & Richard Hartley and performed by Joan Jett and the Blackhearts

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1533580965510930432 CW: Suicide, Alcoholism It's the Devil's Day on Pod Sematary! Chris & Kelsey read their bibles because what else are they going to do locked in this elevator? The Classic Film: Damien: Omen II (1978) "Damien the Antichrist, now about to turn thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile, dark forces begin to eliminate all those who suspect the child's true identity” (IMDb.com). This sequel to the incredible original is better than you might have anticipated, but there's not a lot of meat on the bones. The Modern Film: Devil (2010) "A group of people are trapped in an elevator and the Devil is mysteriously amongst them” (IMDb.com). M. Night Shyamalan co-produced this bottle episode of a movie about the devil on an elevator, and it's better than his track record at the time might have suggested. But it wasn't good enough to get a Night Chronicles Part Two. Audio Sources: "Damien: Omen II (1978)" produced by Twentieth Century Fox, et al. "Devil" (2010) produced by Night Chronicles, et al. "The Exorcist in 30 Seconds (and Re-enacted by Bunnies)" produced by Angry Alien Productions, LLC "A Fish Out of Water" (Family Guy S03E10) produced by 20th Century Fox Television, et al. "Forrest Gump" produced by Paramount Pictures, et al. "The Lion King" (1994) produced by Walt Disney Pictures & Walt Disney Animation Studios "May 7, 1992" (Entertainment Tonight) produced by Paramount Domestic Television, et al. "A Night at the Roxbury" produced by Broadway Pictures, et al. "When the Lights Go Out" written by Eliot Kennedy, et al., and performed by Five "Your Love" written by Onika Maraj, et al., and performed by Nicki Minaj

RENT COMPOSER: Jonathan Larson LYRICIST: Jonathan Larson BOOK: Jonathan Larson SOURCE: La Boheme by Giacomo Puccini (1896) DIRECTOR: Michael Greif CHOREOGRAPHER: Marlies Yearby PRINCIPLE CAST: Adam Pascal (Roger), Anthony Rapp (Mark), Daphne Rubin-Vega (Mimi) OPENING DATE: Apr 29, 1996 CLOSING DATE: Sep 07, 2008 PERFORMANCES: 5,123 SYNOPSIS: Mark and Roger are two bohemian artists living in New York's lower East Side at the height of the AIDS epidemic. Mark is a documentary filmmaker and Roger is an HIV positive songwriter. When Roger meets Mimi, a drug addict, he falls madly in love but is unsure if he should tell her of his impending mortality.   Composer Jonathon Larson set out to bring musical theatre to a new generation with Rent, a rock opera based on Puccini's La Boheme and set in Lower Manhattan's East Village. The musical helped break taboos and stigma around queerness, trans liberation, and AIDs. Jordan Dragutsky chronicles Larson's quest for giving his generation a voice that sounded like the popular music of the time with the sophistication of musical theatre composition, the advocacy of Rent by New York Theatre Works, the unique casting and design process that was helmed by director Michael Greif, and how the unexpected death of Larson catapulted Rent, and its stars, to global popularity.  Born and raised in Los Angeles, Jordan Dragutsky grew up surrounded by the entertainment industry and relocated to New York in 2010 after graduating from UCIrvine (BA Drama/Minor Queer Studies). Jordan has assisted in press offices and production/merchandising for over 30 Broadway, Off-Broadway, dance, and touring productions including: Harry Potter & The Cursed Child, Hair, Wicked, and Book of Mormon. He joined the administrative staff at the New York Film Academy in 2012, and from 2015-2020 he served as Senior Dept. Coordinator for the Musical Theatre department. Jordan is a proud member of SAG/AFTRA with experience working on over 100 TV/Film sets. Featured credits include The Cobbler (Goth Guy), Only Murders In The Building (Hulu), and The Marvelous Mrs. Maisel (Ocarina Player).  SOURCES Rent, Original Cast Recording, Dreamworks Records (1996) Rent by Jonathan Larson, published by It Books (1997) Rent starring Adam Pascal and Anthony Rapp, directed by Chris Columbus, Columbia Pictures (2005) Rent Filmed Live on Broadway starring Will Chase and Adam Kantor, directed by Michael John Warren, Radical Media (2008) Rent Live starring Jordan Fisher and Brennin Hunt directed by Michael Grief, 20th Century Fox Television (2019) Without You: A Memoir of Love, Loss, And The Musical Rent by Anthony Rapp, Simon & Schuster (2006) Rent FAQs: All That's Left To Know About Broadway's Blaze of Glory by Tom Rowan, published by Applause (2007) On Broadway: From Rent to Revolution by Drew Hodges, published by Rizzoli (2016) Learn more about your ad choices. Visit megaphone.fm/adchoices

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1525966818828922881 CW: Suicide, Homophobia, Incest It's Prom Night on Pod Sematary! Chris & Kelsey awaken a 47-year-old, bitter, undead prom queen and kill their sisters to take their families! The Classic Film: Hello Mary Lou: Prom Night II (1987) "Thirty years after her accidental death at her 1957 senior prom, the tortured spirit of prom queen Mary Lou Maloney returns to seek revenge” (IMDb.com). Prom Night II was not originally intended to be a sequel to the classic, slasher original—and it basically still isn't. It's a little bit boring sometimes, but it's also bizarre and deranged in some of the best ways. For a good time, call Mary Lou. The Modern Film: Killer Prom (2020) "After losing her mother in an accident, a teenager and her father welcome a distant cousin into their home. Hoping to claim the family as her own, the psychopath hatches a devious plan to recreate the prom she never experienced” (IMDb.com). This isn't even a movie that the-one-Lifetime-fanatic-we-found-online-who-reviewed-it could love. Stilted, inelegant, and was that a Wilhelm Scream we heard? Audio Sources: "Bill Hader/Arcade Fire" (Saturday Night Live S43E16) produced by Broadway Video & SNL Studios "The Itchy & Scratchy & Poochie Show" (The Simpsons S08E14) produced by Gracie Films & 20th Century Fox Television "Killer Prom" produced by NB Thrilling Films 6 "Prom Night" (1980) produced by Prom Night Productions, et al. "Prom Night II" produced by British Columbia Television, et al.

In Memoriams ånd er Peter og Anders samlet for at tage afsked med en masse berømtheder, som de på ingen måde kendte personligt. Tårerne triller derfor ned af vores kinder i denne episode, hvor vi kigger på, hvem vi måtte tage afsked med det seneste år, og hvem vi gruer for at tage afsked med i fremtiden. Det bliver lidt af en sober episode. Selvfølgelig med et par morbide jokes om bl.a. Pinocchios 111-årige mor - vi er vel en semi-under-middel komediepodcast! Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere døde berømtheder. Yderligere informationer Citat fra film: Deliverance (Warner Bros., Elmer Enterprises - composer: Eric Weissberg), America's Funniest Home Videos (ABC, ABC Productions, ABC Entertainment, Vin Di Bona Productions, MTM Enterprises, 20th Century Fox Television, Buena Vista Television, Disney-ABC Domestic Television, Disney Platform Distribution - composer: Jill Colucci, Stewart Harris), Against the Wall (HBO, HBO Pictures), Boardwalk Empire (HBO Entertainment, Leverage Entertainment, Closest to the Hole Productions, Sikelia Productions, Cold Front Productions, HBO Enterprises, Warner Bros. Television Distribution), Lethal Weapon (Warner Bros., Silver Pictures - composer: Michael Kamen), Independence Day (20th Century Fox, Centropolis Entertainment - composer: David Arnold), Midnight Run (Universal Pictures, City Light Films - composer: Danny Elfman)

In real life Eddie Huang is a chef, a difrector, and an attorney just to name a few things. So as you'd imagine shortly after releasing his autobiography "Fresh Off the Boat: A Memoir", studios were jumping at the opportunity to create a show based on his life. The rights eventually landed in the hands of ABC and 20th Century Fox Television. The show depicts a Young Eddie moving from DC to Orlando with his family in the mid 90s. Constance Wu and Randall Park were the first two signed on followed by Hudson Yang taking on the role of a young Eddie Huang. Does this show have what it takes to get green-lit by the S1E1 guys or will they kill it before it can get to an episode 2. Tune in to our review of their pilot and found out!   www.S1E1POD.com

