Podcasts about Tullia

Show 12-26-25 The show begins in doubts of the veneration of Cicero. and the derogation of Aggripina Minor. 1880 SULLA SACKING ROME ROME BEFORE THE EMPERORS: CICERO'S RISE Colleague Josiah Osgood. John Batchelor introduces Josiah Osgood to discuss Marcus Tullius Cicero, a "new man" who rose to political prominence through legal skill in the 1st century BCE. They examine Cicero's debut defense of Roscius, accused of patricide, a crime punished by being sewn into a sack with animals. Cicero proved Roscius was framed by relatives seeking to seize his inheritance, establishing his reputation for storytelling and detective work. NUMBER 1 THE PROSECUTION OF VERRES Colleague Josiah Osgood. Cicero takes on the corruption trial of Gaius Verres, the governor of Sicily who looted art and money from the province. Although Cicero usually defended clients to earn favors, he prosecuted Verres to align with political shifts demanding reform. Verres was backed by the Senateestablishment and Sulla's followers, making Cicero's move a bold attack by an outsider against a "crooked establishment" to cleanse the government. NUMBER 2 CICERO VS. CATILINE: THE CONSPIRACY BEGINS Colleague Josiah Osgood. Cicero captivated the jury against Verres by describing the governor partying while pirates raided Syracuse, causing Verres to flee into exile. Later, Cicero achieved the consulship by defeating Catiline, an aristocrat who became his bitter rival. Desperate after losing the election again, Catiline conspired with a fashionable group of young men to overthrow the government, leading to a showdown with Cicero in the Senate. NUMBER 3 THE EXECUTION MISTAKE Colleague Josiah Osgood. Cicero ordered the execution of five high-ranking Romancitizens allied with Catiline without a trial, believing them to be traitors who forfeited citizenship. This decision, made despite Julius Caesar's suggestion of life imprisonment, became a major political error. Cicero's gloating and refusal to grant due process alienated the public and powerful figures, turning him into a target for the populist movement and threatening his future career. NUMBER 4 THE BONA DEA SCANDAL Colleague Josiah Osgood. A scandal erupts when Publius Clodius infiltrates the women-only Bona Dea ceremony at Caesar's house disguised as a female musician, allegedly to pursue Caesar's wife. Although Cicero initially hesitated, he testified against Clodius, destroying his alibi that he was out of town. This testimony created a dangerous enemy in Clodius, who, despite the sacrilege charge, managed to secure an acquittal through bribery. NUMBER 5 EXILE AND THE TEMPLE OF LIBERTY Colleague Josiah Osgood. Seeking revenge, Clodius transitions to plebeian status to become a tribune and passes a law punishing anyone who executed citizens without trial, specifically targeting Cicero. Forced into exile, Cicero flees Rome while Clodius destroys his mansion on Palatine Hill. Clodiusdedicates the site to the goddess Liberty as a political coup and a humiliation to Cicero, while also harassing Cicero'swife, Terentia, who remained in Rome. NUMBER 6 THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9 LUCRETIA: VIRTUE AND SUICIDE Colleague Emma Southon. The discussion moves to Lucretia, the model of Roman female virtue. During a contest among husbands, Lucretia is found virtuously weaving wool while others party. This leads to her rape by Sextus Tarquinius, who threatens her reputation. To protect her honor, Lucretia confesses to her family and commits suicide, an act Augustus later used to define female virtue and which sparked the end of the monarchy. NUMBER 10 TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11 CLODIA: THE PALATINE MEDEA Colleague Emma Southon. The segment focuses on Clodia, a wealthy, independent woman and sister of Clodius. Cicero, feuding with her brother, attacks Clodia's reputation during the trial of Caelius. In his speech Pro Caelio, Cicero characterizes her as a "Palatine Medea" and a seductress to discredit her claims of attempted poisoning. Unable to speak in court, Clodia is silenced by Cicero's rhetorical assassination of her character. NUMBER 12 JULIA: THE EMPEROR'S REBELLIOUS DAUGHTER Colleague Emma Southon. Augustus uses his daughter Julia as a political tool, marrying her to Marcellus, Agrippa, and finally the reluctant Tiberius to secure an heir. While she had five children with Agrippa, her forced marriage to Tiberius leads to rebellion. Julia engages in public adulterous affairs to humiliate her father, resulting in her permanent exile and eventual starvation by Tiberius after Augustus'sdeath. NUMBER 13 QUEENS OF BRITAIN: CARTIMANDUA AND BOUDICCA Colleague Emma Southon. This segment contrasts two British queens: Cartimandua and Boudicca. Cartimandua, queen of the Brigantes, collaborates successfully with Rome, understanding they are "not to be defeated, they're to be pleased." Conversely, Boudicca represents resistance; provoked by Roman mistreatment, she leads a rebellion but is defeated. While Tacitus claims Boudicca committed suicide to preserve honor, English schools celebrate her as a symbol of resistance against tyranny. NUMBER 14 WOMEN OF COMMERCE AND THE FRONTIER Colleague Emma Southon. We meet Julia Felix, a Pompeianentrepreneur who ran a luxury bath and dining complex, offering "bougie" experiences to the middle class before dying in the Vesuvius eruption. The discussion shifts to Vindolanda in Britain, where letters between Sulpicia Lepidina and Claudia Severa reveal a vibrant social life for women in military forts, including birthday parties and domestic luxuries like wild swan and imported wine. NUMBER 15 PERPETUA AND THE RISE OF CHRISTIANITY Colleague Emma Southon. The final segment discusses Perpetua, a young nursing mother and Christian convert in Carthage. Defying the Roman mandate to sacrifice to the emperor, she views suffering as redemptive rather than a punishment. Unlike Romans who viewed suicide by poison as honorable, Perpetua and her slave Felicity choose martyrdom in the arena, having their throats cut to demonstrate their faith, signaling the rise of Christianity. NUMBER 16

TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11

This is an unabridged bilingual, fully annotated edition of Tullia d'Aragona's epic poem The Wretch. This mid-century epic reflects the many historical and religious changes taking place in the first half of the sixteenth century in Europe and the burgeoning literary debates following the publication of another Italian epic poem, Ariosto's Orlando Furioso. The Wretch recounts the adventures of Guerrino, a nobleman captured by pirates as an infant and sold into slavery. His famous quest in search of his parents and his identity involves abductions, same-sex seductions, and skirmishes with fantastical beasts as he travels through Europe, Turkey, Africa, India, Arabia, and the Purgatory of St. Patrick. The poem occupies an important position in the development of the prestigious epic genre, the highest step on the ladder to literary recognition and fame, and Tullia's work paved the way for the epics of other women writers in subsequent decades. Edited by Julia L. Hairston, with an Introduction by Julia L. Hairston, translated by John C. McLucas Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Her monograph, Tasso and Women Readers: Literary Hospitality in Early Modern Italy (forthcoming with Cambridge University Press) won the 28th annual Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is an unabridged bilingual, fully annotated edition of Tullia d'Aragona's epic poem The Wretch. This mid-century epic reflects the many historical and religious changes taking place in the first half of the sixteenth century in Europe and the burgeoning literary debates following the publication of another Italian epic poem, Ariosto's Orlando Furioso. The Wretch recounts the adventures of Guerrino, a nobleman captured by pirates as an infant and sold into slavery. His famous quest in search of his parents and his identity involves abductions, same-sex seductions, and skirmishes with fantastical beasts as he travels through Europe, Turkey, Africa, India, Arabia, and the Purgatory of St. Patrick. The poem occupies an important position in the development of the prestigious epic genre, the highest step on the ladder to literary recognition and fame, and Tullia's work paved the way for the epics of other women writers in subsequent decades. Edited by Julia L. Hairston, with an Introduction by Julia L. Hairston, translated by John C. McLucas Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Her monograph, Tasso and Women Readers: Literary Hospitality in Early Modern Italy (forthcoming with Cambridge University Press) won the 28th annual Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is an unabridged bilingual, fully annotated edition of Tullia d'Aragona's epic poem The Wretch. This mid-century epic reflects the many historical and religious changes taking place in the first half of the sixteenth century in Europe and the burgeoning literary debates following the publication of another Italian epic poem, Ariosto's Orlando Furioso. The Wretch recounts the adventures of Guerrino, a nobleman captured by pirates as an infant and sold into slavery. His famous quest in search of his parents and his identity involves abductions, same-sex seductions, and skirmishes with fantastical beasts as he travels through Europe, Turkey, Africa, India, Arabia, and the Purgatory of St. Patrick. The poem occupies an important position in the development of the prestigious epic genre, the highest step on the ladder to literary recognition and fame, and Tullia's work paved the way for the epics of other women writers in subsequent decades. Edited by Julia L. Hairston, with an Introduction by Julia L. Hairston, translated by John C. McLucas Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Her monograph, Tasso and Women Readers: Literary Hospitality in Early Modern Italy (forthcoming with Cambridge University Press) won the 28th annual Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an unabridged bilingual, fully annotated edition of Tullia d'Aragona's epic poem The Wretch. This mid-century epic reflects the many historical and religious changes taking place in the first half of the sixteenth century in Europe and the burgeoning literary debates following the publication of another Italian epic poem, Ariosto's Orlando Furioso. The Wretch recounts the adventures of Guerrino, a nobleman captured by pirates as an infant and sold into slavery. His famous quest in search of his parents and his identity involves abductions, same-sex seductions, and skirmishes with fantastical beasts as he travels through Europe, Turkey, Africa, India, Arabia, and the Purgatory of St. Patrick. The poem occupies an important position in the development of the prestigious epic genre, the highest step on the ladder to literary recognition and fame, and Tullia's work paved the way for the epics of other women writers in subsequent decades. Edited by Julia L. Hairston, with an Introduction by Julia L. Hairston, translated by John C. McLucas Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Her monograph, Tasso and Women Readers: Literary Hospitality in Early Modern Italy (forthcoming with Cambridge University Press) won the 28th annual Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This is an unabridged bilingual, fully annotated edition of Tullia d'Aragona's epic poem The Wretch. This mid-century epic reflects the many historical and religious changes taking place in the first half of the sixteenth century in Europe and the burgeoning literary debates following the publication of another Italian epic poem, Ariosto's Orlando Furioso. The Wretch recounts the adventures of Guerrino, a nobleman captured by pirates as an infant and sold into slavery. His famous quest in search of his parents and his identity involves abductions, same-sex seductions, and skirmishes with fantastical beasts as he travels through Europe, Turkey, Africa, India, Arabia, and the Purgatory of St. Patrick. The poem occupies an important position in the development of the prestigious epic genre, the highest step on the ladder to literary recognition and fame, and Tullia's work paved the way for the epics of other women writers in subsequent decades. Edited by Julia L. Hairston, with an Introduction by Julia L. Hairston, translated by John C. McLucas Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Her monograph, Tasso and Women Readers: Literary Hospitality in Early Modern Italy (forthcoming with Cambridge University Press) won the 28th annual Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Émission du 28 Mai 2025, - La barre de fer, un dialogue de Namé- Du strip-tease à la pole danse, histoire d'un oubli avec Enora, une rencontre de Kim- Il y a 50 ans les TDS lyonnaises occupaient l'église Saint-Nizier, un coup dans le rétroviseur de Luigi*- Première passe, adaptation de Namé** feat Le Frigo- Splendeurs et misères de la prostitution, une rencontre avec Osmose par Sissi- Les différentes passes, adaptation de Namé feat Le Frigo**MUSIQUES :La femme - Divine créatureMichelle Gurevich – Party Girl Air – Sexy Boy* Une grande partie des archives est tirée du film de Carole Roussopoulos, « Les prostituées de Lyon parlent », 1975** D'après « L'odyssée des filles de l'Est » d'Elitza Gueorguieva, Verticales, 2024Image : Manifestation du Syndicat du travail sexuel (Strass) et d'Act Up, Paris, 2012Pour une documentation plus précise de l'occupation de Saint-Nizier en 1975, voir le fanzine proposé par Tullia et aussi la bibliographie qu'il propose https://tullia.fr/saint-nizier/

