Podcasts about Hendrix College

Raeann Wilson was born in Cabot, AR. As a breast cancer survivor, IV therapy was an integral part of Raeann's recovery, and she became passionate about giving the same level of care to other post-operation patients. As the surgical coordinator at Shewmake Plastic Surgery, Raeann has extensive knowledge in surgical processes and patient care. This all gave her the skill and inspiration to create Zen Infusion, offering mobile, on-demand IV infusion therapy that serves a number of needs for the people of Central Arkansas. Kris Shewmake, M.D., FACS was born in Pine Bluff, AR. He earned his bachelor's degree in biology from Hendrix College in Conway and a master's degree in natural science from the University of Arkansas at Fayetteville. He received his medical degree from UAMS, where he also completed a residency in general surgery. He was president of his class and elected into the Alpha Omega Alpha Medical Honor Society (top 10% of the class). His eight years of surgical training after medical school included a General Surgery residency at the University of Arkansas for Medical Sciences (UAMS) Medical Center and a Plastic and Reconstructive Surgery residency in Dallas at the University of Texas-Southwestern Medical Center. Dr. Shewmake entered private practice in 1996 and was named Best Plastic Surgeon in Arkansas by his colleagues in 1999 and 2009.

In episode 37 we sit down and Chat with Rick Murray Associate Coach in Chief of Goaltending for the Southeast District. Rick is also a professor with Hendrix College. In this episode, we chat with Rick about some research that he and a few others are diving into regarding the most age-appropriate net and rink sizes for goalies and players alike. Listen in as we discuss the impacts of net and rink sizing on goalie movements, goal scoring, and much more. To get in contact with Rick: ⁠murrayr@hendrix.edu⁠ Join the conversation on X: USAHockeyCoach

We are still pinching ourselves that we had the honor of speaking with Suzanne Stabile! This conversation is filled with grace, truth, love, and wisdom as we are all figuring out how to live in such a divided society. As an internationally recognized Enneagram Master, Suzanne has conducted over 500 Enneagram workshops over the past 30 years. She has spoken to College audiences that include Baylor and Drury Universities, Hendrix College, Perkins School of Theology (SMU) and Brite Divinity School (TCU), Formation Gathering 2017 (Harvard Divinity School), Pepperdine Bible Lectures 2017, Seminary of the Southwest, hundreds of churches across America including First Baptist Austin, Highland Park United Methodist, Dallas, First Congregational Church, L.A., Otter Creek Church, Nashville, First Baptist Church, Portland, and teaches in the Baylor Health Care System, in Dallas, in both the Cancer and Transplant Hospitals. Additionally, she has taught at Richard Rohr's Center for Action and Contemplation and has been a speaker for Conferences offered by the CAC. She taught with Father Rohr to an international audience in Assisi, Italy, on The Enneagram and Paradox. Other events Suzanne has spoken at include The North Texas Conference of the United Methodist Church, Christianity 21, The Festival of Courage and Faith in Greenwich CT, the Emerging Christianity and Telemachus Conferences, the Southwest Regional Gathering of the Disciples of Christ, Laity Lodge and The Apprentice Gathering. Suzanne received her B.S. in Social Sciences from Southern Methodist University in Dallas, Texas where she also completed additional graduate work in the Schools of Sociology and Theology. She has served as a high school professor, the first women's basketball coach at SMU after Title IX, and as the founding Director of Shared Housing, a social service agency in Dallas. When she is not on the road teaching and lecturing, Suzanne is at home in Dallas, Texas with her husband Rev. Joseph Stabile, a United Methodist pastor with whom she co-founded Life in the Trinity Ministry and the Micah Center. She is the mother of four children and grandmother of nine: Will, Noah, Sam, Gracie, Elle, Joley, Jase, Piper, and Josie.

Dan Rizzie is an artist of the heart, whose work is playful yet sophisticated and combines a rich variety of medium and textures. His images and subject matter conjure a world of memory and symbols.   Born in Poughkeepsie, NY  in 1951,  he grew up in India, Egypt, Jordan and Jamaica. Rizzie lives in Sag Harbor, New York.[1] Dan  is a painter, printmaker, and collage artist. He attended Hendrix Collegein Conway, Arkansas under the mentorship of Don Marr and Bill Hawes.[2] At Hendrix he received his BFA in 1973.[2] In 2005, Rizzie was awarded Hendrix College's Distinguished Alumnus Award.Rizzie earned a MFA from Southern Methodist University's Meadow's School of Art in Dallas, Texas in 1975.[1][4] Dan Rizzie is an artist of paradoxical qualities.  His independence is in contrast to his aesthetic conservatism.  And perhaps because of his unwillingness to be either revolutionary in his artistic approach, or as flamboyant in technique as he is patently capable of, his work hasn't been as accurately understood as it deserves to be.  Rizzie's extraordinary knowledge of art history informs his art deeply, but in off-beat, even eccentric ways. One is tempted to suggest that at times absorption in the art of others, subsumes his own passion to express a uniquely individual set of feelings. Rizzie's art is represented by major galleries across the country and is included in many important collections, including the permanent collections of the Museum of Modern Art and  the Metropolitan Museum of Art in New York,[4] the Dallas Museum of Art, the Scottsdale Museum of Contemporary Art, the San Antonio Museum of Art, the Museum of Fine Arts, Houston and collections at AT&T Corporate Center, Chicago, Illinois, Delta Air Lines, Parrish Art Museum, and the Mayo Clinic.  

Alan McClain was appointed as Arkansas's 24th Insurance Commissioner by former Governor Asa Hutchinson in April 2020, and continues to serve as Commissioner under Governor Sarah Huckabee Sanders.  Prior to his appointment, McClain served for five years as Commissioner of Arkansas Rehabilitation Services (ARS)—a sister agency of the Arkansas Insurance Department (AID) under the state Department of Commerce.Commissioner McClain began his career in state government in 1992 at AID, spending eight years in its Public Employee Claims Division. Prior to joining AID, he served as a Claims Manager for self-insured workers' compensation plans at the Little Rock offices of Sedgwick James Insurance.McClain served thirteen years with the Arkansas Workers' Compensation Commission (AWCC), where he spent almost nine years as its Chief Executive Officer.  While at the AWCC, he also served as the regulator for companies and groups seeking to self-insure workers' compensation risks. In 2013 McClain left the AWCC to join the Workers' Compensation Research Institute (WCRI) based in Cambridge, Massachusetts, where he worked alongside numerous state workers' compensation agencies as they utilized the work of WCRI in making data-driven policy decisions.McClain served as President of the Council of State Administrators of Vocational Rehabilitation between 2019-20, as well as President of the International Association of Industrial Accident Boards & Commissions (IAIABC) in 2011, where he was named Co-Chair of the National Association of Insurance Commissioners (NAIC)/IAIABC Joint Working Group. During his time as Commissioner of Arkansas Rehabilitation Services, Governor Hutchinson also appointed McClain to serve on the Arkansas Workforce Development Board, and the Governor's Council on Developmental Disabilities.In addition to membership on a number of other NAIC task forces and working groups, McClain currently serves as Chair of the NAIC Property and Casualty (C) Committee, as well as Chair of the Workers' Compensation Task Force, a subgroup of the Property and Casualty (C) Committee. He also serves on the Financial Standards and Accreditation (F) Committee, which reviews insurance department ability to analyze company solvency.McClain is a native Arkansan. He holds an undergraduate degree from Hendrix College in Conway, as well as a Master of Public Administration from the University of Arkansas at Little Rock. Focusing exclusively on risk management and insurance professional development, the Risk & Insurance Education Alliance provides a practical advantage at every career stage, positioning our participants and their clients for confidence and success.

On this episode of 1050 Bascom, we were delighted to talk to Andrew McWard, Assistant Professor of Politics and Public Affairs at Denison University and an instructor here in our Political Science Department at the University of Wisconsin–Madison. Prof. McWard specializes in international relations with an emphasis on international organizations. This summer, Prof. McWard is teaching our very popular The Politics of Human Rights course. Prof. McWard received his PhD in Political Science from the University of Wisconsin–Madison last year and his BA in International Relations from Hendrix College in 2017. We asked Prof. McWard about his Politics of Human Rights course and about his interest in studying and teaching human rights more generally. We thoroughly enjoyed the conversation and learned so much. We hope you will too.

On today's show, using data, photos, and videos to map historical wildfires in the Ozarks. Also, a multi-million dollar gift to Hendrix College. Plus, celebrating the tenth anniversary of Valley Inn.

Raeann Wilson was born in Cabot, AR. As a breast cancer survivor, IV therapy was an integral part of Raeann's recovery, and she became passionate about giving the same level of care to other post-operation patients. As the surgical coordinator at Shewmake Plastic Surgery, Raeann has extensive knowledge in surgical processes and patient care. This all gave her the skill and inspiration to create Zen Infusion, offering mobile, on-demand IV infusion therapy that serves a number of needs for the people of Central Arkansas. Kris Shewmake, M.D., FACS was born in Pine Bluff, AR. He earned his bachelor's degree in biology from Hendrix College in Conway and a master's degree in natural science from the University of Arkansas at Fayetteville. He received his medical degree from UAMS, where he also completed a residency in general surgery. He was president of his class and elected into the Alpha Omega Alpha Medical Honor Society (top 10% of the class). His eight years of surgical training after medical school included a General Surgery residency at the University of Arkansas for Medical Sciences (UAMS) Medical Center and a Plastic and Reconstructive Surgery residency in Dallas at the University of Texas-Southwestern Medical Center. Dr. Shewmake entered private practice in 1996 and was named Best Plastic Surgeon in Arkansas by his colleagues in 1999 and 2009.

Paul Allen Smith Jr is the oldest of four children, was born on March 12, 1960, in Little Rock, Arkansas. He grew up in McMinnville, Tennessee, in the Cumberland Mountains, where his father's family had farmed for several generations and also operated an ornamental plant business. Smith calls himself a fourth-generation nurseryman and horticulturist. The family moved back to Little Rock when Smith was twelve due to a career opportunity for his father, who unexpectedly died just three months later. To cope with his grief, Smith planted a small garden in the backyard and began raising chickens. After graduating from Little Rock's McClellan High School in 1979, he attended Hendrix College in Conway to major in biology, with plans of becoming a veterinarian. After graduation in 1983, he earned a Rotary International scholarship to study ornamental horticulture, garden design, and history during an eighteen-month stay at the University of Manchester in England. After returning home to Little Rock, Smith entered the nursery and garden design business with his family. He also became a private tour guide to European gardens and began teaching gardening workshops at the nursery. Regular appearances on local radio led to a weekly gardening segment on Little Rock television station KATV's Daybreak show in 1989. It soon led to a syndicated program starting in 2000, P. Allen Smith's Gardens, which was largely shot at Smith's historic home in Little Rock's Quapaw Quarter. The original Garden Home is a 1904 Colonial Revival cottage surrounded by a series of garden rooms designed by Smith. He purchased the house for one dollar and relocated it to a 15,000-square-foot vacant lot. Smith divides his time between that home and his 650-acre Garden Home Retreat at Moss Mountain Farm in Roland, Arkansas, which overlooks the Arkansas River Valley. At Moss Mountain Farm, Smith promotes the local-food movement, organic gardening, and the preservation of heritage poultry breeds. Smith founded the Heritage Poultry Conservancy in 2009. Smith is a Certified Fellow of the Royal Horticultural Society and a board member of the Royal Oak Foundation, the U.S. affiliate of the National Trust of England, Wales, and Northern Ireland. His awards and recognitions include the 2009 Arkansas Cultural Enrichment Award from the Hot Springs Documentary Film Festival, the 2011 4-H Celebration of Excellence Award, the Medal of Honor from the Garden Club of America, Garden Communicator Award from the American Nursery and Landscape Association (ANLA), Horticultural Communicator Award from the American Horticultural Society (AHS), and the Odyssey Award from the Hendrix College Board of Trustees honoring the achievements of Hendrix College alumni.

This week, Dr. Matthew Shadle joins the podcast to discuss the theology of Pope Francis in the context of Vatican II. Specifically—responding to some of the critics Pope Francis's recent apostolic letter, Ad Theologiam Promovendam—we talk about how the pope's theology fits in terms of the Ressourcement theology that dominated at the Second Vatican Council and its development since then.  After more than sixteen years of teaching theology at Loras College in Dubuque, Iowa and Marymount University in Arlington, Virginia, Dr. Matthew Shadle is the Academic Assessment Coordinator for the College of Liberal Arts and Sciences at the University of Iowa. He received his B.A. in Religion from Hendrix College in Conway, Arkansas, and his M.A. and Ph.D. in Theology from the University of Dayton, in Dayton, Ohio.  He has published Interrupting Capitalism: Catholic Social Thought and the Economy (Oxford, 2018) and The Origins of War: A Catholic Perspective (Georgetown, 2011), as well as numerous essays and articles on Catholic social teaching and its intersection with both fundamental moral theology and the social sciences, with special focus on war and peace, the economy, and immigration. He is currently the editor of Window Light, a Substack newsletter focused on Catholic theology and ministry. LINKS https://windowlight.substack.com/p/pope-francis-and-the-paradigm-shift Paid subscribers get to watch each episode early! All of your contributions directly supports my family and allows me to continue this podcast and all the resources I've shared here! https://www.popefrancisgeneration.com/subscribe ABOUT POPE FRANCIS GENERATION Pope Francis Generation is the show for Catholics struggling with the Church's teaching, who feel like they might not belong in the Church anymore, and who still hunger for a God of love and goodness. Hosted by Paul Fahey, a professional catechist, and Dominic de Souza, someone who needs catechesis. Together, we're taking our own look at the Catholic Church– her teachings and practices- from 3 views that changed our world: the Kerygma, the doctrine of theosis, and the teachings of Pope Francis. Together, with you, we're the Pope Francis Generation. SUPPORT THIS SHOW: This show is brought to you by Pope Francis Generation, a project to explore Catholicism inspired by Pope Francis. Founded by Paul Fahey, you can follow the newsletter, join the group, and become a supporting member. Your donations allow us to create the resource you're enjoying now as well as much more. Paid subscribers get to watch each episode before everyone else and receive subscriber only posts. Check out: popefrancisgeneration.com ABOUT PAUL FAHEY Paul lives in Michigan with his wife, Kristina, and five kids. He's a retreat leader and counseling student. ABOUT DOMINIC DE SOUZA SmartCatholics founder, Dominic de Souza, is a convert from radical traditionalism – inspired by WherePeterIs, Bishop Robert Barron, and Pope Francis. He is passionate about helping ordinary Catholics break the ‘bystander effect', and be first responders. “We don't have to be geniuses. We just have to show up with witness and kindness. Christ does the rest.” Today he hosts the SmartCatholics community. smartcatholics.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/popefrancisgeneration/message

"McElroy & Cubelic In The Morning" airs 7am-10am weekdays on WJOX-94.5!!See omnystudio.com/listener for privacy information.

