Podcast appearances and mentions of John Clayton

ANTHONY WILSON “HACKENSACK WEST” Los Angeles, June 20 & 21, 2023The Lands, DaidoGerald Clayton (p) Anthony Wilson (g) John Clayton (b) Jeff Hamilton (d) JOE LOVANO “HOMAGE” Englewood Cliffs, NJ, late autumn 2023Love in the garden, Homage, This side – CatvilleJoe Lovano (ts,woodwinds,perc) Marcin Wasilewski (p) Slawomir Kurkiewicz (b) Michal Miskiewicz (d) MAL WALDRON / TERUMASA HINO “REMINISCENT SUITE” Tokyo, Japan, August 14, 1972Black forestTerumasa Hino (tp) Takao Uematsu (ts) Mal Waldron (p) Isao Suzuki (b) Motohiko Hino (d) Uzi Imamura (perc-1) Continue reading Puro Jazz 14 de julio, 2025 at PuroJazz.

ANTHONY WILSON “HACKENSACK WEST” Los Angeles, June 20 & 21, 2023The Lands, DaidoGerald Clayton (p) Anthony Wilson (g) John Clayton (b) Jeff Hamilton (d) JOE LOVANO “HOMAGE” Englewood Cliffs, NJ, late autumn 2023Love in the garden, Homage, This side – CatvilleJoe Lovano (ts,woodwinds,perc) Marcin Wasilewski (p) Slawomir Kurkiewicz (b) Michal Miskiewicz (d) MAL WALDRON / TERUMASA HINO “REMINISCENT SUITE” Tokyo, Japan, August 14, 1972Black forestTerumasa Hino (tp) Takao Uematsu (ts) Mal Waldron (p) Isao Suzuki (b) Motohiko Hino (d) Uzi Imamura (perc-1) Continue reading Puro Jazz 14 de julio, 2025 at PuroJazz.

Bassist, composer, arranger, educator John Clayton brings us up to date on losing his home in the Alta Dena fires. Discussion quickly turns to music. Adam Nussbaum cohosts.

THE MODERN JAZZ QUARTET “THE LAST CONCERT – AVERY FISHER HALL” New York, November 25, 1974The golden striker, The cylinder, What's new ?Milt Jackson (vib) John Lewis (p) Percy Heath (b) Connie Kay (d) DIANA KRALL “TURN UP THE QUIET” Hollywood, CA, c. 2017 No Moon At AllDiana Krall (vcl,p) acc by Stefon Harris (vib-1) John Clayton, Jr. (b) Jeff Hamilton (d) Alan Broadbent (arr,cond) + strings, Shari Sutcliffe (cond) I'm confessin' (that I love you), Moonglow, I'll see you in my dreams Diana Krall (vcl,p) acc by Marc Ribot (g) Stuart Duncan (fiddle) Tony Garnier (b) Karriem Riggins (d) Shari Sutcliffe (cond) HANK MOBLEY “SOUL STATION” Englewood Cliffs, NJ, February 7, 1960Remember, This I dig of you, Soul stationHank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Blakey (d) Continue reading Puro Jazz 08 de julio, 2025 at PuroJazz.

THE MODERN JAZZ QUARTET “THE LAST CONCERT – AVERY FISHER HALL” New York, November 25, 1974The golden striker, The cylinder, What's new ?Milt Jackson (vib) John Lewis (p) Percy Heath (b) Connie Kay (d) DIANA KRALL “TURN UP THE QUIET” Hollywood, CA, c. 2017 No Moon At AllDiana Krall (vcl,p) acc by Stefon Harris (vib-1) John Clayton, Jr. (b) Jeff Hamilton (d) Alan Broadbent (arr,cond) + strings, Shari Sutcliffe (cond) I'm confessin' (that I love you), Moonglow, I'll see you in my dreams Diana Krall (vcl,p) acc by Marc Ribot (g) Stuart Duncan (fiddle) Tony Garnier (b) Karriem Riggins (d) Shari Sutcliffe (cond) HANK MOBLEY “SOUL STATION” Englewood Cliffs, NJ, February 7, 1960Remember, This I dig of you, Soul stationHank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Blakey (d) Continue reading Puro Jazz 08 de julio, 2025 at PuroJazz.