This lecture discusses key ideas from the ancient philosopher and statesman Marcus Tullius Cicero's work, On The Nature Of The Gods, which critically examines Epicurean, Stoic, and Skeptic perspectives on matters of theology and cosmology Specifically it examines the very first parts of the work in book 1, where Cicero discusses his own motivations for writing this work, and the larger project he has in mind with his philosophical works more generally. Being sidelined in the new post-Republic political regime, and dealing with grief over the death of his daughter Tullia leads him to take on a significant project of writing about Greek philosophy in Latin, and using a dialogue form which is well-suited to presenting and criticizing positions in all sorts of areas of philosophy. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Cicero's On The Nature Of Gods - https://amzn.to/3JITSZc

This lecture discusses key ideas from the ancient philosopher and statesman Marcus Tullius Cicero's work, On The Nature Of The Gods, which critically examines Epicurean, Stoic, and Skeptic perspectives on matters of theology and cosmology Specifically it examines the very first parts of the work in book 1, where Cicero discusses his own motivations for writing this work, and the larger project he has in mind with his philosophical works more generally. Being sidelined in the new post-Republic political regime, and dealing with grief over the death of his daughter Tullia leads him to take on a significant project of writing about Greek philosophy in Latin, and using a dialogue form which is well-suited to presenting and criticizing positions in all sorts of areas of philosophy. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Cicero's On The Nature Of Gods - https://amzn.to/3JITSZc

This week, Smarty Pants host Stephanie Bastek revisits a conversation from 2023 that originally sparked her desire to return to the debate over Humanities 110 at Reed College. The idea of “Western civilization” looms large in the popular imagination, but it's no longer taken seriously in academia. In her book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won't die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.” Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d'Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies. Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.Go beyond the episode:Naoíse Mac Sweeney's The West: A New History in Fourteen LivesIn “Claiming the Classical,” Mac Sweeney and her co-authors examine how classical antiquity is used by 21st-century political actorsSubscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHosted by Stephanie Bastek. Theme music by Nathan Prillaman. Exploding the Canon returns next week. Hosted on Acast. See acast.com/privacy for more information.

Tullia d' Aragona, Isabel de Villena, Teresa de Ávila y Marie Le Jars de Gournay son solo cuatro ejemplos de mujeres filósofas concretamente de la época del Renacimiento. Como veis, hay muchas, así que la próxima vez que en clase no se hable de ninguna mujer filósofa, recordadle a vuestro profesor todas las que estamos nombrando en Planeta Invierno. Y animadles a comprar los libros que hay sobre el tema, que son unos cuantos.

It's easy for academics and critics to dismiss the Stoics as depressing or dark. They're not wrong, exactly, because it's true: There are some dark and depressing passages in Meditations. Seneca is not always cheerful. Both writers seem to dwell on death, they paint life as something that can be painful and tragic, they speak of Fortune as something not to be trusted—that the ground beneath your feet can shift in a moment, shattering everything around you.But what's unfair about this criticism, insensitive even, is that it totally ignores the context and the experience of these men—of all the Stoics. Marcus Aurelius buried six of his children. Six! Seneca lost a child and was exiled to a distant island on trumped up charges all at once. Can you imagine what that must have been like for them?“Grief from the loss of a child is not a process,” a mother is quoted as saying in the fascinating book Empire of Pain by Patrick Radden Keefe which examines the opioid crisis. “It's a lifelong weight upon one's soul.” Marcus Aurelius and Seneca bore that weight—of course it shaped what they wrote and thought. There was an exchange between Marcus and his teacher Fronto about how he felt “suffering anguish” in his bones from the loss of Fronto's grandchild. When we interviewed the philosopher and translator Martha Nussbaum on the Daily Stoic podcast, she spoke quite movingly about the loss of her own daughter. She pointed out that Cicero, a philosopher who wrote extensively on the Stoics and buried his daughter Tullia, was transformed by grief. It changed him. How could it not have?One book on this topic we've recommended over the years has been Death Be Not Proud by John Gunter, who was similarly trying to make sense of the short but inspiring life of his son Johnny. Paul Kalanithi's book When Breath Becomes Air is also worth reading. And Seneca's writings on death have been collected in an interesting edition called How To Die.-✉️ Sign up for the Daily Stoic email: https://dailystoic.com/dailyemail