We sit down with the Swimming Staff at Hendrix College in Conway, Arkansas to visit with Head Coach, Tony Marleneanu and Assistant Coach (and friend of the Show!) Emily Daniels who share a little of their journey along with WHY your swimmers should consider Hendrix as a College Destination! THIS is The Educational AD Podcast! --- Send in a voice message: https://podcasters.spotify.com/pod/show/educational-ad-podcast/message Support this podcast: https://podcasters.spotify.com/pod/show/educational-ad-podcast/support

Adaja Cooper is a national award-winning, published artist from Little Rock, Arkansas. Born in Magnolia, Arkansas, Cooper has always expressed a passion for art at a young age. Cooper's art has also been published in the Mahyue Magazine, the Little Rock Soirée Magazine, and Hendrix College's Aonian Literary Magazine. She created multiple paintings for the Central Arkansas Library System, one which is featured on a billboard in Little Rock, Arkansas. Cooper has been in multiple galleries including the Hearne Fine Art Gallery, Mosaic Templars Cultural Museum, and The Baum Gallery. She was named a finalist for the 2022 Arkansas Times "Best of Arkansas" in the Visual Art category and was featured on the cover of the July issue of the magazine. Cooper is a recent graduate of   Hendrix College and a recipient of the 2023 Thomas J. Watson Fellowship. During her fellowship, she will travel for a year creating public art that empowers different cultures around the world. Follow her on all social media platforms @adajacooper Support Adaja Cooper by visiting her website adajacooperstudio.com

Julia Kolchinsky Dasbach came to the United States as a Jewish refugee in 1993, from Dnipro, Ukraine, and grew up in the DC metro area suburb of Rockville, Maryland. She spent three years in Eugene, earning an MFA in Poetry from the University of Oregon. She earned a Ph.D in Comparative Literature and Literary Theory from the University of Pennsylvania for her dissertation, Lyric Witness: Intergenerational (Re)collection of the Holocaust in Contemporary American Poetry, which pays particular attention to the underrepresented atrocity in the former Soviet territories. She is the founder and host of Words Together, Worlds Apart, a virtual poetry reading series born out of pandemic but meant to outlast it. Julia's newest collection, 40 WEEKS is now available through YesYes Books. She is also the author of The Many Names for Mother, selected by Ellen Bass as the winner of the 2018 Stan and Tom Wick Poetry prize and finalist for the Jewish Book Award. Her second collection, Don't Touch the Bones won the 2019 Idaho Poetry Prize and is available from Lost Horse Press and perhaps your local book store. You can find her poems in POETRY, American Poetry Review, and The Nation, among others. She is Assistant Professor and Murphy Fellow in Creative Writing at Hendrix College and lives in Little Rock, Arkansas with her family. Find much more at: https://www.juliakolchinskydasbach.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write an ekphrastic poem about a recent image in your camera roll. Next Week's Prompt: Use an object as metaphor for some aspect of the body, as Julia does with fruit in 40 Weeks. Write a poem using colons to create a string of similes, as she does throughout the book. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Welcome to episode 156, a special two-part Episode of Lucretius Today. This is a podcast dedicated to the poet Lucretius, who wrote "On The Nature of Things," the only complete presentation of Epicurean philosophy left to us from the ancient world. Each week we walk you through the Epicurean texts, and we discuss how Epicurean philosophy can apply to you today. If you too find the Epicurean worldview attractive, we invite you to join us in the study of Epicurus at EpicureanFriends.com, where you will find a discussion thread for each of our podcast episodes and many other topics.Today we are very pleased to bring you an interview with a special guest: Dr. Emily Austin, professor of Philosophy at Wake Forest University. Dr. Austin is author of the book "Living for Pleasure: an Epicurean Guide to Life," which was published in November 2022 by the Oxford University Press as part of its Guides to the Good Life Series. Dr. Austin graduated summa cum laude in philosophy from Hendrix College in Arkansas, and she received her doctorate from Washington University in St. Louis in 2009. Since that time, she has been teaching philosophy at Wake Forest in Winston-Salem, North Carolina. Dr. Austin applies both her academic credentials and her teaching skills to the task of showing how Epicurean philosophy differs sharply from Stoicism, and how it stands for a truly positive approach to life that isn't grounded in asceticism, but in a complete understanding of the central and uncompromising appreciation of "Pleasure" in the pursuit of happiness. Time Stamps:03:02 - Can you tell us about yourself Dr Austin?04:01 - What caused you to be interested in Epicurus, and how did you come to write your book.09:40 - What are the main points of Epicurean philosophy and how does it differ from Stoicism?19:15 - How do you deal with the objection that "pleasure" cannot be the full goal of life?28:00 -- What is the role of one's view of "death" in Epicurean philosophy?39:45 -- Some people see a tension between pursuit of pleasure as opposed to pursuit of tranquility. How do you reconcile that question and summarize the issue of how much pleasure is enough? Was Epicurus an ascetic?

Wow, get ready for a powerful episode which could fundamentally change the way you think about your body and it's energy! That enough of a tease? Seriously though, in this episode Joe recorded his first in-person episode since before the pandemic! And what better person to interview in-person than Dr. Tyler Lewis at Self Unbound in Dallas, TX We think you're going to be intrigued by this episode, you are likely to be curious about this episode, and we encourage you to explore what could happen when you allow yourself to be unbound! Enjoy! About Dr. Tyler Lewis Dr. Tyler Lewis received his Bachelor of Arts in Biochemistry and Molecular Biology from Hendrix College, and Doctorate of Chiropractic from Parker College of Chiropractic. His initial focus of study was on brain-based rehabilitation through functional neurology, which later evolved into NetworkSpinal, a chiropractic specialty that focuses on creating neural efficiency and coherence between the various levels of the nervous system and the environment. Dr. Tyler now serves the community as a NetworkSpinal practitioner at Self Unbound in North Dallas, helping nervous systems evolve toward their most inspired, optimal alignment! About Self-Unbound NetworkSpinal Care is an advanced, holistic approach to healing and optimizing nervous system efficiency in order to improve your overall health and quality of life. Through care, your body will be guided in creating sustainable, efficient strategies within your nervous system to release tension and adapt to stress. NetworkSpinal Care utilizes light touches to specific areas along your spine where it's the most receptive to input. These touches cue your brain to connect with and unwind tension along your spinal cord that is impacting your entire nervous system. This is vital to your health because your nervous system is the gateway to your experience and expression of life. It receives and interprets information from your body and your environment, then regulates how you respond and adapt to it. It is the facilitator of all healing, perception, movement, emotion, and thought.   Make sure to check out the NEW Dtalkspodcast.com website! Thanks to Empire Toys for this episode of the podcast! Nostalgia is something everyone loves and Empire Toys in Keller Texas is on nostalgia overload.   With toys and action figures from the 70's, 80's, 90's, and today, Empire Toys is a one-stop-shop for a trip down memory lane and a chance to reclaim what was once yours (but likely sold at a garage sale)   Check out Empire Toys on Facebook, Instagram, or at TheEmpireToys.com AND Thanks to Self Unbound for this episode of the podcast: Your quality of life: physically, emotionally, mentally, and spiritually, is a direct reflection of the level of abundant energy, ease, and connection your nervous system has to experience your life!    At Self Unbound, your nervous system takes center stage as we help unbind your limited healing potential through NetworkSpinal Care.    Access the first steps to your Unbound journey by following us on Facebook, Instagram, or at www.selfunbound.com   The DTALKS Podcast has also been ranked #9 in the "Top 40 Detox Podcast You Must Follow in 2020" according to Feedspot.com for our work in the Cultural Detox space. Thank you so much to the Feedspot team!  https://blog.feedspot.com/detox_podcasts/  

Jasmine Zandi is a Canadian native who has called Arkansas home since 2011. She graduated from Hendrix College with a dual B.A. in French, and International Development and Sustainability. Throughout her undergraduate studies, Jasmine completed internships with No Kid Hungry, the Smithsonian Institute, and the Toledo Museum of Art. Post-graduation, Jasmine served a year-long service term as an AmeriCorps VISTA with the Arkansas Hunger Relief Alliance. In 2021, Jasmine became the new Coordinator of the Be Mighty Little Rock program, a citywide anti-hunger campaign connecting kids and teens to free USDA meals. Be Mighty operates through the Central Arkansas Library System (CALS). Since she began, the program has expanded beyond USDA meal distribution to include garden & nutrition education programs, and SNAP office hours during which patrons are given information on federal programs designed to alleviate food insecurity. Whether national or local, Jasmine has a passion for nonprofit work and empowering her community with the resources needed to thrive!

Lecture given at Hendrix College on Monday November 7, 2022 --- Support this podcast: https://anchor.fm/humanitymatters/support

For the first time, a current head coach, Buck Buchanan of Hendrix College joins the show and discusses what Saturday's game against Rhodes means for his program. You will not want to miss this fun and colorful discussion. Follow Hendrix football on Twitter!: https://twitter.com/HendrixFootball Hendrix Football Homepage: https://hendrixwarriors.com/sports/football

Marquita Little Numan became a family counselor after graduating from Hendrix College. After seeing many clients continuously struggle, Marquita realized systemic change was essential.This fueled her to find a different way to make an impact, so she enrolled in the Clinton School of Public Service to understand how to ignite long-term change through advocacy, policy and philanthropy. Alliance for Early Success: www.earlysuccess.org            Better Beginnings: https://arbetterbeginnings.com/Clinton School of Public Service: https://www.clintonschool.uasys.edu/Hendrix College: https://www.hendrix.edu/Oprah Winfrey Leadership Academy for Girls: https://www.oprahfoundation.org/portfolio-item/oprah-leadership-academy

Karen Fannin is Professor, Director of Bands, and Interim Director of the School of Music at the University of Nebraska at Omaha where she conducts the Symphonic Wind Ensemble, teaches undergraduate and graduate conducting, instructs courses in music education, and provides leadership for all aspects of the UNO band program.  Previously, Dr. Fannin served as Director of Bands and Department Chair at Hendrix College. While in Arkansas, Dr. Fannin also held the position of Music Director and Conductor of the Little Rock Wind Symphony. A native of Iowa, Dr. Fannin began her teaching career in the Lynnville-Sully Schools as Director of Bands and subsequently served as Director of Bands at Lockport Township High School in suburban Chicago. Dr. Fannin maintains an active schedule as a guest conductor, clinician, and adjudicator. Recent professional engagements include a residency in Guangdong, China, a conference presentation in Stockholm, Sweden, and guest conducting or adjudicating in Canada, Alaska, Washington, Wisconsin, Oklahoma, Colorado, New Mexico, Virginia, Louisiana, Arkansas, Iowa, and Nebraska. An active presenter, Dr. Fannin has shared her research at international, national, regional, and state conferences. Passionate about making interdisciplinary connections that impact a conductor's work with an ensemble, Dr. Fannin has presented on topics such as pacing in rehearsals and performance, communication in music, parallels between the ensemble and business, and the lineage of Nadia Boulanger through wind repertoire. She is published in the Journal of Band Research and is a contributing author to the Teaching Music Through Performance in Band series published by GIA.  Dr. Fannin earned a Doctor of Musical Arts in Conducting from the University of Colorado where she studied with Allan McMurray; a Master of Music in Conducting from Northwestern University as a student of Mallory Thompson; and a Bachelor of Music in Music Education from the University of Northern Iowa, where she was recently honored with a Distinguished Alumnus Award.

