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2 episodes with assault on precinct
3 episodes with assault on precinct
2 episodes with assault on precinct
3 episodes with assault on precinct
2 episodes with assault on precinct
2 episodes with assault on precinct
ENEMY TERRITORY is the first film bold enough to ask: what if the guy who sang the GHOSTBUSTERS theme was in ASSAULT ON PRECINCT 13? Turns out the answer is a pretty rad underground action flick. Returning guest Eric Walkuski joins us as we talk about this wild piece of late-80s urban paranoia, as a milquetoast insurance salesman and a cable repairman try to survive a night in a tenement building against a bloodthirsty gang. Hosted by Jarrod Hornbeck and Steve Guntli Theme song by Kyle Hornbeck Logo by Doug McCambridge Email: puppetmasterscastlefreaks@gmail.com Instagram/Threads: @puppetmasters_castlefreaks YouTube: @PuppetMastersCastleFreaks Next week's episode: The Baby Oopsie trilogy
On the episode we talk about the some lesser talked about John Carpenter movies, Assault On Precinct 13, Village Of The Damned and Ghosts Of Mars. Raul tries to fight threw being sick as hell while Anthony and guest Greg Bensch try to carry his dying ass. Assault On Precinct 13 Raul - 10 out of 10 Dead little girls (buy) Anthony - 7 out of 10 locked and loaded ice cream men (stream on tubi unless you happen to be a completst of john carpenter films then buy) Greg - 8 out of 10 Bloody Ice cream cones (buy) Village of the Damned Raul - 5 out of 10 Dead alien babies (stream) Anthony - 6 out of 10 Kirsty Allies Looking at her watch at a funeral (Stream on tubi unless you're a completests of John Carpenter or killer kid movies then buy) Greg - 7 out of 10 BBQ Sobs (stream) Ghosts of Mars Raul - 8.5 out of 10 Heads on pikes (stream) Anthony - 5.5 out of 10 Lego looking trains (Stream on tubi) Greg - 3 out of 10 jacked Marilyn Mansons (make this the last Carpenter movie) Website Links: Website - https://headlongintomonsters.godaddysites.com Twitter - https://twitter.com/In2Monsters E-mail - headlongintomonsters@gmail.com Facebook Group - https://www.facebook.com/groups/1192679381675030 Anthony Links: Sintagram - https://www.instagram.com/johnnypaintbox/ Johnny Paintbox - https://www.johnnypaintbox.com/info/artist-statement- MRAC Film Club - https://podcasts.apple.com/us/podcast/mrac-film-club/id1716134038 Ashley Links: Twitter - https://twitter.com/BarelyAshley Letterboxd - https://letterboxd.com/barelyashley/ Monochrome Creeps Hashtag link (watch long party every saturday night at 11 pm EST with Ashley and Tombs on twitter)- https://twitter.com/hashtag/MonochromeCreeps?src=hashtag_click Raul Links: Twitter - https://twitter.com/RaulVsMonsters Letterboxd - https://letterboxd.com/into_monsters/ Greg Links: Facebook - https://www.facebook.com/greg.bensch Movie Rambling and Reviews - https://podcasts.apple.com/us/podcast/movie-rambling-reviews/id1768631933 Listener Feedback, Horror Happenings and Ra-Ghouls Reprehensible reading Room music Created by Mike Miller (Mike twitter): https://www.facebook.com/profile.php?id=100004929583462 Opening Music: https://audiojungle.net/item/80s-horror-retro-background/33176055 Closing Music: https://audiojungle.net/item/hip-hop-horror/25238003
In Episode 25, hosts Drew Lyon & Door Man welcome guest Sean Shelton from the Academy's programming team! Together they engage in a "spoiler free" discussion of half the upcoming films within the September 2024 Revival Program at the Academy Theater. SEPT 13-19: TEENAGE MUTANT NINJA TURTLES (1990) // ASSAULT ON PRECINCT 13 (1976) // CURE (1997) [International Series].SEPT 20-26: NOTHING BUT A MAN (1964) // FIRST BLOOD (1982) // THE SILENCE OF THE LAMBS (1991). SEPT 27 - OCT 3: REBEL WITHOUT A CAUSE (1955) [Classics Series] // BIRD WITH THE CRYSTAL PLUMAGE (1970) [Deep Cut Series] // ELECTION (1999). Take a listen and get excited to see these movies on our Big Screen! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit academyrevivalpodcast.substack.com
Join us and our special guest Erin Casteneda as we discuss John Carpenter's 1976 film Assault On Precinct 13! It's Carpenter's take on a western...since they wouldn't let him make one.
The spring showers have begun their annual process of bringing May flowers, and thus we bid goodbye to Carp-winter on this final episode in the series. We're going back to the very beginning with what Carpenter refers to as his first "real" movie, the germ from which his career grew: it's 1976's ASSAULT ON PRECINCT 13!We're discussing Carpenter's humble-yet-cynical beginnings, his love of sieges, and his inspirations to create this movie before we dive into the ASSAULT's path from period western to modern day, how this movie took a village to make, and just how much of it is lovingly lifted from other sources. (Featuring one of Erin's sickest remixes to date.) We go deep on the operations of the multicultural gang Street Thunder, the notorious ice cream scene, and our love for Napoleon Wilson.And finally, as we wrap up Carp-winter we're taking the opportunity to show how ASSAULT paved the path to Carpenter's future career, and talk about our John Carpenter favourites.Next time, we leave Carpenter behind for some other genre fare as we revisit the 1993 wrong man classic, THE FUGITIVE.
In The Month Of Madness continues!
As we prepare to ring in the new year, we look back at this classic pair of new-year horrors! First up is JOHN CARPENTER's early action masterpiece ASSAULT ON PRECINCT 13 (1976). We pair it with the nuclear killer-kids cult fave THE CHILDREN (1980)!It's a "New Year of Fear!" double bill in this episode of CULT and CLASSIC Films Podcast!Listen: Wherever you get your podcasts & at cultandclassicfilms.com/Watch: youtube.com/@CULTANDCLASSICFILMS/Subscribe at patreon.com/cultandclassicfilms for EXCLUSIVE cult movies sent to you every month!Buy exclusive films at cultandclassicfilms.com/Host: Nate WyckoffPanelists: Amanda Longley & Greg Johnson
Pour cette nouvelle émission sur Radio Canut, nous recevrons Ludovic Villard dont le tout nouveau livre Bandes originales et cinéma de genre vient de sortir aux éditions Le Mot et Le Reste. Nous parlerons de son parcours, et bien entendu de son travail sur ce copieux ouvrage consacré à la musique de nos genres préférés. A propos du livre :Entre 1960 et 1982, le cinéma dit « de genre » vit un âge de prospérité et de liberté au cours duquel la musique va acquérir un rôle essentiel. Pendant deux décennies, réalisateurs et compositeurs vont travailler de concert à des œuvres sans concessions, dont les partitions souligneront le caractère inventif et bien souvent contestataire, parfois avec les moyens du bord, parfois aussi avec des budgets démesurés, mais toujours dans le but d'offrir une expérience forte et singulière. Dans cet ouvrage, Ludovic Villard explore ainsi 100 bandes originales parmi lesquelles celles composées par Ennio Morricone pour Le Bon, la brute et le truand (Sergio Leone, 1966) ou La Rançon de la peur (Umberto Lenzi, 1974), par Isaac Hayes pour Shaft (Goldon Parks,1971) ou encore par John Carpenter pour Assault On Precinct 13 (John Carpenter, 1978). BANDES ORIGINALES & CINÉMA DE GENREDE PSYCHOSE À BLADE RUNNER Editions Le mot et le reste – août 2023Collection Musiques | 312 pagesISBN : 978-2-38431-254-2 A propos de Ludovic Villard :Né à Villeurbanne en 1983, Ludovic Villard compose des poèmes et des textes de rap dès l'adolescence. Il enregistre une soixantaine de projets musicaux entre 2007 et 2023 sous le nom de Lucio Bukowski, puis publie deux premiers recueils poétiques en 2017 (Je demeure paisible en travers de leurs gorges) et 2019 (La Lune boit tout ce qu'elle peut mais laisse de généreux pourboires). En 2020 il publie un essai sur Louis Calaferte, Il est cinq heures dans un monde libre et civilisé (les éditions du Feu Sacré) puis un troisième recueil augmenté d'une anthologie en 2022 : Il faut toujours se préparer à perdre (Castor Astral).
Tonight I'm joined again by Doug Bielmeier, associate professor and host of The Process. This is the first of 3 shows where Doug and I talk about selected films in John Carpnenter's amazing career. In this episode, we're talking about 1976's Assault On Precinct 13 and 1981's Escape From New York. Show music by OGRE. Support the show!
