Podcasts about dvd rom

Romarriket var ett krigarsamhälle med en utpräglad hederskultur där männen styrde över liv och död i familjen. Kvinnor giftes bort i tidig ålder för att stärka politiska allianser och förväntades leva dygdigt. Deras positioner utmättes utifrån deras män.Vi känner väl till män som Julius Caesar, Cicero, Augustus och Marcus Antonius. I de rika källorna om de ledande männen som slogs om makten i den sönderfallande republiken går det också att hitta spår efter kvinnor som själva var aktörer. De fåtal kvinnor i eliten som stack ut och verkade öppet som politiska aktörer vet vi mycket lite om.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Eva Queckfeldt, filosofie doktor i historia tidigare verksam på Historiska institutionen vid Lunds universitet. Hon är aktuell med boken Romarrikets kvinnor – Makt, mord och moderskap.Kvinnor i antikens Rom hade betydligt mer frihet än sina grekiska motsvarigheter. De kunde röra sig självständigt på gatorna, delta i offentliga evenemang och umgås med män utanför familjen. De hade möjlighet att närvara vid teaterföreställningar, badhus och till och med gladiatorspel, där de hade samma frihet som männen att beskåda striderna. Det var också vanligt att kvinnor deltog i fester och sociala tillställningar. Den relativa jämställdheten berodde till stor del på kvinnornas roll som mödrar och deras betydelse för samhällets fortlevnad.Under och närmast efter den latinska litteraturens så kallade guldålder, cirka 30 f.Kr – 14 e. Kr, finns kvinnorna med hos författare som Livius, Suetonius och Plutarchos. I talaren och politikern Ciceros brev och tal skymtar hans hustru Terentia och hans dotter Tullia förbi. Det är också hos Cicero som den förnäma, förmögna och betydande Fulvia skymtar fram. Tre gånger gift med framstående manliga militärer och politiker men också en kvinna som tog egna initiativ och samlade egna trupper.Kejsare Augustus hustru Livia ses ofta som en maktgalen giftmörderska, ett högst tveksamt påstående. Augustus syster Octavia tvingades gifta sig med Marcus Antonius för att stärka alliansen mellan brodern och maken. Augustus dotter Julia fick betala ett högt pris för sin självständighet.Lyssna också på Kleopatra och Antonius.Bild: Läsning av ritualen för brudmysterierna” (Pompeji, ca 60 f.Kr.) Pompeiansk målare omkring 60 f.Kr - The Yorck Project (2002) 10 000 mästerverk av målning (DVD-ROM), distribuerad av DIRECTMEDIA Publishing Gmb wikipedia, public domain.Musik: Ancient Fantasy av Sondé, Storyblocks Audio.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

BIO: Jason Hsu is the founder, chairman, and CIO of Rayliant Global Advisors (RGA), a global investment management group with over US$15+ billion in assets managed using its strategies as of June 30, 2022.STORY: Jason bet against the GameStop short squeeze and learned that John Maynard Keyens' saying that “markets can remain irrational longer than you can remain solvent” still holds true.LEARNING: The market can be crazy for longer than you have the conviction to stay invested. Apply position constraints and diversify. “In the short run, the market can really stay crazy for longer than you have the money to stay on. And if you forget that, the market will remind you in as painful of a way as possible.”Jason Hsu Guest profileJason Hsu is the founder, chairman, and CIO of Rayliant Global Advisors (RGA), a global investment management group with over US$15+ billion in assets managed using its strategies as of June 30, 2022. Rayliant applies quantitative methods to access behavioral-based alpha prevalent in inefficient markets like China. Jason also co-founded Research Affiliates, a smart beta and asset allocation leader with over US$143 billion in assets managed using its strategies.Worst investment everGameStop is a sleepy, almost dead brick-and-mortar retail store selling video games that come in a DVD ROM you put into your laptop to play. It sells cartridges for your Nintendo. In a world where online games are reigning, GameStop is definitely a dying business, and the stock price shows it.Two years ago, the stock price was trading at a couple of bucks. A forum on Reddit started hyping the stock and convincing everyone that hedge funds shorted GameStop since they had realized the company would declare bankruptcy. The forum insisted it was a good time to do a short squeeze and screw the hedge funds. All this started as a joke, but in no time, the share price got to as high as $300.When Jason first caught wind of this, he thought the situation would make a fascinating case study. Jason would do a case study and use it to teach his MBA class about how markets can become inefficient and how these prices clearly violate any rationality.After a while, the stock price started pulling back and gradually falling. By that time, most people had recognized that it was just a crazy short squeeze, and now things were going back to normal. Jason figured the stock price would drop to $30 or $40. He decided to make a bet on that. This was when the second wave of the leading stock rally on GME happened, and the stock, for bout a two-three day run, went from $40 to $200. Jason lost a lot of money on that bet.Lessons learnedThe market can be crazy for longer than you have the conviction to stay invested.Be diversified. Don't research one stock and bet big on it. Have lots of research and lots of uncorrelated possibilities.Apply position constraints so your portfolio is well diversified.Andrew's takeawaysThe market can wear you down, but that doesn't mean you're wrong. It just means that your timing was terrible.Stop losses is a great way to protect you from an inefficient market.Actionable adviceApply risk management through a stop loss or position constraint. It doesn't matter how convinced and sure you are about a stock; size it so that if you lose the entire position, you won't commit suicide because...

To: elmira_store5894@starcinemas.com Subject: April / May Team Update URGENT To any ushers who have yet to watch the interactive training DVD-ROM we sent out last month, this is your last warning. If you do not watch by next quarter you will be taken off the shift rota. NEW RELEASES Apparently people have been walking out of the new Meryl Streep movie. We're contractually required to ensure the audience stays until the final act so they can see the United Missile Systems product placement. Lock the doors if you need to. It's all of our jobs on the line if sales of intercontinental ballistic missiles don't go up by 40% – Burnt Toast Presents: Workplace Creatures Featuring, Jess Lloyd-Jones David Gurney Miranda Shrapnell Krage Brown Ida Berglöw Kenneway Nathan Peter Grassi Written & Created by Thom Munden Edited by: Krage Brown Artwork by: deprivedanxiety Burnt Toast Presents is an everybody panic podcast. Follow us on twitter @BurntToastPod © 2022 everybody panic

About this episode In this episode, we pay homage to fantasy movies in general (like the fun Mythica series) and Dungeons and Dragons movies and games. Yes, there is a scene in a tavern... We both love these types of movies and games, so we were really looking forward to the chance to play around in this genre.  Links: Dungeons and Dragons on Wikipedia: https://en.wikipedia.org/wiki/Dungeons_%26_Dragons The Dungeons and Dragons Movie on Wikipedia: https://en.wikipedia.org/wiki/Dungeons_%26_Dragons_(2000_film) Mythica on Amazon Prime: https://www.amazon.com/Mythica-Quest-Heroes-Robert-Jayne/dp/B00ZN31MK6 Time codes Segment 1: 04:38 Segment 2: 09:55 Segment 3: 16:25 Start of show: 25:18 Improv Game - Ding: 25:24 Improv Game - Emotional Lists: 30:58 Improv Game - Superheroes: 39:43 Improv Game - Best of Times, Worst of Times: 48:02 Improv Game - Cutting Room: 58:30 End of show, into announcements: 1:18:55 More Information about the show, Mike, and Avish Subscribe to the podcast:  Our Website: www.AvishAndMike.com Our Facebook Group: https://www.facebook.com/groups/143183833647812 Avish's site: www.AvishParashar.com  Mike's site: www.MikeWorthMusic.com/ Transcription of the “Discussing the Genre Tropes” Segment (Unedited and un-cleaned up) Avish: Alright, so segment one - Discussing the genre tropes alright,  Avish: So now we're going to spend five minutes just talking about the commonalities cliches tropes of the genre and it's something we're well versed in so Mike. Avish: When you think of a fantasy dungeons and dragons style movie what comes to mind. Mike: Well, first it's almost always a party based a party based system, even though there is usually one major well in the film there's usually one major protagonist but this protagonist always has to be supported by. Mike: The various specialist right there's always going to be the tank or the fighter the wizard the crafty rogue you know I mean like we don't even need. To be in there. Avish: yeah very in thief and. Mike: And acrobat. Mike: Right, so all that you know clerical that stuff as a matter of fact, the mythic I think we had cleric wizard fighter in thief I think was the was the Holy quadruple. Avish: Another thief is over the fighter user client on the magic user and yeah. Avish: I would say the hero is often not always but often some kind of a chosen one or you know. Mike: or gifted uniquely or something like that yeah. Avish: yeah it's like they're special. Avish: it's not random. Avish: it's not just Frodo you know carrying a ring it's like. Avish: yeah oh my God you're able to do that, and no one can do that cool. Mike: yeah yeah totally the magic in the the part of job is that magic does exist it's not like one of these conan ones where. Mike: magic is kind of like it's like low fantasy or magic kind of reviled no no there's there's magic and there's you know. Avish: it's around knows about it, it exists and it's a big part of the story. Mike: yeah exactly uh. Avish: So we're gonna there's monsters usually often a dragon or. Avish: Yes, troll like some kind of big bad monster. Mike: yep there's gonna be there's gonna be. Mike: The monster scale up through the movie so the initial attacks are with little things like orcs and knowles and all that stuff and then they usually encounter a couple of like sub bosses right like Trolls or like a minute or something like that. Mike: And you know that it culminates in like usually an epic battle when they go up against the head bad guy was good to second there's one epic battle against a large evil monster, where the party has to use their resources and come together. Mike: Oh that's The other thing the party kind of has to learn to trust each other and there's like you know some act one, I want to say bickering but like posturing and kind of things like. Avish: That I don't know for my sake of time, a lot of times in these the  party is formed over the course of the movie that may take too much time for our improv format, you know, but a lot of times like Oh, they meet the thief Oh, then they meet the fighter Oh, then they meet the cleric. I mean may or may not have that. Mike: yeah it's kind of in Bremen time musicians, you know there's always a single had bad guy even if he's the member of a larger cult or a larger government there's always a head bad guy which they have to take down at the end of the movie. Avish: That is always.  Either a wizard or hazmat. Mike: Yes, yes, exactly so let's just for the sake of this just make sure the BAT let's just had a bad guy be a wizard or spell a spell caster yeah. Avish: Oh, he may or may not also be the monster or the monster, maybe a secondary. Mike: Right his lieutenant um let me think what else, what else what are some other okay that's the setup the tropes the adventures they go through their i'm. Avish: busy yes here's the like quests or or obstacles there's there's almost always a journey right there trying to get from point A to Point B. Mike: Yes, um it depends upon how deep you want to get we actually refer back to even crawl for this. Mike: there's two there's two reasons you do the quests in the shows or other information quests trying to find out where the guy lives or they're stockpiling quests it's like I gotta get the magic scroll or I got to get the destiny hammer. Avish: Right, I think it's yeah I think it's a, I think it's much more cliche to say we have to go find the weapon to use to defeat the whatever. Mike: yeah the glade. If the glue well, what do you think um there's all you know all the characters are all the secondary characters that show up our character chores and or pastiche is there's like very little like. There's very little thought going into depth with these characters that's half the fun is that you're like. Avish: Oh it's a toy J. Mike: One knows a drunken fighter right he's here's a here's a half length okay he's going to be a nimble tongue, you know sneaky little TV kind of guy right. Avish: yeah yeah there's not a lot of not game of thrones or each character is like very complex yeah. Mike: or like ever on the whole point of the DVD Rom was like oh yeah you can have like a good cobalt and an evil Elf. Avish: You know kind of thing yeah that's gonna give us wisecracking your fighters off your cleric has overly pious like it's. Mike: yeah it's got no money we break it up this way this, this is an astonishingly like simplistic set of tropes we've we've broken down movies, that have been a lot more nuanced than this. Avish: yeah this just gets complicated because when you got a party got and then like it's like a lot can be a lot of plot can be a lot of characters none of those things are particularly deep or complex. Avish: New Right, and that is the end of our five minute timer. Mike: sounds good to me. Transcription of the “Creating the Outline” Segment (Unedited and un-cleaned up) Avish: Alright, so now, this is where we spend five minutes hashing out creating an outline for the movie we're going to do we're going to do we're going to use a four act structure which is similar three but we take the big actor and break it into two halves so we have for X. We're going to cover the outline now but because this is improv and improv comedy with games and we're things we may veer from this, but this is our kind of our kind of lifeline will use so let's reset the timer. Mike: yep one resume to change any and everything. Avish: Exactly alright so to discuss the outline we usually start with a trailer or prologue I feel when you're talking epic fantasy slash dungeon dragons the almost it's almost always a prologue. Mike: I think, so too, if you want to set the stage. Avish: yeah that prologue is usually something involving either the bad guy or the history or the object. Mike: Yes, yes, the pro level you either be showing the bad guy and why is evil as nefarious plan right or a scene with the macguffin object. Avish: mode this it's like the bad guy you see him being nefarious like he's trying to implement his big world ending plan, but it fails, and then you realize it fails because Oh, we don't have the macguffin. Mike: Right. Avish: He realized Oh, you know where is the macguffin and then. Mike: yeah now the only thing is in in fantasy oftentimes the macguffin device it's a subtle difference does actually have some useful powers like. Avish: yeah real macguffin like has no actual impact. Mike: Right, the Maltese falcon right it's everybody wants it know or or the The case of golden the tarantino film. Avish: Pulp Fiction right yeah this is yeah it actually does something but yeah you'll kind of learn about it, and maybe the bad guy. Mike: yep alright so act one. Avish: Act one we obviously meet the hero  almost always some kind of a simple villager. Mike: yeah this is hero's journey 101 right it's like the everyday you know i'm, then you know let's play the hero's journey card like they get a call to adventure somebody helped me obi wan kenobi you're my only hope so i'm like that. Avish: they're usually yeah either they they stumble across either the either the objects or the bad guys, you know, like um you know they're out in the world, and you know they see someone being attacked, so they intervene or they kind of fall in a cave and they find this object like Oh, what is it so. Mike: yeah yeah i'm. Avish: accidentals how they get. Avish: Initially embroiled in the. Mike: Right and then you know what here's what's gonna happen, I think the hero needs to go out to fix the evil, but as woefully unequipped and must recruit help that's how the party's gonna kind of right. Avish: yeah so at the end of act one is when he kind of sets out probably on his own, and I was actually kind of start gathering up the party. Mike: yeah exactly so it says how to stop the body. But is it under prepared needs help. Avish: Yes, busy, and act one something bad will happen, it will be kind of thrust out to. Mike: who's literally is like reading like Star Wars it's like. it's like Jesus is like. Avish: How to gather his pilot and is wiki and. Active active. Mike: gathers his party and then a series now for the impromptu we just want to be like a couple of requests. Avish: And I know you like one question act by one question each. You know act like act act to me will be the quest to find out where the object is And then act three will be them questing to get the object. Mike: yeah. Avish: back to the quest to learn act threes the quest to get but then at three is going to end in some kind of a encounter disaster where they. You know, lose to the bad guy or they lose the object like they get it, but then they lose it like a bad guy gets it, and so the kind of all is lost moment. Mike: yeah yeah yeah What did you these happens, they lose either either lose the macguffin. or bad guy captures some of the party. Avish: or both. Mike: or all your all right, you know, are all the party right, you know and then what happens in act for is the ingenious rescue of party. Requiring. Avish: And then the final confrontation. Mike: Or the macguffin yep and then final confrontation. Which is almost always one of two things it's a big. Big bad monster fight. Right or a stop the big bad evil guy plans. timed it's almost always like the rituals happening and. Avish: As yeah there's urgency and usually there's some kind of twist on how to beat the bad guy it's not just like oh I killed him with my sword it's usually like oh I realized that if I you know kill his cat that will force him and i'll be his familiar so he'll be dead, then. Mike: This factory, because the. Avish: last thing i'll say runs out of time here is that X. X to certainly and even in act three you know the hero is often like.  ineffectual insecure lacking confidence and act, the kind of the finale is where he steps into his or her accepts his role and confidence and realizes, the key to his power. Mike: Yes, and and the and the last other one to that is a party has trouble in the beginning kind of finding its groove.  But the PowerPoint have asked for, is that the parties working together smoothly as a team they figured out each other's strengths in the way to support each other that's a really important part for good. fantasy right it's okay if they're if they're screwing up in the afternoon at three and they're like fighting against that fighting, but like they're not. Avish: optimizing but they're optimized by at for. Alright awesome all right good, that is the end of our outlining days. Mike: so simple when you put it. In a fantasy novel.

