Podcasts about gennett

Tyler Gennett - On The Front Porch [00:00:00] Tyler Gennett - On The Front Porch [00:12:14] TYLER GENNETT PT 2 [00:24:06] TYLER GENNETT PT 3 [00:35:19] TYLER GENNETT PT 4See omnystudio.com/listener for privacy information.

This episode explores the blues to rock tune KEEP A KNOCKIN' From it's origins as MY BUCKET's GOT A HOLE IN IT on . Tom Gates & His Orchestra on Gennett, Lizzie Miles on Vocalion and Boodle It Wiggins on Paramount are some of the versions heard! --- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support

Great unheard jazz from various black groups active in Chicago in the late 1920's - Dave Nelson, Kline Tindall, Vance Dixon, Ernest "Mike" Michall, Cicero Thomas and others producing some exceptionally hot sounds just below the radar . .recordings for Paramount and Gennett. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

In the history of early recorded music, one label stands out as a kind of unlikely blessing. A recording studio in the unassuming town of Richmond Indiana would end up making some of the first recordings of now legendary artists in the blues, hillbilly and jazz genres. To help us get a grasp of the contribution that Gennett Records gave to music history is the former president of the Starr-Gennett Foundation, Bob Jacobsen.

This week on Echoes of Indiana Avenue we'll look back at the music of Jesse “Tiny” Crump, an important pianist on the Indiana Avenue scene in the early 1920s. During his career, Crump recorded jazz, blues, and ragtime music. Crump is best known for his association with the blues singer Ida Cox, the couple were married and performed together often. In July of 1923, Crump recorded 4 tracks at Richmond, Indiana's Gennett studios - including “Indiana Avenue Blues”. These recordings represent the earliest known audio documents of Indiana Avenue's music culture.

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It was April 1927 when a pair of blues singers from Mississippi named Little Harvey Hull and Long Cleve Reed walked into a Chicago studio to record the first of a half dozen tunes they'd leave there over the next few weeks.Joining them for the session was guitarist Sunny Wilson, whose song "Hey! Lawdy Mama/France Blues" was among their first. The trio was billed on the label as “The Down Home Boys” when the disc was released the following month by Black Patti Records, a new short-lived company created by a fascinating historical character named J. Mayo “Ink” Williams.Ink WilliamsA Brown University graduate, Ink Williams is the only man we know of who was inducted into both the National Football Hall of Fame and the Blues Hall of Fame. Besides being one of the first African American pro-football players (as part of a Chicago team in the first season of the NFL), Williams also is remembered as an important recording industry pioneer.Starting his career producing for the fledgling Paramount Records, Williams earned his nickname because of his persuasive way of inking contracts with a wide range of original talent. Over the years, he was to work with Blind Lemon Jefferson and Ma Rainey, with Tampa Red and Georgia Tom, with Blind Blake and Ida Cox (not to mention Jelly Roll Morton, King Oliver, Mahalia Jackson, Alberta Hunter, Sister Rosetta Tharpe, Roosevelt Sykes, Sleepy John Estes and so many more). In 1924, Williams also earned an early entry in blues annals by producing the legendary Papa Charlie Jackson's “Lawdy, Lawdy Blues,” the first successful blues record made by an African American man.In 1927, Williams left Paramount to go out on his own by starting Black Patti Records, named after the opera singer Matilda Sissieretta Joyner Jones, who was called “Black Patti” because some thought she resembled the Italian opera singer Adelina Patti. While Williams' label lasted only seven months, it produced 55 records in a variety of styles, including blues, jazz and spirituals, as well as hell-fire sermons by “straining preachers” and comedy routines and popular ditties from vaudeville stars. When the enterprise was not immediately profitable, Williams moved on to greener pastures by the end of 1927, but not before discovering a few stand-out blues acts that had moved to Chicago from the South as part of “The Great Migration.”Among his finds in those early days was The Down Home Boys, whose two-guitar accompaniment was a blend of parlor guitar and ragtime. The trio sang blues, but much of its repertoire was from the turn of the century — before blues had become a dominant musical genre — and included ballads and medicine show material.Back to the SongSunny Wilson's “Hey! Mama” tune didn't have the same cachet of some of the group's other numbers — notably the guys' “Original Stack O'Lee Blues,” which probably was a response to Ma Rainey's version of the number, which had the young Louis Armstrong on cornet — but it did have a long shelf life. For instance, right after its Black Patti debut, it was brought out as "France Blues" on Gennett (credited to "Sunny Boy & His Pals") and again on Champion by "The Original Louisiana Entertainers.”Then 40 years later, the song was reborn in the folk revival of the 1960s. The Flood learned the song from the January 1964 album recorded by Stefan Grossman and Peter Siegel's Even Dozen Jug Band. This seminal ‘60s group also featured John Sebastian, Steve Katz, David Grisman and Maria Muldaur, all friends who got to know each other during legendary jam sessions in New York's Washington Square Park.Later that same year, the song made another notable folk revival appearance, this time performed by Mark Spoelstra (with Fritz Richmond on washtub bass and Doug Pomeroy on washboard and kazoo) on a landmark Elektra album called The Blues Project. Our Take on the TuneIf you hang out much with The Flood, it seems like everything we do is carefully planned …. uh, right… but actually, accident and happenstance are a couple of our good friends. Earlier this week, for example, we got together to plan for our show tonight at Sal's Speakeasy. As you'll hear in this track, between songs Charlie starts singing a bit of this old 1920s song. Immediately, Randy jumps in with some great harmony. Then Sam brightens it up with his harmonica and Danny puts a bow on the whole thing with a cookin' guitar part. And just like that the tune has inserted itself into the set list. All that's missing now is you. Come on down to Sal's Italian Eatery & Speakeasy tonight, 1624 Carter Avenue in beautiful downtown Ashland, Ky., and we'll getting you singing along on that hey-lawdy-mama-mama / hey-lawdy-papa-papa part! We play from 6 to 9. Come on out and party with us. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Richmond has sometimes been called the “Birthplace of Recorded Jazz,” Gennett records produced a wide range of music, and many different genres had their earliest recordings created in what was sometimes called “Starr Valley.”