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1510826161894428673 CW: Suicide, Rape It's Haunted Dwelling Week on Pod Sematary! Chris & Kelsey just moved into their new home, so they're taking this week to... I don't know, scare themselves? The Classic Film: The Sentinel (1977) "A young woman moves into an apartment in a building which houses a sinister evil” (IMDb.com). A Rosemary's Baby wannabe that makes several tasteless choices, The Sentinel is nevertheless a compelling tale that's generally well told. The Modern Film: The Innkeepers (2011) "During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel's haunted past begin to experience disturbing events as old guests check in for a stay” (IMDb.com). As fans of Ti West's House of the Devil, Chris and Kelsey were gobsmacked that The Innkeepers could possibly have been made by the same person. Audio Sources: "Batman" (1966 TV Series) produced by 20th Century Fox Television & Greenway Productions "The Innkeepers" produced by Dark Sky Films & Glass Eye Pix "The Internet Is for Porn" (from Avenue Q) written by Jeffrey Marx and Robert Lopez & performed by Stephanie D'Abruzzo, et al. "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Robin Hood: Men in Tights" produced by Brooksfilms & Gaumont "Rosemary's Baby" produced by William Castle Productions "The Sentinel" produced by Universal Pictures & Jeffrey Konvitz Productions "That Thing You Do!" produced by Twentieth Century Fox, et al.

C'est l'un des films les plus originaux des Grands Classiques d'Animation Disney. Les 101 Dalmatiens vient de fêter ses 61 ans et à cette occasion, Chronique Disney a décidé de consacrer un podcast à cette franchise qui a du chien !! Du premier film d'animation à la relecture en prises de vue réelles des origines de Cruella, sans oublier les suites en tout genre et les adaptations en séries  animées, Nathan ouvre son micro aux experts de la licence que sont Karl, Fabien et Frédéric et qui vous diront tout ce qu'il faut savoir sur ces chers amis à quatre pattes tachetés. Rejoignez dès maintenant Rolly, Lucky, Patch, Pinceau, Pongo, Perdita et beaucoup d'autres dans ce nouvel épisode de Chronique Disney - Le Podcast. Bonne écoute. Information En raison de la pandémie de la COVID-19 et des mesures de confinement de la population, l'enregistrement de ce podcast n'a pu se faire dans les conditions habituelles. Malgré les efforts menés, des distorsions d'enregistrement des interlocuteurs peuvent donc, çà et là, se faire entendre. Crédits  Cruelle Diablesse (Les 101 Dalmatiens) - Artiste : Roger Rudel ; Mel Leven © 1961 Walt Disney Records - Tous droits réservés.  Overture (Les 101 Dalmatiens) - Artiste : George Bruns © 1961 Walt Disney Records - Tous droits réservés.  Extrait audio de la bande-annonce du film Les 101 Dalmatiens © 1996 Walt Disney Pictures - Tous droits réservés.  Extrait audio du générique de la série Les 101 Dalmatiens - La Série © 1997 Walt Disney Television Animation - Tous droits réservés.  Extrait audio de la bande-annonce du film 102 Dalmatiens © 2000 Walt Disney Pictures - Tous droits réservés.  Extrait audio de la bande-annonce du film 101 Dalmatiens 2 : Sur la Trace des Héros © 2003 Walt Disney Television Animation - Tous droits réservés.  Extrait audio du générique de la série 101, Rue des Dalmatiens © 2019 Disney Channel - Tous droits réservés.  Extrait audio de la bande-annonce du film Cruella © 2021 Disney - Tous droits réservés.  Admirez mon Gilet  (Les Simpson) - Artiste : Michel Modo © 1995 20th Century Fox Television  - Tous droits réservés.  La Maison du Rêve (Les 101 Dalmatiens) - Artiste : Roger Rudel ; Mel Leven © 1961 Walt Disney Records - Tous droits réservés.  Kanine Krunchies (Les 101 Dalmatiens) - Artiste : Mel Leven © 1961 Walt Disney Records - Tous droits réservés.

Brother David just rewatched the two-season series from Ryan Murphy that inspired today's episode! Ryan also reads a lovely review of the podcast from Slash Vision TV! "Wallace University is rocked by a string of murders. Kappa House, the most sought-after sorority for pledges, is ruled with an iron fist (in a pink glove) by its Queen Bitch, Chanel Oberlin (Emma Roberts) SCREAM QUEENS is a genre-bending comedy-horror anthology series. The series, produced by 20th Century Fox Television, was from Ryan Murphy, Brad Falchuk, Ian Brennan and Dante Di Loreto, the executive producers of GLEE and “American Horror Story.” Starring: Emma Roberts, Keke Palmer, Jamie Lee Curtis, Lea Michele Abigail Breslin & Billie Lourd. Please Like

(C, C-) An ex-con works to put her life back together after she is released from prison.     Clubhouse Movies Podcast decides if Unforgivable is unforgivable.   The Unforgivable (2021) Produced By: Construction Film Fortis Films GK Films Red Production Company Distributed By: Netflix   &   The X-Files (TV Series) Hell Money (1996) Produced By Ten Thirteen Productions 20th Century Fox Television

Happy Thanksgiving! This week we decided to switch things up and talk about our favourite Thanksgiving moments from some of our favourite shows such as Modern Family, New Girl, The Simpsons, Friends & so much MORE. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.  Non-profit, educational or personal use tips the balance in favor of fair use.  ‘Modern Family'- ‘Three Turkeys' Clip is property of Lloyd Levitan Productions, Picador Productions, Steven Levitan Productions, 20th Century Fox Television, ABC & Walt Disney Studios ‘The Mindy Project'-‘Thanksgiving' clip is property of Universal Television, 3 Arts Entertainment, Kailing International, Open 4 Business International, NBCUniversal Television Distribution & Fox ‘The Fresh Prince of Bel Air'- ‘Talking Turkey' clip is property of The Stuffed Dog Company, Quincy Jones Entertainment, NBC Productions, Warner Bros Television Distribution & NBC. ‘The Big Bang Theory'- ‘The Thanksgiving Decoupling' clip is property of Chuck Lorre Productions, Warner Bros. Television & CBS. ‘New Girl'- ‘Parents' clip is property of Meriwether Productions, Elizabeth Meriwether Pictures, American Nitwits, Chernin Entertainment & 20th Century Fox Television. ‘Parks and Recreations'- ‘Harvest Festival' clip is property of Open 4 Business Productions, Deedle-Dee Productions, Fremulon, 3 Arts Entertainment, Universal Television & NBC. ‘Family Guy' clips are property of Fuzzy Door Productions, 20th Television & Fox. ‘Gilmore Girls'- ‘A Deep Fried Korean Thanksgiving' clip is property of Dorothy Parker Drank Productions, Hofflund/Polone and Warner Bros. Television ‘The Simpsons'- ‘Bart Vs Thanksgiving' clip is property of Gracie Films, 20th Television and Fox. ‘Friends' clips are property of Bright/Kauffman/Crane Productions, Warner Bros. Television & NBC. ‘Superstore'- ‘Black Friday' clip is property of Spitzer Holding Company, The District, Universal Television & NBC.

Today on the show we have the showrunning writing duo of Dan Hernandez and Benji Samit. They are responsible for bring iconic character Pikachu to the big screen. The film starred Ryan Reynolds.Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim, to find out what happened. Aiding in the investigation is Harry's former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu. Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.Easily one of my favorite projects they worked on is the Netflix show One Day at a Time. On that project they got to work with the television living legend Norman Lear.This comedy-drama is inspired by Norman Lear's 1975 series of the same name. This time around, the series follows the life of Penelope, a newly single Army veteran, and her Cuban-American family, as they navigate the ups and downs of life. Now a nurse, Penelope is raising two strong-willed children.When faced with challenges, Penelope turns to her "old-school" mother, and her building manager, who has become an invaluable confidant. The series offers a contemporary take on what life looks like in both good and bad times, and how loved ones can help make it all worthwhile.On television, Hernandez and Samit have written for, The Tick, Super Fun Night and 1600 Penn. They were named in Paste Magazine's list of the top 28 comedy writers of 2018. In 2019, Samit and Hernandez signed a long-term deal with 20th Century Fox Television to develop, write and produce animated and live-action seriesWe discussed how they got their big break, how they approach the craft, the world of the writer's room and much more. Enjoy my conversation with Dan Hernandez and Benji Samit.