This week is a little different as we take a short break from episode recaps and look back at Season 1 as a whole! We mourn the DVD-ROM game that will never know the light of day, make fun of Scully's fake pilot boyfriend, and briefly become a Toby Lindala fancast. We unveil more Deep Throat/Sally Kendrick relationship lore, discuss Deep Throat's upcoming role in Succession Season 3, and lament our abandoned Grunge Teens. We answer some listener questions, take a look back at our favorite one-off characters, and wrap up with some yearbook superlatives. We also fight to the death over our ranking of Season 1 episodes. We'd like to leave you with executive producer Glen Morgan's wise words: Mulder's insane!Amanda's List:24. Young at Heart23. Space22. Shadows21. Born Again20. Roland19. Lazarus18. Ghost in the Machine17. Miracle Man16. Gender Bender15. Shapes14. Fire13. Conduit12. The Jersey Devil11. Pilot10. Eve9. Deep Throat8. Squeeze7. Tooms6. E.B.E.5. Fallen Angel4. The Erlenmeyer Flask3. Darkness Falls2. Ice1. Beyond the SeaElla's List:24. Born Again23. Shadows22. Lazarus21. Space20. Young at Heart19. Roland18. Ghost in the Machine17. Miracle Man16. Gender Bender15. Eve14. Conduit13. The Jersey Devil12. Shapes11. Deep Throat10. Fire9. Tooms8. Fallen Angel7. The Erlenmeyer Flask6. Darkness Falls5. E.B.E.4. Squeeze3. Pilot2. Ice1. Beyond the SeaSend us an email at scullynationpod@gmail.com or follow us on Twitter and Instagram!