Don’t look now, but we’ve reached the midpoint of 2025 — and listened our way through well over a hundred albums, in search of elevated sounds. It feels like the right time for a progress report, so we’re sharing half a dozen of our leading contenders. Nate gives the nod to albums by pianist Myra Melford, alto saxophonist Steve Lehman, and pianist Sullivan Fortner. Josh brings his endorsement to releases by bassist John Clayton, trumpeter Nicholas Payton, and tenor saxophonist Noah Preminger. Along the way, they talk about a handful of other noteworthy recordings — and allude to some other highlights that await us in the latter half of the year.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

The following article of the Entrepreneurs industry is: “Hidden Cost: Why Modern Success Is Killing Discipline, Ethics” by  John Clayton, Employee Engagement Executive , Independent Contributor.

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In this episode of Banker with a Beer, Jerry sits down with Amber Scharenbroch of Eau Claire Jazz, Inc.    Topics discussed include: Perspectives as a Jazz Festival participant, organizer, and Board member   Is jazz still relevant to young adults? What makes jazz unique as a musical art form? Advice to first-time Jazz Festival and Jazz Crawl attendees Preview of guest artists: John Clayton and Carmille Thurman Beverage Enjoyed: Maui Wowie Jungo Joose, The Brewing Projekt  Thank you for listening to this episode! Help support the show by leaving Banker with a Beer a 5-star rating or review on Apple or Spotify.

Bob and Dave remember the life and legacy of Seattle Sports Legend John Clayton on the three-year anniversary of his passing. They talk about what the Seahawks are going to do to fix their offensive line, and why the answer may leave some fans unsatisfied. They give their takes on the Aaron Rodgers “holdout” saga and talk about some of the other QB’s around the league. And they talk about how the national media’s perception of the Seahawks offseason has flipped over the course of a week.

March Madness is upon us and bracketology is FUN! Ian likes Marc's parlay and we discuss the fun that's happening.    Steve Palazzolo, The 33rd Team tells Ian what the new-look Seahawks could do in the draft now that the team has flipped over their key offensive position players.   The Daily Power Play! PK is on the rise! Plus a little more on the NCAA tournament and what constitutes an upset.   John Lund joins Ian for his weekly visit and says the difference between what San Francisco and Seattle have done in free agency is night and day. The Seahawks are a better team and he tells us whether the 49ers are in a rebuild or not.   Checking in on the text line!   Crosstalk with Softy! We remember John Clayton.

MILT JACKSON “+ COUNT BASIE + THE BIG BAND VOL 2” Hollywood, Ca, January 16, 17 & 18, 1978 Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA “NATURAL BOUNCE” Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER “SERENADE TO A SOUL SISTER” Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 17 de marzo, 2025 at PuroJazz.

MILT JACKSON “+ COUNT BASIE + THE BIG BAND VOL 2” Hollywood, Ca, January 16, 17 & 18, 1978 Moonlight becomes you, Blues for Joe Turner (1), On the sunny side of the street Waymon Reed, Lin Biviano, Sonny Cohn, Pete Minger (tp) Bill Hughes, Mel Wanzo, Fred Wesley, Dennis Wilson (tb) Danny Turner, Bobby Plater (as) Eric Dixon (ts,fl) Kenny Hing (ts) Charlie Fowlkes (bar) Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) ROB GARCIA “NATURAL BOUNCE” Astoria, NY, April 13, 2022Dark blue horse power, Gary song, Fades to blue, Sweet JoeNoah Preminger (ts) Leo Genovese (p) Kim Cass (b) Rob Garcia (d,comp) HORACE SILVER “SERENADE TO A SOUL SISTER” Englewood Cliffs, NJ:February 23, 1968Psychedelic Sally (1), Serenade to a soul sisterCharles Tolliver (tp) Stanley Turrentine (ts) Horace Silver (p) Bob Cranshaw (b,el-b-1) Mickey Roker (d) March 29, 1968Kindred spiritsCharles Tolliver (tp) Bennie Maupin (fl,ts) Horace Silver (p) Johnny Williams (b) Billy Cobham (d) Continue reading Puro Jazz 17 de marzo, 2025 at PuroJazz.