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1457498454486364162 CW: Harm to Children and Animals It's a Frankenstein Double Feature on Pod Sematary! Chris & Kelsey drop out of medical school and 3D-print a human man to find out who the REAL monster is. The "Original": Frankenstein (1931) "Dr. Frankenstein dares to tamper with life and death by creating a human monster out of lifeless body parts” (IMDb.com). While not a faithful adaptation of the Mary Shelley classic novel, 1931's Frankenstein is a classic itself with not an inconsiderable amount of quality in its brisk runtime. The "Remake": Frankenstein (2015) "A married couple of scientists create a modern-day monster” (IMDb.com). This modern retelling of the story we already know and love by Bernard Rose, director of the original Candyman, begins with a promise of novelty that it fails to keep. Audio Sources: "Awakening: Part 1" (Gargoyles S01E01) produced by Disney Television Animation "Clue" produced by Paramount Pictures, et al "Feed My Frankenstein" written by Alice Cooper, et al., and performed by Alice Cooper "Frankenstein" (1931) produced by Universal Pictures "Frankenstein" (2015) produced by Bad Badger, et al. "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Science Fiction/Double Feature" written by Richard O'Brien & Richard Hartley and performed by Joan Jett and the Blackhearts "Sound of da Police” written by Lawrence Parker, et al., and performed by KRS-One "Treehouse of Horror" (The Simpsons S02E03) produced by Gracie Films & 20th Century Fox Television "Young Frankenstein" produced by Gruskoff/Venture Films, et al.

This week Val and Rachel discuss Anything But Love, an American sitcom that aired on ABC from March 7, 1989, to June 3, 1992, spanning four seasons and 56 episodes. The show stars Richard Lewis as Marty Gold and Jamie Lee Curtis as Hannah Miller, coworkers at a Chicago magazine with a mutual romantic attraction who struggle to keep their relationship strictly professional. The series, from creator Wendy Kout and developers Dennis Koenig and Peter Noah, was produced by Adam Productions (a company run by John Ritter) in association with 20th Century Fox Television.   Hot Topics Include: 1.) Rachel hosting kids birthday party with Bouncy House = Vietnam-level Emotional Trauma 2.) Val's Special Memory of knowing who Richard Lewis was 3.) Why this show isn't that good 4.) How sexy IS Richard Lewis? 5.) Should we start a new segment called Mullet Count? 6.) Jamie Lee Curtis' patents 7.) What Ya Watchin': Only Murder in the Building (Hulu), Evil (Paramount Plus), Modern Love (Amazon), In This Our Life, Libeled Lady, 42nd Street (actual movies, who knows how to watch them?), Times Square (illegal Russian streaming service DUH) 8.) Rachel's freshman film class-level deep thoughts about classic movies   https://en.wikipedia.org/wiki/Anything_but_Love

An assassin tears her way through the criminal underworld to find the gangster that fatality poisoned her.  Another elite assassin movie? Another Clubhouse Movies Podcast Review! Check out the YouTube Version! https://youtu.be/DJOUnXEakM4   Kate (2021) Produced by: 87North, Clubhouse Pictures (II), Screen Arcade And Distributed By Netflix With Referential Footage From: Blade Runner (1982) Distributed By Warner Brothers King of the Hill, "Death of a Propane Salesman" Distributed By 20th Century Fox Television

Incarceration. Hollywood. Ministry. These three words somehow came hand in hand as we shared a conversation with Gary Hall, President and Co-founder of Hollywood Impact Studios, formerly a producer for Warner Brothers, and the Sr. Vice President for 20th Century Fox Television. Hollywood Impact Studios' mission is to "help men (women and veterans) coming out of prison, jail and long term drug rehab centers to become substance-free, morally strong, and vocationally trained so that they may return to society as productive citizens with restored family relationships. TO TRULY BREAK THE CYCLE OF INCARCERATION AND ADDICTION...FOREVER." His organization's work is unique and hope-filled in how it connects professionals with incarcerated men (and soon, women) to develop their individual talents to successfully work in the profession of their choosing. Tune in to hear the remarkable story of how Holly Impact Studios initially started as a “film school behind bars", where 25 inmates were annually selected to be mentored and taught to find a career in the television and motion picture industry. He shared with us his hope to bring the program to many more prisons, which was deeply exciting and moving to hear. We also had the chance to ask Gary how he started in the film industry, how he knew working in network television was a right fit for him, how his faith melded into his work through Hollywood, and how he has handled all his responsibilities (which includes being a part-time police officer!). This is a conversation that will challenge and uplift your spirit while leaving your ears at the edge of their seats. To learn more about and/or support Hollywood Impact Studios, visit their website on hollywoodimpactstudios.com. Monetary donations, professionals of all fields in the LA area who can volunteer in the program, and help with spreading the word about their mission would all make a difference. You can find their Instagram at @hollywoodimpactstudios, Facebook here, and/or send mail to PO Box 801002 Santa Clarita, CA 91380

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1437164682599493632 CW: Rape, Abortion, Alcoholism It's Back to School Week on Pod Sematary! Chris & Kelsey join the other teenage archetypes for Saturday School and must escape a for-real, not-at-all-fake ghost! The Classic Film: Return to Horror High (1987) "In the early 1980s, a series of gruesome murders occurred at Crippen High School. A few years later, a film crew uses the now-abandoned Crippen High as the set for a film, but an uninvited guest makes an appearance on the set” (IMDb.com). Return to Horror High is a parody of horror movies, but also not? It's a movie within a movie but there're even more layers? Basically, it's the Inception of horror comedies—an admirably ambitious affair without the chops to hold that lofty title. The Modern Film: School Spirit (2019) "A group of social outcasts stuck in weekend detention is confronted by the school's legendary hauntings” (IMDb.com). The Breakfast Club but "haunted," School Spirit is a low-stakes, campus horror from the Hulu and Blumhouse Into the Dark series that disappoints in how uninspired it is. Even the opportunity of a haunted high school is completely abandoned in favor of a pretty predictable twist. When is Into the Dark supposed to get good? Audio Sources: "145 - Bad Ronald (1974) & The Evil Within (2017)" produced by Pod Sematary "All My Life" written by Rory Bennett & JoJo Hailey and performed by K-Ci & JoJo "Blurred Lines" written and performed by Robin Thicke, et al. "The Day the Violence Died" (The Simpsons S07E18) produced by Gracie Films & 20th Century Fox Television "Dead Man on Campus" produced by MTV Films, et al. "The Godfather" produced by Paramount Pictures & Alfran Productions "Mario Twins" written and performed by Gröûp X "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Return to Horror High" produced by Balcor Film Investors & New World Pictures "Scary Movies" written by Larry Weir and performed by Pleasant Company "School Spirit" (Into the Dark S01E11) produced by Blumhouse Television & Hulu

(UPDATE: Fixed audio issues and restored first half. Thank you for your patience!) Tarot and tarot-reading have been a part of the modern witchcraft movement since the 1960s. But where did these cards and their meanings come from? Are they secretly Ancient Egyptian mystical texts? Do they have their origins among the Romani people? Are they a sacred closed practice that should not be used by outsiders? Nope, nope, and nope. This month, we delve into the actual history of tarot cards, discover their origins on the gaming tables of Italy and France, meet the people who developed their imagery and symbolism into the deck we know today, and debunk some of the nonsense that's been going around lately concerning their use. The Witchstorian is putting on her research specs for this one! SASS WITCH CON REGISTRATION IS OPEN! Join us August 13-15 for panels, talks, workshops, vendors, chats, and community for science type witches! All Access and discord server: $25 Recorded access and discord server: $15 Check out the Facebook event page for registration, vending opportunities, super neat merch, and programming including our free Witches' Brew event on August 6 to find out what we are all about. Follow the show on Twitter @hex_podcast for the latest updates! For more information on how to support the show and get access to early releases and extra content, visit my Patreon. This episode is sponsored by: Crowsbone - http://www.crowsbone.com Portland Button Works - http://www.portlandbuttonworks.com PBW Witch Shop - http://www.PBWwitchshop.com Global Grey Ebooks - http://www.globalgreyebooks.com Visit my Wordpress shop to purchase my books, exclusive podcast merch, and homemade accoutrements for your craft! Proud member of the Nerd and Tie Podcast Network. Soundbyte from Futurama ("The Series Has Landed," S1E2), The Curiosity Company, 20th Century Fox Television, Rough Draft Studios, 1999. MUSIC CREDITS "Spellbound" & "Miri's Magic Dance" Ads - "Holiday Weasel," "Feelin' Good," and "March of the Spoons" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