From 1917 to 1934 Gennett Records, a small, family owned record label out of Richmond, Indiana recorded some of the earliest, most eclectic and most curious mid-west and east coast jazz- From the first recordings of LOUIS ARMSTRONG, KING OLIVER, BIX BEIDERBECKE , HOAGY CARMICHAEL and JELLY ROLL MORTON to obscure "territory" bands such as ZACK WHYTE & HIS CHOCOLATE BEAU BRUMMEL'S, SYD VALENTINE & HIS PATENT LEATHER KIDS and THE BLACKBIRDS OF PARADISE , Gennett recorded it ALL - and preserved the sounds of early jazz in every imaginable incarnation. JOIN US as we explore some of those early Gennett recorded sounds! . --- Support this podcast: https://anchor.fm/american-grooves-hour/support

From an article by Steven C. Barr  1984Canadian Antique Phonograph Society (CAPS)   cpasnews.org      In early 1919 the Compo Company began operations, at first pressing Okeh masters for the Phonola label, and shortly thereafter pressing Gennett records for the Starr Piano Company's Canadian subsidiary; both phonograph firms had previously imported records. Herbert Berliner left his father's firm to serve as president of the Compo firm

The Gennett Recording Story Signature Dinner & Exhibit Premier with Karen Shank-Chapman, Maggie Smith & Kerry George (06/16/2022) - Ray gets a chance to talk to The Director, Education Manager & Collections Manager of the Wayne County Historic Museum about their upcoming exhibition (& separate Opening Gala!)

It's our 2021 finale with former MLB All-Star, Scooter Gennett! Join us for an incredibly honest chat that highlights anything from Gennett's love of sports and the arts to his iconic "baseball theatre" moment - when he tied the Major League record for home runs in a single performance (4) in 2017. Gennett also addresses the recent national headlines he made via his choice words about Carlos Correa's free agency and the Houston Astros cheating scandal. Connect with Scooter Gennett on Instagram: @sgennett2 Connect with Break a Bat! on Instagram: @break_a_bat_podcast Hosted by Al Malafronte Produced by the Broadway Podcast Network  Edited by Matthew Hendershot Learn more about your ad choices. Visit megaphone.fm/adchoices

CodeNEXT supporters tried going through the legislature to get what they want, and failed Abbott says he's vetoing the funding of the legislative branch Gennett might be fighting back against Statesman staff's unionization efforts Allison Alter may not yet be comfortable going back to full capacity at City Hall @bradswail austincitycouncilman.com Support the show on Patreon!

