Podcast appearances and mentions of Ellen Bass

It's a (late) review of my visit to Vogue Knitting Live in NYC and the details of a newly-finished knitting project.  Plus, a poem by Ellen Bass, sewing another Amy Jumpsuit and giving woolens a refresh in the snow!

Kelly and therapist friend Dr. Aliza Pressman explore how we can best support those affected by the LA fires. After witnessing the devastation firsthand, they share wisdom about the power of simple connection – how a thoughtful check-in or just being present can make a real difference, and remind us that there's no "right" way to respond to crisis. The episode wraps up with Kelly reading Ellen Bass' moving poem "The Thing Is," offering comfort and hope. For those seeking ways to help or needing support, messages are welcome at hello@kellycorrigan.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

My grandmother's final gift to me was a rosary of fifty-nine blue stone beads around a silver-cast cross. It arrived in the mail one afternoon with a card that read Dear Shawn, Pray. Love, Gram like a wire sent from her hospice bed in Pennsylvania to my kitchen in New Mexico. What was the lesson my grandmother, at age 98, wanted to dispatch as she packed her bags for another world? With a grocery bag tucked under one arm and a baby on my hip, I read and reread the card, trying to decode her tremulous cursive and the white space around the words, their unspoken context. Like many women of her generation, my grandmother seemed preternaturally endowed with reserve and fortitude. She graduated from college, became a dietician, served in the military, and raised six children after the love of her life, the grandfather I never met, died in their forties. My grandmother wore rubber-heeled red sandals with cherry lipstick. She drove a van with handicap rigging for my aunt, who had cerebral palsy. We spent many childhood summers living under her roof at the lake. She would hand us exactly one dollar each for candy at the bodega on good days. With the point of an index finger, she instructed us to wash your hands, make your bed, unload the groceries, say your please & thank you's. What my grandmother commanded, we obeyed — and on Fridays, she cooked bolognese. Sundays were for church-going. Mary Oliver humbly wrote, “I don't know exactly what a prayer is. I do know how to pay attention.” I didn't know how to pray or pay attention, but prayer was the thread my grandmother followed through life's uncertainties, so to church we went. I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible…. To appear good, I joined the murmur of the congregation as the priest in his white and gold vestments lifted a chalice above his head. I remember how the almost sweet scent of incense hung in the air, the hard feel of the wooden pew beneath me, the sound of men clearing their throats, and women singing in airy voices while flipping through thin pages in the book of hymns. I remember how mid-morning light would enter through the stained glass windows above us and calmly spread its wings. Since those days, I have learned to pray in four languages. I've made ritual movements with my whole body, sat still in sustained silence, sought refuge in poems, touched flowers, poured water, circled up, made altars, and joined in song. I've sweat through prayers on airplanes and in hospital waiting rooms and held vigil with gripped hands through long nights, repeating the most muscular prayer of all: please. I once watched an old woman for an entire day at Boudhanath in Kathmandu. She had worn deep grooves in the wooden board beneath her by anchoring her feet and sliding on her hands and knees, touching her forehead to the ground, murmuring om mani pädme hum, back and forth, forward and back, through countless repetitions.And though certain prayers have become friends, the specific form is less interesting to me now than the quality of concentration into which any prayer can invite our attention. “Attention” says the French philosopher Simone Weil, “taken to its highest degree, is the same thing as prayer. It presupposes faith and love. Absolutely unmixed attention is prayer.” Prayer doesn't require formal structure; it doesn't even require words. It just asks for presence. Thich Nhat Hanh once responded to a question about the practice of prayer:This is the basic condition for the effectiveness of prayer. The one who prays should be truly there, established in the here and now, having a very clear intention, a very clear desire as to whom he or she will pray, and for whom he or she will pray. If the one who prays can put himself or herself in that situation, much has already been done. That person already has begun to generate the energy of prayer, because he or she is truly present in the here and now with concentration, with mindfulness and intention. If that does not happen, well, nothing will happen.A flame rises without human definition; prayer tends the flame. Prayer is any act that clarifies and concentrates the attentional channel between the one who prays and the direction of all prayer, which is up, which is love. Perhaps this is what Thich Nhat Hanh, who embodied and advocated tirelessly for peace, meant when he spoke of “generat[ing] the energy of prayer.” To be “truly [t]here” is to awaken to the groundlessness of any moment — to our dynamic, collective context — and to anchor ourselves in the living presence we can call by any name, but that does not demand one specific name. The Sanskrit word ishtadevata loosely translates as whatever facet of the divine you can recognize.For all of us still learning to pay attention, 14th-century mystic Meister Eckhart offered an assurance: “If the only prayer you ever say in your entire life is thank you, it will be enough.” Thanksgiving is a complicated holiday. At best, it invites us to recognize the conditions that nourish and imbue our lives with goodness. This is no passive practice. When we feel re-sized by pain and disillusionment, when uncertainty wraps its cold fingers around our hearts, gratitude is the radical choice to acknowledge the blessed sustenance of our existence nonetheless. "To love life even when you have no stomach for it,” writes poet Ellen Bass. To notice the sun rising yet again. A friend's easy forgiveness. How light enters a room. A palmful of chestnuts. The almost sweet scent of cinnamon leaves. A finely shaped gourd. The way salt flavors a dish. A set table. Together, we're making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shawnparell.substack.com/subscribe