There is a massive push for diverse talent at Sony through the diversification and inclusion program run by VP, Creative Programming, Diversity & Inclusion Brett King.  If you are trying to break in to Hollywood, this episode is packed with information as Leslie and Brett discuss Sony's Diverse Writers Program and Diverse Directors Program, what types of writers and directors Sony is looking for, mentorship and development opportunities, how to craft a personal narrative and much more...Brett King is Vice President, Creative Programming, Diversity & Inclusion forSony Pictures Entertainment, where he works with both Sony Pictures Televisionand the Motion Picture Group to identify and advantage opportunities forinclusion throughout the studio.King oversees the Sony Pictures Television Diverse Directors Program as well asthe television studio's Diverse Writers program, both designed to provideopportunity for women and ethnic minorities in scripted episodic television. Priorto working with Sony, King was a producer as well as a Program Consultant forHBOAccess and for Disney/ABC Television Creative Talent Development,working to find the next generation of content creators.A television veteran with oversight of literally hundreds of hours of televisionunder his belt, he has been a senior level executive at BET, The WB, ParamountTelevision Studios and 20th Century Fox Television. His executive careerfollowed his work in New York, where he was a staff producer of the commercialparodies at Saturday Night Live as well as a producer of innumerable musicvideos, commercials and promos, all while moonlighting as a DJ in some of thecity's seminal downtown clubs.King is a proud father of two.

Der er tårer i studiet i dag, hvor vi tager et dyp i, hvad der giver os våde øjne - med udvidet fokus på den Emmy-nominerede Jurassic Bark fra Futurama (kan streames på Viaplay og Disney+). Anders har det næreste forhold til Futurama, Tobias er semi-fan, mens Peter aldrig er hoppet på Groening-vognen. Der er derfor lagt op til en diskussion, om episoden i virkeligheden er overvurderet eller om hæderen er velfortjent. Derudover kommer vi bl.a. omkring Cast Away, Lord of the Rings, Armageddon, How I Met Your Mother, LOST, UP, Inside Out, Schindlers Liste og mange flere. Plus en bonus Twitter-hjerne, hvor vi spørger Twitter-universet om, hvad de synes er sørgeligt. Vi høres på åen! Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere loyale hunde. Yderligere noter: Citat fra film: Futurama (Rough Draft Studios, The Curiosity Company, 20th Century Fox Television, Fox, Comedy Central - Composer: Christopher Tyng), Inside Out (Walt Disney Pictures, Pixar Animation Studios, Walt Disney Studios Motion Pictures - Composer: Michael Giacchino), Cast Away (ImageMovers, Playtone, 20th Century Fox, DreamWorks Pictures - Music: Alan Silvestri), Armageddon (Touchstone Pictures, Jerry Bruckheimer Films, Valhalla Motion Pictures, Buena Vista Pictures - Music: Trevor Rabin), How I Met Your Mother (Bays & Thomas Productions, 20th Century Fox Television, 20th Television, CBS), Lord of the Rings: Return of the King (New Line Cinema, Wing Nut Films, New Line Cinema - Music: Howard Shore)

mexico.sae.edu Referencias: David Arnold & Nicholas Dodd - 007: Casino Royale Soundtrack (Sony Classical, 2006) - The Name's Bond... James Bond Librería de AVID - Input Música de Arturo Pedraza Extracto de la película Robocop (Orion Pictures, 1987) Extracto de MGM Lion Roar https://www.youtube.com/watch?v=nrLyllumxts Extracto de 20th Century Fox Television (1977/1981, 1995 fanfare) https://www.youtube.com/watch?v=Kl-iGM9b1MA

"The complete timeline of The Walt Disney Company and affiliates from the conception of Mickey Mouse to the acquisition of the 20th Century Fox Television and Entertainment Groups." - Host Wayan

Fresh Off the Boat is an American sitcom television series created by Nahnatchka Khan and produced by 20th Century Fox Television for ABC. It is loosely inspired by the life of chef and food personality Eddie Huang and his 2013 autobiography of the same name; Huang also executive produces the series and narrates its first season. Depicting the life of a Taiwanese-American family in Florida in the 1990s, the series stars Randall Park, Constance Wu, Hudson Yang, Forrest Wheeler, Ian Chen, and Lucille Soong as the Huang family as well as Chelsey Crisp and Ray Wise portraying the family's next-door neighbors. The series premiered its first two episodes on ABC in February 2015 to positive critical reception, becoming the first network television sitcom in the U.S. to feature a family of Asian Americans as main characters in over 20 years. Prior to its second season, the series went through a significant retooling, which included Huang's departure as narrator. Despite this, it continued to receive positive reviews throughout its six seasons. It has also received accolades as well as nominations for major awards, such as Critics' Choice Television Award and NAACP Image Award nominations. After becoming the first series featuring an all Asian American main cast to broadcast over 100 episodes, it concluded on February 21, 2020, after six seasons.