This week Coach Rob chats to Team Oxygenaddict Tullia Turner about her successful full-distance debut at IRONMAN Wales. Tullia's story is one that many listeners will resonate with, as you hear how she used triathlon as a force for good when she was in a tough place mentally. Rob and Tullia chat about: How Tullia's personal struggles motivated her towards IRONMAN glory... Her challenging historical relationship with food and exercise... How she managed her training around a busy, stressful work life as a teacher... Adapting to training LESS but in a MORE effective way with Team Oxygenaddict compared to when she was self-coached... Dealing with imposter syndrome and being one of a small number of female entrants... The feeling of standing on the startline and knowing it's one of the most special moments in your life... The importance of "protecting the second half of the run"... The feeling of getting off the bike KNOWING you're going to be an IRONMAN... The mental boost of passing 500+ people on the run thanks to a brilliantly executed race strategy... Reflecting on the personal growth and immense self-pride that IRONMAN has enabled... The importance of recovery in Tullia's progress and preparation... The purity of a motivation like proving something to yourself rather than racing the clock or other athletes. * * * * * * * * SPONSORS * * * * * * * * ⁠⁠⁠⁠Team Oxygenaddict⁠⁠⁠⁠ Like what you heard in this interview? Join hundreds of other age group triathletes making the most of their limited training time, training with ⁠⁠⁠⁠Team Oxygenaddict⁠⁠⁠⁠ - The most comprehensive triathlon coaching program for busy age groupers. To find out more,⁠⁠⁠⁠ You can book a zoom call with Rob or the Team here⁠⁠⁠⁠ * * * * * * * * * * ⁠⁠⁠⁠Precision Fuel & Hydration⁠⁠⁠⁠  PF&H help athletes personalise their hydration and fuelling strategies for training and racing. They provide educational tools, Sweat Tests and a range of electrolytes and fuel to help you perform at your best.  Take the free⁠⁠⁠⁠ Fuel & Hydration Planner⁠⁠⁠⁠ to get a personalised plan for your next race. And then⁠⁠⁠⁠ book a free 20-minute video consultation⁠⁠⁠⁠ with a member of the PF&H Athlete Support Team to refine your strategy. If you want to try out some fuel and electrolytes to use during your training and races, Oxygen Addict listeners get 15% off their first order. If you missed the code during today's show, click here⁠⁠⁠⁠ https://visit.pfandh.com/OA23⁠⁠⁠⁠ and the discount will be automatically applied, or, email James at ⁠⁠⁠⁠hello@pfandh.com⁠⁠⁠⁠ and he'll be happy to help. * * * * * * * * * * * * * * * Watch on ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠  Listen on ⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠ Listen on ⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠ 

Romarriket var ett krigarsamhälle med en utpräglad hederskultur där männen styrde över liv och död i familjen. Kvinnor giftes bort i tidig ålder för att stärka politiska allianser och förväntades leva dygdigt. Deras positioner utmättes utifrån deras män.Vi känner väl till män som Julius Caesar, Cicero, Augustus och Marcus Antonius. I de rika källorna om de ledande männen som slogs om makten i den sönderfallande republiken går det också att hitta spår efter kvinnor som själva var aktörer. De fåtal kvinnor i eliten som stack ut och verkade öppet som politiska aktörer vet vi mycket lite om.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Eva Queckfeldt, filosofie doktor i historia tidigare verksam på Historiska institutionen vid Lunds universitet. Hon är aktuell med boken Romarrikets kvinnor – Makt, mord och moderskap.Kvinnor i antikens Rom hade betydligt mer frihet än sina grekiska motsvarigheter. De kunde röra sig självständigt på gatorna, delta i offentliga evenemang och umgås med män utanför familjen. De hade möjlighet att närvara vid teaterföreställningar, badhus och till och med gladiatorspel, där de hade samma frihet som männen att beskåda striderna. Det var också vanligt att kvinnor deltog i fester och sociala tillställningar. Den relativa jämställdheten berodde till stor del på kvinnornas roll som mödrar och deras betydelse för samhällets fortlevnad.Under och närmast efter den latinska litteraturens så kallade guldålder, cirka 30 f.Kr – 14 e. Kr, finns kvinnorna med hos författare som Livius, Suetonius och Plutarchos. I talaren och politikern Ciceros brev och tal skymtar hans hustru Terentia och hans dotter Tullia förbi. Det är också hos Cicero som den förnäma, förmögna och betydande Fulvia skymtar fram. Tre gånger gift med framstående manliga militärer och politiker men också en kvinna som tog egna initiativ och samlade egna trupper.Kejsare Augustus hustru Livia ses ofta som en maktgalen giftmörderska, ett högst tveksamt påstående. Augustus syster Octavia tvingades gifta sig med Marcus Antonius för att stärka alliansen mellan brodern och maken. Augustus dotter Julia fick betala ett högt pris för sin självständighet.Lyssna också på Kleopatra och Antonius.Bild: Läsning av ritualen för brudmysterierna” (Pompeji, ca 60 f.Kr.) Pompeiansk målare omkring 60 f.Kr - The Yorck Project (2002) 10 000 mästerverk av målning (DVD-ROM), distribuerad av DIRECTMEDIA Publishing Gmb wikipedia, public domain.Musik: Ancient Fantasy av Sondé, Storyblocks Audio.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

The idea of “Western civilization” looms large in the popular imagination, but it's no longer taken seriously in academia. In her new book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won't die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.” Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d'Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies. Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.Go beyond the episode:Naoíse Mac Sweeney's The West: A New History in Fourteen LivesWe have covered Greece and Rome in previous episodes, as well as Njinga of AngolaIn our Summer 2023 issue, Sarah Ruden considers how modern biographers distort VergilTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Finalmente avete la possibilità di ascoltare l'intervista che Tullia ha fatto all'attore Francesco Centorame in occasione dell'evento “Napoli per Gaber” organizzato dalla Fondazione Gaber.

Tullia e Roberta hanno incontrato in settimana il regista e gli attori del film “Piano Piano” dal 16 marzo al cinema. Cliccate play per ascoltare l'intervista!

'Western Civilisation' is often thought of as a continuous thread through the centuries - from classical antiquity to the countries of the modern West - connecting Plato to NATO. But in her new book - The West: A New History of an Old Idea - archaeologist and historian Professor Naoìse Mac Sweeney charts the history of 'the West' as an invention used to justify imperialism and racism - a notion that can be disproved by the lives of 14 historical figures.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Mac Sweeney, about four of these fascinating figures - Tullia d'Aragona, Safiye Sultan, Francis Bacon and Nzinga of Ndongo & Matamba - whose remarkable lives correct our telling of Western history.This episode was edited and produced by Rob Weinberg.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.