Learn More about Bracken at: (2) Bracken Darrell | LinkedIn  and at Bracken Darrell - Logitech President & CEOUnder Bracken Darrell's 10 years of leadership as president and CEO, Logitech has reinvented itself into an award-winning design company, an industry force pursuing a more sustainable and equal world, and a top performer on the SIX Swiss Exchange and Nasdaq Global Select Market.As a result, Logitech has been the recipient of numerous awards. These include more than 200 design awards over the past three years from the likes of CES, iF Design, Red Dot, Good Design and IDA, as well as repeated recognition by Fast Company as a leading innovator by design. Logitech has also won numerous sustainability accolades, including first in a 2021 list of climate-conscious Swiss companies and inclusion on the Dow Jones Sustainability Index for Europe. Bracken himself has been named Swiss CEO of the year by Obermatt three times in the past four years, won the P&G Alumni Innovation Award, and the 2022 Edison Achievement Award.Bracken joined Logitech as president in April 2012, and assumed the role of chief executive officer in January 2013. He brings to Logitech nearly thirty years of experience in product, people and brand management through design. Prior to joining Logitech, Bracken was executive vice president of Whirlpool Corporation and president of Whirlpool EMEA, where he guided the company through the economic downturn of 2008. Previously, he was with Procter & Gamble, most recently as the president of Braun, the home appliance business. In addition to a total of twelve years with Procter & Gamble – in executive management positions as well as earlier years in brand management – Bracken served with General Electric Company for five years, most recently as the general manager of Consumer Home Service. He began his career with Arthur Anderson and then PepsiCo.Bracken is on the Board of Dean Advisors of Harvard Business School and serves on the board of directors of Life Biosciences, a longevity company.Bracken holds an M.B.A. from Harvard Business School and a B.A. in English from Hendrix College in Arkansas.

This episode of How To Be Wrong explores questions of leadership and humility with Dr. Bill Tsutsui, Chancellor and Professor of History at Ottawa University, a private comprehensive university with residential campuses in Kansas and Arizona. Dr. Tsutsui has written extensively on Godzilla, among other things Japanese, and has developed a distinguished career both as an historian and in higher education administration, having held positions as associate dean for international studies in the College of Liberal Arts & Sciences at the University of Kansas, Dean of Dedman College of Humanities and Sciences at Southern Methodist University in Dallas, and the presidency of Hendrix College. Our conversation explores questions of diversity in higher education, as well as ways in which deeply learning about other cultures can influence approaches to leadership. We also discuss some of the major issues confronting higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode of How To Be Wrong explores questions of leadership and humility with Dr. Bill Tsutsui, Chancellor and Professor of History at Ottawa University, a private comprehensive university with residential campuses in Kansas and Arizona. Dr. Tsutsui has written extensively on Godzilla, among other things Japanese, and has developed a distinguished career both as an historian and in higher education administration, having held positions as associate dean for international studies in the College of Liberal Arts & Sciences at the University of Kansas, Dean of Dedman College of Humanities and Sciences at Southern Methodist University in Dallas, and the presidency of Hendrix College. Our conversation explores questions of diversity in higher education, as well as ways in which deeply learning about other cultures can influence approaches to leadership. We also discuss some of the major issues confronting higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

This episode of How To Be Wrong explores questions of leadership and humility with Dr. Bill Tsutsui, Chancellor and Professor of History at Ottawa University, a private comprehensive university with residential campuses in Kansas and Arizona. Dr. Tsutsui has written extensively on Godzilla, among other things Japanese, and has developed a distinguished career both as an historian and in higher education administration, having held positions as associate dean for international studies in the College of Liberal Arts & Sciences at the University of Kansas, Dean of Dedman College of Humanities and Sciences at Southern Methodist University in Dallas, and the presidency of Hendrix College. Our conversation explores questions of diversity in higher education, as well as ways in which deeply learning about other cultures can influence approaches to leadership. We also discuss some of the major issues confronting higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of How To Be Wrong explores questions of leadership and humility with Dr. Bill Tsutsui, Chancellor and Professor of History at Ottawa University, a private comprehensive university with residential campuses in Kansas and Arizona. Dr. Tsutsui has written extensively on Godzilla, among other things Japanese, and has developed a distinguished career both as an historian and in higher education administration, having held positions as associate dean for international studies in the College of Liberal Arts & Sciences at the University of Kansas, Dean of Dedman College of Humanities and Sciences at Southern Methodist University in Dallas, and the presidency of Hendrix College. Our conversation explores questions of diversity in higher education, as well as ways in which deeply learning about other cultures can influence approaches to leadership. We also discuss some of the major issues confronting higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices

April Ambrose is currently Business Development Manager for Sustainability and Energy at Entegrity, a Sustainable Building Consulting Firm based in Little Rock. As the first employee in 2007, she has been key in the successful growth of Entegrity which has grown from two to 120 employees with offices in Little Rock-AR, Memphis-TN, Fayetteville-AR, Jackson-MS, Kansas City-KS, and Tulsa-OK. Previously she was Director of Operations for Sustainability, opened the Entegrity office in Memphis, and was involved in over 200 sustainable building projects.   Current responsibilities include education and technical expertise for Entegrity's Sustainability and Energy Divisions. Specific areas of expertise include k-12 and higher education, product/service/curriculum development, design and construction projects, sustainability rating systems, dashboards, marketing/education, and behavioral changes.   April received a BA in a self-designed Environmental Education major, which included an Arkansas high school teaching certificate, from Hendrix College. She is a graduate of the University of Arkansas, Division of Agriculture LeadAR Class 13 and Leadership Greater Little Rock Class XXIX (LGLR).   Awards include the USGBC Southeast Regional Sheroe of the Year, USGBC AR Green Tie for Central Arkansas Member of the year, Arkansas Business 40 Under 40 list, Outstanding Young Alumna by Hendrix College, and a variety of magazine features.   April's previous expertise included the creation and operation of numerous non-profit organizations dedicated to sustainability education, national climate change policy, municipal sustainability, and the integration of health and the environment. April has provided over 500 presentations on sustainability and energy to various local and national groups including non-profits, trade organizations, governmental entities, k-12 and higher education schools, media outlets, and environmental organizations.   Show Highlight Figure out your capacity in order to narrow your focus into green buildings.  Measure change to see the impact you can make in the lives of people. Entegrity adds another seat to the green building table in providing a full service for their clients and the industry. Figuring and focusing on what is preventing your clients from choosing the greener path.  Performance based understanding using tools like ARC help large corporations find their niche to replicate and integrate green strategies.  Understanding “people impact” is a huge opportunity to make spaces better places for more than the climate.   The trick to adjusting industry language to show specific value that motivates each client towards trusting sustainability.  The financial component is going to shift where renewable buildings become income producing assets.   “Coming from my background, it's pure education. I have no desire in selling somebody something they don't need, but I want them to be able to make a conscious decision and to have all the facts to make the decision that they feel meets their values and their needs. I didn't see that as an asset for a long time. I realize now that not only is it an asset, it's an incredibly valuable one where you get trusted in a way that people don't see you as a salesperson. They see you as somebody that's coming in to help them.” -April Ambrose   Get the episode transcript here!! April Ambrose's Show Resource and Information LinkedIn Entegrity april.ambrose@entegritypartners.com 99% Invisible Roman Mars - Apple Podcasts The Woman Code  Hippies - The New York Times My Mommy is a LEED Fellow Connect with Charlie Cichetti and GBES Charlie on LinkedIn Green Building Educational Services GBES on Twitter Connect on LinkedIn Like on Facebook Google+ GBES Pinterest Pins GBES on Instagram   GBES is excited our membership community is growing. Consider joining our membership community as members are given access to some of the guests on the podcasts that you can ask project questions. If you are preparing for an exam, there will be more assurance that you will pass your next exam, you will be given cliff notes if you are a member, and so much more. Go to www.gbes.com/join to learn more about the 4 different levels of access to this one-of-a-kind career-advancing green building community!   If you truly enjoyed the show, don't forget to leave a positive rating and review on iTunes.  We have prepared more episodes for the upcoming weeks, so come by again next week! Thank you for tuning in to the Green Building Matters Podcast!   Copyright © 2022 GBES

Arkansas is among 19 states that allow citizens to initiate new laws and constitutional amendments as popular ballot measures. But Republican lawmakers, including in Arkansas, aim to limit what is referred to as direct democracy. Jay Barth, emeritus political science professor from Hendrix College, provides insight.

“There is a level of compassion to understanding that there's things that need to be done.” // “We have to make up for lost time - transparent actions and results need to follow.” In the midst of all the social and upheaval we continue to face facing - we sat down with serial entrepreneur Gary Vaynerchuk, alongside Logitech CEO (+ P&G Alum) Bracken Darrell for a conversation with two “Masters of Digital Disruption”. In a candid conversation that spanned the internet and blockchain technologies (driving increased transparency and accountability) - to the greater need for social and environmental impact (rooted in business values) - you'll enjoy this conversation with two leaders who are constantly learning and growing personally, and professionally. Gary Vaynerchuk is an entrepreneur at heart — he builds businesses. Considered one of the leading global minds on what's next - Gary is a serial entrepreneur, and serves as the Chairman of VaynerX, the CEO of VaynerMedia and the Creator & CEO of VeeFriends. Gary works with Fortune 1000 brands thru his agency VaynerMedia — a part of the VaynerX holding company - which also includes Eva Nosidam Productions, VaynerNFT, Gallery Media Group, The Sasha Group, Tracer, VaynerSpeakers, and VaynerCommerce. Gary is also the Co-Founder of VaynerSports, Resy and Empathy Wines. He is a prolific angel investor with early investments in companies such as Facebook, Twitter, Tumblr, Venmo, Snapchat, Coinbase and Uber. Gary's also a Board Member, advisor, best-selling author, and award-winning speaker and thought leader with millions of followers. Bracken Darrell is President & CEO of Logitech - a company he joined in 2012 - where he's led brand vision and operations - as the driver for Logitech's continued growth and profitability (up over 13x) — reinventing Logitech into an award-winning design company, an industry force pursuing a more sustainable and equal world. Beyond Logitech's numerous awards in design, innovation, and sustainability during his tenure, Bracken himself has been named Swiss CEO of the year by Obermatt three times in the past four years, won the P&G Alumni Innovation Award, and will receive the 2022 Edison Achievement Award. Prior to joining Logitech, Bracken spent a decade in executive roles @ Whirlpool, Braun, and General Electric - and also worked in brand management at P&G. Prior to receiving his MBA from Harvard, Bracken worked at Arthur Anderson and PepsiCo. Bracken serves on the board of directors of Life Biosciences, a longevity company, and on the U.S. advisory board of Harvard Business School. Bracken received his MBA from from Harvard Business School and studied English from Hendrix College in Arkansas, and loves playing basketball with his boys.

Palisade soccer player Jamysen Geoffrion signs with Hendrix.

Join author Denise Parkinson for an intimate look at a Depression-era tragedy. The once-thriving houseboat communities along Arkansas' White River are long gone, and few remember the sensational murder story that set local darling Helen Spence on a tragic path. In 1931, Spence shocked Arkansas when she avenged her father's murder in a DeWitt courtroom. The state soon discovered that no prison could hold her. For the first time, prison records are unveiled to provide an essential portrait. The legend of Helen Spence refuses to be forgotten--despite her unmarked grave. Denise Parkinson is a freelance writer living in Hot Springs, Arkansas. A graduate of Hendrix College, Parkinson's writing appears in a range of publications, including the Arkansas Democrat, Arkansas Democrat-Gazette, Arkansas Times, Little Rock Free Press, Memphis Flyer and Cooper-Young Lamplighter. Since 2008, she has been the lead writer for Hot Springs Life and Home magazine. Dale Woodiel was born and raised on the banks of the White River in Crockett's Bluff, Arkansas. He teaches humanities at the University of Hartford. Daughter of the White River: Depression-Era Treachery and Vengeance in the Arkansas Delta

Join author Denise Parkinson for an intimate look at a Depression-era tragedy. The once-thriving houseboat communities along Arkansas' White River are long gone, and few remember the sensational murder story that set local darling Helen Spence on a tragic path. In 1931, Spence shocked Arkansas when she avenged her father's murder in a DeWitt courtroom. The state soon discovered that no prison could hold her. For the first time, prison records are unveiled to provide an essential portrait. The legend of Helen Spence refuses to be forgotten--despite her unmarked grave. Denise Parkinson is a freelance writer living in Hot Springs, Arkansas. A graduate of Hendrix College, Parkinson's writing appears in a range of publications, including the Arkansas Democrat, Arkansas Democrat-Gazette, Arkansas Times, Little Rock Free Press, Memphis Flyer and Cooper-Young Lamplighter. Since 2008, she has been the lead writer for Hot Springs Life and Home magazine. Dale Woodiel was born and raised on the banks of the White River in Crockett's Bluff, Arkansas. He teaches humanities at the University of Hartford. Daughter of the White River: Depression-Era Treachery and Vengeance in the Arkansas Delta

Sports agent in Women's Basketball Mike Cound on getting players out of Russia.Mike has been representing professional basketball players around the world since 1994. A graduate of Hendrix College in 1987 with a BA in Spanish, Mike received a Masters Degree in Hispanic Studies from Auburn University in 1994.  His background includes playing basketball at Hendrix College and then in mid-level leagues and tours in Brazil, Spain and Tunisia (North Africa).  He has also coached on professional club teams in North Africa; prior to that he was the youngest high school head coach in the state of Arkansas in 1988-89.Mike was a college Spanish professor at Auburn University and the University of Tennessee at Chattanooga for six years before becoming a sports agent full time in 1997.  As an agent for female basketball players, Mike has negotiated over 800 contracts in the WNBA for players from more than 45 U.S. universities and 15 countries; he has negotiated more than 2500 contracts in Europe, Asia, the Middle East and South America.https://www.coundgroupglobal.com 