This episode of The Other Side of the Bell, featuring trumpeter, educator and recording artist Clay Jenkins, is brought to you by Bob Reeves Brass.  About Clay Jenkins:  Clay Jenkins is a renowned jazz trumpeter and educator whose dynamic career spans decades of performance and teaching. He launched his performing journey with the Stan Kenton Orchestra before moving to Los Angeles, where he toured and recorded with the big bands of Buddy Rich and the Count Basie Orchestra. A charter member of the Clayton Hamilton Jazz Orchestra, Clay has amassed over 100 recording credits, released seven solo albums, and recorded as a co-leader with many other notable names. Since joining the Eastman School of Music faculty, in Rochester, NY, in 2000, Clay has continued to perform worldwide, while mentoring the next generation of jazz musicians. Inspired by his close friendship with the late trumpet legend Eugene "Snooky" Young, he established the Snooky Young Endowed Scholarship at Eastman, and is currently writing a biography of Young's life.  Clay is wonderfully warm, down-to-earth and humble. If you listened to our last episode featuring Emile Martinez, you'll know that Clay was instrumental in guiding Emile on his artistic journey, and so how appropriate it is that we can follow up on that interview with this one today. And he's a lifelong practicer. Clay is always trying to improve, and it's inspiring to hear someone at his level still talking about what they go through every day, trying to better themselves.  Episode Links: "Hope Beats" - YouTube series with Clay Jenkins (trumpet), John Clayton (bass), Larry Koonse (guitar), Gene Bertoncini (guitar), Joe La Barbera (drums) Quasimodo, by Charlie Parker Grizzly, by John Clayton Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Audio Engineer – Ted Cragg Cover Art – Phil Jordan Podcast Host – John Snell

UNI's Tallcorn Jazz Festival fast approaches and today we have festival coordinator and UNI upperclassman Luke McIlhon on board to talk details. Spoiler alert: they got John Clayton.  The festival is Thursday, Feb. 20 & Friday, Feb. 21. For schedules and more information visit tallcornjazzfest.com. For concert tickets visit unitix.evenue.net. Subscribe to The Culture Crawl … Continue reading

The following article of the Professional Services industry is: “The Trump Playbook: Business Lessons from a Presidential Win” by John Clayton, Employee Engagement Executive, Independent Contributor.

NYC-based Hungarian drummer Ferenc Nemeth is a Grammy-award-winning musician and educator who continues to push the boundaries of jazz drumming, composition and education with his unique approach of self-development and artistry. Nemeth has been one of the most sought after drummers both, in Europe and the United States with a lineage from a musical family, lending him a unique dynamism and versatility fostered from a very early age.     From his early days at the Berklee College of Music in Boston and the Thelonius Monk Insitute of Jazz in Los Angeles, Nemeth has learned from and worked with the world's finest jazz musicians and groups including Herbie Hancock, Wayne Shorter, Terence Blanchard, Kenny Werner, the Billy Childs Trio, Bob Sheppard, Dave Carpenter, John Clayton, Jimmy Heath, The Henry Mancini Orchestra amongst others.  An ever-present thirst for exploration and experimentation has seen Nemeth travel widely and play with musicians from a stunning variety of backgrounds and countries. This occupation in turn, has also resulted in Nemeth's regular participation in workshops and teaching programs around the world.   We catch up in this informal chat after our artist residency at the Bimbache openART Festival to unpack some serious themes revolving around the challenges musicians face today in an ever-growing and confusing industry that threatens the authentic growth and integrity of artists at various phases of their careers with a strong focus on goals, personality development, and intentionality.   Watch the extended, unedited taping session here (includes additional footage and transcripts).    