Want to hear about some of the best parts of Italy that locals love?  This week we hear from the founder of S-Cape Italy, Tullia Caballaro.  Tullia shares five of her favourite 'Off the beaten track' destinations in Italy.  Rather than the Dolomites consider the Italian Alps destinations of Val Maira and Aosta Valley.  Tullia shares her love of Puglia and the coastal walking as an alternative to Cinque Terre or the Amalfi Coast.    Learn about all things pilgrimage, such as the Via Francigena and The Way of St. Francis. Finally, hear about trekking in Sicily or the stunning island of Sardinia!

I figli della madre hanno imparato tutto quello che dovevano imparare dalla Matrias delle fiamme nel poco tempo a disposizione, ma sarà abbastanza?Xantia, o quel che resta di lei, attende nei sotterranei del planetario degli antichi. Una volta ottenuta la forza della carne di Xantia, sarà abbastanza per fermare Tullia la Cristallina all'apice del suo potere?Continua la campagna di #DnD per festeggiare i nostri 9 anni #f9mblegdr

I figli della madre hanno imparato tutto quello che dovevano imparare dalla Matrias delle fiamme nel poco tempo a disposizione, ma sarà abbastanza? Xantia, o quel che resta di lei, attende nei sotterranei del planetario degli antichi. Una volta ottenuta la forza della carne di Xantia, sarà abbastanza per fermare Tullia la Cristallina all'apice del suo potere? Continua la campagna di #DnD per festeggiare i nostri 9 anni #f9mblegdr

I figli della madre hanno imparato tutto quello che dovevano imparare dalla Matrias delle fiamme nel poco tempo a disposizione, ma sarà abbastanza? Xantia, o quel che resta di lei, attende nei sotterranei del planetario degli antichi. Una volta ottenuta la forza della carne di Xantia, sarà abbastanza per fermare Tullia la Cristallina all'apice del suo potere? Continua la campagna di #DnD per festeggiare i nostri 9 anni #f9mblegdr

How to Grieve: From Cicero and Stoicism to Modern practices, How Can Philosophy HELP US Handle Loss? Panel DiscussionIn 45 BCE, the Roman statesman Cicero fell to pieces when his beloved daughter, Tullia, died from complications of childbirth. But from the depths of despair, Cicero fought his way back. In an effort to cope with his loss, he wrote a consolation speech―not for others, as had always been done, but for himself. And it worked.Cicero's Consolation was something new in literature, equal parts philosophy and motivational speech. Drawing on the full range of Greek philosophy and Roman history, Cicero convinced himself that death and loss are part of life, and that if others have survived them, we can, too; resilience, endurance, and fortitude are the way forward.This panel discusses the revelations of Cicero's consolation and how they relate to both the ancient philosophy of Stoicism and modern behavioral cognitive therapy... all with the aim of finding a better understanding on how to grieve.Watch eminent professors and authors, Michael Fontaine, Massimo Pigliucci, and Donald Robertson for this thought-provoking, important conversation. About the Speakers:Michael Fontaine is Professor in the Department of Classics at Cornell University, New York and author of many books and articles, including: How to tell a Joke, The Pig War, How to Drink: A classical Guide to Imbibing, and most recently, How to Grieve: An Ancient Guide to the Lost Art of Consolation.Massimo Pigliucci is the K.D. Irani Professor of Philosophy at the City College of New York and author of many books, including How to Be a Stoic: Using Ancient Philosophy to Live a Modern Life... and most recently, How to Be Good: What Socrates Can Teach Us About the Art of Living Well. Donald Robertson is a writer, cognitive-behavioral psychotherapist and trainer, specializing in teaching evidence-based psychological skills and is the president of Plato's Academy Center.  Donald is the author of several books and many articles on philosophy, psychotherapy, and psychological skills training, including How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius, and his most recent project, Verissimus: The Stoic Philosophy of Marcus Aurelius, a graphic novel has just been released.Anya Leonard is the Founder and Director of Classical Wisdom, a site dedicated to bringing ancient wisdom to modern minds. Co-founded in 2013 with Bill Bonner, in conjunction with Les Belles Lettres, the French publishing house.  She has recently published a children's book, Sappho: The Lost Poetess, dedicated to the life, works and remarkable recent discovery of a poem written by the 7th century Poetess, Sappho.You can learn more about Classical Wisdom and our mission to bring ancient wisdom to modern minds here: https://classicalwisdom.substack.com/

Oggi prende il via la seconda edizione del campionato mondiale di plogging: ci colleghiamo ai nastri di partenza con l'eco-runner Roberto Cavallo, direttore della gara che unisce attività fisica alla cura dell'ambiente. Rita Cavani, volontaria della Protezione Civile, spiega quali siano le buone pratiche del progetto "Io Non Rischio", di cui è formatore per la Lombardia. Quella odierna è la Giornata Nazionale dei Locali Storici d'Italia, associazione di cui fa parte anche Fabbriche Finocchiaro, salotto dolciario a Giarre (Catania), proprietà di Gaetano Finocchiaro che consente di gustare tante golosità, ma anche leggere un libro o prendere parte a eventi culturali e musicali. In concomitanza con la Caccia ai Tesori Arancioni, che si svolgerà domenica 2 ottobre, Andrea Bora, componente dello staff del Touring Club Italiano nell'area Certificazioni e Programmi Territoriali, presenta diversi esempi di artigianato locale nei borghi Bandiera Arancione, che ha non solo un valore storico e un legame con il passato, ma spesso è un elemento identitario e vivo, un simbolo distintivo d'eccellenza nella contemporaneità. Tra le Bandiere Arancioni del TCI c'è Limone Piemonte, piccolo comune di cui Rebecca Viale è vice sindaco e assessore al turismo, che spiega l'importanza di favorire la mobilità dolce anche in località a forte affluenza turistica con progetti sempre nuovi. Tullia oggi ha 36 anni, a 15 le hanno diagnosticato un disturbo bipolare. Avrebbe potuto chiudersi in se stessa, lasciandosi vincere dal pregiudizio che ancora oggi colpisce chi ha una malattia mentale. Invece ha finito la scuola, si è curata e oggi lavora, mentre la malattia è una compagna sempre più silenziosa. Questo è uno dei tanti percorsi che sono nati all'interno del progetto Itaca Onlus. Dove è stata la nostra Cristina Carpinelli.