Ellen Bass joins the Hive in anticipation of her appearance at UCSC for the Morton Marcus Memorial Poetry Reading on November 7. Full details about the event can be found here. Poems by Ellen which she reads in this episode: Laundry, Because, Black Coffee, Any Common Desolation, and Bringing Flowers to Salinas Valley State Prison About Our Guest: Ellen Bass is a Chancellor Emerita of the Academy of American Poets. Her most recent book, Indigo, was published by Copper Canyon Press in 2020. Other poetry collections include Like a Beggar (Copper Canyon Press, 2014)—which was a finalist for The Paterson Poetry Prize, The Publishers Triangle Award, The Milt Kessler Poetry Award, The Lambda Literary Award, and the Northern California Book Award—The Human Line (Copper Canyon Press, 2007), and Mules of Love (BOA Editions, 2002), which won The Lambda Literary Award. She co-edited (with Florence Howe) the first major anthology of women's poetry, No More Masks! (Doubleday, 1973). Her poems have frequently appeared in The New Yorker and The American Poetry Review, as well as in The New York Times Magazine, The Atlantic, The American Poetry Review, The New Republic, The Kenyon Review, Ploughshares, The Sun and many other journals and anthologies. She was awarded Fellowships from the Guggenheim Foundation, The National Endowment for the Arts and The California Arts Council and received the Elliston Book Award for Poetry from the University of Cincinnati, Nimrod/Hardman's Pablo Neruda Prize, The Missouri Review'sLarry Levis Award, the Greensboro Poetry Prize, the New Letters Poetry Prize, the Chautauqua Poetry Prize, and four Pushcart Prizes. Her non-fiction books include Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (HarperCollins, 1996), I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983), and The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse(Harper Collins, 1988, 2008), which has sold over a million copies and has been translated into twelve languages. Ellen founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, CA jails. She currently teaches in the low residency MFA writing program at Pacific University. Maggie Paul is the author of Scrimshaw (Hummingbird Press 2020), Borrowed World, (Hummingbird Press 2011), and the chapbook, Stones from the Baskets of Others (Black Dirt Press 2000). Her poetry, reviews, and interviews have appeared in the Catamaran Literary Reader, Rattle, The Monterey Poetry Review, Porter Gulch Review, Red Wheelbarrow, and Phren-Z, SALT, and others. She is a poet and non-fiction writer in Santa Cruz, California. Maggie's print interview with Ellen Bass can be found here.

Recorded by Ellen Bass for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 11, 2024. www.poets.org

Ash Wednesday is the day the season of Lent begins. It's a season in which we are invited to think about dying and confront the straightforward reality of our humanity—our flaws and frailty and limits and imperfections. We remember and admit our need for God. We accept our mortality.  For me, it's typically a reminder I hold personally. I don't alway recognize the reality of our shared mortality. But the truth is, we are all dust. We are all fragile and limited beings, in need of God's grace, God's care, Christ's compassion. I am dust and you are dust and we are dust. And maybe Ash Wednesday can also remind us how to treat each other accordingly. Listen in. Barbie written + directed by Greta Gerwig In a Year of Death, Ash Wednesday Offers Unexpected Hope by Tish Harrison Warren {Correction: in this episode, I mistakenly share that this article was published in 2023. It was published in Christianity Today in 2021} If You Knew by Ellen Bass www.remindherpodcast.com     

Ellen Bass is a poet, the winner of three Pushcart Prizes, and the author of several collections, including Indigo.

Lana Hechtman Ayers joins host Julie Murphy to read from her two recently published books, Overtures and When All Else Fails. Join us as Lana reads a poem by Ellen Bass and talks about the healing powers of poetry, how the awareness of death brings compassion and finding joy in difficult times.

This is a republishing of an archived episode with Sarah Peyton."Continuous effort — not strength or intelligence — is the key to unlocking our potential."-Winston ChurchillI'm going to let you in on a secret. The Trauma Therapist Podcast isn't really about trauma. It's actually a podcast about the human spirit. It's about the incredible people who've experienced trauma and the people who work with those people. This week, I had the pleasure of speaking with David Carr and there is no doubt that David's story is one of inspiration. Devastation, yes. But resilience, motivation and inspiration, too.David has written an exposé titled, 'We Can Overcome: An American Trauma.' This is riveting, and at times hard to read, and yet also inspiring and empowering. (And I'm not getting paid to say that.)As a boy, David heard the stories of what his father endured as a boy: Fists appearing like unexpected rain, kicks in the side, and nails in his skin. But Carr's father never set a hand on him. The cycle of abuse, however, was not broken: David suffered mental and physical abuse from the people that were supposed to protect him.As an adult, he realizes that his continuing mental anguish was self-inflicted. In challenging himself to see his life in a new way, David realized that the story of his childhood trauma did not consist of what happened to him, but rather way he responded to what happened. This realization set the stage for him to embark on a transformative journey—one that began as a terrified child—but has since included him as a mixed martial artist, as the vice chairman of The Joyful Child Foundation, and as an advocate for children's rights nationwide, and he has built two successful international companies.He lives on a Southern California ranch style home with his wife of twenty years and three children. I loved speaking with David. His strength and courage is pretty palpable, and so too is his recognition and acceptance of his own vulnerability.In This EpisodeDavid's ExposeDavid's WebsiteDavid on FacebookContact DavidThe Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse, Ellen Bass,‎ Laura DavisBrain Lock, Twentieth Anniversary Edition: Free Yourself from Obsessive-Compulsive, Jeffrey M. SchwartzThe Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma, Bessel van der Kolk M.D.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5739761/advertisement