Earlier this month, bassist and bandleader John Clayton flew from Los Angeles to New York to receive a high honor: the Bruce Lundvall Visionary Award, at Jazz Congress. On the day of the ceremony, the Eaton wildfire destroyed his home of 40 years, along with his daughter’s home and many others. Clayton lost everything, including irreplaceable heirloom instruments. But as he tells The Late Set, speaking from temporary living quarters in L.A., he is focused on what lies ahead, and the overwhelming love and support that has flowed in from all corners. He has an extraordinary story to tell. We hope it touches and inspires you as much as it did us.Related: Jazz artists in Los Angeles band together in the wildfires' aftermath by Greg Bryant MusiCares: Los Angeles Fire Relief GoFundMe: Wildfire Relief Fund Jazz Foundation of America Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

Fresh from the floor of CES 2025, I grabbed about 10 minutes each with two brilliant minds in technology and innovation who shared fascinating insights about where we're headed in this AI-driven world for a fast but powerful bonus episode. Andrew Klein, who leads creative technology and innovation at PMCI (Publicis Media Content and Innovation Team), dove straight into how generative AI is becoming increasingly woven into our daily lives. Andrew Klein, SVP, PMCI at CES 2025 He painted a vivid picture of our near future, where wearable AI technology won't just sit on our desks but will travel with us through our days via glasses, earbuds, and head-mounted displays. His most striking observation? "I think we're going to have more conversations with AI, potentially, than we would with people. Especially when you think about digital communication." Klein shared fascinating insights about the emerging convergence of crypto and AI, describing a future where we'll essentially subscribe to different AIs like we currently follow social media accounts or news sources. These AI agents, running 24/7, could serve as everything from market analysts to personal companions. When our discussion turned to the critical issue of trust in AI systems, Klein highlighted how major platforms are starting to prioritize transparency by clearly identifying AI-driven interactions.   Albert Thompson, Walton Isaacson, at CES 2025 This focus on trust was echoed and expanded upon by my next guest, Albert Thompson, Managing Director of Digital Innovation at Walton Isaacson, who had just finished moderating a panel on monetization in immersive technologies. Thompson offered a profound observation that really stuck with me: "The world's currency is not technology, it's trust. And that's everywhere from political candidacy to why three ply toilet paper is better than one. ...And when you start to think about news and information, it's whom do we trust?" Thompson drew a fascinating distinction between generations: Boomers understand how things are made because they come from the Industrial Age, while Gen Z knows how nothing is made - they just want it to work. He predicts we'll return to valuing in-person verification, noting that while deepfakes can fool us online, "the one thing a deepfake can't do is walk in the room and fake you out." The episode concludes with my personal note about the Los Angeles wildfires and information about supporting affected communities, including the Grammy-winning composer of my Insider Interviews theme, John Clayton. (You can see a few images of what his home WAS in our episode last year of "It's Quite a Living".) John Clayton and lost compositions Key Segments & Timestamps: [00:01:15] Andrew Klein on Innovations at CES 2025 [00:04:34] The Convergence of Crypto and AI [00:06:40] Trust and Transparency in AI [00:12:13] Albert Thompson on The Future of Technology and Trust [00:17:56] Closing Note about LA Wildfires DONATION RESOURCES: American Red Cross to support the communities in need. World Central Kitchen has mobilized across Southern California, providing sandwiches and water throughout the region.   Los Angeles Fire Department Foundation to go toward equipping firefighters with tools and supplies to contain the infernos. GoFundMe.org started a 2025 Wildfire Relief Fund that will “go directly to people impacted who are seeking help through GoFundMe fund-raisers, and to nonprofit organizations on the ground providing relief. And, as mentioned, I'll be donating a portion of any support of this episode that is sent to buymeacoffee.com/MossAppeal  Connect with E.B. Moss and Insider Interviews: LinkedIn: https://www.linkedin.com/in/mossappeal Instagram: https://www.instagram.com/insiderinterviews Facebook: https://www.facebook.com/InsiderInterviewsPodcast/ Threads: https://www.threads.net/@insiderinterviews Blusky: https://bsky.app/profile/mossappeal.bsky.social