"Happy New Year, Sarge" Episode 10 of Absolute Cuts sees hosts Mark Nelson and Ryan Cullen discuss the 2005 siege remake, Assault On Precinct 13. Mark and Ryan talk about SWAT tactics, basic therapy and horny cops. Please get in touch and let us know if you enjoy the podcast, what guests you'd like to see on in future episodes and to suggest a film. Email : absolutecutspodcast@gmail.com You can follow the podcast on social media here - Twitter : @AbsoluteCuts Instagram : @AbsoluteCutsPod Please leave a 5 star rating and review if you have enjoyed and recommend us to anyone you think might enjoy the pod. The Absolute Cuts soundtrack can be found here : https://open.spotify.com/playlist/7y4PQxrbJk7PJLz3IJKIot?si=1d999a719b17409b You can also find both Nelson and Cullen at the various places below - Mark Links Twitter : @marknelsoncomic Instagram : @marknelsoncomic Facebook : MarkNelsonComic Youtube : Mark Nelson - YouTube Tour shows and Fringe tickets : marknelsoncomic | Twitter, Instagram, Facebook | Linktree Ryan Links Twitter : @RyanCullen90 Instagram : @ryancullen90 Tik Tok : @ryancullencomedy Bookings : ryancullen90 | Twitter, Instagram, Facebook, TikTok | Linktree
Welcome to the Sh*t You May Not Have Seen Podcast where hosts, Scott and Joe discuss smaller films that may have been missed on initial release. This week they discuss Assault On Precinct 13 (1976).Twitter & Instagram: @notseenpod Hosted on Acast. See acast.com/privacy for more information.
This week Phillip and Michael discuss the 1976 John Carpenter flick ASSAULT ON PRECINCT 13. We have thoughts. So strap in!Check out the Youtube version of the show hereJoin us on Patreon to listen to the soundtrack!Support the show
X-FACTOR: Xylazine is making all of the headlines, the flashy tranquilizer that rots your skin, LETS GO. The Boy Blue: We can't talk about drugs without checking in on self proclaimed "PIECE OF SHIT" The Boy Blue Devil himself. Palette Cleansers: Some palette cleansers with a guy performing a side piss, the drive by nut and extra Big Mac sauce. YOU THINK YOU'RE SO FUCKING COOL!, SCREAM IN PAIN!, THE LAST BOY SCOUT!, EVERYBODY IS WORKING FOR THE WEEKEND!, LOVERBOY!, THE IRREDEEMABLE!, ZOMBIE DRUG!, FLESH ROT!, REAL THING!?, TRANQS!, TRANQUILIZER!, X FACTOR!, UNSEEN!, FATAL!, XYLAZINE!, PEP RALLY!, OPIOID!, ADDICTION!, HIGH!, MUSCLE RELAXER!, PHILADELPHIA!, JOHN CARPENTER!, ASSAULT ON PRECINCT 13!, HOMELESS!, TRASH FIRES!, AI!, SARAH'S HUBBY!, THE BOY BLUE!, FIREBALL SHOTS!, SHORTS!, YOUTUBE!, DONATIONS!, DOUBLE SHOT!, MONETIZATION!, TWIZTID!, STEP FATHER!, LIVE!, MAMMA D!, BURP!, DRUNK!, CIGGS!, JUGGALO DRAMA ALERT!, DMV!, TEQUILA!, PATRON!, BEETLEJUICE!, WII U GAMES!, SIDE PISS!, RING DOORBELL!, PISSING ON A HOUSE!, SALESMAN!, PISS STREAM!, SNEAKY!, DRIVE BY NUT!, DRIVE BY JERK OFF!, PERVERT!, ASSAULT!, RAPIST!, GRIMY NYC!, SLEAZY!, PRISON GUARDS!, PRISON JUSTICE!, NICE GUY!, MOVIES AND TV!, BIG MAC SAUCE!, MAC SAUCE!, EXTRA SAUCE!, ARGUMENT!, HEATED! You can find the videos from this episode at our Discord RIGHT HERE!
#johncarpenter #assaultonprecinct13 #michaelmyers Getting back to the Master with his second movie, Assault On Precinct 13. Lean, taut and compellingly gritty, John Carpenter's loose update of Rio Bravo ranks as a cult action classic and one of the filmmaker's best.Thanks to all our Patrons and YouTube Members for supporting the channel, if you would like early access to TSL Content, find out more at the links below.https://www.youtube.com/channel/UCLfaW3fd5Oo-nFvKsL_1CfQ/joinhttps://www.patreon.com/tslmoviepodcastPO Box 156, Stockholm, NJ 07460 USAMany thanks to "Karl Casey @ White Bat Audio" for providing the superb synth background music.Many thanks to Jason Draughon for the amazing channel artwork. You can check him out here at https://www.instagram.com/jase_drawn/Please feel free to like and subscribe. You can also join our facebook page where you can learn when our shows are about to drop. https://www.youtube.com/c/TheSlaughteredLambMoviePodcasthttps://www.facebook.com/groups/803029887178672https://www.instagram.com/the_slaughtered_lamb_podcast/https://twitter.com/SlaughteredTheAll clips and images used in this video were used ONLY as a means to review and criticise and should be considered as FAIR USE, under the Copyright act.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Dan Shea returns to talk about Carpenter's first "real" movie, the no-budget, no-mercy siege movie ASSAULT ON PRECINCT 13
This week, Eric and Josh are joined by special guest Mark Pollesel, screenwriter of Enter The Drag Dragon! On top of the origins and making of Enter The Drag Dragon, they also chat about: indie film production co-op, sound effects editing, C4 Wrestling, Jesus Christ Vampire Hunter, the extinction of newspaper boxes, blockbuster lineups, Hugh Jackman, 35mm vs digital screenings, Batman '66, the length of feature length movies, and more! They also mention the movies screening the week of Friday February 3 - Thursday February 9: The Son, Tár, Assault On Precinct 13, Skinamarink, and Mind Leech!
The Nicks watched the 1976 John Carpenter film, Assault On Precinct 13 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
We say goodbye to the month of May with a review for director/writer, John Carpenter's ‘ASSAULT ON PRECINCT 13.' Our local projectionist, Mr. Chris Pawlak returns for his end of the month take over as per usual. Hit that play button to hear tons of current pop culture news as well as weekly recommendations for both, tv and film. Podcast music:Onarres.Segment arrangements:Admiral Atlas.Mixed and edited by:Wesley Swanson.
As we bring an end to our weekly Friday MINI-SODES, we're closing them out with this special re-sharing of our chat about two vintage treats! First up is John Carpenter's early action masterpiece ASSAULT ON PRECINCT 13 (1976), which we've paired with the killer nuclear-kids flick THE CHILDREN (1980)! It's a "New Year of Fear!" double bill in this episode of CULT and CLASSIC Podcast! Host: Nate Wyckoff Panelists: Amanda Longley & Greg Johnson Support this podcast
On this week's KILLER BS we discuss the career of Austin Stoker, star of ASSAULT ON PRECINCT 13. We talk about his work with Pam Grier in SHEBA BABY, in addition to his roles in HORROR HIGH, ABBY, THE ZEBRA KILLER, and TIME WALKER.
Got a smoke, Kill Donkeys! It's time for FOOD COURT, your favorite podcast, where we brave the malls and the movie halls so you don't have to! Sean, Jon, and Michael watched ASSAULT ON PRECINCT 13, the gang-as-zombies survival horror from John Carpenter. Will the boys enjoy this modern western? Or would they prefer just a regular western? Tune in to find out! So grab your popcorn, sneak in your snacks, and pop your pepto because it's time to shoot a huge acetylene tank and blow up a multi-racial gang! Bon Appétit!
Charles, Jon, and Samm are back this week to discuss genre icon John Carpenter. The… The post TWITCH OF THE DEATH NERVE EPISODE 5: ASSAULT ON PRECINCT 13 appeared first on Cinepunx.
John Carpenter puts his own spin on Howard Hawks' iconic western RIO BRAVO and Griffin learns about “The Real Housewives of Beverly Hills” - it's our ASSAULT ON PRECINCT 13 episode! Screenwriter and film critic April Wolfe (2019's BLACK CHRISTMAS) joins us as we discuss the most dramatic vanilla ice cream cone of all time. Is this one of Carpenter's best musical scores? Gonna go ahead and say YES. This episode is sponsored by: Noom (noom.com/check) MUBI (mubi.com/check) Stamps.com (CODE: CHECK) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com
Paul and Erin review two films about lawmen under siege: our art pick is Howard Hawks' 1959 Western RIO BRAVO, and our trash pick is John Carpenter's 1976 thriller ASSAULT ON PRECINCT 13. Plus: our quick takes on YOUNGER, MILITARY WIVES, BLACK WIDOW, THE SPARKS BROTHERS and PIG.
We review a classic this week in John Carpenter's Assault On Precinct 13. Don't expect too many complaints but very good observation this week.
We take a look at the John Carpenter classic Assault on Precinct 13 this week, as well as round up a wealth of new films currently on release including In The Heights, Luca, In The Earth, Monster Hunter, as well as our look at Loki episode 2. News and Neat Things bookend the show, and as usual there's all the elements of fun chat that you've come to expect from Andy and Lee in this film show by film geeks, for film geeks. Get in touch Twitter @FilmFileUK Instagram FilmFileUK Email podcast@filmfile.uk --- Send in a voice message: https://anchor.fm/filmfileuk/message
We take a look at the John Carpenter classic Assault on Precinct 13 this week, as well as round up a wealth of new films currently on release including In The Heights, Luca, In The Earth, Monster Hunter, as well as our look at Loki episode 2. News and Neat Things bookend the show, and as usual there's all the elements of fun chat that you've come to expect from Andy and Lee in this film show by film geeks, for film geeks.