Jan began her career as a social worker and psychotherapist 40 years ago. She began listening with non-pathologizing ears and heard shocking stories of sexual torture, and responses that confused her.As she continued to listen she learned that somehow these self-harming behaviors were “helping” individuals to escape intolerable emotional states. They were shifting their mood from flooding anxiety to numbing deadness, or vice versa. Because these behaviors were so helpful they were compulsively repeated and often became addictions.Jan's book Treating Trauma and Addiction with The Felt Sense Polyvagal Model: A Bottom Up Approach is the result of rethinking the Felt Sense Experience Model that she wrote about in her book, Emerging Practice in Focusing- Oriented Psychotherapy, 2014. Jan's integrated the Polyvagal lens Theory to create a more sophisticated way of understanding emotional regulation, where addictive behavior is an embodied response to emotional dysregulation.In This EpisodeJan's websiteJan's coursesJan's upcoming Polyvagal courseThe Primacy of Human Presence, by Eugene Gendlin. A PDF download.The Courage to Heal, Ellen Bass and Laura Davis---What's new with The Trauma Therapist Project!The Trauma 5: gold nuggets from my 700+ interviewsThe Trauma Therapist Newsletter: a monthly resource of information and inspiration dedicated to trauma therapists.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5739761/advertisement

Kate Baer joins Kevin Young to read “The Morning After,” by Ellen Bass, and her own poem “Mixup.” Baer is the New York Times bestselling author of three poetry collections, including, most recently “And Yet.”