Biltmore Estate, in Asheville, North Carolina (where I live!) is essentially a whole other world. Some liken it to a "Disneyland" for the more historically-centered. Its history is wrought with questionable choices but its legacy teaches us much about economic history as well as class struggles. In this episode I explore the planning and building orchestrated by its creator, George Vanderbilt. In Part Two later this month I'll explore life at Biltmore and how it became the tourist Mecca we know it as now.For further reading in environmental history around this time, as mentioned in the episode, I recommend: Natural Rivals by John Clayton.Look History in the Eye, MelbourneWe're a history podcast for Melbourne lovers. Produced at the Victorian Archives Centre.Listen on: Apple Podcasts SpotifySupport the showSupport Unsinkable on Patreon for as little as $1/month: https://www.patreon.com/unsinkablepodOr buy me a coffee!: https://www.buymeacoffee.com/labeadlesBuy Unsinkable shirts here!: https://www.bonfire.com/unsinkable-the-first-t-shirt/Support the pod via my Bookshop Storefront: https://bookshop.org/shop/unsinkablepodFind me on Instagram: https://www.instagram.com/unsinkablepod/

Donald Vega was trained classically in piano in his native Nicaragua. He emigrated to the United States at age 14 and found a musical home with the Colburn School of Performing Arts (CSPA). He began his studies there in classical piano with Teresa de Jong Pombo and Dr. Louis Lepley. Vega started to learn the language of jazz from mentor Billy Higgins at The World Stage and continued at CSPA with Jeffrey Lavner, then later with bassist John Clayton at the University of Southern California. He went on to graduate from the Manhattan School of Music and The Juilliard School where he studied with piano great Kenny Barron, Phil Markowitz, and Gary Dial. Vega currently performs internationally as the pianist for world-renowned bassist Ron Carter's Golden Striker Trio with whom he has recorded several albums. Mr. Vega is also a professor at The Juilliard School and Hofstra University and sits on the board of BackCountry Jazz. This non-profit organization provides music education programs and performances to underprivileged youth.  Vega's debut album, Tomorrows, was released in 2008 to rave reviews. In his sophomore album, Spiritual Nature (Resonance Records, 2012), he was joined by the regal rhythm tandem of bassist Christian McBride and drummer Lewis Nash. Vega teamed up again with Lewis Nash on his third album, Concerning Monty, (Resonance Records, 2015) along with Hassan Shakur, the great bassist and former Monty Alexander band member, and long-time friend and Grammy-nominated artist, Anthony Wilson on guitar.  Donald recently finished recording his latest album, As I Travel (2023), with Lewis Nash on drums and John Patitucci on bass, featuring Luisito Quintero on percussion. 