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Right now, the very first diabetes technology with roots in the do-it-yourself community is in front of the FDA. Tidepool CEO Howard Look joins us to talk about what, if approved, will be a prescription mobile app controller: Tidepool Loop. We get details on the submission, including everything from how you’d actually get this app to whether you’ll be able to set your own blood sugar target ranges to which devices Loop could work with, international possibilities and much more. Learn more about Tidepool Loop  Our first conversation with Howard Look from 2016 Howard announces Tidepool will shepherd Loop to the FDA (2018) Howard mentioned Tidepool documents. Find those here In Tell Me Something Good a teenager with type 1 has a big idea about a Funko Pop character and some positive news for diabetes camps this summer. This podcast is not intended as medical advice. If you have those kinds of questions, please contact your health care provider. Check out Stacey's book: The World's Worst Diabetes Mom! Join the Diabetes Connections Facebook Group! Sign up for our newsletter here ----- Use this link to get one free download and one free month of Audible, available to Diabetes Connections listeners! ----- Get the App and listen to Diabetes Connections wherever you go! Click here for iPhone      Click here for Android   Episode Transcription:  Stacey Simms  0:00 Diabetes Connections is brought to you by Dario health. Manage your blood glucose levels increase your possibilities by Gvoke HypoPen the first premixed auto injector for very low blood sugar, and by Dexcom, take control of your diabetes and live life to the fullest with Dexcom.   Announcer  0:21 This is Diabetes Connections with Stacey Simms.   Stacey Simms  0:26 This week, the first Do It Yourself based diabetes tech goes to the FDA. We will get details on the submission of Tidepool Loop  , including everything from how if approved, you'd actually get this app to whether you'd be able to set your own blood sugar target ranges,   Howard Look  0:43 we did  in our submission to the agency proposed flexible set point. We are in review right now. That is something new, and most companies before us have submitted with fixed set points or a limited set of set points. That is something that we are discussing with the agency we're not yet cleared, so I can't tell you how that discussion will go.   Stacey Simms  1:05 That's Tidepool CEO Howard Look. He also answers questions about which devices this version of Loop  could work with, international possibilities and a lot more. in Tell me something good a teenager with type one has a big idea about a Funko Pop character and some positive news for diabetes camps this summer. This podcast is not intended as medical advice. If you have those kinds of questions, please contact your health care provider. Welcome to another week of the show always so glad to have you along. We aim to educate and inspire by sharing stories of connection with a focus on people who use insulin. My son was diagnosed with Type One Diabetes just before he turned to my husband lives with type two diabetes, I have a background in broadcasting. And that is how you get the podcast. This week's subject is one that a lot of you are really excited about. I was going to say it's something that you've been waiting for. But I know a good portion of my listeners are part of the we are not waiting movement, and are using a DIY version of Loop  already. For those who are not. What is Loop ? Well, that's a big question and I will direct you to a bunch of our past episodes. With the we are not waiting hashtag you can just go to Diabetes connections.com there's a search box on the upper right hand side of the website. And I have put all one word hashtag we are not waiting as a search term for any episode that deals with that with the DIY community. Of course, you can also Google Tidepool Loop  , that sort of thing. But as simply as I can try to define it here, Loop  is one of a couple of programs created by the community. This is not something that's commercially available, and it helps insulin pumps and continuous glucose monitors communicate. DIY Loop  uses a Riley link another external piece of hardware to help with this. And it works with Omnipod and older Medtronic pumps. There are other programs openAPS Android APS, which work with older Medtronic pumps. That is a very quick and very light to say explanation of it. So I urge you if you're interested, although Howard always does terrific job of explaining more when I do talk to him here, I just want to make sure that you understand kind of all of the groundwork, this is not something that have popped up in the last couple of months. In fact, in late 2018 Tidepool , which was well known by then as a nonprofit, open source, a call it an information hub for people with diabetes, they announced they would shepherd DIY Loop  through the FDA making it a lot easier for non diy yourself types to access what is really life changing technology. And now just over two years later, they've submitted and I don't know if an information hub is the best way to describe Tidepool , but it was started because there was no place at the time to view diabetes data in one place, I don't believe there really is still you can see data from your pump, your CGM, your meter all in one uploadable place and use interactive graphs and see trends and patterns in a way that was never available before. And I don't think it's available as robustly anywhere else. And then you can share with your healthcare team and invite other people and your healthcare providers to look at your charts and your graphs and your data. So that's how Tidepool s started. And if you want to hear the whole story about how they stepped up to take this new task on, again, I will link up these specific episodes at the homepage for this one at Diabetes connections.com. By the way, this is also a video interview, you can check that out at the Diabetes Connections YouTube channel, I'll put a link in the show notes there as well. I do want to give a quick disclosure here. I did a project for title in the spring of 2019. I was helping out with some research interviews in the community, that sort of thing. I bring it up because they paid me as a freelancer. And while they've never paid me for the podcast, I think it's important to always let you know about that kind of thing. By the way, I'm very good at community interviews and freelance projects like So reach out if you ever need a hand. Okay, Howard Look in just a moment. But first Diabetes Connections is brought to you by Gvoke Hypopen. And you know, almost everyone who takes insulin has experienced a low blood sugar and that can be scary. A very low blood sugar is really scary. And that's where Gvoke Hypopen comes in. Gvoke is the first auto injector to treat very low blood sugar. Gvoke hypo pen is pre mixed and ready to go. With no visible needle. That means it's easy to use, how easy is it, you pull off the red cap and push the yellow end onto bare skin and hold it for five seconds. That's it, find out more go to Diabetes connections.com and click on the Gvoke logo. Gvoke shouldn't be used in patients with pheochromocytoma or insulinoma visit gvoke glucagon.com slash risk.   My guest this week is co host Howard book here to talk about the very exciting submission of a Loop  app to the US FDA, there is so much to talk about here. But Howard, let me just first welcome you to the show. Thanks for coming on.   Howard Look 6:05 Hi, Stacey. It is so great to be here. I'm so excited to see you again. And so grateful for you having me on your show.   Stacey Simms  6:12 Thank you. You know, it's funny to look back. And we have a lot to talk about. But I should say as we're getting started here, I have talked to you many times, but twice for the podcast and the first time was almost five years ago now. So as we go through this conversation, and as you're watching or listening, there's gonna be a lot of presumed knowledge, I think we're not going to try to explain everything. So I will link up the previous episodes where we talked about title and it's early days, and then the announcement a couple of years ago about this. But I think that even just a quick, cursory Google search will get you up to date before you listen to the interview. But there's a lot here. So Howard, thanks again. Let's dive right in. My   Howard Look 6:52 pleasure. Thanks for having me.   Stacey Simms  6:53 What did you all submit? Tell me about what actually went to the FDA.   Howard Look 6:58 I have learned more about how FDA submissions go than I ever imagined my whole life. So we submitted what is known as a 510 k application, which is a big set of documents that says to the FDA, here's what we have built. And here's how we built it. And here is the work that we did to show clinical evidence to show software cybersecurity, what's called verification data, how we know that the software is working as intended. It describes what it looks like, how it works, what the requirements are. And all of that ended up being about a 2000 page submission, which sounds like a lot, but I've heard that other submissions are far far bigger. So we feel like it was a well crafted submission. And we are now in the thick of what is called FDA interactive review. So we sent in our submission on December 17. Turns out that was a snow day in Washington DC. So that was our thing. So our lawyers office used a courier  to get a DVD ROM and deliver it to silver springs, Maryland. And what the FDA got was a bunch of documentation about Tidepool   Stacey Simms  8:14 you submitted Tidepool Loop  , this is an app, what is you know, what do you I guess we can fast forward what would the finished product be?   Howard Look 8:22 So Tidepool Loop  is a mobile application once it is cleared by the FDA and I have to be super clear it has not yet been cleared by the FDA It is currently under review. So it is not yet available. But once it is cleared Tidepool Loop will be a mobile application for iPhone. And people will be able to get it just like you get any other iPhone app by going to the App Store and downloading it, it will be prescription required. So you'll have to go to your endo or your doctor and say this is something I would like and get a prescription code. And then people will be able to download that app from the App Store. And what Tidepool Loop  will do is it'll connect to insulin pumps and continuous glucose monitors. And it's what's called an automated insulin delivery device or some people call it other people call it closed loop or artificial pancreas. But basically it's software that automatically controls insulin delivery based on glucose values. And based on predicting how your body is going to react to insulin and carbohydrates. And it automatically uses an algorithm or math a fancy word for math to decide how much insulin you should get. So long winded answer Tidepool Loop is a mobile app that controls insulin delivery.   Stacey Simms  9:40 Well, it's not long winded at all because I know there's a lot more to it than just that even But to be clear, when I think about this, and we'll go I would love to talk more about the history and DIY and and so much of that. It basically is the brains of the operation. So you have your pump, you have your CGM but you need that program. So you know, we have the controller queue we have horizon with Omnipod, if I'm getting that right used to be type zero, which we may see in other pumps, this is that   Howard Look 10:07 that's exactly right. There's there's three pieces to an automated insulin delivery system. There's the insulin pump, which I think most people are familiar with, but it holds a reservoir of insulin. And sometimes it's something that you clip to your belt, like a Medtronic pump or a Tandem pump. And sometimes it's a self-contained unit, like an Omnipod that sticks right on your skin. So that's component number one is the insulin pump. component. Number two is the continuous glucose monitor. And the one that I think a lot of people are familiar with is the Dexcom G6, that's a super popular continuous glucose monitor or CGM, but there are others out there as well. And then the third piece is this controller piece in the middle. And what the controller does is it reads the data from the CGM. It also takes other information such as what your insulin to carb ratio is, what your insulin sensitivity factor is, knowledge about your basal rates. And it combines all that information using math and determines how much insulin you should be getting. And what's cool about it, people living with type one diabetes are used to that and used to doing the math on a napkin to figure out what their dose should be. But what's cool about it is that the software does it for you. And in the case of most automated insulin delivery systems, it does it automatically every five minutes, which is great, because that's a lot of math, and it's doing it for you. And it's also paying attention to how your body is reacting to what happened previously. And that's why it's called a closed loop system. It delivers insulin it it determines information. And then that brings that information back into the system to determine what it should do on the next iteration of the loop .   Stacey Simms  11:49 And it really has been amazing. I mean, we use I mentioned control IQ. And I had no idea even though I had been told I could make you know, 300 decisions a day, one every five minutes, and then an additional one every hour. I remember the first morning I checked, and it kept Benny at like, let's say one 10th or 105. Great number I was so excited to see. And I thought oh, well, it didn't have to work very hard last night, because he was just cruising. And I went into the pump.   Stacey Simms  12:12 And it had adjusted every five minutes. It's incredible. I don't know why I had, I hadn't thought about it that way that it would have to work just as hard right to keep him at that number. And it's not something that most people really have the inclination to sit there, you know, and do all day long. It was amazing to me just in a way. Howard, I gotta tell you, and you look at this as a parent of a child with type one, it kind of assuage my guilt of not being perfect all these years. Oh, yeah.   Howard Look 12:40 Yeah, I know exactly what you mean. So our daughter, Katie, she's 21 now but she was diagnosed with type one when she was 11. And I totally I know exactly what you're talking about, as a parent, that feeling of why can I get this right? How can I do more? What Why is this so hard? And the answer is, because it's frickin hard. It is really hard work. And these systems are taking that really hard work and bottling a whole bunch of it up into these decisions that it can make every five minutes. And even they have to work hard. If you actually look at what the systems are doing. They're adjusting insulin delivery up or down every five minutes. And they're doing their best. And it's still really hard. And so yeah, I know exactly what you're talking about, and realizing what we as parents did getting up multiple times during the night giving correction doses trying to get it right. Like we all deserve a gold star for that because it is frickin hard work. You know, and everyone living with type, of course will start to because not just as parents, like people living with type one, doing this   Stacey Simms  13:46 for decades, exactly with no breaks. So I have a lot of specific questions about title that my listeners have sent in. I'm cautious about getting too specific. I'm going to ask you, you may have to say can't answer that. Can you answer that? But before I do, I'd love to take a moment and talk about the significance of this being something that started as part of the DIY community.   I was looking back and my podcast started in 2015. But we are not waiting and started really that that same came in 2013. But people working on things like this before that. Yeah. What's the significance? As you see it, of my understanding is this is the first kind of crowdsource DIY diabetes component. I'm not really sure what else to call it to go in front of the FDA. It seems like we should just kind of stop and mark that.   Howard Look 14:31 I agree. There is so much to celebrate about the story. And what you just mentioned, is one of the huge components. So Tidepool Loop is based on an open source project that was known as Loop. I usually call it DIY Loop just to differentiate it, but it was just known as Loop. And there's a wonderful medium blog post by Nate Ratcliffe, who is the original author of Loop  and he talks about how the works He did was built on top of the work that people did before him, people like Ben West and john Costik, who figured out how to control diabetes devices over wireless communication protocols. And then Pete Schwab who's the, his daughter is named Riley and Pete went and taught himself hardware design so that he could invent the Riley link, which made it possible to control at first Medtronic insulin pumps and then later Omni pod pumps remotely from an iPhone over Bluetooth. So it's this really incredible story of innovation of people figuring out how to make this happened. There's a whole other wonderful blog post that for your technically minded readers about the reverse engineering efforts that went into figuring out how to control the Omnipod, and how to add that functionality into Loop , which at the time only could control Medtronic pumps. And so it just goes on and on and on. There's a gentleman named Joe Moran, who was instrumental, he's been living with type one for decades, and he was instrumental to that effort. And so there's the open APS community and the Android APS community, Dana Lewis and Scott Liebrand, who I know you've met. And the story is that when the community really wants to do something, they just go figure it out, it's the most it to me the most incredible example of tenacity and innovation, and grit, and everyone working together for the greater good. And all of that transpired with people just doing their thing on their own, you know, nights and weekends, or, you know, none of them all of those names that I mentioned, it wasn't their day job to go do that. They did it because they wanted to help improve lives, their own lives, or the people they love living with with type 1 diabetes. And so what we did at Tidepool is we saw how popular Loop  or DIY Loop  was, my daughter started using it when she was still in high school, six years ago, and was getting incredible results, a bunch of other type coolers. Were using it. And we thought to ourselves, you know, what, we're in a really interesting position as a nonprofit, as an open source organization that has chosen to engage deeply with the FDA that we could take this open source project built by the we're not waiting community, and we could actually bring it into our regulatory quality system. And we could take it to the FDA and say, Hey, FDA, we actually would like to make this broadly available, we would like to put it in the App Store. And we started floating this idea with everyone with the we are not waiting community, with the device makers that would have to cooperate with the FDA, with the funding organizations like JDRF. And the Helmsley charitable trust. And across the board. Everybody thought it was a great idea. And so that was really, to me, it was just so heartwarming to know that everybody agreed, yes, this needs to happen. It can't these great systems that are helping our kids sleep through the night and helping us achieve, you know, really great, lower burden control of our diabetes, that we want to do our part to now pay it forward and help make it broadly available. So I was just I couldn't be more thankful and grateful to that entire community. So I often say we are standing on the shoulders of we're not waiting giants.   Stacey Simms  18:30 That's great. All right. So now let's get down to the nitty gritty because people want to know what this is really going to look like. Let's start by talking about understanding that things change. And I'm sure that you want to work with everybody down the road, when or if this is approved. What are they approving? Is it for use with just Omni pod? I know you have an agreement with Medtronic, what starts out of the gate?   Right back to Howard answering that question. But first Diabetes Connections is brought to you by Dario. Health. And over the years, I find we manage diabetes better when we're thinking less about all this stuff of diabetes tasks. That's why I love partnering with people who take the load off and things like ordering supplies, so I can really focus on Benny, the Dario diabetes success plan is all about you. All the strips lancets you need delivered to your door, one on one coaching so you can meet your milestones, weekly insights into your trends, with suggestions for how to succeed get the diabetes management plan that works with you and for you. Daria has published Studies demonstrate high impact clinical results, find out more go to my dario.com forward slash Diabetes Connections. Now back to Howard Look talking about what devices will pair with Tidepool Loop .   Howard Look 19:48 So the first thing I have to be super careful because this is not yet an FDA cleared product and the FDA has very strict rules about marketing a product before it's actually available. So I'm just gonna make a statement upfront that I will probably repeat over and over, I'm going to describe the process to you that we are going through. But I'm not yet describing a product that is cleared by the FDA. And we are not yet approved to market this. So I'm what what we can do because we're a nonprofit because we're radically transparent. We share everything that we're doing with the community. So all of our engagement with the FDA, for example, we've publicly, openly published on our website. So your listeners who want to actually see what we've talked to the FDA about can go to tidepool.com/ documents, and see all of the interactions we've had over the years that I'm about to describe. So here's what I can say, openly, transparently. publicly, we have announced that Tidepool , the organization has development agreements with Dexcom, with Medtronic, and with Insulet. What I can't say is the other device makers that we are also working with, I can just say that there are other device makers, every device maker has their own timeframe about when they are comfortable talking about it. And so the first pair of device makers that we announced where Insulet, Omnipod, and Dexcom, with the Dexcom G6. And that's really notable because they have already gone to the agency, and they themselves have submitted their devices for clearance in this interoperable ecosystem. So I should if you want me to, I should probably take a little sidebar here and talk about interoperability and how   Stacey Simms  21:36 you may certainly take us out into what I call the Mr. Potato Head. Diabetes technology, so the floor is yours.   Howard Look 21:43 Super. So the FDA really gets a huge amount of credit here, because they went to industry to all of us in the diabetes device business, and they said, Hey, all y'all device, diabetes device companies, this is way too hard when you come to us with these big giant submissions for these big giant systems that include all of those components that I talked about earlier, the pump, the CGM, the controller, and everything that has to go with it. So we the FDA would like you to start thinking differently. And what they did is they issued what are called de novos, which is where they make a new product classification de novo literally means from the new and so it's a new product classification for interoperable components, and they created three different components, the eye CGM, or integrated continuous glucose monitor, the ACE pump, or alternate controller enabled insulin infusion pump and the AGC the interoperable automated glycaemic controller. So those three de novos are critical because they allow a company like us to say, hey, FDA, I'm not coming to you with an entire system that does all three things together. I'm just coming to you with one piece. So we have submitted an AGC the interoperable automated glycemic controller Dexcom submitted the IC gm Insulet submitted an ace pump and has also been talking about their future Ace pump roadmap, Tandem did the same thing. what's notable about Tandem is they submitted an ace pump and an AI AGC. So you were mentioning the type zero algorithm earlier the algorithm that is known as control IQ started its life as the type zero algorithm. So they submitted both an ace pump, which is the Tandem x two platform and the AI AGC which is known as control IQ technology, which, as you know, started its life as the type zero algorithm. So we owe a huge debt of gratitude to the agency for creating that interoperable pathway.   Stacey Simms  23:48 I'm going to probably ask you a bunch of questions that you will answer just like that. And I'll try my best not to know that while there is a large component of people very interested in the history, and the alphabet, the alphabet soup and everything you went through. There's also a large amount of people who say, when this thing comes out, can I slap it onto my Omni pod and use it? Yes. So the question then becomes, does it matter what type and again, if you can answer this I totally understand. Does it matter what type of pod they're using? Because we have dash we have on arrows and we don't use Omni pod, so I may be getting this wrong. And then we have Octopod, five with horizon coming out later this year. So you know, people are saying Howard, what do I stock up on?   Howard Look 24:31 I see. So let me so I can't specifically say what will be cleared by the FDA because it hasn't been cleared yet, but I can tell you what the intent of Tidepool Loop   is. So Tidepool Loop  is intended to be an IEC and interoperable automated glycemic controller. And in order to be that type of device, it can only work with IC GM or Ace pumps. So it will not be able to work that with anything that does not have an ace pump does it And it will not be able to work with anything that does not have an IC GM designation. Got it?   Stacey Simms  25:06 Okay. And then my next question is, and this comes back to I think I asked you this the very first time when you announced, you know that you were hoping to shepherd Loop to the FDA. And it's an interoperability question that I still can't wrap my brain around. I'll give you the example of Omni pod. So I'm very excited this fall, I get my Omni pod five with horizon. It's got its own hybrid closed Loop  system, or whatever they're calling it these days. And then I hear Oh, Tidepool  is out. And I want to go to the app store and get Loop . Do I flip a switch on my Omni pod? PDM? Or do I have to? Do I have to right now, because I know you're talking to interoperability in the future and everything. But what happens now? Can I switch to it? Or do I have to pick one and then stay in that?   Howard Look 25:47 I don't believe people will be locked in the so there is no Well, I shouldn't speak for Insulet, right, there is no switch on the PDM pods. The way pods work is they can pair to one controller at a time. But pods are disposable. So if you pair one controller to a pod, you can pair the next pod to a different controller. So that would be the idea there, there's no switch that you flip, the idea with type will Loop would be as a different kind of controller that you wouldn't need to use your PDF, you would use type of Loop  on your phone. Great.   Stacey Simms  26:19 I think everybody's gonna hopefully they all want to go to phone anyway. And that's what everyone seems to be working for. And I know most of my questions that are also for Omnipod. And you really can't answer them. So we will talk to Omnipod down the road and find out more. So let's go back to a bunch of questions about the targets because one of the things that people love so much about DIY, is that they can really set these target ranges for how they want and other things. Um, can you speak to that? What kind of flexibility as compared to what people understand with DIY Loop? May they experience the Tidepool Loop?   