Ep.177 Dimarts 14 de desembre a les 9 del vespre el programa presentat per Laia De Luca i Rafel Hidalgo. El poeta i rapsoda Lluís Lucero ens porta un poema d'Antonia Pozzi i un altra de Joana Raspall; Albert Vàzquez entrevista Joan Magrià, Bicman; La dispensa del català (Glòria Judal); El noticiari (Mercè Girbau); Tina Font, #CulturaFaCultura, amb Tullia d'Aragona (Obra: Changes Música de: https://www.fiftysounds.com/es/); Josep Maria Trias i Peitx (Mercè Girbau); la selecció musical és d'en Toni Orpinell.Ep.177 Martedì 14/12 ore 21 il programma presentato da Laia De Luca e Rafel Hidalgo. Lluís Lucero ci regala due poemi: sono di Antonia Pozzi e Joana Raspall; Albert Vàzquez parla con il disegnatore Bicman; L'angolo del catalano; Il notiziario; Tina Font, #CulturaFaCultura, parla di Tullia d'Aragona; Mercè Girbau traccia il profilo di Josep Maria Trias i Peitx; la rubrica musicale è curata da Toni Orpinell.

Eeuwen voor de eerste feministische golf vroegen vrouwen zich hardop af wat redelijkheid inhoudt in een cultuur gebaseerd op genderverschillen. In Pen, bed en habijt presenteert Joyce Pijnenburg drie protofeministen: Christine de Pizan vocht tegen de dubbele moraal voor mannen en vrouwen in de liefde, Tullia d'Aragona daagde haar mannelijke gesprekspartners uit om hun aannames te betwijfelen, en Sor Juana Inés de la Cruz gaf een stem aan de ongehoorde Mexicaanse vrouw. Joyce spreekt over hen en hun filosofie in de ISVW podcast.

Cicero explains the main reason he writes philosophy: to be helpful to other people. But we also know he was helping himself to overcome the grief he felt at the death of his beloved daughter Tullia.

Nur die rein geistige Liebe ist Quelle des Göttlichen: So sahen es einige Renaissance-Denker im Anschluss an Platon. Die Philosophin Tullia d'Aragona hingegen verfasste um 1550 ein Plädoyer für Begehren und Sinnlichkeit, das bis heute nachwirkt. Von Constantin Hühn www.deutschlandfunkkultur.de, Sein und Streit Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Tullia intervista Raimondo Todaro, si parla di Ballando con le Stelle, progetti futuri e molto altro. Clicca il play ⚡️

Laura Mancini"Niente per lei"edizioni e/ohttps://www.edizionieo.it/La Grande Invasionehttp://www.lagrandeinvasione.it/Ivrea - 30 agosto ore 15:00Laura Mancini presenta il suo romanzo "Niente per lei"Tullia, il personaggio al centro di questo maturo romanzo d'esordio, cresce insieme alla città di Roma che, colta nel suo continuo mutamento, è l'altra grande protagonista di Niente per lei.Le bombe piovono sul quartiere romano di San Lorenzo e Tullia, all'età di sei anni, vede crollare la propria casa. Inizia così la storia di una donna che, testimone in penombra del Novecento, ha cara la pelle e poco altro. Tullia affronta le difficili sfide che le capitano in sorte con l'incredibile determinazione di chi deve sopravvivere a ogni costo, senza però rinunciare a coltivare una ricca interiorità. Né la salute né la solitudine sembrano preoccuparla. Dopo un'infanzia trascorsa per strada da venditrice ambulante al fianco dei fratelli e la perdita dell'amatissimo padre, sopporta le durezze del lavoro operaio con ostinata energia, tra lotte sindacali e rivoluzioni culturali che la sfiorano appena.I quattro decenni di narrazione procedono per piccoli affreschi, urbani e umani, di profonda intensità: la protagonista cresce insieme a Roma che, colta nel suo continuo mutamento, è l'altra grande protagonista di Niente per lei.Lungo tutto il romanzo si snoda il rapporto complesso con Rosa, figura materna dal fascino feroce, e Marzia, la figlia smarrita e senza padre. Le due polarità femminili obbligano Tullia a una resa dei conti con l'incomunicabilità che spesso divide chi è visceralmente unito.Laura Mancini (Roma, 1985) è copywriter e lavora nel mondo della comunicazione. È ricercatrice concettuale per una casa di moda italiana. Niente per lei è il suo primo romanzo.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Professioniste Anonime. Storie di sconosciute che hanno fatto la storia dell'architettura e dell'ingegneria. Puntata speciale in occasione del raggiungimento dei 1000 iscritti su Spotify!

Who put 8 miles of wires in his mother's back garden? Who has an 8-foot finger? Whose lamp burned for a thousand years? Jake Yapp & Natt Tapley & Lizzie Roper find out in today's Date Fight!

Our What's Up Wednesday has us bringing in state champion Tullia Mamenga for a debate, hearing from Mr. Perry about his Tik Tok's, and competing in a song lyrics competition with Mr. Strobel. Don't miss it!

Tullia e Rossana in compagnia di Michelangelo della Beatle-Band I Sottomarini, un caffè e tante chiacchiere!Follow us on:➡️Facebook:Radio Spasso➡️Instagram: @_radiospasso_➡️Email: info@radiospasso.it ➡️iscrizioni@radiospasso.it ➡️info.radiospasso@gmail.com➡️Sito Web: www.radiospasso.it

Ficino describes a “Platonic” love purified of sexuality, prompting a debate carried on by Pico della Mirandola, Pietro Bembo, and Tullia d’Aragona.