*Hosts: Joe Dubs, Andy, and Zac* We do Zac's pick for "Director Spotlight" which is John Carpenter. Zac chose Assault On Precinct 13 and Escape From NY. We also talk about the new Batman animated, Star Wars, and John Cena saying sorry to china.
The cult film podcast with Mat Colegate (aka Lord Nuneaton Savage) & Dan White (aka The Beast Must Die). The Savage Beast No.12: Moviedrome In this Very Special Episode episode, we take a slightly different approach and discuss the idea of curation in cinema, focusing on the beloved British cult film show Moviedrome. Films discussed include: Terminator (James Cameron, 1984) Jabberwocky (Terry Gilliam, 1977) Assault On Precinct 13 (John Carpenter, 1976) Vanishing Point (Richard C. Sarafian, 1971) Manhunter (Michael Mann, 1986) A great Moviedrome resource can be found at https://moviedromer.tumblr.com Matrin Scorsese interview https://harpers.org/archive/2021/03/il-maestro-federico-fellini-martin-scorsese Check out The Savage Beast tumblr, for some visual accompaniment to the discussion: https://savagebeastpodcast.tumblr.com/ Follow us on Twitter @SavBeastPod
On this Bonus Features episode, we go further into Mark's adventures into exploitation films.NOTE: Bonus Features episodes are raw and unedited, with little production.Films Referenced:THE BIG GUNDOWN (1966)THE UNDERTAKER AND HIS PALS (1966)MANOS: THE HANDS OF FATE (1966)NIGHT OF THE LIVING DEAD (1968)THE WIZARD OF GORE (1970)THE CAT O'NINE TAILS (1971)BLACK CHRISTMAS (1974)DEEP RED (1975)TAXI DRIVER (1976)ASSAULT ON PRECINCT 13 (1976)DAWN OF THE DEAD (1978)I SPIT ON YOUR GRAVE (1978)CALIGULA (1979)CANNIBAL HOLOCAUST (1980)CITY OF THE LIVING DEAD (1980)NEW YEAR'S EVIL (1980)CANNIBAL FEROX (1981)THE BEYOND (1981)THE HOUSE BY THE CEMETERY (1981)PIECES (1982)TENEBRE (1982)SILENT NIGHT, DEADLY NIGHT (1984)DAY OF THE DEAD (1985)PHENOMENA (1985)SILENT NIGHT, DEADLY NIGHT PART 2 (1987)THE DEUCE (Series, 2017-2019)ONCE UPON A TIME IN HOLLYWOOD (2019)
We have declared February John Carpenter Appreciation Month here at the Cinema Degeneration Network. Along with our regular lineup of shows, we will be releasing a show twice a week and every week dedicated to the filmography of this legendary filmmaker and musician. Kicking things off for the festivities we are dissecting Carpenter's second feature film, the 1976 action siege "ASSAULT ON PRECINCT 13" starring Austin Stoker, Darwin Joston and Laurie Zimmer. Joining host Cameron Scott for this kickoff show is special guest co-host and Grindhouse Pizzeria regular Tom Komisar! Join them as they discuss this film in great detail and get a little nostalgic for this bullet filled modern take on the Western genre!
BIOGRAFIAFecha de nacimiento: 16 de enero de 1948 (72 años).Lugar de nacimiento: Carthage N.Y.Director, productor y guionista, de cine estadounidense y ademas es compositor y músico.Ha trabajado en varios géneros de cine, pero se le asocia mas con el horror, acción y ciencia ficción donde el punto mas alto de su carrera fueron los años 70's y 80's.Entre sus películas mas reconocidas tenemos: Halloween, The Thing, Escape From N.Y., Big Trouble In Little China.Es considerado uno de los mas reconocidos directores del genero de horror, ya que sus peliculas se han convertido en éxitos con el paso de los años y estableciéndose como de culto y un referente en la historia del cine de horror.INICIOSSus padres se mudan a Kentuky, y el se sentía fuera de lugar con las creencias y forma de vida de la sociedad del estado.Este hecho el lo considera como la mayor influencia para dedicarse al cine, ya que se refugiaba en la música y cine por la vida que llevaba en Kentuky.Cuando vio en el cine la película It Came From Outer Space, se asusto mucho pero a la vez le encanto demasiado.Con esta película inicio su fascinación por el cine de horror.También leía comics como Weird science o Tales from the Crypt.Su padre le regalo una cámara de video de 8MM, y con esto aprendió lo básico de las tenias de filmación y quería dedicarse al cine y ser director; pero su padre le decía que tenia que se dedicara a otra cosa.Estudios1968 toma una decision y se va a la Universidad de California de Sur, ahi aprendió todo sobre la realización del cine.Camara, Iluminacion, Actuación etc.Junto a un compañero de universidad, crearon una banda de rock, y también componían la música de sus pequeñas peliculas de aquel entonces.Una de ellas fue The Ressurrection of Bronco Billy la cual gano un premio Oscar a la mejor película corta.CARRERA EN EL CINEDark Star (1974)Fue su primer cinta, de Ciencia Ficción, pero inicio como una película de estudiantes, pero termino siendo una película comercial.En esta cinta, participo Dan O'Bannon, como actor, co-escritor y efectos especiales.Para Carpenter, esta cinta supuso un gran éxito ya que hacer una película de ciencia ficción que tiene lugar en el espacio era algo inaudito en la escuela de cine, sumándole que era muy joven y con poca experiencia.Assault On Precinct 13 (1976) Es una película de acción, no fue gran cosa, ni obtuvo grandes criticas, pero en los festivales de Europa tuvo buena recepción y supuso el lanzamiento de la carrera de Carpenter.En esta película, es donde conoce y trabaja por primera vez con Debra Hill, como supervisora del guion y con quien seguiría trabajando mas adelante y seria parte esencial para el éxito de las peliculas de Carpenter.Halloween (1978)Rodada con un presupuesto limitado, se convertiría en cierto tiempo el film de terror independiente de mayor éxito de la historia. Y consigue que el genero slasher se integre de lleno en el cine Estadounidense.En propias palabras de George Romero cuando vio Halloween: “Es la película de horror perfecta”. Por lo que transmita, un psicopatía que ira por ti.The Fog (1980)Fantasmas de marineros regresan de la muerte para vengarse de los habitantes de un pequeño pueblo pesquero.Vuelve a participar Jamie Lee Curtis.Escape From N.Y. (1981)Influencia Western, donde el personaje de Snake es este badass del cine, tanto que influencio a Hideo Kojima para su juego Metal Gear.Lee Van CleefThe Thing (1982)Primera cinta de su trilogía y hasta aquí es donde Carpenter había estado conforme con trabajar con un presupuesto bajo.Y aqui es donde Carpenter cambio un poco su idea para apoyarse mas en los efectos especiales y el gore que estaba de moda.Pero recibieron muchas criticas, por la violencia gráfica, lo llamaron el “pornografo de la violencia”Christine (1983)Starman (1984)Derivado de las ciriticas negativa de The Thing la carrera John Carpenter se mueve en diferentes direcciones, es por eso que realizo Starman.Donde quiso demostrar que no solo podia hacer películas de horror, sino una bonita película de ciencia ficción y romance, donde nadie muriera.Otras películas de John Carpenter:Big Trouble In Little China (1986)Prince Of Darkness (1987)Teología, Religión y CienciaThey Live (1988)Memoirs Of An Invisible ManIn The Mouth Of Madness (1994)Village Of The Damned (1995)Escape From LA (1996)Vampires (1998)Ghost Of Mars (2001)The Ward (2010)Actualmente John Carpenter continua en su linea independiente y es un director con una enorme carrera exitosa sin renunciar a sus ideas.INTRODUCCION AL CINE DE HORRORInfluenciaCuando pensó en Michael Myers, Carpenter tenía muy claro que los monstruos eran más efectivos cuando la audiencia tenía menos información sobre ellos. Así que creó a un monstruo el cuál no tenía ninguna característica, una página en blanco. Lo único que lo definía era la maldad. Logró este efecto al tener la máscara sin color y los ojos completamente negros. Al tener su rostro completamente oculto, solo podría tener información sobre su personalidad según sus movimientos, los cuales, prácticamente no existen.. vemos como camina lentamente, no reacciona ante nada. Lo define Carpenter como el viento "está ahí afuera y te va a atrapar".En su película "They Live", a pesar de tener una trama simple hace una crítica social bastante interesante. hacia el consumismo y cómo la gente es influenciada a través de mensajes subliminares. Hay aliens que utilizan estos mensajes para controlarnos. Aquí la audiencia se tiene que cuestionar sobre el horror de vivir en un mundo capitalista y si realmente existe el libre albedrío... o simplemente somos manipulados por otros... otros de este mundo que no son aliens.The Thing utilizó la idea de la Body Culture de la época para convertirla en un arma de horror. Transgredir el cuerpo humano de la forma en que lo hizo y el uso del terror psicológico fue una combinación que en su momento, derribó la película, pero el tiempo la puso en un pedestal. Ahora, este fue un remake. En ese tiempo, los remakes solían ser más fieles a la versión original. El rompió el esquema trayendo una película que en lugar de hablarle a las audiencias del 51, se enfocó en lo que era relevante en los 80s.Además, crea su propia música con sintetizador esde los 70s, comenzando con el corto película Dark Star. Este tipo de música con synth puede verse más recientemente como una influencia en Stranger Things, por ejemplo.La