Find Kelly on Facebook at Fairyland Confections.TRANSCRIPTIONThis is Changing the rules, a podcast about designing the life you want to live, hosted by KC Dempster and Ray Loewe, the luckiest guy in the world.KC Dempster  0:13  Good morning, everybody.Ray Loewe  0:17  Good morning. You're waiting for me? Yes, IKC Dempster  0:21  Well, you were so busy leading the chorus. I wanted to welcome everybody to Changing the Rules. This is KC Dempster. And we are experiencing what many schoolchildren would have been over the moon about, but I don't know how many actually are getting a snow day today because of the ability to homeschool. But it's it's a challenge. And we're all in our toasty warm homes and welcome, Ray.Ray Loewe  0:51  Well, you know, I was watching television the other night, and this, this actually relates to our guest today. Okay. But there was a song that they were airing where they had all these kids singing, there's no school tomorrow. Yeah, great song. Okay,KC Dempster  1:07  I know, it gets stuck in my head every time I hear it.Ray Loewe  1:11  mood changes and stuff like that. And, and now we don't get that anymore. It's it's part of this virus stuff. Because you never stop going to school, whether they like it or not. And the advantages are there. And the disadvantages are there. But hey, kids, that's what you got to put up with in life as we grow old right?KC Dempster  1:33  Well, you know, they all love their technology. You know, there's a good side and a bad side, I guess you could say.Ray Loewe  1:39  Yeah, so we have a great guest today. And, you know, we're kind of going back to our theme last year here, where we're talking about, you know, getting smacked in this change. I think one of our previous podcast people, Kevin Davis was referring to the bubble of chaos that, that we've all been thrown in and, and all of a sudden, the things that were there are not there anymore. So I want to bring on to the show a young lady, her name is Kelly Lyons. Okay. And and you can get an idea of her character when you see that her email address, says something lioness.com Okay, you know, so there's something feral about this, this person here. But Kelly has a really interesting career and, and it has nothing to do. Well, maybe it has something to do it really nothing to do with what you're doing now. Is that right, Kelly?Kelly Lyons  2:42  Very little to do. You know, I've definitely rode the wave of whatever was coming at me. I kind of tried to follow inspiration. This time. I didn't guide it at all.Ray Loewe  2:54  Well, that that's the story we want to tell. But let's give a little background first, because you grew up in this area in the Delaware Valley. Right?Kelly Lyons  3:02  I did.Ray Loewe  3:03  And then you found your way to Hollywood. And we we were told we can't get you to tell Hollywood Stories. So we're like, okay, but what did you do in Hollywood? Because it kind of fits your own career.Kelly Lyons  3:17  It does. I, I was a science consultant and a set decorator for 20th Century Fox Television. So I worked on a TV show called Angel which was a spin off of Buffy the Vampire Slayer. So very iconic. I worked for Joss Whedon. And now he's a household name. But I you know, I was with him and worked with him. I worked for Mutant Enemy and 20th Century Fox and I had a wonderful time doing that, and met a lot of great people and did a lot of fun, fun stuff.Ray Loewe  3:47  Okay, and then you came back here, and you got into the education business. So what were you doing?Kelly Lyons  3:55  Well, when I first came back from Hollywood, I actually taught science in North Philadelphia while I was getting my master's degree, and I got my masters in the business of education, which is kind of funny. And so then I stopped teaching science at a position opened up at the Garden State Discovery Museum. And I went to be the director of the museum in 2004. So...okay.Ray Loewe  4:25  And there your primary function. You describe this Discovery Museum, because it's an interesting concept. And it kind of sets the stage for where you are, which makes your transformation even more amazing.Kelly Lyons  4:39  Well, it was kind of funny, the museum. The museum was very unique. The Garden State Discovery Museum is a children's museum, which now is kind of a household name, but the Garden State Discovery Museum is actually 26 years old and at the time, that it came to be, it was a very unique idea. It was there was only about 25 Children's museums in the whole country and the Garden State Discovery Museum started, actually as a small business and not a nonprofit. And so it broke the doors off of every museum model that anyone was ever aware of. They worked with the Small Business Development Center at Rutgers and it was owned by two women. And so it was it was a lot of groundbreaking, and concept. And then since then, you know, there's 300 - 400 Children's Museum now, children's museums now in the world. We'll see after this bubble of chaos, how many are left. But you know, I had some great opportunities with that company, I actually went to Turkey and consulted on the very first Children's Museum and opened the first Children's Museum in Turkey and assemble, opened it as a business with two women who wanted to start a children's museum. In Turkey. I consulted on a project in India as well for a children's museum in a mall in India. So I've had a lot of fun and a lot of very unique business experience, as well as just you know, out of the box thinking, very different kind of corporate world. So that's amazing.Ray Loewe  6:12  All of a sudden, now, okay. You're the rules changed,Kelly Lyons  6:18  the rules changed,Ray Loewe  6:19  the rules changed. And one day, you're director of this museum The next day, the museum didn't exist anymore.Kelly Lyons  6:27  That's right. That's exactly right. Yeah, one day I had 165 employees and basically the next day I had zero.Ray Loewe  6:36  Okay, so so most people here would sit at home and cry a lot. Okay, and hide a lot. And you didn't do that. So you created from nothing out of this bubble of chaos, a new life for yourself in effect. Right? And give us give us a little background about what it is you're doing, how you describe yourself where you're going? And then you know one of the other things that I'll give them the hint is that part of this is you learned how to make bombsKelly Lyons  7:09  I didRay Loewe  7:11  okay, hold on, we're not being destructive, but we'll get into the positives. Okay, all right, so Kelly, the bomb maker tell us about what you're doing.Kelly Lyons  7:20  So you know, we're talking about we're now what home 11 months 12 months now almost i was i was done work on March 17. Which, you know, I'm Irish, so that sounded fine to me at the time. It was St. Patrick's Day that the museum was it was done. But I really thought we were gonna be closed for two weeks not you know, not gone. So you know, there was a lot of introspection, there was a lot of looking into different industries that were coming up at the time, the thing that I've learned at the museum being out of the box and I've gotten to mentor some women entrepreneurs and and talk business plans and really and develop a few different companies through the museum and so I really love that part. I love the development of creation new things happening you know, kind of you know what's going to happen next and and so instead of crying and hiding Ray, I decided to really enjoy the time at home with myself my son and because I hadn't been home and I've never been home ever like this so this was a new thing for me. So I just kind of started looking into a way to use my creative energy and I started tooling with a few things and I landed very squarely in October in chocolate bombs not on purpose I was actually just wanted to play around with them saw them on Pinterest I has wanted to make some and I made some for my friends and I gave them out as Halloween gifts to like my nieces and next thing I know people were they were so excited by them they were videotaping their kids having chocolate bombs and putting them on Facebook and tagging me and next thing I know people are Can you make these for me? Can I buy these from you? Do you make these for a living? How many can I get? Can you make them this way? Can you make them that way? So it became it came it became an entity of its very own which went from sure I can make these for you and oh no problem I can deliver to between Thanksgiving and Christmas. I made over 4000 chocolate bombs which was way too many for anyone to make in a month but it was very it was amazing. The this what what what happened at that? Yeah.KC Dempster  9:37  I was just gonna say I think for the for our listeners their imagination about what a chocolate bomb is must be running wild from like chocolate coming down the walls. So Kelly, describe for us what your chocolate bombs actually are.Kelly Lyons  9:53  Actually, if you're right, I'm sorry, I should have prefaced by that. It's a hollow chocolate ball. It's about two and a half inches sphere, you know, a little bit like probably the size of a baseball, and it's hollow. And on the inside of the chocolate bomb is cocoa powder and marshmallows. And so you put the bomb in the bottom of a mug, and then you pour hot milk over top of it. And it melts and bursts open with all the marshmallows and all the marshmallows rise to the top and then you stir it up and it's it's hot chocolate.KC Dempster  10:30  It's ChocolateRay Loewe  10:33  is what it is. And that's different. Okay, let me let me regress a little bit because you blew the image of the bomber. Okay, you know, you had to fess up and, you know, chocolate bombs, you know, what can I tell you? But there are a couple of things here. Kelly is one of our luckiest people in the world. There's no question about it. And, and if you look at some of the things that she's done, you can see. So first of all, she's living her life on her own terms. Now, maybe she didn't always do that. But the circumstances changed. And she was able to just totally redesign her own life. Okay. And part of that is you deals well with rules, so somebody changed the rules on her, so she didn't just succumb to the new rules tree. You know, she's social distancing, I'm sure, you know, she's doing this at home or in her kitchen. And so that there's, she's, she's playing by those rules that are important, but you change the ones that matter to her, she's not going to get constrained to be forced to live somebody else's life. And one of the things that, that she found is the luckiest people in the world always find a positive solution of everything. You know, and you had to look for it a little bit, right. But you know, it was there.elly Lyons  11:55  I really embraced the quarantine Actually, I really enjoyed it. I have to say, there was no way I was gonna, you know, I really didn't, I didn't want it to destroy my life. And I was really excited to see what was going to happen next. And being somebody who's a creative person. The thing about major change. My favorite thing about major change is seeing everything that comes next. What happens now what's going to happen now and as much as there's a bubble of chaos right now for everybody. I'm loving to see what's developing out of this. You know, it's happened all over the world all through history. What's going to happen next, what happened after World War One what happened after World War two? What happened after the Spanish Spanish flu? What happened in industry? What rose to the occasion? I'm very interested in that.Ray Loewe  12:41  And what better than chocolate bombs?Kelly Lyons  12:45  The end of the day, chocolateKC Dempster  12:49  In addition, in addition to the chocolate bombs, Kelly has some Valentine's Day specials, these breakable hearts, which if you go to her website page or on Facebook, and it's called Fairyland confections. And if you go there, you can see all of the products. One of the chocolate bombs is made to look like a panda. Panda Bear, not Panda, polar bear. And I just think it's the cutest thing. But these these breakable hearts are fascinating because you say people can purchase them already filled or they can sell them themselves. So how does how does that work?Kelly Lyons  13:26  So they're actually just the top of the heart and it goes down onto a cake board and they're about eight inches wide. Now. I thought they were supposed to be sealed too. But then everybody kept saying oh, no, you can just sell them just the top and then people can. So the pert the first person who asked me to make a breakable heart is a newlywed. It's their first Valentine's together. He's putting jewelry and love letters in it. He just wanted the top and I said all right, no problem. So they're doing very well. I don't know if it's an aggressive thing or again, Ray is an activity that people are really embracing but it's just you when you take a lobster hammer hammer and you whack open this this chocolate heart to see what's inside.Ray Loewe  14:08  Well, I think there's more to it than that. I mean, it kind of started with this idea about building bombs, okay, and and expanding it, but I think you do some other things with it. So you create events for other people.Kelly Lyons  14:22  I love to do that. That was probably my favorite thing to do.Ray Loewe  14:26  Okay, so talk about some of the events that you're helping people create with chocolate bars.Kelly Lyons  14:32  Okay, well, you know I did. They had a drive by baby shower for somebody. So the mother reached out to me and asked me to do the favors for her drive by baby shower, which were strawberry and cream. It was a baby girl. So she, we did that. But this Friday Whistlers inn in cinnaminson is having a polar Party, which I think is like such a great idea. They're going to use their outdoor dining space and they're just going to let the heaters run and they're going to have a polar party. And so I reached out and said, Hey, I make hot chocolate bombs in the shape of polar bears. Do you guys want those? And they said, Yes, we definitely want those. So they're gonna add Kahlua, or vodka or whatever you want to those, those bombs. And so they're super excited about that. And this weekend, I have an open house at grazing goat farm, so they'll have all kinds of stuff there. And I'm also working on gender reveal cocoa bombs withRay Loewe  15:29  what's in it in blue or pink?Kelly Lyons  15:31  Yep, they're pink and blue. So it's either a girl or boy, they have to tell me what I'm making but they won't know until it pops open. What's in the belly? And that one's a bear too, but he's a brown bear.Ray Loewe  15:45  Couple of things. Number one, you went from running a children's museum to how does one begin a career in crafting chocolate?Kelly Lyons  15:55  I you know, this is one of those things where you I I didn't plan it. I had no idea it was gonna happen. I've always worked around and with food. My mother's a chef, my parents owned restaurants. I love to work with food. I love to have people at my house. I love to entertain. I love to make dinners. I love to make things and drop them off to people. I've been doing that my whole life and that's really how the chocolate bomb started. I saw them on Pinterest. I made them and drop them off at peoples houses. I just didn't know that it was gonna take gotta get the legs that it got I had no I was I had no idea.Ray Loewe  16:29  Okay, so is there an end to this? Or do we just have chocolate bars forevermore?Kelly Lyons  16:34  I you know, I now I have kind of come up with this new concept for the company and I named it you know, I called it Fairyland Confections. And I'm gonna, I'm gonna be very transparent about that there. I am not a chocolatier. So the reason it was even called Fairyland Confections is because my decorations are a little crazy. And the reason the decorations are so crazy is because sometimes my chocolate has holes in it and has divots in it and because I'm not a chocolatier, so I had to cover it with a lot of icing and throw a bunch of stuff on top. So I thought, you know what, I'm gonna I'm gonna make this a thing we're gonna call it Fairyland confections like the fairies took over the piping bag and the decorations and and then with that, you know, I have I'm hoping that at some point, I may open it a Fairyland cafe because that that's definitely because I do unicorn bombs and, and, you know, I like sparkles. I mean, I always tell everybody when there's sadness in the world, and they try to talk to me about it. I say, you know what, I really only deal in rainbows and unicorns. That's really my thing. I've always been that way. I like to keep it I like to keep the vibration high. And you know, I like I like stuff like that. So I'm hoping that we may be able to make Fairyland Confections and actual cafe and I'm working on tea bombs. Oh,you'll love those KC, they are a clear sugar ball with the tea bags inside and flower like edible flowers. They're beautiful. Oh, cool. That will be spring. So.Ray Loewe  18:09  Okay, so we have the ability to do hot chocolate do can we do like alcoholic beverages and stuff like that. Now, you indicated, we're gonna do that this weekend. So what do you do just put the Bailey's, you just put whatever the confection is on the inside?Kelly Lyons  18:28  I could do it on the inside. I'm having a logistical issue with this. But how Whistlers is going to do it is they're going to have the mug they're going to pour the kalua or the Bailey's or whatever, they're gonna pour the shot into the bottom of the mug. Set the polar bear on top and then pour the hot milk over top of them. Because my problem is, is when you put the alcohol in the bomb, which I can, it dissolves the marshmallows. Marshmallows, I have to figure out a way to make half of it filled with alcohol and half of the marshmallows kind of in the top and then seal it together so that it doesn't mess up the marshmallows.Ray Loewe  19:06  Who would have thunk that Marshmallows would do that.Kelly Lyons  19:10  So yes, I mean, I've made rumchata for my friends, but I didn't put the Mark I did we put the marshmallows in it, but then by the time we put the bomb in that there was no marshmallow.Ray Loewe  19:19  Okay, let's talk about some of the creativity that people can do here. So, so there is no reason you're sitting at home today. And you have these people getting tired of zoom calls, right? Yeah. So what if we just sent out a whole bunch of cocoa bombs to people, and we had a cocoa Salute on zoom, right?Kelly Lyons  19:44  It's a good idea. You can either add or add some alcohol to it. Whatever you want to do.Ray Loewe  19:50  So so people can take this concept of yours the sugar, sugar concept sugar is always a good thing. And and and do creative things. And and the idea the parties creating the parties and creating themed parties. And I love the baby reveal one.Kelly Lyons  20:08  Oh, yeah, that's gonna be.Ray Loewe  20:11  And then what happens if the baby comes out to be the opposite of what everybody predicted?Kelly Lyons  20:16  I'm not making the call. They're telling me what the doctor said.KC Dempster  20:24  Yeah, I'm sure it has happened in the past.Ray Loewe  20:31  Or the end of our timeframe work here. But let's recap on a couple things. So. So Kelly is one of our luckiest people in the world. Okay, and we know that because she is creating her own life, and she's moving forward in and ignoring the bubble of chaos. Right. Okay. The creativity that that you hear is interesting, I guess, in totally unique and different. But it's the concept of creating the events out of it that I think is really where the edge is. And so we have the ability to order these things, and ship them to our friends. And we can do that and the website we put on our podcast notes. But what is the website again?KC Dempster  21:16  It's in Facebook, and it's Fairyland Confections. Really easy to find.Ray Loewe  21:24  Okay, yeah. And do you have any other words of wisdom for those who are caught in the bubble of chaos, or those of us who are just chocoholics, or those of us who want to make bombs?Kelly Lyons  21:40  I would say yeah, me here. Here's my words of wisdom. take a little time to quiet your mind. And don't overthink things and next thing you know the answers coming.KC Dempster  21:52  That's very wise, very sage. ThankKelly Lyons  21:56  Follow your joy, follow your joy. Next thing you know, everything works out just fine.Ray Loewe  21:59  It follow your joy. And with that, there's nothing else to say is there?Kelly Lyons  22:03  that's it, follow your joy.Ray Loewe  22:04  So join us. Next week. We'll have another intriguing gush. Look up Kelly on her Facebook thing, and eat, well drink chocolate in thisKelly Lyons  22:18  way. Thank you for having me. I really appreciate that. Thanks, Kelly. Have a great day.Kris Parsons  22:24  Thank you for listening to Changing the Rules a podcast designed to help you live your life the way you want and give you what you need to make it happen. Join us next week for our next exciting topic on changing the rules with KC Dempster and Ray Loewe, the luckiest guy in the world. 