Published by Vallentine Mitchell of London, publisher of the first English language edition of Anne Frank's diary, New Voices is a ground-breaking multigenre book. The editors selected 58 distinct images from noted collections consisting of vintage photography, propaganda posters, newsreel stills and the like, matching each to a poet, short story or flash fiction writer, plus features by essayists as well. Each writer interpreted these “silent witnesses” from the period in their own unique way, creating new perspectives for our times. Together this diverse group, including writers of color, Christian, Jewish, Muslim, LGBTQ, prominent and emerging writers, from around the world have contributed a powerful body of work, based on the Holocaust, that challenges worrying international trends of xenophobia, anti-democratic movements and alternative truths enabled by social media by recognizing the power of art to portray truth. This episode will feature foreword contributor Joy Ladin, author of eleven books including most recently, the revised second edition of The Book of Anna, winner of the 2021 National Jewish Book Award for poetry and co-editor Howard Debs, former Rattle "Ekphrastic Challenge" artist and guest editor whose chapbook Political is winner of the 2021 American Writing Awards in poetry, along with contributors reading from their work in the book including: Ellen Bass, Lois P. Jones, Geoffrey Philp, Alex Escude, Andrew McFadyen-Ketchum, Lauren Camp, Julia Kolchinsky Dasbach and Jacqueline Osherow. Book cover image: "Symbols: The World Entire" by Amy E. Bartell Find much more at: https://newvoicesproject.org/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about something you will never do. Next Week's Prompt: Find a photograph at least 100 years old that includes a person. Write a poem as a letter to that person. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Tresha Faye Haefner has studied poetry outside of academia with poets including Kim Addonizio, Sally Ashton, and Ellen Bass. Her own work has been published in several journals, including BloodLotus, The Cincinnati Review Fourth River, Hunger Mountain, Pirene's Fountain, Poet Lore, Prairie Schooner, and Rattle. She is founder of The Poetry Salon and is the recipient of the 2011 Robert and Adele Schiff Poetry Prize. Haefner is also a three time Pushcart nominee and author of two chapbooks, The Lone Breakable Night and Take This Longing from Finishing Line Press. She holds a degree in Humanistic Psychology with a Specialization in Creativity Studies from Saybrook University. Her new book, When the Moon Had Antlers, won the Pangea Prize is out this spring from Pine Row Press. Find much more at: https://www.thepoetrysalon.com/tps/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Use an object as metaphor for some aspect of the body, as Julia does with fruit in 40 Weeks. Write a poem using colons to create a string of similes, as she does throughout the book. Next Week's Prompt: Write a poem about something you will never do. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Julia Kolchinsky Dasbach came to the United States as a Jewish refugee in 1993, from Dnipro, Ukraine, and grew up in the DC metro area suburb of Rockville, Maryland. She spent three years in Eugene, earning an MFA in Poetry from the University of Oregon. She earned a Ph.D in Comparative Literature and Literary Theory from the University of Pennsylvania for her dissertation, Lyric Witness: Intergenerational (Re)collection of the Holocaust in Contemporary American Poetry, which pays particular attention to the underrepresented atrocity in the former Soviet territories. She is the founder and host of Words Together, Worlds Apart, a virtual poetry reading series born out of pandemic but meant to outlast it. Julia's newest collection, 40 WEEKS is now available through YesYes Books. She is also the author of The Many Names for Mother, selected by Ellen Bass as the winner of the 2018 Stan and Tom Wick Poetry prize and finalist for the Jewish Book Award. Her second collection, Don't Touch the Bones won the 2019 Idaho Poetry Prize and is available from Lost Horse Press and perhaps your local book store. You can find her poems in POETRY, American Poetry Review, and The Nation, among others. She is Assistant Professor and Murphy Fellow in Creative Writing at Hendrix College and lives in Little Rock, Arkansas with her family. Find much more at: https://www.juliakolchinskydasbach.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write an ekphrastic poem about a recent image in your camera roll. Next Week's Prompt: Use an object as metaphor for some aspect of the body, as Julia does with fruit in 40 Weeks. Write a poem using colons to create a string of similes, as she does throughout the book. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Loretta welcomes spoken word artist Kim Rosen, and composer and cellist Jami Sieber!Kim Rosen, spoken word artist, and Jami Sieber, composer and cellist, have created a transformative convergence of music and poems that emerge from the heartbreak, gratitude, and wake-up call of this moment in our lives and in the life of our world. The words of Langston Hughes, Stanley Kunitz, Marie Howe, Ellen Bass, Lucille Clifton, W.S. Merwin, Deena Metzger, Mark Nepo, Yehuda Amichai, and Mary Oliver, spoken by Kim, rise and fall in the evocative waves of Jami's original music.This unique creation, born of 21 years of collaboration between Jami and Kim, masterfully merges the power of evocative music to melt the heart with the medicine of poetry to open the mind. The result is a transformational listening experience like no other. The spoken voice moves through multiple layers of music to create an utterly immersive soundscape at once, entrancing and awakening. Musical artists Hans Teuber, Nancy Rumbel, Sean Woolstenhulme, Greg Campbell weave their gifts into the soundscape of Jami Sieber's cello in tracks to carry the listener from heartbreak to humor, from contemplation to irresistible, foot-stomping celebration.Jami and Kim have been facilitating explorations of the difficult, necessary themes of aging, death, and waking up for many years. This offering is a culmination of their shared love of the realness, rawness, and intimacy that arises when we turn towards all levels of letting go.In this moment in history, every one of us has been touched and changed by the personal, societal, and planetary changes we are undergoing. Feast of Losses is a balm and a challenge to the growing population of those consciously turning towards aging, death and letting go. In the last few years there have been lively conversations, conferences, and a veritable plethora of publications – catalyzed by the pandemic and the world situation and by the multitude of Baby Boomers approaching their later years and wanting to create a new way of meeting the challenges and blessings they bring. The magic of Jami's immersive, layered, evocative, and at times, orchestral music in resonance with the poems offer a portal of healing, inspiration, and awakening.Find out more at:https://www.kimrosen.net/abouthttps://jamisieber.com/feast-of-losses Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Loretta welcomes spoken word artist Kim Rosen, and composer and cellist Jami Sieber! Kim Rosen, spoken word artist, and Jami Sieber, composer and cellist, have created a transformative convergence of music and poems that emerge from the heartbreak, gratitude, and wake-up call of this moment in our lives and in the life of our world. The words of Langston Hughes, Stanley Kunitz, Marie Howe, Ellen Bass, Lucille Clifton, W.S. Merwin, Deena Metzger, Mark Nepo, Yehuda Amichai, and Mary Oliver, spoken by Kim, rise and fall in the evocative waves of Jami's original music. This unique creation, born of 21 years of collaboration between Jami and Kim, masterfully merges the power of evocative music to melt the heart with the medicine of poetry to open the mind. The result is a transformational listening experience like no other. The spoken voice moves through multiple layers of music to create an utterly immersive soundscape at once, entrancing and awakening. Musical artists Hans Teuber, Nancy Rumbel, Sean Woolstenhulme, Greg Campbell weave their gifts into the soundscape of Jami Sieber's cello in tracks to carry the listener from heartbreak to humor, from contemplation to irresistible, foot-stomping celebration. Jami and Kim have been facilitating explorations of the difficult, necessary themes of aging, death, and waking up for many years. This offering is a culmination of their shared love of the realness, rawness, and intimacy that arises when we turn towards all levels of letting go. In this moment in history, every one of us has been touched and changed by the personal, societal, and planetary changes we are undergoing. Feast of Losses is a balm and a challenge to the growing population of those consciously turning towards aging, death and letting go. In the last few years there have been lively conversations, conferences, and a veritable plethora of publications – catalyzed by the pandemic and the world situation and by the multitude of Baby Boomers approaching their later years and wanting to create a new way of meeting the challenges and blessings they bring. The magic of Jami's immersive, layered, evocative, and at times, orchestral music in resonance with the poems offer a portal of healing, inspiration, and awakening. Find out more at: https://www.kimrosen.net/about https://jamisieber.com/feast-of-losses

Ellen Bass talks about her experience having Ann Sexton as a teacher in the '70s at Boston University. Then, Francesca Bell zooms in, and we read and discuss a few of Sexton's poems. I mention Sexton's fabulous biography by Diane Middlebrook. If you are interested in reading Sexton's poems, a good place to start is her collected poems or also her selected poems.