#2 | RITRATTO NUMERO DUE: TULLIA - Tullia è un'insegnante di tarantella e sulla sua spalla ha tatuata una piccola spirale. Viola la invita a casa per un caffé e dopo averla fatta posare per il ritratto, le chiede di raccontare di questo d...

Varför tvättar vi oss så ofta egentligen? Behövs det ens? Och varför är det mer OK att vara smutsig på en festival? Linnéa, Hanna, och David träffar forskaren och sociologen Tullia Jack. Hon har forskat på människors renlighetsnormer!

Il ponte sul Firth of Forth raccontato da Tullia Iori

SERGIO MUSMECI raccontato da Tullia Iori

L'autostrada Milano-Laghi raccontata da Tullia Iori

SILVANO ZORZI raccontato da Tullia Iori

JAZZ CORNER jeudi à 13h et 18h. Chronique animée par Serge Mariani ou Louise Hodé sur l'actualité jazz : concert à ne pas manquer, album à écouter au plus vite et des artistes à découvrir. Cette semaine, Louise nous parle de la saxophoniste de jazz, Tullia Morand, rencontrée à l'occasion de son concert du 21 février au Studio de l'Ermitage pour la sortie de son album "Magic Hands".

Het jaar is 575 v. Chr en Servius Tullius, een slavenzoon, neemt de troon van Lucius Tarquinius Priscus over nadat deze is overleden door een plot van de zoons van Ancus Marcius. Servius is de laatste goede koning van Rome en hij bedenkt de Census welke door de hele Romeinse geschiedenis gebruikt zal worden, zij het in verschillende vormen. De poging om niet te eindigen als zijn voorganger, vermoord door de zoons van de vorige koning, blijken vruchteloos en ook Servius eindigt bebloed voor de deuren van het Senaatshuis. Hij mocht 44 jaren heersen over de Romeinen en stierf in 535 v. Chr. Hier vind je de link naar de website van deze aflevering.Hier vind je de link naar de facebookpagina.

RICCARDO MORANDI raccontato da Tullia Iori

Il Ponte sul Tagliamento raccontato da Tullia Iori

FERDINANDO INNOCENTI raccontato da Tullia Iori

IL PONTE DEL RISORGIMENTO raccontato da Tullia Iori

IL PONTE DEL RISORGIMENTO raccontato da Tullia Iori

Why not start a level 1 campaign with a lore-setting, level 20 pre-campaign one-shot? 200 years before our actual campaign begins, a long-standing trio of adventurers called The Core of Tyr, are called to the infamous Yawning Portal Tavern by The Harpers where they are enlisted to spearhead an attack on the Demon Lords; Generals of the Abyssal Army. In our first ever episode our heroes (Jingar the Dragonborn Barbarian, Pepper the Half-Elf Wizard, and Tullia the Tiefling Rogue) wade through classic British sitcom references, poorly chosen European accents and chiselled calves as they cannonball into the Shadow Glade... CAST Dungeon Master- Steve Archer Jingar- Adam Unwin Pepper- Kyra Leigh Tullia- Kirsty Mealing Theme Music by Steve Archer All other music was created by the glorious Kevin MacLeod (incompetech.com), Licensed under Creative Commons: By Attribution 3.0 (http://creativecommons.org/licenses/by/3.0/)

Tullia Urschitz parlerà di Scientix; dell’utilizzo della robotica educativa per lo sviluppo di competenze chiave; di attività volte al superamento del gender gap in ambito STEM; di come sviluppare creatività e imprenditorialità, e molto altro! ****** Music by: square3 by airtone (c) copyright 2013 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. dig.ccmixter.org/files/airtone/43950 Ft: kara square seachange by airtone (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. dig.ccmixter.org/files/airtone/53762 snowdaze by airtone (c) copyright 2015 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. dig.ccmixter.org/files/airtone/48787 Ft: jeris leaves by airtone (c) copyright 2011 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. dig.ccmixter.org/files/airtone/34427 Ft: Vidian

MARCELLO PIACENTINI raccontato da Tullia Iori

Partial Transcripthttp://www.thetaleofrome.com/rome-012 Hello, this is Abel, in Beijing, China. Welcome to my podcast.The Tale of Rome, Episode 12 — The First Two Consuls.Last week, we saw—finally, the final moments of the monarchy in Rome.We saw how Tarquin the Proud got locked out of his own city, after the rebellion started by Lucius Brutus and Lucius Collatinus.Without any soldiers left, and knowing that the gates of Rome would be blocked, he and the idiot of his son went into exile.Today we will see how that exile of his went on, and what exactly happened after Romans got to taste their very first hours without kings.The very first order of the Roman Senate was to publicly declare Tarquin as an Enemy of the State, and that Rome would never again be ruled by a king.Neither the king nor his wife Tullia would ever be allowed to put their feet within the city of Rome, and here I want to add that Romans sent a very strong message for Tullia, as a persona non-grata in their city. Do not come back to Rome, as you have killed your own father, back in the time when nobody could do anything about it.Even though that was decades ago, Romans did not forget.[…]I don't know if you guys realized, but both these guys were relatives of the king Rome had just kicked out.Excuse me? They kick a king out of their city, and they put two of his relatives as the first two Consuls of Rome?Yep. Lucius Tarquinius Collatinus was the ex-king's cousin, and Lucius Junius Brutus was the ex-king's nephew.That's what I love about Rome. They kick each other, regardless of family lines, or family ties.So much for family love![…]

Partial Transcripthttp://www.thetaleofrome.com/rome-009 Hello, this is Abel, in Beijing, China. Welcome to my podcast.The Tale of Rome, Episode 9 — Killed by his own Daughter.Last week we saw the end of Tarquin the Elder, and how Servius Tullius became the sixth king of Rome.This week, we'll see how this Tale continues.The one thing we need to highlight again, is that the last three kings were the father—Tarquin the Elder, followed by his adoptive son—Servius Tullius, and then followed by his true blood son, Tarquin the Proud.[…]The tale goes, that—and this is according to Livy himself, the very own daughter of Servius, took a chariot and drove over the dying body of her father, effectively finishing his reign.That's right, Tullia, wife of Lucius, and daughter of Servius Tullius, carefully maneuvered the chariot so that the wheels sliced the old man's body in two.[…]