película It Follows, claramente tiene los tintes de Halloween.Otros directores que empezaron en la misma época que él como Martin Scorsese, Spielberg, Lucas, Ford Coppola. A pesar de la gran influencia que Carpenter tuvo en el cine nunca fue fan de la escena de los óscares como éstos otros.Su interés por traer nuevas perspectivas al cine puede verse en las decisiones que toma... por ejemplo, una película Slasher vista desde el punto de vista del asesino.En sus películas, deliberadamente quiere que la audiencia conozca bien la geografía para poner el ambiente en la escena. Para ellos, hace tomas largas y a distancia para que se pueda percibir lo cerca o lejos" de las cosas. Por ejemplo, en The Thing, cierta stomas puedes ver todos los corredores y cómo se conectan, cuántos caben y demás.Otro elemento es el uso de la sangre. En sus películas, trata de limitarlo y extender su aparición para crear una tensión para agregar suspenso. No se trata de cuántos mata, sino la idea de que el asesino puede estar en cualquier lugar, en cualquier momento. Halloween, te mantiene en ese suspenso, en The Thing igual con la paranoia, - includo Tarantino dijo que trató de emular este efecto en Hateful 8- en They Live viendo los anuncios por todos lados... Hasta cierto punto, podrías decir que no te deja respirar como audiencia, no hay lugar seguro.The Purge es una película que su director James De Monaco mismo ha dicho que el sentido de paranoia en The Thing lo inspiró en su película - el guionista escribió el guión mientras escuchaba una y otra vez el soundtrack de la película. Para la secuela, Anarquía, se inspiró en Escape de Nuea York.Los héroes en sus películas se encuenrtan en un estado perpetuo de ansiedad, miedo, e incertidumbre.Otra característica del cine de Carpenter es que debe de colocar algo de humor para liberar la válvula de tod ala tensión que crea. Esto lo hace con humor, en The Thing por ejemplo los comentarios qu etienen entre ellos ayudan.También es común que sus películas son contadas desde la perspectiva de una persona común y corriente, la clase trabajadora. Son quienes ven la realidad tal cual y por eso generan esos momentos chuscos. Traen la naturalidad del ser a la pantalla, son personas en los que podemos reflejarnos.Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Insiders por Joe Crotty (Intro)Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★
Ring in the new year with this double-feature of vintage treats! First up is John Carpenter's early action masterpiece ASSAULT ON PRECINCT 13 (1976), paired with the killer nuclear-kids flick THE CHILDREN (1980). It's a "New Year of Fear!" double bill in this episode of CULT and CLASSIC Podcast! Join our Patreon at www.patreon.com/cultandclassicpodcast for awesome swag! Host: Nate Wyckoff Panelists: Amanda Longley & Greg Johnson Support this podcast
Merry Christmas! Eli is out of town, so we are joined by Bernard Houck (@barnyardhouse) of Bernard Remembers, to remember our favorite Christmas Game: Parasite Eve. This week, we play the first three days of the game, and will play the rest on New Years Day! ------------------------------------------------- Discord Twitter Ko-fi Merch Youtube Sailor Eli on YouTube Maddy Grace on Twitch! This Episode's Intro/Outro Music is "Christmas of DANA" from Ys VIII - Lacrimosa of Dana, by Falcom jdk. Copyright © Nihon Falcom Corporation
Nancy Loomis chats with Nicholas Vince (HELLRAISER, NIGHTBREED) about acting in the early John Carpenter films, HALLOWEEN, HALLOWEEN II, HALLOWEEN III, THE FOG and ASSAULT ON PRECINCT 13. She reminisces about learning to jump rope from Janet Leigh (PSYCHO), talks about her sculptures and much more.
00:00:00 Blanche Neige Et Les 7 Nains - Music In Your Soup00:02:20 Vincent Malone - L'ours Qui Pête Et Qui Rotte00:04:16 Hypotheticals Profets - Fast Food00:08:05 Peter Ivers - Happy On A Grill00:10:22 Philippe Katerine - Poulet N°72812000:12:32 Chevalier De Rinchy - J'aime Le Pain Et Le Fromage00:14:20 La Fille Du 14 Juillet - Extrait00:15:47 Bobby Lapointe - Saucisson De Cheval00:18:26 Hubert-Félix Thiéfaine - La Cancoillotte00:20:18 Versailles Chantier - Extrait00:20:55 D - Viva La Pappa00:23:00 Versailles Chantier - Extrait00:24:00 Dick Annegarn - Le Grand Diner00:27:35 Versailles Chantier - Extrait00:28:14 Fardoche/Émission Passe-Partout - Les Beaux Légumes00:30:32 Rien Sur Robert - Extrait00:31:36 Têtes Raides - Café00:33:04 Nino Ferrer - Les Cornichons00:36:00 Les Visiteurs - Extrait00:36:19 Armorica Terre De Pêcheurs - Du Poisson00:38:23 Versailles Chantier - Extrait00:38:50 The Gaylords - Chow Mein00:40:58 Le NougatBrigitte Fontaine - Le Nougat00:43:46 Indiana Jones Et Le Temple Maudit - Extrait00:44:01 Jean-François Gaël - Etude Aux Oeufs Et Profiteroles00:44:45 Reprise D'Henry Dès Par RG & AmelB -00:47:52 Assault On Precinct 13 - Extrait00:49:44 Rraaaou - La Glace À L'italienne00:57:59 Assault On Precinct 13 - Extrait00:58:13 Vincent, François, Paul Et Les Autres - Extrait00:58:36 Glafouk - Confiture01:01:40 L'Entourloupe - Extrait01:02:29 Alain Souchon - Papa Mambo
The Baddest Boys in Podcasting are back with a big one! It's a look back at John Carpenter's ASSAULT ON PRECINCT 13! Jon & David are rejoined by special guest EK Wimmer of Laser Graves as they break down this Carpenter classic. They examine memories of their initial introduction to the film, Carpenter's early days, how he fits into the New Hollywood wave, where this one ranks amongst Carpenter's other films, the casting, the shocking moment in the film, Charles Cyphers, comparisons to Howard Hawks, the common thread with Carpenter's villains, the impact of the film & much, much more! It's a white hot night of podcasting... it's ASSAULT ON PRECINCT 13! Twitter/IG: @reconcinemationfacebook.com/reconcinemationCover and Episode Art by Curtis Moore (IG: curt986)Theme by E.K. Wimmer (ekwimmer.com)
Pro/Con's Carpenter Month ends with a bang! If only abolishing the police were so easy. Lewis and Nick watched the remake of "Assault on Precinct 13" (2005), a choppy, uneven adaptation of the 1976 original. A few memorable performances (namely Laurence FIsburne, Drea de Matteo, and John Leguizamo) can't salvage this mess. At least Leguizamo gets to kill a cop with a katana. Our Patreon: www.patreon.com/pro_con Music- "when the struggle itself becomes identified with a series of defeats" by 红山郡 (hongshanjun.bandcamp.com/album/-) "Assault On Precinct 13 (Main Title)" by John Carpenter and Alan Howarth "Generique Assault" by KRS-One
It’s all about survival plans today as the guys talk about siege movies with John Carpenter’s ASSAULT ON PRECINCT 13 (1976) and George A. Romero’s DAWN OF THE DEAD (1978). 0:03:15 - Assault on Precinct 13 0:50:40 - Dawn of the Dead Copyright 2020 | Klopek Media
On this episode of movie mayhem we talk about John Carpenter's 1976 Assault On Precinct 13. We hope you enjoy. Host: Jake Houghton and Stan Gochee Email: captivatedminds2@gmail.com Facebook: captivated minds Instagram: @mindscaptivated Stan's Instagram: stagochee Jake's instagram: houghton1577
The Master of Horror John Carpenter makes his Pro/Con debut! Unfortunately, it's pretty horrible. Lewis consoles Nick as he agonizes over the first Carpenter film he doesn't love, "Ghosts of Mars" (2001). Horny Jason Statham and a particularly campy Ice Cube, along with a couple of old school shootouts, make this film semi-watchable. Otherwise, for Carpenter completists only. Our Patreon: www.patreon.com/pro_con Music- "when the struggle itself becomes identified with a series of defeats" by 红山郡 (hongshanjun.bandcamp.com/album/-) "Fight Train" by Robin Finck, John Carpenter and Anthrax
Terwijl Julius Koetsier en Jasper ten Hoor praten over de bioscoop geven Tim Koomen, Hedwig van Driel en Erik van ‘t Holt een teken van leven in hun eigen column. Presentatie: Julius Koetsier & Jasper ten Hoor Column: Tim Koomen, Hedwig van Driel en Erik van ‘t Holt Muziek: Paula Lina In het rondje bespreken Julius en Jasper wat ze de afgelopen maanden hebben gezien. Met onder andere: de FINAL DESTINATION-serie, GUNS AKIMBO, PADDINGTON en PADDINGTON 2, KILL BILL VOL. 1 en 2, INGLOURIOUS BASTARDS, FRANKENSTEIN (2011), AVENGEMENT, ASSAULT ON PRECINCT 13, THE NIGHT COMES FOR US en THE WAY OF THE DRAGON. 32:04: Tim Koomen geeft een update. 37:47: Themagesprek: de bioscoop. 1:10:02: Blast from the Past met Hedwig van Driel over klassiekers THEY LIVE, SOYLENT GREEN, THE LAST MAN ON EARTH, KISS ME DEADLY, TREASURE OF THE SIERRA MADRE en ISLAND OF LOST SOULS. 1:25:30: Vroege en bijzondere bioscoopervaringen, met onder andere TOY STORY, SPACE JAM, TITANIC, MIDSOMMAR en HEREDITARY. 1:42:03: De muziekcolumn van Erik van ‘t Holt over THE OMEGA MAN. CONTACT Mail ons op: podcast@schokkendnieuws.nl www.schokkendnieuws.nl
John Carpenter's first of a handful of masterpieces, ASSAULT ON PRECINCT 13, had an outsized effect on a generation of filmmakers, and helped inspire this month. We also cover Jean-Francois Richet's remake from 2005 starring Ethan Hawke. We're joined by Ryan! He's back, babay!