Matthew and Julian sit down for the first of a two-part examination of the 1988 bestseller at the heart of the recovered memory movement—which played a central role in validating Satanic Panic testimonials. This is episode 9 of the Swan Song Series 9.The basic premise of The Courage to Heal, by creative writing instructors Ellen Bass and Laura Davis,  is that memories of childhood abuse, especially child sexual abuse, can be recovered and articulated by survivors who are given the proper space, tools, and validation. The book explores how this be facilitated within the context of journaling, writing poetry, and writing memoir, and what the therapeutic benefits of full confessional articulation can be.While countless people affirm that this book was a lifeline during a time in which recovery resources for child abuse survivors were rare,  there are substantial problems with the book's method, claims about memory, dodgy sources, and endorsement of outright Satanic Panic propaganda.Show NotesControversy Behind the False Memory Syndrome FoundationThe Courage to Heal: A Guide for Women Survivors of Child Sexual AbuseTruth and reconciliationCases That Have Resulted in ConvictionsWhy The Courage to Heal Isn't on My Recommended Reading ListCreating Hysteria25 Years of Trauma Treatment Networker 2014-- -- --Support us on PatreonPre-order Conspirituality: How New Age Conspiracy Theories Became a Health Threat: America | Canada Follow us on Instagram | Twitter: Derek | Matthew | JulianOriginal music by EarthRise SoundSystem

Paola Bruni chats with Dion O'Reilly about the collaborative book, How do you Spell the Sound of Crickets, written with the late Jory Post. Jory Post was an educator, writer, and artist who lived in Santa Cruz, California. He and his wife, Karen Wallace, created handmade books and art together as JoKa Press. Jory was the co-founder and publisher of phren-Z, an online literary quarterly, and founder of the Zoom Forward reading series. His first book of prose poetry, The Extra Year, was published in 2019, and was followed by a second, Of Two Minds, in 2020. His novel, Pious Rebel, also appeared in 2020. His novel, Smith: An Unauthorized Fictography, was published in 2021. His work has been published in Catamaran Literary Reader, Chicago Quarterly Review, Rumble Fish Quarterly, The Sun, and elsewhere. Paola Bruni is a two-time Pushcart Prize nominee, winner of the Morton Marcus Poetry Prize, and winner of the Muriel Craft Bailey Poetry Prize judged by Ellen Bass, as well as a finalist for the Mudfish Poetry Prize. Her poems have appeared in The Southern Review, Ploughshares, Five Points Journal, Rattle, Massachusetts Review, and Catamaran Literary Reader, among others. Her short plays have been produced by Actors Theater, Santa Cruz as well as short-listed for play festivals around the globe.

Today's poem is During the Pandemic I Listen to the July 26, 1965, Juan-les-Pins Recording of A Love Supreme by Ellen Bass. This episode was originally released on February 15, 2022.

Matthew and Julian sit down for the first of a two-part examination of the 1988 bestseller at the heart of the recovered memory movement—which played a central role in validating Satanic Panic testimonials.The basic premise of The Courage to Heal, by creative writing instructors Ellen Bass and Linda Davis,  is that memories of childhood abuse, especially child sexual abuse, can be recovered and articulated by survivors who are given the proper space, tools, and validation. The book explores how this be facilitated within the context of journaling, writing poetry, and writing memoir, and what the therapeutic benefits of full confessional articulation can be.While countless people affirm that this book was a lifeline during a time in which recovery resources for child abuse survivors were rare,  there are substantial problems with the book's method, claims about memory, dodgy sources, and endorsement of outright Satanic Panic propaganda. Show NoesControversy Behind the False Memory Syndrome FoundationThe Courage to Heal: A Guide for Women Survivors of Child Sexual AbuseTruth and reconciliation Cases That Have Resulted in Convictions Why The Courage to Heal Isn't on My Recommended Reading List | HealthyPlaceCreating Hysteria 25 Years of Trauma Treatment Networker 2014-- -- --Support us on PatreonStay in touch with us on Twitter: @derekberes @julianmwalker @matthewremskiOriginal music by EarthRise SoundSystem

Arthur Less is a novelist—a “minor American novelist,” to be precise. He's a man whose biggest talent seems to be taking a problem and making it five times worse. And he's the hero of Andrew Sean Greer's novel “Less,” which won the Pulitzer Prize for fiction, an especially rare feat for a comic novel.   Andrew Sean Greer is now out with a sequel, “Less Is Lost,” which takes Arthur on a road trip across the U.S. He talks with the staff writer Parul Sehgal.  Plus, for thirty years, the poet Ellen Bass has taken the same walk almost every day, on West Cliff Drive, a road along the ocean in Santa Cruz, California. Friends and family have teased her for being stuck in her ways, so she wrote the poem “Ode to Repetition,” about taking the same walk, listening to the same songs, and doing the same daily tasks, as life marches toward its end. (This segment originally aired May 26, 2017.)

Presenters - David Nash, Esq. Director of LEGAL ONE and National Outreach, FEA; Ellen Bass, Esq., Of Counsel, Busch Law Group In this episode, Ellen Bass shares insights from her career in school law, spanning more than 40 years, including her time as an Administrative Law Judge and school board attorney.  Judge Bass reviews common mistakes in how school officials prepared for and conducted hearings, and shares tips for reducing the potential for litigation.

Does a poem start with an image or with sound? In this interview Douglas Manuel and Tresha Faye Haefner ask Ellen Bass about her writing process. She tells us about ways she uses an image to start a poem and her use of tools like sound to distract her "overly logical mind" while her more intuitive mind goes to work. When things don't go right the first time, though, she keeps trying, reorganizing syntax, talking with friends, etc. She tells the story of writing the title poem of her latest book, Indigo by writing many "failed" poems first, and only being "successful" after seeing the right image one day while out walking. There are good reasons why poets need to get out, she says, even if they are hermit introverts.