With percussion instruments that included a makeshift washboard and a stage routine punctuated by comic banter between their musical numbers, they were nationally known entertainers from the 1920s through the mid-1940s. The Hoosier Hot Shots were regulars on National Barn Dance, one of the most popular radio shows in the country, broadcast on WLS-AM in Chicago. They were featured as a novelty act in Western movies starring Gene Autry and slapstick comedies with the Three Stooges. They were headliners in vaudeville venues and recorded much of their music at Gennett Studios in Richmond, Ind., which launched the recording careers of many American jazz, blues, country and gospel stars during the era. The three primary members of the Hot Shots band were Otto "Gabe" Ward, who was born in Knightstown and grew up in Elwood, and two brothers, Ken and Paul "Hezzie" Trietsch, who hailed from the small town of Arcadia in Hamilton County. The Indiana State Museum periodically has exhibited Gabe Ward's clarinet and Hezzie's unusual washboard instrument, which he made by hand; the exhibits also have included vintage posters for some of their 21 movies. In this encore broadcast of a show from 2018, we turn our spotlight on the colorful and quirky Hoosier Hot Shots. Nelson is joined in studio by Todd Gould, a senior producer/director at WTIU-TV in Bloomington and a broadcasting instructor at Indiana University. In working with his WTIU colleagues on a documentary about Gennett, where emerging stars like Hoagy Carmichael, Louis Armstrong and Jelly Roll Morton recorded, Todd researched the Hot Shots. (Hoosier History Live explored the impact of the recording history made at Gennett Studios on a show in 2013.) In an article about the Hoosier Hot Shots in the Fall 2018 issue of Traces, the Indiana Historical Society's magazine, Todd wrote: "During two of the most tumultuous times in our nation's history, the Great Depression and World War II, Americans found comfort in the silly songs and crazy antics of a band from the flatlands of central Indiana ... Their sound and lyrics were unlike anything Americans in the early 20th century had ever heard before." A sample lyric from a Hot Shots song: From the Indies to the Andes in his undies And he never took a shave except on Mondays He didn't eat a thing but chocolate sundaes 'Twas a very, very daring thing to do. In addition to Todd Gould, Nelson is joined in studio by Hamilton County historian David Heighway, who has researched the deep roots of the Trietsch family in the county. Ken Trietsch (rhymes with "beach") played the guitar and banjo while Hezzie played the washboard - as well as cowbells, horns, pie tins and, as Todd put it in his Traces article, "other assorted gear that looked more at home in a farmhouse kitchen than on a stage." Periodically during our show, we feature brief excerpts of the Hoosier Hot Shots' recordings to give listeners a flavor of their distinctive routines. Their signature line was a question - "Are you ready, Hezzie?" - posed by Ken Trietsch to his jokester brother just as the Hot Shots were about to kick off a routine. Ken (1903-1987) and Hezzie (1905-1980) Trietsch came from a musical family in Hamilton County of five sons, all of whom played multiple instruments. They met Gabe Ward (1904-1992) in the 1920s when all of them became members of the Rube Band, a vaudeville troupe known for playing "wildly extemporaneous, comical versions of the day's popular songs," according to Todd's article in Traces. After the Rube Band dissolved, the three Hoosiers eventually started performing on radio with the Hot Shots name. Major success followed on National Barn Dance, which also launched the careers of Gene Autry, Patti Page and other entertainers. By the mid-1930s, the Hoosier Hot Shots had added a fourth member, Illinois native Frank Kettering, who played the bass fiddle, organ, piccolo and other instruments. Among the quartet's most popular songs was Whistlin' Joe from Kokomo. According to Todd's article, the song was one of several Hot Shots' tunes featuring the names of Indiana towns. During World War II, the Hoosier Hot Shots joined USO tours of North Africa and Italy. (Kettering, though, was drafted. He was replaced by a series of musicians who also weren't from Indiana.) The band's popularity waned by the early 1960s. Click on the links below to listen to samples of songs from the Hoosier Hot Shots catalogue: The Coat and the Pants do All the Work (But the Vest Gets All the Gravy) I Like Bananas (Because They Have No Bones) From the Indies to the Andes in his Undies

As a kid in the Dominican Republic, Pavel Polanco-Safadit fell in love with piano and spent hours each day perfecting his technique. This passion and skill eventually earned him a college scholarship to study music in the U.S., and he went on to earn a masters and doctorate in music. For years, Pavel taught music at Earlham College in Richmond, Indiana, where he continues to be a leader in the community as Executive Director of the Richmond’s Amigos Latino Center. In this episode, Pavel talks about his experience immigrating to the Midwest, his passion for Latin jazz, and the power of music as a bridge across cultures. He also shares more about Richmond, a small town with a surprisingly large role in the history of recorded jazz.  To hear more of Pavel’s music, visit the Facebook page for his band, Pavel and Direct Contact, which has videos of recent performances and information about upcoming shows. During the COVID-19 pandemic, the band has live-streamed several virtual performances together with Dominican jazz musicians. He maintains a strong relationship with his native country, returning each year to lead the Music Ed Fest, providing musical opportunities to a new generation of young Dominicans. To learn more about Gennett Records, visit the Starr Gennett Foundation, dedicated to preserving the history of recorded jazz in Richmond, Indiana. For even more detail, check out Rick Kennedy’s book, Jelly Roll, Bix, and Hoagy: Gennett Studios and the Birth of Recorded Jazz or listen to this episode of the Everything Sounds Podcast. Middle Tennessee State University professor Charlie Dahan maintains a soundcloud playlist of Gennett recordings and a Gennett Records website with a bibliography and discography. Listen to him talk more about Indiana jazz history in this episode of the MTSU On the record podcast.