Partial Transcript http://www.thetaleofrome.com/rome-012 Hello, this is Abel, in Beijing, China. Welcome to my podcast. The Tale of Rome, Episode 12 — The First Two Consuls. Last week, we saw—finally, the final moments of the monarchy in Rome. We saw how Tarquin the Proud got locked out of his own city, after the rebellion started by Lucius Brutus and Lucius Collatinus. Without any soldiers left, and knowing that the gates of Rome would be blocked, he and the idiot of his son went into exile. Today we will see how that exile of his went on, and what exactly happened after Romans got to taste their very first hours without kings. The very first order of the Roman Senate was to publicly declare Tarquin as an Enemy of the State, and that Rome would never again be ruled by a king. Neither the king nor his wife Tullia would ever be allowed to put their feet within the city of Rome, and here I want to add that Roma...

Partial Transcript http://www.thetaleofrome.com/rome-009 Hello, this is Abel, in Beijing, China. Welcome to my podcast. The Tale of Rome, Episode 9 — Killed by his own Daughter. Last week we saw the end of Tarquin the Elder, and how Servius Tullius became the sixth king of Rome. This week, we’ll see how this Tale continues. The one thing we need to highlight again, is that the last three kings were the father—Tarquin the Elder, followed by his adoptive son—Servius Tullius, and then followed by his true blood son, Tarquin the Proud. […] The tale goes, that—and this is according to Livy himself, the very own daughter of Servius, took a chariot and drove over the dying body of her father, effectively finishing his reign. That’s right, Tullia, wife of Lucius, and daughter of Servius Tullius, carefully maneuvered the chariot so that the wheels sliced the old man’s body in two. […]

Partial Transcript Hello, this is Abel, in Beijing, China. Welcome to my podcast. The Tale of Rome, Episode 12 — The First Two Consuls. Last week, we saw—finally, the final moments of the monarchy in Rome. We saw how Tarquin the Proud got locked out of his own city, after the rebellion started by Lucius Brutus and Lucius Collatinus. Without any soldiers left, and knowing that the gates of Rome would be blocked, he and the idiot of his son went into exile. Today we will see how that exile of his went on, and what exactly happened after Romans got to taste their very first hours without kings. The very first order of the Roman Senate was to publicly declare Tarquin as an Enemy of the State, and that Rome would never again be ruled by a king. Neither the king nor his wife Tullia would ever be allowed to put their feet within the city of Rome, and here I want to add that Romans sent a very strong message for Tullia, as a persona non-grata in their city. Do not come back to Rome, as you have killed your own father, back in the time when nobody could do anything about it. Even though that was decades ago, Romans did not forget. […] I don’t know if you guys realized, but both these guys were relatives of the king Rome had just kicked out. Excuse me? They kick a king out of their city, and they put two of his relatives as the first two Consuls of Rome? Yep. Lucius Tarquinius Collatinus was the ex-king’s cousin, and Lucius Junius Brutus was the ex-king’s nephew. That’s what I love about Rome. They kick each other, regardless of family lines, or family ties. So much for family love! […]

Partial Transcription http://www.thetaleofrome.com/rome-009 Hello, this is Abel, in Beijing, China. Welcome to my podcast. The Tale of Rome, Episode 9 — Killed by his own Daughter. Last week we saw the end of Tarquin the Elder, and how Servius Tullius became the sixth king of Rome. This week, we’ll see how this Tale continues. The one thing we need to highlight again, is that the last three kings were the father—Tarquin the Elder, followed by his adoptive son—Servius Tullius, and then followed by his true blood son, Tarquin the Proud. […] The tale goes, that—and this is according to Livy himself, the very own daughter of Servius, took a chariot and drove over the dying body of her father, effectively finishing his reign. That’s right, Tullia, wife of Lucius, and daughter of Servius Tullius, carefully maneuvered the chariot so that the wheels sliced the old man’s body in two. […]

L'AUTOSTRADA DEL SOLE raccontata da Tullia Iori

PIER LUIGI NERVI raccontato da Tullia Iori

Radioimmaginaria en Nápoles, ItaliaHoy se van a presentar Tullia y Matteo, ¿Que harán en el tiempo libre?¿Cual será sus genero musical preferido? ¡Lo descubriréis en esto episodio!#TúTambiénwww.radioimmaginaria.it

Estratti da 'Lo specchio del cielo': Interviste di Maurizio Ciampa a Elio Toaff e di Andrea Scazzola a Tullia Zevi

Annibale Bianchini e Tullia Paletti

HI Everyone, Its important that you know - we are no longer posting our poddy through this website or through the original link on ITUNES from here...the good news...we are still podcasting just through another site. So you have to re-register on our new website www.sydcasting.com/humpday and on ITUNES if you want to keep following us...and we know you do!!! We want you too.... So go to www.sydcasting.com/humpday Please don't leave us - we love you guys! www.sydcasting.com/humpday Love Courtenay, Tullia and Heidz xxx

This week producer was not happy with our performance last week so is making us all get fit... impossible? On the plus side Tullia made it to Humpday this week, Heidi thinks she leads a double life and the girls are sending Courtenay to get a wax

3 chicks trying to put together a podcast about themselves but ended up just taking the piss out of each other. This week you have the chance to meet Courtenay the naive ranga wearing the pants in her relationship and yoyo dieting like its out of fashion, Tules the vegetarian who forgot for a minute and went for oysters, who believes in love and the power of monogamy and Heidz the flirty single who is old and open about her life experience.