Ellen Bass - A Chancellor of the Academy of American Poets, Ellen Bass's most recent book is Indigo (Copper Canyon Press, 2020). Among her awards are a Guggenheim Fellowship, NEA Fellowship, four Pushcart Prizes, and The Lambda Literary Award. Bass founded workshops at Salinas Valley State Prison and teaches in at Pacific University's MFA program. A Chancellor of the Academy of American Poets, Ellen Bass's most recent book is Indigo (Copper Canyon Press, 2020). Among her awards are a Guggenheim Fellowship, NEA Fellowship, four Pushcart Prizes, and The Lambda Literary Award. She coedited the first major anthology of women's poetry, No More Masks! (Doubleday, 1973) and coauthored The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988). Bass founded workshops at Salinas Valley State Prison and teaches in at Pacific University's MFA program. Follow me online: Ellenbass.com Twitter: @PoetEllenBass Facebook: @PoetEllenBass Instagram: @poetellenbass Marc Jolley (Ph.D., 1993) is the director of Mercer University Press and has been in publishing for more than 30 years. In his time at Mercer University Press, he has published more than 1,100 books. He is also senior lecturer at Mercer University teaching Philosophy and Great Books. He has been married for almost ten years to a woman whom he met on the first day of high school in 1973. He is the father of two adult sons.” www.mupress.org https://liberalarts.mercer.edu/faculty-and-staff/marc-jolley/ Mr. Classic is the CEO and designer of Mr. Classic's Haberdashery at Thee Manor in Atlanta Georgia. A one-stop shop for all things in custom made and classic menswear. From hats all the way down to shoes. His focus, mainly being to help individuals develop their personal style. Through the education of fashion and in custom garment designs, he has become the go-to designer for the elegant and high class. Instagram: therealmrclassic_ Website: https://theemanor.org/mr-classic-haberdashery YouTube: Conversations at Thee Manor https://youtube.com/channel/UC4zt1ky4SleVwvPqgV8XZYw All music features stems from the genius of Rising Appalachia: https://www.risingappalachia.com Spotify: https://open.spotify.com/artist/3I6e2ZqqoxQhXc9z7Tp5ci?si=obSHiukXSo6FaB4tL08VaA The host, Clifford Brooks works The Draw Of Broken Eyes & Whirling Metaphysics and Athena Departs are available everywhere that books are sold. His chapbook, Exiles Of Eden, is only available through his website. To find them all, please reach out to him at: CliffordBrooks@SouthernCollectiveExperience.com Check out his Teachable courses on thriving with autism and creative writing as a profession here: www.brooks-sessions.teachable.com.

Roxan McDonald joins me to share how spirituality can help with creative writing and how to live what she calls, “Spiritual AF” life. Roxan is another amazing human I found on TikTok and I am happy to share her work with you today!  For those new to Roxan, she is a writer, workshop facilitator, podcaster, and coach who has dedicated herself to helping people find their voice both on the page and in their lives. She currently leads writing groups and personal development retreats, and co-teaches with Ellen Bass at Esalen Institute and 1440 Multiversity. We cover: Roxan's meaning of spirituality is aligning self with thoughts, actions, beliefs, and values (7:25) Writing as a spiritual practice and how it can help your creativity as a writer (14:25) The transformative and therapeutic nature of writing (25:13) What is at the core of the spiritual creative overlap (33:40) Roxann has a playlist of videos on TikTok about not being nice. She shares her thoughts about women being nice and what she means when she says “Polite protects predators.” (38:12) http://andreaowen.com/469  

Recorded by Ellen Bass for Poem-a-Day, a series produced by the Academy of American Poets. Published on August 17, 2022. www.poets.org

World events including the war in Ukraine and our years of Covid 19 isolation have made for an unexpected and harsh reality. James Crews, author of 4 prize-winning collections of poetry and is the editor of the best-selling anthology, HOW TO LOVE THE WORLD - hopes to offer some lightness through poetry. In Crews' own words: "These poems retrained me to seek out and find connection at a time when so many of us have grown more isolated..." Following the success and momentum of his best-selling anthology "HOW TO LOVE THE WORLD" - poet James Crews' new collection, THE PATH TO KINDNESS, offers more than 100 deeply felt and relatable poems by international and well-known writers including Joy Harjo (the current U.S. Poet Laureate), Julia Alvarez, Marie Howe, Ellen Bass, Naomi Shihab Nye, Alberto Ríos, Ross Gay, and Ada Limón, as well as new and emerging voices. Featured Black writers include January Gill O'Neil, Tracy K. Smith and Cornelius Eady. Native American writers include Kimberly Blaeser, and Linda Hogan.

World events including the war in Ukraine and our years of Covid 19 isolation have made for an unexpected and harsh reality. James Crews, author of 4 prize-winning collections of poetry and is the editor of the best-selling anthology, HOW TO LOVE THE WORLD - hopes to offer some lightness through poetry. In Crews' own words: "These poems retrained me to seek out and find connection at a time when so many of us have grown more isolated..." Following the success and momentum of his best-selling anthology "HOW TO LOVE THE WORLD" - poet James Crews' new collection, THE PATH TO KINDNESS, offers more than 100 deeply felt and relatable poems by international and well-known writers including Joy Harjo (the current U.S. Poet Laureate), Julia Alvarez, Marie Howe, Ellen Bass, Naomi Shihab Nye, Alberto Ríos, Ross Gay, and Ada Limón, as well as new and emerging voices. Featured Black writers include January Gill O'Neil, Tracy K. Smith and Cornelius Eady. Native American writers include Kimberly Blaeser, and Linda Hogan.