Scooter Gennett, Former Brewers Second Baseman, joins the show to talk about the baseball hiatus, what he's been up to and more. What are his thoughts on the battle going on between the MLB owners and players' union? How does the lockout affect the players not making much money in baseball? Why is there such a divide between management and the players? Does he think an agreement will be met? Why hasn't he signed anywhere yet?

Scooter Gennett, Former Brewers Second Baseman, joins the show to talk about the baseball hiatus, what he’s been up to and more. What are his thoughts on the battle going on between the MLB owners and players’ union? How does the lockout affect the players not making much money in baseball? Why is there such a divide between management and the players? Does he think an agreement will be met? Why hasn’t he signed anywhere yet?

Scooter Gennett, Former Brewers Second Baseman, joins the show to talk about the baseball hiatus, what he’s been up to and more. What are his thoughts on the battle going on between the MLB owners and players’ union? How does the lockout affect the players not making much money in baseball? Why is there such a divide between management and the players? Does he think an agreement will be met? Why hasn’t he signed anywhere yet?

Adrian Cunningham is an award-winning multi-instrumentalist, vocalist and world traveler. Originally from Sydney, Australia and now based in New York, Adrian is proving to be one of his country's top exports.  With fluent command of the saxophones, clarinet, and flute, he is one of the finest multi-instrumentalists in jazz today.  Adrian is the recipient of the Hot House Saxophone Award for 2017.  Adrian's band, Professor Cunningham and His Old School, is the winner of international band competition World Jam (Madrid: 2016, 2017) and Best Band Award at 2017 Harlem Festival (Vilnius, Lithuania).  When he is not busy performing in New York with some of its finest players, he is touring the world playing jazz festivals and swing events.   Since relocating to New York City in 2008, Adrian has performed at some of the Big Apple's finest clubs, including The Blue Note, Smalls, Birdland, 55 Bar, Apollo Theatre, Fat Cat, Dizzy's at Jazz at Lincoln Center and even an event at the hallowed Village Vanguard.  He has played with such jazz stars as Wynton Marsalis, Wycliffe Gordon, Jon Batiste, George Coleman Jr., Jeff Hamilton, John Clayton, Ted Rosenthal, Chris Potter and René Marie.  Adrian is currently performing with world-class trombonist Wycliffe Gordon, including a performance at the London Jazz Festival and a recording in Abbey Road Studios alongside Wess Anderson, Reginald Veal and Herlin Riley.  Adrian's travels with the Wycliffe Gordon quintet have also included appearances at the Johannesburg Jazz Festival, Bern Jazz Festival (Switzerland), Newport Jazz Festival and regular performances in New York at Dizzy's at Jazz at Lincoln Center.  Adrian has also appeared on two of Wycliffe's albums to rave reviews (“One of the unexpected joys [of the album] is the rich, woody clarinet of Cunningham,” Hot House NYC). In 2013 Cunningham formed a traditional New Orleans-style outfit called Professor Cunningham and His Old School, deeply rooted in the jazz tradition.  They have become one of the top bands on the international Swing scene, performing at the Blue Note Jazz Festival (NYC), Melbourne International Jazz Festival (Australia), Sopot Molo Jazz Festival (Poland), Snowball (Stockholm), SLOX (California), CPH:LX (Copenhagen) and Melbourne International Jazz Festival.  Cunningham also has a busy individual jazz festival schedule, including repeat appearances at the North Carolina Jazz Festival, Central Illinois Jazz Festival, Newport plus concerts at the famous Gennett studios (Richmond, Indiana).  Additional international festival credits include Montreux Jazz Festival (3 times), Johannesburg, Japan, London, Tokyo and Sopot Molo (Poland). From 2014 to 2017, Adrian was the leader of the saxophone section of the Grammy-winning Vince Giordano and the Nighthawks, a NYC-based 1920s swing orchestra responsible for the soundtracks for “Boardwalk Empire” and movies including The Aviator.  As a leader, he has recorded ten CDs and two DVDs both in Australia with his quartet and also in New York through Arbors Records.  His 2017 release Jazz Speak, recorded with jazz stars Jeff Hamilton, John Clayton and Ted Rosenthal, broke the top 20 in the U.S. national JazzWeek charts. His new CD Adrian Cunningham & His Friends Play Lerner & Loewe – which explores the jazz influence of the legendary songwriting team known for iconic musicals like My Fair Lady, Camelot and Brigadoon – features Fred Hersch on piano, John Hébert on bass and Eric McPherson on drums, with guest stars Randy Brecker on trumpet and Wycliffe Gordon on trombone.  On this episode, Adrian shares his one way ticket to Barcelona. Plus, he talks Lerner & Loewe. We also play tunes off his album, too! Adrian is just one of the dynamic guests featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they would go if given a one way ticket, no coming back! Destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-orta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more.  