Intro: Should we take offense that it's Women's History month? (history has not exactly honored women.) Gina had a rough re-entry from vacation, the Disney enchantment, the expense of having kids, the pleasures of one on one time, Junipero Serra was also a monster, Whitey Bulger, networking. Let Me Run This By You: Is Drag Race sexist?, Sasha Velour,  Interview: We talk to Rebecca Spence about Hendrix College, Phantom of the Opera with Linda Eder, Ricky Schroeder and Silver Spoons, Erin Gray, taking the Christmas pageant quite seriously, Syler Thomas, being the preacher's daughter, playing Adelaide in Guys and Dolls and the Stage Manager in Our Town, Tisch, Zelda Fichandler, Mary Beth Fisher, Carmen Roman, Deanna Dunagan, Ora Jones, Amy Morton, Steppenwolf, Goodman Theatre, Every Brilliant Thing, Cyrano at Milwaukee Rep, beauty privilege, aging as an actress, Linda Evangelista, how Rebecca sees herself in terms of the cultural shift in American theatre, the accessibility benefit of digital theatre.FULL TRANSCRIPT (unedited):2 (10s):And I'm Gina Pulice. We went to theater school1 (12s):Together. We survived it, but we didn't quite understand.2 (15s):And it's 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (22s):And you will too. Are we famous yet? February one, one month behind my friend one month by,2 (37s):Well, it's March 1st happy women's history month.1 (41s):I didn't even know that's how bad of a woman I am.2 (45s):Oh, well I was just thinking like, should we take offense that it's, you know, black history and women's history, like it's all in the past, you know, like why with both of those groups of people, we don't really want to be in the past.1 (1m 2s):Oh. And in fact there is a t-shirt that says that people love that. I have the same thought that says the future. Wait, the future of film is female. And I'm like, what about the present of film?2 (1m 17s):Right, right. Write1 (1m 19s):About like, I don't have a lot of time. I'm 46. Like what are you talking about the future? I mean, I can't be talking about the future. So I, I think the more we can get things in the present, the better off we are,2 (1m 33s):The better off we are now you're back. I'm back. I'm back. I'm back. I'm back. I did not want to come back. I did not leave my vacation. I did not wanna leave 80 degree weather and no responsibilities and fun all day. And it was our, a free entry1 (1m 53s):Monday, really? For everybody, just2 (1m 55s):You or well, for everybody. But for my part, it was getting in on a very late plane, not getting home till one 30 in the morning. It's two inches of ice on my driveway. So I'm like doing slapstick, trying to get my luggage to my door. My daughter's asleep. Oh my, I took the wrong key. I didn't have the right. I didn't have my house key. I don't know what the key is that I took. And so luckily, I mean, I guess I, nobody knows my address, but luckily we have a door that we often leave unlocked and it was unlocked.2 (2m 45s):So we got in and I got my daughter upstairs and I said, just go to sleep. I'll take care of everything. And she was like, yeah, of course, of course. I'm like, I'm not taking care of anything right now. So I remembered that we had some snow melt. I smelled, I go get it. And of course, when I walked into this door, that's usually unlocked. I immediately locked it saying like, we really shouldn't be leaving this open all the time. Oh my God. I know what's coming. I think, keep going, keep going though. And then I get my little ice smell and I go to the back and I closed the door because it's 20 degrees. And I don't want to let all the more mare out. And I happily salt my steps and get the luggage and bring it back up.2 (3m 30s):And the door was locked because the door was locked and I still don't have a key. And that my daughter is fast asleep. And not only is she slowly, I've already turned on the white noise machine. So if I ring the doorbell, if I had any chance of her hearing me, which it's pretty scant. And in any case, because she's a heavy sleeper, I've now masked the sound and it's cold, it's cold. And you, I immediately would be like, I have to eat this ice melt. That's not sane. That did not occur to me. Here's what occurred to me. I'm wearing leggings a t-shirt and a thin sweatshirt because I was just in 80 degree weather and sneakers.2 (4m 12s):I have no hat. I have no code. I have no gloves. I don't even have a key to the car. That's in the driveway because it's my husband's car. And why would I have a key to that? And we do have a garage code that has been broken for like a year. So I guess I should fix that for next time. I'm in this situation. Yeah. And I just tried ringing the doorbell and I tried yelling her name, you know, from down to like I'm in Romeo and Juliet, just yelling up to her window to the family in Utah. They weren't back. Oh my God.2 (4m 55s):I'm like, what the hell am I going to do? Walk to my neighbors at two in the morning and, and do what use, oh, and I didn't mind my phone was inside of, oh my God. Even if I had my phone, what am I going to do? Call my daughter. She doesn't have a cellphone. So I was in a real quandary. I was, I was in a pickle. So here's what I'd come to. I'm going to throw a heavy Boulder through our glass door so that I could get in. And then I'm going to tape it up with cardboard because I must get inside of my house. And then I remembered that another security breach we have is that our window in our dining room that goes directly onto our porch is never locked and very easy to climb through.2 (5m 43s):So that's what I did. And I didn't get to sleep until 3:00 AM. And that's just, that was just like, that was just, of course that was my reentry. Like there could have been no other reentry because ending your vacation sucks, sucks,1 (5m 60s):Bad. It2 (6m 0s):Really sucks. The greatest period of time is like the two weeks before your vacation, when you're getting psyched and then your vacation. And then for me, about two days before it's over, I'm like, oh God, I have to go.1 (6m 12s):I, I, I mean, you know, we're, I am really bad at transitions. Like I remember as an actor being told that to like, and I remember thinking that, and I remember thinking that's perfect. Like that, that makes perfect sense. I'm not shocked. And it makes perfect sense. I, there were no transitions in my childhood. It was like, you're being thrown here and then you're being thrown it. And so this all makes sense. And also it to be fair, your vacation did look fucking brilliant.2 (6m 43s):Like my vacation was like a1 (6m 46s):Dream.2 (6m 47s):It was like a dream come true. Honestly, like I kept being like, why is this so amazing? And I, I do. I do think, I, I think I understand now why Disney has the stranglehold on everybody's wallets that it does. It's because for many people, it is a place where your childhood is openly defended and encouraged and people don't get that. You know, and most people don't get that in other realms of their life. And you know, there's a lot of adult, only groups of people at Disney.2 (7m 28s):Like I even read a review of our hotel that was complaining about the number of children there. It's a, it's a, it's a, it's called the all star movies. It's like the it's 101 Dalmatian themed and toy story and Fantasia. And I'm thinking, wow, this couple went here thinking, oh,1 (7m 50s):People visionary tear like they without no, no, no. There are. Yeah, no, you're right on eighties. I think you've really, really hit the nail on the head. When you said that it's people's childhood encouraged, like, are you kidding me? Like senior pictures. I was like, oh, I'm going there. And I don't care if I go alone. Like, I don't give a fuck. You're going to see me alone. Wandering through Disneyland. Happy as a fucking clam.2 (8m 19s):Do you like rollercoasters? No. Oh, you don't like roller coasters. I was going to say, well, let's go together because I didn't get to ride one single roller coaster.1 (8m 25s):I will go with you. I would go if I trusted the person, I'm always just like, because I'm so neurotic. I'm like, do I want to die with this person? If I'm with some weird, like, you know, whatever. No I would go with you.2 (8m 40s):Well, let me tell you that. I don't know when the last time you went to like a six flags was, but the difference between your run of the mill amusement park and Disney is like the difference between coach on spirit, airline and first class Emirates. Yeah, exactly. It's just, they really, they really curate the experience for you. And I'm so fascinated by all of the work that has gone into just that, like all of the work that has gone into, and we, we had a classmate at the theater school who worked at Disney before she went to theater school and I'm drawing a blank on her name, blonde blonde hair.2 (9m 23s):And she told us about some of the rules. They have rules about how long your fingernails could be. And they had rules about your earrings and they had rules. I think some of those rules have changed because I'm pretty sure you didn't used to be able to show tattoos. I think you couldn't have dreadlocks before. Like it was a whole thing. It was a whole thing. So, so they've put a lot of effort into preserving the magic, right? Like you can't, there's this underground tunnel system. So you don't see the characters in there. Cause my daughter kept saying, oh, it was so sweet. She said, there's this hotel that's right near the park. And she said, why didn't we stay at that hotel? And I said, because it's like $3,000 a night. And she said, oh, I bet that's where the princess is live.2 (10m 7s):And I said, yeah, maybe. And I, and it was, as you recall, we went through this whole Santa's Easter bunny thing and she's she's hip to that. So I didn't challenge her assumption, but a couple of days later she did. And she said, well, they're not really princesses. They're really people who put on princess dresses. So they probably don't live here. I said, yeah, they probably don't. She said, where do I live? And I said, in an apartment, and I just saw the look on her face, like imagining, you know, Ariel living in her studio in like Florida. Right. And I live in Orlando having gone to theater school and then like, what am I doing? But you know what she's doing? She's fucking making dreams come fucking true is what she's done is like, honestly, it's the Lauren's work.2 (10m 53s):I felt like because they have these opportunities for you to meet the princesses, you know? And these people know their characters so well to the point that I can never hear Cinderella, she talks so quietly. I can never hear what she's saying. The, the girl, the woman who plays Rapunzel, that character talked a million miles an hour, she talks a million miles an hour. They read and they just know the ins and outs of their movies, such that they're constantly referencing. Like when, when we met Jasmine, she said, have you seen my monkey?2 (11m 35s):A pu I mean, and Clarissa was like, no, is she around here? Like, we'll, we'll go look for him. They really draw you in to the world. Do they are master storytellers? That's what they are Disney is. And these people, their whole,1 (11m 54s):I know people that go on Disney cruises that are like, I would live on this boat if I could.2 (12m 2s):Yeah, man. It's so enticing. It, it really is. And I, and I found myself being like, okay, this is like a museum product. It's a vacation. Like, but I think it made it harder to leave Mo a lot of times I have to say, especially since having kids, no offense to my kids. A lot of times when I come back from vacations, I'm like so relieved for it to be over because I've had to do so much work. I mean, traveling with one kid, who's pretty, self-sufficient was very easy to put a whole new spin on a family vacation.1 (12m 38s):It's my new thing, which is one-on-one time. So what I noticed in your pictures and social media was that when it's one-on-one time and I just had my niece here, right? Yes. I want to hear all about that. One-on-one time is so much different than family time. And I never had one-on-one time with either of my parents. Not that I really wanted it, but like, it was always trying to force groups or other families with our family. And I think one-on-one time people don't like to do because it's so intimate. And I, and I get that. But I also think when I saw your pictures, what I noticed was a genuine happiness and a knot in your face and your daughter's face, but also like a fun, it looked like fun.1 (13m 27s):And a lot of times when you see family fucking pictures, everyone looks miserable, miserable, miserable, miserable, miserable, and it's no one's fault, but that is the jam. It is miserable to be in a group.2 (13m 37s):It is miserable. And actually, as we were walking around, she kept saying, why is that? Dad's screaming at his kid? Like there was a moment where somebody was, I didn't observe it, but there was a baby crying. And how she reported it to me was that this mother told the baby to stop crying. And I said, well, you know, we're not having that experience because you're not a baby. And because we're not all together, but we've had a lot of experiences like that. You know, I'm glad that you don't necessarily think, look at that and say, oh, that's just like our family. But that is just like our family when we're all together,1 (14m 17s):It's a dynamic. So this is my whole, my whole like new way of seeing things. Not new way. But like w what helps me get through situation is like, oh, this is a dynamic problem. It is, it is a energetic, interpersonal problem. It's not one, one person's fault. But like, I now will never, I said to my niece, like, I only want to do one on one time with, with each of you. Great2 (14m 45s):Idea. Great idea. So how did that whole thing1 (14m 47s):Come to be? So I really wanted to, so each I have taken my nephew and my niece, the oldest one on solo trips, right. To two different places. But the youngest has never been, and then the pandemic hit. And so I was like, wait a second. This isn't fair. Not that life is fair, but I like to keep things kind of like, I don't want her being like, what the hell? I'm the youngest? Cause I was the youngest. I get it. So I was like, all right, I want a lease to come out here. But by herself, without my sister, without the kids, without George, like, no, no, no, no, no. Also our place is so small. Only one person could fit in it. Right. So a small person.1 (15m 28s):And so I said to my sister for her 13th birthday, which was Sunday, I want to fly Elise out. And so that's what I did. And she, she had president's day, right? So she, she missed one day of school because me and Mr. Davis school to do something with my sister and at least came and we had a blast one-on-one man, I'm all about trying to help the dynamic, not be unmanageable for myself and for others, but I'm really thinking about myself. Like2 (15m 60s):Probably so appreciated the attention she got. Right. Because I'm sure there's not much opportunity for her to get individual attention.1 (16m 8s):It's not practical. It just doesn't happen. There's so much going on. And you know, and, and so we had a blast. Now look, one thing that I was telling my therapist yesterday, I was like, oh, this is what I realized about children. They're fucking a lot of energy, even one brilliant child, right. That is, is just being a child. That's turning 13, no problems. Still, a lot of energy goes out cause she's, you know, and they're fucking expensive. So I don't care. I mean, I don't, I know nothing about, I know 100th of what the costs would be, but I'm like, oh my God.1 (16m 48s):And we weren't even doing crazy shit. We were so like, for people to say like, oh, a family of four or five can live on 50,000, $50,000. I'm like, are you, I spent like $50,000 in three days that I don't have, what are you talking about?2 (17m 3s):This is why, I mean, I have avoided saying miss in the past, but this is why we make so much money and have nothing. I mean, we have our house, we have a house, we own a house and we own cars. Yeah. But we have nothing else. We have nothing else. We have no savings. We have nothing else because 100% of our money goes to this very expensive thing we've chosen to do, which is1 (17m 28s):Yeah. And, and I have so much, I'm like, oh my God. Just even light. Yeah. Just life. Just not even buying. I mean, we didn't go crazy. We didn't go to Beverly Hills. We're not like living. Okay. So we went to, she got in really late Friday night and we went to, then we slept in a little bit. And then we went to the beach, went to my favorite beach, which is a unibrow beach who I found out was a terrible ruler that killed a lot of indigenous people, which is sad. But anyway, yeah. Paradise, Sarah that bad, bad, bad, bad, bad, man. I thought he was a Franciscan monk. I don't know my okay. I don't know.1 (18m 9s):Anyway. So it was like, oh, you know, he killed a bunch of indigenous people. I'm like, oh, that's great. Anyway. So we went to that beach in long beach, my favorite beach. Cause it's super chill. It's not a scene. It's not like Malibu. It's not like it's like down home. I love long beach. Right. And I also have an affinity to long beach because my ex lived there who passed away. So I like long beach, a lot. I have like special memories of that. And so we did that. We went, we ate like I now, because we moved to the pandemic. I had no reference for good food in my, in my neighborhood, in Pasadena, in LA none. So I was like, all right, we're gonna use this as an opportunity to explore dude, look, it has no, it doesn't hold a candle to Chicago.1 (18m 55s):Cause that's just how, you know, Chicago. I always tell people like Chicago is the best food and you'll die of a heart attack, but like, you'll eat the best food. We found great restaurants that we ate at. We, so we did a lot of eating. We did a lot of walking, walking around. We did some walks, some hikes. She obsessed with my dog Doris. And she was really, really good with her. Like trained her. Like she's really, she and her brother are both really into training dogs. So she did a lot of training with Torres, which I kept up zero. And then I just, I just don't care. And then I just don't, that's the truth. And we just really spent time together talking about life and about, you know, her, her life as a 13 year old and teenage stuff.1 (19m 42s):And, but it was, it was only, it was like she got in Friday night, she was here Saturday, all day, Sunday, all day, Monday, all day. She left Tuesday afternoon. I was so exhausted. I was like, I don't know. I have. So again, I have so much respect for her parents and people who are engaged with their kids. That's what I'll say. Like people who actually are trying to fucking be engaged. It's it's insane. I don't know how anyone has time to do anything else. Let me run this by, You know, I go into my little phases with the content I'm consuming and right now I'm really deep into con reconsider.1 (20m 31s):This is an old love that I kind of got away from drag race. Oh, right. Yeah. And I never had this thought before and I'm not, I don't have a judgment about it really either way. It's truly just a curiosity.2 (20m 47s):Curious to know what your thoughts are. Did you ever watch1 (20m 49s):That show? So I watched it a long time ago when it first came out. Did they remounted like, is there's different incarnations?2 (20m 57s):Yeah. They're on like season 13 or something like that. Yeah.1 (21m 0s):I watched it at the beginning when I also got into project runway and I got into America's next top model and all that stuff. Yeah. I, I, it wasn't my thing. It just didn't, it didn't compel me. Like I wanted it to love it and I, it's not, what is it about me? It is that, or the show. It's not my type of reality show in that. I just don't care enough. It's you know, about fat, like the fashion, the fashion. I, I'm more interested in the psychological component and at least at the beginning, it wasn't a huge part of the show.2 (21m 45s):Yeah. Well, for me it is the clue. Remember on star search when they used to have acting that acting component and it was so boring to watch, you know, because it's just not the same as singing and dancing. Right. Even I, as a little kid was like, this is boring. I didn't want to watch the acting part of star search. So we don't have an acting reality competition show. Drag race is the closest thing we have to because drag is theater, you know, it's creating character it's it's and, and there, the art has elevated to such a degree that the people who are really killing it are doing things that you would not imagine are drag and they're not wearing breastplates and they're not, they're just there.2 (22m 37s):And it's part of this whole concept of gender fluidity, which I'm really interested in. But my, my question is, is it inherently sexist that these men are doing female impersonations, right? Because, and a big part of it is the humor. And I just had this mode of being like, wait, is the fundamental conceit here that we're laughing at men being women, because why would you be a woman when you can be a man? I just, yeah, it may not be. And, and many, many drag artists may be feminists may consider themselves feminist.2 (23m 22s):I think RuPaul is not necessarily a feminist and he's not, he's not necessarily anti-racist. I mean, I think he's problematic in his own way, but it just occurred to me like, what am I laughing at this idea about just being a woman? Are we, are we trivializing? And we're making it frivolous.1 (23m 43s):It's so interesting. Like, I mean, think that it goes, what comes to mind is also like, how do the artists identify? Like, do they identify as, as, as non, you know, non-conforming or, or, or, or how, how did they feel?2 (23m 60s):Right. That's been an interesting evolution in the show actually from the first season. I think they they've had, they had at least one person who through the course of doing, it said, actually, I'm not, I don't really want to do drag. I want to be a woman. I am a woman. There's, there's been that. And I haven't really followed it closely, but there has been some controversy about like, well, if you have a woman, a trans woman on the show, then is it still drag? Right. So there's all these questions. I don't really know where that debate sits at the present moment, but I do know that very many people who consider themselves drag artists don't consider themselves men in any way.1 (24m 43s):So it's like, right. I, so that, that then leads me to be super curious about yes, like can cat it become one. It reminded me of Shakespeare when she experienced time pretending to be women. And it was always, you know, women weren't allowed to be actors or whatever, and they, and they also like, you know, they would make fun in a higher sort of, even a intellectual way. They were making fun of the, the weaker sex, whatever. So, yes, I think there's a part of it that we're just laughing at the horror show that is being a woman. And then the other thing that I was thinking about was I think you're onto something when, if we can transform it from being about that, to being about elevating art too.1 (25m 29s):Like when you said things that you wouldn't that piques my interest, wouldn't consider quote, drag. That is like, where I think we're headed in theater, right?2 (25m 38s):Like, oh yes, we must be. I mean, if we are to survive, we must be headed in that way.1 (25m 44s):Can you give me an example of like what, what you wouldn't consider drag that is like,2 (25m 50s):I got there's this drag artists named Sasha Valore and sh I'm right now, I'm on season. I forget if it's eight or nine, it might be nine. And she Sasha the lore does L well, first of all, and I think he identifies as a man. He does his art is political and intellectual. And he's one of these people who doesn't wear fake breasts. He does, he, what he does is he covers his nipples with pastries and, and, but builds the most beautiful garments around a look around an idea blend.2 (26m 31s):And, and it's rough. What I love is when it's referencing so many different things, when he explains his outfit later, he's like, well, this is a reference to Marlena Dietrich. And this is, this is a reference to, you know, the, how the gay culture in Russia exists because it's, you know, it's illegal to dress in drag there and, and homosexuality is not outright illegal, but it's, you know, obviously not a way that you want to go around presenting yourself. It's just this elevated conversation. I mean, the first time I ever saw actual drag was in Las Vegas at a show, I was a teenager and I couldn't believe I'd never seen it before.2 (27m 15s):I couldn't believe how much this man looked like a woman. And that's what the drag was. It was all about pretty much straight forward, like glamor looking as feminine as possible. And it has just come a long way since then. And now it's about, it's really just about embodying characters.1 (27m 34s):So yeah, you love storytelling. So this is what I'm getting at from the Disney thing. And from this is that you love detailed nuance, researched and referenced storytelling. Totally. That is your jam. So2 (27m 51s):It was my mind when, when all of these disparate things can come together into one cohesive piece of art. That's what I like in plays. That's what I like in books. That's what I like him.1 (28m 1s):So that's really interesting to know. Like, I think also like, yeah, for me, what I like is yes, super detailed, specific thought out things like I remember my favorite thing as a kid was pop-up books that had teeny little hidden parts that you wouldn't expect to have a tab that have it. That was my fucking jam. I was like, that is what I like about television is when there's callbacks or references or little Easter eggs, or like where you're like, oh my God, oh my God. Oh my God. Did you notice that the, you know, like I get into that because it means ultimately that people fucking care what they're doing.1 (28m 45s):Yeah,2 (28m 46s):Yeah, yeah. Oh, yes. That's what really gets you. That people care Today on the podcast we are talking to Rebecca, Rebecca is an actor. And if you live in Chicago and see theater, there's a very good chance that you've seen her on more than one occasion in more than one brilliant star Trek. She also does film and television. She's got actually a television series, 61st street. She's in Candyman, that's out in theaters right now.2 (29m 26s):She was in one of my favorite shows, easy, which featured a lot of great Chicago actors. We didn't really talk about any of that. We talked about her as dying love for Chicago theater and her absolute respect for the actors that make it happen. So please enjoy our with Rebecca Spence3 (29m 52s):Podcast or a voiceover.2 (29m 55s):What's the matter with you? Why don't you get with it podcast or be a professional podcast? It's so easy. Honestly, you just break right into the market. You get tons of downloads. And3 (30m 9s):This is what I hear. It's amazing that I haven't jumped on this bandwagon yet. I don't know.2 (30m 14s):I will say the number, the apex of active podcasts or podcasts that were downloadable in the pandemic was 2 million up from 750,000 before the pandemic.3 (30m 29s):I absolutely2 (30m 30s):Believe it's trending back down because I think people realize like it's kind of a lot of work to maintain something every week. So, you know, we're just hoping to get back into that sweet spot. Maybe even less people will do it and we'll get down to like half a million. So then we'll really have a chance. Anyway, congratulations, Rebecca Spence, you survived theater school. Wait, wait. You're, you're looking, you're looking like you don't agree with me.3 (30m 59s):I, I I'd like to reframe it a little bit. I, I survived a theater major. I did not survive the grad school audition process. I Did not into the theater school.2 (31m 18s):We've often said we should call it. We should really call this. I survived my desire to be famous, whether you became famous or not, you know, like you have to contend with your, with your desire for us,1 (31m 29s):Never went to grad school for you went to undergrad and you got a theater major, and then you, and then you went to you, you auditioned for grad schools and didn't get it. What, how could Rebecca Spence that fucking get into grad school? Are you kidding me?3 (31m 43s):No. What I was doing, I didn't have a clue what I was doing. So I, but I can say that my audition process for grad school is what brought me to Chicago and, and made me fall in love with Chicago. And ultimately helps me choose Chicago as a home base, which is where I've had my education. I, my entire education in theater has been through observing and watching people very, very, very good at what they do. And2 (32m 15s):Just observing or asking people. I mean, you said you didn't know what you were doing when you were auditioning, but3 (32m 21s):Yeah, I went to my, I had, I don't know anything to compare it to. I think I had a great theater experience in, at my tiny little school. We had a three professor department and they were wonderful. I, I looked at some conservatories for undergrad and I just wasn't entirely sure if that was what I wanted to do. Cause I didn't know anything about professional theater, not a thing I grew up in, in, in Texas. I had, I think I saw maybe one professional production.3 (33m 2s):I had a friend whose parents were into musicals and they gifted me with an evening to go see Phantom of the opera with Linda ETR of all people. So I'm like, if you're going to get an experience seeing it, that was great. But I knew I wasn't a musical person. I didn't have that kind of gift. And I didn't know what, like I never had seen regional theater. I had never gone to1 (33m 29s):Like a play3 (33m 30s):Play. No, I think my parents took me to a community college production of glass, menagerie,1 (33m 39s):Light fodder for a child have to say like, what is coming forward for me when you're talking about, you're not the first person to say like a musical with the first introduction to any kind of acting and they get a bad rap, sometimes musicals, but they're a gateway for so many kiddos. It's like magic. I'm like obsessed with musicals now.3 (34m 7s):Yeah. I I'm the youngest of three girls by a large margin. My sisters are nine and 11 years older than I am. And so they would put on plays and then stick me in them. So I was kind of dressed up a lot and they'd be like, go say this. And I would do that. And I've got1 (34m 27s):Actors now. What's that? Are3 (34m 29s):They actors now? Okay. No, not at all. No. We just had very active imaginations. And so I, but I loved it. I, I always wanted to be, I had a very active imagination and, and wanted to, I knew I wanted to act like I, I want it to be on silver spoons. Oh,1 (34m 50s):Well, here we are facing. I always, I always thought that the line was here. We are faced to face a Comella silver spoons. Somehow someone informed me that Kamala, wasn't a real word. You guys. And so I was like, wait, what do you, they were like, what did you just say? They're like, say it again. And they were like, you know, that's not the line, but anyway, you want it to be in silver. Did you want to be on like, Ricky's like sister or anything? Like you just wanted to be in that world?3 (35m 26s):Oh no. I had a whole, I had a whole plot line. Oh yeah, no. I was also going to be adopted into the family. Oh yeah. They were, I, I was also going to be adopted into the family, but then of course we were going to become love interest. Of course it's very twisted. I was, I was quite convinced. I, you know, Aaron Gray was going to be my mother. Oh. I also loved buck Rogers. So it was a big club look, Roger. So I kind of followed Erin gray. I thought she was quite possibly the most glamorous woman I'd ever seen. And that's not true.3 (36m 6s):Doris Day was, but I wanted to be parented by1 (36m 13s):Yes. I mean, that's like me and like my modern day telling Brian Cox, I wanted him to be my new father. Right. And that didn't, he was like, people have told me that before. It was actually, it's a real thing. So like, okay, so you, you want it to be that. And then how did that translate Rebecca into like actually studying it? Because like, how did you know? It was a thing3 (36m 37s):I started doing a lot of plays in church. I did a lot of church. Like I was married about 12 times. It feels like, and I