Over the years, when I see political unrest and public disruption of what is perceived as a broken system, I inevitably wonder what director John Carpenter might be thinking about the state of affairs. Aside from being legendary as perhaps the founding father of the slasher genre for his creation of the Halloween franchise and the ubiquitous horror icon Michael Myers, not to mention the cosmic horrors of The Thing, he also wrote and produced films with an unmistakable focus on class and justice. We first see this in his early film Assault On Precinct 13, but it really blooms into a considerably more ambitious world with Escape From New York. Additionally, while by 2020 standards characters of color in his films can be scoffed at as being relegated to "token" rolls and side characters, I think it's important to acknowledge that in a time when Hollywood was largely at BEST shoehorning actors of color into tiny rolls, John Carpenter appeared to be giving thought to this dynamic, and writing characters intended to at least give the actors filling those minor rolls reason to be in the film. Their very presence spoke to the inequities in the system in a meaningful way. It wasn't much, perhaps, but it was something, and I think it was something he gave real thought and emotion to. Indeed, by 1988 when Escape From New York was set, Ronald Reagan's America hadn't reached the level of authoritarian desperation portrayed in the film, yet seeing the protests in the streets in the year 2020 suggests to me that John Carpenter was on to something with his vision of an America headed towards a more profound feeling of separation between "polite society" and those who were deemed unfit to be a part of that society. Manhattan is currently trying to recover from being the literal epicenter of a global pandemic, and people do feel they're being targeted in the streets by an overbearing and too often lethal police force who appear intent on making it clear that they do have a sense of who does and doesn't belong. The idea was shocking and disturbing in 1981, and for many of us, it's no less bewildering and horrific today. The island hasn't become a penal colony, but it's clear to many of us that the fear and bewilderment of the police and prison systems as they do exist are such a dark specter in the lives of people who come into or even near contact with it carry an indelible anxiety with them in their daily lives, and I believe John Carpenter was tapping into that fear with his films. Maybe I'm reading too much into things, and if that's the case I apologize. But maybe, just maybe, it's time to dig deep and make the difficult decision that we can do better. For a lot of us, dystopia is a phantom to be feared for it's looming presence on the horizon, but for many it's a considerable reality in their day to day affairs. That's not only problematic, it's a moral injustice that needs to be addressed by all of us. Love and Respect, Shonny Constant 6.10.2020 If you've read all this and you're on Facebook, PLEASE join us at our Group to discuss the movie and share your horror love. We REALLY want to hear from you. We REALLY REALLY do! Talk Horror To Me Facebook Group And here's a bunch of other links! Instagram @TalkHorrorShow @Shonny.Constant Twitter @ChzuckBean Old Man Plays Old Games on Twitch @Chzuck Cover art for this episode by Crystal Mielcarek! Find more of her work on Facebook, Instagram, or Smushbox.net. SHE IS THE BEST!
Part of the group investigates The Garden, while another fights for their lives. Once Upon a Tavern is a Dungeons and Dragons stream that broadcasts on Twitch.tv every Sunday from 5pm to 9pm CST.
This week the CTC crew take a look at John Carpenter's classic suspense thriller Assault On Precinct 13. We also discuss new releases and celebrity deaths from the last week including a tribute to the late great Rip Torn.
A notorious criminal, a rookie cop, a precinct about to be closed and an army of mobsters, gang members and criminals there to ensure no one leaves alive... This is Assault On Precinct 13 Discord: https://discord.gg/TPZFwP8 Patreon: https://www.patreon.com/TheINVICTUSStream The INVICTUS Stream is hosted by best friends: Harlan Guthrie, Justin James, Jo Fallak & Chris Viseau who enjoy gaming in all its forms. Each host has their own unique personality and GMing style, bringing their own ideas about what an RPG is and how a story is told. Over three years ago INVICTUS was created so that regardless of distance we could still sit together around a virtual table and do what we love. Our style may be unscripted, unorthodox and sometimes unfiltered but it's our vision and the way we play games together. So sit back, enjoy, have a lark or a laugh, grab a drink and play along as we continue to do our very best to entertain you. See You 'Round The Table! Don't forget to join our Facebook Group: https://www.facebook.com/groups/TheINVICTUSStream/ If you have any questions, comments or concerns about our videos please feel free to contact us via e-mail! theinvictusstream@gmail.com
The next round of the Carpenter Bowl is up! Our second and final preliminary match sets the stage for the field of 16. Leather and Wood(s) come together in John Carpenter's Vampires taking on Assault On Precinct 13 and its plot driven magazine capacity. Join the Hijinks cast as we witness who makes it through! Also...Vote!
Composer, producer, writer and director John Carpenter is regarded as one of the most influential auteur filmmakers in all of cinema. He has been behind some of the most iconic films in the horror and sci-fi genre such as Assault On Precinct 13, Halloween, Christine, The Fog, Escape From New York, The Thing, Big Trouble in Little China and many more. What sets John apart from most other writers and directors is that he is also the composer on his films. His music has become as iconic as the images he has brought to life onscreen. John makes his long-awaited return to the Halloween franchise that he gave birth to in 1978 by coming onboard to score and executive produce David Gordon Green's Halloween sequel. Green's film is ignoring all the sequels and picking the story up 40 years after the events of the original film. We had a small window to chat with John about his career in the industry, dating back to what made him fall in love with cinema in the first place. We touch on several subjects such as coming up with a story and what makes a great horror film. Hear stories such as what inspired the Michael Myers character, the true story of how John worked with Ennio Morricone on the The Thing, working with Alan Howarth, the difficulties of production across his films, when he starts the composing process on his films, and how he collaborated with Cody Carpenter and Daniel Davies to co-score the newest chapter in the Halloween franchise. It was such an honor to have this brief and engaging chat with one of the greatest storytellers of cinema. Interview Produced & Presented By: Kaya Savas Special Thanks: John Carpenter, Storm King Productions
Episode 482 Topics Include:- Daily drawings and video games- I Am Bread- Is Henry Cavill leaving the Superman franchise?- Is Henry Cavill leaving the Superman franchise even news?- This Week In Trailers: - Daredevil season 3 - SIDETRACK: Could the rumors be true? Is Iron Fist season 2...good?- What We've Been Reading: - Amazing Spider-Man #5 - Cemetery Beach #1 - Mystery Science Theater 3000: The Comic #1 - Thanos Wins TPB - SIDETRACK: The life and times of Cosmic Ghost Rider- What We've Been Watching: - Better Call Saul 4x06 (00:59:05 - 01:10:19) - American Psycho - Assault On Precinct 13 - Army Of Darkness - Antiviral - Secretary- Featured Movie Review: A Few Good Men - SIDETRACK: How much clout does Demi Moore have in Hollywood?- Featured Movie Review: Dressed To Kill - SIDETRACK: Is Sixteen Candles a classic, or is it just riding The Breakfast Club's coat tails?Running Time: 2 hours, 23 minutesEpisode Songs:Warmonger - HateradeFlyin - HateradeThis Podcast May Include Some Explicit Language...It Also Most Likely Contains Some SpoilersListen to the podcast via streaming audio by clicking HERE
The first episode of Son Of Gladiator is here! Calen and Tom test themselves with John Carpenter's 1976 cult classic, Assault On Precinct 13. Got a smoke?
This one was a long time coming, but we heard your footsteps on the sand and decided it was time to air out some Bacon. Kevin Bacon, that is; the dance-fighting cowboy heart-throb of the early 90s who then became the dong-flashing invisible rapist a mere decade later. This week, we are kicking off Listener Submitted Month with 1990s TREMORS. Thrill at this marvel of modern storytelling that seamlessly weaves DUNE and ASSAULT ON PRECINCT 13 into one very uneven monster flick. But seriously, the Graboids' PR guy should consider renaming them something a bit less Weinstein-y.