Learn why I asked Razorfish Chief Creative Officer, Anthony Yell, for a Vulcan mind meld. He's not your typical CCO. With a reverence -- and professional envy -- for drummers who keep things moving, he is a digital marketer who dances to a different beat: Anthony credits a passion for Legos (!), emblematic of analog games, as an antidote to screen time and keeping him balanced in his work at the digital-first shop. As a multi-Cannes Lion and Clio winner, it must be working. But his understanding and application of cutting-edge digital strategies and tech applied to creative and communication, like Meta's new Orion glasses and neural interfaces, has also made him a sought-after panelist at conferences from SXSW to AdobeMax. This S2 / Epi 30 of Insider Interviews is one of the most info and insights packed, ever. Anthony even shared the crib notes on the four waves of the future of tech from his recent session with Chris Duffey, called: "Future You; Future Proof -- a Creative Playbook for the Next Decade."  Part of that future-proofing for brands, per Anthony, and the key to thriving, is having a marriage of performance with brand purpose. It's the mantra of the new Razorfish. New, because, as Anthony explains, the agency has kept pace with change and evolved its own purpose -- but finding that what's old can be new again, too, resurrecting its original 1995 name brand. And now he ensures that "creativity isn't confined to a single department" but is the lifeblood that flows through every role and responsibility. "Brand purpose isn't just about feeling good. It's about creating meaningful connections with consumers that drive real business results."   Additional key points worth hearing from the Chief Creative Officer's mouth: While he adopts new tech as helpful tools at every turn, Anthony also explains how fostering a culture of collaborative creativity can lead to groundbreaking campaigns and strategies...and what the next generation of career-minded creatives will need to do to thrive. "Creativity isn't just about making things look pretty. It's about solving problems in innovative ways, and is something everyone in the organization can contribute to." Anthony embraces AI as a powerful ally in the creative process vs a threat, recommending a future where AI handles the mundane: "AI isn't replacing creativity; it's amplifying it." He predicts a future where faster connectivity and advanced AR/VR and every other "R" will revolutionize how brands connect with consumers, opening up new realms of creative possibility and forms of communication. This episode isn't just a peek into a creative playbook; it's also a career playbook for anyone looking to navigate that exciting intersection of technology, creativity, and brand purpose in digital marketing. Key Moments: 3:15 Analog Passions: Anthony's love for vintage drums and synthesizers 9:30 Agency Evolution: How Razorfish transformed to focus on brand purpose and performance 16:45 AI as a Creative Catalyst: Leveraging AI to enhance human creativity 17:46 Future You, Future Proof: Takeaways from Anthony's Adobe Max presentation 22:30 Purpose-Driven Success: blending purpose and performance 26:05: The significance of what “36 billion” means in marketing 28:15 Tech Horizons: How emerging technologies will shape future marketing strategies 34:20 Next-Gen Advice: Anthony's guidance for aspiring creatives in the digital age 35:06 Democratization of MarTech: Adobe Gen Studio for Performance Marketing 40:03 Good News...or Scary?: The Role of Digital Twins *PS: I promised an intro to drummer Jeff Hamilton if Anthony wants lessons in retirement (!), whom I talked about in this episode of my OTHER podcast, "It's Quite a Living" with his bandmate, John Clayton, the composer of THIS show's theme music!  Resources: Anthony Yell - LinkedIn Connect with Insider Interviews: Instagram: https://www.instagram.

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Dr. John Clayton's sermon on Luke 4:14-21 from our service on September 15, 2024, the seventeenth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 4:1-13 from our service on September 1, 2024, the sixteenth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon from our second annual Presbyterian Heritage Sunday on August 25, 2024; from Hebrews 13:7-8

Dr. John Clayton's sermon on Luke 3:23-38 from our service on August 18, 2024, the fifteenth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 3:21-22 from our service on August 11, 2024, the fourteenth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 3:7-20 from our service on August 4, 2024, the thirteenth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 3:1-6 from our service on July 28, 2024, the twelfth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 2:41-52 from our service on July 21, 2024, the eleventh in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 2:25-35 from our service on July 14, 2024, the tenth in his sermon series The Gospel of Luke.

DIANA KRALL – WHEN I LOOK IN YOUR EYES New York, 1998Do it again (1), I've got you under my skin (2,3,4), Let's face the music and dance (jm arr,1)Larry Bunker (vib-3) Diana Krall (p,vcl,small ensemble arr) Russell Malone (g) John Clayton (b-1) Ben Wolfe (b-2) Jeff Hamilton (d-1) or Lewis Nash (d-4) + orchestra and strings, Johnny Mandel (arr) ANAT COHEN TENTET TRIPLE HELIX New York, January, 2019Milonga del angel, Footsteps & smiles, La lloronaNadje Noordhuis (tp,flhrn) Nick Finzer (tb) Anat Cohen (cl) Owen Broder (bar) James Shipp (vib,perc) Vitor Goncalves (p,accor) Sheryl Bailey (g) Christopher Hoffman (cello) Tal Mashlach (b) Anthony Pinciotti (d) Oded Lev-Ari (dir) ERIC ALEXANDER CHICAGO FIRE Englewood Cliffs, NJ, November 26, 2013Save your love for me (1), Just one of those things, Blueski for VonskiJeremy Pelt (tp-1) Eric Alexander (ts) Harold Mabern (p) John Webber (b) Joe Farnsworth (d) Continue reading Puro Jazz 08 de Julio 2024 at PuroJazz.