Keaton, Shelly, and Jordan review the recent signings, trades, and transactions, continue the risers and faller series with 2B, run through a small 5 round mock FYPD and answer some listener questions.

Keaton, Shelly, and Jordan review the recent signings, trades, and transactions, continue the risers and faller series with 2B, run through a small 5 round mock FYPD and answer some listener questions.

Sacred Harp -- the four-part shape-note singing tradition long confined to the American South, but recently enjoying remarkable international popularity and participation -- fascinated and challenged Lomax for most of his career. He recorded it multiple times, trying with increasing technological sophistication to capture its indelible magic. In this episode, we survey Alan's Sacred Harp recordings and the tradition's development, ethos, and survival. Intro: United Sacred Harp Musical Association Convention: The Bower of Prayer (#100) (Fyffe, Alabama, October 1959)
1. Allison's Sacred Harp Singers: Weeping Pilgrim (417) (Gennett 6583, Richmond, Indiana, 1928)
2. Alabama Sacred Harp Singers: Present Joys (318) (Columbia 15272, Atlanta, Georgia, 1928)Interstitial: Martha Woodard, Mission (204) (Gadsden, Alabama, June 1982) 3. Alabama Sacred Harp Singing Convention: Ballstown (217) (Jefferson County Courthouse, Birmingham, Alabama, August 1942)
4. United Sacred Harp Musical Association Convention: The Parting Hand (62) + Hallelujah (146) + Amazing Grace (45) (Fyffe, Alabama, October 1959)
Interstitial: Martha Woodard, Murillo's Lesson (358) (Gadsden, Alabama, June 1982)5. Wiregrass Sacred Harp Singers: How Long (Smithsonian Folklife Festival, Washington, D.C., August 1983) 6. Holly Springs Sacred Harp Convention: Help Me to Sing (376) (Holly Springs Primitive Baptist Church, H.S., Georgia, June 1982*) 7. Alan Lomax extemporizes on musico-historical dimensions of Sacred Harp, with Phil Summerlin and Buell Cobb (Holly Springs Primitive Baptist Church, H.S., Georgia, June 1982) *An egregious error of chronology was made in this episode: Lomax's last shape-note recordings were in fact of the Wiregrass singers in 1983, as the Holly Springs recording took place in the summer of 1982 and not 1983 as repeatedly stated. Apologies!

Sacred Harp -- the four-part shape-note singing tradition long confined to the American South, but recently enjoying remarkable international popularity and participation -- fascinated and challenged Lomax for most of his career. He recorded it multiple times, trying with increasing technological sophistication to capture its indelible magic. In this episode, we survey Alan's Sacred Harp recordings and the tradition's development, ethos, and survival. Intro: United Sacred Harp Musical Association Convention: The Bower of Prayer (#100) (Fyffe, Alabama, October 1959)
1. Allison's Sacred Harp Singers: Weeping Pilgrim (417) (Gennett 6583, Richmond, Indiana, 1928)
2. Alabama Sacred Harp Singers: Present Joys (318) (Columbia 15272, Atlanta, Georgia, 1928)Interstitial: Martha Woodard, Mission (204) (Gadsden, Alabama, June 1982) 3. Alabama Sacred Harp Singing Convention: Ballstown (217) (Jefferson County Courthouse, Birmingham, Alabama, August 1942)
4. United Sacred Harp Musical Association Convention: The Parting Hand (62) + Hallelujah (146) + Amazing Grace (45) (Fyffe, Alabama, October 1959)
Interstitial: Martha Woodard, Murillo's Lesson (358) (Gadsden, Alabama, June 1982)5. Wiregrass Sacred Harp Singers: How Long (Smithsonian Folklife Festival, Washington, D.C., August 1983) 
6. Holly Springs Sacred Harp Convention: Help Me to Sing (376) (Holly Springs Primitive Baptist Church, H.S., Georgia, June 1982*) 