Howard Look 26:47 Yeah, it's a super question. The first thing I will say is, we totally understand how the community loves having the flexibility of choosing their own target range set points. And we believe in that as well. That is definitely something that type schoolers who use DIY lube, understand the value in that my daughter uses DIY Loop . I've been very public about that. We did in our submission to the agency proposed flexible set points. We are in review right now, that is something new, and most companies before us have submitted would fix set points or a limited set of set points. That is something that we are discussing with the agency, we're not yet cleared. So I can't tell you how that discussion will go. What I can tell you is the agency has been great. They have been so good. During this review. I know a lot of people like to dump on the FDA. I will not do that. Because my experience with the agency has been these are hard working really dedicated public servants that really want the best, safest and most effective solutions for the community. And the questions they have asked us about our clinical study day about how we built the product about cyber security is all completely reasonable. And so I know they are seriously considering it. And we're hoping we will know the answer to how   Stacey Simms  28:13 well it's interesting too, because as I mentioned kind of offhandedly. Everybody's working towards bullets from phone and control from I'm sure many of them the more I guess I can't say commercial and leave you all out now. But many of the traditional commercial systems are working toward that. Can you share a little bit how it looks on the phone? Because that's so novel for so many of us that haven't even thought about that before? Use it before in our phones?   Howard Look 28:35 Yeah, well, it's a little tricky. I wish I could just bring it up on screen. And what I will tell you is for your listeners that are used to what DIY looks like Tidepool Loop will look extremely familiar. There's there, you, you know, we've changed some colors and move some icons around but it'll still look extremely familiar to anyone who has seen DIY Loop  before. For folks who haven't seen what Loop  looks like, you can go to our website, there's a screenshot of the home screen. And obviously once it's cleared, we will publish all kinds of more information about what all the screens look like. But anyone who has seen DIY Loop  and understands the home screen with the glucose chart, the insulin chart with the buttons that let you bolus and do target pre meal targets etc. It'll all look extremely familiar and type   Stacey Simms  29:28 is it Apple and Android   Howard Look 29:30 we submitted only for iPhone for now. And the reason for that is DIY Loop  is only for iPhone. So the fastest path to us submitting and to getting it out into the community was to go with what already existed. That said we absolutely are committed to building an android version. We're also committed to going outside the US which is also the next question I usually get asked. And so we are a small company. We like any good small company. staying focused on one thing at a time and making sure we do that one thing well, so that one thing right now is getting it in the app store in the US, approved by the FDA, and then moving on to Android and outside the US is absolutely on our roadmap. And stay tuned. I don't want to over set expectations about when all that's gonna happen, we definitely will get to it.   Stacey Simms  30:21 Excellent. Yes, that was stuff. That was one of the questions. I'm curious, though, for somebody, you know, I don't even use my son's pump anymore. He's 16. I don't even see anything anymore. But I'm curious, in your studies with folks and somebody who's used DIY or your daughter is used for a long time. Is there anything different when you do use your phone as a controller? Other than convenience, I'm wondering if there's anything noticeable and different about it?   Howard Look 30:45 Well, I think what people report people who have been using DIY live, because no one has used a Tidepool Loop on their body yet, but people who use DIY Loop  report that the freedom and convenience of having the interface on the thing that you're carrying anyway, is really wonderful. And Loop  also includes an Apple Watch component. And I know a lot of people find that really liberating to be able to manage your diabetes right from your wrist. So I think what we've heard from DIY Loop  users is, hey, look, I've got my phone with me all the time. Anyway, I'm looking at my phone all the time anyway. It's just so nice to be able to just interact with my diabetes using this thing that I use all the time anyway. Wow.   Stacey Simms  31:26 So just to be clear, you can control it from the watch as well, or That's it? Yes. Okay. Yes,   Howard Look 31:31 cool.   Stacey Simms  31:32 In the clinical trials, or the testing that you had to do for the submission, what came out, I mean, there was so much kind of, I don't know, it's off the record information for DIY. But I imagine that with tight pull Loop  you really show did you have to demonstrate better control or just safety.   Howard Look 31:47 So this is another fascinating part of the story and how the community contributed to the success of Loop  the FDA very early on, when we started talking to them about the possibility of submitting, we said to us very clearly, we love real world evidence. And so the clinical study data that we submitted with the 510 k application for Tidepool Loop  , it's actually clinical data that came out of the Loop  observational study of the Do It Yourself Loop  community. And this is really an incredible study because it had over 1000 people in it, over 700 of whom were actively uploading data. And the amount of data in the study is staggering. As a matter of fact, the total person years or person days of study data in this study, if you take the control, IQ, pivotal study, the bazel, IQ, pivotal study, the Medtronic 670 g, pivotal study, and add it all up. The Loop  observational study of DIY Loop  has three times as much data submitted as those studies are three times as much data that's part that was collected during the study. So it's really a staggering amount of data. And we are really just overwhelmingly indebted to the community to all the people who participated in that study. And that was the foundation for the clinical evidence that we submitted with Tidepool , which is a pretty amazing thing. And I don't know that that has been done in that way before. Now, the data that is from that study has been published. So for your listeners who want to learn more, there are a couple places you can go the Job Center for Health Research to publish the paper, and I'm sure a quick Google search will turn it up. It's called the Loop  observational study. It's also on clinical trials.gov. And if you want to see the presentation that was shown at last year's attd, and Madrid right before Coronavirus, broke, or was in full swing, February of last year, that's on our website@titlesearch.org slash documents. So to answer your question, what was interesting, what was interesting is how broad the use of Loop  was, it was down to people under two years old and there were people in their 70s. There were people from all walks of life, it was just really fascinating to me, remember, this is a real world study. This was not a controlled intervention study. There wasn't a randomized control arm and people not using it. It was just observing life of people using it. And so to me that was the fascinating part is that so many people were willing to raise their hand and say, I want to help donate my data. And I'm going to show you how it works for me.   Stacey Simms  34:36 And we'll link up those studies that you mentioned, but I assume that they were good studies, in other words that people were happy with their agency, their time and range, ease of use safety, all that stuff,   Howard Look 34:46 the data, it looks great. There's some really fascinating outcomes. The way it works with the agency is only the FDA can say what's safe and effective. So we present the data to them. Here we say here's why We think it is safe and effective. But at the end of the day, the FDA is the one that gets to say, Yes, we agree. And therefore you are now FDA cleared. You know,   Stacey Simms  35:08 you've already mentioned this several times, but Tidepool  has always stood out for being very open source, very open with information, publishing everything that you can saying as much as you can. I am curious that now that you have gone through something like this, are you happy that you did it that way? Would you do it that way again,   Howard Look 35:28 so the part about being an open and transparent organization I love, I think it is a great way to go. And I know it's not for every company, there's great value to big commercial companies like Apple choosing to keep their product plan secret, and then doing a huge launch and saying, tada, here's what we've done. For us as a small nonprofit with the mission of supporting the diabetes community, I think it's a great way to go. Because it allows us to be really clear that look, our motives are not about profit, our motives are about doing the right thing for the community. And to me, the openness and transparency just makes all that completely clear. There's another part of the story, which is doing it as a nonprofit, we happen to be doing both. We're open and transparent. And we're a 501 c three nonprofit, that part is tricky. I will be honest, especially during the pandemic, a lot of nonprofits including us have been hit hard. And that's been really challenging. It is much easier for a for profit company to weather a storm, if they've got a venture capitalist willing to give them funding or they can take out a loan as a nonprofit that has been challenging. Would I do it the same way? Again, I totally would, none of us could have predicted the pandemic. So it is what it is.   Stacey Simms  36:47 So with your nonprofit status, if I decide after FDA approval, and I can go to the app store with my prescription from my doctor, Uh huh. am I paying for it? Is my health insurance paying for it?   Howard Look 36:59 So here's where we are. And I will be open and transparent about this, which is we don't know yet. So as a nonprofit, our goal is to make the software as broadly available as we possibly can. We are engaging in commercial deals with some of these device makers so that they will actually give us money when people start using lube because obviously, we're bringing new customers to them that are going to keep buying supplies and pumps and cgms from them, we would love to keep the price as low as possible. And if there's any way we can do it, we want to make it free. We're not sure we can yet we've got to project out how it's going to go we do have a we we have people on staff and we have to pay them we're not going to do it has a way of making money the way a for profit company would we don't have to answer to investors, we don't have to answer to the stock market, we would only do that if it helps us be a self sustaining organization. And it helps us continue to deliver on our mission.   Stacey Simms  37:59 Somebody it's fascinating to think about the questions you start asking when you start going down this road of as you said, nonprofit and open source, everything else is an on that road. There are rumblings they're not really there yet of other possibly DIY routed projects that are waiting to see what happens with you guys. Right? So if you can, it's kind of like when Medtronic gotten sick, 70 approved. And then other people said, okay, we can now take our product. And we'll probably get it through the FDA with a lower, you know, time and range without calibration and things like that. Do you think that? Is this going to be the start of a different kind of diabetes technology? approved by the FDA? Like in five years? Could we have different like, you've already mentioned open APS and different things that you've built on. I wonder if there's somebody working on something today that because of the title submission would have an easier time coming through. So I asked about three questions in there. Sorry,   Howard Look 38:51 I, I sure hope that this is the start of a revolution in how new diabetes technology is created and delivered to market, whether it ends up being open source projects, or it's because we've shipped like we share all of our source code, we share our regulatory quality management system openly, we will publish our 510 k submission once we get through interactive review and clearance. And we're doing that because we want to help other people. Like for us, it's a win if there's lots more technology coming out that gives the diabetes community more choice. And that allows our kids and people living with diabetes and to have better solutions that fit better in their lives. That's a big win. Like we've got no ego invested in this. I want lots of companies, whether for profit or nonprofit, whether based on open source or closed source, it kind of doesn't matter. What I want to see happen is innovation. And I want that innovation to happen more quickly and get into the hands of people who can use it more quickly. So that's the wind for us.   Stacey Simms  39:57 As we start to wrap up here my interaction portability questions still are out there. And again, I know that you cannot speak to different products, and that's fine. I mean, you can and that's fine too. But when I think of true interoperability, and my ecosystem is limited just because of what my son uses, but I think of Okay, if I want to use this controller, but whether it's Tidepool Loop   control, IQ, or Omni pod horizon, whatever, and I want to use a Libra, and I want to use this pump or I want to use a Dexcom. Or I want to use the Dana pump or whatever. There's, there's all these pumps, and CGM is coming to market. Are we going to see that anytime soon?   Howard Look 40:35 I am very optimistic that true interoperability is on its way. And one of the huge reasons we are doing what we're doing is to show that that is actually doable, you should be able to pick the pump that's right for you, you should be able to pick the CGM that's right for you, you should be able to pick the controller and the user experience that's right for you. I do imagine that there is a world where you can say you know what, I'm the pregnant mom living with type one, or I'm the athlete living with type one and I have very different needs, and the system should be able to adapt to you. And you should be able to choose which thing is stuck to your body to work best for you. So I am very, very optimistic that interoperability is happening. And we are pushing on it and we and I believe the FDA wants to tap into. That's why they made these interoperability pathways.   Stacey Simms  41:27 I remember when I saw one of your presentations on the shoulders of giants presentations A while ago, one of the things that people really like in addition to the the wonderful blood sugar control they get from DIY lube, they really like the icons, there's like ice cream and pizza. There's all this neat little stuff in the app Are you able to share it with you could just save any of the cute stuff.   Howard Look 41:48 Oh, there is a cute, the cute stuff is still there. Like I said the experience of Tidepool Loop   will look very familiar to users of DIY Loop . And one of the things that people love about DIY Loop  is the ability to use emojis to indicate the type of food you're having, whether it's the lollipop for fast acting carbs, or pizza for the very long acting carbs, and all the emojis in between. So that's something that people love about DIY Loop . And we have maintained that in in Thai polish.   Stacey Simms  42:22 I said it was my last question. I lied. I meant to ask you. The first time I talked to you in 2016. We were talking about Tidepool  as an a data company. Right? I want to see my data I want to free the data is that still part of the mission? Is that still something that's part of the core of title moving forward?   Howard Look 42:41 It absolutely is. So at title we like to say Our mission is to make diabetes data more meaningful and actionable. And seeing all your data in one place is still absolutely part of our mission. pypo web and title uploader are incredibly popular. As a matter of fact, we have about three times as many users now as we had before the pandemic started. Because when there's a pandemic, it turns out, you need a way to upload your data remotely. And so that is absolutely still a part of what we're doing and making diabetes data meaningful. actionable is still absolutely part of what we do. Awesome.   Stacey Simms  43:24 Well, Howard, you've been so generous with your time I appreciate it so much. Just one more thing is your how's your daughter doing? You've got you've got three kids. Yeah, one child was dying with type one. But everybody You're like an empty nester, almost.   Howard Look 43:37 We are an empty nesters. But Katie is doing great. Thank you for asking. She's in college, and she is doing wonderfully. I will tell her you asked about her.   Stacey Simms  43:48 Oh, absolutely. Thank you so much for sharing all the information. Come on back, when and I will say when you get FDA approval, and we can share lots more details. But I think this is phenomenal. I'm so excited to just kind of be part of the information stream over the last couple of years. And it's just been so much fun to follow this. So thanks for coming on, Howard.   Howard Look 44:08 Well, thanks for all of your amazing questions. And it's just been so great to have you been with us and sharing our story over the years and so we're really, really grateful to you and all your listeners.   Howard Look 44:24 You're listening to Diabetes Connections with Stacey Simms.   Stacey Simms  44:30 Lots more information at Diabetes connections.com. I know you had many more questions. I got so many questions in the Facebook group for this topic. But once I went down the road with Howard, I realized there were a bunch that he would not be able to answer. Frankly, most of them were for Insulet or for the makers of Omni pod. So I reached out to them and I will continue to ask them to come on the podcast. It's been a while I think they're waiting until they get FDA approval for their next product. But I'm working on it and I hope to talk to them as soon as I can. I Know You all have questions. And boy, it's a really exciting time. I hate that the technology. And title is not an example of this. I hate that a lot of the technology got backed up because of COVID. But man, this is going to be a very exciting year or two as things that have been kind of delayed, get released, which is why I'm doing this focus on technology this year. So I'm very excited about it. And I cannot wait to see so many questions there about what the FDA actually approves. And we know Tidepool  with all of their wonderful open source and access to information we know that they will let us know. And I'll pass it along as soon as I learned anything. All right, let's talk about Tell me something good. We're gonna have a story or two about summer camp diabetes camp, and a teenager with type one has an idea for a Funko Pop, that you're going to love. Diabetes Connections is brought to you by Dexcom. And one of the most common questions I get is about helping children with type one to become more independent. These transitional times are tricky elementary and middle school then middle to high school, you know what I mean? Using the Dexcom really makes a big difference. For us. It's not all about share and follow although that is very helpful. But think about how much easier it is for a middle schooler to just look at their Dexcom rather than do four or five finger sticks at school, or for a second grader to just show the care team the number before Jim, you know, at one point Benny was doing up to 10 finger sticks a day, and not having to do that makes this management a lot easier for him. It's also a lot easier to spot the trends and use the technology to give your kids more independence. Find out more at Diabetes connections.com and click on the Dexcom logo.   This is normally the time of year where people are signing up for camp. I know certainly for us, we're already our summer is planned by the end of February when my kids were younger with this both school aged kid and we both worked full time. You know I had summer programs done by this time, but of course it was COVID everything has changed. So it tells me something good. I was excited to share this week that I'm hearing about more summer camps that plan to be in person. And diabetes camps are certainly tricky, because while everybody should be taking lots of precautions because of COVID. You know, people with diabetes really need to take more precautions. So I was thrilled to find out just a couple that I'll pass along and I'll put more of these in the Facebook group. Hopefully we can get more as the information comes in. And as you learn what your local campus doing, we can share that info. But Texas lions camp, which is the one that among other people, Dr. Steven ponder runs, they are doing something really interesting this summer, they have decided to open it up for family camp. And my understanding about this is that the whole family can come. But each family will stay in its own cabin, they will get together as socially distanced appropriate, if that's the right way to put it for activities and things like that. But within the cabin will be the family unit that's already spending time together. And so you wouldn't have to wear your mask within the cabin, you know, that sort of thing. And I think it's a really creative approach. I'm pretty sure they've had an amazing response to this. They may already be mostly filled, but you can definitely check it out. I'll put the link there. What a fun and interesting way to step up for this challenge and camp kudzu in Georgia, which is a very close to my heart camp. I'll tell you about that. why in just a minute. But they have decided to have teen camps, family camps and four weeks of summer camp. So if all goes well, I'm sure things will look a little different, but they are going ahead with their camp program as well. And I bring up kids though, because I didn't know this for the first couple of years Benny went to camp. It's down the street from his regular non diabetes camps that I've talked about many, many times. Now camp kudzu is hosted at other camps. So it's not really their camp. I believe it's camp. Burnie it's their camp grass that they use in beautiful Cleveland, Georgia. And Benny goes to camp Coleman, which is just down the road. And I didn't realize that for the first couple years. I gotta tell you, I would have put My nervous heart at rest. To know that I was sending him away for a month and there were 100 people with diabetes down the street. I did end up calling them I want to say was the last year Benny went so 2019 because of course he didn't go last summer. His insulin pump broke the very last day of Camp the last full day of camp. I don't know if he knocked it into something. We never figured out what happened but it just it just crapped out. And I called them to see if somebody could lend him a pump and they had their program had just ended a couple of days earlier. So he was fine. He did shots for the 24 hours before he came home and Tandem. I tell the story. By the time he got out of the shower, he came home he jumped in the shower, by the time he got out the pump was delivered. So we'd love how great they are with customer service. Our local diabetes camp hasn't made a decision yet as far as I know for what they are doing. But I'm sure that they are going to make that announcement pretty soon. So if you know what your camp is doing, you know we'll share it let me know I'm really hoping that as many kids as possible I can go back to diabetes camp this summer. But if your camp isn't having in person, I know it's not ideal. Do the virtual be part of this community however you can. It's so great for kids and for adults to certainly our other Tell me something good is really cool. Now I am not the biggest follower of Funko Pop collectibles. I actually thought they were pop Funko which tells you all you need to know I have two in my office Actually I have Queenie Goldstein, from Fantastic Beasts and Where to Find Them from that Harry Potter spin off That's an inside joke with my family. I have Deathstroke because death strokes real name is Slade Wilson. My husband's name is Slade. So that's his funko pop and ended up here somehow anyway, all of this to say that I want to share the story of Ethan Savage. Ethan is 17 years old, and he was diagnosed with type one in September of 2019. He has a campaign to get the folks at Funko to create one of these figurines about type 1 diabetes. And if you haven't seen this, I'll put this in the Facebook group as well. But these are super popular, just about every pop culture character now has one of these. They're not bobble heads, but you know, the head is big, the body is smaller. They're very cute. And they're very popular. So Ethan has written to the company, he's got an Instagram account, he's showing them an example of what it could look like. And it's I guess it's Ethan. It's this kid, a guy. And he's got, you know, a pump on he's kind of lifted up a shirt and showing it off. I kind of say the guy looks cute, but kind of fierce, too. It's a really well done rendition of what this could be. And Ethan has been selling posters of the concept to raise money for JDRF. And he's got a diabetes educator who wants to give the figure here to newly diagnosed kids instead of as he says a lame stuffed animal from the kitchen.   In the letter that he shared with me that he wrote to Funko he says we're convinced this could make a great pop or series with a bigger opportunity. Most importantly, it'll raise awareness for good cause and bring you new fanatics. Haha, links below. I think this is phenomenal. I'm going to link up the Instagram account. And hopefully we can amplify the efforts here because I could see a whole line of kids with type one adults, even the celebrities that we've gotten the community Supreme Court Justice Sotomayor, what a great pop she would make. I think that'd be hysterical. I do have to tell you that one of the reasons that Ethan came to my attention is because I went to school with his dad. And it's unbelievable in the last couple of years to people off the top of my head, I can think of that I went to high school. I mean, really, I went to grade school all the way through high school with these folks, their kids have been diagnosed with three of us in the class of 1989 from York High School, have kids with type one now, I guess not that unusual, but it really brought it home for me. So thanks, Jonathan for sending this along and connecting me with Ethan and Hey, who knows what's gonna happen. If you have a Tell me something good, please send it to me Stacy at Diabetes connections.com, or post it in the Facebook group. And it's Diabetes Connections, the group.   Stacey Simms  52:23 Looking ahead next couple of days, we're gonna have another classic episode out for you. And that's coming on Thursday. And then we are continuing with the focus on technology have some really interesting stuff coming up in the next couple of weeks, I spoke to the people from City of Hope they've changed their name, but you probably know them both mostly by that and mostly by the claim they made a few years ago that they were gonna have a cure for type one within six years. I had to talk to them about that they have some really interesting new research going on. And I did talk to them about that claim. Because I actually think that did them a lot more damage than they should have set themselves up for to me that was a mistake. And they talked about it. They talked about why but we are almost really it's five years in now. So I'll be bringing you that story. I am talking to beta bionics the folks behind the islet damianos company about what's going on with them this year. And as I said, reaching out to Omni pod and helping to get a lot more technology stories for you in the weeks to come. In the meantime, thank you as always to my editor John Bukenas from audio editing solutions and thank you so much for listening. I'm Stacey Simms. I'll see you back here in a couple of days until then, be kind to yourself.   Benny 53:33 Diabetes Connections is a production of Stacey Simms Media. All rights reserved. All wrongs avenged