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1338266211356995586 CW: Suicide, Child Molestation, Bullying It’s Christmas Anthology Week on Pod Sematary! Chris & Kelsey spend their Christmas in a series of spooky vignettes. The Classic Film: Tales from the Crypt (1972) "Five strangers get lost in a crypt and, after meeting the mysterious Crypt Keeper, receive visions of how they will die” (IMDb.com). A charming collection of EC Comics-style stories (including one about an escaped, psychopathic Santa), Tales from the Crypt is pretty much exactly what you'd expect. The Modern Film: All the Creatures Were Stirring (2018) "When an awkward date on Christmas Eve leads a couple into a strange theater, they're treated to a bizarre and frightening collection of Christmas stories, featuring a wide ensemble of characters doing their best to avoid the horrors of the holidays” (IMDb.com). Sometimes we watch a movie that's worse for how much promise it shows in an otherwise bad package. This is one of those times. Audio Sources: "All the Creatures Were Stirring (2018)" produced by FallBack Plan Productions "A Game of Thrones: A Song of Ice and Fire: Book One" written by George R. R. Martin and read by Roy Dotrice "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Santa Teach Me to Dance" written by Doug Lapham and performed by Debbie & The Darnels "Tales from the Crypt (1972)" produced by Amicus Productions "Who Shot Mr. Burns? Part One" (The Simpsons S06E25) produced by Gracie Films & 20th Century Fox Television