7. Alan Lomax extemporizes on musico-historical dimensions of Sacred Harp, with Phil Summerlin and Buell Cobb (Holly Springs Primitive Baptist Church, H.S., Georgia, June 1982) 

*An egregious error of chronology was made in this episode: Lomax's last shape-note recordings were in fact of the Wiregrass singers in 1983, as the Holly Springs recording took place in the summer of 1982 and not 1983 as repeatedly stated. Apologies!

Asa F. Martin (1900-1979) was an old-time singer and guitarist from Winchester, Kentucky. Dock Philipine "Fiddlin' Doc" Roberts (1897-1978) was an old-time fiddler from Madison County, Kentucky. Martin and Roberts met at a music convention in Winchester, and soon began performing together. They made their recording debut as a duo on Gennett records in 1928, and quickly became popular.Martin and Roberts recorded the songs "Ninety-Nine Years (Is Almost for Life)" and "Prisoner No. 999" for Perfect Records on March 24, 1932 in New York City. The tracks may have featured Roberts's son James Roberts on mandolin. The record was released as Perfect No. 12799. See acast.com/privacy for privacy and opt-out information.

Derek Dietrich hit three HRs last night! How owned should he be? Is he really breaking out? We also discuss Michael Chavis vs. Ozzie Albies (6:42), when to trade SPs with innings limits (7:15), some daily league strategy and SPs to consider adding (12:45) ... Thursday's standouts (18:00) including one of the greatest ceremonial first pitches ever and Lucas Giolito's continued dominance. Plus, a lot of news and notes (24:40) and why you should add Scott Kingery, and Worryometer Wednesday (30:30) for Vlad, Jon Lester, Corey Seager, Bryce Harper and more ... This week's edition of "Are We Buying It?" (43:00) includes young breakouts like Matt Boyd and Eduardo Escobar plus veterans like Hunter Pence, Tommy La Stella, Cesar Hernandez and Zach Davies. Finally, we review some of yesterday's noteworthy pitching performances (57:00) ... Your emails at fantasybaseball@cbsi.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Dennard, Gennett and Cronin staying in Cincinnati. Buy/Sell/Hold, Quick Hits and Locks of the night.

The Good News: Jose Ramirez's injury doesn't look like it will be a problem? The Bad News: Scooter Gennett's does. We go through the ramifications of Gennett's injury, break down the latest rotation and bullpen news, look at ADP movers, and try to figure out what matters from spring training as it winds down.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Reds Caravan hit the road to start drumming up excitement for 2019. MLB.com's Dani Wexelman (@DaniWex) caught up with Reds reporter Mark Sheldon (@m_sheldon) to find out what Scooter Gennett and Tucker Barnhart are looking forward to in 2019 and how new manager David Bell is gearing up for his first season in Cincinnati.

The Reds Caravan hit the road to start drumming up excitement for 2019. MLB.com's Dani Wexelman (@DaniWex) caught up with Reds reporter Mark Sheldon (@m_sheldon) to find out what Scooter Gennett and Tucker Barnhart are looking forward to in 2019 and how new manager David Bell is gearing up for his first season in Cincinnati.

James Rapien discusses Christian Yelich hitting for the cycle and Scooter Gennett's battle for the NL batting title on today's podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices

All Star Game Recap of the Reds, Votto’s All Star game history. Microphones on players. Josh Hader’s Tweets, Would You Rather – World Series Home Field Advantage, Win HR Derby or All Start MVP, Gennett for 4 years or Senzel for 6, Homeruns or small ball. Quick Hits

All Star Game Recap of the Reds, Votto’s All Star game history. Microphones on players. Josh Hader’s Tweets, Would You Rather – World Series Home Field Advantage, Win HR Derby or All Start MVP, Gennett for 4 years or Senzel for 6, Homeruns or small ball. Quick Hits

James Rapien discusses the latest Scooter Gennett trade news, the Reds through 96 games and hear from future's game MVP Taylor Trammell on today's podcast.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Rapien discusses the latest Scooter Gennett trade news, the Reds through 96 games and hear from future's game MVP Taylor Trammell on today's podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Mo discusses the Reds potentially trading Scooter Gennett, T.J. Houshmandzadeh's comments about the Bengals and more on today's show.