959 風とあそぶ：）　20200801SAT カトマンズが心配です・・・そして懐かしい面々：） 今日は日本国内のCOVID-19関連のニュースも壮絶でしたが、ネパールからのニュースも心配がつきません・・・そして、担任をしていた学年の子達の2015年に行われた同期会の写真が納められたDVD-ROMが、その街の写真屋さんから届きました：） カトマンズ活動応援バザーm(_ _)m http://bit.ly/2OsNSa0 気合・気愛で555!!! アラキ：） KOJI ARAKI Art Works kojiarakiartworks.com Copyright KOJI ARAKI Art Works All Rights Reserved --- Send in a voice message: https://anchor.fm/kojiarakiartworks/message

En breuvage chaud et réconfortant, dans un dessert décadent ou simplement en morceaux qui disparaissent toujours trop vite, le chocolat a résolument le pouvoir de faire plaisir. Son histoire, bien que peu connue, est tout à son image : riche, délicieuse et surprenante. Monnaie d'échange, unité de mesure, cadeau diplomatique puis délicatesse réservée aux élites, le chocolat a conquis le monde au fil des siècles jusqu'à devenir, à l'époque contemporaine, l'une des friandises les plus populaires et les plus appréciées. Cette semaine, à l'occasion de la Journée mondiale du chocolat, nous vous avons mijoté une émission sur l'histoire du chocolat. De ses origines mésoaméricaines à son industrialisation en passant par son arrivée en Europe aux XVIe et XVIIe siècles, cet » or brun » vous surprendra tant son histoire est savoureuse ! Diffusé pour la première fois sur les ondes de CHYZ 94,3 FM le 3 octobre 2013. Image : Le chocolat du matin, Pietro Longhi, 1775-1780, The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202