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1330267353590935552 CW: Suicide, Infant/Child Pain and Death, Domestic Abuse, Overdose, Addiction It’s Stephen King Sequels Week on Pod Sematary! Chris & Kelsey shine on in a field of nothing but stupid, old corn. The Classic Film: Children of the Corn II: The Final Sacrifice (1992) "A journalist and his son travel to Nebraska to investigate the mysterious town of Gatlin where, unbeknownst to them, a murderous cult of children are still waiting in the cornfields” (IMDb.com). This is not a good sequel, but we were surprised by just how much fun we had watching it. The Modern Film: Doctor Sleep (2019) "Years following the events of The Shining, a now-adult Dan Torrance must protect a young girl with similar powers from a cult known as The True Knot, who prey on children with powers to remain immortal” (IMDb.com). Doctor Sleep has the unenviable job of walking the tightrope between following on from Kubrick's version of The Shining and staying faithful to the King books, but it manages to pull it off with aplomb. Audio Sources: "Bill & Ted's Excellent Adventure" produced by De Laurentiis Entertainment Group, et al. "Children of the Corn II: Final Sacrifice" produced by Fifth Avenue Entertainment, et al. "Doctor Sleep" produced by Warner Bros., et al. "Friday the 13th" (1980) produced by Sean S. Cunningham Films, et al. "Homer vs. the 18th Amendment" (The Simpsons S08E18) produced by Gracie Films & 20th Century Fox Television "Instant Karma! (We All Shine On)" written and performed by John Lennon "Midnight, the Stars and You" written by Harry M. Woods, Jimmy Campbell, & Reg Connelly and performed by Ray Noble and his Orchestra & Al Bowlly "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Pokémon Theme" written by John Siegler & John Loeffler and performed by Jason Paige

Endlich! Halloween steht vor der Tür und wir machen endlich unsere Buffy-Folge! Unserer Meinung nach eine der besten Serien aller Zeiten und ihrer Zeit auch weit voraus. Aber was begeistert uns an ihr, was sind unsere Lieblingscharaktere - und: Team Angel oder Team Spike? - - - - - - - - - - - - - - - - 00:00:00 Hardcore Fans wechseln die DVDs 00:04:41 ein Wort zur Synchronisation 00:10:39 Wie kamt ihr ins Buffyversum? 00:29:58 Lieblingscharaktere 00:46:08 Team Angel vs Team Spike 01:01:59 Lieblingsbösewicht 01:18:05 Lieblingsfolgen 01:36:28 entscheidende Frage: Lieblingsstaffel? - - - - - - - - - - - - - - - - Patreon! Nerdzig Patreon Reviews! Nerdzig.de YouTube! Nerdzig TV auf YouTube Comic-YouTube! Nerdzig Comics News! Nerdzig auf Facebook Bilderchen! Nerdzig auf Instagram Intro: Anthem of a Quirky Hipster by Rex Banner - lizenziert durch Artlist.io Outro: Over Drive and Vibe by Campagna - lizenziert durch Artlist.io Bild: 20th Century Fox Television © 1997

FOX's beloved procedural, BONES, captured the hearts and minds of audiences everywhere for 12 seasons. Our guest, Jenn Halweil, fell in love with its team-oriented and scientific approach to the case-of-the-week format. Jenn is the Founder and Chief Story Engineer for #GoBeyond Labs, a creative agency that creates content celebrating diversity and inclusion in science, technology, and the arts. Her latest project FINANCIALLY NAKED is now available to stream on Facebook Watch.Check out #GoBeyond Labs and their latest series, Financially Naked!All show excerpts are property of 20th Century Fox Television.Theme by J-Mac of Fourth Quarter Entertainment.Have an idea for an episode or just want to get in touch? Shoot us an email at hello@filmnutspodcast.com.Support the showGet in touch by emailing filmnutspodcast@gmail.com or following us on Twitter, Instagram and TikTok @filmnutspodcast.The Film Nuts Podcast on YoutubeJoin The Nut House Discord community!Support The Film Nuts Podcast on Patreon!

It's a dog's life, and you… either love it or hate it depending on what movie you're in. Welcome to the third installment in our NON-BLUTH series! On this episode, we're flying solo in a late-night discussion of two very different (yet equally sheep-filled) dog movies, Rover Dangerfield and The Plague Dogs! Join us as we discuss our opinions on these films (you may be surprised), the humor, the songs, the sadness, the synths, and even some Don Bluth connections. Also, find out whether we can remember character names after midnight! Tune in every first and third Tuesday of the month for new episodes! Links: Rover Dangerfield: Streaming: https://amzn.to/30DQiqX Soundtrack: https://amzn.to/2XPZ5sL The Plague Dogs: Blu-Ray: https://amzn.to/2lCX2WM Streaming: https://amzn.to/2lqUN8K Soundtrack - CD and Digital: http://bit.ly/2LU97BR Soundtrack - Digital Only: http://bit.ly/2XKdjLU Rappin' Rodney: https://www.youtube.com/watch?v=FLGxWPtgodo Bone: https://amzn.to/2xLpkRQ The Jeff Smith Interview: http://www.tcj.com/the-jeff-smith-interview The R-Rated Animated Movie That Ended Up With a G Rating: http://bit.ly/2GfAxhW Follow Dax: https://www.instagram.com/daxschaffer https://twitter.com/DaxSchaffer Follow Sara: https://www.instagram.com/saraiyer https://twitter.com/saraanjuliiyer Follow the Podcast on Instagram: https://www.instagram.com/nothingbutthebluth Like the Podcast on Facebook: https://www.facebook.com/TheBluthTheWholeBluthAndNothingButTheBluth Rover Dangerfield music by David Newman, with songs by Rodney Dangerfield and Bill Tragesser The Plague Dogs music by Patrick Gleeson Audio clips are from Rover Dangerfield, created by Hyperion Pictures; The Plague Dogs, created by Nepenthe Productions; Watership Down, created by Nepenthe Productions; Monty Python's Flying Circus, created by BBC; Rappin' Rodney, created by Rodney Dangerfield; Futurama, created by The Curiosity Company (20th Century Fox Television); Scrubs, created by Doozer; and The Simpsons, created by Gracie Films.

Welcome to the second installment of our NON-BLUTH series! On this episode, we're joined by Steven Ray Morris (See Jurassic Right) and Grayson Kent (Rock & Roll Reptiles) to discuss one of 1993's biggest dinosaur movies, We're Back! A Dinosaur's Story, and 1982's biggest unicorn movie, The Last Unicorn. Rock n' roll with us back to the dawn of these productions to find out all the T-Rex tea you never knew you needed to know! Look and see how the celebrity-filled voice casts sparkle! And sing along with your favorite (or least favorite) movie songs. So grab some Brain Grain™ and a Red Bull™ and join us! Tune in every first and third Tuesday of the month for new episodes! Links: We're Back: Blu-Ray: https://amzn.to/2WQpx07 Streaming: https://amzn.to/2RowuEv Book: https://amzn.to/2XjswlX Soundtrack: http://bit.ly/2XTEoYJ The Last Unicorn: Blu-Ray: https://amzn.to/2RlPQKf YouTube: https://youtu.be/aVaUZZpvBBI Book: https://amzn.to/2IVQCtR Soundtrack: http://bit.ly/2x13Srx Graphic novel: https://amzn.to/2IndKlM The Lost Journey: https://amzn.to/31F78qu We're Back! A Dinosaur's Story reading: https://youtu.be/hPXRt9a76dA Roll Back the Rock: An Oral History of We're Back: http://bit.ly/2x2NC9m The Last Unicorn Cover by Ninja Sex Party: https://youtu.be/uF1Q56YAo0Q Follow Steven: https://www.instagram.com/stevenraymorris See Jurassic Right: https://play.acast.com/s/jurassicright Rock & Roll Reptiles (Grayson): https://www.facebook.com/RockNRollReptiles Follow Dax: https://www.instagram.com/daxschaffer Follow Sara: https://www.instagram.com/saraiyer Follow the Podcast: https://www.instagram.com/nothingbutthebluth We're Back music by James Horner (allegedly) The Last Unicorn music by Jimmy Webb “Roll Back the Rock (to the Dawn of Time)” music and lyrics by James Horner, performed by John Goodman “The Last Unicorn” music and lyrics by Jimmy Webb, performed by America “Sister Golden Hair” by America “The Last Unicorn” cover by Ninja Sex Party Audio clips are from We're Back, created by Amblimation; The Last Unicorn, created by Rankin/Bass Productions; Futurama, created by The Curiosity Company (20th Century Fox Television); and The Magic Voyage, created by Bavaria Film