James Rapien discusses the Reds 7-2 win over Pittsburgh on today's podcast. He talks about Scooter Gennett's trade value, Matt Harvey's Great American Ballpark debut and more. Hear from Harvey and Jim Riggleman on today's podcast.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Rapien discusses the Reds 7-2 win over Pittsburgh on today's podcast. He talks about Scooter Gennett's trade value, Matt Harvey's Great American Ballpark debut and more. Hear from Harvey and Jim Riggleman on today's podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices

James Rapien is joined by Doug Gray and Chad Dotson on today's podcast.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Rapien is joined by Doug Gray and Chad Dotson on today's podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hear from Marty Brennaman on Stephenson, plus Gennett talks rebuild on today's podcast.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hear from Marty Brennaman on Stephenson, plus Gennett talks rebuild on today's podcast.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Kyser and John Fay talk Reds Hall of Fame NomineesAdam Dunn overrated? Underrated? Properly rated?Homer Bailey comes up lame again and Scott Feldman is done for the year, is he done as a Red?And interviews with Ryan Gennett and Jesse Winker.

On this week's Fifth Mascot, Scott Kyser and John Fay dwell on the positives that can be found for the Reds over the last two weeks.Ryan Gennett. What can't he do?!Joey Votto continues to be one of the best hitters in baseball, but does the rest of the country, or even Reds Country, appreciate him as much as they should?Louis Castillo continues to impress on the mound, will anyone else in the farm system make the jump and be a highlight the rest of the way?And are Devin Mesoraco's days in Cincinnati numbered?All this and more in this week's episode of the Fifth Mascot with Kyser and Fay.

Scooter Gennett hit his 20th homer and pitched, but Devin Mesoraco fractured his foot and the pitching faltered. Gennett discusses his pitching performance along with Bryan Price.

On this week's Fifth Mascot, Scott Kyser and John Fay talked about the state of the Reds.Even as some starting pitching help starts to arrive, the Reds are continuing to struggle.Fay said the Reds should be patient with Homer Bailey as he eases back into things after missing so much time the last two and a half seasons, but the bigger concern is the Reds' bullpen. After all of the innings the bullpen has thrown early because of the awful starting pitching, the bullpen is struggling now.And Brandon Finnegan's injury really hurts this team.Fay and Kyser praised rookie starting pitcher Luis Castillo's debut, and Fay said the Reds should give young pitcher Tyler Mahle a shot at the starting rotation.The Reds need to figure out the future of the rotation because the starting rotation is in relative disarray, and the top prospects have not done well.Fay also talked to Scooter Gennett about his time with the Reds. Gennett said he wants to get better and perform so he can stay in Cincinnati.

Hitting four home runs in one game certainly gets attention. But regardless, longtime Reds reporter John Fay says the Reds are better off with Scooter Gennett instead of Brandon Phillips. And the controversy over which of the two players wears No. 4 is ridiculous. Fay said wrote on Tuesday that the Reds never could have acquired Gennett if they had Phillips. Gennett can play multiple positions and come off the bench. Phillips would not have wanted to be a utility player. “For this year, Gennett's a more valuable player,” Fay said on The Fifth Mascot podcast. Outfielders Billy Hamilton and Scott Schebler were injured, and the Reds were able to plug Gennett in. “Last night was a ridiculous accomplishment,” Fay said. “Gennett has really brought something to the Reds that they sorely needed.” That all came on the heels of controversy over the weekend when Phillips – now with the Braves – returned to town and said it was a slap in the face that Gennett wears his number. “I thought what Phillips said was out of line,” Fay said. Gennett didn't choose the number 4. Meanwhile, the Reds had also given away Jay Bruce and Johnny Cueto's numbers. Fay also said he didn't think the Reds should retire number 4. Fay said Phillips had a great career with the Reds, but the team has such history it should reserve retiring numbers for players who make the Baseball Hall of Fame, Fay said. “It's no slight against him, but I don't think he deserves to have his number retired,” Fay said.

Jason & Mike react to Reds OF Scooter Gennett’s 4 Home Run Game and tell you how he got his nickname. Also, Jason explains why the New York Jets are committing the most blatant act of tanking the NFL has ever seen. Plus Jon Paul Morosi joins the show to break down the Houston Astros’ dominance & Gennett’s big night. And Jason Cole of the Bleacher Report checks in to talk all the latest NFL headlines. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Eric Karabell and AJ Mass discuss Scooter Gennett's massive night, what to make of Masahiro Tanaka, break down Jose Quintana and answer your questions! We also wish Liam Neeson a happy birthday!