Njàbò by Claude Lalumière   Njàbò, my only child, my daughter, walks with me. She is as old as the forest, while I was born but three and a half decades ago. Our ears prick up at the sound of drums. We scan the sky and spot a column of smoke to the northwest. We run toward it. The ground trembles under our feet. The settlement is ringed by rotting carcasses. Their faces are mutilated, but the meat is left uneaten. These are the bodies of our people. I weep, but Njàbò is past tears. She sheds her calf body. Njàbò the great, the wise, the ancient thunders with anger; her flapping ears rouse the wind.   [Full transcript after the cut.]   Hello! Welcome to GlitterShip episode 56. This is your host Keffy, and I'm super excited to be sharing this story with you. Our story today is Njàbò by Claude Lalumière, read by Leigh Wallace. Claude Lalumière (claudepages.info) is the author of Objects of Worship (2009), The Door to Lost Pages (2011), Nocturnes and Other Nocturnes (2013), and Venera Dreams: A Weird Entertainment (2017). He has published more than 100 stories, several of which have been adapted for stage, screen, audio, and comics. His books and stories have been translated into seven languages. Originally from Montreal, he now lives in Ottawa. Leigh Wallace is a Canadian writer, artist and public servant. You can find her latest story in Tesseracts 19: Superhero Universe and her art at leighfive.deviantart.com   Njàbò by Claude Lalumière   Njàbò, my only child, my daughter, walks with me. She is as old as the forest, while I was born but three and a half decades ago. Our ears prick up at the sound of drums. We scan the sky and spot a column of smoke to the northwest. We run toward it. The ground trembles under our feet. The settlement is ringed by rotting carcasses. Their faces are mutilated, but the meat is left uneaten. These are the bodies of our people. I weep, but Njàbò is past tears. She sheds her calf body. Njàbò the great, the wise, the ancient thunders with anger; her flapping ears rouse the wind. Njàbò charges the human settlement, trumpeting her fury. Everywhere there is ivory, carved into jewellery and other trinkets, evidence of the mutilation of our people. She squeezes the life out of the humans and pounds them on the ground. The humans and their houses are crushed beneath the powerful feet of the giant Njàbò. She kicks down the fireplaces and tramples the ashes. She screams her triumph. Njàbò’s shouts go on for hours. Our scattered tribe gathers from around the world to the site of Njàbò’s victory. Throughout all of this I have been weeping, from pride and awe at Njàbò’s beauty, from horror at the deaths of both elephants and humans, from relief, from grief, from sadness and loneliness at my child’s independence. And, like too many nights of the past eight years, I wake, quietly weeping, from this dream that is always the same.   Waters is sitting on Cleo’s chest, nuzzling her nose, purring. Cleo’s cheeks are crusty from dried tears. She guesses that she’s been awake for two hours or so. She’s been lying on her back—motionless, eyes wide open—trying to forget the dream and the emotions it brings. The skylight above the bed reveals that dawn is breaking. She should get up, get started. She stretches. It sends Waters leaping from her chest and out through the beaded curtain in the doorway. Cleo slides out of bed, two king-size futons laid side-by-side on the floor. She looks at her lovers in the diffused early-morning light: a domestic ritual that marks the beginning of her day. Tall, graceful, long-legged Tamara, with her baby-pink skin, rosebud breasts, and long hair dyed in strands of different colours, has kicked off the sheet, lying on her back. The hard curve of West’s shoulder peeks out from under the sheet he holds firmly under his armpit. Assaad is sleeping on his stomach, his face buried in his pillow, his arm now stretched out over Cleo’s pillow, his perfectly manicured feet sticking out from the bed, as always. And Patrice—gorgeous, broad-shouldered Patrice—isn’t back from work yet.   Patrice comes home from the night shift at The Small Easy to find Cleo yawning over the kitchen table, the night’s tears not yet washed away. He crouches and hugs her from behind. “You look so tired, baby.” Cleo hears the smile in his quiet voice, the smile she’s always found so irresistible. She turns and rubs her face against his chest. “I didn’t sleep well last night.” Patrice kisses her on the forehead. “Then go back to bed. Let me make breakfast.” Again, that smile. She feels herself melting, almost going to sleep in his arms. “But,” she says, yawning, “you’ve been cooking all night at the café. You should rest.” He laughs and pats her butt. “I’ll be alright, Cleo. Allow me the pleasure of taking care of you, okay?” She thinks, Can you make my dream go away? But she says nothing. She squeezes his hand, forces a smile, and leaves the kitchen.   For a few seconds, Cleo is confused, does not know where she is. Has she been sleeping? And then she remembers. This is the girls’ bedroom, the girls’ bed. The curtains are drawn, the door is ajar. What time is it? She’d quietly snuck into the girls’ room after Patrice had come home, careful not to wake them. She’d crawled in between them and was calmed by their sweet, eight-year-old smells. She had only meant to lie down until Patrice called breakfast. Where were the girls now? Shouldn’t Cleo be smelling tea, pancakes, eggs, toast? Hearing the chaotic banter of the breakfast table? The kitchen is deserted and wiped clean. Indefatigable Patrice, again. No-one leaves a kitchen as spotless as he does. She looks at the clock: it’s nearly half past noon. She can’t remember the last time she slept in. Last night, the dream was more vivid than usual; it drained her. Her mouth feels dry. She gets orange juice from the fridge and gulps it down. She wanders from room to room. She stops in the bathroom to splash her face. The quiet is strange. She usually spends the morning and early afternoon tutoring the girls. West must be at the university, Assaad at The Smoke Shop. Patrice, she notices, is sleeping. Waters is curled up on the pillow next to his head. Where are the girls? And then she remembers: Tamara is back. She must have taken them out somewhere. Just two days ago, Tamara returned from a six-month trip to Antarctica. She brought back photographs she’d taken of strange vegetation, species that paleobiologists claim have not grown for millions of years. Cleo ends her tour of the house with Tamara’s office and is startled to see her sitting at her computer, fiddling with the photos from her trip. “Tam?” “Clee, love, come.” Tamara, naked as she almost always is around the house, waves her over. Cleo is enchanted by her beauty, more so all the time. Cleo missed her while she was away. Cleo settles in Tamara’s lap. Tamara is so tall that Cleo’s head only reaches up to her neck. Tamara’s poised nudity makes Cleo feel frumpy and unattractive, especially now that she notices the rumpled state of her own clothes, slept-in all morning. The feeling evaporates as Tamara squeezes her, digging her nose into Cleo’s neck, breathing her in. “I haven’t been back long enough to stop missing you, Clee. There were no other women on the expedition.” Tamara pulls off Cleo’s T-shirt, cups her sagging breasts. As always, Cleo is fascinated by the chiaroscuro of the soft pink of Tamara’s skin against her own dark brown. “They were like little boys, nervous at having their clubhouse invaded by a female, at having their secret handshakes revealed, protective of their toys.” “Tam ... Where are the girls?” How could Cleo have thought that Tamara had taken the girls out? Of all of them, Tamara was the least interested in the girls. She let them crawl all over her when they felt like it and was unfalteringly affectionate with them, but she never set aside time for them. She was vaguely uneasy with the idea of children. “West took them to school. At breakfast, he talked about his lecture, to warm up. His class today is about the symbolic use of animals in politics. One of his case studies is about African elephants. You should have seen Njàbò! She got very excited and asked him tons of questions. She wanted to go hear West at school, and he thought it would be a treat for both of them. Especially seeing as how you seemed to need the sleep.” “I can’t believe Sonya would be interested in that.” Tamara runs her fingers through Cleo’s hair and says, “Doesn’t Sonya always do what Njàbò wants? Sometimes I think all of us are always doing what Njàbò wants. She’ll grow into a leader, that one. She’ll trample anyone in her path.” Cleo is momentarily reminded of her dream, but she makes an effort to push it away. She jokes, “Wanna play hooky and go out for lunch? At The Small Easy?”   Eight years ago, Cleo gave birth to Njàbò. Most people thought that the girl looked like Patrice, especially because of her dark skin—like Patrice’s, darker than Cleo’s—but she could just as easily have been fathered by West or Assaad. The five of them had agreed not to do any tests to find out. Assaad was Sonya’s biological father and her legal guardian. She’d been the daughter of their friends Karin and Pauline. Both women had died in a car accident the day after Njàbò was born. Sonya was three months older than Njàbò. A few days later, a grey-brown cat jumped through the kitchen window while Patrice prepared breakfast. The cat drank water from a dirty bowl in the sink, and then refused to leave. The family adopted him and called him Waters.   At The Small Easy, while waiting for their order, Tamara goes to the washroom. A few seconds after she gets up, a man wearing a denim jacket materializes in her seat. One moment the seat is empty; the next, the man is there. Cleo is seized with a paralyzing fear. The man is short, almost like a child, but his face is that of an old man. His wrinkled skin is a washed-out greyish brown. He grabs both her hands in his. She feels his fingers, like vises, almost crushing the bones of her hands. “Do not fear your dreams. Do not fear Njàbò. You, too, are one of us, daughter. Believe in Njàbò. Follow her.” He vanishes as inexplicably as he appeared. Still numb with fear, all Cleo can focus on is how the old man hadn’t spoken in English, but in what she assumes must have been an African language. How had she understood him? Tamara returns. Cleo says nothing about the old man.   When Cleo and Tamara come back from lunch, the girls are still out with West. There’s a message on the voicemail. He’s taking them out downtown; there’s a new Brazilian restaurant he’s curious about, and then they’ll go the Museum of Civilizations. He says he’ll pose in front of the paintings and sculptures and have the girls try to figure out his ancestry. His favourite joke. When asked about his roots, West never gives the same answer. A mix of Cree and Russian? Hawaiian and Korean? Tibetan and Lebanese? He looks vaguely Asian, but his features don’t conform to any specific group. He loves to confuse people, to meddle with their expectations. His odd wit has always charmed Cleo. Thinking of his easy silliness helps take the edge off her strange encounter at The Small Easy. Cleo takes this opportunity to give herself the day off from mothering and housekeeping. She goes down to her sanctum. In the basement of their house, she’s set up a studio. There’s a small window high up on the wall, but she keeps it covered, lets no natural light in. She burns scented candles and incense. She’s comfortable painting only in the dim, flickering light, breathing in a rich blend of odours. Full, harsh light makes her feel exposed. The dim candlelight, the smoke, and the smells all contribute to a sense of being enveloped, of being in a cocoon, a womb, in a world where only she and her imagination exist. Sometimes, like today, she smokes a pipeful of hash, not only to relax but also to enrich the room’s aroma. Today, she needs to relax. Had she hallucinated that man in the restaurant? She still remembers the feel of his rough hands against her smooth skin. His smell: like damp soil. How could he know about her secret dream? She holds the smoke in her lungs as long as she can before blowing it out. She wants the hash to wash out her fears and anxieties. She wants to paint. The hash is strong. She feels its effects within a few seconds, a soothing combination of numbness, purpose, and timelessness. She loses herself in the canvas. She emerges from her drugged creative trance. Hours later? Minutes? It is darker: only a handful of candles still burn. She goes to the sink and splashes her face with water. She forms a cup with her hands and drinks from it. She lights a few fresh candles and returns to the canvas. She finds that she has painted a scene from her dream, one of the most violent moments. She had never before let herself depict such brutality. The giant elephant, who, in her dreams, is somehow her daughter Njàbò, is trampling humans beneath her enormous feet. She is throwing a mangled man in the air with her trunk. Cleo notices that she has painted words in the background, including “NJÀBÒ”—but also other strange words that she has never heard of before, such as “MÒKÌLÀ” and “MOKIDWA.” “Why are you afraid of the dream?” Cleo is startled by this intrusion. Njàbò? Cleo turns, but her daughter doesn’t wait to hear the answer. Cleo hears her rush up the stairs and shut the door. Does she know that Cleo has no answer? Cleo isn’t surprised that Njàbò knows about her recurring dream. She’s scared, and what scares her most, somehow, is that lack of surprise.   It was Patrice who had known what “Njàbò” meant, but Cleo who named the baby. How had it come to her? After the midwife had left, the whole family had slipped into bed with Cleo and the new baby. Cleo had immediately fallen asleep, exhausted from the long labour. She had slept deeply, had not remembered any dreams, but had woken knowing the baby’s name. “I think I want to call her Njàbò”—it was an odd-sounding word that meant nothing to her—“but I don’t know why.” Patrice, who had been devastated by the elephant tragedy and had read many books to assuage his grief, recognized it. The last elephant, a female African forest elephant on a reserve in the Congo, had died nearly a year before Njàbò’s birth. Poaching, loss of habitat due to increasing human encroachment, spiteful slaughters in backlash against conservationists, and disease had finally taken their toll. All efforts at cloning had failed and were still failing. “I know!” Patrice had said. “Njàbò ... Njàbò is a mythical creature from Africa: the mother of all elephants. A giant with enormous tusks who appears whenever the elephants need a strong leader. All elephants gather around her when she calls. It’s a beautiful name. A strong name for our strong girl. I like it.” Everyone had agreed. Cleo had pushed aside the question of how the name had come to her. It was one of those unsolvable riddles best left alone. Now, looking at the name on the canvas, she is more convinced than ever that she had never heard or seen the name before it mysteriously came to her eight years ago.   The dream now plagues Cleo nightly. She is always tired, never getting enough sleep, never fully rested. She avoids Njàbò. She has begged off mothering. Tamara, Patrice, West, and Assaad now share the task. Cleo, after all, has taken on the bulk of that work for the past eight years, devoted her time and life to raising Njàbò and Sonya, to taking care of the house while the four of them pursued their careers. There had been that book with Tamara, five years ago, when the girls were three years old. The paintings, the shows, the tours. Of course, they say to Cleo, she should explore that aspect of her life again, let someone else take care of the house, the girls. Tonight, the house is quiet. The whole family has gone for a walk in the park. It rained all day, and finally the cloud cover broke to give way to a warm evening. Cleo had agreed to go, but decided against it at the last minute. Assaad, especially, insisted that she come along, to spend time with the family. But in the end she’d stayed alone in the house. Well, not quite alone. Waters follows her as she walks into the living room. She takes down a big art book from a shelf built into the wall. Cleo sits on the floor; Waters sits in front of her, purring and rubbing his head on her knee. She opens the book at random and remembers.   The book, The Absence of Elephants, was a worldwide success. Trying to exorcise her dream, which she never talked about, Cleo had created a series of elephant paintings. Some were scenes from her dreams, but not all. She had used no photographic references. The results ranged from photorealism to evocative abstractions. She painted in the evenings when the girls were in bed, asleep. The whole family was extremely excited about her paintings. Patrice and Njàbò, especially, spent hours looking at them, but it was Tamara who had been inspired by them. Tamara had sold her publisher on the idea: an art book combining Cleo’s paintings with photos of forests and plains where elephants used to thrive, of human constructions that now stood in areas that were once habitats for elephants. There would be no words: the pictures, especially in the wake of the global desolation over the extinction of the elephants, would speak in all languages, allowing the book to be marketed worldwide without the cost of translation. Tamara would go to Africa, India, and anywhere else where any elephants—even woolly mammoths—had once lived, hunting with her camera the ghosts of the dead creatures. The Absence of Elephants led to gallery bookings. Cleo’s paintings, along with Tamara’s photographs, were hung in cities all over the world, from Buenos Aires and Montreal to Glasgow and Sydney ... but not in India, where the book was too hot politically. The two women had gone on tour with their work—wine, food, and five-star hotels all expensed. It had been a glamorous, exciting experience for Cleo—and it had forged a complicit bond between the two women. Before then, Cleo had often been intimidated by the beautiful Tamara’s fashionable elegance. The book, the sales of paintings and signed, numbered prints of Tamara’s photos, the DVD-ROM, the web rights, and the CGI Imax film had made the family not quite wealthy, but certainly at ease. West took a sabbatical from the university and looked after the house and the children. After nearly a year of book tours, art galleries, and media appearances, Cleo missed Njàbò and Sonya, yearned to return to domestic life. She came back home, to the girls. For the next few years, she rarely painted. But the dream continued to haunt her.   Cleo now spends entire days in her studio, has even taken to locking herself in. Sometimes she stands silently behind the door, listening to the others talk about her. They assume that she has been overtaken by a new creative storm, is painting a new series, and needs time alone to focus her creative energies. In truth, Cleo’s days disappear in a cloud of hash. She hides from her fears: of Njàbò, of what she would paint if she were to take up the brush, of being in public, vulnerable to the appearance of the wrinkled old man.   The first thing Cleo thinks is: Patrice and Assaad look so uncomfortable sleeping on that small ugly couch. Patrice is lying on top of Assaad, resting his head on Assaad’s shoulder. Assaad’s arms are wrapped around Patrice, one hand on the small of his back, the other on his shoulder blade. “Patty? Assaad?” The two men snap awake. And then Cleo peers around the room, touching the mattress beneath her. She thinks: Is this a hospital bed? Cleo notices that Patrice looks worried, but she can’t read Assaad, whose face is even more inscrutable than usual. Getting up, the men stand on either side of Cleo, each wrapping one of her hands in their own. Cleo takes her hands back before they can say anything. “Enough. This is too much. Go sit down. What am I doing here?” They go back to the couch. Assaad squeezes Patrice’s hand, nodding at him to speak. “No, love, you tell her.” Patrice says. “You found her.” Assaad looks straight into Cleo’s eyes, willing her to keep her eyes locked on his. His voice is dry ice, fuming with wisps of cold mist. “None of us had seen you for more than a day. For weeks, you’ve been distant, aloof, oblivious to the girls, oblivious to all of us.” Cleo’s muscles tighten up, in a reflexive effort to protect herself. She’s never heard Assaad speak in such a cold, hard voice before. “We thought you were working on a new series. You let us believe that.” Assaad pauses, his eyes still locked on Cleo’s. Is he waiting for an explanation? Or a reaction? Cleo wants to look away, but can’t. “As I said, we hadn’t seen you for more than a day. You hadn’t come to bed the night before. You’d locked yourself in your studio. The girls and I were ready to have lunch. I knocked on your door, calling you, inviting you to eat with us. You didn’t answer. I knocked harder. Yelled out your name. Still, you didn’t answer. I had to take the door out. I found you unconscious. The air was foul. You’d pissed yourself. Vomited.” Again, a pause. Cleo feels the cold mist of Assaad’s anger go down her throat, into her stomach. Of all of them, he is the most patient, the most understanding, the one who resolves conflicts, soothes hurts and pains. How could she have let it come to this? “There was but one new painting. Later, Njàbò told us you’d painted that one weeks ago, the day West brought them to his class. I called the ambulance. I couldn’t rouse you.” Another pause. Patrice fills the tense silence. “The doctor told us you were suffering from dehydration and malnutrition. Why haven’t you been eating? What have you been doing? Are you angry with us? Speak to us, Clee, we all love you. Maybe we should have been more attentive. You were looking weak, tired. We should have paid attention. We were all too preoccupied, with work and with the girls. Why are you hiding from us? What are you hiding from us?” Patrice’s voice gets louder and increasingly reproachful. “Why did you let this happen?” Assaad looks away from Cleo, puts his hand on Patrice’s shoulder, calms him, and, in the process, calms himself. Patrice frowns, “I’m sorry, Clee, I—I’m just worried about you.” “Patty, I...” She avoids their faces. She feels ashamed. Why has she kept the dream a secret all these years? The dream is a chasm into which intimacy is falling ever further from her grasp. Can it reemerge from those depths after so many years of secrecy? “How ... How are the girls?” “They’re fine, Clee. Assaad quit his job at The Smoke Shop. He’s a great mother.” Patrice’s grin fills his whole face. He ruffles Assaad’s hair, kissing him on the cheek. Assaad fights a losing battle against the grin spreading on his face. “We didn’t really need the money. It’s a stimulating change to be at home with the girls. It’s a challenge to teach them, and to learn from them.” “Who’s taking ca—” Assaad answers, “They’re with West today. He took them to see the new Katgirl & Canary movie that they’ve both been so excited about.” “How long have I been here?” Patrice glances at Assaad, then gets up and sits next to her on the bed, stroking her face. “You’ve been out for four days. It’s Sunday.” Cleo closes her eyes. She wishes she knew why she’s been so apprehensive, why she’s been hiding a part of herself from her lovers. She remembers falling in love with Patrice when she was still waiting tables at The Small Easy. She remembers him introducing her to his family—Assaad, Tamara, West; her family, now. She takes a blind leap. “I’ve been having this dream...”   The Baka—the few hundred who remain—live in the forest, in a territory that covers part of Cameroon and the Congo. They believe—or believed, Cleo isn’t sure—that the Mòkìlà were a tribe of shapeshifters, both elephant and human. The Mòkìlà would raid Baka villages and initiate the captives into their secret society. Their sorcerers, the mokidwa, would transform their captives into shapeshifters. The captives became Mòkìlà and were never again seen by their families. The mokidwa could take on the form of any animal. They also knew the secret of invisibility. Njàbò is the ancestor of all elephants, sometimes male, sometimes female. Stories abound of avatars of Njàbò, giant cows or bulls, leading herds of elephants against Baka warriors or villages. Njàbò’s tusks are so enormous, they contain ten other tusks within them. Njàbò is often flanked by a retinue of guards. Cleo has been trying to demystify her experiences. She searched the web for those strange words on her painting and found them. She asked West to get books from the university library. She’s been reading about the Baka and the myth of Njàbò. She’s never cared before about her ancestry and now finds herself wondering if perhaps there are Baka or Mòkìlà among her ancestors. The Mòkìlà are a myth, she reminds herself. She’s been painting again. The new canvasses are violent, raw. When she painted her first series years ago, she hadn’t felt this uninhibited. Now, every session leaves her exhausted, yet exhilarated. Having shared her dream with her family, she has nothing to hide. She feels free. She still dreams every night, but the dream is changing. Now the whole family walks with Njàbò. And the dream is getting longer. There is more violence, more bloodshed. Njàbò leads the tribe around the world. They crush all human constructions. They kill all the humans. Theirs is an unstoppable stampede. Cleo has painted much of this. Now, the dream continues beyond the violence. The tribe walks the Earth in peace. The tribe grows and Njàbò reigns. Today, for the first time, Cleo’s painting is inspired by that part of the dream. The others tell her that they, too, have started dreaming of Njàbò, the elephant. She leaves her door open; sometimes the others come down and watch her work, quietly, discreetly. At first, she knew, they were keeping an eye on her, worried that she would withdraw once again. After a few weeks, that changed. Now they come down because they find it exciting to be in the room while Cleo paints. The candlelight, the thick odours, and her absolute devotion to the canvas all combine to create a mesmerizing ambience. Even Waters has been spending hours curled up under her stool. Every day, Njàbò comes, silently, to see her paint. Cleo is still nervous around her daughter, still avoids talking with her. Cleo senses that Njàbò is in the room now. The painting is finished. It depicts Njàbò, the elephant, towering over her herd, young elephants running around her, playing, celebrating. Around the elephants, the forest is lush. Njàbò, the eight-year-old girl, walks up to her mother, in silence. She gazes at the painting. Cleo sees the tears running down her daughter’s cheeks. Cleo gathers Njàbò in her lap. The girl buries her head in her mother’s breasts. They both cry. Cleo can’t remember crying with such abandon, feeling so cleansed by the act. She hugs her daughter, firmly, proudly.   I am awakened by a light kiss on the mouth. Njàbò has crawled into bed, is holding my hand. Sonya is behind her, quiet, submissive. Njàbò whispers, “I am the dream.” Njàbò rouses the entire family, kissing them one by one: Patrice, West, Assaad, and, finally, Tamara. She whispers lovingly to each of them, her lips brushing their ears. She leads the family outside. The street is deserted in the middle of the night. Njàbò turns to face us all together. We are all naked. Looking straight into my eyes, Waters rubs himself against Njàbò’s leg. Behind my daughter, a group of old men materializes. The mokidwa have shed their invisibility. Njàbò smiles. Soon, the ground will tremble.   END   Njàbò was originally published in On Spec Vol. 15, no. 3 and is copyright Claude Lalumière, 2003. This recording is a Creative Commons Attribution-NonCommercial-NoDerivatives license which means you can share it with anyone you’d like, but please don’t change or sell it. Our theme is “Aurora Borealis” by Bird Creek, available through the Google Audio Library. You can support GlitterShip by checking out our Patreon at patreon.com/keffy, subscribing to our feed, or by leaving reviews on iTunes. Thanks for listening, and we’ll be back soon with a GlitterShip original.