On this episode of the podcast we return from our Summer hiatus to look at the recent news about the firing of James Gunn rom Guardians Of The Galaxy 3, take in some general movies news and talk about the new Venom trailer. Well someone has too... Hosted by Award winning filmmaker Ross Boyask and blogger/writer/failed filmmaker Phil Hobden. Films Discussed: Venom, Guardians Of The Galaxy Vol 2, Guardians Of The Galaxy, Guardians Of The Galaxy Vol 3, Demolition 2, Speed, Tango & Cash, Dawn Of The Dead, War Of The Worlds, Roadhouse, Showdown In Little Tokyo, The First Purge, Sicario: Day of the Soldado, Spiderman: Homecoming, Powder, Assault On Precinct 13, The Meg, Star Wars #RossAndPhil #RossAndPhilTalkMovies #MoviePodcasts #Podcasts For more on Phil Hobden check out www.philhobden.co.uk , Twitter (@PhilQuickReview) and Instagram (RossAndPhilTalkMovies) For more on Ross Boyask search @RossBoyask on Twitter, Instagram or Facebook
EPISODE 032 UNDER APPRECIATED MOVIES SPECIAL Moid and Russ list and discuss some of the best movies they have seen that just don't seem to get the attention they deserve. Whether you're a seasoned cinephile or a casual viewer, you're bound to find something new here. Frailty The Night of the Hunter A History of Violence Black Christmas Triangle First Blood Monsters The Company of Wolves Killer Joe Rivers Edge 50/50 8mm Spring Breakers Go The Invitation Open Range Slow West Trick 'r Treat Good Time Zodiac The Snakeskin Movie Lounge is a fiercely independent podcast. We are commercial free, not part of a network and totally self funded. If you would like to show your appreciation, please subscribe and leave a rating and review on iTunes, it really helps like minded people find us. Have you heard our other popular episodes? EP 028: Train To Busan, The Straight Story, What Happened To Monday. EP 016: The Squid And The Whale, The Warriors, Force Majeure, Assault On Precinct 13. Snakeskin Spoilers #5 mother!
EPISODE 029 Black Hawk Down, Black Book, In The Line Of Fire It's just Moid and Dave tonight, trading film reviews like a couple of backstreet pimps. Just to mix things up a bit, Moid talks about what TV he has been watching including The People Vs OJ Simpson and Japanese anime series Death Note, but not before we welcome some new countries to the Lounge. It's still hard to believe that this show somehow reaches to the four corners of the globe, everyone at the show is blown away. CZECH REPUBLIC, COLUMBIA, ARMENIA, ISREAL, ITALY, THAILAND, SOUTH KOREA, ZAMBIA, DENMARK, MEXICO, CHILE, GREECE. Welcome Everybody. 21:14 BLACK HAWK DOWN Dave just can't help himself, it's like he wasn't man enough to be a soldier himself so he takes it out on the rest of us and brings a war film to the show every week. 29:48 IN THE LINE OF FIRE 40:40 KUFFS 47:50 BLACK BOOK QUESTIONS AND ANSWERS This week we have question from Jeffrey in Baltimore, USA. He wants to know what we think will be the biggest money earner this summer, somehow we end up talking about vaginas with teeth. Go figure. The Snakeskin Movie Lounge is a fiercely independent podcast. We are commercial free, not part of a network and totally self funded. The only payment we accept is a 5 star rating and review on iTunes, it really helps like minded people find the show. HAVE YOU HEARD OUR MOST POPULAR SHOWS? Snakeskin Spoilers #5 mother! EP 025: Oldboy, Chef, Bullet In The Head. EP 016: The Squid And The Whale, The Warriors, Force Majeure, Assault On Precinct 13.
EPISODE 028 TRAIN TO BUSAN, THE STRAIGHT STORY, WHAT HAPPENED TO MONDAY This week Moid is joined by Chris, now a Snakeskin regular, and Goffy, who once again has made the trip all the way from Cambridge just to be with us. Thanks Goffy, the extra effort is appreciated. Moid and Goffy stick to the format and deliver a review of a film while Chris flexes his independent muscle and subjects us all to a twenty minute synopsis in what feels like a real time retelling of the first act of the film. BEEN FLICKED 6:05 THE STRAIGHT STORY (1999) Moid reviews David Lynch's unusually normal movie, The Straight Story. As a big fan of the director's work, Moid was really looking forward to getting one step closer to being a Lynch completist. 20:09 WHAT HAPPENED TO MONDAY (2017) Netflix original movies get a rough ride on this show, we fully admit that this is unfair and want to review films on their own merit. Chris was somehow seduced into watching and reviewing this dystopian Orphan Black rip off. 43:35 TRAIN TO BUSAN (2016) Goffy proudly proclaims this to be the only Korean, Zombie movie that his wife can stomach. Then again, would you trust the opinion of a man who describes the Korean peninsular as a scrotum? 59:15 QUESTIONS AND ANSWERS Goffy has been playing around on Twitter this week and shares a discussion about great director streaks. Can you think of anyone who has had a run of three awesome movies? The Snakeskin Movie Lounge is a fiercely independent podcast. We are commercial free, not part of a network and totally self funded. The only payment we accept is a 5 star rating and review on iTunes, it really helps like minded people find the show. Have you heard our most popular episodes? Episode 008: THE LIST OF SHAME. EP 016: The Squid And The Whale, The Warriors, Force Majeure, Assault On Precinct 13.
Whether it is for vengeance or to cover up illegal activities, it is going to be a long night for the closing Precinct 13 that none may survive. Before Halloween, before the Fog, before Escape from New York, before The Thing, John Carpenter made the low budget, action, thriller Assault On Precinct 13 (1976). A simple idea that was inspired by Romero's Night of the Living Dead as a faceless gang lays siege to a closing precinct. In 2005 based on a screenplay by James (The Purge) DeMonaco, Jean-Francois Richet would remake Carpenter's classic with an all-star cast including Ethan Hawke, Laurence Fishburne, Gabriel Byrne, Maria Bello, Drea de Matteo, John Leguizamo, Brian Dennehy, and rapper Ja Rule. This week Invasion of the Remake gets inside Precinct 13 to compare, contrast, and ultimately see which film will survive the Assualt on Precinct 13. Support independent podcasts like ours by telling your friends and family how to find us at places like iTunes, Google Play Music, Stitcher, PlayerFM, Tune In Radio, Audioboom, BluBrry, Libsyn, YouTube and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com
The nobodies are back and this time, they watched a movie. And what a movie it is. Listen as these two dorks give an hour long tongue bath to John Carpenter's modern take on classic Hollywood westerns with the confusingly named, but beloved cult classic, Assault on Precinct 13.
Joe & Brett welcome back frequent New Flesh collaborator Charles Bramesco to discuss Adam Wingard's latest film DEATH NOTE, which is now available on Netflix. Before that, we pay our respects to Tobe Hooper. We will talk more about his films next week. Brett also briefly touches on MEMORIES OF A MURDER, ASSAULT ON PRECINCT 13, MARJORIE PRIME and LEMON. Tobe Hooper: 1:08:45 Death Note: 1:22:30
This week Simon and Keith are joined by Mike Tack and Clive Ashenden to talk about the musicial stylings of John Carpenter as he tours England with his band, playing themes from his films, like HALLOWEEN, ESCAPE FROM NEW YORK, ASSAULT ON PRECINCT 13, and from his albums, LOST THEMES. The guys went to see the horror maestro play at the Troxy in London and they talk about their experience of the gig and their thoughts on Carpenter's work. Movie Heaven Movie Hell is a show where filmmakers Simon Aitken (BLOOD + ROSES, POST-ITS, MODERN LOVE) and Keith Eyles (FEAR VIEW, DRIVEN INSANE, CROSSED LINES) go through the A-Z of directors. Simon and Keith talk about their favourite and least favourite film from that director's body of work. Like our Facebook Fanpage at https://www.facebook.com/MovieHeavenMovieHell You can follow Movie Heaven Movie Hell on Twitter at @MovieHeavenHell You can find Simon Aitken's work at http://www.independentrunnings.com You can find Keith Eyles' work at https://www.youtube.com/channel/UCQ4up3c883irE6oA2Vk0T7w "Welcome to HorrorLand" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Unsere erste Episode zusammen mit einem anderen Podcast, aber nicht in unserer Stammbesetzung. Alexander Sobolla war in Wien mit Christian Genzel vom Lichtspielplatz um John Carpenter, einen unserer absoluten Lieblingsregisseure live zu sehen. John Carpenter? Live? Ja, neben der Musik von fast all seinen Filmen hat er auch zwei feine Alben produziert, Lost Themes I & II, und geht mit neuer Musik und aufgebrezelten Themen auf Tour. Ob’s uns gefallen hat hört ihr in unserer Bonusfolge. Viel Spaß! Clip Unlocking the Prisoners – Assault On Precinct 13 (1976): https://youtu.be/onANQ4SJ0po Unsere Titelmusik ist wie immer von Bombay Blaque: https://soundcloud.com/bombayblaque/cal-city-calibrator Info Vielen lieben Dank an unsere Steady Abspannfreunde Michael, Patrick, Rüdiger, Severin, Felix und Nenad! Wollt ihr uns auch unterstützen? Dann findet ihr uns auf Steady unter steadyhq.com/abspanngucker Alternativ könnt ihr uns auf Paypal eine Spende hinterlassen Wir freuen uns natürlich immer auch über Reviews auf iTunes Unsere Titelmusik ist von Arnob Bal aka FamLi. Ihr findet ihn auf Twitter unter @ArnobBal Ihr findet uns unter abspanngucker.de twitter.com/abspannpodcast facebook.com/abspanngucker podcast@abspanngucker.de
AFTERBUZZ TV — Rush Hour edition is a weekly “after show” for fans of CBS’s Rush Hour. In this episode, Khaliel Abooboo, Janeisha John, Gabriel Gonzalez and Josh Rodriguez with special guest Jessika Van discuss episode 5. ABOUT RUSH HOUR:… Read the rest The post Rush Hour S:1 | Jessika Van Guests on Assault on Precinct 7 E:5 | AfterBuzz TV AfterShow appeared first on AfterBuzz TV Network.