Dr. John Clayton's sermon on Luke 2:21-24 from our service on June 16, 2024, the eighth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 2:21-24 from our service on June 16, 2024, the eighth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 2:8-20 from our service on June 9, 2024, the seventh in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 2:1-7 from our service on June 2, 2024, the sixth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on John 17:20-26 from our service on May 26, 2024, Trinity Sunday.

Dr. John Clayton's sermon on Romans 8:9-17 from our service on May 19, 2024, Pentecost Sunday.

Dr. John Clayton's sermon on Luke 1:57-80 from our service on May 5, 2024, the fifth in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 1:26-46-55 from our service on April 28, 2024, the fourth in his sermon series The Gospel of Luke.

In Epi 9, world class jazz musician John Clayton and podcast host E.B. Moss reminisce about a friendship launched with a prank, before seriously discussing the Grammy-winning arranger/composer/bassist's techniques, and experiences across a life in the music industry. From his serendipitous introduction to the bass, mentorship under Ray Brown, journey with musicians from Dee Dee Bridgewater to Diana Krall, Oscar Peterson to Monty Alexander. it's quite a living. Learn how John approaches composing and performing... his passion for blending flavors in music arrangements, to how drummer Jeff Hamilton, with whom he co-founded the Clayton-Hamilton Jazz Orchestra, introduced him to the blends of fine wine! It's like fly-on-the-wall eavesdropping on a close friendship -- filled with laughter...and a master class in both music and living quite the life.Clayton's early fascination with the bass, initiated at age 13 and cemented by a Ray Brown solo he heard, led him to a fruitful career, from playing in the Count Basie Orchestra, to collaborating with or composing for icons such as Paul McCartney, Nancy Wilson, Queen Latifah. Regina Carter, and even a recent release with 89-year-old sax legend, Houston Person, and scores more. (John even composed the theme song for "Insider Interviews with E.B. Moss!) Clayton shares anecdotes from his life his philosophies on jazz, and the role of an artist in presenting their work to an audience. He stresses the importance of expression over performing for audience expectations, citing experiences and insights from his expansive career in the music industry. The episode is rich with stories of Clayton's collaborations, his approach to composition and arranging, and a lot of laughter between friends. Through this spontaneous and engaging chat, Clayton's passion for jazz and his respect for its power to connect and communicate shine brightly, offering listeners a unique glimpse into the life of a truly remarkable musician.If you catch this on YouTube, watch for archival images, and don't miss the little  reaction at the end from a gobsmacked studio engineer capturing a solo from John's session with Houston....  Find/Follow "It's Quite a Living" everywhere including YouTube Twitter @QuiteALiving Instagram: @QuiteALivingPodcast Find Moss Appeal on LinkedIn: https://linkedin.com/in/MossAppeal And if you want to support the arts and keep this free podcast — and Insider Interviews Podcast — going, please consider “buying me a coffee” of ANY size!: https://buymeacoffee.com/mossappeal

Dr. John Clayton's sermon on Luke 1:26-45, 56 from our service on April 21, 2024, the third in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 1:5-25 from our service on April 14, 2024, the second in his sermon series The Gospel of Luke.

Dr. John Clayton's sermon on Luke 1:1-4 from our service on April 7, 2024, the first in her sermon series The Gospel of Luke.

In this episode of One Body Many Parts, produced by Branch of Hope OPC, the tables are turned as our regular host, John Clayton, is interviewed by Bob Parucha. If you would like to get to know John Clayton a little better, we invite you to listen in!