A Wall Street Whistleblower Proves That Money Never Sleeps. You are subscribed via the http://renaissance.libsyn.com podcast feed (which was originally 9/11 Synchronicity)... and you're lucky, b/c the new subscribers (using the http://www.PeaceRevolution.org subscription feed) only got the audio version of this film... but here on libsyn, bandwidth is UNLIMITED... so i've rendered the film in .mp4 which allows the highest quality and smallest file size. ENJOY- RG About the film: Vancouver documentary filmmaker Paul Verge brings us a revealing interview which exposes the (Who, What, When, Where, Why and How) of the recent economic decline, how it was legislated into existence, defended by corporate media and political "watch-dogs"; and allowed to drain America of nearly $200 Trillion Dollars... through a series of Ponzi-Schemes which could have been exposed years earlier... but weren't. Officially titled; 20/20 Hindsight: CENSORSHIP on the Frontline, this interview also includes solutions, documents and references, and asks only that you consider the information- think for yourself- and communicate with others in order to achieve a higher-level of awareness. This presentation is offered commercial-free as a public service thanks to an international joint-venture between Divergent Films Canada, http://www.TragedyandHope.com and http://www.PeaceRevolution.org A unique DVD / DVD-ROM offers the main feature (20/20 Hindsight: CENSORSHIP on the Frontline) with bonus features of: 1) Project Constellation (2006), 2) The Peace Revolution Podcast: The Million Dollar Education (2010), and 3) a DVD-ROM feature containing some of the most useful media files you'll ever discover. If you would like a dvd, you can donate $10 at http://www.PeaceRevolution.com ); or simply donate $10 to any of the independent media sites listed below; who have (since 2006) supported our work and are authorized to distribute our productions as our THANKS- to support their ongoing productions (and they keep the donation so their projects can grow as well!) http://www.Meria.net http://www.GnosticMedia.com http://www.DeadlineLive.info http://www.MediaMonarchy.com http://www.CorbettReport.com You are the nervous system of this planet... spread this everywhere.