In this half of our ASSAULT ON PRECINCT 13/GREEN ROOM discussion, we bring Jeremy Saulnier's chill-inducing new thriller into the picture, and consider the many ways in which it reflects John Carpenter's earlier work. The two films have a lot to say about each other, particularly in their distinctive approaches to political statement and violence, and the way in which they both use callbacks to create a distinctive narrative. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about ASSAULT, GREEN ROOM, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices
As John Carpenter fans, we were excited to see director Jeremy Saulnier citing Carpenter's ASSAULT ON PRECINCT 13 as a specific influence on his excellent new film GREEN ROOM. Watching the two movies together, it’s hard to miss the connections: Both feature an outnumbered and outgunned group of people barricaded in a small, remote space, figuring out how to either hold off waves of merciless attackers, or make a break for it through enemy lines. In this Carpenter-focused half of this week's discussion, we’ll talk about the roots of ASSAULT ON PRECINCT 13, what it says about its era, and how it reflects some of John Carpenter’s most recognizable signatures as a director. Please share your comments, thoughts, and questions about ASSAULT, GREEN ROOM, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode we protect the integrity of Precinct 13, or more accurately Precinct 9, Division 13. Shane Conner, co-host of the podcast War Machine vs. War Horse, bunkers down for a debate on the appropriate amount of cheese, how far we have NOT come in film casting since 1976, and the possibility of future remakes for this John Carpenter classic. But for now, we try to survive the 1976 and 2005 versions of ASSAULT ON PRECINCT 13.
This week we take a look at 1976... there were many good films (Assault On Precinct 13, Network and Mako: The Jaws Of Death) and many bad films (King Kong, Logan's Run and The Omen). A year that attempted to eclipse it's predecessor and not really succeeding. --- Support this podcast: https://anchor.fm/radiodrome/support
In this episode of The Forgotten Flix Podcast, it’s the last episode featuring that dynamic duo of Jason Grooms and Joel Robertson! But is it really and truly the last episode… forever? Well, you’ll have to listen in and find out! Our Movie Picks: Jason’s Picks: Episode 012 – Throw Momma From the Train Episode 015 – Assault On Precinct 13 Episode…Read more →
John Carpenter Retrospective: Episode 02 - Assault On Precinct 13 (1976) "LA's Deadliest Street Gang Just Declared War On The Cops." Welcome to another episode of The Liberal Dead's John Carpenter Retrospective Podcast Series! In this episode, Jeff (@Jeff_FOTD) and Shawn (@TheLiberalDead) are joined by guest Justin LaLiberty to discuss 1976's ASSAULT ON PRECINCT 13. Discussion includes thoughts on the film, its history, and its place in the Director's career and popular culture. If streaming isn't your thing, you may Download the MP3 Directly here or Subscribe Via iTunes. Also, iTunes listeners: Please take a moment to leave us a rating/review, and we will share it on an upcoming podcast! If you are looking to pick up the film, you can help support the show by Purchasing or Renting the film from Amazon. And, as always, if you want to drop us a line to let us know what you think of this episode, or you just want to give us feedback on the podcast in general. please send an email topodcast (at) liberaldead (dot) com.
The tracks on this mix are what influenced the Drive Soundtrack, which is still hot in the streets…It's taken from classic sci-fi, horror, and crime noir movies, both old and new. See if you can match the tunes to the films. Moody and lurking, you ride to this and it will put some serious brain movies in your head. ~Dave Fogg CineMan 1. Assault On Precinct 13- John Carpenter 2. Task Force- Brian Eno 3. Crockett’s Theme- Jan Hammer 4. End Of Line- Daft Punk 5. Digital Versicolor- Glass Candy 6. Tick Of The Clock- Chromatics 7. Baseball Furies Chase- Barry De Vorzon 8. Burning Bar (Sam’s Forge)- Tangerine Dream 9. Blade Runner (End Titles)- Vangelis 10. Tony’s Theme/Lux Aeterna- Giorgio Moroder/Clint Mansell (foggsmash edit) 11. The Duke Arrives/Barricade- John Carpenter 12. Profondo Rosso (Remix)- Goblin 13. Digitalis- Zombi 14. Kaifuku Suru Kizu- Lily Chou-Chou 15. Paul Meets Chani- Toto 16. Sequence 2 (Music Clock)- Ennio Morricone
CineMan 1. Assault On Precinct 13- John Carpenter 2. Task Force- Brian Eno 3. Crockett’s Theme- Jan Hammer 4. End Of Line- Daft Punk 5. Digital Versicolor- Glass Candy 6. Tick Of The Clock- Chromatics 7. Baseball Furies Chase- Barry De Vorzon 8. Burning Bar (Sam’s Forge)- Tangerine Dream 9. Blade Runner (End Titles)- Vangelis 10. Tony’s Theme/Lux Aeterna- Giorgio Moroder/Clint Mansell (foggsmash edit) 11. The Duke Arrives/Barricade- John Carpenter 12. Intriguing Possibilities- Trent Reznor and Atticus Ross 13. Profondo Rosso (Remix)- Goblin 14. Digitalis- Zombi 15. Kaifuku Suru Kizu- Lily Chou-Chou 16. Paul Meets Chani- Toto 17. Sequence 2 (Music Clock)- Ennio Morricone
Join THE CHRIS KEEPER, L JACONE and THE HAIR METAL HERO as they dissect John Carpenter's prototype early film, ASSAULT ON PRECINCT 13! It's Rio Bravo meets Night Of The Living Dead in this cops under siege classic! Anyone got a smoke?Feedback for this show can be sent to: freakvault@gmail.comTwo True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! Follow the fun on Facebook at https://www.facebook.com/groups/113051642052970/ THANK YOU for listening to Two True Freaks!!
Join THE CHRIS KEEPER, L JACONE and THE HAIR METAL HERO as they dissect John Carpenter's prototype early film, ASSAULT ON PRECINCT 13! It's Rio Bravo meets Night Of The Living Dead in this cops under siege classic! Anyone got a smoke?Feedback for this show can be sent to: freakvault@gmail.comTwo True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! Follow the fun on Facebook at https://www.facebook.com/groups/113051642052970/ THANK YOU for listening to Two True Freaks!!