remember taking, I remember my like little, my first like actual play. I remember, I think I had been four and I was married and I took it really seriously. And the little boy who was playing Joseph, who also happened to be named Joey was not taking it seriously. And he kept taking his little robe and throwing it over his head. And I remember being livid, absolutely livid. I just was, I was so disappointed because I really felt like I was giving off as many, like holy maternal vibes as I possibly could.3 (37m 26s):And he, he wasn't up to the task.1 (37m 28s):Did you find it, did he get fired or like, did he get recast recast?3 (37m 33s):I I, no. No, no. I mean, my memory is being up in front of the, I don't remember any group kind of rehearsal process. I just remember being up there and holding my little baby doll and feeling very pious Over. And Joey was like screwing with a shepherd.1 (37m 54s):That's fantastic. I am Joey, by the way, I would be the Joey. I'd be like doing dance moves and they'd be like this one, but here's the thing3 (38m 3s):Laughing. And that's why it was because people were laughing and they, you know, he was drawing attention and laughing. And I was like, I don't remember this being a comedy. This is a comment1 (38m 19s):Here's, what's interesting about that story for me is that you w I've never worked with you as an actor, but I know from being around you and seeing you work, that you are not enough, and this is not, well, I'll just say it like, you are like a consummate per actor. Like you, you take this shit seriously, which I adore, which I actually learned from people like that. But like, you are very kind and lovely, but you also are a fucking professional actor. And there is like, I know that sounds so obvious, but you know what I mean? Like there are people like Joey that fuck around at age four, which is fine. He's four. But like the fact that you didn't fuck around as Mary at age four, I think is actually an important thing in your, in your history because you take this shit seriously.1 (39m 7s):Also. You're like you work all the time, which is fantastic, which I don't think there's a coincidence there. That's all I'm saying. That's all. Yeah.3 (39m 19s):Thank you. I mean, I knew I wanted to do, I played a lot alone. I mean, I was alone all the time. So I was constantly like perfecting different personalities. I mean, because I moved as much as I did, we moved every two and a half to three years. I had like an opportunity to like, be put into different scenarios. And that was just like a playground for me to, to, well, first of all, it was survival. It was trying to figure out where am I? How do I fit in? How do I make friends? What what's like that group of people doing and how do I sort of evolve and adapt. So that they'll speak to me.1 (39m 57s):Did you move because of your family? Were you a military situation?3 (40m 2s):God's military? My, my father was an Episcopal priest, tiny segue. I listened to your podcasts and I'm the one that, that I just delighted and was listening to Siler. Thomas. I knew Siler Thomas from church camp. I had no idea Seiler Thomas. Wasn't cool. We, I grew up sort of adjacent to, to him. He's older than I am. So he was in a much like cooler hipper, older church crap. And, but we went to like all of the same, like regional functional things.3 (40m 47s):Cause my father was an Episcopal priest. And so he was very active in youth stuff. And so I went with him. That's how I know Seiler camp counselor. And I was a camper and I had no clue that he was a theater person. No, I can't2 (41m 5s):Wait to tell him. I can't wait to tell him3 (41m 7s):We reconnected sort of over Facebook, but I haven't seen him, but I listened to his entire podcast and I, I, I got really, I got really excited.2 (41m 15s):Yeah. Yeah. He's, he's fantastic. What I would have done if I had to move every couple of years is I would have pretended that I was British. When I came to a new school. Did you ever adopt new, like a really different3 (41m 31s):Personality? No, I couldn't. We were always sort of presented, like we were kind of presented as a family so that wouldn't have ever worked out for me. I did have a friend though in the sixth grade, my friend, Susan. And it was the first time we in, I was in Waco, Texas, and we went to all the sixth graders, went to one school for me, entire city were busted into a sixth grade center and we would rotate classes and she, and I would come up with like each class that we were in. We would have completely different personalities. We would like today where the really loud Rawkus girls and today were very shy and reserved, but today where the pranksters.3 (42m 17s):And1 (42m 18s):So you did go to theater school cause that's all we did. So there2 (42m 23s):Starting at four years old, you started your year to school3 (42m 25s):Training.2 (42m 28s):Yeah. So when you finally, when it was time for college, you were considering conservatories, but decided not to. How did you pick the school that you went to Hendrix?3 (42m 41s):I picked Hendricks because they had a theater program and my parents said that I had to be within a day's drive. And so they said, we can, you can go to school, but we have to be able to be able to drive to you within 12 hours, if anything happens. So I went 10 and a half hours away to two Hendricks college in Arkansas and had a pretty campus. And I, I knew, I, I knew I wanted to do theater. I had started doing more professional place, not professional, but, but really high quality plays in high school.3 (43m 21s):And I knew that I wanted to keep doing that. I really loved it. I just sort of disappeared into that. And that was, that was a safe way to build quick family, you know, do you found your people really fast? And I, I, that, that felt good to me. So I really enjoyed it. And2 (43m 41s):Were they known for having a great theater department?3 (43m 45s):No, but they built, so I did my freshman year, we moved in the middle of my eighth grade year and I had one freshman year in a, in a really small, small town in Southeast Texas or S yeah, it was near the coast and that didn't, that didn't go so well for me. And I ended up being sent to boarding school.1 (44m 13s):What did you do? Were you depressed?3 (44m 15s):Very poor choices and trying to, in trying to, to fit in, what is it,1 (44m 21s):Does that mean? What does that mean? Did you smoke cigarettes or like kill people? What happened like3 (44m 27s):In the middle? No, I, I had some substance stuff happened. I found the substances are pretty early in like, like an eighth grade. Yeah, yeah, yeah, no. I mean, we, we lived in the town that I lived in was known for grass farming and rodeo, and we didn't have anything to do. There was no, there was no movie theater. We didn't have a Walmart. We didn't have a skating rink there. It was,1 (44m 57s):It's like Footloose the toast.3 (44m 60s):So what we did is we went out to fields and drank like, that's true. That was what you did. So I, I, I wanted to do that. So I drank a lot and then I got caught a lot. And so my parents had a panic and sent me to boarding school in Austin, which they had a, really a growing theater department. And by the time I graduated, they had built this huge complex. So my senior year was the first year they sort of became an art school. So I kind of said goodbye. I mean, our first production was like, I remember they flew in some flats from Las Vegas.3 (45m 42s):I want to say we did guys and dolls, but we had like actual professional flats. And it was like my senior year. I was like, oh my God1 (45m 51s):Star, were you the star Rebecca? I was3 (45m 53s):Adelaide Adelaide. And then I got to be the stage manager in our town. So that was, but of course I, I didn't know what that meant. I wanted to be Emily,1 (46m 5s):Emily, of course. And then there were3 (46m 7s):Like stage manager and I was like, what? I'm stage managing the play? Like, I clearly hadn't read the whole play. I just read what I was like. I didn't know that that meant I had more to do. And it ended up being like a really, really meaningful, beautiful experience.2 (46m 24s):And just getting back to like the making. Cause I, I really love talking about making bad decisions. Would you say that you kind of did the, there is a trope of a preacher's daughter getting in to trouble? Is that what happened to you? Yeah, it was a rebellion against,3 (46m 43s):I mean, I, I just, you know, is there either the really, really good girl or the really, really bad girl and I, I, I didn't want to be the really, really,1 (46m 56s):Really hard position to be like, I can't imagine, like, even if your parents are like the nicest people there, again, there's a status thing that happens when there's someone in the community is touted as a certain thing. Like it's like royalty a little bit in America. Like we don't have, you know, so it's like you it's like, and then you're expected to behave a certain way. And as much as I had, like, I would say very little care and guidance in some ways I also didn't have a lot of pressure to be a certain way because we were all just like, there was no title. Like my parents didn't do anything. So it's, it's a tricky situation. But what I'm, what I'm also noticing is that the, the poor decision making and the drinking and they're getting caught actually was, it led to some really good fucking theater like that.1 (47m 46s):You went to Austin and you got to do like really good acting work. So it worked. I mean, you know, it wasn't a, it wasn't an all a bad thing. So you were like, yes,3 (47m 58s):I have learned more from my, my failures than I have ever learned from my successes. And I've had a lot of failures. I've had a lot of,1 (48m 8s):You know, something that I can speak to from being in like an insider in Chicago or formerly, and now in California, but being at a Chicago actor is like, everybody, I want to talk about the pressure in Chicago. So you are one of those people in Chicago that everyone's like, oh, Rebecca Spence books, everything. And I know it's not, I listen. I'm not saying it's true. This is what I'm saying. Let's get to the heart of the thing that I want to ask, which is from being on the I'm now on the outside looking in. Right. So what is it like? Cause that's always something that I heard and it has actually very little to do with you with other people's shit.1 (48m 48s):Right? It's not, I'm not saying you are doing anything, but what I'm asking as a woman and a performer, what is it like? And it's easy for me to do now because I'm in LA. So I don't give a, you know, like it's like, what does it feel like to have that kind of pressure of people, first of all, are you aware of it? That people are like Rebecca spins, books, everything. And then how does that affect you? And do you want to tell them to go fuck off? Or are you like, I work really hard.3 (49m 14s):Well, this, if this I'll take it two steps back, because this is a Testament to how much I, I love and admire Chicago theater. My understanding, I, I didn't get into theater school because I sabotage my auditions because I didn't know what kind of an actor I wanted to be. I actually, I choked. I freaked out because I thought that if you wanted to be an actor that meant that you wanted to be famous. And, and so I went to NYU, I came to Chicago to audition for theater school that I did the errata and auditioned for NYU Tisch.3 (49m 56s):And then I crashed the Harvard art. I didn't know you could crash. And somebody said you did. So I just got in line and I crashed the Harvard auditions. I made it to the final rounds of, of Tish. And I flew to New York and had a solid panic attack. I just, I didn't know anything about New York. I had, I came from tiny town in Texas. I had never been to Chicago. I had never been to New York. I didn't have a smartphone. I didn't know how to get around. I, I met Zelda. I met, you know, I did all the stuff. I was like, I can't afford this. I don't, I don't know what this is. I don't know what I'm doing. And I, I P I straight up chokes and, and really sabotage my own audition.3 (50m 40s):But I liked Chicago and my husband got a job here and we moved here and then somebody said, you know, I needed to find a job. I didn't even know. They were like, what about the Goodman theater? And I, I was like, I don't even know what that is. And I didn't know what, like actual regional theater was. And I ended up getting a job in development at, at the Goodman theater, because I was too scared to act. Cause I thought I don't actually know what I'm doing. I didn't know how to do like prepare a monologue very well. I had done that my senior year in college. Like we prepared one monologue. I didn't know like how to go through that whole process. But I started working at the Goodman. I started watching, I saw Chicago actors come on stage.3 (51m 24s):And it was people like Mary Beth Fisher, people like Carmen, Roman people like Deanna Dunnigan. Like people, people like Ora Jones. Like that was when I started hearing when they were like, oh, oh, oh my God. Or Jones is going to be on say, oh my God, Amy Morton. I'm like, who wait, who are these people who wait, who are these people? And like, people that I started hanging out like the theater crowd, when they started speaking about these people and their work ethic, I was like, that's what I want. I want to be a well-respected name in a medium sized town.3 (52m 5s):That's that to me is how I know I've made it. If people are like, oh, oh, we want to go see that show because I guarantee you, you're going to see someone who has put in the time, put in the effort, they're going to bring nuance. They're going to bring, you know, a craft to it. That was my goal. That's. And so when I hear that, there's part of me, that's like, I still don't know what I'm doing, but the little ego part in the back of my brain is like, it's what we've always wanted.1 (52m 38s):Yeah, no.3 (52m 39s):I wanted to be a respected actor in a town that who, whose work? I respect so much. I fucking love Chicago actors. And I love Chicago theater. I don't think there's any better theater in the country. I think that, that the work ethic and the quality of people that go in and do the work and bring, bring their hearts and their souls to it. That's all I've ever wanted to be a part of. So when you say, when you're like, oh, she works all the time. I'm like, I, I, I don't, I mean, I do work, but there's part of me. It's like, oh my God, maybe we're doing it. Maybe1 (53m 17s):I can tell you right now, Rebecca Spence, that you are doing the thing. Because when I saw you in, what was it? Every brilliant thing is that the, It was, it was beautiful. And when I saw it, I was like, oh yeah, this is why she, she books. She works all the time. It's all relative. Right. But that thing of she works all the time. But like, this is why it actually is because you're good at what you do. And you're also, like you said, you actually really care about the thing we were talking about. Caring, like Disney really cares how they take care of their parks. Like, that's a, that's a segue, but like, that's the, the point is that you, you, the care that you put into your, your art is very desirable, right?1 (54m 5s):Like people want to work with that. And I think in Chicago, there is this sense of, we're just sometimes we're just there to make it to the next place. But what it sounds like for you is like, this is your place3 (54m 18s):I'm here. Like this is, I have no desire to move to New York. I have no desire to move. I'm doing exactly what I always like. I'm doing more than I ever thought I ever hoped that I could do.2 (54m 33s):Like, wow.1 (54m 34s):I mean,3 (54m 35s):I ever thought that I hook could hope to do so. I am. I'm always really grateful because I,2 (54m 46s):Yeah, honestly, I, I really think that more people could stand to do that, to have as their goal. You know what, one of the things that has come out of this glut of information put out us all the time is this concept of like exceptionalism and that you only really hear reflected or, or echoed or amplified stories of people who are exceptional. People who make millions of dollars or people who, whatever graduate Harvard when they're 10 years old. And it, one of the casualties of it is that I think people who are forming their identities don't necessarily get enough examples of people who are achieving anything in the middle, you know, any kind of other success.2 (55m 36s):And, and we know how much these extreme successes lead to like tragedy. In a lot of cases, we'd be doing ourselves a favor. If we could put more stories of like, I aimed for this thing, that is not the, you know, the outer limit, but is, you know, difficult to do, but was obtainable for me. I think that would be,1 (55m 57s):I think it's so good. And I think that the, the also the, the irony or whatever it is is that now you, you, in terms of, in terms of film and television, you do book that work too, but it's not because your it's like you, that was your goal. And, and all this theater stuff is just sort of there it's like that work comes because of the, what you have done build the platform. And I think Gina, what you're speaking about is nobody's building the fucking platform on which to stand. So it's like all of a sudden, they're just catapulted on this platform at the top of the sky, and there's nowhere to go, but fall. Right. So you've done the work to build the platform, Rebecca.1 (56m 40s):And I think that that's, that's rare that doesn't happen. And I think that's fricking amazing because you have something to stand on. You're not like floating in LA like on a pedestal about,3 (56m 53s):I wouldn't do well in LA. I don't think I, I don't think I would do well there. I could maybe hang out in New York, but I don't think LA would, I liked LA. I went out there for just a brief moment just to see what it felt like. And people are like, oh, you're going to love it, or you're going to hate it. And I didn't feel either way. I, I liked it. I mean, I, I, wasn't responsible for living there and getting rent, paying rent. I was staying in a friend's pool house. And so I had a place to live for a month and I had one audition. So I hiked, it did a lot of hiking, which was great. And I found little pockets there, but I've thought, I don't think I could live in a town that is just constantly cycling around one industry.3 (57m 41s):And that was kind of how I've always operated. I didn't want to go to a conservatory because I was like, there's way more to me than just acting like, I, I love, I, I like, I love what I do it's but it's not the only thing that drives me. Like I like theater and acting is, is the thing that I love most, most of all, but I really there, I love Chicago, so there's so much more to do than just2 (58m 10s):So true. So I keep thinking about a little Rebecca and little Joey, we've heard a lot of stories about people who, when they were in college, feeling resentful about P other people who they felt like didn't take it seriously enough people, you know, like a common thing is a person who had to work really hard to get a full ride because they couldn't have afforded it to go to college otherwise. And then to be there with people who are partying instead of, you know, spending a hundred percent of their time dedicated to what they're doing. Does that come up for you now working on something now, do you encounter people who you feel maybe aren't fully appreciating the opportunity they're being given or, or at this level now, are you mostly with people who take it very seriously to,3 (59m 3s):Yeah, I haven't had that. And I mean, most of the people that I work with are really just so excited to be in the room. I mean, I, I, I th I can think of one instance when I was doing non-equity theater in a basement somewhere for, for, I was the only female in the entire, in the entire production, like cast, crew, everything. It was, it was me. And it was a bunch of guys that were kind of jerking around a little bit and it affected, it was like a really serious play.3 (59m 45s):And I remember one of them pulled up a pretty, I don't want to say dangerous, dangerous is too extreme of a term, but it was a play. It was days of wine and roses, which was, and you know, where I have to, the character ends up drink in some, but they, they changed the bottle and put actual alcohol in it onstage, and didn't tell me. And so I chugged and had like a thing of alcohol and I was like, and nobody would fess up to it. Like nobody who did, who did it? Y'all who did that? Just like tell me, and no one would, would, would fess up to it.3 (1h 0m 26s):And then I was like, this sucks. Yeah. That's actually, that's the only time I can think of when I was like, I'm, I'm putting my heart and soul into it for the most part. No, I've never, I thought, what about upset or like, is everyone you're working with really like, to joke around too. I mean, I, yeah, what I do on stage, I take very silly, but I love to play. I'm a prankster. I liked to, I I'm very silly. I like to be silly. I, I love people that are having a fantastic time. And when I know that it's not like messing up somebody else's process I'll jump right in.3 (1h 1m 7s):Cause I, I like it. So I haven't had any, what's a, what's a favorite project. Gosh, there've been, there've been a lot. I did a production of a three person Cyrano up at Milwaukee rep and it was the first time I'd ever left Chicago. And we did a three person version of, of Cyrano where we did made all of the sound effects ourselves.3 (1h 1m 49s):And so we switched characters and jumped and I had never done anything like that of like sort of it wasn't devised, but it, it, it was much more deconstructed than anything that I had ever been a part of. And it was, and we toured it. We toured it all around Wisconsin and into Minnesota and I'd, I'd never done it. I'd never done summer stock. I had never done anything like that. And we were this little Merry band of three, plus our manager in a, in a van driving all over making, you know, I was, we would do the sword fights and I would, I would use the foils and make all the sound effects and sheets.3 (1h 2m 30s):And I just thought that was, it was, it was a great time. I love it.1 (1h 2m 34s):Why did you love it? Like what, what you just love doing the like, cause it was the first time you did it or like what was the feeling that you were like, this is fucking awesome. Wow.3 (1h 2m 44s):Creative thing. And we surprise so many people because we made like the set was made out of ladders and like we would make the set and I love surprising the audience cause they would come in, they'd be like, what the, what is this? Like, are you like, oh God, we're gonna watch people like create out of boxes. See it, like, you're going to take me on one of these like craft paper theater projects and what am I getting myself into? And with just like a little thing of twinkle lights and we, and I was working with these two phenomenal actors, Reese, Madigan, and Ted Daisy, who work at Milwaukee rep all the time out and, and Oregon Shakespeare.3 (1h 3m 25s):And they do a lot of Oregon Shakespeare work. And we just played, we played in, played in, played in plate. It was, it was playing. And yet then we would have these like gut punch moments and it, I had just never done anything like that. I had always been put in sort of very traditional roles and nobody usually allowed me to step outside of those boxes. And I, I did it and had such, such a good time doing it.1 (1h 3m 53s):That leads me to my question about beauty. Okay. So I'm obsessed with this idea of beauty as, as a, as it relates to how people that are, are how we relate to our own beauty or feeling lack thereof or so, you know, you, I would say for me, you like a stunning, stunning woman. And, and I would like to know what is your relationship like? I mean, it's a very, it's a very intense question, but I am obsessed with it. What is your relationship like to your own idea of your beauty? Because people, because what you said, really trait triggered something in me of like people usually put me in these traditional roles, which to me means like beautiful wife, a beautiful mother, a girlfriend, a blah.1 (1h 4m 46s):And as you age, like talk all about that because people will say like Rebecca Spence is gorgeous and I agree and I want to know what is it like? And I guess it's sort of hard if you're the fish in the water, but like tell me, what's your relationship like to the way your own looks?3 (1h 5m 2s):Sure. You know, I, I, I fully acknowledged that I've had duty privilege. Like I've fully acknowledged that that has been a part of my progress. And you know, it has been something that has put me in roles. Like I was never the ingenue ever. I was never the Juliet. I was always the lady capital. I was always, cause I had always had a lower register and I always looked mature. I had a very classic features. And so I was always like lady Croom, lady Capulets.3 (1h 5m 43s):I was always like the bitter aunt. And it's kind of, I was Jean Brody, you know, like I got to, to have these sort of larger power play or things, which I always wanted. I wanted to play more powerful than I wanted to play pretty because I knew that I was always viewed as such. And you know, it's, I know that I've been allowed into a lot of rooms because of how I look. I think maybe that's why my drive is so strong because I want to back it up.3 (1h 6m 24s):Like I don't, it's very important to me that I bring work ethic and integrity and talent to, to, to that so that as I age and as I grow and as this goes away or transforms and evolves that I'm leaning more on, on, on the thing behind it. And, and aging as, as someone who is it's real, like it's, it's a real ego check when you were always called in for the beautiful wife and now you're starting to be called in for, you know, other roles.3 (1h 7m 11s):And, and this isn't a it's I know how it sounds like I always like know and feel1 (1h 7m 18s):No, no, no, no. Here's the thing. You're the one, you're the first person that we've talked to that we've said like, Hey, like I remember we interviewed someone and Gina brought this up to someone and was like, you're very beautiful. Like, what's it like to, and the person could not acknowledge that they, because they were, I think, I don't know what was going on. I assume they were afraid to sound vain, but here's the thing. It doesn't sound any kind of way. What sounds, what it sounds is like, you're trying to make sense of the way the world sees you, which actually isn't about you either. It's like, and yet acknowledge the privilege.1 (1h 8m 0s):So you're the first woman that we've talked to that has said, yeah, like I acknowledged like this got me into rooms, but I want to back it up instead of pretending that it doesn't exist. Right. Because,3 (1h 8m 12s):Because for anybody to lie, I, you know, I remember being, I remember being in a room and I was like, I was like, you're beautiful. And she was like, oh, I just am fat. And I'm like, come on. You know, I was like, come on, don't do it. Like it doesn't, it's, it's, it's so insulting to people that, that, that, that, like, let's be the thing I've tried to do is truly be objective about my work and, and who I like to. So you have to be objective about, like, I know what I look like. I know what I bring in, so what else do I add to it?3 (1h 8m 52s):And I it's something that I will never forget because, and after that, I know when we were very young, who is doing really, really well right now, and she is, you know, a self identified fat actress and like that, that is how she works in the world. And it's, she's, she's just phenomenal. But she was the daughter of a, of a beauty queen. Like her mother was a beautiful, beautiful woman. And she was like having to grow up with, you know, under, under someone that was beautiful. She's like I had to watch watching her age was one of the most painful things I could have ever witnessed because she was so used to being the most beautiful woman in the world, in the room.3 (1h 9m 42s):Like that was her identity was she didn't have to do too much else because she was the most beautiful woman in the room. And when she aged and those things started to fade it, she had sort of lost her identity. And that, that conversation has stuck with me for forever. I was like, don't ever be the person that, that your exterior is the only thing you have.2 (1h 10m 4s):Yeah. Well, I mean, I think it's awesome. I think it's fantastic that you acknowledge your beauty privilege, but I also acknowledge that there is a prison aspect to it too, or certainly when one is young, you know, where you can only be considered, you know, for a certain type of role, it can be just as limiting. And then if you go to that,3 (1h 10m 28s):Because of it, I mean, I I've been told, I lost I've lost roles where something is really, really, really excited about. And they were like, you're too, you are too classically attractive to be relatable. And I was like,2 (1h 10m 45s):Yeah,3 (1h 10m 46s):Being relatable is my jam. Right, right. What I worked so hard to do, I wouldn't be relatable. And I'm, you won't allow me out of that. And then of course, you know, I've got to sit back and I'm like, look, people have to face this kind of feedback on a completely dip. So, you know, I was like, then I mean that it sucked. And I, and I grieved that. I was like, but, but this is this industry that, and other people face that in tote for D for a myriad of different other reasons, they are told based off of how they look that they aren't right for the role. And I, I always knew that, but I was like, God, that sucks.1 (1h 11m 26s):And I'm thinking of like, yeah. And, and,3 (1h 11m 31s):And know it. And you don't want to tell anybody about it because no one, no one's going to be like, oh, that's horrible.1 (1h 11m 37s):Right. Right. I mean, it's this thing of you don't of course you don't want to, but I'm also just aware of like, like, I was obsessed with this whole story of Linda Evangelista who got face surgery, and then she finally showed her face and she looks fucking fine to me. Like, it's not about that. It's not about her face. It was about, it was no, no. I mean, literally it she's. I read the whole thing too. She, she calls herself deformed. She has like some fat that comes up over her bra3 (1h 12m 13s):Solidified. It's hard. Like, oh, that's true. Yeah. It's painful and hard. And,1 (1h 12m 20s):But the thing is like the, it is for me, what, what it brought forward was like from the outside, right outside, looking at Linda Evangelista, she's still one of the most beautiful people I've ever seen with her without her deformity. But it doesn't matter because she is not her identity was this model. Right. Which probably screwed her for life and also offered her privileges beyond my wildest dreams. Both are true. So I guess what it brings forward is like, everything about this journey is a combo fucking platter. You kinda have the privilege of beauty without also being in a prison.1 (1h 13m 1s):You cannot have the privilege of, you know, like for me, I kind of have the compassion that I have for humans. If I had not gone through what I had gone through as a child, especially an overweight child, like gum, it comes together. And I think we're so used to seeing people as, oh, that's Rebecca Spence. This is what she does. And this is how her life, it's not that way. And I think that's one of my life goals is to just show people through my writing and my work. Like this is a fucking combo platter. People like you don't get one way, like Linda Evangelista said, she feels like the most ugly person. And she acknowledged that she was a model and made millions of dollars doing it.1 (1h 13m 42s):So like, it's both, you're both, you're both things I give you permission. I give everyone permission to have both the prison and the privilege. I know it's not my job to do, but that's what I would wish on the world if I was running shit, which I'm not. So there we go. But anyway, that's my rant about you. I just really am focused on like asking women, especially like, what is it like, you know, especially as we get older to like change and it's a real3 (1h 14m 10s):Ego knock, I'm, you know, I'm not going to lie. I, I filmed something recently and I, my son went on, said, took a picture of the monitor and gave it to me. I was like, you know, I was like, oh shit. Okay.