World events including the war in Ukraine and our years of Covid 19 isolation have made for an unexpected and harsh reality. James Crews, author of 4 prize-winning collections of poetry and is the editor of the best-selling anthology, HOW TO LOVE THE WORLD - hopes to offer some lightness through poetry. In Crews' own words: "These poems retrained me to seek out and find connection at a time when so many of us have grown more isolated..." Following the success and momentum of his best-selling anthology "HOW TO LOVE THE WORLD" - poet James Crews' new collection, THE PATH TO KINDNESS, offers more than 100 deeply felt and relatable poems by international and well-known writers including Joy Harjo (the current U.S. Poet Laureate), Julia Alvarez, Marie Howe, Ellen Bass, Naomi Shihab Nye, Alberto Ríos, Ross Gay, and Ada Limón, as well as new and emerging voices. Featured Black writers include January Gill O'Neil, Tracy K. Smith and Cornelius Eady. Native American writers include Kimberly Blaeser, and Linda Hogan.

Please join poets and writers Charles Atkinson, Ellen Bass, Jack Foley, David Swanger, Hannah Sward and Ken Weisner celebrate the life and work of Santa Cruz's beloved poet Robert Sward who died this past February. Hosted by Julie Murphy, this episode includes readings and discussions of the guests' favorite poems of Robert's and their remarkable remembrances of him. Robert was a gifted poet, prolific writer, beloved friend, father and husband with a great sense of humor and deep insights.

Ellen Bass's most recent collection, Indigo, was published by Copper Canyon Press in 2020. Her other poetry books include Like a Beggar, The Human Line, and Mules of Love. Her poems appear  frequently in The New Yorker, American Poetry Review, and many other journals. Among her awards are Fellowships from the Guggenheim Foundation, The NEA, and The California Arts Council, The Lambda Literary Award, and four Pushcart Prizes. She co-edited the first major anthology of women's poetry, No More Masks! (Doubleday, 1973), and her nonfiction books include the groundbreaking The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988) and Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (1996). A Chancellor of the Academy of American Poets, Bass founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, California jails, and teaches in the MFA writing program at Pacific University. Ellenbass.com Twitter: @PoetEllenBass Facebook: @PoetEllenBass Instagram: @poetellenbass “The Morning After” was published in her collection, Like a Beggar (Copper Canyon Press, 2014). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

James Crews is the author of 4 prize-winning collections of poetry. He is also the editor of the best-selling poetry anthology, HOW TO LOVE THE WORLD. His new collection, THE PATH TO KINDNESS offers more than 100 deeply felt and relatable poems by international and well-known writers including Joy Harjo (the current U.S. Poet Laureate), Julia Alvarez, Marie Howe, Ellen Bass, Naomi Shihab Nye, Alberto Ríos, Ross Gay, and Ada Limón, as well as new and emerging voices. Featured Black writers include January Gill O'Neil, Tracy K. Smith, and Cornelius Eady. Native American writers include Kimberly Blaeser and Linda Hogan.

I had the great pleasure of interviewing author, Laura Davis, on the publication of her searing memoir, The Burning Light of Two Stars: A Mother-Daughter Story. In this wide ranging conversation, we talk about mother-daughter relationships, healing, caring for an elderly relative and child sexual abuse, an experience that led Laura to co-author the ground breaking book on recovered memory with Ellen Bass, The Courage to Heal. Laura's new memoir, The Burning Light of Two Stars: A Mother-Daughter Story is the riveting story of her embattled relationship with her mother Temme, their determination to love one another, and the dramatic and surprising collision course they ended up on at the end of Temme's life. For the millions of readers of Laura's first book, The Courage to Heal, The Burning Light of Two Stars is both prequel and sequel, revealing in page-turning, intimate detail how Laura reconciled with the mother who betrayed her, and came to care for her in her final days. Read the opening chapters by clicking this link. If you're a writer or want to use writing as a tool for healing or self-discovery, you can learn about Laura's online writing workshops and in-person domestic and international retreats here: www.lauradavis.net Read the opening chapters here: http://www.lauradavis.net/chapters The Midlife Movement is a friendly community which aims to challenge outdated stereotypes around midlife and ageing through the sharing of stories and 121 personal coaching. Find out more here: www.themidlifemovement.com Enjoyed this episode? Rate and review the podcast, and Subscribe wherever you might be listening to it so you never miss a new episode. --- Send in a voice message: https://anchor.fm/the-midlife-movement/message