This week DPR returns to their Patreon Selection Series with Jason Kiehn's pick “11/22/63” covering through Chapter 26. Join in as we discuss admitting we were wrong, hate vs loathing, Marina becoming the darling of the Russian community, Jake and Sadie's slow reconciliation, the impact of Jake's ex-wife coming into play, confessing the future for love, delicious foreshadowing, pound cake, the John Clayton attack, the diminishing returns of certain harmonies, taking Sadie back to the future, and the mob makes a house call. We're betting it all on the underdog on Episode 154, “Pound-Cake-Tion”. Join our Discord community: https://discord.gg/ZNJvTgShkk For more Derry Public Radio, head over to www.patreon.com/derrypublicradio for exclusive episodes, early releases, and more bonus content! For everything else: https://linktr.ee/derrypublicradio

Welcome to Jazz Piano Skills. It's time to discover, learn, and play jazz piano!Today, I welcome to Jazz Piano Skills, jazz pianist, educator, and author Mark Davis. Mark has been a mainstay on the Milwaukee jazz scene for over 35 years and has shared the stage with many internationally known performers such as Phil Woods, Benny Golson, Jimmy Heath, Charles McPherson, Slide Hampton, Frank Morgan, Jason Marsalis, Brian Lynch, Ted Nash, Jeff Hamilton, and John Clayton to name just a few and here's what they say about Mark"Mark Davis plays with the touch of Teddy Wilson and the lines of Bud Powell."- Jazz legend Slide Hampton"Mark Davis is a wonderful, swinging player with all the right stuff."- Grammy award-winning trumpeter Brian Lynch"Mark Davis is a true master of jazz piano tradition and one of the greatest educators of our time."- Dan Nimmer, pianist with Wynton Marsalis and the Jazz at Lincoln Center OrchestraAnd my favorite“And though Mark Davis looks like mild-mannered reporter with the Daily Planet, Clark Kent, he's really Superman on the piano!”- jazz legend Charles McPhersonIn addition to being an accomplished jazz pianist and performer, Mark has a passion for jazz education. He founded the Milwaukee Jazz Insitute, which promotes jazz through education while seeking to expand and diversify the local jazz audience. In doing so, Mark and his team work tirelessly to create opportunities for professional and aspiring musicians.Mark has done work for the Hal Leonard Corporation, including transcriptions for Miles Davis: Kind of Blue for their Transcribed Score series and numerous recordings for their Real Book Play-Along series and Real Book Multi-Tracks series. He authored the Hal Leonard Jazz Piano Method Book 1, released in September 2015, and the Hal Leonard Jazz Piano Method Book 2, released in June 2019. Available in English, Dutch, French, and German, the method books have sold over 27,000 copies worldwide.Enough already - without further delay- enjoy my interview with Mr. Mark Davis. Links to the websites:www.markdavismusic.comwww.milwaukeejazzinstitute.orgLinks to purchase books:Hal Leonard Jazz Piano Method Book 1 - by Mark Davishttps://amzn.to/2CqmIvRHal Leonard Jazz Piano Method Book 2 - by Mark Davishttps://amzn.to/32VA3axMark Davis social media channels:https://www.facebook.com/markdavisjazzhttps://www.instagram.com/markdavismusic/https://www.youtube.com/@MarkDavisJazzhttps://www.linkedin.com/in/markdavisjazz/Milwaukee Jazz Institute social media channels:https://www.facebook.com/MilwaukeeJazzInstitute/https://www.instagram.com/milwaukeejazzinstitute/https://www.linkedin.com/company/milwaukee-jazz-institutehttps://www.youtube.com/@milwaukeejazzinstituteSupport the show

Brock & Salk discuss how the great John Clayton would discuss this year's Seahawks team and wonder if he would be seeing something different than what we're watching every Sunday. Could they actually be better than their win/loss record? Conversation turns back to the Mariners and how the fans feel betrayed before Brock's Blue 88.