Peace Revolution episode 003: 20/20 Hindsight CENSORSHIP on the Frontline / A Wall Street Whistleblower Proves Money Never Sleeps This is the Audio Version (only) of a Full-Length Filmed Interview offered on DVD. Vancouver documentary filmmaker Paul Verge brings us a revealing interview which exposes the (Who, What, When, Where, Why and How) of the recent economic decline, how it was legislated into existence, defended by corporate media and political "watch-dogs"; and allowed to drain America of nearly $200 Trillion Dollars... through a series of Ponzi-Schemes which could have been exposed years earlier... but weren't. Officially titled; 20/20 Hindsight: CENSORSHIP on the Frontline, this interview also includes solutions, documents and references, and asks only that you consider the information- think for yourself- and communicate with others in order to achieve a higher-level of awareness. This presentation is offered commercial-free as a public service thanks to an international joint-venture between Divergent Films Canada, http://www.TragedyandHope.com and http://www.PeaceRevolution.org A unique DVD / DVD-ROM offers the main feature (20/20 Hindsight: CENSORSHIP on the Frontline) with bonus features of: 1) Project Constellation (2006), 2) The Peace Revolution Podcast: The Million Dollar Education (2010), and 3) a DVD-ROM feature containing some of the most useful media files you'll ever discover. If you would like a dvd, you can donate $10 using the button to the right; or simply donate $10 to any of the independent media sites listed below; who have (since 2006) supported our work and are authorized to distribute our productions as our THANKS- to support their ongoing productions: http://www.Meria.net http://www.GnosticMedia.com http://www.MediaMonarchy.com http://www.CorbettReport.com You are the nervous system of this planet... spread this everywhere.

FREE CHAPTER: Learn how to create use adjustment layers and edit images in Photoshop.  Get Going's Photoshop Tutorial video will help you learn the basics of Photoshop. This product is great for all versions of Photoshop. Download the full Photoshop tutorial video or have the DVD-ROM shipped now at http://www.getgoingtraining.com

Collected Comics Library Podcast #144 - The one hundred forty fourth podcast! Marvel date changes; Daredevil price hike; DVD-Rom update; Wanted; New Releases of the Week; Tales of the Demon; AC and Mayo; Running time: 26m 26s Collected Comics Library, hosted by Chris Marshall, THE Trade Paperback Podcast. The only podcast solely dedicated to news, information and reviews on all sorts of comic book collected editions.

Collected Comics Library Podcast #127 - The one hundred twenty seventh podcast! 13 things to go over including MM FF Volume 5 reprint, more Essential Silver Surfer business, 4th World issues, Punisher on DVD ROM, v-mail, e-mail, New Releases of the Week; and more; Running time: 54m 20s Collected Comics Library, hosted by Chris Marshall, THE Trade Paperback Podcast. The only podcast solely dedicated to news, information and reviews on all sorts of comic book collected editions.

Trying to decide between CD-ROM, DVD-ROM and DVD Video can be baffling to the uninitiated. We take a look at a project for the DWP (The Department of Work and Pensions) to demonstrate what might be the right option for you, then we'll be taking a look at HD (High Definition Video).