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ellen Bass is a Chancellor of the Academy of American Poets. Her most recent book, Indigo, was published by Copper Canyon Press in 2020. Other poetry collections include Like a Beggar (Copper Canyon Press, 2014)—which was a finalist for The Paterson Poetry Prize, The Publishers Triangle Award, The Milt Kessler Poetry Award, The Lambda Literary Award, and the Northern California Book Award—The Human Line (Copper Canyon Press, 2007), and Mules of Love (BOA Editions, 2002), which won The Lambda Literary Award. She co-edited (with Florence Howe) the first major anthology of women's poetry, No More Masks! (Doubleday, 1973).Her poems have frequently appeared in The New Yorker and The American Poetry Review, as well as in The New York Times Magazine, The Atlantic, The American Poetry Review, The New Republic, The Kenyon Review, Ploughshares, The Sun and many other journals and anthologies. She was awarded Fellowships from the Guggenheim Foundation, The National Endowment for the Arts and The California Arts Council and received the Elliston Book Award for Poetry from the University of Cincinnati, Nimrod/Hardman's Pablo Neruda Prize, The Missouri Review's Larry Levis Award, the Greensboro Poetry Prize, the New Letters Poetry Prize, the Chautauqua Poetry Prize, and three Pushcart Prizes.Her non-fiction books include Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (HarperCollins, 1996), I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983), and The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse(Harper Collins, 1988, 2008), which has sold over a million copies and has been translated into twelve languages. Ellen founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, CA jails. She currently teaches in the low residency MFA writing program at Pacific University.From https://www.ellenbass.com/about/. For more information about Ellen Bass:“Ellen Bass”: https://www.poetryfoundation.org/poets/ellen-bass“The Poem is an Exploration: Ellen Bass Interviewed”: https://bombmagazine.org/articles/ellen-bass-interviewed/“A Conversation with Ellen Bass”: https://theadroitjournal.org/issue-thirty-six/ellen-bass-interview/

Join Chris & Courtney of The Poetry Question in a sit down conversation with Joan Kwon Glass, author of Night Swim (Diode Editions), about passions, process, pitfalls, and poetry! Joan Kwon Glass (B.A./M.A.T. Smith College) is the author of “Night Swim,” winner of the 2021 Diode Editions Book Contest and the micro chapbook “Bloodline,” winner of the 2021 Harbor Review Washburn Prize, and author of poetry chapbooks “How to Make Pancakes For a Dead Boy” (Harbor Editions, 2022) & “If Rust Can Grow on the Moon” (Milk & Cake Press, 2022). She was a Runner-Up for the 2021 Sundress Publications Chapbook Contest, & a 2021 finalist for the Harbor Review's Editor's Prize, the Subnivean Award & the Lumiere Review Writing Contest, as well as a semi-finalist for the Thirty West Chapbook Contest, Ralph Angel Poetry Prize & the Five South Poetry Prize. She serves as Poet Laureate (2021-2025) for the city of Milford, Connecticut, Poetry Co-Editor for West Trestle Review and Poetry Reader at Rogue Agent. Joan's work explores trauma, grief, memory, motherhood, and recovery. She is a mixed-race (hapa) Korean American who grew up in Michigan and South Korea & she finds inspiration in the writings of Rachel McKibbens, Lucille Clifton, Eugenia Leigh, Margaret Atwood, Anne Sexton & Ellen Bass. Since 2018, her poems have been nominated multiple times for the Pushcart Prize and for Best of the Net. Pre-order NIGHT SWIM now! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Join host Julie Murphy as talks with Jessica Jacobs about solitude, revelation and inspiration. Jessica read's and discusses Ellen Bass' poem God and the G-Spot s well as poems from each of her books, including her forth coming collection of poems in conversation with the Book of Genesis. Jessica Jacob's website SunJune Literary Collaborative Free SunJune generative writing sessions

My guest today, Jan Winhall of Focusing on Borden, began her career as social worker and psychotherapist 40 years ago.[CW for text below: mention of self-harming behaviors]She began listening with non-pathologizing ears and heard shocking stories of sexual torture, and responses that confused her. Women were cutting themselves, bingeing and purging huge quantities of food, and abusing drugs and alcohol. As she continued to listen she learned that somehow these self-harming behaviors were “helping” individuals to escape intolerable emotional states. They were shifting their mood from flooding anxiety to numbing deadness, or vice versa.Because these behaviors were so helpful they were compulsively repeated and often became addictions. They were shifting their mood from flooding anxiety to numbing deadness, or vice versa. Jan's book Treating Trauma and Addiction with The Felt Sense Polyvagal Model: A Bottom Up Approach, has integrated the Polyvagal lens Theory to create a more sophisticated way of understanding emotional regulation, where addictive behavior is an embodied response to emotional dysregulation. In This EpisodeJan's websiteJan's courses The Primacy of Human Presence, by Eugene Gendlin. A PDF download.The Courage to Heal, Ellen Bass and Laura Davis Support this podcast at — https://redcircle.com/the-trauma-therapist-podcast-with-guy-macpherson-phd-inspiring-interviews-with-thought-leaders-in-the-field-of-trauma/exclusive-contentThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5739761/advertisement

As the co-author, with Ellen Bass, of the iconic and groundbreaking book The Courage to Heal Laura Davis rode the hurricane-force that was unleashed by empowering women to talk about surviving sexual abuse, while also being catapulted to fame for the worst thing that had ever happened to her. In her new memoir, The Burning Light of Two Stars: A Mother Daughter Story Laura reveals what it was like behind the force of that hurricane and tells the intimate story of her relationship with her mother, of whom she eventually became caretaker.

Ric plays a couple beautiful instrumentals and sings "Waiting for the Light" and talks about the darkness of unknowing and the coming dawn.  He shares the Wendall Berry Poem "Manifesto: The Mad Farmer Liberation Front" and "The Thing Is" by Ellen Bass.  Pete reads a couple of blessings  by John O'Donohue for the times of uncertainty.

Don't miss Ellen Bass on The Hive Poetry Collective. Please join Ellen and host Julie Murphy in a lively discussion of Ellen's work and hear Ellen read poems from Indigo and more! Ellen Bass' Website Buy Ellen's books here.