Glaswegian act Butcher Boy came to our attention in 2007, with the release of their first album "Profit in Your Poetry".It was a real treat, a excellently realised indie folk pop album, full of literate, heartfelt lyrics about wistful memories: it’s tender, organically produced sound drew favourable comparisons in my own mind: "Think early Belle and Sebastian haunted by a real past, the precise poetic pop of the Smiths tinged with a heavy Glaswegian sensibility. Think the tunes of Lloyd Cole and the Commotions matched to the intimacy of Arab Strap, most of all think wonderfully dark pop music, for nights out or those long dark midnights spent alone by your turntable, reading the inlay, and submersing yourself in the sound."They followed this up with the single "18th Emergency" later that year, a stately ballad it was like being allowed to read someone's secret diary entry, each line consumed with poetic heart tugging imagery that conjures up moments in time, lovers lost and real kitchen sink drama.Their new album "React or Die" is preceded by a single "Carve a Pattern" which you can download here(from the folks at Stereogum):Butcher Boy- Carve A PatternIt reflects a progression a more buffed up, musically expressive sound that still bares the emotional brevity, and bittersweet vocals at the heart of Butcher Boy. We caught up with their lead singer/lyricist John Blain Hunt (who is also the famed DJ behind the National Pop League nights) for an exclusive insight into each of the tracks that make up their second work "React Or Die."Butcher Boy's "React Or Die" Track By TrackWHEN I'M ASLEEPI wrote the main melody one Sunday night after watching The Dream Life of Angels on BBC2. Rue des Cascades by Yann Tiersen is over the closing credits, and the film has an incredibly savage and sad ending. I could barely speak the day after watching it. The final frame is still and calmbut it is heaving with regret. It's like a sob caught in your chest, grief.Originally, the song was a duet with a completely different vocal melody but when Maya joined the band I went back to it and worked on a stronger cello line, something to suit Maya's style of playing which is very confident and strident. The rest of the song fell into place around the cello. I watchedThe Dream Life of Angels again and I re-wrote the lyrics to read like a nursery rhyme.Basil plays ten mandolin tracks on three mandolins at the end. Brian, the engineer, said that the last "I never feel..." was a Leo Sayer moment, which I'm quite proud of.I love playing this live - it breathes and it feels very powerful.CARVE A PATTERNI bought a rattly old piano in 2003 and I came up with the melody for "Carve A Pattern" the day I got it - I don't think I ever wrote anything else on that piano. Butcher Boy aren't really a band for jamming but we used to rehearse this song a lot, just because it was such good fun to play. I'vegot a ten-minute long recording of us playing it in my old front room and by the end of the song we were hamming it up so much it's like the finale of a Broadway musical.This was always going to be the most pop song on the record - I wanted it to be really sharp and snappy. The last chord originally rang out for twenty seconds, like A Day In The Life, and there are lots of little nods to different songs I love in it. Brian said that the backing vocals in the chorus are like Satellite Of Love but I think they're more like Mr Sandmanby the Chordettes. They're both odd and unsettling songs though; either one is good enough for me.YOU'RE ONLY CRYING FOR YOURSELFI distinctly remember humming the melody for this one afternoon while we were recording our first record. There seemed to a big leap between the verse and the chorus melodies and I originally thought it could be a calland response song.This song was pieced together in the studio much more than the others. We ended up trying to lighten it a lot, as it had ended up sounding very ominous and serious. We swapped from upright piano to Rhodes and chopped out a lot of the strings.I used to see a man busking on saxophone around Glasgow a lot and, for a while, I harboured a fantasy I would ask him in to play some chops and then open up with a solo at the end. We never did it, but I maintain it would've worked! We had a whistle signalling the end section too, which was meant tobe a little nod to Felicity but we decided to cut it.We used Brian's Moog for the end section - the overall feel of the song was meant to be like Del Shannon's Runaway and we were trying to get close to that high organ sound.ANYTHING OTHER THAN KINDThis was, mostly, a really old song I wrote at the end of 1998 called Sugar Shock, but we changed a lot of the arrangement and the vocal melody and lyrics are different.I wrote it when I was living in Sheffield. I had the attic room and you could see for thirty miles out of the window - it was really magical. I used to write songs on an old keyboard called an ARP Quartet - it was very limited and unreliable but had a really beautiful, gentle piano tone. Everything came out sounding like it was recorded in the woods.I wrote the words to this sitting in Queens Park. The music is very gentle and so I wanted to unsteady it a little. I'm happy that it can read as a piece of prose - it sits beside "There Is No-One Who Can Tell You Where You've Been" from our first record.Alison plays piano strings on this, and Alison, Basil and I wrote the oboe part together one Sunday morning... the song really needed an oboe! It sounds like woodcuts to me, and ink, and a very heavy sky.THIS KISS WILL MARRY USWe were going to call the album this - it's like an unwritten Burns poem.This is another old song - I recorded a version of it at Ca Va in 2001 along with I Know Who You Could Be (which was on Profit In Your Poetry) and two songs we¹ve not released yet called Juicy Fruit and Mouchette. Again, the ARP was a key part in writing it - originally, the little piano riffrepeated over and over again. I recorded the first demo on Halloween 2001 and I've got lovely memories of that.We recorded the sea sounds at Irvine beach on New Year's Day, 2008 - we got about 15 minutes worth, inciting the seagulls with a goat's cheese tart. I also wanted to get the sounds of sails slapping against masts but, strangely, all the boats were out of the harbour that day.The introduction to This Kiss Will Marry Us was originally another old song- one I'd forgotten about and found going through cassettes when I was moving house. I used to catalogue the songs I wrote but this one had no title or date - I think it was from the same times as When I'm Asleep though, when I was trying to write sea shanties on melodica.Alison plays the piano strings again, and the Rhodes too... I wanted it have the feeling of uneasiness you get from the gentler songs on the Assault On Precinct 13 soundtrack, which are warm and incredibly cold and detached at the same time. That's how the song feels to me - being aware of the structure and purpose of emotion but not knowing how it works at all.A BETTER GHOSTMusically this was, by far, the easiest song to write for the record - the whole song fell into place in about five minutes. I was watching the 2007 Scottish Cup Final in the house with my pal Iain at the time, and we'd got sandwiches and coffee and cake from a place called Espresso, which is one ofmy favourite places to eat. I was probably feeling pretty happy and satisfied.The lyric to this one is my favourite on the record - I wanted to use the phrase "a better ghost" for ages but couldn't exactly work out what it would mean. It came eventually though... I remember reading that birds can flockand fly in formation because they have magnets in their bones. I don't know if that's true or not but I liked the idea.We made a video for this song with our pals Keith and Allison. There is a real feeling of tenderness between them in the video which I really love. The song tries to be tender, but stoic too.CLOCKWORKI can barely play piano and Alison and I more or less got here by trial and error and me humming everything. There is a chord change in the instrumental section that's consciously All Of My Heart by ABC and the general feel I was hoping for was Vince Guaraldi.This is definitely the most complicated song for us to play! Findlay is an incredible drummer - we're constantly in awe of how quickly he can pick things up, interpret them, and then make them entirely his own. We ended up with a samba current all the way through this, blocks, congas... I was playing a guitar rhythm I'd cribbed off the Miracles and Basil is playing this really beautiful, bluesy little riff... It's on our agenda now to learn how to actually play it together.The cornet players from Kings Park Brass Band play on the second half of this song - when we'd completed the instrumental I couldn't quite believe we'd come up with it all.WHY I LIKE BABIESThis is another old song - I wrote it in the summer of 2000. It's changed a little musically since then, but oddly for me the lyrics are pretty much intact. I like the line "I watch with tired eyes as you seduce yourself" -that's the mood for the song.As a band we were actually playing this before much of the material for our first record was finished, but we struggled to get it to hang together properly. We tweaked the drums though - it's got a little stutter and roll from The Train From Kansas City by the Shangri Las in there now - and it suddenly worked.Originally, the song started with guitar and vocals but we worked on a different introduction... We wanted it to sound like the Carpenters. Basil's guitar makes it more Candy Says... and we managed to get some use out of the studio Mellotron in the middle eight.We gave the clock we used at the end of this song to Ulla, who did all the artwork for the record.SUNDAY BELLSI wrote this, as Sparks, in about 1999 in a batch of about six songs in two weeks. Originally it was a real rant - I couldn't get the words out fast enough. We started working on it again when we were on tour in October 2007 and actually got round to sound checking it a few times.I rewrote the words last summer. I always found the sound of Sunday Bells quite ominous - they remind me of being little and having the quilt pulled up to my eyes.Basil's guitar reminds me of Don't Fear The Reaper; the Hammond reminds me of I Will Die With My Head In Flames; Findlay's drumming is as precise as disco and we put in a deliberate little nod to Blue Monday going into thelast verse.REACT OR DIEAgain, this song was written and pretty much ready before "Profit In Your Poetry" but I wanted to save it for a second album.The song started out as a poem I'd written about a Diane Arbus photograph. It was of a couple of married kids in Washington Park Square in New York...They were babies, but furious and utterly defiant to the camera. The poem was more about how I imagined that type of person.I wrote it when I was on holiday in Philadelphia in 2005. I had a rare moment on that holiday - it was Halloween and I was walking. It was warm, I was just off the campus at Penn University. It was about 4pm and the sun had started to drop and suddenly the angle of the light and the shadows on the building opposite was perfect. It was so beautiful and still and it literally felt I had spent my whole life waiting for that moment. And it felt like the end of something... it's not explicitly connected, but because I was working on this song at the time, this song reminds me of that moment. It's apt that it's the last song on the record.When the brass band come in it's meant to sound like the lights of miners' hard hats appearing over the hill. Alison arranged that little piece and it brings a lump to my throat.I really enjoy songs that are less than two minutes long.React Or Die is out in the UK on the 6th of April 09 viasmashing indie/club imprint How Does It Feel To Be Loved? The album comes with a 16 page booklet and liner notes by John Blain Hunt. Here's a tracklist:"A Better Ghost" will be the second single, out 23/03/09.Orginally published here:http://www.godisinthetvzine.co.uk/content/content_detail.php?id=3149&type=FeaturesAll content syndicated from http://wwwg.odisinthetvzine.co.uk
After hellos and discussion of various ailments we move on to the current economic climate and what that might mean for music, as well as plucking a few artists from the charts in the last two Uk recessions, then we're on to Dr Pepper and Chinese Democracy - thats the new album/single from Axel Rose, the mesmerizing Daito Manabe's MAX/MSP twitch patch video is up next, followed by the forthcoming Vemia Auction - a great place to find all things electronic and vintage, Nick kicks off the movie soundtrack topic with a burst of John Carpenter's Assault On Precinct 13, after which the team tell us of their own favourites, then we finish with Asioheads' MIDI file spotting and also some advice on how to Get Stuff Done.
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