Rev. Molly Housh Gordon started her tenure as the third settled minister of the Columbia, Missouri Unitarian Universalist congregation 2012. She holds a Bachelor's Degree in Religion from Hendrix College in Conway, Ark. and a Master of Divinity from Harvard Divinity School in Cambridge, Mass. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rev. Molly Housh Gordon started her tenure as the third settled minister of the Columbia, Missouri Unitarian Universalist congregation 2012. She holds a Bachelor's Degree in Religion from Hendrix College in Conway, Ark. and a Master of Divinity from Harvard Divinity School in Cambridge, Mass. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rev. Molly Housh Gordon started her tenure as the third settled minister of the Columbia, Missouri Unitarian Universalist congregation 2012. She holds a Bachelor's Degree in Religion from Hendrix College in Conway, Ark. and a Master of Divinity from Harvard Divinity School in Cambridge, Mass. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Joshua Newman is a licensed professional clinical counselor in private practice and the author of The Power of Therapy: How to Navigate Change, Transform Trauma, and Make Sense of Your Mental Health Care. He holds a Bachelor of Arts in psychology and religion from Hendrix College and a Master of Arts in counseling from Southwestern College. Joshua's treatment approach can be described as East-West. He endeavors to blend the best of current, evidenced-based practices grounded in western psychology with time-honored, contemplative practices rooted in eastern philosophy. When he is not working, he can be found playing the bass guitar and enjoying time in nature. He lives in Albuquerque, New Mexico with his wife and his son. In This Episode Joshua's Website  Joshua's book: The Power of Therapy: How to Navigate Change, Transform Trauma, and Make Sense of Your Mental Health Care. Support this podcast at — https://redcircle.com/the-trauma-therapist-podcast-with-guy-macpherson-phd-inspiring-interviews-with-thought-leaders-in-the-field-of-trauma/exclusive-contentThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5739761/advertisement