Today’s episode is about surrender, it’s about trusting the process, but really it’s about postpartum depression. Today Olivia Gennett is sharing her story of postpartum depression and how she decided to embrace it. She is now on the other side of it, and says it was truly a gift. You’ll hear that Olivia chose not to treat her postpartum depression with drugs, so it’s important for me to remind you that I’m not a doctor or a counselor, and if you think that you may be suffeing from postpartum depression, please consult your health care provider for individual advice regarding your own situation. Listen on iTunes | Listen on Stitcher                 In this episode you’ll hear: -The pressures of motherhood that Olivia faced, and where she thinks those came from -What her childhood looked like and how it differed from her current family situation -How faith/spirituality played into her depression -What she was longing for during that time -What she recommends for supporting the new moms that you know -How she’s learned to “clock out” from motherhood -How she came to realize she had PPD -What her transformational perspective shift was -Her words to any mother going through hard times -What she wants ALL mothers to know -Olivia’s 3 Soul Work Action Steps Show Notes: Olivia’s Reiki contact email: omg.reikiblue@gmail.com From Olivia: Reiki has its origins in Japan through Dr. Mikao Usui and is used as an energy balancing technique.  All things are made of energy. Reiki means universal life force energy that flows throughout all living things.  When our life force energy is low or out of balance, Reiki is a technique for restoring that balance and harmony in the body as a whole—emotionally, physically, mentally, and spiritually. It is a very safe, natural, and gentle way to improve upon one’s self through spiritually guided energy flowing through the practitioner to the client. It is non-denominational. It works in harmony with all religions and philosophies. Reiki clients are fully clothed.  A deep sense of relaxation and calm can happen with the administering of Reiki.  Everyone is different, but many report feelings of peace, tranquility, and a general feeling of “All is well”. Recommended by Olivia: Denise Craven LMT Elizabeth Hendrickson Soul Work Sheet #24 For More Information Regarding Postpartum Depression: Postpartum Depression Support: http://www.postpartumprogress.com Check out other podcast episodes here:

The FantasyPros' Baseball Podcast chats with Moxyball Co-Founder, Jared Kwart and FantasyPros correspondents Kyle Borgognoni and JP Gale to discuss buy low, sell high options, waiver wire pickups, and DFS advice for Friday's evening slate. Buy Low, Sell High (1:22 -- Tulo 1:32, Verlander 3:25, Syndergaard 6:41, Segura 8:41, Story 10:54). News Rundown (13:05 -- deGrom 13:10, Rafael Montero 14:48, Twins Closers 15:35, Choo/Mazara 18:57, Baez 22:28, Velasquez 24:56. Waiver Wire (27:26 -- Gennett 28:35, Mallex Smith 29:19, Jeanmar Gomez 30:27, Finnegan 31:17, Hazelbaker 32:08, Escobar 33:19). Burning Questions (34:21 -- CHC@STL 34:25, Brewers DH 35:36, MIN/ATL 36:17, ARI@SF 36:51)

The early recorded history of jazz, blues, and country music in America usually isn’t associated with a place like Richmond, Indiana. However, for a brief period early in the 20th century the Gennett record label based in Richmond recorded music from artists such as Gene Autry, Charley Patton, Blind Lemon Jefferson, and Hoagy Carmichael. Learn about the history of the label from Rick Kennedy, the author of Jelly Roll, Bix, and Hoagy. Music featured: Charley Patton – Down the Dirt Road Blues Fiddlin’ Doc Roberts – Deer Walk Bix Beiderbecke – Davenport Blues William Harris – Bullfrog Blues Hoagy Carmichael & Pals – Stardust King Oliver’s Creole Jazz Band – Chimes Blues Jelly Roll Morton – King Porter Stomp Scrapper Blackwell – Blue Day Blues Recommended: Blind Lemon Jefferson – Mosquito Moan Charley Patton – Spoonful Blues New Orleans Rhythm Kings – Mr. Jelly Lord Fletcher Henderson – Honey Bunch Marion McKay – Hootenanny Sounds Used (freesound.org): ‘locomotive.wav’ by laurent, ‘Stem_Train.wav’ by knufds, Note: When the episode was originally published, we used an incorrect estimation of the number of white males in the KKK in Richmond in the 1920′s. The issue was corrected in this version of the program. We regret the error.

Early jazz records from the Gennett label, including: Cakewalking Babies From Home, Riverboat Shuffle, Dippermouth Blues and Stardust.  Performers include: King Oliver, Louis Armstrong, Caroline Johnson, Earl Hines, Bix Beiderbeck, The New Orleans Rhythm Kings and Jelly Roll Morton.