Where is the fandom today, and would they even want a M*A*S*H reboot? What would that even look like? We're giving you the best care anywhere* (as far as a podcast goes) on this week's episode! *Please consult with your physician for any actual medical care you may need. We are not doctors. ## Episode Outline ### Fandom Facts **History and Origins:** > M*A*S*H is an American war comedy-drama television series that aired on CBS from 1972 to 1983. It was developed by Larry Gelbart, adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The series, which was produced with 20th Century Fox Television for CBS, follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). The show's title sequence features an instrumental-only version of "Suicide Is Painless", the original film's theme song which was popular enough to become the UK's best selling song hitting number 1and staying for 3 weeks in May/June of 1980. The show was created after an attempt to film the original book's sequel, M*A*S*H Goes to Maine, failed. The television series is the best-known of the M*A*S*H works, and one of the highest-rated shows in US television history. > — [Wikipedia - M*A*S*H (TV series)](https://en.wikipedia.org/wiki/M*A*S*H_(TV_series)) **Search Data:** While it is unclear how popular MASH has been since its initial release in the 1970s, we do have some data from [Google Trends as far back as 2004](https://trends.google.com/trends/explore?date=all&q=%2Fm%2F014gjp). Surprisingly, while interest in the show was on a downturn until December 2014, the show has recently enjoyed a slight upward trend in interest, with some notable spikes in February 2015 (Release on Netflix), January 2017 (Release on Hulu), and March 2018 (More episodes released on Hulu). The top ten countries for MASH, by search volume, are as follows: Albania (By a _large_ margin), Czechia, Slovakia, United States, Australia, New Zealand, Canada, Romania, Norway, and Sweeden. [// Could be unrelated: MASH = Ministry of Science and Education]: # **Fan Demographics:** From a very rough self-selecting sample of folks on reddit, we were able to get some data on what today's fans of MASH look like... in terms of age at least. Through some quick javascript math on the thread ["What is the average age of the MASH viewer?](https://www.reddit.com/r/mash/comments/51cvx4/what_is_the_average_age_of_the_mash_viewer_how/), we get the following data of the approximately 100 data points: - Max age: 54 - Mean age: 28.2 - Median age: 27 - Mode age: 30 - Min age: 10 Other than that, data is scarce... other than this tidbit from Mental Floss: > Seventy-seven percent of the people watching television in the United States on the night of Monday, February 28, 1983 were watching the two-and-a-half-hour series finale, “Goodbye, Farewell and Amen.” That was 121.6 million people. A company only had to pay $30,000 to run a 30-second commercial when M*A*S*H got started in 1972. For the series finale, a 30-second spot cost $450,000. > — [Mental Floss - 17 Things You Might Not Know About M*A*S*H](http://mentalfloss.com/article/68457/17-painless-facts-about-mash) **Fanac Fast Facts:** - On the fan works archive Archive Of Our Own, there are [just over 1000 fan works related to MASH](https://archiveofourown.org/tags/MASH%20(TV)/works): - Top three categories: M/M (528), Gen (352), F/M (208) - ...Almost all, of which, are related to the TV series (i.e. there isn't a prominent overlap with other fandoms, though there is overlap) - Top three characters: Benjamin Franklin "Hawkeye" Pierce (793), B. J. Hunnicutt (434), Margaret "Hot Lips" Houlihan (248) - Top three relationships: B. J. Hunnicutt/Benjamin Franklin "Hawkeye" Pierce (233), "Trapper" John McInt

Could it be that Bob's family is... DEAD?! Probably not, but fan theories are just part of chronicling an obsession as we talk with Bob's Burgers experts Jen and Briddany about fans of, well, Bob's Burgers! Next week, a blue streak speed by... what fandom could we be talking about to wrap-up the season? ## Where can I learn more about Pod's Burgers? If you want to know more about Jen and Briddany's "podcast chronicling an obsession", you're in luck! - [Pod's Burgers on iTunes](https://itunes.apple.com/us/podcast/pods-burgers-podcast-chronicling-bobs-burgers-obsession/id1328949899?mt=2) - [Pod's Burgers on Stitcher](https://www.stitcher.com/podcast/pods-burgers) - [The Pod's Burgers Website](https://www.podsburgers.com/) - [@podsburgers on Instagram](https://www.instagram.com/podsburgers/) - [@podsburgers on Facebook](https://www.facebook.com/podsburgers/) ## Episode outline ### Fandom Facts **History and Origins:** > Bob's Burgers is an American animated sitcom created by Loren Bouchard that premiered on Fox on January 9, 2011. The series centers on the Belcher family - parents Bob and Linda, and their children Tina, Gene, and Louise - who run a hamburger restaurant. The show was conceived by Bouchard after he developed Home Movies. It is produced and distributed in association with 20th Century Fox Television. > ... > In 2013, TV Guide ranked Bob's Burgers as one of the top 60 Greatest TV Cartoons of All Time. The series has been nominated for several awards, including the Emmy Award for Outstanding Animated Program seven consecutive times, winning in 2014 and 2017. > — [Wikipedia - Bob's Burgers](https://en.wikipedia.org/wiki/Bob%27s_Burgers) **Search Data:** Based on Google Trends data, [_Bob's Burgers_ is probably more popular now than it ever has been](https://trends.google.com/trends/explore?date=all&q=Bob%27s%20Burgers) (though interest has leveled off a bit). There was a huge spike in interest in January 2011 (when the show premiered), and wasn't as popular again until around January 2014 (Possibly related to the release of the 3rd season on DVD, though that occurred in May 2014). The most interest in Bob's Burgers occurred around October 2017, which happens to correspond with the season eight premiere. The top ten most popular countries for Bob's Burgers, by search volume, are: United States, Australia, New Zealand, Canada, Ireland, United Kingdom, Sweden, South Africa, Norway, and Singapore. - [// Big drop off between Canada (75) and Ireland (46) and United Kingdom (38) to Sweden (18)]: # **Fast Facts:** - FanFiction.net has [over 200 Bob's-Burgers-related fanfics](https://www.fanfiction.net/cartoon/Bob-s-Burgers/); Archive Of Our Own has [almost 200](https://archiveofourown.org/tags/Bob's%20Burgers%20(Cartoon)/works) - Top 3 Categories: F/M (45%), Gen (31%), M/M (17%) - Top 3 Characters: Louise (71%), Tina (61%), Bob (59%) - Top 3 Pairings: Louise / Logan Bush (19%), Louise / Regular Sized Rudy (13%), Tina / Zeke (12%) - According to some research of Nielson data via The Wrap, viewers of _Bob's Burgers_ are among the least wealthy of primetime TV watchers (median income of $48 800 USD annually). _Modern Family_ and _Parks and Recreation_ viewers were among the most wealth (median income of $81 000 USD annually). For reference, the US median income is just under $60k - Bob is most likely less wealthy than fans of the show: [Fan's estimate his income to be about $44k](https://www.zippia.com/advice/bobs-burger-estimated-revenue/) ### [Last Episode's](http://fanthropological.com/e/368ee6999cc9fe/) Famous Last Words **T** Does anyone like Jimmy Pesto? Why? - [// Def saw some stuff about him being the best villain; also a fun fan theory about him being gay and jealous of Bob]: # **Z** How do the fans feel about most of the voice cast being men (even though the cast is fairly balanced)? - [//Lots of criticism of this, actually]: #

The one, the only, the mighty ... Pam Grier. This week the Black Star podcast pays tribute to the figurehead of the Blaxploitation movement: a star who became one of the only black women to take the fight to the men in the action genre. We also track Blaxploitation's influence, from the hip hop of Snoop Dogg and the Geto Boys to the genre's late-90s resurgence thanks - in part - to Quentin Tarantino.The Pam Grier episode of Black Star contained short clips from the following: -Foxy Brown, directed by Jack Hill and released in 1974 by American International Pictures-Coffy, directed by Jack Hill and released in 1973 by American International Pictures-Original Gangstas, directed by Larry Cohen and released in 1996 by Orien Pictures-Jackie Brown, directed by Quentin Tarantino and released in 1997 by A Band Apart, Mighty Mighty Aphrodite Productions, Laurence Bender Productions and Miramax.-Black Dynamite, directed by Scott Sanders and released in 2009 by ARS Nova and ApparitionAnd a clip from the Fox TV show Empire, first broadcast in 2015 and released by Imagine Television, Lee Daniels Entertainment, Danny Strong Productions, Little Chicken Inc and 20th Century Fox Television. See acast.com/privacy for privacy and opt-out information.