Dr. William M. Tsutsui is an award-winning historian and teacher, frequent public speaker and media commentator, and a seasoned academic administrator with a record of innovation.  Born in New York City and raised in Texas, he holds degrees from Harvard (A.B. 1985), Oxford (M.Litt. 1988), and Princeton (M.A. 1990, Ph.D. 1995) universities. He began his academic career at the University of Kansas, where over 17 years on the faculty he served as acting director of KU's Center for East Asian Studies, chair of the Department of History, founding executive director of the Confucius Institute at the University of Kansas, and associate dean for international studies in the College of Liberal Arts & Sciences. From 2010 to 2014, he was dean of Dedman College of Humanities and Sciences and professor in the Clements Department of History at Southern Methodist University in Dallas.  In June 2014, he assumed the presidency of Hendrix College, a top-tier national liberal arts college founded in 1876 and located in Conway, Arkansas.  He is currently Professor Emeritus of History at Hendrix.  During the 2020 to 2021 academic year, he is the Edwin O. Reischauer Distinguished Visiting Professor at the Reischauer Institute of Japanese Studies and the Department of East Asian Languages & Civilizations at Harvard University.Engaging the World: Leading the Conversation on Environmental Justice is a series of informed, sustained, and enriching dialogues looking at how environmental toxicity and risk disproportionately impact populations based on race, ethnicity, nationality, and social standing. Environmental Justice brings awareness to these disparities, fighting to ensure that every voice is heard, every challenge is addressed, and every community has a seat at the table for a greener future.Guest: Dr. William M. TsutsuiHost: Jon-Barrett IngelsProduced by Public Podcasting in partnership with Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University.

In episode 18 of WP Briefing, Josepha Haden Chomphosy reflects on a recent lecture that she gave to students at Hendrix College in which she explored the economics of WordPress and the principles that sustain the project’s ecosystem. Have a question you’d like answered? You can submit them to wpbriefing@wordpress.org, either written or as a […]

Dan Priest is entering his 12th year as the Head Men' Basketball Coach at Kenyon College in Gambier, Ohio. Priest was named NCAC Coach of the Year in 2013 has had 14 players named to All-NCAC teams during his tenure at Kenyon.  Prior to coming to Kenyon, he spent seven seasons as the Head Coach at Hendrix College in Conway, Arkansas where he inherited a 0-23 team and within three years led the Warriors to a 15-10 mark. Prior to his six seasons at Hendrix, Priest spent five years as head coach at Ohio Dominican University, in Columbus, Ohio. Priest's past coaching experiences also includes seven years as an assistant at Hanover College and brief stints as a graduate assistant at both Indiana State University and Miami (OH) University. As a player, Priest was a three-year letterman at Ohio Northern University and helped lead the Polar Bears to the NCAA Tournament in 1988. He still holds the University's career three-point field goal percentage record at 48.6% If you're looking to improve your coaching please consider joining the Hoop Heads Mentorship Program.  We believe that having a mentor is the best way to maximize your potential and become a transformational coach. By matching you up with one of our experienced mentors you'll develop a one on one relationship that will help your coaching, your team, your program, and your mindset.  The Hoop Heads Mentorship Program delivers mentoring services to basketball coaches at all levels through our team of experienced Head Coaches. Find out more at hoopheadspod.com or shoot me an email directly mike@hoopheadspod.com Follow us on social media @hoopheadspod on Twitter and Instagram and be sure to check out the Hoop Heads Podcast Network for more great basketball content. Get ready to take some notes as you listen to this episode with Dan Priest, Head Men's Basketball Coach at Kenyon College.  Website - https://athletics.kenyon.edu/sports/mens-basketball (https://athletics.kenyon.edu/sports/mens-basketball) Twitter - https://twitter.com/MontyPatel/ (@danpriest2) Email - priestd@kenyon.edu Visit our Sponsors! https://www.drdishbasketball.com/ (Dr. Dish Basketball) Mention the Hoop Heads Podcast when you place your order and get $300 off a brand new state of the art Dr. Dish Shooting Machine! http://www.fastmodelsports.com/ (Fast Model Sports) Use Code SAVE10 to get 10% off the number one play diagramming software for coaches https://gripspritz.net/ (Grip Spritz) Grip Spritz revitalizes and cleans the soles of your basketball shoes to stop you from slipping and sliding on the court! Better Grip, Better Game! Twitter Podcast - https://twitter.com/hoopheadspod (@hoopheadspod) Mike - https://twitter.com/hdstarthoops (@hdstarthoops) Jason - https://twitter.com/jsunkle (@jsunkle) Network - https://twitter.com/HoopHeadsPodNet (@HoopHeadsPodNet) Instagram https://www.instagram.com/hoopheadspod/ (@hoopheadspod) Facebook https://www.facebook.com/hoopheadspod/ (https://www.facebook.com/hoopheadspod/) YouTube https://www.youtube.com/channel/UCDoVTtvpgwwOVL4QVswqMLQ (https://www.youtube.com/channel/UCDoVTtvpgwwOVL4QVswqMLQ) Support this podcast

10/01/2021Big Bones, Thick SkinEpisode 1 - Ashlie AtkinsonPowerhouse actress Ashlie Atkinson talks about working with Spike Lee, Craig Zobel, and Morgan Gould, as well as being on Mr Robot, One Dollar, and Rescue Me. We cover fatphobia in casting and costuming, intimacy as a fat actor, having more than one fat actor on the stage at a time, and mentoring younger fat actors.Substantia Jones/The Adipositivity Project:https://theadipositivityproject.zenfolio.com/about.htmlMorgan Gould:https://newplayexchange.org/users/37048/morgan-gould

This episode breaks from the usual format in that I will be interviewing someone who has not yet begun their career as a scientist. My guest today is Jayla King, a senior at Hendrix College in Conway, Arkansas.  When she graduates in the spring, Jayla will be the first person in her family to have earned a four-year degree. In high school, Jayla focused on engineering, including completing college-level coursework, and presumed she would continue studying engineering in college. However, once there, she decided to study biology to ensure her scholarship would cover all four years of school.  In this episode, we'll talk about her education, what she has learned through various internships, and how she sees her future unfolding. In addition, she'll tell us about a podcast she co-produces at Hendrix called Scientists for Social Justice, where she and her professor discuss issues of social justice in the higher education system, especially as they relate to the scientific disciplines.  Scientists for Social Justice website: https://anchor.fm/sfsjHendrix College Odyssey Program: https://www.hendrix.edu/odyssey/

The New Madrid earthquakes of 1811–12 were the strongest temblors in the North American interior in at least the past five centuries. From the Great Plains to the Atlantic Coast and from the Great Lakes to the Gulf of Mexico, a broad cast of thinkers struggled to explain these seemingly unprecedented natural phenomena. They summoned a range of traditions of inquiry into the natural world and drew connections among signs of environmental, spiritual, and political disorder on the cusp of the War of 1812. Drawn from extensive archival research, Convulsed States probes their interpretations to offer insights into revivalism, nation remaking, and the relationship between religious and political authority across Native nations and the United States in the early nineteenth century. With a compelling narrative and rigorous comparative analysis, Jonathan Todd Hancock uses the earthquakes to bridge historical fields and shed new light on this pivotal era of nation remaking.Through varied peoples' efforts to come to grips with the New Madrid earthquakes, Hancock reframes early nineteenth-century North America as a site where all of its inhabitants wrestled with fundamental human questions amid prophecies, political reinventions, and war.-Jonathan Todd Hancock is an associate professor of history at Hendrix College.

I do want to warn you all before I intro today's guest that we will be talking about our previous relationships with food and our battle with eating disorders during college.Things no one ever told me before I went to college. 1. Toilet paper is expensive.2. That you get your mother's hips sometime around your junior year with zero warning. I am excited to have Becca Morgan as the guest for this episode. Becca and I met as freshmen at Hendrix College and have enjoyed watching each other's journey through social media as we individually navigate adulthood. She is rounding out her 3rd year as an Assistant Athletic Trainer at Ole Miss with women's volleyball team and is currently pursuing her doctorate in nutrition. So yes, she is a badass. Becca grew up dancing and started dancing competitively in elementary school. Her fitness journey truly began in college and as she was met with a lot of obstacles and challenges. Through graduate school to now, she has grown and evolved into someone embracing a self-love journey and hoping to lead and inspire others to do the same.I know you are probably wondering why a successful SEC athletic trainer working on her doctoral degree in Nutrition on a podcast about imposter syndrome. Well, as I said before, no one can escape imposter syndrome – it's something that everyone faces.Now, let's dive into the interview.

This week's guest is one of my very first mentors, my college advisory, someone I look up to and a friend. Dr. Leslie Zorwick! Dr. Zorwick is currently a psychology professor at Hendrix College where she has previously chaired the Psychology department, the campus committee on diversity and dialogue, and the campus advisory board for education and the prevention of sexual assault. Dr. Zorwick teaches social psychology with a focus on stereotyping, prejudice reduction, identity and belonging. I mean she is one of the reasons why I am such a giant nerd when it comes to these topics and try my hardest to share my personal stories! But I mean she get even cooler. Her work goes beyond the classroom to research with student on prejudice reduction and the development of empathy and she focuses her personal research on the social benefits of debate and advocacy training. Also, one more golden nugget she has also served as an expert witness in two federal discrimination trails speaking about the benefits of diverse and inclusive educational settings. Not only is Dr. Zorwick an amazing educator and advocate, but she is an amazing mom of 2 beautiful and smart little girls who she is raising to be as badass as she is. I am beyond excited to have dr. Zorwick as the first guest of the second season because I realized though the stories from last season were inspirational, we never got into the discussion about what is Imposter Syndrome, Dr. Zorwick is going to fill in that gap, but she is going to do so much more. Dr. Zorwick is truly an example of how imposter syndrome seeps into every aspect of our lives and how sometimes the best thing you can do is just lean in.

In this episode, Marian M.P. Temelkov, Global CEO at Dynamis Group, welcomes on the podcast Bracken Darrell - president and CEO of Logitech. Bracken Darrell joined Logitech as president in April 2012 and assumed the role of chief executive officer in January 2013. Mr. Darrell has more than 25 years of experience in business management and brand management in successful global consumer companies. Prior to Logitech, he held executive leadership positions at Whirlpool, Procter & Gamble, and General Electric. His broad management experience has spanned manufacturing, supply chain, product innovation, consumer services, and marketing – reaching customers in mature and emerging markets. He has led growth and reinvention for iconic brands such as Old Spice, Gillette, Braun, KitchenAid, Whirlpool, and most recently Logitech. Bracken Darrell holds an M.B.A. degree from Harvard Business School and a B.A. degree in English from Hendrix College in Arkansas. Tune in!

This week's guest is m college roommate, Megan Barker. This amazing human being can be seen in films like Killing Kat and Maybe Tonight, TV shows like Quarantine Leap and Before we Go, but to me, she is my favorite Say Yes to the Dress and House Hunters International buddy, and a badass in so many ways. Right after our final semester at Hendrix College, Megan packed up her SUV and headed to Los Angeles to pursue her acting career. Megan had always being leading lady material throughout our time at Hendrix, it has been absolutely amazing to watch her take LA by storm!

Named the City of Little Rock's first Chief Education Officer in December, Jay Barth brings a wealth of experience from his time as a professor of politics at Hendrix College and the former chairman/member of the state Board of Education. As the COVID-19 outbreak has led to statewide cancellations through April 17, Barth remains committed to making Little Rock's schools the best they can be when classes resume while also ensuring students receive the education and care they need during this difficult time. Barth joined host Natalie Ghidotti on the latest episode of The Ghidotti Podcast (being recorded via Zoom during COVID-19 precautions) to share more about how schools are handling operations during the coronavirus outbreak, as well as the ongoing plans for a new community school model in the capital city.

How does embodiment and culture shape the way we think? That is a good question and in this episode Dr. John Sanders joins the podcast to talk about it. He has a new book out with Fortress titled Theology in the Flesh. After listening in you are gonna want to get a copy. John Sanders is professor of religious studies at Hendrix College, Conway, Arkansas. He is author of The God Who Risks (2007) and No Other Name(1992) and coauthor of The Openness of God (1994). Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community.   Learn more about your ad choices. Visit megaphone.fm/adchoices